Pixel Scroll 9/17/22 The Last Scroll Title On Earth Sat Alone In A Room

(1) JAYMEE GOH ANTHOLOGY HAS EKPEKI STORY. Don’t Touch That, an anthology about parenting edited by Jaymee Goh, was released this week. It includes Oghenechovwe Donald Ekpeki’s latest short story “Mother’s Love, Father’s Place”. He says, “It’s a historical fantasy story set in southern Nigeria and touches on the killing of Twins in Calabar & how it ended. (spoiler, not by Mary Slessor).”

(2) NO TURNING BACK! The New Yorker remembers “The Enduring Allure of Choose Your Own Adventure Books”.

You were a girl who wanted to choose your own adventures. Which is to say, you were a girl who never had adventures. You always followed the rules. But, when you ate an entire sleeve of graham crackers and sank into the couch with a Choose Your Own Adventure book, you got to imagine that you were getting into trouble in outer space, or in the future, or under the sea. You got to make choices every few pages: Do you ask the ghost about her intentions, or run away? Do you rebel against the alien overlords, or blindly obey them?

This was the late eighties in Los Angeles. You binged on these books, pulling tattered sun-bleached copies from your bookshelf: four, five, six in the course of a single afternoon. All over the country, all over the world, other kids were pulling these books from their bookshelves, too. The series has sold more than two hundred and seventy million copies since its launch, in 1979. It’s the fourth-best-selling children’s-book series of all time. Its popularity peaked in the eighties, but the franchise still sells about a million books a year….

The story of Choose Your Own Adventure is largely the tale of two men: Edward Packard, a lawyer who came up with the concept while telling bedtime stories to his two daughters (who sometimes wanted the protagonist to do different things), and R. A. (Ray) Montgomery, an independent publisher who put out Packard’s first book, in 1976, after all the big houses had rejected it….

Both men went through divorces shortly before the series started gaining momentum, and ended up writing many of their books as single fathers. Their children remember helping their fathers invent and flesh out new scenarios: Packard’s daughter Andrea suggested the idea of a time-travelling cave; Montgomery’s sons, Anson and Ramsey, suggested cars (the Saab 900 Turbo, the Lancia Stratos) for “The Race Forever.” Packard paid his children thirty-five cents an hour to read his manuscripts and offer feedback: Which parts were boring? Which choices would kids enjoy? (Andrea, Anson, and Ramsey ended up writing for the franchise, publishing their first Choose books during college.)…

(3) INTERIOR LIFE OF THE ARTIST. Melissa Capriglione is “just journaling some thoughts” – that we probably can all relate to in our own way.

(4) RECIDIVIST. Bob Roehm posted a clever photo on Facebook taken after he was apprehended with a banned book – Fahrenheit 451 – at Carmichael’s Bookstore in Louisville, KY.  

(5) THE DNA OF THE DEATH STAR. [Item by Martin Morse Wooster.] The San Francisco Chronicle looks at how John Dysktra built the Death Star in Star Wars based on his work in 1972 building a realistic model of Berkeley. “This obscure Bay Area study shaped the ending of ‘Star Wars’”.

The newly released six-part Disney Plus streaming docuseries “Light & Magic” goes deep into the history of George Lucas’ San Francisco-based special effects studio Industrial Light & Magic, which was founded in 1975. The ending of the second episode explores the process behind the Death Star scene, in which the fate of the Rebel Alliance hangs on Luke Skywalker’s ability to speed his X-wing through a narrow trench and blast a thermal exhaust port that is only 2 meters wide.

In reality, the entire surface of the Death Star was a hand-built model that measured approximately 15 by 40 feet. Meticulous craftsmanship contributed to the verisimilitude, but the documentary reveals that the filmmaking techniques that made the scene feel so real are actually rooted outside the realm of special effects. It turns out that the entire sequence hinged on a model developed during an urban planning study at UC Berkeley in the early 1970s, which also happened to shape the future of San Francisco’s skyline.

“The Berkeley Experiment,” as it is referred to in the documentary, was funded by the National Science Foundation and led by urban planning professor Donald Appleyard at the school’s Environmental Simulation Lab. Completed in 1972, the project entailed building a small-scale model of Marin County and a computer-controlled stop-motion 16 mm camera system. The goal was to achieve a sense of realism as a model car traversed the miniature cityscape, in hopes that the technique could guide civic decision-making regarding construction choices. …

An archival photo of the UC Berkeley Environmental Simulation Laboratory.

(6) ATTACK OF THE 50-YEAR-OLD CONVENTION. Rob Hansen draws on contemporary reports by Fred Pohl, Rob Holdstock, Sam Long, Bob Shaw and many others to reconstruct the events of “Chessmancon (1972)”. Many photos, too, including GoH Larry Niven giving a physics lecture?

CHESSMANCON, the twenty-third post-war UK National Science Fiction Convention, took place over the weekend of Friday, 31st March to Monday, 3rd April 1972. Named for both its location (Chester) and the city (Manchester) from whose Delta Group most of those organising it were drawn, CHESSMANCON was the fourth MANCON, the others being MANCON, SUPERMANCON, and THIRDMANCON.

…Presumably because of its name, the organisers of CHESSMANCON decided to include a chess tournament. Sadly, I don’t think SUPERMANCON made any reference to Clark Kent, or THIRDMANCON any reference to Harry Lime. So far as I’m aware, CHESSMANCON is the only con to be named after *two* cities.

And here’s another excerpt —

BOB SHAW:

I suppose that in what purports to be a con report one should make some mention of the official programme. Regrettably, I have a tendency to go to conventions and not see any of the programme items, but this doesn’t mean that the programme isn’t important to me. I like to be near the programme and let it induce currents in me, a coil of nerves in the vicinity of the con hall’s electromagnetic field. Some other fans feel the same way (I won’t name any names) and it is pleasant to sit with them in the bar, speculating on what is actually happening in the hall and listening to fragmentary reports from runners – “George Hay has got up to ask a question”, “The projector has broken down”, “There’s been an outbreak of sporran rash among the Scottish fans”, “George Hay is still asking his question”….

(7) RAMMING SPEED. Science is watching as “NASA’s asteroid deflection mission takes aim”.

On 26 September, an act of targeted violence will unfold 11 million kilometers from  Earth,  as  a  spacecraft  about  the size  of  a  vending  machine  smashes into a small asteroid at 6 kilometers per   second.   Unlike   some   asteroids that stray worrisomely close to Earth’s orbit, Dimorphos—the 160-meter moon of a larger body—is  an  innocent  bystander,  posing  no threat to our world. But the looming assault represents humanity’s first-ever field test of a planetary defense mission: NASA’s Double Asteroid Redirection Test, or DART. The  hope  is  that  the  collision  will  nudge Dimorphos  toward  its  780-meter  partner, Didymos,  shortening  a  nearly  12-hour  orbital period by minutes. A successful strike would support the idea that, in the future, similar efforts could deflect threatening asteroids onto safer courses. But simulations and lab experiments show the fate of the mission  depends  on  a  crucial  question: Are  such  small  asteroids  solid  boulders or—as astronomers increasingly believe—loose heaps of rubble?…

(8) MEDIA BIRTHDAY.  

1964 [By Cat Eldridge.] Bewitched premiered on ABC fifty-eight years ago this evening.

Creator Sol Saks’ said his basis for this series were I Married a Witch,  the 1942 film that came from Thorne Smith’s unfinished novel The Passionate Witch, and the John Van Druten Broadway play Bell, Book and Candle, which was adapted into the 1958 film. Yes, both films were properties of Columbia Pictures, which also owned Screen Gems, which also produced Bewitched.

The show was popular, finishing as the second-rated show in America during its debut season, staying in the top ten for its first three seasons, and ranking in eleventh place for both seasons four and five.

It starred, as you well know, Elizabeth Montgomery as Samantha Stephens, Dick York for the first, and Dick Sargent for the rest of the series, as Darrin Stephens. Agnes Moorehead as Endora was really the only other ongoing character. 

Look I need no SPOILER ALERTS here as y’all know the characters, the setting and the story. I bet everyone here has seen some or all of it. 

Historical note here.

Series director William Asher started rehearsals for the pilot on November 22, 1963 which of course coincided with President Kennedy’s assassination.  He felt deeply affected by the event as he personally knew Kennedy — he had produced the 1962 televised birthday party where Marilyn Monroe sang “Happy Birthday, Mr. President”.

End historical note. Back to the series.

The Stephens house, inside and out, was inspired by a location used in two Gidget movies. Gidget was filmed in 1959 at a real house at 267 18th Street in Santa Monica. The blueprints of this house were later reversed and replicated as a house facade attached to an existing garage on the backlot of Columbia’s Ranch. This was the house seen on Bewitched

Then, the patio and living room sets seen in Columbia’s Gidget Goes to Rome (1963) were adapted as the permanent Bewitched set for 1964. (At least some episodes of I Dream of Jeannie also were filmed using this interior set which makes sense as it’s the same production company. Using material from one series or film on another is very, very economical.) 

Bewitched lasted eight seasons and two hundred fifty episodes. Both the opening and closing animated credits were produced by Hanna-Barbera. Naturally they are on YouTube.

No, I’m not mentioning or discussing the reboot. I’m really not.

As near as I can tell, Bewitched is only streaming for free, errr, on Freevee. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 17, 1885 George Cleveland. He was Professor Hensley aboard the Thirties Flash Gordon film serial. IMDb says that he was supposed be in 1938’s Flash Gordon’s Trip To Mars, but his bits ended up not being in the film. (Died 1957.)
  • Born September 17, 1908 John Creasey. English crime and SF writer who wrote well over than six hundred novels using twenty-eight different names. His SF writings were mostly in the Dr. Palfrey series, a British secret service agent named Dr. Stanislaus Alexander Palfrey, who forms Z5. There’s a lot of his novels available from the usual suspects. And I do many really a lot, so I’m going to ask all of you where to start reading his SF novels as I am curious as to how they are. (Died 1973.)
  • Born September 17, 1917 Art Widner. He was a founding member of The Stranger Club which created Boston fandom. He chaired Boskone I and Boskone II which were held in 1941 and 1942, they being the very first two Boston cons. Fancyclopedia 3 has a very detailed  look at him here. (Died 2015.)
  • Born September 17, 1920 Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. (Died 2012.)
  • Born September 17, 1920 Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. And where’s a treat for you. Here he is on The Carol Burnett Show wearing his Planet of the Apes makeup. (Died 1998.)
  • Born September 17, 1939 Sandra Gimpel, 83. Performer and stunt woman. Though you’ll literally not recognize her, she was the salt monster aka the M-113 creature (as it was called in the credits) in “The Man Trap” episode of the original Trek. In “The Cage” episode, she played a Talosian. As a stunt woman, she’s been on genre shows ranging from Lost in Space to Lucifer and even appeared on films like Escape from New York
  • Born September 17, 1950 Roger Stern, 72. Comics writer who’s most noted work who was on AvengersCaptain AmericaDoctor Strange, and Starman. I’m very, very impressed of his work on the first twenty-eight issues of Starman, which were published from 1988 to 1990. 
  • Born September 17, 1979 Neill Blomkamp, 43. South African born Canadian filmmaker of District 9 which was nominated for Best Dramatic Presentation, Long Form at Aussiecon 4. EofSF says also, “Of particular note were Tetra Vaal (2004), a RoboCop-inspired advertisement for a fictional range of third-world law-enforcement drones; Alive in Joburg (2005), about an influx of Alien immigrants from a Spaceship stalled over Johannesburg; and Tempbot (2006), about a Robot office worker attempting to parse cubicle culture.” Other genre films include Elysium and Chappie.

(10) COMICS SECTION.

  • Close to Home’s joke probably really isn’t about the first thing that came to my mind.
  • Lio today is a real sinus friction story.

(11) NEW SUPERHERO CASTING CONTROVERSY. “With an Israeli Superhero, Marvel Wades Into an Intractable Conflict” reports the New York Times.

It was the latest addition to a fantasy world populated by an ever-growing cast of superheroes and villains: Marvel Studios announced this past week that it had cast the Israeli actress Shira Haas to play Sabra, a mutant Israeli police officer-turned-Mossad agent, in the next installment of the “Captain America” franchise.

While Jewish Israelis rejoiced at the casting of an actress from Israel as a superhero in a major Hollywood production (“Israeli Pride,” declared the Hebrew news site Maariv), the backlash among Palestinians and their supporters was swift, and #CaptainApartheid soon appeared on social media.

Many critics expressed outrage about Sabra’s character and her identity as an Israeli intelligence agent, accusing Marvel of buying into Zionist propaganda; of ignoring, or supporting, Israel’s occupation of territory captured in 1967; and of dehumanizing Palestinians….

(12) HE CAN DO IT! Paul Weimer takes up the challenge of reviewing the latest entry in a long-running series: “Microreview [book]: The Untold Story by Genevieve Cogman” at Nerds of a Feather.

How does one really review the 8th(!) book in a series and make that review intelligible to readers who have never read any of the books, and yet helpful to readers both old and new alike. This is the situation where I find myself talking about Genevieve Cogman’s The Untold Story, eighth in her Invisible Library novels. 

I’ll start by saying that the Invisible Library novels, which the first was published in 2016, were multiverse before the multiverse was the new hotness. Imagine a multiverse of worlds , aligned on an order-chaos spectrum a la Moorcock. Imagine these worlds taking cues from Earth cultures and societies.  Imagine two sets of superhuman beings–Dragons, representing order, and Fae, representing chaos, struggling for control and domination of these worlds.  Now imagine a third power, a third party, the Library, seeking to stabilize the worlds, and collect books from all of them at the same time.   

Irene Winters is one of these interdimensional Librarians. Her previous adventures have had her tangle with a traitor to the library (Alberich, more on him anon) deal with both Fae and Dragon politics (her first assistant is a Dragon, and her newest apprentice is a Fae) and visit a variety of worlds in places inspired by Venice, Vienna, New York, and more….

(13) SHE DREAMS OF GENIE. Nerds of a Feather film reviewer Arturo Serrano says it is no easy task to convey the feelings roused by this movie: “Love is a freely chosen yoke in ‘Three Thousand Years of Longing’”. But he does!

When one encounters an impeccably beautiful work of art, the attempt to explain it feels like a desecration. Three Thousand Years of Longing is that kind of art that you’re meant to experience more than understand. It does follow a plot, and the plot does make arguments, but to dissect those arguments risks losing sight of the experience. I can’t properly communicate to you the emotional content of this story. What I can try to do is describe what happens in it, but I will fall short of conveying all it says. This is one of those films that leave you permanently changed, and the only way for that secret alchemy to happen is to go yourself to the theater and let it wash over you….

(14) FIFTY YEARS LATER. Totally not sff, but a fascinating interview with insights about screenwriting: “Alan Alda on ‘M*A*S*H’: ‘Everybody Had Something Taken From Them’” in the New York Times.

Were there story lines that you thought “M*A*S*H” hadn’t quite tackled yet that you wanted to bring into the world of the show as a writer and director?

When I wrote, I tried to find out a little bit more about each of the characters. Who is Klinger [Jamie Farr] really? What was underneath — I almost said, what was underneath the dresses. [Laughs.] What was underneath the wearing of the dresses? Who was Margaret [Loretta Swit]?

I see on the internet that people assumed that because I was politically active, trying to get the Equal Rights Amendment passed, that in my writing I was trying to make political points, too. And I wasn’t. I really don’t like writing that passes as entertainment when it’s really propaganda. I want to hear a human story.

(15) EARLY CLUES. Jess Nevins writes about the history of Chinese detective fiction at CrimeReads: “Pre-Revolution Chinese Detective Fiction”.

Mysteries and detective fiction are usually thought of as the inventions of Edgar Allan Poe, but the truth is that they have both been popular in China for over a thousand years. The Chinese have no clear place or person of origin for mysteries and detective fiction, the way the West has Poe, but what the Chinese do have are centuries’ more mysteries and detective stories than the West does.

The first Chinese proto-mysteries—that is, mysteries who some but not all of the elements of modern mystery fiction—were the “gong’an” (“court case”) stories. Told in the form of oral performances and puppetry shows, the gong’an began appearing during the Northern Song Dynasty (960-1127). Gong’an traditionally featured incorruptible government officials solving criminal cases and bringing about justice to the guilty and restoration to those who were wronged…. 

(16) CAME TO THE WORLD IN THE USUAL WAY. CNN invites everyone to “Meet the mystery diamond from outer space”.

Scientists have debated its existence. Tiny traces provided clues. Now, researchers have confirmed the existence of a celestial diamond after finding it on Earth’s surface.

The stone, called lonsdaleite, has a hardness and strength that exceeds that of a regular diamond. The rare mineral arrived here by way of a meteorite, new research has suggested….

The revelation started to unfold when geologist Andy Tomkins, a professor at Monash University in Australia, was out in the field categorizing meteorites. He came across a strange “bended” kind of diamond in a space rock in Northwest Africa, said study coauthor Alan Salek, a doctoral student and researcher at RMIT University in Australia.

Tomkins theorized the meteorite that held the lonsdaleite came from the mantle of a dwarf planet that existed about 4.5 billion years, Salek said.

“The dwarf planet was then catastrophically struck by an asteroid, releasing pressure and leading to the formation of these really strange diamonds,” he added.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King explains why you should be nice to the annoying little guy with a squeaky voice who offers to show you a fantasy world!

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, SF Concantenation’s Jonathan Cowie, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Carl Brandon Society Resumes Parallax and Kindred Awards

The Carl Brandon Society is reinstituting the Carl Brandon Brandon Parallax and Kindred Awards.  These two literary awards are given annually to outstanding works of speculative fiction. Nominations are now open.

  • The Carl Brandon Parallax Award goes to the best speculative fiction created by a person of color in the preceding calendar year. 
  • The Carl Brandon Kindred Award goes to the work of speculative that best explores and expands our understanding of race in the preceding calendar year; its creator may be of any racial or ethnic background. 

Each award includes an award plaque, a check for US$1000, and the opportunity to participate in the award ceremony.

Nominations for works to be considered for the 2019 Parallax and Kindred Awards are open as of March 6, 2020, and they close April 15, 2020.  Nomination forms are electronic only, and are available via a link on the organization’s website or directly at https://forms.gle/rK3nuYspyL3gn2Ur8.

The first Carl Brandon Parallax and Kindred Awards were presented 2006 for Walter Mosley’s novel 47 and Susan Vaught’s novel Stormwitch, respectively.  The Awards continued through 2011; for a complete history, please visit the Society website.

Founded in 1999, the Carl Brandon Society is a nonprofit organization dedicated to increasing racial and ethnic diversity in the production of and audience for speculative fiction.  We administer the Octavia E. Butler Memorial Scholarship Fund and operate a list serve supporting the growing presence of People of Color in the imaginative genres. 

The Carl Brandon Society Steering Committee members are K. Tempest Bradford, Maurice Broaddus, Candra K. Gill, Jaymee Goh, Victor J. Raymond, Kate Schaefer, and Nisi Shawl.

Pixel Scroll 6/24/19 The Beast That Shouted “It’s Too Dark In Here To Read!*@%#$” At The Heart (Of Darkness) In The World

(1) TIME FOR A CHAT. Juliette Wade’s new Dive Into Worldbuilding features inventive storyteller Jaymee Goh. Watch and listen on YouTube, or read the synopsis posted on the site. (Or both!)

It was a pleasure to have Jaymee Goh on the show after seeing her at SF in SF last month! If you’d like to learn about SF in SF (Science Fiction in San Francisco), go here. At that event, Jaymee read a horror story called “When the Bough Breaks,” so we started out by talking about that story….

“When the Bough Breaks” is set in Malaysia, and has a condominium building that is similar to the one in the real world collapse. There are many buildings designed with a courtyard in the middle so kids can play. In her story, the courtyard is between the condos and the face of the hill, and it’s called “The Cradle.”

I was really fascinated by the way Jaymee used language in her story. She explained to us that this is exactly how Malaysians talk. She described it as the country having several major languages, and people having a basolect – one main language – to which they would add grammar and vocabulary from others. Maybe the base would be Malay, with Chinese and English added. Maybe if the person was middle class it might be English with Malay and Chinese added. In the story, it’s very clear that this is not an exclusively English-speaking community. When she was hanging with friends there would be various groups with different accents.

I asked Jaymee if she found it at all hard to balance the authenticity of the speech with the need for the audience to understand it. She said it’s not too hard to balance because there’s high compatibility, with a lot of vocabulary and grammar coming from English.

“This is literally how my family talks,” she explains. There are degrees of difference from family to family. She compares her work to the short fiction of Zen Cho, who uses more Hokkien in the text.

(2) STRANGER THINGS FINAL TRAILER. It’s almost time. Stranger Things 3 premieres July 4.

(3) THE FALCON FLIES TONIGHT. SpaceX launches their Falcon Heavy rocket tonight from Cape Canaveral… the first-ever night launch for Falcon Heavy, and carrying a huge complement of various projects. Besides both civilian and military payloads (including the STP-2 mission for the Air Force), two of the projects JPL has been working on for over a decade — the Deep Space Atomic Clock (DSAC) and a US/Taiwan joint weather data satellite called COSMIC-2 — are aboard the rocket. .

Forbes has a pre-launch story: “SpaceX Prepares For Its Most Difficult Launch With First-Ever Falcon Heavy Night Flight”.

A four-hour launch window for the rocket opens tonight, Monday June [24] at 11.30pm Eastern time. The rocket is set to lift off from Launch Complex 39A at NASA’s Kennedy Space Center in Cape Canaveral, Florida. The launch will be streamed live online, which you can follow here about 20 minutes before liftoff.

SpaceX webcast

Falcon Heavy’s side boosters for the STP-2 mission previously supported the Arabsat-6A mission in April 2019. Following booster separation, Falcon Heavy’s two side boosters will attempt to land at SpaceX’s Landing Zones 1 and 2 (LZ-1 and LZ-2) at Cape Canaveral Air Force Station in Florida. Falcon Heavy’s center core will attempt to land on the “Of Course I Still Love You” droneship, which will be stationed in the Atlantic Ocean.

(4) TOP CHILDREN’S BOOKS. The Independent’s Philip Womack lists the “30 best children’s books: From Artemis Fowl to Harry Potter”. I’ve read 14 of these.

But there isn’t room in this list for everything. I’m sure that every single reader will gasp at omissions and query the order. There are many personal favourites that I’ve left out, and many more 20th- and 21st-century writers whom I would have liked to include. 

This isn’t intended as a definitive ranking; but as an overview, and a guide. You’ll recognise many; a few perhaps will be not so well known, but deserve more attention. I’ve considered influence as well as originality; but crucially, all of the books here have stood the tests of time, taste and, most importantly, readers. Each one, whenever it was published, can be read and enjoyed by a child today as much as it was by the children of the past.

 (5) TODAY IN HISTORY.

  • June 24, 1983 Twilight Zone – The Movie premiered theatrically.
  • June 24, 1987 Spaceballs debuted.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 24, 1842 Ambrose Bierce. The Devil’s Dictionary is certainly worth reading but it’s not genre. For his best genre work, I’d say it’s “An Occurrence at Owl Creek Bridge” which along with his “The Tail of the Sphinx” gives you range of his talents. Both iBooks and Kindle offer up everything (as near as I can tell) he’s written, much of it free. (Died 1914.)
  • Born June 24, 1925 Fred Hoyle. Astronomer of course, but also author of a number of SF works including October the First Is Too Late which I think is among the best genre novels done. I’m also fond of Ossian’s Ride which keep its SF elements hidden until late in the story. 
  • Born June 24, 1937 Charles N. Brown. Founder and editor of Locus. I’m going to stop here and turn this over to those of you who knew him far better than I did as my only connection to him is as a reader of Locus for some decades now. (Died 2009.)
  • Born June 24, 1950 Nancy Allen, 69. Officer Anne Lewis in the Robocop franchise. (I like all three films.) her first genre role was not in Carrie as Chris Hargensen, but in a best forgotten a film year earlier (Forced Entry) as a unnamed hitchhiker. She shows up in fan favorite The Philadelphia Experiment as Allison Hayes and I see her in Poltergeist III as Patricia Wilson-Gardner (seriously — a third film in this franchise?). She’s in the direct to video Children of the Corn 666: Isaac’s Return as Rachel Colby. (Oh that sounds awful.) And she was in an Outer Limits episode, “Valerie 23”, as Rachel Rose. 
  • Born June 24, 1947 Peter Weller, 72. Yes, it’s his Birthday today too. Robocop obviously with my favorite scene being him pulling out and smashing Cain’s brain, but let’s see what else he’s done. Well there’s The Adventures of Buckaroo Banzai Across the 8th Dimension, a film I adore. And then there’s Leviathan which you I’m guessing a lot of you never heard of. Is Naked Lunch genre? Well Screamers based on Philip K. Dick’s short story “Second Variety” certainly is. Even if the reviews sucked.  And Star Trek Into Darkness certainlyqualifies. Hey he showed up in Star Trek: Enterprise
  • Born June 24, 1950 Mercedes Lackey, 69. There’s a line on the Wiki page that says she writes nearly six books a year.  Impressive. She’s certainly got a lot of really good series out there including the vast number that are set in the Valdemar universe. I like her Bedlam’s Bard series better. She wrote the first few in this series with Ellen Gunn and the latter in the series with Rosemary Edgehill. The SERRAted Edge series, Elves with race cars, is kinda fun too. Larry Dixon, her husband, and Mark Shepherd were co-writers of these. 
  • Born June 24, 1982 Lotte Verbeek,37. You most likely know her as Ana Jarvis, the wife of Edwin Jarvis, who befriends Carter on Agent Carter. She got interesting genre history including Geillis Duncan on the Outlander series, Helena in The Last Witch Hunter, Aisha in the dystopian political thriller Division 19 film and a deliberately undefined role in the cross-world Counterpart series. 

(7) COMICS SECTION.

  • Grimmy offers a surprising hint about what Batman does in the bat’room.
  • The aliens almost give the traditional greeting to the first human they meet: The Argyle Sweater.

(8) NSFWWW. They made a little mistake: “Samuel L. Jackson is furious over ‘Spider-Man’ poster error”.

Living up to the name of his Marvel character Nick Fury, Samuel L. Jackson unleashed an expletive-laden rant on Instagram about an error in a “Spider-Man: Far From Home” poster.  

(9) TALK TO THE BUG. “Chatty cockroach gets Greeks talking on Athens streets” says the BBC.

“Hello, I live in the sewers of Athens,” says the cockroach. “Yes, me too,” says an Athenian walking past, apparently unfazed by the idea of an insect talking to him from a drain.

Little does he know that, only a few feet away, artists Myrto Sarma and Dimitra Trousa are crouching over a tiny microphone, impersonating the cockroach in a voice they have rehearsed over and over.

The artists are delighted the man is engaging with their insect, explaining how his life has changed over the past decade. He was recently made redundant and has struggled to support himself ever since.

“It’s not nice up here any more,” he complains, speaking into the drain. “I think you’re better off staying down there.”

(10) THE PLAY’S THE THING. BBC reports “Toy Story 4 breaks global box office record for animation”.

Toy Story 4, the long awaited fourth film in the animated franchise, has broken global box office records for an animated movie.

It earned $238m (£187m) since opening worldwide over the weekend, performing particularly well in Latin America and Europe.

The film struggled in China, however, and also failed to meet expectations in the US, where its $118m (£93m) fell short of a predicted $140m (£110m).

(11) OUTSIDE OF AN OCTOPUS. In the Washington Post, Lela Nargi interviews Alon Gorodetsky, lead researcher of a team at the University of California (Irvine) who is looking at the color-changing abilities of octopi (known as biomimicry) to come up with clothes that can make a user warmer or colder depending on what she desires. “How can an octopus help us stay warm?”

…Ever since, Gorodetsky’s lab at the University of California at Irvine (UCI) has been trying to make what he calls “technologically valuable things” based on cephalopods’ camouflaging skills. They’ve finally succeeded in creating a material that will let people, not disguise themselves as rocks and algae, but regulate how warm or cool they feel. The UCI team built this material using biomimicry — watching how a biological organism behaves, then imitating it.

Cephalopods have a layer of skin that’s packed with pigment-containing cells called chromatophores. When you can’t see the cephalopod, it’s expanding and contracting its chromatophores between little upright points and big, flat disks. Think about drawing dots on a piece of plastic wrap, says Gorodetsky, then stretching the plastic so that those dots get much bigger….

(12) THE FUTURE? WE’RE THERE. The New York Times weighs in on a new HBO series scripted by veteran Doctor Who writer Russell T. Davies: “Review: In ‘Years and Years,’ Things Fall Apart, Fast”.

Ever feel like there’s too much happening? That the news is out of control? That there’s barely time to process one outrage before another replaces it, leaving just the faint memory and a little bit of scar tissue from the previous Worst Thing to Ever Happen?

“Years and Years” is not the escape for you.

The HBO limited series, from the British writer Russell T Davies, is about a lot of ideas: runaway technology, European nationalism, the failure of liberal democracy. But its overarching idea, driven home by its pell-mell narrative, is, “Man, there’s a lot of crazy stuff going on these days.”

This six-episode limited series, beginning Monday, is half family drama, half speculative fiction. It starts in the present, with the adult children of the Lyons clan of Manchester welcoming a new baby into the family. Then it tears ahead five years into the future, its foot jammed on the accelerator, and shows us what rough beasts are being born elsewhere.

World governments continue to lurch toward right-wing xenophobia. China builds a military installation on an artificial island. War breaks out in Ukraine. A nutty, populist entrepreneur, Vivienne Rook (Emma Thompson), runs for Parliament. Oh, P.S.: There are no more butterflies!

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The SEA Is Ours: Steampunk from Rosarium Publishing

SEASteamRcover_webresAfter a successful IndieGoGo campaign, Jaymee Goh and Joyce Chng’s collection, The SEA is Ours: Tales of Steampunk Southeast Asia, is available for purchase on Amazon.

With steampunk stories set in Singapore, Thailand, Vietnam, Indonesia, and the Philippines, The SEA Is Ours from Rosarium Publishing features a blend of previously published writers and upcoming names.

The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world.

It is Southeast Asian not only in name but in essence, with 11 of its 12 writers being Southeast Asian or of Southeast Asian descent.

Table of Contents

  • On The Consequence of Sound” – Timothy Dimacali
  • “Chasing Volcanoes” – Marilag Angway
  • “Ordained” – L. L. Hill
  • “The Last Aswang” – Alessa Hinlo
  • “Life Under Glass” – Nghi Vo
  • “Between Severed Souls” – Paolo Chikiamco
  • “The Unmaking of the Cuadro Amoroso” – Kate Osias
  • “Working Woman” – Olivia Ho
  • “Spider Here” – Robert Liow
  • “The Chamber of Souls” – zm quynh
  • “Petrified” – Ivanna Mendels
  • “The Insects and Women Sing Together” – Pear Nuallak

Both editors have long been involved in speculative fiction. Joyce Chng is the author of several urban fantasy and Young Adult novels written from a Singaporean perspective. Her fiction has been published in such publications as Crossed Genres, The Apex Book of World SF II, and The Alchemy Press Book of Urban Mythic. She co-edited The Ayam Curtain, a Singaporean anthology of sf/f micro fiction. She blogs at A Wolf’s Tale.

Jaymee Goh, currently a PhD Candidate at the University of California, Riverside, has published short fiction and poetry, including a series of short stories set in a re-imagined Malaysia uncolonized by the West. Her fiction has appeared in Expanded Horizons and Crossed Genres, and in steampunk venues such as the Steam-Powered Series and Steampunk World. She has been quoted in Jeff and Ann Vandermeer’s Steampunk II: Steampunk Reloaded, as well as The Steampunk Bible, and has written steampunk-related non-fiction in The WisCon Chronicles 5 & 6 and Steampunk III: Steampunk Revolution. Her blog, Silver Goggles, tackles postcolonialism and racism in the various forms of steampunk.

Rosarium Publishing made a splash in speculative fiction with its 2013 anthology Mothership: Tales of Afrofuturism and Beyond. Since then it has published several ongoing comic titles such as Kid Code by graphic arts professor John Jennings, DayBlack by tattoo artist Keef Cross, and The Little Red Fish by designer Bizhan Khodabandeh. Its oeuvre includes young adult comic Malice in Ovenland by Micheline Hess, adult graphic memoir Jennifer’s Journal by Jennifer Cruté, and satirical novel Koontown Killing Kaper by founder Bill Campbell. Its most recent anthology release was Stories for Chip: A Tribute to Samuel R. Delany, which received high critical praise.

[From the press release.]