Science Fiction and Fantasy Writers of America, Inc. (SFWA) has released the Bud Webster Legacy Kit to aid professional writers in compiling the resources they need to protect their legacies. The Legacy Kit is available online at the SFWA website and as a PDF.
The Legacy Kit was created in honor of Bud Webster, a driving force behind the SFWA Estates Program. It includes a checklist of important documents, sample book inventories and tables, and a layman’s glossary of important terms in addition to explanatory articles on the relevant topics. With this resource, writers can begin to plan what happens to their literary properties after their deaths. These materials will aid in that process, though they do not constitute or replace advice from a lawyer.
The kit is available for all writers, not just SFWA members, to read or download and can be freely distributed with proper credit given. Other writing organizations are encouraged to share these materials, and the SFWA Legacy Committee members may be approached to develop seminars, workshops, and presentations on this important topic. The material will be updated quarterly to ensure relevance and incorporate new information as needed.
“SFWA hopes the Legacy Kit will help writers and their loved ones prepare their estates and protect their intellectual property in the event of emergencies or passing on,” said SFWA Vice President Tobias S. Buckell.
The Legacy Kit was written, researched, compiled, and produced by the members of the SFWA Legacy Committee, which falls under the umbrella of SFWA’s Estate Project. Committee members include Jean Marie Ward, Jeanne Adams, and Erin Wilcox. Others who contributed time and expertise to the effort include Julian Block, M. L. Buchman, Kim Headlee, James P. Nettles, Kristine Kathryn Rusch, Lawrence M. Schoen, Jonathan M. Wall, and Diane Whiteside.
“It’s been a privilege to work on the Bud Webster Legacy Kit from its inception under Lawrence M. Schoen, to the creation of the Legacy Committee under Tobias Buckell, to today when it takes its place on the SFWA website alongside the Bud Webster Estate Project,” said Jean Marie Ward, who led the committee. “It’s not just about what happens to a writer’s legacy after their death. It’s also about helping writers get the most value for their creative endeavors while they live.”
The SFWA Estate Project promotes and helps preserve the work of those writers who helped build the science fiction and fantasy field, as well as more recently deceased writers, to ensure that legitimate publication of their works can take place without violating copyright protection.
(1) WORLDCON AMBITIONS. Tammy Coxen wants to remedy the problem of groups bidding for Worldcons without having any knowledge of the norms and customs of the convention they want to run. With input from many others, she has created an introduction — “So You Want to Bid for a Worldcon”.
Have you ever thought about running a Worldcon? Because Worldcon has been going on for so long (over 80 years!) there are a lot of expectations, traditions, norms and customes about how to do that, and if you don’t know about them, it’s really hard to win your bid! We haven’t necessarily done a great job of communicating that to people, so (with a lot of help from friends) I put together this intro guide. This is not a how-to document with details – this is more big picture. I think it’s useful to all bidders, but it should be especially useful to people who are new(er) to Worldcons. Please feel free to share.
(2) AURORA AWARDS NEWS. The
Canadian Science Fiction & Fantasy Association reminded people today that the Aurora Awards Eligibility
lists close February 29, 2020. And the announcement comes with a warning —
This means that if there are any works you wish to nominate for an award which are not found on the public eligibility lists you will need to submit them before 11:59PM EST February 29, 2020.
Nominations will open March 1, 2020.
Unlike in previous years, works that are not on the Eligibility lists prior to the opening of Nominations will NOT be able to be added.
Jean: We’re so glad to have you. Your most recent published books are both alternate history. “The Berlin Project” looks at the world that might have been if the U.S. had the A bomb before D-day. “Rewrite” offers a sequel to your classic timescape with a Groundhog Day twist. What occasioned this desire to remake recent history?
Gregory: Because it’s so tempting. There are so many pivot points, particularly in World War II and I as a physicist was very close to the issue of, how do you get the Uranium-235 to make bombs? You have to separate it out from the heavier 238 isotope. And the decision of how to do that, I had two choices and General Groves was forced to make the choice because the scientists were divided and he chose the wrong one and it cost us a year in the Second World War. It’s generally agreed by historians that had we suggested or made happen centrifically a separation, spinning cylinders, we would have chopped a year off the gaseous diffusion that Oak Ridge used and spent $1 billion doing. So, how would that change the war? You would have the bomb at D-day, well, how would you use it? And I use this title, “The Berlin Project” because that’s what the scientists in the project called it the first few years because the target was Berlin. Groves said that was too obvious.
So he called it the Manhattan Project and opened an office in Manhattan to give the excuse of, well, of course it was near Columbia University where all his work was done, but still they were always focused on Berlin. So, that was just too tempting because I was a postdoc for Edward Teller at Livermore for two years and then a staff member. He offered me a staff position which I took before I went to UC Irvine. And Teller told me all these delicious stories about the Manhattan Project. And I knew so many of them. The woman who helped me to do physics at UC San Diego, Maria Kepert Mayor, when I was working on problems with her and did a bunch of nuclear physics, again for my thesis, she won the Nobel Prize. And she told me all kinds of delicious stories about the Manhattan Project….
(4) GIBSON BAFFLED. [Item by Martin Morse Wooster.] Behind
a paywall in the February 15 Financial Times, John Thornhill
interviews William Gibson.
Gibson knew the late (John Perry) Barlow well, but he says he is ‘absolutely baffled by the naive utopianism of the early Internet pioneers, who enthused about disruption. Barlow professed to love Neuromancer — according to Gibson — but appeared to have missed the central idea that cyberspace also had its downsides. Even today Gibson says he is puzzled by older readers who approach him at book signings to thank him for inspiring them to pursue a career in tech.
“They’d read a book in which there didn’t appear to be any middle class left and in which no characters had employment. They were all criminal freelancers of one sort or another. So, it was always quite mysterious to me.”
America’s experiences during the Civil Rights Movement and the Space Race are well documented. However, few know about the moment these two worlds collided, when the White House and NASA scrambled to put the first black astronaut into orbit. This is the untold story of the decades-long battle between the U.S. and the Soviet Union to be the first superpower to bring diversity to the skies, told by the black astronauts and their families, who were part of this little known chapter of the Cold War.
…On Aug. 30, 1983, the astronaut Guion Bluford embarked as a crew member of the Space Shuttle Challenger, making him the first African-American in space. This documentary features him alongside Edward Dwight, an Air Force pilot edged out of a position with NASA, and Frederick Gregory, the first African-American to command a NASA mission, to examine the complications of sending a black man into space during the Cold War.
…Striking out during “a time when computers wore skirts,” she once said, Johnson quickly proved her incomparable worth. So trusted were her calculations that astronaut John Glenn, the first American to orbit the Earth, considered them an integral part of his preflight checklist—even after the equations had been transferred over to modern electronic machines. “When he got ready to go,” Johnson said of Glenn, “he said, ‘Call her. And if she says the computer is right, I’ll take it.”
Her work fueled innumerable feats of aeronautics, several of which were outlined in the 26 research papers Johnson published over her decades-long career. The earliest of these publications made Johnson one of the first women at NASA to become a named author or co-author on an agency report, according to Margalit Fox at the New York Times.
…Though Johnson’s landmark contributions went mostly unheralded by mainstream media throughout her tenure at Langley, the 2010s finally brought her name into the public eye. In 2015, she was awarded the Presidential Medal of Freedom by Barack Obama, who described Johnson as “a pioneer who broke the barriers of race and gender, showing generations of young people that everyone can excel in math and science, and reach for the stars,” reports Russell Lewis for NPR. The next year, Margot Lee Shetterly’s book Hidden Figures, as well as a movie adaptation by the same name, highlighted the accomplishments of Johnson and her colleagues.
The film was nominated for three Oscars. When Johnson took the stage at the 2017 Academy Awards ceremony, the mathematician—then 98 years old and the only one of the movie’s central characters still alive at the time of its release—received a thunderous standing ovation. That fall, NASA dedicated a new Langley building in her honor, the Katherine G. Johnson Computational Research Facility….
…Mrs. Johnson had a bachelor’s degree in mathematics and spent her early career studying data from plane crashes, helping devise air safety standards at a time when the agency’s central concern was aviation….
… NACA was renamed National Aeronautics and Space Agency (NASA) in 1958, and Johnson became an aerospace technologist within NASA’s Spacecraft Controls branch. In 1960 she coauthored Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position, an important report that laid out the equations for determining landing position for orbital spaceflight. In 1961 she calculated the trajectory for Alan Shepard’s Freedom 7 Earth orbital mission….
(7) MORE ABOUT
BARBARA REMINGTON, In “Blast from
ye past”, DB follows this intro with some intriguing comments and insights
about the late artist:
Barbara Remington has died, at 90. Really old-time Tolkienists will remember her name as that of the artist who created the covers for the first issue of the Ballantine paperbacks of The Lord of the Rings, which may be seen pictured in her obituary here. (Note they’re all actually one painting split into three parts, which was also issued as a single poster without overprinting.)
Ballantine’s goal was to get the books in the shops quickly, to compete with the unauthorized Ace paperbacks, so they gave Remington very little time to work….
(8) TODAY IN HISTORY.
February 24, 1952 — Aladdin And His Lamp premiered. It was directed by Lew Landers, and starred Johnny Sands and Patricia Medina. Filming was finished in less than a week. It was originally produced for a television audience, then Allied Artists picked up the film and added additional footage for a theatrical release. You can see this short film here.
February 24, 1960 — The Amazing Transparent Man premiered. It was directed by Edgar G. Ulmer, and starred Marguerite Chapman and Douglas Kennedy. It and Beyond the Time Barrier were film in Dallas in two weeks. Critics in general liked it, but the audience rating at Rotten Tomatoes is a lousy 16%. You can see the film here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 24, 1909 — August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like). Let not to overlook him being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.)
Born February 24, 1933 — Verlyn Flieger, 87. Well-known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s World, A Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a YA fantasy, Pig Tale, and some short stories.
Born February 24, 1945 — Barry Bostwick, 75. Best remembered for being Brad Majors in The Rocky Horror Picture Show. His first genre undertaking was the English language narration of Fantastic Planet. He voices the Mayor in The Incredibles 2.
Born February 24, 1947 — Edward James Olmos, 73. Reasonably sure the first thing I saw him in was as Detective Gaff in Blade Runner, but I see he was Eddie Holt in Wolfen a year earlier which was his genre debut. Though I didn’t realize it as I skipped watching the entire film, he was in The Green Hornet as Michael Axford. (I did try watching it, I gave up after maybe fifteen minutes. Shudder.) He has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the rebooted Battlestar Galactica. He made appearances on Agents of S.H.I.E.L.D. and Eureka.
Born February 24, 1951 — Helen Shaver, 69. Her SFF debut was as Betsy Duncan in Starship Invasions aka Project Genocide in the U.K. though you’ve likely not heard of her there, you might have seen her as Carolyn in The Amityville Horror. She’s Littlefoot’s mother in The Land Before Time, and Kate ‘White’ Reilly in the second Tremors film. She’s got one-offs in The Outer Limits, Amazing Stories, Ray Bradbury Theater and Outer Limits to name but a few. And she was Dr. Rachel Corrigan in Poltergeist: The Legacy, a super series indeed.
Born February 24, 1966 — Billy Zane, 54. His genre roles include Match in Back to the Future and Back to the Future Part II, Hughie Warriner in Dead Calm, John Justice Wheeler in Twin Peaks, The Collector in Tales from the Crypt presents Demon Knight and the title role in The Phantom.
Born February 24, 1966 — Ben Miller, 54. He first shows up in our corner of things on The Adventures of Young Indiana Jones in the “Daredevils of the Desert” episode as an unnamed French Officer. His main genre role was on Primeval, a series I highly recommend as a lot of fun, as James Lester. He later shows up as the Sheriff of Nottingham in a Twelfth Doctor episode entitled “Robot of Sherwood”.
Born February 24, 1968 — Martin Day, 52. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. The Hollow Men, a Seven Doctor novel he co-wrote wrote with Keith Topping, is quite excellent. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers.
…The lander, which touched down on the red planet 15 months ago, has detected plenty of seismic activity, an unexpectedly strong local magnetic field and around 10,000 whirlwinds passing over the Martian surface.
The findings, published Monday in a suite of six papers in the journals Nature Geoscience and Nature Communications, will help scientists unlock the secrets of Mars’ interior and understand why it looks so different from Earth.
“What these results really are showing us is that Mars is an active planet today,” said Bruce Banerdt, the mission’s principal investigator, based at NASA’s Jet Propulsion Laboratory in La Cañada-Flintridge, and a co-author of the new studies.
InSight is situated in a roughly 27-yard-wide impact crater in western Elysium Planitia, a volcanic plain whose surface material ranges in age from 3.7 billion to just 2.5 million years old. About 1,000 miles away lies Cerberus Fossae, a volcanic region full of faults, evidence of old lava flows and signs that liquid water once ran on the surface.
(12) HITCH YOUR WAGON TO A STAR. In the Washington Post, Homer
Hickam argues that it’s time for a “moon rush” and “once
electricians, plumbers, miners, and construction workers start going to the
moon, and the middle class starts using products made with materials from Luna,
the United States will turn into a true spacefaring nation.” “Let
the moon rush begin”.
As these efforts get going, however, it’s important to avoid the thinking of a half-century ago and look at the moon in a different way. This is, after all, not your grandfather’s moon. After the Apollo moon-landing program of the 1960s and ’70s, a series of robotic missions discovered that Luna was a lot more interesting than many had previously thought. It has abundant water and oxygen, as well as helium, platinum, thorium, rare earth metals and other minerals that may well be worth digging up and transporting back for use in thousands of products. Last year, a gigantic blob of metal, as yet unidentified but significantly larger than the Big Island of Hawaii, was discovered beneath the lunar south pole. Whatever it is, it has value. The quiet far side of the moon could also provide a location for interstellar observatories, and tourists who would pay a lot to have a lunar vacation are inevitable. In other words, a real business case can be made for the moon, a case that could not only put dollars back into the pockets of taxpayers but also open up jobs for skilled workers on the lunar surface.
In chronically dry regions around the world, communities are finding ways to live from the water suspended in the air – creating valuable drinking water from mist.
When Abel Cruz was just a boy, near the Peruvian region of Cusco, he had to walk for more than an hour every day to collect water from the nearest source and take it back home. Then he realised that, during the rainy season, drops accumulated in the banana leaves.
“When we saw that, my father and I built natural canals with the leaves to collect the water,” he says. “The first drops were a bit dirty and dusty, yet it was useful to wash dishes.”
The leaves, however, only lasted for around two weeks. “So we cut bamboo in half and we replaced the canal pipes with them, which lasted a lot longer,” explains Cruz. “That is how I got involved with collecting water.”
Today Cruz is collecting water in a very different way – he catches fog.
With large sheets of mesh strung up on hillsides, it is possible to harvest the thick mists that drift across the arid Peruvian landscape. Tiny droplets condense on the netting and dribble down into pipes that carry the water into containers where it can be used to irrigate crops or even as drinking water.
Each net can capture between 200-400 litres of fresh water every day, providing a new source of water for communities that have had no easy access to regular supplies. Cruz has helped to install more than 2,000 of these fog catching nets in eight rural communities across Peru as well as in Bolivia, Colombia and Mexico. The impact has been dramatic.
(17) VIDEO OF THE DAY. Mitigation of Shock from Superflux on Vimeo is about an installation by
Superflux displaying the gloomy world of 2050 after climate change and economic
[Thanks to JJ, John King Tarpinian, Martin Morse Wooster, Tammy
Coxen, Chip Hitchcock, Cat Eldridge, Mike Kennedy, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day
(1) MIGNOGNA FILES SUIT. Anime News Network reported in January that a Twitter thread accused dub voice actor Vic Mignogna of homophobia, rude behavior, and making unwanted physical advances on female con-goers. He’s now filed suit claiming several individuals and a corporation have damaged his professional career.
This comes after a wave of misconduct accusations which resulted in Mignogna’s removal from Funimation’s The Morose Mononokean 2 and Rooster Teeth’s RWBY. Allegations first started to surface around the release of Dragon Ball Super: Broly, in which Mignogna voices the title character.
Mignogna is seeking “monetary relief over $1,000,000.00” in part due to Funimation no longer contracting him for future productions, as well as conventions canceling his appearances. Mignogna and his lawyer are also seeking “judgment against the Defendants for actual, consequential and punitive damages according to the claims … in amounts to be determined on final hearing, pre- and post-judgment interest at the highest rate permitted by law, and costs of court” in addition to “such other and further relief to which he may be justly or equitably entitled” and “general relief.”
Mignogna is represented by Ty Beard of Beard Harris Bullock Hughes in Tyler, Texas.
The lawsuit alleges that Sony executive Tammi Denbow told Mignogna in mid-January she was “investigating three allegations of sexual harassment against him,” and that on January 29 “Denbow and another Sony executive informed [Mignogna] that his employment with Funimation was terminated” following an investigation. Denbow is listed on LinkedIn as “Executive Director, Employee Relations at Sony Pictures Entertainment.” Sony Pictures Television Networksacquired a majority stake in FUNimation in October 2017.
The suit claims that “Ronald (a Funimation agent or employee) has tweeted more than 80 times that Vic sexually assaulted or assaulted Monica, more than 10 times that Vic sexually assaulted or assaulted three of his “very close friends,” more than 10 times that Vic has been accused of hundreds and possibly thousands of assaults, and at least 17 times that Vic is a “predator.” It also points to a number of tweets made by Rial and Marchi.
(2) BROAD UNIVERSE. Broad
Universe is “a nonprofit
international organization of women and men dedicated to celebrating and
promoting the work of women writers of science fiction, fantasy and horror.”
This is a heads-up on a problem related to Broad Universe participation in upcoming cons.
As you know, I organized the RavenCon RFR. When I submitted my invoice for the poster, BU Treasurer Marta Murvosh informed me that men weren’t allowed to read. This came as a complete shock, since I’ve been organizing RFRs—and submitting invoices for posters—for years. When I objected, Marta advised me that it would only be okay if the man depicted in the poster identified as non-cisgendered. Otherwise, he couldn’t read…but maybe he could moderate.
I said no. It was too late to change line-up. Moreover, it would have been grossly unfair to a member who prepared to read in good faith, with no prior warning that it was not allowed…
(The poster expense has been reimbursed, but the main controversy
is still under discussion.)
… It’s not right to ask them to host events that violate their anti-discrimination and anti-harassment policies. Likewise, I will not knowingly participate in or organize any event for an organization that practices discrimination or accepts money under false pretenses.
Finally, as an officer of BWAWA, I am obliged to inform to inform the cons that look to me to moderate their BU-related programming (Balticon, Dragon Con, Capclave and all BWAWA-associated events, such as the 2014 and 2018 World Fantasy Cons) of the potential liability issues created by BU’s current policies. Some of the women responding on the BU forum thought I was bluffing when I said this could cause a number of major cons to drop all BU events. It wasn’t a bluff, or a threat. It was a statement of fact. In the absence of a commitment to change the problematic policies before they have to go to print on program materials and signage, both Balticon and Dragon Con will drop all BU programming. In the absence of a policy by mid-summer, there will be no RFR at this year’s Capclave. It won’t even make the preliminary list of panel ideas.
Balticon reportedly has addressed the issue by keeping the
event and renaming it.
Jason Gilbert: I am the male member who was included in the Ravencon BU Rapid Fire Reading. I had a blast doing it, and enjoyed listening to my friends read. I was the only dude in the room. I thought my membership and the money I paid for that membership was my way of supporting women and the BU cause. Had I known that my membership was nothing more than a handout to an organization that excludes members from participating in BU events based on their gender, I would never have signed up or supported BU. I feel excluded, a little betrayed, and angry for my friends who are catching the heat and consequences for allowing me to participate. I am the other Co-Director of Programming at ConCarolinas, and I will also be reporting to the concom on the discriminatory practices of BU, as it directly violates the ConCarolinas anti-discrimination policy. I will also be canceling my membership, and will no longer support Broad Universe. Jean Marie Ward, I am sorry you are having to deal with this, and thank you for letting me read during the Broad Universe Rapid Fire Reading at Ravencon. I truly thought I was supporting an honest organization.
Morven Westfield: Please give the Motherboard a chance to find out what’s going on. I am saddened that the conventions dropped us without hearing the Motherboard’s side of the story, but I understand they probably want to err on the side of caution. Please give the Motherboard time to investigate this.
Someone recently commented (sorry, I’m reading too many things and can’t remember who said what) that bisexuals are endangered by the current policy of not letting men read. I’m not trying to stir anything up, but I am asking sincerely, how so? If a bisexual, pansexual, or asexual person identifies as female, she can read. It’s not sexual orientation, but gender. Remember that when Broad Universe formed, it was to help women overcome the problems they encountered in a male-dominated publishing industry because they were women, not because they had a different sexual orientation.
…To all who are reading this, let me reiterate what Inanna said. “The MotherBoard is not a bunch of fiendish con-artists who sit around chortling as we think up ways to cheat our members.” As I said before, I think it’s a communication error. In looking through my emails I found reference to a Broad Universe brochure we used in 2010 that said that only women would be allowed to read in RFRs. The wording was taken from our web page at that time. So something happened after 2010.
Also, it appears that Broads on the East Coast were still going by the 2010 and earlier policies (men not allowed to read), but other parts of the country were regularly allowing that, and it seemed like both halves were unaware what was going on. In other words, miscommunication.
Please bear with the Motherboard as they try to sort this out.
FANZINES. Edie Stern alerts Harlan Ellison fans to some new items at Fanac.org:
For those that are interested in Harlan’s early fannish career, Fanac has something nice for you today. We’ve uploaded 6 issues of his fanzine Science Fantasy from the early 1950s. Not only is there writing by Harlan, but by Bob Bloch, MZB, Dean Grennell, Algis Budrys, Bob Silverberg and more. Scanning by Joe Siclari. You can reach the index page at: http://fanac.org/fanzines/Harlan_Ellison/
(4) CHILDREN IN
PERIL. Fran Wilde makes a point about the parallels of life and fiction.
Thread starts here.
[Compiled by Cat
Born April 20, 1937 — George Takei, 82. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again.
Born April 20, 1939 — Peter S. Beagle, 80. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. My favorite works? Tamsin, Summerlong and In Calabria.
Born April 20, 1949 — John Ostrander, 70. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well.
Born April 20, 1949 — Jessica Lange, 70. Her very first role was Dwan in King Kong. Later genre roles are modest, Sandra Bloom Sr. in Big Fish and Constance Langdon / Elsa Mars / Fiona Goode / Sister Jude Martin in American Horror Story.
Born April 20, 1951 — Louise Jameson, 68. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles.
Born April 20, 1959 — Clint Howard, 60. So the most interesting connection that he has to the genre is playing Balok, the strange child like alien, in “The Corbomite Maneuver” which I remember clearly decades after last seeing it. Other than that, there’s very he’s done of a genre nature that’s even mildly interesting other than voicing Roo three in three Winnie-the-Pooh films.
Born April 20, 1959 — Carole E. Barrowman, 60. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology.
Born April 20, 1964 — Crispin Glover, 55. An American actor and director, Glover is known for portraying George McFly in Back to the Future, Willard Stiles in the Willard remake, Ilosovic Stayne/The Knave of Hearts in Alice in Wonderland, Grendel in Beowulf, Phil Wedmaier in Hot Tub Time Machine, and 6 in 9. He currently stars in American Gods as Mr. World, the god of globalization.
Born April 20, 1964 — Andy Serkis, 55. I admit that the list of characters that he has helped create is amazing: Gollum in The Lord of the Rings films and The Hobbit: An Unexpected Journey, King Kong in that film, Caesar in the Planet of the Apes reboot series. Captain Haddock / Sir Francis Haddock in The Adventures of Tintin (great film that was), and even Supreme Leader Snoke in The Force Awakens and The Last Jedi. Last year, he portrayed the character of Baloo in his self-directed film, Mowgli: Legend of the Jungle.
LONDON! The heart of the world of publishing. It was here that I would build my empire! I immediately set off to the zoo to visit the penguins. Strangely, they were untalkative and showed no sign of controlling a vast business of iconic paperbacks. They mainly waddled around an enclosure with excellent views of Regent Park…
If the BBC’s upcoming War of the Worlds TV adaptation wasn’t enough for you then buckle up, because a new project by Audible is bringing the works of novelist HG Wells to life with a series of star-studded audiobook adaptations.
Former Doctor Who star David Tennant is set to narrate alien invasion classic The War of the Worlds, while Oscar nominee Sophie Okonedo will tackle The Invisible Man.
Downton Abbey’s Hugh Bonneville will narrate The Time Machine, with Harry Potter and Star Trek: Discovery star Jason Isaacs lending his voice to The Island of Doctor Moreau and Versailles’ Alexander Vlahos reading The First Men in the Moon.
(8) THE LONG AND WINDING
ROAD. LROC graphs the movements
of the first astronauts on the surface of the Moon: “Apollo 11”.
Astronauts Neil Armstrong and “Buzz” Aldrin landed the Apollo 11 Lunar Module (LM) in Mare Tranquillitatis [0.67416 N, 23.47314 E], at 20:17:40 UTC 20 July 1969. They spent a total of 21.5 hours on the lunar surface, performing one Extra-Vehicular Activity (EVA) and collecting 21.5 kg of lunar samples. Astronaut Michael Collins orbited the Moon in the Lunar Command Module (LCM), awaiting the return of Armstrong and Aldrin from the surface. Apollo 11 was the first lunar landing, however it was the fifth manned Apollo mission, earlier missions laying the ground-work for Apollo 11.
(9) OUR POSITRONIC
PROSECUTORS. CrimeReads’ M.G.
Wheaton surveys sf’s attitudes towards artificial intelligence and suggests that
someday machines will make our lives better and won’t such be vehicles to crush
us or take our jobs. Or maybe not: “Why
We’ve Decided That The Machines Want to Kill Us”.
…While hardly the first filmic thinking machine to read the tea leaves and decide to either wipe out humanity (Terminator), subjugate it (The Matrix), or rid us of our freedom of thought (everything from Alphaville to any Borg episode of Star Trek: The Next Generation), Age of Ultron wins the prize for its antagonist coming to that conclusion the fastest.
So, why is this? Why does HAL 9000 decide the only way to complete his mission is to kill all the humans aboard his ship in 2001: A Space Odyssey? Why does Colossus, the titular super-computer from Colossus: The Forbin Project start out friendly then conclude the only way to end the Cold War is to seize all the nukes and demand subservience in return for not setting them off? Why as early as 1942 when Isaac Asimov laid down his Three Laws of Robotics did he feel the need to say in the very first one that robots must be programmed not to ever hurt humans as otherwise we’d be doomed?
I mean, are we really so bad?
Well, as we’re the ones writing all these stories, maybe it’s not the machines that find us so inferior….
Perhaps in response to Asimov’s rebuttal in 1980, he showed up in a Superman comic book at the end of that year in a story by Cary Bates (with artwork by Curt Swan and Frank Chiaramonte) in Superman #355. Here, Asimov is, instead, Asa Ezaak, and he is a bit of a condescending jerk to Lois Lane at a science conference….
…He plans on injecting himself with a special “potion” that gives him gravity powers! He is now Momentus!
‘The Museum of Classic Sci-Fi’ is a permanent exhibition, nestled in the historic, Northumberland village of Allendale. Situated beside the market place square, visitors will embark upon a nostalgic tour of some of the genre’s most influential imagery and themes. Featuring a substantial and eclectic collection of over 200 original screen-used props, costumes and production made artefacts; the museum tells the story of the Science-Fiction genre and acts a visual ‘episode guide’ to classic era ‘Doctor Who’. In addition, artist Neil Cole has produced unique paintings and sculptures, to enhance the impact of the presentations.It includes a “Doctor Who Gallery” –
Oh, Ein. Sweet, sweet Ein. Where would the Cowboy Bebop team (especially Edward) be without this data dog? This super-intelligent corgi has all the charm of a pup and all the computing power of a… well… a computer. He’s the best of all worlds.
Now we just have one question: Which lucky corg will play Ein in the upcoming live-action Cowboy Bebop?
[Thanks to John King
Tarpinian, Cat Eldridge, Hampus Eckerman, Mike Kennedy JJ, Martin Morse
Wooster, Chip Hitchcock, Michael Toman, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Darren Garrison.]