We are sorry that our program caused hurt and concern, thank you to those that commented. We are working with our team and panelists to amend this and will be revising it as an ongoing process.
And they pulled the panel descriptions, explaining on the convention’s Program webpage:
We are excited about the awesome panel discussions scheduled for the 2020 Virtual World Fantasy Convention. We have some terrific conversations planned, and our panelists are amazing.
But some of our original descriptions failed to live up to our members’ expectations. We apologize for offending the very people we hope to include in this year’s convention. We hear you, and we appreciate your feedback. We’re working to revise the descriptions – with the help of some of those amazing panelists! – and will update them here as they’re finalized.
WFC2020 Chair Ginny Smith also responded to File 770’spost in a comment here, saying in part:
We have sponsored 46 people of color to participate in the convention at no cost (so far – more to come I hope), and have worked very hard to ensure that every panel is comprised of people from a variety of ethnic backgrounds, cultures, and perspectives. The panelist list hasn’t been published yet, but when it is I hope the list demonstrates our commitment to equity and diversity.
But some authors who were going to be on the program have already seen enough to make up their minds.
David Levine wrote on Facebook and Twitter on October 8.
Very sorry to say this, but I’m going to have to withdraw from World Fantasy Convention 2020. Despite a lot of effort on many people’s part, the recent fiasco with panel descriptions demonstrates that the convention simply doesn’t understand how to operate in a diverse world without stepping on marginalized people. I hope that the World Fantasy Convention ? board recognizes that it has a serious, ongoing problem and takes strong action to change course in 2021 and beyond.
The Writing Excuses podcast hosted by authors Dan Wells, Brandon Sanderson, Mary Robinette Kowal, and author and web cartoonist Howard Tayler will not provide content for use by the virtual convention. (Note: Sanderson is one of WFC 2020’s Author Special Guests.)
Also, this tweet from K. Tempest Bradford was retweeted by Mary Robinette Kowal, a signal boost with extra impact because it was Kowal who led the effort to bail out the 2018 Worldcon program.
Jeff VanderMeer tweeted on October 7 that after being told what panel he was on, he was bowing out.
Yilin Wang dropped out October 6.
One writer who has not dropped out, Kate Heartfield, still has some misgivings:
There are three weeks to go before WFC 2020 begins. When the revised program descriptions and panel assignments come out, the decision of other program participants to stay or go will be revealed if they have not announced it before then.
Update: Kate Heartfield tweeted on October 9 that she has now withdrawn from WFC2020 program and membership.
Those interested in blasting off to a distant world filled with strife and android parents are in luck: HBO Max has put the entire first episode of its new sci-fi show, Raised By Wolves, on YouTube for free.
It may have taken more than 44 years since the publication of her first-ever novel, but one of Octavia E. Butler‘s books has finally made it into the New York Times Best Seller List — something the widely-acclaimed science fiction author had envisioned for herself several years ago.
The novel to reach the list is 1993’s The Parable of the Sower, which offers an uncanny, but no less prescient glimpse at California in the early 2020s, a dystopian future where people are dealing with global climate change, as well as an economic crisis.
(3) ANTHOLOGY ROUNDUP. Mark R. Kelly, whose Science Fiction Awards Database is an incredible resource, told Facebook readers today he has expanded its usefulness in another direction: Anthologies.
Over at my science fiction awards website, sfadb.com, I have — after a year of work — greatly expanded the section about anthologies. There are now 118 pages compiling over 1400 anthologies, grouped by editor or theme and arranged chronologically, with descriptions, photos, tallies of authors and sources, and composite tables of contents. Total descriptive text on the 118 pages: about 30,000 words. There will always be more books to compile, of course, but for now I’m considering this done. Comments, corrections, and suggestions welcome.
The Constitution Illustrated(Drawn & Quarterly) is so easy to read (and inexpensive to buy) that even a man-child U.S. President might learn something about the laws, precepts and rights bequeathed to the nation he leads. R. Sikoryak, comics artist, cartoon historian and now Constitutional scholar, has drafted the styles of many of America’s great past and present comic strip artists (of all religions, creeds, genders and social backgrounds) —from Alex Raymond’s “Flash Gordon” to Hank Ketcham’s “Dennis the Menace” to Alice Bechdel’s “Dykes to Watch Out For” to Nicole Hollander’s “Sylvia” to Frederick Burr Opper’s “Happy Hooligan” to, whew, Art Spiegelman’s “Maus,” and many, many others.
(5) GREEN ASTRONAUT TO RED PLANET. The New York Times says now is the time to watch Away, Hilary Swank’s Martian Odyssey.
Where has Hilary Swank been the past few years? En route to Mars. This 10-episode drama stars Swank as Emma Green, the mission commander on the first manned (womanned?) mission to Mars.
In space, disaster lurks around every asteroid. Back on earth, Emma’s husband (Josh Charles) and their daughter (Talitha Bateman) face their own crises. Should Emma complete her mission or return home to care for her family? Working moms have it rough! Swank, backed by a nifty international cast, commits with her usual live-wire intensity. But the vibe remains gloomy and the heart-wringing, like the vast expanse outside the shuttle, goes on and on and on. Guess you can cry in space.
…By contrast, Frodo’s obstacles are primarily internal. He endured a lot of those same exterior challenges as Sam, but Sam did much to absorb their impact (see the Cirith Ungol rescue). Frodo’s challenges are the slow, steady erosion of a soul being asked to carry a tremendous internal darkness without being consumed by it. Everything he was became laser-focused on that monolithic spiritual and emotional task.
This is why, at the end, Frodo had to sacrifice far more than Sam. Because Sam’s primary struggle was against external forces, once those external forces were alleviated, he could go home, marry, have children, live as a functional member of his community. For Frodo, the cessation of exterior pressure could do nothing to mend the way his soul had been burning from the inside out….
…For decades, despite a booming cottage industry of Lewis biographies and endless academic theorizing about the last years of Lewis’s life, Douglas kept to himself the fact that Lewis struggled mightily to help his mentally ill stepson [David]. “We didn’t tell anybody,” he told me. “The only reason I’m releasing it now is because people should know what Jack put up with and what Warnie put up with and how heroic they were to do it at all.” It is time, he added, “that people understand what Jack and Warnie went through. Jack and Warnie didn’t know what the heck to do.”
Here’s a few ways that critique groups help you grow.
1.) Increase your output by reducing revision time.
Revision means re-vision. It’s common knowledge that all writers need distance from their work in order to see it in new ways. We all use tricks to help force along the re-vision process. We change fonts, change reading locations, read it out loud, and these will do in a pinch but there is no replacement for time.
Oh, wait. Except a literal new set of writerly eyes on your poem. This is where critique groups can help in areas that beta readers cannot: we’re all writers. When a writer sets their eyes on your draft, they are giving you a fresh look without you having to bury your poem in peat for seven months.
(9) DEFINING SPECULATIVE. Also at SPECPO, Melanie Stormm posted a three-panel infographic designed to answer the question “What Counts As Speculative?” Here is the first section –
(10) MEDIA BIRTHDAY.
September 4, 1966 — At Tricon in Cleveland, Ohio, Gene Roddenberry debuted Star Trek‘s “Where No Man Has Gone Before” episode. It was so well received that fans there demanded that he show them the black-and-white print he had with him of “The Cage”, the original Star Trek pilot. (Neither would win the Hugo for Best Dramatic Presentation at NyCon 3 the next year as that would instead go to Trek’s “Menagerie“ episode, a reworking of “The Cage”.) Thus was born the popular legend that credits September 4th, 1966 as the true birth date of the Star Trek franchise.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 4, 1905 — Mary Renault. ISFDB only counts her Theseus series work as genre novels (The King Must Die and The Bull from the Sea) by her. Is that right? I’m not familiar with her full body of work to say if that is or is not correct. (Died 1983.) (CE)
Born September 4, 1916 – Robert A.W. “Doc” Lowndes. (Surname is one syllable, rhymes with astounds.) Founded the Stamford, Connecticut, chapter of the SF League, 1935. Edited Dynamic, Famous, Future, SF Quarterly, SF Stories; various other prozines outside our field. Founded Vanguard Records with James Blish. Four novels, fifty shorter stories, poems, under many different names. Nonfiction Three Faces of SF, The Gernsback Days (with M. Ashley), Bok (with C. Beck, H. Bok, J. Cordes, G. de la Ree, B. Indick). Guest of Honor at Lunacon 12, Boskone 10. Best-known fanzine Le Vombiteur; several more. First Fandom Hall of Fame. (Died 1998).
Born September 4, 1919 – Evelyn Copelman. After the Denslow-illustrated 1900 Wizard of Oz fell out of print, EC illustrated a 1944 ed’n showing the influence of the 1939 motion picture; then a 1947 Magical Monarch of Mo, and a further 1956 Wizard. Outside our field, many illustrations, another career in graphic design. (Died 2003)
Born September 4, 1924 — Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read even though The Whispering Mountain is supposed to a prequel to the series I don’t think it’s essential reading. (Or very interesting.) The Wolves of Willoughby Chase is certainly the one in the series I see stocked regularly in my local bookstores. (Died 2004.) (CE)
Born September 4, 1928 — Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in the police station in Them!, an early SF film which is considered the very first giant bug film. He’d showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on Fantasy Island. He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.) (CE)
Born September 4, 1957 — Patricia Tallman, 63. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine and two of Voyager. She did uncredited stunt work on further episodes of the latter as she did on Voyager. H’h to the latter. Oh, and she shows up in Army of Darkness as a possessed witch. (CE)
Born September 4, 1962 – Karl Schroeder, 58. A dozen novels, thirty shorter stories. With Cory Doctorow, The Complete Idiot’s Guide to Publishing SF. Essays, reviews in Analog, Bifrost (French), Locus, NY Review of SF, On Spec. Interviewed in Challenging Destiny, Clarkesworld, Lightspeed. Two Prix Aurora awards. Ventus a NY Times Notable Book. Past President of SF Canada (nat’l ass’n of SF pros). [JH]
Born September 4, 1963 – Linda Davies, 57. Six novels for us; Longbow Girl was the Mal Peet Children’s Book of the Year. Several others. Escaped, as she put it, from investment banking to write fiction, naturally including financial thrillers. [JH]
Born September 4, 1963 – Mike Scott, 57. His adventures with the much-loved fanzine PLOKTA, the Journal of Superfluous Technology (= Press Lots Of Keys To Abort), involved him with the PLOKTA Cabal, two Hugos, and notoriety as Dr. Plokta. Chaired CUSFS (Cambridge Univ. SF Soc.) and led the successful bid to hold Loncon 3 (72nd Worldcon). Married the horsewoman and fan Flick, another cabalist. [JH]
Born September 4, 1972 — Françoise Yip, 48. She was a remarkably extensive career in genre productions including Earth: Final Conflict, Andromeda, Caprica, Fringe, Robocop: Prime Directives, Seven Days, Flash Gordon, Smallville, Millennium, Arrow and Sanctuary. Genre casting directors obviously like her. (CE)
Born September 4, 1973 – Jennifer Povey, 47. Seven novels, forty shorter stories; role-playing games. Horsewoman. Ranks The Moon Is a Harsh Mistress above Level 7, with which I agree. Collection, The Silent Years. [JH]
Born September 4, 1975 — Kai Owen, 45. Best known for portrayal of Rhys Williams in Torchwood, the Doctor Who spin-off I stopped watching after the first two series. He reprised his character in the Big Audio and BBC audio dramas. (CE)
(12) BOSEMAN TRIBUTE. Following the passing of Chadwick Boseman last week, the late actor has now been honored with a new piece designed by Ryan Meinerding, Head of Visual Development for Marvel Studios.
… Having affirmed its place in the firmament of animated classics, Mulan could have enjoyed a nice retirement. But Disney as it exists now is not content to let things rest, and so—after tackling live-action remakes of Cinderella,Beauty and the Beast,Aladdin, and Alice in Wonderland—they turned their necromancy to Mulan. Only, certain mores and cultural interests have changed in the last 22 years, meaning Disney didn’t feel quite comfortable simply literalizing the 1998 film, talking dragon and musical numbers and all. Instead, they wanted a big action epic in the style of many huge movies that have come out of the Chinese film industry, only directed by a New Zealander, Niki Caro.
Caro directed the lovely New Zealand coming-of-age tale Whale Rider, which earned its young star, Keisha Castle-Hughes, an Oscar nomination for best actress. In that way, she was a fine pick for Mulan, another coming-of-age story about a headstrong young woman bucking the rigid gender norms of her place and time. In other ways—being that Caro is not from China or of Chinese descent—her hiring rang alarm bells. Disney had to proceed carefully, not wanting to tarnish valuable I.P. or create a cultural blowback that would put its corporate progressiveness under the microscope.
What has resulted from all that needle threading is a movie, out on Disney+ on September 4, that’s been managed to death. The new Mulan is a sweeping action movie with lots of cool fight choreography, and yet it never musters up a sense of awe. Even the loathsome Beauty and the Beast remake was not this bland and perfunctory; that film at least had the darkly electrifying jolt of its awfulness. Mulan is not awful. It’s just inert, a lifeless bit of product that will probably neither satisfy die-hards nor enrapture an entire new generation of fans.
Although I first encountered Jeff VanderMeer through the excellent anthologies he co-edits with his wife Ann, he’s better known for his fiction. His Southern Reach Trilogy and Ambergris novels are both beloved by fans of weird fiction. Borne is the first in a trilogy set in a post-apocalyptic city where people scavenge for biotechnological creations that have escaped into the wild while trying to evade a giant flying bear. No, that was not a typo, there really is a giant flying bear. His name is Mord….
You’ll need a D20 dice and the table below. Take the sentence “I believe that the science in science fiction should be X and Y” and replace X and Y with entries from the table, rolling the dice twice to get your exciting new take on the discussion….
(16) THE ROOM WHERE IT HAPPENED. [Item by Martin Morse Wooster.] I heard a 2019 podcast Leonard and Jessie Maltin did with Brad Bird (Maltin on Movies — Brad Bird). Bird explained that he first visited Disney in 1968, when he was 11. Three years later, he sent them a 15-minute animated film. This was a time when character animation was at its low point, where the only studio producing character animation was Disney, who produced one film every three years. Most of the animators who started working with Disney in the 1930s were still active 30 years later, but they realized they had no successors, so Bird was recruited. He discusses his apprenticeship with the great animator Milt Kahl and then went on to study at Cal Arts, where the one class for character animators met in the basement in room A113. Bird has remained friends with many of the students in that class, including Henry Selick, Tim Burton, and John Musker, and sticks “A113” as an Easter egg in all of his films. Also discussed: what Bird did for “The Simpsons,” and his surprise at being drawn as the villain Syndrome in The Incredibles.
(17) ASK NASA. NASA’s Science Mission Directorate will hold a community town hall meeting with Associate Administrator for Science Thomas Zurbuchen and his leadership team at 12 p.m. EDT Thursday, Sept. 10, to discuss updates to NASA’s science program and the current status of NASA activities.
Members of the science community, academia, the media, and the public are invited to participate by joining at the link here. (If prompted, please use event number 199 074 4251, followed by event password Zk4n3G48gbd.)
Users must provide their first and last name and organization and can submit their own questions or vote up questions submitted by others. The meeting leaders will try to answer as many of the submitted questions as possible.
Presentation materials will be available for download and a recording will be available later that day here.
(18) L. RON HUBBARD, COMMANDING. [Item by Dann.] I came across something interesting via one of my regular YouTube channels; The History Guy. THG is prepared by an actual history professor.
In this case, he was offering a window into the history of WWII vintage anti-submarine ships of the US Navy.
One of those ships, PC-815, reportedly engaged with a pair of Japanese submarines just off the northwestern coast of the United States. The sub-chasers expended all of their depth charges and had called in two blimps in pursuit of the two submarines.
In his lengthy and quite descriptive after-action report, the captain of the PC-815 claimed to have positively sunk one of the submarines and damaged the other. The after-action reports of the other US Navy air and sea vessel commanders involved in the chase did not support that claim.
Shortly thereafter, the PC-815 was diverted from coastal defense duty and was assigned to escort a ship down to San Diego for final outfitting. Upon arrival, the captain of the PC-815 had the ship moored off of some area islands and decided to conduct some nighttime gunnery exercises using those islands as targets. The islands belonged to Mexico and were defended by an installation of Mexican army soldiers.
Shortly thereafter, the captain of the ship, one L. Ron Hubbard, was removed from command and reassigned to other…non-command….duties.
If you want to skip to the part about Hubbard, it’s at the 12:33 mark of the video.
Other links are to the ever-questionable Wikipedia. Those pages seem to match up well with other sites that aren’t affiliated with the Scientology folks.
[Thanks to John Hertz, John King Tarpinian, Dann, Mike Kennedy, Michael Toman, Martin Morse Wooster, JJ, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
…At one point, Vladimir Nabakov said that Madame Bovary was really just an extremely well-written fairytale. There’s one sense in which, unlike other of my books, that was what I was hoping to accomplish with Shoat Rumblin. The book was never finished to my satisfaction, although I wrote an ending for it. Through looking over it again, I’m at least contented with what I’ve done—if still uncertain how believable it is. As I’ve said on Twitter, it’s an experiment in gay pornography and realistic storytelling. Parts of it are funny and parts of it, I confess, I think are pretty grim. Overall, I’d call it a comedy rather than a tragedy, if only because it does have a happy ending, however believable or unbelievable you find it. I’m also hoping that this makes it intriguing enough for some of you to take a chance on it.
… MRK: One of my favorite things is when I introduce a reader to an author who is, by any metric except to this reader, more famous than I am. And they have never heard of them. And they’re like, “oh, this new author Ursula K. Le Guin, I love her books!” (laughs)
JS: You’re like; I don’t know how to break this one to you, but… But, that actually brings up a really interesting point which is that because science fiction and fantasy is, as a literature, as opposed to every other aspect of media, because it is still sort of niche where you come into the genre matters. Because, if they come in with you, then a lot of your antecedents or people who influenced you will be new to them. And to them, those classics will seem almost derivative or not up to date. I’ve had that happen sometimes where people will read me first, especially people who are under the age of 35. They’ll read me first and then they’ll go backwards into someone like Heinlein and then they’re like—“hmm, I don’t know—his stuff’s OK, but I kind of like yours better.” And I’m like, well—one, thank you, and two, it’s definitely because this is the path that you took into this genre. And, it’s still something that is very possible to do in this genre that I don’t know if in mainstream it will happen as much.
While a space traveler’s greatest fear is typically what’s waiting out there in the great unknown, what they bring back to Earth could be much, much worse. That’s the premise of Russian filmmaker Egor Abramenko’s feature debut “Sputnik,” a sci-fi chiller with the stately echoes of Ridley Scott’s classic “Alien.” Set in the 1980s, “Sputnik” blends creature-feature effects with heady extraterrestrial thrills. An official selection of the canceled 2020 Tribeca Film Festival, the movie debuts from IFC Midnight in select theaters and on VOD August 14. Watch the trailer for the film below….
Here’s the YouTube intro:
Due to her controversial methods, young doctor Tatiana Yurievna (Oksana Akinshina) is on the precipice of losing her medical license. Her career may not be over, though. After she’s recruited by the military, Tatiana is brought to a secure science research facility to assess a very special case, that of Konstantin Sergeyevich (Pyotr Fyodorov), a cosmonaut who survived a mysterious space accident and has returned to Earth with a unique condition: there’s something living inside of him that only shows itself late at night. The military has nefarious plans for it. Tatiana wants to stop it from killing Konstantin. And the creature itself thrives on destruction.
There are no official casting breakdowns yet available, but many are speculating about the potential lead characters based on Martin’s book. Fire & Blood covers 150 years and includes the rise and fall of many leaders in Westeros so it’s not clear which characters and time period will be the focus of the series. But sources tell EW that the famed Dance of Dragons – the Targaryen Civil War that occasionally referenced in GoT that ripped apart Westeros – will be tackled at some point in the series. What would make sense is if the first season (or two) led up to those events. Some fans have suggested the show could also be an American Horror Story-style anthology series, covering a vastly different time period in each season.
A famous phrase that signals the end of many stories, from faerie tales to action movies to romance novels. Growing up, so many of the tv, film, comics, books, and more that I experienced said – implicitly, if not explicitly – that once a couple overcame whatever big trial happened in act three, the relationship itself was smooth sailing.
And depending on how you read those stories, it says something worse. It says that long-term, committed relationships are boring, or that they’re only interesting when they’re falling apart. “Happily Ever After” doesn’t prepare anyone for the lived reality of making a long-term relationship work. Sometimes the best romance works will illustrate those challenges and joys on the way, because romance writers are grand masters of characterization. But getting into my first romantic relationships, I had few fictional models for what it was like to negotiate the higher-level challenges and opportunities posed by a committed partnership. And being a storyteller by trade, that lack of narrative models became especially frustrating.
With Annihilation Aria, I set out to add to the count of works that unpack “Happily Ever After” and show that a committed couple can be exciting protagonists as well….
…The truth is, a book of modern fantasy is a treasure trove of marvels, a cabinet of curiosities, and, perhaps more importantly, a strong, strong testimony to the importance of imaginative literature, of non-realist literature, and of traditions other than the Anglo Saxon. We, personally, have been enriched by these stories and lifted up by them. We hope readers will find their own favorites and fond memories from reading herein.
(7) CAPCLAVE CHANGES PLANS. Bill Lawhorn, Capclave 2020 Chair, says they’re going virtual. The event will be over the same weekend, but won’t start until Saturday.
Due to the novel coronavirus, the Capclave team has made the decision to be virtual this year. We will be holding Capclave October 17-18. Yes, this is two days, but we will run longer on Sunday than is typical. We will be focused on presentations, panels, and small group activities such as author readings or discussions.
Going virtual does present the opportunity to include people who would likely not be able to participate in a normal year. Keep an eye on our website and social media for news regarding new participants.
We plan to use Zoom for most activities, but we are looking at adding a text chat area via Discord as well. We will be updating our Code of Conduct to reflect the online nature of the convention. If you have any questions, please feel free to contact firstname.lastname@example.org.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 21, 1929 — John Woodvine, 91. First role in our realm is as Macbeth at Mermaid Theatre back in the early Sixties. Shortly thereafter he’s Badger in Toad of Toad Hall at the Comedy Theatre before being The Marshal in the Fourth Doctor story, “The Armageddon Factor”. He did show up on The Avengers several times, each time as a different character, and he was Singri Rhamin for the episodes of Danger Man. He’s in An American Werewolf in London as Dr J. S. Hirsch, but shortly thereafter he’s Master West 468 in The Tripods and Prior Mordrin in the Knights of God children’s SF serial. Finally, he’s Justice Dimkind in A Perfect State which is at least genre adjacent. (CE)
Born July 21, 1933 — John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales); A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death in a motorcycle accident, is a ghost story. (Died 1982.) (CE)
Born July 21, 1944 – David Feintuch. Campbell Award (as it then was) for Best New Writer. Nine novels, of which seven portray Space navy officer Nick Seafort, translated into Czech, German, Japanese, Russian, Spanish. Said he’d completed an eighth, of which no more has emerged. (Died 2006) [JH]
Born July 21, 1950 — Asenath Hammond. She was was a fan who was a member of NESFA, New York City and LASFS fandoms. She was married for a time to Rick Sternbach. Mike has a write-up on her here. (Died 2010.) (CE)
Born July 21, 1950 – Bill Kunkel. Cartoons (sometimes as “Potshot”) in Algol, Checkpoint, The Frozen Frog, Trap Door; Chunga seemed to energize him, he gave it much (for the end, see here and here; corflu = mimeograph correction fluid, loc = letter of comment). Comics: DC, Marvel, Harvey; primary scripter for Richie Rich. Pro wrestling: photographed for, edited, published Main Event magazine, hosted The Main Event radio show, energized Pro Wrestling Torch, cartoons and columns for Wrestling Perspective. Video games: Electronic Games, Tips & Tricks magazines; designed a dozen games; memoir, Confessions of the Game Doctor. (Died 2011) [JH]
Born July 21, 1951 — Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and George Carlin in their cocaine fueled days. No, not even genre adjacent but damn brilliant. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & Mindy, Hook which I adore, The Fisher King, Bicentennial Man or Jumanji. (Died 2014.) (CE)
Born July 21,1952 – Kathy Tyers, 68. Ten novels, half a dozen shorter stories translated into Dutch and German. A Star Wars novel was a NY Times Best Seller. Two CDs of folk music (she plays flute, Irish harp). Worked with Christopher Parkening on his memoir Grace Like a River. Lives in Montana. [JH]
Born July 21, 1956 – Todd Dashoff, 64. Chaired Philcon 1988 and the Millennium Philcon – what else should we name a Worldcon at Philadelphia in 2001? Knows Harry Warner upheld the rule that the local con there is Phillycon and only a Worldcon there is Philcon. Knows this rule has not been followed since 1947 and meanwhile (after HW’s death) a comics con has been calling itself Phillycon. Has been PSFS’ (Phil. SF Soc.) President and Treasurer. Stalwart helper from locals to Worldcons. Fan Guest of Honor (with wife Joni, another shining star) at Lunacon 46. [JH]
Born July 21, 1960 – John Wardale, 60. Balloon sculptor, hair braider, costumer, photographer, patiently giving balloon and braid workshops for beginners too. A pleasure, if that word may be used, to judge “Angels Take Motown” at Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas) by Janine & John Wardale, Sharon & Hall Bass, which we awarded Best Motown Entry (Journeyman Class). Has also taught Science: Energy + Time = Change. [JH]
Born July 21, 1976 – Stephanie Law, 44. Two dozen covers including books in German and Polish, also cards and other games. Featured in Spectrum (six times) and Locus. Best in Art Show, DragonCon 2015. Art Guest of Honor at BayCon 2015, JordanCon 10, Philcon 2019; was scheduled for the 13th NASFiC this year. Artbook, Descants and Cadences. Website here. [JH]
Born July 21, 1976 — Jaime Murray, 44. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in the Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. Film wise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood. (CE)
(9) COMICS SECTION.
Bizarro reports it was a hard day at the Frankenstein factory.
Garfield shows what would be – for these aliens – a fate worse than death.
Incidental Comics’ Grant Snider calls this “Contemplation.”
For any author, being able to describe yourself as a bona fide bestseller is key to conferring your career with a certain gravitas – and will often bring you even more sales. In the UK, while most book charts are tallied by Nielsen BookScan, the Sunday Times bestseller list – like the New York Times chart in the US – has become the gold standard. But making the bestseller list isn’t necessarily as straightforward as tallying sales. Not all is fair in romance and war (and other genres) when it comes to getting to the top of the charts.
Take the case of Mark Dawson, a British writer who just over a week ago hit No 8 on the Sunday Times hardback list with his thriller The Cleaner, released by the independent publisher Welbeck at the end of June. This is a great achievement for any author or small publishing house, but Dawson had done something remarkable: he bought 400 copies of his own book, at a cost of £3,600, to push his sales high enough to make the top 10….
First, a popular esports tournament was canceled. Next, top gaming studio executives stepped down. Then, a prominent talent management agency for video game streamers laid off its employees and closed.
The stream of reports of sexual harassment and assault in the gaming industry that began in June has continued unabated, as more women — and some men — have come forward with accusations of mistreatment.
Despite the actions that companies have taken in response to individual incidents, gaming experts say they are hesitant to call the moment an inflection point for an industry with a long and difficult history of sexist behavior and abuse. This is not the first time women have spoken up. In 2014, in what is known as Gamergate, women faced death threats for criticizing the gaming industry and its culture. Last year, women again came forward with stories of abuse in what was seen as gaming’s #MeToo moment.
So few expect the resignations this time to quickly change a culture that for decades has often been hostile to women.
“You can fire people all day long,” said Kenzie Gordon, a Ph.D. candidate at the University of Alberta who studies how games can be used to prevent sexual and domestic violence. But “if only the individual people are held accountable, that doesn’t have any impact on the culture of the organization as a whole, necessarily.”…
… It’s conditions such as these—monotony, idleness, tedium, sensory deprivation, loneliness—that concern NASA psychologists who want to send a crew to Mars. Using existing technologies, a trip to the red planet will take 200 to 300 days of travel. Most of the time will be spent inside a cramped capsule. There will be a communication delay with Earth of up to 24 minutes due to a span of hundreds of millions of miles. Real-time chatting or video calls with friends and family and mission support will be an impossibility—the limitation is the speed of light—that no new technology would be able to overcome.
Mars crews would likely need to operate with a high level of autonomy because of this communication delay. Many people believe autonomy, which implies freedom of choice, can stave off boredom. Indeed, work imbued with personal meaning can be a potential solution, but it can’t fix everything.
In addition to the isolation and sensory deprivation, there will still be repetition of meals and routines and clothing and conversations between crewmembers. The workloads will still likely be full of tedium, with narrow margins for error. In short, a mission to Mars has the perfect ingredient list for boredom and disaster borne of boredom.
Researchers from the University of Stirling, UK, have embedded ceramic spheres in aluminum foam to create a material that couldn’t be cut with angle grinders, power drills or water jet cutters. “They dubbed it Proteus after the shape-shifting Greek god, for the way the material metamorphosed in different ways to defend against attacks,” reports New Scientists
(14) THE SWARM. Could “swarm 3-D printing” become an endless opportunity for unanticipated results?
…What they appear to have developed is a kind of mobile robotic 3D printing concept. As you can see in the video, dual independent 3D printers are temporarily fixed to specific locations on a grid. From these locations the devices will print within a controlled zone (which AMBOTS calls a “Chunk”).
After completing a layer of a chunk, a mobile robot picks up each 3D printer and moves them to another spot on the grid where they can then access another chunk. By moving the 3D printers repeatedly through a series of access points they are able to build the entire structure — without interfering with each other.
One beast Serling struggled with during the run of The Twilight Zone continues to be an irritant today. That has to do with lightweight commercials that tended to deflate the intensity of a suspenseful Twilight episode.
“However moving and however probing and incisive the drama,” mused Serling at a UCLA speaking engagement in 1971, “it cannot retain any thread of legitimacy when after 12 or 13 minutes, out comes 12 dancing rabbits singing about toilet paper.”
(16) VIDEO OF THE DAY. In “Honest Trailers: Cowboy Bebop” on YouTube, Screen Junkies takes on the classic anime series, where everyone chain smokes and the gloomy atmosphere is heightened by introspective sax solos.
[Thanks to Michael Toman, Daniel Dern, Lise Andreasen, John Hertz, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
The official trailer for CBS All Access’ new half-hour animated comedy “Star Trek: Lower Decks” has arrived, and it’s putting an irreverent spin on the beloved franchise.
“We’re not really elite — we’re more like the cool, scrappy underdogs,” explains lower-deck Ensign Mariner in the trailer.
“We live on a spaceship, nobody is dying from a spear wound!” she exclaims in the midst of some onboard mayhem.
The 10-episode series, which has already been renewed for a second season, is the first animated “Star Trek” series in more than 45 years. “Star Trek: The Animated Series” had a brief run starting in 1973.
CBS All Access subscribers can watch the show each week on Thursdays starting Aug. 6 on the digital subscription video on-demand and live streaming service,
A confession: As a 9-year-old boy, I loved the Baby-Sitters Club books.
So deep is my remembered shame that even now, sitting at my keyboard at the age of 43, I’m blushing. I know that times have changed, that today boys can like whatever they like, are even applauded for it. But in the 1980s, when it seemed the only real options for me were “The Hobbit” or the Hardy Boys or Choose Your Own Adventure books, stories that as I recall all involved dragons and trap doors and motorcycle chases, sneaking home one of Ann Martin’s books about a group of 12-year-old girls from fictional Stoneybrook, Conn., felt like a crime. I mean, all of the covers were pastel.
It was a moment. I think I read the first 15 books in the series over the course of fourth grade; whatever was in my school’s library — and I certainly didn’t share my enthusiasm then with another soul.
My great immersion in the friendship of Kristy Thomas, Mary Anne Spier, Claudia Kishi and Stacey McGill (and Dawn, Mallory and Jessi — you know I couldn’t forget the later additions) is something I’ve had reason to revisit lately. That’s because my two daughters, 10 and 7, are now obsessives of the Sitter-verse. They have read the books, tracking down the out-of-print ones as e-books. They have devoured — like torn at each other’s hair to get at — Raina Telgemeier’s graphic novel reboot of the series, which debuted in color in 2015. And for the past year their bedtime routine involves listening to audio versions of the books, all 131 of which were recently produced by Audible. As if that weren’t enough, they have been counting down the days to a television adaptation streaming on Netflix beginning July 3 that will offer a modern-day update. Basically, I should have bought real estate in Stoneybrook….
As Walt Whitman put it, baseball has always had the “snap, go, fling” of the American atmosphere. And it has so many democratic ideas built into it. We take the idea of a level playing field for granted, as well as the idea that everyone should have a turn at bat. But as the daughter of Chinese immigrants, I’m aware of how strange these ideas can seem to people from other countries.
When you first decided to create this dystopian world, did you realize how much detailed imagining it would require? Did you already know a ton about AI and baseball, or did you learn a ton to write the book?
Do we ever know how much work a novel is going to be? Luckily, I like investigation of every sort, and I was able to study up on both technology and baseball as I wrote. Luckily, too, I live in Cambridge, Massachusetts, where I’m surrounded by expertise. The MIT Technology Review very generously allowed me to sit in on their EmTech conference twice. And I was able to consult with people like Ted Williams’s biographer, Bill Nowlin.
…The month of June saw the comics industry rocked by successive waves of predatory conduct allegations, amid similar reckonings around sexual harassment in the affiliated worlds of video games, twitch streaming, tabletop games,professional wrestling, and professional illustration. Some of the allegations, as with superstar writer Warren Ellis, were new. Others brought renewed scrutiny to lingering problems like the allegations against Dark Horse editor Scott Allie and DC writer Scott Lobdell. Most of the stories came from marginalized creators who’d previously been silent for fear of being blacklisted. In June, that wall of silence cracked, and what showed beneath was red and raw and deeply, viscerally angry.
“A huge reason why abusive, predatory, and discriminatory practices go unchecked in the comics industry is this: the impetus is always put on the victims to come forward,” Maï wrote in an email to The Daily Beast. “Victims are expected to speak out at great personal cost—at risk of losing jobs and damaging their financial livelihood, at detriment to their mental health and threats to their personal safety… For every story you hear, there is also an unimaginable amount more that are not heard.” (Stewart did not respond to The Daily Beast’s request for comment.)
(6) MEDIA BIRTHDAY.
July 12, 1961 — Voyage to the Bottom of the Sea premiered. It was produced and directed by Irwin Allen off the screenplay by him and Charles Bennett. It starred Walter Pidgeon and Robert Sterling with a supporting cast of Peter Lorre, Joan Fontaine, Barbara Eden, Michael Ansara, and Frankie Avalon. It was produced for about one and a half million dollars, and certainly made its costs back at the box office. Critics weren’t terribly fond of it but audiences really liked as it made over eight million dollars over its summer and early autumn run. Audience reviewers at Rotten Tomatoes currently give it an anemic 39% rating.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 12, 1865 – Lucy Perkins. Best known as author of children’s books, e.g. Dutch Twins and two dozen sequels; sold 2 million copies all told. Illustrated Aesop, Anderson, Grimm, Robin Hood; here is her cover for Edith Harrison’s Moon Princess; here for Julia Brown’s Enchanted Peacock; here (line drawing and text) is her own “Queen of Spring”. (Died 1937) [JH]
Born July 12, 1912 – Joseph Mugnaini. Thirty covers, twenty interiors, particularly for Bradbury. Here and here are two versions of his cover for Fahrenheit 451.Here is a Bradbury issue of The Magazine of Fantasy and Science Fiction.Here is an etching for The Martian Chronicles. Here is a cover for Hal Clement’s Mission of Gravity. Five artbooks. (Died 1992) [JH]
Born July 12, 1923 — James Gunn, 97. Writer, editor, scholar, and anthologist. Winner at ConStellation of a Hugo for Best Related Work for Isaac Asimov: The Foundations of Science Fiction. His New Encyclopedia of Science Fiction Is quite excellent from an historical context now. I’ve not read his SF novel, The Immortals, so would be interested in knowing how it is. And let’s not overlook The Road to Science Fiction, his series of rather excellent anthologies covering all of SF. (CE)
Born July 12, 1933 — Donald E. Westlake. Though he specialized in crime fiction, he did dip into the genre on occasion such as with Transylvania Station which you think as a Clue-style novel he wrote with his wife Abby. On the horror end of things was Anarchaos. And he wrote a lot of genre short fiction, some fifty pieces by my count. (Died 2008.) (CE)
Born July 12, 1939 – Mike Hodel. Host for a decade and a half of Hour 25 on radio, locally on Station KPFK. Harlan Ellison, who succeeded him for a year, called it “a forum for writers and fans, publishers and readers…. he brought serious thinkers and noble madmen to the microphone”, Angry Candy p. xxi (1988). Two short stories in Fantasy Book. Reviews in Transmissions and Weird Tales. Interviewed Philip K. Dick in The Missouri Review (note Vincent Di Fate cover). (Died 1986) [JH]
Born July 12, 1944 – Helene Flanders. Vancouver, British Columbia, fan. Edited the club’s BCSFAzine issues 57 (March 1978) to 71 (May 1979). Fancyclopedia 3 says she was found murdered in her apartment, augh. (Died 1982) [JH]
Born July 12, 1947 – Hiroshi Amata, 73. Author, critic; translator particularly of classic fantasy, The Ship of Ishtar, The Night Land; student of natural history (Birds of the World and Fish of the World, collections of 19th Century paintings, have been translated into English). Two dozen books. So far his 12-volume Tales of the Imperial Capital, Tokyo from an occultist perspective, has not been done in English; 5 million copies sold in Japan; here is a cover for Vol. 2 by Yoshitaka Amano, Artist Guest of Honor at the 65th Worldcon. [JH]
Born July 12, 1947 — Carl Lundgren, 73. He co-founded ASFA (Association of Science Fiction & Fantasy Artists of America), and won 4 Chesleys, including Artistic Achievement. At the tender age of eighteen, he was co-chairman of the first media SF convention, The Detroit Triple Fan Fair which featured comics, movies and various things of a SF nature. At Chicon IV, he was nominated for Best Professional Artist but lost out to Michael Whelan. (CE)
Born July 12, 1961 — Scott Nimerfro. He had an impressive production list of genre films and series, to wit Tales From The Crypt, Trekkies, X-Men, Perversions Of Science, The Gates, Pushing Daisies, and the Once Upon A Time series which he produced three seasons of. He has one genre acting credit in “Let the Punishment Fit the Crime“ story of Tales From The Crypt in which he was Fouser. (Died 2016.) (CE)
Born July 12, 1968 — Sara Griffiths, 52. She appeared as Ray in the Seventh Doctor story “Delta and the Bannermen”. She was being considered as a companion to the Doctor, a role however taken by Sophie Aldred as Ace. (CE)
Born July 12, 1971 – Michelle Welch, 49. Five novels and a collection of flash fiction introducing her Gbahn characters; four novels of elementals (one each) under another name. Editor of two podcast anthologies. Collects stringed instruments, which she sometimes plays. Still working on a Big Fat Historical Fantasy set during the English Civil War; last year’s NaNoWriMo (nat’l novel writing month) helped some. Website here. [JH]
Born July 12, 1976 — Gwenda Bond, 44. Writer, critic, editor. She’s written a prequel to the Stranger Things series, Suspicious Minds, and I’m very fond of the two novels (The Lost Legacy and The Sphinx’s Secret) so far in her Supernormal Sleuthing Service which she wrote with her husband Christopher Rowe. And she penned the Dear Aunt Gwenda section of Lady Churchill’s Rosebud Wristlet that Small Beer Press published in the early part of this millennium. (CE)
(8) COMICS SECTION.
Saturday Morning Breakfast Cereal’s”Teleporter” — Is it a joke?
… Not only is America in dire straits–“I do believe you’ve laid a curse on North America,” John Adams says, “a second flood, a simple famine, plagues of locusts everywhere,”–they’re dealing with many of the same problems we are right now.
They’re plagued with diseases (“The children all have dysentery, and little Tom keeps turning blue,” Abigail says. “Little Abbey has the measles, and I’m coming down with flu…they say we may get smallpox”) and shortages (sewing pins and saltpeter instead of toilet paper and PPE.)
There are lines that could have been spoken today, like Benjamin Franklin’s saying, “Never has a nation been more recklessly mismanaged,” and there are parallels in the people. We have Ruth Bader Ginsburg, whose health we’re praying for, and they had Caesar Rodney, a Congressman from Delaware who was dragged back to Congress from his deathbed to provide a deciding vote.
In 1776, they’re also dealing with critical issues of what they want their country to be and issues of racial justice that are threatening to tear the country apart and may even stop America from being born: “Now you’re calling our black slaves Americans?” the delegate from North Carolina asks John Adams, and Adams replies, “They’re people and they’re here. If there’s any other requirement, I never heard it.” “They are not people,” North Carolina says. “They are property.” “No, sir,” Jefferson says, “they are people who are being treated as property.”
And here we are, 244 years later, having that same conversation. On the Fourth two people painted over a “Black Lives Matter” sign on a street, proclaiming, “The narrative of police brutality, the narrative of oppression, the narrative of racism, it’s a lie,” and two days ago when Joe Biden said in his Fourth of July message that all people are created equal, the spokesman for the Republican Party accused him of trying to destroy the Declaration of Independence. “It says ‘All MEN are created equal,’” she said huffily….
(10) DOOM PATROL! [Item by Daniel Dern.] Five episodes in (out of a listed nine), Season Two of DC’s live-action Doom Patrol is (for me) one of the best comics-based TV series ever, with plot and character elements spanning the source comic series’ decades and creators. This season we’ve had (more) episodes including both Flex Mentallo and Danny The Street.
The show will make more sense if you’ve seen the first season.
If you want to be frugal, and can shim in modest binging, wait until Season 2 Episode 9 comes out — new episodes drop each Thursday, so, mmm, (according to IMDB), August 6, and try the DCUniverse 1-week free trial, or a month for $7.99, or HBO Max, a free week or a $14.99 month.
Note: DCUniverse is available via the web, and as an Android and iOS app. I watched DP Season 1 on my iPad; having (finally) added the app to my Amazon Fire Stick, I’ve been watching Season 2 on the TV — even more fun!
(11) MY MOUNT TBR HAS A PECULIAR PERIL. [Item by Daniel Dern.] The first few paragraphs of Laird Hunt’s review of Jeff Vandermeer’s A Peculiar Peril — “Jeff VanderMeer’s Young Adult Novel Is a Madcap Magical Mash-Up” – (if you can’t get to it, here’s Ian Mond’s review from Locus Online) were so compelling that I stopped reading the review … and have online-reserved a copy from my local public library, which, thankfully, re-opened about two weeks ago for by-appointment contactless pick-ups of reserve requests. (Items are in paper bags. Yes, brown, but not delivered in the dead of night 🙂
Picture a 200-foot-long death machine built to crush everything in its path — powered by pulped earthworms, defended by demi-mages and captained by the gently stoned 19th-century French novelist Jules Verne — and you will have glimpsed just the tiniest portion of the madcap magical mash-up that is Jeff VanderMeer’s first full-throated sally into epic young adult fiction, for readers 12 and up. Overuse has made combinatory comparisons risible, but VanderMeer’s highly allusive maximalist tome requires them. So: “A Peculiar Peril” is equal parts “The Lion, the Witch and the Wardrobe,” “Harry Potter and the Order of the Phoenix,” “Jonathan Strange & Mr. Norrell,” Matt Groening’s “Futurama,” “Mary Poppins” (or is it “Chitty Chitty Bang Bang”?), “Curse of Chucky,” “Alice in Wonderland” and David Lynch’s hallucinatory adaptation of “Dune.”…
(12) DOLITTLE DOES ENOUGH. [Item by Daniel Dern.] Between advance reviews and the “has dragon” reveal, I declined to pay’n’go to see the recent (Dr.) Dolittle live-action (well, presumably lotsa CGI and other animation) movie (with Robert Downey Jr as the good doctor, Tom Holland voicing Jip the Dog, Emma Thompson voicing Polynesia the parrot, along with other well-known names), but this was one of the first items on my library reserve list to make it to my brown paper bag pickup, and, having watched it, I enjoyed it enough that I don’t regret it, but don’t feel that if you haven’t yet seen it, you need to.
I like that this was not done as an “origin” movie. I liked the Rube Goldberg steampunk gadgetry (or should that be steampunk Rube Goldberg gadgetry) and various other flourishes. The dragon was legitimized as a plot element, but (thankfully) didn’t go all Game-of-Thrones-firestormy. And could easily enough been something other or less than a dragon. At least they didn’t try to shimmy in some dragon-with-the-flagon patter, although perhaps that would have been a nice touch, although, admittedly, lost or going right by 99% of the audience. (Here, perhaps only past a modest 25%?)
Ants do it. Lobsters do it. Even equatorial mandrills do it. Why don’t many Americans do it: Wear masks and keep a wise social distance from each other?
Scientific American reports this week how several animals seem to know how to take precautions and keep their distance so they’re less likely to be infected by a peer.
Spiny lobsters, for example — and really, aren’t they all? — can apparently sniff out infection in the urine of another lobster, and don’t get too close to them.
University of Florida researchers discovered this when a virus spread among spiny lobsters in the Florida Keys. As Dana M. Hawley and Julia C. Buck write in Scientific American, “Despite how unnatural it may feel to us, social distancing is very much a part of the natural world.”
A 2018 study at the University of Bristol found that when ant colonies are exposed to a virus, ants keep their distance. Forager ants, who are out and about to scrounge up plant saps and insect eggs, stay outside of the colony, so they don’t risk infecting the queen ant and her nurses. Reproduction can safely proceed.
Fandom is generous, and that includes its artists. The Fan categories of the Hugo Awards celebrate the generosity that goes along with an incredible amount of work, just for the fun of it. In the past, I haven’t looked closely at the Fan categories, because who has time to look at everything? Turns out I’ve missed a lot of interesting things, so this year I’m making sure to look at those often-overlooked categories and cast my vote…
[Thanks to Cat Eldridge, Andrew Porter, JJ, Daniel Dern, John Hertz, Michael Toman, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Lise Andreasen, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
If there’s one thing we could all use right now, it’s baseball — in any form. Well, how about a baseball story written by none other than “The Twilight Zone” creator Rod Serling?
On March 25, when we would otherwise be preparing for Opening Day, Cincinnati’s WVXU-FM will be streaming Serling’s radio drama, “O’Toole From Moscow.”
Written in 1955 — four years before “The Twilight Zone” debuted — the show is set during the Cold War and follows a Soviet Embassy worker who loves the Brooklyn Dodgers and skips town with a “comrade who suddenly becomes the greatest slugger ever for the Cincinnati Reds” — no word on if this slugger also ripped off his sleeves the way Ted Kluszewski did.
… The drama, which featured an appearance from Hall of Fame manager Leo Durocher, only aired once on NBC, and no recordings were ever made. Fortunately, Cincinnati journalist John Kiesewetter managed to hunt down the original script, and then edit it into a radio drama. With help from actors at University of Cincinnati College-Conservatory of Music, and Anne Serling — Rod’s daughter — to provide the narration, the show was recorded in November and now awaits its debut.
(3) FILLING THE VACANCY. K. Tempest Bradford and Lou
Antonelli have been exchanging barbs over his write-in candidacy to become a SFWA
director-at-large. Bradford’s thread starts here.
Most Vermonters have already decided to shelter at home, and even at mid-day roads are close to empty. Fixed costs continue. The owner of Star Cat Books has a compromised immune system, but fears she must stay open for the few people who are looking for books for their kids or themselves. “Just closing” for two months, which is the shortest period the experts project this to last, guarantees the store will close forever. Even if two months is enough to end the risk, business will not return to normal at once.
(5) ORDER UP. Meanwhile, Jeff VanderMeer is lending a hand to his local Tallahassee bookstore Midtown Reader with sales of signed copies of his books, plus this special offer to receive a unique autographed item —
(6) TIME AGAIN TO POP THE LID. Alasdair Stuart’s The Full Lid barrels onward – here a link
to the issue for 20th
This week, there’s a look at how Netflix often write genre fiction kids very well, focusing on Lost in Space, Locke & Key and October Faction. We’ve also got a look at Marieke Nijkamp, Manuel Preitano, Jordie Bellaire and Clayton Cowles’ excellent Barbara Gordon YA graphic novel The Oracle Code. An interview with Marieke is planned for a future issue too (Although it did sneak into the Contents page here. Barbara Gordon folks, best hacker in the business).
We’re also ramping up Signal Boost as multiple creatives and creative industries struggle under the growing changes to the fabric of modern life. If you have a project you’d like over 500 extra sets of eyes on, do get in touch.
We will make the digital magazine available to everyone regardless of whether you subscribe starting with the current issue (March 16, 2020).
Everyone can now access the digital edition of PW from www.digitalpw.com or from the PW app on iOS and Android.
Additionally, articles, past bestsellers lists and the reviews database, which includes a search feature and the reviews listed by genre, will be made available to all.
And last, I am very pleased to share access to our recently launched archive database. The archive includes 7,597 past issues, 676,133 pages, 400,000 book reviews, 5,000 author profiles and interviews and, beginning in 1895, bestseller lists.
(8) TODAY IN HISTORY.
March 21, 1989 — Gor II, also known as Outlaw of Gor, premiered. It is a sequel to Gor and is directed this time by John Cardos. It is based on the Gor series by John Norman, but varies quite a bit from the original Outlaw of Gor novel. It starred Urbano Barberini, Rebecca Ferratti, Donna Denton, Russell Savadier and, yes, Jack Palance. You can see it here as lovingly critiqued on Mystery Science Theatre 3000.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 21, 1915 — Ian Stuart Black. British screenplay writer best known for scripting two First Doctor stories, “The Savages” and “The War Machines” (with Kit Pedler and Pat Dunlop) and a Third Doctor story, “The Macra Terror”. He wrote thirteen episodes of The Invisible Man as well as episodes of One Step Beyond, The Saint, Star Maidens and Danger Man. (Died 1997.)
Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award. (Died 2010.)
Born March 21, 1944 — Lorene Yarnell. She was actually part of Shields and Yarnell, a well-known mime team, but you will know her as Dot Matrix on Spaceballs. She had a few previous genre appearances including being a villain named Forimicida on Wonder Women, and Sonia on The Wild Wild West Revisted. (Died 2010.)
Born March 21, 1944 — Hilary Minster. He appeared twice on Doctor Who, one in a Third Doctor story, “Planet of the Daleks” and before that in a Second Doctor story, “Genesis of the Daleks.” He also was in “Achilles Heel”, an episode of The Tomorrow People, and he had a minor role in The Girl in a Swing film based on the Richard Adams novel. Finally, he was Fritz, a German soldier, in Timeslip, a children’s SF series. (Died 1999.)
Born March 21, 1946 — Timothy Dalton, 74. He is best known for portraying James Bond in The Living Daylights and License to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
Born March 21, 1946 — Terry Dowling, 74. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Minnight which I’ve not read. He’s not at all deeply stocked at the usual digital suspects but Kindle has this plus several story collections.
Born March 21, 1947 — Don Markstein. He was the creator and sole maintainer of Don Markstein’s Toonpedia which is subtitled A Vast Repository of Toonological Knowledge. It is an encyclopedia of print cartoons, comic strips and animation started in 2001. He said, “The basic idea is to cover the entire spectrum of American cartoonery.” (Died 2012.)
Born March 21, 1956 — Teresa Nielsen Hayden, 64. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden, Making Light superb weblog, Back in the Eighties, they published the Izzard fanzine. And she has three pieces in The Essential Bordertown, edited by Delia Sherman and Terri Windling.
Born March 21, 1985 — Sonequa Martin-Green, 35. She currently plays Michael Burnham on Discovery which is now I believe in its third series. She had a brief recurring role as Tamara in Once Upon a Time, and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold no interest to me. Well Solomon Grundy does… And she was in the Shockwave, Darkside film.
As the impact and spread of the Coronavirus (COVID-19) continues to evolve, Diamond Comic Distributors is aware that Free Comic Book Day (FCBD) will be impacted to varying degrees throughout the world. With that in mind, Diamond Comic Distributors has made the difficult decision to postpone the event to a date later in the Summer.
“The severity and timing of the impact of the COVID-19 virus can’t be predicted with any certainty, but the safety of our retailer partners and comic book fans is too important to risk. As always, we appreciate your enthusiasm for and support of the comic industry’s best event and look forward to celebrating with you later in the Summer,” said Diamond Founder and CEO, Steve Geppi.
China has exonerated a doctor who was officially reprimanded for warning about the coronavirus outbreak and later died of the disease, a startling admission of error by the ruling Communist Party that generally bodes no challenges to its authority.
The party’s top disciplinary body said the police force in Wuhan had revoked its admonishment of Dr. Li Wenliang that had included a threat of arrest.
It also said a “solemn apology” had been issued to Li’s family and that two police officers, identified only by their surnames, had been issued “disciplinary punishments” for the original handling of the matter.
A tall stele rises from a deeply cratered surface, casting a long, ominous shadow past a row of smaller towers. Straight lines connect the structures to each other, like streets on a map or the projected moves in a game of cosmic chess. The Earth floats serenely in the dark sky, next to the logo that reads Tekhnika—molodezhi, Russian for Technology for the Youth, a Soviet popular science magazine that launched in 1933. The magazine cover, from 1969, illustrated an article highlighting photographs from Luna 9, the Soviet unmanned spacecraft that was the first to survive a landing on the Moon a few years earlier.
This imagined moonscape is one of more than 250 otherworldly images from the upcoming, visually delightful book, Soviet Space Graphics: Cosmic Visions from the USSR, by Alexandra Sankova, director and founder of the Moscow Design Museum, which collaborated on the book with her.
Key examples of both include Blazing Saddles, which used the rocks to portray the harsh terrain of the Western desert, and John Carter, which used them to convey the harsh terrain of Mars.
Speaking of Star Trek, one of the first uses of this location was in the original series, when Kirk had to go down to an alien planet and battle a lizard-human to death. The episode made the locale a common go-to for Westerns and science fiction films looking to create foreign landscapes.
Canadian scientists have discovered a fragment of an ancient continent, suggesting that it was 10% larger than previously thought.
They were studying diamond samples from Baffin Island, a glacier-covered land mass near Greenland, when they noticed a remnant of North Atlantic Craton.
Cratons are ancient, stable parts of the Earth’s continental crust.
The North American Craton stretched from present-day Scotland to North America and broke apart 150m years ago.
Scientists chanced on the latest evidence as they examined exploration samples of kimberlite, a rock that often contains diamonds, from Baffin Island.
(16) YIELD OF THOUGHT EXPERIMENTS. The outbreak inspired France24’s
English-language service to look at the ways genre creators have already
thought about the problem in “Dystopia vs reality: Sci-fi movies are helping us
gain a critical outlook on society.”
As COVID-19 spreads throughout the world, we take at a look at certain sci-fi movies and dystopian novels that had perhaps predicted certain consequences of such an outbreak. In this edition, we also explore the influence and the critical outlook that TV series can have on science and innovation but also politics and society at large.
…The finger-lickin’ curse was placed on the team following their triumph in the 1985 Japan Series over the Seibu Lions. Revelers took to the streets of Osaka in celebration of their favorite team’s first championship, and many of them gathered on Ebisu Bridge for a familiar ritual.
Japanese baseball fans are like soccer fans. They don’t stoically sit in the grandstand and only make noise when prompted to by organ players or jumbotrons. They have chants and songs for all sorts of occasions and for every player, with brass instrumental accompaniments. Japanese baseball, you see, actually encourages fun.
So there upon the bridge, they sang the songs for each of the victorious players and selected a member of the crowd who most looked like each of the players, and gave them the honor of jumping down into the canal below. This was all well and good until they got to Randy Bass, who had just won the series MVP award for the Tigers. There weren’t any Caucasian guys in the crowd, so the revelers purloined a statue of Colonel Sanders from outside of a nearby KFC and tossed it into the canal.
This has since been regarded as a karmically poor decision, as the Tigers proceeded to finish under .500 for the next 18 years.
The idea that the team had been cursed by making the Colonel sleep with the fishes quickly spread. Numerous attempts were made to recover the statue to no avail, and the proprietor of the KFC outlet was apologized to, but nothing could seem to cure the team’s misfortune….
[Thank to Chris Barkley, Daniel Dern, Chip Hitchcock, Cat
Eldridge, Martin Morse Wooster, Mike Kenned, JJ, John King Tarpinian, Michael
Toman, Rich Lynch, Alan Baumler, Mlex, Alasdair Stuart, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Daniel Dern.]
NOMINATIONS OPEN. Nominations
for the 2020 Australian SF (“Ditmar”) awards are open until one minute before
midnight Perth time on Sunday, March 1, 2020 (ie. 11.59 p.m., GMT+8). The
current rules, including Award categories can be found at: here.
…Despite receiving zero nominations at the 92nd Academy Awards, the Peele-directed horror flick also managed to win big elsewhere this awards season. Peele won Best Director at this summer’s Saturn Awards while Nyong’o won Best Actress with the Hollywood Critics Association and more. As a whole, the movie’s biggest award came during the Critics’ Choice Awards, where it won Best Sci-fi/Horror movie.
John Romita Sr.Amazing Spider-Man#51 Cover Kingpin Original Art (Marvel, 1967). One of the finest Amazing Spider-Man covers we have ever had! It was the Kingpin’s very first cover appearance, and it set the image of the character in many fan’s heads for decades to come….
(4) SEND THE TARDIS TO DUBLIN. Nicholas Whyte wishes Doctor
Who spent more time in Ireland – like any at all. He has written a rundown
on the Irishness of the TV show, book adaptations, audio dramas, and comics. You
might say there is more green in Tom Baker’s trademark scarf than the rest of
the show combined.
It is a sad fact that up to the present day (choosing my words *very* carefully here), not a single second of TV screen time on the show, or any of its spinoffs, has been set in Ireland. Indeed, hitherto the Doctor spent more televised time in Hungary than on the Emerald Isle (special prize if you know what story I am referring to). A couple of confused characters do wonder if Gallifrey, the home planet of the Time Lords, may be in Ireland, but that’s as close as we get.
However, the real life relationship between Doctor Who and Ireland is much stronger. Tenth Doctor David Tennant’s grandmother was from Northern Ireland – his grandfather was a professional footballer, whose record of 57 goals for Derry City in a single season still stands. Lalla Ward, who played the second incarnation of Romana and was briefly married to Fourth Doctor Tom Baker, is the daughter of the 7th Viscount Bangor; their family home was Castle Ward in County Down, better known to Game of Thrones fans as Winterfell.
And lucky kids in Belfast and Derry were thrilled one day in 1978 when the Fourth Doctor himself turned up at their school…
…The hack has to be done like an old video game cheat code. You need to make certain inputs by a certain time in order to bring “Chewie mode” online. Here is a video and written instruction from the FreshBaked YouTube Channel, which specializes in Disneyland tips and tricks:
Chalk this one up to fun scientific papers we inexplicably missed last year. A group of undergraduates at the University of Leicester in the UK calculated the growth rate of the fictional Star Trek critters known as tribbles. They published their results in a short paper in the university’s undergraduate-centric Journal of Physics Special Topics, estimating just how long it would take for there to be enough tribbles to fill up the USS Enterprise….
…Imagine a world hot enough to turn lead into a puddle, where the atmospheric pressure can crush a nuclear-powered submarine. Now imagine sending a rover to explore that world.
Venus, ancient sister of Earth with a planetary environment just this side of hellish, has been visited by a handful of probes since the early days of space flight. Of the many missions to our celestial neighbor, only about a dozen have made contact with the surface of the planet. The longest-lived landers only managed to function for a couple of hours before succumbing to the relentlessly oppressive heat and pressure.
… Current, state-of-the-art, military-grade electronics fail at approximately 125°C, so mission scientists at JPL have taken their design cues from a different source: automatons and clockwork operations. Powered by wind, the AREE mission concept is intended to spend months, not minutes, exploring the landscape of our sister world. Built of advanced alloys, AREE will be able to collect valuable long-term longitudinal scientific data utilizing both indirect and direct sensors.
As the rover explores the surface of Venus, collecting and relaying data to an orbiter overhead, it must also detect obstacles in its path like rocks, crevices, and steep terrain. To assist AREE on its groundbreaking mission concept, JPL needs an equally groundbreaking obstacle avoidance sensor, one that does not rely on vulnerable electronic systems. For that reason, JPL is turning to the global community of innovators and inventors to design this novel avoidance sensor for AREE. JPL is interested in all approaches, regardless of technical maturity.
This sensor will be the primary mechanism by which the potential rover would detect and navigates through dangerous situations during its operational life. By sensing obstacles such as rocks, crevices, and inclines, the rover would then navigate around the obstruction, enabling the rover to continue to explore the surface of Venus and collect more observational data.
February 23, 1935 — The Phantom Empire premiered. It was a Western serial film with elements of SF and musical theater as well. It was directed by Otto Brower and B. Reeves Eason. It starred the singing cowboy himself Gene Autry along with Frankie Darro and Betsy King Ross. In 1940, a feature film edited from the serial was released as either Radio Ranch or Men with Steel Faces. It was a box office success earning back its seventy-five thousand dollar budget. The very few audience members who gave it a rating at Rotten Tomatoes didn’t like it hence the 27% rating there. You can see the first chapter here.
February 23, 1954 — Rocky Jones, Space Ranger premiered. This was the first science fiction television show to be entirely pre-filmed (instead of being televised live as was the case with Captain Video, Buck Rogers and Tom Corbett.) It was also the first to use sets of unusual good quality, live location shoots, and rather decent special effects. Rocky Jones was played by Richard Crane. It was created by Roland D. Reed and written by Warren Wilson, Arthur Hoerl and Marianne Mosner, with Hollingsworth Morse being the director. It lasted but two seasons as it never really caught on with the public. Story wise, it actually had a great deal of continuity built into it, unlike almost all of the other series at the time. Its thirty-nine episodes, each twenty-five minutes in length, aired originally between February 23rd and November 16th, 1954. You can see the first episode here.
February 23, 1978 — Quark was slotted in on NBC as a mid-season replacement series. Yes, the pilot aired on May 7, 1977, so technically that it’s birthday but let’s skip past that please. It was created by Buck Henry, co-creator of Get Smart. The series starred Richard Benjamin, Tim Thomerson, Richard Kelton, Tricia Barnstable and Cyb Barnstable. It specialized in satirizing popular SF series and films — the Wiki article states that three episodes were based upon actualTrek episodes, though that can’t be confirmed. It lasted but eight episodes beating Space Rangers by two episodes in longevity. You can see the first episode here. here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 23, 1564 — Christopher Marlowe. Author of Doctor Faustus (or The Tragical History of the Life and Death of Doctor Faustus. Elizabeth Bear made him a character in her Stratford Man series which is Ink and Steel and Hell and Earth novels which I highly recommend. If you’ve not read them, the Green Man review is here. (Died 1593.)
Born February 23, 1915 — Jon Hall. Frank Raymond in Invisible Agent and The Invisible Man’s Revenge. He was also the creator and star of the Ramar of the Jungle series. And he directed and starred in The Beach Girls and the Monster and The Navy vs. the Night Monsters. (Died 1979.)
Born February 23, 1930 — Gerry Davis. Mid-Sixties story editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for the series, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation, who created the Daleks, made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
Born February 23, 1932 — Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most of the ship computer interfaces throughout the series. I’ll note that she was originally cast as Number One in the unused Pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
Born February 23, 1965 — Jacob Weisman, 55. Founder, Tachyon Publications, which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
Born February 23, 1983 — Emily Blunt, 37. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind, she’s been in quite a number of other genre films including The Wolfman, Gulliver’s Travels, Gnomeo & Juliet, The Muppets, Looper, Edge of Tomorrow, Into the Woods, The Huntsman: Winter’s War, The Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns.
Born February 23, 2002 — Emilia Jones, 18. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix.
(11) LEAP BEER. On February 29 Ology
Brewing Company in Tallahassee, Florida will combine the debut of their Tropical
Habitat beer – “inspired by the Southern Reach trilogy” – with a book signing
by Jeff VanderMeer.
To honor our friendship with Jeff VanderMeer, Tallahassee resident and author of the Southern Reach Trilogy, we are releasing Tropical Habitat, a tropical, otherworldly Hazy Double IPA at a special Book Signing and Meet & Greet event alongside the release of three other beers (Barrel-Aged Imperial Stout, Barrel-Aged American Sour, and Fruit Beer).
A portion of Tropical Habitat sales (both cans and tap pours) will benefit the Friends of St. Marks Wildlife Refuge (The Salamander Project) and honor the setting of the trilogy book series and one of our team’s favorite places – the North Florida Coast.
Uncommon for Leigh Brackett, “The Veil of Astellar” begins with a framing story about a manuscript found inside a message rocket sent to the Interworld Space Authority headquarters on Mars. This manuscript offers an explanation of the space phenomenon called “the Veil” which comes out of nowhere and swallows spaceships in the asteroid belt. The space police officers are initially sceptical about the account, but eventually manage to determine that it is authentic. Furthermore, the much feared Veil has vanished and the message inside the rocket explains why….
(13) HEARTFIELD CLASS. Cat Rambo shared “Highlights from Writing Interactive Fiction,”
taught online by Kate Heartfield. Thread
We’re going through a Harley Quinnaissance at the moment, even if Birds Of Preydidn’t light up the box office, and it looks like DC Universe is eager to keep it going. As announced on Twitter, the streaming service (which still exists and has yet to be swallowed up by HBO Max!) will already be getting a new season of the Harley Quinn animated series in April. The first season just premiered at the end of 2019, so this will be a surprisingly short wait for a chance to hear more DC comic book characters say “fuck” and get beat up in surprisingly violent ways. Also, maybe this time Harley and Poison Ivy will end up together? Or maybe they won’t and that’s okay too? Either way, DC Universe has to hold onto something that fans want to see, or else HBO Max will just quietly roll up and take over. Then Harley Quinn’s going to have to hang out with the Friendsinstead of Poison Ivy, and nobody wants that.
The South Korean dark comedy film Parasite had a historic awards season sweep – and in the process, reignited the debate over whether subtitles or dubbing is the best way to watch a movie that isn’t in your native language.
As director Bong Joon Ho accepted the first-ever best foreign language picture Golden Globe for a South Korean film, he said: “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.”
Fast forward a month, and he was making history again, accepting the best picture award once more at the Oscars. Parasite’s Oscar win introduced it to a broad US audience – but not everyone was in favour of watching the award winner in its original language.
Dubbing takes the stress out of enjoying a foreign film, some argued, and performances are meant to be heard, not read. The angered response from subtitle fans ranged from accusations of racism to pointing out the needs of deaf viewers.
How you watch a foreign film is a clearly personal matter, tangled in pet peeves and accessibility. But as foreign flicks are gaining more screen time before American audiences, here’s a deeper dive into how we got here, and where the industry is headed.
In the early days of film, on-screen text was far from a “one-inch barrier” – it was the only way to express dialogue. Title cards were the precursor to subtitles, and they, too, were controversial in a way that mirrors the modern debate.
Stage actors would try to hide their work in silent film as many felt the lack of sound diminished the quality of the performance, Professor Marsha McKeever, academic director of New York University’s Tisch School of the Arts, told the BBC.
…Although science is Greene’s raw material in this fathoming — its histories, its theories, its triumphs, its blind spots — he emerges, as one inevitably does in contemplating these colossal questions, a testament to Einstein’s conviction that “every true theorist is a kind of tamed metaphysicist.”
I’ve been impressed with my ability to not get sucked into Hasbro’s Transformers’ Siege line. Those figures really look impressive, but I’m trying to keep my Transformers purchases to the Masterpiece line. But now with the release of Netflix’s Transformers: War for Cybertron Trilogy trailer, I’m thinking my resolve is about to crumble especially given how good this series looks.
[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, Mike
Kennedy, JJ, Chip Hitchcock, John King Tarpinian, and Michael Toman for some of
these stories. Title credit goes o File 770 contributing editor of the day Daniel
In a matter of seconds, at the end of the first episode of The Mandalorian, pop culture and Star Wars fandom was changed forever. Baby Yoda was introduced to the universe and we’ll never be the same. The immediacy in which we fell in love with The Child has left an indelible mark. The eyes, the ears, the broth sipping… We were immediately in our feelings and could not climb out. And, thankfully, so were some very creative fans.
Lovestruck, creative fans put out some wonderfully clever and sublimely hilarious videos. They run the gamut of Christmas song remakes, Hamilton mash-ups to very original productions. Take a look, dive into your Baby Yoda emotions and enjoy!
And hey – I actually know one of the singers in The Mary Sues! (She’s my daughter’s aunt.)
And maybe it was the freedom to explore obscure characters without being tethered to the baggage of canon that gave this film an opportunity to stretch? Or perhaps it was Gunn’s propensity for infusing humor, heart, and a killer soundtrack into a movie about a dysfunctional family which could very well be the most relatable premise ever?
Whatever the reason, you’ve got to give the dude credit–after all, Gunn was so confident with his realized vision that he held on to the merchandise-friendly Baby Groot until the end credits.
…Advisers to the Democratic congresswoman Alexandria Ocasio-Cortez have sought him out to discuss the environment. But he doesn’t like to think in terms of political parties: “I’d just say I’m an American leftist. The left’s an honourable tradition and a very broad band from Bill Clinton to Xi Jinping. Anything that seems to be progressive in a way that a social scientist or an ordinary person in the street could agree with: health insurance, a pension, and the right to a job.”
His outlook is rooted less in ideology and more in the lived experiences of landscape – specifically the boldly fragile beauty of California’s terraformed farms and coast. “California’s different: it’s the fifth biggest economy in the world, it’s the gold rush, Hollywood, Silicon Valley, and it’s too lucky. I wish the whole United States was being led by California, that would get faster solutions. On the other hand, the inequality here is getting as bad as anywhere.”
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 28, 1913 — Charles Maxwell. He makes the Birthday List for being Virgil Earp in the “Spectre of the Gun”, a not terribly good Trek story. He also appeared in My Favorite Martian’s “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island for which he was largely uncredited. Interestingly he had six appearances playing six different characters on the Fifties series Science Fiction Theatre. (Died 1993.)
Born December 28, 1922 — Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in a way that company is thought to be the creation of Stan Lee in way that DC isn’t thought if of having of having a single creator. He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list. I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.)
Born December 28, 1932 — Nichelle Nichols, 87. Uhura on Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares. Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon.
Born December 28, 1934 — Maggie Smith, 85. First genre role was as Theis in Clash of the Titans. Much better known as Minerva McGonagall In the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time and voiced Miss Shepherd, I kid you not, in two animated Gnomes films.
Born December 28, 1942 — Eleanor Arnason, 77. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”. She’s a Wiscon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available in the digital format of your choice.
Born December 28, 1945 — George Zebrowski, 74. He won the John W. Campbell Memorial Award for Best Science Fiction Novel for Brute Forces. He’s married to Pamela Sargent with whom he has co-written a number of novels, including Trek novels.
Born December 28, 1970 — Elaine Hendrix, 49. I found a Munsters film I didn’t know about (big fan I am yes) and she’s Marilyn Munster in it: The Munsters’ Scary Little Christmas. She later is Gadget Model 2 (G2) in Inspector Gadget 2. (Anyone watch these?) And she’s Mary in the animated Kids vs Monsters.
Born December 28, 1978 — John Legend, 41. Several years back, Legend was Jesus Christ in of the Andrew Lloyd Webber and Tim Rice opera Jesus Christ Superstar which aired on NBC. He also voices Crow in the animated Crow: The Legend film.
Born December 28, 1981 — Sienna Miller, 38. The Baroness in one of the endless G.I. Joe films I’ve no intention ever of seeing, G.I. Joe: The Rise of Cobra to be precise. More interestingly, she’s Victoria in the flawed but still worth seeing Stardust. (Go listen to Gaiman reading it for the best take on it — brilliant that is!) And she’s Darcy in Kis Vuk, A Fox’s Tale, a Hungarian-British animated tale that sounds quite charming.
Born December 28, 1982 — Beau Garrett, 37. She made her genre appearances first in Turistas and Unearthed, definitely grade b horror films, before being Captain Raye in Fantastic Four: Rise of the Silver Surfer and Gem in Tron: Legacy.
Born December 28, 1987 — Thomas Dekker, 32. He’s best known John Connor in Terminator: The Sarah Connor Chronicles, Zach on Heroes andAdam Conant on The Secret Circle. He also played Jesse Braun in the remake of A Nightmare on Elm Street. He was also in ChromeSkull: Laid to Rest 2 which might be one of the worse titles I’ve seen for a horror film….
(8) COMICS SECTION.
Tom Gauld’s take on a recent newsmaking bit of punctuation.
Russia’s first regiment of Avangard hypersonic missiles has been put into service, the defence ministry says.
The location was not given, although officials had earlier indicated they would be deployed in the Urals.
President Vladimir Putin has said the nuclear-capable missiles can travel more than 20 times the speed of sound and put Russia ahead of other nations.
They have a “glide system” that affords great manoeuvrability and could make them impossible to defend against.
…Mr Putin said on Tuesday the Avangard system could penetrate current and future missile defence systems, adding: “Not a single country possesses hypersonic weapons, let alone continental-range hypersonic weapons.”
From a robot in your phone to a smart speaker in your kitchen, voice-to-text algorithms are moving into more and more aspects of our lives.
But how well do they understand English speakers of all backgrounds? We’re running an experiment to find out.
This is where you come in: Record yourself speaking (we’ll give you prompts), send us the clips and we’ll have the machines interpret them. It doesn’t matter if you know of or have used the devices or services we’re testing. If you can speak, we’d like to hear from you.
A podcast based on a 1930 American horror story has been relocated due to fresh inspiration from “rural English mythology” and an alleged UFO sighting.
The BBC Sounds podcast The Whisperer in Darkness features reports by US airmen who claimed to have seen a UFO in Rendlesham Forest, Suffolk in 1980.
Writer Julian Simpson visited drama locations in Suffolk with actress Jana Carpenter before penning the series.
His version is loosely based on the novella set in Vermont by HP Lovecraft.
(12) VIRAL TENTACLES. This animatronic has gone viral.
(13) DISNEY EXEC PROFILED. [Item by Martin Morse
Wooster.] Behind a paywall in the November 23 Financial Times, Emma Jacobs profiles
Walt Disney Animation Studios president Jennifer Lee.
“Ms Lee knows something about identifying with animated heroes. The 48-year-old has described growing up in Rhode island on “a poor street in a rich town: where she was tormented by schoolyard bullies, In Disney’s Cinderella, Ms Lee found comfort in a character who ensured cruel mistreatment before finding happiness. The bullying left her plagued with self-doubt. ‘People talk about the dangers of rose coloured glasses,’ she said. ‘But let me tell you, the lenses of self-doubt are far worse. They are nasty. Thick and filthy.”
….”Ms. Lee once wrote that the hardest part of being a female director was not the legacy of Disney or making herself heard in a room full of men. Rather it was the red carpet. ‘I didn’t know that being a size 2…might as well be a size 92 to the elite designers; I have never wanted to be an animated character so badly.'”.
(14) VIDEO OF THE DAY. “I’m a Lunatic Chef That Cooks Food Using Explosives.”
The master chef’s guide to serving up steaks to customers extra extra extra extra extra extra extra well done, whether they asked for it or not. This is also Cooking Simulator’s July 4 2019 update that adds some festive things for destroying your kitchen even faster.
[Thanks To Chip Hitchcock, James Davis Nicoll, Andrew Porter, Martin Morse Wooster, Cat Eldridge, JJ, StephenfromOttawa, John King Tarpinian, N., and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Warner.]
…The second is Cixin Liu’s Supernova Era. Liu is best-known for the epic novels The Three-Body Problem, The Dark Forest, and Death’s End, which put Chinese science fiction on the map for US readers. This novel, which sees Earth’s adult population wiped out after radiation from a supernova passes by, is about the young survivors as they work to rebuild human civilization once again. Like Liu’s other novels, it’s an ambitious, fun read that reminds me quite a bit of science fiction’s classic eras.
What the hell does “Jellicle” mean? According to T.S. Eliot’s widow Valerie Eliot (at least as described in Lloyd Webber’s memoir), the word comes out of T.S.’s private joke about how the British upper class slurred the words “dear little cats” together to somehow make a sound like “Jellicle.” Eliot also wrote about “Pollicle Dogs,” based off the phrase “poor little dogs.” There’s a poem, “The Aweful Battle of the Pekes and the Pollicles” that gets ported into Cats, where the cats all dress up as dogs and make fun of them. This is frankly anti-dog, but what did you expect in Cats?
What, if anything, did you make of that? My readers deal with those things. They notice them before I do. I expect that Kylie Jenner heard from some of them along the lines of “We appreciate the thought, but you kind of missed it.” There were some themed tequila. People often do this in a very well-meaning way; they’re not trying to be unpleasant. It has been the occasion when I’ve been speaking somewhere and I will be greeted with Handmaid’s Tale cupcakes because the person doing the catering is such a fan. Will I turn up my nose at such cupcakes? No, I will not. I will not do that.
Will you eat the cupcake? That depends on my relationship to sugar at the moment. If I were in a sugar-eating moment, I would certainly eat the cupcake. I have a collection of artifacts: I have LEGO handmaids and commanders made by the children of one of the publicists in London. I’ve got some knitted chickens from a pro-choice outfit in Texas that knits chickens for charity. She made me some themed knitted chickens. First one is called “the Henmaid’s Tale.” It has an outfit. I have a piece of honey-point embroidery done before the embroiderer had read The Testaments or even knew about it. It says F*CK AUNT LYDIA So there are these things that appear, and as far as I’m concerned, that’s people playing in the sandbox. I’m happy to have people playing in the sandbox, although sometimes they get a little off, but that is to be expected. There are people right now writing military histories of Gilead, and I look forward to reading them because I’m not going to do that.
Jeff Vandermeer’s latest novel, Dead Astronauts, is a kaleidoscopic and fractured mosaic: In a long-changed, post-climate-apocalypse world, a trio of saboteurs — or escapees — or simply survivors — attempt over and over again to dismantle the work of the Company, an entity which may have once been a biotech corporation but now churns out broken and altered-beyond-recognition monstrosities in an endless stream. The three — who are the closest the reader gets to protagonists in the first half of the book — are only nominally human, and only nominally astronauts. Like nearly everything else Vandermeer has created in Dead Astronauts, they are allegories, figments, fables for a dissolving world where narrative and language are as subject to corruption as modified flesh.
Their leader is Grayson, an astronaut returned to Earth who can see futures and truths out of her blinded eye. With her are Chen, who sees the world in equations and probabilities, constantly on the verge of ego-dissolution into mathematics and emotional trauma; a man who might once have been a salamander, or many salamanders, but who definitely once worked intimately for the Company — and Moss, whom Grayson loves. Moss is sometimes a woman, sometimes a person — when she wants to be, for Grayson — and always a sentient moss, splittable into many selves, charged with (or choosing) to use herself to reseed the broken world with viable life.
(6) STARGIRL TEASER TRAILER. “The staff chose me, and I choose you.”
Stargirl premieres Spring 2020 on DC Universe and The CW. Stargirl follows high school sophomore Courtney Whitmore (Brec Bassinger), who inspires an unlikely group of young heroes to stop the villains of the past. The project reimagines Stargirl and the very first superhero team, the Justice Society of America, in a fun, exciting and unpredictable series
Science fiction is full of people settling on distant planets. But even the closest stars would take millennia to reach with current speeds of travel, by the time any passengers reached an extra solar planet, they would be long dead.
So CrowdScience listener Balaji asked us to find out whether humans could hibernate for interstellar travel?
To uncover the science fact behind this idea, Anand Jagatia holds a tiny hibernating dormouse at the Wildwood Trust in Kent, and meets Dr Samuel Tisherman who puts his patients into suspended animation for a couple of hours, to save their lives after traumatic injuries that cause cardiac arrest. We ask if Dr Tisherman’s research could be extended to put healthy individuals to sleep for much longer periods of time?
It’s a question that neuroscientist, Professor Kelly Drew is studying, in Alaska Fairbanks. She uses Ground Squirrels as a model to understand internal thermostats, and how hibernating mammals manage to reduce their core temperatures to -3 degrees Celsius.
Anand speculates wildly with science fiction authors Adrian Tchaikovsky and Temi Oh whose characters in their books ‘Children of Time’ and ‘Do You Dream of Terra Two?’ traverse enormous distances between habitable planets.
But is human stasis something that would actually be useful? John Bradford is the director of SpaceWorks, this company works with NASA to try to investigate human hibernation for space travel. He’s trying to make space-based human hibernation a reality, and it seems that may be closer than you’d think.
…Cue the montage! Daleks in Trafalgar Square! Daleks at the Albert Memorial! This is what location shooting is for. I don’t care if the rest of the series takes place in my shed, it’s worth it to see a Dalek surrounded by pigeons, further proving that Daleks are not the masters of Earth, because pigeons bow to no man, or alien pepperpot….
Doctor Who showrunner Chris Chibnall… told Deadline that Jodie Whittaker’s Tardis-travelling time lord will be thrown into action in a “movie-like” two-part curtain-raiser called Spyfall, which will premiere on BBC One and BBC America on January 1, 2020.
“Episode one is probably the biggest episode of Doctor Who we’ve done, or has been done, I would imagine. Physically, there’s a lot of stunts, there’s a lot of locations, it’s a globe-trotting action thriller,” he said. “But you don’t want to lose sight of character and intimacy and emotion. You can’t do everything at 11.”
(10) TODAY IN HISTORY.
December 7, 1979 — Star Trek: The Motion Picture premiered. Starring all of the expected suspects plus the now departed Indian model and actress Persis Khambatta, the film did very well but not well enough to not stop the studio from stripping Roddenberry of creative control of all things Trek. Reviewers and critics alike give it a 42% rating at Rotten Tomatoes.
December 7, 1984 — 2019: After The Fall of New York premiered. This Italian film was directed by Sergio Martino in both the English and Italian versions. The film starred Michael Sopkiw and Anna Kanakis, and George Eastman. Wiki says it was influenced by Escape from New York. One critic noted that “Graphic scenes of rape and murder await the viewer, as well as rats, midgets, and subway-riding revolutionaries.” Despite that, or because of it, it has a decent 59% rating among viewers at Rotten Tomatoes.
December 7, 1984 — 2010: The Year We Make Contact premiered. Written, produced, shot and directed by Peter Hyams. It’s based off Clarke’s 2010: Odyssey Two, the sequel to the film. It starred Roy Scheider as Heywood Floyd, John Lithgow as Walter Curnow and Helen Mirren as Tanya Kirbuk. It would outgross both Dune and Starman who opened roughly when it did. And yes it won the Hugo Award for Best Dramatic Presentation at Aussiecon Two beating out The Last Starfighter, Dune, Ghostbusters and The Search for Spock.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 7, 1915 — Eli Wallach. I‘ve a fondness for anyone who appeared on the Sixties Batman series. He played Mr. Freeze in a two part story, the third actor to do as both George Sanders and Otto Preminger had done so in previous two part stories. He also had one-offs in Worlds Beyond, Alfred Hitchcock Presents, Veritas: The Quest and Tales of the Unexpected. (Died 2014.)
Born December 7, 1923 — Johnny Duncan. Was the Sixties Batman the first Batman series? You know better. Johnny here was Robin on Batman And Robin (1949) for Columbia Pictures Corporation. It ran for fifteen episodes with roughly fifteen or so minutes apiece. Robert Lowery was Wayne / Batman. He has only one other genre appearance, an uncredited one in Plan 9 from Outer Space as Second Stretcher Bearer. (Died 2016.)
Born December 7, 1915 — Leigh Brackett. Surely her scripts for The Big Sleep and The Long Goodbye are genre adjacent? Why not? Ok, then her very pulpy Sea-Kings of Mars is? Being rhetorical there. And I love her Eric John Stark stories! (Much of these were written with her husband Edmond Hamilton.) And yes, she completed her draft of The Empire Strikes Back just before she died. (Died 1978.)
Born December 7, 1945 — W.D. Richter, 74. As a screenwriter, he’s given us Invasion of The Body Snatchers, Dracula, and one of my most loved films, Big Trouble In Little China. As a director, he gave us Buckaroo Banzai Across The 8th Dimension, another of my most loved films. He’s not getting love for the reboot of Big Trouble In Little China with Dwayne Johnson that he’s apparently involved with. Grrrr!
Born December 7, 1947 — Wendy Padbury, 72. She’s Zoe Heriot, a Companion to the Second Doctor. She first appears in “The Wheel in Space” where she is the librarian on board the Wheel. Big Finish has made use of her character rather well. Her only genre film was Cathy Vespers in The Blood on Satan’s Claw (not to my to-be-viewed list), and she was regular cast member Sue Wheeler in the Freewheelers series which at least genre adjacent. Think Avengers only younger.
Born December 7, 1949 — Tom Waits, 70. He’s got uncredited (but obviously known) roles in Wolfen and The Fisher King. He is in Bram Stoker’s Dracula as R.M. Renfield, and he shows up in Mystery Men as Doc Heller and in Mr.Nick in The Imaginarium of Doctor Parnassus. He’s simply Engineer in The Book of Eli.
Born December 7, 1959 — William John King, 60. Author who works exclusively in the Warhammer and Warhammer 40,000 Universes. Now I’ve not read in that universe, but I discovered recently, well in the last few months I think, that Games Workshop actually has some forty shops around the US where you can buy their miniatures, get them painted and just hang out. They also sell some fiction, both hardcopy and audiobooks, all Warhammer of course. Neat?
(12) COMICS SECTION.
Bliss shows there’s no end of things alien visitors must keep in mind.
Frank and Ernest think that, a synonym for wimpy, “snowflakes” is an illogical choice.
“This makes complete sense to me and appears to be nothing more than a mistake in not providing a toggle specifically for UWB. It seems that a risk of marketing a company as uniquely privacy-friendly is that any slip-up is magnified a hundredfold and treated as evidence that every tech company is basically the same.”
It is totally fair to hold Apple to a higher standard on privacy than other companies. But Heer is exactly right: when they do make a mistake, it’s going to be magnified. The mistake here wasn’t that location data was leaked?—?including to Apple’s own servers, apparently. The mistake was not making it clear in Settings that UWB requires location data for regulatory compliance. Most people don’t even know what UWB is at this point.
Non-player characters (NPCs) are a staple of video games: the anonymous members of a crowd that make up the background of the story you’re playing. At São Paulo’s Comic Con Experience (CCXP) today, 20th Century Fox unveiled a first look at Free Guy, about such a character who realizes that the world he inhabits isn’t what it seems.
…Such is the intrigue surrounding the sex lives of these black and white birds that, for the second year running, Kyoto Aquarium and Tokyo’s Sumida Aquarium, have released a chart detailing the tangled love lines among them.
…Rozu (or Rose) was a pick-up artist and a penguinizer before meeting Warabi, formerly the most popular penguin in the aquarium.
After falling in love, the two are now in an exclusive relationship and “can’t bear to leave each other’s side for more than one second.”
Then there’s inter-species love.
The two Penguin Relationship Charts also reveal how the aquariums’ caretakers are unwittingly pulled into the penguins’ affairs of the heart.
Caretaker Nagaoka’s friendship with penguin Hanabi has made Hanabi’s wife Ichigo jealous, turning Nagaoka and Ichigo into enemies.
Chiyouchin is said to have “neverending love” for his caretaker Oshiro.
Caretaker Tanaka wants to befriend Kiriko, but Kiriko blows hot and cold — sometimes sulking with Tanaka for as long as 20 minutes.
… While we at SYFY FANGRRLS don’t often talk about board games, we thought we would make an exception for this one, because it’s about playing through a consensual female-focused alien encounter with some sexy tentacles, and if that’s not our area of expertise, I don’t know what is.
Consentacle is a co-operative board game set in space, where the whole aim is for players to communicate as best they can with a language barrier in place. One player takes on the role of a curious blue-haired human astronaut, while the other takes on the role of a sensitive and caring feminine tentacle-covered alien. Neither of your species shares a spoken language, and as such the players are not allowed to use words to communicate their plans during the game. Both players and characters establish consent, then attempt to fumble their way wordlessly through a sexy space encounter, keeping each other’s needs and wants in mind.
Different acts between the pair will produce different “satisfaction” resource tokens, and the players have to work out what each other needs, and try to anticipate their plays, for mutual resource building in tandem. Each player has their own deck of cards, which have various effects when used solo or in combos, with some cards better used one-sided or in tandem….
[Thanks to Gordon Van Gelder, John Coxonn, JJ, Cat Eldridge, Mike
Kennedy, John King Tarpinian, Andrew Liptak, Chip Hitchcock, Daniel Dern, Martin
Morse Wooster, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Fire Chief Daniel Dern.]
(1) LEST MARKNESS FALL. Christine Feehan tweeted a justification of her application to trademark book series with the word “Dark” in the title. Penny Reid is one of many who still hopes someone will put a stop to the idea. [UPDATE: Feehan has removed the tweet to which Reid is responding. I have not located a screencap to replace it.]
As Portland State University Indigenous Nations Studies professor Grace L. Dillon wrote in the introduction to 2012’s Walking the Clouds: An Anthology of Indigenous Science Fiction, “It is almost commonplace to think that the Native Apocalypse, if contemplated seriously, has already taken place.” Indigenous authors are thus in a unique position to reclaim sci-fi narratives as a form of resistance against settler colonialism. Indigenous science fiction or speculative fiction—which Dillion encapsulates with the term “Indigenous futurisms,” inspired by the Afrofuturism movement—offers a space for Indigenous writers, filmmakers, and artists to explore possible futures. From cowboy films to government-assimilation policies, Native American communities and cultures are often portrayed as a “vanishing race” with no place in the present, let alone the future. Indigenous futurism is a contemplation of what our futures look like as Indigenous people, one that recognizes the significance and strength of Indigenous knowledge systems.
Such possible futures are prevalent themes in Cherie Dimaline’s 2017 novel The Marrow Thievesand Rebecca Roanhorse’s 2018 novel Trail of Lightning. Both books create new worlds that center and celebrate Indigenous people, knowledge, and land. “You don’t see a lot of Native Americans in science fiction and fantasy, and when you do they are usually not situated in a world that is specifically Native, like the Navajo reservation,” Roanhorse told Barnes & Noble in 2018. “I wanted to read a science fiction and fantasy story where Native characters held front and center, where the landscape was filled with the places and the people that I knew from living on the rez, where the gods and heroes were of North American Indigenous origin.”
…As each world is destroyed, a new one begins. The Diné believe that we are now in the fifth world, and in Trail of Lightning, Roanhorse creates the beginning of the sixth—one that takes shape in the aftermath of global destruction brought about by climate change and human hubris. In effect, Roanhorse is modernizing Diné stories and history without translating it for readers. She expects those who read her books to already know about these traditions and beliefs, making the Sixth World series uniquely accessible to Diné and other Native peoples in a way that other sci-fi and fantasy series are not.
(3) DEAD ASTRONAUTS MUSIC. [Item by Rob Thornton.] Jeff VanderMeer has posted “The Operatic, Post-Punk Sounds of Dead Astronauts”,
a selected list of 23 songs that were on the playlist that he listened to while
writing Dead Astronauts, his latest science fiction book for the Farrar,
Straus & Giroux imprint MCD Books. The playlist includes songs by Midnight
Oil, The Church, Spoon, Mercury Rev, Three Mile Pilot, Tropical Fuck Storm, and
The Dead Astronauts “mix tape” consists of 900 songs, played on shuffle unless I needed to summon a certain emotion for a particular scene. The 23 songs here are either favorites or representative of albums I love. But loving an album isn’t enough—I write very much by feel and music is essential to that. I have to be in the right headspace to stay within the style and voice of the novel. In the case of Dead Astronauts, there are ten sections and ten different perspectives and styles.
Yet pervading everything in Dead Astronauts is a dual sense of anger and defiance mixed acceptance and loss. These are big, almost operatic emotions that manifest in the novel in both bold, over-the-top ways and in a minor key, with intricate little eddies and shifts in perspective.
Leading up to its widely watched, less widely admired culmination in May, much was made of Thrones’ status as the last of its kind, a great unifier whose most fantastical flourish of all was reviving the monoculture for an hour at a time on Sunday nights. Nearly seven months later, those eulogies for Thrones still echo, though they take on a different tone when held up against the context of all this year’s other finales. In truth, television as communal mass consumption is a model that was de facto extinct long before Game of Thrones artificially expanded its lifespan, White Walker–style—and may in fact be better represented by The Big Bang Theory, another monster hit that wound down within days of its flashier peer. However warranted, the noise around Thrones may have obscured the passing of a different kind of cultural moment.
There’s so much else unusual about Los Espookys thatit’s easy to forget the novelty, and significance, of its being the first-ever Spanish-language series to air on HBO. Conceived of by SNL’s Fred Armisen and cowritten by Julio Torres and Ana Fabrega, all of whom serve in the ensemble cast, Los Espookys seems to set and defy its own rules at will. In this unnamed Latin American country, there’s ample demand for “horror groups” to stage elaborate, quasi-mystical pranks, some of them involving aliens. Also, valet parking is a high art; news anchors are beautiful, brainwashed abductees; and the U.S. ambassador is a live-action Barbie doll who gets trapped in an enchanted mirror. At once deadpan and fantastical, Los Espookys’flair for the dramatic resembles nothing else on television, except for Torres’s distinctive sketch work over in Studio 8H. The showachieves a similar effect, immersing the viewer in an alternate reality mercifully low on stakes and high on cursed amulets. Only when the spell is broken do you notice the quietly forceful statement of subtitling the English dialogue along with the Spanish.
(5) FUTURE TENSE. This month’s entry in the Future Tense
Fiction series is “A Priest, a Rabbi, and a Robot Walk Into a Bar,” by Andrew Dana Hudson, a new short story that looks at how
artificial intelligence could support, and distort, faith.
(6) BABY YODA. Funko Pop’s The Child comes in two sizes, 10 and 3.75 inches. Speculation is that the former is intended to be life-sized. Available for pre-order now with delivery in Spring 2020, so don’t expect to see it in your Christmas stocking.
The Outspoken Author series is unique: it covers the gamut of genres, from hard SF to crime and literary fiction, and it collects the underappreciated and hard-to-find work of legendary figures in an accessible format. Not only is there fiction, the authors offer up essays, transcripts of talks and speeches, and ruminations about the writing life. Each volume concludes with an in-depth interview conducted by series editor Terry Bisson, and these go deep: you’ll learn about everything from revelations about drag personas to dissections of Trotskyism in the United Kingdom.
Never has a single StoryBundle offered work by so many of speculative literature’s most important figures: Ursula K. Le Guin, Samuel R. Delany, Michael Moorcock, and many others. We’re offering twenty-three volumes in DRM-free digital formats that are yours to keep till freedom reigns over the world.
You decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of six books in any ebook format—WORLDWIDE.
Thoreau’s Microscope by Michael Blumlein
A City Made of Words by Paul Park
The Beatrix Gates by Rachel Pollack
Totalitopia by John Crowley
Raising Hell by Norman Spinrad
Modem Times 2.0 by Michael Moorcock
If you pay at least the bonus price of just $15, you get all six of the regular books, plus SEVENTEEN more books!
The Atheist in the Attic by Samuel R. Delany
Fire. by Elizabeth Hand
Miracles Ain’t What They Used to
Be by Joe R.
Gypsy by Carter Scholz
My Life, My Body by Marge Piercy
Patty Hearst & The Twinkie
Murders by Paul
The Science of Herself by Karen Joy Fowler
New Taboos by John Shirley
The Human Front by Ken Macleod
Report From Planet Midnight by Nalo Hopkinson
Surfing the Gnarl by Rudy Rucker
The Great Big Beautiful Tomorrow by Cory Doctorow
The Wild Girls by Ursula K. Le Guin
Mammoths of the Great Plains by Eleanor Arnason
The Underbelly by Gary Phillips
The Lucky Strike by Kim Stanley Robinson
The Left Left Behind by Terry Bisson
(8) TODAY IN HISTORY.
December 4, 1970 — Latitude Zero premiered in New York City. It was directed by Ishir? Honda and scripted by Ted Sherdeman as based on his Latitude Zero radio show. The film stars both American and Japanese actors including Joseph Cotten, Cesar Romero, Akira Takarada, Masumi Okada, Richard Jaeckel and Patricia Medina. Critics found the plot weak but the special effects rather fun. It currently has a rating of 50% at Rotten Tomatoes among viewers.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 4, 1937 — David Bailie, 82. He played Dask in “The Robots of Death”, a Fourth Doctor story, and also appeared in Blake’s 7 as Chevner in the “Project Avalon” story. Also, he played the mute pirate Cotton in the Pirates of the Caribbean film franchise. Intriguingly he shows up in The Creeping Flesh which starredChristopher Lee and Peter Cushing.
Born December 4, 1939 — Jimmy Hunt, 80. He plays Dave MacLean in Invaders from Mars. Some three decades later, he’ll appear in the remake as the Police Chief. He’s an uncredited appearance early in his career in My Brother Talks to Horses which is definitely genre. And he’s in Close Encounters of the 4th Kind: Infestation from Mars though I know nothing of this film. Have any of you seen it?
Born December 4, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by Howard. He is quite likely best known for his invention of the character Kane, the Mystic Swordsman who I think is in as many as thirty works by Wagner. Anyone here read them? Rhetorical question I know. His Carcosa publishing company issued four volumes of stories by authors of the Golden Age pulp magazines. Anything I left off that folks should know about him? (Died 1994.)
Born December 4, 1949 — Jeff Bridges, 70. I’d say his best genre role was as Starman / Scott Hayden in the film of that name. Other genre work includes King Kong, the voice of Prince Lir in Peter Beagle’s The Last Unicorn, Jack Lucas in The Fisher King, Iron Monger in Iron Man and Kevin Flynn/CLU 2 in Tron: Legacy. He appeared also in a film called R.I.P.D. as Roycephus “Roy” Pulsipher which was either really bad or really, really bad.
Born December 4, 1954 — Sally Kobee, 65. Fan, Bookseller, filker. She has served on the committees for myriad conventions, and chaired both Ohio Valley Filk Fest 4 and OVFF 10, and WFC 2010 and 2016. She was honored as a Fellow of NESFA and as a Guest of Honor at Windycon XXVII. She and her now late husband purchased a bookstore in the 90s. She continues to the day to sell books at conventions.
Born December 4, 1954 — Tony Todd, 65. Let’s see… He was a memorable Kurn in Next Gen and Deep Space Nine, he plays Ben in Night of the Living Dead, he’s of course the lead character in the Candyman horror trilogy, William Bludworth in the Final Destination film franchise, Cecrops in Xena: Warrion Princess and Gladius on Hercules: The Legendary Journeys. Those are just selected highlights.
Born December 4, 1957 — Lucy Sussex, 62. Fan, reviewer, author, and editor. Born in New Zealand, resident in Australia… she’s been writing SFF ever since attending a Terry Carry led workshop. And she’s edited several anthologies such as She’s Fantastical, the first collection of Australian women’s speculative fiction. She’s won three Ditmar Awards, A. Bertram Chandler Award and an Aurealis Award to name some of her awards — impressive indeed! I’ve not heard of her before now, so I’ve not read her, so who has read her?
Born December 4, 1964 — Marisa Tomei, 55. May Parker in Marvel Cinematic Universe, but also to my delight has an uncredited role as a Health Club Girl in The Toxic Avenger. She also shows up as Mrs. O’Conner in the “Unwomen”, an episode of The Handmaid’s Tale.
Born December 4, 1989 — Nafessa Williams, 30. She had only two genre roles but with the first being the revival series of Twin Peaks where she was Jade. The other is what gets her Birthday Honors — She’s Anissa Pierce who is the superhero Thunder on the Black Lightning series. Superb series, great character!
Now Disney is finally pulling the curtains off “Rise,” opening on Thursday at Walt Disney World and on January 17 at Disneyland. The stakes are high for this expensive gamble to succeed: Attendance at Disney’s domestic theme parks was down 3% in its latest quarter. The company also recently announced the departure of Catherine Powell, the president of Disney Parks who oversaw Anaheim and Orlando.
Disney is betting it can turn things around with the power of high-tech experiences. The attraction packs dozens of audio-animatronics — and a couple of giant AT-ATs — holograms, lasers, and the most complex ride system Disney’s Imagineers had ever designed: a trackless vehicle that moves laterally, vertically, and at all times unpredictably. At its annual shareholders meeting, Disney CEO Bob Iger called the ride “the most technologically advanced and immersive attraction that we have ever imagined.”
It’s written in a language called ZIL, which stands for Zork Implementation Language. The games have been rewritten for various platforms and have been circulating for years, but knowledge of the actual scripting language used to create the game was lost to the annals of history.
Recently a well-regarded essayist expressed dissatisfaction with the current state of the SF novel. He went so far as to confidently assert, “I stopped reading novels last year. I think you did too.” Sweeping assertions are often wrong. This one is definitely wrong, at least where I am concerned.
…What may have sparked his comment is burnout, of the form that might be called “reader’s block.” You want to read something, but can find nothing specific you want to read. I think most of us who read extensively have been there.
The best method I know of for mitigating reader’s block is to cast one’s net wider….
On Black Friday, as shoppers packed an outlet mall just up the road, Patrick Darby sat behind the counter at Novel Books, his charmingly cramped bookstore in suburban Maryland, narrating the last chapter of his business.
“I’ll be gone by next week if something doesn’t happen,” Darby said, his hands trembling.For Darby, 60, this bookstore tucked inside an old yellow house with a wraparound porch in Clarksburg was his opportunity to finally sell books the old-fashioned way. He had spent decades working for big chains, including Crown Books, once a staple of Washington.
“I’d been thinking about a store like this the whole time,” Darby said.
…The response from some fans online was highly reminiscent of the “Fat Thor” controversy after the release of Avengers: Endgame. Many were incredulous that Marvel appeared not to have learned anything from said controversy, including Twitter user @The_GothDaddy, who wrote, “The Black Widow trailer looks pretty good I’d like it more if Marvel learned their lesson with Thor and maybe considered leaving out yet… A n o t h e r… Dig at fat people.”
User @Artists_Ali agreed, writing, “So I watched the Black Widow trailer. Is Marvel just gonna do wall to wall fatphobic jokes in all their movies now or….? Yeah that’s gonna be a no from me.”
There were a wealth of similar tweets to be found in the trailer’s immediate wake, and while everybody is obviously entitled to their opinion, ours is that — as with the Endgame controversy — the approach to Harbour’s character is being wildly misinterpreted. User @MediocreJedi (great name) contributed another critical tweet that touched on our reasoning: “Imma watch the hell out of #BlackWidow,” they wrote, “but did Marvel learn ANYTHING from their Endgame Thor fat joke backlash? Most women I know find David Harbour hot. So, another fat joke? Signed, guy who can barely fit into his 21-year-old dress uniform but can still kick ass.”
(19) SHAKEN, NOT STIRRED. New trailer for the next James
Bond movie No Time To Die.
In No Time To Die, Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
[Thanks to Michael J. Walsh, Martin Morse Wooster, JJ, John King
Tarpinian, Andrew Porter, N., Jennifer Hawthorne, Darrah Chavey, Rob Thornton, Joey
Eschrich, Chip Hitchcock, StephenfromOttawa, Mike Kennedy, and Cat Eldridge for
some of these stories. Title credit goes to File 770 contributing collaborative
editors of the day cmm and Jayn.]
Additional writers, interns and staffers have opened up about
their experiences with ChiZine
Publications, the Canadian horror publisher run by Sandra Kasturi and Brett
Savory. At the same time, there has been some pushback from people in
the field, of whom Stephen Jones (editor) may be the best known.
Earlier summaries of CZP news can be found in these posts:
ChiZine WERE one of the Ontario Arts Council Recommender Grants for Writers recommending publishers. They’re off the site.
Which means the OAC PULLED them after the news of what they’ve been doing broke
Beverly Bambury shared more about CZP’s “culture of intimidation and silence.” Thread starts here.
Former CZP intern Feli Law spoke in a Facebook
post about low pay and no pay, and the unexpected responsibilities dumped on
them, concluding —
…When I finally left CZP, I quit publishing because I was so bitter over what happened and how toxic it all was. I hated the snobbery of publishers and writers, and it ruined my perception of the publishing world.
My story isn’t even the worst one, but it’s my story.
Jeff VanderMeer found that his assistance in negotiating a ChiZine
writer’s contract went for nought, as he
detailed on Facebook:
I just learned today about another horror story. I acted as the agent to an agentless writer for their first book, from ChiZine. It was a breathtakingly predatory contract. I deleted all of that language and replaced it with reasonable terms. What happened next I didn’t know in its entirety until today, but basically Brett and Sandra waited until this author was in the room with them and them browbeat, cajoled, and pressured the author to sign the original contract. I don’t blame the author, who thought it was their own big break and had no experience. But I do blame ChiZine for being predatory.
As I’ve said elsewhere, my initial instinct when the first stories about ChiZine Publications began to come out was to reserve judgement until I’d heard what all parties had had to say and seen the evidence. I knew people who were close to ChiZine who couldn’t believe that what had been described had happened. I don’t believe in trial-by-mob.
But more and more stories came out, from more and more people. Appalling stories, and often appallingly consistent in the conduct they alleged. Consistent and convincing, not only to me but to those same people who were closer to ChiZine than I.
I’m getting in touch with my agent re reverting the rights to And Cannot Come Again, but this might not be a practicable move at my end as I’ll have to return the advance – which, given my current financial position, is something I can’t really do right now.
In the meantime – and it utterly chokes me to say this of a collection I am so proud of and that has been so beautifully put together – I can only ask people NOT to purchase And Cannot Come Again from ChiZine.
Despite the number and gravity of the experiences people have
shared, there has been some backlash and scoffing in social media. Perhaps the
most widely-known figure warning off ChiZine critics has been Stephen Jones
Readings from Amazing Stories, originally scheduled to take place at The Round Venue in Toronto on November 20th in conjunction with The Chiaroscuro Reading Series has been relocated to the Bakka Phoenix bookstore, also in Toronto.
Earlier this week a decision was made to host the event independently from its association with the ChiZine Reading series – Chiaroscuro – given the issues currently involving the small press publisher. In all sincerity we hope that ChiZine Publications and its authors are able to work through their difficulties and find solutions aceptable to all involved.
… The event, hosted by Ira Nayman, Editor-in-Chief of Amazing Stories, will commence at 5 pm on Wednesday, November 20th, and will feature readings from Jen Frankel, Paul Levinson, Shirley Meier, Lena Ng and Liz Westbrook-Trenholm (all of whom have had stories published in Amazing Stories over the past year), as well as musical performances by Kari Maaren and Paul Levinson.
With the Amazing reading now being hosted independently, a GoFundMe appeal has been launched to raise $700 so Bakka can meet the commitments for the event: “Amazing Stories – Amazing Writers”.
The creators and writers behind AMAZING STORIES have suddenly had to change venues for their thrilling reading night on Wednesday, November 20th! While Bakka-Phoenix Books is proud to jump in and supply a space and equipment and snacks, we don’t have the budget to pay the authors and musician appearing so we’re asking our AS fans and wider community if you can pitch in. Writers who create, well, amazing stories deserve to be paid!