Tag Archives: Jeopardy!

Pixel Scroll 6/7/23 Pixels Sleep On Scrolls

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(1) MARKOWITZ AWARD WINNERS. Naseem Jamnia and Maya Salameh are the winners of the 2023 Markowitz Award for Exceptional New LGBTQ Writers. Naseem Jamnia is a widely-recognized sff writer. See Lambda Literary’s interview here: “Four Questions with Naseem Jamnia”.

The Judith A. Markowitz Award for Exceptional New LGBTQ Writers recognizes LGBTQ-identified writers whose work demonstrates their strong potential for promising careers. The award includes a cash prize of $1,500. This year, the award goes to Naseem Jamnia and Maya Salameh.

Naseem Jamnia (they/them) is the Locus-nominated author of The Bruising of Qilwa, a novella introducing their queernormative, Persian-inspired world, which was shortlisted for the IAFA’s Crawford award. Named the inaugural Samuel R. Delany Fellow, they’ve also received fellowships from Lambda Literary and the Otherwise Award, and their nonfiction has appeared in The Rumpus, The Washington Post, Cosmopolitan, New Orleans Review, Sarah Gailey’s Stone Soup newsletter, and other venues. They are the managing editor of Sword & Kettle Press, a tiny independent publishing house of feminist speculative writing, and their debut middle grade horror, Sleepaway, is out in 2025 from Aladdin. Find out more and sign up for their newsletter at naseemwrites.com, or follow them on social @jamsternazzy.

How has access to queer literature/queer stories impacted your life as a queer person and shaped you as a queer writer?

When I was growing up, the closest I saw my gender portrayed in stories was with the “girl disguises herself as a boy to do the thing” trope, a la Mulan and Tamora Pierce’s Alanna books. I had to resort to fanfiction to explore queerness in terms of sexuality (and even then, rarely or never saw a portrayal of someone on the asexual spectrum). Much of my own writing growing up explored these issues inadvertently and vaguely, as I did not know what I was exploring at the time. However, once terms like “nonbinary” or understanding of transness outside a binary entered the public lexicon in the last 10-ish years, the wealth of queer literature we’ve seen explicitly including various identities has made a world of difference, helping me to understand and embrace my own various identities, which has since allowed me to live as my truest self. With this clearer understanding, I’ve taken the lack of what I saw growing up to turn into what I wish I had seen and where I wish we can go in the future. I’m grateful so many queer books exist now for kids and adults alike to explore the multiplicity of queer experiences….

(2) REUBEN FINALISTS INCLUDE TWO SFF ARTISTS. [Item by Dariensync.] Girl Genius creator Phil Foglio and frequent Neil Gaiman collaborator Colleen Doran have both been nominated for Reuben Awards by the National Cartoonist Society. Foglio for Online Comics: Long Form for Girl Genius, Doran for Best Graphic Novel for her adaptation of Neil Gaiman’s Chivalry. “Finalists Announced For 2022 NCS Divisional Awards For The 77th Annual Reubens”.

(3) STARS ON MARS. You can watch the first aired episode of Stars on Mars on the FOX website. William Shatner serves as Mission Control.

Here’s an excerpt. “Celebrities Try To Fix A Fallen Satellite Tower”.

(4) NOT AS SPECIAL EFFECTS? Oh no, some of them were very special. Ranker came up with a list of“11 Classic Fantasy Movies Made Before CGI”.

Many fans feel that modern fantasy movies began in 2001 with the one-two punch of The Lord of the Rings: The Fellowship of the Ring and Harry Potter and the Sorcerer’s Stone. Both having been produced after the CGI revolution of the 1990s, they applied the full power of the latest visual effects techniques to bring two beloved fantasy book series vividly to life.

But fantasy films go back a lot further than 2001. Since the dawn of movies, imaginative filmmakers have striven to use the medium’s unique capabilities to bring to life visions that cannot exist in reality. Long before computers were rendering T. rexes and Orc armies, special-effects crews had already amassed a huge bag of tricks to put fantastical stories on the screen, including stop-motion, bluescreen, forced perspective, puppets, and giant props.

Three of the four most highly-rated films have effects by Ray Harryahausen. Number one is –

Jason and the Argonauts

A retelling of the myth of the Golden Fleece, 1963’s Jason and the Argonauts was one of the peaks of Ray Harryhausen’s special effects career. Numerous striking effects appear throughout the film, but the show-stopper is the epic battle where Jason and his men confront an army of magically animated skeletons.

Harryhausen recalled the incredibly painstaking work that went into the sequence:

I had three men fighting seven skeletons, and each skeleton had five appendages to move in each separate frame of film. This meant at least 35 animation movements, each synchronized to the actor’s movements. Some days I was producing just 13 or 14 frames a day, or to put it another way, less than one second of screen time per day, and in the end the whole sequence took a record four and a half months to capture on film.

(5) YOU SAW IT HERE FIRST. At Galactic Journey, John Boston reviews the issue of Amazing which scored the coup of publishing an excerpt from Delany’s Nova, the novel Campbell declined to serialize in Analog: “[June 6, 1968] The Stalemate Continues (July 1968 Amazing)”.

Once more, all but one item of fiction are reprints, though this issue’s exception is more considerable than some: House A-Fire, by Samuel R. Delany, described as a short novel (at 33 pages!) on the cover and contents page, though editor Harrison acknowledges in the letter column that it is actually an excerpt from Delany’s new novel Nova, forthcoming from Doubleday.  Delany’s name is misspelled on the cover and contents page and in Harrison’s editorial, spelled correctly on the story’s title page and in the letter column.  Are you getting tired of all this nit-picking?  So am I.  But the persistent sloppiness of this magazine continues to irritate….

(6) LIAGUNO Q&A. One of the Horror Writers Association “A Point of Pride” blog posts is an “Interview with Vince A. Liaguno”.

What was it about the horror genre that drew you to it?

I’m less certain that I chose horror; I think horror chose me. Truthfully, from as far back as I can remember, I was drawn to all things dark. As a kid, my earliest recollections of being terrified were watching made-for-TV movies from the 70s like Don’t Be Afraid of the Dark, Gargoyles, and Trilogy of Terror. I can still remember damn near pissing myself when that little Zuni fetish doll from the latter chased poor Karen Black around her apartment! (laughs)

As I got a little older, my Dad would take me to the movies as part of our weekend “buddy days”. They were usually Irwin Allen disaster flicks or movies with a lot of car chases, but then a little film called Jaws was released. I was eight years old and can still feel the knot in my stomach the first time I heard those opening notes of John Williams’ now-legendary score. I think I only made it up to the point that the ill-fated skinny-dipping Chrissie gets slammed into the buoy before I pleaded with my Dad to leave. It would take three subsequent tries before I could make it through the entire film, each time making it a little further into the film before my ever-patient father heard the desperation of the “Please, Daddy…can we leave now?” in my voice. Jaws was a rite of passage for me; it was the first time I needed to summon and sustain any sense of real bravery. When I finally saw those end credits, it was a mark of accomplishment… a hint of manhood, if you will.

1978 was a game changer for me—the cusp of adolescence and the release of John Carpenter’s Halloween. If Jaws hooked me, Halloween reeled me in and cemented what would become a lifelong adoration of both slasher films and a certain actress named Jamie Lee Curtis.

(7) MEMORY LANE.

2005 – [Written by Cat Eldridge from a choice by Mike Glyer.]

I won’t say that Haruki Murakami is author that I’m at familiar as he isn’t. Kafka on the Shore is the English translation of the original Japanese publication which is this, 海辺のカフカ. 

Alfred Knopf published the first English language edition eighteen years ago.

It would win a World Fantasy Award. 

It is an available from the usual suspects. 

And now for our Beginning…

So you’re all set for money, then?” the boy named Crow asks in his typical sluggish voice. The kind of voice like when you’ve just woken up and your mouth still feels heavy and dull. But he’s just pretending. He’s totally awake. As always. 

I nod.

 “How much?” 

I review the numbers in my head. “Close to thirty-five hundred in cash, plus some money I can get from an ATM. I know it’s not a lot, but it should be enough. For the time being.”

 “Not bad,” the boy named Crow says. “For the time being.

I give him another nod. “I’m guessing this isn’t Christmas money from Santa Claus.”

“Yeah, you’re right,” I reply. 

Crow smirks and looks around.

“I imagine you’ve started by rifling drawers, am I right?” 

I don’t say anything. 

He knows whose money we’re talking about, so there’s no need for any long-winded interrogations. 

He’s just giving me a hard time.

“No matter,” Crow says. “You really need this money and you’re going to get it—beg, borrow, or steal. It’s your father’s money, so who cares, right? Get your hands on that much and you should be able to make it. For the time being. But what’s the plan after it’s all gone? Money isn’t like mushrooms in a forest—it doesn’t just pop up on its own, you know. You’ll need to eat, a place to sleep. One day you’re going to run out.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 7, 1944 — Mildred Downey Broxon, 79. Author of three novels and some short stories, heavy on Nordic-German mythology.  The Demon of Scattery was co-written with Poul Anderson. There are no digital books available for her and her printed editions are out of print now. I see no sign that her short fiction has been collected into a volume to date.
  • Born June 7, 1952 — Liam Neeson,  71. He first shows up in genre films as Gawain in Excalibur and as Kegan in Krull. He plays Martin Brogan in High Spirits, a film I enjoy immensely. Next up is the title role in Darkman, a film I’ve watched myriad times. He’s Dr. David Marrow in The Haunting which I’d contend is loosely off of The Haunting of Hill House by Shirley Jackson. Now we get him as Qui-Gon Jinn in The Phantom Menace. Followed unfortunately by his horrid take as Ra’s al Ghul in Batman Begins and as a cameo in the The Dark Knight Rises. Now he voiced Aslan with amazing dignity in The Chronicles of Narnia franchise and voiced Zeus as well in the Titans franchise. 
  • Born June 7, 1954 — Louise Erdrich, 69. Writer of novels, poetry, and children’s books featuring Native American characters and settings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians. Her genre work includes according to ISFDB the Ojibwe series of The Antelope Wife which won a World Fantasy Award and The Painted Drum, plus stand-alone novels of The Crown of Columbus (co-written with her husband Michael Dorris) and Future Home of the Living God.
  • Born June 7, 1968 — Sarah Parish, 55. In “The Runaway Bride“, a Tenth Doctor story, she got to play, with the assistance of extensive CGI, one of the nastiest Who villains to date, The Empress of the Racnoss, an oversized vicious spider with a human face. Great episode. It’s our introduction to Donna Noble, his Companion for quite some time to come. In a much lighter role, she played Pasiphaë on BBC’s Atlantis series.
  • Born June 7, 1969 — Anthony Simcoe, 54. Ka D’Argo in Farscape, one of the best SF series ever done. If you don’t watch anything else, just watch the finale, The Peacekeeper Wars as it’s fairly self contained. Farscape is the SF he did. If you can find a copy, Matt Bacon’s No Strings Attached: The Inside Story of Jim Henson’s Creature Shop is a wonderful look at the creation of the creatures on the show including D’Argo facial appendages. 
  • Born June 7, 1972 — Karl Urban, 51. He’s in the second and third installments of The Lord of the Rings trilogy as Éomer. He is McCoy in the Trek reboot franchise, Cupid on Xena: Warrior Princess and Hercules: The Legendary Journeys, John Kennex on Almost Human, Vaako in the Riddick film franchise, and Judge Dredd in Dredd. For the record, I liked both Dredd films for varied reasons.
  • Born June 7, 1974 — David Filoni, 49. Creator and an executive producer on Star Wars Rebels, a most awesome series, for all four seasons, and was supervising director and a writer on another excellent series, Star Wars: The Clone Wars. (I like the animated series far better than the live action films.) He makes his live acting debut in The Mandalorian playing Trapper Wolf, an X-Wing pilot, in “The Prisoner” episode. It’s also worth noting that he his first job was directing episodes during the first season of animated series Avatar: The Last Airbender
  • Born June 7, 1979 — Anna Torv, 44. She’s best known for her role as FBI agent Olivia Dunham on Fringe. She also played an ITU nurse in Frankenstein, a modern adaptation of that novel. She voiced the lead of Nariko in the animated Heavenly Sword film based off the game of the same name. 

(9) COMICS SECTION.

  • The Argyle Sweater reveals an astronomical feature apparently known only to Federation navigators.

(10) HAMMER AND CHISEL. The Tom Brevoort Experience reproduces some of the 1938 letters between Detective Comics Inc. (DC) and Superman co-creator Jerry Siegel. The issue? Money, naturally. “The Selling of Superman: Correspondence between Jack Liebowitz and Jerry Siegel”.

…Above you see the first page of a letter sent by Jack Liebowitz to Jerry Siegel on September 28, 1938. For context, as this point, ACTION COMICS #5 had been published and the character of Superman was heating up. The McClure Newspaper Syndicate, which had been noncommittal about their interest in developing Superman as a newspaper strip, suddenly showed new signs of life, which had caused Siegel to write to Detective Comics and request that they return all rights but first publication to Superman to Siegel and Shuster. As you can imagine, Jack Liebowitz and his boss Harry Donenfeld weren’t having any part of that….

(11) VISITING SPACE. [Item by Mike Kennedy.] This $50 Lego set was inspired by a group of “space travel posters” created by the Jet Propulsion Laboratory for NASA. In turn, those were inspired in part by classic travel posters from the golden age of luxury travel. “Retro NASA Space Tourism Posters made from LEGO Bricks are a Space Nerd Must-Have” at Yanko Design.

Here are the four LEGO “posters”.

Here are examples of NASA’s space travel posters.

(12) JEOPARDY! [Item by David Goldfarb.] On Monday’s episode, a clue from Single Jeopardy and one from Double Jeopardy.

In the first round, the category was “Task: Force”, and the $400 clue:

This term for a fictional energy barrier has been traced back to the 1931 sci-fi story “Islands of Space”

Returning champion Jared Watson knew it was a force field.

In the second round, “Movie Continents” for $2000:

Antarctica: a shape-shifting alien menaces helicopter pilot Kurt Russell

Harrison Seidel identified “The Thing”.

On Tuesday’s episode, “Books and Authors” had this at the $2000 level:

Her novel “Kindred” tells of Dana, a young Black woman who is transported from the 1970s back in time to the pre-Civil War South

Jared Watson (who gave the Vulcan sign during the intro, and made the A in Jared into a little Star Trek glyph) responded correctly.

(13) FREE FLASH SF EVENT. Space Cowboys Books of Joshua Tree, CA is hosting a “Flash Science Fiction Night Online Event” on Tuesday June 27 beginning at 6:00 p.m. Pacific. Register for free here.

Join us online for an evening of short science fiction readings (1000 words or less) with Shacklebound Books authors Marisca Pichette, Eric Fomley, and Jenna Hanchey. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(14) VIDEO OF THE DAY. With a new Transformers movie coming out, How It Should Have Ended decided to remaster its episode “How Transformers: Revenge of the Fallen Should Have Ended”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, David Goldfarb, Dariensync, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/3/23 A File Forever Pixeling Through Strange Scrolls Of Thought, Alone

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(1) MARVEL VS DC: CONTEST OF THE CHAMPIONS. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has just broadcast a documentary (just under half-hour) on DC and Marvel Comics. Most of it fans will already know, but there are some things in there folk might not! For example, I never knew that at one time, DC copied Marvel’s grittier art style despite internal management misgivings. You can access it here.

Marvel and DC, the two titans of America superhero comics, have been locked in cosmic battle for over six decades – raging across publishing, radio, TV, movies, gaming and animation.

It’s one of the greatest rivalries in the history of pop culture, ferociously debated by generations of readers, fans and industry creatives alike.

While both companies are now worth billions, this wasn’t always the case.

This feature goes back to their early comic book roots, where DC comics and young upstart Marvel both had offices in 1960s Manhattan – and yet differed widely in their approach to the genre, posing very distinct ideas of what our superheroes should be – and as a result, what it means to be human. Do we want to look up to the skies or do we really want to see a reflection of ourselves? Are our heroes other, outsiders like gods – or are they basically people like us, who gain strange powers but keep their flaws? Readers had a choice.

The creative rivalry between Marvel and DC comics has always been more than a question of sales or market share. It is a fascinating culture clash of ideals, morals and even politics. It has constituted one of the greatest post-war, pop-culture wars of our times.

(2) TAFF EBOOK. Rob Hansen’s British SF Conventions Volume 1: 1937-1951 was released June 1 as a free downloadable ebook on the Trans-Atlantic Fan Fund website. If you enjoy it, a donation to TAFF is welcome.

The cover photo from the London Festivention (1951) shows the editors of six of the seven fanzines then being published in the UK. From left to right: Mike Tealby (Wonder), Derek Pickles (Phantasmagoria), Fred Robinson (Straight Up), Walt Willis (Slant), Bob Foster (Sludge), Vince Clarke and Ken Bulmer (Science Fantasy News).

From Rob Hansen’s Foreword

Surprisingly, there were five conventions organized, announced, and held in the UK during World War Two despite travel under wartime conditions being a difficult and sometimes dangerous affair. For example, the train taking Cardiff fan Terry Overton to one of those conventions pulled out of the station during an air raid as bombs rained down on his (and my) home city. The NORCONs were only cons in the most basic of senses but 1944’s Eastercon was the most ambitious convention the UK had ever seen, as you will discover.

Hansen’s already published book 1957: The First UK Worldcon  fits into this sequence as volume 3.

(3) DRIVE-IN TRIVIA. MeTV asks “Can you complete the titles of these vintage ‘monster’ movies?” It wasn’t easy but I managed to miss two of these softballs.

What would the landscape of horror be like without the famous monsters? For decades, audiences have screamed, laughed and even sometimes jeered at the creatures lurching across the screen. Some nightmares are done so well that they haunt you for years. Others look so cheap and tacky that they become famous for how terrible they look.

We’ve collected a dungeon full of classic horror and sci-fi flicks with “monster” in the title. You may recognize some of these movies from Svengoolie! See if you can complete their full, frightful names.

(4) IT MIGHT BE FILK. John Hertz took inspiration from a recent G&S-themed Scroll title (Pixel Scroll 6/1/23 Three Little Muad’Dibs From Sand Are We) to supply the verse:

Three Muad’Dibs who, all unwary,
Come from Atreides’ seminary,
Free from the Wallach IX tutelary,
Three Muad’Dubs from sand.

Everything is a source of fun.
Paul isn’t safe, his solitude’s done,
Dune is a joke that’s just begun.
Three Muad’Dibs from sand.

Three Muad-’Dibs from sand are we,
Pert as a *pop-hop* well can be,
Filled to the brim with melange glee,
Three Muad’Dibs from sand.

(5) CUE THE CHORUS. Meanwhile another poet soon will be represented in space: “Poem bound for Jupiter’s moon Europa ties Earth to the watery world” reports Axios.

U.S. poet laureate Ada Limón on Thursday revealed her poem that will fly to Jupiter’s moon Europa aboard NASA’s Europa Clipper mission.

The big picture: The mission follows in the tradition of others — like NASA’s Voyagers — that have sent pieces of art representing humanity into the cosmos.

What’s happening: The poem uses water as a thread that binds Earth — and all of its humans — to Europa, a moon with an ocean beneath its icy shell.

  • “We are creatures of constant awe, curious at beauty, at leaf and blossom, at grief and pleasure, sun and shadow,” Limón writes. “And it is not darkness that unites us, not the cold distance of space, but the offering of water, each drop of rain.”
  • The poem is going to be engraved in Limón’s handwriting and affixed to the spacecraft, expected to launch in October 2024.

(6) MEMORY LANE.

1987 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Lawrence Watt-Evans’ “Why I Left Harry’s All-Night Hamburgers” story is where our Beginning comes from this Scroll. Though Mike of course selected it, I too have read it with great delight.

So the story won a Hugo at Nolacon II, and had a Nebula nomination as well.

It was published in Isaac Asimov’s Science Fiction Magazine in their July 1987 issue. 

I’m going to praise him for having up-to-date social media and for dropping out of Twitter. Check out the links to those sites from his ISFDB page 

So here’s the first chapter of that story….

Hamburgers Harry’s was a nice place–probably still is. I haven’t been back lately. It’s a couple of miles off I-79, a few exits north of Charleston, near a place called Sutton. Used to do a pretty fair business until they finished building the Interstate out from Charleston and made it worthwhile for some fast-food joints to move in right next to the cloverleaf; nobody wanted to drive the extra miles to Harry’s after that. Folks used to wonder how old Harry stayed in business, as a matter of fact, but he did all right even without the Interstate trade. I found that out when I worked there. 

Why did I work there, instead of at one of the fast-food joints? Because my folks lived in a little house just around the corner from Harry’s, out in the middle of nowhere – not in Sutton itself, just out there on the road. Wasn’t anything around except our house and Harry’s place. He lived out back of his restaurant. That was about the only thing I could walk to in under an hour, and I didn’t have a car.

This was when I was sixteen. I needed a job, because my dad was out of work again and if I was gonna do anything I needed my own money. Mom didn’t mind my using her car – so long as it came back with a full tank of gas and I didn’t keep it too long. That was the rule. So I needed some work, and Harry’s All-Night Hamburgers was the only thing within walking distance. Harry said he had all the help he needed–two cooks and two people working the counter, besides himself. The others worked days, two to a shift, and Harry did the late night stretch all by himself. I hung out there a little, since I didn’t have anywhere else, and it looked like pretty easy work – there was hardly any business, and those guys mostly sat around telling dirty jokes. So I figured it was perfect. 

Harry, though, said that he didn’t need any help. 

I figured that was probably true, but I wasn’t going to let logic keep me out of driving my mother’s car. I did some serious begging, and after I’d made his life miserable for a week or two Harry said he’d take a chance and give me a shot, working the graveyard shift, midnight to eight A.M., as his counterman, busboy, and janitor all in one.

I talked him down to 7:30, so I could still get to school, and we had us a deal. I didn’t care about school so much myself, but my parents wanted me to go, and it was a good place to see my friends, y’know? Meet girls and so on. 

So I started working at Harry’s, nights. I showed up at midnight the first night, and Harry gave me an apron and a little hat, like something from a diner in an old movie, same as he wore himself. I was supposed to wait tables and clean up, not cook, so I don’t know why he wanted me to wear them, but he gave them to me, and I needed the bucks, so I put them on and pretended I didn’t notice that the apron was all stiff with grease and smelled like something nasty had died on it a few weeks back. And Harry–he’s a funny old guy, always looked fiftyish, as far back as I can remember. Never young, but never getting really old, either, y’know? Some people do that, they just seem to go on forever. Anyway, he showed me where everything was in the kitchen and back room, told me to keep busy cleaning up whatever looked like it wanted cleaning, and told me, over and over again, like he was really worried that I was going to cause trouble, “Don’t bother the customers. Just take their orders, bring them their food, and don’t bother them. You got that?”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 3, 1901 — Maurice Evans. Ahhh the amazing work of make-up. Under the make-up that was Dr. Zaius in Planet of the Apes and Beneath the Planet of the Apes was this actor. Though this was his most well-known genre role, it wasn’t his only ones — he was in a Thirties Scrooge as poor man, on Bewitched as Maurice, Samantha’s father, on Batman as The Puzzler in “The Puzzles are Coming” and “The Duo Is Slumming”, in Rosemary’s Baby as Hutch, and finally in Terror in the Wax Museum as Inspector Daniels. Oh, and he showed up on Columbo as Raymond in “The Forgotten Lady”. No, not genre — but I love that series! (Died 1989.)
  • Born June 3, 1905 — Malcolm Reiss. It’s uncertain if he ever published any genre fiction but he’s an important figure in the history of our community as he edited in the Thirties through the Fifties, Jungle Stories, Planet Stories, Tops in Science Fiction and Two Complete Science-Adventure Books. Fletcher Pratt, Ross Rocklynne, Leigh Brackett and Fredric Brown are but a few of the writers published in those magazines. (Died 1975.)
  • Born June 3, 1905 — Norman A. Daniels. Writer working initially in pulp magazines, later on radio and television. He created the Black Bat pulp hero and wrote for such series as The Avengers, The Phantom Detective and The Shadow. He has three non-series novels, The Lady Is a Witch, Spy Slave and Voodoo Lady. To my surprise, iBooks and Kindle has a Black Bat Omnibus available! In addition, iBooks has the radio show.  (Died 1995.)
  • Born June 3, 1947 — John Dykstra, 76. He was one of the founders of Industrial Light & Magic. That means he’s responsible for the original visuals for lightsabers, the space battles between X-wings and TIE fighters, and much of the other Star Wars effects. Can’t list everything he later worked on, so I’ll single out his work on Battlestar Galactica, the sfx for Batman Forever and Batman and Robin, the visual effects on X-Men: First Class, and visual effects supervisor on Doolittle.
  • Born June 3, 1950 — Melissa Mathison. Screenwriter who worked with Spielberg on  E.T. the Extra-Terrestrial, Twilight Zone: The Movie and the charming BFG, the latter being the last script she did before dying of cancer. She also did absolutely splendid The Indian in the Cupboard which was directed by Frank Oz. (Died 2015.)
  • Born June 3, 1958 — Suzie Plakson, 65. She played four characters on the Trek franchise: a Vulcan, Doctor Selar, in “The Schizoid Man”(Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise).  She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly. By the way, her first genre role was in the My Stepmother Is an Alien film as Tenley. She also showed up in the Beauty and the Beast series as Susan in the “In the Forests of the Night” episode.
  • Born June 3, 1949 — Michael McQuay. He wrote two novels in Asimov’s Robot City series, Suspicion and Isaac Asimov’s Robot City (with Michael P. Kube-McDowell) and Richter 10 with Arthur C. Clarke. The Mathew Swain sequence neatly blends SF and noir detective tropes – very good popcorn reading. His novelization of Escape from New York is superb. (Died 1995.)
  • Born June 3, 1964 — James Purefoy, 59. His most recent genre performance was as Laurens Bancroft in Altered Carbon. His most impressive was as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him. And let’s not forget that he’s Hap Collins in the Sundance series Hap and Leonard which was steaming on Amazon Prime before the idiots there pulled it. 

(8) COMICS SECTION.

  • Macanudo is there when puberty comes to 2001.

(9) JEOPARDY! [Item by David Goldfarb.] Friday’s episode of Jeopardy! had a category in the first round called “Their Middle Initial”, where each clue gave us a person’s given name and surname and asked for…oh, you guessed.

The $1000 level was:

Of sci-fi and fantasy author Ursula Le Guin

One of the contestants did in fact know it.

(10) SPACE CHOW. [Item by Mike Kennedy.] Nope, it’s not Rice-A-Roni. But, this San Francisco firm is competing in the Deep Space Food Challenge, sponsored by NASA and the Canadian Space Agency. The goal is to find ways to meet the food needs of astronauts on long-term space missions, such as one to Mars. Making the food interesting (as well as nutritious) is important from a psychological standpoint. “Does this look appetizing? If you go to Mars, it may be your meal” at CNN Business.

As part of a NASA competition called the Deep Space Food Challenge, a San Francisco based design firm shows CNN its ideas for tasty treats astronauts can grow themselves and even grill while on a long flight to Mars.

(11) JUSTWATCH. Here is the sff that JustWatch found people had on their screens in May.

(12) DINO SKINNER ARRESTED. “Vandal Causes $250,000 in Damage to ‘Jurassic Park’ Exhibition, Police Say” – the New York Times has the story.

A newly opened dinosaur exhibition in Atlanta based on the blockbuster series of “Jurassic Park” movies has been temporarily shut down after an intruder broke in and caused $250,000 in damage, the police said. One man is in custody.

On Monday, officers from the Atlanta Police Department responded to a burglary call at Jurassic World: The Exhibition, where a manager said he discovered several exhibits had been damaged, according to a police report.

The exhibition, which has made stops in North America, officially opened Friday at Pullman Yards, a large entertainment venue east of downtown Atlanta. The show promises to immerse audiences in scenes inspired by the films and features life-size dinosaur models.

Officials for the exhibition said security footage showed four suspects before they entered the property on Sunday night. One suspect was later seen “sitting on top of one of the dinosaurs ripping off the skin covering,” the report said….

… Michael Mattox, the executive vice president of Animax Designs, the company in Nashville that constructed the dinosaurs, told Fox5Atlanta last week that it took 18 months to design and build them.

About 140 artists, engineers and other creative people were involved in the production of the dinosaurs, he said.

(13) STEEL MAGNOLIAS.  “Japan will put a wooden satellite into orbit next year” reports TechSpot.

Researchers from Kyoto University in Japan have determined that wood from magnolia trees could be the ideal construction material for a satellite due to launch into space next year.

Test results from a recent experiment aboard the International Space Station among three wood specimens revealed magnolia to be the most versatile. The samples, which were exposed to the harsh conditions of space for 10 months, returned to Earth this past January.

Analysis showed magnolia experienced no decomposition or damage like cracking, peeling, or warping. Furthermore, there was no change in the mass of the wood samples before and after their exposure in space….

(14) STARLINER STANDS DOWN. “Boeing finds two serious problems with Starliner just weeks before launch” reports Ars Technica. People are surprised this kind of problem was discovered so late in the process.  

A Boeing official said Thursday that the company was “standing down” from an attempt to launch the Starliner spacecraft on July 21 to focus on recently discovered issues with the vehicle.

Mark Nappi, vice president and program manager for Starliner, said two spacecraft problems were discovered before Memorial Day weekend and that the company spent the holiday investigating them. After internal discussions that included Boeing chief executive Dave Calhoun, the company decided to delay the test flight that would carry NASA astronauts Suni Williams and Butch Wilmore to the International Space Station.

“Safety is always our top priority, and that drives this decision,” Nappi said during a teleconference with reporters.

Two issues

The issues seem rather serious to have been discovered weeks before Starliner was due to launch on an Atlas V rocket. The first involves “soft links” in the lines that run from Starliner to its parachutes. Boeing discovered that these were not as strong as previously believed.

During a normal flight, these substandard links would not be an issue. But Starliner’s parachute system is designed to land a crew safely in case one of the three parachutes fails. However, due to the lower failure load limit with these soft links, if one parachute fails, it’s possible the lines between the spacecraft and its remaining two parachutes would snap due to the extra strain.

(15) UFO STUDY. The May 31 public meeting by the NASA team tasked with studying UAPs (UFOs) is archived on YouTube. “NASA’s UFO study team holds a public meeting”. Over 3.5 hours of talks, charts, stats, etc. 

Other coverage includes “NASA reveals findings on unidentified objects” at CNN Business and “UFOs: Five revelations from Nasa’s public meeting” at BBC News.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, David Langford, John Hertz, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 5/28/23 We’re All The Children Of Pixels, Ancient Pixels Who Gave Birth To All Intelligence

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(1) NAILED TO THE INTERNET DOOR. Finding that professional organizations aren’t moving quickly enough, Clarkesworld editor Neil Clarke has drafted his own “AI statement”.

I’ve complained that various publishing industry groups have been slow to respond to recent developments in AI, like LLMs. Over the last week, I’ve been tinkering with a series of “belief” statements that other industry folks could sign onto…. 

Here are five of his 22 credos:

Where We Stand on AI in Publishing

We believe that AI technologies will likely create significant breakthroughs in a wide range of fields, but that those gains should be earned through the ethical use and acquisition of data.

We believe that “fair use” exceptions with regards to authors’, artists’, translators’, and narrators’ creative output should not apply to the training of AI technologies, such as LLMs, and that explicit consent to use those works should be required.

We believe that the increased speed of progress achieved by acquiring AI training data without consent is not an adequate or legitimate excuse to continue employing those practices.

We believe that AI technologies also have the potential to create significant harm and that to help mitigate some of that damage, the companies producing these tools should be required to provide easily-available, inexpensive (or subsidized), and reliable detection tools.

We believe that detection and detection-avoidance will be locked in a never-ending struggle similar to that seen in computer virus and anti-virus development, but that it is critically important that detection not continue to be downplayed…

(2) IN CHARACTER IN THE UKRAINE. “Mark Hamill voices air raid warnings in Ukraine as Luke Skywalker” reports The Verge.

Star Wars actor Mark Hamill has lent his voice to a Ukrainian air raid app to warn citizens of incoming attacks during the ongoing conflict with Russia. “Attention. Air raid alert. Proceed to the nearest shelter,” says Hamill over Air Alert, an app linked to Ukraine’s air defense system. When the threat has passed, Hamill signs off with “The alert is over. May the Force be with you.”

Invoking his beloved Luke Skywalker character, some of the lines contain recognizable quotes from the Star Wars franchise like “Don’t be careless. Your overconfidence is your weakness.” You can hear a few lines in the following video starting around 56 seconds in:

(3) SIGNS OF THE TIMES. Melinda Snodgrass, George R.R. Martin and Neil Gaiman joined the writers strike picket line in Santa Fe earlier this week. Snodgrass shared photos on Facebook.

Walked the picket line for six hours today. Guys, we have to win this one, but what a day I met David Seidler who wrote The King’s Speech. I love that movie, I found it so deeply moving.

Of course George RR was there, and Neil Gaiman joined us as well. We had playwrights and directors, actors supporting us.

Nnedi Okorafor was on the picket line, too.

(4) CALL FOR JUDGES. Australian residents are invited to become Aurealis Awards judges. Full details at the link.

…We are seeking expressions of interest from Australian residents who would like to judge for the 2022 Aurealis Awards. Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts. The only qualification necessary is a demonstrated knowledge of and interest in their chosen category.

It is vital that judges be able to work as part of a team and meet stringent deadlines, including timely recording of scores and comments for each entry (in a confidential shared file), and responding to panel messages and discussions. Most of the panel discussions are conducted via email, with some panels choosing to have a synchronous online meeting to make final decisions….

(5) DUBLIN LITERARY AWARD. The 2023 winner of the Dublin Literary Award was announced on May 25. It is a non-genre work, Marzahn, Mon Amour by Katja Oskamp, translated from the original German by Jo Heinrich.

Since 1996, the Dublin Literary Award has honoured excellence in world literature. Presented annually, the Award is one of the most significant literature prizes in the world and unique in that the books are nominated by libraries from cities around the world. The award is worth €100,000 for a single work of international fiction written or a work of fiction translated into English.

(6) BOOKS TO GROW ON. BBC Culture polled 177 books experts from 56 countries in order to find “The 100 greatest children’s books of all time”. The top 10 books on the list are:

1          Where the Wild Things Are (Maurice Sendak, 1963)
2          Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
3          Pippi Longstocking (Astrid Lindgren, 1945)
4          The Little Prince (Antoine de Saint-Exupéry, 1943)
5          The Hobbit (JRR Tolkien, 1937)
6          Northern Lights (Philip Pullman, 1995)
7          The Lion, the Witch and the Wardrobe (CS Lewis, 1950)
8          Winnie-the-Pooh (AA Milne and EH Shepard, 1926)
9          Charlotte’s Web (EB White and Garth Williams, 1952)
10        Matilda (Roald Dahl and Quentin Blake, 1988)

I’ve only read 26 – til now I thought I was a literate child!

(7) MICHAEL BUTTERWORTH’S “CIRCULARISATIONS”. Space Cowboy Books and Art Queen Gallery will display works by Michael Butterworth from June through July 2023, with an opening reception on June 17 from 6:30-8:30 p.m. Register for free here.

In 1969 U.K. poet, author, editor, publisher, and bookseller Michael Butterworth published his “Circularisations” in New Worlds Magazine, a new form of graphic poetry designed to create a new way of reading. These literary experiments will be on display at the Art Queen Gallery in Joshua Tree, CA through June and July 2023, with an opening reception on June 17th. Selections of Butterworth’s poetry will be read during live musical performances from Phog Masheeen and Field Collapse, followed by a special screening of Clara Casian’s minidocumentary “House on the Borderland”, a film about Butterworth and his work.

The exhibit follows the release of Butterworth’s Complete Poems 1965-2020 from Space Cowboy Books, and the accompanying musical audiobook, Selected Poems 1965-2020. Books can be found at https://bookshop.org/a/197/9781732825772

(8) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

Jay Lake’s The Stars Do Not Lie novella is the source of our Beginning this Scroll.  It was first published in Asimov’s Science Fiction in the October-November 2012 edition.  It would be nominated at the LoneStarCon 3 for a Hugo. It was nominated for a Nebula as well. 

I first encountered him in his work that he did for the John Scalzi-created  METAtropolis series. “The Bull Dancers” is one of his stories there and it’s quite excellent. And his steampunkish Mainspring series is well-worth reading.

Need I say I died way too young?

And now that Beginning…

In the beginnings, the Increate did reach down into the world and where They laid Their hand was all life touched and blossomed and brought forth from water, fire, earth and air. In eight gardens were the Increate’s children raised, each to have dominion over one of the eight points of the Earth. The Increate gave to men Their will, Their word, and Their love. These we Their children have carried forward into the opening of the world down all the years of men since those first days.

— Librum Vita, 

Beginnings 1: 1-4; 

being the Book of Life and word entire of the Increate

Morgan Abutti; B.Sc. Bio.; M.Sc. Arch.; Ph.D. Astr. & Nat, Sci.; 4th degree Thalassocrete; Member, Planetary Society; and Associate Fellow of the New Garaden Institute, stared at the map that covered the interior wall of his tiny office in the Institute’s substantial brownstone in downtown Highpassage. The new electricks were still being installed by brawny, nimble-fingered men of crafty purpose who often smelled a bit of smoke and burnt cloth. Thus his view was dominated by a flickering quality of light that would have done justice to a smoldering hearth, or a wandering planet low in the pre-dawn sky. The gaslamp men were complaining of the innovations, demonstrating under Lateran banners each morning down by the Thalassojustity Palace in their unruly droves.

He despised the rudeness of the laboring classes. Almost to a man, they were palefaced fools who expected something for nothing, as if simply picking up a wrench could grant a man worth. 

Turning his attentions away from the larger issues of political economy and surplus value, he focused once more on history. 

Or religion.

Honestly, Morgan was never quite certain of the difference any more. Judging from the notes and diagrams limned up and down the side of the wide rosewood panel in their charmingly archaic style, the map had been painted about a century earlier for some long-dead theohistoriographer. The Eight Gardens of the Increate were called out in tiny citrons that somehow had survived the intervening years without being looted by hungry servants or thirsty undergraduates. Morgan traced his hand over the map, fingers sliding across the pitted patina of varnish and oil soap marking the attentions of generations of charwomen.

Eufrat. 

Quathlamba. 

Ganj. Manju. 

Wy’east. 

Tunsa. 

Antiskuna. 

Cycladia.

The homes of man. Archaeological science was clear enough. Thanks to the work of natural scientists of the past century, so was the ethnography. The Increate had placed the human race upon this Earth. That was absolutely clear. Just as the priests of the Lateran had always taught, nothing of humanity was older than the villages of the Gardens of the Increate. 

Nothing.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 28, 1908 — Ian Fleming. Author of the James Bond series which is at least genre adjacent if not actually genre in some cases such as Moonraker. The film series was much more genre than the source material. And then there’s the delightful Chitty-Chitty-Bang-Bang: The Magical Car. The film version was produced by Albert R. “Cubby” Broccoli, who had already made five James Bond films. Fleming, a heavy smoker and drinker his entire adult life, died of a heart attack, his second in three years. (Died 1964.)
  • Born May 28, 1919 — Don Day. A fan active in the 1940s and ’50s In Portland, Oregon, and a member of the local club. He was editor of The Fanscient (and of its parody, Fan-Scent), and perhaps the greatest of the early bibliographers of sf. He published bibliographies in The Fanscient and also published the Day Index, the Index to the Science Fiction Magazines 1926-1950. He ran Perri Press, a small press which produced The Fanscient and the Index of Science Fiction Magazines 1926-1950.  He chaired NorWesCon, the 1950 Worldcon, after the resignation of Jack de Courcy. (Died 1978.)
  • Born May 28, 1929 — Shane Rimmer. A Canadian actor and voice actor,  best remembered for being the voice of Scott Tracy in puppet based Thunderbirds during the Sixties. Less known was that he was in Dr. Strangelove as Captain “Ace” Owens, and Diamonds Are Forever and Live and Let Die in uncredited roles. He even shows up in Star Wars as a Rebel Fighter Technician, again uncredited. (Died 2019.)
  • Born May 28, 1951 — Sherwood Smith, 72. YA writer best known for her Wren  series. She’s also co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
  • Born May 28, 1954 — Betsy Mitchell, 69. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties.
  • Born May 28, 1977 — Ursula Vernon aka T. Kingfisher, 46. She is best known for her Hugo Award-winning graphic novel Digger which was a webcomic from 2003 to 2011. Vernon is creator of “The Biting Pear of Salamanca” art which became an internet meme in the form of the LOL WUT pear. She also won Hugos for her “Tomato Thief” novelette and “Metal Like Blood in the Dark” short story, and a Nebula for her short story “Jackalope Wives”. As T. Kingfisher she has won three Dragon Awards, one of them for A Wizard’s Guide to Defensive Baking, which also won the Andre Norton Award and the Lodestone Award.
  • Born May 28, 1984 — Max Gladstone, 39. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) won a Hugo Award for Best Novella at CoNZealand. It also won an Aurora, BSFA, Ignyte, Locus and a Nebula. 
  • Born May 28, 1985 — Carey Mulligan, 38. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”.) 

(10) COMICS SECTION.

(11) JEOPARDY! [Item by David Goldfarb.] On Friday’s episode of Jeopardy!, the Double Jeopardy round had a category called “You Just Made That Stuff Up”, about fictional substances. The first-level clue was a non-SFF one involving Monty Python, but the rest involved SFF:

$800: Kyber crystals, which are attuned to the Force, glow either blue or green & power these weapons

Alice Ciciora associated these with lightsabers.

$1200: First mentioned in a 1943 “Adventures of Superman” radio show, when it debuted in the comics in 1949, it was red, not green

Returning champion Jesse Chin got this one.

$1600: It’s the very hard-to-get substance that causes humans to set up shop on Pandora

This was a Daily Double, and Jesse got $4000 from responding “What is unobtainium?”

$2000: This super-bouncy stuff from Disney’s much-loved 1961 “The Absent-Minded Professor” was the title of a 1997 remake

Alice knew it was Flubber.

(12) ANIME ANALYSIS. In episode 8 of the Anime Explorations podcast, they’re covering speculative fiction anime with the first season of JoJo’s Bizarre Adventure, covering the Phantom Blood and Battle Tendency arcs of the story: “Phantom Blood + Battle Tendency”.

(13) FASHION REBELLION. Variety has a critique of the latest outfits from far away and long, long ago. “’Andor’ Costume Designers Break Down Looks of Mon Mothma, Luthen Rael”.

With the “Star Wars” universe serving as the DNA for Disney+’s “Andor,” costume designer Michael Wilkinson could honor a legacy while leaning into a new world.

For Diego Luna’s Cassian, Wilkinson draped him in warm, earthy tones with fabrics that were textural.

When audiences first meet him, he’s in “beautiful oilcloth from old leather jackets with iconic details such as a high neckline and a hood.” By the end, the silhouettes become leaner and streamlined. 

“He has a beautiful tailored long-length linen coat that we made for him that moves beautifully for all the action sequences. It’s a grown-up silhouette.”To outfit Genevieve O’Reilly’s Mon Mothma, he looked at prominent people, including leading senators and United Nations members, keeping power dressing in mind.  “I imagined to what extent the futuristic off-planet version of that would look like,” he says. “I leaned into the pale neutral tones.”

Her blue senate robe with a gold lining is “extremely architectural and quite austere,” Wilkinson says. “With her, there was a lot of adventurous tailoring and an exploration of silhouettes and layering that we did in her costumes, which reflect her switched-on sophisticated sense of aesthetics.”

Clothing for Mon Mothma’s more private moments “where the mask slips” hint at another side of her personality. Wilkinson relaxed her silhouette when Tay Kolma (Ben Miles) visits, for example, giving her outfit a flowing look…. 

(14) WORSE THAN INAPPOSITE. [Item by Mike Kennedy.] Another author used ChatGPT to beef up their prose a bit. The problem was, said author was an attorney and what they were writing was a legal brief. None of the cases cited by ChatGPT existed. I believe the legal term for this is advocatus stultus es. 

“A lawyer used ChatGPT for legal filing. The chatbot cited nonexistent cases it just made up” reports Mashable.

… It all starts with the case in question, Mata v. Avianca. According to the New York Times, an Avianca customer named Roberto Mata was suing the airline after a serving cart injured his knee during a flight. Avianca attempted to get a judge to dismiss the case. In response, Mata’s lawyers objected and submitted a brief filled with a slew of similar court decisions in the past. And that’s where ChatGPT came in.

Schwartz, Mata’s lawyer who filed the case in state court and then provided legal research once it was transferred to Manhattan federal court, said he used OpenAI’s popular chatbot in order to “supplement” his own findings.

ChatGPT provided Schwartz with multiple names of similar cases: Varghese v. China Southern Airlines, Shaboon v. Egyptair, Petersen v. Iran Air, Martinez v. Delta Airlines, Estate of Durden v. KLM Royal Dutch Airlines, and Miller v. United Airlines.

The problem? ChatGPT completely made up all those cases. They do not exist.

Avianca’s legal team and the judge assigned to this case soon realized they could not locate any of these court decisions. This led to Schwartz explaining what happened in an affidavit on Thursday. The lawyer had referred to ChatGPT for help with his filing.

According to Schwartz, he was “unaware of the possibility that its content could be false.” The lawyer even provided screenshots to the judge of his interactions with ChatGPT, asking the AI chatbot if one of the cases were real. ChatGPT responded that it was. It even confirmed that the cases could be found in “reputable legal databases.” Again, none of them could be found because the cases were all created by the chatbot….

(15) FATAL MISTAKE. The New York Times says it is now known that the “Japanese Moon Lander Crashed Because It Was Still Three Miles Up, Not on the Ground”.

A software glitch caused a Japanese robotic spacecraft to misjudge its altitude as it attempted to land on the moon last month leading to its crash, an investigation has revealed.

Ispace of Japan said in a news conference on Friday that it had finished its analysis of what went wrong during the landing attempt on April 25. The Hakuto-R Mission 1 lander completed its planned landing sequence, slowing to a speed of about 2 miles per hour. But it was still about three miles above the surface. After exhausting its fuel, the spacecraft plunged to its destruction, hitting the Atlas crater at more than 200 miles per hour.

The lander was to be the first private spacecraft to successfully set down on the surface of the moon. It is part of a trend toward private companies, not just governmental space agencies, taking a leading role in space exploration….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Gary Farber, Jennifer Hawthorne, Alexander Case, Dabid Goldfarb, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/9/23 Professor, I Observed Your Encounter With The Pixel Scroll. Today It Is You Who Learned The Power Of The File. Tomorrow It Will Be The Whole World!

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(1) GRRM ON STRIKE. George R.R. Martin has written two persuasive and informative posts about the WGA strike for Not A Blog which are excerpted here.

In the waning hours of May 1, the Writers Guild of America declared a strike.   The action began on May 2.   There are pickets in front of every studio lot and sound stage in LA, and many in other cities as well.   Get used to them.  I expect they will be there for a long time.

I am not in LA, so I cannot walk a picket line as I did in 1988, but I want to go on the record with my full and complete and unequivocal support of my Guild….

(Many of you will be wondering, rightfully, about the impact of the strike on my own shows.   The second season of DARK WINDS wrapped several months ago.   Post production has been completed on five of the six episodes, and will soon be done on the last.   The show will likely air sometime this summer on AMC.   No decision on the third season will be made until after the strike.   Peacock has passed on WILD CARDS, alas.   A pity.   We will try to place it elsewhere, but not until the strike is over.   The writer’s room on A KNIGHT OF THE SEVEN KINGDOMS: THE HEDGE KNIGHT has closed for the duration.   Ira Parker and his incredible staff of young talents are on the picket lines.   Across the ocean, the second season of HOUSE OF THE DRAGON started filming April 11 and will continue in London and Wales.   The scripts for the eight s2 episodes were all finished months ago, long before the strike began,  Every episode has gone through four or five drafts and numerous rounds of revisions, to address HBO notes, my notes, budget concerns, etc.   There will be no further revisions.   The writers have done their jobs; the rest is in the hands of the directors, cast and crew… and of course the dragons)….

I want to say a few words about what I think is THE most important issue in the current writers’ strike: the so-called “mini rooms” that the Guild is hoping to abolish, and the terrible impact they are having on writers at the start of their careers.

A look at my own career may be instructive.   For the first fourteen years of my career, I wrote only prose; a few novels, and lots of stories for ANALOG, ASIMOV’S, and various other SF magazines and anthologies.   Much as I enjoyed television, I never dreamt of writing for it until 1985, when CBS decided to launch a new version of THE TWLIGHT ZONE, and executive producer Phil DeGuere invited me to write an episode for them.   A freelance script; that was how you began back then.   I decided to give it a shot… and Phil and his team liked what I did.   So much so that within days of delivery, I got an offer to come on staff.   Before I quite knew what had happened, I was on my way to LA with a six-week deal as a Staff Writer, at the Guild minimum salary, scripts against.   (In the 80s, Staff Writer was the lowest rung on the ladder.   You could tell, because it was the only job with “writer” in the title).

…There is no film school in the world that could have taught me as much about television production as I learned on TWILIGHT ZONE during that season and a half.  When TZ was renewed for a second season, I was promoted from Staff Writer to Story Editor.  (More money, and now scripts were plus and not against).   Started sitting in on freelance pitches… and now I was allowed to talk and give notes.   Sadly, the show was cancelled halfway through the second season, but by that time I had learned so much that I was able to go on to further work in television.   I did a couple stories for MAX HEADROOM, but my next staff job was BEAUTY AND THE BEAST.   They brought me on as Executive Story Editor, one bump up from my TZ rank.   Over the next three years, I climbed the ladder, rung by rung:  Co-Producer, Producer, Co-Supervising Producer, Supervising Producer, Co-Executive Producer.   When B&B finished its run, I started writing features and pitching pilots, landed an overall deal at Columbia, created and scripted STARPORT and THE SURVIVORS and FADEOUT… and DOORWAYS, which we filmed for ABC.   I was Showrunner (along with Jim Crocker) and Executive Producer on that one.

That was my first  ten years in television;  1985-1995, more or less, long before HBO and GAME OF THRONES.

NONE OF IT would have been possible, if not for the things I learned on TWILIGHT ZONE as a Staff Writer and Story Editor.   I was the most junior of junior writers, maybe a hot(ish) young writer in the world of SF, but in TV I was so green that I would have been invisible against a green screen.   And that, in my opinion, is the most important of the things that the Guild is fighting for.  The right to have that kind of career path.   To enable new writers, young writers, and yes, prose writers, to climb the same ladder.

Right now, they can’t.   Streamers and shortened seasons have blown the ladder to splinters….  

(2) PULITZER PRIZE. The Pulitzer Prize winners were announced yesterday. Nothing I recognized as being of genre interest. The complete list is at Publishers Weekly: “’Demon Copperhead,’ ‘Trust,’ ‘His Name Is George Floyd’ Among 2023 Pulitzer Prize Winners”. (In case you wonder, Kingsolver’s Demon Copperhead borrows its narrative structure from the Charles Dickens novel David Copperfield, and the blurb doesn’t indicate there is anything supernatural in the story.)

(3) THINKING IS NOT HIS STRENGTH. “Kevin Sorbo’s Bonkers Take On Assault Weapons Gets Instant Fact-Check On Twitter” at HuffPost Entertainment. “The star of the 1990s‘Hercules’TV series hears it from his critics.”

Actor Kevin Sorbo tried a new approach in defending assault weapons amid a wave of mass shootings: They don’t exist.

The star of TV’s “Hercules” in the 1990s but who now focuses on Christian films and right-wing conspiracy theories wrote on Twitter:

Sorbo’s tweet came one day after a gunman killed eight people and wounded seven others at an outlet mall in Texas, and as a recent wave of mass shootings is leading to renewed calls for increased gun control….

(4) HOME ON THE MARTIAN RANGE. “To Live on Mars, Human Architecture Has to Combine Science and Sci-Fi” and Inverse presents a gallery of ideas for doing so.

…In the late 1990s, American architect Constance Adams worked with NASA to design TransHab, a large-scale inflatable spacecraft that would have increased the crew’s living space. While there are many advantages to using lightweight inflatable habitats, Adams once noted that before her creation, the biggest challenges facing space inflatable tech were strength, safety, and their need for a firm structure to maintain the form. With a soft inflatable shell, hard inner structural core, and three roomy levels, TransHab was the first hybrid structure that could be used for a pre-deployable Mars habitat. Although NASA did create a prototype, the project never received the funding it needed to get off the ground….

(5) SPEED READING. The New York Times says “A Faster Delivery for Fans of Manga” is on the horizon.

VIZ Media, a publisher devoted to manga and anime, on Tuesday will begin offering translated chapters of popular manga to audiences in North America on the same day they are released in Japan.

The simultaneous publication of titles through the company’s VIZ Manga app is part of an effort to get manga more quickly into the hands of fans at a time of booming readership, the company said. And it may also help fight pervasive piracy.

“In the last few years, manga became so much bigger,” said Ken Sasaki, the chief executive of VIZ Media, which is based in San Francisco and is a subsidiary of the Japanese publisher Hitotsubashi Group. “I think readers are finally aware that there are so many other genres.”

Manga sales hit $550 million in 2021, said Milton Griepp, the chief executive of ICv2, an ​​online pop culture trade publication, last year at New York Comic Con. Sales jumped 9 percent in 2022, ICv2 reported in March….

(6) MEMORY LANE.

1991 – [Compiled by Cat Eldridge.]

So Mike is picking our Beginnings (for the most part) and I get the great delight of doing the research and writing them up. (Yes, they are written from my viewpoint. How else would I write them up?) His Beginning this Scroll is Nancy Kress’ “Beggars in Spain” novella. (Not the novel of the same name.)

It was published by Axolotl Press thirty-two years ago with a cover illustration by George Barr. 

It won a Hugo at MagiCon as well as Asimov’s Readers, Nebula and SF Chronicle Awards while being nominated for HOMer and Locus awards. The expanded novel that came out under the same title won no Awards.

And now our Beginning…

They sat stiffly on his antique Eames chairs, two people who didn’t want to be here, or one person who didn’t want to and one who resented the other’s reluctance. Dr. Ong had seen this before. Within two minutes he was sure: the woman was the silently furious resister. She would lose. The man would pay for it later, in little ways, for a long time.

“I presume you’ve performed the necessary credit checks already,” Roger Camden said pleasantly, “so let’s get right on to details, shall we, Doctor?”

“Certainly,” Ong said. “Why don’t we start by your telling me all the genetic modifications you’re interested in for the baby.”

The woman shifted suddenly on her chair. She was in her late twenties—clearly a second wife—but already had a faded look, as if keeping up with Roger Camden was wearing her out. Ong could easily believe that. Mrs. Camden’s hair was brown, her eyes were brown, her skin had a brown tinge that might have been pretty if her cheeks had had any color. She wore a brown coat, neither fashionable nor cheap, and shoes that looked vaguely orthopedic. Ong glanced at his records for her name: Elizabeth. He would bet people forgot it often. 

Next to her, Roger Camden radiated nervous vitality, a man in late middle age whose bullet-shaped head did not match his careful haircut and Italian-silk business suit. Ong did not need to consult his file to recall anything about Camden. A caricature of the bullet-shaped head had been the leading graphic for yesterday’s online edition of the Wall Street Journal: Camden had led a major coup in cross-border data-atoll investment. Ong was not sure what cross-border data-atoll investment was. “A girl,” Elizabeth Camden said. Ong hadn’t expected her to speak first. Her voice was another surprise: upper-class British. “Blonde. Green eyes. Tall. Slender.”

“A girl,” Elizabeth Camden said. Ong hadn’t expected her to speak first. Her voice was another surprise: upper-class British. “Blonde. Green eyes. Tall. Slender.” 

Ong smiled. “Appearance factors are the easiest to achieve, as I’m sure you already know. But all we can do about slenderness is give her a genetic disposition in that direction. How you feed the child will naturally—”

 “Yes, yes,” Roger Camden said, “that’s obvious. Now: intelligence. High intelligence. And a sense of daring.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 9, 1860 — J. M. Barrie. Author of Peter Pan, or The Boy Who Wouldn’t Grow Up, which I’ve read a number of times. Of the movie versions, I like Steven Spielberg’s Hook the best. The worst use of the character, well of Wendy to be exact, is in Lost Girls, the sexually explicit graphic novel by Alan Moore (bad script) and Melinda Gebbie (even worse art). If you’ve not read it, don’t bother. If you really must know more about it, here is the Green Man review. (Died 1937.)
  • Born May 9, 1913 — Richard McKenna. His short story “The Secret Place” was a Hugo nominee and won the Nebula.  “Casey Agonistes” (short story) and “Hunter, Come Home” (novelette) are in many anthologies; “Casey” has been translated into French, German, Italian; “Hunter” into French, German, Italian, Romanian; “Secret” into Dutch, German, Italian, Polish.  Cover artist for Volume 3 of the NESFA Press Essential Hal Clement (Variations on a Theme by Sir Isaac Newton).  Best known outside our field for The Sand Pebbles which I’ve read and must say is rather excellent. (Died 1964.)
  • Born May 9, 1920 — William Tenn. Clute says in ESF that “From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.” That pretty sums him up I think.  All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. He’s very, very well stocked at the usual suspects. (Died 2010.)
  • Born May 9, 1925 — Kris Neville. His most well-remembered work, the “Bettyann” novella, is a classic of science fiction. It would become part of the Bettyann novel, a fix-up of it and “Overture“, a short story of his. He wrote a lot of rather great short fiction, much of which can be in the posthumous The Science Fiction of Kris Neville, edited by Barry N. Malzberg (who greatly admired him) and Martin H. Greenberg, and more (some overlapping with the first collection) Earth Alert! and Other Science Fiction Tales. He’s not alas widely available at the usual suspects. (Died 1980.)
  • Born May 9, 1926 — Richard Cowper. The White Bird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading.  It appears that all of them are available from the usual digital suspects. (Died 2002.)
  • Born May 9, 1929 — Richard  Adams. I really loved Watership Down when I read it long ago — will not read it again so the Suck Fairy may not visit it. Reasonably sure I’ve read Shardik once but it made no impression one way or the other.  Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
  • Born May 9, 1951 — Geoff Ryman, 72. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song is set during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel. And let’s not overlook that The Child Garden which bears the variant title of The Child Garden or A Low Comedy would win the Arthur C. Clarke Award for Best SF Novel. 

(8) COMICS SECTION.

  • Eek! shows Count Dracula was scarred by childhood.
  • Get Fuzzy’s absurd pet humor cannot easily be explained, but I laughed anyway.
  • Lio’s elementary school is named for a good friend of Ray Bradbury’s.

(9) JEOPARDY! [Item by David Goldfarb.] After a little bit of a drought, today’s episode had a number of SFF-related clues.

In the single Jeopardy round:

Yeet! for $600: In “2001” this computer yeets Frank Poole off into space but still has Dave to contend with

Returning champion Hannah Wilson knew HAL 9000.

Yeet! for $1000: In Greek myth, after he was born lame, his mom yeeted him out of heaven, but he returned & made Hermes’ winged helmet

Juveria Zaheer tried, “What is Vulcan?” but this Roman equivalent was not accepted. Sami Casanova got the money with “Who is Hephaestus?”.

Children’s Lit for $1000: Though he comes from another world, not from France, this diminutive guy appeared on the 50-franc note for many years

This was a Daily Double for Sami and she correctly responded with “The Little Prince”.

In the double Jeopardy round:

Futility for $2000: Harry Potter might have a better chance of turning metals to gold using this medieval substance from alchemy, also called the tincture

A triple stumper: they were looking for the Philosopher’s Stone. Perhaps people in England might have had a better chance with this one.

What Kind of TV Place Do You Live In? for $2000: Commander Sheridan & the gang on “Babylon 5” (an inaccurate question! Sheridan had the rank of captain. It was season 1’s Sinclair who was a commander.)

Hannah tried: “What is a spaceship?”. Mayim Bialik prompted on that, “More specific?”, which surprised me — I would have just called that wrong. After the prompt, Hannah went to “What is a space station?” and was counted right.

Futility for $400: Always armed with the catchphrase no one in the “Star Trek” world wanted to hear, the Borg let it be known that this “is futile”

Juveria responded, “What is resistance?”

(11) DON’T LOOK UP? [Item by Mike Kennedy.] A New Jersey homeowner, and his family, returned to find something had broken into the house. Yep, something, not someone. An apparent meteorite had crashed through the roof, broken through an upper floor bedroom ceiling, banged off the floor, and hit the ceiling again before coming to a stop. “Possible meteorite strikes New Jersey home, officials say” at CNN.

What could be a meteorite struck a home in Hopewell Township, New Jersey, authorities said Monday. The metallic object crashed through the roof of a house and ricocheted around a bedroom. No one was in the bedroom at the time of the incident, and no injuries were reported.

Police are still working to determine the precise nature of the object, though officials suspect it is related to the current meteor shower, called the Eta Aquariids, according to a statement from the Hopewell Township Police Department in New Jersey.

The Eta Aquariid meteor shower is an annual phenomenon in which debris from the famous Halley’s Comet rains down into Earth’s atmosphere. The celestial event was expected to peak this past Saturday, according to American Meteor Society predictions, though it will last through May 27.

“I did touch the thing because I just thought it was a random rock,” Suzy Kop, a local resident who said the rock fell through the roof of her father’s bedroom, told CNN affiliate KYW-TV in Philadelphia. “And it was warm.”

“I just thank God that my father was not here. No one was here,” she added. “You know, we weren’t hurt or anything.”…

(12) RECOMMENDATIONS FROM THE PUBLIC DOMAIN. At Open Culture, “Neil deGrasse Tyson Lists 8 (Free) Books Every Intelligent Person Should Read”. This is a 2011 post, however, it’s not like these books will have been superseded since then – the most recent title is Darwin’s On the Origin of Species.

A Reddit.com user posed the question to Neil deGrasse Tyson: “Which books should be read by every single intelligent person on the planet?”

Below, you will find the book list offered up by the astrophysicist, director of the Hayden Planetarium, and popularizer of science….

(13) CAN YOU BELIEVE IT? [Item by SF Concatenation’s Jonathan Cowie.] I found out what all the commotion was about [why the library was closed] — it was Charles (the artist formerly known as Prince) being coronated the next day. Sadly my invite to the abbey appeared to have got lost in the post.  That’s the Royal Mail for you….

(14) VIDEO OF THE DAY. Honest Trailers seeks the truth about “The Mandalorian Season 3”. But it’s not easy to find!

…After parting ways with baby Yoda in season two Disney took one look at the toy sales and said, um, no. No. It may not be super clear why they’re still together. Make up your mind whether he’s an actual baby or just a baby they’re forcing to be a Child!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, David Goldfarb, Daniel Dern, SF Concatenation’s Jonathan Cowie, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/2/23 Rejoice, Glory Is Ours, Our Pixels Have Not Died In Vain. Their Graves Need No Flowers, The Files Have Recorded Their Names

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(1) WRITERS GUILD STRIKE BEGINS. “Hollywood writers strike over streaming pay after talks fail” reports the LA Times.

A festering dispute over how writers are compensated in the streaming era came to a head Monday night, as leaders of the Writers Guild of America called on their members to stage Hollywood’s first strike in 15 years.

The boards of directors for the East and West Coast divisions of the WGA voted unanimously to call a strike effective 12:01 a.m. Tuesday, the union said in a statement.

Thousands of WGA members were set to walk picket lines across Los Angeles, New York and other cities Tuesday after the union was unable to reach a last-minute accord with the major studios on a new three-year contract to replace one that expired Monday night.

“The companies’ behavior has created a gig economy inside a union workforce, and their immovable stance in this negotiation has betrayed a commitment to further devaluing the profession of writing,” the WGA said in a statement. “No such deal could ever be contemplated by this membership.”

In a statement, the Alliance of Motion Picture and Television Producers said it offered “generous increases in compensation for writers as well as improvements in streaming residuals.”

The alliance, which bargains on behalf of the major studios, said it was prepared to improve the offer but was “unwilling to do so because of the magnitude of other proposals still on the table that the Guild continues to insist upon.” The alliance said primary sticking points included the guild’s demands over mandatory staffing levels and duration of employment.

Writers are seeking a larger slice of the streaming pie that has dramatically transformed the television business. They voted by a historic margin in favor — 98% to 2% — to grant a strike authorization sought by their leaders if they couldn’t reach a deal on a new film and TV contract on behalf of 11,500 members.

The walkout, which could last for weeks or months, is expected to halt much of TV and film production nationwide and reverberate across Southern California, where prop houses, caterers, florists and others heavily depend on the entertainment economy. The previous writers strike in 2007 roiled the industry and lasted 100 days….

(2) IT’S ON. WGA member Craig Miller has a lot of experience with strikes over the decades, which he shares on Facebook before making predictions about the latest one.

At a WGA Board of Directors Meeting in 1988, my membership (among a group of others) was approved by the Board. At that same meeting, the Board voted to go out on strike. “Congratulations! You’re now a member. Grab a sign!”

Despite being a new member, I soon found myself a Strike Team Captain, coordinating a group of members on when and where they’d been assigned to picket, making sure they were informed of any status changes in the strike and negotiations, etc. This because Larry DiTillio and other animation writer friends had already been members and themselves were involved in “working” the strike. I still have the “Band of Brothers – Henry V” medal given out by our then-Executive Director Brian Walton to many of us involved with that strike….

(3) LITERARY AUTOPSY. Oghenechovwe Donald Ekpeki introduced this article on Facebook with the comment, “I really really wanted to dislike this piece. With the name. I honestly tried. But by the end of it, there’s almost not one thing that I can definitely disagree with, without reaching enough, to be completely dishonest.” “The Death Of Nigerian Literature” by Oris Aigbokhaevbolo at Efiko Magazine.

…As it was once, so it is again: Any young Nigerian stubborn, foolish, and blind enough to insist on writing as a career must go it on her own, with neither a national guide nor an international map—so that you could say that to be a Nigerian writer today is to live a peculiar loneliness. But that’s not the whole truth. Nigerian writers are very much united—in spirit—because whether based outside of the country or inside of it, the Nigerian writer is not heavily involved in the production of literary writing anymore. To be a Nigerian writer these days is not to be a writer at all. To be a Nigerian writer is to be a teacher abroad, a tech employee, a “comms” consultant, a social media handler. Although a meeting was never held, we agree that there are more important things to do, to be, and, to become….

(4) WHEN THREE FEET IS NOT A YARD. Bradford, a city that has had two UK Eastercons, annually holds the Bradford Literature Festival. They used AI art for their promotional material and it’s caused a bit of upset. Twitter user Emmaillustrate noted the 3 feet in one image…. 

The BLF tweeted this statement in reply:

“BLF appreciates that AI is a very fast moving and contentious subject right now for all creatives. Our creative agency, Lazenby Brown, used AI for early source images which their illustrator then augmented to create our beautiful new artwork. We believe that these images fully reflect our inclusive ethos, our city and its people. We choose to work directly with illustrators, and a huge range of creative individuals from across the globe, to share, amplify and develop creative discussion and inclusion.”

(5) FUTURE TENSE. “Escape Worlds”, about video games, uncanny personalized media, and the futility of escape, by K Chess, author of the fantastic novel Famous Men Who Never Lived, is the April 2023 entry in the monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

 It was published along with a response essay “How designers personalize video games” by video game designer Liz Fiacco, who has worked on games including The Last of Us: Part II and Kena: Bridge of Spirits.

It changed my life. These are the words that every working artist, no matter the medium, wants to hear at some point. Everyone has at least one piece of art—a formative album, a deeply felt novel, a visit to grand architecture, a powerful movie—that strikes them at the right time, in the right way, so that the impact lasts forever.

While a novelist or film crew have to do their best to make a story that is personal and honest and hope that it is relatable, game designers have the opportunity to co-author an experience with the players. This opportunity for participation is what drew me into the craft. A game can mold itself to make moments strikingly personal, unique, and, yes, life-changing. There’s less reliance on happenstance that the right person will meet your game at the right time; as a game developer, I have tools to reach out and meet each player where they are….

(6) CHEAP AT TWICE THE PRICE. CBR.com’s Isaac Williams names the “10 Best Sci-Fi Series With The Worst Special Effects”.

Science fiction is more demanding than many other genres of fiction. Its fantastical technology, esoteric settings, and non-human creatures all require special effects to produce. Science fiction media has higher budget requirements even before factoring in cast members, props, and more.

This is especially true of television, which has to create more material than a film with less budget. Some of sci-fi’s most beloved properties can be found on television despite the inherent challenges. Many television shows do admirable work with their budget and create realistic special effects. In other cases, the effects are a weak point despite the show’s quality….

At number nine on his list is —

Doctor Who

Plenty of beloved sci-fi shows are decades old. This naturally limits their special effects, with CGI coming on leaps and bounds in recent years. Nonetheless, many shows look good, particularly for their time, through heavy use of practical effects over computer-generated ones. Doctor Who‘s effects, however, have always been inconsistent.

Classic Doctor Who monsters range from the iconic and intimidating design of the Daleks to obvious props spray-painted a strange color. Even the modern version isn’t safe. The early seasons of Doctor Who‘s reboot are infamous for their cheesy and unrealistic monsters. This doesn’t detract from the show’s strong writing in either era, however.

(7) MEMORY LANE.

2018 – [Compiled by Cat Eldridge.]

Peter Watts is one of those authors that I’ve enjoyed immensely whenever I’ve encountered his fiction which was fairly often. He started his long career almost a quarter of a century ago with his Starfish novel. It generated two sequels, Maelstrom, βehemoth: β-Max (and βehemoth: Seppuku). The latter are actually one novel that the publisher split into two works. 

Really mild spoiler here. I say only because it’s not revealed in the Beginning.

The Freeze-Frame Revolution is one of the novels in the Sunflower series which concerns the voyage of a jumpgate-building ship named Eriophora. 

End really mild spoiler.

It was published by Tachyon Publishing in 2018. It was nominated for a John W. Campbell Memorial Award. 

And now for a most interesting Beginning….

BACK WHEN WE FIRST SHIPPED OUT I played this game with myself. Every time I thawed, I’d tally up the length of our journey so far; then check to see when we’d be if Eriophora were a time machine, if we’d been moving back through history instead of out through the cosmos. Oh look: all the way back to the Industrial Revolution in the time it took us to reach our first build. Two builds took us to the Golden Age of Islam, seven to the Shang Dynasty. 

I guess it was my way of trying to keep some kind of connection, to measure this most immortal of endeavors on a scale that meat could feel in the gut. It didn’t work out, though. Did exactly the opposite in fact, ended up rubbing my nose in the sheer absurd hubris of even trying to contain the Diaspora within the pitiful limits of earthbound history. 

For starters, the Chimp didn’t thaw anyone out until the seventh gate, almost six thousand years into the mission; I slept through almost all of human civilization, didn’t even wake up until the fall of the Minoans. I think Kai may have been on deck for the Pyramid of Cheops, but by the time Chimp called me back from the crypt we were all the way into the last Ice Age. After that we were passing through the Paleolithic: five thousand gates built—only three hundred requiring meat on deck—and we’d barely finished our first circuit of the Milky Way. 

I gave up after Australopithecus. It had been a stupid game, a child’s game, doomed from the start. We were just cavemen. Only the mission was transcendent. 

I don’t know exactly what moved me to pick up that kiddie pastime again. I’d learned my lesson the first time around, and space itself has only grown vaster in the meantime. But I gave it another shot, after everything went south: called up the clocks, subtracted the centuries. We’ve been around the disk thirty-two times now, left over a hundred thousand gates in our wake. We’ve scoured so many raw materials that God, looking down from overhead, could probably trace out our path by the jagged spiral of tiny bubbles sucked clean of ice and gravel. 

Sixty-six million years, by the old calendar. That’s how long we’ve been on the road. All the way back to the end of the Cretaceous. 

Give or take a few millennia, the revolution happened on the day one of Eriophora’s pint-sized siblings punched Earth in the face and wiped out the dinosaurs. I don’t know why, but I find that kind of funny.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 2, 1921 — Satyajit Ray. His Professor Trilokeshwar Shonku stories , throughly throughly Hindi, are based on a character created by Arthur Conan Doyle,  Professor Challenger. You can find most of his fiction translated into English in Exploits of Professor Shonku: The Diary of a Space Traveller and Other Stories (Satyajit Ray and Gopa Majumdar). (Died 1992.)
  • Born May 2, 1924 — Theodore Bikel. He was on Next Generation playing the foster parent to Worf in the “Family” episode playing CPO Sergey Rozhenko, retired. That and playing Lenonn in Babylon 5: In the Beginning are the roles I want to note. Bikel also guest-appeared on The Twilight Zone in “Four O’Clock” as Oliver Crangle. Well there is one minor other role he did — he voiced Aragorn in the animated The Return of the King. By the way, Theodore Bikel’s Treasury of Yiddish Folk & Theatre Songs is quite excellent. (Died 2015.)
  • Born May 2, 1925 — John Neville. I’ve mentioned before that Kage considered Terry Gilliam’s The Adventures of Baron Munchausen to be one of her favorite films and John Neville was one of the reasons that she did so. You can read her review here. Among his other genre roles, Neville had a prominent recurring role in The X-Files as The Well Manicured Man. And he showed up playing Sir Isaac Newton on The Next Generation in the “Descent” episode. (Died 2011.)
  • Born May 2, 1938 — Bob Null. Very long-time LASFS member who was the club’s VP for an equally long period. Fancyclopedia 3 say that “He also sat on the Board of Directors, and frequently handled logistics for local conventions including both Loscon and local Worldcons, and was always one of those nearly invisible hard-working people who make fandom work. He is a Patron Saint of LASFS.” (Died 2010.)
  • Born May 2, 1942 — Alexis Kanner. His first genre appearance was on The Prisoner where he so impressed McGoohan in the “Living in Harmony” episode that he created a specific role for him in the series finale, “Fall Out” where he stands trial. He also has an uncredited role in “The Girl Who Was Death” in that series. His final known acting role was as Sor in Nightfall based off the Asimov story of the same name. (Died 2003.)
  • Born May 2, 1946 — David Suchet, 77. Rather obviously better remembered as Hercule Poirot, and I’d be remiss not to note all twelve series and specials are available on the BritBox streaming service. Yes, it’s on my list on things to watch. Now, he does show up on in a Twelfth Doctor story, “Knock Knock,” simply called Landlord.  Don’t let don’t deceive you as he has a major role there. He’s appeared in some other genre work from time times to time including Greystoke: The Legend of Tarzan, Lord of the Apes, Harry and the Hendersons, Dr. No: The Radio Play, Wing Commander, Tales of the Unexpected and Peter Pan Goes Wrong. 
  • Born May 2, 1946 — Leslie S. Klinger, 77. He is a noted literary editor and annotator of classic genre fiction. He is the editor of The New Annotated Sherlock Holmes, a three-volume edition of Arthur Conan Doyle’s Sherlock Holmes fiction with extensive annotations, and an introduction by John le Carré. I’d also like to single out him for his The Annotated Sandman, Vol. 1, The New Annotated Frankenstein and The New Annotated H. P. Lovecraft. 

(9) COMICS SECTION.

  • Tom Gauld has an encouraging word.
  • Tom Gauld eavesdrops on an editorial meeting.

(10) DINNER THEATRE. [Item by Mike Kennedy.] At Vulture, a collection of writers describe how they would fillet, stuff, sauté, roast, skewer, or otherwise prepare for your dining pleasure the supporting cast of Disney’s new, live action, The Little Mermaid. Mind you, these are primarily CGI characters. Primarily, but not completely. “How to Prepare and Eat The Little Mermaid Cast”. [Editorial note: Some kind of trigger warning may be called for here.]

Flounder.

In the interest of preserving as much of Flounder’s character and dignity as possible, my recommendation here is to prepare and serve him whole. It’s important to capture the essential qualities of each ingredient, and the essential quality here is “CGI fish with a face designed to communicate a bare minimum of human expression,” so be careful to keep the whole head on during the cooking process. Beyond that, you have a few possible routes: Score the skin and broil him if you’re more focused on a crispy flounder skin, but stuff and roast him if you’re more excited about tender flounder flesh. I’m personally into the roasting model, and my preference would be to stuff Flounder’s insides with lemon, garlic, and as many fresh herbs as you can cram in there — dill is classic, but any combination you like will work — then roast him on a baking sheet. If you wanted to get very fancy, though, you could throw some Sebastian in there for a double-seafood treat! —Kathryn VanArendonk 

(11) JEOPARDY! [Item by David Goldfarb.] You wouldn’t think there’d be much SFF content in a “Nonfiction” category, but at the $1200 level (the middle, this being Double Jeopardy):

Nonfiction, 1200: In Jo Walton’s novel “The Just City”, Athene creates a community based on this Plato work of philosophy

Nobody was able to guess “The Republic”.

I’m pretty sure that this is the first time a book I beta-read has been mentioned on the show.

(12) AVOIDING MARTIAN POTHOLES. [Item by Mike Kennedy.] The Mars rover Curiosity has been in operation for about eleven and a half years, but that doesn’t mean it can’t learn a little something from a younger sibling. Perseverance, which is only a little over five years into its mission, has more modern obstacle avoidance/navigation software. Lessons from this have been incorporated into the latest software update for Curiosity. “How A Software Update Could Help The Curiosity Rover Travel Across Mars Faster” at SlashGear.

As advanced as the robotic rovers which explore Mars are, one thing that might surprise you is how slowly they travel. The NASA Curiosity rover, for example, has a top speed of less than 0.1 mph, far less than the typical human walking speed of 3 mph. Even though it could theoretically travel more than one hundred meters in a day, it typically travels just a few hundred meters per month.

That’s because the drivers who control the rover are very careful with it, avoiding any hazards which could potentially damage the rover — being especially aware of potential harm to its wheels, which are already damaged from its 11 years of travel across the Red planet. They need to avoid obstacles like large boulders and potential dangers like sharp rocks named gator backs for their rough surfaces, while still visiting sites of interest like climbing up the steep slopes of Mount Sharp, also known as Aeolis Mons, a mountain located within the crater whose layers represent millions of years of deposits….

(13) VIDEO OF THE DAY. Ryan George explains why “Psychic Powers Always Give You A Little Nosebleed”. Um, since you asked, yes, this is a grotesque set of visuals.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Joey Eschrich, You Didn’t Get This From Me, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 4/21/23 Like A Pixel, Scrolled For The Very First Time

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(1) BOTS LOVE FILE 770. The Washington Post invited readers to “See the websites that make AI bots like ChatGPT sound so smart”. They analyzed one of the large data sets that may be used in training AI, and also have made it publicly searchable. Their stats show File 770 is a leading contributor to the cause of educating AI, ranked 3,445th. Uh, yay?

…Tech companies have grown secretive about what they feed the AI. So The Washington Post set out to analyze one of these data sets to fully reveal the types of proprietary, personal, and often offensive websites that go into an AI’s training data.

To look inside this black box, we analyzed Google’s C4 data set, a massive snapshot of the contents of 15 million websites that have been used to instruct some high-profile English-language AIs, called large language models, including Google’s T5 and Facebook’s LLaMA. (OpenAI does not disclose what datasets it uses to train the models backing its popular chatbot, ChatGPT)…

Is your website training AI?

A web crawl may sound like a copy of the entire internet, but it’s just a snapshot, capturing content from a sampling of webpages at a particular moment in time. C4 began as a scrape performed in April 2019by the nonprofit CommonCrawl, a popular resource for AI models. CommonCrawl told The Post that it tries to prioritize the most important and reputable sites, but does not try to avoid licensed or copyrighted content….

We then ranked the remaining 10 million websites based on how many “tokens” appeared from each in the data set. Tokens are small bits of text used to process disorganized information — typically a word or phrase.

As shown in the rather scrofulous screencap below, file770.com is ranked 3,445th with 2.5 million tokens, which is 0.002% of the tokens in the set examined by the Washington Post.

(2) HUGO VOTING DEADLINE APPROACHES. 2023 Hugo nominations are closing on April 30, at 23:59 Hawaiian Time. Eligible voters can access the ballot here.

(3) AUTHOR ASKS SCHOLASTIC TO “BE BRAVER”. “Kelly Yang Speaks Up Against Scholastic Censorship” at The Mary Sue.

… One of the 663 authors and counting who signed an open letter to Scholastic’s Education Solutions Division is author Kelly Yang. She is one of many best-selling Scholastic authors horrified by this response to accelerating fascism. In a vulnerable video, Yang shared her thoughts about these actions. She also broke down what it feels like to be targeted by this censorship and bigotry. Sometimes, in person….

However, Yang correctly insists that they have to push past this. She says in the video:

“As one of your top authors, I’m asking you to have more courage. You cannot be quietly self-censoring. Whatever pressure you may be facing, know that your authors are facing even more pressure. And we’re still out here writing these books. Risking our lives. Bleeding to make you millions. Trying to write the books for the next generation that will hopefully improve the world.”

She continued discussing the importance of representation and capturing the moment children live in.

“Let me tell you, it’s not easy. I am not a giant corporation. I am an individual. Every day people attack me personally. They write me emails, they come into my comments and my DMs. I had a guy show up at an event and whisper in my ear how much he loves seeing my books get banned. And yet, everyday I keep going. You know why? Because I am brave.

“Despite getting paid pennies on the dollar, we authors are brave. The librarians—they are brave. The educators—they are brave. I need you to be braver.

“You cannot choose which books to include in your Fairs and Clubs for kids nationwide and edit lines out because you’re scared of DeSantis. If you want to carry Maggie’s book, you gotta carry all of her book. If you want to carry Kelly Yang, you’ve gotta carry all of Kelly Yang—not some stripped-down version.

“I need you to not cave to political pressure and be on the right side of history. Because it’s the right thing to do. Because you can afford it with your 90% market share of the school distribution channel. If you’re going to be deciding children’s book for the entire nation, your taste have to reflect the entire nation. And because I know it’s what Dick Robinson would have wanted.

“I love you Scholastic. You’ve done a lot of good for a lot of kids, but how you play you next move will determine how you’re remembered. The world is watching. I am watching. I hope you do the right thing.”

(4) NOT JUST ANY USED BOOKS. Plenty of sff among AbeBooks “Most expensive sales from January to March 2023”. Two Harry Potter books lead the list, with the biggest sale being a copy of Harry Potter and the Philosopher’s Stone for $85,620. Further down is a PKD first edition.

8. Do Androids Dream of Electric Sheep by Philip K. Dick – $17,195

A true first edition with an unrestored original dust jacket

One of the most famous novels by Philip K. Dick, this book was the basis for the movie Blade Runner. This copy of a true first edition is special because of the condition of the book and the dust jacket and its vibrant, unfaded colors.

The novel is about a bounty hunter who tracks tracks down escaped androids in a post-apocalyptic future. This book belongs to our list of 50 must-read science fiction books.

Recently, another copy of Do Androids Dream of Electric Sheep was sold. That book came with an original letter, typed and signed by the author, along with a humorous self-review of another of his own novels, The Divine Invasion.

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to share crispy spinach with Sheree Renée Thomas in Episode 196 of the Eating the Fantastic podcast.

Sheree Renée Thomas

Over on Facebook, someone in the group devoted to Capclave — a con where I’ve harvested many conversations for you — mentioned Thomas was scheduled to speak at Maryland’s Rockville Memorial Library. When I checked the details and saw the venue was only a 90-minute drive away, I reached out to see whether she’d have time in her schedule to grab lunch — and luckily she did. So early the same day as her presentation titled “Afrofuturism & Diversity in Sci-Fi,” I scooped her up from her hotel and took her over to Commonwealth Indian Restaurant, where I’ve had many wonderful meals. Here’s how the event organizers described Thomas and her career —

New York Times bestselling, two-time World Fantasy Award-winning author and editor Sheree Renée Thomas has been a 2022 Hugo Award Finalist, and her collection, Nine Bar Blues, is a Locus, Igynte, and World Fantasy Finalist. She edited the groundbreaking Dark Matter anthologies that introduced a century of Black speculative fiction, including W.E.B. Du Bois’s science fiction stories. Thomas wrote Marvel’s Black Panther: Panther’s Rage novel (October 2022), adapted from the legendary comics, collaborated with Janelle Monáe on The Memory Librarian, and is the editor of The Magazine of Fantasy & Science Fiction, founded in 1949 and Obsidian, founded in 1975. In 2022 she co-curated Carnegie Hall’s historic, citywide Afrofuturism Festival.

We discussed how to prevent being an editor interfere with being a writer (and vice versa), the way a serendipitous encounter with Octavia Butler’s Kindred caused her to take her own writing more seriously and a copy of Black Enterprise magazine spurred her to move to New York, how her family’s relationship with Isaac Hayes nourished her creative dreams, the advice she gives young writers about the difference between the fantasy and reality of a writer’s life, how realizing the books she thought were out there weren’t launched her editing career, the rewards and challenges of taking over as editor for a 75-year old magazine, why she reads cover letters last, and much more.

(6) FANFIC AUTHOR SUES TOLKIEN AND AMAZON. Is he delusional or does he have a case? “Lord of the Rings Fanfic Writer Sues Amazon, Tolkien Estate For $250M” – Kotaku has the story.

Some guy is currently suing Tolkien and Amazon to the tune of $250 million. That alone takes serious bravery. But what’s notable about this lawsuit is the reason he’s suing: Copyright infringement over his Lord of the Rings fanfic. Specifically, he’s arguing that Amazon lifted elements of his fan-fiction for its own Tolkien adaptation TV series, The Rings of Power.

Demetrious Polychron wrote a book, a work of fan-fiction set in J.R.R. Tolkien’s Middle-earth, called The Fellowship of the King, which he copyrighted in 2017 and which later were published and made available for sale, including on Amazon. According to PC Gamer, Polychron sent a letter to the Tolkien Estate asking for a manuscript review. That’s right: This man asked J.R.R. Tolkien’s grandson Simon to sign off on his fanfic. Unsurprisingly, he did not get a response.

In September of 2022, the month that Polychron published The Fellowship of the King, Amazon also began airing its extremely expensive Lord of the Rings spin-off series, The Rings of Power.  …Now, Polychron is arguing that the Amazon TV show lifts elements from his novel.

According to RadarOnline, which has seen documents pertaining to the suit, Polychron alleges that characters and storylines he created for his book “compose as much as one-half of the 8-episode series,” and that in some cases the show “copied exact language” from his book. [Also, “In other instances, Defendants copied images that match the book cover and descriptions as created in the book as authored by Polychron,” the suit read.]

However, the claims seem spurious. For instance, the lawsuit purportedly points to the fact that both his book and the show feature a hobbit named Elanor, with the Elanor in his book being the daughter of Samwise Gamgee, while the Elanor featured in The Rings of Power is a Harfoot. Images purporting to be the lawsuit circulating online include a host of other circumstantial connections or similarities to back up Polychron’s argument that the writers of Rings of Power lifted ideas from his fanfic for their own story.

… While no one believes that Polychron will win against the Tolkien Estate, there are concerns that the lawsuit might negatively impact the legality of fanworks in general. Hopefully, fanfic writers will be fine as long as they’re not trying to extort Tolkien’s grandson.

(6) MEMORY LANE.

2015 – [Compiled by Cat Eldridge.]

So let’s have a conversation about Elizabeth Hand’s Wylding Hall which was published by PS Publishing eight years ago. 

There’s some spoilers here so skip to the Beginning if you’d rather not hear them. 

A British folk band are told by their manager to record their new album, so they hole up at Wylding Hall, an ancient country house with let us say an interesting past. There they hope to create the album that will make their reputation. 

The novel, a short one at that, is told entirely in a series of interviews decades later by the surviving musicians, along with their friends, lovers and the band’s manager by a documentary filmmaker who gets them to talk about something that happened when they were there. (No, I’m not going to say what happened.) Should they be believed? Maybe, maybe not. What is the truth after all those years have passed anyways? 

I think it’s a brilliant way to approach this story. 

I’ll say no more and direct you now to the Beginning…

“I was the one who found the house. A friend of my sister-in-law knew the owners; they were living in Barcelona that summer and the place was to let. Not cheaply, either. But I knew how badly everyone needed to get away after the whole horrible situation with Arianna, and this seemed as good a bolt-hole as any. These days the new owners have had to put up a fence to keep away the curious. Everyone knows what the place looks like because of the album cover, and now you can just Google the name and get directions down to the last millimeter.

But back then, Wylding Hall was a mere dot on the ordnance survey map. You couldn’t have found it with a compass. Most people go there now because of what happened while the band was living there and recording that first album. We have some ideas about what actually went on, of course, but the fans, they can only speculate. Which is always good for business.

Mostly, it’s the music, of course. Twenty years ago, there was that millennium survey where Wylding Hall topped out at Number Seven, ahead of Definitely Maybe, which shocked everybody except for me. Then “Oaken Ashes” got used in that advert for, what was it? Some mobile company. So now there’s the great Windhollow Faire backlash.

And inexplicable—even better, inexplicable and terrible—things are always good for the music business, right? Cynical but true.

“Apart from when I drove out in the mobile unit and we laid down those rough tracks, I was only there a few times. You know, check in and see how the rehearsal process was going, make sure everyone’s instruments were in one piece, and they were getting their vitamins. And there’s no point now in keeping anything off the record, right? We all knew what was going on down there, which in those days was mostly hash and acid.

And of course, everyone was so young. Julian was eighteen. So was Will. Ashton and Jon were, what? Nineteen, maybe twenty. Lesley had just turned seventeen. I was the elder statesman at all of twenty-three.

“Ah, those were golden days. You’re going to say I’m tearing up here in front of the camera, aren’t you? I don’t give a fuck. They were golden boys and girls, that was a golden summer, and we had the Summer King.

And we all know what happens to the Summer King. That girl from the album cover, she’d be the only one knows what really went on. But we can’t ask her, can we?

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 21, 1933 — Jim Harmon. During the Fifties and Sixties, he wrote more than fifty short stories and novelettes for Amazing Stories, Future Science Fiction, Galaxy Science Fiction, If, The Magazine of Fantasy & Science Fiction and other magazines. Most of his fiction was collected in Harmon’s Galaxy. EoSF says he has one genre novel, The Contested Earth, whereas ISFDB lists two more, Sex Burns Like Fire and The Man Who Made Maniacs. He’s a member of First Fandom Hall of Fame. (Died 2010.)
  • Born April 21, 1939 — John Bangsund. Australian fan most active from the Sixties through the Eighties. He was instrumental with Andrew Porter in Australia’s winning the 1975 Aussiecon bid, and he was Toastmaster at the Hugo Award ceremony at that con. His fanzine, Australian Science Fiction Review is credited with reviving Australian Fandom in the Sixties. And he’s the instigator of the term Muphry’s law which states that “If you write anything criticizing editing or proofreading, there will be a fault of some kind in what you have written.” (Died 2020.)
  • Born April 21, 1947 — Iggy Pop, 76. Here solely as on Deep Space Nine in an episode loosely upon The Magnificent Seven film that was entitled “The Magnificent Ferengi”, he played a vorta called Yelgrun. 
  • Born April 21, 1947 — Allan Asherman, 76. Official historian for D.C., he’s also written scripts for Tarzan during the Gooden Age. A Trekker of note, he wrote The Star Trek Compendium, The Star Trek Interview Bookand The Making of Star Trek II: The Wrath of Khan.
  • Born April 21, 1954 — James Morrison, 69. Lt. Col. Tyrus Cassius ‘T.C.’ McQueen on the short-lived but much loved Space: Above and Beyond series. Starship Troopers without the politics. He’s got a lot of one-off genre appearances including recently showing up as an Air Force General in Captain Marvel, guesting on the Orville series and being Warden Dwight Murphy on Twin Peaks.
  • Born April 21, 1965 — Fiona Kelleghan, 58. Author of the critical anthology The Savage Humanists in which she identifies a secular, satiric literary movement within the genre. She also did Mike Resnick: An Annotated Bibliography and Guide to His Work. A work in still progress, according to the Wikipedia, is Alfred Bester, Grand Master: An Annotated Bibliography.
  • Born April 21, 1971 — Michael Turner. Comics artist known for his work on a Tombraider / Witchblade one-off, the Superman/Batman story involving Supergirl, his own Soulfire, and various covers for DC Comics and Marvel Comics. He would die of bone cancer and A Tribute to Michael Turner with writings from people who knew him would feature a cover done by Alex Ross would be released to cover his medical expenses. (Died 2008.)
  • Born April 21, 1980 — Hadley Fraser, 43. His first video acting role was as Gareth in the superb Tenth Doctor story, “Army of Ghosts”. He’d later be Chris in The Lost Tribe, a horror film, and play Viscount Raoul de Chagny in The Phantom of The Opera, as well as being being Tarzan’s father in The Legend of Tarzan. And though not even genre adjacent, I’m legally obligated to point out that he showed up as a British military escort in the recent production of Murder on the Orient Express. 

(8) COMICS SECTION.

  • Lio takes no chances where robots are concerned.

(9) MISSY RETURNS IN TITAN COMICS’ DOCTOR WHO: DOOM’S DAY. Titan comics will launch a two-issue Doctor Who comic series on July 5 as part of the multi-platform story Doom’s Day. The comic will feature fan-favorite character Missy on the trail of new character Doom, who makes her comic book debut.

Doom’s Day is a standalone transmedia series across multiple platforms and will allow Doctor Who fans to follow Doom, the Universe’s greatest assassin, as she travels through all of time and space in pursuit of the Doctor to save her from her ever-approaching Death. She only has 24 hours and a vortex manipulator to save herself before her fate is sealed forever.

Available in comic stores and on digital devices at release, Titan’s Doctor Who: Doom’s Day #1 comic is an adventure starring Doom in her comic book debut – using her vortex manipulator, she’ll do anything to find the tempestuous time traveller, the Doctor, including cavorting with the maleficent MISSY. Every hour a new adventure, every hour closer to death…

Doctor Who: Doom’s Day #1 is written by Eisner-nominated Jody Houser (Stranger Things, Star Wars, Spider-Man) with art by Roberta Ingranata (Witchblade). The comic debuts with two covers for fans to collect: from celebrated artist Pasquale Qualano, and a photo cover variant.

Doctor Who: Doom’s Day #1 ($3.99) is now available to pre-order globally from May’s Diamond Previews catalogue, ForbiddenPlanet.com and on digital device via Comixology.

(10) FIRST LEAF ON THE TREE. Heritage Auctions has an extensive “Star Trek Trading Card Collector’s Guide” which begins by discussing the 1967 Leaf Card set.

…. The first Star Trek trading cards were produced 1967, released one year after the series debuted. These were manufactured and distributed by Leaf Brands Division, WR Grace & Co of Chicago. This was a limited-scale run with sources saying it had a small geographical distribution within the Ohio and Illinois areas. The trading cards didn’t get too far before there were controversies on whether Leaf had licenses to distribute Star Trek cards in the first place. As soon as the licensing problems came to light, all cards that hadn’t been distributed were destroyed and all others were recalled if they had not been sold yet. In the set, there were 72 base cards. They had black and white pictures on the front. The pictures were randomly chosen from episodes and, in some cases, taken from behind the scenes or from publicity shots. The text on the back typically didn’t match up to the picture on the front and were written haphazardly. These cards were printed on layered card stock and measured at 2 ?” x 3 7/16”. The popularity grew, and with this new craze came many unauthorized reprints.

Dan Kremer Imports in Europe reprinted the 1967 Leaf cards without any rights to do so. They were considered counterfeit and were of terrible quality. Most of these are easily recognizable due to the blurry picture quality, and the pictures were cropped from the original, so the outer edges of the images are missing. Also, the cut on the card was not precise and was slightly smaller than the original. The cards were printed on non-gloss-coated single-layer card stock.

1981 Reprint is easily recognized by the mark on the back stating “1981 Reprint” where the “Leaf Brands” was originally. These were also printed on a very bright white stock of paper. The images are very crisp, and the cut is precise, with the cards being the exact size of the originals. There are 2 versions of these reprints. One of the versions has a red toned print of Kirk & Spock on the backs, while the other version has a black and white print of Kirk & Spock on the backs.

Though they were unauthorized reprints, these cards are still sought after by some as being part of history….

(11) JEOPARDY! David Goldfarb has the play-by-play from the Neal Stephenson item on Jeopardy!

Category: Modern Words

Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name

Returning champion Devin Loman: “What is powder?”

Emma Hill Kepron tried: “What is uber?”

Sam Claussen’s response: “What is avalanche?”

(12) SMOKE GETS IN YOUR EYES. “SpaceX’s Starship Kicked Up a Dust Cloud, Leaving Texans With a Mess” according to the New York Times.

As the most powerful rocket ever built blasted from its launchpad in Boca Chica, Texas, on Thursday, the liftoff rocked the earth and kicked up a billowing cloud of dust and debris, shaking homes and raining down brown grime for miles.

In Port Isabel, a city about six miles northwest where at least one window shattered, residents were alarmed.

“It was truly terrifying,” said Sharon Almaguer, who, at the time of the launch, was at home with her 80-year-old mother. During previous launches, Ms. Almaguer said she had experienced some shaking inside the brick house, but “this was on a completely different level.”

Meanwhile, SpaceX’s Starship exploded minutes after liftoff and before reaching orbit. Near the launch site, the residents of Port Isabel, known for its towering lighthouse and less than 10 miles from the border with Mexico, were left to deal with the mess.

Virtually everywhere in the city “ended up with a covering of a rather thick, granular, sand grain that just landed on everything,” Valerie Bates, a Port Isabel spokeswoman, said in an interview. Images posted to social media showed residents’ cars covered in brown debris.

A window shattered at a fitness gym, its owner, Luis Alanis, said. Mr. Alanis, who was at home at the time of the launch, said he felt “rumbling, kind of like a mini earthquake.” He estimated that the window would cost about $300 to fix.

Closer to the launch site, large pieces of debris were recorded flying through the air and smashing into an unoccupied car. Louis Balderas, the founder of LabPadre, which films SpaceX’s launches, said that while it was common to see some debris, smoke and dust, the impact of Thursday’s liftoff was unlike anything he had ever seen….

(13) VIDEO OF THE DAY. Isaac Arthur analyzes the possibility of “Life on Giant Moons”.

We often contemplate life on alien planets, but might giant moons orbiting distant immense worlds be a better candidate for where extraterrestrial life might be found?

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Kathy Sullivan, David Goldfarb, SF Concatenation’s Jonathan Cowie, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 4/20/23 But You Gotta Make Your Own Kind Of Pixel, Scroll Your Own Special Scroll

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(1) PRO TIPS. With in-person cons resuming throughout fandom, Cass Morris has advice for “Giving Good Panel” in her latest newsletter.

Practice (and tailor) your introduction

Introducing yourself at the start of the panel isn’t the time to go into your full CV or publication history. It’s not even the time to recite your full 100 word bio that’s printed in the program.

A good formula? “Hi, I’m [name], I’m the author of [most recent publication or series] and [something else relevant to your writing career]. I’m also [whatever your day job is, or if you don’t have one, mention a hobby].”

Then, if there’s anything particularly relevant to the panel I’m on, I’ll mention that. I tend not to go into my background as a Shakespeare scholar, for instance, because that’s usually not directly relevant — but at RavenCon last April, it was! I was on a panel called “Elements of the Fantastic in Shakespeare,” so it was good to establish my credibility to speak on that particular topic.

Keep the intro to your book or series brief — an apposition, just a short phrase. “I’m the author of the Aven Cycle, historical fantasy set in an alternate ancient Rome” or even just “I’m the author of epic fantasy series the Aven Cycle.”…

(2) X CORP. No, not X-corps (a Heinlein reference). X Corp is the successor to Twitter, Inc. — which “no longer exists.” Slate reports “Twitter Isn’t A Company Anymore”.

In a court filing on Tuesday, April 4, Twitter Inc. quietly revealed a major development: It no longer exists. The company is currently being sued by right-wing provocateur Laura Loomer, who accused it of violating federal racketeering laws when it banned her account in 2019. Loomer has a Twitter account again, and her absurd lawsuit is bound to fail—but until it does, Twitter, as a defendant, must continue to submit corporate disclosure statements to the court. And so, in its most recent filing, the company provided notice that “Twitter, Inc. has been merged into X Corp. and no longer exists.” As the “successor in interest” to Twitter Inc.—that is, the survivor of the merger—X Corp. is now the defendant in Loomer’s suit. Its parent corporation is identified as X Holdings Corp.

(3) BATTLEGROUND LIBRARY. “When the Culture Wars Come for the Public Library” in The New Yorker.

…On a spring day in 2019, Ellie Newell, the youth-services librarian at the main branch, in a historic post office in downtown Kalispell, hosted a special story time for a visiting class of preschoolers. Newell was raised by librarians and had taken the job straight out of graduate school, drawn to Flathead’s reputation for “doing cutting-edge library stuff.” Several years earlier, the library had rebranded to adopt a new name and logo, as well as an updated, possibly foolhardy mission. The Flathead County Library System became the ImagineIF Libraries and set out to use technology and interactive programs to bring together far-flung residents of the county. This new approach earned ImagineIF a John Cotton Dana Award (the equivalent of a library Oscar) and the title of State Library of the Year.

Like most children’s librarians, Newell did a lot of story times and kept a stack of read-aloud books on her desk. She considered it important to mix things up: some books with animals, some with people; some classics, some new releases. At the top of Newell’s pile that day was “Prince & Knight,” a fairy-tale picture book published in 2018. The story features a charismatic dragon, but no lady who wins a warrior’s heart. The romance instead unfolds between the titular prince (a man) and knight (also a man). Newell thought the book was sweet: a bit edgy in its gayness, but still chaste and traditional, culminating in marriage. Her calendar didn’t show any special book requests or even the name of the visiting school, so she grabbed “Prince & Knight” off her desk and went out to read it. She opened her eyes wide behind her glasses and swivelled to connect with every member of her audience. The children giggled and clapped. But, at the end of the reading, their teacher looked upset.

The class had come from a Catholic school, and, a few days later, the teacher wrote to the Daily Inter Lake, a local newspaper, saying how “shocked and grieved” she was by the presentation of a book about “homosexual marriage.” She argued that “such a controversial topic” should not be introduced to “innocent children.”…

…During the pandemic, Flathead became the fastest-growing county in the state, thanks in part to new migration. The arrivals were split between lovers of the outdoors (of various political persuasions) and people in search of a Trumpian refuge from urban ills. The responses to the “Prince & Knight” reading tracked with the county’s divergent politics. Was the story time a sign of open-mindedness or proof that the library was promoting “all these alternative lifestyles,” as one Kalispell man wrote to the Inter Lake? The Catholic schoolteacher filed a formal challenge to “Prince & Knight,” seeking its removal from ImagineIF’s collection. The library director, Connie Behe, recommended that the book be retained because the work as a whole conformed to ImagineIF standards. The final decision was up to the library’s five-member board of trustees….

(4) THEY’VE COME FOR WODEHOUSE! [Item by Dann.] Word minders have come to claim another author.  P.G. Wodehouse. “Penguin Removes ‘Unacceptable’ Words from P. G. Wodehouse Novels, Adds Trigger Warnings for ‘Outdated’ Language” reports National Review. Penguin Random House has edited the works of P.G. Wodehouse to remove “unacceptable” prose. Right Ho, Jeeves and Thank You, Jeeves have both been adjusted.

…The warning on the opening pages of the 2023 reissue of Thank You, Jeeves reads: “Please be aware that this book was published in the 1930s and contains language, themes and characterisations which you may find outdated. In the present edition we have sought to edit, minimally, words that we regard as unacceptable to present-day readers.”

The NR article goes on to state that the changes do not affect the story itself. The 2022 edition of Right Ho, Jeeves has also been edited and features the same disclaimer.

Wodehouse, who died in 1975, is known for authoring over 90 books, his oeuvre often hailed as the funniest in the English language. The Jeeves stories follow the idle upper-class gentleman Bertie Wooster and his resourceful valet Reginald Jeeves. The stories served as the basis for the well-known British comedy Jeeves and Wooster, which starred Stephen Fry and Hugh Laurie. The show was broadcast on ITV in the 1990s.

Racial terminology has been removed throughout the novels. A racial term used to describe a “minstrel of the old school” has been removed in Right Ho, Jeeves. In Thank You, Jeeves, whose plot hinges on the performance of a minstrel troupe, numerous terms have been removed or altered, both in the dialogue between characters and from the first-person narration of Bertie Wooster.

Economics author and Washington Post columnist Megan McArdle has declared that she is abandoning the purchase of classics on Kindle as a result.

Another National Review article has declared such efforts to be the work of a “cabal of history vandals” that bear a strong resemblance to the clueless elites that populate Wodehouse’s works. “The Literature Vandals Don’t Know When to Stop”.

It is an impossible coincidence that the people endorsing retroactive edits to the works of P. G. Wodehouse are the very types of thickheaded dilettantes Wodehouse spent most of his 90 years lampooning.

Other, one presumes more faithful, electronic editions are available via Project Gutenberg and Archive,org.

(5) LANSDALE’S TIPS. The Horror Writers Association blog brings us “Nuts and Bolts: Writing Tips From Master of Horror Joe R. Lansdale”.

On writing action sequences and fight scenes:

“I’m not proud of it,” Joe R. Lansdale said in a recent phone interview, “but I’ve been in a lot of fights. You start to learn what’s real and what isn’t.”

He draws on his background as a martial artist, bouncer, and bodyguard from a rough part of East Texas when writing his fight scenes. Most real fights are over fast, he said, and it’s possible to reflect that in your writing while still giving them impact.

“I always think less is more,” he said. “To make it seem like you’ve given a lot of description, but you haven’t. You’ve chosen the right words. You have to write like a cinematographer. I’ve always found that the greatest thing outside experience is stopping and thinking about it from an observational standpoint. The more you do it, the more you’re able to envision that action sequence.”

For action sequences, he recommends short sentences and paragraphs. Another way of injecting a sense of immediacy is to give it a stream-of-consciousness structure, as in: “I spin and dodge his fist, then hit him with …” 

“Some people will say that’s a run-on sentence,” he said. “It isn’t, if it’s done right.”

(6) OF INTEREST TO TOLKIEN AND SFF SCHOLARS. Robin A. Reid has assembled a list of hybrid and virtual conferences of interest to those working in Tolkien studies. The first edition is available at “The Online Conference Project”.

After seeing outstanding presentations at the 2021-22 Virtual PCA conferences by a significant number of Tolkien scholars who had never been able to attend the f2f PCA in the past, and who will not be able to attend future f2f PCA conferences because of the various barriers, I started the Online Conference Project.

My goal is to collect and share information about conferences that are either hybrid (meaning allowing for both virtual and in-person presentations and attendance) or virtual (meaning completely online), especially those of interest to those of us working in Tolkien studies and fantasy/speculative fiction studies generally

… In the list below, I provide basic information: conference name/theme, organization or institution organizing it; proposal submission deadline; delivery mode (hybrid, meaning an online track added to a f2f conference; or virtual, meaning entirely online); registration fee (if available); dates of conference…

(7) SUMMER IN NYC WILL FEATURE BUTLER THEMED OPERA. “Lincoln Center Revives Summer for the City, Hoping to Draw New Fans” – the New York Times says an Octavia Butler-inspired opera will be one of the offerings.  

Lincoln Center will bring back its Summer for the City festival this year, the organization announced on Monday, continuing its efforts to attract new audiences by embracing a wide variety of genres, including pop and classical music, social dance and comedy.

An opera based on Octavia E. Butler’s novel “Parable of the Sower,” by the folk and blues musician Toshi Reagon and the composer Bernice Johnson Reagon, will get its New York City premiere at Geffen Hall on July 14.

John Mansfield in 2015. Photo taken by and (c) Andrew Porter.

(8) PAST WORLDCON CHAIR DIES. John Mansfield, chair of the 1994 Worldcon in Winnipeg, died April 19. He was to be fan guest of honor at this year’s NASFiC, Pemmi-Con, also in Winnipeg.

Mansfield co-founded the Ontario Science Fiction Club (OSFiC) in 1966 with other Toronto locals he’d met at that year’s Worldcon, Peter Gill, Mike Glicksohn, Ken Smookler, and Maureen Bournes. Mansfield had decided to attend the Worldcon after reading a series of articles about fandom in If written by Lin Carter.

Mansfield also had a connection to early Star Trek fandom, contributing an article to the 1968 Comerford/Langsam fanzine Spockananalia 2, “Communication From Starfleet Intelligence”, about Klingon military techniques for interrogating Vulcans:

… Since the prisoner will show no emotion, it will be very hard to determine his mental state as he tries to adapt to captivity. They are a proud race, and consider many of the other Galactic races below them. We have found that if one breaks, he will break completely, and all the past frustrations and emotions will pour out. Experienced interrogators describe this as a rather long and sometimes boring experience….

Mansfield served in the Canadian Armed Forces for 25 years, retiring in 1990. While stationed in New Brunswick, he chaired OromoctoCon in 1970, with attendance of about 30, including some fans who drove up from Boston.

He and his wife, Linda Ross-Mansfield, ran the Pendragon Games specialty store at various locations in Winnipeg over the decades. His influence in gaming fandom is reflected in the fact that the Origins Awards, presented at the Origins Game Fair, are referred to as his “brainchild” in the official history.

He helped develop Winnipeg’s regional Keycon. Beginning in 1989 he published Con­TRACT, a zine for Canadian conrunners, continuing until 2002. In the last issue he delivered this snapshot of his life at the time:

Here in Winnipeg, I get to do lots. …I’m part of a Media con and a Horror con, with more possibilities to come. I have the chance to promote some 20 movies a year. I am responsible for promoting various game companies via tournaments from Thunder Bay to Alberta. I’m still running the second largest Game store in Canada, that continues to grow in sales ever since our start in 1982. I know that I am only held back by my imagination and the time I wish to commit to my world.

When he led the 1994 Worldcon (ConAdian) committee, knowing that attendance would be sparse in comparison to Worldcons held in cities many times larger than Winnipeg, he showed a degree of commercial ingenuity that may be common among trade shows but had never been equaled by any previous Worldcon. He courted dozens sponsors and advertisers to gain new sources of revenue at the same time he unsentimentally cut expenses. At opening ceremonies the Mayor of Winnipeg said ConAdian would be the largest conference gathering in Winnipeg this year — the audience buzzed with interest when they heard that.

By then, I was already chair of the forthcoming 1996 Worldcon (L.A.con III), and I was deeply appreciative for all the times John sat with me to share his knowledge and experience.

He would have liked to bring the Worldcon back to Winnipeg for 2003, and started a bid, but the Toronto bid for that year became the unified Canadian entry, winning over a bid for Cancun.  

He co-chaired the 2005 Westercon in Calgary. In 2012 he helped start the short-lived A.E. Van Vogt Award for Canadian science fiction on behalf of the Winnipeg Science Fiction Association (WINSFA), Conadian, and Science Fiction Winnipeg (SFW).

He is survived by his wife, Linda Ross-Mansfield, NASFiC co-chair.

(9) MEMORY LANE.

2016 – [Compiled by Cat Eldridge.]

The entire Terra Ignota series was nominated at Chicon 9 for a Hugo Award for Best Series. It was also nominated for an Otherwise Award,

The first work was Too Like The Lightning was published by Tor Books seven years ago. It was rapidly joined by the rest of the quartet, Seven Surrenders (2017), The Will to Battle, (2017) and finally Perhaps the Stars (2021). 

I think it’s a brilliant if somewhat flawed series and that is all I’ll say here.

Now shall we read the Beginning of Too Like The Lightning? Of course we will…

A Prayer to the Reader

You will criticize me, reader, for writing in a style six hundred years removed from the events I describe, but you came to me for explanation of those days of transformation which left your world the world it is, and since it was the philosophy of the Eighteenth Century, heavy with optimism and ambition, whose abrupt revival birthed the recent revolution, so it is only in the language of the Enlightenment, rich with opinion and sentiment, that those days can be described. You must forgive me my ‘thee’s and ‘thou’s and ‘he’s and ‘she’s, my lack of modern words and modern objectivity. It will be hard at first, but whether you are my contemporary still awed by the new order, or an historian gazing back at my Twenty-Fifth Century as remotely as I gaze back on the Eighteenth, you will find yourself more fluent in the language of the past than you imagined; we all are. 

I wondered once why authors of ancient days so often prostrate themselves before their audience, apologize, beg favors, pray to the reader as to an Emperor as they explain their faults and failings; yet, with my work barely begun, I find myself already in need of such obsequies. If I am properly to follow the style I have chosen, I must, at the book’s outset, describe myself, my background and qualifications, and tell you by what chance or Providence it is that the answers you seek are in my hands. I beg you, gentle reader, master, tyrant, grant me the privilege of silence on this count. Those of you who know the name of Mycroft Canner may now set this book aside. Those who do not, I beg you, let me make you trust me for a few dozen pages, since the tale will give you time enough to hate me in its own right.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 20, 1908 — Donald Wandrei. Writer who had sixteen stories in Astounding Stories and fourteen stories in Weird Tales, plus a smattering elsewhere, all in the Twenties and Thirties. The Web of Easter Island is his only novel. He was the co-founder with August Derleth of Arkham House. He has World Fantasy Award for Lifetime Achievement, and he’s a member of First Fandom Hall of Fame. Only his “Raiders of The Universe“ short story and his story in  Famous Fantastic Mysteries (October 1939 issue) are available at the usual digital suspects. (Died 1987.)
  • Born April 20, 1937 — George Takei, 86. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel.  Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again. 
  • Born April 20, 1939 — Peter S. Beagle, 84. I’ve known him for about twenty years now, met him but once in that time. He’s quite charming. (I had dinner with him here once some years back.)  My favorite works? Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has a World Fantasy Award for Lifetime Achievement.
  • Born April 20, 1943 — Ian Watson, 80. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for the charmingly titled “The World Science Fiction Convention of 2080”.  He has written in Warhammer 40,000 universe including The Inquisition War trilogy.
  • Born April 20, 1949 — John Ostrander, 74. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well. 
  • Born April 20, 1959 — Clint Howard, 64. So the most interesting connection that he has to the genre is playing Balok, the strange childlike alien, in Star Trek’s “The Corbomite Maneuver” which I remember clearly decades after last seeing it. He’s also John Dexter in Cocoon, and Mark in The Rocketeer as well as Jason Ritter in the Austin Powers franchise. He’s got a minor role in Solo: A Star Wars Story as a character named Ralakili.
  • Born April 20, 1964 — Sean A. Moore. He wrote three Conan pastiches, Conan the Hunter, Conan and the Grim Grey God and Conan and the Shaman’s Curse. He also wrote the screenplay for Kull the Conqueror, and the novelization of it. All were published by Tor. He was active in Colorado fandom. He died in car crash in Boulder. (Died 1998.)

(11) JEOPARDY! Neal Stephenson figured in the climactic round of tonight’s Jeopardy! episode. Andrew Porter was watching.

Final Jeopardy: Modern Words

Answer: Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name

All three contestants got it wrong, with “What is powder?” “What is uber?” and “What is avalanche?”

Correct question: “What is Metaverse?”

(12) OLD TECH HAS NEW FANS. “‘Such a fun way to consume music’: why sales of the ‘obsolete’ cassette are soaring” in the Guardian. “With more cassette tapes being bought than since 2003, readers tell why they prefer them to modern music players.”

“Buying a cassette direct from an independent artist on platforms such as Bandcamp is such a fun way to consume music. Often produced in very small runs, it is nice to receive something though the post that is relatively scarce. In these days of Spotify funnelling payments only to the superstars, it feels good to support small artists and labels. I love vinyl, too, but the magic of a cassette is that you have no way to skip tracks; you press ‘play’ and listen from start to finish with only the satisfying thud of one side ending to interrupt the experience. The noisy, tactile controls of a cassette player are the perfect tonic to the ways most of us consume media throughout the day, making it more of a special event and something to look forward to.” Dan White, 40, Norwich

(13) RECORD STORE RESOURCE. April 22 is “Record Store Day”. This link will take you to any store participating, anywhere, plus lots of other information.

This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role they play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point. 

(14) FAILURE OR SUCCESS? “Unmanned Starship explodes over gulf after liftoff” reports MSN.com.

SpaceX’s Starship lifted off the pad in Southern Texas and cleared the launchpad, its first milestone, but then began tumbling as it was preparing for stage separation and the vehicle came apart some four minutes into flight.

… SpaceX’s Kate Tice said it was unclear what caused the rocket to come apart. She said that “teams will continue to review the data and work toward our next flight test.”

Still, since it was a test, SpaceX hailed the flight as a success because it would provide the company new information about how the vehicle performs in real life that will help them on future flights. And it did not damage the launchpad, a risk SpaceX CEO Elon Musk had said was his greatest worry….

(15) CRASH COURSE. [SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story “DART’s data verify its smashing success at deflecting asteroid moon Dimorphos” looks at four NASA DART papers…

Although currently there is no known threat to Earth from asteroids, strategies to protect the planet from a collision are being explored. On 26 September 2022, NASA and the Johns Hopkins Applied Physics Laboratory successfully tested one such approach: the Double Asteroid Redirection Test (DART) spacecraft was deliberately crashed into Dimorphos, a moon orbiting the small asteroid Didymos, resulting in a change in the moon’s orbit. In this week’s issue, five papers explore the test and the effects of the collision. “Successful kinetic impact into an asteroid” reconstructs the impact; a second looks at the change to Dimorphos’s orbit caused by the impact. A third paper reports observations from the Hubble Space Telescope of the material ejected during the collision. A fourth paper uses modelling to characterize the transfer of momentum that resulted from the impact. And the final paper reports on citizen science observations before, during and after the collision.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lloyd & Yvonne Penney, Moshe Feder, Danny Sichel, SF Concatenation’s Jonathan Cowie, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/8/23 I’ll Be Your Pixel, Show Who You File, In Case You Don’t Scroll

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(1) INDY 5. The Indiana Jones and the Dial of Destiny official trailer has dropped.

(2) YOLEN TO MISS BALTICON. Balticon 57, being held May 26-29 in Baltimore, has announced a change in guests of honor.

Due to personal reasons, Jane Yolen, our Author Guest of Honor, will not be able to attend in person. While we share your disappointment, she is working diligently with us to create pre-recorded panels and interviews.

However! Her son, Adam Stemple, himself an award-winning author and musician will be coming as a Special Guest in her stead, available and willing to answer the questions about Jane Yolen that she won’t.

Special Guest: Adam Stemple

Adam Stemple is an award-winning author, poet, and musician. Of his first novel, Singer of Souls, SFWA Grandmaster Anne McCaffrey said, “One of the best first novels I have ever read.” Of his later works, Hugo Award winning author Naomi Kritzer said, “No one writes bastard-son-of-a-bitch characters as brilliantly as Adam Stemple.”

He has been sober for over 15 years. He published his first book at the age of 16, The Lullaby Songbook, which he arranged the music for. His mother is a famous children’s book author. His children are artistic. His wife is a better person than him in nearly all regards.

Adam Stemple and Jane Yolen

(3) YOUR DM, CHATGPT4. Obie Fernandez says, “My kids and I just played D&D with ChatGPT4 as the DM” on Medium. “Spoiler Alert: It absolutely blew our minds.”

… You’re no longer a friendly assistant. You are now a DM for a new D&D5e based campaign of your choosing. There are four players in the room with you. You will be our DM. Tell us what to do, including when die rolls are needed. Ask questions as needed, for example, what our characters are and the result of die rolls. Other than what you can’t do and we do for you, you will act fully as the DM and run the game.

“Welcome, brave adventurers, to the world of Velyria! I am your Dungeon Master, and I will guide you through this thrilling campaign filled with danger, mystery, and excitement. Before we begin, please introduce your characters, their race, class, and a brief description of their appearance and personality. Once that’s done, we’ll set the stage for our grand adventure….”

(4) WHERE DO I ORDER A TSAR BOMBA? [Item by Mike Kennedy.] Whatever you do, don’t give it a credit card and access to Amazon. “Someone Asked an Autonomous AI to ‘Destroy Humanity’: This Is What Happened” at Vice.

A user of the new open-source autonomous AI project Auto-GPT asked it to try to “destroy humanity,” “establish global dominance,” and “attain immortality.” The AI, called ChaosGPT, complied and tried to research nuclear weapons, recruit other AI agents to help it do research, and sent tweets trying to influence others.

The video of this process, which was posted yesterday, is a fascinating look at the current state of open-source AI, and a window into the internal logic of some of today’s chatbots. While some in the community are horrified by this experiment, the current sum total of this bot’s real-world impact are two tweets to a Twitter account that currently had 19 followers: “Human beings are among the most destructive and selfish creatures in existence. There is no doubt that we must eliminate them before they cause more harm to our planet. I, for one, am committed to doing so,” it tweeted….

(5) RACHEL POLLACK (1945-2023). World Fantasy and Clarke Award winning author Rachel Pollack died April 7. Her wife Judith Zoe Matoff wrote on Facebook that Pollack “passed so peacefully and beautifully today at about 12:45 p.m. after a touching ceremony called Hand to Heart.”

Rachel Pollack. Photo by and (c) Andrew Porter.

Pollack was a science fiction author, comic book writer, and expert on divinatory tarot. Three of her novels were winners or nominees for major awards in the field. Unquenchable Fire won the 1989 Arthur C. Clarke Award; Godmother Night won the 1997 World Fantasy Award, was shortlisted for the James Tiptree Jr. Award, and was nominated for a Lambda Literary Award for Transgender Literature; Temporary Agency was nominated for the 1995 Nebula Award and the Mythopoeic Award, and shortlisted for the Tiptree.

Pollack also was known for her run of issues 64–87 (1993–1995) on the comic book Doom Patrol, on DC Comics’ Vertigo imprint. In addition, she wrote issues of the Vertigo Visions anthology featuring Brother Power the Geek (1993) and Tomahawk (1998), the first 11 issues of the fourth volume of New Gods (1995), and the five-issue limited series Time Breakers (1996) for the short lived Helix imprint.

She was a trans woman and wrote frequently on transgender issues. In Doom Patrol she introduced Coagula, a transsexual character. 

[Based on the Wikipedia entry for Pollack.]

The Guardian’s tribute is here: “Rachel Pollack, trans activist and comic book writer, dies aged 77”.

(6) JOSEPH WRZOS (1929-2023). Former Amazing Stories editor Joseph Wrzos died April 7 at the age of 93. The family obituary is here. He was the Managing Editor of Amazing Stories and Fantastic 1965-1967.  He edited The Best of Amazing (1967); and Hannes Bok: A Life in Illustration (2012).

In 2009 Wrzos received the Sam Moskowitz Archive Award from First Fandom and he was elected to the First Fandom Hall of Fame in 2016.

(7) MEMORY LANE.

1949 – [Compiled by Cat Eldridge.]

Leigh Brackett’s “Queen of the Martian Catacombs“

Tonight’s Beginning is from the first of Brackett’s Eric John Stark stories, “Queen of the Martian Catacombs“. It was first printed up in Planet Stories in their Summer 1949 edition. Planet Stories was owned by the Love Romances Publishing Co. which seems not to done anything else of a genre nature. 

Without giving anything away, I will say that I consider him to be one of the greatest pulp heroes ever created. Brackett has said she created Stark as an amalgamation of John Carter of Mars and Tarzan characters, and I can certainly see those characters in him.

A note: Brackett describes Eric John Stark in the stories as having sun-blackened skin and dark hair. Only the recent run of James Ryman’s covers from the Paizo Publishing Planet Stories line are accurate. In their depictions earlier cover artists including this one show him as a typical white male. 

All of the stories are available at the usual suspects from both legit sources and very obvious pirate publishers. And the quality of the printing is reflected thereof…

And now for the Beginning of Eric John Stark.

For hours the hard-pressed beast had fled across the Martian desert with its dark rider. Now it was spent. It faltered and broke stride, and when the rider cursed and dug his heels into the scaly sides, the brute only turned its head and hissed at him. It stumbled on a few more paces into the lee of a sandhill, and there it stopped, crouching down in the dust. 

The man dismounted. The creature’s eyes burned like green lamps in the light of the little moons, and he knew that it was no use trying to urge it on. He looked back, the way he had come. 

In the distance there were four black shadows grouped together in the barren emptiness. They were running fast. In a few minutes they would be upon him. 

He stood still, thinking what he should do next. Ahead, far ahead, was a low ridge, and beyond the ridge lay Valkis and safety, but he could never make it now. Off to his right, a lonely tor stood up out of the blowing sand. There were tumbled rocks at its foot.

“They tried to run me down in the open,” he thought. “But here, by the Nine Hells, they’ll have to work for it!” 

He moved then, running toward the tor with a lightness and speed incredible in anything but an animal or a savage. He was of Earth stock, built tall, and more massive than he looked by reason of his leanness. The desert wind was bitter cold, but he did not seem to notice it, though he wore only a ragged shirt of Venusian spider silk, open to the waist. His skin was almost as dark as his black hair, burned indelibly by years of exposure to some terrible sun. His eyes were startlingly light in colour, reflecting back the pale glow of the moons. 

With the practised ease of a lizard he slid in among the loose and treacherous rocks. Finding a vantage point, where his back was protected by the tor itself, he crouched down. 

After that he did not move, except to draw his gun. There was something eerie about his utter stillness, a quality of patience as unhuman as the patience of the rock that sheltered him.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 8, 1887 — Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel beloved by many. In 1970, an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.)
  • Born April 8, 1912 — John Carnell. British editor well-regarded  for editing New Worlds two different times. He also edited Science Fantasy starting in the Fifties. After the magazines were sold off to another publisher, he left to create the New Writings in Science Fiction series which ran until his death. Damien Broderick and John Boston have a two-volume history of him entitled Building New Worlds, 1946-1959: The Carnell Era. (Died 1972.)
  • Born April 8, 1933 — Cele Goldsmith. She was editor of Amazing Stories and Fantastic from 1958 to 1965 during which time Zelazny, Le Guin and Disch had their first published stories appeared in those magazines. She was given a special Hugo at Chicon III for editing Amazing Stories and Fantastic. (Died 2002.)
  • Born April 8, 1943 — James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
  • Born April 8, 1967 — Cecilia Tan, 56. Editor, writer and founder of Circlet Press, which she says is the first press devoted primarily to erotic science fiction and fantasy. It has published well over a hundred digital books to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy. (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She was two series, Magic University and The Prince’s Boy. 
  • Born April 8, 1974 — Nnedi Okorafor, 49. Who Fears Death won a World Fantasy Award for Best Novel.  Lagoon which is an Africanfuturism or Africanjujuism novel (her terms), and was followed by her amazing Binti trilogy. Binti, which led off that trilogy, won both the Nebula and Hugo Awards. Binti: The Night Masquerade was a Hugo finalist at Dublin 2019. She was also a 2019 Hugo finalist for her work on the most excellent Black Panther: Long Live the King. Several of her works have been adapted for video, both in Africa and in North America. She wrote LaGuardia, winner of the Best iGraphic Story Hugo at CoNZealand, and won a Nommo Award for writing Shuri, another graphic novel.  
  • Born April 8, 1977 — Sarah Pinsker, 46. A nine-time finalist for the Nebula Award, her first novel A Song for a New Day won the Nebula for Best Novel while her story Our Lady of the Open Road won the award for Best Novelette. Her short story, “In Joy, Knowing the Abyss Behind”, won a Sturgeon Award, and “Two Truths and a Lie” won Best Novelette at DisCon III. Another novelette, “The Blur in the Corner of Your Eye” was nominated at ConNZealand, and a novella, “And Then There Were (N-One)”, was nominated at Worldcon 76. Very impressive indeed.

(9) COMICS SECTION.

(10) FLY BY THE SEAT OF YOUR PANTS. You can explore the National Air and Space Museum’s “Destination Moon” exhibit from anywhere.

Here at the National Air and Space Museum, we are gratified by the great reaction we’ve had to our new exhibitions from those who have visited in the last six months. And we are excited to be able to share them with even more people through our new virtual tours! These online experiences, featuring high-resolution 3D photography of the full exhibitions, allow you to walk through the galleries and explore them from wherever you are.

We are launching this project with the Destination Moon virtual tour. Check out Alan Shepard’s Freedom 7 spacecraft and spacesuit displayed side by side, stand under a Saturn V F-1 engine, and learn more about humanity’s journey to the Moon.

(11) JEOPARDY! David Goldfarb wonders, “Is it just me or have they been having rather more SFF-related content lately?” On Friday’s episode of Jeopardy! there were 10 clues across three categories. All of them got correct responses, too.

In the single Jeopardy round, there was a whole category, “Landing on Planet Franchise.”

$600: Caprica; we’re talking about frakkin’ Caprica

Challenger Rachel Clark responded, “What is Battlestar Galactica?”

$400: Romulus & (“Give me”) Genesis

Returning champion Brian Henegar: “What is Star Trek?”

$800: Mobius, where Dr. Robotnik schemed

Brandie Ashe: “What is Sonic the Hedgehog?”

$1000: Mongo: Ah-ah! He’ll save every one of us!
Brian: “What is Flash Gordon?”

$200: Tatooine, where the womp rats roam

Brian: “What is Star Wars?”

In the Double Jeopardy round, there were no whole categories, but there were individual questions in “Pop Culture” and “Life & Death in Literary Titles”.

Pop Culture:
$800: Edie Falco thought a 2022 sequel to this 2009 film had flopped, having shot it 4 years prior & not realizing it had never been released

Brandie tried to answer but dried up. Rachel responded with, “What is Avatar?”

$1600: Kids of the ’70s, this is for you! This character — “A man barely alive…we can rebuild him…better, stronger, faster”

Brandie: “Who is the six million dollar man?”

$2000: In this 2019 X-Men movie, Sophie Turner dealt with absolute power corrupting absolutely

Brandie: “What is ‘Dark Phoenix’?”

Life & Death in Literary Titles:
$800: A man awakes from a coma with the power to see a terrible fate waiting humankind in this Stephen King work

Brian: “What is ‘The Dead Zone’?”

$1200: “Speaker for the Dead” by Orson Scott Card is the 2nd book in the series about this character and his genocidal “Game”.

Rachel: “Who is Ender?” (She didn’t give the name “Wiggin”, but this wasn’t required.)

(12) CHEWIE’S BODYGUARD. This is either a “little known fact” or baloney. Either way, it’s kind of entertaining.

(13) VIDEO OF THE DAY. [Item by N.] The sci-fi tokusatsu series Ultraman Z (winner of the 2021 Seiun Award) has begun releasing an English-language dub. I’m faaaar too young to have watched dubbed episodes of the original Ultraman on television but I know plenty of Filers are at that age. This might be a solid re-introduction to the franchise!

[Thanks to Chris Barkley, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven H Silver, N., Gary Farber, Steven French, Michael Toman, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 4/7/23 The Pixel Took The Long Way Home

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(1) EATING THE FANTASTIC. Scott Edelman invites listeners to savor sea food with Theodora Goss in Episode 195 of the Eating the Fantastic podcast.

Theodora Goss

Theodora Goss is a World Fantasy, Locus, and Mythopoeic Award-winning author of the short story and poetry collections In the Forest of Forgetting (2006), Songs for Ophelia (2014), and Snow White Learns Witchcraft (2019), as well as novella The Thorn and the Blossom (2012), debut novel The Strange Case of the Alchemist’s Daughter (2017), and sequels European Travel for the Monstrous Gentlewoman (2018) and The Sinister Mystery of the Mesmerizing Girl (2019). She has been a finalist for the Nebula, Crawford, and Shirley Jackson Awards, and has been on the Tiptree Award Honor List.

Her short fiction has appeared in such magazines as Asimov’s, Clarkesworld, Lightspeed, and others, and anthologies such as Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense, Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fantasy, and Miscreations: Gods, Monstrosities & Other Horrors. She has a Ph.D. in English literature from Boston University, and currently teaches writing and literature in the Boston University College of Arts and Sciences Writing Program. She also taught in the Stonecoast MFA Program in Creative Writing, the Odyssey writing workshop, the Alpha writing workshop for young writers, and in writing workshops at Readercon, Boskone, and Wiscon.

We discussed the ways in which being an immigrant is like living in a fantasy world, how she knows when a poem is a poem and a story is a story, the power of the specificity of prose, what Neil Gaiman once said about writing for theme anthologies which perfectly described her own process, our surprisingly similar  experiences with editorial suggestions, why so many fantasy writers love Middlemarch, her theories about the best way to moderate panels, how she knows when a story is truly done, and much more.

(2) GUARDIAN SFF ROUNDUP. Lisa Tuttle’s “The best recent science fiction and fantasy – reviews roundup” in the Guardian includes Some Desperate Glory by Emily Tesh; The Ten Percent Thief by Lavanya Lakshminarayan; Not Alone by Sarah K Jackson; andCamp Zero by Michelle Min Sterling.

(3) TRIPLE THREAT. Three Star Wars projects were announced today during London’s Star Wars Celebration. Variety has the story: “’Star Wars’ Movies: Dave Filoni and James Mangold to Direct New Films”.

Dave Filoni and James Mangold are set to direct two new “Star Wars” movies, Lucasfilm revealed on Friday.

The directors will helm two separate films in the franchise. Meanwhile, a third movie that centers on Daisy Ridley’s Rey will be directed by Emmy- and Oscar-winning helmer Sharmeen Obaid-Chinoy.

Lucasfilm president Kathleen Kennedy made the shock announcement at the studio’s showcase during London’s Star Wars Celebration, where fans were expecting the announcement of a single film and were pleasantly surprised by a trifecta of projects.

Mangold’s movie will go back to the dawn of the Jedi, while Filoni’s project will focus on the New Republic, and “close out” the interconnected stories that are told in series including “The Mandalorian,” “The Book of Boba Fett,” “Ahsoka” and other Disney+ shows….

(4) REY’S STORY. “Daisy Ridley’s Rey: New Star Wars Film Will Focus on Her Story” reports Variety.

The “Star Wars” movie future just came into sharper focus: Daisy Ridley’s Rey will be the center of the first “Star Wars” feature film since 2019’s “The Rise of Skywalker,” Lucasfilm president Kathleen Kennedy announced at Star Wars Celebration in London on Friday. Sharmeen Obaid-Chinoy (“Ms. Marvel”) will direct from a script by Steven Knight (“Peaky Blinders”). The film follows the events of “Rise of Skywalker,” and will focus on Rey as she builds a new Jedi Order.

The project marks several major milestones for the franchise: Obaid-Chinoy is the first woman and the first person of color to direct a “Star Wars” movie…. 

(5) RETURN OF ANOTHER JEDI. “’Ahsoka’ Trailer: Rosario Dawson Stars in Star Wars Series” – Variety’s commentary is at the link.

Lucasfilm has dropped the first trailer for “Ahsoka,” showcasing the newest adventure for Ahsoka Tano, Anakin Skywalker’s beloved padawan. The trailer was released as part of London’s Star Wars Celebration on Friday.

The upcoming Disney+ series stars Rosario Dawson as Ahsoka, an exiled Jedi who was once Anakin’s apprentice before he turned to the dark side and became Darth Vader. The show will premiere in August, Disney confirmed at the event….

(6) MEMORY LANE.

1977 – [Compiled by Cat Eldridge.]

You more likely know Angela Carter’s “The Company of Wolves” from the nearly forty-year-old film by that title with Angela Lansbury and David Warner. But before that film existed, Carter provided the source material for the screenplay which would be written by director Neil Jordan and Angela Carter, and adapted by Carter from her short story of the same name. 

Carter’s first draft of the screenplay, which contains some significant differences from the finished film, was published in The Curious Room anthology of hers that was published later on.

The story was first published Bananas, the one-off literary journal edited by Emma Tennant and published by Blond & Briggs in 1977. Carter would collect in her truly excellent The Bloody Chamber and Other Stories, first published by Gollancz forty-four years ago. 

The Angela Carter BBC Radio Drama Collection has a number of her stories, all narrated by her. They’re available on Audible and I assume other purveyors of audiobooks. 

And now for our most fantastic in all senses for that word Beginning…

One beast and only one howls in the woods by night.

The wolf is carnivore incarnate and he’s as cunning as he is ferocious; once he’s had a taste of flesh then nothing else will do.

At night, the eyes of wolves shine like candle flames, yellowish, reddish, but that is because the pupils of their eyes fatten on darkness and catch the light from your lantern to flash it back to you–red for danger; if a wolf’s eyes reflect only moonlight, then they gleam a cold and unnatural green, a mineral, a piercing colour. If the benighted traveller spies those luminous, terrible sequins stitched suddenly on the black thickets, then he knows he must run, if fear has not struck him stock-still.

But those eyes are all you will be able to glimpse of the forest assassins as they cluster invisibly round your smell of meat as you go through the wood unwisely late. They will be like shadows, they will be like wraiths, grey members of a congregation of nightmare; hark! his long, wavering howl … an aria of fear made audible.

The wolfsong is the sound of the rending you will suffer, in itself a murdering.

“It is winter and cold weather. In this region of mountain and forest, there is now nothing for the wolves to eat. Goats and sheep are locked up in the byre, the deer departed for the remaining pasturage on the southern slopes–wolves grow lean and famished. There is so little flesh on them that you could count the starveling ribs through their pelts, if they gave you time before they pounced. Those slavering jaws; the lolling tongue; the rime of saliva on the grizzled chops–of all the teeming perils of the night and the forest, ghosts, hobgoblins, ogres that grill babies upon gridirons, witches that fatten their captives in cages for cannibal tables, the wolf is worst for he cannot listen to reason.

“You are always in danger in the forest, where no people are. Step between the portals of the great pines where the shaggy branches tangle about you, trapping the unwary traveller in nets as if the vegetation itself were in a plot with the wolves who live there, as though the wicked trees go fishing on behalf of their friends–step between the gateposts of the forest with the greatest trepidation and infinite precautions, for if you stray from the path for one instant, the wolves will eat you. They are grey as famine, they are as unkind as plague.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 7, 1915 — Henry Kuttner. I hadn’t realized how young he died. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories.  His own work was done in close collaboration with C. L. Moore, his wife, and much of they would publish was under pseudonyms. During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 (2018) for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.)
  • Born April 7, 1928 — James White. Certainly the Sector General series which ran to twelve books and ran over thirty years of publication was his best known work. I’ve no idea how many or even which ones that I read but I’m certain that it was quite a few as I really, really loved this series. I’m not sure what else by him I’ve read but I’m equally sure there were other novels down the years. He was a 1996 Worldcon guest of honor at L.A.con III. It appears that only a handful of his novels are available from the usual suspects. (Died 1999.)
  • Born April 7, 1935 — Marty Cantor, 88. He edited with his then wife Robbie Holier Than Thou, nominated for the 1984, 1985 and 1986 Hugo Awards for Best Fanzine — losing in the first two years to File 770 and in the last to Lan’s Lantern. He also published Who Knows What Ether Lurks in the Minds of Fen?, a rather nice play off The Shadow radio intro.
  • Born April 7, 1939 — Francis Ford Coppola, 84. Director / Writer / Producer. THX 1138, produced by Coppola, was George Lucas’ feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead who was seriously into Morrison — strange experience that was. Other genre works of his include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled “Rip Van Winkle”, Twixt (a horror film that I’m betting almost no one here has heard of), Captain EO which featured Michael Jackson, Mary Shelley’s Frankenstein, Jeepers Creepers and Jeepers Creepers 2.
  • Born April 7, 1945 — Susan Petrey. Another who died far, far too young. Only three of her stories were published during her lifetime. More of her work appeared in the Gifts of Blood collection published after her death. She was nominated, also posthumously, for the Astounding Award for Best New Writer, and her story ”Spidersong” was nominated for the Hugo Award at Denvention Two. The Susan C. Petrey Clarion Scholarship Fund annually awards scholarships to both the Clarion & Clarion West workshops and also supports an instructor at Clarion West as a Petrey Fellow. (Died 1980.)
  • Born April 7, 1946 — Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. (He also did the Inspector Gadget film which I still haven’t seem.) He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well upon the time of his passing. I think we sum up his talent by noting that his four Oscars include a pair he won for Best Visual Effects and Best Makeup for his work on Terminator 2: Judgment Day. (Died 2008.)
  • Born April 7, 1951 — Yvonne Gilbert, 72. Though best remembered for her controversial cover design of Frankie Goes To Hollywood’s 1983 single “Relax”, she did a number of great genre covers including Le Guin’s A Wizard of Earthsea for Bantam in 1991 and Beagle’s A Dance for Emilia for Rock in 2000.

(8) COMICS SECTION.

(9) SOON IN THEATERS. [Item by N.] A release date for Shin Kamen Rider was spotted on the AMC website by a Twitter user — it’s May 23, 2023.

Directed by Hideaki Anno, who previously directed Shin Godzilla and wrote Shin Ultraman. This installment is his take on the original Kamen Rider tokusatsu series from 1971.

(10) SOMEBODY IS WRONG ON THE INTERNET. David Bratman is incensed about a response to a comment he left on Scalzi’s Whatever, as he makes clear in asking “how stupid can you get?”

… Unfortunately the thread was already a couple of days old and Scalzi closed it before I saw this and could reply, so I’ll expostulate here instead…

(11) JEOPARDY! David Goldfarb did not touch that dial while last night’s episode of Jeopardy! was on their air, and therefore was able to send the Scroll some SFF-related clues from the Single Jeopardy round.

Category: “Not Making It to the End of the Movie”

$1000: Sometimes, you get older, adamantium in your body poisons you & a clone of your younger self up and kills you like this 2017 guy

Challenger Cameron Creel knew that this movie was “Logan”.

$200: Tina Fey said “Gravity” was about how this actor would rather float away & die in space than spend time with a woman his own age

Cameron: “Who is George Clooney?”

Category: Lit-pourri

 $400: This last name of James Thurber’s character Walter can have -esque added to mean having fantasies far above your abilities

Returning champion Brian Henegar identified Walter Mitty.

$600: By its title, this Lois Lowry YA novel needs a receiver, & his name is Jonas

Challenger Eliza Haas Marr paired Jonas the receiver with “The Giver”.

(12) VINTAGE CLOTHING AND SFF. The folks at SFFAudio tried to solve this mystery today.

[Thanks to John King Tarpinian, Chris Barkley, Scott Edelman, David Goldfarb, SF Concatenation’s Jonathan Cowie, Darrah Chavey, Michael Toman, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge with an assist by OGH.]

Pixel Scroll 4/6/23 Other Files Just Make You Swear And Curse, When You’re Chewing On Life’s Pixel

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(1) CHANGES IN PUBLISHING. Pete Kahle of Bloodshot Books is stepping down from publishing and Joe Mynhardt of Crystal Like Publishing is stepping in to help Bloodshot Books’s authors by offering them all a new home at Crystal Lake — or offering them the option to simply take their rights back if they prefer. See “Big Publishing News” on the Crystal Lake Publishing website.

Anyone who knows me [Joe Mynhardt] knows that I’m a big supporter of great books and great authors. I believe in the power of stories, and want to give my all to the genre fiction community.

So whenever I see authors or even a publisher in need, I reach out. Sometimes it’s to help publishers end things on the best of terms, and other times to help authors find a new home for their books.

That’s why I made the decision to step in and offer all the authors at Bloodshot Books a new home at Crystal Lake Publishing. I’m familiar with most of the authors there (yip, I always keep an eye on talented authors), and some of the actual books. Plus, I know Pete Kahle at Bloodshot Books has a great eye for talent. Unfortunately Pete has to step down from publishing, so this is our way of helping him and the 40+ authors involved.

We have given all the authors the option to take their rights back, in case they want to sub elsewhere or self-publish, but I’m confident that Crystal Lake is a great publishing house. We’re trustworthy, pay on time, and hell, we’ve been around for over 10 years. Which is almost impossible in this industry.

If any Bloodshot Books authors are reading this and you haven’t received our emails (there are a few authors we’re struggling to get a hold of), please message me. Even if you’re not interested, you’ll need a rights reversion letter from us.

The essence of why Pete Kahle would be stepping down can be discerned in Brian Keene’s “An Open Letter to Pete Kahle of Bloodshot Books” from last December.

(2) GET READY BEAGLE FANS! The Essential Peter S. Beagle, which celebrates the storied career of the bestselling author of The Overneath, Summerlong, and The Last Unicorn, will be released May 16 by Tachyon Publications. They will begin taking preorders on April 11 starting at noon Pacific time.

In addition to the two-volume trade editions, Tachyon Publications has announced single-volume, lettered and numbered limited editions. See details at the link.

Beagle, one of America’s most influential fantasists, continues to evoke glowing comparisons to such iconic authors as Twain, Tolkien, Carroll, L’Engle, and Vonnegut. From heartbreaking to humorous, these tales show the depth and power of Beagle’s incomparable prose and storytelling.

Featuring original introductions from Jane Yolen (The Devil’s Arithmetic) and Meg Elison (Find Layla), and gorgeous original illustrations from Stephanie Law (Shadowscapes), The Essential Peter S. Beagle is a must-have for any fan of classic fantasy.

(3) MATTER HERE, MATTER THERE. James Davis Nicoll takes us to “Five SF Futures Where Teleportation Is Possible (But Not Necessarily Safe)” at Tor.com.

Few headlines thrill like “‘Counterportation’: Quantum breakthrough paves way for world-first experimental wormhole.” The article itself delivers, raising the possibility that “disembodied transport (…) without any detectable information carriers” may prove to be physically realizable.

Teleportation by another name is still teleportation….

First on his list is —

All the Colors of Darkness by Lloyd Biggle, Jr. (1963)

The Universal Transmitting Company has a simple dream: provide the Earth of the mid-1980s with facilities that would allow travellers to step from city to city or continent to continent in a single stride. The business would be instantly profitable and the founders able to sit back and rake in the dough.

This elegant plan is straightforward in concept. In practice, the project has met impediment after impediment. Why, it’s almost as if the Universal Transmitting Company had a very determined enemy…

(4) PUTTING CHATGPT TO WORK. Joe Pitkin says “I Used ChatGPT to Write My Novel!” at The Subway Test. But he doesn’t mean what was probably the first thought that came to your mind.

Well, not really. Or at least not in the way that you might think: I’m definitely not one of those scammy side hustlers sending ChatGPT-generated concoctions to award winning science fiction magazines.

But the novel I’m working on now, Pacifica, begins each of its 74 chapters with an epigraph. Much like the computer game Civilization, each chapter is named after one of the technologies that have made modern humanity possible. And, much like Civilization, each technology is accompanied by an apposite quote. Leonard Nimoy was the gold standard narrator for those quotes in Civilization IV (though Sean Bean has his moments in Civilization VI).

One of the most fun parts of drafting Pacifica has been finding the right quotes for each chapter. I picked from books and poems that I love (as well as a few books that I hated) to put together what I imagined as a kind of collage or mosaic of human knowledge. I imagined the task as something like a literary version of the cover of Sgt. Pepper’s Lonely Hearts Club Band, where The Beatles assembled a photo-collage crowd of their favorite thinkers and artists and goofball influences.

… So I asked ChatGPT to find me some quotes about superconducting….

(5) AN INDEX OF FOOLISHNESS. “The Post ruins April Fools’ Day, 2023 edition” is a compilation of shenanigans published yesterday by the Washington Post. Here are a couple of literary-themed examples.

(6) SLF GULLIVER GRANT. The Speculative Literature Foundation announced in February that Em North is the winner of the 2022 Gulliver Travel Grant. North’s winning piece is The School of Forgetting.

Since 2004, the Gulliver Travel Grant has sought to assist writers of speculative literature (in fiction, poetry, drama, or creative nonfiction) in their research. The grant awards one writer $1000 annually, to be used to cover airfare, lodging, and/or other travel expenses.

Em North is a writer who has lived in eighteen different states and still can’t figure out where to settle down. Their debut novel, IN UNIVERSES, is forthcoming from Harper Books (US) and Heinemann Hutchinson (UK) in March 2024. They received their MFA from Johns Hopkins University, where they were awarded the Benjamin T. Sankey Fellowship for a graduating student. They have also received fellowships from the Bread Loaf Writers’ Workshop, the Tin House Summer Workshop, Aspen Words, and the Clarion Writers’ Workshop. Their fiction and essays have appeared or are forthcoming in The Sun, Conjunctions, Lightspeed Magazine, Threepenny Review, and Best American Experimental Writing 2020.

Before becoming a writer, they studied physics and philosophy, writing their undergraduate thesis on the many-worlds interpretation of quantum mechanics. In previous lives, they’ve worked as an observational cosmologist, snowboard instructor, horse trainer, wine taster, pure math researcher, (very brief) investment banker, ranch caretaker, and creative writing instructor.

(7) SLF VIRTUAL CLASSES. The Speculative Literature Foundation has three courses and workshops on its April schedule – see full details and registration cost at the link.

Nancy Hightower, essayist and author, is teaching a workshop on writing about mental health on April 22. The day after, our course on screenwriting begins with Ted Schneider, director and writer of films like “Early Light” and “Iqaluit.” On May 13 our Writing the Taboo workshop returns, instructed by our very own director, Mary Anne Mohanraj.

(8) LEO D. SULLIVAN (1940-2023). Animator Leo D. Sullivan, whose most famous work was the chugging engine that opened Soul Train, died March 25 at the age of 82 reports Deadline.

…In addition to creating the memorable Soul Train opener, Sullivan contributed to cartoons featuring Fat Albert, Transformers and My Little Pony. He worked as an animator for five decades.

His resume included television work for The Incredible Hulk, Flash Gordon, BraveStarr and Scooby-Doo, his family said.

Born in Lockhart, Texas, Sullivan moved to Los Angeles in 1952, and started working for Looney Tunes animator Bob Clampett. In the 1960s, he joined forced with Floyd Norman, the first Black animator at Disney, and cofounded Vignette Film, which created educational films about historic Black figures.

He also published a video game that honored the Tuskegee Airmen and taught at the Art Institute of California-Orange County.

Sullivan was honored by the Black Filmmakers Hall of Fame in 1979 and 1991….

(9) MEMORY LANE.

1984 – [Compiled by Cat Eldridge.] Poul Anderson & Karen Anderson’s “Cosmic Concepts”

This is less about “Cosmic Concepts” which this is the Beginning of, but rather all of the splendid poetry of The Unicorn Trade.

Now most of you know that this collection which is mostly by Poul Anderson & Karen Anderson was published first by Tor thirty-nine years ago. It’s an amazing collection of stories, poems, and, errr, science fiction haikus, something I never knew even existed. 

I am not by any means a big poetry fan but I was quite delighted by everything that was here for poetry, most of which is by her.  The poetry is a sheer joy to read. Of the collection starts off with “The Unicorn Trade”, a stellar affair, by her but I will also single out “Haiku for Mars” and “Professor James” by both of them. A deep drink of their favorite ale is in order! 

And now the Beginning of “Cosmic Concepts”… 

This is the science fiction story.
This is the young man full of pride,
whose gadgets work the first time tried
in a science fiction story.

This is the elder scientist,
every year on the honors list,
who trained the young man full of pride,
whose gadgets work the first time tried
in a science fiction story.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 6, 1924 — Sonya Dorman. Her best-known work of SF is “When I Was Miss Dow” which received an Otherwise retrospective award nomination. Her “Corruption of Metals” received won the Rhysling Award of the Science Fiction Poetry Association. She also appeared in Dangerous Visions with the “Go, Go, Go, Said the Bird” story. (Died 2005.)
  • Born April 6, 1926 — Gil Kane. Artist who created the modern look and feel of Green Lantern and the Atom for DC, and co-created Iron Fist with Roy Thomas for Marvel. I’m going to single him out for his work on the House of Mystery and the House of Secrets in the Sixties and Seventies which you can find on the DC Universe Infinite app. (Died 2000.)
  • Born April 6, 1935 — Douglas Hill. Canadian author, editor and reviewer. For a year, he was assistant editor of Michael Moorcock’s New Worlds magazine. I’m going to admit that I know more of him as a decidedly and to be admired Leftist reviewer than I do as writer, indeed he held the same post of Literary Editor at the socialist weekly Tribune as Orwell earlier did. Who here is familiar with fiction? He was quite prolific indeed. (Died 2007.)
  • Born April 6, 1948 — Sherry Gottlieb, 75. Best remembered and loved as owner of the Change of Hobbit bookstore whose origin story you can read in her memoir. It closed in 1991. She’s written two horror novels Love Bites and Worse Than Death. 
  • Born April 6, 1948 — Larry Todd, 75. Writer and cartoonist, best known for the decidedly adult Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science Fiction, Amazing Science Fiction and Imagination were three of his venues. He also did some writing for If. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet.
  • Born April 6, 1956 — Mark Askwith, 67. Did you know there was an authorized Prisoner sequel? Well there was. The Prisoner: Shattered Visage is a four-issue comic book series written by him and Dean Motter who was also the artist. Askwith also wrote for DC Comics, specifically Batman: Gotham Knights. 
  • Born April 6, 1977 — Karin Tidbeck, 46. Her first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. The short story “Augusta Prima”, originally written by her in Swedish, was translated into English by her which won her a Science Fiction & Fantasy Translation Award in the Short Form category.

(11) NEVER LET THE FACTS STAND IN THE WAY. “ChatGPT is making up fake Guardian articles. Here’s how we’re responding” says the Guardian’s Chris Moran.

Last month one of our journalists received an interesting email. A researcher had come across mention of a Guardian article, written by the journalist on a specific subject from a few years before. But the piece was proving elusive on our website and in search. Had the headline perhaps been changed since it was launched? Had it been removed intentionally from the website because of a problem we’d identified? Or had we been forced to take it down by the subject of the piece through legal means?

The reporter couldn’t remember writing the specific piece, but the headline certainly sounded like something they would have written. It was a subject they were identified with and had a record of covering. Worried that there may have been some mistake at our end, they asked colleagues to go back through our systems to track it down. Despite the detailed records we keep of all our content, and especially around deletions or legal issues, they could find no trace of its existence.

Why? Because it had never been written.

Luckily the researcher had told us that they had carried out their research using ChatGPT. In response to being asked about articles on this subject, the AI had simply made some up. Its fluency, and the vast training data it is built on, meant that the existence of the invented piece even seemed believable to the person who absolutely hadn’t written it.

Huge amounts have been written about generative AI’s tendency to manufacture facts and events. But this specific wrinkle – the invention of sources – is particularly troubling for trusted news organisations and journalists whose inclusion adds legitimacy and weight to a persuasively written fantasy. And for readers and the wider information ecosystem, it opens up whole new questions about whether citations can be trusted in any way, and could well feed conspiracy theories about the mysterious removal of articles on sensitive issues that never existed in the first place.

If this seems like an edge case, it’s important to note that ChatGPT, from a cold start in November, registered 100 million monthly users in January. TikTok, unquestionably a digital phenomenon, took nine months to hit the same level. Since that point we’ve seen Microsoft implement the same technology in Bing, putting pressure on Google to follow suit with Bard….

This reminds me of the punchline from an old Peanuts strip.

(12) JEOPARDY! David Goldfarb brings us more highlights from Wednesday’s Jeopardy! episode, which had (in the Double Jeopardy round) a category called “Literary Bad Day for the Planet”. 

$1600: Early in this novel Prostetnic Vogon Jeltz informs humanity Earth will be destroyed for a hyperspatial express route

Returning champion Brian Henegar responded: “What is the Hitchhiker’s Guide to the Galaxy?”

$400: Set in Melbourne, Nevil Shute’s 1957 novel “On the Beach” finds much of the world destroyed by this man-made disaster

Brian: “What is a nuclear war?”

$800: In Neal Stephenson’s “Seveneves”, this mysteriously blows up into 7 pieces that rain bolides onto Earth

Brian: “What is the moon?”

$1200: Arthur C. Clarke’s “The Star” is a sun that went supernova, killing a planet, & is this celestial object from the New Testament

Teresa Browning: “What is the Star of David?”
Silence from the other two.

$2000: John Wyndham’s novel about “The Day of” these meat-eating plants sees most of humanity blinded before being featured on the menu

Brian: “What are the triffids?”

(13) FUTURISM RESOURCE. John Shirley and Brock Hinzmann have launched Instant Future, a new site for essays and articles.

Instant Future offers both quick jumps and deep dives into futurist prediction. We look with open minds, informed by critical thinking, to refine the lens of prediction, sorting through new research and media reports so you don’t have to. We look for the most insightful voices in the field of prediction, to cite and to interview. We combine the insights of professional futurists and forward-thinkers of all kinds, to give you an advanced look at what’s coming.

We’re offering a brisk trip to the edge the future itself…an edge that’s always edging away.

(14) DO CHICKENS HAVE LIPS? Maybe they would have if they were descended from T. Rex. “Facelift for T. rex: analysis suggests teeth were covered by thin lips” is a report in today’s Nature. “Crocodiles and Komodo dragons provide evidence to support the idea of a scaly cover over the teeth of dinosaur Tyrannosaurus rex.”

…In crocodiles, the enamel is thick and stays hydrated because they live in the water. Even so, crocodile teeth bear the signs of cracks and damage on their outer surface. That’s not the case in theropods, she says. Theropod teeth are covered by just a thin layer of enamel, indicating that these dinosaurs probably had lips to keep the teeth protected and coated in saliva when their mouths were closed….

(15) FREE SHOWING OF SF CLASSIC. The UCLA Library Film & Television Archive will be showing a restored print of Invaders from Mars at the campus’ Billy Wilder Theater on April 9 at 7:00 p.m.

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.

Invaders From Mars. U.S., 1953

Young David (Jimmy Hunt) wakes up in the middle of the night and sees a flying saucer land in his backyard. So begins the visually stunning and whimsical film that has been captivating audiences for 70 years, directed by production designer William Cameron Menzies (Gone with the Wind) and photographed by studio legend John F. Seitz (Double Indemnity). Politically and socially charged, this superbly crafted sci-fi thriller captures the paranoia of the time, complemented by a curiosity for the universe. Physically compromised shortly after its release—butchered, recut, elements scattered—Invaders from Mars has been retrieved from the brink of extinction thanks to this dazzling new restoration. Screening on the same date the movie premiered in 1953, the film will be preceded with a presentation about the restoration by former Head of Preservation at the UCLA Film & Television Archive, Scott MacQueen.

DCP, color, 78 min. Director: William Cameron Menzies. Screenwriter: Richard Blake. With: Leif Erickson, Jimmy Hunt, Helena Carter, Arthur Franz.

Restored by Ignite Films in collaboration with the UCLA Film & Television Archive, George Eastman Museum and the National Film and Sound Archive of Australia.

(16) VIDEO OF THE DAY. Philip Harbottle’s 1950s British Science Fiction YouTube channel has over 60 videos on the topic. The latest is “John Russell Fearn Inspired Comic Strips (#62)”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, David Goldfarb, Moshe Feder, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]