Barkley — So Glad You (Didn’t) Ask — Special Irish Worldcon Edition, Day Four

DAY FOUR

By Chris M. Barkley:

Field Notes

  • Damn it, why didn’t I pack a pair of blue jeans? I mean, blue colored blue jeans? It would have SO matched the shade of blue of my Samuel R. Delany t-shirt. Ah, so it goes.
  • The weather this morning was brilliantly good. And then came the rain squalls. I had such high hopes. Is this what makes the Irish, Irish?
  • In case anyone was wondering, my identifying pronouns at the Business Meeting were HE, HEY YOU and THAT GUY.
  • I am convinced that one of my three flatmates is a cultural saboteur; for several days now I have placed the toilet paper in the bathroom to roll from the top, only to turn late and it’s been reversed. I have vowed to discover who the culprit is BEFORE I LEAVE THIS ISLAND! Enough said.
  • Speaking of the loo, my first encounter with toilet in the apartment was startling to say the least. As I flushed, an epic Angel/Niagara/Victoria Falls torrent of water crashed into the bowl, scaring me out of my wits. I sure hope that’s all greywater and not the drinking sort.
Chris M. Barkley

Juli and I saw our good friends Robbie Bourget and John Harrold on the tram this morning. They were headed to the Business Meeting to hear the announcement of the Site Selection team of the winner of the 2021 Worldcon bid. They looked remarkable happy at that moment so I suspect that they were either not working or their jobs were completed and they were enjoying themselves…

The meeting started promptly and, as expected, Washington D.C. was the overwhelming choice with 798 votes.

The 2021 Worldcon has been dubbed DisCon III and will be held from August 25 (MY BIRTHDAY, WooT!) to August 29. The Guests of Honor are author Nancy Kress, Baen Editor in Chief Toni Weisskopf, Uber Fan Ben Yalow, with Special Guests Malka Older and Sheree Rene Thomas. Co-Chairs Bill Lawhorn and Colette H. Fozard promised that an Artist Guest of Honor will be announced at a later date.

Mike Nelson distributing PR #0.
Nancy Kress

The runner up results in themselves were whimsical and amusing in themselves:

None of the Above 18

Minneapolis in 73 3

Tampere in 2032 in 2021 3

Peggy Rae’s House 2

Rapid City, South Dakota 2

Xerpes 2010 2

Any Country That Will Let Me In 1

Anywhere NOT in the United States 1

Beach City 1

Boston in 2020 Christmas 1

Free Hong Kong 1

Haimes, Alaska 1

Helen’s Pool Cabana 1

I5 in ‘05   1

James Bacon’s Living Room 1

Laconia Capital City, Laconium Empire 1

Malmo, Sweden   1

Ottawa 1

Port Stanley, Falklands 1

Ratcon in 2002 1

One of these days a joke bid is going to win and there’s going to be trouble. I must also say that as an American, I was surprised that there weren’t a lot more protest votes against the DC bid considering our, let’s say, turbulent political situation at the moment. The mere thought of the current president showing up unannounced is a logistical and political nightmare none of us want. But, we’ll see, I suppose.

Worldcon 76 convention Chair Kevin Roche presented pass along checks of $10,000 (US) to the con-chairs of Ireland (James Bacon) New Zealand (Norman Cates) and Washington. This generous donation was done despite the pending litigation brought against Worldcon 76 by Jon Del Arroz, who filed a lawsuit alleging defamation after being banned from the event.

Mr. Roche promised that more funds would be distributed to current and future bid when litigation has been concluded.

In other news, the group backing an amendment to establish a Best Game or Interactive Experience category suffered a minor setback when the members of the meeting voted to refer the legislation back to the Hugo Study Committee for another year discussion.

This was done in spite of a fairly extensive 60-page report compiled and written by the group sponsoring the category. I spoke to one of those sponsors, Claire Rousseau and several others who were there to see the outcome. They were all extremely upset that this proposal would not be discussed in a formal debate for at least another year or more.

Claire Rousseau

As a personal aside, I told them that I had been on the receiving end of these sorts of setbacks on numerous occasions and while they may be feeling disappointed right now, they should should remain vocal and more importantly, persistent, if they feel they have a just cause.

Mark Richard’s advisory motion to also issue an award to translators of Hugo Award winning works was also soundly rejected by the attending members. After the vote Mr. Richard, was approached by Jo Van Ekeren and Joni Brill Dashoff with some helpful suggestions on how to make the proposal clearer and more palatable to the members who opposed it.

Profound disappointment does not even begin to describe how I felt about this, but I will refrain from editorializing about this until my final report.

By a fortuitous coincidence, my final Worldcon panel, “Get Us Out of the Twilight Zone: the Work of Jordan Peele,” was scheduled right after the Business Meeting in the same room. My panelists were media critic and Abigail Nussbaum (who won the 2017 Hugo Award for Best Fan Writer), Dr. Andrew Butler, a distinguished film critic from the UK and Dr. Wanda Kurtcu, who organized the POC meetup the previous day.

Looking through my bag, I could not find the placard with my name printed on it, which we were supposed to keep and use at each panel. Luckily, I found a folder filled with name placards and not only found one with a blank side to write on, I also picked up an autograph as well.

Over the course of our hour, we took an in depth look at Mr. Peele’s first two films, the Academy Award winning horror film Get Out and Us, a more overtly ambiguous fantasy film. I believe that while Us is a more ambitious movie, Get Out had an edge in being my favorite because of its straightforward and take no prisoners narrative.

Doctor Butler had not seen the first season of the revival of The Twilight Zone so when the other panelists and I discussed the episodes we were a little diligent not to drop too many spoilers for him and the other audience members. Doctor Kurtcu pointed out rightly that Twilight Zone, like the original Rod Serling series and other shows like Black Mirror, darkly reflect what is going on in the world today.

Ms. Nussbaum, like myself, were not really ardent fans of the horror genre but it seems as though Jordan Peele has a true artistic vision to express that is striving to transcend the usual boundaries of genre.

Towards the end of the session, an audience member said that Mr. Peele’s next project was a reboot of the Candyman film franchise.

“All right,” I said. “We all know what to do. NONE of us should say Candyman three times before the film is released.”

We appeared at the Press Room office a little before seven to pick up a lanyard for Juli so she could attend the Hugo Award Ceremony. We were delighted to find out that some of the press passes had not been claimed so now she could sit with me in the designated area. (This is not unusual; when I ran the Press Office, there were occasions where passes had not been picked up and I issued them to late arriving reporters or convention staff members who wanted a seat closer to the action.)

While we were waiting to be escorted to the press section, I came across UK author Paul Cornell, who I had not been in close proximity to since LAcon IV in 2006. I was particularly delighted to see him because he wrote one of my favorite Doctor Who stories of the modern era, the Hugo-nominated episode “Father’s Day”.

Paul Cornell

The Press section wasn’t that close to the action this year; it was located in the first three rows of the upper balcony just to the right of the center of the stage. What it lacked in proximity was made up for by its height, which provided a sweeping view of the stage.

The first big surprise of the evening was the winner of the John W. Campbell Award for Best New Writer, Jeanette Ng. Not surprising that she had won the award, because she is an exceptionally fine writer and was favored in this category. Oh no. It was because of what she said in her acceptance speech:

John W. Campbell, for whom this award was named, was a fascist. Through his editorial control of Amazing Stories, he is responsible for setting a tone of science fiction that still haunts the genre to this day. Sterile. Male. White. Exalting in the ambitions of imperialists and colonisers, settlers and industrialists. Yes, I am aware there are exceptions.

But these bones, we have grown wonderful, ramshackle genre, wilder and stranger than his mind could imagine or allow.

And I am so proud to be part of this. To share with you my weird little story, an amalgam of all my weird interests, so much of which has little to do with my superficial identities and labels.
But I am a spinner of ideas, of words, as Margaret Cavendish would put it.

So I need (to) say, I was born in Hong Kong. Right now, in the most cyberpunk in the city in the world, protesters struggle with the masked, anonymous stormtroopers of an autocratic Empire. They have literally just held her largest illegal gathering in their history. As we speak they are calling for a horological revolution in our time. They have held laser pointers to the skies and tried to to impossibly set alight the stars. I cannot help be proud of them, to cry for them, and to lament their pain.
I’m sorry to drag this into our fantastical words, you’ve given me a microphone and this is what I felt needed saying.

<do the hat thing>”

You can see that “hat thing” (eventually) on YouTube or the streaming broadcast online.

Jeannette Ng

I was one of the people madly cheering this speech. I posted a meme on Facebook as she was still speaking: “Jeannette Ng is AWESOME!!!!!” Moments later, swept up in the moment, I posted another meme, “I’m just gonna say it: The Name of the John W. Campbell Award SHOULD BE F***KING CHANGED!”

To clamor atop a soapbox for a moment; NO, I am not advocating that the life and work of John W. Campbell, Jr. be scrubbed from history. But neither should we turn a blind, uncritical eye to his transgressions. When the winners of such a prestigious award start getting angry because the person behind it is viewed to be so vile and reprehensible, that ought to be acknowledged as well.

I think work and legacies of film director D.W. Griffith and H.P. Lovecraft have survived fairly intact since they have been deprived of their privileged status. And that is precisely the point; for decades JWC’s white privilege has given him cover to be adored by generations of readers, writers, editors, fans and scholars. The time has finally come to call him out.

Jeannette Ng said out loud what people have been either thinking and whispering for the past several decades. Rebecca Roanhorse’s speech last year in San Jose alluding to her discontent was the tipping point. Ms. Ng just picked it up and threw it over the edge. (Climbs off soapbox.)

Other momentous moments included Charles Vess double whammy for Best Professional Artist and the Special Category addition for Best Art Book, both for his meticulous and detailed art for the gigantic omnibus, The Books of Earthsea: The Complete Illustrated Edition. Becky Chambers’ Wayfarers won Best Series, a dizzying ascension for a writer who only had a draft version of her debut novel five years. She tearfully thanked her supporters, readers and the Hugo voters for making “room for her at the table”.

The Best Long and Short Form Dramatic Presentations went to popular front runners; the former to the Oscar winning animated film Spider-Man: Into the Spider-Verse and the latter by “Janet(s)” an excruciating funny episode of NBC’s farce/philosophy seminar The Good Place.

There was a lot of criticism that the Lodestar Award (or, as I call it, The Ursula K. LeGuin Memorial Award) either would not be very popular at all or might suffer from “award fatigue” by Hugo nominators in general reading community. Well, the statistics posted online after the ceremony show that there were 216 nominated books on 512 ballots. So, as far as I’m concerned, you can stick a fork in that theory, because it’s done. 

Best Profession Editor went to the late Gardner Dozois. I must report that I did not vote for him; he was a fine person, a marvelous writer and one of the greatest, if not THE GREATEST, editor we are ever likely to see. But, I note, he had won fifteen Hugos for editing between 1988 and 2004. Now his estate has another award that he will never know of or enjoy. It’s fine for us to honor the dead, but not at the expense of the living.

Best Novel went to Mary Robinette Kowal’s The Calculating Stars, an alternate history story in which the 1950’s suffers a cataclysmic event and the “space race” is reframed is an actual struggle for the survival of the human race, led by women astronauts. I hope that this book, and its sequels, will not only endure but inspire future generations of young adults and grownups.

A PDF of the voting results and nomination longlists are available at: www.thehugoawards.org

We headed to Martin’s after the ceremony and almost immediately ran into Carole’s partner John. He told us that the wallet had not been turned in yet and everyone is presuming it is lost for good. Credit cards have been canceled and other friends have offered other help, too.   Carole was there, enjoying herself and John reassured us that she was feeling a lot better since that night. We were rather concerned so it was nice to see that she was having a good time.

John also said, “Hey got get a drink at the bar. DC is paying for all of the drinks on their tab!”

I feigned confusion. “Your mean DC Comics?” John gave me one of those resigned looks he make after hearing a bad joke. “Go get a drink,” he shouted over the din.

We got into the nearest queue but the DC tab had already been tapped out so we had to resort to buying our own drinks.  Hugo Admin Nichols Whyte sidled up to the bar and in a burst of American generosity, we bought him two ciders, citing his fine work for the con.  

As we were ordering our own ciders our, I was accosted by an older man standing next to me, whom I thought was a complete stranger. But it wasn’t; Jerry Kaufman was a fan we had met previous at the Spokane Worldcon. “So,” her said, “what are you proposing for the name change?”

Now it was my turn to be genuinely confused. “Excuse me?”

“I heard some people talking about it. It was your Facebook post.”

With that I sat down and whipped out my phone and checked the post I had completely forgotten about from two hours ago. While it had not gone exactly viral, it had several “likes” and who knows how many views.

While I sat and posed for a few pictures with my friends, I suddenly realized that I was drinking this cider on an empty stomach, which meant that I was going to be incredibly tipsy in the next five or ten minutes.

I told Juli about my dilemma and after some chit chat with some friends in passing, we bade everyone good night. We stepped into a chilly and damp night. The walk back was bracing and kept me on my feet as we walked back to our apartment.

After fumbling to check the Facebook post and send my esteemed editor a brief, spell check enhanced email, I fell into bed, and, according to Juli, was asleep in two minutes. 


P.S. DAY FIVE BREAKING NEWS! I am incredibly PLEASED to report that Carole’s wallet was turned in to the local police station today, WITH THE CONTENTS ALL ACCOUNTED FOR!!!!

Carole and John have already left Dublin for a tour but will be returning to the city on Friday recover the wallet.

Who’s says there are no Happy Endings at Worldcon? A big THANKS to the local citizens and the Dublin Garda for your diligence in this matter…

Dublin 2019 Photos by Rich Lynch — Sunday

This is the guy who kept me in fandom 33 years ago

… but that’s another story. (Kees Van Toorn)

More pictures by Rich Lynch after the jump.

Continue reading

Pixel Scroll 7/26/19 Scroll-Fly Pie And Pixel-Pan Dowdy

(1) MARY SUE ORIGIN STORY. [Item by Jerry Kaufman.] This recent article from the London Review of Books is about fandom, or fandoms as the case may be, the woman who identified the “Mary Sue”, and her recent writing. (I am the real Jerry Kaufman – accept no other) – “On Sophie Collins”. (Registration required to read full article.)

A ‘Mary Sue’ is an implausibly skilful, attractive or successful protagonist who seems to be a stand-in for the author, especially in fanfiction. The term comes from Paula Smith’s parodic story ‘A Trekkie’s Tale’ (1973), originally published in a mimeographed journal for Star Trek fans. In mocking ‘Mary Sue’, Smith was not attacking fanfiction but trying to bolster its literary quality against fans who used it naively for wish fulfilment. Most of these fans were (like Smith) female. As the term, and the critique, became more common, some fans, and some feminist critics, pushed back. They saw fan communities, and the defiantly unprofessional cultural production that emerged from them, as a kind of safe space, where the rules imposed by a patriarchal outside world about what one can say, and who one can be, could be ignored.

(2) ON THE STREET WHERE YOU LIVE. “City Council Votes to Name Bronx Street ‘Stan Lee Way’ in Honor of Comic Book Genius, Spider-Man Creator” — New York TV station NBC-4 has the story.

Council Member Fernando Cabrera’s proposal aims to honor Stan Lee’s Bronx roots by co-naming a section of University Avenue between Brandt Place and West 176th Street after the comic book genius.

The city council voted Tuesday to approve the proposal.

… “Stan Lee was a Bronx native who grew up in my district,” said Cabrera. “Stan Lee was a creative genius who co-created iconic super heroes including Spider-Man, the X-Men, the Hulk, Doctor Strange, Ant-Man, Black Panther and more. Mr. Lee’s amazing talent brought joy and entertainment to countless children and adults and he deserves to be permanently memorialized in his home borough, the Bronx.”

(3) BUILDING A STORY WITH MAGIC. Juliette Wade’s new Dive Into Worldbuilding introduces readers to “Julie Czerneda and The Gossamer Mage. View the video interview, and/or read the summary notes at the link. 

…I asked her where the idea for the book started, and she said it started with a pen – and proceeded to show us the pen in question! She brought a lot of cool props to show us, so I encourage you all to check out the video if you’re curious about them.

One of the things that Julie explored while writing this was the history of ink. Battles were fought over areas of the world that provided good ink ingredients, and pirates stole ink as well as other things.

I’ve always found constrained magic systems very interesting, so I asked her to tell us about the magic system she used in The Gossamer Mage. Julie said she agreed with me that she liked constrained systems. She said she liked it when everyone knows how to use the magic, but wait, it’s not so simple. This particular magic system is constrained in part because it requires writing, which means it requires a particular type of scholarship. You have to be able to write words that are not human words, and to intend them. Further, this magic can only be done in the one place in the world where magic remains. One important ingredient here is that magic used to be in more of the world, but is no longer present except in one region, ringed with mountains.

Thus, magic is constrained physically, and it is constrained to scholars….

(4) BOOK MAKER. Shelf Awareness does a Q&A with Babylon-5 creator, who recently published his autobiography Becoming Superman: “Reading with… J. Michael Straczynski”.

On your nightstand now: 

Rereading A Coney Island of the Mind by Lawrence Ferlinghetti. I believe that an appreciation of poetry is essential for any writer in any field. That economy of language reminds you of the importance of choosing exactly the right word, not the word next to the right one on the shelf. On a conceptual level, I admire Ferlinghetti’s writing which comes at you from a right angle with a huge impact, so I reread his work every couple of years to keep my brain flexible.

(5) HE WHO OVERCOMES. Then, Cory Doctorow does an epic review of “J Michael Straczynski’s “Becoming Superman”: a memoir of horrific abuse, war crimes, perseverance, trauma, triumph and doing what’s right” at BoingBoing.

And so, drip by drip, crumb by crumb, inch by inch, Straczynski manages to become a writer, and it turns out that not only can he write to deadline, he’s really good at it. Even projects that seem silly or trivial on their face, like writing for He-Man or The Real Ghostbusters, are treated with such intense seriousness that they just kill.

But this being Hollywood, where, famously, nobody knows anything, every success that Straczynski ekes out is eventually scuttled by venality, cowardice, grift, or all three, as greedy execs and bullshit-slinging consultants demand that he compromise on what he knows is right. And Straczynski being Straczynski — being the survivor of a campaign of terror visited upon him by a literal Nazi — refuses to back down, because despite the mountain of shit he’s climbed to get where he is, the prospect of falling down to the bottom is incapable of scaring him beyond his threshold of tolerability.

And, remarkably, despite industry concentration and a thousand variations of “you’ll never work in this town again,” Straczynski continues to work. His story is a beautiful parable about how luck is made: the way it’s told, it seems like Straczynski has a horseshoe up his ass, with opportunities dropping appearing over the horizon just a little faster than the burn-rate of the bridges he’s torched behind him, but when you look a little closer, you realize that the most improbable thing here isn’t the opportunities, but rather Straczynski’s relentless, singleminded determination to seize them, writing (for example) entire seasons of his TV shows when the studios’ dumb mistakes leave them shorthanded.

(6) REVOLUTIONARY DATA. Can you imagine Brent Spiner playing John Adams in 1776? There’s a concept. He’s the guest on the latest Maltin on Movies podcast.

Forever to be remembered as Lt. Commander Data on Star Trek: the Next Generation and other treks to follow, Brent Spiner is a versatile actor and performer with notable Broadway credits—and two fervent fans in Leonard and Jessie, who saw him play John Adams in a masterful revival of 1776. He’s happy to discuss all facets of his career, from musical theater to his memorable role in Independence Day. Even longtime fans may learn things they didn’t already know about Brent in this delightful chat.

(7) THIS IS COOL. The earth seen from outer space —  here is a visualization of how Planet’s satellites assemble swatches of remote sensing tiles to complete a global observation in 24 hours:

In four years, Planet has flown on 18 successful launches and deployed 293 satellites successfully into low Earth orbit. With more than 150 satellites currently in orbit, Planet has the largest constellation of Earth imaging satellites in history.

As you may notice, the satellites are not always taking photos (or sending / “beaming” the data down to Earth). Parts of the landmass can also be missing due to complete cloud cover that day. See the Amazon, Central Africa, or Northern Australia for example.

A companion piece reveals more about the satellites themselves; the “doves”, “RapidEyes”, and “SkySats”. Explaining their sizes, the numbers out there already and the types of images they capture. Check out the story here!

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 26, 1883 Edwin Balmer. Together with author Philip Wylie, he penned When Worlds Collide and After Worlds Collide. The first was made into the 1951 movie by George Pal. He also wrote several detective novels and collaborated with William MacHarg on The Achievements of Luther Trant, an early collection of detective short stories. The latter are not genre, despite being listed as ISFDB as I’ve read them. (Died 1959.)
  • Born July 26, 1894 Aldous Huxley. Brave New World is fascinating. I knew I had it assigned and sort of discussed in a High School class and at least one Uni class decades ago. So what else is genre by him and worth reading? (Died 1963.)
  • Born July 26, 1919 James Lovelock, 99. Just shy of a century now in life, the Gaia theorist wrote a genre novel with Michael Allaby, The Greening of Mars, of the transformation of the red planet into a green one.  His newest work, Novacene: The Coming Age of Hyperintelligence, thinks that hyperintelligent machines are coming into being by our own hand and that we better be prepared for their arrival. 
  • Born July 26, 1928 Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just damn depressing. And I’m not a horror fan as such so I never saw The ShiningBarry Lyndon is great but it’s not genre by any means. (Died 1999.)
  • Born July 26, 1945 M. John Harrison, 74. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at. He’s not published deep in digital form at this time.
  • Born July 26, 1945 Helen Mirren, 74. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellers’ last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy
  • Born July 26, 1957 Nana Visitor,62. Kira Nerys on Deep Space Nine which for my money is the best of the Trek series to date. After DS9 ended, Visitor had a recurring role as villain Dr. Elizabeth Renfro on Dark Angel. In 1987, Visitor appeared as Ellen Dolan in a never developed series pilot for Will Eisner’s The Spirit with Sam J. Jones as The Spirit.
  • Born July 26, 1971 Mary Anne Mohanraj, 48. Writer and editor. Founder of Strange Horizons, a genre fiction magazine. She has one genre novel, The Stars That Change, and two stories published in the Wild Cards Universe, “Low Chicago” and “Ties That Bind”. She also an anthology, Without A Map, co-edited with Nnedi Okorafor.
  • Born July 26, 1978 Eve Myles, 41. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. She and the full Torchwood cast did an an BBC 4 Radio Play called  Golden Age in which they time travelled back to Imperial India. Highly recommended. 

(9) THE BOYS. According to NPR’s Glen Weldon, “Superhero Satire ‘The Boys’ Doesn’t Have Much New To Say, But Says It Loudly”.

…Amazon’s new 8-episode series The Boys – about a team of non-powered mercenaries determined to take down the world’s premier team of evil, corrupt, soulless-corporate-shill superheroes – chooses to play in a sandbox that’s seen its share of use. A sandbox that’s been sitting out in the sun and rain and wind for decades, filling up with cigarette butts and cat poop and old toys left by previous storytellers, who’ve hit precisely the same themes.

This is even more true today than it was in 2006, when the comics series The Boys, by writer Garth Ennis and artist Darick Robertson – from which the Amazon show has been adapted, freely – first debuted.

…What The Boys was, at the time — especially if you’d been reading comics for years — was tiresome, more than anything else: Really? We’re still doing … this?

I’m happy to report that the Amazon series improves on its source material. It does so by taking the comics’ lazy inciting incident – the accidental death-by-superhero of the girlfriend of its main character Hughie (Jack Quaid) – and treating it as something more than solely a plot trigger. The series gives Hughie time to absorb, to grieve, to soak in the brutal incident so – even though it is depicted, lovingly, in garish slow-motion – it becomes something more than another nihilistic gag.

That’s a hallmark of the show, as it turns out. Where the comic was content to steer headlong into bloody spectacle and smugly snicker, the show serves up the spectacle (on a budget) and then … takes the time to inspect it, examine it, unpack it. To legitimately honor it, in other words. In its way.

(10) NEW TENANT IN THE WHITE HOUSE. Zombieland: Double Tap comes to theaters October 18.

A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland 2: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.

(11) CHANNELING TRADER JOE. Fast Company appreciates why “The Trader Joe’s YouTube channel is unexpectedly amazing—and very weird”.

Although wackiness levels vary from video to video, the run times are all wisely kept brief. The only things that run longer than the time it takes to decide between regular avocados and organic ones are the cooking tutorials. Everything else—including charm-infused shorts like Christmas in Germany, produced by Condé Nast Traveler, which mixes traditional animation with stop-motion footage of Pfeffernüsse cookies and other German delicacies—runs at around the one-minute mark, making for a thoroughly undemanding watch.

This one’s very stfnal –

While this one’s just plain funky –

(12) NASFIC/WESTERCON IN UTAH. Rodford Edmiston has posted an album of photos from Spikecon at Flickr. Whether intentionally or not, the photographer showed a genius for standing at the back of a hall in which the only people were in the front row and on the platform.

(13) REUBEN AWARD. Stephan Pastis won the 2018 Reuben Award for Cartoonist of the Year given by the National Cartoonists Society. The award was announced during the NCS Annual Reuben Awards Weekend in May.

STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Andrews McMeel Syndication. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children.

(14) CHERNOBYL. BBC digs into “The true toll of the Chernobyl disaster” in a long meaty article. Here is a brief excerpt:

Covered up by a secretive Soviet Union at the time, the true number of deaths and illnesses caused by the nuclear accident are only now becoming clear.

Springtime was always the busiest time of year for the women working at the wool processing plant in Chernihiv, northern Ukraine. More than 21,000 tons of wool passed through the factory from farms all across the country during the annual sheep shearing period. The April and May of 1986 were no exception.

The workers pulled 12-hour shifts as they sorted the piles of raw fleece by hand before they were washed and baled. But then the women started getting sick.

Some suffered nosebleeds, others complained of dizziness and nausea. When the authorities were called to investigate, they found radiation levels in the factory of up to 180mSv/hr. Anyone exposed at these levels would exceed the total annual dose considered to be safe in many parts of the world today in less than a minute.

Fifty miles away was the Chernobyl nuclear power plant. On 26 April 1986 reactor number four at the power plant suffered a catastrophic explosion that exposed the core and threw clouds of radioactive material over the surrounding area as a fire burned uncontrollably.

But Chernihiv was regarded to be well outside the exclusion zone that was hastily thrown up around the stricken plant and readings elsewhere in the town had shown it to have comparatively low levels of radiation.

(15) HAUER’S MASTERPIECE. Bilge Ebiri explains why “Even Now, Rutger Hauer’s Performance in ‘Blade Runner’ Is a Marvel” in the New York Times.

…Had Hauer played Batty as another stone-faced Eurobaddie, “Blade Runner” itself might have been a more comfortably classifiable genre effort, the kind of movie that many viewers expected in 1982, the kind that promised to pit Ford, the star so familiar to us as Han Solo and Indiana Jones, against a new kind of futuristic nemesis. Instead, audiences were thrown off by the knotty neo-noir that Scott and the screenwriters Hampton Fancher and David Webb Peoples delivered, the film flopped, and a cult masterpiece was born.

Look no further than Batty’s extended final battle with Deckard to see both the evidence of the movie’s idiosyncratic tone and how Hauer’s remarkable performance enhances it, practically deconstructing the simple plot before our eyes. The replicant chases the beleaguered, frightened Deckard around an abandoned building, toying with the cop and playing singsong children’s games. But there’s still a catch in Batty’s words, slight pauses scattered in unusual places. Seeing that Deckard has killed his replicant lover, Pris (Daryl Hannah), Batty offers, “I thought you were good. Aren’t you the … good man?” The awkwardness of the words, combined with the pause before “good man” seems to question the film’s very moral universe…

(16) X MARKS THE PLOT. ScreenRant fires up another Pitch Meeting – this one for Dark Phoenix.

The X-Men franchise has been running for nearly two decades, and it all culminates with Dark Phoenix, a storyline that the movies already covered in 2006. Once again, Jean Grey goes absolutely bonkers with power, but this time Wolverine isn’t around to stab her. The movie has a pretty awful score on Rotten Tomatoes and definitely raises a lot of questions. Like what’s the deal with the aliens, are they bulletproof or not? Why was Quicksilver dismissed from the movie so quickly? What was up with that Phoenix moment in X-Men Apocalypse? Why do these movies keep jumping forward a decade each time? Is Magneto supposed to be 62 years old, and if so, why is a 42-year-old with no make-up playing him? Why did they show Mystique dying in the trailer?

[Thanks to Jerry Kaufman, Juliette Wade, John Hertz, Chip Hitchcock, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, mlex, John King Tarpinian, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]

2005 TAFF Trip Report Now Available

The rest of the world can now own what Corflu Zed members had first chance to buy – a copy of Jerry’s Suzle’s TAFF Report, Trans-Atlantic Fan Fund delegate Suzle Tompkins’ account of her trip to the 2005 Glasgow Worldcon co-written with Jerry Kaufman.

Suzle’s press release follows the jump.

(Somebody should gift Elst Weinstein with a copy of this. For obscure reasons, he’ll appreciate the photo of a warning sign painted in a driveway which a pothole repair has reduced to “Ook Both Ways.”)

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