Pixel Scroll 8/5/19 Pixel Sacrifice, Files And Scrolls Living Together, Mass Hysteria

(1) FANAC.ORG SCANNING STATION AT DUBLIN 2019. Joe Siclari looks forward to digitizing more zines and photos at the Worldcon —

FANAC.org has scanned and archived over 92,000 pages of fanzines. Next week, our Scanning Station is coming to Dublin. If you are attending the Dublin Worldcon and can brings fanzines appropriate for scanning, we would love to have them. We’ll scan right there on site – we’ll be set-up at a fan table in the Convention Center. Look for our banner.

We have run similar Scanning Stations this year at Boskone and Corflu with great success. To see what we already have scanned and have online, look at our main fanzine page: http://www.fanac.org/fanzines/Classic_Fanzines.html

If you have old fannish photos that you can bring, we’d love to scan them as well. If you have photos in digital format, please bring those too. 

Even if you don’t bring material to scan, stop by our table anyway and say hello.

The Fanac.org scanning station at Boskone earlier this year. L to R: Fred Lerner, Mark Olson, and Joe Siclari at the Fanac table. Photo by and copyright © Andrew Porter.

(2) PRE-’64 IN PUBLIC DOMAIN. Boing Boing’s Cory Doctorow says “Data-mining reveals that 80% of books published 1924-63 never had their copyrights renewed and are now in the public domain”.

…But there’s another source of public domain works: until the 1976 Copyright Act, US works were not copyrighted unless they were registered, and then they quickly became public domain unless that registration was renewed….

…Now, Leonard Richardson (previously) has done the magic data-mining work to affirmatively determine which of the 1924-63 books are in the public domain, which turns out to be 80% of those books; what’s more, many of these books have already been scanned by the Hathi Trust (which uses a limitation in copyright to scan university library holdings for use by educational institutions, regardless of copyright status).

“Fun facts” are, sadly, often less than fun. But here’s a genuinely fun fact: most books published in the US before 1964 are in the public domain! Back then, you had to send in a form to get a second 28-year copyright term, and most people didn’t bother.

(3) WHEATON W00TSTOUT. The 2019 pouring of Stone Farking Wheaton w00tstout is here. Comic artist Alan Davis designed the label. Will you collect it or drink it?

Each year, when July rolls through, Stone Brewing serves up a superhero of an imperial stout. Its sheer existence, a POW! BAM! WHAM! square to the face. Its contents – an art; its bottle – a collectible. Stone Brewing announces the release of Drew Curtis / Wil Wheaton / Greg Koch Stone Farking Wheaton w00tstout.
 
Over the years, Stone Farking Wheaton w00tstout has become one of Stone’s most anticipated annual releases, and not just because it’s an astoundingly flavorful beer concocted as a collaboration between FARK’s Drew Curtis, nerd royalty Wil Wheaton and Stone Brewing co-founder Greg Koch. It’s the incredible label art adorning this beer over the years that has elevated it to the pinnacle of beer, geekery and beer geekery. “W00tstout is more than a great beer,” said actor, writer and Stone Farking Wheaton w00tstout collaborator Wil Wheaton. “It’s a work of art, carefully designed to be as drinkable right now as it will be in a decade. I am so honored and proud to be one of its parents.”

(4) CLARION WEST 2020. Next year’s Clarion West instructors have been announced:

(5) STRANGERS LIKE ME. Brian Doherty, in “San Diego Comic-Con and the Tensions of Market-Induced Growth” on Reason.com, reports from the convention and finds that despite its huge size lovers of comics and the small press can find a great deal to satisfy them at the convention.  He also interviews Maryelizabeth Yturvalde of the Mysterious Galaxy sf shop, who says she sold a great many YA novels to Comic-Con attendees.

…But who are “people like yourself” in the tent of fannish tents? That’s the sticking point. Things can get complicated when you are thrust in a tight space with people whose nerdy obsessions don’t match yours. Smith joked about seeing a bunch of people dressed as Klingons sneering at the lame geeks striding by dressed as stormtroopers.

On one of this year’s historical panels, Barry Short, a longtime SDCC worker and a former comic shop owner, described the vast crowds attracted to the con as a clear victory, the promised land all the lonely geeks of decades gone by had been fighting for. Their culture was no longer mocked and hated! Their tribe had grown beyond imagining! But one detail that he chose to highlight was telling—that it was no longer hard to find T-shirts featuring Marvel superheroes.

That sort of thing would not be any kind of victory to, say, indie cartoonist Mary Fleener, who on a historical panel remembered fondly the days in the 1990s when she and a few fellow independent artists could pool money together for a table that cost less than $400 and profit selling their homemade mini-comix. Her tribe was different than Short’s; they just awkwardly co-existed in the same grounds.

Comics are not just the root of the biggest Hollywood blockbusters; they’re a newly respected part of American literary culture. The artists and writers responsible for that aren’t necessarily obsessed with superhero T-shirts. But even that conclusion was complicated at a SDCC panel starring Chris Ware, author of Jimmy Corrigan, the Smartest Kid on Earth, one of the linchpins of modern literary comics. He admitted, in his self-lacerating sad-sack way, that as a nerdy, scared, hated kid in school, if he found anyone else who shared in any way his tortured love and fascination with crummy Mego toy figures of comics characters, he’d want to hold them close—too close for their comfort.

Comic-Con is filled with people who both seek validation in their manias and mistrust the manias next door, whether those neighboring fandoms seem to bring down the cultural property values or try to make them annoyingly highbrow.

No matter how pollyannaish you want to be about change and growth, more people in an experience makes for a different experience. Such changes may come to the benefit of the newcomers but the detriment of old-timers….

(6) GATHERING DATA. ScienceFiction.com, in “Brent Spiner Teases Data’s Role On ‘Star Trek: Picard’”, quoted the actor from his recent appearance at the Las Vegas Star Trek Convention.

I am delighted to be part of the show and all I am, is a part of the show…I want to make it semi-clear, because I don’t want to make it too clear, that I am not a regular on the show. Data did die at the end of Nemesis. But I am on the show. I do make appearances. Data’s story is a part of the thread of show.”

Apparently the Data-like android is a predecessor called B-4.

The Las Vegas Review-Journal’s also asked Spiner about Facebook’s Area 51 craze:

Given Spiner’s connections to Area 51 — his Dr. Brakish Okun was in charge of research there in both “Independence Day” and “Independence Day: Resurgence,” its 20-years-later sequel — you can’t let the actor off the phone without asking if he has advice for anyone looking to follow the Facebook phenomenon and storm the secretive military installation to “see them aliens.”

“Well, let me just say, I know this is going to be a huge disappointment to everyone, but if they do this, and they actually get there, I will not be there,” Spiner says, dryly.

“I mean, unless I’m well paid. Then I’ll show up.”

(7) TRADE WARRIORS. The Hollywood Reporter explains how “A boycott of Japanese products has been growing as a political spat with historical roots impacts sectors from beer to cars to movies” — “Anime ‘Doraemon’ Latest Victim of Japan-South Korea Trade War”.

     The Korean release of the latest installment of Doraemon, Japan’s biggest anime franchise, has been postponed indefinitely as a trade war between the Asian neighbors continues to escalate.

     Doraemon: Nobita’s Chronicle of the Moon Exploration, the 39th feature in the tales of the blue, “cat-type robot” and his human sidekick, schoolboy Nobita, is the latest victim in the Tokyo-Seoul spat.

     Last month Butt Detective: The Movie was also caught up in the growing boycott of Japanese goods, services and companies. The film, a spinoff from a children’s book and anime TV series about a detective with a head shaped like a backside, had received maximum scores on South Korean review websites on its release, but got a bum deal after the sites were hit with posts calling for cinemagoers to boycott Japanese films.

…The current row was triggered when Japan announced July 1 that it was placing export restrictions to South Korea on materials used in manufacturing semiconductors, a major Korean industry. Tokyo accused Seoul of breaking sanctions on North Korea, but the move was widely seen as retaliation for a Korean court ruling that Mitsubishi Heavy Industries has to pay compensation to Koreans forced to work for the company during World War II….

(8) ROSEN OBIT. Fraggle Rock voice actor Stuart M. Rosen has died reports SYFY Wire.

Stuart M. Rosen, a prolific voice actor and creator who helped develop the iconic children’s puppet program Dusty’s Treehouse in the late 1960s and voiced The Storyteller in HBO’s Fraggle Rock, reportedly has passed away from cancer. He was 80 years old. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 5, 1891 Donald Kerr. Happy Hapgood in 1938’s Flash Gordon’s Trip To Mars which might be one of the earliest such films. His only other genre appearances were in the Abbott and Costello films such as Abbott and Costello Meet the Mummy and Abbott and Costello Meet the Invisible Man in uncredited roles. (Died 1977.)
  • Born August 5, 1935 Wanda Ventham, 84. Mother of Benedict Cumberbatch. She’s showed up on during Doctor Who over a number of years playing three different roles (Jean Rock, Thea Ransome/Fendahl Core and Faroon) in three different stories, “The Faceless Ones” over six episodes, Serial: “Image of the Fendahl” over four  episodes and “Time and the Rani” over three  episodes. That’d mean she appeared with the Fourth and Seventh Doctors. She was also Col. Virginia Lake, a series regular on UFO, during the Seventies. 
  • Born August 5, 1940 Natalie Trundy,79. First, she was one of the Underdwellers named Albina in Beneath the Planet of the Apes. Next, she played Dr. Stephanie Branton, a specialist studying apes from the future who came into our present day in Escape from the Planet of the Apes.  Then in Conquest of the Planet of the Apes and Battle for the Planet of the Apes, she played the chimp Lisa.  
  • Born August 5, 1947 Élisabeth Vonarburg, 72. Parisian born, she’s Quebec resident. She was the literary director of the French-Canadian SF magazine Solaris. Her first novel, Le Silence de la Cité, was published in 1981. Since then she’s been a prolific witter of novels and short fiction. In 1993, her website notes sgphecreceived a Prix spécial du Jury Philip K. Dick Award  for In the Mothers’ Land.  H’h. I’m pleased to say that iBooks is deeply stock in her works but Kindle has nothing at all by her. Her website, in French of course, is here.
  • Born August 5, 1956 Robert Frezza, 63. Wrote five SF novels of a space opera-ish nature in five years covering two series, McLendon’s Syndrome and The VMR Theory, and The Small Colonial War series which is A Small Colonial War, Fire in a Faraway Place and Cain’s Land) before disappearing from writing SF twenty years ago.
  • Born August 5, 1956 Maureen McCormick, 63. Though better for being Marcia Brady on The Brady Bunch, she has done some genre performances. She was Eve in Snow White: A Deadly Summer and Officer Tyler in Return to Horror High, both decidedly pulpish horror film. A step up in class was her portrayal of the young Endora in two episodes of Bewitched, “And Something Makes Three” and “Trick or Treat”. She shows up in another magical show, I Dream of Jeannie, as Susan in “My Master, the Doctor”.  And she was used in six different roles on Fantasy Island.
  • Born August 5, 1968 Matt Jones, 51. Started as columnist for Doctor Who Magazine. A decade later, he wrote two of the Tenth Doctor scripts, a two-parter, “The Impossible Planet” and “The Satan Pit”, and one for Torchwood, “Dead Man Walking”. He co-authored with Joan Ormond, Time Travel in Popular Media.
  • Born August 5, 1980 JoSelle Vanderhooft, 39. Former Green Man reviewer with a single novel so far, Ebenezer, and several collections, Steam-Powered: Lesbian Steampunk Stories and Steam-Powered II: More Lesbian Steampunk Stories. She also co-edited with Steve Berman, Heiresses of Russ 2011: The Year’s Best Lesbian Speculative Fiction.
  • Born August 5, 1961 Janet McTeer, 58. Last genre role was as Jessica’s mother, Alisa Jones. in Jessica Jones. She was also Edith Prior in The Divergent Series: Insurgent, and the elderly Princess Aurora who was the narrator in Maleficent

(10) CHECK THAT OFF. J. Scott Coatsworth got into SFWA – not everybody does: “POINT OF VIEW: Setting Goals (And Making Them)”.

I set myself two missions at the start of this year – one, to get into the Science Fiction Writers’ Association (SFWA, pronounced Siffwuh) by writing and selling a qualifying short story. And two, to take steps to snag an agent for what I hope will be the next step in my writing career.

Well, missions one accomplished….

(11) A HOIST OF BOOKS. Atlas Obscura reads from the log of the “Bokbåten”, a circulating library afloat.

Sweden and its Nordic neighbors are among the world’s most literate countries. These nations boast a range of newspapers and public libraries, as well as provide convenient access to computers and strong educational resources to its residents.

Access to books and resources might be harder to come by for some, though, especially those living on the remote islands of Stockholm’s archipelago—the largest group of islands in Sweden and the second-largest in the Baltic Sea.

To combat this obstacle while continuing its prioritization of literacy, twice a year the Stockholm Library Service rents a boat for a week and brings books to 23 inhabited islands. Each spring and fall, the boat is packed with approximately 3,000 books and sets sail along Stockholm’s eastern seaboard as an aquatic library…. 

(12) IT’S EERIE. He looks just like a pinker version of my father when he was young.

My father is in the lower left corner of this holiday card, sent out in the early days of television.

(13) IN GLORIOUS BLACK AND WHITE. Jessica Holmes updates Galactic Journey readers about the current Doctor Who arc: “[August 5th 1964] A Bit Of A Flub (Doctor Who: The Sensorites [Part 2])”.

Meanwhile, John’s having his brain fixed, and the city Administrator comes in to whine about it. He was the one who wanted to disintegrate everybody last episode, if you recall. He doesn’t seem to like anything about the humans. Not their names, which he reckons are absurd (cheek!), not their culture of egalitarianism (though I could dispute that), and not their stupid, ugly faces (pot, kettle!)

(14) I DARN YOU TO HECK. TheWrap’s article is paved with good intentions – and spoilers (beware!): “‘Chilling Adventures of Sabrina’ Creator Says ‘We’re Going to Hell’ in Season 3 – ‘and It’s Very Fun’”.

If the closing moments of the second season finale of “Chilling Adventures of Sabrina” hadn’t already made it clear that the show was going to take an even darker turn next season, then creator Roberto Aguirre-Sacasa did so Sunday by confirming the fiery setting Sabrina (Kiernan Shipka) and co. will be entering when the show returns….

(15) SECOND TIME’S THE CHARM. BBC is on the beach — “Franky Zapata: Flyboarding Frenchman crosses English Channel”.

French inventor Franky Zapata has made the first-ever successful Channel crossing on a jet-powered flyboard.

Mr Zapata, 40, took off from Sangatte, near Calais, at 06:17 GMT on Sunday and landed in St Margaret’s Bay in Dover.

The invention, powered by a kerosene-filled backpack, made the 22-mile (35.4-km) journey in 22 minutes.

Mr Zapata, a former jet-ski champion, had failed in his first attempt to cross the Channel on 25 July after complications with refuelling.

Here’s the Voice of America video:

(16) ROMANCING THE STONE? “‘Snow White’ gravestone on show in German museum”.

Once upon a time a museum in a charming old German town was given a very important, long-lost gravestone.

It was that of Maria Sophia von Erthal, a baroness who is believed to have inspired the Brothers Grimm to write Snow White and the Seven Dwarfs.

Her restored gravestone has just gone on display at the Diocesan Museum in Bamberg, southern Germany. It was donated by a family who had rescued it.

The museum director says Sophia’s life “became the nucleus of Snow White”.

(17) LOTERIA UPDATE. BBC finds the game is evolving — “Loteria: A centuries-old game remade for millennials”. Beyond Picacio’s version: “La Mano” becomes “El Nail Art”, “El Mundo” becomes “La Student Debt”…

Lotería, a game that’s been played across Latin America for centuries, has been given a humorous and perceptive update by designer Mike Alfaro. The new version is now being sold online.

(18) BIRD IS THE WORD. You knew this, right? CBS News tells “How the Peanuts character Woodstock got his name”.

Charles Schulz, the creator of the comic strip “Peanuts,” was many things: a father, a veteran, an artist. But one thing he was NOT, by any stretch, was a hippie. 

When asked if he thought Schulz would have enjoyed attending the 1969 Woodstock Music and Art Fair, Benjamin Clark, curator of the Charles M. Schulz Museum in Santa Rosa, Calif., laughed, “No!

“He was famous for not really enjoying travel, or crowds.”…

(19) SLASHER FICTION. Slate: “Jimmy Kimmel Debuted a Considerably Less Heartwarming Trailer for That Tom Hanks Mister Rogers Movie”. Is A Beautiful Day in the Neighborhood genre? Well, if Jimmy Kimmel is to be believed it’s actually a horror film. (Hint: Don’t believe him.)

[Thanks to Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Mike Kennedy, Jon Del Arroz, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 7/13/19 Our House Hasn’t Collapsed Under The Weight Of All The Books Yet

(1) ARISIA BACK IN THE WESTIN. The convention website indicates Arisia 2020 will return to the Westin Boston Waterfront, from January 17-20, 2020.

(2) READERCON. Kate Nepveu compiled a great set of panel notes about the Readercon panel “Translation and Embedded Assumptions” with Anatoly Belilovsky, John Chu, Neil Clarke, Pablo Defendini, Tamara Vardomskaya (mod).

Neil: is publishing translations without being able to read original, has to count on team of people. So a lot of these granular issues settled before comes to, but not always. It’s interesting when there’s an American in the translated story . . . who is not always that American. They try to get the spirit of story across, so often work extra with the translators on that situation. Has edited bilingual anthology of Chinese SF, two volumes published in China, not been able to get published in U.S.

Tamara: gives example from Ada Palmer, in whose books gender is outlawed: everyone uses “they” (except narrator) to signal that progressive viewpoint has won. Polish translator said, in Polish that’s the conservative position, the progressive is to give high visibility to female existence (e.g., “waitress and waiter”, not “server”). Ada went with political connotation rather than word-for-word….

(3) SHINY. Nature’s David Seed delves into “Two millennia of lunar literature”:

The Moon’s luminous, cratered face, visible to the naked eye, has sparked the imaginations of writers and scientists for centuries with much proto-science fiction…

This included the second-century Syrian satirist Lucian of Samosata, whose A True Story is often cited as the first science-fiction narrative….

But Greek the biographer Plutarch’s Moralia (ad 100) is arguably the first such narrative to introduce scientific ideas…

Lunar literature began to crystallize in the ferment of the Renaissance, and to surge in the seventeenth century…

(4) TRUE CONFESSIONS. At American Magazine, Tom Deignan asks “Why do Catholic priests keep popping up in sci-fi?”

This month, Simon & Schuster will reissue a short story collection entitled The Toynbee Convector, by science fiction master Ray Bradbury, best known for classics like Fahrenheit 451 and The Martian Chronicles. First published in 1988, The Toynbee Convector features 23 stories, among them “Bless Me, Father, for I Have Sinned,” about a priest who hears a chilling confession on a snowy Christmas Eve.

That story—as well as countless other science fiction classics published over the centuries—raises an intriguing question: Why do priests and other religious figures play such an important role in the fantastic worlds and futuristic dystopias conjured by a wide range of sci-fi writers?

(5) SPACE INVADERS. The Alien Party Crashers official trailer has dropped.

In the style of Shaun Of The Dead, The Lost Boys and Attack the Block, this is a funny, dark and action packed sci-fi horror comedy that pits a group of drunken friends on New Years Eve in a Welsh valley against an invasion task force of creepy time-traveling aliens. A kick-ass M.O.D agent, an insecure radio DJ and a kung fu master who owns the local B&B learn their new years resolution this year is simple: STAY ALIVE.”

(6) HEAR WRITERS’ THOUGHT PROCESSES. Authors Marshall Ryan Maresca, Alexandra Rowland, and Rowenna Miller have started a podcast called World Building for Masochists, Downloadable at the website, transcripts also available. They have two episodes out so far. The first, “Playing God in Your Spare Time” includes this exchange:

ROWENNA: …I think that I start thinking about the character first, and what are they encountering, what do they have for breakfast, what do they see when they go out of their door in the morning, and there might be things that the character doesn’t know about their world. I think, you know, like you, Marshall, I started the story in a city, and my character actually doesn’t know very much about what’s going on outside of that city; she’s never been outside of it. So there’s kind of a freedom there for her to be ignorant, and it was kind of weird for me at first to be like, okay, there are things that I might know, but I need to keep that shoved aside, because there’s no reason for her to know what this other city would look like, or what the patterns of trade are between, you know, these two coastal towns. She’s never been there, she has no idea. 

MARSHALL: But she might have, say, heard the name, and has her own preconceived notions of what it’s supposed to be.

ALEXANDRA: And I think that having a character with some degree of ignorance can also be a really useful tool for you as an author, because then you can — and I’m going to keep bringing this up because it’s my favorite trick of all time to use — you can sort of build a negative space and invite your character to make assumptions about the world, and also invite the reader to make assumptions about the world…

We’re keeping an eye out for the arrival of “World Building for Sadists,” too.

(7) HEAR IT MEOW? “Do critics think Lion King is a ‘roaring success’?” – BBC has compiled their reactions.

Disney’s Lion King remake, starring Donald Glover and Beyonce, has been described equally by pun-tastic critics as both a “roaring success” and “tame”.

The original 1994 animation won two Oscars for best music and score, while the stage version is also Broadway’s top grossing musical.

…In a four-star review, The Telegraph said “the power of this new Lion King comes from the outside”.

…The Guardian, were less impressed with the film, writing the “deepfake copycat ain’t so grrreat.”

(8) STRANGER THAN EVER. The Hollywood Reporter brings word that “Nielsen Confirms ‘Stranger Things’ Season 3 Is a Big Hit”.

Netflix has said that Stranger Things amassed a bigger audience over its first four days than any other original show in its history. New data from Nielsen shows that a lot of people did, in fact, spend the July 4 holiday weekend watching the series.

Per the ratings service’s SVOD content ratings, the eight episodes of Stranger Things 3 had an average minute audience — the closest approximation for streaming shows to Nielsen’s average viewership on linear TV — of 12.8 million viewers over its first four days of release. That’s a 21 percent increase over the same time frame after the release of season two in October 2017 (10.6 million)

(9) AFTER THE KING RETURNED. Paul Weimer is back to discuss a Robin Hood-themed novel in “Microreview [book]: Brightfall, by Jaime Lee Moyer” at Nerds of a Feather.

The other characters in the novel, human and otherwise, are the strength, power and richness of the novel. Beyond Marian herself, Robin comes off as a prat at first, someone to intensely dislike and hate because of his abandonment of Marian. The reasons how and why he did so, and his ultimate connection with the unraveling of the plot, humanize him to a degree, but the writer’s and reader’s intended sympathy comes off the page intended for Marian. Even by the end of the novel, I still thought he was a prat for his actions, even if I ultimately understood the how and why of them by the end of the novel.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 13, 1904 Norvell W. Page. Chief writer of The Spider pulp series as Grant Stockbridge. He started out by writing a backup story in the first issue of The Spider pulp: “Murder Undercover” and by the third issue was writing the main Spider stories which he did for some seventy stories. He also wrote The Black Bat and The Phantom Detective pulps. (Died 1961.)
  • Born July 13, 1937 Jack Purvis. He appeared in three of director Terry Gilliam’s early fantasy films, with roles in Time BanditsThe Adventures of Baron Munchausen and Brazil. He’s in three of the Star Wars films, the only actor he says to play three different roles, and he’s also in Wombling Free (based on The Wombles, a UK Children’s series), The Dark Crystal and Willow. (Died 1997)
  • Born July 13, 1940 Sir Patrick Stewart, 79. If you count The Avengers as genre (and I certainly do), his first SF role was as a man walking in from the sea in “The Town of No Return” episode. Setting aside Trek, other memorable genre roles include Leodegrance in Excalibur, Gurney Halleck in Dune, Prof. Macklin in The Doctor and the Devils, Charles Xavier in the X-Men franchise and he’s played Macbeth myriad times in the theatre world. 
  • Born July 13, 1942 Mike Ploog, 77. He’s a storyboard and comic book artist, as well as a visual designer for films. his work on Marvel Comics’ Seventies Man-Thing and The Monster of Frankenstein series are his best-known undertakings, and as is the initial artist on the features Ghost Rider, Kull the Destroyer and Werewolf by Night.  He moved onward to storyboarding or other design work on films including John Carpenter’s The Thing, Little Shop of Horrors, The Dark Crystal, Labyrinth and The Storyteller series.
  • Born July 13, 1942 Harrison Ford, 77. His best films? Raiders of The Ark, Star Wars and Blade Runner. Surely that’s not debatable. His worst film? Indiana Jones and the Kingdom of the Crystal Skull. Equally not debatable.
  • Born July 13, 1955 David J. Schow, 64. Mostly splatterpunk horror writer of novels, short stories, and screenplays. (He’s oft times credited with coining the splatterpunk term.) His screenplays include The Crow and Leatherface: The Texas Chainsaw Massacre III. He’s also done scripts for Masters of HorrorPerversions of Science and The Outer Limits. As an editor, he’s did the very impressive three-volume collection of Robert Bloch fiction, The Lost Bloch.
  • Born July 13, 1953 Chip Hitchcock, 66. A conrunner who co-chaired the 1999 World Fantasy Convention with his wife, Davey Snyder, he also has worked Worldcons as a Division Head, and chaired Bosklone, Lexicon 7 and Boskone 24. He was made a Fellow of NESFA in 1979. Other fannish credits include book editing, Worldcon floor plans, and producer of fannish theatricals.
  • Born July 13, 1966 David X. Cohen, 53. Head writer and executive producer of Futurama. Cohen is a producer of Disenchantment, Matt Groening’s fantasy series on Netflix. He also wrote a number of the “Treehouse of Horror” episodes on the Simpson’s which have a strong genre slant such as “Treehouse of Horror VII” (“Citizen Kang”). 
  • Born July 13, 1981 Monica Byrne, 38. Her debut novel The Girl in the Road which is I’ve added to my reading list as it sounds fantastic which won the 2015 James Tiptree, Jr. Award and was also nominated for the Locus and Kitschies awards. She also had an essay in Wired back four years ago, “Hey, Book World: Sexism is Way Bigger Than the Hugos”, commenting on the Sad Puppies. It’s interesting reading still. And this essay, “Literature Still Urgently Needs More Non-White, Non-Male Heroes”, certainly shows where she is ideologically.

(11) COMICS SECTION.

(12) IN THIS DICTIONARY, HIS PICTURE REALLY IS RIGHT NEXT TO THE WORD. For reasons you can now guess, Sir Patrick Stewart figures in the entry for the Wikitionary word of the day for July 13, 2019: “calvous”.

(13) UNDER THE LID. Alastair Stuart’s “The Full Lid 12th July 2019” stops “in at Centerville for Jim Jarmusch’s deeply strange The Dead Don’t Die, which may be the oddest horror movie you’ll see this year. It’s certainly, along with Midsommar, one of the most interesting. Also on deck this week is Greg van Eekhout’s startlingly good middle-grade SF novel Cog and the always excellent ZoomDoom Stories continue to impress with season one of The Six Disappearances of Ella McCray.”

The Dead Don’t Die

The best way to spot a Jim Jarmusch movie is to throw a dart, blindfold, at a wall of ideas. He’s done existential westerns (Dead Man), anthologies about taxi drivers (Night on Earth), a documentary about The Stooges (Gimme Danger) and the best hip-hop/samurai/film noir movie ever made (Ghost Dog: Way of the Samurai). Now, he’s turned his attention to horror comedy and the result is so inherently Jarmuschian it basically breaks the meter and embeds the needle in the wall of the lab. Where, I can only assume, Bill Murray stares at it for a moment, goes…’Huh’ and then continues about his day.

(14) SHALL WE DANCE?

(15) WHEN I’M ’64. Galactic Journey’s Jessica Holmes is fascinated by the new Doctor Who series – in 1964: “[July 12th, 1964] Mind Over Matter (Doctor Who: The Sensorites [Part 1])”.

Can I admit to something silly? I am a little bit scared of mind-readers. Don’t get me wrong, I don’t actually believe in telepaths. Then again, who knows what sort of freaky experiments certain entities get up to.

I just think the idea of someone reading my mind, or even manipulating it, is one of the most horrifying concepts out there.

And it looks like Doctor Who agrees with me.

(16) CHESS PLAYER CHEATED IN TOILET. I saw ESPN’s headline and I said to myself, that’ll get some clicks. They sourced their post from this Chess.com story:

GM Igors Rausis is under investigation for cheating after he was caught with his phone during a game at the Strasbourg Open. The 58-year-old Latvian-Czech grandmaster had raised suspicions after he increased his rating in recent years to almost 2700.

During an open tournament July 10-14 in Strasbourg, France, a phone was found in a toilet that had just been used by Rausis. He later signed a declaration that the phone was his.

Whether he was using his phone to get assistance from a chess engine is not clear at the moment.

In a comment to Chess.com, Rausis said:

I simply lost my mind yesterday. I confirmed the fact of using my phone during the game by written [statement]. What could I say more? Yes, I was tired after the morning game and all the Facebook activity of accusers also have a known impact. At least what I committed yesterday is a good lesson, not for me—I played my last game of chess already.

…Six years ago, in May 2013, [Rausis’] rating was still 2518, and it had fluctuated around the 2500 mark for at least 10 years. It has since increased by almost 200 points. 

Over the last six years, Rausis increased his rating steadily as he mostly limited himself to playing lower-rated opponents against whom he continued scoring perfectly or almost perfectly. For instance, in the July 2019 rating calculations, he scored 24.5/25 against almost only players rated more than 400 points below his own rating.

…To increase one’s rating like Rausis did requires almost perfect play over a long period of time, which is not easy even against very low opposition.

The case of Rausis is similar to that of a Georgian grandmaster who got banned from a tournament in 2015 after his phone was found in a toilet. In that case, it was discovered that he had been analyzing his position with a chess engine. He was banned for three years and lost his GM title.

(17) GET THE SHOT. NPR remembers “The Camera That Went To The Moon And Changed How We See It” – a feature with lots of pictures — some well-known, some less so.

In the summer of 1962, Walter Schirra — who would soon become America’s third man to orbit the Earth — walked into a Houston photo supply shop looking for a camera he could take into space.

He came out with a Hasselblad 500C, a high-end Swedish import that had been recommended to him by photographers from Life and National Geographic.

“He was sort of an amateur photographer,” Jennifer Levasseur, a curator in charge of the Smithsonian National Air & Space Museum’s astronaut cameras, says of Schirra. “Somewhere along the line, the decision was made that he could select what camera was flown on his flight.”

…When NASA got a look at Schirra’s Hasselblad, they liked what they saw. The space agency purchased at least one more. Engineers tore into the off-the-shelf consumer model to make it space-worthy. They stripped it down to save weight and painted it dull black to reduce reflections. They also had to “astronaut-proof it,” says Cole Rise, a photographer and filmmaker who builds custom reproductions of the Hasselblad space cameras.

…Hasselblad’s Chris Cooze says until then, the space agency was so focused on the technical side of spaceflight that photography was something of an afterthought.

He says it was in 1965, when NASA released stunning photos of Ed White’s spacewalk on Gemini 4, that Hasselblad “put two and two together” and realized the pictures were taken with one of their cameras.

“Then they got in touch with NASA to see if there was anything that we could cooperate on,” Cooze says.

(18) FOLLOW THE BOUNCING ‘BOW. “Rippling Rainbow Map Shows How California Earthquakes Moved The Earth”NPR has the story.

Curious how much the ground shifted after the two large earthquakes last week in Southern California? NASA has just the map for that question — and it happens to look like beautiful, psychedelic art.

On July 4, a 6.4 magnitude quake hit the town of Ridgecrest, north of Los Angeles. The next evening, the area was jolted again by a 7.1 magnitude earthquake. Luckily, there were no serious injuries or major infrastructure damage.

The map was created by the Advanced Rapid Imaging and Analysis team at NASA’s Jet Propulsion Laboratory. It shows rippling rainbows forming a circular pattern around the faults of the two quakes.

Each rainbow stripes[sic] means that the ground has been displaced there by some 4.8 inches. It’s the same logic as a topographic map, where lines that are closer together indicate steeper slopes. In this case, the closer together the rainbow stripes are, the more the ground was displaced by the temblor.

(19) THE LONG AND SHORT OF IT. Steve J. Wright has done both sets of Hugo editor categories now:

The editing categories are always hard for us non-initiates to judge; we do not know the Dark Arts of editorship, the secret and sacred magic by which a piece of text is transmogrified into a professional story…. However, at least we can see the general tenor of a skiffy magazine, and read, well, editorials and the like, and we can work out from that how the short-form editors think.  Sort of.

And, of course, it is distorted in 1943 by the unassailable fact that there’s only one right answer: Astounding, edited by John W. Campbell Jr.  Like it or not, Campbell was shaping science fiction in his own image at this time.  He is the unavoidable choice; the eight-hundred-pound gorilla of the SF world.

Wright begins his Long Form Editor reviews (the Retro category was cancelled) with the same observation, but faithful to the category, at greater length:

Anyway, here we are again, with the category no one is particularly qualified to decide on.  We don’t know, for example, if Beth Meacham found a scrawled note one day that read “dere iz dis wumman who wantz 2 b a spaceman” and worked it up into The Calculating Stars from that, or if Mary Robinette Kowal submitted the manuscript exactly in its current form, and Meacham’s only contribution was to fling it at a passing minion with a cry of “Publish this!”  The truth, of course, must lie somewhere in between those extremes… and it is probably (unless you’re actually interested in the minutiae of the editing profession) pretty darn boring, for those of us not directly concerned.  I think it was John Sladek who said that there were secrets of the universe which Man was not meant to know, and some of them are not even worth knowing.

(20) BLACK HOLE DETECTIVE. BBC says it has lifted off: “Spektr-RG: Powerful X-ray telescope launches to map cosmos”.

One of the most significant Russian space science missions in the post-Soviet era has launched from Baikonur.

The Spektr-RG telescope is a joint venture with Germany that will map X-rays across the entire sky in unprecedented detail.

Researchers say this information will help them trace the large-scale structure of the Universe.

The hope is Spektr-RG can provide fresh insights on the accelerating behaviour of cosmic expansion.

It should also identify a staggering number of new X-ray sources, such as the colossal black holes that reside at the centre of galaxies.

As gas falls into these monsters, the matter is heated and shredded and “screams” in X-rays. The radiation is essentially a telltale for the Universe’s most violent phenomena.

Spektr-RG is expecting to detect perhaps three million super-massive black holes during its service life.

(21) APOLLO DOCUMENTARY. Assembled by Voice of America:

As the world celebrates the 50th anniversary of the historic mission to land humans on the surface of the moon, VOA’s Kane Farabaugh presents this reflection of the monumental achievement through the eyes of the NASA astronauts themselves. In exclusive interviews Farabaugh gathered, the men of the Apollo program reflect on the path to the moon, and what lies beyond.

[Thanks to SF Concatenation’s Jonathan Cowie, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Kendall, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]