The Dublin 2019 juggernaut coasted slowly to a stop today. Here is a sampling of people’s farewell tweets.
(5) FEEDBACK SESSION.
(6) OOK OOK. Something from the HOAX daily newzine:
(7) CLOSING CEREMONIES.
(8) SLOW GETAWAY.
(9) COMPLETE AND UNINTERRUPTED. Ada Palmer, whose Campbell presenter speech was interrupted by absurdities appearing in the closed captioning behind her, has posted the text online: “2019 Campbell Speech + Refugee Charity Fundraiser”. This excerpt comes from the post’s introduction –
…I hope I find a video somewhere so I too can enjoy such disasters as “dog mechanism” for “dogmatic” and “Bored of the Rings and Cream of Thrown” for Lord of the Rings & Game of Thrones. More seriously, it was a great honor to speak again at this year’s Worldcon, and I couldn’t be more proud of Jeannette Ng‘s courageous acceptance speech, bringing attention to the crisis and violence happening right now in her home city of Hong Kong, and to the great responsibility we in the science fiction and fantasy community have to make sure that the theme of empire–which has numerous positive depictions in genre literature from space empires to the returns of kings–does not end up celebrating the dangerous, colonial, and autocratic faces of empire, and that as we explore empire in our work (including in my own work) we do so in ways which examine empire’s problems and advance versions of empire which reverse or rehabilitate it, and which affirm the greater values of free-determination, autonomy, and human dignity.
(10) GROWING UP. In an article for the September WIRED, “We Can Be Heroes: How the Nerds Are Reinventing Pop Culture”, Laurie Penny discusses how fandom–and, specifically, writing Harry Potter fan fiction–led her to a writing career, including stints as a writer for Joss Whedon’s HBO show “the Nevers” and “The Haunting of Bly Manor.”
But fandom also helped me meet people unlike myself, and that was just as important. There comes a time in the life of very lonely, misunderstood, intelligent child of privilege when they must confront the fact that being intelligent, lonely, and misunderstood is not the worst thing that can befall a person, that some people have a great deal more to contend with on top of being an unsalvageable dweeb. I was and remain a clueless Caucasian shut-in with a lot to learn, but that part of my education started when I began following fans and creators of color. My first real friends who weren’t white lived thousands of miles away, and I knew them through jerky avatars and punnish screen names and an exhaustive knowledge of Tolkien lore. I educated myself with the articles and books they linked to. There were long, torturous flame wars. I listened. I took notes.”
(11) MORE ABOUT HUGO LOSERS PARTY. Marguerite Kenner pursued more information about why there were problems (Hugo finalists who couldn’t get in when they arrived). Thread starts here.
Ada Palmer also pointed out the effect on people with accessibility needs:
(12) ADMIRING UNCANNY. Their local newspaper covered the Hugo won by Lynne and Michael Thomas’ Uncanny Magazine in the Semiprozine category: “Urbana-based Uncanny Magazine lands another rocket at Hugo Awards”. Jim Meadows sent the link with a note: “Of course, you already know who the Hugo winners are, but I thought I’d pass along the local coverage from the Champaign-Urbana area, where the Thomases now live. Uncanny has received local coverage before, and I’m impressed by the degree of media support it gets in the area. I don’t think this would have happened to this degree a few decades ago, but even a print version of Uncanny would have been more difficult to do a few decades ago.” The article appeared on the website of the (Champaign, IL) News-Gazette on Sunday evening, and appeared on the front page (below the fold) of the paper’s print edition on Monday morning.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born August 19, 1807 — Jane C. Loudon. A very early SF writer as her novel, The Mummy!: A Tale of the Twenty-Second Century, was published in 1827. If you’d like to read it, the Internet Archive has it available. (Died 1858.)
- Born August 19, 1893 — Hans Waldemar Wessolowski. An artist best remembered for his cover art for pulp magazines like Amazing Stories, Astounding Stories, Clues and Strange Tales. Wesso was the name most commonly cited wherever his art is given credit. Wesso painted all 34 covers of the Clayton Magazines Astounding Stories from January 1930 to March 1933. (Died 1947.)
- Born August 19, 1921 — Gene Roddenberry. Oh, you know who he is. But did you know he wrote a lot of scripts for Have Gun – Will Travel? Indeed, his script for the show, “Helen of Abajinian” would win the Writer’s Guild of America award for Best Teleplay in 1958. (Died 1991.)
- Born August 19, 1950 — Mary Doria Russell, 69. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the John W. Campbell Award for Best New Writer.
- Born August 19, 1950 — Jill St. John, 69. She’s best remembered as Tiffany Case, the Bond girl in Diamonds Are Forever. She was the first American to play a Bond girl. She shows in The Batman in “Smack in the Middle” and “Hi Diddle Riddle” as Molly. And she played Jennifer Holmes in the 1960 film version of The Lost World. Fascinatingly, she’s an uncredited dancer on Rowan & Martin’s Laugh-In!
- Born August 19, 1952 — Jonathan Frakes, 67. Best known for his portrayal of Commander William T. Riker in Next Gen though I’m fond of his voicing David Xanatos on the Gargoyles series. Interesting bit of trivia: For a time in the Seventies, he worked for Marvel Comics at cons as Captain America.
- Born August 19, 1988 — Veronica Roth, 31. She’s best known for her Divergent trilogy, consisting of Divergent, Insurgent, and Allegiant; and also Four: A Divergent Collection. The first two were made into films, a proposed series was cancelled.
(14) HIVES. LAist’s selections as “LA’s Coolest, Weirdest, Most Immersive Themed Bars” tilts heavily towards genre. For example —
Scum & Villainy
Theme: A Star Wars-inspired bar for geeks
Obi-Wan Kenobi promised a young Luke Skywalker that he would “never find a more wretched hive of scum and villainy” than the Mos Eisley Spaceport. This Hollywood Boulevard bar does its best to top the cantina where Han shot first, complete with war room-style maps and customers milling about in their best First Order cosplay. It wouldn’t be accurate to say Scum & Villainy is only a Star Wars bar. All fandoms are welcome at weekly game nights, karaoke, trivia contests and occasional cosplay evenings. Leading up to the final season of Game of Thrones, it transformed into Fire & Ice Tavern, with a sad-faced Weirwood tree, an Iron Throne and Stark and Targaryen sigils. As for the menu, expect beer, themed cocktails and bar bites such as quesadillas, tots and chicken fingers, which were one of Greedo’s favorite snacks, as any real Star Wars fan knows.
6377 Hollywood Blvd., Hollywood. 424-501-4229.
(15) LUNCHTIME, AND YOU’RE IT. A Yahoo! reporter shares “What it’s like to see a blinking, breathing ‘Jurassic World’ dinosaur up close” on the Jurassic World Live Tour.
It’s actually not the teeth that get your attention first.
It’s the eyes.
The velociraptor’s yellow eyeballs don’t exactly look at you but through you, a soul-piercing kind of stare that suggests she’s wondering just how salty your skin tastes.
At least that’s how I feel when I’m stalked by one of the dinosaur puppets from the Jurassic World Live Tour, a traveling stage show that arrives in dozens of U.S. arenas starting Sept. 26 in Columbus, Ohio, and runs through 2020.
My raptor encounter takes place in a nondescript building that looks like a dentist’s office and smells like freshly baked bread. The first clue that I’m in the right location (which is located next to a bakery): A sign on a door that reads “DINOSAUR CROSSING.” I walk inside, and it turns out to be a portal to the Jurassic era where dinosaurs roam.
(16) VERSUS TROLLS. NPR tells how “Trolled Online, Women In Politics Fight To Hold Big Tech Accountable In The U.K.”
Lisa Cameron is a member of the British Parliament. She’s also a victim, and survivor, of online trolls.
Cameron was new to politics in 2015, when she was elected in East Kilbride, Scotland. She’d been a clinical psychologist, a wife, a mom, and a trade union representative — the kind of political newcomer democracies want to run for office.
But the sludge of the Internet began to attack her — and not just for her policy stances. Her inbox, Facebook and Twitter accounts filled with insults about her appearance, rape fantasies, pictures of decapitated bodies, threats to her family, and anti-Semitic slurs (Cameron is Jewish).
Cameron’s #MeToo story — and those of her female colleagues in Parliament — has helped usher in a new era in the United Kingdom: digital assault is understood as a real threat, one that is pushing the government to hold tech giants accountable for their role as hosts to these attacks.
Cameron says the ugliness got to her. “It makes you question whether you are doing something wrong in your job, whether politics is right for you.” She also wondered if running was unfair to her two children.
Then, a horrific attack — not against her, but against a female colleague who was sworn into Parliament in the same class — changed the conversation for Cameron, and for the entire country.
In 2016, Member of Parliament Jo Cox was gunned down and stabbed on the streets by a white supremacist. According to prosecutors, he was radicalized on the Internet, where he viewed Nazi materials and, on the eve of the attack, researched right-wing politicians and the Ku Klux Klan. The motive appeared to be policy-oriented. The killer was pro-Brexit. And Cox, a member of the Labour Party, wanted Britain to stay in the European Union. But some believed she was targeted because she was a woman.
The Prime Minister’s office reached out to men and women in Parliament to ask if they had been intimidated online. The final report, published in December 2017, coincided with the rise of the #MeToo movement in the United States. U.K. regulators didn’t set out to spotlight female leaders. But they did, because women had horrific anecdotes to share.
(17) SUPER-RESISTANCE. Art Spiegelman, in “Art Spiegelman: golden age superheroes were shaped by the rise of fascism” in The Guardian, is a discussion about the rise of superheroes in the late 1930s.
…In late 1940, over a year before Pearl Harbor, while the Nazis were Blitzkrieging London, Simon, an entrepreneurial freelancer for Funnies, Inc, was hired by Goodman to write, draw and edit for him directly. Simon showed him the cover concept for a new superhero that he and Kirby had dreamed up – a hero dressed like an American flag with giant biceps and abs of steel has just burst into Nazi headquarters and knocked Hitler over with a haymaker to the jaw. Goodman began to tremble, knowing what an impact this book would make and remained anxious until the first issue of Captain America, dated March 1941, landed on the stands. Goodman had been terrified that someone might assassinate Hitler before the comic book came out!
Captain America was a recruiting poster, battling against the real Nazi super-villains while Superman was still fighting cheap gunsels, strike breakers, greedy landlords and Lex Luthor – and America was still equivocating about entering the conflict at all. No wonder Simon and Kirby’s comic book became an enormous hit, selling close to a million copies a month throughout the war….
A related article explains that this piece was originally written as an introduction to a Folio Society collection of classic Marvel comics but Spiegelman withdrew it because he had a reference to “an Orange Skull haunts America” in a discussion of the Red Skull and Marvel found this unacceptable.(“Spiegelman’s Marvel essay ‘refused publication for Orange Skull Trump dig’”).
(18) KILLING JOKE. The BBC covers “Edinburgh Fringe funniest joke: Vegetable gag wins top prize” and the also-rans. No, I don’t know what “florets” is a sound-alike to; anyone alse to enlighten me?
A joke about vegetables has made it to the top of the menu as this year’s funniest at the Edinburgh Fringe.
Swedish comedian Olaf Falafel has won Dave’s “Funniest Joke of The Fringe” award with the niche culinary pun.
He took the title with the gag: “I keep randomly shouting out ‘Broccoli’ and ‘Cauliflower’ – I think I might have florets”.
It is from Falafel’s show It’s One Giant Leek For Mankind at the Pear Tree.
In its 12th year, the prize rewards the funniest one-liner to grace the venues of the festival and celebrates the pool of talent the Fringe has to offer.
TO ABOUT THE HAND. Something
CoNZealand-goers won’t have to travel to see: “‘Nightmare’ hand statue looms over New Zealand city”.
A giant hand which has been described as a “Lovecraftian nightmare come to life” has been lifted into place atop Wellington’s City Gallery in New Zealand.
Ronnie van Hout’s “Quasi” installation was carried by helicopter to its new home on Monday overlooking the city’s civic centre.
The artwork, which was created in 2016, originally stood on top of the Christchurch Art Gallery. It is on loan to Wellington, where it will stand for the next three to four years.
The operation has cost NZ$74,000 (US$47,000; £39,000), which includes transportation, designing the hoist, and “Wellington-proofing” the hand against the local elements, Stuff news website reports.
The relocation of the five-metre tall (16 feet) sculpture, which weighs 400kg (880 pounds), has stirred up a mixture of revulsion and civic pride in New Zealand’s capital.
[Thanks to Cat Eldridge, JJ, Hampus Eckerman, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Jim Meadows, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]