Ron Maas points to Joanna Russ’ book The Zanzibar Cat as the most feline of the titles his cat Cunégonde decided to lie down on.
Ron, a fan since the Seventies, lives in Washington D.C. with his husband Mike. Their other cat is named Imra Ardeen, after Saturn Girl from the comics. Mike’s favorite series is the Legion of Super Heroes. Ron’s main fan activity is contributing to the ISFDB where he goes by Rtrace.
Photos of your felines (or whatever you’ve got!) resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
(1) FRONT AND CENTER. Octavia Butler is on the cover of Huntington Frontiers, published by the Huntington Library in Pasadena. Read the cover article here: “A Handful of Earth, A Handful of Sky” by Lynell George.
When I last encountered Octavia E. Butler, it was 2004 and she was slated to deliver the keynote at the Black to the Future Festival in Seattle, Washington. Time has flattened or obscured some of the details of days spent reporting on panels, lectures, and post-event gatherings. I don’t remember the precise order of events of that opening evening, but I do recall some of Butler’s heartfelt words about finding and making community in this brief but special moment when we were assembled together. I sat, scribbling notes in my reporter’s notebook, making shapes of letters in the darkness of the auditorium. Her voice didn’t seem to need amplification—it was warm and deep and burnished with authority, as if she was not just leading things off, but leading a country….
(2) NOT OUT OF LEFT FIELD. First Fandom Experience solves three eofannish mysteries in “V is for Vincent, Vernon, Vytautas”. Learn more about a famous photo taken over the weekend of the First Worldcon in —
V is for Vincent
Below is one of early fandom’s most iconic images. On Independence Day, 1939, this carload of irascible youth from states far and wide ventured forth from the World Science Fiction Convention in New York to Coney Island. It’s a who’s-who of prominent First Fans: Madle and Agnew from Philadelphia, Korshak and Reinsberg from Chicago, Rocklynne from Ohio, and one very tanned Ray Bradbury from Los Angeles.
But among the who’s-who, there’s a “who’s that?” V. Kidwell. …
…Demon Slayer is based on a popular 2016 manga by Japanese artist Koyoharu Gotoge. But the property didn’t become a pop cultural phenomenon until it was adapted into an anime series for television. Produced by Tokyo-based studio Ufotable, the 26-episode series aired on Tokyo MX and other channels in 2019, but later became a sleeper smash hit when it re-aired on Netflix and Fuji TV. The popularity of the series reignited interest in the manga, making it a runaway bestseller. As of December, the Demon Slayer manga series has sold nearly 120 million copies.
When Ufotable’s big-screen adaptation of the series hit Japanese cinemas this fall, conditions were ripe for a box-office bonanza. Japanese cinemas nationwide had fully reopened nationwide after a brief period of COVID-19 shutdown in the spring. Since the Hollywood studios had postponed most of their releases until 2021, Demon Slayer had limited foreign competition and Japanese cinemas were highly motivated to wring as much earnings potential as possible for the local blockbuster.
As the University of Pittsburgh Medical Center shut its laboratories following the covid-19 outbreak, Nathan Copeland, a 33-year-old volunteer, collected the equipment that would grant him transformative abilities during lockdown. Paralyzed from the chest down with only limited arm movement, Copeland took home an advanced brain-computer interface, a device that allows him to control on-screen actions using only his mind.Copeland is part of cutting-edge research into brain-computer interfaces at the University of Pittsburgh, recently awarded over $8 million by the National Institutes of Health. The team’s experiments are a peek into a potential transhumanist future more commonly associated with cyberpunk movies “The Matrix” and “Ghost in the Shell.” Since 2015, Copeland has lived with a transistor-like chip, known as a multi-electrode array, surgically implanted directly into his brain. Copeland’s chip records the rapid-firing of cellular neurons — an almost inscrutably complex neurological signal — which is ferried over to a computer for what’s referred to as “decoding.” This signal is subsequently “translated” into the desired, seemingly telekinetic actions of its user.
…Quality, some may argue, isn’t just representative of one episode or one movie, but the franchise as a whole. Case in point: The Mandalorian finale….
That, many critics argued in the days after the episode aired, is precisely the problem. As Matt Zoller Seitz wrote on Vulture, “the series succumbs to the dark side of parent company Disney’s quarterly earnings statements, which keeps dragging Star Wars back toward nostalgia-sploitation and knee-jerk intellectual-property maintenance.” Other fans rolled their eyes at the criticism, pointing out that Star Wars has always returned to the franchise’s most popular characters, most noticeably in the Expanded Universe’s novels, comics, and video games.
Sound familiar? It should — it’s the exact same debate that popped up in 2017 after Rian Johnson’s The Last Jedi hit theaters. What is Star Wars? It’s an argument we’ve come back to with The Mandalorian’s second season finale. I’m not a critic, and this newsletter doesn’t exist to critique art. What I’m more acutely interested in is determining Star Wars’ future business. Let’s be clear: Star Wars is more than fine, but as Star Wars expands under Disney, there’s always room to figure out how to ensure it grows at a healthy rate instead of risking alienating parts of its consumer base every year.
At first glance, the classic science-fiction authors James Tiptree Jr. and Joanna Russ might not seem to have much in common. Behavioral psychologist Alice Bradley Sheldon began writing under “James Tiptree Jr.” in 1968, when she was in her fifties. She used the fictional male name and real knowledge of science and the military to infiltrate male-dominated science-fiction magazines. Russ, two decades younger, was an outspoken radical feminist, English professor, and critic. And yet, as Nicole Nyhan writes, the two writers exchanged hundreds of letters over fifteen years. Nyhan provides the introduction to a selection of writing from Tiptree’s side of the correspondence.
(7) MEDIA ANNIVERSARY.
1970 — Fifty years ago at Heicon ’70 in Heidelberg, Germany, “Ship of Shadows” by Fritz Leiber wins the Hugo for Best Novella. (It would also be nominated for a Nebula.) It was published in F&SF in July, 1969 which as you can see was billed as a Special Fritz Leiber Issue. This was a bizarre story of Spar, a blind, half-deaf barman at the Bat Rack. We’ll say no more. The other finalists were “A Boy and His Dog” by Harlan Ellison, “We All Die Naked” by James Blish, “Dramatic Mission” by Anne McCaffrey and “To Jorslem” by Robert Silverberg.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 28, 1913 — Charles Maxwell. He makes the Birthday List for being Virgil Earp in the “Spectre of the Gun”, a not terribly good Trek story. He also appeared in My Favorite Martian in “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island for which he was largely uncredited. Interestingly he had six appearances playing six different characters on the Fifties series Science Fiction Theatre. (Died 1993.) (CE)
Born December 28, 1922 — Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in such a way that the company is thought to be the creation of Stan Lee in way that DC isn’t thought if of having of having a single creator. He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list. I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.) (CE)
Born December 28, 1929 – Janet Lunn. Three novels, two shorter stories, one anthology for us; much else. Metcalf Award, Matt Cohen Award, Order of Ontario, Governor General’s Award, Order of Canada. Quill & Quire obituary here. (Died 2017) [JH]
Born December 28, 1932 — Nichelle Nichols, 88. Uhura on Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares. Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon. (CE)
Born December 28, 1934 — Maggie Smith, 86. First genre role was as Theis in Clash of the Titans though she’s better known as Minerva McGonagall In the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time and voiced Miss Shepherd, I kid you not, in two animated Gnomes films. (CE)
Born December 28, 1942 — Eleanor Arnason, 78. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”. She’s a Wiscon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available at the usual digital suspects.
Born December 28, 1945 – George Zebrowski, age 75. A score of novels (Macrolife particularly applauded), a hundred shorter stories, several with co-authors. Clarion alumnus. Edited Nebula Awards 20-22; four Synergy anthologies, half a dozen more e.g. Sentinels with Greg Benford in honor of Sir Arthur Clarke. Three years editing the SFWA Bulletin (Science Fiction & Fantasy Writers of America) with Pamela Sargent and Ian Watson. Nonfiction anthologies Beneath the Red Star (studies on international SF), Skylife (with Benford; space habitats), Talks with the Masters (Asimov, Bradbury, Clarke, Gunn). Book reviews in The Magazine of Fantasy & Science Fiction. Campbell Memorial Award. “Never Forget the Writers Who Helped Build Yesterday’s Tomorrows” in SF Age. [JH]
Born December 28, 1946 – Sheryl Birkhead, age 74. Long-time fanartist and (it serves us right) veterinarian. Here is a cover for Tightbeam. Here is one for It Goes on the Shelf. Here is one for Purrsonal Mewsings. Here is one for The Reluctant Famulus. Kaymar Award. [JH]
Born December 28, 1952 – Ramona Wheeler, age 68. Two novels, a score of shorter stories. Essay “The Sailor of No Specific Ocean” in the Hal Clement memorial anthology Hal’s Worlds. Here is her cover for her collection Have Starship, Will Travel. Here is her cover for her collection Starship for Hire. [JH]
Born December 28, 1963 – Robert Pasternak, age 57. A dozen covers, two dozen interiors for us. Interviewed in On Spec. Aurora Award. Here is Leslie Fiedler’s biography of Stapledon. Here is the May 93 Amazing. Here is the Dec 00 Challenging Destiny. Here is the Summer 13 On Spec. Here is a review of a Jun – Jul 07 exhibition. Here is an image from a Winnipeg Free Press interview. Here is an ink-drawn face; see here. [JH]
Born December 28, 1979 – D. Renée Bagby, age 41. Eight novels for us, five dozen others (some under another name). Air Force brat, now wife; born in the Netherlands, has also lived in Japan, six of the United States. Has read The Cat in the Hat, Persuasion, The Iliad and The Odyssey, The Adventures of Huckleberry Finn. “The voices start talking and I type what they say.” [JH]
Born December 28, 1981 — Sienna Miller, 39. The Baroness in G.I. Joe: The Rise of Cobra. More interestingly, she’s Victoria in the flawed but still worth seeing Stardust. (Go listen to Gaiman reading it for the best take on it — brilliant that is!) And she’s Darcy in Kis Vuk, A Fox’s Tale, a Hungarian-British animated tale that sounds quite charming. (CE)
(10) A DISH BEST SERVED LOLD. [Item by Martin Morse Wooster.] In the Washington Post, Zachary Pincus-Roth discusses how a bunch of Millennial Disney musical fans came up with “Ratatouille: The Musical,” created songs, cosplayed characters from the imaginary musical (including enlisting their parents to play older characters) and even creating a fake cover of Playbill for the imaginary musical. Disney Theatrical Productions stated “although we do not have development plans for this title, we love when our fans engage with Disney stories.” — “How TikTok and social media are changing Broadway fandom”.
The Star Wars franchise is about to breach the artistic final frontier with a one-off performance of a kabuki adaptation starring one of Japan’s most revered stage actors.
The classical Japanese theatre, which combines highly stylised movement and unusual vocalisation, will swap samurai swords for lightsabers and replace feudal warriors with the forces of light and darkness.
Star Wars Kabuki-Rennosuke and the Three Light Sabers, which are being staged in Tokyo, will combine plots from each of the franchise’s latest trilogy, substituting plots drawn from the days of feudal clan rivalry with drama from a galaxy far, far away.
Ichikawa Ebizo XI, Japan’s pre-eminent kabuki actor, will take to the stage as Kylo Ren, the conflicted son of Han Solo and Princess Leia, in front of 50 winners of an online lottery….
…Already by 1932 he admitted to Chapman the weight of the Chaucerian incubus upon his conscience. His Gawain edition, “Chaucer as a Philologist,” and “The Monsters and the Critics” had all appeared before the Second World War. Set against this relatively slender résumé were undelivered assignments such as his Pearl edition, the book-length “Beowulf”and the Critics, and his EETS edition of Ancrene Wisse. If his own harsh remarks about George Gordon holding up their Chaucer edition did not quite qualify him as a “slanderer,” these complaints did de?ect blame from his role as an “idler” who failed to reduce his annotations to a publishable length. He would confess during a newspaper interview in 1968, “I have always been incapable of doing the job at hand.”
It’s common knowledge that the sun is the center of the solar system. Around it, the planets orbit — along with a thick belt of asteroids, some meteor fields, and a handful of far-traveling comets.
But that’s not the whole story.
“Instead, everything orbits the solar system center of mass,” James O’Donoghue, a planetary scientist at the Japanese space agency, JAXA, recently explained on Twitter. “Even the sun.”
That center of mass, called the barycenter, is the point of an object at which it can be balanced perfectly, with all its mass distributed evenly on all sides. In our solar system, that point rarely lines up with the center of the sun…
(14) THOUGHT OF THE DAY. From Mike Kennedy: “I just realized that the various dings, buzzes, and clicks our phones/watches play to get our attention are clearly intended to train us to understand R2-D2.”
Star Trek is a franchise that primarily deals in the world of sci-fi, but it’s not unheard of for the franchise to attempt parody other genres every so often. Such was the case in the Deep Space Nine episode “Our Man Bashir,” in which an accident in the Holosuite traps the crew in Bashir’s spy fantasy program. The episode is a fun nod to the genre of ’60s spy films but apparently was not well-received by James Bond studio MGM.
An elderly woman, Sheila, whose daughter has been in a high-conflict zone in a military environment, learns to manage with a robot—ordered apparently off the internet, with a manual—that can learn to do homework and hang Christmas decorations.
It’s an agreeable story and good Christmas fare!
[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, N., Cat Eldridge, John Hertz, Michael Toman, John King Tarpinian, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
Ashley Boone Jr., the first black president of a major Hollywood studio, helped make George Lucas’ quirky space opera a hit in the 1970’s — yet chances are you’ve never heard of him: “He was way ahead of his time.”
When thousands gathered Dec. 16 in Hollywood for the world premiere of Star Wars:The Rise of Skywalker — supposedly the last Skywalker film — they heard Bob Iger, Kathleen Kennedy and J.J. Abrams thank everyone from creator George Lucas to the actor who played R2-D2. But one name was not so much as whispered, despite this person’s critical 1970s role in launching what would become the most successful movie franchise of all time: the all-but-forgotten Ashley Boone Jr….
(2) WHERE TO LOOK FOR MIDDLE-EARTH. The Worlds of J. R.
R. Tolkien: The Places That Inspired
Middle-earth by John Garth, “an illustrated look at the
locales familiar to J. R. R. Tolkien, the creator of Middle-earth,” will be
released by Princeton University Press on June 2.
Garth identifies the locales that served as the basis for Hobbiton, the elven valley of Rivendell, the Glittering Caves of Helm’s Deep, and many other settings in Middle-earth, from mountains and forests to rivers, lakes, and shorelands. He reveals the rich interplay between Tolkien’s personal travels, his wide reading, and his deep scholarship as an Oxford don. Garth draws on his profound knowledge of Tolkien’s life and work to shed light on the extraordinary processes of invention behind Tolkien’s works of fantasy. He also debunks popular misconceptions about the inspirations for Middle-earth and puts forward strong new claims of his own.
(3) BRADBURY ON STAGE. On the occasion of the 100th anniversary of Ray Bradbury’s
birth, Caltech Theater celebrates the prolific science fiction writer by
producing a series of his one-acts and adapted stories: Bradbury 100. (Ticket
prices at the link.)
The creative team of Bradbury 100 is drawn from Caltech undergraduates, graduate students, postdocs, Caltech community and Jet Propulsion Laboratory (JPL), to celebrate the legacy of Bradbury and his connection with Caltech that began over fifty years ago.
FIRST WEEKEND Friday & Saturday, February 21 & 22 at 7:30 p.m. Sunday, February 23 at 2:30 p.m.
All Summer in a Day. directed by Aditi Seetharaman Marionettes, Inc., directed by Barbie Insua The Martian Chronicles, directed by Brian White
SECOND WEEKEND Friday & Saturday, February 28 & 29 at 7:30 p.m. Sunday, March 1 at 2:30 p.m.
The Flying Machine (in Mandarin w/English subtitles), directed by Miranda Stewart A Sound of Thunder, directed by Doug Smith The Martian Chronicles, directed by Brian White
On Friday night of the second weekend (2/28/20) H/SS Professor Chip Sebens will discuss Bradbury’s science fiction and the paradoxes of time travel and on Saturday night (2/29/20) one of Ray’s daughters Ramona Bradbury and her two daughters Claire and Julia Handleman will make appearances on stage to share personal stories of their father and grandfather.
(4) CALIFORNIA HERE YOU GO. Isaac Butler interviews Kim Stanley Robinson about science fiction, utopia, and the reissue of his Three Californias trilogy in “Three Californias, Infinite Futures” at Slate.
So it’s a few years later, you’re writing The Wild Shore, the first in the trilogy—do you remember how you worked out the post–nuclear apocalypse world of it?
I went back into the history of science fiction and read other after-the-fall novels: Earth Abides by George Stewart, A Canticle for Leibowitz by Walter Miller, a couple of Philip K. Dick—especially Dr. Bloodmoney. I also got to study with the California poet Gary Snyder at UC–Davis. In terms of these Three California novels, Snyder is as important as anybody in terms of my teachers, because he was the one that established what a California writer ought to be doing: facing Eastern Asia, getting interested in Buddhism, kind of getting rid of the European influences. I began thinking of myself as a poet in the Snyder tradition before I discovered the science fiction. That was always underlying every sentence.
(5) BCS STAYS ABOVE EVENT HORIZON. Beneath Ceaseless
Skies met its goal of attracting enough Patreon support to keep their pay rate for short stories at 8c/word,
which is the new higher SFWA “pro” pay rate. BCS was able to
institute the new rate when it went into effect last September, but there had since
been some contraction in their Patreon support. BCS is now back on
The merge lets us analyze the Locus list to see which stories that were broadly recognized as outstanding were left out, which publications stood out, which authors did particularly well (or not), how many were eligible for the Astounding Award, and how RSR‘s own recommendations stack up with Locus reviewers in general.
Eric Wong adds, “As with all RSR lists, you can flag
and rate stories on the page, see the recommendations earned by each story
(reviewer, award, year’s best anthology), get links to the story, author, and
other reviews (if online), and group stories by length (default), publication
(7) FOR YOUR CONSIDERATION.Asimov’s and Analog have
made the short fiction on the Locus Recommended Reading List for 2019
available as free reads – in PDF files linked from the Locus list. That’s
seven stories altogether. [Via Rocket Stack Rank.]
[The] rift between Russ and Le Guin was a different sort of disagreement. Even before the symposium, the two writers had begun to distinguish themselves from each other, though Russ seems to have been more invested in these differences than Le Guin was. In public, Russ had written a harsh review of Le Guin’s “The Dispossessed,” characterizing some of the book’s central conceits as “a fancy way of disguising what we already know” and its anarchist society as poorly realized. Privately, to mutual friends, Russ accused Le Guin of being accommodating to men, of refusing to write as a woman. In some ways, Le Guin conceded the argument—she claimed to write under the influence of her male “animus”—but in other ways she resisted. After all, wasn’t her freedom not to write “as a woman” precisely the point?
At stake in this disagreement was not simply the sorts of struggles that feminists have always had with one another. There was also a question of what science fiction was for and what it should ultimately do. For Russ and Le Guin both, science fiction represented the possibility of telling a genuinely new story. Science fiction, Russ once wrote, was poised to “provide myths for dealing with kinds of experiences we are actually having now, instead of the literary myths we have inherited, which only tell us about the kinds of experiences we think we ought to be having.” The form aspired not to fantasy but to reality.
The search for that reality led Russ and Le Guin in different directions, and, though the latter has become, in the years since, the face of women in speculative fiction, it would be a mistake to regard Russ as overshadowed.
(10) TODAY IN HISTORY.
February 6, 1974 — Zardoz premiered. Starring Sean Connery, Charlotte Rampling and Sara Kestelman. It was written, produced, and directed by John Boorman. It was made on a shoestring budget of one point six million and made one point eight million at the Box Office. Critics praised its special effects but thought both the acting and story fell rather flat. It holds a 50% rating among reviewers at Rotten Tomatoes.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 6, 1922 — Patrick Macnee. He was best known as the secret agent John Steed in The Avengers, a tole he reprised in the New Avengers. He made his genre debut as Young Jacob Marley in Scrooge. He then starred as Derek Longbow in Incense for the Damned (also released as Bloodsuckers, Freedom Seeker Incense for the Damned and Bloodsuckers, Freedom Seeker and Doctors Wear Scarlet). Next up is an uncredited role voicing Imperious Leader on the original Battlestar Galactica. He played Captain John Good R.N. in King Solomon’s Treasure based rather loosely on the H. Rider Haggard source material. What else? Let’s see… he shows up in The Howling as Dr. George Waggner, as Dr. stark in a film as alternative title is, I kid you not, Naked Space and Spaceship. It’s a parody apparently of Alien. Next up for him is another toff named Sir Wilfred in Waxwork and its sequel. Yes, he wears a suit rather nicely. At least being Professor Plocostomos in Lobster Man from Mars is an open farce. His last film work was genre as well, The Low Budget Time Machine, in which he started as Dr. Bernard. (Died 2015.)
Born February 6, 1927 — Zsa Zsa Gabor. Her first venture into SF was the Fifties very camp Queen of Outer Space which she followed up by being in Frankenstein’s Great Aunt Tillie. She had a cameo in A Nightmare on Elm Street 3: Dream Warriors. She’s Erika Tiffany Smith on Gilligan’s Island, and Minerva on Batman. One of her last appearances was as herself on The Munsters Today as she retired from acting in late Nineties. (Died 2016.)
Born February 6, 1931 — Mamie Van Doren, 89. She made but two SF films, the first being The Navy vs. the Night Monsters (a.k.a. Monsters of the Night and The Night Crawlers), and the second being Voyage to the Planet of Prehistoric Women.
Born February 6, 1932 — Rip Torn. First genre work that comes to mind is of course RoboCop 3 and his Men in Black films. His first dip into our world comes as Dr. Nathan Bryce in The Man Who Fell to Earth. Yeah that film. Actually, if you count Alfred Hitchcock Presents, he’s been a member of our community since his twenties. He also shows up on The Man from U.N.C.L.E. (Died 2019.)
Born February 6, 1943 — Gayle Hunnicutt, 77. I’m giving her Birthday Honors as she was Irene Adler, opposite Jeremy Brett, in the first episode of The Adventures of Sherlock Holmes, “A Scandal in Bohemia”. She also shows up in The Martian Chronicles, The Return of the Man from U.N.C.L.E., The Legend of Hell House, Fantômas (a French series) and Tales of The Unexpected.
Born February 6, 1943 — Fabian, 77. Bill Dexter in Dr. Goldfoot and the Girl Bombs (which the Italians got boring by naming it Le spie vengono dal semifreddo, literally “The spies who came in from the cool”.) He doesn’t have much of a genre resume appearing only once on Fantasy Island, plus being in Kiss Daddy Goodbye. The latter would be shown on Movie Macabre, Elvira’s early Eighties movie show.
Born February 6, 1947 — Eric Flint, 73. Definitely a Good Guy for both being on Baen Books and fighting against the Sad Puppies who thought he’d be on their side because he was, well, on Baen Books. They really should’ve looked at his work history. Now fiction-wise, I really like his Assiti Shards series, and the Heirs of Alexandria as well.
Born February 6, 1958 — Cecily Adams. She played Ishka (aka Moogie), mother of the Ferengi brothers Rom and Quark, in four of her five appearances on Deep Space Nine. (Andrea Martin played her the first time.) Most of her genre experience was in such concerns as Who Framed Roger Rabbit, Flash Forward, Lost on Earth, Bone Chillers and 3rd Rock from The Sun. (Died 2004.)
(12) COMICS SECTION.
Speed Bump tells us why we don’t know about Pinocchio’s brother.
After ending 2019 with a magical Harry Potter Christmas pop-up, Chicago’s Replay Lincoln Park bar is back with another franchise theme targeting a devout fanbase. Last weekend, the space transformed into a Lord of The Rings wonderland, …and it has everything from meals named after Frodo to photo opps with a Ring Wraith and the Balrog…
To fuel your quest, Replay has once again partnered with Zizi’s Cafe, a local restaurant, to create a LOTR-inspired menu. Think Gandalf’s Corn Staff (aka, two corndogs), Pippin’s Popcorn, Beef Lembas, Frodo’s Dolma, Fried Po-Tay-Toes, and Lord of the Wings—plus, the Onion Ring to Rule Them All, if you’re not prone to the ring’s temptations.
“The Monster Maker” by Ray Bradbury is a science fiction short story, which appeared in the spring 1944 issue of Planet Stories and is therefore eligible for the 1945 Retro Hugos. The story may be found here….
Warning: There will be spoilers in the following!
(16) RIVERDALE EPISODE RECAP: BEWARE SPOILERS. [Item by
Martin Morse Wooster.] I saw Riverdale last night and thought Filers would
like to get up to speed on what’s happening with Archie and the gang.
We learned that Archie’s uncle, Frank, was a mercenary who had other mercenaries chasing him. One of the mercenaries fights Archie in a high school men’s room and throws Archie into a sink which is smashed. The rogue mercenary is captured shortly thereafter.
Jughead is in a chess death match with the president of the Quill and Skulls fraternity. In the middle of the match action is stopped because an alarm goes off at the fraternity. The fraternity president finds that Betty and a friend have discovered a secret trove of VHS sex tapes which the fraternity compiled for use against the frat’s many enemies. The chess match resumes, but soon ends when Jughead deliberately causes a checkmate and I’m not sure why.
Veronica and her friend Katy Keene decide to go out, and Veronica asks her friend, ‘Do you like drag?’
Seismologist Wenyuan Fan explains the accidental discovery — buried deep in seismic and meteorological data — that certain storms over ocean water can cause measurable seismic activity, or ‘stormquakes.’ He says this phenomenon could help scientists better understand the earth below the sea.
The original paper Wenyuan co-authored on stormquakes
…As Wenyuan and his colleagues outlined in their paper in the journal Geophysical Research Letters, stormquakes all come down to waves.
FAN: Because when you have large storms, it will couple with the ocean and make high waves.
FAN: And by doing the cross-examination of the ocean waves and the seismicity, we start to see a clear correlation between the occurrence of stormquakes and also the high-wave conditions.
(18) VIDEO OF THE DAY. “Dinosaurs In Love” on Vimeo is a song by Fenn Rosenthal about
what happens to dinosaurs when they fall in love.
[Thanks to JJ, John King Tarpinian, Chris Castro, Eric Wong, Mike Kennedy, Nina, Martin Morse Wooster, Rob Thornton, Cat Eldridge, Chip Hitchcock, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
(1) ANOTHER TESTIMONY ABOUT HARASSMENT AT CZP. Kelsi Morris,
who rose from intern to managing editor of ChiZine
Publications – all unpaid – shared a painful account of the chronic sexual
harassment she endured from its owners and authors on
Facebook. (Much more at the link.)
…I think we can all agree there is a clear pattern of financial mismanagement and ill treatment of authors. What has only just started to be touched on is the deeply rooted culture of bullying, emotional abuse, sexual harassment, and the silencing of victims. And this is why I think it’s important I finally say something.
I started with ChiZine in 2012, when I was 22 years old and less than a week out of publishing school…
…I did move up quickly. I started as an intern (unpaid, of course), then became the head of marketing & publicity (also unpaid), then at 23 years old, became the managing editor for the biggest indie speculative fiction publisher in Canada (still unpaid). And more than that, I had somewhere I *belonged*.
…I was considered cool enough to hang, which meant I got to go to the exclusive parties, all the cons and events (at my own expense, of course), was invited to the casual pool nights, and fancy family dinners. I loved being included, and I was still young enough to be starstruck around so many amazing authors I admired.
Being cool, and eventually becoming friends with the “inner circle”, also meant that everyone talked freely around me. I heard the cruel ways they talked about their friends who weren’t around. I heard them plan out ways of breaking up couples. I attended family dinners where folks brought short stories written by their peers to read dramatically aloud and laugh. I heard the boundless misogyny, the mockery of women who spoke out about harassment at cons & the snowflakes who found comfort in content warnings, and the resentment they held towards their authors who had the audacity to expect to be paid. I sat, and listened, and internalized the implicit threat of what could happen to me.
And so I continued to just sit, and listen, with an uncomfortable smile pasted on my face, when I was hit on by male authors more than 15 years my senior. I smiled when hanging out with the inner circle and they made jokes about my body. I grimaced when one of the authors caressed my ass in full view of all my colleagues in the crowded con suite, but didn’t move away. I dressed accordingly at events when Sandra told me the only thing that mattered was “tits and teeth”. I nervously laughed along with everyone else when I was the only woman in a room full of men, and one of them started making rape jokes about me. …
…There are so many people who were complicit in, or at the very least enabled, what has accurately been described as the cult-like culture of bullying, abuse, harassment, and silencing. This will continue to be a problem long after ChiZine is gone, if it’s not something we start talking about now….
(2) FIREBELL IN THE NIGHT. Silvia Moreno-Garcia has quit
the professional organization SF Canada over its lack of support for the
ChiZine authors who have voiced grievances. The thread here.
In order to deal with congestion issues at its warehouses,Amazon has been cutting book orders to publishers over the last several weeks. It isn’t clear how widespread the reduction in orders is, but several independent publishers contacted by PW reported cuts in their weekly orders since late October. One publisher reported that an order placed last week was about 75% lower than an order placed last year at this time. “It’s a nightmare,” the head of one independent publisher said.
…The head of yet another company said if Amazon orders don’t rise to what has been typical ordering patterns in past years within two weeks, “we [could] lose the entire holiday season.” He added that if problems with Amazon persist and orders continue to be low, it is possible that some online book sales could move to BN.com and other retailers such as Walmart, which has invested heavily in its online operations. If Amazon starts running out of stock, he added, “maybe they’ll lose some market share to their competitors.”
(5) WRITING ABOUT A DIFFERENT RACE. In “Who Gave You The Right To Tell That
Story?” on Vulture, novelists discuss how
they wrote about characters who were a different race than they are.
Among the writers who contribute short essays are N.K. Jemisin, Victor LaValle,
and Ben H. Winters.
N. K. Jemisin, The Broken Earth Trilogy
I’ve learned to not fear obviousness when I’m describing race or topics related to oppression. With an American audience, you have to be as in your face about it as possible because our society encourages delicate euphemism. I’d rather be accused of being obvious than allow people to get away with thinking all of my characters are white people. The truth is, when you walk into a room and you see a bunch of strangers, the first thing you notice is their appearance, their race and gender. When I first describe a character, I sometimes hang a lampshade on race. My narrator will immediately think: ‘She might be Latino, oh maybe not, she might be Indian.’ I render that mental process.
You’re not going to be perfect. In The Broken Kingdoms, my protagonist was a blind woman, and she had a superpower associated with her blindness. As I now know, disability as a superpower is a trope. I didn’t read enough literature featuring blind people to really understand it’s a thing that gets done over and over again. Ehiru, a character from The Killing Moon, is asexual, and I don’t think I explored that well. If I were writing it now, I would have made him more clearly ace. I figured this out by reading Tumblr. I am on Tumblr quietly — I have a pseudonym, and nobody knows who I am. Because lots of young people hang out there and talk about identity and the way our society works, it’s basically a media-criticism lab. It’s an interesting place to talk about identity, and I did not understand until I saw these conversations that asexuality was an identity. I thought about it as a broken sexuality. My story reflected my lack of understanding of how that worked.
The Neukom Awards, now in its third year, offers prizes in three categories of speculative fiction. Each category will receive an honorarium of $5,000 at a Dartmouth-sponsored event related to speculative fiction.
The speculative fiction awards are offered for playwriting, established author and first-time author.
The deadline for all submissions is December 31, 2019. The awards will be announced in the spring of 2020.
Joker has become the most profitable comic book movie of all time, having made more than $950 million (£738m) at the worldwide box office.
It tells the story of how Arthur Fleck (played by Joaquin Phoenix) becomes the Joker, Batman’s nemesis and one of the most infamous comic book villains ever.
Joker has now made more than 15 times what it cost to make, reports Forbes.
Director Todd Phillips made the movie on a budget of $62.5m (£49m), a fraction of the budget of many comic book adaptations.
Avengers: Endgame, the highest grossing movie of all time, has earned close to $2.8 billion (£2.2bn) but had a budget of $356 million (£276m).
Endgame has made more at the box office overall, but Joker has made more in relation to what was spent to make it.
(8) TODAY IN HISTORY.
November 11, 1951 — Flight to Mars premiered. It was produced by Walter Mirisch for Monogram Pictures, and directed by Lesley Selander. It starred Marguerite Chapman, Cameron Mitchell and Arthur Franz. Most of the interiors are from the Rocketship X-M shooting. It currently has a 21% rating at Rotten Tomatoes.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 11, 1917 — Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con. He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius. And I’ve seriously enjoyed his short fiction. Wildside Press has seriously big volumes of his fiction up at Apple Books and Kindle for very cheap prices. (Died 1983.)
Born November 11, 1922 — Kurt Vonnegut Jr.The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Mondayis his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
Born November 11, 1925 — ?Jonathan Winters. He’s in a number of genre series and films including Twilight Zone, Wild Wild West, Mork & Mindy where he was Mearth, the animated Smurfs series and The Animaniacs. And that’s a very selective list. (Died 2013.)
Born November 11, 1926 — Donald Franson. Longtime fan who lived most of his life in LA. Was active in the N3F and LASFS including serving as the secretary for years and was a member of Neffer Amateur Press Alliance. Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. (Died 2003.)
Born November 11, 1960 — Stanley Tucci, 59. He was Puck in that film version of A Midsummer Night’s Dream. However, his first role was asDr. John Wiseman in Monkey Shines. (Shudder.) he shows as in forgettable The Core, and was amazing as Stanley Kubrick in The Life and Death of Peter Seller. And I’m fond of his voicing Boldo in The Tale of Despereaux.
Born November 11, 1962 — Demi Moore, 57. Ghost, of course, getting her Birthday Honors. And yes, I did see it. Sniff. But she got her genre creds with her second film Parasite which is good as she didn’t do much after that of a genre nature.
(10) COMICS SECTION.
Grimmy shows why it can be disillusioning – but funny – to meet your heroes.
(11) DISNEY DROPS
SONG FROM REMAKE. Ethan
Alter, in the Yahoo! Entertainment story “The
Controversial Scene That’s Not In The Live-Action of The Lady and the Tramp“ says that in The Lady and the Tramp
remake, streaming on Disney+ on November 12, Disney decided to keep the scene
where the Lady and the Tramp bond over a plate of spaghetti but decided to cut
“The Siamese Cat Song” because it reflects a “50s-era
Orientalism” considered out of place today.
Interestingly, Disney+ subscribers will have the chance to watch both the the 2019 version of Lady and the Tramp and the 1955 version on the studio’s new streaming service, allowing families to compare and contrast the two films, and discuss moments like “The Siamese Cat Song.”
Judith Merril was a founding member of the Futurians, an editor, founder of what is now the Merril library and of course a science fiction writer.
“Wish Upon a Star” is a generation ship story. By their nature, the need for a stable society able to keep a small community functioning for decades in total isolation, generation ships are forced to make some striking adaptations. In most cases, those adaptations included mutiny, cultural amnesia, barbarism and eventual extinction.
Merril’s characters made very different choices. Let’s see what the Young People made of them.
(13) AN EARLIER STRANGER
IN A STRANGE LAND. Jeff
Lafcadio Hearn” at the LA Review of Books surveys the Japanese
Tales of Lafcadio Hearn,
edited by Andrei Codrescu, the author’s Japanese
and Monique Truong’s “mesmerizing”
novel The Sweetest Fruits.
In 1890, Hearn moved to Japan, where he was to spend the last 14 years of his life, initially teaching English in remote Matsue, in Shimane Prefecture, and subsequently at Waseda University and the University of Tokyo. He also had stints in journalism and became an influential and popular interpreter for a Western audience of what was regarded at the time as an inscrutable culture and society. He is now best remembered for his traditional Japanese stories about supernatural monsters, spirits, and demons. Hearn died from heart failure at age 54, yet he was a prolific writer, despite poor health in his final years. His insights into turn-of-the-century Japan attest to his powers of observation and interpretation. Glimpses of an Unfamiliar Japan (1894) is a classic, conveying his rapturous appreciation for all things Japanese, especially traditions, customs, and ways of living unsullied by foreign accretions.
Just a few months after the triumph of Apollo 11, Nasa sent another mission to the lunar surface. But it came chillingly close to disaster.
In November 1969, just four months after men first set foot on the Moon, Nasa was ready to do it again. Basking in the success of Apollo 11, the agency decided that Apollo 12’s mission to the Ocean of Storms would be even more ambitious.
Unlike Neil Armstrong, who had been forced to overshoot his planned landing site because it was strewn with boulders, Apollo 12 Commander Pete Conrad was aiming for a precision touchdown, within moonwalking distance of an unmanned Surveyor probe. Conrad and landing module pilot, Al Bean, would then spend longer on the surface – with two excursions planned – while beaming back the first colour television from the Moon.
On 14 November, Conrad, Bean and Command Module Pilot Dick Gordon settled into their couches at the top of the 111-metre-high Saturn 5 rocket at Cape Canaveral, Florida. Meanwhile, in mission control Houston, flight director Gerry Griffin took his seat behind his console – his first time leading a mission.
At the launchpad, the ground was wet from storms that recently passed through the area and the sky is overcast. But with the rocket and crew ready to go, and US President Richard Nixon watching (for the first time) from the VIP stands, all systems were green for launch.
At 11.22, the giant white rocket slowly lifted off the pad and accelerated into the clouds.
“This baby’s really going,” shouts Conrad to his crewmates as the launcher cleared the tower and Houston takes over control. “It’s a lovely lift-off.”
Then, 36 seconds into the flight, Conrad sees a flash. All the fuel cells supplying power to the capsule fell offline and the entire alarm panel lit up….
An endangered yellow-eyed penguin has won New Zealand’s coveted Bird of the Year competition after two weeks of intense campaigning.
The hoiho saw off more than five rivals to become the first penguin to win the annual honour in its 14-year history.
(18) RUH ROH! SCOOB! is a Scooby-Doo
remake which Warner Bros. will release in the summer of 2020.
[Thanks to Chip Hitchcock, JJ, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, Michael Toman, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
In a letter you wrote that was attached by the publisher to advance copies of A Brightness Long Ago, you note that we are psychologically and neurologically programmed to internalize the memories from our teens until our mid-twenties more intensely than any other time of life, a fact that is an underpinning to this book. Do you care to expand on that thought? There’s a wry aspect to this, as my psychoanalyst brother (to whom this book is dedicated) mentioned this to me 15 or so years ago! When I started writing this novel, using as one of the point of view characters—a man looking back on events form his twenties that loom large for him—that conversation came back from my memory! I asked my brother and he sent some scholarship on the subject.
(2) WATCHMEN TEASER. Time
is running out – but for what?
Tick tock. Watchmen debuts this fall on HBO. From Damon Lindelof, Watchmen is a modern-day reimagining of Alan Moore’s groundbreaking graphic novel about masked vigilantes.
(3) NEW RUSS PROFILE. Gwyneth Jones, winner of two World Fantasy Awards, the Arthur C. Clarke Award, and the SFRA Pilgrim award for lifetime achievement in SF criticism, will have a new book out in July — Joanna Russ (University of Illinois Press).
Experimental, strange, and unabashedly feminist, Joanna Russ’s groundbreaking science fiction grew out of a belief that the genre was ideal for expressing radical thought. Her essays and criticism, meanwhile, helped shape the field and still exercise a powerful influence in both SF and feminist literary studies.
Award-winning author and critic Gwyneth Jones offers a new appraisal of Russ’s work and ideas. After years working in male-dominated SF, Russ emerged in the late 1960s with Alyx, the uber-capable can-do heroine at the heart of Picnic on Paradise and other popular stories and books. Soon, Russ’s fearless embrace of gender politics and life as an out lesbian made her a target for male outrage while feminist classics like The Female Man and The Two of Them took SF in innovative new directions. Jones also delves into Russ’s longtime work as a critic of figures as diverse as Lovecraft and Cather, her foundational place in feminist fandom, important essays like “Amor Vincit Foeminam,” and her career in academia.
What do you care about more than most people around you? In the context of speculative fiction, I think I’m atypically interested in the question of how do the characters in a story understand their universe. I’ve heard some people say that they don’t care about the plausibility of an invented world as long as the characters are believable. To me these aren’t easily separated. When reading a story I often find myself thinking, Why has no one in this world ever wondered such-and-such?Why has no one ever asked this question, or attempted this experiment?
If you’ve been on the internet for a while, you may have heard about SEO, or “Search Engine Optimization.” But do you know what SEO really is — and the effect it has on writing? While some SEO tips are good — like citing your sources with added external links! — others make writing stilted and awkward. (For example, have you noticed how many times “SEO” has appeared in this paragraph?)
We all want to be seen. One of the most important ways is via Google, is it worth it if it makes your writing stiff? And do you have any other options? Or are we all stuck on the same hamster wheel, using the same techniques to try to rise above the din?
(5b) TOP OF THE POLL. Congratulations to Michael A. Burstein, who has been re-elected to the Brookline (MA) Board of Library Trustees for a sixth term. He notes, “Although the race was uncontested, the unofficial results indicate that I came in first among the four of us running this year, for which I thank everyone who voted for me.”
KICKSTARTER. Kristine Kathryn Rusch’s Kickstarter appeal for The
Diving Universe funded the first day, now they’re raising money to meet
the stretch goal. JJ got me reading these, so I had to chip in —
…Two years ago, I realized that before I could write the next book about Boss, though, I needed to figure out what happened in the past, long before any of my current characters were born.
So…I started what I thought was a short story. It became a 260,000 word adventure novel called The Renegat, because I can’t do world-building without telling a story.
…Everyone who backs this Kickstarter at the $5 and above will receive an ebook of The Renegat.
The Kickstarter also gave me an excuse to assemble two books of extras—unfinished side trails, some from The Renegat, and many from earlier books, along with some essays about the entire project.
Of course, backers at the higher levels will get the hardcovers of the series as we complete them. And there are some other fun things here as well. You can get some of the lectures I’ve done for WMG Publishing about writing, or you can join the monthly Ask Kris Anything sessions. Those are live webinars, and you can ask questions about Diving to your heart’s content.
If we make our $5,000 stretch goal, every backer will get a copy of the novella, “Escaping Amnthra,” which is a side story that couldn’t fit into the novel. (“Escape” stands alone as well.)
Hey – I actually used the pop culture library at
BGSU when I went there eons ago!
(8) ANCIENT CLONE.
Arthur C. Clarke Center for the Human Imagination hosts “Neanderthal Among Us?
Science Meets Fiction: A Discussion of the Motion Picture William” on May 13 at UCSD from 5:30-8:30 p.m. RSVP Required – full details here.
Join the UC San Diego Stem Cell Program, the Center for Academic Research and Training in Anthropogeny, OnePlace, and the Arthur C. Clarke Center for Human Imagination for a free screening of the film William, which tells the story of what happens when two scientists clone a Neanderthal from ancient DNA and raise him in today’s world. Following the film, a panel will explore the scientific and ethical questions the film raises.
About the Film William
Star academics Doctors Julian Reed and Barbara Sullivan, fall in love with each other and with the idea of cloning a Neanderthal from ancient DNA. Against the express directive of University administrators they follow through on this audacious idea. The result is William: the first Neanderthal to walk the earth for some 35,000 years. William tries his best to fit into the world around him. But his distinctive physical features and his unique way of thinking–his “otherness”–set him apart and provoke fear. William’s story is powerful and unique, but his struggle to find love and assert his own identity in a hostile world is universal–and timeless.
(9) TWO SCOOPS OF ALASDAIR
STUART. Alasdair Stuart’s latest column for Fox Spirit, “Not The Fox News: Don’t Be Nelson”, talks
about how emotional engagement, especially when so many major story cycles are
starting to end, is both a good thing and to be encouraged.
About once a decade, everything lines up. A half dozen major cultural juggernauts all come into land at about the same time and some poor soul is paid to write the ‘GEEK CULTURE IS OVER. WE SHALL NEVER SEE ITS LIKE AGAIN’ piece. Hey if the check clears and the piece doesn’t hurt anyone, go with God. We’re in one of those times now. Game of Thrones has under half its super short final season to go. Avengers Endgame is all over theaters everywhere and the ninth core Star Wars movie has been confirmed as the end of the Skywalker saga. If this was a concert, we’d officially be into the ‘Freebird’, ‘Hotel California’, ‘Thrift Shop’, ‘Single Ladies’ phase of the night.
…So let’s break this down. First off, Luminary is a new podcast streaming platform that launched a few months ago with a ton of exclusive titles and a ton of money, very little of which they seem to have spent on a public relations department. The idea is that they are ‘the Netflix of podcasts’, which presumably doesn’t mean:
‘We’re sustained by the physical library system that no one expected to live this long and it takes two years for us to get the new season of Brooklyn Nine-Nine’.
Instead, the idea is that Luminary will feature forty or so podcasts which are only available through it’s app, most of which are fronted by celebrities.
How you feel about this really depends on how you feel about ‘famous person has some thoughts’ style shows.
Cohen primarily worked in the field of reproductive biology….
As a science fiction fan, Cohen found himself advising many authors, including Anne McCaffrey, Larry Niven, David Gerrold, Jerry Pournelle, and Harry Harrison. He teamed with Ian Stewart and Terry Pratchett wrote four volumes in the Science of Discworld series, the first of which earned the three authors a Hugo Nomination for Best Related Book.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 8, 1937 — Thomas Pynchon, 82. Ok I’m confused. I’ve not read him so I’m not at all sure which of his novels can be considered genre. Would y’all first enlighten to which are such, and second what I should now read. ISFDB certainly doesn’t help by listing pretty much everything of his as genre including Mason & Dixon which though post-modernist isn’t genre.
Born May 8, 1938 — Jean Giraud. Better to y’all as Moebius. He contributed storyboards and concept designs to myriad science fiction and fantasy films including Alien, The Fifth Element, The Abyss and the original Tron film. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune. Oh, I would’ve loved to have seen that! And no, I’m not forgetting his work on both Heavy Metal and Marvel Comics, but I’ll let you detail those endeavours. (Died 2012.)
Born May 8, 1940 — Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film, as was White Shark, which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
Born May 8, 1947 — Susan Casper. Editor and author, married to Gardner Dozois until her death. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper which was edited just after her death by her husband is as its title states a complete collection of her short fiction. She was co-editor with him of the Ripper! and Jack the Ripper anthologies. (Died 2017.)
Born May 8, 1954 — Stephen Furst. The saddest part of doing these Birthdays is discovering how many folks have died that I reasonably expected were still living. He died of complications from diabetes at a far too young age. You know most likely Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon Storm, Path of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. (Died 2017)
Born May 8, 1963 — Michel Gondry, 56. French director, screenwriter, and producer of such genre as Eternal Sunshine of the Spotless Mind (love that film), The Green Hornet (on the other hand, I deleted this from my .mov files after watching fifteen minutes of it) and The Science of Sleep (which I had not heard but sounds interesting.)
Born May 8, 1981 — Stephen Amell, 38. He’s known for portraying Oliver Queen / Green Arrow In Arrowverse. Ok I have a confession. I can either read or watch series like these. I did watch the first few seasons of the Arrow and Flash series. How the Hell does anybody keep up with these and set aside a reasonable amount of time to do any reading? Seriously the amount of genre on tv has exploded. I’m watching Star Trek, Young Justice and Doom Patrol which is quite enough, thank you.
(12) COMICS SECTION.
Brevity crams several horrendous puns into this one-frame, LOTR-inspired cartoon.
There are, of course, Avengers: Endgame spoilers ahead…
(14) ATWOOD. Tyler Cowen had Margaret Atwood on his Conversations With Tyler podcast: “Margaret
Atwood on Canada, Writing, and Invention”. Atwood discusses Hag-Seed,
her take on The Tempest, at the 10
minute mark. She explains why she started writing The Handmaid’s Tale in West Berlin in 1984, and her love of H.G.
Wells’s The Island of Dr. Moreau.
Audience questions coming in at the 55-minute mark about her Handmaid’s Tale sequel The Testaments, coming in September, why
she likes the YouTube video “At Last, They’ve Made A Handmaid’s Tale for men,” and how readers figured out Offred’s
…It’s well known that human beings are remarkably adept at visually recognizing faces, words, numbers, places, colors, and so forth thanks to a constellation of regions—small clusters of neurons about the size of a pea—in the temporal lobe, located just behind the ears. Those regions show up in the same place in most people, despite differences in age, sex, or race. There’s even a so-called “Jennifer Aniston neuron,” (aka the “grandmother cell“) discovered by a UCLA neuroscientist in 2005, whose primary purpose seems to be to recognize images of the famous actress. Similar neurons have also been found for other celebrities like Bill Clinton, Julia Roberts, Halle Berry, and Kobe Bryant.
“This is quite remarkable, and it’s still an open mystery in neuroscience why these regions appear exactly where they do in the brain,” said co-author Jesse Gomez, a postdoc at the University of California, Berkeley, who conducted the experiments while a grad student at Stanford University. One way to answer this question, and determine which of several competing theories is correct, is to study people who, as children, had a unique experience with a new type of visual stimulus. If those people were shown to have developed a new brain region dedicated to recognizing that new object class, that would offer useful insight into how the brain organizes itself.
The catch: it would take many hours of laboratory practice with any new visual stimulus for there to be any measurable effect. But “I realized that the 1990s had already done it for me,” said Gomez. “I grew up playing Pokémon. The game rewards kids for individuating between hundreds of similar-looking Pokémon.” The game is also played primarily during childhood, a “critical window” period where the brain is especially plastic and responsive to experience. He reasoned it might be possible that passionate Pokémon players like his childhood self would have developed a new brain region in response to that experience. So he applied for a seed grant to test that hypothesis.
…Bless its mega-crossover heart but Avengers: Infinity War is not a serious contender for the best science-fiction film of 2018. It is a notable bit of film making but it’s rather like what ends up on your plate when you* visit a really nice buffet — lots of tasty things but not a carefully constructed dining experience. I get why it’s here instead of Thor: Ragnarok but Thor 3 was a better contender as a sci-fi movie.
That leaves a face-off between Black Panther and Spider-Man. Both are visual treats. Spider-verse pulls off the remarkable feat of creating yet another reboot of Spider-Man as a film character in a way that makes me genuinely excited (doubly remarkable as the MCU version of Spidey was pretty good too)….
REVIEWS, Here are links to three more sets of 2019 Hugo nominee reviews.
Wright’s Best Novella Hugo Finalist reviews are online:
Many studies have found that women aren’t as willing as men to take risks. And so they may shy away from riskier investments or career choices, missing out on the rewards that can come from taking big chances.
The perennial question: Why? Is it nature or nurture?
…Elaine Liu, an economist at the University of Houston, …and co-author Sharon Xuejing Zuo at Fudan University in Shanghai found that young girls from the Mosuo community in China, one of the few societies in the world run by women, were bigger risk-takers than boys from the same community. But after the Mosuo girls spent years in schools with boys and girls who came from patriarchal communities, the trend reversed: Older Mosuo girls took fewer chances.
Stools made from elephant feet have been presented to three African leaders by their host in Botswana during a meeting on the future of the mammals.
President Mokgweetsi Masisi handed over the gifts, covered in a blue patterned cloth, to his counterparts from Namibia, Zambia and Zimbabwe.
The countries, along with South Africa, are calling for the ban on the sale of ivory to be lifted.
They argue that money from the trade can be used for conservation projects.
Elephant poaching is a big issue across Africa and some estimates say 30,000 are killed every year. There are thought to be 450,000 left.
(21) ROCK OF AGES. In Air & Space Magazine’s
article “Claimed Signs of Life in a Martian Meteorite” the tagline
seems an understatement — “Like other previous claims, this one may not hold
up.” Another scientist has claimed that a meteorite that originated on Mars
contains signs of life. You may recall such a claim previously made based on
analysis of ALH84001 (ALH stands for Allan Hills in Antarctica, where the rock
was found) with the announcement made in 1996. The evidence was
eventually judged inconclusive by most scientists.
Now a new paper by Ildikó Gyollai from the Research Centre for Astronomy and Earth Sciences in Budapest, Hungary, and colleagues, claims that there might be clues to Martian life in another Allan Hills meteorite, this time ALH77005. They base their conclusions on morphological and geochemical indicators—including the presence of organic material—which lead them to speculate on the past presence of iron bacteria in this Martian rock. […]
Standback, JJ, Cat Eldridge, Michael Toman, Jim Meadows, John King Tarpinian,
Chip Hitchcock, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributor of the day Kip
(1) ANDREW CARNEGIE MEDALS. No genre works were on the shortlist, so needless to say today’s Andrew Carnegie Medal winners were all non-genre books. The omnivorous readers among you might like to know what they are anyway:
The Tea Master & the Detective by Aliette de Bodard
The trouble with reading SFF is that you end up with amazing life goals that probably will not be attained during your own lifetime. It’s bad enough when a favourite book leaves you wanting a dragon librarian to be your best friend, or a magic school to invite you in when you turn eleven… and now I need a spaceship who brews tea in my life.
A really good cozy mystery balances rich characters with charmingly creepy murders, and de Bodard hits all the right notes in this wonderful, warm homage to Sherlock Holmes in which our detective is Long Chau, an angry and traumatised scholar, and her Watson is a calm, tea-brewing shipmind.
As with the original Watson, Long Chau’s story is told from the point of view of the detective’s friend, which allows a contrast between the detective’s technical brilliance, and our narrator’s emotional intelligence. Yes, the emotional work in the story is largely done by the spaceship. That’s how great it is. –Tansy
(4) HEMMING DEADLINE. If you’re going to nominate for the Norma K. Hemming Award, you need to get it done by January 31. Details at the website.
Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work.
Entry is free for all works, and entries may be provided to the judges in print or digital format.
Nominations are open to all relevant and eligible Australian work produced in 2018.
(5) FOOD REVELATIONS. Fran
Wilde did a class about “Fantastic Worldbuilding.” Cat Rambo tweeted the highlights.
A new trailer for The Wandering Earth — described as China’s biggest science fiction movie ever — landed earlier this week, showing off an ambitious adventure that follows the efforts to save Earth after scientists discover that the sun is about to go out.
The movie is based on a story by Chinese author Cixin Liu — who’s best known for his Three-Body Problem trilogy and last year’s Ball Lightning. While those books are huge, epic stories, The Wandering Earth is no less ambitious: when scientists realize that the sun will go out in a couple of decades, they hatch a desperate plan: to move the planet to Proxima Centauri. The construct thousands of giant engines to move the planet out of orbit, where it can then slingshot post Jupiter and out of the Solar System.
Robert Pattinson despises his iconic “Twilight” character, Edward Cullen, with a fury unlike any other. Pattinson has complained throughout so many interviews about Edward, the century-old telepathic vampire who falls for Kristen Stewart’s Bella (a witch or something), that there’s an entire Tumblr feed dedicated to his most (self-) scathing comments.
Among his harshest words: He has said “Twilight” “seemed like a book that shouldn’t be published.” That “if Edward was not a fictional character, and you just met him in reality — you know, he’s one of those guys who would be an ax murderer.” He called his performance “a mixture of looking slightly constipated and stoned.”
(8) OBSCURE AWARD. The Society of Camera Operators’ awards were presented January
26, and if you scan The Hollywood Reporter article closely enough you’ll be able
to discover the single winner of genre note: “‘A Star Is Born’ Camera Operator Tops SOC Awards”.
Movie category had no genre nominees
* P. Scott Sakamoto for A Star Is Born
* Chris Haarhoff and Steven Matzinger for Westworld
* Jane Fonda — Governor’s Award
* Harrison Ford— President’s Award
* “Lifetime Achievement award recipients were Dave Emmerichs, camera operator; Hector Ramirez, camera operator (live and non-scripted); Jimmy Jensen, camera technician; John Man, mobile camera platform operator, and Peter Iovino, still photographer.”
* Technical achievement award — makers of the Cinemoves Matrix 4 axis stabilized gimbal
Rami Harpaz lead a group of IAF pilots in Egyptian captivity to translate the iconic fantasy work into Hebrew while in prison, the book introduced Tolkien to Israeli readers and remains iconic.
…He was captured by the Egyptians during the War of Attrition, while in captivity he was given a copy of the Hobbit, the famous fantasy book by J.R.R. Tolkien, by his brother who was able to deliver the book to him via the Red Cross.
Prison conditions were harsh and the Egyptians tortured the Israeli prisoners, yet despite of this, Harpaz and his fellow prisoners began to translate the book into Hebrew. The initial motivation was to allow Israelis who could not read English well to enjoy the book in Hebrew.
The translation was done in pairs with one person reading in English and speaking it out in Hebrew and the translation partner writing it down in Hebrew and editing it. Harpaz and three other captured pilots were the translators of what became known as ‘the pilots translation’ of the Hobbit. The final product was seven notebooks written by hand, the book was published in 1977 with funding provided by the IAF.
by Cat Eldridge.]
Born January 27, 1832 – Lewis Carroll. Writer of Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also produced his work, “The Hunting of the Snark”, a fantastical nonsense poem exploring the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
Born January 27, 1940 – James Cromwell, 79. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”. He’s been in other genre films including Species II, Deep Impact, The Green Mile, Space Cowboys, I, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise.
Born January 27, 1957 – Frank Miller, 62. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson.
Born January 27, 1963 – Alan Cumming, 56. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?).
Born January 27, 1970 – Irene Gallo, 49. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction. Interestingly she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012.
…Like Verne and Wells, Kipling wrote stories whose subject-matter is explicitly science-fictional. “With the Night Mail: A Story of 2000 A.D.” portrays futuristic aviation in a journalistic present-tense that recalls Kipling’s years as a teenaged subeditor on Anglo-Indian newspapers. “The Eye of Allah” deals with the introduction of advanced technology into a mediaeval society that may not be ready for it.
But it is not this explicit use of science and technology in some of his stories that makes Kipling so important to modern science fiction. Many of Kipling’s contemporaries and predecessors wrote scientific fiction. Nathaniel Hawthorne and Herman Melville, Mark Twain and Conan Doyle are among them. Yet echoes of their work are seldom seen in today’s science fiction. Kipling’s appeal to modern readers lies instead in his approach and his technique.
The real subject-matter of Rudyard Kipling’s writing is the world’s work and the men and women and machines who do it. Whether that work be manual or intellectual, creative or administrative, the performance of his work is the most important thing in a person’s life. As Disko Troop says in Captains Courageous, “the most interesting thing in the world is to find out how the next man gets his vittles”….
(12) PACIFIC INKLINGS FESTIVAL. Sørina Higgins, Editor of The Inklings and King Arthur, will be the featured speaker when The Southern California C.S. Lewis Society presents The Pacific Inklings Festival and General Meeting on March 9.
This came after Maher found himself in hot water once again after doubling down on his controversial comments about how comic books cannot be considered “literature” and how superhero movies are not “great cinema.” Moreover, he said that people who think otherwise “are stuck in an everlasting childhood.”
Maher played himself in a deleted scene in Iron Man 3, where he blames America for creating The Mandarin
Kihrin is a thief, an apprentice musician, and a resident of the Capital. He’s also possesses a rather powerful artifact whose provenance he does not quite understand, one that is difficult to take from him except by his free will. Even more than this, Kihrin and his artifact are pawns in a long simmering plot that would see him as key to the destruction of an empire. Instead of being a prophesied hero come to save the world, Kihrin’s role is seemingly destined for a much darker fate, unless his patron goddess, the goddess of luck, Taja, really IS on his side.
1. Somebody’s Trying to Kill Me and I Think It’s My Husband by Joanna Russ [Top] Someone’s Trying to Kill Me and I Think It’s My Husband is Joanna Russ talking about the narrative tropes of gothic fiction from the late sixties and early seventies. The essay itself was originally published in 1973; I first read it in the collection To Write Like A Woman, which is great if you have a chance to read it. I found Somebody’s Trying to Kill Me at work though, and ah, it’s good to have it back.
The premise of this essay is that Joanna Russ, faced with the new wave of gothic fiction, had a publisher friend send her some of the most representative examples of the genre and broke down all of the common elements and analysed them as expressions of the “traditional feminine situation.” I would argue that regardless of how representative those books were, that’s a very small sample size (she mentions about half a dozen titles, and I’m just trying to picture the reaction today if someone tried this with, say, romantic suspense books). But her analysis is interesting? She’s analysing it, justifiably, as an incredibly popular genre with female readers, and picking out the elements that might be contributing to that (“‘Occupation: housewife’ is simultaneously avoided, glamorised, and vindicated” is one of the stand-out points for me, especially when coupled with the observation that the everyday skills of reading people’s feelings and faces are often the only thing keeping the heroine alive), but it’s a little strange to read. It’s interesting, and I can definitely relate some of her points to female-led genres today (I’m mainly thinking of things like cozy mysteries), but it is definitely an outsider to a genre picking apart its building blocks. So, interesting as a dissection of those specific titles and tropes, but maybe not representative of the wider genre.
…In addition to balancing the magical aspects of the show, multiple episodes explore issues of feminism, smashing the patriarchy, race, sexual orientation, disability, and bullying. Through Sabrina, these becomes issues of her world rather than political statements. While TV shows at times have issue-driven episodes that seem to be responding to the political climate of the previous six months, The Chilling Adventures of Sabrina focuses on the lives of the characters, and since this is part of their lives, of course Sabrina is going to help them. That being said, especially early in the season, it at times felt a little white-savior as Sabrina works behind the scenes with magic to help her friends….
(17) THAT LEAKY WARDROBE. In this Saturday Night Live sketch, Mr. Tumnus (James McAvoy, reprising a character he played in a movie) meets several women who have recently arrived in Narnia.
(18) REVIEW OF “I AM MOTHER”.
Variety: “Sundance Film Review: ‘I Am Mother’”. “After
a mass extinction, a robot raises a little girl in a handsome, if derivative
sci-fi thriller that salutes its own parentage.” The review gives much of
this female-cast-led gerne film generally good marks, though significant issues
are also pointed out. Bottom line:
What really presses [Director Grant] Sputore’s buttons is proving that he can make an expensive-looking flick for relative peanuts. If this were his job application for a blockbuster gig, he’d get the job. Though hopefully he and [Screenwriter Michael Lloyd] Green realize that the best sci-fi thrillers don’t just focus on solving the mystery of what happened — they explore what it all means. Sputore is clearly an intelligent life form. But as even his robot creator knows, “Mothers need to learn.”
Cast: Clara Rugaard, Rose Byrne (voice), Hilary Swank, Luke Hawker (motion capture), Tahlia Sturzaker.
A tree made famous by the TV fantasy drama Game of Thrones has fallen in strong winds.
Gale force winds of up to 60 mph hit Northern Ireland overnight on Saturday.
The Dark Hedges are a tunnel of beech trees on the Bregagh Road near Armoy that have become an an international tourist attraction since featuring in the hit series.
(21) OVER THE TOP. Let
Quinn Curio tell you “The Dumbest Things About
What are the dumbest things that have ever happened on Fox’s Gotham show? Welcome to the party. The pain party.
[Thanks to John Hertz, Martin Morse Wooster, Cat Eldridge, Mark Blackman, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
…So here’s maybe a start for the hyper-critic oath (‘hyper’ because I’m overthinking this and ‘critic’ because ‘reviewer’ doesn’t work for the pun).
First, do no obvious harm. Don’t ever slander a writer. Avoid attacking them personally, even indirectly [that’s not always possible because writing is to varying degrees an extension of the self. In addition, some texts themselves are INTENDED to be harmful to others (I’ve reviewed many here over the years) BUT while we can all think of exceptions the norm should be to review texts, not people.] This does not mean treating all people the same – if you knew that somebody was currently in a vulnerable emotional state, then maybe reviewing their book isn’t a great idea. The flip side of that is you can’t reasonably tailor reviews around what a writer you don’t know might be feeling. And obviously don’t use slurs, stereotypes or language which we know to be harmful – such as overt racism, sexism etc. In an equitable society, some people are more vulnerable to others and if we KNOW that we have to be mindful of that while bearing in mind the points below as well.
Kate Molleson presents the world premiere production of Mark-Anthony Turnage’s Coraline – an operatic version of the dark fantasy tale by Neil Gaiman, directed by Aletta Collins with libretto by Rory Mullarkey. Soprano Mary Bevan sings the title-role with a cast including mezzo-soprano Kitty Whately and baritone Alexander Robin Baker who are making their Royal Opera debuts. Sian Edwards conducts the Britten Sinfonia.
During the interval, Kate is joined by guest Fiona Maddocks with contributions from Mark-Anthony Turnage and Mary Bevan.
Neil Gaiman has transformed the landscape of children’s literature with his highly inventive, atmospheric and otherworldly narratives. His prize-winning novella, Coraline is packed with astonishing imagery – a much-loved story about a girl who discovers a door in her parents’ house, leading to an entirely different place and family. For Mark-Anthony Turnage “the fundamental message beneath the story is that we shouldn’t be afraid to do what we believe is right. Coraline is brave, not because she doesn’t cry or get scared, but because despite these things she still tries her best and doesn’t give up. That’s why I wanted to write Coraline, because here’s a message well worth telling; through opera or in any other way.”
(3) FANTASTIC HOW MANY? A trailer advertising the Fantastic 4’s return to comics in August. But Carl Slaughter says, “Wait a minute. Maybe I missed someone, but I saw only 3 members of the Fantastic 4 at the end of that teaser….” Actually, Carl, couldn’t that pillar of fire in the closing image be your missing fourth character?
(4) TRACK RECORD. A member of the Universal Fan Con committee – a con cancelled at the last minute — is alleged to have a problemactic past.
Thai Pham ran kickstarter for $15,000 to run an LGBTQ convention in Anaheim. Which was then cancelled, with no refunds for backers. https://t.co/C8Lq4Uw9U7
There were enough clues that I could solve to get a firm foothold in the grid and start to see the message emerging. It was the skeleton of the message that gave me the breakthrough. I could see something like IT’S COLD OUTSIDE and THERE’S NO appearing and those five words were enough to track down the theme to Red Dwarf, a cult television series which was still producing new episodes in late 2017
The full message is IT’S COLD OUTSIDE THERE’S NO KIND OF ATMOSPHERE which are the opening lyrics to the show’s theme song. The wording of the preamble was very precise when it stated ‘the correct letters from misprints in definitions provide the opening to the theme’.
I could see then that the unclued entries were going to be the characters from the show. It was the one I didn’t really know that fell first – KOCHANSKI – followed by HOLLY, LISTER, RIMMER, KRYTEN and CAT. CAT came last because I nearly missed it.
(6) IT’S HUGE! In “Kickstarter Final Note”, Steve Davidson shares a bit of news about Amazing Stories’ next first print issue.
One thing of note: we’ve gone way over our word count for the first issue and none of us have the heart to deny any of our authors and artists the opportunity to be in Amazing first new issue since 2005 (and not even that’s technically correct – we’ve published four issues since 2012 in point of fact), so, rather than disappointing a handful of authors and artists, we’ve chosen the high road and are biting the bullet on an extended page count – rather than our originally planned 192 pages, it looks like we’re going for 248…
Yes, it’s going to blow our budget out a little bit, but, well, we really want this first issue to be SPECTACULAR, AWESOME and REALLY GREAT! And it’s going to be. (Really Great Science Fiction magazine was rejected as a title….)
(7) HOW HARD CAN IT BE? Tough SF by “Matter Beam” says this is its mission:
… One genre defined by the struggle to create living settings in science fiction is Hard SF. ‘An emphasis on scientific or technical detail’ is a sure-fire way to create a realistic and functional universe, but often the need to adhere to realism slows creativity, stresses the narration, leads to improbable results or otherwise has negative effects. One of the biggest complaints is that it just isn’t ‘fun’….
…This blog therefore try to help authors, world-builders and game designers to create Tough Science Fiction. This is science fiction that is as resistant as Hard Science Fiction to criticism, review and general prodding and poking by the audience, but does not sacrifice the author’s vision or core concepts to pure, dry realism…
Over the past 125,000 years, the average size of mammals on the Earth has shrunk. And humans are to blame.
That’s the conclusion of a new study of the fossil record by paleo-biologist Felisa Smith of the University of New Mexico.
Smith studied fossils going back 65 million years, when dinosaurs died and mammals came into their own. Many of the early mammals went on to get big. Among the giant creatures: “Llamas and camels and sloths and five species of pronghorn [antelope] actually,” she says, “and certainly mammoths. And then lots of really cool predators, like Arctodus, the short faced bear.” The short-faced bear stood 11 feet tall, about the shoulder height of some species of ancient camel.
And that was just North America.
Being big was just as successful as being small, and had some advantages when it came to surviving big predators. “Taken as a whole, over 65 million years, being large did not increase mammals’ extinction risk. But it did when humans were involved,” Smith found.
Looking back over the most recent 125,000 years of the fossil record, Smith found that when humans arrived someplace, the rate of extinction for big mammals rose. She says it basically came down to hunger. “Certainly humans exploit large game,” she says, “probably because they are tasty”—and because a bigger animal makes for a bigger meal. …
(9) TODAY IN HISTORY
April 21, 1997 — Ashes of Gene Roddenberry journeyed into space.
(10) COMICS SECTION.
John King Tarpinian shared this link with pun lovers in mind — Off the Mark.
The multi-million dollar dream of renovating and redeveloping the childhood library of Ray Bradbury for a museum dedicated to the Waukegan author is still alive more than two years after a campaign was launched to make it happen.
But a team of Bradbury devotees, civic boosters and creative minds has decided it isn’t going to wait for that overall package to take shape at the historic but dormant Carnegie Library on Sheridan Road.
Instead, early next month, plans will be unveiled for a more modest Ray Bradbury Experience Museum (RBEM) with a goal of opening in a Genesee Street storefront in time for the 100th anniversary of the late author’s birthday in August 2020….
… The workshop itself was much like what others have described: A whirlwind of big names coming in to talk to us, intensely trying to churn out a complete short story in just a few days, a lot of theory, and a lot of making friends. I learned a tremendous amount, much of which I carry with me and still use to this day. The workshop was wonderful.
But the question everyone wants to ask is this: What about the Scientology?
Well, it was definitely there. The impression I had at the time was that L. Ron Hubbard founded Scientology and therefore Scientology loves L. Ron Hubbard and everything he was associated with, and therefore the Church of Scientology wanted to support us in any way it could. David Miscavige was there to welcome us all. L. Ron Hubbard’s name was not just mentioned frequently, it was extolled. We were clearly and obviously using Scientology property for both the workshop and the gala. I, personally, found it a little uncomfortable at times, but I’m always uncomfortable in someone else’s sacred space, so there was nothing weird about that to me. A couple of the texts we used were clearly Scientologist documents (the biography of Hubbard had him transcending instead of dying, and another essay – I don’t recall exactly what it was about – Budrys explained was written for Scientologists and he explained what terms like “clear” meant so we could follow it), but that didn’t faze me either, since texts that inform writing can come from anywhere and most of us pull from our own traditions when teaching.
Before anyone has a meltdown about any of this, remember that this was the 1990s. Scientology had some legal troubles as a young religion, but at this point the general feeling was that it had left them behind….
And former Writers of the Future winner J. W. Alden has written another thread – start here.
Guess where the text of this WOTF handout came from?
But in addition, you’re also granting them permission to record and use footage of all your attendees and speakers, “in any manner, in any medium or context now known or hereafter developed, without further authorization from, or compensation to.” And after that Eventbrite “will own all rights of every nature whatsoever in and to all films and photographs taken and recordings made hereunder, including without limitation of all copyrights therein and renewals and extensions thereof, and the exclusive right to use and exploit the Recordings in any manner, in any medium or context now known or hereafter developed…”
…It’s hard not to get freshly angry at the status quo, reading this. But amid the statistics and the sort of historical pull quotes you’ll want to read out loud to horrified friends, Russ is also defying a literary tradition that, she points out again and again, wants to forget that women write. In so doing, she deliberately creates a legacy of women writers who came before. Well, white women. Russ mentions a few writers of color in the essay proper, and includes more in her Afterword, but this is a very white family tree. (It’s one of the ways the book shows its age; another is the way any genderqueerness is reduced to sexual preferences, which amid so much far-seeing commentary feels quaintly second-wave.)
And despite how much there is to be angry about, How to Suppress Women’s Writing is shot through with hope. There’s the energy of a secret shared in “the rocking and cracking of the book as the inadequate form strains or even collapses.” And beneath every denial of agency, there’s the obvious truth: For hundreds of years, despite those odds against them, the “wrong” writers still manage to write. Likely it won’t be remembered long enough or taken seriously enough, but to read this book is to admire this buried tradition, and realize how much there is to be discovered — and how there’s no time like the present to look at the marginalized writers you might be missing. “Only on the margins does growth occur,” Russ promises, like the guide in a story telling you how to defeat the dragon. Get angry; then get a reading list.
A startup company in California is using machine learning and artificial intelligence to advise fire departments about how to plan for earthquakes and respond to them.
The company, One Concern, hopes its algorithms can take a lot of the guesswork out of the planning process for disaster response by making accurate predictions about earthquake damage. It’s one of a handful of companies rolling out artificial intelligence and machine learning systems that could help predict and respond to floods, cyber-attacks and other large-scale disasters.
The Hubble “has offered a new view of the universe and has reached and surpassed all expectations for a remarkable 28 years,” the agencies said in a statement, adding that the telescope has “revolutionized almost every area of observational astronomy.”
Hubble was launched on April 24, 1990, aboard the space shuttle Discovery as a joint project between NASA and the ESA. Each year, the telescope is diverted from important scientific observational duties to take an image of the cosmos in intense detail.
This year’s featured image, the Lagoon Nebula, is a colossal stellar nursery, 55 light-years wide and 20 light-years tall, that is about 4,000 light-years away from Earth.
(17) END GAME. Looper tries to explain the ending of Ready Player One. Watch out for spoilers, I assume!
[Thanks to Chip Hitchcock, David Langford, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Peter J, Mark Hepworth, Jim Meadows, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
(1) FAREWELL, PORNOKITSCH. Yesterday Anne Perry and Jared Shurin signed off their long-running sff blog: “Pornokitsch: The Exit Interview”. The existing content will remain online for some time to come.
Anne: …As you say above, Pornokitsch is what we wanted it to be: a home for thoughtful, fun (and funny) essays about… whatever. Back when it was just the two of us writing for the site, that’s what we did. And it’s been a pleasure to watch the site bloom with much, much more of that…
By and large, I’m happy to say that I think I wrote more or less exactly what I wanted to write for the site. There are a few reviews I would do differently now, if I could go back in time. But we founded Pornokitsch as a way of talking about the pop culture we love with the humour and intelligence we wished to see in those conversations, and at the end of the day, I think we – and our many brilliant contributors over the years – have done just that.
Jared: On that note… We’ve mentioned our amazing contributors: words and art, regular and guest, past and present. We owe them a huge, huge thanks for all of their hard work and help and patience. Thank you all.
Anne: We owe you a huge debt of gratitude. Thanks also to all the publishers – editors, marketers and publicists – who offered us books to review and put quotes from us on the actual books, zomg. And, finally, thanks also to our tolerant and very supportive families, enthusiastic friends and – most of all – our readers over the years.
For those arriving too late, they created a kind of postmortem FAQ on their “Bye!” page.
How can I check if you verbally flensed my favourite piece of pop culture? I need know whether or not I should hate you forever.
To get ahead of a question I know someone will ask, no, there’s not any “puppy” nonsense this year. It appears the changes in nominating finalists to reduce slating had their intended effect, and also, the various puppies appear to have lost interest slamming their heads into this particular wall. This makes sense as it provided no benefit to any of them, damaged the reputations and careers of several, and succeeded only in making their rank and file waste a lot of time and effort (and money). They’ve gone off to make their own awards and/or to bother other media, which is probably a better use of their time. There was an attempt by a cadre of second-wave wannabe types to replicate slating this year, but that unsurprisingly came to naught.
In its stead are excellent stories and people, all of which and whom got on to the ballot on the strength of their work. Which is as it should be.
(3) IT’S BEEN AWHILE. Piet Nel said on Facebook about Sarah Pinsker’s “Wind Will Rove” (from Asimov’s, September/October 2017), a Best Novelette Hugo finalist —
This is the first time since 2013 that a story from Asimov’s has made the final ballot of the Hugos.
(4) NOT A NATIVE SPEAKER. J.R.R. Tolkien on Elvish:
Do genuinely forbidden, occult treatises exist in the modern world?
Who has them and how do I get a look?
The great libraries of the world, private antiquarian collectors, and the Vatican’s Secret Archives all house works on satanism and witchcraft. An interested party would need to earn scholar’s credentials or have someone very good at creating false identities counterfeit them. A wide and nimble knowledge of Olde English, Middle English, Latin, Arabic, ancient German and Italian, along with gifted insight into the science of cryptography would help—a person could be burned at the stake for the sin of heresy in more centuries than not and grimoires were often written in code. It would also be wise to attain a master’s knowledge of very old books themselves—the paper they were penned on, the material used to construct the covers, the ink used in the illuminated borders and illustrations, the quality and flow of period quills and brushes. Authentic editions, with provenance, sell for a great price, and forgeries are rampant. An equally lavish fee is charged for a single reading of the rarest, genuine, and powerful spell-books.
To find out more about the Hong Kong Science Fiction and Fantasy scene, Yunchtime reached out to Dr. Christine Yi Lai Luk, at the Institute for Humanities and Social Sciences of the Univeristy of Hong Kong, who attended the panel discussion….
YUNCHTIME: How did the seminar and panel discussion live up to the proposed topic?
LUK: There is plenty of room for improvement, I’d say. It is a panel of three women SF writers, but they did not explore “the world of women in SF” as advertised in the above description. It is more appropriate to call the seminar “women/gender and SF” because it is just three women talking about their SF work.
YUNCHTIME: How about the panelists, can you describe briefly some of their thoughts or comments?
LUK: I think Becky Chambers‘ views were the most relevant to the proposed topic. Chambers revealed how she was drawn into the world of SF from an early age onward. Raised in a space science-heavy family (her father is a rocket engineer and her mother an astrobiologist), she was introduced to SF and space fantasy movies as early as she could remember.
Her favorite SF novel of all time is “The Left Hand of Darkness” by Ursula LeGuin (a lot of nods from the audience as the name was dropped). She said writing SF gives her confidence as she is an introvert.
I think her experience reflects a certain gender norm in the SF realm: Unlike the blondy sorority type of girls, girls who are into SF are perceived as shy and nerdy, and incapable of drawing the attention from the opposite sex (except maybe from Wookie-dressed superfans).
Tang Fei does not write in English, only in Chinese. Her Chinese works are translated into English and they draw attention in the English-speaking world partly because her works are banned in China. Actually, Tang Fei is a pen name.
Because the conference was being held entirely in English and due to the language barrier, Tang Fei’s sharing was not effective as we could have hoped. She only managed to say a few sentences in English (with a very soft voice). Then, during the Q&A, she was relying on the organizer, Nicole Huang, to act as her interpreter.
The main thing I caught from Tang Fei is that in the future, human beings will exist in disembodied form and thus the only “gender” issue for SF writers to engage in will be purely on the psychological aspect.
Zen Cho talked about her upbringing in Malaysia and her identity as an English-speaking Hokkien among mainstream Malays. She did not identify herself as a SF writer, but as a fantasy writer. I don’t think she has said anything remotely relevant to gender.
YUNCHTIME: What is your impression of Fritz Demoupolis? Is he a big SFF fan? Demoupolis is a successful entrepreneur and venture capitalist, do you think he sees a business opportunity for the SFF genre in Hong Kong and China?
STEELE:Fritz Demopoulos is an interesting fellow … a California-born ex-pat who came to Hong Kong about 20 years ago and has stayed to make his fortune. My brother-in-law did much the same thing, so I’m familiar with this sort of entrepreneurship. He’s most definitely a SF fan. He discovered the genre through finding his father’s beat-up copy of Asimov’s Foundation and has been reading SF ever since. He knows the field, is familiar with major authors both old and new, loves the same movies and TV shows the rest of us do, and overall is an example of a highly-successful businessman who also happens to be something of a geek.
Melon is Fritz’s brainchild — he’d have to explain to you why he gave it that name — and it’s unique among SF gatherings. As I said, it’s not a con in the conventional sense — yes, that’s a deliberate pun; stop groaning — but rather a symposium that’s sort of academic without being stuffy or pretentious. The people Fritz invited to be speakers were SF writers — a few Americans like myself, but mainly young Asian authors— scientists from the U.S., Europe, and Asia, and a number of Hong Kong-based entrepreneurs working in both emerging technologies like AI and also mass media
The 76-year-old scientist was mourned by his children Robert, Lucy and Timothy, joined by guests including playwright Alan Bennett, businessman Elon Musk and model Lily Cole.
Eddie Redmayne, the actor who played Professor Hawking in the 2014 film “The Theory of Everything” was one of the readers in the ceremony and Felicity Jones, who played his wife, Jane Hawking in the film also attended the service.
(9) TODAY IN HISTORY
March 31, 1840 — President Van Buren issued executive order establishing 10-hour workday for federal employees.
…In true Silicon Valley fashion, chicken owners approach their birds as any savvy venture capitalist might: By throwing lots of money at a promising flock (spending as much as $20,000 for high-tech coops). By charting their productivity (number and color of eggs). And by finding new ways to optimize their birds’ happiness — as well as their own.
Like any successful start-up, broods aren’t built so much as reverse engineered. Decisions about breed selection are resolved by using engineering matrices and spreadsheets that capture “YoY growth.” Some chicken owners talk about their increasingly extravagant birds like software updates, referring to them as “Gen 1,” “Gen 2,” “Gen 3” and so on. They keep the chicken brokers of the region busy finding ever more novel birds.
“At Amazon, whenever we build anything we write the press release first and decide what we want the end to be and I bring the same mentality to the backyard chickens,” said Ken Price, the director of Amazon Go, who spent a decade in San Francisco before moving to Seattle. Price, 49, has had six chickens over the past eight years and is already “succession planning” for his next “refresh.”
(12) ENERGIES IMAGINED. In “Fuelling the Future” on Aeon, Aberstywyth University historian Iwan Rhys Morus analyzes Robert A. Heinlein’s 1940 story “Let There Be Light” in an analysis of how sf writers created stories about new power sources.
Heinlein needed the sunscreens to make his future work; that is, to answer the problem of how technological culture might flourish in a world of diminishing resources. This was not a new problem, even in 1940, and it is an increasingly pressing one now. The question of what is going to fuel the future has never been more urgent. Is it going to be wind or wave power? Will fuel cells, solar panels or even the holy grail of fusion be the answer to our problems? Or are we going to frack ourselves into oblivion? If we want to better understand how we speculate about future energy now, then we need to appreciate the extent to which those speculations have a history, and that their history (from the early Victorian period on) contains such fictions as Heinlein’s story as often as, and frequently mixed in with, highly technical debates about the characteristics and requirements of different modes of energy production and consumption.
(13) RUSS’ INFLUENCE. The Baffler’s Jessa Crispin, in “No Mothers, No Daughters”, an excerpt from her introduction to a new edition of Joanna Russ’s How to Supress Women’s Writing, says “I came at Russ sideways…seeing her name-checked by the punk rock chicks who created their own culture through zines an mix tapes when they failed to see themselves through thee wider culture.”
Reading Joanna Russ’s How to Suppress Women’s Writing, I wondered, what the hell is it going to take? For decades we have had these types of critiques. We have had books and lectures and personal essays and statistics and scientific studies about unconscious bias. And yet still we have critics like Jonathan Franzen speculating on whether Edith Wharton’s physical beauty (or lack of it, as is his assessment of her face and body) affected her writing, we have a literary culture that is still dominated by one small segment of the population, we have a sense that every significant contribution to the world of letters was made by the heterosexual white man—and that sense is reinforced in the education system, in the history books, and in the visible world.
This complaint wasn’t even exactly fresh territory when Russ wrote her book, which I do not say to diminish her accomplishment. It is always an act of bravery to stand up to say these things, to risk being thought of as ungrateful. Your small pile of crumbs can always get smaller.
But what is it going to take to break apart these rigidities? Russ’s book is a formidable attempt. It is angry without being self-righteous, it is thorough without being exhausting, and it is serious without being devoid of a sense of humor. But it was published over thirty years ago, in 1983, and there’s not an enormous difference between the world she describes and the one we currently inhabit.
(14) THE MARCHING GENIUSES: At Featured Futures, Jason’s prepared another list of bright literary lights in the Summation: March 2018
The fifteen noted stories (nine recommended) come from the 112 (of about 560,000 words) that I’ve read with a publication date between February 26 and March 31. The printzines were decent, with Analog, Asimov’s, F&SF and Interzone (the latter reviewed for Tangent) being represented by more than one story from their bi-monthly issues. On the web, Lightspeed has two from just this month while Beneath Ceaseless Skies, Flash
Fiction Online, and Nature also make appearances.
Today was a step forward for the cviil rights of conservative-libertarians in SF/F, as I attended the Hugo Award Nomination ceremony without harassment from the Worldcon 2018 staff. It proves beyond a shadow of a doubt that I am 1. not disruptive at Worldcon events — or any convention, as FogCon proved and 2. that the discrimination I face from them was for reasons other than my being a danger to any guests (since I am clearly not, and they clearly didn’t think I was here).
The Worldcon Staff was uninviting — a nearly all white group I might add — not seeming to want to have a Hispanic author in their presence. It is something we will have to overcome in fandom together in time.
(16) GRAND THEFT LUNCH. SFF cannot keep up with stories like this from the real world!!!! Begin here —
Co-worker got his lunch stolen and they’ve agreed to let him watch the security camera tape. This is the most excited I’ve ever been at any job ever. Ever.
(17) IN CHARACTER. Jeff Goldblum in his Thor: Ragnarok character in a short film “Grandmaster Moves To Earth.” From 2017, but it’s news to me!
[Thanks to JJ, Martin Morse Wooster, Mlex, Chip Hitchcock, John King Tarpinian, Andrew Porter, Cat Eldridge, Jason, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
Dublin 2019: An Irish Worldcon has announced a new family plan for those members who are attending with members of their family. If you sign up for a family plan you will receive 10% off the total costs for the included memberships. This new plan can be used in conjunction with the recently announced Instalment Plan as long as the Family Plan is set up first.
The Dublin 2019 Family Plan enables fans to bring their whole family with them and save 10% on the total costs of memberships. A family plan will consist of 2 “Major” and at least 2 “Minor” Individuals. A “Major” membership is an individual born on or before 15 August 2001 (18+ on the first day of the convention). “Minor” memberships are individuals born between 16 August 2001 and 15 August 2013 (ages 6-17 on the first day of the convention). There is also a single parent variation. Details can be found on the website.
Under the Plan, you first buy a Supporting Membership and then fill in the Dublin 2019 Family Plan Request form. The registration team will then be in touch with your membership invoice. The charge for your family plan will be frozen at the time your application is received, accepted, and calculated. If you have not chosen to apply for the instalment plan we will issue an invoice for the balance which you will have 30 days to pay. If that lapses without payment, then you will need to start the process over again, and costs will be calculated from the date of new application.
With the Attending Membership rates rising at 00:01 hours Dublin time on April 3, 2018, this is an ideal time to consider a Family Membership Plan and ensure that you and your family can attend Dublin 2019 at the current cost.
Rover’s adventures begin one day when he plays with his yellow ball outside and bites a wizard for taking the ball, which is not to the dog’s liking. The animal’s misfortune is that he has not got the slightest idea that the man is a wizard because “if Rover had not been so busy barking at the ball, he might have noticed the blue feather stuck in the back of the green hat, and then he would have suspected that the man was a wizard, as any other sensible little dog would; but he never saw the feather at all” (Roverandom, p. 41-42). Being really annoyed, the wizard turns Rover into a toy dog and his life turns upside down.
It is because of such poor control of emotions that Rover is bound to embark on an adventure of some kind in a rather uncomfortable form. There also seems to be a lack of knowledge on his behalf. It is not the only time when Tolkien uses the “if they knew something, they would understand a situation better” pattern in Roverandom, as well as in some other of his stories. These references can be either to existing in our world myths, legends and folktales, or to Tolkien’s own stories. In his mythology the character wearing a hat with a blue feather is none other than Tom Bombadil, who is a very powerful being indeed, so a blue feather seems to be a very telling sign to those in the know.
… Can*Con is in Ottawa, Canada in October. My job is pretty minor: I wrote our accessibility policy and revise it every year, and I advise the committee about how to implement it when we have particular problems or concerns. Most importantly, I’m there as the dedicated person to field questions or concerns.
Here are a few of the things I’ve learned…
The whole convention committee has to be on board. Programming policies affect accessibility. So do registration procedures, party plans, restaurant guides. If anyone involved shrugs it off, accessibility will suffer. From the beginning, every person on the committee of Can-Con, and every volunteer, has been entirely supportive of me and the policy. When I bring a concern to the committee, the response is always constructive and never defensive. There are limits to what we can do, as a small but growing convention, and so much depends on the physical accessibility of the venue itself. But I’m learning that the limits are actually a lot farther away than they might appear, and with good people working together, a lot is possible….
Accessibility is about inclusion, and it’s a broader topic than you might think. Mobility barriers are probably the first thing that comes to mind, and they’re hugely important, but they’re not the whole picture. Accessibility is also about making sure that everyone is called by the correct pronouns and has access to a washroom where they’ll be safe and comfortable. It’s about trying not to trigger allergies and sensitivities. It’s about making sure that people have the supports they need. One of the most frequent requests we’ve had is simply for quiet recovery space.
(7) IN THE BEGINNING. Sarah A. Hoyt, having finished her Mad Genius Club series defining various genres and subgenres thoroughly and accurately, has embarked on a specialized tour of different ways to start a story. Today it’s “The Atmospheric”. Very interesting, and besides, there’s a Bradbury quote!
…“In the year A.D. 400, the Emperor Yuan held his throne by the Great Wall of China, and the land was green with rain, readying itself towards the harvest, at peace, the people in his dominion neither too happy nor too sad.” – Ray Bradbury, The Flying Machine.
Look at those openings above. They’re obviously not “these people” because except for the first — and it’s not exactly people — there are no people to be “these”.
Is there action? Well, sort of. I mean things are happening. But if those are the main characters of your novel they’re kind of weird, consisting of a hole in the ground, a light in the sky, noise and apparently the Emperor Yuan.
Of course these are atmospheric beginnings.
Atmospheric beginnings are hard to do. It’s easy to get lost in writing about things in general, but will they capture the reader? And while you — well, okay, I — can go on forever about the beautiful landscape, the wretched times, the strange events in the neighborhood, what good is that if your reader yawns and gently closes the book and goes to sleep?
To carry off an atmospheric beginning, too, you need impeccable wording, coherent, clear, and well… intriguing. If that’s what your book calls for, a touch of the poetic doesn’t hurt either….
A hardware wallet designed to store crypto-currencies, and touted by its manufacturer as tamper-proof, has been hacked by a British 15-year-old.
Writing on his blog, Saleem Rashid said he had written code that gave him a back door into the Ledger Nano S, a $100 (£70) device that has sold millions around the world.
It would allow a malicious attacker to drain the wallet of funds, he said.
The firm behind the wallet said that it had issued a security fix.
It is believed the flaw also affects another model – the Nano Blue – and a fix for that will not be available “for several weeks”, the firm’s chief security officer, Charles Guillemet told Quartz magazine.
There was a beat of silence as the room’s atmosphere shifted from inward reflection to jittery disbelief. “How is that even possible?” said one visitor, waving a pointed finger at the living-room ceiling. “Is it still accurate?” asked another. “Why have I never heard of this before?” came the outburst from her companion. Craning my neck, I too could hardly believe it.
On the timber roof above our heads was a scale model of the universe, painted in sparkling gold and shimmering royal blue. There was the Earth, a golden orb dangling by a near-invisible, hand-wound wire. Next to it, the sun, presented as a flaming star, glinting like a Christmas bauble. Then Mercury, Venus, Mars, and their moons in succession, hung from a series of elliptical curves sawn into the ceiling. All were gilded on one side to represent the sun’s illumination, while beyond, on the outer rim, were the most-outlying of the planets, Jupiter and Saturn. Lunar dials, used to derive the position of the zodiac, completed the equation.
A day after replacing showrunners, Syfy has unveiled the first look at its upcoming George R.R. Martin space drama Nightflyers.
Nightflyers is, without question, a big swing for Syfy. The drama, based on Game of Thrones creator Martin’s 1980 novella and the 1987 film of the same name, follows eight maverick scientists and a powerful telepath who embark on an expedition to the edge of the solar system aboard The Nightflyer — a ship with a small, tight-knit crew and a reclusive captain — in hopes of making contact with alien life. But when terrifying and violent events begin to take place, they start to question each other, and surviving the journey proves harder than anyone thought.
(13) JOB APPLICATION. A video of Shatner and Nimoy at Dragon Con is touted as “the funniest Star Trek convention of all time” by the poster.
William Shatner repeatedly asked Leonard Nimoy, “Why am I not in the movie?!”
(14) IMITATION IS THE SINCEREST FORM OF FLATTERY: Jason sends word that Featured Futures has added a couple of items regarding markets receiving accolades and magazines receiving coverage by prolific review sites.
The following is a list of short fiction markets which had 2017 short stories, novelettes, or novellas selected for a Clarke, Dozois, Horton, or Strahan annual or which appeared on the final ballot of the Hugos or Nebulas. They are sorted by number of selections (not individual stories, which sometimes have multiple selections).
This is a variant of “The Splintered Mind: Top Science Fiction and Fantasy Magazines 2017.” This only tabulates six factors over one year rather than the many factors over many years of the original. That version helps flatten out fluky peaks and valleys but this provides an instant snapshot of major accolades. (This version also includes whatever venue the stories come from while that version focuses on magazines.) I’d thought about doing this before but stumbling over that finally got me to do it.
This page presents a table of the science fiction, fantasy, and horror magazines covered by five “prolific review sites.” Its primary purposes are to help people find the coverage of the zines they want to read about and/or to help them see which zines are covered from multiple viewpoints.
This is a variant of Rocket Stack Rank‘s “Magazine Coverage by Reviewers.” There are two significant differences and a minor one. First, this lists all the magazines regularly covered by the reviewers. Second, the list of reviewers includes Tangent Online but not the editors of annuals who presumably read most everything but don’t maintain review sites (though Dozois, Horton and others do review recommended stories for Locus). The minor difference is just that there’s no number column because this isn’t being done for “stack ranking” purposes.
The name ‘Duncan Jones’ will immediately evoke, in the minds of the small but powerful(ly voiced) group of cine-nerds, the masterful 2009 film Moon, and/or the respectable cerebral (get it?!) thriller Source Code of 2011. Garden-variety meathead non-nerds, on the other hand, might recall him as the director of the 2016 video game-to-film adaptation of Warcraft—you know, the movie that absolutely no one was eagerly awaiting. No matter your nerd credentials, then, you probably associate Duncan Jones with a certain cinematographic pizzazz, and like me, your expectations were probably quite high for his latest brainchild, the only-on-Netflix 2018 futuristic neo-noir Mute. The question is, were those expectations met?
Nah. But before we get to the bad news, I’ll give the good news. The film is breathtakingly beautiful, leaving no rock of the delectably dirty futuristic Berlin unturned, and what’s more, it is full of quirky little visual predictions of what the world will be like in twenty years (you know, mini-drones delivering food through the drone-only doggy door on windows, etc.). Plus, Paul Rudd was, in my opinion, an excellent casting choice, as his snarky-but-harmless star persona helps mask the darkness lurking deep within his character here.
Portal fantasies feel like a staple of childhood. I missed most of the literary ones. I loved In Other Lands, but as much as it is a portal fantasy it’s also a critique of them, a loving celebration and deconstruction of their tropes and politics, and I probably missed 95% of everything this book does. Does it do what it set out to do well? Yes, says the portal fantasy newbie, whose experience with portal fantasy as a Youngster comes in the form of the following:
Through the Ice by Piers Anthony and Robert Kornwise
Labyrinth, starring David Bowie
The Neverending Story; too bad about those racial politics
Cool World starring Brad Pitt, which I watched when too young
Space Jam, the best sports movie after Cool Runnings
(17) X FOR EXCELLENT. Also at Lady Business, Charles Payseur returns with a new installment of “X Marks the Story: March 2018”, which includes a review of —
What It Is: As the title of this short story implies, it is a history of sorts of the people behind the teeth that George Washington bought to use for his dentures. Structured into nine sections, the story builds up a wonderfully imagined alternate past full of magic, monsters, and war—even as it uncovers the exploitation and abuse lurking at the heart of the very real history of the United States of America. Each story explores a different aspect of the past through a fantasy lens, and yet the truth of what is explored—the pain and atrocities that people faced under the rule of early America—rings with a power that echoes forward through time, reminding us of the origins, and continued injustices, of this country….
…The depiction of Islam in The Two of Them would only play today on Fox News. It is ignorant and Islamophobic. Russ may have been writing a feminist sf novel about the role of women, but she has cherrypicked common misconceptions about women in Islamic societies as part of her argument, and ignored everything else. This is not an Islamic society, it’s a made-up society based on anti-Islamic myths and clichés….
There’s a good story in The Two of Them, and the prose shows Russ at her best. Toward the end, Russ even begins breaking the fourth wall and directly addressing the reader. The narrative also discusses alternative outcomes of Irene’s story, probabilistic worlds and events that would naturally arise out of the premise of the Trans-Temporal Authority. Her depiction of Irene, contrasting both her lack of agency in 1950s USA and her agency in the Trans-Temporal Authority, makes an effective argument. But the attempt to contrast it with Islam is a definite mis-step….
The Ryan Reynolds-fronted sequel has been tested three times, with the scores for the first two screenings coming in at 91 and 97. The final test, which occurred in Dallas, tested two separate cuts simultaneously, which scored a 98 and a 94. The 98-scoring cut is the version the team is using, a source with direct knowledge told THR.
The crew attended the final screenings in Dallas, and a source in the audience of the 98 screening describing the environment to THR as being electric and akin to watching the Super Bowl.
It’s worth noting the highest test screening the original Deadpool received was a 91, according to insiders. The film went on to gross $783 million worldwide and stands as the highest-grossing X-Men movie of all time.
(20) VIDEO OF THE DAY. “Isle of Dogs: Making of: The Animators” is a look at how 27 animators and ten assistants used state-of-the-art animation to make – you guessed it — Isle of Dogs..
[Thanks to John King Tarpinian, JJ, Rich Lynch, Chip Hitchcock, Carl Slaughter, Cat Eldridge, Andrew Porter, Greg Hullender, Jason, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor Peer.]
… The only thing we do know about the as-yet-unnamed live-action Star Wars television show is that it’s a part of Disney’s upcoming streaming service. In 2019, Disney will pull all of its titles from Netflix and other streaming services to launch its own streaming platform, which will include this live-action Star Wars series as well as “four to five original movies a year.”
(2) SHE CAN AFFORD TO SCINTILLATE. That didn’t take long. Jo Walton’s Kickstarter to launch a new Montreal convention fully funded in nine hours and since then has blown past several stretch goals. Scintillation will be held in Montreal from October 5-7, 2018, with program by Walton, and takes the place of another con she used to do:
I stopped doing Farthing Party because every year I suffered agonies of anxiety that we wouldn’t have enough members to break even and I’d go into debt to the hotel. It also ate a lot of my time, and in 2014 I decided to stop and concentrate on writing and organizing smaller events with friends. Scintillation is going to be different. For one thing, it’s going to be funded (or not) by this Kickstarter. We’ll know how much money we have. If there isn’t enough interest and it doesn’t fund, we’ll know now and give up. For another, I have more help. I’ll still be doing program, but other people are going to be doing everything else, including the dreaded badge printing. So we can all have more fun.
Walton set a goal of $2,366 and has already raised $4,457.
So, it happened again. A big name fantasy writer made his fans angry because the next book in his series hasn’t appeared in years. And, in a passing remark, he compared the comments fans make on his overdue book to those comments people make to their unemployed adult child about getting a job or to their single grandkid about getting married.
Patrick Rothfuss made the foolhardy decision to let a reporter shadow him all day and of course Rothfuss had an unguarded moment. He said, on the record,
“[The fans] don’t realize this is so wearying,” he said with a sigh when we spoke a few weeks ago. “It’s like asking, ‘When are you going to get married? When are you going to go to law school?’ It’s like, just fuck off. Just die. I don’t need any more of that in my life.”
It’s especially not a good plan to tell the reporter who is also covering the fact that The Kingkiller Chronicle superfan Lin-Manuel Miranda (of Hamilton fame) will be the executive producer on a version of your series that’s going to be aired on Showtime in the next year or two.
But writers are who writers are. And most of them (most of us) spend our time alone in a room, making things up. Writers tend not to realize that their fans are people. Nor do some writers—especially newer writers who have fast success—realize that the only reason they’re going to be remembered as artists is if they have fans of their work.
(4) SEE ORIGNAL RUSS TEXT. This weekend at the Boston Book Fair Lloyd Currey and John Knott will be at booth 426 with several unique items will be on display, including an important manuscript by Joanna Russ.
Russ, Joanna. HOW TO SUPPRESS WOMEN’S WRITING [Nonfiction]. AUTOGRAPH MANUSCRIPT (AMs). Rough draft handwritten on lined notebook paper, except for the three-page “Authors Note” which is typewritten (carbon copy), with Russ’s handwritten corrections. 245 leaves, most with footnotes written on the versos. The manuscript includes material that was not included in the published book. The book is a high point of feminist literary criticism, a witty and rigorous examination of the arguments used to marginalize and suppress writing by women historically and in the present, arguments that might easily be (and have been) adapted to any body of writing a dominant group might wish to marginalize. It is a work of enduring interest and application that might outlast even the best of this fine writer’s fiction. “A book of the most profound and original clarity. Like all clear-sighted people who look and see what has been much mystified and much lied about, Russ is quite excitingly subversive. The study of literature should never be the same again …” – Marge Piercy.” The book was published in 1983 by the University of Texas Press and remains in print, although the author did not live to grant permission for an electronic edition.
For me, a map is a type of memory palace, linking up all kinds of information for easy retrieval. Without one, I don’t just feel lost, I feel *dumb* — because my memories are disorganized and harder to recall.
The novel that started me toward this realization is The Ruin of Angels, the sixth book in Max Gladstone’s Craft Sequence. Set in a complex world in which both gods and capitalism are real, the books have been mostly set in different cities, each with its own culture and gods/capitalism balance, where history, human minds, and the fabric of reality keep being re-written under pressure.
However Paul Linebarger chose his own pseudonym and given the care with which he wrote his stories I can’t imagine him applying anything less than the same degree of care to choosing a pen-name. In which case I think it reasonable to assume Linebarger chose Cordwainer Smith because it had some sort of significance to him. He wouldn’t be the first to do so, Robert Heinlein for example constructed the pen-name Lyle Monroe from his mother’s maiden name and a surname taken from one branch of her family.
In Linebarger’s case however just what that significance his chosen pen-name might have isn’t immediately apparent. As far as I’m aware Paul Linebarger never explained why he chose Cordwainer Smith and those words have no obvious connection to the man. But that’s alright because I have a theory (actually, I always have a theory, it’s my least endearing trait people tell me)….
The mystery has been solved! The simple, soaring paper airplane; game-changing Wiffle Ball; and murder-mystery favorite Clue today became the latest inductees to The Strong’s National Toy Hall of Fame. The honorees were selected from a field of 12 finalists that also included: Magic 8 Ball, Matchbox Cars, My Little Pony, PEZ Candy Dispenser, play food, Risk, sand, Transformers, and Uno.
About paper airplane: Artist and inventor Leonardo DaVinci sketched and designed flying creations using parchment in the 15th century. Later, in the early 19th century, Sir George Cayley identified four primary forces—lift, drag, weight, and thrust—which eventually helped the Wright Brothers first take flight in 1903. These defining moments helped lead to the purported invention of the paper airplane in 1909—but its exact origin is unclear. Experts can agree that the principles that make an airplane fly are the same that govern paper versions. Paper’s high strength and density make it similar, scale wise, to the materials out of which actual airplanes are constructed.
“Where some toys require financial investment, paper airplanes start with a simple sheet of paper, coupled with creativity and dexterity, to produce a toy with infinite aeronautical possibilities,” says Christopher Bensch, The Strong’s vice president for collections. “They allow the imagination to takeoff and soar!”
About Wiffle Ball: A retired semi-pro baseball player in 1950s suburban Connecticut noticed that his son and friend could not play a game of baseball in the cramped space of their backyard (especially without breaking any windows). He began cutting holes in spherical plastic containers and gave them to his son for testing, eventually developing a ball with eight oblong slots that allowed the ball to grab air, thus diverting its trajectory. With it, a pitcher could easily throw a curve, a slider, or a knuckle ball. The Wiffle Ball slowed the game, shrunk the playing field, and made it conducive to post World War II-suburbia. The family-owned Wiffle Ball Inc. opened in Connecticut and established rules for the game of Wiffle Ball. Soon, it was producing millions of Wiffle Balls each year and it continues to do so.
“The Wiffle Ball changed the outdoor play landscape, taking the basics of backyard baseball and transforming it into something easier for neighborhood kids to negotiate. In the more than 60 years since its introduction, generations of Little League, high school, college, and pro sluggers have begun their baseball careers swinging at a Wiffle Ball,” says Curator Michelle Parnett-Dwyer.
About Clue: A British couple designed Clue during World War II and based it on the murder-mystery dinner parties popular around that time. They patented the game in 1944 and successfully pitched it to Waddington Games, but material shortages kept it out of production for several years. Then, in 1949, Waddingtons released it under the name “Cluedo.” Gaming giant Parker Brothers purchased the rights and released it in America under the name “Clue” shortly thereafter. The game—in which players must deduce with available evidence the murderer of the luckless Mr. Boddy—became a quick success. It remains one of the top 10 best-selling games of all time.
Congressional negotiators have rejected the House’s plan to create a new “Space Corps” — omitting the proposal for a new military branch under the umbrella of the Air Force from the final version of a nearly $700 billion bipartisan defense policy bill called the National Defense Authorization Act.
Despite support from House Armed Services Committee leaders — including chairman Mac Thornberry — the Space Corps proposal will not be included in the final NDAA for fiscal year 2018. Though the bill does contain language directing further long-term study of the issue, according to senior staff for both armed service committees, who briefed reporters on the contents of the bill Wednesday.
The proposal, which was included in the House’s National Defense Authorization Act, would have set up a Space Corps in the mold of the Marine Corps, which is a separate military branch that’s housed within the Navy.
(9) TODAY IN HISTORY
November 10, 1969 – Sesame Street premiered.
November 10, 1973 – Slaughterhouse Five is burned in North Dakota. “Some found the book’s pessimistic outlook and black humor unsuitable for school children.”
November 10, 1989 – Communion premieres in theaters.
I make sculptures out of the pages of used books. Each piece depicts what the book is about in some way. I decided to do a series of places in the Game of Thrones universe, as shown on the show’s intro sequence. Each sculpture takes somewhere from 10- 20 hours to make.
The series is not yet complete. I’m working on another piece now (Dorne) and I have several more planned out. You can see additional views of the GoT pieces, as well as my other work on my website.
The foulmouthed, R-rated, unicorn-loving, Francis-stalking, fourth wall-breaking Marvel family is getting back together in the new poster for Deadpool 2. After debuting on Collider, franchise star Ryan Reynolds released the one-sheet, which spoofs the famous “Freedom From Want” painting by Norman Rockwell.
Our favorite Merc with the Mouth, presenting a Thanksgiving turkey, is seen standing beside Josh Brolin’s time-traveling psychic mutant Cable, while Dopinder (Karan Soni), Vanessa (Morena Boccarin), Negasonic Teenage Warhead (Brianna Hildebrand), Blind Al (Leslie Uggams), newcomer mutant Domino (Zazie Beetz), Weasel (T.J. Miller), and Colossus (Stefan Kapicic) sit around the dinner table.
Portuguese scientists have captured a “shark from the age of the dinosaurs” off the Algarve coast.
Researchers caught the rare frilled shark aboard a trawler, where they were working on a European Union project to “minimise unwanted catches in commercial fishing”, Sic Noticias TV reports.
The scientists from the country’s Institute for the Sea and Atmosphere dubbed the shark a “living fossil” because remains have been dated back 80 million years, making it one of very few species of such antiquity still around today.
The Institute said the male fish measured 1.5 metres (5ft) in length and was caught at a depth of 700 metres (2,300 ft) in waters off the resort of Portimao.
…It is rarely caught, and even then examples do not often make it to research laboratories. There is also little footage of the shark in its natural habitat.
It’s well known that the Romans love their cats – so much so that they have designated the felines as a biocultural heritage of the city. But how much longer will this last?
(14) DIVERSE COMICS. And speaking of…. Barry Deutsch criticizes those who seem to believe in insisting that everyone else enjoy things in the same way as they do. The Twitter thread begins here —
1. Why are right-wing nerds invariably so stupid about art? It's not just Brad; it's impossible to read the comicsgate people, for example, without noticing that they don't know a thing about comics. Similar is true of the sad puppies in science fiction. https://t.co/icywwSlkWG
(15) FORGOTTEN EARLY MAN. Can’t remember if I ran this already, so let’s err on the side of not missing it –
(16) NEXT PIXAR FLICK. Disney’s Coco, final official trailer. The movie hits theaters November 22.
[Thanks to John King Tarpinian, Mark Hepworth, JJ, Cat Eldridge, Mike Kennedy, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]