Pixel Scroll 1/11/20 The Yellow Brick Road Must Roll

(1) PROZINE REJOINS THE LIVING Compelling Science Fiction has been saved from the scrapheap of history. Editor Joe Stech explains how it happened:

We’re back in business and will be open to submissions once again on Monday, January 13th!

After I announced in September that Compelling Science Fiction would be shutting down for good, Nick Wells of Flame Tree reached out to me and suggested we work together to keep the magazine publishing our unique brand of science fiction stories. Over the last month we came to an agreement that will allow Compelling Science Fiction to continue publishing — you may recall that my issue was one of time, and Flame Tree will take over many of the most time-consuming aspects of the magazine. My role will transition to that of editor-in-chief, and Nick will take over the publishing role. I’m very excited to work with Nick and Flame Tree, and continue to support this genre of fiction that I love.

We’ll be transitioning to a quarterly schedule, and will also be accepting submissions much more often. Authors, we need your wonderful stories, so please send them our way! And readers, thanks for entrusting us with your time. I will always treat it with respect, and do my best to provide the types of stories you come here for.

(2) MORE SFF ON JEOPARDY! David Goldfarb says “The third episode of the ‘Greatest of All Time’ Jeopardy! tourney had a number of SFF-related questions.”

Here was the $800 answer in “Prequels and Sequels”:

Edited by the author’s son Christopher & published in 1977, it’s a history of Middle-Earth before “Lord of the Rings”.

Ken Jennings readily questioned, “What is Silmarillion?”

And the $400 answer:

Set for release in 2020 is Suzanne Collins’ “The Ballad of Songbirds and Snakes”, a prequel to this series.

James Holzhauer asked, “What is The Hunger Games?”

In the “TV Green Thumb” category:

$1200: On “The Handmaid’s Tale”, this wife of Commander Waterford has some pivotal scenes in her greenhouse.

Two wrong guesses, but nobody got, “Who is Serena?”

$1600: Played by Carolyn Jones in the ’60s, she loved to cut the heads off her roses, & rejoiced when her thorns came in sharp.

Crickets. “Who is Morticia Addams?”

And the $2000 featured a picture of Jean-Luc Picard and Boothby the groundskeeper: Jean-Luc Picard once helped Boothby, played by this one-time TV Martian, to replant some flowers at Star Fleet Academy.

Ken Jennings got it: “Who is Ray Walston?”

Goldfarb concludes, “The game in the second half (each day’s game is two regular games put together) had questions about Cocteau’s ‘La Belle et Le Bête’ and Grieg’s ‘In the Hall of the Mountain King’, but I’m going to call those only genre-adjacent and not quote them.”

Then, Andrew Porter saw this go down —

Category: Book Marks

Answer: In this novel, Mark Watney says, “I didn’t die on Sol 6. Certainly the rest of the crew thought I did.”

Wrong question: What is “The Sun Also Rises?”

Right question: What is “The Martian.”

(3) DIAGNOSING SUCCESS. The Hollywood Reporter’s Patrick Shanley probes “The Key Difference Between Video Game and Film Remakes”.

…Video game remakes work because, in many ways, they are the antithesis of film remakes. They honor the original vision by elevating it to what it was hoping to be but unable to achieve due to the limits of technology. The best remakes (in any medium) maintain the heart and soul of their source material while simultaneously modernizing them. In that regard, games have outshone film, delivering on the promise of the original while also updating them in a way that appeals to the nostalgia of longtime fans and the discerning eye of newcomers.

(4) STREAMING SEVENTIES SFF. [Item by Rob Thornton.] Criterion Channel, a streaming service that focuses on art films and is based on the home video distributor The Criterion Collection, will be featuring a wide range of science fiction films from the 1970s for most of January 2020. The service’s sci-fi offerings for the month are:

  • No Blade of Grass (Cornel Wilde, 1970)
  • A Clockwork Orange (Stanley Kubrick, 1971) [based on the Anthony Burgess novel of the same name]
  • The Omega Man (Boris Sagal, 1971) [based on Richard Matheson’s novel I Am Legend]
  • THX 1138 (George Lucas, 1971)
  • Z.P.G. (Michael Campus, 1972)**
  • Westworld (Michael Crichton, 1973)
    Soylent Green (Richard Fleischer, 1973) [based on Harry Harrison’s Make Room, Make Room!]
  • Dark Star (John Carpenter, 1974)
  • The Terminal Man (Mike Hodges, 1974)
  • Rollerball (Norman Jewison, 1975),
  • A Boy and His Dog (L. Q. Jones, 1975) [based on the Harlan Ellison story of the same name]
  • Death Race 2000 (Paul Bartel, 1975)
  • Shivers (David Cronenberg, 1975)
  • The Ultimate Warrior (Robert Clouse, 1975)
  • Logan’s Run (Michael Anderson, 1976)
  • God Told Me To (Larry Cohen, 1976)
  • Demon Seed (Donald Cammell, 1977)
  • Mad Max (George Miller, 1979)

Other genre-related SF films from the decade may already be available on the service (Tarkovsky’s Stalker and Solaris are definitely there) .

(5) JAMES DAVIS NICOLL. The proprietor tells us that today’s review — of An Illusion of Thieves by Cate Glass — is review 1500 on James Nicoll Reviews. His career total is “something like 6600 reviews.”

(6) CROWDFUNDING WISDOM. Cat Rambo tweeted the highlights from “Crowdfunding and Kickstartering with M.C.A. Hogarth.” Thread starts here.

(7) GETTING THE ROCKETS READY. CoNZealand has posted a “Hugo Awards Video” hosted by Tammy Coxen, this year’s awards administrator.

If you’d like to know more about the Hugo Awards, check out this new video from the CoNZealand team, talking about the history of the awards and why they’re so important.

(8) TODAY IN HISTORY.

  • January 11, 1997 — in Japan, Barb Wire got released. Starring Pamela Anderson and a very brief outfit, it was based on a Dark Horse comic (written by John Arcudi and illustrated by a rotating group of artists), the film was made on a shoehorn budget (about the size of her outfit) of nine million but was still a box office bomb bringing in only four million. Excepting Ebert, most critics didn’t like it and the reviewers at Rotten Tomatoes are especially harsh, giving it just a 14% rating. And there’s a lot of them that don’t like it — 47, 276 so far! 
  • January 11, 2013 Survival Code (Borealis was its original name and it was called that in Canada), and it starred Ty Olsson, Patrick Gallagher and Michelle Harrison. It was directed by David Frazee. It won three Canadian Screen Awards at the Second Canadian Screen Awards for Best Dramatic Miniseries or Television Movie, Best Writing in a Dramatic Program or Miniseries, and Best Original Score for a Television Program. The film was created to be a series pilot for Space, but the series never happened for reasons we can’t find but Space, its distributor, aired it instead as a television film. Yes it scored well at the Canadian Screen Awards, but the reviewers at Rotten Tomatoes were less forgiving as it get just 33% there. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 11, 1906 John Myers Myers. Ahhh, Silverlock. I read the NESFA Edition which has the Silverlock Companion in it which is very useful as you know the novel’s very meta indeed. If you don’t have this, it was reprinted separately later. Thirty years after Silverlock was published, The Moon’s Fire-Eating Daughter novella came out. Myers claims it’s a sequel to Silverlock. (Died 1988.)
  • Born January 11, 1923 Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name, and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which Fantastic Voyage series is based, and the Isaac Asimov novel was based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film.  (Died 1998.)
  • Born January 11, 1923 Wright King. He’s had roles in the SFF realm starting with Captain Video and His Video Rangers and including Johnny Jupiter, Twilight Zone, Out ThereThe Invaders, Planet Of The Apes , Invasion of the Bee Girls, Voyage to the Bottom of the Sea and Logan’s Run. (Died 2018.)
  • Born January 11, 1930 Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), The Time MachineColossus and the Amazon Queen (Taylor claims to have rewritten the script), The Birds (I really don’t like it), Gulliver’s Travels and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.)
  • Born January 11, 1937 Felix Silla, 83. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi
  • Born January 11, 1961 Jasper Fforde, 59. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted wordplay as I did his Nursery Crimes series. I thought last year when I wrote Birthday note up that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them. 
  • Born January 11, 1963 Jason Connery, 57. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly including the music which was done by Clannad which I’ve got live boots of. He also played Jondar in the “Vengeance on Varos”story on Doctor Who during the Sixth Doctor era (my least favorite Doctor). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins
  • Born January 11, 1971 Tom Ward, 49. He’s Captain Latimer in the Eleventh Doctor’s Christmas Special, “The Snowmen”. And he’s Edward Goodwin in Harry Price: Ghost Hunter. His latest genre role was as Sir Robert Peel in The Frankenstein Chronicles.
  • Born January 11, 1972 Amanda Peet, 48. Not a long SFF précis but an interesting one none-the-less.  She first shows up voicing Maria Montez in Battle for Terra. She was then Harlee in Martian Child which is at genre adjacent. She was ASAC Dakota Whitney in The X-Files: I Want to Believe. Say did you know that Quantum Quest: A Cassini Space Odyssey was paid for in part by NASA? Way cool. She voiced Ranger in it. 

(10) BRITISH INTERPLANETARY SOCIETY REMEMBERED. The London Review of Books has linked to “Operation Backfire” by Francis Spufford first published in 1999.  This history of the British space program mentions Arthur C. Clarke twice:  first in describing the British Interplanetary Society in 1944 and second a theological debate Clarke had with Lewis and Tolkien in 1958.

In November 1944 a group of men met in a London pub. In this fifth year of the war, the capital was dingy, dog-eared, clapped-out, frankly grimy. Though Britain had not shaken off its usual inefficiencies at mass production, it had converted its economy to the needs of the war more completely than any other combatant nation. For five years there had been no new prams, trams, lawnmowers, streetlamps, paint or wallpaper, and it showed. All over the city things leaked, flapped, wobbled and smelt of cabbage. It was the metropole that Orwell would project forward in time as the London of 1984.

These drinkers were not the kind of people to let an unpromising present determine the shape of things to come. They were the inner circle of the British Interplanetary Society, and in 1938 they had published a plan for reaching the Moon using two modules, one to orbit, one to descend to the lunar surface. The cost of the rocket – as much as a million pounds – was far more than they could raise, but they did have enough money to make a couple of instruments for it. ‘We were in the position of someone who could not afford a car, but had enough for the speedometer and the rear-view mirror,’ Arthur C. Clarke would remember. They constructed a ‘coelostat’, a device to stabilise the image of a spinning star-field. It was made from four mirrors and the motor of Clarke’s gramophone; it worked, and was proudly displayed in the Science Museum.

(11) “FUN” IS OVER. For awhile Jon Del Arroz branded his videos Diversity in Comics – but no more! “Why I’m Changing the Channel Name Back to Jon Del Arroz”.  Here’s the transcript of his explanation. (And remember, YouTube talking head videos really do tend to be one endless run-on sentence):

…But for here I’ve used the name Diversity in Comics over the last I guess two three months helped grow the channel quite a bit so thank you everybody came by because you saw the name and thought it was funny and all that but there comes a time where jokes have to end and we had a funny joke for a bit there and it was great and at this point I’m seeing that there’s a couple things that are an issue with this which is one that yeah it is needlessly antagonizing some people who get really worked up about this and and while I I do enjoy triggering people who get triggered for no reason and all that there there comes a time where joke a stand and it’s it’s just not funny and it’s not funny even watching somebody lose their minds over something like this anymore so definitely don’t want that happening anymore don’t want to insult anybody who might be a comic book reader who might check out the books and things like that I definitely want that to be something uh you know to where we can have are buying comic books and and we’re coming back and changing it back to just my name and the reason we’ll go with my name instead of something fancy….

(12) GIBSON INTERVIEW. William Gibson tells a Guardian writer, “‘I was losing a sense of how weird the real world was'”.

… As a Canadian writer who initially marked his territory in a future Japan, what attracted him to setting his post-Jackpot world in London? He doesn’t see it as so much of a jump. “On my first three or four visits to Japan I immediately thought that Tokyo had more in common with London than with any other city,” he says. “These disproportionately large sites of former empires, huge concentrated populations, recent wartime trauma, lots of fatalities. They’re capitals of island nations. But also cultural things: the fanatical attention paid to specific individual classes of objects. In London you could probably find a speciality shop for almost anything. And you certainly could in Tokyo. All these parallels. I’m curious that I’ve almost never seen it mentioned anywhere.”

(13) STRANGE DIRECTION. BBC reports “Doctor Strange director Scott Derrickson exits over ‘creative differences'”.

Doctor Strange director Scott Derrickson has left the sequel over “creative differences” with Marvel.

Derrickson made the original 2016 film starring Benedict Cumberbatch and had been due to deliver Doctor Strange in the Multiverse of Madness in 2021.

There’s speculation that Derrickson and Marvel boss Kevin Feige disagreed about how scary the follow-up should be.

The director, whose credits include The Exorcism of Emily Rose and Sinister, had pledged “the first scary MCU film”.

He made the comments at San Diego Comic Con in July, where Feige swiftly clarified that it would still be suitable for teenage viewers. “It’s gonna be PG-13 and you’re going to like it!” he added.

Feige has since said it would not be a horror film, and that any scary sequences would be like those made by Steven Spielberg in films like Indiana Jones and Gremlins.

(14) MOMENT OF BOOM. “Popocatépetl: Mexican volcano’s spectacular eruption caught on camera” — someone caught the start of the eruption on a short video.

Mexico’s Popocatépetl volcano erupted on Thursday with a dramatic show of lava and a cloud of ash and rocks that reached 3,000m (9,800ft) into the sky.

No-one was hurt. Popocatépetl is an active stratovolcano, 70km (43 miles) south-east of the capital, Mexico City.

Its name means “smokey mountain” in the indigenous Náhuatl language.

(15) OPPOSITE OF SWATTING. Or so you might call it: “Teenager having seizure saved by online gamer – 5,000 miles away in Texas”.

The parents of a teenager who suffered a seizure while chatting online have thanked his friend who called emergency services from 5,000 miles away.

Aidan Jackson, 17, was talking to an American gamer from his bedroom in Widnes on 2 January when he had a fit.

His friend, 20-year-old Dia Lathora, from Texas, alerted police in the UK.

The first Aidan’s parents knew of the emergency was when police and an ambulance appeared at their front door, the Liverpool Echo reported.

Caroline and Steve Jackson then rushed upstairs to find their son “extremely disorientated”.

(16) VIDEO OF THE DAY. They intend to live happily ever after:

Lee Loechler recently proposed to his girlfriend, Sthuthi David, by taking her to a packed theater to see her favorite movie, Sleeping Beauty. Little did she know that Loechler had spent six months altering the animation of the film’s most iconic scene, changing the characters to look like the couple themselves and altering the storyline to set up his Big Question. And that’s only the beginning.

Watching David’s face during the scene change is sheer delight, as her confused look proves that she has no clue what is about to happen. The set-up is great, but the magical moment when Loechler’s illustrated self tosses the engagement ring to his real-life self? That’s when we all toss up our hands and say, “OKAY, man. You win at proposing. Everyone else must bow before you now.”

The whole proposal—the re-illustrations, the heart jokes (David is a cardiologist), and the bride-to-be’s surprise when she finds surrounded by her friends and family—it’s all perfection. Just watch:

[Thanks to Rob Thornton, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Michael J. Walsh, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/15/19 The UnPixeled Scrollfession Of Jonathan Hugo

(1) THE CHICKEN OR THE EGG, CAME FIRST IT DID. Popular Mechanics takes “An Alarmingly Deep Dive Into the Science of Baby Yoda”. Tagline: “We talked to eight actual scientists to find the answers. This is a cry for help.”

There have been many famous babies throughout history: The Lindbergh Baby. The Gerber Baby. Baby Jessica. Rosemary’s Baby. But has there ever been a baby as universally loved and fawned over as Baby Yoda?

For all the joy that Baby Yoda brings us, he can also be confusing. And not because of the obvious questions, like whether Baby Yoda is the real Yoda. Obviously he’s not. The Mandalorian—the Disney+ original series that’s given us our favorite non-English-speaking Star Wars character since BB-8—is set between Return of the Jedi (when the O.G. Yoda dies) and The Force Awakens.

It’s arguable that Baby Yoda could be the illegitimate love-child of Yoda and Yaddle, the lady Yoda from The Phantom Menace, and there’s been some scholarly speculation on that topic, including an investigative report with the refreshingly blunt title, “Did Yoda F**k?”

But whether the Yoda is Baby Yoda’s true daddy isn’t what fascinates us every time we tune into The Mandalorian. What keeps us coming back for more is trying to figure out what in the actual hell Baby Yoda is supposed to be….

(2) WRITE IF YOU GET WORK. Cat Rambo tweeted highlights from the online class “The Freelancer’s Toolkit” with James L. Sutter for the Rambo Academy for Wayward Writers. Thread starts here.

(3) MANGA REVELATIONS. In the Washington Post Simon Denyer profiles Tomoni Shimuzu’s What Has Happened To Me, a manga that tells the first-person story of Mihrigul Tursun, a Uighur persecuted by the Chinese: “Japanese manga about a Uighur woman’s persecution in China becomes viral hit”

… “What has happened to me — A testimony of a Uyghur woman” recounts the story told by Mihrigul Tursun, a member of the Muslim minority in western China that has faced relentless crackdowns from authorities in Beijing.The manga — as all comic-style works are known in Japan — describes Tursun’s imprisonment and torture by the Chinese government, the death of one of her young children while in custody, and the jailing of her husband for 16 years.

(4) KINDLING HIGHER RATES. The Digital Reader announced “Kindle Unlimited Per-Page Rate Jumped in November 2019”. Which is a good thing if KU readers are flipping your pages.

Amazon announced on Friday that the Kindle Unlimited funding pool increased by one hundred thousand dollars in November 2019, to $26.1 million, from $26 million in October 2019.

At the same time the per-page rate royalty jumped to d $0.004925, from $0.0046763  in October.

(5) HIGH MAGIC. Nerds of a Feather’s Paul Weimer, in “Microreview: The Last Sun, by K.D. Edwards, reviews “an intriguing Urban Fantasy that uses genderqueer characters and the story of Atlantis to tell an intriguing magic-infused story.”

In a world very much like ours but where Atlantis existed, and existed into the modern era until the survivors of its fall emigrated to a new home in the New World, a scion of a fallen House is wrapped up in mystery and intrigue, as rivalries, schemes and long set plans collide with that scion’s destiny and coming into his true power.

Rune Sun is the last of his kind. House Sun, his tarot card named noble family, has long since fallen and he is the only survivor. A  sword fighter and a sorcerer, he lives doing odd jobs here and there, a down on his luck existence especially given the wealth and power of his peers, and of his life, long ago. It is doing one of those odd jobs, against another noble House, that Sun gets hooked into an intrigue that extends across New Atlantis. That hook, too and just might provide an opportunity for Rune to prove and show his capability and true abilities. If it doesn’t wreck his homeland or get him killed first, that is.

(6) FOR BETTER OR WORSE. ScreenRant, in “DCEU: 5 Best Rivalries (& 5 That Make No Sense)”, says “the characters in these movies and their conflicts are also not so black-and-white. Some of them are good, but others are not.” Here’s part of their list:

6 Makes No Sense: Wonder Woman & Ares

Another pointless final battle in the DCEU includes the one in Wonder Woman. Not only did we expect another character to be Ares, but we also focused on a different conflict, which was Diana’s belief that Ares was causing wars and the reality that people weren’t just all good.

This is why the final battle feels so odd to most viewers. It is just a CGI mess with explosions that are meant to excite those who were expecting such action. But what could have been more logical would be for Diana to finally come to the realization that she was wrong and naive.

(7) CLOSING TIME. Publisher Joe Stech is signing off with Issue 14 of Compelling Science Fiction, his magazine devoted to plausible science fiction.

Welcome to the final issue of Compelling Science Fiction!

The last 3 years have been a fun ride. I wrote a blog post about some of the highlights from my perspective, but here I’ll just say: It was a privilege working with so many wonderful authors, and I hope people enjoy these stories for many years to come. I’ll be leaving every issue up online indefinitely.

As for this issue, I’m happy to say that we’re finishing strong — here are our final five fantastic stories that you can read right now…

Stech wanted hard sf, as he thought of it, but to communicate that he came up with a less-fraught alternative term:

“Plausible science fiction,” in this context, means “science fiction that tries not to disrupt suspension of disbelief for people that have knowledge of science and engineering.” This can mean not blatantly contradicting our current knowledge of the universe, and it can also mean not blatantly ignoring how humans generally behave. It also means internal self-consistency.

(8) TODAY IN HISTORY.

  • December 15, 1978 Superman: The Movie premiered. It would win a Hugo at  Seacon ’79 with The Hitchhiker’s Guide to the Galaxy radio program and Watership coming in second and third respectively. Likewise Rotten Tomatoes has 94% of their reviewers giving Superman a positive review.  That it was boffo at the  box office and a critical favorite is hardly surprising either. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 15, 1923 Freeman Dyson, 96. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use” with first coming up with the concept. 
  • Born December 15, 1948 Cassandra Harris. She was in For Your Eyes Only as the Countess Lisl von Schlaf. Pierce Brosnan, her third husband, met producer Albert R. Broccoli while she was shooting her scenes and was cast in four Bond films as a result. Her genre resume is short otherwise, an appearance on Space: 1999, and a likewise one-off on Shadows, a YA scary show. (Died 1991.)
  • Born December 15, 1949 Don Johnson, 70. Though Miami Vice is where most will know him from, he has impressive genre creds including the lead in the Ellison-derived A Boy and Dog, voicing Wazir’s Son in Aladdin and the Wonderful Lamp, Office Andy Brady in the Revenge of the Stepford Wives film and another Sheriff, Earl McGraw, in the From Dusk till Dawn: The Series.
  • Born December 15, 1954 Alex Cox, 65. Ahhh, the Director who back in the early Eighties gave us Repo Man. And that he got a co-writer credit for the screenplay of Fear and Loathing in Las Vegas before it was completely rewritten by Gilliam. No, what interests me is that he’s listed as directing a student film version of Harry Harrison’s Bill, the Galactic Hero at University of Colorado Boulder just a few years ago!
  • Born December 15, 1963 Helen Slater, 56. She was Supergirl in the film of that name,  and returned to the 2015 TV series of the same name as Supergirl’s adoptive mother. Also within the DC Universe, she voiced Talia al Ghul in in Batman: The Animated Series. Recently she also voiced Martha Kent in DC Super Hero Girls: Hero of the Year. And Lara in Smallville… And Eliza Danvers on the Supergirl series.  Me? I’m not obsessed at all by the DC Universe though the DCU streaming app is my sole entertainment budget other than an Audible subscription.  Her other genre appearances include being on Supernatural, Eleventh Hour, Toothless, Drop Dead Diva and Agent X
  • Born December 15, 1970 Michael Shanks, 49. Best known for playing Dr. Daniel Jackson in the very long-running Stargate SG-1 franchise. His first genre appearance was in the Highlander series and he’s been in a lot of genre properties including the Outer Limits, Escape from Mars, Andromeda (formally titled Gene Roddenberry’s Andromeda and there’s a juicy story there), Swarmed, Mega Snake, Eureka, Sanctuary, Smallville, Supernatural and Elysium. Wow! 

(10) MILES TO GO. Marvel Comics presents “Rapid-Fire Questions with Saladin Ahmed.”

Writer for Spider-Man: Miles Morales and The Magnificent Ms. Marvel, Saladin Ahmed, answers the hard-hitting questions about Kamala and Miles.

(11) OVERWHELMED BY RELATIVISM. The Chengdu in 2023 Worldcon bid prompts Steve Davidson to ask a basket of questions in “The Future for WSFS” at Amazing Stories.

As WSFS – empowered by its ever-shifting fannish membership – moves towards the greater realization of the initial word in its name – World – it will be increasingly called to task over issues and concerns that it has heretofore not had to grapple with.  No longer can Fannish politics enjoy wide separation from real world politics.  One of those questions will surely be How do we assess the fitness of a country to host a Worldcon?

That single question is replete with detail and nuance.  Previously, we’ve applauded governmental support of Worldcons;  Finland was underwritten by the Finnish government;  New Zealand’s Prime Minister recently endorsed an upcoming convention.  On the other hand Chengdou would be taking place in a city that has been designated as a center for science fiction by the Chinese Government and is undoubtedly receiving both financial and material support from the same.

When a government’s support and endorsement is limited to just a bit of funding and some promotional support, we’re unlikely to question its motives (of course they love fans), but at what point do we begin to question those motives?  At what point does our desire for such impact other aspects of our community, and how much influence are we prepared to accept?  (Remember that Scientology attempted to use promotional and financial support to co-opt as Worldcon and its awards.)…

(12) SOMETHING MISSING. Rob Latham identifies snubs and surprises in a review of Gary K. Wolfe’s Sixties novel anthology for Library of America in “An Uneven Showcase of 1960s SF” at LA Review of Books.

…The shortcomings of this set derive, in large part, from constraints not wholly of the editor’s making. Probably because the press wanted to extend its coverage as much as possible, a decision was made to exclude writers who had been featured in the earlier 1950s volumes, meaning that talents who continued to produce compelling work into the subsequent decade — Heinlein, Fritz Leiber, James Blish, Frederik Pohl — were programmatically passed over. At the same time, major authors whose work has come to define the 1960s, but who were already spotlighted in single-author collections, were barred as well: hence, this set does not include Dick’s The Man in the High Castle (1962) or Ubik (1969), Le Guin’s The Left Hand of Darkness (1969), or Kurt Vonnegut’s Cat’s Cradle (1963) or Slaughterhouse-Five (1969). And the goal of gathering as many texts as possible into two manageable volumes meant that exceptionally long books could not be chosen, which ruled out the novel often voted by fans as the best ever written in the genre, Frank Herbert’s Dune (1965). Finally, the goal of “balanc[ing] the halves of the decade” — as Wolfe puts it in his introduction — has produced a first volume that is significantly inferior, aesthetically, to the second, since (for reasons I explain below)…

(13) FURSUITING. Mara Reinstein in Parade gives an extensive background to CATS: “Cats Returns! James Corden and Rebel Wilson Take Us Behind the Scenes of the New Cats Movie”.

Ask the Cats cast members why they wanted to be a part of the movie, and the answers all circle back to, well, memories—of the original musical.

Corden, 41, a Tony and Emmy winner perhaps best known for belting out music with celebrities on the hugely popular “Carpool Karaoke” segments on his Late Late Show on CBS, recalls seeing the production with his parents as a 13-year-old in London in the early 1990s. “I remember thinking, Man, this is a spectacle,” he says. “I knew the movie would be great fun.” Wilson, who attended theater school in her native Australia, was visiting London in the early 2000s and caught a performance from the cheap seats. “I had to watch it with little binoculars,” she recalls, “and I was still blown away.”

For Dench, 85, the film served as a Cats homecoming. Back in 1981, she was slated to be part of the original production but had to pull out because of an injury. “We were concentrating every minute of every day on behaving like cats and trying to translate that into a way of moving,” she says. “But I snapped my Achilles tendon during one of the rehearsals, and as anyone knows, that can take a while to heal.” She was “very pleased” to be invited to join the movie production.

(14) OUT OF BREATH. An interview conducted with Richard K. Morgan in 2018 by Professor Sara Martin Alegre is presented in “Thin Air, Deep Dive”.

The novel is called Thin Air partly because this refers to how the ‘terraform eco-magic’ has failed to generated atmospheric conditions beyond ‘four percent Earth sea level standard’. Why this pessimism? Can you also tell a little about the ‘lamina’ and about the role of nanotech in developing Mars?

There is a central conceit that I keep – not consciously, I swear! – returning to in my work. It takes different metaphorical guises, but at root it’s always the same sense of something grand and worthwhile being abandoned by vicious and stupid men in favour of short-term profit and tribal hegemony. You see it in the regressive politics of the Protectorate in the Kovacs novels, the way both the Yhelteth Empire and the – so-called – Free Cities fail their duty as civilisations in A Land Fit for Heroes. So also with Thin Air – the landscape is littered with the markers of a retreat from the grand scheme of terraforming and building a home for humanity on Mars, in favour of an ultra-profitable corporate stasis and an ongoing lie of highly emotive intangibles sold to the general populace in lieu of actual progress. Take a look around you – remind you of anything?

(15) FOUND FOOTAGE. In the “news to me” department – a 2010 episode of Pawn Stars featured a clump of silver rupees recovered from a shipwreck found off the coast of Sri Lanka by Arthur C. Clarke and Mike Wilson in 1961. The discovery became the basis for the book The Treasure of the Great Reef. Clarke’s name is mentioned several times in episode’s “Taj Mahal sunken treasure” segment, which starts around 1:10 of this video:

(16) THE PERILS OF BLABBING. YouTuber TheOdd1sOut’s review of “The Dark Crystal: Age of Resistance” was #1 on the trending tab. Apparently because its anecdotes revolve around why Jim Henson’s daughter was peeved at an earlier review and the nondisclosure agreement he had to sign before screenings of the new series.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Michael Toman, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 6/1/19 Nie Mój Scroll, Nie Moje Pixels.

(1) SECOND CARR COLLECTION IS A FREE READ. David Langford has released the Terry Carr collection Fandom Harvest II at the TAFF website. Download it free – and please consider making a donation to the Trans-Atlantic Fan Fund as thanks.  

Complementing the 1986 Fandom Harvest and even longer, this further selection of Terry Carr’s fine fanwriting was assembled by David Langford with much help from others and released as an Ansible Editions ebook for the TAFF site on 1 June 2019. Cover art by Steve Stiles from The Incompleat Terry Carr (1988 edition). Over 118,000 words.

With thanks to Carol Carr for her permission and encouragement to produce this new ebook. (For the many further credits, see within.)

Langford spotlights his selections in the Introduction:

Of the above, Fandom Harvest was the first choice for a TAFF ebook since it’s not only the largest by far of these collections but was published as a printed hardback that was relatively easy to convert to digital text. The next logical step seemed initially to be an ebook of The Incompleat Terry Carr, but unfortunately there’s considerable overlap between this collection and Fandom Harvest. After removing duplications (“Trufan’s Blood”, the “Fandom Harvest” column selections, “The Fastest Ham in the West” and “Confessions of a Literary Midwife”), what remained of The Incompleat Terry Carr was an unsatisfactorily slim volume. This has been augmented with the fannish items reprinted in Between Two Worlds, the four best pieces from The Portable Carl Brandon, and many more notable articles, columns, editorials and stories not previously included in any Terry Carr collection. Ranging from 1955 to 1987, it’s a great read throughout.

And I appreciate Dave sending me the scoop in advance of the Monday edition of Ansible!

(2) UK GAMES EXPO ENFORCES CODE OF CONDUCT. Sexual violence in an RPG scenario hosted by a volunteer violated UK Games Expo’s code of conduct. The committee took action, explained in “An official statement”.

It was brought to our attention that in an RPG game on Friday afternoon a GM volunteer included content that was completely unacceptable and breached both the letter and spirit of the UK Games Expo.  The scenario included descriptions of sexual violence involving the players.  The players were understandably distressed and shocked by this content.

This content was not set out in the game description.  If it had been included in the submission it would have been rejected as unacceptable even for a game with an 18 rating. All games must still comply with the policies and the spirit of UKGE.

We have spoken personally to the player who first raised the issue and have unreservedly apologized for the distress caused. We are currently contacting the other players so we can offer them our apologies and any assistance they might need. We have made it clear that this kind of behavior and content has no place at UKGE and will not be accepted.

We immediately halted the game the GM was currently running and cancelled all of the games he was due to run.

The GM has been ejected from the show and will not be allowed access to any of the NEC halls or Hilton function rooms that are under the control of UK Games Expo.

He has also been banned from submitting any games for the foreseeable future…

(3) TRIMBLE NEWS. Bjo and John Trimble have closed their Ancient Earth Pigments business: “Saying Goodbye – Shop Closing May 30”.

After a year of illness and other personal hassles, we’ve decided to retire from the pigment business.

This was a painful but necessary decision.

What we’ll do next is still up in the air while John recovers from a seizure and hospital stay.

We may try to sell the whole business. Or sell it off piecemeal.

(4) HE BLINDED ME WITHOUT SCIENCE. James Davis Nicoll’s headline “Better Science Fiction Through Actual Science” at Tor.com seems to promise something — can he deliver? Well, no, so it’s fortunate he has another goal in mind anyway…

Science fiction purports to be based on science. I hate to tell you this, but a lot of SF is as close to science and math as Taco Bell is to authentic Mexican cuisine.

I revelled and still revel in mass ratios and scale heights, albedos and exhaust velocities, evolutionary biology and world history. (I’m not the only one. Big wave to my homies out there.) So…as much as I love SF, I’m constantly running head-on into settings that could just not work the way the author imagines. My SOD (suspension of disbelief) is motoring along merrily and suddenly, bang! Dead in its tracks. Perhaps you can understand now why so many of my reviews grumble about worldbuilding….

(5) CINEMA CRUDITE. At Fast Company, Patrick J. Sauer documents how “Luxury cinemas are fighting Netflix with steak tartare, expensive booze, and gourmet popcorn”.

Nothing pairs better with a cold rainy Sunday and a warm baby Loxodonta quite like a Rockaway Nitro Black Gold Stout. About one-third of the way through Tim Burton’s Dumbo, I ordered a second, and as it was delivered to me in the dark, I was struck by the scene where V.A. Vandevere (Michael Keaton)–evil, conniving moneybags and Dreamland amusement park owner–explains to the scrappy, DIY road circus owner Max Medici (Danny DeVito) that of course he should bring his entire operation, airborne pachyderm included, into his opulent fold. Why? Because the future of entertainment is bringing the people to you, not the other way around.

Sipping Dumbo suds at Alamo Drafthouse in Downtown Brooklyn, I couldn’t have agreed more, and as attested by the typical full house, I was not alone….

(6) WOMEN IN ANIMATION. In “A Storyteller’s Animated Journey”, Beloit College Magazine’s Kiernyn Orne-Adams profiles Lynne Southerland, whose career in animation includes directing Cinderella and the Secret Prince and producing several episodes of Monster High and Happily Ever After.

…After Disney, Southerland moved on to Mattel to help develop shows for two of their toy lines: Enchantimals and Monster High. As a showrunner, Southerland was able to expand on those worlds while placing female characters—and their close friendships—at the center. She particularly enjoyed working on Monster High because of the opportunity to create more complex teenage characters, and she eventually developed the idea for Adventures of the Ghoul Squad, a miniseries in which the main friends—all children of famous monsters—travel the world to help others and solve mysteries….

(7) CASTING COWL. Rachel Bloom, of Crazy Ex-Girlfriend and “F*ck Me Ray Bradbury” fame, voices Batgirl in the recently released animated video Batman vs. Teenage Mutant Ninja Turtles

Batman, Batgirl and Robin forge an alliance with The Teenage Mutant Ninja Turtles to fight against the Turtles’ sworn enemy, The Shredder, who has teamed up with Ra’s Al Ghul and The League Of Assassins.

(8) ETCHISON TRIBUTE. Horror Writers of America President Lisa Morton, in “A Few Words About Dennis Etchison”, tells about her decades of friendship with the renowned author.

…I attended my first World Fantasy Con in 1993, in Minneapolis. Dennis met me almost as soon as I arrived, and started introducing me to everyone. One of the editors I met there – Stephen Jones – would buy my first short story a year later, and go on to become the editor I’ve worked with the most.

That convention was an amazing experience. I rented a car and became Dennis’s driver for a few days. At the time Dennis was embroiled in a feud with Harlan Ellison, and I still laugh when I think of him telling me that he’d put any five of his stories up against any five of Harlan’s stories (Dennis was also a wrestling fanatic, which made this even more amusing). I drove Dennis to a signing at the massive Mall of America; no one came to the signing, so Dennis, Poppy Z. Brite, and Melanie Tem read their stories to each other while I listened in….

(9) KINSTLER OBIT. Artist Everett Raymond Kinstler died May 28 – the New York Times obituary covers his beginnings as well as his years of celebrity:“Everett Raymond Kinstler, Prolific Portraitist, Dies at 92”.

…After serving at Fort Dix in New Jersey from 1944 to 1946, he returned to the comic-book business. He did a lot of work for Avon Comics, he said, because unlike some other imprints it allowed artists to sign their work. (Early in his career he used the name “Everett Raymond” for brevity’s sake, though he eventually switched to his full name.)…

As part of its Distinguished Illustrators Series, Norman Rockwell Museum exhibited “Everett Raymond Kinstler: Pulps to Portraits,” in 2012.

Highly-regarded as a prominent American portraitist, Everett Raymond Kinstler began his career as a comic book artist and illustrator working for the popular publications of his day. The artist’s original illustrations and portraits of noted celebrities—from Katharine Hepburn, Tony Bennett, and Tom Wolfe to artists James Montgomery Flagg, Alexander Calder, and Will Barnet [was] on view in a lively installation that explores the process of capturing likenesses of his subjects for posterity.

(10) TODAY IN HISTORY.

  • June 1, 1955This Island Earth premiered.
  • June 1, 1984 Star Trek III: The Search for Spock could be found in theaters.
  • June 1, 1990 Total Recall made its memorable debut.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 1, 1874 Pierre Souvestre. He was a journalist, writer and avid promoter of motor races. He’s remembered today for his co-creation with Marcel Allain of the master criminal Fantômas. The character was also the basis of various film, television, and comic book adaptations. Some of these could be considered genre. (Died 1914.)
  • Born June 1, 1937 Morgan Freeman, 82. Lucius Fox in The Dark Knight trilogy and less notably Azeem in Robin Hood: Prince of Thieves (and yes I saw it). He’s God in Bruce Almighty as he is in the sequel, Evan Almighty.  And he played the President in Deep Impact.
  • Born June 1, 1940 René Auberjonois, 79. Odo on DS9. He’s shown up on a number of genre productions including Wonder Woman, The Outer Limits, Night GalleryThe Bionic Woman, Batman Forever, King Kong, Star Trek VI: The Undiscovered CountryEnterprise, Stargate SG-1 andWarehouse 13. He’s lent both his voice and likeness to gaming in recent years, and has done voice work for the animated Green Lantern and Justice League series.
  • Born June 1, 1947 Jonathan Pryce, 72. I remember him best as the unnamed bureaucrat in The Adventures of Baron Munchausen. He’s had a long career in genre works including Brazil, Something Wicked This Way Comes as Mr. Dark himself, Pirates of the Caribbean: The Curse of the Black Pearl and Pirates of the Caribbean: At World’s End as Governor Weatherby Swann, The Brothers Grimm, in the G.I. Joe films as the U.S. President and most recently in The Man Who Killed Don Quixote as Don Quixote. 
  • Born June 1, 1950 Michael McDowell. Screenwriter and novelist whose most well-known work is the screenplay for Tim Burton’s Beetlejuice. He also did work on Burton’s The Nightmare Before Christmas though he’s not listed as the scriptwriter. He wrote eleven scripts for Tales from the Darkside, more than anyone else. And he wrote a lot of horror which Stephen King likes quite a bit. (Died 1999.)
  • Born June 1, 1966 David Dean Oberhelman. Mike has an an appreciation of him hereThe Intersection of Fantasy and Native America: From H.P. Lovecraft to Leslie Marmon Silko which he co-wrote with Amy H. Sturgis was published by The Mythopoeic Press. ISFDB lists just one genre essay by him, “From Iberian to Ibran and Catholic to Quintarian”, printed in Lois McMaster Bujold: Essays on a Modern Master of Science Fiction and Fantasy. (Died 2018.)
  • Born June 1, 1973 C. E. Murphy, 46. Her Urban Shaman series was one of the best such series I’ve read in recent years. She had The Walker Papers – Alternative Views which used other characters as viewpoint narrators but none appealed to me alas as much as Joanne Walker, her primary character. 
  • Born June 1, 1996 Tom Holland, 23. He’s known for playing Spider-Man in five films: Captain America: Civil War, Spider-Man: Homecoming, Avengers: Infinity War, Avengers: Endgame, and the forthcoming Spider-Man: Far From Home

(12) PUNCHLINE CREATOR. At Kalimac’s Corner, DB digs up more info about award-winning comics writer E. Nelson Bridwell, ending with perhaps his most widely-known contribution to pop culture: “this is the joke”.

…Evanier’s announcement credits Bridwell with co-creating a comic called The Inferior Five, which I’d never heard of either. A quick visit to its Wikipedia page proves that it’s exactly what it sounds like, a sort of precursor to Mystery Men, a rare case of a superhero movie I rather liked. So I might enjoy The Inferior Five as well, especially as Evanier says that Bridwell’s “writing was marked by a wicked sense of humor.”…

(13) THE LAST TIME THE WORLD ENDED. Steven Heller goes retro in “Outer Space and Inner Peace” at Print.

In 1951, astronomer Kenneth Heuer, author in 1953 of The End of the World, wrote Men of Other Planets (Pellegrini & Cudahy, NYC) where he speculates on the kinds of humanoid life that was possible on the other planets, moons and asteroids of outer space. In those days thousands of people were actually trying to book passage on space ships. With jet propulsion and atomic fuel bringing space travel into realms of possibility, the mysteries of flying saucers, possible invasions of the earth from another worlds were closer to reality and yesterday’s science fiction was moving into tomorrow’s news.

The full-page scratch board illustration by R.T. Crane adds both a science fact and fictional aura to the quirky propositions in this book…

(14) D&D MENTORING. James Alan Gardner shares some “Idle Thoughts on Role-Playing”.

(Spoiler alert: even though it’s called Dungeons & Dragons, beginning level characters should not try to slay a dragon. They will fail. However, I have a policy with brand new players: I promise that their characters won’t die in the first three sessions. If they really do try to slay a dragon, the dragon may just beat them up, take all their stuff, and leave them naked outside the nearest town. Or more likely, the dragon will singe them a bit, then say, “Okay, if you don’t want to die, you have to agree to run an errand for me…”)

(15) KIRK IN THE BEGINNING. Rich Horton revisits the dominant fan artist of the early Seventies: “The Golden Age of Science Fiction: The 1973 Hugo Award for Best Fan Artist: Tim Kirk” at Black Gate.

It would be fair to say that for me, coming into contact with fandom in this period, my image of “fan art” was formed by Tim Kirk’s work, along with two more artists who won for their 1970s work, William Rotsler and Alexis A. Gilliland.

(16) WALK THIS WAY. The New York Post’s 2013 profile of the band contains a previously unsuspected (by me) bit of sff trivia: “First KISS”.

…Simmons then modeled his demon walk after a serpentine, loping-gaited martian named Ymir that stop-motion effects master Ray Harryhausen designed for the 1957 science fiction film “20 Million Miles to Earth.”

“I realized I couldn’t copy the movements of Mick Jagger or the Beatles because I didn’t have a little boy’s body,” Simmons says. “But I could be a monster.”

(17) THERE IS ANOTHER. Besides the lunar-landing prize – BBC tells how “GEBCO-NF Alumni robots win ocean-mapping XPRIZE”.

A robotic boat and submersible have won the XPRIZE to find the best new technologies to map the seafloor.

The surface and underwater combo demonstrated their capabilities in a timed test in the Mediterranean, surveying depths down to 4km.

Put together by the international GEBCO-NF Alumni team, the autonomous duo are likely now to play a role in meeting the “Seabed 2030” challenge.

This aims to have Earth’s ocean floor fully mapped to a high standard.

Currently, only 20% of the world’s sub-surface topography has been resolved to an acceptable level of accuracy.

(18) OCTOBER SKY REDUX. “Students attempt to launch self-built rocket”.

Look up into the sky and it’s hard to imagine where the Earth’s atmosphere ends and outer space begins.

Commonly referred to as the Karman line, that imaginary border is 62 miles (100km) away and on Friday a group of students from across the US and Canada are hoping to send an unmanned rocket through it.

It’s the brainchild of 19-year-old rocket-obsessed North Carolina University student Joshua Farahzad, who said he came up with the idea during his “boring” summer vacation last year.

“I was always fascinated with space, I built a small rocket in high school after watching a movie called October Sky, and thought to myself how one day I’d like to build a bigger one,” he said.

…Without the help of a large financial backer, engineering professionals, or teachers, Operation Space began collaborating on the project remotely from their various locations across the US and Canada, using a Slack message channel, video chats and phone calls.

Operation Space is not the only group of students to build and launch spacecraft. Last month, students from the University of Southern California (USC) successfully sent their Traveler IV rocket across the Karman line.

While he’s full of praise for them, Joshua said his team is unique. “USC is cool but we are different because we are doing this all remotely with no university help,” he explained.

(19) COMING TO AMERICA. Pieces in our time: “This Lego-Themed Pop-Up Bar Is Made From 1,000,000 Building Blocks”.

A Lego-themed pop-up is coming to six U.S. cities this summer. The Brick Bar, which is not technically affiliated with the brand btw, is built with over 1 million blocks and will debut in NYC June 19.

The bar opened its first temporary location in London back in January 2018, and the “nostalgia trip” was an instant hit. Now the concept is expanding to a number of North American cities including New York, L.A., Miami, Houston, Cincinnati, and Denver. It will also hit Toronto and Vancouver in July.

“The bar will feature sculptures made completely from building blocks as well as an abundance of blocks for people to shape into their own creations. There will also be local DJ’s spinning tunes all day,” the website says. “We will have an Instagram worthy menu as well including a Brick Burger and Cocktails!

(20) A FORK IN THE ROAD. Compelling Science Fiction Issue #13 is available for purchase. Beginning with this issue, says publisher Joe STech, the magazine no longer posts its contents free online.

We start with LA Staley’s “Steps in the Other Room”. An elderly woman reports that her husband has been kidnapped. This seems difficult, since he has been dead for many years (2040 words). Our second story is “Sasha Red” by Tyler A. Young. In it, a woman fights to rescue refugees from Mars (6100 words). The third story this issue, Mark Parlette-Cariño’s “Bodybit,” is a story about the social effects of a fitness device that tracks sexual performance (4630 words). Next we have “What We Remember” by Mark Salzwedel. This one is first-contact story about a telepathic fungus (2800 words). Our fifth story is “Love and Brooding” by M. J. Pettit. Inspired by mouth-brooding tilapia, this story explores a very alien life cycle (5000 words). Our final story is “Steadies” by returning author Robert Dawson. A doctor is conflicted when she decides to prescribe her husband an anti-cholesterol drug that has also recently been found to strengthen relationships (3400 words).

(21) SYKES ADMIRATION SOCIETY. Nerds of a Feather’s Brian calls this books “the best kind of big mess.” “Microreview [book]: Seven Blades in Black by Sam Sykes”.

…This novel is an exercise in trusting an author. When it starts like another novel I didn’t like, it proved me wrong to misjudge it. When it doesn’t explain its setting or history from the start, it respected my patience by giving me enough to keep going and eventually answering my questions…

(22) OPENING THE WAY. Paul Weimer considers where this tale leads: “Microreview [book]: The Ten Thousand Doors of January by Alix Harrow” at Nerds of a Feather.

…The novel is a rather slippery fantasy to try and get a hold of. Is it a Portal fantasy, as the back matter and the title suggests? Yes, and no, the Portal aspects of the fantasy are not the central theme. Is it a coming of age story, of a young woman coming into herself? Yes, but there is much more going on with theme, history, theory and thought on it. The book is, however, a fantasy about the power of stories, and where stories come from, and how stories, for good, and bad, accurately and inaccurately, shape us and mold us, and make us what we are–and sometimes, if we find the right story, what we want and need to be…

(23) RETRO REVIEWS. Steve J. Wright has completed his Retro-Hugo novella finalist reviews:

Novella

(24) VIDEO OF THE DAY. In Albatross Soup on Vimeo, Winnie Cheung solves the riddle of why a guy killed himself after having a bowl of albatross soup in a restaurant.

[Thanks to Chip Hitchcock, JJ, John King Tarpinian, Cat Eldridge, Mike Kennedy, John Hertz, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Mister Dalliard.]

Pixel Scroll 3/31/19 Those Who Do Not Learn Their Pixel Scrolls Are Doomed To Repeat Them

(1) HARD SF FOR HARD MONEY. In a field where a lot of magazines release their content free, you wonder how they survive. Here’s one answer to that question.Compelling Science Fiction editor Joe Stech says “Compelling Science Fiction is going to a paid subscription model”.

I’m proud that over the last three years we’ve released 63 phenomenal stories and paid professional rates to 57 wonderful authors. However, over the last three years I’ve also spent a significant amount of money keeping the magazine afloat. Year one I spent a lot, and years two and three leveled out to almost break-even (but revenue stopped growing). Based on these numbers, I’ve decided that I need to go to a subscription-only model to keep the magazine strong and growing.

(2) ANNE BUJOLD ART. Lois McMaster Bujold wrote on Facebook –

Recently, the work of my daughter Anne Bujold, presently an artist-in-residence at the Appalachian Center for Craft, was showcased by the local TV folks. They did an excellent job, I thought. The segment is now up on YouTube:

(3) EXPLOSIVE TOPIC. Steve Davidson is peeved at anyone who would call A. Bertram Chandler’s books “popcorn” reading:

I don’t care what anyone says: A. Bertram Chandler’s works are not “popcorn”.
Popcorn does not win awards, except at popcorn festivals…

Two of his stories are the UR tales for “humans locked in an alien zoo (The Cage) and “mutated rats take over” (Giant Killer); both were frequently included in anthologies of SF through the 80s.

Harlan Ellison was so impressed with his short story Frontier of the Dark that he talked ‘Jack’ into expanding it into a novel; then, when Chandler admitted he didn’t have his own copy of the original manuscript, Ellison pulled his copy of Astounding and sent it off (and the novel was written)

He wrote about major social issues in the 60s, well before they became mainstream…

(4) A SOCIAL MEDIA POLICY. Eric Flint preceded a very brief political opinion with a long introduction about why he rarely talks politics on Facebook. (See the opinion at the link.)

I don’t usually post political comments on my Facebook page for the same reason I don’t use my novels to expound my own political philosophy.

In a nutshell, It’s false advertising. My novels (and other pieces of fiction) purport to be entertainment, not political screeds. If I want to write political screeds, nothing prevents me from doing so. In point of fact, I _have_ written political screeds. Plenty of them. If you were to compile my various political writings done in the quarter of a century or so when I was a socialist activist, they would add up to several volumes worth.

But I wasn’t trying to make a living from those political writings, and so I didn’t try to pass them off to the unsuspecting public as “entertainment.” I didn’t do it then, and I’m not about to do it now.

Albeit watered down, I feel somewhat the same way with regard to my Facebook page….

(5) GENRE INFERIORITY COMPLEX.The Guardian’s Sam Jordison convinces himself this is no longer an issue: “‘Screw the snobbish literati’: was Kurt Vonnegut a science-fiction writer?”

I’m willing to concede that people may see things differently. The New York Times obituary may have been fulsome in its praise for Vonnegut, but it also noted that publishing Slaughterhouse-Five helped him to “shed the label of science fiction writer”. Vonnegut was painfully aware of this stigma; in an essay called Science Fiction, he wrote: “I have been a soreheaded occupant of a file drawer labelled ‘science fiction’ … and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal.”

(6) KURT AND RAY. Open Culture remembers when they had TV shows on the same year — “Discover Ray Bradbury & Kurt Vonnegut’s 1990s TV Shows: The Ray Bradbury Theater and Welcome to the Monkey House.

…I never know exactly when to take Vonnegut seriously. He also calls TV everybody’s “rotten teacher” and says “I’m sorry television exists,” but he had long been a TV writer in its “so-called golden days,” as John Goudas put it in a Los Angeles Times interview with Vonnegut in 1993, when his seven-episode run of Kurt Vonnegut’s Monkey House, hosted by himself, would soon come to a close. Vonnegut found himself very pleased by the results, remarking of his stories that “TV can do them very well,” and especially praising “More Stately Mansions,” above, starring an irrepressible Madeline Kahn, whom he called “a superb actress.”

Another very direct, witty speculative writer in the same year’s issue of The Cable Guide, Ray Bradbury, appeared with Vonnegut as part of two “dueling, short features,” notes Nick Greene at Mental Floss, “under the auspices of promoting the authors’ upcoming cable specials,” Monkey House and The Ray Bradbury Theater. Bradbury was also an old media hand, having written for radio in the 50s, and seeing adaptations of his stories made since that decade, including one on Alfred Hitchcock’s Alfred Hitchcock Presents. Like Hitchcock, when it came time for his own show, The Ray Bradbury Theater in 1985, Bradbury introduced the episodes and became a public face for thousands of viewers….

(7) WHEN I’M (IN) ’64. Galactic Journey’s Victoria Lucas reacts to the adaptation of Jack Finney’s novel: “[March 31, 1964] 7 Faces and 7 Places (The movie, 7 Faces of Dr. Lao)”.

If you saw my review of Finney’s Circus of Dr. Lao back on June 16, 1962 you would know why I went to such (literally) lengths to see this movie.  It did not disappoint, but I did object to the interpolations of a soppy romance and a hackneyed Western takeover-the-town plot.  The “Circus” was filmed, according to sources, on the MGM back lots, although some of those Culver City hills must be pretty rough if that’s so.  My theory is that filming on location was out due to the many roles of Tony Randall, who plays Dr. Lao, the Abominable Snowman, Merlin, Apollonius of Tyana, Pan, The Giant Serpent, and Medusa.  All those makeup and costume changes (to say nothing of any other cast) must have needed the workshop of famed makeup artist William Tuttle and a large selection of MGM costumes, as well as (not credited) costumer Robert Fuca.

(8) SFF EVENT IN LISBON. Free admission to Contacto 2019 in Lisbon, Portugal on April 4-5.

Imaginauta (a literary publisher of speculative fiction), in partnership with the Library of Marvila and BLX, the Libraries of the Network of Municipal Library of Lisbon are pleased to present the 2nd Edition of Contact – Literary Festival of Science Fiction and Fantasy.

FREE ENTRY FOR THE ENTIRE FAMILY

Come live two days filled with activities for whom a world just is not enough.

– Book Fair

– Book Launching

– Sessions with Portuguese authors

– Thematic areas (Harry Potter, Star Wars, Steampunk)

– Board games and narratives

– Speeches

– Movie theater

– Stories Counters

– Exhibitions

– Live performances

– Stand-up comedy

– Medieval Bar

– Activities for schools

Come join the new generation of science fiction and fantasy!

(9) TODAY IN HISTORY.

  • March 31, 1969 — Kurt Vonnegut’s novel, Slaughterhouse Five, published.
  • March 31, 1987Max Headroom made his television premiere.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 31, 1844 Andrew Lang. To say that he is best known as a collector of folk and fairy tales is a bit of understatement. He collected enough tales that twenty five volumes of Andrew Lang’s Fairy Books  for children were published between 1889 and 1913. That’s 798 stories. If you’re interested in seeing these stories, you can find them here. (Died 1912.)
  • Born March 31, 1932 John Jakes, 87. Author of a number of genre series including Brak the Barbarian. The novels seem to fix-ups from works published in such venues as Fantastic. Dark Gate and Dragonard are his other two series. As  Robert Hart Davis, he wrote a number of The Man From UNCLE novellas that were published in The Man from U.N.C.L.E. Magazine. The magazine apparently only existed from 1966 to 1968.
  • Born March 31, 1934 Richard Chamberlain, 85. His first dive into our end of reality was in The Three Musketeers as Aramis, a role he reprised in The Return of Three Musketeers. (I consider all Musketeer films to be genre.) some of you being cantankerous may argue it was actually when he played the title character in Allan Quatermain and the Lost City of Gold which he did some years later. He listed as voicing the Jack Kirby created character Highfather on the superb Justice League: Gods and Monsters but that was but a few lines of dialogue I believe. He was in the Blackbeard series as Governor Charles Eden, and series wise has done the usual one-offs on such shows as Alfred Hitchcock PresentsBoris Karloff’s Thriller, Chuck and Twin Peaks
  • Born March 31, 1936 Marge Piercy, 83. Author of He, She and It which garnered won the Arthur C. Clarke Award for Best Science Fiction novel. Of course she also wrote Woman on the Edge of Time doomed to be called “classic of utopian speculative sf”. 
  • Born March 31, 1943 Christopher Walken, 76. Yet another performer whose first role was in The Three Musketeers, this time as a minor character, John Felton. He has a minor role in The Sentinel, a horror film, and a decidedly juicy one in Trumbull’s Brainstorm as Dr. Michael Anthony Brace followed up by being in Cronenberg’s The Dead Zone as Johnny Smith. Damn, I’d forgotten he was Max Zorin, the villain in A View to a Kill! H’h, didn’t know he was in Gibson’s New Rose Hotel but then I haven’t then I haven’t actually seen it yet. And let’s wrap this up by noting his appearance in The Stepford Wives as Mike Wellington.
  • Born March 31, 1960 Ian McDonald, 59. I see looking him up for this Birthday note that one of my favorite novels by him, Desolation Road, was first one. Ares Express was just as splendid. Now the Chaga saga was, errr, weird. Everness was fun but ultimately shallow, Strongly recommend both Dervish House and River of Gods. Luna series at first blush didn’t impress me, so other opinions sought. 
  • Born March 31, 1962 Michael Benson. 57. Author of Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece. His earlier book Beyond: Visions of the Interplanetary Probes featured an intro by Clarke. Benson is an artist and journalist who also mounts shows of astronomical art and who advocates for such things as keeping the Hubble telescope operating. His site is here.
  • Born March 31, 1971 Ewan McGregor, 48. Nightwatch, a horror film, with him as lead Martin Bell is his first true genre film.  That was followed by The Phantom Menace and him as Obi-Wan Kenobi, a role repeated in Attack of the Clones, Revenge of the Sith and The Force Awakens. His latest role of interest, well to me if to nobody else, is as Christopher Robin in the film of the same name.

(11) US AT A GLANCE. Camestros Felapton is back from the multiplex — “Review: Us (spoiler free)”.

So I like horror best in small doses. I like a taste of it, circumscribed by the way horror overlaps with other genres (thrillers, fantasy and science-fiction). So I probably shouldn’t have gone to see Us.

Jordan Peele’s first film Get Out, was just about the right ratio for me. Undoubtedly scary and tense but also full of interesting ideas. The final premise was knowingly absurd and tapped into that rich seam of conspiratorial mythology of secret societies and grand sinister designs of powerful people.

Us has all of that and quite a lot more. There are no shortage of horror movie tropes in the film, indeed at a given moment the film plays along with standard styles of horror movie but only for awhile and then it moves on….

(12) PERMAFROST. At Rapid Transmissions, Joseph Hurtgen reviews Alastair Reynolds’ Permafrost and finds the parallels with La Jetee — and 12 Monkeys by way of La Jetee — are hard to miss, and make the book enjoyable.

The book wrangles a great deal over the time paradox. The time paradox wrangling is enough to make your head spin and the characters in the novel throw up more than once as a result of time travel paradox complications.

Paradoxically, Reynolds never has the characters reflect on the absurdity of humans developing futuristic technologies–nuclear power, time travel, artificial intelligence–while persisting in myopia about their impact on the environment. Reynolds isn’t treading new material here, Asimov discussed the problem of science’s interest in doing science over and above environmental concerns in The God’s Themselves (1972). But Reynolds’ story is quick, fun, and is sure to give you the feels. 

(13) A WORD FROM SOMEBODY’S SPONSOR. Daniel Dern writes:

I don’t know if this qualifies as a “Meredith Moment,” but, via KinjaDeals via io9, you can get 2 months of Kindle Unlimited for $1/month, before it automatically goes to the normal $10/month — not as cheap as the free 1-month trial, but good for 2x as long. I’ll be giving it a try, soon. (The deal is available for another month or so, but I’ll probably sign up today or tomorrow)

More info at the post: “Turn Off the Internet and Read Some Damn Books – Kindle Unlimited Is $1 For Two Months”.

(14) MORE DC. As announced this weekend at WonderCon: “DC Universe Unveils Expanded Digital Comics Library, STARGIRL Suit, & More at WonderCon!”

At no extra charge or increase in the price of a subscription, DC Universe subscribers will be able to enjoy access to DC’s enormous digital comics library, starting in April of 2019. (Each of these comics will appear at least 12 months after it was first published). That’s over 20 thousand comic books!

Daniel Dern notes: “This brings DC/U closer to Marvel’s streaming offering, which is ‘many comics each week once they’re at least 6 months old’ and 25,000+ comics. I’ll know (somewhat) more once I log onto my DC/U account and browse.”

(15) PUT ON YOUR AVENGERS FACE. Yahoo! enthuses: “Ulta and Marvel Are Launching an Avengers Makeup Collection, and the Prices Are Heroic”.

The star of the collection is arguably the Eyeshadow Palette (above), which includes 15 colors — mostly shimmers with a few mattes thrown in — for just $20. Under a lid that reads “Courageous. Tenacious. Fearless. Legendary,” you’ll find the aptly named shades Hero Vibes (copper shimmer), Games Changer (burnished gold), Save The World (champagne shimmer), Amazed (cream matte), Gauntlet (burgundy shimmer), Super Charged (mauve taupe matte), Out Of This, World (khaki brown shimmer), Last Shot (vanilla shimmer), Cosmic (eggplant shimmer), Smash (olive green shimmer), Legend (dirty aqua shimmer), Reassemble (smoky navy matte, I’ve Got This (ivory shimmer), Built For Battle (peach nude shimmer), and Fearless (moss graphite shimmer).

(16) WE THE FUTURE PEOPLE. In “Sci-Fi Writers Are Imagining a Path Back to Normality”, WIRED touches base with contributors to the anthology A People’s Future of the United States, edited by Victor LaValle and John Joseph Adams

Tobias S. Buckell on metaphors:

Nora K. Jemisin was just saying on Twitter the other day that in science fiction we have this venerable tradition of using metaphor to dig at some of these problems—like race and power and structure and history—and that it’s been a mistake, because in the past we would always use the metaphor assuming that our fellow readers and fans of the genre were following along, getting the metaphor, and it turns out that they weren’t. In other words, you needed to be way more in-your-face and say, ‘This is what I’m trying to say.’ Because they were looking at a metaphor of an alien that is powerless and out on the fringes of society—and that that society was being racist toward, and things like that—and then when they were done with that story they’d say, ‘That poor alien,’ and they’d never make the implicit connection.”

(17) ARMSTRONG’S PURSE. Space.com shares a flock of photos as “Smithsonian Debuts Apollo 11 ’50 Years from Tranquility Base’ Exhibit”.

The Apollo 11 “50 Years from Tranquility Base” display case was installed on Monday (March 25) at the Washington, D.C. museum, opposite its Space Race gallery on the first floor. The exhibit offers a look at almost two dozen artifacts that flew on board the July 1969 Apollo 11 mission that landed Armstrong and Buzz Aldrin in the Sea of Tranquility on the surface of the moon.

“’50 Years from Tranquility Base: Humanity’s First Visit to Another World’ highlights some of the smaller artifacts the crew needed to live and work on their way to and on the moon. Of particular interest are Neil Armstrong’s Omega chronograph, which hasn’t been on public display for over 20 years at least, and some of the items found in Armstrong’s purse,” said Jennifer Levasseur, a curator in the space history division of the National Air and Space Museum.

(18) TIME LORD. Beautiful video: “The guardian of the sands of time”.

Adrian Rodriguez Cozzani has a passion for time, the way it flows and the way we keep track of it. For nearly 30 years he has been crafting beautiful hourglasses and sundials by hand in his small workshop in Trastevere, a colourful neighbourhood in Rome, Italy.

[Thanks to ULTRAGOTHA, Cat Eldridge, Joseph Hurtgen, John King Tarpinian, JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Mlex, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darren Garrison.]

Pixel Scroll 8/1/18 For I Must Be Scrolling On, Now Cause There’s Too Many Pixels I’ve Got To See

(1) THE COCKY SOLUTION. The hydra sprouts a new head in the Authors Guild’s report on “Quantumgate: Son of Cockygate”.

The Cockygate case is close to resolution: the parties have entered into a settlement agreement and author Faleena Hopkins has filed a request with the United States Patent and Trademark Office (USPTO) to withdraw her “cocky” trademark. Other recent applications to register questionable trademarks for book series, however, do remain a matter of concern. A recent misinformed attempt to register a common book cover template (which is not a trademark under any interpretation of the law) was withdrawn after some backlash, thank goodness, but a recent application to register “Big” as a series title is still under review.

Now, another romance writer has applied to register the term “Quantum Series” in connection with her “series of fiction books.” When the Science Fiction and Fantasy Writers of America, became aware of this application, they approached the Authors Guild for assistance. We recommended counsel to SFWA, and Eleanor Lackman of the law firm Cowan, DeBaets Abrahams & Sheppard LLP is taking up the case by filing an opposition to the proposed trademark on behalf of SFWA member Douglas Phillips, who has his own “Quantum Series” of books”…

The Trademark Office clarified that the owner of a trademark in a book series title cannot use that trademark against single book titles. Since single titles cannot serve as trademarks, they also cannot infringe series title trademarks. So, if another author or a publisher ever tries to stop you from using a single book title because of their series trademark, you can tell them to take a hike. Only series titles can infringe another series title. [emphasis added]

(2) BELLA NOVELLA. Wired’s Jason Kehe applauds “The Rise of the Sci-Fi Novella: All The Imagination, None of the Burden”.

…The form, after all, honors the genre: The novella traces its origins to fairytales and morality plays. Proto-fantasies, basically. In that sense, Tolkien’s world-building was never native to the genre. He simply blew up the balloon.

A balloon which is now about to burst. More than ever, successful world-building seems to require of creators a transmedia commitment to spin-offs and prequels and various other increasingly extraneous tie-ins like comic books and card games. Consumers are rightly overwhelmed. The joy of the sci-fi novella, by contrast, is in its one-off-ness, its collapsed space, its enforced incapaciousness. Authors can’t indulge family trees or maps; they must purify their storytelling. One or two main characters. A single three-act quest. Stark, sensible rules. (And no Starks.)

Containment need not mean compromise. In many cases, spareness heightens prose. My favorite of Tor’s wide-ranging catalog is Kai Ashante Wilson’s A Taste of Honey, a stunning romance that unfolds on the shores of a remote god colony. Something like math poeticized, or poetry mathematized, at novel size the book would’ve gone down way too rich. At 158 pages, though? Practically perfect. Deadlier serious but no less compelling is Laurie Penny’s Everything Belongs to the Future, in which the rich can extend their youth by centuries while the poor age and die naturally. The paltry page count lets Penny, in full author-activist fervor, get away with punking up the familiar biotech premise. Plus, you can read it in one sitting, the way the good lords of lit intended.

(3) CLARKE WINNER’S NEW STORY. Paul Weimer weighs in about “Expectations of Genre: The Expert System’s Brother by Adrian Tchaikovsky” in a review for Tor.com.

This novella’s contribution to that conversation is that, in order to colonize distant alien planets already full of life, change, severe change, is needed. This puts The Expert System’s Brother into dialogue with novels such as Stephen Baxter’s Flux (where humans are altered to live on a neutron star) and James Blish’s Surface Tension. All of these stories explore the idea that in the end, it is not easy to change people to survive and thrive on alien planets. There are severe costs and consequences to doing so, to the point that those who do so might lose most of their connection to who and what they are. But those costs are absolutely payable, and are worth doing. We are never so much human as we are exploring, heading out there, and changing ourselves and reinventing ourselves to do so.

(4) OKORAFOR. A BBC profile: “Black Panther spin-off author Nnedi Okorafor’s African inspiration”.

…Okorafor’s journey as a writer began at 19. That year, she was paralysed from the waist down after an operation to correct scoliosis.

Distraught as she realised her budding athletic career would be cut short, Okorafor began writing short stories to occupy her time.

When she recovered, she took a creative-writing class at university.

Her rise in the world of speculative fiction was “gradual”, she says, mainly because no one knew how to place her work.

By the time she published her debut novel Zahrah the Windseeker in 2005, reviewers struggled to understand it, she says.

“It was young adult science fiction with Nigerian mysticism, blended with fantasy and written by a Nigerian American – I was confusing and many didn’t know how to read me.

“But over the years, the more I wrote, the more known I became. I was slowly somewhat understood, and thus enjoyed.”

(5) YOU COULD L**K IT UP. Laura Anne Gilman tells why research is a necessity in “A Meerkat Rants: History will F*ck You Up” at Book View Café.

Here’s the thing. I wrote urban fantasy for a long time .  A dozen+ books’ time, in fact.  Books set in New York, a city that I know reasonably well.  And I still had to pull out the map and get on the subway, and check shit out, to make sure I had my facts straight, because trust me, if I got it wrong, someone (probably many someones) would let me know.

As an aside, did you know that the underside of the Brooklyn Bridge is painted purple-ish?  Also, that if you start taking photos of the underside of a bridge, a cop may give you a very thorough side-eye?  Always bring your id and your business cards with you when you Research, kids.  Seriously.  I shit thee not.

But that’s fact-checking, Person with Opinion says.  That’s not research.  It’s all still made up.

At this point I usually stop to remind myself that the agency bail fund probably won’t cover even justifiable homicide, so I only ask my interrogator if they ever wrote a research paper in their lives, and if so how they gathered the material to do it.  If they say “Wikipedia,” I give up and drown my sorrows in whisky.

(6) A GRAIL-SHAPED ENDING. In The Hollywood Reporter: “Monty Python Archive Unveils Unused ‘Holy Grail’ Sketches”.

Michael Palin’s private archive, deposited at the British Library in London, is set to go on display to the public later this month, but The Times of London reports that its contents includes several major unseen scenes written by Palin and Terry Jones, his writing partner in the Monty Python group, whose other members included Terry Gilliam, Eric Idle, John Cleese and Graham Chapman.

Monty Python and the Holy Grail famously ends abruptly when King Arthur (Chapman) is arrested by police just minutes before a final climactic battle. However, according to The Times, Palin’s draft scripts show that this decision was only made to cut costs, and that a mighty fight was due to take place between the knights of Camelot, the French and also the killer rabbit of Caerbannog (a much-loved character from a previous scene).

(7) COMPELLING CROWDFUNDING. Joe Stech has launched a Kickstarter to fund Compelling Science Fiction: The First Collection, a hardcover print collection. The table of contents with 27 fantastic short stories by 24 authors is at the link. Swag is available for heftier pledges.

(8) MEXICANX INITIATIVE ANTHOLOGY. Fireside has set up a Kickstarter for the “Mexicanx Initiative Anthology”. They’ve already surpassed their $1,500 goal with pledges totaling $2,382 as of this writing.

Contributors include: José Luis Zárate, David Bowles, Julia Rios,  Felecia Caton Garcia, Iliana Vargas, Angela Lujan, Raquel Castro, Pepe Rojo, Alberto Chimal,  Gabriela Damián Miravete, Andrea Chapela, Verónica Murguía, Libia Brenda, and Richard Zela.

Our goal is to raise $1,600 to cover printing and shipping costs. Any funds raised above the goal will be split evenly among all the authors and artists who graciously donated their time and words. The anthology has been edited and laid out and features a beautiful cover by Mexicanx Initiative founder John Picacio.

We plan to print 200 copies of the anthology; 80 will be held for members of the Mexicanx Initiative and contributors, and 120 signed and/or numbered will be available as backer rewards. All copies will be brought to Worldcon 76 in San José, California, where they will be signed and available for pickup. If you are not attending Worldcon we will ship your copy and any other rewards you purchase.

(9) WORLDCON DOORS OPEN THESE HOURS.

(10) TRIVIAL TRIVIA

More than 80 million years separated the Stegosaurus from the Tyrannosaurus Rex. But the so-called Age of Mammals — which began when the non-avian dinosaurs were wiped out — has been going on for about 66 million years. This means that we are closer in time to the T-Rex than the T-Rex was from the Stegosaurus. [Source: Smithsonian Institute.]

(11) TODAY IN HISTORY

  • August 1, 1971 — Charlton Heston as The Omega Man premiered in theatres

(12) TODAY’S BIRTHDAYS

  • Born August 1 – Oona Laurence, 16 Celebrity Ghost Stories, a Penny Dreadful short and the animated Pete’s Dragon series. 
  • Born August 1 – Jack O’Connell, 28. Role in 300: Rise of An Empire, also Robot & Scarecrow, an animated short about a robot and a scarecrow (voiced by him) who fall in love at a summer music festival, and the lion in Jungleland which or may be not be based on an Asian theme park.
  • Born August 1 – Jason Momoa, 39. DCU as Aquaman in of course Aquaman, Justice League, and Batman v Superman: Dawn of Justice, Khal Drogo in Games of Thrones, Conan in Conan the Barbarian and Ronon Dex in Stargate: Atlantis. 
  • Born August 1 – Sam Mendes, 53. Producer of Penny Dreadful, Shrek the Musical, and Stage Director for the tv version of Cabaret (“Which allows me to note how much i really, really like Leiber’s The Big Time novella,” says Cat Eldridge.)
  • Born August 1—John Carroll Lynch, 55. Considerable genre work starting with the Voice from the Grave horror series, and including The Visitor series as well as the Apollo lunar landing series From the Earth to the Moon, Star Trek: VoyagerCarnivàle, The Walking Dead and American Horror Story.

(13) BIRTHDAY KING. Steven H Silver’s August 1 celebrant is Ray Palmer – “Birthday Reviews: Raymond A. Palmer’s ‘Diagnosis’” at Black Gate.

Although Palmer wrote short stories and novels, he was best known as an editor. From 1938-1949, he edited Amazing Stories and from 1939-1949 he edited Fantastic Adventures as well for Ziff-Davis, resigning when they moved production from Chicago to New York. He formed his own company, Clark Publishing, and began publishing Other Worlds Science Stories from 1949 to 1957, during which time he also edited and published Fate Magazine, Universe Science Fiction, Mystic Magazine, Science Stories, and Space World. His assistant in the early 1950s, and often times credited co-editor, was Bea Mahaffey. Palmer is perhaps best remembered for publishing the fiction of Richard Shaver and promoting Shaver’s stories as non-fiction. In 1961, comic author Gardner Fox paid tribute to Palmer by using his name for the DC character the Atom.

Did you miss any? Silver has cataloged last month’s work — “Birthday Reviews: July Index”.

(14) COMICS SECTION.

  • Sheldon does another cartoon profile on an early leader in the science fiction genre. Given the breadth of his work, he may have founded an empire!
  • At PvP, Scratch wants to adopt an heir – but can’t seem to get through to his prospect, a dedicated book reader –

July 30
July 31

(15) HAPPY ANNIVERSARY!

(16) CATS SLEEP ON TWITTER. Claire O’Dell cuts out the middleman –

(17) HAYLEY ATWELL VISITED BRADBURY’S MARS. Nerdist lets you “Hear Derek Jacobi and Hayley Atwell Bring Ray Bradbury’s THE MARTIAN CHRONICLES to Life” (2017 post, but news to me!)

While the characters that Jacobi and Atwell are playing in this aural adaptation of The Martian Chronicles were arguably written as American, I somehow don’t think fans are going to hugely object to Captain Wilder and Spender suddenly sounding impeccably English (please don’t let me down by being petty, Internet).

(18) LEAVES HIS COMFORT ZONE. Sean Grigsby takes the challenge:

(19) BREWPRINT. It’s a rare piece of news that makes a person want to move out of the U.S. but not to Canada! From VinePair: “MAP: The Most Popular Beer In Every Country”.

Ed. Note on North America: Although Anheuser-Busch InBev still markets Budweiser as “the King of Beers,” in the U.S. Bud Light outsells Budweiser by a wide margin. Ironically, in Canada, where the company owns iconic local brand Labatt, the company has sold more Budweiser than any other brand for nearly a decade. In 2012, the Toronto Star published the article “‘Sniff of death’ taints iconic beer brands,” which provides analysis on how Budweiser came to be the best-selling beer in Canada.

(20) BESIEGING YOUR BANK ACCOUNT. As Seen On TV, as they say: “Game of Thrones castle can be yours for less than $1 million”.

If you’ve been bargain shopping for one of the Great Houses of Westeros, get ready for the deal of a lifetime.

Gosford Castle, a 19th-century country house in Northern Ireland that was used to portray the Riverrun castle on Game of Thrones, is for sale and accepting offers over £500,000 (or $656,452), according to its online listing.

Riverrun, first depicted in season 3 of the acclaimed series, is the former seat of House Tully, and the current lawful home to House Frey. While the castle itself is not often seen on the show, its occupation has long been the subject of strategic interest for the series’ main characters.

(21) SPACE OPERA PILOT. Robert Hewitt Wolfe of DS9 and Andromeda fame is doing something interesting on Twitter. Several years ago he wrote a pilot for a space opera on SyFy that would be called “Morningstar”. It ended up not being made. But under WGA rules he retains publishing rights, so he’s publishing the script for the pilot on Twitter, one page per day for 95 days. He’s already 2/3 of the way through. The thread begins here.

(22) SHARK JERKING. People used to do “Stupid Crook Reports” at LASFS meetings. This would have been prime material: “Shark kidnapped from Texas aquarium in baby’s pram”.

A shark disguised by thieves as a baby in a pram and abducted from a Texas aquarium has been found and returned.

The horn shark – called Miss Helen – “is in quarantine right now resting” and “is doing good so far”, San Antonio Aquarium said.

On Saturday, the shark was grabbed from an open pool by two men and a woman, then wrapped in a wet blanket and put in a bucket with a bleach solution.

The public helped track the thieves and one suspect is now in custody.

(23) NUMBER ONE. Marvel’s C.B. Cebulski introduces a new Captain Marvel comic book series.

Carol Danvers has been involved in some of the biggest adventures in the Marvel Universe…but in her new series, she’s going back to the basics with Margaret Stohl, Carlos Pacheco, and Marguerite Sauvage at the helm. Marvel is proud to present this behind-the-scenes look at THE LIFE OF CAPTAIN MARVEL #1, featuring Stohl and Editor-in-Chief C.B. Cebulski! “This is a story about Carol Danvers. We’re taking Carol back to basics,” said Cebulski. “We hear that a lot, but this is something where we’re going to dance between the raindrops and find the secrets of Carol’s origins that are based in the roots of her family.” “It’s really a family story and it’s as much about the human instead of her as her Kree powers,” added Stohl.

 

(24) GET WOKE, GO FOR BROKE. ScreenRant ponders “What If Trump Was President When Captain America Was Woken Up?”

Before he was elected in 2016, Donald Trump had a small cameo appearance in New Avengers #47. In that comic, Trump failed to pull over to the side to let an ambulance go past, so Luke Cage gave him a hand by picking up his limousine and moving it out of the way. An irate Trump threatened to sue Luke, but then quickly thought better of it.

 

[Thanks to Cat Eldridge, Andrew Porter, Mike Kennedy, JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Danny Sichel, Paul Weimer, Michael O’Donnell, Dann, and Carl Slaughter for some of these stories, Title credit goes to File 770 contributing editor of the day IanP.]

Pixel Scroll 6/1/18 One Post, At Least, Thy Tick Shall Stalk

(1) COCKYGATE. A transcript of today’s “Cockygate” court hearing  [PDF file] courtesy of Courtney Milan. She paid for it.

Milan asks:

If you want to do something that would be meaningful to me, drop a tip in RWA’s perseverance fund. It’s for romance authors who need help paying membership dues—whether they’re current members or not.

(2) SF AT THE SMITHSONIAN. Arthur C. Clarke papers in the Smithsonian Air and Space Museum: “Letters from a Science Fiction Giant”.

“One of the strengths of the collection is Clarke’s manuscripts,” says curator Martin Collins. “Clarke had working notes as he prepared things for publication. It really highlights his deep belief and attention to making his fictional stuff as close to scientific fact as he could.”

The majority of the correspondence dates from the 1960s on. Tucked inside one folder, a letter from Wernher von Braun cordially invites Clarke to the October 11, 1968 launch of Apollo 7. “The rocket will carry [Wally Schirra, Donn Eisele, and Walter Cunningham] on a ten day earth orbital flight,” writes von Braun. “This mission will demonstrate the performance of the Saturn IB launch vehicle, the spacecraft’s command and service modules, and the crew and support facilities.” (Von Braun helpfully attached a list of motels in the Cape Kennedy area, which ranged in price from $5 to $18 a night.) A year later, Clarke, at Walter Cronkite’s side, covered the Apollo 11 mission for CBS.

(3) YE ROUND PEG IN YE ROUND HOLE. The BBC covers a study that shows “Every story in the world has one of these six basic plots”, applying Vonnegut’s graphing theory to some of the recent “100 stories that shaped the world”, including a few genre.

“Thanks to new text-mining techniques, this has now been done. Professor Matthew Jockers at the University of Nebraska, and later researchers at the University of Vermont’s Computational Story Lab, analysed data from thousands of novels to reveal six basic story types – you could call them archetypes – that form the building blocks for more complex stories. The Vermont researchers describe the six story shapes behind more than 1700 English novels as:

  1. Rags to riches – a steady rise from bad to good fortune
  2. Riches to rags – a fall from good to bad, a tragedy
  3. Icarus – a rise then a fall in fortune
  4. Oedipus – a fall, a rise then a fall again
  5. Cinderella – rise, fall, rise
  6. Man in a hole – fall, rise

(4) AUTHOR’S PICKS. Catherynne M. Valente names “10 Essential Offbeat Science Fiction Novels” at Publishers Weekly. First on the list –

1. How to Live Safely in a Science Fictional Universe by Charles Yu

This is one of my all-time favorite books and I can never not recommend it. It takes time travel and all the tropes inherent to it to a whole new level of emotional resonance, humor, and philosophy. It’s light on plot (and linearity) and heavy on meaning, but the whole thing is so deeply human, and at the same time, takes its science fiction so seriously that it’s no surprise author Charles Yu went on to write for Westworld.

(5) FAMOUS LAMB. Scott Edelman says “Nebula Award-winning writer Kelly Robson had a little lamb (and you can eavesdrop)” in Episode 68 of the Eating the Fantastic podcast.

Have you digested last episode’s Nebula Awards Donut Jamboree yet? I hope so, because following up on that lightning-round event, it’s time for the first of five one-on-one interviews over meals with writers recorded during this year’s Nebula Awards weekend in Pittsburgh—starting with nominee Kelly Robson, who 48 hours after we dined at Union Standard, became a winner!

Before winning this year’s Best Novelette Nebula for “A Human Stain,” she was also a finalist for the 2017 John W. Campbell Award for Best New Writer. Her novella “Waters of Versailles” won the 2016 Aurora Award and was also a finalist for the Nebula and World Fantasy Awards. Her short story “The Three Resurrections of Jessica Churchill” was a finalist for the Theodore Sturgeon Award, and her short story “Two-Year Man” was a finalist for the Sunburst Award. Her most recent publication is the time travel adventure Gods, Monsters and the Lucky Peach.

I’d hoped to visit Union Standard shortly after they opened for one of last year’s batch of Nebula Awards weekend episodes, but sadly, it wasn’t to be, so I’m thrilled I was able to host Kelly there. As for the reason why I was so anxious to eat at that restaurant—Chef Derek Stevens has been called one of the foundational figures of Pittsburgh’s culinary boom. In fact, Pittsburgh magazine has written of him—”If you like dining out in Pittsburgh, you should thank Derek Stevens.” If nothing else, I’ve got to thank him for the Jamison Farm Lamb Sirloin with Anson Mills polenta and grilled asparagus—of which Kelly kindly allowed me a nibble.

We discussed how the first Connie Willis story she read changed her brain, the way a provocative photo got her a gig as a wine reviewer at a top national magazine, what she learned from the initial Taos Toolbox writers workshop, why completing Gods, Monsters and the Lucky Peach was like giving birth to a watermelon, how reading a Battlestar Galactica tie-in novel helped teach her how to write, where she would head if time travel were real, why she’s contemplating writing a “frivolous” trilogy (and what that really means), the reason the story of hers she most likes to reread is professionally published James Bond fanfic, and much, much more.

(6) MISSION RESUMED. Joe Stech announced Compelling Science Fiction Issue 11 is out.

It’s been a while, but we’re back with an incredible 7-story issue! I really appreciate your continued support after the switch to the new semiannual schedule. This issue starts with James Rowland’s “Top of Show”, a metastory about the art of creating stories (5948 words). Our second story is “Targeted Behavior” by J.D. Moyer. In it, someone wants the homeless to leave San Francisco. A young girl has other ideas. (4600 words). The third story this issue, Adam R. Shannon’s “Redaction,” is a story about medics who use technology to deal (or not deal) with their own traumatic experiences (4953 words). Next we have “Cold Draft” by John Derderian. This is a short one about how a radical politically motivated law surprises a teenage boy (2900 words). Our fifth story is “Dreams of the Rocket Man” by C. Stuart Hardwick. This is a beautiful reprinted story about a child learning rocketry from an enthusiastic mentor (7600 words). Story number six, “Driving Force” by Tom Jolly, is the shortest of the lot. In the future, AIs may not only be tasked with driving (1300 words). Our final story is “Don’t Play the Blues”, by Bruce Golden. A musician wrestles with experiences from his military days (6040 words).

(7) TODAY’S BIRTHDAYS

  • Born June 1 – Actor Jonathan Pryce, 71, The Bureaucrat in The Adventures Of Baron Münchhausen and currently in The Game Of Thrones.

(8) COMICS SECTION.

  • Zombie jambalaya? Chip Hitchcock lets Bizarro explain.

(9) LISTENING IN. Remember that Star Trek scene where Kirk says something odd, to which Spock replies, “I can’t believe my ears, Captain”? Mad Genius Club’s Jonathan LaForce has some things to say in “Verified!” [Internet Archive link] that I haven’t heard from that blog before.

This conflict over culture has consequences. It demands that we not give in to the base instinct of lying, dehumanizing, and othering those with whom we quarrel. Such is dishonorable. Such will not be tolerated. I don’t want you to my left or right, I don’t want you laying down suppressive fire from behind me as I charge forward, if I can’t trust you to do the right thing.

This means not lying about people like Irene Gallo, Moshe Feder, Scalzi, Glyer, or anybody else in this conflict. Such actions destroy our credibility and integrity.
This means that when a panelist says something rude about Tolkien, and SFWA is merely live-streaming the event, don’t claim SFWA said those things about Tolkien.
When Tor writer Elise Ringo says “This is what I crave from female villains: women who are extended the same complexity and depth- and, potentially, sympathy- as their male counterparts, and also women who are really truly bad… Dark Lords are all very well, but the world needs more Dark Ladies…” your reply should not include the words “Tor.com calls on writers not to write female villains.”

When a fellow author says they don’t want to be included in your drama on Twitter, then blocks you on rather preemptively, don’t go “declare war” on them. That’s not just rude, that’s unprofessional.

When Brandon Sanderson announces that he’s going to be making some very carefully thought-out decisions about his involvement with a con just because he’s trying to be careful about his professional relationships, and you scream “MUHVIRTUESIGNALING!” you’re not impressing anybody but your own echo chamber and stroking your ego.

Today’s LaForce column appeared the same day as Jon Del Arroz’ posted “Fear And Loathing In SLC: How A Social Justice Mob Got To Brandon Sanderson” [Internet Archive link]. That may not be a coincidence.

(10) BOND. ROBOT BOND. The BBC explains “How humans bond with robot colleagues”.

Fast-forward a few years and this story isn’t as unusual as you might think. In January 2017, workers at CBC, the Canadian Broadcasting Corporation, threw a retirement party for five mail robots. Rasputin, Basher, Move It or Lose It, Maze Mobile and Mom had been pacing the company’s hallways for 25 years – delivering employee mail, making cute noises and regularly bumping into people.

There was cake. There were balloons. There was a nostalgic farewell video. There was even a leaving card with comments like “Thanks for making every day memorable” and “Beep! Beep! Beep!” The robots will likely spend their final years relaxing at one of the many museums that have requested them.

Though they’re often portrayed as calculating job-stealers, it seems that there’s another side to the rise of the robots. From adorably clumsy office androids to precocious factory robots, we can’t help bonding with the machinery we work with.

(11) DUNE. That’s cold: “Methane ice dunes found on Pluto by Nasa spacecraft”.

After an epic trek through the Solar System that took nearly a decade, New Horizons sped by at a speed of 58,536 km/h (36,373 mph), gathering data as it passed.

In their study, the researchers explain how they studied pictures of a plain known as Sputnik Planitia, parts of which are covered with what look like fields of dunes.

They are lying close to a range of mountains of water ice 5km high.

The scientists conclude that the dunes are 0.4-1km apart and that they are made up of particles of methane ice between 200-300 micrometers in diameter – roughly the size of grains of sand.

(12) AT THE BODLEIAN. “JRR Tolkien artwork on display for first time”. This probably won’t travel, but the article has a few samples, including one from 1915.

Personal effects – such as Tolkien’s briefcase, the colour pencils he used to create the artwork for Lord of the Rings and boxes of poster paints that he used for water colours in The Hobbit – have been lent to the Bodleian by his family.

Tolkien’s tobacco pipes are also included.

… There are previously unseen letters sent to Tolkien from famous fans such as poet WH Auden, novelists Iris Murdoch and Terry Pratchett and singer-songwriter Joni Mitchell.

“This is a very exciting part of the exhibition,” Ms McIlwaine said.

“These are letters that people haven’t seen before and haven’t been published and I think it’s going to be very surprising to visitors to see the range of people who loved Tolkien’s work, and loved it so much that they wrote to him.”

It’s mildly ironic that a Bodleian archivist would speak admiringly about someone’s smoking materials. Readers have to sign this well-known pledge before being allowed to use the Library:

“I hereby undertake not to remove from the Library, or to mark, deface, or injure in any way, any volume, document, or other object belonging to it or in its custody; not to bring into the Library or kindle therein any fire or flame, and not to smoke in the Library; and I promise to obey all rules of the Library.”

(13) VIDEO OF THE DAY. “Tergo” is a good short film, directed by Charles Willcocks, about a street cleaning robot who dreams of better things that he can’t have.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Scott Edelman, Mike Kennedy, Cat Eldridge, Carl Slaughter, ULTRAGOTHA, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Stoic Cynic.]

Pixel Scroll 2/15/18 I Got 99 Problems But An Unscrolled Pixel Ain’t One Of Them

(1) MUCH MORE ON CHILDREN’S BOOK INDUSTRY HARASSMENT. At School Library Journal, Elizabeth Bird advises readers how to catch up on the fallout from Anne Ursu’s survey about sexual harassment in the children’s book industry (linked in yesterday’s Scroll, item 17) with her post “Sexual Harassment and Post-ALA YMA 2018 Thoughts (not necessarily at the same time)”.

If you have missed the current #metoo movement within the children’s and young adult literature industry, then I will break down the order in which you can catch up. While you could argue precisely where to start and where to end, the most necessary articles are as follows:

  1. Read the survey by Anne Ursu on sexual harassment in the children’s book industry
  2. Read the preceding SLJ article Children’s Publishing Reckons with Sexual Harassment in Its Ranks
  3. Read the comment section of that same SLJ article
  4. Read the Gwenda Bond article #metoo #ustoo Change Starts Now: Stand Against Harassment in the YA/Kidlit Community

(2) DASHNER APOLOGY. Comments at School Library Journal also implicated Maze Runner author James Dashner. Dashner tweeted an apology today. Deadline has the story: “‘Maze Runner’ Author James Dashner Tweets Apology Amid Harassment Allegations, Vows To ‘Seek Counseling’”.

Maze Runner author James Dashner, dropped earlier this week by his agent after allegations of sexual misconduct surfaced, has tweeted an apology “to those affected” by his behavior and pledges to “seek counseling and guidance.”

“I have spent the recent days reexamining my actions and searching my soul,” Dashner writes (see the tweet below), adding he now believes he has been “part of the problem” with regard to sexual harassment and discrimination in the publishing industry.

“I didn’t honor or fully understand boundaries and power dynamics,” tweets the author, whose Maze Runner series has become a successful movie franchise. “I can sincerely say that I have never intentionally hurt another person. But to those affected I am so deeply sorry.”

Dashner was dropped by his literary agent, Michael W. Bourret, earlier this week after reader comments on the School Library Journal website named the writer, along with Thirteen Reasons Why author Jay Asher and others, of misconduct or harassment. Asher was subsequently expelled from the Society of Children’s Book Writers and Illustrators, and dropped by the Andrea Brown agency.

(3) #METOO. Likewise, Myke Cole says he has “to own it”.

I am mentioned in the School Library Journal thread that names and shames men who have been inappropriate in their conduct with women in the field.

I wish I could say that the entire comment was false, but I would be lying to you and to myself. I have always prided myself on being “good”. I thought I had a good handle on what that was. It turns out I was wrong. And I have to be accountable to you and to myself. I have repeatedly abused my social power. I have made unwelcome advances in professional settings and that is not okay.

This is humiliating to write, but it is also necessary, because I believe in the #MeToo movement and I 100% support women coming forward to name men who have made them uncomfortable, or worse abused them.

(4) SHORT FICTION. Rocket Stack Rank’s ratings report for stories reviewed up to February 15 has been posted. Greg Hullender notes:

Because so many publications are on bimonthly schedules now, even-numbered months tend to be rather light.

The five-star story, “To Us May Grace Be Given,” by L.S. Johnson was published in 2017, so it’s eligible for this year’s Hugo awards. All the others are eligible for the 2019 awards.

(5) NEW ANTHOLOGY BENEFITS DOCTORS WITHOUT BORDERS. BookNest creator Petros Triantafyllou has just issued Art of War: Anthology for Charity. Proceeds will go to MSF (Doctors Without Borders). The book was just released and is available for sale in both digital and print formats. The print version includes 40 black & white interior art pieces.

The promotional text on Goodreads asks —  

How do you get forty fantasy authors to contribute short stories for a war-themed anthology without paying them? It sounds as if there should be a good punchline to that, but all Petros Triantafyllou did was twist the moral thumbscrews and tell them all the profits would go to Doctors Without Borders, a charity that works tirelessly across the world to alleviate the effects of conflict, sickness and poverty.

So, with clear consciences, several busloads of excellent and acclaimed fantasy authors have applied themselves to the task of penning a veritable mountain of words on the subject of The Art of War, expect bloodshed, gore, pathos, insight, passion, and laughs. Maybe even a wombat. Who knows. Anyway, as the original blurb said: “It’s good. Buy it.” -Mark Lawrence

The anthology collects works from authors that write within the genre including the grim dark sub-genre. The author list includes: Mark Lawrence, Ed Greenwood, Brian Staveley, Miles Cameron, John Gwynne, Sebastien De Castell, Mitchell Hogan, Stan Nicholls, Andrew Rowe, C.T. Phipps, Rob J. Hayes, Nicholas Eames, Mazarkis Williams, Ben Galley, Michael R. Fletcher, Graham Austin-King, Ed McDonald, Anna Stephens, Anna Smith Spark, RJ Barker, Michael R. Miller, Benedict Patrick, Sue Tingey, Dyrk Ashton, Steven Kelliher, Timandra Whitecastle, Laura M Hughes, J.P. Ashman, M.L. Spencer, Steven Poore, Brandon Draga, D. Thourson Palmer, D.M. Murray, Anne Nicholls, R.B. Watkinson, Charles F Bond, Ulff Lehmann, Thomas R. Gaskin, Zachary Barnes & Nathan Boyce.

(6) COMING TO AMERICA. The Tolkien, Maker of Middle-Earth exhibition discussed in yesterday’s Scroll will be making an American appearance next year, according to the FAQ.

Will the exhibition go on tour?

The exhibition will visit the Morgan Library in New York City from January to May 2019.

(7) SHARKE HUBBLE. Returning Shadow Clarke juror Nick Hubble tells why he reenlisted: “Literary Criticism and the 2018 Shadow Clarke: Introducing Nick Hubble”.

A key part of the purpose of the Shadow Jury last year was not just to comment on the award itself but also on its unofficial status as one of the key hubs, in the UK at least, for a critical articulation of the wider and deeper concerns of SFF fan, convention, and reviewing culture. I think we did achieve that to some extent but I hope that the tweaks to the format and emphasis this year will foreground that aspect of the project and help us avoid getting bogged down in controversies concerning the inclusion/exclusion of particular books from shortlists….

(8) IN VACUO. Joe Stech of Compelling Science Fiction invites readers to check out his personal blog where he provide gristly details about “What happens to animals in the vacuum of space?” Good chance to sort out science from fiction on this topic.

In the vast majority of modern shows, people sucked out into the vacuum of space freeze like popsicles in seconds. This is ridiculous. The reality is much more horrifying. In the 1960s there were several studies done on animals in high-grade vacuums that give us a real idea of exactly what would happen in the “oops, I forgot my spacesuit” scenario, and I’m going to walk you through the gory details, along with links to the original papers published in the 60s.

The first big thing to understand is how heat is transferred in space. You may remember that there are four main ways that heat can be bled off: conduction, convection, radiation, and phase change transfer (e.g. ‘enthalpy of vaporization’). When you’re in space, conduction and convection are out, because nothing cold is touching you (conduction) and there are no fluids to transfer heat away from you (convection). That leaves only radiation and phase changes that can cool you down. The infrared radiation leaving the human body is only about as much as a lightbulb, which is not going to drop your temperature extremely rapidly. You’ll also be cooled when the water in your skin boils away, but that’s only going to affect your outer layer. Your internals will be fine for a while, until they completely run out of oxygen.

So now that we’re clear that insta-freeze won’t happen, what are the actual steps in our grisly space demise? Here they are…

(9) TODAY IN HISTORY

  • February 15, 1950 — Disney’s Cinderella premieres.

(10) TODAY’S BIRTHDAY BOY

  • Born February 15, 1935 — Grand Master Robert Silverberg

(11) COMICS SECTION.

  • John King Tarpinian spotted a good Conan gag in Bliss.

(12) RETRO-HUGO TOOL. Nicholas Whyte has been working on an eligibility list for the “Best Series Retro Hugo 1943”.

….Obviously, since this category has not been awarded before, the strictures on previous winners and finalists are not relevant. But even so, the pickings are very slim. There are a number of series which started in 1942 but had not published 3 installments by the end of the year (eg Asimov’s Foundation). There are other series with many installments which however do not amount to 240,000 words (eg the Via and Adam Link sequences by Otto Binder, and I think also the Professor Jameson stories by Neil R. Jones). What I am left with is the following rather brief list…

(13) AFROFUTURISM. The CBC posted a video of author Nalo Hopkinson on the power of science fiction and why Black Panther is going to change everything — “Afrofuturism, sci-fi and why ‘it is a radical act for Black people to imagine having a future'”.

(14) THE ROAD TO HELL. Neil Gaiman tweeted some Good Omens set decoration.

(15) ARE WE THERE YET? Ironically, it may hit another planet, but not Mars. “Musk’s Tesla to stay in space for millions of years”.

The Tesla car that Elon Musk launched into space is likely to stay there for tens of millions of years before crashing into the Earth or Venus.

That’s the conclusion of an analysis by Czech and Canadian researchers.

They calculated that the roadster has a 6% chance of colliding with Earth and a 2.5% probability of hitting Venus over the next million years.

But there’s no cause for concern: if it eventually returns to Earth, most of the vehicle will burn up.

The team’s computer simulations suggest there is a very slim chance of the vehicle colliding with the Sun, but little to no chance of the car hitting Mars.

(16) AN ADMONITION. Steven Barnes wrote on Facebook

White people: please don’t go see BP this weekend: you will be denying a deserving POC a seat. If you MUST, and you are really “Woke” you’ll let said POC sit on your lap. Blocking your view. Your Liberal Guilt will be assuaged thereby.

(17) GAG ME. Paul Verhoeven preens about “How we made Starship Troopers” in The Guardian’s profile. Denise Richards is quoted, too.

Paul Verhoeven, director

Robert Heinlein’s original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren’t aware of their fascism. Robocop was just urban politics – this was about American politics. As a European it seemed to me that certain aspects of US society could become fascistic: the refusal to limit the amount of arms; the number of executions in Texas when George W Bush was governor.

It’s an idiotic story: young people go to fight bugs. So I felt the human characters should have a comic-book look. Mark Wahlberg and Matt Damon auditioned, but I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl’s films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda. No one saw it at the time. I don’t know whether or not the actors realised – we never discussed it. I thought Neil Patrick Harris arriving on the set in an SS uniform might clear it up.

(18) WALKING DEAD WINE. Can’t beat a brand name like that, can you? And to make the vintage even more collectible, “New Walking Dead Wines Will Feature Augmented Reality Labels”.

A new Walking Dead wine will soon come to life in a store near you. We partnered with The Last Wine Company to create a Blood Red Blend and a Cabernet Sauvignon that not only taste amazing, but include some really awesome creative flourishes. Our bottles will have unique augmented reality labels that come to life when viewed through your smartphone. Each bottle is sealed with a collectible cork featuring Walking Dead artwork—walker heads, barbwire, etc.

[Thanks to Mark Hepworth, John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Camestros Felapton, Dann, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 11/27/17 And All I Ask Is A Tall Scroll And A Pixel To Godstalk Her By

(1) MORE GIFT POSSIBILITIES. C.F. Payne, who has produced covers for Time and Reader’s Digest among others, has been doing portraits of various creatives (writers, artists, musicians, et al) as demos for his art students and selling them on his Etsy page. These three examples are Lucas, Méliès, and Bradbury.

(2) OFF THE GROUND. George R.R. Martin’s 10-episode Season 1 of Nightflyers has been greenlit by SyFy.

NIGHTFLYERS will be shot in the Republic of Ireland, I’m told, on sound stages in Limerick… which will give them access to the same great pool of Irish and British actors that GAME OF THRONES has tapped in Belfast (and considering how many characters we’ve killed, a lot of them should be available). … If all goes according to schedule, the series should debut this summer, in late July. It will be broadcast on SyFy in the USA, and on Netflix around the world.

(3) ROOM DISRUPTION. Arisia 2018 takes place January 12-15 in Boston, but they just learned they’ll have to get by with almost 200 fewer rooms in their main hotel.

Q: What happened?

A: In early November the Westin informed us that its parent company has scheduled guest-room renovations. These renovations will be happening all winter and overlap the convention. During Arisia, three floors of guest rooms will be unavailable.

“Innkeeper” Holly Nelson is appealing to members to volunteer to move their reservations to a secondary hotel:

…One month into my role, Arisia received the news from the Westin about the renovations scheduled this winter. We were told 196 rooms would be unavailable and those reservations would need to transfer to the Aloft across the street. I was shocked and worried about how we would address the situation. Arisia staff members worked with the Westin to negotiate a better deal for those who would be required to move, as well as increasing how much of the Westin is reserved for our attendees to use.

If we don’t get enough volunteers, we’ll need to make involuntary transfers. If that happens we will be considering what is best for everyone who is concerned about moving. We’re working to meet the needs of as many people as possible – with the help of Arisia staff, including our Con Chair – in the most fair, impartial way we can. I would love to avoid this unpleasant duty, but that’s only possible if you volunteer by Thursday….

There are incentives for volunteering – see the FAQ.

(4) ABOUT HUGO AWARDS SITE LINKS TO THIRD PARTIES. The official Hugo Awards website’s response to criticism of Rocket Stack Rank, one of the “Third Party Recommendation Sites” linked there, has been to add a disclaimer:

I asked Kevin Standlee, who is part of the committee that runs the website, to address the broader question of why the Hugo Awards site links to other sites and how they are chosen:

The sites we’ve added have been as they came to our attention or when people asked us to add them. But a key thing is that they had to have a fixed address. People who set up a list for one year, then a new address for another year, then another new address, and so forth, we won’t add, because it’s too difficult to maintain. That has been apparently too high a bar for most people, who want to do things like set up Google Sheets for 2017, 2018, 2019, etc, with a new one every year. I’ve turned down the people whose request amounted to, “Add my site, and constantly monitor it so that when I change it to a different address, you’ll also change yours.” I have enough trouble keeping up with routine maintenance as it is.

Renay of Lady Business, this year’s Best Fanzine Hugo winner, will recognize Kevin’s example.

(5) BLOCKED. In “Star Trek Fight:  Shatner Blasts Isaacs on Twitter”, James Hibbard of Entertainment Weekly notes that William Shatner has blocked Jason Isaacs on Twitter, because he says that Isaacs is preventing him from a guest role on Star Trek: Discovery.  Isaacs responds that since Star Trek:Discovery takes place just before Star Trek TOS, James T. Kirk would be about 16 on the show which leaves no room for Shatner.

William Shatner has set his Twitter shields to maximum.

The actor who played the most iconic Star Trek captain has blocked the newest actor to play a Star Trek captain —  Jason Isaacs on Star Trek: Discovery — on the social network following the latter’s comments in an interview.

Shatner hasn’t publicly stated a reason for the blocking. But it follows a UK tabloid story posted a couple of weeks ago headlined, “Jason Isaacs hopes William Shatner won’t appear in Star Trek: Discovery.” Which admittedly does sound pretty bad. But Isaacs didn’t say that — or at least didn’t seem to mean that — but rather was making a point about how it wouldn’t make sense to have Shatner in the series since his character would only be about 16 years old during the Discovery time period.

(6) THE LION SLEEPS TONIGHT. John Hertz could tell from the way I spelled the lyric “A-WEEMA-WEH” that I was missing cultural nuances – beginning with the correct spelling – readily available from the Wikipedia’s entry about “The Lion Sleeps Tonight”.

Apparently I’m first in directing your attention to the Zulu mbube (“lion”) and uyimbube (“you’re a lion”), the spelling “Wimoweh” by Pete Seeger, and a cross-language cross-cultural trail of creativity and intellectual property (some Filers would add “appropriation”) worthy of B. Pelz’ coinage Berlitzkrieg.

The Wikipedia says this about the song’s origin:

“Mbube” (Zulu for “lion”) was written in the 1920s, by Solomon Linda, a South African singer of Zulu origin, who later worked for the Gallo Record Company in Johannesburg as a cleaner and record packer. He spent his weekends performing with the Evening Birds, a musical ensemble, and it was at Gallo Records, under the direction of producer Griffiths Motsieloa, that Linda and his fellow musicians recorded several songs including “Mbube,” which incorporated a call-response pattern common among many Sub-Saharan African ethnic groups, including the Zulu.

(7) 2017’S TOP HORROR. The B&N Sci-Fi & Fantasy Blog brings us the editors’ picks for “The Best Horror Books of 2017”. The list begins with –

Chalk, by Paul Cornell
Chalk tells the story of Andrew Waggoner, who suffers a horrifying act of violence at the hands of his school’s bullies. In his grief and anger, the boy makes contact with an old and ancient presence, which offers to help make him whole and exact terrible revenge—if he allows it. The occult horror masks a genuine exploration of how trauma can affect a person, cutting them out of the world, instilling violent fantasies of revenge, and leaving psychological wounds that linger long after the physical trauma had healed. It’s heartfelt, surreally terrifying, and utterly wrenching in ways I can only struggle to describe, and worth all the attention you can give it. Read our review.

(8) MYTHS FOR OUR TIME. Let The Guardian tell you why this is a good idea: “Mythos review – the Greek myths get the Stephen Fry treatment”.

Ever since William Godwin persuaded Charles Lamb to retell The Odyssey as a novel for younger readers in The Adventures of Ulysses (1808), the myths of ancient Greece have been retold in contemporary prose by every generation. Most of these retellings were originally poetry – the epics of Hesiod, Homer and the philhellene Latin poet Ovid, the Athenian tragedies of Aeschylus, Sophocles and Euripides – in Mythos, Stephen Fry has narrated a selection of them in engaging and fluent prose. But do we need another version of the Greek myths in an already crowded market? Such treasured collections as Nathaniel Hawthorne’s Tanglewood Tales (1853), Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes (1942) and Robert Graves’s The Greek Myths (1955) are still in print. Countless family car journeys are enlivened by Simon Russell Beale’s audiobook of Atticus the Storyteller’s 100 Greek Myths. So should a reader looking for an initiation into the thrilling world of the ancient Greek imagination choose Fry’s book?

…Yet Fry’s ear is finely tuned to the quaint tonality of some of his ancient sources. This is best revealed in his retelling of two Homeric Hymns, to Demeter and Hermes. They deal respectively with the abduction of teenage Persephone and the theft by the newborn Hermes of his big brother Apollo’s cattle. Fry’s distinctive voice undoubtedly adds something lively, humorous and intimate to myth’s psychological dimension. People who enjoy his media personality and particular style of post?Wodehouse English drollery are in for a treat. He tells us that he imagines Hera, queen of the gods, “hurling china ornaments at feckless minions”. Ares, god of war, “was unintelligent of course, monumentally dense”. Baby Hermes tells Maia: “Get on with your spinning or knitting or whatever it is, there’s a good mother.” Epaphus, child of Zeus and Io, “was always so maddeningly blasé about his pedigree”.

(9) MARVEL CINEMATIC UNIVERSE TO END — WELL, NOT REALLY. “Secrets of the Marvel Universe” by Joanna Robinson in Vanity Fair is a lengthy interview with MCU supremo Kevin Feige, including the revelation that the MCU will officially end with the release of Avengers 4 in 2019, although there will still be plenty of Marvel superhero movies after the MCU ends.

On a sweltering October weekend, the largest-ever group of Marvel superheroes and friends gathered just outside of Atlanta for a top-secret assignment. Eighty-three of the famous faces who have brought Marvel’s comic-book characters to life over the past decade mixed and mingled—Mark Ruffalo, who plays the Hulk, bonded with Vin Diesel, the voice of Groot, the monosyllabic sapling from Guardians of the Galaxy. Angela Bassett, mother to Chadwick Boseman’s Black Panther, flew through hurricane-like conditions to report for duty alongside Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow, Brie Larson, Paul Rudd, Jeremy Renner, Laurence Fishburne, and Stan Lee, the celebrated comic-book writer and co-creator of Iron Man, Spider-Man, Doctor Strange, the Fantastic Four, and the X-Men.

Their mission: to strike a heroic pose to commemorate 10 years of unprecedented moviemaking success. Marvel Studios, which kicked things off with Iron Man in 2008, has released 17 films that collectively have grossed more than $13 billion at the global box office; 5 more movies are due out in the next two years. The sprawling franchise has resuscitated careers (Downey), has minted new stars (Tom Hiddleston), and increasingly attracts an impressive range of A-list talent, from art-house favorites (Benedict Cumberbatch and Tilda Swinton in Doctor Strange) to Hollywood icons (Anthony Hopkins and Robert Redford) to at least three handsome guys named Chris (Hemsworth, Evans, and Pratt). The wattage at the photo shoot was so high that Ant-Man star Michael Douglas—Michael Douglas!—was collecting autographs.

(10) BIZARRE HOLLYWOOD. Life and times: Escapes is a Winningly Off-Kilter Doc About the Screenwriter of Sci-Fi Classic Blade Runner” at The Stranger.

If the name Hampton Fancher rings a bell, you probably have strong opinions on the best version of Blade Runner. The screenwriter of that sci-fi classic, Fancher sports one of the damndest backstories in Hollywood, including acting appearances on Bonanza, literal ditch digging, and occasional bouts of flamenco dancing. The documentary Escapes tells the thoroughly odd, strangely endearing saga of a genial bullshitter who somehow keeps stumbling, if not always upwards, at least sideways through show business. Think Robert Evans with a smidge of self-consciousness, and prepare for a wild ride.

Beginning with a long, shaggy story involving Teri Garr, director Michael Almereyda (Experimenter) gives his subject ample room to spin his yarn, wittily utilizing a slew of media clips as Fancher wanders hither and yon between topics such as his relationship with Lolita’s Sue Lyon, Philip K. Dick’s hilariously unsmooth attempt to hit on Fancher’s then-girlfriend, and the sexual exploits of the (human) star of Flipper. As for Blade Runner, that seemingly career-defining experience receives the same breezy pass-through as the rest of his stories, further painting the picture of a man who’s proud of his achievements, but doesn’t always seem entirely certain of how all the dots came to connect….

(11) LONELINESS OF THE LONG-DISTANCE BURRITO. Perhaps you’ve already seen this culinary steampunk extravaganza — it’s dated 2007: “The Alameda-Weehawken Burrito Tunnel” at Idle Words.

Who can imagine New York City without the Mission burrito? Like the Yankees, the Brooklyn Bridge or the bagel, the oversize burritos have become a New York institution. And yet it wasn’t long ago that it was impossible to find a good burrito of any kind in the city. As the 30th anniversary of the Alameda-Weehawken burrito tunnel approaches, it’s worth taking a look at the remarkable sequence of events that takes place between the time we click “deliver” on the burrito.nyc.us.gov website and the moment that our hot El Farolito burrito arrives in the lunchroom with its satisfying pneumatic hiss.

The story begins in any of the three dozen taquerias supplying the Bay Area Feeder Network, an expansive spiderweb of tubes running through San Francisco’s Mission district as far south as the “Burrito Bordeaux” region of Palo Alto and Mountain View. Electronic displays in each taqueria light up in real time with orders placed on the East Coast, and within minutes a fresh burrito has been assembled, rolled in foil, marked and dropped down one of the small vertical tubes that rise like organ pipes in restaurant kitchens throughout the city.

Once in the tubes, it’s a quick dash for the burritos across San Francisco Bay. Propelled by powerful bursts of compressed air, the burritos speed along the same tunnel as the BART commuter train, whose passengers remain oblivious to the hundreds of delicious cylinders whizzing along overhead. Within twelve minutes, even the remotest burrito has arrived at its final destination, the Alameda Transfer Station, where it will be prepared for its transcontinental journey….

(12) SIX BOOKS. From Nerds of a Feather comes “6 Books with Mira Grant”:

  1. How about a book you’ve changed your mind about over time–either positively or negatively?

The Dead Zone, by Stephen King. I originally read it when I was way too young, and thought it was incredibly boring. Revisiting it as an adult was a revelation.

(13) VINTAGE DARKNESS. It used to be all you had to do was look up. Night is getting harder to find: “Idaho Dims The Lights For One Of The Best Night Skies Anywhere”.

In a high mountain valley in central Idaho over 6,000 feet in elevation, the last hint of a glow from sun fades in the western sky. The conditions are perfect as Steve Botti, an astronomy enthusiast and city councilman for the tiny town of Stanley, holds his sky quality meter to the heavens. There are no clouds, and the moon has dipped behind the craggy Sawtooth Mountains as he assesses the darkness of the sky with the little device that looks like a pager.

His arm extended and his head snugly wrapped in a beanie, Botti says, “A reading of 21.75 or higher is considered by the dark sky association to be exceptionally dark.”

On a clear night here you can see the purple cloud of the Milky Way stretched across the sky. The rare sight is possible because people are making an effort to keep the night sky dark. Dark enough, they hope, to earn a seal of approval from the International Dark-Sky Association…

(14) CARTLOADS OF CARATS. An asteroid’s leavings: “The German town encrusted with diamonds”.

During construction of the town, which was first mentioned in records in the 9th Century AD, the settlers didn’t realise the stone they were using was embedded with millions of tiny diamonds, in a concentration seen nowhere else in the world.

As I looked down on the sleepy Bavarian town from the top of the tower, it was hard to picture the area as being anything other than tranquil. It was, in fact, a violent and otherworldly event – an asteroid strike that hit 15 million years ago – that led to the strange reality of Nördlingen becoming Germany’s diamond-clad town.

… Not long after Shoemaker and Chao first visited Nördlingen, it was estimated by local geologists that the town walls and buildings contained approximately 72,000 tons of diamonds. Although suevite can be found in other parts of the world from similar impacts, nowhere is the gemstone concentration as high as it is in Nördlingen.

(15) NEW VOICE. Editor Elizabeth Fitzgerald has joined the Skiffy and Fanty Show.

I’ll be working as their YA reviewer and my first post will go up in December. In the meantime, you can hear my first outing as co-host of one of their podcasts. Paul Weimer and I chatted with C.B. Lee, Cat Rambo and Nicky Drayden about participating in National Novel Writing Month.

Last year Fitzgerald was a co-winner of the Ditmar Award for Best Fan Publication with the team of interviewers who created the Australian Speculative Fiction Snapshot.

(16) 70 MM. How long will people be able to see 2001 in its original format? “Dying arts can be saved — but is it worth it?” (From the Boston Globe: may be paywalled in the near future, but isn’t yet.)

When cinema buffs celebrate the 50th anniversary of “2001: A Space Odyssey” next year, an uncomfortable question will loom larger than a malicious monolith. Does the epic sci-fi movie — the one that to its most ardent fans delivers a near-religious experience — have any future?

To true believers, the 1968 Stanley Kubrick cult classic must be viewed in its original wide-screen 70-millimeter format, an immersive visual experience augmented by the classical music score. Lauded for its crisper colors, deeper blacks, and higher-resolution images, fans see 70-millimeter as the highest expression of Hollywood artistry. The format was popularized in the 1950s to showcase movies’ technical superiority over television, and reserved for major productions like “Ben-Hur” and “Lawrence of Arabia.” But today, with Hollywood’s near-total shift to digital projection, the format faces an uncertain future — and is only held together, as a labor of love, by the efforts of a passionate community of movie fans.

…The worst case scenario is that, in a generation or two, the movie theaters may still exist, but the practical skills to build, fix, and use the specialized projectors will have vanished.

(17) GRATITUDE. Joe Stech of Compelling SF found plenty to be thankful for in his Thanksgiving post “10 issues of Compelling Science Fiction: a retrospective”.

I get asked every couple months why I spend so much time on this magazine. Most of the time I give a brief canned answer, something along the lines of “everyone needs a hobby, this is one of mine.” While that’s true, it’s a bit of a non-answer. Let me try and give a real answer here, in a few parts:

  1. Science fiction is fascinating. Like many art forms, good science fiction requires a base layer of technical skill. That’s the starting line. However, there’s a secondary layer of subject matter expertise, and a third layer that involves actually saying something meaningful about the universe we live in.
  2. Evaluating that third layer is deeply subjective, which means that no two readers will necessarily see eye to eye when reading a story. This also means that every publisher has its own set of biases when selecting stories to publish, which means that many stories that I’d enjoy never get out into the world. I want to help change that.
  3. There are extremely talented people out there producing wonderful content who never get paid for their work — I want to help support them, which is why I’ve always paid professional rates, even at the beginning when nobody was supporting the magazine. I’ve always been a proponent of putting my money where my mouth is, and I’m extremely grateful to have found magazine supporters who feel the same way.

[Thanks to John King Tarpinian, JJ, Arnie Fenner, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 10/1/17 And Lockjaw The Teleporting Bulldog (Played By A Bunch Of Pixels)

(1) STONY END. At Asking the Wrong Questions, Abigail Nussbaum delivers a masterful review of the third novel in the acclaimed trilogy, “The Stone Sky by N.K. Jemisin”.

It might seem a bit strange to say that The Stone Sky, the concluding volume of the Broken Earth trilogy, had a lot riding on it.  For the past two years, the SF field and its fandom have been falling over themselves to crown this trilogy as not just good, but important.  Both of the previous volumes in the series, The Fifth Season and The Obelisk Gate, were nominated for the Nebula and the Hugo.  When The Fifth Season won the Hugo in 2016, it made Jemisin the first African-American (and the first American POC) to win the best novel category.  When The Obelisk Gate won the same award earlier this year, it was the first time that consecutive volumes in a series had won the Hugo back-to-back since, I believe, Ender’s Game and Speaker for the Dead thirty years ago.  That’s probably not considered the best company nowadays, but it speaks to the kind of zeitgeist-capturing work that Jemisin is doing with this series.  In that context, the third volume might almost be looked at as a victory lap, just waiting to be showered with laurels.

To me, however, a great deal depended on the kind of ending Jemisin crafted for her story….

(2) STAN BY ME. This doctor makes house calls? Here in LA in October!

(3) THEY WERE JUST RESTING. Dean Wesley Smith and Kristine Kathryn Rusch have launched a Kickstarter to bring back “Pulphouse Fiction Magazine” after a 21-year hiatus.

Dean returns as editor of Pulphouse Fiction Magazine, bringing back the attitude and editing eye that got Pulphouse three Hugo nominations and thousands of subscribers. Kris will function as executive editor. Allyson Longueira is the publisher, Gwyneth Gibby is the associate publisher, and Josh Frase will be the managing editor and website guru….

Pulphouse Fiction Magazine returns as a quarterly publication, with the first issue coming out in January 2018.

But before January, as was a tradition with Pulphouse Publishing, there will be an Issue Zero. Basically, Issue Zero will be a complete issue of the magazine, but will function as a test run.

Issue Zero will be given to anyone who supports this Kickstarter subscription drive if we make our goal.

They’ve already surpassed their $5,000 goal, with 17 days left to run.

(4) BURNING LOVE. The anonymous Red Panda Fraction calls Dragon Con their home convention, and seeks to justify one of their tactics to level the Dragon Awards playing field in “Why Did We Create a Red Panda Slate? 1st Post from Rad Sonja”.

Now that Dragon Con is over and our schedules have returned to normal, it seems like it’s time to explain why the Red Panda Fraction decided to create a slate for the Dragon Awards this year. It was the most controversial thing we did, and we noted the consternation among blog commenters. We appreciate the criticism that authors may not want to be on any slate because it would make them “political footballs” or put targets on their backs. If we create a recommendation list for the next Dragon Award, we will ask authors if they want to be taken off before sending anything out to the public….

“Rad Sonja” doesn’t really delve into the ethics of slating beyond the poetic “fighting fire with fire”, but instead indulges in lengthy speculation about the networking that led to certain results in the first year of the award.

Moreover, from the beginning, the most active boosters of the award have been Puppies. Among the first places to publish a story about the Dragon Awards (April 8th, 2016) was the Conservative-Libertarian Fiction Alliance (CLFA), a closed Facebook group which includes a number of major Puppy organizers. It didn’t take much digging for us to figure out that Dragon Con’s SF=literature track director, Sue Phillips, and long-time SF-lit track volunteer, the Puppy-booster blogger and podcaster, Stephanie Souders, (aka “The Right Geek”, who added Phillips to the FB group in 2014) were also members of the CLFA Facebook group. The CLFA actively promotes the work of their members on their blog. See, for example, this post from this year….

(5) FROM ARES TO ARTEMIS. The Arthur C. Clarke Center for Human Imagination will host “An Evening with Andy Weir” on December 9 at UCSD. Time and ticket information at the link.

 

Join us for the launch of the much-anticipated new novel by Andy Weir, #1 New York Times best-selling author of The Martian. Weir will discuss Artemis—a crime caper set on the moon, in a near-future world that Weir builds with his trademark rich, scientifically accurate detail.

Artemis is the first only city on the moon. If you aren’t a tourist or an eccentric billionaire, life in this fledgling new territory is tough. Providence and imperial dreams have been nickel-and-dimed from those who have called the moon their home. That’s why Jazz doesn’t rely on her day-job. She moonlights, instead, as a smuggler, and gets along okay with small-time contraband that is, until the chance to commit the perfect crime presents itself.

Weir will discuss Artemis with Dr. Erik Viirre, Associate Director of the Clarke Center and the Medical and Technical Director of the Qualcomm Tricorder XPRIZE.

Book signing to follow. Copies will be available for purchase.

(6) JUST GUYS DOIN’ STUFF. Ashe Armstrong answers the question “What is Orctober?” at Fantasy-Faction.

Orctober seeks, as you may have guessed by now, to celebrate the orc. With the Elder Scrolls and Warcraft blowing up like they have, thanks to World of Warcraft and Skyrim, orcs have started to be viewed differently. While there are still those who love the old vision of them, grimy and lanky and full of malice, many of us are embracing a changing view of them. Orcs can be just as varied as the other races. They’re no longer an Evil Race of Evil, or at least not just that. It even happened with the Forgotten Realms books, with Drizzt and the orc, Obould Many-Arrows. In Warcraft, you had Thrall and Durotan. The Elder Scrolls had Gortwog go-Nagorm, who sought to reclaim the lands of Orsinium and help his people find respect.

(7) IN LIVING 3-D. This is great! Walk through the Center for Bradbury Studies using My Matterport.

In the spring of 2007, IUPUI’s School of Liberal Arts created the nation’s first center for the study of Ray Bradbury (1920-2012)

(8) PERSONAL FANDOM STORIES WANTED. Joe Praska at The Continuing Voyage is looking for autobiographical contributions to their series “My Fandom. My Story.”

My Fandom. My Story. is a series on The Continuing Voyage that aims to share the stories of individuals; their fandoms, passions, identity, struggles and successes.  Maybe you have a passion for a certain science fiction franchise that’s helped shape your ideals as an adult, maybe your knitting hobby led you to find a sense of community, maybe your love for a specific book helps you feel a deeper connection to your family or your culture, or maybe your interest in science has shaped your career.  Whatever it is, we’d like to hear your story.

My Fandom. My Story hopes to bring to light personal stories that explore countless themes that may arise such as community, family, creativity, art, inspiration, identity, mindfulness, politics, social justice, and culture while of course exploring the fandoms and passions of the individuals writing.

(9) TRIVIAL TRIVIA

In the original and best The Wolf Man, Larry Talbot had been away 18 years working on Mt. Wilson Observatory in California.

(10) TRIVIALEST TRIVIA

Silent film actor Gibson Gowland appears in The Wolf Man as a villager present at the death of Larry Talbot. He also had been present during the Phantom’s death scene in the 1925 version of The Phantom of the Opera (1925), becoming the only actor to appear in death scenes performed by both Lon Chaney and Lon Chaney Jr.

(11) TODAY IN HISTORY

  • October 1, 1957 The Brain From Planet Arous premiered on this day.
  • October 1, 1992 — The Cartoon Network started.

(12) TODAY’S BIRTHDAY GIRL

  • Born October 1, 1935 — Julie Andrews (whose best-known genre work is Mary Poppins.)

(13) COMPELLING SF. Publisher Joe Stech has released the 9th issue of Compelling Science Fiction. You can buy the issue from the Kindle store, or download the issue from Patreon in DRM-free mobi and epub format if you’re a subscriber. They also welcome readers to their new Facebook page — facebook.com/CompellingSF

(14) CHEERING FOR CHAOS. Camestros Felapton, in “Separatism, Spain, Catalonia, Russia, the Alt-Right & Chaos-Fascism”, tries to fathom the motives behind the latest political posturing.

I don’t know what Putin’s perspective is on Catalonia but I can guess by looking at more accessible proxy mouthpieces. Our least favourite science fiction publisher, Vox Day, is very much against the Spanish government’s actions and supportive of the Catalonian government. Likewise Julian Assange. The Alt-Right, in general, are treating events in Catalonia and the Spanish government’s heavy hand suppression of the voting as vague proof of something – it isn’t clear what they think it proves but their choosing of sides is clear: Madrid bad, Barcelona good. For once they aren’t on the side of militarised police beating the crap out of ordinary people. Why not? After all, in many ways, the current Spanish government is also nationalist and its application of force to quash dissent would, under other circumstances be cheered by the Alt-Right as strong government protecting national identity.

The answer is that there is always at least 50-50 chance which side of a cross-nationalist conflict they will pick but they will tend to pick the side that creates the biggest headache for trans-national cooperation. Putin wants Western Europe divided, both as payback and strategically and the alt-right follows suit. Everybody loses except chaos-fascism.

(15) BLATANT LIVING. Ethan Mills of Examined Worlds is ready to lament “The Death of Subtlety?” (if the answer turns out to be yes.)

The problem with our civilization is the death of subtlety.  Or – scratch that.  One of many problems with a lot of the culture of the United States in 2017 is that there is less subtlety than there maybe should be.

I continue to have – albeit with somewhat diminished enthusiasm as of late – hope that subtle questioning is on the whole a better method than bludgeoning people with the truth….

(16) IN ITS DNA. The Hugo Award Book Club argues that science fiction is, in some ways, a “more political form of literature” than other genres: “The Political Power Of Science Fiction”.

…You cannot write about imaginary futures and different worlds without showing how their societies are different than our own; how they are better and how they are worse. In this sense, as others have observed, science fiction is a medium of utopias and dystopias. And the determination of what makes a society dystopic or utopic is inherently about political values.

If you believe that all humans are really created equal, your utopia likely won’t include a caste system. If you believe that humans have a right to privacy, a government surveillance state will be depicted as a dystopia. If you believe that the world needs racial purity and genetically superior heroes to save us from corruption, you might write a fantasy about a man of high Númenórean blood who is destined to reclaim the Throne of Gondor.

These are all political beliefs.

Practical politics is about changing the world. Science fiction is about exploring worlds that have been changed. The two are intertwined.

This is what the Futurians and their critics at the first Worldcon all understood: By imagining utopias and dystopias, science fiction helps create blueprints that guide us towards, or away from, potential futures….

(17) TV TRIBUTE. Inverse has been eavesdropping: “Elon Musk Named ‘Moon Base Alpha’ After Grooviest Sci-Fi Show Ever”.

SpaceX founder Elon Musk announced Friday that his space exploration plans now include not just Mars but also the moon. Speaking at the International Astronautical Congress in Adelaide, Australia, Musk revealed the company’s planned next-generation rocket will make it possible to build a moon base — and the name he picked is just his latest homage to beloved science fiction, in this case, the British cult classic Space: 1999….

Musk’s proposed name for the base is Moon Base Alpha, which is a reference to the 1970s British cult classic Space: 1999.

(18) THIS JOB IS NOT THAT #@%! EASY. The Arthur C. Clarke Center for Human Imagination shares episode 10 of its podcast Into the Imagination, “Pictures, Pastries, and the Matter of the Universe”.

Physics is cool–and sometimes very hard to understand. …We talk to Duncan Haldane, winner of the 2016 Nobel Prize, about quantum topology and why the Nobel committee brought a bagel, a pretzel, and a bun to the award ceremony to explain his ideas. And with the inimitable Sir Roger Penrose, we explore the visual imagination as it relates to science, the work of artist M.C. Escher, and what it has to do with Penrose’s cosmological theory of the universe.

(19) ESKRIDGE PREMIERE. On October 5, the film OtherLife, written by Clarion Workshop alum Kelley Eskridge, gets its North American premiere at the San Diego Film Festival. In the film, OtherLife is a new drug that creates virtual reality directly in the user’s mind–a technology with miraculous potential applications but also applied to dangerous uses, like imprisoning criminals in virtual cells.

Click this link for time and ticket information.

(20) YOU AIN’T NOTHIN’ BUT A SOUND DOG. Warts and all, “The Voyager Golden Record Finally Finds An Earthly Audience” – from NPR.

Pescovitz approached his former graduate school professor — none other than Ferris, the Golden Record’s original producer — about the project, and Ferris gave his blessing, with one important caveat.

“You can’t release a record without remastering it,” says Ferris. “And you can’t remaster without locating the master.”

That turned out to be a taller order than expected. The original records were mastered in a CBS studio, which was later acquired by Sony — and the master tapes had descended into Sony’s vaults.

Pescovitz enlisted the company’s help in searching for the master tapes; in the meantime, he and Daly got to work acquiring the rights for the music and photographs that comprised the original. They also reached out to surviving musicians whose work had been featured on the record to update incomplete track information.

Finally, Pescovitz and Daly got word that one of Sony’s archivists had found the master tapes.

Pescovitz remembers the moment he, Daly and Ferris traveled to Sony’s Battery Studios in New York City to hear the tapes for the first time.

“They hit play, and the sounds of the Solomon Islands pan pipes and Bach and Chuck Berry and the blues washed over us,” Pescovitz says. “It was a very moving and sublime experience.”

(21) RED NOSES, GREEN LIGHT. Was this campaign meant to coincide with the clown consciousness-raising of Stephen King’s It? Or is it too funny for that to matter? From Adweek — “Audi Sends in the Clowns for This Madcap Ad About How to Avoid Them on the Road”.

A lot of car advertising treats the obstacles that drivers face on the road as literally faceless threats—an avalanche of rocks tumbling across a mountainside road, or a piece of cargo falling blamelessly off a pickup truck in the city.

But let’s face it. The real problem on the roads is the other drivers. Or, if you like, the clowns who share the streets with us…

As simple as it is, the concept also lends itself to brilliant visuals, as the Audi drivers have to deal with all sorts of clowns driving all sorts of clown cars (and buses). It’s all set to a whispering version of Sondheim’s “Send In the Clowns” by Faultline and Lisa Hannigan.

 

[Thanks to JJ, Joe Stech, Chip Hitchcock, Camestros Felapton,  Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Pixel Scroll 7/2/17 Pixeldimethylaminotickaldescroll

(1) PREMIO MINOTAURO. Nieve en Marte (Snow on Mars), a science fiction novel written by Pablo Tébar, is the winner of the 2017 Minotauro Award, Spain’s literary award for the best unpublished SF, fantasy or horror novel. The prize is worth 6,000 Euros.

The novel earned the unanimous vote of the Minotauro Award Jury, this year composed of writers Javier Sierra and Manel Loureiro, the Director of the Sitges – International Fantastic Film Festival of Catalonia, Ángel Sala, movie producer Adrián Guerra and the editor in chief of Ediciones Minotauro publishing house, Marcela Serras.

This is the fourteenth year that the International Fantastic and Science Fiction Literature Award has been presented by Ediciones Minotauro. (Hat tip to Europa SF.)

(2) AT THE LANGUAGE FOUNDRY. Editor Joe Stech says from now on he’s calling what his magazine publishes “Plausible Science Fiction”.

I was at convention yesterday and heard a panel discussion about the old “hard vs. soft” science fiction debate. I realized while listening that there is a huge amount of baggage that people associate with the term “hard science fiction,” and that by using it when I describe the focus of Compelling Science Fiction I may be conveying something different than intended. Because of this, I’m going to start using a different term when talking about what sub-genre Compelling Science Fiction focuses on: “plausible science fiction.” The word “plausible” is still ambiguous, but I believe it doesn’t have all the semantic cruft that has built up over the decades around “hard.” We will no longer reference “hard science fiction” when describing our magazine, even though what we look for in stories is not changing.

“Plausible science fiction,” in this context, means “science fiction that tries not to disrupt suspension of disbelief for people that have knowledge of science and engineering.” This can mean not blatantly contradicting our current knowledge of the universe, and it can also mean not blatantly ignoring how humans generally behave. It also means internal self-consistency….

(3) STORY TIME. LeVar Burton reads to you — in the intro he says he’ll pick short stories from a lot of genres, including his favorite, science fiction — on the Levar Burton podcast.

LeVar Burton is an Actor, Director, Educator & Cofounder of the award-winning Skybrary App, host and Executive Producer of PBS’s Reading Rainbow and lifelong children’s literacy advocate.

(4) COMPLETELY MAD,  I TELL YOU. Dorothy Grant at Mad Genius Club lets a “friend” explain the best strategies for not selling books in  “How to Successfully not Market your Book: Or Doing it All Wrong (Almost) By Alma Boykin”

Alma Boykin here. I have been successfully getting in my own way and not marketing (fiction) books since December 2012. In the process, I’ve managed to make pretty much every mistake you can do as an indie author, bar one. Dorothy Grant, Cedar Sanderson, and others have written a lot about how to market your books and stories. So here’s a quick guide on how to successfully not market your book, thus ensuring that only the most selective, discriminating, or lucky readers will ever find it. …

  1. No social media presence ever. I did give in and start a blog, Cat Rotator’s Quarterly,(Alma! I added the blog name and link! You should promote it! -Ed.) in February 2014, but I have no Twitter, Facebook, G+, LiveJournal, Snapchat, Pinterest, or whatever other social media platforms are out there. This is another great way not to tell people about your books. What they don’t know about, then can’t find. HOWEVER! If used properly, social media can help not-sell your work. Some of the best ways are to overload anyone who follows you with near-daily announcements about “Only three years, two months, and a day and a half until the release of [book]!” or “Hey, boy my book! Buy my book!” The more often you remind people to buy your work, the more they will drop your feed and flee the company of your works. Think of it as the electronic version of the whiney 5-year-old in the back seat asking “Are we there yet? Are we there yet? I gotta go. Are we there yet?”

(5) SUMMER READING. The Verge says “Here are 16 books coming out this month that you should also check out”, beginning with —

Dichronauts by Greg Egan

Greg Egan is known for some spectacular science fiction novels in recent years, and his latest looks pretty out there. It’s set in a strange universe where light can’t travel in every direction. Its inhabitants can only face and travel in one direction: east. Otherwise, they’ll get distorted across the landscape. A surveyor named Seth joins an expedition to the edge of inhabitable space, where they discover an unimaginable fissure in the world — one that will stop the ongoing migration of its inhabitants. The only way forward is down, to try and find a way to save everyone.

(6) THE WORST FORM OF GOVERNMENT, AFTER ALL THE REST. David Langford has made a belated addition to the July Ansible – a copy of “the tasty General Election campaign flyer from a candidate in our area.” Well worth a look.

(7) COME TO THE FAIR. Also thieved from Ansible, this item about Ken McLeod’s slate of events at the Edinburgh International Book Fair.

  • On Tuesday 15 August at 6:30 I’ll be talking with Stephen Baxter about his new novel The Massacre of Mankind,
  • On Wednesday 16 August 2017 at 7.15pm I’ll be chairing a discussion with Charles Stross and Jo Walton on ‘End Times, Crazy Years’, to ask: what happens when reality outdoes dystopia, let alone satire?
  • My own work comes up for discussion on Thursday 17 August at 2.30 pm, when I’m on with Charlie Fletcher, who, like me, has just completed a trilogy.
  • I’ve long been a proponent of the argument, which I first encountered in the work of Gary Westfahl, that informed and engaged criticism by active readers has shaped the SF genre perhaps more than any other, from the letter columns of Amazing Stories onward. Who better to test this contention with than two outstanding critics who are also outstanding writers? That’s what’s on offer on Thursday 17 August at 5.30 pm, when I chair a discussion between Adam Roberts and Jo Walton.
  • For this final event in the strand, Rockets to Utopia? on Friday 18 August at 6.30 pm, we have two truly exceptional writers. Nalo Hopkinson is a Guest of Honour at this year’s World Science Fiction Convention in Helsinki, …Ada Palmer is a historian, who burst on the SF scene only last year with her acclaimed, complex novel Too Like the Lighting …Nalo and Ada are joined by me and Charlie, and we’re chaired by Pippa Goldschmidt. Pippa writes close to the edge of SF, has previously featured at the Book Festival, and in an earlier life held the Civil Service title ‘Chair of Outer Space’, so should have no difficulty chairing a panel.

(8) TODAY’S DAY

  • History of World UFO Day

World UFO Day was organized by WorldUFODay.com in 2001, and was put together to bring together enthusiasts of UFO’s and the evidence they’ve all gathered to support their existence. …Many of them believe they already have arrived, and anyone who knows anything about UFO’s is aware of the stories of abductions and what is seen as the seminal event in UFO history, the crash at Roswell. While they believe that the governments of the world are presently hiding this information from the populace, this in no way discourages believers from continuing to search for the truth they’re certain is out there.

(9) TALKING FOR DOLLARS. The truth may be out there, but the number of people looking for it seems to be declining. Consider this report from The Register, cleaning up after the latest mess: “Shock: NASA denies secret child sex slave cannibal colony on Mars”.

NASA has not enslaved a colony of children on Mars nor is it using them for vile orgies on the Red Planet nor feasting on them to harvest their precious bone marrow, officials have told The Register….

On Thursday, one of President Trump’s favorite talking heads, Alex Jones, interviewed ex-CIA officer Robert David Steele during his radio show. Steele made some astonishing – think nuttier than squirrel crap – allegations of NASA covering up that humankind already has an outpost on the Mars. And that the alien world was red not just with oxidized iron dust but with the spilled blood of innocent youngsters snatched off the street and shipped into outer space.

“We actually believe that there is a colony on Mars that is populated by children who were kidnapped and sent into space on a 20-year ride. So that once they get to Mars they have no alternative but to be slaves on the Mars colony,” Steele claimed. How exactly they are still children after 20 years of space travel wasn’t, funnily enough, explained.

…”There are no humans on Mars yet,” NASA spokesman Guy Webster told El Reg last night, presumably restraining himself from adding” “I can’t believe I have to answer this kind of stuff.”

(10) TODAY IN HISTORY

  • July 2, 1959 – Premiered on this date, Plan 9 From Outer Space.
  • July 2, 1992 — Theoretical physicist Stephen Hawking breaks British publishing records on this day. His book A Brief History of Time has been on the nonfiction bestseller list for three and a half years, selling more than 3 million copies in 22 languages.

(11) SAVE THE BOOKS. History will be rewritten – if it’s not destroyed first. See The Guardian’s book review, “The Book Smugglers of Timbuktu by Charlie English review – how precious manuscripts were saved”.

For African historians, the realisation during the late 1990s of the full scale of Timbuktu’s intellectual heritage was the equivalent of the discovery of the Dead Sea Scrolls for scholars of Judaism in the 1950s. When the African American academic Henry Louis Gates Jr visited Timbuktu in 1997 he actually burst into tears at the discovery of the extraordinary literary riches. He had always taught his Harvard students that “there was no written history in Africa, that it was all oral. Now that he had seen these manuscripts, everything had changed.”

Yet with the coming of al-Qaida, there was now a widespread fear that this huge treasure trove, the study of which had only just begun, could go the way of the Baghdad, Kabul or Palmyra museums, or the Bamiyan Buddhas. Before long, efforts began to smuggle the most important of the manuscripts out of Timbuktu and to somehow get them to safety in Bamako, the capital of Mali. The story of how this was done forms the narrative backbone of The Book Smugglers of Timbuktu, which consequently reads like a sort of Schindler’s list for medieval African manuscripts, “a modern day folk tale that proved irresistible, with such resonant, universal themes of good versus evil, books versus guns, fanatics versus moderates”.

(12) JUST THE FACTS. How well will you do on the Guardian’s twentieth anniversary “Harry Potter quiz: 20 years, 20 questions”?

It’s exactly two decades since the first of JK Rowling’s books was published. Try our Nastily Exhausting Wizarding Test to see how much you have learned since then.

I got 8/20, which is better than I usually do on internet quizzes.

(13) NO JUSTICE. There’s a reason CBS never greenlighted its Justice League series, even if it did include the Green Lantern. ScreenRant says, actually, there are fifteen reaons why…. “15 Things The Unseen Justice League TV Pilot Got Wrong”.

You’d be hard pressed to find a comics or cinema fan not aware of the highly anticipated Justice League film due this November. What many of these fans might not know is that this is actually the second attempt at adapting DC Comics premiere super team – with the feature-length pilot for a CBS Justice League of America TV series pre-dating it by a whole decade!

The reason why most people are oblivious when it comes to the Justice League pilot is simple: it never aired in the United States (although it did see the light of day on some international networks). The rationale behind the CBS executives’ decision to bury the pilot is even simpler: it’s… uh, not very good (like, at all).

The worst of all was its –

  1. Mockumentary-style Interviews

Another “surprisingly ahead of its time” aspect of the Justice League pilot gone horribly wrong is its inclusion of mockumentary-style, to-camera interviews intercut through the episode.

Ever since The Office popularized the mockumentary format in TV comedy, there have been plenty of imitators with little interest in accurately simulating its “real-world” mechanics (looking at you, Modern Family). But way before any of these – heck, before The Office itself! – the Justice League pilot was completely throwing any sense of verisimilitude out the window entirely!

Think about it: who is filming these interviews? How come they know our heroes secret identities? Why isn’t the rest of the show shot like a documentary? These questions and more immediately come to mind as soon as the first interview cut-away rolls around, but those looking for answers shouldn’t get their hopes up.

(14) EVERY VOTE A SURPRISE. Tpi’s Reading Diary shares “My Hugo award votes 2017 part 1: novellas” and says Seanan McGuire’s story is in first place on his ballot.

Every Heart a Doorway by Seanan McGuire Young teenagers, mostly girls, have gone to alternative worlds where they felt at home. The alternative worlds are mostly different, some are fantasy lands, others are based on logic, some are based on some kind of horror motive, and so on. In the most cases, the youths felt at home on those worlds. For some reason, some of them have been cast out. Time has moved at a different rate for them in many cases. It might have been years in our world and their parents assumed that their children had been abducted/run out and are most likely dead. The relationships between the children and their parents are usually very strained – and usually they were strained even before the youths went away. The victims are gathered to a special school, which is run by an old woman who herself had the same fate as a teenager. She looks middle-aged but is possibly much older. A young girl goes to the school. Soon other pupils start to die – gruesomely. The other pupils naturally first have some suspicion toward the new pupil, especially as she comes from a world where death himself is an important figure. A pretty good story with a new look at what Alice in Wonderland and Narnia (according to the novella, Lewis didn’t really know anything, he just used stories he had heard – badly) might actually mean. A nice and interesting story, with unusual characters and excellent writing.

(15) WHATEVER. Two tweets make a post – is that a metric thing? John Scalzi and Dan Wells make merry on the last day of a con — “In Which I Trespass Against Dan Wells at Denver Comic Con, and He Exacts His Fitting Revenge, a Tale Told in Two Tweets”.

(16) BAD TO THE BONE. BBC Trending gleefully explains “Why coders are battling to be the… worst”

Why have computer programmers on Reddit been battling it out to make volume control as bad as possible?

[Thanks to JJ, Cat Eldridge, Cheryl S., John King Tarpinian, Joe Stech, and David Langford for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]