Pixel Scroll 6/28/18 Stay Scrolled, Pixelboy… Stay Scrolled…

(1) FUTURE TENSE. Joey Eschrich, Editor and Program Manager at ASU’s Center for Science and the Imagination and the Assistant Director, Future Tense, forwards the latest entry in the Future Tense Fiction series: “A Brief and Fearful Star” by Carmen Maria Machado.

Mama did not talk about her journey west very much; the circumstances had to be right. When she did—in the electric moments before rainfall, if a rabbit crossed clockwise against our path, if she found me flipping through the battered almanac from the year of my birth—she described it like a painting she was viewing through a fever.

“The light,” she said once, when we encountered a set of twigs that had fallen into the shape of a cross. “It was like being underwater, all blue and soft and bright.”

It was published along with a response essay, “Could the Experiences of Our Ancestors Be “Seared Into Our Cells”?” by science journalist Erika Hayasaki.

Our memories are made up of the stories we come to believe about our past, about how we got here and who we are, a running inner-narrative of scenes, summary, and anecdotes colored with bits of truth and speculation. We tend to define our lives through largely made-up memories, to decipher what makes us resilient, or what makes us weak.

There’s something seductive in believing we could also inherit memories in a biological sense, too. An ancestor passing down the experience of endurance or trauma, for example, transmitting traces of a distant past that does not belong to us and yet might be built into us before we are born. A coding that primes decedents to fear, to cope with, to prepare for, or to survive through the same perils. It makes for an uncomfortable solace, thinking that the memories of generations before may reside within our genes. It gives us explanations….

(2) FUTURE LAW. The Institute for Information Law at the Universiteit van Amsterdam invites English-language entries in the inaugural “’Science Fiction & Information Law’ Essay Competition”. The deadline is December 15.

We welcome essays that reflect on our possible data-driven future, where data has been firmly established as an economic asset and new, data-driven smart technologies can change the way we live, work, love, think and vote. How will AI change politics, democracy or the future of the media? What will life be like with robot judges and digital professors? What is the future of transportation in the wake of drones, the autonomous car and perfect matching of transportation needs? Is there a life beyond the ubiquity of social media: Is there bound to be an anti-thesis and if so, what will the synthesis look like? What will happen when social media corporations start fully-fledged co-operation with the police? Or unleash the power of public engagement to solve or prevent crime by themselves? How would crime respond to all this? What could be the true implications of the ‘data economy’ and if we really can pay our bills with our data? How will future information law look like in the age of AI?

The authors of the best five essays will compete for the IViR Science Fiction & Information Law Award. The award will be granted by an independent jury, and the five authors will be invited to Amsterdam for a public symposium…..

We welcome essays between 5000-8000 words in English. We encourage contributions from sci-fi authors but also from all scholars, thinkers, lay-philosophers, bloggers and interested citizens who like to think about technology and society, and maybe have been toying with the idea of writing something for quite some time but never did. This is your opportunity!
Please send your essay to n.helberger@uva.nl by 15 December 2018.

(3) NEEDLE FOUND AT LAST. The Portalist asks Robert Silverberg about the forthcoming film adaptation of one of his short stories: “Interview: Sci-Fi Great Robert Silverberg Talks Time Travel”.

The director, John Ridley, is best known for the movie Three Kings, for which he wrote the story, and 12 Years a Slave, which earned him an Oscar for Best Adapted Screenplay. Do you know what attracted him to “Needle in a Timestack”? 

He read it in Playboy long ago—it was published there in 1983—and said, “I want to make a movie out of that.” But once he got into a position to do that he couldn’t, because it had been optioned and later bought outright by Miramax. So it was tied up, and he was not a Miramax person, so it was in limbo for years. Vince Gerardis, my lovely Hollywood agent, managed to get the rights back. At that point John had had a huge success with 12 Years and Miramax asked him, is there anything else you want to do, and he said, “Needle in a Timestack.” So they optioned it the second time, hired Ridley, and then let the option run out. But he was hooked, and went and found another producer, who is now producing. He’s deeply attached to the project—not just in the Hollywood sense, he really loves it. He wrote the screenplay and apparently the screenplay is quite faithful to the story.

(4) YEARS AGO AT DRAGON CON. Two days ago, SF/F author K. T. Katzmann tweeted, “Also, I once watched one of the most famous SF/fantasy authors in the world pull off an act of conspiracy to commit murder over their microphone in a convention panel, but my lips are sealed until they die.”

That author was Harlan Ellison. Now that he has died, Katzmann tells the whole story in this thread:

(5) APPEAL. File 770 commenter Lurkertype could use some help after getting medical help for a cat:

One of my credentials had surgery this morning, and it’s going to cost $7,000.

Seven. Thousand. Dollars.

Which we don’t have — that’s over 2 months’ total living expenses — and we’re living off (premature, thus heavily taxed) IRA withdrawals. We get the credit to pay our Obamacare premiums, which… who knows if that will continue? Basically we are poor, and as you know, it’s not a swell time to be poor.

So I am begging for money.

You can send it to my PayPal account, which is under lurkertype (at) yahoo (dot) com.

Any amount, no matter how small, will be deliriously accepted.

I promise to send a photo of him on some SF. He is a handsome tuxedo beastie of 17 pounds. I don’t know if he’ll have a cone of shame or not.

I know many of you don’t have any spare money, but I know how much File 770 loves cats, so any kind thoughts towards him or me, prayers to your favorite deity, or just grumpy thoughts towards the universe to shape up for once are also accepted.

(6) TODAY’S BIRTHDAYS

  • Born June 28 – Mel Brooks, 92. Writer, actor and producer in, and this is a very selective listing, Get Smart, Young Frankenstein, Spaceballs and Spaceballs: The Animated Series, the Hotel Transylvania animated films and Blazing Saddles.
  • Born June 28 – Kathy Bates, 70. Performer, among many genre roles,  in Dick Tracy, The Stand, Hansel and Gretel, The Golden CompassDolores Claiborne and the American Horror Story series.
  • Born June 28 – Felicia Day, 39. Performer in Buffy the Vampire Slayer,  Eureka, Supernatural, Dr. Horrible’s Sing-Along Blog, Mystery Science Theater 3000 and LARPs which is not a complete accounting. Also writer and theme song singer (!) for Mystery Science Theater 3000. 
  • Born June 28 – Jon Watts, 37. Director of Spider-Man: Far From Home and Spider-Man Homecoming, screenplay of latter as well

(7) COMICS SECTION.

  • Lise Andreasen sends the Saturday Morning Breakfast Cereal strip “Evolution” with the cryptic recommendation, “I like ‘’I like big butts and cannot lie’ and cannot lie.” I have the cryptographic section working on this….
  • On the other hand, JJ’s Incidental Comics pick “Books are….” will be readily understood by every Filer.

(8) ALL-YOU-CAN-EAT FROM DC. Io9 shares DC’s plan: “The New DC Universe Streaming Service Will Bundle Superhero Comics and TV Shows All in One Place”.

As more and more people have begun reading comics digitally, DC’s fans have been wondering when (if ever) the publisher was going to get in on the all-you-can-read subscription service game much in the same way that Marvel has. As it turns out, that time is now.

Today, DC Comics and Warner Bros. announced the impending arrival of DC Universe, the new, fan-oriented platform where many of company’s upcoming shows like Young Justice: Outsiders, Titans, and Harley Quinn will live alongside a deep back catalog of curated DC comic books, TV shows, and films.

(9) GRIM FATE. Comics artist Warrick Wong has been producing fan art of the somewhat grim future of The Incredibles and posting on his Instagram feed. Gizmodo’s io9 has taken note (“Artist Envisions The Incredibles’ Future, and It’s Powerfully Bleak”). He’s gone into the future a decade or more where “Violet has taken over as the matriarch of the Parr family following the death of their parents [with] a facial scar and full-body tattoos” or “Dash [is] a reckless and rebellious teenager, while Jack-Jack explores his powers as a polymorph, figuring out how to control all of his abilities.” He’s also looked in the nearer term where “Old Man Incredible” has “a bitching beard” and “some awesome tattoos,” but is locked on “a path of vengeance after Mrs. Incredible was supposedly killed.”

(10) A VISIT FROM VESTA. Mike Kennedy felt this news deserved a dramatic introduction: “Aaaaaaah! We must be dooooooomed! A massive asteroid is so close to Earth you can see it with the naked eye!”

After he calmed down, Kennedy continued — “Well, closer than it’s been in a number of years… but close is a relative term here. Vesta (full name “4 Vesta”) is the second largest asteroid in the main belt and is currently in approximate opposition to Earth and about 106 million miles from our planet. That makes it bright enough to be seen with the naked eye for the next couple of weeks if you have excellent viewing conditions (such as having clear skies and being well away from a city or other source of light pollution).

“Of course, being in the main belt it’s in a nearly circular orbit (its eccentricity is only 0.08874) and isn’t going to pose any threat to Earth in the foreseeable future… not that that a lack of a threat will stop some people from trying to whip up a panic.

Newsweek reports “Vesta: Asteroid the Width of Arizona Makes Close Approach to Earth—And It’s Visible With the Naked Eye”.

Stargazers will be able to view it in both the northern and southern hemispheres until about July 16 or 17 “but only as a point of light, and only in dark skies,” Massey said. For optimum viewing, binoculars or telescopes are recommended.

Vesta will appear near the constellation Sagittarius until June 28, after which it will move into the vicinity of the constellation Ophiuchus.

The asteroid is so large, that it accounts for nearly 9 percent of the total mass of all asteroids in the asteroid belt, with only the dwarf planet Ceres being more massive, according to NASA.

Inverse says “Massive 4 Vesta Asteroid Is Zooming by Earth — Here’s How You Can Spot It”.

You can see 4 Vesta every night until July 16 or 17, which means you’ve got just weeks left to catch a glimpse of the asteroid this close to Earth until after the year 2040.

(11) CATASTROPHE AVERTED. Business Insider invites us to remember when “NASA literally saved us from a planet-wide apocalypse”. In the 1980’s NASA was one of the leading organizations that pushed to sharply reduce chlorofluorocarbon (CFC) use because of the damage to the ozone layer that could have led to ecological collapse due to doubling of the UV radiation reaching the ground. Dr. Susan Strahan (Senior Research Scientist with the Universities Space Research Association/NASA Goddard) is featured in a video that helps explain the problem. Because politicians listened to scientists (an almost unimaginable thing in some parts of the world today) the Montreal Protocol on Substances that Deplete the Ozone Layer was signed in 1987 and production of CFCs was curtailed and eliminated entirely in developed countries.

Quoting the article’s conclusion:

By 1996, CFCs were banned completely in developed countries. And today, Now satellite data indicates that the ozone hole is on the mend. And if we keep it up, it could be completely healed by the end of this century.

So it looks like the world won’t crumble by 2065 anymore. Well, at least not from a depleted ozone layer.

However, some evidence has surfaced semi-recently that someone is cheating on the Montreal Protocol and producing/releasing CFCs. See The Japan Times’ article “Scientists detect probable cheating on ozone treaty as drop in key CFC slows”.

The decline in the atmosphere of an ozone-depleting chemical banned by the Montreal Protocol has recently slowed by half, suggesting a serious violation of the 196-nation treaty, researchers revealed Wednesday.

Measurements at remote sites — including the government-run Mauna Loa Observatory in Hawaii — of the chemical, known as CFC-11, point to East Asia as the source or renewed production.

“We show that the rate of decline of atmospheric CFC-11 was constant from 2002 to 2012, and then slowed by about 50 percent after 2012,” an international team of scientists concluded in a study.

“This evidence strongly suggests increased CFC-11 emissions from eastern Asia after 2012.”

(12) IT’S TIME. Jack Black’s next flick — The House with a Clock in Its Walls.

In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award® winner Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town’s sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead. Based on the beloved children’s classic written by John Bellairs and illustrated by Edward Gorey, The House with a Clock in Its Walls is directed by master frightener Eli Roth and written by Eric Kripke (creator of TV’s Supernatural). Co-starring Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams and Sunny Suljic, it is produced by Mythology Entertainment’s Brad Fischer (Shutter Island) and James Vanderbilt (Zodiac), as well as Kripke.

 

[Thanks to rcade, John King Tarpinian, JJ, Chip Hitchcock, Nicholas Whyte, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]

Pixel Scroll 6/20/18 Poltergoose

(1) SPFBO LONGLIST. Mark Lawrence rounded up 300 entries for the Self-Published Fantasy Blog-Off in a very short time, and now has assigned 30 titles to each of his 10 participating review bloggers. See the longlist at “SPFBO 2018, Phase 1”.

(2) AMAZING STORIES REJECTS. Steve Davidson has denied a news story reported by Jason Sanford and linked in yesterday’s Scroll: “Amazing Stories and Rejections”. Here are excerpts from his explanation.

….It is entirely untrue that we are not notifying authors of rejections.

However, we understand why there may be some confusion on this matter.

The vast majority of our rejections take the form of an automated “status update” email to the submitter.  A story goes from draft to being read, to being rejected or accepted.  Submitters are notified both in an email and on their submissions account of any status changes that affect their submissions.

…Some people had issues on initial sign up, and some people are (now) complaining of  not receiving rejection notices.  Both the initial sign up issue and no receipt of rejections are a result of the user’s email server.  We’ve checked, double-checked and re-checked;  all status notices, all sign-up verifications, are being properly generated by the system and are being sent out.  Non-receipt has, in every case, turned out to be the result of an email server rejection.  Permissions are too picky, the user has not white listed the email address, etc.

Unfortunately, other than informing you of this situation, there is nothing that we can do on our end to correct this.

Our system is WordPress based.  That software platform hosts more than a third of all internet sites (and a large number of genre-related sites);  our system is therefore no more and no less “complicated” than any other WordPress based site you may be familiar with….

(3) SANFORD ANSWERS. Jason Sanford responded in a Twitter thread that begins here and includes these comments:

(4) FANS RALLY ROUND. ComicsBeat is calling attention to a “Crowdfunding campaign set up after writer Leah Moore suffers a brain injury”.

Leah Moore and her partner John Reppion have written some top notch comics for DC, Dynamite and many other publishers.

But now they are facing a huge challenge.

Moore suffered severe head trauma and brain injury while attending a music festival.

Andrew O’Neill set up a JustGiving appeal for “Leah and John”.

Leah and John are comic book writers, who usually scrape by on caffeine and stress while creating wonderful art. Recently, they have been beset by brutal circumstances – John recently lost his sister Dawn and Leah has sustained a severe and degenerative brain injury at Download (metal!) and has had an operation to remove a blood clot.

Needless to say, their already fragile and insecure method of putting food on the table for themselves and their three kids (two feral) is going to be impossible while Leah recovers and John looks after her.

As an artistic community and bunch of pals, let’s raise some money to help them through, (and then we can use our generosity later on as leverage for favours and cake).

The goal was to raise 2,500 UKP – they’ve already raised 11,142 UKP.

(5) MISSING THE MIND MELD. I’ve fallen behind in linking to one of my favorite features on the sff web: this installment of Mind Meld appeared in March — “Mind Meld: Books That Expand the Definition of Genre”, curated by Shana DuBois at the B&N Sci-Fi & Fantasy Blog. The participants are Tristan Palmgren, Jeannette Ng, Patrice Sarath, Rebecca Kuang, Aliya Whiteley, Gareth L. Powell, Jasmine Gower.

The evolution of storytelling has followed us through the ages from fairy and folk tales to the vast variety of mediums now available to us.

As storytelling expands in unusual and innovative ways to keep pace with global conversations, what are some books you’re most excited about?

(6) HOLD ROBOTIC CONVERSATIONS ABOUT WESTWORLD. Adweek tells readers “You Can Now Explore the Depths of Westworld by Talking to Alexa”, “But only ‘true fans’ will make it all the way through.”

You can now explore the depths of Westworld from your living room, kitchen, bathroom, wherever—as long as you have your Amazon Echo nearby and within earshot. All you have to say is, “Alexa, open Westworld.”

Today, HBO announced the debut of its new Alexa skill, called Westworld: The Maze. It’s designed specifically for fans of the show to play on their various Amazon voice devices, just in time for the show’s upcoming Season 2 finale this Sunday. HBO partnered with agency 360i and Westworld production team Kilter Films on the project.

The Maze is a choose-your-own-adventure game with over 60 storylines, 400 possible choices for players to make and roughly two hours of game time in which Westworld fans can immerse themselves. Fans will recognize the voices of characters from the show, including Jeffrey Wright as Bernard and Angela Sarafyan as Clementine, as they dive into this mystical world.

 

(7) FRANKENBOOK. Arizona State University’s  Joey Eschrich, Editor and Program Manager, Center for Science and the Imagination, and Assistant Director, Future Tense, sends word about a new project involving the Center, The MIT Press, and MIT Media Lab that marks the 200th anniversary of the publication of Frankenstein.

Frankenbook is a collective reading experience of the original 1818 text of Mary Wollstonecraft Shelley’s Frankenstein. The project is hosted by Arizona State University’s Center for Science and the Imagination, The MIT Press, and MIT Media Lab. It features annotations from over 80 experts in disciplines ranging from philosophy and literature to astrobiology and neuroscience; essays by scientists, ethicists, and science fiction authors Cory Doctorow and Elizabeth Bear; audio journalism; and original animations and interactives.

Readers can contribute their own text and rich-media annotations to the book and customize their reading experience by turning on and off a variety of themes that filter annotations by topic; themes range from literary history and political theory to health, technology, and equity and inclusion. Frankenbook is free to use, open to everyone, and built using the open-source PubPub platform for collaborative community publishing.

The project has already garnered attention from Boing Boing and Brain Pickings, and they’d love to have more participation in the project from the SF community.

(8) TODAY IN HISTORY

  • June 20, 1975 – Steven Spielberg’s Jaws premieres.

(9) COMICS SECTION.

  • Kendall sends along a two-parter from Library Comic about Mount TBR – #412
    and #413.
  • Lise Andreasen found that Deflocked is not the comic you’re looking for. (And yet I’m linking to it anyway….)

(10) WAS THE EMPIRE DESTINED TO FAIL? In her Vox post “Solo reveals the weakness of the Star Wars Galactic Empire”, Amy Erica Smith lays out a detailed argument why Solo: A Star Wars Story shows up the Galactic Empire as a fatally weak state. WARNING: The whole story is basically one big spoiler.

Pop quiz: What’s missing in Solo?

Okay, there’s a long list: the opening crawl. R2-D2.

More importantly: the Emperor. Darth Vader. And 90 percent of the Stormtrooper presence of other movies.

That last item is the most telling indicator of the Galactic Empire’s glaring open secret — its extreme weakness. From a political science perspective, the movie Solo fills in a lot of holes in how we understand the Galactic Empire — the approximately 22-year regime between the dictator Sheev Palpatine’s consolidation of power as Emperor at the end of Episode III and his death at the hands of his second-in-command at the end of Episode VI.

What we learn from Solo is that the Galactic Empire is a very, very weak state. It’s so weak that it’s not much of a state at all. Don’t believe the Empire’s propagandists.

The detailed analysis —and a bunch of spoilers — follows from there.

(11) JOHN SCALZI ENDORSES FREEDOM. Well, of course. But it’s also the brand name of a technology Scalzi finds helpful for keeping him from frittering away his writing time.

…I end up checking news and social media sites more often than is useful, when what I really need to be doing is working on a book.

…It got to a point in the last couple of months that I had to accept the problem was me, and that I wasn’t going to go away anytime soon, so I had to take other steps. So I looked into “distraction free” software, i.e., those programs that block your access to Web sites and apps for a period of time so you have no choice but actually do the work you’re supposed to do. After comparison shopping, I went ahead and picked Freedom. Freedom works on a subscription model and can block sites and apps on your desktop and phone; it has pre-selected block lists you can choose from (including for news, social media, shopping and adult sites among others), and you can also create your own lists. Once you do that, you can set a time for how long you want to have the blocking run, up to 24 hours. You can also schedule blocks, to have them show up at the same time every day and etc.

…And it worked well — I’d check out Twitter almost by muscle memory and get confronted by a green screen that said things like “You are free from this site” and “Do things that matter,” which seemed a little snarky and pushy, but on the other hand, I was in fact trying to do something that mattered (finish my book), so. …It did what it was supposed to do, which was keep me on track and writing on the book.

(12) SFF FROM MADRID. Rachel Cordasco recommends a “New Collection by Cristina Jurado” at Speculative Fiction in Translation.

Nevsky Books will publish a new collection of stories by Spanish SF author and editor Cristina Jurado in July entitled Alphaland.

“From upgraded humans to individuals living among daydreams, from monsters to fantastic beings, these creatures populate a highly imaginative and evocative world, impregnated by an inspired sense of wonder. Draw near with care and enter Alphaland!”

Cristina Jurado (Madrid, 1972) is a bilingual writer and the editor of SuperSonic Magazine, a Spanish and English venue which has re-energized the Spanish speculative fiction scene….

(13) LONDON CALLING, MILWAUKEE ANSWERING. “Orange Mike” Lowrey is back on the BBC – this time on the BBC World Service programme Trending (June 17): “The Mysterious Wikipedia Editor”.

Who is “Philip Cross”? That’s the name on an account that has made more than 130,000 Wikipedia edits since 2004. But it’s not so much the volume of his work but his subject matter that has irritated anti-war politicians and journalists around the world. His detractors claim that he’s biased against them and that his influence has made some entries unreliable. It’s a charge that’s rejected by the foundation behind Wikipedia, but the person behind Philip Cross remains elusive. So what happened when we tried to track him down?

(14) OPEN THE POP3 PORTS PLEASE, HAL. This Gizmodo headline starts with the bad news and follows with the good news: “This Light-Up HAL 9000 USB Flash Drive Can’t Sing, But Probably Won’t Kill You Either”.

Master Replicas, makers of some of the finest lightsaber replicas in any galaxy, sadly closed its doors back in 2008. Last year, however, part of its original team opened Master Replicas Group, a new company that’s relaunching with a series of 2001: A Space Odyssey collectibles to start, including a flash drive based on one of Hollywood’s most terrifying villains.

You don’t have to be worried about this miniature HAL 9000 replica refusing to open an air lock for you, or listening in on private conversations by covertly reading your lips. This one-sixth scale replica of HAL 9000 has no smarts and no ill intentions, but it does recreate the computer’s glowing red eye whenever it’s plugged into your computer.

The Master Replicas Group product page shows a limited edition 32 gigabyte USB flash drive modeled on the “eye” from 2001’s HAL 9000 at $64.95, and a 16 gigabyte  version available for $24.95 where the product page makes no mention of this version being a limited edition.

(15) SPACE IN THE SIXTIES. The Russians and Americans are pushing the envelope at Galactic Journey: “[June 20, 1963] Crossing stars (the flights of Vostoks 5 and 6)”.

Gordo Cooper’s 22-orbit flight in Faith 7 afforded America a rare monopoly on space news during the month of May.  Now, a new Soviet spectacular has put the West in the shade and ushered in a new era of spaceflight.

(16) PICK UP THIS MESS. From now on, no more Pigs in Space, so to speak: “Astronauts eject UK-led space junk demo mission”.

A UK-led project to showcase methods to tackle space junk has just been pushed out of the International Space Station.

The RemoveDebris satellite was ejected a short while ago with the help of a robotic arm.

The 100kg craft, built in Guildford, has a net and a harpoon.

These are just two of the multiple ideas currently being considered to snare rogue hardware, some 7,500 tonnes of which is now said to be circling the planet.

This material – old rocket parts and broken fragments of spacecraft – poses a collision hazard to operational satellites that deliver important services, such as telecommunications.

(17) PREVIEW. BBC reports that “Stranger Things comic will explore the Upside Down”.

The first series, due for release in September, will focus on Will Byers and his time in an alternate dimension.

The character spends nearly all the first season in a mysterious place which his friends name the Upside Down – but his experience is barely seen.

 

(18) HULK DEPARTURE. Nick Schager, in the Yahoo! Entertainment story Hulk At 15:  How Ang Lee’s Distinctive Blockbuster Paved the Way for the Modern Marvel Cinematic Universe,” says that “Hulk taught Marvel to temper their movies’ thematic ambitions” by making all the MCU movies part of a large tapestry rather than highly individual films like Lee’s.

…In most respects, Marvel, beginning with 2008’s Iron Man, shunned the risks taken by Hulk, and thus Lee’s film now functions as ground zero for the creative decisions that have guided the past decade of MCU endeavors. Nowhere is that more apparent than in Lee’s storytelling approach, which seeks to duplicate the look and feel of a comic-book page. That’s felt in the fonts used for his opening credit sequence, and in his use of square and rectangular split-screens and transitions, all of which aim to duplicate the structure of a comic’s paneled layout. Segueing from shot to shot, and scene to scene, with digitized wipes and rotations, and employing extreme close-ups, iris devices, and other superimposed imagery — most thrillingly, a late freeze-frame of Josh Lucas’s villain in front of a massive explosion — Lee diligently echoes, at every turn, the very medium that first gave birth to heroes like the Hulk.

That method was never to be seen again in the MCU, which has consequently adhered to a far more conventional cinematographic schema that allows its various franchises to feel as if they’re complementary parts of a larger tapestry. Simply put — a movie universe doesn’t work if any individual entry is too eccentric to match its brethren….

(19) COMING SHORT FICTION. Mythic Delirium has acquired two new collections, Snow White Learns Witchcraft by Theodora Goss and The History of Soul 2065 by Barbara Krasnoff.  Mike Allen says both are scheduled for release in 2019.

Theodora Goss

In Snow White Learns Witchcraft, World Fantasy Award winner Theodora Goss retells and and recasts fairy tales by Charles Perrault, the Brothers Grimms, Hans Christian Andersen, and Oscar Wilde. In these stories and poems, sometimes harrowing, sometimes hilarious, always lyrical, Goss re-centers and empowers the women at the hearts of these timeless narratives, much as her acclaimed novel series, The Extraordinary Adventures of the Athena Club, does for the classics of Victorian supernatural literature.

With cover art by Ruth Sanderson and an introduction by Jane Yolen, Snow White Learns Witchcraft is currently scheduled for a February 2019 launch.

Barbara Krasnoff

In The History of Soul 2065, Nebula Award finalist Barbara Krasnoff has accomplished a stunning feat. This collection of interconnected short stories crosses many genres, spinning tales of sorcery, ghosts, time travel, virtual reality, alien contact, and epic, elemental confrontations between good and evil. The book also spans past and future generations, telling the heart-breaking and heart-warming histories of two Jewish immigrant families, one from Eastern Europe, one from Western Europe, whose lives are intricately, mysteriously intertwined.

The History of Soul 2065, with cover art commissioned from Paula Arwen Owen, is scheduled for a July 2019 release.

(20) STUCK TO THE SHELVES. Toys’R Us is trying to empty out its stores with a massive going out of business sale. WorldClassBullshitters found some things just aren’t going — “The Star Wars Toy Landfill Has Been Found!”

[Thanks to Cat Eldridge, Chip Hitchcock, John King Tarpinian, JJ, Martin Morse Wooster, Mike Kennedy, Andrew Porter, Mike Allen, Lise Andreasen, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 2/22/18 Scroll Up For The Pixelly Tour!

(1) IT COULD BE A REAL PLACE. Nadia Maddy hopes people will look beyond their headspace for the answer to “Where Is Your Wakanda?”

Where is your Wakanda? Wakanda is real but have you found it? Is it really in East Africa or is it in Central Africa? Perhaps its in Nigeria? What do you think?

 

(2) LE GUIN WINS A PEN AWARD. PEN America held its 2018 Literary Awards ceremony on February 20 at New York University reports Publishers Weekly “Long Soldier, Zhang, Le Guin Win At 2018 PEN Literary Awards”.

[Ursula K.] Le Guin won the PEN/Diamonstein-Spielvogel Award for the Art of the Essay for No Time to Spare. The author’s son, Theo [accepted the] award on behalf of the late Ursula K. Le Guin.

(3) A SINGAPORE FIRST – AND SECOND. The Straits Times interviews “Two Singaporeans on Nebula awards shortlist”, J.Y. Yang and Vina Jie-Min Prasad.

Yang, a science communications officer, recalls: “When I was growing up, I would print out a list of the works that had won the Hugo and Nebula and try to make my way through them. I would never have imagined that one day I would be a finalist. I’m so proud to be one of the Singaporeans on the list, it’s just fantastic.”

Prasad, 27, a full-time writer, started submitting to science-fiction magazines only last year, but has already been shortlisted twice. “I’m overwhelmed and really honoured,” she says.

She is up for Best Novelette for A Series Of Steaks, about two women in Nanjing who forge quality beef – inspired by the real-life counterfeit food industry – and Best Short Story for Fandom For Robots, in which a sentient robot discovers Japanese anime and starts writing fan fiction.

(4) AT YOUR SERVICE. For anyone who wants paper Hugo and Retro-Hugo ballots, there’s now a way to print them.

Worldcon 76 has published PDFs of the paper nominating ballots for the 2018 Hugo Awards/Award for Best Young Adult Book/John W. Campbell Award for Best New Writer and for the 1943 Retrospective Hugo Awards.

(5) NOMMO NOMINATIONS OPEN. Members of the African Speculative Fiction Society (ASFS) have until March 31 to nominate works for the 2018 Nommo Awards. The awards will be presented at the Ake Arts and Book Festival in November 2018.

(6) BUZZWORDKILL. In The Atlantic, Bruce Sterling commands people to “Stop Saying ‘Smart Cities'” – “Digital stardust won’t magically make future cities more affordable or resilient.”

The term “smart city” is interesting yet not important, because nobody defines it. “Smart” is a snazzy political label used by a modern alliance of leftist urbanites and tech industrialists. To deem yourself “smart” is to make the NIMBYites and market-force people look stupid.

Smart-city devotees all over this world will agree that London is particularly smart. Why? London is a huge, ungainly beast whose cartwheeling urban life is in cranky, irrational disarray. London is a god-awful urban mess, but London does have some of the best international smart-city conferences.

London also has a large urban-management bureaucracy who emit the proper smart-city buzzwords and have even invented some themselves.  The language of Smart City is always Global Business English, no matter what town you’re in.

(7) IN TRAINING. Lightspeed Magazine interviews Carmen Maria Machado about her learning experiences.

I know that you also went to the Clarion science fiction writers workshop. I wonder if you could contrast Iowa and Clarion a little bit?

Clarion is not an MFA program. Clarion is a six-week, insane, exhausting boot camp. It’s a totally different process. The MFA program is more moderate, in the sense that it’s happening over the course of several years. I don’t know really how to compare them. The workshop style is really different. Genre places tend to use the system where everybody goes around in a circle and says their piece and then is silent.

The Milford system?

Oh yeah, the Milford. Which, actually, I do not like that workshop system, but that is the way it’s done at Clarion. It was done that way when I went to Sycamore Hill. That’s just the sort of tradition. Whereas, in my MFA program, it was more of a style of people talking and responding to each other in real time, which I prefer. It’s hard to compare Clarion and Iowa. They’re just inherently really different in terms of what you’re getting out of them. What I got out of Iowa was two years of funded time to work on my own shit, which was amazing and really wonderful. What I got out of Clarion was this really bombastic, high-intensity, octane-fueled, genre extravaganza where I barely slept. I was writing a lot of stuff, some of which was really terrible, and some of which was pretty good, and workshopping non-stop and barely sleeping. They’re really different programs.

(8) IF YOU CAN SAY SOMETHING NICE. Marshall Ryan Maresca helps sff readers pay attention to some people who are doing it the right way in “On My Mind: Building Community”.

So, this past weekend I was at Boskone, and it was a wonderful time, as I was reminded what an amazing community we have in SF/Fantasy Literature.  There are some amazing people in this business, who are filled with wisdom and warmth and kindness.   I had the great fortune of sharing the signing table with Mary Robinette Kowal, who all of these attributes in abundance.  We, as a community, are blessed to have her in it.

Sadly, this past week, I’ve also been reminded that we have a way to go, and there are some people who thrive in being terrible, and making things unpleasant for those around them.  And that behavior, sadly, gets them notoriety.  They get talked about, which serves their ends.  I won’t give them the time of day.

Because the people who are wonderful, who do great work and are good people– they’re the ones who deserve notoriety.  They’re the ones who should get notice and have their names mentioned over and over.  So here is a large list of great people who deserve your attention…..

Names follow.

(9) COMICS SECTION.

  • John King Tarpinian says Brevity found a way to make a joke at the expense of two actors who’ve played Captain Kirk.

(10) STORY AMPLIFIED. Yesterday’s Scroll linked to the latest release in Arizona State University’s Center for Science and the Imagination’s Future Tense Fiction series, “Mother of Invention” by Nnedi Okorafor. Joey Eschrich notes that it was published along with a response essay by Internet of Things expert Stacey Higginbotham, focusing on the smart home technology in the story.

(11) SHORT FICTION DISCOVERIES. The prolific Charles Payseur has launched a column at Book Smugglers X Marks The Story. The first installment leads readers to such treasures as —

“A Snow, A Flood, A Fire” by Jamie Berrout (published in Strange Horizons, 01/2018 )

What It Is: Coming in a special issue of Strange Horizons featuring transgender and nonbinary authors, “A Snow, A Flood, A Fire” stars Lupita, a trans woman stuck in an awful job as a security guard at a museum, hoping that she can work her way out of mistakes she made when she was younger and her world was imploding. The changing nature of employment, learning algorithms, employer greed and entitlement, and the dream of economic mobility all collide in a plot that kept the reading experience for me fast and tight and devastating. (And for fans of this story, I also recommend checking out “Dream Job” in January’s Terraform SF, which also explores themes of employment and the traps of late capitalism).

Why I Love It: Perhaps it’s a sign of the times, but stories exploring the future of employment and capitalism seem to be on the rise. For me, it’s a constant reminder of the realities of growing up and entering the workforce in a time where so many things that previous generations take for granted are in shambles or completely gone. Retirement contributions, healthcare, vacation, sick leave, debt forgiveness—the present isn’t exactly a cheery place for many hoping to live and maybe reach for that dream of comfort, security, and autonomy. …

[Via Earl Grey Editing Services.]

(12) BIGGER, BETTER, FASTER, MORE! At Featured Futures, Jason has posted an “Expanded Collated Contents of the Year’s Bests (2017 Stories, Links)” which begins its additional coverage with Ellen Datlow’s freshly announced The Best Horror of the Year, Volume Ten.

By request, this is an expanded edition of Collated Contents of the Big Year’s Bests (2017 Stories, with Links!). That post collates and links to the stories selected by Clarke, Dozois, Horton, and Strahan. This will add Afsharirad, Best American SF&F, Datlow, and Guran.

(13) SIGNAGE. Culver City, CA’s Ripped Bodice Bookstore gives fair warning:

(14) PASSING THE BUCKING BRONCO. Something else we know that ain’t so: “Why The Last ‘Wild’ Horses Really Aren’t”.

A Mongolian horse that has long been hailed as the last truly wild horse species in existence isn’t really all that wild.

It turns out that Przewalski’s horses are actually feral descendants of the first horses that humans are known to have domesticated, around 5,500 years ago.

What’s more, the modern horses that people ride today cannot be traced to those early steeds. That means humans must have tamed wild horses once again later on, somewhere else, but no one knows where or when.

(15) CAVE DWELLERS. If the pics remind you of a kindergarten project, remember your kids didn’t have to be the first people to ever have the idea: “Neanderthals were capable of making art”.

Contrary to the traditional view of them as brutes, it turns out that Neanderthals were artists.

A study in Science journal suggests they made cave drawings in Spain that pre-date the arrival of modern humans in Europe by 20,000 years.

They also appear to have used painted sea shells as jewellery.

Art was previously thought to be a behaviour unique to our species (Homo sapiens) and far beyond our evolutionary cousins.

The cave paintings include stencilled impressions of Neanderthal hands, geometric patterns and red circles.

(16) YOU CAN SEE WHERE THIS STORY IS LEADING. The people who built Stonehenge didn’t get to enjoy it for long: “Ancient Britons ‘replaced’ by newcomers”.

Prof Reich told BBC News: “Archaeologists ever since the Second World War have been very sceptical about proposals of large-scale movements of people in prehistory. But what the genetics are showing – with the clearest example now in Britain at Beaker times – is that these large-scale migrations occurred, even after the spread of agriculture.”

The genetic data, from hundreds of ancient British genomes, reveals that the Beakers were a distinct population from the Neolithic British. After their arrival on the island, Beaker genes appear to swamp those of the native farmers.

Prof Reich added: “The previous inhabitants had just put up the big stones at Stonehenge, which became a national place of pilgrimage as reflected by goods brought from the far corners of Britain.”

He added: “The sophisticated ancient peoples who built that monument and ones like it could not have known that within a short period of time their descendants would be gone and their lands overrun.”

(17) DON’T MISS THIS NON-GENRE LINK. The Hollywood Reporter interviewed the surviving cast and writers for “‘MAS*H’ Oral History: Untold Stories From One of TV’s Most Important Shows”.

(18) NO ARMY CAN STOP AN IDEA WHOSE TIME HAS COME. Adam-Troy Castro offered this subtle suggestion on Facebook:

Let’s run an International Science Fiction Asshole Convention.

People who want to go to conventions or to award ceremonies in order to be disruptive assholes — all while filling thousands of pages of blog posts with their fiendish snickering about the trouble they intend and how much it will bother everyone else — will finally have their annual event, where they can hand out awards to honor The Year’s Biggest Asshole, The Year’s Biggest Dickweed, the Year’s Most Appalling Runner-Up, as well as the Award for Best Newcomer (which at the Hugos are named after a luminary with J, W, and C as initials, and can be done here as well, albeit in different order).

Steve Davidson has volunteered to do the con’s Souvenir Book. In fact, he’s not even going to wait for the convention to be founded —

I’m soliciting articles for this, lol. Someone want to write a history of the (what was it, the ISFC?) from its founding to the present?

Anyone want to do short profiles of award winners from the past?

(19) JUST WAITING TO BE FOUND.  Annalee Newitz tells about the “8,000-year-old heads on spikes found in a remote Swedish lake” at Ars Technica. Warning – the article is full of grisly medical commentary.

In east-central Sweden, workers demolishing a railway that crossed the Motala Ström River discovered something bizarre. For roughly 7,500 years, a shallow, swampy lake in the area had hidden a pile of stones that contained the skeletal remains of at least 10 people and weapons made of stone and antler. They also found the bones of bears, deer, boar, and a badger. Two of the human skulls were mounted on pointed stakes.

Thousands of years ago, this semi-submerged burial ground must have been an imposing sight for the small settlements located nearby. A pile of rocks rose above the water, covered in weapons, wooden structures, and the grisly remains of fearsome animals—as well as the skulls of some carefully chosen people. Now dubbed “Kanaljorden,” the archaeological site has finally begun to yield some secrets about the people who created it. In a recent article for Antiquity, Stockholm University archaeologist Sara Gummesson and her colleagues explain what the evidence reveals about how this ritual site was used.

[Thanks to JJ, Martin Morse Wooster, Joey Eschrich,  Chip Hitchcock, Kendall, John King Tarpinian, Andrew Porter, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 12/12/17 If You Don’t Scroll Your Files, You Can’t Have Any Pudding!

(1) THE DOCTOR’S OLD BOSS HAS MORE TO SAY. In Part III of the Radio Times interview we learn “What are Steven Moffat’s Desert Island Doctor Whos – and why did Matt Smith ‘punch his pillow in frustration’?”

Apart from the Doctor, which character have you most enjoyed writing for?
Maybe River Song. She’s quite close to the Doctor, so is that a cheat? Partly because we never wore her out; she wasn’t there all that often. And of course Alex Kingston is awesome and beautiful. Also, I bloody loved writing Missy, and I’m conceited enough to think I did good job. And Michelle Gomez was the only casting decision I took entirely on my own – I just insisted it had to be her – and I’m incredibly proud of the result.

What was your happiest moment or experience on the programme?
Oh, there were a lot of those. I suppose in terms of a single moment the day after the 50th and realising that it had actually worked. The ratings and reviews were through the roof. Everybody everywhere was happy. That was one of the rare moments where I actually thought I know what I’m doing. It lasted about four seconds.
But it’s also the friendships that you make. I remember reading a review when the Weeping Angels two-parter came out [in 2010] and it referred to Matt Smith’s “amazing new Doctor”.

He was a hit from the word go really, wasn’t he? Certainly was for me.
That may be how it seemed on the outside but on the inside we were more fraught. David had been the face of Doctor Who and when we announced Matt, people thought he was too young, too pretty, his chin is ridiculous. Matt went through a year of being hated, before the show went out. He still talks about it. He used to go to bed and punch his pillow in his frustration. He couldn’t believe in himself or that it was going to work. But then it did – everybody realised what we’d known for year, that he’s not just a young pretty actor, he’s an awesome actor. And, yes, that was instant

(2) ALL CREATURES GREAT AND WEIRD. Let Fantasy-Faction tell you about “The Ten Strangest Races in Fantasy Literature”.

To me one of the most wonderful things about reading fantasy is the chance to encounter strange and magical beings that couldn’t possibly exist in the real world. Ferocious and exotic warriors, wise immortals, fey creatures as beautiful as they are mysterious, people made from wood or stone, animals that walk and talk like humans, and humans who can fly or throw fire with a thought. These races that never were, offer us the chance to sample new perspectives on life, question the very things that make us human, or just imagine what it would be like to have the body of a giant or the ability to fry a person’s brain by looking at them funny.

But in a genre peopled by a suspiciously large quantities of elves and dwarves it can be hard to find truly original beings to liven up your fantasy reading. So I’ve gathered together ten of the strangest, most interesting and most thought-provoking races in fantasy literature for your amusement….

First example —

  1. Gallivespians – Philip Pullman’s His Dark Materials

The title and bearing of a haughty French aristocrat, the body of a wingless pixie and the poisoned spurs of a platypus; with these powers combined you get – the Gallivespians!

The name Gallivespian is actually a play on words. The ‘vesp’ part of it comes from the Latin word for wasp; so you could roughly translate the whole word to mean ‘gall-wasp people’. It’s an apt name considering their tendency to ride around on large dragonflies and their willingness to sting anyone who gets in their way….

(3) WILD GUESSWORK. Nerds of a Feather’s Joe Sherry and Dean E.S. Richard take what might be their very last chance to engage in “Rampant Last Jedi Speculation”. After all, the movie will be out in a couple of days.

Let’s speculate some more on Rey’s parents!

Joe: I’m still going to roll with my far fetched idea of Rey being the daughter of Mara Jade. To quote myself from the first time we had this conversation

Do it like this: She was one of Luke’s students in his New Jedi Academy school thing that he founded after Return of the Jedi. She, with another student (or not, I don’t care), had a daughter. Ben Solo turned, killed that particular class of students, and Luke hid Rey on Jakku rather than take her with him when he ran and hid.

Dean: Gawd, I love that so much. Mara Jade is the best of the old EU. My problem with that is that I doubt they go that deep, though. The closer we get, the more I lean towards her being Han and Leia’s daughter. There are a million signs that point to it, which have been covered ad nauseum at this point. It’s not the most creative, to be sure, but I prefer it to her being Luke’s kid.

Unless they bring in Mara Jade.

Joe: Force bless Mara Jade.

(4) FREE ANTHOLOGY. ASU’s Center for Science and the Imagination has published Visions, Ventures, Escape Velocities: A Collection of Space Futures, a book of stories and essays about the near future of space exploration, supported by a grant from NASA. It features stories by Madeline Ashby, Steven Barnes, Eileen Gunn, Ramez Naam, Carter Scholz, Karl Schroeder, and Vandana Singh, and an interview with Kim Stanley Robinson, plus essays by experts in space science, history, economics, and other areas. Edited by Ed Finn and Joey Eschrich, with guest editor Juliet Ulman.

The book is available for free in various digital formats, or folks can buy it at cost print-on-demand. The place to find all of that is http://csi.asu.edu/books/vvev.

Why should we go to space? To learn more about the universe and our place in it? To extract resources and conduct commerce? To demonstrate national primacy and technological prowess? To live and thrive in radically different kinds of human communities? Visions, Ventures, Escape Velocities takes on the challenge of imagining new stories at the intersection of public and private—narratives that use the economic and social history of exploration, as well as current technical and scientific research, to inform scenarios for the future of the “new space” era.

Visions, Ventures, Escape Velocities provides fresh insights into human activity in Low Earth Orbit, journeys to Mars, capturing and mining asteroids, and exploring strange and uncharted exoplanets. Its stories and essays imagine human expansion into space as a kind of domestication—not in the sense of taming nature but in the sense of creating a space for dwelling, a venue for human life and curiosity to unfurl in all their weirdness and complexity.

(5) FAST SERVICE. Rocket Stack Rank’s Greg Hullender already has a review up — “Visions, Ventures, Escape Velocities, edited by Ed Finn and Joey Eschrich”.

Sort-of Optimistic

Although CSI says they want optimistic views of the future, only three of the stories envision a future that’s better than today’s world, and one is actually a dystopia.

Of the seven stories, we recommend one and recommend against one, which is exactly the distribution we expect to see, hence we called the anthology average overall.

(6) THE BITE FANTASTIC. If you haven’t read these yet, Camestros Felapton wastes no time persuading you to do so — “Review: River of Teeth – Taste of Marrow Sarah Gailey”.

This pair of novellas is much better to read as a single novel. The first introduces the premise of a 19th-century alternative version of America, where hippos are ranched and some live feral in the Mississipi river.

River of Teeth follows a plot where former Hippo rancher Winslow Houndstooth recruits a party of outlaw misfits to run a job for a federal agent. The job in question is blowing a dam to destroy an artificial lake that has become infested with bloodthirsty feral hippos.

(7) SOCIAL MEDIA CASUALTY. Storify is folding in May, which is awfully inconvenient for those like me who find it a helpful for documenting news in tweet form: “Storify End-of-Life”. Apparently there will be a successor online service:

What changes are being made to Storify.com?

Unfortunately, Storify will no longer be available after May 16, 2018.

Can I still create a new account?

As of December 12, 2017, no new Storify.com accounts can be created.

What should customers using Storify.com expect?

Existing Storify customers can continue to use all capabilities of the service until May 16, 2018, except for the ability to create new stories which will end on May 1, 2018. Be sure to export any content you would like to keep by May 16, 2018, using the export functionality in Storify.

What are my options if I want to continue to use Storify?

Storify.com will no longer be available after May 16, 2018. If you are interested in gaining access to Storify 2, a feature of Livefyre, you will be required to purchase a Livefyre license.

(8) TODAY IN HISTORY

  • December 12, 1972 — Orange soil discovered by Apollo 17 astronauts Eugene A. Cernan and Harrison H. Schmitt during their second day of exploration on the lunar surface.

(9) TODAY’S BIRTHDAY BOY

  • Born December 12, 1893 – Edward G. Robinson, who ended up as Soylent Green.

(10) COMICS SECTION.

  • Mike Kennedy found what it would be like if the younger Jacob Marley could see and hear the Ghost of Christmas Past and the older Jacob Marley in Brewster Rockit.

(11) MOUNTAIN PEEK. Tor.com’s Alex Brown offers a list of “The Top Spec-Fic Comics of 2017” calculated to grow Mount TBR:

It’s that time of year when everyone writes up lists of the best of the best and the worst of the worst. And Pull List is no exception. We’ve had a pretty great year for new comics, especially in the indie realm. DC’s Rebirth is still chugging along while Marvel continues to shoot itself in the foot then blame everyone else but themselves. As always, there’s lots of meh stuff cluttering up the market, but finding good quality series is pretty easy as of late.

Don’t think of this roundup as a “best of” but rather a list of “really cool titles you should be reading.”

(12) DU-PAR’S BITES THE DUST. The Du-Par’s in Studio City will go away on January 1. Not only will its real-life customers feel the loss, so will readers who have dined there vicariously with Detective Harry Bosch (he’s in there all the time.)

Rumors began swirling regarding the shutter over the weekend and Eater was able to confirm the news after speaking with management at the property. The Du-Par’s team remains adamant that they will be back in Studio City at some point, with a whole new location, but so far they don’t have a line on exactly when or where that will take place. So for now, eager eaters hoping to enjoy the restaurant’s signature pancakes will have until the first of the new year. Reached for comment this morning, one worker said that the restaurant certainly wasn’t closing “for lack of customers or bad food,” but rather a stalled lease renegotiation.

(13) APEX MAGAZINE. Beginning with issue 104, Apex Magazine will be available in its standard eBook form and in POD-printed trade paperback format.

The trade paperback will contain all the content published in the eBook. A monthly recurring print subscription is available directly from Apex or via their Patreon page. These subscription issues will be mailed approximately two weeks after the release date of the eBook edition.

This link provides more detailed information about their various subscription options.

(14) SHORT FICTION. Charles Payseur reviews “Higher, My Gallows” by Alice Brook (20907 words): “Quick Sips – GigaNotoSaurus December 2017”.

December brings one of the longest stories to GigaNotoSaurus, a novella with an interesting mix of elements and its sight set on retribution, rot, and stubborn pride. The setting finds magic weaved into everyday life, though in strange ways, and sets up a situation where a woman running from her mistakes falls in with a group of police officers to help with magic-related mysteries. It’s a wonderful setup that evokes both noirish grit (there’s plenty of blood, grime, and spit) and some more modern sensibilities. It’s also a lot of damn fun, so let’s just jump right into the review!

(15) FINDING THE GEMS. Natalie Luhrs’ latest iteration of In Short, her short fiction review series, covers several stories including —

“Making Us Monsters” by Sam J. Miller and Lara Elena Donnelly

“Making Us Monsters” was written by Sam J. Miller and Lara Elena Donnelly and published in the most recent issue of Uncanny. It’s an epistolatory story about Siegfried Sassoon and Wilfred Owen, in which Sassoon receives letters from Owen years after they were sent, years after Owen was killed in action. These aren’t any old letters, though, they’re both love letters and an examination of the kind of trauma experienced by soldiers in the Great War. This wasn’t an easy story to read—there’s a “doctor” who is more interested in brutalizing his patients than helping them and there is a lot of internalized self-hatred on the part of Sassoon and Owen. But I found it to be a worthwhile and engrossing read, nonetheless.

(16) CHIZINE POLICY. ChiZine’s guidelines for its submission window ending December 31 have been up since August, but an author sent me the link today.

ChiZine Publications is open again to submissions, until Dec. 31, 2017. BUT, PLEASE READ OUR NEW GUIDELINES, especially this bit: Given that CZP is an SF/F/H publisher, genres which have traditionally been dominated by straight white men, we have decided for this submission round that we will only be open to subs from people who identify as belonging to one (or more) of the following groups: Aboriginal Peoples, culturally diverse groups, people of colour, mixed race people, people who are Deaf or have disabilities, Canada’s official language minority communities, non-binary/LGBTQIA+, people who identify as women.

ChiZine has always been committed to cultural/gender diversity, but the last time we ran stats, despite asking for more diversity, 83% of the submissions we received… were still from men. (We could not tell people’s ethnicity or orientation from our stats, since we don’t ask for that information.) But we felt that it was time to take a more firm step toward helping address the imbalance. Please feel free to share.

http://chizinepub.com/czp-submissions/

[That link now returns a 404 message.]

One writer made critical comments at the time the guidelines were posted. Here is part of Bret Savory’s reply:

Edwin, we’ve been in business for 20 years, and this is the first time we’ve extended a specific invitation to the minorities named in our current submission guidelines. We’re just trying to give those folks a shot in a field dominated by straight white men—which we’ve been publishing alongside everyone else, as I said, for 20 years. You obviously don’t actually know about ChiZine as a company, but just saw these guidelines and decided to pounce on us to prop up your own narrative.

I’m a straight white male myself (to specify, this is Brett Savory, since these responses all come from our company account), and I approve this message. (Ha.) Our next submission window will be just like the ones from the past 20 years—open to everyone; we’re just trying to raise up some voices you don’t hear from as often as we could in this field. If that’s “racist,” “sexist,” and “bigoted” to do once every 20 years, then we’re guilty as charged.

(17) SCALZI ENTERS THE BOOTH. The results of John Scalzi’s photo session remind me of this description from Dave Langford’s The Leaky Establishment:

Roy Tappen’s lab security pass, “…with a photo labelled R TAPPEN, SSO, but in fact showing an unshaven homicidal maniac with a crippling hangover and at least one glass eye, photographed after forty-eight hours of strenuous axe-murdering.”

 

(18) GET READY. There’s a new book coming from Peter Watts next May: The Freeze Frame Revolution.

She believed in the mission with all her heart.

But that was sixty million years ago.

How do you stage a mutiny when you’re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears and relentlessly, honestly, only wants what best for you?

Sunday Ahzmundin is about to find out.

(19) MARKET. Superversive Press is looking in the logical place for submissions to its Planetary Anthology – Uranus.

Theme: rebirth and new beginnings

Superversive Press is looking for contributions to the Uranus edition of the Planetary Anthology. Stories should be between 3,000 and 7,500 words. Stories should center on themes of rebirth and new beginnings in the broadest sense possible. Interpretations can range from rebirth of a character or a new beginning on a new world, to spiritual, philosophical, and theological ideas. These themes need not be specifically part of the plot, just part of the story.

(20) WE INTERRUPT THIS GENEALOGY. Here’s another shocking consequence of the studio merger —

(21) BRIGHT. Out today, Bright trailer #3 –

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, Martin Morse Wooster, Joey Eschrich, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]

Second Pixel Scroll 4/28/16 Scroll Up And File Right

Here’s a bonus Scroll, healthfully free of references to rocket-shaped awards. Well, except for that one.

(1) THE DOCTOR. Vulture provided an introduction for this clip of David Tennant and Stephen Colbert doing their own version of “Who’s on First”.

David Tennant is currently playing Richard II in a cycle of Shakespeare history plays at the Brooklyn Academy of Music, and on Wednesday night, he stopped by Stephen Colbert’s show to tell him all about it. But before he could, he had to take part in a very silly “Who’s On First” spoof with late night’s most verbally gifted host, one that wrapped in Doctor Who, Doctor Strange, and Benedict Cumberbatch (who, coincidentally, is about to play Richard III on British TV).

 

(2) PETER DAVID.

(3) GIVE FORWARD. When Ed Dravecky III passed away at WhoFest last weekend, away from home, a crowdfunded appeal was launched on behalf of his partner Robyn Winans seeking financial assistance to help with the transport and funeral arrangements.The target was $2,000 – over $5,000 was raised.

(4) FREE PAOLO BACIGALUPI STORY. Joey Eschrich, Editor and Program Manager for the Center for Science and the Imagination as Arizona State University, and Assistant Director, Future Tense, has something for you —

I just wanted to share this new (free) short story from Paolo Bacigalupi about artificial intelligence, pleasurebots, and the ethical and legal quandaries of human-machine interaction – I’m hoping you might consider sharing it with your community!

The Center for Science and the Imagination at Arizona State University, where I work, commissioned and edited the story along with Slate.com’s Future Tense channel – it’s the first in Future Tense Fiction, a series of short stories about how technology and science will change our lives. The story is accompanied by a response essay from Ryan Calo, a robotics and law expert at the University of Washington.

(5) FULL FURY FIVE. The “Wasteland Weekend” video features people cosplaying entire cars in Mad Max-esque styles.

For Mike Orr, a.k.a. “Sweet Lips,” escapism comes in the form of Wasteland Weekend: an annual four-day post-apocalyptic festival held in the Southern California desert that attracts thousands of people from around the country. It’s basically a giant celebration of end-of-the-world culture, where, per Sweet Lips, “people can do whatever they want.” This includes everything from hand-to-hand combat to burlesque to bonfires that set the night sky ablaze.

But most of all, people come to Wasteland for the cars?—?DIY war machines that look as though they’ve rolled right out of Fury Road.

 

(6) TO THE PAIN. The New York Times explains why “Ramsay Bolton of ‘Game of Thrones’ Is the Most Hated Man on TV”.

Like many successful actors, Iwan Rheon, better known as the blithely malicious Ramsay Bolton on “Game of Thrones,” arguably the most hated man on television, admits he’s concerned about being narrowly defined by an indelible character. But ask a logical follow-up question — what else are you working on? — and the scale of his challenge becomes clear.

“I’m playing a young Hitler,” he replied, referring to the British television movie “Adolf the Artist.” Then realization took hold, and his face crumpled in mock despair: “Oh, I’m typecast already!”

(7) KEEP YOUR YAB BANG CHUT. A side-effect of the studio’s suit against the producers of Axanar is this story: “Paramount Pictures sued over copyright of Klingon language”. Notwithstanding the headline, what’s been filed is an amicus curae brief, which, as Chris Meadow explains, “Is a legal brief in which a party not directly involved in a case puts in a few words about issues that could nonetheless affect them depending on how the case is decided.”

A group called the Language Creation Society is suing Paramount Pictures in federal court over its copyright of the Klingon language from the television series Star Trek, arguing that it is a real language and therefore not subject to copyright.

The suit, filed by Marc Randazza and the Language Creation Society, argues that while Paramount Pictures created Klingon, the language has “taken on a life of its own.”

“A group called the Language Creation Society claims in U.S. federal court that Paramount Pictures lacks the ‘yab bang chut’ or ‘mind property law’ necessary to claim copyright over the Klingon language,” Randazza wrote in the brief’s description.

According to the Hollywood Reporter, the issue had previously been brought up in a lawsuit between Paramount Pictures and CBS over a crowdfunded Star Trek fan film that made use of the language.

Ken White at Popehat did his own analysis of the question.

The legal point is a fascinating one: if a language is created in connection with a copyrighted work of fiction, can there be a copyright on other use of the language, even if it’s not to speak the lines from the copyrighted work?

(8) TODAY IN HISTORY.

  • April 28, 2007  — Ashes of actor James Doohan, who portrayed engineer “Scotty” on Star Trek, and of Apollo 7 astronaut Gordon Cooper soared into space aboard a rocket.

(9) TODAY’S BIRTHDAY GIRL.

(10) SINFUL STAR WARS. CinemaSins covers Everything Wrong With Star Wars: Episode VII – The Force Awakens and reminds us: “Remember, no movie is without sin!”

(11) FUTURE DSC AWARDED. SF Site News learned ConCave to Host DeepSouthCon in 2018.

(12) WE NOW KNOW. In 2016, the planet Mars will appear brightest from May 18 to June 3. NASA has the scoop.

Mars Close Approach is May 30, 2016. That is the point in Mars’ orbit when it comes closest to Earth. Mars will be at a distance of 46.8 million miles (75.3 million kilometers). Mars reaches its highest point around midnight — about 35 degrees above the southern horizon, or one third of the distance between the horizon and overhead. Mars will be visible for much of the night.

There is a nice animation at the above site showing how Mars’ appearance embiggens during the approach…

(13) UNEXPECTED VACANCY IN HALL H. “Fox Movie Studio Pulls Out of Comic-Con Main Event Over Piracy Fears” at The Wrap.

20th Century Fox will not showcase its upcoming movie releases in Hall H at San Diego Comic-Con this year.

The studio feels it cannot prevent the piracy of custom trailers and exclusive footage routinely screened for fans in attendance, an individual familiar with the decision told TheWrap.

A representative for Fox declined to comment. SDCC was not immediately available for comment….

(14) THE PLURAL OF NEMESIS. The Verge introduces Batman: The Killing Joke trailer.

The first full trailer for Batman: The Killing Joke, Warner Bros. Animation’s first R-rated Batman movie, is finally here. Based on the acclaimed and highly controversial graphic novel of the same name, the film will explore Batman’s relationship with the Joker, and drive home the fact that they represent perfect arch-nemeses for one another.

Alan Moore’s The Killing Joke, released as a one-shot back in 1988, is considered by many fans as the greatest, and perhaps most terrifying, Joker story ever written….

 

[Thanks to John King Tarpinian, Glenn Hauman, JJ, Will R., Mark-kitteh, and Andrew Porter for some of these stories. Title credit goes to File770 contributing editor of the day Heather Rose Jones.]