Eric Flint’s 4,800-word “The Controversy About Baen’s Bar” recites a great deal of his personal history as a socialist political activist in the service of deflecting criticism from Baen’s Bar. He even confidently gives assurances about activity in one of its conferences that he says he hasn’t read in two decades. Nothing to see here.
…It is in the nature of jackasses to be jackasses. This is supposed to be shocking news because it’s posted on a virtual bulletin board?
Perhaps my favorite of Sanford’s Oh, my God! moments is this one by a never-heard-of-him who uses the monicker of Theoryman: “As I’ve already pointed out, rendering ANY large city is uninhabitable is quite easy… And the Left lives in cities.”
I have to make a confession here. Although he doesn’t specify in most cases where he found these comments, I’m pretty sure that Sanford found them in one of the many conferences in Baen’s Bar—the one that goes by the title “Politics.”
I stopped visiting “Politics” about… oh, I dunno. Twenty-three ago? The reason I did is because, as Darth Vader would say, “The stupid is strong with these ones.” I don’t mind arguing with people who disagree with me. But I refuse to waste my time getting into debates with people so dumb I don’t know how they tie their own shoes in the morning. And that’s pretty much the nature of the wrangles in “Politics.” As far as I’m concerned, the conference might as well have a sign over the entrance reading Here Be Dimwits and People Who Imagine Themselves to be Dragons.
Take a look at what Sanford considers an “incitement to violence.” Can it be called that? Well… I suppose—if you’re willing to grant that Theoryman is such an imbecile that he actually believes that “rendering ANY large city is uninhabitable is quite easy.” [sic]
Well, not much to see here –
…This is the “great menace of Baen’s Bar” that Sanford yaps about. A handful of people—okay, two handfuls, tops—most of whom you have never heard of, who spout absolute twaddle. Yes, a fair amount of it is violent-sounding twaddle, but the violence is of a masturbatory nature.
If only there was a way to tell the spouters who don’t mean it from the ones who show up on January 6 to riot at the Capitol, assault cops, take selfies while they vandalize the building, and try to stop Constitutional duties from being carried out.
Flint contends that even the ones caught doing explicit advocacy, like Tom Kratman, somehow don’t count either:
…If Sanford thinks that a few authors like Kratman are the ones who define Baen as a publishing house, he has the obligation to make a case for it. But he makes no effort to do so. Instead, he ignores most of Baen’s authors altogether and simply asserts that what he says is true because he says it’s true….
…Point 3 — It’s “popular” for people to attack others without fear of recourse or repercussions. Now, for those of us not with our heads firmly up our backsides, we know Baen Books is a publisher with a lot of resources who publishes a lot of varied individuals, from die-hard communists like Eric Flint to Tom Kratman, who might be described as being right of Atilla the Hun on the political spectrum. Jim Baen never cared what your politics were, as long as you could tell a good story. The writer of said article (“investigative journalism” my left buttock) created an account, went onto the Bar, and decided to find the best statements he could in order to use it to bolster his claim that the Bar is a hotbed for far-right extremism. Never mind the fact that the Bar hosts like five groups dedicated to Eric Flint or his collected universes (it might be six now, I don’t know). Our intrepid (so brave, much brave) journalist needed meat for his article (he probably went into Kratman’s forum… even I think those guys are nuts).
Eric Flint’s socialism doesn’t preclude there being Baen’s Bar participants approving violence and coaching insurrection in Baen’s Bar. Or even have anything to do with it. Again, it’s presented here as an attempt to deflect attention.
…If it were just the puppy kickers fighting for relevance, it would be one thing. But it’s not. This is a coordinated attack.
Which, btw, makes it mathematically inevitable that yes, they’ll come for me and you too. Because the left — idiot children that they are — think that cutting off a man’s tongue shows his opinions to be invalid.
So, as irritated as I am and have been at Baen for four years, I’m turning that irritation on the left for making me defend them.
Because cancelling is not only wrong. It’s unmaking civilization. And only the idiot sheep of the left wouldn’t see that….
Cedar Sandersons’s defense, “Baen Books” begins with extensive quotes from Hoyt, followed by her own nostalgic reminiscences about Baen’s Bar.
Anyone who has read my blog or who knows me, knows of my deep and abiding affection for Baen’s Bar, which led me to Baen Books. This week, a ham-handed and libelous attack was made on the forum….
Two other responses were reported by File 770 yesterday —
…It is mildly amusing to see the moderates, a few of whom didn’t hesitate to join the SJWs in pointing-and-shrieking at us, now coming under the same sort of attacks that we’ve been weathering for years. I hasten to point out that Larry Correia is most certainly not one of them, as he has always been a stand-up champion of everyone on the Right and he has disdained every invitation to denounce and disavow both the Rabid Puppies and me. He may not embrace the conflict as we do, but he fights. I have nothing but respect and regard for the man, because the Mountain is not my personal army. The VFM are….
An article to steel the resolve and cure the blindness of anyone unwary enough to underestimate the remorseless malice of the enemy, now comes a column at Larry Correia’s Monster Hunter International Website.
Please note the attack was coordinated, using the “Chinese Whisper” techniques beloved by bitter and wrinkle-faced gossipy hags and bloodthirsty communist agitators alike….
Jon Del Arroz, in a kind of unintentional comic relief, spent the day successfully using sock puppets to bait Larry Correia into giving him a great deal more attention, both at Monster Hunter Nation and on Twitter, which is all JDA ever wants anyway.
WILL WEISSKOPF REMAIN A WORLDCON GOH? The DisCon III committee will meet this weekend to discuss “the situation with Baen Books’ forums.”
The range of reactions is as wide as the cultural divide. Here are two articulate examples:
JASON SANFORD. Sanford, meanwhile, is weathering a growing storm of harassment.He sent this status:
I took my Twitter and Facebook pages private for a while because I’m dealing with a serious escalation of harassment over the Baen article. I can’t go into details right now but the harassment is serious.
I’ll probably be offline for a bit to deal with this stuff. However, I just saw Eric Flint’s essay attacking me and I wanted to say I disagree with what he wrote, which was a misrepresentation of my report. Everything I wrote about was based on facts and actual comments in the forum. I even shared screenshots of the comments on social media.
This also wasn’t a coordinated attack on Baen. Hell, aside from a couple of people who gave feedback on my report no one else knew it was even about to publish.
Facts and evidence matter, as does reporting what goes on in our genre. I presented what was being said on Baen’s forum in my report. Baen has previously moderated their forum and could easily do so again.
It’s official. The paperwork needs to be processed, and that’s gonna take a while, but they’re gonna let me go home still tonight! Passed the walking test with no O2 and without ever dropping below 96%.
A few hours later Sharon Rice-Weber announced “He’s home!” with a photo.
For the second year in a row there is a Game of Thrones-shaped chasm in the calendar: prequel House of the Dragon won’t launch until 2022. That presents an opening for deep-pocketed rivals. Netflix’s own medieval-tinged gorefest The Witcher is back for a second season, joined on the platform by sorcery saga Shadow and Bone (April). And Amazon Prime Video is set to launch two formidable fantasy franchises: The Wheel of Time adapts Robert Jordan’s hefty series of novels, with Rosamund Pike starring, while we might finally see its long-awaited The Lord of the Rings adaptation, set to be the most expensive TV show of all time at a cool $1bn.
Arnold Schwarzenegger likened this week’s siege of the U.S. Capitol to Nazi attacks on Jews in Europe ahead of World War II in a scathing video in which the former California governor also called President Trump “the worst president ever.”
Schwarzenegger wasn’t yet alive when Nazis rampaged through Germany and Austria during Kristallnacht, or the Night of Broken Glass, in 1938, attacking Jewish homes and businesses and taking thousands to concentration camps. He was born in Austria two years after World War II ended. But the trauma inflicted by the violent collapse of democracy — and the complicity of some of those close to him — shaped his childhood, he said in the video released via Twitter early Sunday.
“Growing up, I was surrounded by broken men drinking away their guilt over their participation in the most evil regime in history,” he said. “Not all of them were rabid anti-Semites or Nazis. Many just went along step by step down the road.”
Schwarzenegger said that his father would often come home drunk and hit him and other family members, which didn’t seem remarkable because their neighbor was doing the same thing.
“They were in physical pain from the shrapnel in their bodies and in emotional pain from what they saw or did,” Schwarzenegger said. “It all started with lies, and lies, and lies, and intolerance.”
Similarly, he said, Trump misled his supporters with lies as he sought a coup to overturn the results of the presidential election…
(4) WRIGHT. For more of the sort of thing Schwarzenegger is opposing, see John C. Wright’s Journal,“A Word of Encouragement” [Internet Archive link] from January 8, a lengthy appeal to religious faith for the belief that Trump will continue as President:
…If I am wrong, I am a fool, and I have fooled others. But I will not be any more or less unhappy in that hour than wiser souls now weeping and gnashing their teeth. But if I am right, our enemies will be repenting and lamenting in jail, or slain at each other’s hands….
(6) LUTZ OBIT. John Lutz (1939-2021) died January 9 after a long illness. Mystery writer, past President of Mystery Writers of America and Private Eye Writers of America. Edgar winner for the short story “Ride The Lightning” (1985), and twice winner of the Shamus Award. His “SWF Seeks Same” was adapted for the film Single White Female (Bridget Fonda, Jennifer Jason Leigh).
(7) MEDIA BIRTHDAY.
January 10, 1967 — The Invaders premiered in television history. It was created by Larry Cohen and aired on ABC for two seasons. Roy Thinnes starred as David Vincent. Gold Key Comics published four issues of an Invaders comic book. The series was a Quinn Martin production who was also responsible for A Twist in the Tale, an anthology series that did some SFF.
January 10, 1999 — Batman Beyond premiered on Kids’ WB. It was created by Bruce Timm. Will Friedle as Terry McGinnis, the new Batman and you know who played the old Batman. It lasted three seasons and fifty two episodes. The actual origin episode for Terry is to be found on Justice League Beyond in the “Epilogue” episode. The episode was originally intended to be the series finale for Justice League and the DCAU in general but they got renewed for a third season after it aired as the second season finale.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 10, 1797 – Annette von Droste-Hülshoff. Knew Wilhelm Grimm, contributed to the G brothers’ collection of fairy tales. Schumann set a D poem to music. Her poetical works “imperishable…. originality…. the works of a genius…. Germany’s greatest poetess” (Catholic Encyclopedia (1913)). Many have supernatural elements. (Died 1848) [JH]
Born January 10, 1883 – Alexei Nikolayevich Tolstoy. Three novels for us available in English, two science fiction and one a version of Pinocchio; other fiction, poetry. Everyone acknowledged his gifts, but since he first scorned, then embraced the Bolsheviks, he was thereafter scorned (by e.g. Nikolai Tolstoy, George Orwell) or embraced (two Stalin Prizes) politically; anyway a Russian-language SF pioneer. (Died 1945; I give his patronymic to distinguish him from Alexei Constantinovich Tolstoy 1817-1875) [JH]
Born January 10, 1904 — Ray Bolger. Best remembered obviously as The Scarecrow In The Wizard of Oz. He also showedas the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the classic version of Battlestar Galactica. He narrated a version of Peter and The Wolf which certainly is genre. (Died 1987.) (CE)
Born January 10, 1908 — Bernard Lee. He’s best known for his role as M in the first eleven Eon Productions-produced James Bond films ending with Moonraker. He also portrayed Tarmut the sculptor in Terence Fisher’s Hammer Horror picture Frankenstein and the Monster from Hell. And he appeared in several episodes of Danger Man. (Died 1981.) (CE)
Born January 10, 1924 — Mike Butterworth. In 1965 he became the primary script writers at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a very impressive run of 854 issues in total, divided between the two magazines. (Died 1986.) (CE)
Born January 10, 1924 – Aila Mariluoto. Poet, mostly. Well known in Finland. Translated Goethe, Rilke, Shakespeare. The Worldcon 75 Souvenir Book duly reviewed (in English) her SF novel Green Hair; thanks, Jukka. (Died 2019) [JH]
Born January 10, 1937 — Elizabeth Anne Hull, 84. Widow of Frederik Pohl with whom she co-edited the most excellent Tales from the Planet Earth anthology. Not surprisingly, she later edited Gateways: Original New Stories Inspired by Frederik Pohl. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. (CE)
Born January 10, 1947 — George Alec Effinger. I’ve read his Marîd Audran series at least three times as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review. I really should listen to the stories soon to see how they work that way. (Died 2002.) (CE)
Born January 10, 1948 – Roberta Lamming, age 73. A dozen short stories for us, some under another name. Poem in L. Tuttle’s horror anthology Skin of the Soul. Note on writers’ workshops in Focus. [JH]
Born January 10, 1959 — Fran Walsh, 61. Partner of Peter Jackson, she has contributed to all of his films since the late Eighties when she started out as co-writer of Meet the Feebles, and as producer since The Fellowship of the Ring which won a Hugo. Need I note the next two films won Hugos as well? Huh The Hobbit films did not win Hugos. (CE)
Born January 10, 1975 – André Vianco, age 46. Novelist, screenwriter, film and television director, a million books sold. A dozen novels for us. Wikipedia tells his tale. [JH]
Born January 10, 1984 – Tomohito Moriyama, age 37. (Personal name last, Japanese style.) Playwright, mostly. One translation of his SF story “Two of Six” is published with English text followed by parallel text in Japanese and English for people who want to practice their Japanese. A review of the story is here. [JH]
(9) COMICS SECTION.
Non Sequitur shows Moses getting a final answer on Mt. Sinai.
I met a Filer from an antique Scroll Who said — “Two vast and towering stacks of books Stand in the bedroom … Near them, novels by Pohl, And others of a Golden Age, whose frowns, And uncracked spines, and sneers of cold control Beckon toward the fan. They lay there waiting, and unread. Worlds, though built, not yet explored by glance or looks At pages filled with men of space, who from Earth have fled. And on the nightstand, these words appear: My name is Tsundoko, Stack of Books; Look on my pages, Pixels, and Despair!”
[Thanks to John Hertz, Cat Eldridge, JJ, Andrew Porter, Mike Kennedy, Michael Toman, Martin Morse Wooster, Jeffrey Jones, Daniel Dern, Todd Mason, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
(1) HOW TO KEEP GOING THE DAY AFTER. Sarah Gailey’s “Coup Self-Care” at Here’s the Thing has a long list of ideas for taking care of yourself (that begins after the following excerpt.)
…This kind of stress — the stress of a fucking coup happening in a big country that tends to be irresponsible with its feelings — is hard to weather. I’d wager I’m not the only one struggling with work today. Yesterday I didn’t struggle with work, because I have the luxury of being able to say “nothing is getting done today” when there’s a coup happening. So I didn’t struggle with work, because I didn’t even try to work — instead I watched what was happening, had phone calls with friends and family to process the domestic terrorist attack on the Capitol, and reached out to loved ones in an effort to remind all of us that we are not alone.
…What’s happening in America right now, for most of us, doesn’t feel quite so navigable as that. The coup isn’t something we can reach out and touch and change and solve. There are a ton of possible consequences and outcomes, some which we can predict and some which we can’t, and all of them will affect us, and none of them feel like things we can control. This shit is scary and destabilizing. It’s okay to feel scared and destabilized about the things we can’t control.
It’s also important to remember that the things we can’t control don’t take up the entire horizon. It’s easy to feel swallowed up by that sense of helplessness — but we aren’t helpless. There are things we can’t control, and there are things we can.
Let’s take a look at some things we can control. If you follow me on Twitter, you’ve probably seen some of this before, but look through anyway to remind yourself of the places you can stabilize. These might not all apply to you. This is intended to be a broad assortment of options, not a definitive list! Take what works and throw the rest in the trash….
(2) MARK HIM PRESENT. John C. Wright says he and his family were in Washington DC yesterday “to show our support for Trump, but, more to the point, our support for curtailing election fraud.”“Regarding the Events of Jan 6”. Short post followed by a lot of comments from Trump supporters.
BP is under control pretty much completely now. Still watching for possible clotting issues, but that’s only a general precaution at this point. We’re doing fairly gentle in-room therapy, and the lungs are mostly clear now, but O2 absorption is still lagging. Got me up to the level where they want me, but it’s still taking 6 liters of pressure to keep it there. So we work to bring that down on a day by day basis.
(4) HOW WRITERS DON’T GET PAID. Renowned sf critic Paul Kincaid posted on Facebook about the exploitation of nonfiction writers:
…Ten years ago I found myself inadvertently reviewing for the Los Angeles Review of Books (a review I had submitted to SF Studies was passed on to the LARB instead). At the time LARB was a start-up, a new kid on the block, and when you wrote for them you got a screed about how they were a professional publication and how much they appreciated their contributors but how they were operating on a shoestring so if we would consider not taking money for the review it would help. And yes, I was happy to help on those terms, so I did review after review for them for free. Until I was made redundant and I needed some income. So on my next review I asked to be paid. And they coughed up, no problem, money came through without a hiccup. Then they stopped asking me to review. Critics are valued only so long as you don’t have to pay them….
(5) TOMORROW PRIZE. Still time to enter The Tomorrow Prize contest for short science fiction by an L.A. County high school student – the deadline is February 1, 2021. For further information visit the contest webpage.
The Tomorrow Prize showcases the best in creative, critical thinking, as well as great storytelling, by students from throughout Los Angeles.
The Tomorrow Prize is free for students to submit up to two original short stories of 1,500 words or less. Prizes include cash prizes for First, Second, and Third, as well as a special prize for the best environmental conservation themed story!
This prize, The Green Feather Award is co-sponsored by the LA Audubon Society. The winner will receive a small cash prize and will be published in the LA Audubon newsletter.
(5A) THIS SHOULD TIDE YOU OVER. Fanac.orgnow has available for free download two of the biggest fanzines ever published.
BECKER NGUYEN (NARRATION): Complete the sequence—the wheel, the printing press, the transistor … what’s next? What if I tell you the next revolutionary invention may already exist, but instead of being powered by coal or electricity, it’s powered purely by the most nebulous parts of our minds?
I’m Becker Nguyen. On today’s episode of Static Shock: how one man discovered something extraordinary about our dreams that could save the world, and what happened next that made it all seem like a nightmare.
…In a recent study, my collaborators and I asked whether targeted memory reactivation could improve problem-solving. In evening sessions, participants attempted to solve brain teasers, each paired with a different music clip. Then, we presented some of the music clips while participants slept. In the morning, participants reattempted the same brain teasers they failed to solve the prior night. We were excited to find that participants solved more of the brain teasers that were cued overnight. Interestingly, unlike for Katia, the solutions did not come to them in a dream. And unlike Loewi, they did not awaken with the solution in the middle of the night. Instead, participants solved the brain teasers when they actively worked on them again.
(8) YOUR MIND’S EAR. [Item by Daniel Dern.] A message I just read on LinkedIn gave the person’s location as Dunedin, <State>.
My <brain or whatever> initially parsed (internally pronounced) it as:
at which point some other part of my brain went, “Wait, that’s not right,” called up the Tolkein reference cells, and burped up, “Du-ne-din”
Yeah, it’s likely the real pronunciation-influencer was my being on LinkedIn (which I pronouce/see as two syllables).
Can anybody think of other words with different pronounciations based on sf-or-fantasy PoV?
(9) A TREAT FOR THE EYE. Dreams of Space – Books and Ephemera has numerous scans of the excellent art in the Russian book Hour of Space (1962).
This book is a soviet history of spaceflight and text heavy. What is notable about it are the color plates and some of the chapter header illustrations….
Vladimir Lvov. Illustrated by V. Noskov. Hour of Space. Moscow: Publishing House of the Central Committee if the Komsomol. 206 p. 20 cm. 1962.
IguanCon II, the 36th Worldcon, was held in Phoenix, Arizona in 1978. Guest of Honor Harlan Ellison held forth for hours in “Burning the Phoenix: Remarks, Dark & Light.” This audio recording, illustrated with images, is the first 40 minutes of that talk. Harlan tells a great story about Avon, talks about The Tonight Show, his script for Asimov’s “I, Robot” and about his plans for “The Last Dangerous Visions”. Harlan was a charismatic, funny, witty speaker, and at this event, he is talking to a large audience of his appreciative and enthusiastic fans.
(11) MEDIA BIRTHDAY.
January 7, 1934 — The first Flash Gordon comic strips of Alex Raymond were published by King Features Syndicate. The strip was subsequently adapted into many other media, from three Universal movie serials (Thirties Flash Gordon and Flash Gordon’s Trip to Mars, and Forties Flash Gordon Conquers the Universe) to a 1970s television series and a 1980 feature film, Flash Gordon.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz]
Born January 7, 1899 – Orlin Tremaine. Noteworthy to us for years as editor of Astounding. His editorial “Thought Variants” struck a spark. At one point headed half a dozen Street & Smith magazines e.g. Air Trails, Cowboy Stories, Dynamic Adventures, Romance Range. Published half a dozen stories of his own. First Fandom Hall of Fame. (Died 1956) [JH]
Born January 7, 1891 – Page Cooper. World War II reporter. Wrote books about horses and dogs including the fine Man o’ War. For us she put eight poems in Weird Tales; two are quoted, more about her is told here. (Died 1958) [JH]
Born January 7, 1912 — Charles Addams. Illustrator best known for the Addams Family which he first drew in 1932 and kept drawing until his death. Needless to say there have been a number of films using these characters of which The Addams Family is my favorite. Linda H. Davis’ Charles Addams: A Cartoonist’s Life is well worth seeking out and reading. (Died 1988.) (CE)
Born January 7, 1924 – Col. Christine Haycock, M.D. Nurse in World War II, first woman intern at Walter Reed Hospital, professor, graduate of U.S. Army War College, Fellow of the American College of Surgeons. Olympic fencer, amateur radio, photography. Married Sam Moskowitz; both were Guests of Honor at Disclave 9. Treasurer of the Lunarians. After SaM died, won the Moskowitz Archive Award. American Medical Women’s Ass’n appreciation here. (Died 2008) [JH]
Born January 7, 1926 – Graham Stone. Leading Australian fan, being also, as is often included, a bibliographer, collector, small-press publisher. Notes on Australian SF, Australian SF Bibliography 1948-1999 (rev. 2010), Vol Molesworth’s History of Australian SF Fandom 1935-1963. Correspondent of Riverside Quarterly, SF Chronicle, SF Commentary. Bertram Chandler Award. See here. (Died 2013) [JH]
Born January 7, 1950 — Erin Gray, 71. She’s best known as Colonel Wilma Deering Buck Rogers in the 25th Century series. Would it surprise you that she shows up in as Commander Grey in Star Trek Continues, one of those video Trek fanfic? Well it certainly doesn’t surprise me at all. (CE)
Born January 7, 1955 — Karen Haber, 66. I fondly remember reading her Hugo nominated Meditations on Middle Earth anthology, not to mention the three Universe anthologies she did with her husband Robert Silverberg which are most excellent. I don’t remember reading any of her novels but that’s hardly a certainty that I didn’t as even when my memory was a lot better than is now, I hardly remembered all the genre fiction I’ve read. (CE)
Born January 7, 1957 — Nicholson Baker, 64. Ok ISFDB lists him as having two SFF novels, The Fermata and House of Holes. The Wiki page him lists those as being two out of the three erotic novels that he’s written. Not having read them, are they indeed erotic SFF? I see that ESF say they’re indeed SFF and yes are erotic. H’h. (CE)
Born January 7, 1961 — Mark Allen Shepherd, 60. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. I’m trying to remember if he has any lines. He’s also an abstract painter whose work was used frequently on DS9 sets. (CE)
Born January 7, 1966 — Heidi Elizabeth Yolen Stemple, 55. Daughter of Jane Yolen, sister of Adam Stemple who was the vocalist of Boiled in Lead which mother wrote lyrics for. She and mother co-wrote the Mirror, Mirror: Forty Folktales for Mothers and Daughters to Share anthology which I highly recommend for your reading pleasure. ISFDBsays they did two chapbooks as well, A Kite for Moon and Monster Academy. (CE)
Born January 7, 1968 – Georgi Gospodinov, age 53. A novel and a shorter story for us; other short stories, plays, screenplays, four books of poetry. Angelus Award, Jan Michalski Prize, six Bulgarian awards. [JH]
(13) COMICS SECTION.
Hermanhas an alien encounter with a short order cook.
Bizarroshows one step in a witch’s purchase of a new home.
Get Fuzzy has a disturbing example of cat litigation….
I am a game designer with experience in a very small niche. I create and research games designed to be played in reality. I’ve worked in Alternate Reality Games (ARGs), LARPs, experience fiction, interactive theater, and “serious games”. Stories and games that can start on a computer, and finish in the real world. Fictions designed to feel as real as possible. Games that teach you. Puzzles that come to life all around the players. Games where the deeper you dig, the more you find. Games with rabbit holes that invite you into wonderland and entice you through the looking glass.
When I saw QAnon, I knew exactly what it was and what it was doing. I had seen it before. I had almost built it before. It was gaming’s evil twin. A game that plays people. (cue ominous music)
QAnon has often been compared to ARGs and LARPs and rightly so. It uses many of the same gaming mechanisms and rewards. It has a game-like feel to it that is evident to anyone who has ever played an ARG, online role-play (RP) or LARP before. The similarities are so striking that it has often been referred to as a LARP or ARG. However this beast is very very different from a game.
It is the differences that shed the light on how QAnon works and many of them are hard to see if you’re not involved in game development. QAnon is like the reflection of a game in a mirror, it looks just like one, but it is inverted.
Blending in with one’s immediate environment like the active camouflage technology used by the alien hunter inPredatorwould certainly have alarming applications in the real world, making the procurement of a free windmill cookie from the bulk food bin at grocery stores nearly undetectable.
But clever scientists and engineers at Rutgers University are eager to replicate that amazing invisibility ability by inventing a new type of 3D-printed stretchable material with the power to change color on demand. While the potentials for such shifting smart gels are limitless, the immediate goal is targeting an advanced method of military camouflage.
(16) SCREAMING HEADLINES. Here a high-definition re-upload of the late MF Doom’s supervillain-themed “All Caps” music video
… In the end, Conan Doyle went in another direction, but did not lose his desire to write a “Rider Haggardy” novel. While he admired authors like George Meredith and Charles Reade and his own contemporary, Thomas Hardy, he preferred to write Romances and Adventures. Even being a doctor was a Romance to him, embraced in his “The Romance of Medicine” talk in 1910 at St. Mary’s Hospital, London, where his son Kingsley was a medical student. And the scientific consulting detective Sherlock Holmes’s investigations were Adventures as far as Conan Doyle was concerned, rather than Cases, or Mysteries.
By 1911, these tendencies collided with a regret over diminishing “blank spaces” on the world’s map. When a Lost World character remarks that “The big blank spaces in the map are all being filled up, and there’s no room for romance anywhere,” Conan Doyle was quoting himself anonymously, from a talk he’d given the year before at a luncheon honoring the Arctic explorer Robert Peary….
Storybound is a radio theater program designed for the podcast age. Hosted by Jude Brewer and with original music composed for each episode, the podcast features the voices of today’s literary icons reading their essays, poems, and fiction.
On the fourth episode of the third season, Charlie Jane Anders reads an excerpt from Victories Greater Than Death, with sound design and music composition from Oginalii.
(19) VIDEO OF THE DAY. “Spock’s Surprise Visit To The Carol Burnett Show” on YouTube shows a cameo that Leonard Nimoy made as Spock on the show in 1967.
[Thanks to John King Tarpinian, N., Andrew Porter, Cat Eldridge, JJ, Martin Morse Wooster, John Hertz, Andrew Porter, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
The New Year’s special provides a hit of Doctor Who but that is about all. The episode is inoffensive, it plays around with one interesting idea about the theatre of policing and the aesthetics of fascism but doesn’t know what to do with that. Above all, it exemplifies the frustrating aspects of the Chibnall era. There is always a feeling of a better episode, that is almost exactly the same, lurking around the same pieces….
On the other hand, this fellow found one part of the special to be exceptionally thrilling —
(3) IN BAD TIMES TO COME. Future Tense presents “The Vastation” by Paul Theroux, “a new short story about a future pandemic that makes COVID-19 look simple.”
Steering to his assigned slot in the out-going convoy behind a bulky bomb-proof escort truck, Father said, “We’re going to Greenville,” and looked for my reaction to this surprising announcement. Surprising, not just because Greenville was far away, and where my Mother had been living, but also because I had never been taken outside the perimeter of Chicago….
…Today—as in this story—we fight a deadly contagious disease that has hit some communities much harder than others, and through which xenophobia and racism have been allowed to fester. In Theroux’s story, people are segregated into camps by nationality, into “island[s] of ethnicity, renewed country-of-origin pride and defiance in the enormous sea of rural America.” Perhaps these stemmed from viewing people who are different from oneself as the enemy, and then working to avoid them—something that is already increasingly prevalent in our society, in part thanks to social media.
This week, the first doses of the Pfizer COVID-19 vaccine were administered in the U.S. With the FDA expected to approve Moderna’s vaccine imminently, people are already looking forward to a world where travel and gatherings are possible. But for those activities to be maximally safe, the country will either need to reach herd immunity—unlikely until mid-2021 at the earliest, assuming essentially flawless vaccine roll-out and widespread adoption—or to find ways to verify people’s negative tests or vaccination status in advance.
Some companies are looking to digital solutions. Airlines like JetBlue, United, and Virgin Atlantic have begun using CommonPass, an app developed by the Commons Project and the World Economic Forum that shows whether users have tested negative for COVID-19 for international travel. Ticketmaster, too, told Billboard that its “post-pandemic fan safety” plans include digital health passes that verify event-goers’ COVID-19 negative test results or vaccination status. While these digital health passes could become a prerequisite for some activities, widespread adoption of so-called immunity passports would require a level of coordination and organization uncharacteristic of the country’s response to COVID-19 so far….
Much of the author’s work may have fallen into public ownership in the UK, but there are more restrictions on its use remaining than you might expect, explains his biographer.
George Orwell died at University College Hospital, London, on 21 January 1950 at the early age of 46. This means that unlike such long-lived contemporaries as Graham Greene (died 1991) or Anthony Powell (died 2000), the vast majority of his compendious output (21 volumes to date) is newly out of copyright as of 1 January.
…As is so often the way of copyright cut-offs, none of this amounts to a free-for-all. Any US publisher other than Houghton Mifflin that itches to embark on an Orwell spree will have to wait until 2030, when Burmese Days, the first of Orwell’s books to be published in the US, breaks the 95-year barrier. And eager UK publishers will have to exercise a certain amount of care. The distinguished Orwell scholar Professor Peter Davison fathered new editions of the six novels back in the mid-1980s. No one can reproduce these as the copyright in them is currently held by Penguin Random House. Aspiring reissuers, including myself, have had to go back to the texts of the standard editions published in the late 1940s, or in the case of A Clergyman’s Daughter and Keep the Aspidistra Flying, both of which Orwell detested so much – he described the former as “bollox” – that he refused to have them reprinted in his lifetime, to the originals of, respectively, 1935 and 1936.
What inspired you to create the Roanoke Academy for the Sorcerous Arts?
The original game that the books are based upon took place at a popular magic school from another series. When I sat down to write this series, I had to invent a whole new magic school—and I had to make it something
My son, who was then about nine or ten, had come up with the idea that the colony on the Island of Roanoke had disappeared because the whole island vanished and that there was a school of magic upon it.
I loved this idea, but I didn’t really know much about the area of the country where Roanoke Island is. So I decided it was a floating island that could wander. Then I put it in the Hudson River, near Storm King Mountain, because that is a place I happen to love. I found out there was a small island in that spot that actually has a ruin of a castle on it. I made that island (Bannerman or Pollepel Island) the part of the island that was visible to the mundane world of the Unwary (us.)
I spent hours on the internet looking at photos of all sorts of places—forests, buildings—that I loved. Then I put those photos together to create the island and the school. So Roanoke Island has many things I think are beautiful, paper birch forests, boardwalks by a river, Oriental gardens.
Then I needed to design the school itself. I noted that there were series where the magic school is like a British boarding school and series where the school is like an American boarding school. I wanted something different. So I decided to model Roanoke Academy for the Sorcerous Arts after the college I attended. St. John’s College in Annapolis, Maryland is quite different from most other colleges. Students sit around one large table. They have core groups, other students who are in all your classes. They have tutors instead of professors. They have an unusual system of intramural sports—so strange that every time I put part of it in the book, my editor tags it as too extraordinary to be believable.
I took my experience at St. John’s and spun it into the world of the Hudson Highlands, creating a marvelous place that is delightful to write about and, God willing, a joy for the reader, too.
… Struggling to support himself and his ailing younger brother, delivery man Ray takes a strange job as a “cabler” in a strange new realm of the gig economy. This film is set in an alternate reality where the quantum computing revolution has begun, but they need to hire people to connect the cables for miles between huge magnetic cubes.
(8) BOLLING OBIT. Pianist, composer, and bandleader Claude Bolling died December 29. The Guardian’s tribute notes —
…He wrote music for over one hundred films … such as The Hands of Orlac (1960), … The Passengers (1977) [released in the US as The Intruder, based on Dean Koontz’s 1973 novel Shattered], The Awakening, a 1980 British horror film [third film version of Bram Stoker’s 1903 novel The Jewel of Seven Stars]. Bolling also composed the music for the Lucky Luke animated features Daisy Town (1971) and La Ballade des Dalton (1978).
(9) DOMINGUEZ OBIT. “Disney Legend” Ron Dominguez died January 1 at 85.
In 1957, Dominguez became the assistant supervisor of Frontierland, moving up to the manager of Tomorrowland in 1962. He became the manager of the west side of Disneyland and in 1974, was named vice president of Disneyland and chairman of the park operating committee.
In 1990, Dominguez became Executive Vice President Walt Disney Attractions, West Coast.
The upcoming Star Trek: Voyager documentary is ready to begin crowdfunding. The new documentary would have commemorated Voyager‘s 25th anniversary in 2020, but the coronavirus dashed most of those celebration plans. David Zappone of 455 Studios, the production company behind previous Star Trek documentaries like For the Love of Spock, Chaos on the Bridge, and What We Left Behind, confirmed that filming for the documentary resumed in August. Now it seems the production has reached the point where it’s ready to raise funds from fans. As Voyager star Garrett Wang (Ensign Harry Kim) explains in the announcement video below, fans will be able to donate to the campaign and pre-order the documentary beginning on March 1st.
January 2, 1978 — Blake’s 7 premiered on BBC. It was created by Terry Nation of Doctor Who fame, who also wrote the first series, and produced by David Maloney (series 1–3) and Vere Lorrimer (series 4), with the script editor throughout its run being Chris Boucher. Terry has said Star Trek was one of his main inspirations. It would would run for a total of fifty-two episodes. Principal cast was Gareth Thomas, Michael Keating, Sally Knyvette, Paul Darrow and David Jackson. Critics at the times were decidedly mixed with their reaction which is not true of audience reviewers at Rotten Tomatoes who give an amazing ninety one percent rating!
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 2, 1814 – Luise Mühlbach. A score of historical-fiction novels; you can read Old Fritz and the New Era here (Fritz is a nickname for Friedrich; she means Frederick II of Prussia); it has fantastic elements. She says “To investigate and explain … is the task of historical romance…. poesy… illuminated by historic truth…. Show me from history that it could not be so; that it is not in accordance with the character of the persons represented … then have I … presented only a caricature, faulty as a work of art.” (Died 1873) [JH]
Born January 2, 1871 – Nora Hopper. Journalist and poet in the 1890s Irish literary movement; Yeats said her Ballads in Prose “haunted me as few books have ever haunted me, for it spoke in strange wayward stories and birdlike little verses of things and persons I remember or had dreamed of.” There’s a 2017 Trieste reprint. (Died 1906) [JH]
Born January 2, 1920 — Isaac Asimov. I can’t possibly summarize him here so I won’t. My favorite novels by him are the original Foundation novels followed very closely by his Galactic Empire series and I, Robot. I know I’ve read a lot of his short fiction but I’ll be damn if I can recall any of it specifically right now. And I can’t possibly list all his Hugos here. (Died 1992.) (CE)
Born January 2, 1932 – Minagawa Hiroko, age 92. (Personal name last, Japanese style.) Three of her stories are in English, two in Speculative Japan 3-4. Shibata Prize. More famous for detective fiction; Honkaku Award for The Resurrection Fireplace (in Japanese Hirakasete itadaki kôei desu, roughly “I am honored to open it”), set in 18th Century London; Mystery Writers of Japan Award, Japan Mystery Literature Award for lifetime achievement. [JH]
Born January 2, 1948 — Deborah Watling. Best known for her role as Victoria Waterfield, a companion of the Second Doctor. She was also in Downtime, playing the same character, a one-off sequel to a sequel to the Second Doctor stories, The Abominable Snowmen and The Web of Fear. No Doctors were to be seen. If you’ve seen the English language dubbed version of Viaje al centro de la Tierra (Where Time Began, based off Verne’s Journey to the Center of The Earth), she’s doing the lines of Ivonne Sentis as Glauben. (Died 2017.) (CE)
Born January 2, 1954 – Ertugrul Edirne, age 67. Twoscore covers in German SF. Here is Galactic Trade. Here is On the Great River. Here is Kushiel’s Dart (German title In den Händen der Feinde, “In the Hands of the Enemy”). Here is Not From This World. [JH]
Born January 2, 1959 – Patrick Nielsen Hayden, age 62. Long-time fan, also guitarist (lead guitar in Whisperado). TAFF (Trans-Atlantic Fan Fund) delegate with wife Teresa Nielsen Hayden, both wrote “TAFF in Thirteen Paragraphs”, fanzines e.g. Izzard, Telos, Fan Guests of Honor at MidAmeriCon II the 74th Worldcon where at Closing Ceremonies PNH said “I can’t count the conversations I’ve had with total strangers”, see my con report (at the end, with a poem for each). Meanwhile also active as a pro; now VP, Assoc. Publisher, and Editor-in-Chief at Tor. [JH]
Born January 2, 1967 — Tia Carrere, 54. Best remembered for her three season run as Sydney Fox, rogue archaeologist on Relic Hunter. She’s been in a number of one-offs on genre series including Quantum Leap, Hercules, Tales from The Crypt, Airwolf, Friday the 13th and played Agent Katie Logan for two episodes on Warehouse 13. (CE)
Born January 2, 1971 — Renée Elise Goldsberry, 50. Best known for appearing on Altered Carbon as Quellcrist Falconer. She also performed the Johnny Cash song “Ain’t No Grave” for the end credits in the final episode of that series. Genre wise, she’s had one-offs on Enterprise, Life on Mars, Evil and voice work on DreamWorks Dragons: Rescue Riders, an all too cute series. She was Selena Izard in The House with a Clock in Its Walls. And she appeared on Broadway in The Lion King as Nala. (CE)
Born January 2, 1979 — Tobias S. Buckell, 42. I read and enjoyed a lot his Xenowealth series which he managed to wrap up rather nicely. The collection he edited, The Stories We Tell: Bermuda Anthology of Science Fiction, Fantasy and Horror, is well worth reading, as is his own Tides from a New World collection. And his Tangled Lands collection which won the World Fantasy Award is amazing reading as well. (CE)
Born January 2, 1982 – Aníbal J. Rosario Planas, age 39. (In this Hispanic style two surnames are given, the father’s Rosario then the mother’s Planas.) Drummer and author. Here are a photo, a 150-word teaser from his story Pólvora y vapor (“powder and steam”; in Spanish), and links to his talk (in Spanish and English) about Steampunk Writers Around the World. [JH]
Born January 2, 1983 — Kate Bosworth, 38. She’s Barbara Barga in the SS-GB series done off the superb Len Deighton novel which is definitely genre. She’s both a producer and a performer on The I-Land series where she’s KC, a decidedly not nice person. For a much more positive character, she portrayed Lois Lane in Superman Returns. (CE)
(15) GONE BUT NOT FORGOTTEN. In the Washington Post, Michael Cavna notes that Calvin and Hobbes’s last strip was on December 31, 1995, which gives him a chance to praise Bill Watterson and explain why his strip is timeless comedy. In a sidebar, Cavna notes two other important comic strips ended in 1995: Gary Larson’s “The Far Side” and Berkeley Breathed’s “Bloom County” spinoff “Outland.” But he notes that Bill Watterson praised Richard Thompson’s “Cul de Sac” as showing that “the launch of great comics was still possible” and interviews Breathed, who revived “Bloom County” as an online venture in 2015. “’Calvin and Hobbes’ said goodbye 25 years ago. Here’s why Bill Watterson’s masterwork enchants us still.”
…Stephan Pastis, creator of “Pearls Before Swine,” views Calvin as an expression of pure childlike id, yet thinks there is a whole other dynamic that makes many of Calvin’s acts of imagination so appealing.
Watterson “accurately captured how put-upon you feel as a kid — how limited you are by your parents, by your babysitter, by [schoolteacher] Miss Wormwood. You’re really boxed in and all you have is individual expression,” says Pastis, who collaborated with the “Calvin and Hobbes” creator on a week of “Pearls” strips in 2014, marking Watterson’s only public return to the comics page since 1995.
“I think that’s why to this day, some people get [Calvin] tattooed on their bodies,” Pastis continues. “He stands for that rebellious spirit in the fact of a world that kind of holds you down. You get into adulthood, you get held down by your various responsibilities. Calvin rebels against that, therefore he always remains a hero.”
(16) FOR POETS. The Science Fiction & Fantasy Poetry Association (SFPA) is taking nominations from members for two 2021 awards.
Rhysling Award Nominations: The 2021 Rhysling Chair is Alessandro Manzetti. Nominations are open until February 15 for the Rhysling Awards for the best poems published in 2020. Only SFPA members may nominate one short poem and/or one long poem for the award. Poets may not nominate their own work. All genres of speculative poetry are eligible. Short poems must be under 50 lines (no more than 500 words for prose poems); Long poems are 50+ lines, not including title or stanza breaks, and first published in 2020; include publication and issue, or press if from a book or anthology. Online nomination form here. Or nominate by mail to SFPA secretary: Brian Garrison, SFPA, PO Box 1563, Alameda CA 94501, USA.
Elgin Award Nominations: The 2021 Elgin Chair is Jordan Hirsch. Nominations due by May 15; more info will come by MailChimp. Send title, author, and publisher of speculative Star*Line 8 Winter 2021 poetry books and chapbooks published in 2019 or 2020 to email@example.com or by mail to the SFPA secretary: Brian Garrison, SFPA, PO Box 1563, Alameda CA 94501, USA. Only SFPA members may nominate; there is no limit to nominations, but you may not nominate your own work.
Jim Brandon better get used to unexpected visitors. The writer-producer, whose credits include “Arrested Development” and “Mixed-ish,” just paid about $2.2 million for a South Pasadena home with a special place in “Back to the Future” lore.
The 1985 hit doubles as a tour of L.A. County in many ways, with landmarks such as Griffith Park and the Gamble House popping up throughout the film. Another pivotal scene is set in Brandon’s new yard, where Marty McFly stumbles upon his father being a peeping Tom in the tree out front.
According to the home’s previous owner, filmmaker John McDonald, fans of the movie regularly make the trek to South Pasadena to pay homage — and climb up the now-famous tree to re-create the scene….
(18) MEMORY LANE.
In 1953, the International Fantasy Award was given to Clifford M. Simak for City, his first Award. This collection is sometimes presented as a novel which it is decidedly not as it is a fix-up of the stories “City”, “Huddling Place”, “Census”, “Paradise”, “Hobbies”, “Aesop” and “Trouble with Ants …”. The other nominations were Takeoff by C. M. Kornbluth and Player Piano by Kurt Vonnegut, Jr. A Retro Hugo Award at CoNZealand in 2020 would be awarded to it as well.
(19) NOTHING HAPPENING HERE, MOVE ALONG. In December someone pointed out that John C. Wright’s website was displaying an “Account Suspended” sign. My social media searches found no protests or grievances about this – or even that anyone else was aware of it. Wright subsequently explained the cause in “Account Not Suspended”.
My loyal webgoblin called the hosting company and reports that they said that the server was migrated this morning and that various changes are still propagating through their system. The “account suspended” message was a default one. The hosting company confirmed that there’s nothing wrong with the account and that the site hasn’t been pulled offline due to excessive bandwidth or any sort of legal action
(20) EXPANDING UNIVERSE. More Star Wars properties are on the way.
In another new Disney+ series, Star Wars: Andor, Diego Luna will reprise his role as Cassian Andor.
(21) FUTURE FORSEEN. [Item by Martin Morse Wooster.] “What Will Future Homes Look Like? Filmed In the 1960s” on YouTube is an episode of the CBS News show 21st Century (which ran between 1967-70) called “At Home, 2001” narrated by Walter Cronkite, which tried to predict from the viewpoint of 1967 what homes in the 21st century would look like. Among the predictions: 3-D televisions twice as large as the largest current flat screen, plastic plates that would be molded for each use and then put into a vat to be printed again for the next use, and dinners that were programmed and cooked via computer. The show also saw that computers at home could teach kids and enable people to work at home, and there’s a prediction of something like cable TV. What they got wrong: there is no internet or YouTube.
[Thanks to Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, JJ, Michael Toman, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Sam. And that came from Sam’s first-ever comment here!]
(1) ON THE FRONT OF F&SF. The Magazine of Fantasy and Science Fiction’s Nov/Dec 2020 cover art by David A. Hardy is for “Skipping Stones in the Dark” by Amman Sabet.
(2) SOME TRICKS, SOME TREATS. A new trailer — Season 2 of The Mandalorian streams October 30 on Disney+.
(3) WATCH THE CHESLEYS. Association of Science Fiction & Fantasy Artists President Sara Felix reminds everyone, “The Chesley award ceremony is this weekend on line in conjunction with IX Arts, Saturday October 24th at 7 pm EST.”
The Warner siblings are back and better than ever in the official trailer for Hulu‘s Animaniacs reboot. True to form, Yakko (Rob Paulsen), Wackko (Jess Harnell), and Dot (Tress MacNeille) are very much aware of how much time has passed since the original series was canceled in the late 1990s.
They’re right at home in a post-Deadpool world and have a lot to catch up on, like mobile tablets, quinoa wraps, and, most importantly, Queen Bae. Meanwhile, Pinky (also voiced by Paulsen) and the Brain (Maurice LaMarche) are still trying to take over the world, but must adapt to the modern woes of catfishing and Instagram likes.
(5) SCHOLARSHIP IN 2020. Livia Gershon’s article “The Self-Styled Sci-Fi Supermen of the 1940s” at JSTOR Daily is filed with the tagline: “Way before there were stans, there were slans. Too bad about their fascist utopian daydreams!” The author is eager to slap the fascist label on fans – and seems ignorant of the fact that that some of the people who lived in the Michigan “Slan Shack” were gay, and that their idea of a utopia free of persecution might not really match up with the author’s fascist stereotype. And treating Claude Degler as a representative of mainstream fandom is an idea as nutty as Degler was.
Pilsch writes that science fiction experienced a “superman boom” starting around 1939. This was driven largely by John W. Campbell Jr., editor of Astounding Stories. Campbell editorialized about the real-world possibilities of human enhancement. He also published many stories about super-human beings. Most notable among these was Slan, a novel by A.E. van Vogt. Amazing Stories serialized Slan in 1940—two years after Superman himself had debuted in Action Comics. In van Vogt’s story, the regular people of Earth persecute “slans,” genetically advanced humans.
The book gave the science fiction–reading community a new slogan: “fans are slans.”
Pilsch writes that some fans took this concept very seriously, imagining themselves as a group distinct from the rest of humanity. Among them were Al and Abby Lu Ashley, who proposed creating a “Slan Center”—a settlement as big as a city block, with homes, a library, and a space for publishing fanzines. Describing the concept, the Ashleys wrote that “Intellectually, fans far exceed the ordinary person.”
Dal Coger, a fan who was involved in the initial planning, explained later that “everyone had experienced the raised eyebrows of mundanes when you tried to discuss science fictional ideas with them. Slan Center would make it possible to be openly fannish any time we were away from work.”
While the Slan Center never became reality, the Ashleys did found an eight-room fan house in 1943. Those who moved into the Ashleys’ “Slan Shack” included fan artist Jack Wiedenbeck, fanzine publisher Walt Liebscher, and science fiction writer E.E. “Doc” Smith. Other fan houses popped up, including Tendril House in Los Angeles, the Ivory Birdbath in Massachusetts, and the Futurian Fortress in New York….
(6) MEDIA ANNIVERSARY.
2000 — Twenty years ago at Chicon 2000, Vernor Vinge‘s A Deepness in the Sky won the Hugo for Best Novel. The novel is a loose prequel (set twenty thousand years earlier) to A Fire Upon the Deep. Published by Tor Books in 1999, it decidedly beat out Lois McMaster Bujold’s A Civil Campaign with the rest of the final ballot being Neal Stephenson’s Cryptonomicon, Greg Bear‘s Darwin’s Radio and J. K. Rowling‘s Harry Potter and the Prisoner of Azkaban. It would also win the John W. Campbell Memorial Award and Prometheus Award along with being nominated for the Arthur C. Clarke, Nebula, Locus, BFA and HOMer awards.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 21, 1772 – Samuel Coleridge. This complicated genius wrote, among much else, in 54 lines of poetry, “Kubla Khan”, one of the finest fantasies. See also the Raymond F. Jones story “The Person From Porlock”; C’s title may lie behind the Theodore Sturgeon story “The Skills of Xanadu”. Poet, critic, philosopher. Coined the expression “suspension of disbelief”. (Died 1834) [JH]
Born October 21, 1904 – Edmond Hamilton. Seven novels of the Interstellar Patrol; two of Star Kings; three of Starwolf; a score of Captain Future; a dozen more. Two hundred fifty shorter stories; see The Best of Edmond Hamilton edited posthumously by his widow Leigh Brackett. For DC Comics he particularly wrote Batman and Superman; co-created Batwoman (1956). He reached far. (Died 1977) [JH]
Born October 21, 1914 — Martin Gardner. He was one of leading authorities on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll’s two Alice books is still a bestseller. He was considered the doyen (your word to learn today) of American puzzlers. And, to make him even more impressive, in 1999 Magic magazine named Gardner one of the “100 Most Influential Magicians of the Twentieth Century”. Cool! (Died 2010.) (CE)
Born October 21, 1929 — Ursula Le Guin. She called herself a “Narrative American”. And she most emphatically did not consider herself to be a genre writer instead preferring be known as an “American novelist”. Oh, she wrote genre fiction with quite some brilliance, be it the Earthsea sequence, The Left Hand of Darkness, The Dispossessed, or Always Coming Home. Her upbringing as the daughter of two academics, one who was an anthropologist and the other who had a graduate degree in psychology, showed in her writing. And the home library of the family had a lot of SF in it. If you’re interested in the awards she won in her career, she garnered the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each at least once and she was also awarded the National Book Foundation Medal for Distinguished Contribution to American Letters It won’t surprise you that she was made a Grandmaster of Science Fiction, one of a few women writers to take the top honor in the genre. (Died 2018.) (CE)
Born October 21, 1933 — Georgia Brown. She’s the actress who portrayed Helena Rozhenko, foster mother of Worf, in the Next Gen’s “Family” and “New Ground” episodes. She was Frau Freud in The Seven-Percent Solution, and was Rachel in “The Musgrave Ritual” episode of the Nigel Stock fronted Sherlock Holmes series. (Died 1992.) (CE)
Born October 21, 1936 – Ken Cheslin. Famously published Fables of Irish Fandom (with John Berry); The Bleary Eyes (about the Goon Defective Agency; JB was Goon Bleary); a second ed’n of Vincent Clarke’s tributezine Atom, and one of his own, Atom 2000 – to this day we still quarrel over writing the fanartist Arthur Thomson’s signature and nickname as “ATom” or “Atom”. (Died 2000) [JH]
Born October 21, 1945 — Everett McGill, 75. Stilgar in the first Dune film. Earlier in his career, he was a Noah in Quest for Fire. Later on, he’s Ed Killifer in License to Kill, and on Twin Peaks, he’s Big Ed Hurley. He was also Rev. Lowe in Stephen King’s Silver Bullet, a werewolf flick that actually has a decent rating of 55% at Rotten Tomatoes! (CE)
Born October 21, 1955 – Nancy Wirsig McClure, 65. Revived, ran, and was Master of Ceremonies for the Masquerade costume competition at ICON (Iowa City); Fan Guest of Honor (with husband Martin McClure), ICON 18. Originated, ran, and MC’d Masquerades at Demicon (Des Moines). Con committees at Minicon, edited the Bozo Bus Tribune at Minicon 30. Moved to Portland; OryCon committees. Runs a design & illustration business; designed e.g. this OryCon flier, this Bruce Schneier book; see here. [JH]
Born October 21, 1956 — Carrie Fisher. In addition to the original Star Wars trilogy, Star Wars Holiday Special, The Force Awakens, Star Wars: The Last Jedi and Star Wars: The Rise of Skywalker, she was in Amazon Women on the Moon, The Time Guardian, Hook, Scream 3, and A Midsummer Night’s Rave. (Died 2016.) (CE)
Born October 21, 1958 – Julie Bell, 62. Graphic artist in her own right and with husband Boris Vallejo. Three Chesleys (one with him). Three artbooks and eight with BV. A hundred covers, four hundred interiors. Here is Stonehenge. Here is Falling Stars. Here is Beguilement.Here is Soft as Steel. Also horses and other wildlife. [JH]
Born October 21, 1973 — Sasha Roiz, 47. I know him only as Captain Sean Renard on the excellent Grimm series but he’s also been Sam Adama on Caprica as well. And he’s also been on Warehouse 13 in the recurring role of Marcus Diamond. He even showed up once on Lucifer as U.S. Marshal Luke Reynolds. (CE)
Born October 21, 1974 – Chris Garcia, 46. Fanziner and immeasurable being. Edited Tightbeam and The National Fantasy Fan, served as President of the N3F (Nat’l Fantasy Federation). Hugo for The Drink Tank. Nova for Journey Planet (with James Bacon). Also Claims Department; Exhibition Hall. TAFF (Trans-Atlantic Fan Fund) delegate, his report Rockets Across the Waters. Fan Guest of Honor at SFContario 3, ConQuest 44, Westercon 67, Baycon 2018. He and I were separated at birth; he got the hair. [JH]
(8) COMICS SECTION.
Close To Home shows how one witch is adapting to the latest technology.
(9) IN DYING COLOR. On Bruce Sterling’s Tumblr today he has a number of crayon Lovecraftian illustrations “by a young Robert Bloch”.
Lovecraftian illustrations by a young Robert Bloch, (original Cthulhu Mythos fanboy, later famous as the author of Psycho) doodled in crayon on various notebooks and pieces of cardboard between 1933 and 1937.
Here’s one —
(10) CHOW CALL. Pirate Stew by Neil Gaiman and Illustrated by Chris Riddell goes on sale December 1.
Meet LONG JOHN McRON, SHIP’S COOK . . . and the most unusual babysitter you’ve ever seen.
Long John has a whole crew of wild pirates in tow, and—for one boy and his sister—he’s about to transform a perfectly ordinary evening into a riotous adventure beneath a pirate moon. It’s time to make some PIRATE STEW.
Marvelously silly and gloriously entertaining, this tale of pirates, flying ships, doughnut feasts and some rather magical stew is perfect for all pirates, both young and old.
Today’s politico-ethical question is easily answered. Yes, science fiction author John C Wright should be allowed to vote in whatever nation he chooses to live in, because people who are held accountable to laws should have a say in those laws AND also the legitimacy of government should derive from the broad consent of the governed….
But why is this a question? Because John C. Wright posed it himself in “It is Time to Reconsider”, although it’s not his own franchise but that of women, that he has doubts about:
Is it time to reconsider the 19th Amendment?
The argument for female suffrage is that women are not more prone to bouts of emotionalism than men, and hence is it equally worthwhile, as the whole, to consult with them over the conduct and control of public business.
Unfortunately, it is evident that there are but rare and few men in the current generation show any particular manly or masculine virtues which would entitle them to a say in the public business, if stoicism, reason, and virtue were preconditions for the franchise.
The argument against female suffrage is that voting is a peaceful substitute for revolution, wherein the less numerous party, seeing himself outnumbered, agreed without bloodshed to abide by the vote of the more numerous. Women, being largely less ready, willing, or able to take up arms than men, have no place in these military questions.….
Yes, if only the legislators who ratified the 19th Amendment – virtually all of whom were men, by the way – had been aided by the prophetic vision of that six-time Hugo nominee and Grand Inquisitor of the Evil Legion of Evil, John C. Wright.
(12) PKD’S POLITICAL ADVICE. Meanwhile, back in 1952, Philip K. Dick wrote to the editors of the Oakland Tribune naming his candidate to save the country:
Editor: Unless we elect Justice William O. Douglas President this country will surely continue to drift toward militarism and uniformity of thought. Only Justice Douglas seems to realize that our military outlook is fast destroying our liberty and economy. We must see that he is nominated and elected, or America may become another Spain. Governments all over the world are gaining in diabolical powers; with a great liberal President this trend might be reversed. . . .
Can science fiction save us in our present political and cultural circumstances? Is it a useful teaching tool to help us think about how to solve our present problems, or model better ways of living?
Well, it’s the latter, for sure. Whether it’s the former depends on whether we pay attention. But let me answer a little more at length.
If you think of science fiction as just a kind of modeling exercise, everybody is a science fiction writer in their own lives. You make plans based on modeling in your mind. When you’re feeling hopeful, you have a kind of utopian plan: if you do these things, you’ll get to a good place. And then when you’re afraid, you have these worries that if you do these things, you’ll get to a bad place. So the fundamental exercise of science fiction is a very natural human thing. And then when it gets written down in long narrative forms, like science fiction novels, everybody recognizes the exercises involved there. Although when I say that, I realize that, actually, lots of people don’t like to read science fiction, so they’re not recognizing the way books are the same as what they do for their own lives. That’s surprising to me, but it happens a lot….
It’s a beetle that can withstand bird pecks, animal stomps and even being rolled over by a Toyota Camry. Now scientists are studying what the bug’s crush-resistant shell could teach them about designing stronger airplanes and buildings.
“This beetle is super tough,” said Purdue University civil engineer Pablo Zavattieri, who was among a group of researchers that ran over the insect with a car in the name of science.
So, how does the seemingly indestructible insect do it?
The species — the aptly named diabolical ironclad beetle — owes its might to an unusual armor that is layered and pieced together like a jigsaw, according to the study by Zavattieri and his colleagues published in Nature on Wednesday. Its design, they say, could help inspire more durable structures and vehicles.
(15) THE LAND AND THE DRAGON ARE ONE. Restore peace. Find the last dragon. See the new trailer for Raya and the Last Dragon, in theaters March 2021.
Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it’s up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people. However, along her journey, she’ll learn that it’ll take more than a dragon to save the world—it’s going to take trust and teamwork as well.
(16) VIDEO OF THE DAY. In “Honest Game Trailers: Star Wars: Squadrons” on YouTube, Fandom Games says in this game “you can fly an X-Wing and it makes a “pu-pu’ sound. What more do you want?”
[Thanks to JJ, Michael Toman, Bill, Andrew Porter, Gordon Van Gelder, John King Tarpinian, John Hertz, N., Cat Eldridge, Sara Felix, Martin Morse Wooster, Dennis Howard, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Epic Games, the video game developer behind the mega popular online game Fortnite, just posted a video criticizing Apple for removing the game from its App Store. Using imagery directly referencing Apple’s own iconic “1984” ad, Epic Games’s video (titled “Nineteen Eighty-Fortnite”) positions Apple as a soulless corporate entity, shouting from a screen and demanding obedience from a black and white crowd. That is, until a woman in color shows up, and throws a Fortnite axe at the screen and shatters it. The following copy reads, “Epic Games has defied the App Store Monopoly. In retaliation, Apple is blocking Fortnite from a billion devices. Join the fight to stop 2020 from becoming ‘1984.’”
Epic Games (also being a corporate entity themselves) is making this charge over money. The company introduced a direct payment option within Fortnite to bypass Apple’s 30% fee on in-app purchases. In retaliation, Apple pulled the popular game from its app store. Epic Games responded with both this video, as well as an antitrust lawsuit, alleging that Apple takes anti-competitive actions in order to “unlawfully maintain its monopoly.”
In a statement to The Verge, Apple said that Epic had benefited from the App Store’s ecosystem for years.
“The fact that their business interests now lead them to push for a special arrangement does not change the fact that these guidelines create a level playing field for all developers and make the store safe for all users.”
It’s unclear, really, what George Orwell has to do with any of this.
Your task is to create an original limerick that has something to do with speculative fiction. It could be about a character, a series, an author, or whatever fits the theme. Here are the rules for creating a good limerick (quoting from this source).
…The author of the limerick we like best wins a book from our stacks or a FanLit T-shirt (sizes avail are S – XL). If you live outside the US, we’ll send a $7 Amazon gift card.
I have known Fox since he was a baby. His parents, Charles Wingate and Melissa Williamson, are long-time members of the Potomac River Science Fiction Society and hosted meetings three times a year until the pandemic.
“At the beginning they valorized what was deemed a dead-end job, but four months later they don’t even treat us like humans anymore,” said Fox Wingate, 24, who works at a Safeway in Maryland.
…“Everyone was very gung-ho,” adds the film’s production designer Grant Major of his first day back on set. “We all loved the film, actors and director, so were pumped to get going and do the best job we could.”
That can-do attitude is what will likely tide the industry over despite Tuesday’s late-night announcement that the country will enter a three-day lockdown, which went into effect at midday Wednesday local time. The measures came after Prime Minster Jacinda Ardern confirmed four members of an Auckland family tested positive for COVID-19, acquiring the virus from an unknown source. The cases ended the nation’s 102-day streak of having no new community infections (cases have been limited to the strictly-quarantined border).
While New Zealand dropped to level one — the lowest of a four-level alert system — on June 8, the Auckland region is now on level three restrictions until Friday, meaning residents are asked to work from home, only interact with people in their household “bubble,” and practice social distancing and mask-wearing in public. Filming can continue if strict health and safety protocols are followed.
Several international productions were in pre-production in Auckland at the time of the announcement, including “LOTR,” Robert Downey Jr.’s “Sweet Tooth,” anime adaptation “Cowboy Bebop” and “The Greatest Beer Run Ever,” directed by Peter Farrelly. The New Zealand Film Commission (NZFC) tells Variety that the Auckland projects are now continuing with pre-production, but working from home.
The remainder of the country — including Wellington, where the “Avatar” sequels are filming — has been placed in level two, which encourages mask-wearing and social distancing and allows social gatherings of up to 100 people. Large-scale productions such as “Avatar” can continue under level two screen production rules, such as physical distancing among crew and following recommendations for scenes involving intimacy or fighting….
(5) CHANGES ON THE WAY. “Avatar 2 Will Change Movies Forever” on YouTube is a video from ScreenRant that explains one reason why Avatar 2 is taking so long is that James Cameron is working on a way of shooting motion-capture scenes underwater and may also be coming up with a way to see 3D effects without special glasses.
(6) DEFINING SF. Adam Roberts, in “How I Define Science Fiction” on Neotext says that he defines science fiction by showing the bone and a spaceship from 2001 and that much of the sense of wonder from sf can’t be rationally explained in a definition. However, he also supplies the thousand words that a picture is reputed to be worth. Because, as someone said, “This f***ing job is not that f***ing easy!”
In those occasions when people ask me to define science fiction, I reference the above. Probably the most famous jump-cut in cinema. You already know the context, so I don’t need to spell it out for you: millions of years BC, an apeman throws a bone into the sky. It flies upward. The camera pans with it, following it a little shakily into the blue sky. The bone reaches its apogee and, just as it starts to fall back down, Kubrick cuts to a shot of a spaceship in orbit in AD 2001.
Now, this seems to me an extremely beautiful and affecting thing, a moment both powerful and eloquent even though I’m not sure I could lay out, in consecutive and rational prose, precisely why I find it so powerful or precisely what it loquates. It is, I suppose, something ‘about’ technology, about the way humans use tools, our habit of intrusively (indeed, violently) interacting with our environments, about the splendor but also the limitation of such tools, the way even a spaceship is, at its core, a primitive sort of human prosthesis. But when you start explaining the cut in those terms you become conscious that you are losing something, missing some key aspect to what makes it work so well.
It works, in other words, not by a process of rational extrapolation, but rather metaphorically. I mean something particular when I say that, and I explain what I mean in detail below; but for now, and to be clear—I’m suggesting this moment actualizes the vertical ‘leap’ from the known to the unexpected that is the structure of metaphor, rather than the horizontal connection from element to logically extrapolated element that is the structure of metonymy. Kubrick’s cut is more like a poetic image than a scientific proposition;——and there you have it, in a nutshell, my definition of science fiction. This genre I love is more like a poetic image than it is a scientific proposition.
Now, if my interlocutor needs more, and if the picture doesn’t make my point, I might add something Samuel Delany-ish: about how science fiction is a fundamentally metaphorical literature because it sets out to represent the world without reproducing it….
This Saturday August 15 at 8 PM, multi-instrumentalist phenomenon Scott Robinson will be improvising music to the work of one of his heroes, Richard Powers, whose work graces the covers of all of Scott’s ScienSonic Laboratories releases (which can be seen at www.sciensonic.net). Scott will be sharing from his personal collection of Powers’ work, along with other pieces — some unpublished. These paintings are shown with the kind permission of the artist’s estate. In a nod to the series’ name, for this performance Scott has chosen only works containing an eye!
AMC Theatres, the nation’s largest movie theater chain, will reopen in the U.S. on Aug. 20 with retro ticket prices of 15 cents per movie.
AMC Entertainment, which owns the chain, said Thursday that it expects to open the doors to more than 100 cinemas — or about a sixth of its nationwide locations — on Aug. 20 with throwback pricing for a day.
AMC theaters have reopened in numerous international countries but have remained shuttered in the U.S. since March. The chain touted the reopening as “Movies in 2020 at 1920 Prices.”
After several false starts due to a summer rise in coronavirus cases throughout much of the U.S., widespread moviegoing is currently set to resume in late August. Regal Cinemas, the second largest chain, is to reopen some U.S. locations on Aug. 21.
During its opening-day promotion, AMC will show catalog films, including “Ghostbusters,” “Black Panther,” “Back to the Future” and “Grease.” Those older films will continue to play afterward for $5.
AMC confirmed that Disney’s much-delayed “New Mutants” will debut in theaters Aug. 28, with Christopher Nolan’s “Tenet” to follow Sept. 3. Warner Bros. is planning to release “Tenet” a week earlier internationally, including in Canada. A handful of smaller new releases are also planned for late August, including “Unhinged,” a thriller from Solstice Studios with Russell Crowe; and Armando Iannucci’s “Personal History of David Copperfield,” from Disney’s Fox Searchlight.
AMC said Thursday is expects about two thirds of its theaters will be open in time for “Tenet.” Several states, including California and New York, are yet to allow movie theaters to reopen.
(9) A SHORT HISTORY WITHOUT TIME. Elisa Gabbert, author of The Unreality of Memory and Other Essays, interrogates “The Unreality of Time” in The Paris Review.
…[John] McTaggart does not use “unreality” in the same way I do, to describe a quality of seeming unrealness in something I assume to be real. Instead, his paper sets out to prove that time literally does not exist. “I believe that time is unreal,” he writes. The paper is interesting (“Time only belongs to the existent” … “The only way in which time can be real is by existing”) but not convincing.
McTaggart’s argument hinges in part on his claim that perception is “qualitatively different” from either memory or anticipation—this is the difference between past, present, and future, the way we apprehend events in time. Direct perceptions are those that fall within the “specious present,” a term coined by E.?R. Clay and further developed by William James (a fan of Bergson’s). “Everything is observed in a specious present,” McTaggart writes, “but nothing, not even the observations themselves, can ever be in a specious present.” It’s illusory—the events are fixed, and there is nothing magically different about “the present” as a point on a timeline. This leads to an irresolvable contradiction, to his mind.
Bergson, for his part, believed that memory and perception were the same, that they occur simultaneously: “The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.” He thought this explained the phenomenon of déjà vu—when you feel something is happening that you’ve experienced before, it’s because a glitch has allowed you to notice the memory forming in real time. The memory—le souvenir du présent—is attached not to a particular moment in the past but to the past in general. It has a past-like feeling; with that comes an impression one knows the future.
(10) LET THE RECORD REFLECT. This typo is from the Loncon 3 (2014 Worldcon) Souvenir Book.
Nobody’s copyediting (outside of File 770’s own) has ever challenged the record left by the ConDiego NASFiC of 1990. Neither a fine speech by pro GoH Samuel Delany, an excellent Masquerade, a well-stocked Dealer’s Room, a top-quality Press Relations department, nor a successful Regency Dance, could divert the avalanche of sentiment which quickly made ConDiego a byword for haphazard convention-running. Not after fans were handed a typo-riddled Program Book which misspelled the hotel’s name, the guests of honors’ names and even the con’s own name – that in headline type: ConDigeo.
(11) BOOK ANNIVERSARY.
August 1998 — Delia Sherman and Terri Windling released The Essential Bordertown anthology. (The first one, Elsewhere, would garner a World Fantasy Award.) A follow-up on the three earlier Borderlands anthologies, it featured such writers as Teresa Nielsen Hayden and Terri Windling doing a Rough Guide of sorts to Bordertown along stories from the likes of Patrica McKillip, Micole Sudbeg, Ellen Steiber , Felicity Savage and Charles de Lint. It would be successful enough that Welcome to Bordertown would come a decade later though the publisher would shift from Tor to Random House.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.) (CE)
Born August 14, 1940 — Alexei Panshin, 80. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. (CE)
Born August 14, 1932 – Lee Hoffman. Among our finest fanwriters, and a fanartist who showed with her “lil peepul” that in fandom too – although I never asked her about Buckminster Fuller – one can do more with less. Had she only done her fanzine Quandry (note spelling; she was also responsible for the famous typo poctsarcd) it would, as the saying goes, have been enough for us. She also brought forth Science Fiction Five-Yearly, published on time for sixty years, in whose last issue I was proud to be, and on the back cover, even. Also four novels for us, a dozen shorter stories; among much else a superb Western The Valdez Horses, winning a Spur Award. At first she appeared only by mail; after we eventually learned she was not male, she was sometimes known as Lee Hoffwoman. Fan Guest of Honor at Chicon IV the 40th Worldcon. (Died 2007) [JH]
Born August 14, 1940 – Meade Frierson III. President, Southern Fandom Confederation 1970-1983. SF on Radio. Active in Myriad and SFPA (Southern Fandom Press Alliance). Fan Guest of Honor at Windycon IV, Balticon 11, Coastcon 1978 (with wife Penny). Rebel Award. (Died 2001) [JH]
Born August 13, 1949 – Pat York. A dozen short stories. “Moonfuture Incorporated” in the teachers’ guide Explorer (J. Czerneda ed. 2005); “You Wandered Off Like a Foolish Child to Break Your Heart and Mine” in the Nebula Awards Showcase 2002. Poem “A Faerie’s Tale” in the 1998 Rhysling Anthology. Cory Doctorow’s appreciation here. (Died 2005) [JH]
Born August 14, 1962 – Tim Earls, 58. Set and concept designer, visual effects art director, for Babylon 5 and Crusade; then Voyager, Mission Impossible III, Serenity. An Earth Alliance Olympus Class Corvette (B5) here. Design for the Borg Central Plexus in “Unimatrix Zero” (Voyager) here. Some Serenity sketches here. IMDb (Internet Movie Database) bio here. [JH]
Born August 14, 1965 — Brannon Braga, 55. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes than anyone else with one hundred and nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. (CE)
Born August 14, 1966 — Halle Berry, 54. Her first genre role was not as I thought Miss Stone in The Flintstones but a minor role in a forgotten SF series called They Came from Outer Space. This was followed by being Storm in the X- Men franchiseand Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as the lead in Catwoman. She has myriad roles in Cloud Atlas. (CE)
Born August 14, 1973 — Jamie Sives, 47. First, he played Captain Reynolds in a Tenth Doctor story, “Tooth and Claw” where the Doctor encounters Queen Victoria and saves her from a werewolf. Great tale! Second, he had a recurring role as Jory Cassel on A Games of Thrones. His fate like so many there is tragic. And third, he was was Valhalla Rising which is a decidedly oddDanish financed Viking magic realism film. (CE)
Born August 14, 1974 – Raphael Lacoste, 46. A score of covers, half a dozen interiors; games, films. Prince of Persia and Assassin’s Creed for Ubisoft. Here is The Windup Girl. Here is Shadow Run. Here is “Nanthis City”. Here is “Wind Towers”. Artbooks Worlds, Lignes. Two VES (Visual Effects Society) Awards. Website here. [JH]
Born August 14, 1981 – Karen Healey, 39. Five novels, as many shorter stories; ten essays in Strange Horizons. “I wanted to be an astronaut, or possibly a dinosaur-hunting cowgirl…. I was a bit vague on the concept of extinction…. we moved to Oamaru, where my mother’s family has lived for five generations … good for white people in New Zealand … ridiculous in comparison to one’s family being there for a thousand years…. I had this vague idea of becoming a lawyer…. it turned out being a lawyer is not a lot of fun arguing with people and shouting OBJECTION but a lot of boring and distressing paperwork…. applied to the JET [Japan Exchange & Teaching] Programme (even though I had failed second-year Japanese) and went to Japan to teach English for two years…. currently training to be a high school teacher… and, of course, being a novelist.” [JH]
(14) MAYBE THE MAP IS THE TERRITORY AFTER ALL. In The Paris Review, Ivan Brunetti considers “Comics as Place”.
Most comics focus on the actions of a figure, and the narrative develops by following that figure as it moves through its environment, or as it is commonly referred to by cartoonists, who have the often tedious, time-consuming task of actually drawing it, the background. One widely used cartoonist’s trick is to draw/establish the setting clearly and then assiduously avoid having to redraw it in subsequent panels, or at least diminish the number of background details as the sequence progresses. After all, once this setting/background has seeped into the reader’s brain, the reader can and will fill in the gaps. Moreover, sometimes drawing the background would only clutter the composition and distract the reader from the emotional core of the narrative, and so the background might judiciously disappear altogether, having outlived its graphic usefulness, until the next shift in scene.
Robert Crumb’s 1979 “A Short History of America” upends all of the above. It is a small miracle of concision and grace, consisting of a mere twelve panels that span across four pages (of three horizontal panels each) and roughly a hundred and fifty years of history….
(15) FIGHTING FOR WHO YOU LOVE. In the Washington Post, Helena Andrews-Dyer interviews Lovecraft Country star Jonathan Majors, who explains how he interpreted the series’ heroic lead and discusses his other work in The Last Black Man In San Francisco and Da 5 Bloods. “Jonathan Majors is your new American hero”.
The hero’s journey is a circuitous one. After setting out into the great unknown, battling monsters and men, our protagonist inevitably winds up at Point A again, ready to slay whatever Big Bad sent them packing in the first place.
That’s a familiar road for Jonathan Majors, the 30-year-old actor who’s quickly becoming that guy — the one you can’t stop seeing in .?.?. well, everything.He started acting because of a fight in middle school; he had a bunch of big emotions and a blocked vent. Now, a decade and a half later, in his first leading role, Majors is playing the kind of hero his younger self (and the boys he used to “cut up with”) could’ve used. Someone who’s learned how to harness his hard-earned rage for good.
…The Tudor period looms large in English national mythology of greatness and Henry VIII and his daughter Elizabeth I are two of the most fictionalised and dramatised British monarchs (Queen Victoria being the third but Elizabeth II is getting higher in the charts I’d imagine). Although I often read Booker prize winners, when Wolf Hall won I was originally uninterested. Another book about Henry and Anne Boleyn? Is there seriously anything new to say about all that? Turns out there was a lot of new things to say about it, and by employing a story people know at least in sketch form, Mantel could focus on an aspect that makes the Tudor period fascinating.
(18) SUPERVERSIVE WAKES. The Superversive SF blog will become active again, led by columnists L. Jagi Lamplighter-Wright and John C. Wright.
It has been some time since we have had regular posts on this site, but, God willing, that is all about to change!
In the coming months, we hope to have more posts about Superversive Matters, but we also hope to unveil two new regular columns. I will announce the second column separately, but, before we can begin, the first column needs a name!
The column is to be stories, observations, and insights about the meeting of life and our genres—writing with children; writing with cats (a whole subject in itself!); sharing your favorite books, shows, and movies with offspring, parents, friends; and other stories of the intersection of reality and fantasy (or science fiction.)
The purpose is to share light and fun stories, as well as poignant or bittersweet ones, about our life and experience as readers and writers of science fiction and fantasy—stories that remind us of our shared experience as human beings as well as our joy in the wonder of our wonderful genre.
Sharks are often maligned as Hollywood monsters, the lone wolves lurking in the deep, hunting for prey. (Cue Jaws theme song).
But that caricature of sharks is increasingly out of step with what scientists are learning about the animals. Instead, they say, some species of sharks are social creatures who return day after day to a group of the same fellow sharks.
“They form these spatially structured social groups where they hang out with the same individuals over multiple years,” says Yannis Papastamatiou, who runs the Predator Ecology and Conservation Lab at Florida International University.
Papastamatiou’s team studied gray reef sharks populating the waters off Palmyra Atoll, a sunken island ringed by coral reefs, in the central Pacific Ocean between the Hawaiian Islands and Fiji. They attached small location transmitters to 41 sharks, which allowed them to track the animals’ movements around the reef. They also outfitted two sharks with small video cameras on their fins, to get what Papastamatiou calls a shark’s-eye view of their daily lives.
After tracking the sharks for four years, the researchers found that the same groupings of sharks — ranging from a couple up to as many as 20 — frequently returned to the same parts of the reef over and over again. They also found that some of the groups stuck together for the duration of the study — longer than previous studies have observed.
Mars’ nightside atmosphere glows and pulsates in this data animation from MAVEN spacecraft observations. Green-to-white false color shows the enhanced brightenings on Mars’ ultraviolet “nightglow” measured by MAVEN’s Imaging UltraViolet Spectrograph at about 70 kilometers (approximately 40 miles) altitude. A simulated view of the Mars globe is added digitally for context, with ice caps visible at the poles. Three nightglow brightenings occur over one Mars rotation, the first much brighter than the other two. All three brightenings occur shortly after sunset, appearing on the left of this view of the night side of the planet. The pulsations are caused by downwards winds which enhance the chemical reaction creating nitric oxide which causes the glow. Months of data were averaged to identify these patterns, indicating they repeat nightly.
In 1973, Graham Greene wrote an introduction to a bookselling friend’s memoir. As Greene was one of the most respected writers of his day, this was no small gesture, but the author was also a committed bibliophile. The book dealer and biographer John Baxter’s memoir A Pound of Paper contains treasurable glimpses of Greene deliberately signing obscure copies of his works in far-off locations, in the certain knowledge that these items would become hugely sought-after rarities, and he remains one of the few serious literary figures who also understood the glamour and romance of the bookselling trade. In his introduction, he openly acknowledged this, writing ‘Secondhand booksellers are the most friendly and most eccentric of all the characters I have known. If I had not been a writer, theirs would have been the profession I would most happily have chosen.’
If Greene was alive today, he would look at his beloved second-hand and antiquarian bookshops with an air of sorrow, leavened with a touch of bewilderment. The recent news that one of Charing Cross’s most famous booksellers, Francis Edwards, was to close after 150 years, maintaining only a presence in Hay-on-Wye, was greeted without the anguish that it might have been otherwise….
The first museum dedicated to Godzilla is open in Japan for a limited time. TOHO launched its official English Godzilla website back in May 2019, complete with a “Monsterpedia” for the kaiju’s friends and foes. One can never overstate the pop culture impact of the Godzilla series. Although the King of the Monsters wasn’t the first giant monster on the big screen, he would headline a long-running franchise, the longest of any movie series to date.
Perhaps the most interesting aspect is how the character changed over time. He went from being a grim allegory for the nuclear bomb to a Japan-saving hero, not unlike Ultraman. As a franchise, Godzilla has ventured into multimedia. He has battled the Avengers in a Marvel comic and even received his own version of Jenga. For a limited time, fans can enjoy the franchise in a museum format.
(23) MEET THE PARENTS OF THE YEAR.
(24) VIDEO OF THE DAY. Points for sneaking Newton’s third law in there.
[Thanks to John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Mike Kennedy, Michael Toman, Cliff, John Hertz, Dann, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Anna Nimmhaus.]
In general, speculative fiction in translation (SFT) accounts for a very small fraction of the fiction published in English each year. This past year was no exception: 50 books (novels, collections, and anthologies) and 80 short (standalone) works of SFT made their way to Anglophone readers. While this may not sound like much, it does signify a slow but steady increase in non-Anglophone speculative fiction since the turn of the century. Not since the 1960s and ’70s have we seen such an increase, and while I can’t point to any one factor as an explanation, I imagine that the unprecedented worldwide connectivity brought about by the internet at the end of the last century, coupled with the increase in small and micro-presses and magazines that regularly publish speculative fiction, may offer a partial answer. Perhaps another factor is the growing interest of speculative fiction fans in stories that are written from a non-Anglophone perspective…
(2) LONDON’S OFF THE HOOK. Yesterday, the London Book Fair planned
to carry on, even in the face of businesses dropping out because of coronavirus
fears. Today, The Guardian reports
it’s been cancelled.
One of the world’s biggest international literary events, the London book fair, has been cancelled over coronavirus fears, amid growing anger that the delay in calling it off was putting people’s health at risk and an unfair financial strain on publishers.
Organiser Reed Exhibitions announced on Wednesday that the escalation of the illness meant the fair, scheduled to run from 10 to 12 March, would be called off. Around 25,000 publishers, authors and agents from around the world had been due to attend the event, where deals for the hottest new books are struck.
But the event was already set to be a ghost town when it opened its doors, after publishers and rights agencies began withdrawing en masse over the last week. Some of the world’s biggest, including Penguin Random House, HarperCollins and Hachette had already pulled out, as had Amazon and a host of literary agencies including Curtis Brown.
(3) NO TIME TO DEBUT. Another British institution, Agent
007, has also been affected by fears of the spread
of the COVID-19 flu: “No
Time to Die’s Release Is Delayed Seven Months Because of Coronavirus”.
The 25th James Bond movie was
supposed to premiere in April, but GQ reports it now will open in
November. The date has been pushed back so the film can make money in Asian countries
whose movie theatres are currently in trouble because of the coronavirus.
Now there are reports that the spread of the illness—and subsequent quarantines and travel restrictions in China—will likely impact the arrival of Baby Yoda toys.
Hasbro, which has the license for several Star Wars toys, including some dolls and figures of The Mandalorian’s breakout star, is very concerned about the potential for the coronavirus to disrupt its toy-making supply chains. CNN Business spoke to toy-industry expert Jim Silver, who said that the first batch of Baby Yoda toys, which are supposed to arrive later this month, are mostly in the clear so far. However, if things don’t return to normal by the start of the summer, Silver predicts “shortages on a litany of toys.”
In a filing released on Thursday, Hasbro admitted that it was experiencing coronavirus-related production difficulties in China, where more than 80,000 people have been infected. The company added that the flu “could have a significant negative impact on our revenues, profitability, and business.”
(5) NEXT YEAR IN HORROR. The StokerCon 2021 website has gone live. Next
year’s Horror Writers Association gathering will take place in Denver, CO from May
20-23. Memberships go on sale April 20 for $150 (Early Bird Special). The next rate
hike is June 30, 2020.
(6) TURNOVER ON THE MASTHEAD. Sean Wallace, Publisher of The Dark Magazine, told
followers about some recent and upcoming personnel changes.
Just before the start of the new year, our reprint editor Michael Kelly stepped back from his duties to put more time and energy in his small press company, Undertow Publications, and we wish him all the best in his endeavours. And then in other somewhat-related sad news, Silvia Moreno-Garcia is also soon leaving The Dark Magazine to focus on her writing career, which is really taking off, and rightfully so. As such, her last month will be with the July 2020 issue, which we are putting together the original lineup as we type this out.
Beyond that, we have no immediate plans to hire a new co-editor, at least for the remainder of 2020, but I will be sending out a further update on this closer to the end of the year.
OBIT. Aly Parsons (1952-2020) died February 9, reports Locus
Online. With her husband Paul Parsons (d. 2008), she hosted the Potomac
River Science Fiction Society for 12 years, and worked on Unicons and the 2003
World Fantasy Convention. She cofounded a Washington DC writers’ group that met
for decades. Her pro sales included a short story published in Marion Zimmer
Bradley’s Darkover anthology Sword of Chaos (1982).
(8) TODAY IN HISTORY.
March 4, 1956 — The Atomic Man premiered. If you saw it in the U.K., it was Tinmeslip. It was directed by Ken Hughes, and produced by Alec C. Snowden from The Isotope Man by Charles Eric Maine, who also wrote the screenplay. It starred Gene Nelson and Faith Domergue. You’ll need to watch it for yourself here to see how it is as there’s no Rotten Tomatoes ratings for it.
March 4, 1958 — Cosmic Monsters (The Strange World of Planet X in the U.K.) premiered. It was produced by George Maynard and John Bash, directed by Gilbert Gunn. It starred Forrest Tucker and Gaby André. It was a double bill with The Crawling Eye. It bombed at the Box Office, critics at the time hated it and it currently has a 6% rating among the audience at Rotten Tomatoes. You can see it here.
March 4, 1977 — Man From Atlantis premiered. Created by Mayo Simon and Herbert Solow, the pilot was written by Leo Katzin. It starred Patrick Duffy, Belinda Montgomery, Alan Fudge and Victor Bruno. It ran for thirteen episodes that followed four films. It was not renewed for a full season. We cannot offer you a look at it as it’s behind a paywall at YouTube.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 4, 1905 — Frank Utpatel. Artist who may have done some interior illustrations for Weird Tales, he’s remembered for his Arkham House book covers that began with Lovecraft’s The Shadow over Innsmouth novel in 1936. He would do covers for Ashton, Howard, Derleth, and Lovecraft. (Died 1980.)
Born March 4, 1923 — Sir Patrick Alfred Caldwell-Moore CBE HonFRS FRAS. Astronomer who liked Trek and Who early on but said later that he stopped watching when “they went PC – making women commanders, that kind of thing of thing.” Despite that, he’s here because, he shows up in the debut Eleventh Doctor story, “The Eleventh Hour.“ And he was in the radio version of the Hitchhiker’s Guide to the Galaxy as well. (Died 2012.)
Born March 4, 1933 — Bernie Zuber. A fan artist who was the original vice president of the Mythopoeic Society. He was also a long-time member of LASFS who joined in the Fifties. He served as one of the first editors of Mythlore, but leftafter a falling out with the Mythopoeic Society, and became the founder and president of the Tolkien Fellowships. He published Butterbur’s Woodshed, Germinal and The Westmarch Chronicle. (Died 2005.)
Born March 4, 1938 — Paula Prentiss, 82. One of the wives of the original Stepford Wives, she also appears as Sonia Dracula in the second Mr. and Mrs. Dracula pilot in 1981 after the first pilot was deemed not workable by the network. That pilot was also not brought to series either.
Born March 4, 1958 — James Ellroy, 72. Ok Filers. ISFDB lists two novels by him as being genre, Blood Moon and American Tabloid. I’ve read neither but nothing that I can find on the web suggests that either is even remotely genre adjacent. Who’s read them?
Born March 4, 1965 — Paul W. S. Anderson, 55. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event Horizon, Alien V. Predator, Pandorum and even the forthcoming Monster Hunter which no, isn’t based off the work of a certain Sad Puppy.
Born March 4, 1966 — Daniela Amavia, 54. She appeared as Alia Atreides in the Children of Dune series.usually I wouldn’t include a performer fir just one genre credit, but she made a most perfect Alia that I will make an exception and do so in her case.
…But sometimes, Doctor Who’s willingness to play fast and loose with things we previously knew to be true just makes its stories unnecessarily complicated without adding anything of value to them. (See also: Clara’s status as the Impossible Girl, Melody Pond growing up to be River Song or the Hybrid mystery.) It certainly feels like that’s the case in the Season 12 finale, an episode which gives the Doctor an entirely new origin story, destroys her race (again!) and creates what feels like an almost limitless number of incarnations of the character that we, as viewers, will likely never meet.
Because the question at the end of all this is: So what?
After promising a game-changing finale that would upend everything we, as viewers, understood about the show, “The Timeless Children” didn’t really live up to that promise. It actually changes very little. By the time the closing credits roll, the entire series’ universe is supposed to be different. The problem is, it’s not. Not really. There are new pieces to the story, sure. But largely those pieces exist in the same places the old ones did. So, it’s hard to tell precisely why this story matters….
Because you can’t have it both ways: Either existing Doctor Who lore is important enough that shaking it up and turning it inside out and fighting strangers on the internet about it matters, or it doesn’t. If we change the rules, those changes need to mean something, and the story that comes out of those has to be worth rewriting the things that have come before. (And you have to respect that there were rules that existed in the first place.) It’s not clear that this episode does that, regardless of whether we’re talking about the Master’s characterization, the Doctor’s past, or the apparent erasure of Rassilon from existence. If nothing is truly different in the aftermath of stories that supposedly change everything, then what’s the point of telling them? Sure, “The Timeless Children” dropped the bombshell that the Doctor is functionally immortal, but we all sort of knew that already, since she was given a new set of regenerations back when she was Eleven.
(12) FRAUD, HE SAYS. While Paste Magazine is dubious,
John C. Wright is absolutely outraged (as one might expect) and calls the season-ending
Death of Doctor Who”. Again, BEWARE SPOILERS.
…So the Doctor turns out to be, not an eccentric Time Lord who stole a broken TARDIS to flee into time and space for madcap adventures helping the helpless, nay.
He is in fact a foundling, a poor little black girl, who is the sole source of the regenerative ability of the Time Lords, hence the true founder of their society, not Rassilon.
…The point of message fiction is twofold.
The first, like Aesop, attempts to convey a moral maxim or lesson in a palatable fashion to influence young minds.
This can be done well or poorly, depending on whether the story rules the message, or the message rules the story.
The message itself, like any sermon, can also be well written or poorly written.
But if the message derails the story, that is fraud. The author who promises an entertainment, but delivers a lecture instead, is just as much a cheat as a bartender who charges for a mug of beer but puts a glass of buttermilk before you. Buttermilk may be better for your health, but, honestly, the bartender is not your mother, and he is not doing the job you paid him for.
Wright proceeds to condemn all of this in the strongest terms. I can only imagine how upset he might have been if he had actually watched the show, but he assures his readers —
I have not seen the episode, nor, indeed, the season, nor ever will I.
(13) JEOPARDY! Andrew Porter watched tonight’s Jeopardy!
contestants strike out on this one:
Category: America’s Richest Self-Made Women
Answer: Part of this author’s nearly $400 million fortune came from books she wrote under the J.D. Robb pseudonym.
For the first time, scientists have used the gene-editing technique CRISPR to try to edit a gene while the DNA is still inside a person’s body.
The groundbreaking procedure involved injecting the microscopic gene-editing tool into the eye of a patient blinded by a rare genetic disorder, in hopes of enabling the volunteer to see. They hope to know within weeks whether the approach is working and, if so, to know within two or three months how much vision will be restored.
“We’re really excited about this,” Dr. Eric Pierce, a professor of ophthalmology at Harvard Medical School, who is leading a study that the procedure launched, tells NPR.
“We’re helping open, potentially, an era of gene-editing for therapeutic use that could have impact in many aspects of medicine,” Pierce says.
The CRISPR gene-editing technique has been revolutionizing scientific research by making it much easier to rewrite the genetic code. It’s also raising high hopes of curing many diseases.
Before this step, doctors had only used CRISPR to try to treat a small number of patients who have cancer, or the rare blood disorders sickle cell anemia or beta-thalassemia. While some of the initial results have been promising, it’s still too soon to know whether the strategy is working.
In those other cases, doctors removed cells from patients’ bodies, edited genes in the cells with CRISPR in the lab and then infused the modified cells back into the volunteers’ bodies to either attack their cancer or produce a protein their bodies are missing.
A filmmaker says social media rules to prevent extremist material going online are thwarting his attempts to tackle hatred and extremism.
Rizwan Wadan said algorithms used by Facebook and TikTok were making it hard to promote his films.
Mr Wadan, 38, of Luton, said automatic filtering of words such as “jihad” and “terror,” forced users underground to learn about and discuss the issues.
Facebook said his trailer broke its ban on “sensational content” in adverts.
Mr Wadan, based at Pinewood Studios in Buckinghamshire, developed camera stabilisation systems and has worked on films including Rogue One: A Star Wars Story.
He set up a £1.2m project called The Error in Terror to “give Muslims a voice,” and made films intended to deter acts of terrorism and challenge people to rethink their views.
But he said trailers for his work have been “restricted” on Facebook and said TikTok removed the content because it was deemed to break its guidelines.
“If we have algorithms that pick up words like ‘terrorism’ and ‘jihad,’ if we’re not allowed to discuss these things on social media platforms, then people who need to learn about this get pushed underground,” he said.
“They might start to learn about these things from people abroad where jihad is applied very differently and it could encourage individuals to get into revenge and retaliation, and this is very dangerous for us.
“It’s the responsibility of social media platforms to allow this kind of discussion to take place.”
11-year-old Star Wars fan Isabella Tadlock was born with a nub on the end of her left arm and no fingers on her right hand. Actor Mark Hamill saw her story on Twitter and helped her get a R2-D2 bionic arm.
(18) BOOKSHOPPING LEADS TO BOOKHOPPING. Powell’s Books
Blog presents “Portrait
of a Bookseller: Dana P.”, who recommends V.E. Schwab and Neil Gaiman,
and confesses a habit that will probably sound familiar to some of you.
Do you have any odd reading habits? I definitely have a bad habit of hoarding books and then starting too many of them at once. I love the feeling of just starting a book, when it holds so much potential, so I’ll often have about six books I’m in the middle of — but I’ll bounce back and forth between them so none of them feel neglected.
(19) THE INTERNET OF REBELLIOUS THINGS. Connected is about —
…an everyday family’s struggle to relate while technology rises up around the world! When nature-loving dad Rick… determines the whole family should drive Katie to school together and bond as a family one last time…. the Mitchells’ plans are interrupted by a tech uprising: all around the world, the electronic devices people love – from phones, to appliances, to an innovative new line of personal robots – decide it’s time to take over. With the help of two friendly malfunctioning robots, the Mitchells will have to get past their problems and work together to save each other and the world!
It arrives in theaters September 18.
[Thanks to Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, JJ,
Mike Kennedy, Michal Tolan, John King Tarpinian, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Jack
– ALL members may recommend works, including Supporting.
– ALL members may recommend works in ALL categories.
– If you’re trying to get your work considered, please review the Bram Stoker Awards etiquette page
– We’ve already seen a few examples of authors whose works appear on the Recommendations page claiming to be “nominated.” Please do NOT refer to your work as “nominated” unless you are listed on the Final Ballot.
If there is a single thought to keep in mind here, it is the difference between promoting and soliciting.
Promoting (acceptable) is the business of spreading the word about your work and making sure anyone who wants to can read it.
Soliciting (unacceptable) is the practice of wheeling and dealing, whining and wheedling, in order to get yourself an award that you may not deserve.
Works that are truly worthy of the award tend to rise to the top without help if enough people read them. If you have to go out and beg for recommendations or votes, that says something rather uncomplimentary about both you and the work. So you’re doing yourself a service if you refrain.
I was recently reminded of the golden age of Big Dumb Object stories (hat tip to reviewer Roz Kaveny for coining the phrase). As this is not yet commonly accepted genre shorthand, perhaps a definition is in order.
Contrary to the name, BDOs are not necessarily dumb. In fact, most of them have rather sophisticated infrastructure working away off-stage preventing the story from being a Giant Agglomeration of Useless Scrap story. What they definitely are is large. To be a BDO, the Object needs to be world-sized, at least the volume of a moon and preferably much larger. BDOs are also artificial. Some…well, one that I can think of but probably there are others…skirt the issue by being living artifacts but even there, they exist because some being took steps to bring them into existence.
The Internet Archive (Archive.org) is carrying out a very large and growing program of scanning entire books and posting them on the public Internet. It is calling this project “Open Library,” but it is SFWA’s understanding that this is not library lending, but direct infringement of authors’ copyrights. We suspect that this is the world’s largest ongoing project of unremunerated digital distribution of entire in-copyright books. An extensive, random assortment of books is available for e-lending—that is the “borrowing” of a digital (scanned) copy. For those books that can be “borrowed,” Open Library allows users to download digital copies in a variety of formats to read using standard e-reader software. As with other e-lending services, the books are DRM-protected, and should become unreadable after the “loan” period. However, an unreadable copy of the book is saved on users’ devices (iPads, e-readers, computers, etc.) and can be made readable by stripping DRM protection. SFWA is still investigating the extent to which these downloadable copies can be pirated. Unlike e-lending from a regular library, Open Library is not serving up licensed, paid-for copies, but their own scans.
The post includes guidance about how writers can deal with infringement issues.
(4) FAWLTY REASONING. Doctor Strangemind’s Kim Huett sent a link to “Jack Vance & Fawlty Towers” with the warning: “I have to admit the logical progression of this installment is a little unexpected. I’m sure you’ll manage though. I have every confidence in you all.” The metaphor addresses William Atheling Jr.’s misguided review of a Jack Vance book, both written in the 1950s.
It’s with Vance’s next point however that we encounter what surely his Basil Fawlty moment. I’m willing to bet the restrained sarcasm Vance employed in order to agree with Atheling that the short stories contained in The Dying Earth collection made for a terrible novel is as nothing to how he felt when he first read Atheling’s complaint. As somebody who has read The Dying Earth collection, albeit many years ago, the thought that anybody could miss the assorted changes in plot, location, and characters is an astounding one. As the author of these assorted stories and thus more intimately involved with then than any reader could be the Atheling complaint was surely a source of intense frustration for Jack Vance. How do you deal with being told you have failed when the basis of the claim is as demonstrably wrong as this? There are things that should not need explanation, that are a chore, an undeserved burden to set right. If it had been me in Vance’s place the sheer frustration of Atheling’s comments would have had me curling up Basil Fawlty style.
Eliot’s entire conversation with Queen Margo is perfection but hits a high note by kicking things off referencing another Syfy series: Battlestar Galactica. Take a look (unless you want to go into the episode fresh, of course). And don’t worry if you’re not entirely versed in pop culture; there are helpful subtitles to explain some of the references.
Featuring the collections and rare treasures of over 200 booksellers from over 30 different countries the California International Antiquarian Book Fair is recognized as one of the world’s largest and most prestigious exhibitions of antiquarian books. The California International Antiquarian Book Fair gives visitors the opportunity to see, learn about, and purchase the finest in rare and valuable books, manuscripts, autographs, graphics, photographs, print ephemera, and much more.
(7) FOR THOSE SCORING AT HOME. Rocket Stack Rank’s Greg Hullender reports, “We’ve created the 2018 version of our page that helps people nominate for the Hugo Awards. In addition to our reviews, this incorporates feedback from six other prolific short-fiction reviewers to produce a sorted list of the best-reviewed short SFF of 2017.” — “2018 Hugo Awards”.
New this year: they have highlighted which stories were most recommended in different categories.
Hullender continues: “As in the past, the pages offer nomination help several different ways. The list of stories is helpful for readers looking for stories to read, but it’s also helpful to people who need help remembering the stories they’ve already read. The Campbell page identifies everyone eligible for the Campbell (based only on short stories we reviewed).”
I understand that TV audiences want to see a little more showmanship than I’m used to providing on the line back at Lilette, but this is ridiculous. They trucked in a six-foot tall burlap sack with “HOUSE FEED” painted on the side, and we had to spend two hours getting shots of me and some crew pouring it out onto a giant plate. They kept having to refill the bag between takes, and I had nothing to do but sit around in the freezing-ass Russian afternoon. The only wifi reception out here is a 1980-looking suitcase laptop with one of those inch-thick rubber antennas. I think all it does is let Chaz keep in touch with the producers through some kinda HAM radio satellite or whatever. No apps or anything. I’d tried making small talk with him in between takes, but I think the only thing he’s ever actually read is liner notes from Smash Mouth albums. Album, singular? I don’t even know. He sure would though.
(9) TODAY’S BIRTHDAY BOYS
Born January 8, 1862 — Frank Nelson Doubleday (publisher)
Born January 8, 1908 — The first Doctor Who. actor William Hartnell
Born January 8, 1942 – Stephen Hawking
(10) SEVEN CENTURIES OF CAPTAIN AMERICA. A Marvel comics milestone is approaching —
This spring, OUT OF TIME will culminate with the release of CAPTAIN AMERICA’s milestone 700th issue, concluding the arc in an oversized story from creators Mark Waid and Chris Samnee!
Frozen in time, awakened in a decimated future and once again a man out of his era, there is only one way for Steve Rogers to restore order and rebuild civilization—and that’s to rule it as King Captain America!
“No dream, no hoax, no lie, this IS Cap and this IS happening!” said SVP and Executive Editor Tom Brevoort. “Guest-starring the Thing and the Hulk (or as much as is left of them), it’s a celebration of 700 issues of star-spangled adventure! Plus, Mark Waid delivers an untold tale from Captain America’s past, featuring the classic artwork of Jack Kirby!”
When Marvel Comics calls, people answer. That seems to be a general rule. But local author Jason Reynolds was hesitant when he got his call. Marvel had plans to publish a young adult novel about Spider-Man, specifically Miles Morales, an immensely popular iteration of the character and the first black boy to don the spider suit in the comics. Reynolds was the author the bosses wanted.
That he would be on Marvel’s radar as it identified authors to write about a black Puerto Rican teenager coming of age in Brooklyn comes as no surprise. The Oxon Hill native, who now lives in Northeast D.C., has written nine books and become widely known over the past few years for writing complex young black characters, mostly boys. His book Ghost was a finalist for the 2016 National Book Award for Young People’s Literature and As Brave As You was a 2017 Coretta Scott King Author Honor Book.
“I’ve written a gazillion books about black boys in Brooklyn, so it was kind of like ‘Look dude, this is your wheelhouse, will you take this on?’” Reynolds says.
His initial answer was “I don’t know.” He was afraid the stranglehold of a corporation with huge intellectual properties to protect and monitor would stifle his writing. Then there was the immense pressure he’d feel to properly represent a beloved superhero in his own words.
Sometimes you need to step back to see the big picture, and if your subjects are 249,000 miles apart, you need to step waaay back. Luckily, the spacecraft OSIRIS-REx is moving rapidly away from us and was recently just in the right position, around 3.1 million miles away, so it trained its MapCam instrument towards its former home and captured this poignant portrait of the Earth and the Moon.
‘De-platforming’ – Another precedent set and accepted and much beloved by the modern Left – those in power should be able to effectively silence any dissent, and isolate dissenters by denying them a public place – be that a convention, Twitter, or a book for sale to the public. The puppy-kickers and indeed SJW’s believe de-platforming an important and completely justified tool… in their hands. They’re in power and think it a great idea.
I know Dave can speak about de-platforming from experience, having banned me from MGC’s comments section.
And what explosive thing did I say to trigger him? My last comment there responded to their site redesign by asking them to make the bylines larger and more readable. No, no, this wasn’t concern trolling. It just seemed an obvious thing to fix as long as they were doing a makeover anyway.
(14) JON PINOCCHIO. Yesterday he was telling the world File 770 has no readers. In February he tweeted the figure below as a taunt. Which was true? Neither. Isn’t that a surprise. There has never been anything remotely like that number of outbound clicks from here to his site.
I want to thank File 770 for referring 500 unique users to my website. I don't know who to thank tho. Not on twitter, internet illiterate.
In an unprecedented move, Worldcon pre-banned me, an action they haven’t taken since 1964 with Walter Breen, a convicted pedophile. Unlike Walter, I’m no criminal, just a family man and professional in the field. I’m an outspoken conservative and Christian, which sets me in the “other, not human” category for some people in science fiction writing, and I’ve been a target of a hate campaign because of my worldviews since coming on the scene. It’s about the opposite of what I imagined a loving, tolerant group would be.
I’ve been given no information to why I’m banned other than I “intend to violate the code of conduct” which I’ve stated several times I don’t. As a popular writer in the field, it seems a move solely based on hate and discrimination of people like me. I wish we could all get along despite differences like in Callahan’s, but it appears some in our world aren’t ready for that.
Director Ridley Scott has an idea for a new “Blade Runner” film and is hoping to get it off the ground. Although he recently vocalized some strong opinions about why the second chapter, “Blade Runner 2049,” underperformed at the box office (“It’s slow. It’s slow. Long. Too long. I would have taken out half an hour,” Scott told Al Arabiya), he seems to be eager to return to the series.
When asked about continuing the saga, Scott told Digital Spy, “I hope so. I think there is another story. I’ve got another one ready to evolve and be developed, so there is certainly one to be done for sure.”
(18) A CHECK OF MONEY. Subterranean Press did inspire Harlan Ellison that way, and he allowed Jason Davise to put together the collection Blood’s A Rover. The Ellison-signed edition is already sold out ($500 a pop). Unsigned copies are available at $40.
Harlan Ellison introduced you to Vic and Blood in 1969’s Nebula Award-winning novella, “A Boy and His Dog.” You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as “a kinky tale of survival.” 1977 and 1980 brought brief reunions in “Eggsucker” and “Run, Spot, Run,” and the promise of another story—and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio—but only audiobooks and comics followed, revisiting the same tales.
Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.
Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author’s files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben’s graphic adaptation, and—for the first time—never-before-published material from the aborted 1977 NBC television series Blood’s a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.
The Falcon lifted off at 8 p.m. ET Sunday from Cape Canaveral Air Force Station. As the first-stage of the Falcon returned to Earth for an upright landing, the upper stage lofted the mysterious Zuma, presumed to be a spy satellite or military communications satellite, into an undisclosed orbit.
And indeed it quickly turns out that the scenes in the trailer of a day-glo 1960ish Star Trek type space adventure are just an immersive virtual reality game created by a programmer named Robert Daley, where he can forget his sad everyday existence and instead live in the world of his favourite TV show, a Star Trek clone called “Space Fleet”, as the heroic captain leading an adoring crew to explore the unknown. At first glance, this seems to be harmless enough, though it is notable that the crew of the USS Callister look very much like his co-workers. Things take a turn towards the seriously creepy when Daley steals the coffee cup of a new employee, swabs it for DNA and pushes a sample into a device attached to his computer…
(23) CW SUPERHEROES. The super season returns starting Monday, January 15 on The CW. Very amusing trailer.
[Thanks to JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]
Tesla came up with all sorts of inventions and has sort of become the poster scientist for awesomeness now. Sure he wasn’t perfect. Sure he was a bit crazy. But he was always on time for his appointments. (Ed. note: We made that up.) And now you can be, too, with the new Tesla Watch.
The Tesla Watch goes with your steampunk aesthetic. With a weathered-brass look on all the metal parts, this analog watch features a leather strap. The highlights of this design, however, are the two faux vacuum tubes with red LEDs inside that you can turn on and off with the flick of a switch. Everybody will want to ask you what time it is so they can see your watch. Just remember to follow the answer with, “… 1875.”
(2) ACADEMY MUSEUM. The opening of The Academy Museum in 2019 is more than a year away, however, they have a website to satisfy your curiosity about what’s coming:
The Academy Museum will be the world’s premier institution dedicated to the art and science of movies. Located on Wilshire and Fairfax in Los Angeles, the Museum, will be simultaneously immersive, experimental, educational, and entertaining. More than a museum, this dynamic film center will offer unparalleled experiences and insights into movies and moviemaking.
The Museum will have huge resources to draw its exhibits from:
The Academy’s unparalleled permanent collection contains more than 10 million photographs, 190,000 film and video assets, 80,000 screenplays, 50,000 posters, 20,000 production and costume design drawings, and 1,400 special collections.
Their Rick Baker page illustrates the range of their offerings, in photos, videos, and documents.
A record-holding winner of seven Academy Awards for Makeup out of eleven nominations, Rick Baker is a lifelong “monster kid” who won the first competitive Oscar awarded in that category for his innovative work on An American Werewolf in London (1981), one of several collaborations with director John Landis. His apprenticeship under one of the industry’s greatest makeup artists, Dick Smith (including working as his assistant on The Exorcist), prepared him for a career providing cutting-edge makeup effects in many genres ranging from comedy to science fiction to horror, with titles including Ed Wood (1994), The Nutty Professor (1996) and Men in Black (1998).
(5) SURPRISES. John Scalzi did a Reddit “Ask Me Anything” today. You never know what you’re going to learn.
Q: Do you often set out to write a book to be a series? Or do some of them just insist that you write more in that universe?
SCALZI: Only once: The Collapsing Empire, which we knew was the first installment of a series. Everything else was written standalone, and became series in when they sold well and the publisher asked for more.
I used to work part-time at a community newspaper. It should have been a great job. The hours, the location, the work, the community, and the rest of the staff were all pleasant, and the pay was okay.
Unfortunately, though, the boss (who was the editor, publisher, and owner of the paper) was an incredibly toxic person, which made working there miserable and stressful, despite all the positive attributes the place otherwise had….
Well, at one point, the boss wanted to print some “joke” stories in the newspaper. He presented staffers with a few real news stories that he wanted us to riff on. I selected one about NASA, wrote my story as directed, and turned it in. After reading it, the boss informed me that this story was not at all what he had wanted. In fact, it was what he had asked for, but now he was asking for something else. So I wrote another draft. He sent this one back to me with some notes. I revised the material in accordance with the notes and turned it in. Now he gave me all-new feedback, stuff he had not said on any previous iteration, and had me revise it again. I did so. And then he did the same thing again.
Next, he told me to start all over from scratch. He couldn’t articulate why, he just knew he wanted something else. I pointed out that I had already done 5 versions. He said I would probably have to do 10 or 12 versions before we were done….
The sad part, so to speak, was that the pieces he kept spiking were funny, and none of them ever saw the light of day.
So when Alex Shvartsman asked me to participate in UFO6, I decided to turn my ideas for that article into a short story. The result is “Lost & Found,” in which some surprising visitors emerge from a UFO orbiting Earth.
And apparently someone thinks I can write humor, since Imagine A Book SF gave my story 5 stars and said, “So many different layers of humor. Wonderful.”
Yep, getting published is still the best revenge.
(10) HELP WANTED. Roger Silverstein is trying to identify a story —
Tim Pratt posted this on Facebook a little while back, he is hunting for a half-remembered fantasy story. I actually remember reading this story, but I cannot remember the dang title. This is bugging me almost as much as it bugs him. Would you be willing to post this? (I emailed Tim Pratt for permission to copy and paste and he said “Sure, feel free” He has posted this in various places, but never File 770.
I’ve been trying to track down a half-remembered story for the past 25 years or so. Maybe one of you will recognize it. Google always fails me, either because it’s an obscure story with no digital footprint, or because I’m misremembering salient details. I was reading some rooming house stories by Theodore Sturgeon today, and it reminded me.
The story is set in a boarding house, full of peculiar characters, many of whom have supernatural powers. There’s one man who travels the world and fixes tears in reality; I think he’s described as having “lightning in his hands.” There’s an old woman who sees angels, or maybe just one angel, I think named Toby. There’s a man with magical mechanical aptitude; I think he fixes up an old car, and takes a left turn, and the car disappears, taking him with it. There’s someone who can make things you desire appear, maybe — they make the angel the old woman sees visible to everyone, at one point; that’s one of the hazier details. I don’t remember the plot at all. I probably read it in an anthology or SF magazine that was available at the Wayne Country library in Goldsboro North Carolina in the early ’90s, but it could be from any year before that.
Ring any bells? It’s entirely possible I’m misremembering or even conflating. It was a long time ago, but the story made a big impression on my fledgling writer brain, and I’d love to find it again.
The remarkable Ed Wynn makes his second and final appearance in The Twilight Zone as Sam Forstmann, a septuagenarian obsessed with maintaining the family grandfather clock. Sam is convinced that if the clock stops, he will die… a belief that baffles his family and the psychiatrist he visits (William Sargent).
December 20, 1974 — Walt Disney’s The Island At The Top Of The World debuted.
December 20, 1978 — The Invasion of the Body Snatchers remake opened.
Mike Kennedy says, “You haven’t seen that? Quelle horror!” – two Game of Thrones jokes, one in Pearls Before Swine, the other in Foxtrot.
John King Tarpinian knew we wouldn’t want to miss this moderately horrible superhero-inspired pun — Brevity.
(15) MYTHBOOSTER. In the unlikely event somebody thinks Game of Thrones is science fiction rather than fantasy, Live Science’s Charles Q. Choi, in “Is the Ice Wall from ‘Game of Thrones’ Physically Possible?”, summarizes a paper by University of Alaska (Fairbanks) glaciologist Martin Truffer about whether “The Wall” in Game of Thrones could exist. He notes that ice flows over time and the only way to preserve a giant ice wall is to keep it at -40 degrees Fahrenheit to prevent the wall from cracking or deforming.
An owl dangling precariously from a branch has scooped the overall prize of this year’s Comedy Wildlife Photography Awards.
Out of the 3,500 entries, Tibor Kercz won the overall prize with his series of images showing an owl losing its footing and trying to claw its way back on to a branch.
Other entrants included a yawning dormouse, a photobombing sea turtle and a rather shocked seal.
(17) GORMENGHAST. John C. Wright griped about Gormenghast being published as fantasy, and prompted in response this terrific essay on the subject by Tom Simon, “Gormenghast and the Great Tradition”. (Hat tip to Niall McAuley.) At the end of his tour-de-force, Simon says –
In Britain, where genre labels count for less, the books found a permanent following years before anybody troubled to ask whether they were fantasies or not. In America, they were flung on the ash-heap by the strict rules of Modernism as practised by New York publishers, only to be rescued by Lin Carter. They are the very opposite of fairy tales; but they belong to Faërie nonetheless, for no less spacious realm will claim them. What the critics call ‘Realism’ is a small and besieged principality, entirely surrounded by the empire of Fantasy. On one side, the map says ‘Here Be Dragons’; the other side could plausibly be labelled ‘Gormenghast’. But both are provinces of the same boundless country.
That, my dear Mr. Wright, is why Titus Groan and Gormenghast count as fantasy.
Independent, graceful, agile, adorable when they’re small — if cats are where it’s at for you, the Smithsonian’s Sackler Gallery of Asian Art has you covered. Their new exhibition is called Divine Felines, and it features images of cats both big and small from the land that honored them as holy: Egypt.
Ever feel fearful? Or brave? Protective? Aggressive? They had a cat for that in ancient Egypt….
When Uncharted: The Lost Legacy was released this year, it gained a lot of attention – not because it is the latest instalment for a popular franchise, it stood out for another reason.
The game was set in India, had two lead women, and one of them, Nadine Ross, is a black South African.
Other big releases this year include Assassins Creed Origins, which is set in Egypt with an African protagonist, while Star Wars Battlefront II used the likeness and voice of Janina Gavankar, an actress with part-Indian heritage.
But speaking to BBC Asian Network, Jo Twist, chief executive for Ukie, the trading body for the UK’s games industry, said there was still a long way to go before video games could be truly representative of the gaming audience.
(20) ABOUT FINN. Steven Barnes weighs in on “’The Last Jedi’ (2017)” – beware spoilers. (I thought this one mild enough to excerpt.)
I’m also still not happy with the amount of “Jar Jar” DNA in Finn. It is noticeable on a couple of levels, although they did allow his character to expand and grow some. When the very first thing we see with him is him falling out of bed, the first “buffoon laugh” of the film, you have a hill to climb, and they didn’t quite climb it. Finn’s treatment was an “othering” I didn’t appreciate. And if you defend it, you are, frankly, the reason I breathed a sigh of relief when I realized Marvel was seeking a black director for T’Challa’s saga.
To SFWA’s leadership: You can check with all these people listed to verify payment, they are all members of your club. If you try some funky stuff to disqualify me, 10,000+ people who read this blog see it, that’s 5x the amount of members you have. I know you’ll play fair.
I guess we’re all interested to see what happens with that. My sympathy to whoever has to make the decision. I’d say it matters less whether his act is better or worse than other SFWA members’ than if there’s even more damage he could do once he’s inside the tent.
Maybe this is the answer.
I will be recording with a bodycam for anyone who is thinking of hijinx 🙂
My friends Ford and Lisa invited me to their “Nog Salon” this year, and I was thrilled to attend. For you see, Ford and Lisa are practitioners of the mysterious art of aging Eggnog. Yes, aging Eggnog is actually a thing. No, I don’t have a death wish. I was actually very excited to taste their mature Nog side by side with a fresh batch we were going to whip up together.
…But I’ve learned that aging Eggnog—contrary to anyone’s first gut instinct—actually can make it safer. To be clear, I’m not talking about the non-alcoholic cartons you buy in the supermarket but the boozy old-fashioned treat that’s made from scratch. In fact, it’s very important that your recipe contains a sufficient amount of liquor, generally recommended at around 20 percent, since the alcohol is key to killing bacteria.
The sawdust and sequins are laid on thick, the period flashbulbs pop and the champagne flows in The Greatest Showman, yet this ersatz portrait of American big-top tent impresario P.T. Barnum is all smoke and mirrors, no substance. It hammers pedestrian themes of family, friendship and inclusivity while neglecting the fundaments of character and story. First-time director Michael Gracey exposes his roots in commercials and music videos by shaping a movie musical whose references go no further back than Baz Luhrmann. And despite a cast of proven vocalists led with his customary gusto by Hugh Jackman, the interchangeably generic pop songs are so numbingly overproduced they all sound like they’re being performed off-camera.
(24) STARGATE TEASER. The Verge reports —
After releasing a pair ofbehind-the-scenes clips from Stargate: Origins, MGM has unveiled its first teaser for the upcoming digital-only show. While the franchise is known for its interstellar adventures, this prequel looks as though it’s remaining firmly grounded, and taking a bit of inspiration from the likes of Indiana Jones.
[Thanks to JJ, John King Tarpinian, Martin Morse Wooster, IanP, Chip Hitchcock, Andrew Porter, Cat Eldridge, Niall McAuley, Roger Silverstein, Daniel Dern, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Mr Dalliard.]
The logic of the decision is, if not in my opinion sound, at least defensible, but Patreon didn’t trust its users enough to defend it. The (best reading) incompetent or (worst reading) dishonest way they treated their user base is a mark that will persist. Kickstarter is smart enough to keep to their plans for Drip, maybe speed things up by 10%, but they won’t rush to open the gates to all; they know that as the invites go ever wider (and when they’re ready, invites are no longer needed), creators that don’t trust Patreon any more will be waiting to shift. Ko-Fi, Venmo, Paypal, Tippeee, Flattr, Google Wallet, and other means of cash transfer are suddenly burning up the search engines.
(2) BOTTOM LINE. Three-time Hugo-winning professional artist Julie Dillon tweeted daggers at Patreon management. Jump onto the thread here:
From Patreon: "We'd rather have our GMV be made up of fewer, but truly life-changed creators rather than a lot of creators making a few dollars." Well that tells me all I need to know about how much they actually care abt creators. https://t.co/Nusuwd7hRE
(3) WITHOUT REPRESENTATION. Rose Lemberg compares the Patreon fee rollout with another fiasco:
I feel that the Patreon situation is so enraging because it is reminding me of our "tax reform" fiasco. The people pledging the lowest amounts pay highest fees. Higher-tier backers will not be nearly as affected.
STARBURST Magazine, the world’s premier platform for new and exciting genre media, is pleased to announce that it will now have a prize for genre-related writing. The award ceremony will be part of The STARBURST Media City Festival.
The Brave New Words award is for someone who produces break-out literature that is new and bold. We are looking to highlight exciting work that breaks new ground in the field of Cult Entertainment. Editors, writers, publishers, and bloggers can be nominated. We are looking for works produced in 2017. A shortlist will be announced early 2018 and the winner will be announced at The STARBURST Media City Festival, at Salford Media City 16th – 18th March 2018.
The panel of judges will be announced soon.
(6) ECLECTIC WORKS. The Economist has posted a wide-ranging list of the “Books of the Year 2017” – two fiction titles are of genre interest.
Lincoln in the Bardo. By George Saunders. Random House; 368 pages; $28. Bloomsbury; £18.99
Abraham Lincoln’s son dies young and enters a multi-chorus Buddhistic underworld. One of the year’s most original and electrifying novels.
Austral. By Paul McAuley. Gollancz; 288 pages; £14.99
A chase thriller set in late 21st-century Antarctica that combines elements of Jack London, J.G. Ballard and William Gibson. A significant contribution to writing about the anthropocene.
‘David vs. Goliath?’ Farr and Brandenburg also saw advantages in taking their case public, rallying fans to the idea that “comic con” belongs to everyone, not one particular institution. They ran a coordinated campaign on social media including promoted Facebook posts, marshalling an online army of supporters to comment, upvote and retweet their position and paint themselves as altruistic “Davids” standing up to the “Goliath” of SDCC, which is seen by some as the embodiment of commercialism and Hollywood hype.
It was disclosed in court proceedings that the two organizers voted themselves bonuses of $225,000 each as they were mounting a crowdfunding campaign to get fans to pony up for their legal defense. However, the comment threads on SLCC’s posted content indicated that the tactics were effective in mobilizing fan anger.
…“Comic-Con is a Brand.” CCI, meanwhile, saved its best lines for the court. They asserted that Comic-Con was a brand recognized to apply exclusively to the San Diego show, and offered in evidence a survey showing that more than 70% of respondents agreed. The validity of the survey was called into question by SLCC attorneys during the trial but the jury appeared to accept it as proof.
“This is a brand that we must protect from these defendants and anyone else who seeks to exploit or hijack it,” Bjurstrom said.
SDCC’s lawyers also asserted the defendants knew this to be the case when they launched their own event, an assertion the jury apparently rejected in their deliberations regarding damages. In filings seeking summary judgment, Comic-Con produced emails and public statements by Farr and Brandenburg boasting of how they sought to “hijack” the media notoriety of SDCC to boost their own event, and settled on the name “comic con” expressly to leverage fan enthusiasm around the festival that draws upwards of 140,000 to San Diego each July and generates billions of media impressions and coverage during its 4-day run.
The Prisoner is the story of an nameless British secret service agent, played by Patrick McGoohan. McGoohan was no stranger to playing spies and secret agents. McGoohan had previously played a British secret service agent, John Drake, in Danger Man. Patrick McGoohan, based on the strength of his performance in that show, had been offered the role of James Bond in Dr. No, but had turned it down. That would have been a rather strange thing if he had accepted, because the no-nonsense John Drake is erudite, thoughtful, not much of a lady chaser and quite different than James Bond in other aspects as well. Whilst filming The Prisoner, McGoohan would also get the role of a British secret agent in the Cold War spy thriller Ice Station Zebra. He also would be asked again, and to turn down again, James Bond, for Live and Let Die.
(9) MOSAIC AUTOBIOGRAPHY. The University of Oregon Libraries’ magazine Building Knowledge has compiled a first-person Ursula K. Le Guin biography [page 20, PDF file] “illustrated with her personal keepsakes, told (mostly) in her own, inimitable words” all drawn from the collections of the UO Libraries.
“If I can draw on the springs of ‘magic,’ it’s because I grew up in a good place, in a good time even though it was the Depression, with parents and siblings who didn’t put me down, who encouraged me to drink from the springs. I was encouraged by my father, by my mother. I was encouraged to be a woman, to be a writer, to be any damn thing I wanted to be.”
Jeffrey Smith sent a note with the link:
It’s a snowy day here in the east, so I’ve been going through the week’s mail. I just received the Fall 2017 issue of the University of Oregon Libraries’ magazine Building Knowledge, and started flipping through it before throwing it out, and found myself reading quite a bit of it. After enjoying the article on the book about Oregon’s marine invertebrates, I continued paging through and was surprised to see an article on Ursula Le Guin (page 20), with some great old family photos (many of which I had seen the last time I was out at UO) — there’s also one on the inside back cover. Then I turned the page and saw my own picture (bottom of page 24).
Firstly, Space Marine, and the Inquisition trilogy which started with Draco, were the first “proper” novels set in the Warhammer 40k universe. I know it was a little while ago, but was there much input from Games Workshop at the time, or were you left to your own devices in terms of how you chose to interpret the setting?
[IAN WATSON] Go back quarter of a century and Mr Big was Bryan Ansell, Managing Director/Owner of GW who wanted to read “real” novels by “real” novelists set in his beloved Warhammer domains. As intermediary Bryan hired David Pringle, editor of Britain’s leading SF magazine Interzone, operating from Brighton as GW books. David had already recruited half a dozen authors who regularly contributed stories to Interzone, but no one would touch Warhammer 40K with a bargepole. So it fell to me to read Rogue Trader and many other encyclopedic publications which Nottingham HQ proceeded to send me, including printouts of nonfiction work-in-progress such as the manual of Necromunda, and much else. Bryan Ansell did send me quite a long letter lovingly detailing the sounds which 40K weaponry should make, so that I should be geared up sensually to describe combat. As far as I’m aware (though beware of false memory!) I was given no instructions at all regarding plot or characters and I simply made up the story, within the constraints of what I knew about the 40K universe. I toured the 40K universe, and after a few years the GW games designers decided that they disapproved of a broad approach, compared with single-action novels set on single worlds. (Those are more compatible with games, of course.)
(11) NEW LEADERSHIP FOR WADE CENTER. The Marion E. Wade Center of Wheaton College, Illinois is a major research collection of materials by and about seven British authors: Owen Barfield, G.K. Chesterton, C.S. Lewis, George MacDonald, Dorothy L. Sayers, J.R.R. Tolkien, and Charles Williams. The college has announced who the new directors of the Center will be: “Introducing Newly Named Wade Co-Directors Crystal and David C. Downing”.
Dr. Crystal Downing is currently Distinguished Professor of English and Film Studies at Messiah College, PA. She has published on a variety of topics, with much of her recent scholarship focused on the relationship between cultural theory and religious faith. Her first book, Writing Performances: The Stages of Dorothy L. Sayers (Palgrave Macmillan 2004) received an international award from the Dorothy L. Sayers Society in Cambridge, England in 2009. The thought of Sayers and C.S. Lewis is evident in Crystal’s next two books, How Postmodernism Serves (My) Faith (IVP Academic 2006) and Changing Signs of Truth (IVP Academic 2012). The success of her fourth book, Salvation from Cinema (Routledge 2016) has led to her current book project, The Wages of Cinema: Looking through the Lens of Dorothy L. Sayers. Crystal has received a number of teaching awards and was the recipient of the Clyde S. Kilby Research Grant for 2001 from the Wade Center.
Dr. David Downing currently serves as the R.W. Schlosser Professor of English at Elizabethtown College, PA. He has published widely on C.S. Lewis, including Planets in Peril: A Critical Study of C.S. Lewis’s Ransom Trilogy (UMass 1992), The Most Reluctant Convert: C.S. Lewis’s Journey to Faith (IVP 2002), which was awarded the Clyde S. Kilby Research Grant for 2000, Into the Region of Awe: Mysticism in C.S. Lewis (IVP 2005), and Into the Wardrobe: C.S. Lewis and the Narnia Chronicles (Jossey-Bass 2005)….
At least one more full winter will pass until the winter of Westeros arrives one last time, as the final season of Thrones will not arrive until 2019. Production on the eighth and final season began in October and will reportedly run through August 2018 — a full year following the season seven finale, all but dashing any prospects for Thrones‘ arrival in the next calendar year.
The Shape of Water, the latest R-rated fairy tale from Mexican auteur Guillermo del Toro, offers a sense of what might spawn if those two Rimbaldi feature-creatures were to mate. The Spielbergian gentleness wins out, by a lot, making for a hybrid that’s just a little too cuddly to rate with The Devil’s Backbone or Pan’s Labyrinth, del Toro’s twin masterpieces. I wish his new film had spent at least a little time being frightening before it phased into aching and swooning; with its lush evocation of longing amid gleaming midcentury diners and cinemas and Cadillacs, SoW sometimes feels like The Carol of the Black Lagoon. But it’s a transporting, lovingly made specimen of escapism — if it’s possible for a movie that depicts a powerful creep blithely abusing women in the workplace to count as escapism — and easily the strongest of del Toro’s seven English-language features, though it spin-kicks less vampire butt than Blade II did. To place yourself in GDT’s hands, as he tells the type of story he tells better than anyone else, is a rich pleasure.
The death blow came in 1982 and it would be delivered by Brian Blume, who initially looked like a white knight. Well, at least a moderately gray one. Wagner and SPI secured a $425,000 loan from TSR, secured by its assets and intellectual properties (uh oh!).
The majority of the loan was used to repay the venture capitalists, which eliminated that problem, but it was the modern day equivalent of getting an advance on your credit card to pay down the existing balance on another credit card. You still have to pay off that second credit card advance.
Only two weeks later, TSR called in the loan, which SPI had absolutely zero ability to pay back. TSR announced in March that it had “initiated a legal and economic chain of events” to buy SPI. Once it realized the company’s debt situation, it backed off of that and stated that TSR had acquired the company’s assets, but not its debts. I’m still not sure how TSR got away with that.
WOW! How can you look at it in any other light than that TSR lent the money so it could immediately foreclose on SPI and acquire all its games? I mean, yeesh.
(20) NEW ART EXHIBIT. Tove Jansson is profiled by Dominic Green in The New Criterion. “Adventures in Moominland”. “Tove Jansson” opened at the Dulwich Picture Gallery, London, on October 25, 2017 and remains on view through January 28, 2018.
It was a Swedish actress, Greta Garbo, who said she wanted to be alone, and a Swedish director, Ingmar Bergman, who documented what it felt like. It was, however, Tove Jansson (1914–2001), a Swedish-speaking Finn, who may have produced the most truthful record of the inner life of postwar Scandinavia. Best known in the English-speaking world as the illustrator of the Moomintroll comic strips, Jansson was also a painter, cartoonist, and writer of stories for children and adults. In Scandinavia, the breadth of her work is common knowledge. The Helsinki Art Museum contains a permanent Jansson gallery, and sends visitors out on a “Life Path of Tove” sculpture trail around her hometown. There is even a Moomin Museum in nearby Tampere, featuring the Moominhouse, a five-story doll’s house that Jansson built. And posthumously, the Moominlegend has incorporated Jansson’s complex and often unhappy private life.
“Tove Jansson,” now at London’s Dulwich Picture Gallery, is a comprehensive survey, and the first Jansson exhibition designed for a foreign audience
(21) LATE NIGHT LAST NIGHT. Lost ‘Star Wars’ Footage Of Luke Skywalker At The Cantina.
[Thanks to Andrew Porter, Diana Glyer, JJ, John King Tarpinian, Ed Fortune, Jeff Smith, Chip Hitchcock, Stephen Burridge, Carl Slaughter, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]