By James Bacon: Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver are incredibly proud and pleased to have been considered by fans to be worthy of being nominated as a Hugo finalist.
2019 was a wonderful year for us all, in many ways, and we openly admit that this delightful news was and is badly needed at this difficult time for so many in 2020 and our thoughts are with those who work and strive in these challenging times. .
We hope that we can share our love and appreciation of so many things through our fanzines and welcome this opportunity to share them.
Last year’s issues were: Antique Space, Defying Integrity of Continuity, Apollo XI, and The Matrix.
Each of these issues are so distinctly different: from celebrating a historic anniversary to publishing Russian poetry, to the world of fiction in two so very wondrous and different ways. We are so privileged to have the time and good will of so many people who enjoy spending their time contributing, creating, and helping make these zines.
We would like to thank our contributors: Artist Sara Felix who did amazing covers for two of our issues. Artists Meg Frank and Vanessa Applegate who did a cover each.
Our thanks to Stephanie Alford, Bob Hole, and Jose Sanchez Ed Hengeveld, David M. Stein, Kurt Erichsen, Jack Clemons, John Scalzi, Richard Man, Alma Alexander, Allen M. Steele, Bryan A. Palaszewski, David Hardy, John Donat, Joseph Green, C. Stuart Hardwick, Nancy Jane Moore, Bill Higgins, Gregory Benford, y Pádraig Ó Méalóid, Brenda W. Clough, Scott Hipp, Sarah Gulde, Rob Hansen, Patty Wells, Regina Kanyu Wang, Teddy Harvia, and Tim Gagnon, NASA (we used a lot of their photos). Emma Harris, Warren Frey, Espana Sheriff, Jenn Scott Ulrika O’Brien, Jenn Scott Peppard Saltine, Cardinal Cox, Helena MacCallum, James Mason, and Bill Howard.
We are very grateful for everyone’s support and hard work, and we are thankful for the honour of being Hugo Finalists.
Our thanks to all those who nominated us but also to the Hugo Administrator Tammy Coxen and her team, the WSFS Division and of course the Chairs, Committee and staff of ConZealand.
Chris, James, Alissa, Ann, Chuck, John, and Steven.
STOKERCON UK—the Horror Writers Association’s fifth annual celebration of horror and dark fantasy in creative media and the first to be held outside of North America—is delighted to welcome award-winning American film-maker MICK GARRIS as its latest Guest of Honour.
Mick Garris began writing fiction at the age of twelve. By the time he was in high school, he was writing music and film journalism for various local and national publications, and during college, edited and published his own pop culture magazine. Steven Spielberg hired Mick as story editor on the AMAZING STORIES TV series for NBC, where he wrote or co-wrote ten of the forty-four episodes. Since then, he has written or co-scripted a number of feature films and teleplays (*BATTERIES NOT INCLUDED, THE FLY II, HOCUS POCUS, CRITTERS 2 and NIGHTMARES & DREAMSCAPES, amongst many others).
As a director and producer, he has worked in a wide range of media, including feature films (CRITTERS 2, SLEEPWALKERS, RIDING THE BULLET, NIGHTMARE CINEMA); made-for-TV movies (QUICKSILVER HIGHWAY, VIRTUAL OBSESSION, DESPERATION); cable movies and series (PSYCHO IV: THE BEGINNING, TALES FROM THE CRYPT, PRETTY LITTLE LIARS and its spin-off RAVENSWOOD, WITCHES OF EAST END, SHADOWHUNTERS, DEAD OF SUMMER, ONCE UPON A TIME); network mini-series (THE STAND, THE SHINING, BAG OF BONES); series pilots (THE OTHERS, LOST IN OZ) and series (SHE-WOLF OF LONDON). He is also the creator and executive producer of Showtime’s MASTERS OF HORROR anthology series, as well as creator of the NBC series, FEAR ITSELF.
Mick is known for his highly-rated podcast, POST MORTEM WITH MICK GARRIS, where he sits down with some of the most revered film-makers in the horror and fantasy genre for one-on-one discussions, including the likes of Stephen King, John Carpenter, Roger Corman, Walter Hill, Neil Gaiman, and many others….
Finally, let’s talk parties. These were so much better than Loncon 3 and Helsinki, and represent the first party scene outside a US Worldcon that I’ve thought really worked. The model of having programme rooms by day become party rooms by night worked well, and in general it was a fun time. There was a failure mode — the queue to get a drink in the Glasgow in 2024 party was as big as the room, making it difficult to actually enjoy the party after you’d got your drink through no fault of the organisers — but most parties were a good mixture of people, pleasant to spend time in, and had interesting drinks and snacks (although the expense of having to use conference centre catering meant these often ran out quite early). Having the bar just down one floor meant that if you got bored of the parties you could head back, and vice versa. This felt nicer than the fan village in Loncon 3 mostly because that space was one, gigantic space with no nooks or crannies, which to me fails to capture what’s nice about drinking at Eastercon, i.e. the ability to find a little niche and settle with friends, or go from niche to niche changing context. Dublin very much captured that feeling, and the nightlife felt much, much more like a giant Eastercon than it did at Loncon 3. I liked that the bar was named in honour of Martin Hoare, who died shortly before the convention.
So, we unleashed it along with the other Hugo and Retro Hugo categories in January, and tallied the results after nominations closed in May. Participation at nominations stage was frankly disappointing.
Best Art Book had the lowest participation at nominations stage of any 2019 category (248 voters compared to the next lowest two: 290 for Best Fan Artist and297 for Best Fanzine).
It had the lowest number of nominees (78, compared to the next lowest two: 91 for Best Semiprozine and 102 for Best Fanzine).
The top finalist in the category had the lowest number of votes for a top finalist in any category (51, compared to the next lowest two: 70 for the top finalist in Best Fan Writer and 72 for the top finalist in Best Fancast).
The lowest-placed finalist had the second lowest number of votes for the lowest-placed finalist in any category (28, ahead of 25 for the lowest-placed finalist in Best Fan Artist but behind 33 for the lowest-placed finalist in Best Graphic Story).
The sixteenth-ranked nominee had the second lowest number of votes for any category (6, compared to 5 for Best Fan Artist and 8 for Best Fanzine).
The count for Best Fan Artist had the second lowest number of rounds of any category (36, ahead of 31 for Best Fanzine, behind 43 for Best Semiprozine).
The votes cast for the top 16 nominees were 51, 47, 47, 39, 30, 28, 25, 24, 24, 19, 15, 12, 12, 10, 8 and 6.
(5) WFC 2019 ROOMS. This year’s World Fantasy Con committee
reminded everyone time is fleeting – click here
for room reservations.
As a reminder, the World Fantasy Convention 2019 hotel discount block closes on September 30! You can reserve a hotel room at the Marriott Los Angeles Airport Hotel for $149 (plus taxes & fees) by visiting our Venue page below, and clicking on the “Book Your Room Now” rate.
(6) HUGO LOSERS PARTY. Beyond the File 770 comments section,
there have been trenchant responses to George R.R. Martin’s post about the
There are a few things in particular I’d like to respond to in George’s epic non-apology.
I do not know that anything I can say will appease those who did not get into the party… but I can at least explain what happened, and why.
We’re writers. Words and word choice matter, and we’re not going to pretend otherwise. I do not need to be appeased like a tantrummy child, and I don’t appreciate the implication. I wanted an apology for those of us left out in the cold.
I actually do appreciate the explanation of the communication issues, of how things got so messy. The party is a large undertaking. It’s also George’s party, and as I have stated before, he can invite who he bloody well pleases. I also do appreciate this:
We knew the capacity of the floor we were renting well in advance, and worried whether the 450 limit would be a problem for us. The possibility was there, we all saw that. But there was no easy answer, so in the end we decided to go ahead as planned in the hopes that things would work out. The final decision was mine. It was the wrong decision.
Which is then rather deflated by:
A number of the louder Twitterers have stated SOMETIMES IN SCREAMING CAPS that it is simplicity itself to calculate the number of attendees at a party. That makes me suspect that none of them have ever organized one, at least not one as big as the Hugo Losers Party.
Feel free to name me if you have a problem with me. I certainly used screaming caps because I was, I would hope understandably, upset…
Renay, part of the team that creates Lady Business, this year’s Best Fanzine Hugo winner, took issue with the entire post, of course, especially objecting to this phrase:
Also, whereas in the past categories like fanzine and semiprozines only had one editor, and therefore one nominee (Andy Porter for ALGOL, DIck Geis for ALIEN CRITIC, Charlie Brown for LOCUS, Mike Glyer for FILE 770, etc.), now most of them seem to be edited by four, five, or seven people, all of whom expect rockets and nominee invitations.
We (waiting outside) had no idea the buses weren’t supplied by GRRM. It added to the consternation.
It was raining intermittently, the buses had left, and there as no shelter and no seating. Most of us were willing to stand, although it was cold and most of us were not prepared for standing outside — femme party clothes don’t prioritize weatherproofness. We asked for seats for people who needed not to be standing.
…I’m writing this account in hopes of adding to the aggregate narrative about the night, and with the expectation that having more facts and viewpoints available affects the way someone might think of the events and choices that lead to them. GRRM’s generosity is legendary, but it’s true that we shouldn’t expect it to be bottomless. I thank him for both his hospitality and for the accounting he has shared with us giving insight into his planning process.
Lastly, someone slipped a joke onto the internet!
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree wth that statement but I would note that he has largely fallen out of public notice once again. (Died 1950.)
Born September 1, 1936 — Gene Colan. He co-created with Stan Lee the Falcon, the first African-American superhero in mainstream comics. He created Carol Danvers, who would become Ms. Marvel and Captain Marvel, and was featured in Captain Marvel. With Marv Wolfman, he created Blade. (Died 2011.)
Born September 1, 1941 — Elen Willard, 78. She’s best known for her portrayal of the character Ione Sykes in “The Grave” episode of The Twilight Zone. You can rent it on iTunes or Amazon. She also shows up in The Man from U.N.C.L.E.‘s “The Jingle Bells Affair”.
Born September 1, 1942 — C. J. Cherryh, 77. I certainly think the Hugo Award winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners.
Born September 1, 1943 — Erwin Strauss, 76. A noted member of the MITSFS, and filk musician who born in Washington, D.C. He frequently is known by the nickname Filthy Pierre. He’s is the creator of the Voodoo message board system once used at cons such as Worldcon, WisCon and Arisia.
Born September 1, 1951 — Donald G. Keller, 68. He co-edited The Horns of Elfland with Ellen Kushner and Delia Sherman which I highly recommend. He is a contributor to The Encyclopedia of Fantasy and he’s member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies.
Born September 1, 1952 — Brad Linaweaver. Mike’s remembrance post is here. (Died 2019.)
Born September 1, 1952 — Timothy Zahn, 68. Apparently he’s known more these days for the Thrawn series of Star Wars novels.
Born September 1, 1964 —Martha Wells, 55. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Dairies are amazing reading?
Born September 1, 1967 — Steve Pemberton, 52. He’s on the Birthday List for being Strackman Lux in the Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in Gormenghast and Harmony in Good Omens.
(8) BIRTHDAY PARTY IN PROGRESS. [Item by Standback.] Cassandra Khaw’s “Birthday Microfiction” has been
exploding all over Twitter and it’s fantastic. You can see lots and lots and
LOTS of people throwing their hat into the ring here.
It can be speculated that the Halloween tree got its start from the 1972 fantasy novel by Ray Bradbury. In the novel, eight boys are out trick-or-treating on Halloween night when they realize their friend Pipkin has been taken away. The trick-or-treaters find their way through time, wandering through Ancient Egypt, Ancient Greek, and Ancient Roman cultures, Celtic Druidism, the Notre Dame in Medieval Paris, and finally the Day of the Dead in Mexico. As the friends travel through time, they learn the origins of Halloween and in the end, the Halloween Tree, filled with jack-o-lanterns, serves as a spooky metaphor for all the different cultures and how they celebrate Halloween.
–Charles Payseur getting fewer votes than No Award is indefensible. Charles is a dynamo who, along with colleagues like Maria Haskins, has made short fiction reviewing viable and vital and in doing so has aided the entire field. The industry needs him, it doesn’t need to insult him. I hope next year that’s rectified.
–Didi Chanoch‘s thread here covers the ground concerning Gardner Dozois’ posthumous Hugo brilliantly. All I’ll add is this: the voters didn’t recognize the 13 years E Catherine Tobler and Shimmerput into making the industry better. That’s a massive shame.
Over the past few weeks, Facebook and Elon Musk’s Neuralink have announced that they’re building tech to read your mind — literally.
Mark Zuckerberg’s company is funding research on brain-computer interfaces (BCIs) that can pick up thoughts directly from your neurons and translate them into words. The researchers say they’ve already built an algorithm that can decode words from brain activity in real time.
And Musk’s company has created flexible “threads” that can be implanted into a brain and could one day allow you to control your smartphone or computer with just your thoughts. Musk wants to start testing in humans by the end of next year.
Other companies such as Kernel, Emotiv, and Neurosky are also working on brain tech. They say they’re building it for ethical purposes, like helping people with paralysis control their devices.
This might sound like science fiction, but it’s already begun to change people’s lives. Over the past dozen years, a number of paralyzed patients have received brain implants that allow them to move a computer cursor or control robotic arms. Implants that can read thoughts are still years away from commercial availability, but research in the field is moving faster than most people realize.
Your brain, the final privacy frontier, may not be private much longer.
As guards were going so far as to check inside NFL fans’ wallets as part of routine security measures before a recent preseason game at Levi’s Stadium, a different form of surveillance was taking place on the inside of the San Francisco 49ers’ one-year-old, $1.3 billion home here in Silicon Valley.
We’re not talking about facial recognition devices, police body cams, or other security measures likely zeroing in on fans. Instead, employees from San Jose-based Zebra Technologies had recently finished scanning the NFL uniforms of the 49ers and of their opponents—the Dallas Cowboys. All of a sudden, an on-the-field de facto surveillance society was instantly created when Zebra techies activated nickel-sized Radio Frequency Identification Device (RFID) chips that were fastened inside players’ shoulder pads. Every movement of every player now could be monitored within an accuracy level of all but a few inches…
(14) THREE YEARS BEFORE 1984. Andrew Strombeck looks back
Year of the Werewolf” at LA Review of Books and asks what it tells us about our current moment.
Why all the lycanthropy? The werewolf was an apt figure for 1981, a moment when prominent commentators worried that many Americans had become too self-focused. Tom Wolfe had first advanced the argument in 1976, dubbing the 1970s the “me” decade, wherein Americans, under the lingering influence of the counterculture, were spending way too much time cultivating their bodies and minds. Christopher Lasch’s 1979 The Culture of Narcissism was so popular that Lasch was invited to the White House, where his ideas would influence Jimmy Carter’s 1979 “crisis of confidence” speech. Linking the OPEC embargo, Watergate, and a declining economy, Carter told Americans “too many of us now tend to worship self-indulgence and consumption,” turning away from the broad project of American productivity that characterized the postwar years. By “self-indulgence,” Carter was referring to the human potential movement, a combination of therapeutic techniques, meditation, swinging, and yoga. Lasch blamed these cultures for the baffling emotional, economic, and social violence that seemed everywhere: in rising divorce rates, widespread unemployment, and the destruction of the inner city.
The Game of Thrones creators said they would be “very far from the internet” when the final episode of the show aired, and it seems they were true to their word.
It’s been more than three months and David Benioff and DB Weiss have just given their first interview addressing Game of Thrones’ controversial eighth season.
While Japan’s Star Channel didn’t ask about the nearly 2 million people that have signed a petition calling for the final season to be re-made, they did bring up that coffee cup – the one left in a scene in front of Daenerys Targaryen.
David Benioff called it their “Persian rug”.
(16) DRAGON AWARDS TRIVIA. The ceremony ran opposite Doctor Who companion Catherine Tate’s appearance and 58 other items starting at 5:30 p.m. per the list in the online schedule.
[Thanks to Standback, Jeffrey Smith, JJ, John King Tarpinian, Cat
Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Contrarius, Michael
Toman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Andrew.]
During today’s The Orville panel at San Diego Comic-Con, show creator and star Seth MacFarlane made big news, announcing the show is hopping from the Fox Broadcasting Network to the Hulu streaming service.
Note: These novellas don’t get much push from me beyond a few blog and chat-space posts, so getting the word out is pretty much up to their readers. Amazon always gets plenty of reviews, so appropriate mentions and reviews out-and-about elsewhere on the Net extend the reach more. Do please pass the word, if you are so moved.
(4) ANOTHER REVOLUTION. Journey Planet 45 – The Matrix dropped yesterday, assembled by guest editor John Coxon with Chris Garcia and James
Bacon. The stunning cover is by Meg Frank. Download the issue here.
Twenty years ago, The Wachowski sisters brought a groundbreaking film to fruition that not only bent the rules in regard to production but became the most memorable film of 1999 far eclipsing easily forgotten movies or disastrous disappointments.
The contributors to this issue ask many questions, discuss a variety of angles and consider the work now with ample time for reflection and digestion.
Contributors include, Emma Harris, Warren Frey, España Sheriff, Jenn Scott, Dave Lane, Ulrika O’Brien, Peppard Saltine, Helena MacCallum, Pete ‘Cardinal’ Cox, Bill Howard and CiteUnScene AI.
Art contributors include España, Chris, OzynO, Dark Ronin, Helianmagnou, Dark Tox1c, Frederikz, L0lock and ShaqueNova.
The Matrix spawned sequels, comics, animation and a considerable amount of books, thinking about concepts it set out.
Join us as you realize that 20 years have slipped by, and remind yourself of how you felt and what you thought about this fantastic film.
Audible tells The Verge that the captions are “small amounts of machine-generated text are displayed progressively a few lines at a time while audio is playing, and listeners cannot read at their own pace or flip through pages as in a print book or eBook.” Audible wouldn’t say which books would get the feature, only that “titles that can be transcribed at a sufficiently high confidence rate” will be included. It’s planning to release the feature in early September “to roll out with the 2019 school year.”
Penguin Random House, one of the world’s five biggest publishers, told The Verge that “we have reached out to Audible to express our strong copyright concerns with their recently announced Captions program, which is not authorized by our business terms,” and that it expects the company to exclude its titles from the captions feature.
(6) FRED PATTEN NEWS. Together with Stan Lee and
other notables, Fred Patten was commemorated by San Diego Comic-Con’s in
memoriam list, shown last night during the Eisner Awards ceremony. Fanbase
Press tweeted photos:
Sherrill Patten, his sister, says Fred’s final two books
are available to order.
has just published Fred’s last furry fiction anthology, the Coyotl Awards
Books now shows the cover of Furry Tales – A Review of Essential
Anthropomorphic Fiction in their online FALL catalog. Copies can be
Tales featuring anthropomorphic animals have been around as long as there have been storytellers to spin them, from Aesop’s Fables to Reynard the Fox to Alice in Wonderland. The genre really took off following the explosion of furry fandom in the 21st century, with talking animals featuring in everything from science fiction to fantasy to LGBTQ coming-out stories.
In his lifetime, Fred Patten (1940–2018)—one of the founders of furry fandom and a scholar of anthropomorphic animal literature—authored hundreds of book reviews that comprise a comprehensive critical survey of the genre. This selected compilation provides an overview from 1784 through the 2010s, covering such popular novels as Watership Down and Redwall, along with forgotten gems like The Stray Lamb and Where the Blue Begins, and science fiction works like Sundiver and Decision at Doona.
(7) REMEMBRANCE. Now online is Dublin 2019’s In Memoriam list, which shows the names of sff people who have died
since the last Worldcon.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 20, 1924 — Lola Albright. Though she’s best remembered best known for playing the sultry singer Edie Hart, the girlfriend of private eye Peter Gunn, she did do some genre performances. She’s Cathy Barrett, one of the leads in the Fifties film The Monolith Monsters, and television was her home in the Fifties and Sixties. She was on Tales of Tomorrow as Carol Williams in the “The Miraculous Serum” episode, Nancy Metcalfe on Rocket Squad in “The System” episode, repeated appearances on the various Alfred Hitchcock series, and even on The Man from U.N.C.L.E. in the episodes released as the feature length film The Helicopter Spies. She was Azalea. (Died 2017)
Born July 20, 1930 — Sally Ann Howes, 89. She is best known for the role of Truly Scrumptious in Chitty Chitty Bang Bang. She was in Brigadoon as Fiona McLaren at New York City Center Light Opera Company, and in Camelot as Guenevere at St. Louis Municipal Opera. She was even in The Hound of the Baskervilles as Laura Frankland which has a certain Starship Captain as George Stapleton.
Born July 20, 1931 — Donald Moffitt. Author of the Baroness thriller series, somewhat akin to Bond and Blaise, but not quite. Great popcorn literature. Some SF, two in his Mechanical Skyseries, Crescent in the Sky and A Gathering of Stars, another two in his Genesis Quest series, Genesis Quest and Second Genesis, plus several one-offs. (Died 2014.)
Born July 20, 1938 — Diana Rigg, née Dame Enid Diana Elizabeth Rigg, 81. Emma Peel of course in The Avengers aside Patrick Macnee as a John Steed. Best pairing ever. Played Sonya Winter in The Assassination Bureau followed by being Contessa Teresa “Tracy” Draco di Vicenzo Bond on On Her Majesty’s Secret Service. By the Eighties, she’s doing lighter fare such as being Lady Holiday in The Great Muppet Caper and Miss Hardbroom in The Worst Witch, not to mention The Evil Queen, Snow White’s evil stepmother in Snow White. Now she would get a meaty role in Game of Thrones when she was Olenna Tyrell. Oh and she showed up recently in Dr. Who during the Era of the Eleventh Doctoras Mrs. Winifred Gillyflower in the “The Crimson Horror” episode.
Born July 20, 1949 — Guy H. Lillian III, 70. Letterhack and fanzine publisher notable for having been twice nominated for a Hugo Award as best fan writer and rather amazingly having been nominated twelve straight times without winning for the Hugo for best fanzine for his Challenger zine. As a well-fan of Green Lantern, Lillian’s name was tuckerized for the title’s 1968 debut character Guy Gardner.
Born July 20, 1959 — Martha Soukup, 60. The 1994 short film Override, directed by Danny Glover, was based on her short story “Over the Long Haul”. It was his directorial debut. She has two collections, Collections Rosemary’s Brain: And Other Tales of Wonder and The Arbitrary Placement of Walls, both published in the Nineties. She won a Nebula Award for Best Short Story for “A Defense of the Social Contracts”. “The Story So Far” by her is available as the download sample on iBooks in Schimel’s Things Invisible to See anthology if you’d liked to see how she is as a writer.
Born July 20, 1977 — Penny Vital, better known as Penny Drake, 42. Uncredited role as Old Town Girl in Sin City, Sox in Zombie Strippers (which also stars Robert Englund and Jenna Jameson), Astrid in Star Chicks, Sabula in Monarch of the Moon and Annette DeFour in Dreamkiller which I think is genre.
(10) CAKE RE-ENACTMENT. Yessir, don’t we all love gray
frosting? Other than that, impressive!
(11) HARD SCIENCE. The latest issue of IEEE Spectrum — Project Moon Base – contains fifteen
excellent articles about getting to the moon, building a base there, long-term
stays on the moon, and a bit of history. Greg Hullender says, “Highly
recommended to anyone interested in lunar exploration, particularly anyone
thinking of writing a story set in a future moonbase.”
IEEE Spectrum: You invented a completely new technology for landing on the moon. It seems to combine a maglev train, a railgun, and a hyperloop. Can you briefly describe how that works and how you came up with it?
Kim Stanley Robinson: I got the idea from a lunatic friend of mine. It’s basically the reverse of the magnetic launch rails that have been postulated for getting off the moon ever since the 1930s: These take advantage of the moon’s light gravity and its lack of atmosphere, which allow a spaceship to be accelerated to a very high speed while still on the surface, after which the ship could just zoom off the moon going sideways, because there is no atmosphere to burn up in on the way out. If you just reverse that process, apparently you can land a spaceship on the moon according to the same principle.
It blew my mind. I asked about the tolerance for error; how precise would you have to be for the system to work? My friend shrugged and said it would be a few centimeters. This while going about 8,000 miles an hour (12,900 kilometers per hour)! But without an atmosphere, a landing can be very precise; there won’t be any winds or turbulence, no friction. It was so fantastic a notion that I knew I had to use it.
(12) COLLECTIBLE. Montegrappa prices this beautiful
fountain pen at 6,750 Euros.
Moon Landing L.E.
A giant leap for mankind
In 1969 Neil Armstrong, Buzz Aldrin, Michael Collins captivated the world. Supported by a cast of thousands, their supreme achievement continues to set the bar for how big boyhood dreams can be. Developed in close coordination with NASA, a marvel of engineering in miniature transforms the act of writing. Allow your ideas to go where no-one has gone before. The Eagle has landed!
When Buzz Aldrin embarked 50 years ago on his historic voyage to the moon aboard Apollo 11, he packed a tiny, credit-card-sized book, “The Autobiography of Robert Hutchings Goddard, Father of the Space Age.”
Goddard, who was a physics professor at Worcester’s Clark University, launched the first liquid-fueled rocket in Auburn in 1926 and is generally considered the father of modern rocketry.
For Aldrin, who was the second man to set foot on the moon, there was also a personal connection.
Goddard had taught Edwin Aldrin Sr., Buzz’s father. Buzz never met Goddard but cherished his father’s connection with the professor, said Fordyce Williams, a coordinator of archives and special collections at Clark, where the book is on display.
The cast of HBO’s recently concluded Game of Thrones took the stage at San Diego Comic-Con Friday night to reflect on their time on the long-running fantasy series, and revealed a few secrets about their characters.
warning followed that opening paragraph. Tons of spoilers followed the warning.
So, you have now been warned
twice. (Or is it thrice?)
(15) UNDER COVER. ScreenRant profiles “The Most Popular Actor You’ve Never
Doug Jones is a highly respected and acclaimed actor who has appeared in over 150 acting jobs to his name to this day. However, chances are you never realized who Doug Jones was unless you’re a hardcore cinephile. That’s because many of Jones’ roles require him to be covered in extensive makeup and costumes that hide his natural visage. Jones is the man behind such iconic characters as the Lead Gentleman in Buffy the Vampire Slayer’s best episode, “Hush”, the monster in The Shape of Water, Saru in Star Trek Discovery and Abe in Hellboy, the latter of which took seven hours in makeup everyday just to bring the character to life. Jones got his start not by acting, but as a mime for his University’s mascot.
(16) FAN MAIL FROM A FLOUNDER. The surprising thing
about Richard Paolinelli is not that he wants to be insulting, but that he only
repeats insults someone else thought up first. Which probably informs potential
readers what to expect from his fiction.
There will be no manholes in Berkeley, California. City workers will drop into “maintenance holes” instead.
Nothing will be manmade in the liberal city but “human-made.” And students at the University of California, Berkeley, will join “collegiate Greek system residences” rather than fraternities and sororities.
Berkeley leaders voted unanimously this week to replace about 40 gender-specific words in the city code with gender-neutral terms — an effort to be more inclusive that’s drawing both praise and scorn….
(18) JEOPARDY! Andrew Porter was tuned in to Jeopardy!
on Friday and witnessed this:
Category: African-American Authors.
Answer: In the “African Immortals” series by Tananarive Due, vampire-like beings from this Horn of Africa country prey on the living.
Incorrect questions: “What is Somalia?” and “What is Cape Horn?”
Correct question: “What is Ethiopia?”
[Thanks to Mike Kennedy, John King Tarpinian, JJ, Cat
Eldridge, Chip Hitchcock, Martin Morse Wooster, Michaeline Duskova, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Rob Thornton.]
“It’s an extremely different rhythm than Discovery,” [writer-director Alex] Kurtzman told EW exclusively. “Discovery is a bullet. Picard is a very contemplative show. It will find a balance between the speed of Discovery and the nature of what Next Gen was, but I believe it will have its own rhythm.”
Continued Kurtzman: “Without revealing too much about it, people have so many questions about Picard and what happened to him, and the idea we get to take time to answer those questions in the wake of the many, many things he’s had to deal with in Next Gen is really exciting. ‘More grounded’ is not the right way to put it, because season 2 of Discovery is also grounded. It will feel more…real-world? If that’s the right way to put it.”
CBS’s new “Star Trek” series, with Patrick Stewart reprising the role of Capt. Jean-Luc Picard, will shoot in California and receive a $15.6 million production tax credit.
The California Film Commission announced Monday that the untitled “Star Trek” series and eight other TV series have been selected for the latest tax credit allocations totaling $90 million under the state’s expanded Film & TV Tax Credit Program 2.0.
Six recurring series already in the tax credit program and picked up for another season of in-state production have also been set for allocations — Fox’s third season of “The Orville” with $15.8 million, CBS’s second season of “Strange Angel” with $10 million, Fox’s ninth season of “American Horror Story” ($8.9 million), and the second seasons of “MayansMC” ($7.6 million), “Good Trouble” ($6.6 million) and “The Rookie” ($4.5million).
(3) LULZINE. John Coxon and España Sheriff have launched a new online fanzine called Lulzine, focused on comedy, and comedy in science fiction and fantasy. Check out Lulzine Issue 1. The editors are still looking for material that suits the first issue’s theme. (Adding stuff makes sense because Lulzine presents as a blog. But don’t tell anyone I said so.)
We’re hoping to add more articles to the first issue before we start the second issue just before Ytterbium (the next Eastercon). The theme of the first issue is comedy in television, so if anyone wants to pitch us articles, they can contact us at firstname.lastname@example.org.
(4) BREAKFAST WITH EINSTEIN. At Whatever, Chad Orzel explains “The Big Idea” behind his book Breakfast with Einstein: The Exotic Physics of Everyday Objects.
Quantum mechanics is one of the most amazing theories in all of science, full of stuff that captures the imagination: zombie cats, divine dice-rolling, spooky actions over vast distances. Maybe the single most amazing thing about it, though, is that we think it’s weird.
That probably seems a strange thing to say, because quantum physics is so weird, but that’s exactly the point. These are the fundamental principles governing the behavior of everything in the universe, and yet they run completely counter to our intuition about how the world works. If these are the basic rules underlying everything, shouldn’t they make sense? How can the entire universe behave according to strictly quantum laws, and yet we’re not intuitively aware of it?
(5) GLOBAL VIEW. Here’s Mortal Engines’ fascinating “Explore London 360” video –
(7) CREATING AN IMPRESSION. Dave Addey takes up book covers as part of his column’s “Typeset in the Future” sub theme at Tor.com: “Designing the Future: Deconstructing Five Sci-Fi Book Covers”. He doesn’t restrict the conversation to Tor publications, I just thought this one made a good excerpt for the Scroll —
“Loss of Signal” by S. B. Divya (A Tor.com Original,2018)
…The cover’s inverted planetary relationship evokes “Earthrise”, a famous NASA photograph taken onboard Apollo 8 by astronaut Bill Anders….
Like “Earthrise” and Loss of Signal, 2001’s intro shows our home planet far in the distance, small and insignificant when compared to the moon’s barren surface in the foreground. Both images require viewers to consider their place in the universe from an entirely alien vantage point, far from the comforts of home. It’s an entirely appropriate feeling for S. B. Divya’s story of the first human mind to circle the moon without a body in tow.
“There is no way in which a lost species can really be brought back to life,” writes Swedish science journalist Torill Kornfeldt in her fascinating debut, The Re-Origin of Species: A Second Chance for Extinct Animals. “The nearest thing we can manage is a substitute.” But as each chapter reveals, the “substitutes” that many scientists think are possible would be nearly identical to–and just as astonishing as–the originals.
Kornfeldt travels the world to meet scientists who are attempting “de-extinction,” the practice of bringing extinct animals back to life. In Siberia, she meets Sergey Zimov, a Russian scientist attempting to revive mammoths. And in California she speaks with Ben Novak, a young scientist trying to resurrect the passenger pigeon. Other scientists are working on the northern white rhino, a Spanish ibex called a bucardo and, yes, even a dinosaur. There are still advancements to be made in genetic research before any of these experiments could result in actual resurrected animals but, according to the scientists Kornfeldt interviews, breakthroughs are happening at an unprecedented pace. De-extinction is only a few years away from becoming reality.
(9) BUT THEN I TURNED ON THE TV, AND THAT’S ABOUT THE TIME SHE WALKED AWAY FROM ME. [Item by Olav Rokne.] Looks like Gerard Way’s The Umbrella Academy won’t be the only science fiction TV show based on a comic book by a famous Emo band member. Blink 182 guitarist Tom DeLonge’s sci-fi graphic novel Strange Times is being turned into a show for TBS. The show will follow all-American teen Charlie Wilkins who starts investigating when his dad is abducted by aliens. He’s helped by his skateboarding friends and the ghost of a girl. Of the show, DeLonge says: “My love for all things paranormal and skateboarding are sometimes only superseded by my love for offensive humor. This series combines them all into one.” “Blink 182’s Tom DeLonge is making his own sci-fi TV series” – NME has the story:
…The show is in development at US network TBS and will follow “five dirty teenage skateboarders who solve paranormal mysteries while being chased by Deep State government agents.”
There were also claims this might be a replica or prototype prop.
But Mr Roger Christian told the BBC it was one of five original lightsabers made for the film, saying: “It is real – I’ve got the Oscar to prove it.”
(12) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born December 11, 1957 – William Joyce, 61. Author of the YA series Guardians of Childhood which is currently at twelve books and growing. Now I’ve no interest in reading them but Joyce and Guillermo del Toro turned them into in a rather splendid Rise of the Guardians film which I enjoyed quite a bit. The antagonist in it reminds me somewhat of a villain later on In Willingham’s Fables series called Mr. Dark.
Born December 11, 1959 — M. Rickert, 59. Usually I don’t cotton with listing Awards but she’s rather unusual in she’s has won or been nominated for several major awards despite working largely in short fiction with I believe The Memory Garden being her only novel. “Journey into the Kingdom” was nominated for the 2006 Nebula Award for Best Novelette and an International Horror Guild Award, and won the 2007 World Fantasy Award for Best Short Fiction Her Map of Dreams won a World Fantasy Award for Best Collection and a Crawford Award, and the collection’s title story was nominated for the 2007 World Fantasy Award for Best Novella.
Born December 11, 1962 — Ben Browder, 56. Actor of course best known for his roles as John Crichton in Farscape and Cameron Mitchell in Stargate SG-1. One of my favorite roles by him was his voicing of Bartholomew Aloysius “Bat” Lash in Justice League Unlimited “The Once and Future Thing, Part 1” episode. He’d have an appearance in Doctor Who in “A Town Called Mercy”, a Weird Western of sorts. His most recent genre appearance was as a character named Ted Gaynor on Arrow.
Born December 11, 1965 – Sherrilyn Kenyon, 53. Best for her Dark Hunter series which runs to around thirty volumes now. I confess I’ve not read any, so I’m curious as to how they are. Opinions? (Of course you do. Silly me.) She’s got The League series as well which appears to be paranormal romance, and a Lords of Avalon series too under the pen name of Kinley MacGregor.
Why can’t Santa guest on Star Trek? Meme will explain.
(14) TONIGHT’S JEOPARDY! Andrew Porter has his eye on the tube. Tonight’s Jeopardy!, in the category “Posthumous Books,” gave the answer as: “After death, this horror author still talked about the Necronomicon in his novel, ‘The Case of Charles Dexter Ward.'”
The Fated Sky stands well on its own but, when coupled with The Calculating Stars, is a masterpiece.
After reading The Calculating Stars (my review) earlier this year, I wrote about how Mary Robinette Kowal did more than achieve a sense of wonder, she brought the dream of spaceflight beyond the page and directly into readers hearts. The Calculating Stars was a masterful novel that will surely find a place on many Year’s Best lists and a number of awards ballots. It’s a lot to live up to, but the near perfection of The Calculating Stars only serves to whet the appetite for The Fated Sky.
The Fated Sky picks up a few years after the end of The Calculating Stars. There is a fledgling base and colony on the moon, regular round trip missions from the earth to the moon, and the IAC (International Aerospace Coalition) is planning for its first Mars mission. Each of the two books are tagged as “Lady Astronaut” novels and Mary Robinette Kowal won a Hugo Award for her story “The Lady Astronaut of Mars“. We know how the progression of Elma’s story, where she ends up. It isn’t about spoiling the ending, the beauty of The Fated Sky is in the journey. In this case, a journey to Mars.
Batwoman has finally arrived on The CW. Ruby Rose’s iconic lesbian superhero officially made her debut during Monday’s Arrow, part two of The CW’s three-part superhero crossover “Elseworlds.”
With Earth-1 impacted by a magical book that altered reality, Monday’s Arrow installment of The CW’s big “Elseworlds” superhero crossover found The Flash’s Barry (Grant Gustin), Arrow’s Oliver (Stephen Amell) and Supergirl’s Kara (Melissa Benoist) in Gotham to try and get to the bottom of things. Unfortunately for the heroes, a mugging (and their inability to stand down) landed the trio in jail, where they were bailed out by a mysterious figure — Kate Kane (Orange Is the New Blackgrad Rose), aka Batwoman.
(17) JUST DO IT. Mars Society president Robert Zubrin argues in the Washington Post that “We have the technology to build a colony on the moon. Let’s do it.” The author of The Case For Mars takes aim at current NASA plans to build a mini-space station that would orbit the moon, and instead suggests that the time has come to set up a permanent habitable structure on the lunar surface.
…As for landing people on the moon, NASA is vague about that, too. Apparently, if we wanted to build a lander sometime in the future, it would rendezvous with the Gateway for some reason and then attempt a landing.
This is all just plain weird. It’s like building a big, expensive aircraft carrier, positioning it off the European coast and requiring passengers going from New York to Paris to land there first and do something (although what isn’t known) until another airplane is built to pick them up to carry them to their destination. This, we suspect, is not the best way to get to France.
Rather than build this murky Gateway, which we frankly doubt the American people will understand or support, we believe the best expenditure of time and money is to simply make it a national goal to build a base on the lunar surface. Such a base would be similar to the U.S. South Pole Station and constructed for the same reasons: science, exploration, knowledge, national prestige, and economic and technological development for the benefit of the U.S. taxpayer.
…If we’re serious about going to the moon, let’s just go there. Next year will mark the 50th anniversary of the first moon landing, reminding us of the sort of things we as a nation once accomplished. We should resolve now to do no less.
(18) STOP AND GO. First story isn’t good news: Himalayan glaciers are slowing because they’ve thinned enough that there’s less mass to move them downhill, and their outflows provide inland water. Second story also isn’t good news: Satellite images show Antarctic glaciers getting more lubrication on their way to the ocean, where they’ll melt and raise ocean levels.
A panel of censors set up to vet mobile video games in China has signalled it will be hard to please.
State media reports that of the first 20 titles it assessed, nine were refused permission to go on sale.
The Xinhua news agency added that developers of the other 11 had been told they had to make adjustments to remove “controversial content”.
There has been a clampdown on new video game releases in the country since March.
The authorities have voiced concerns about the violent nature of some titles as well as worries about the activity being addictive.
President Xi Jinping has also called for more to be done to tackle a rise in near-sightedness among the young – something that the country’s ministry of education has linked to children playing video games at the cost of spending time on outdoor pastimes.
…In addition to recently hosting summer blockbusters like Tom Cruise’s Mission Impossible — Fallout and the giant shark thriller The Meg, the New Zealand production uptick is indeed evidenced by the volume of high-profile projects that are in varying stages of production right now.
James Cameron is gearing up for the monumental task of shooting all three of the Avatar sequels there simultaneously early in 2019. The films were brought to New Zealand via a government deal that requires 20thCentury Fox to spend no less than NZ $500 million (about $345 million)in-country and to hold at least one of the world premieres there.
Meanwhile, Disney is just wrapping production on its live-action adaptation of Mulan, with a budget north of $100 million and Kiwi director Niki Caro at the helm. The project shot on the new stages at Kumeu Film Studios in West Auckland as well as on locations across the country. Netflix, of course, also is active in New Zealand, having recently begun filming the family fantasy series The Letter for the King in Auckland; Amazon Studios, meanwhile, is shooting the YA series The Wilds in Auckland nearby. Also courtesy of Amazon, the franchise that made New Zealand synonymous with Middle Earth is tipped to be coming back to the island nation — for many in the local industry, it’s simply unthinkable that the streamer’s Lord of the Rings TV series, with a rumored budget of $500 million, won’t shoot there.
(21) BEST RESOURCE. Congratulations to Mark Kelly who has added contents of 15 best-of-year anthology series to his Science Fiction Awards Database site, with single-page composite tables of contents for each series, and all stories included on their authors’ individual pages. (He still has more such series yet to do, for example, the Datlow/Windling series.) See “Anthologies & Collections Directory”. The first 15 “bests” include–
[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, JJ, Olav Rokne, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
The famous Hugo Award rocket, filled with the name of each Best Novel winner since the first awards were given. An elegant window into the history of our genre, in T-shirt form!
Shirts available in men and women’s cuts: be sure to click the drop down menu if you want the latter.
“Worldcon”, “Hugo Award”, the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. They are used by permission of Loncon 3, the 72nd World Science Fiction Convention.
For the third consecutive year voters will be asked to create a YA Hugo category. This time called Best Youth Book, the Hugo would be given to “a science fiction or fantasy book published in the previous calendar year for young adults, middle readers, or children.”
The 2012 motion to create a Best Young Adult Fiction Hugo failed 51-67, however, losing a relatively close vote represented an improvement from the year before when the YA Hugo motion never made it to the floor, being disposed of by a vote to object to consideration.
Attendees of this year’s Business Meeting will also be invited to further subdivide the Best Dramatic Presentation Hugo by adding a category for short length works.
Proposed by Eemeli Aro and seconded by James Bacon, John Coxon, and Jesi Pershing, this new Hugo would be given to a “video, audio recording or other production, with a complete running time of less than 15 minutes, in any medium of dramatized science fiction, fantasy or related subjects.”
They say an extra category will “provide a more even ground for the promotion and popularization of both more and less professional short films, filk songs, commercials, and even acceptance speeches” which are now being overwhelmed by episodes of TV shows.
The existing Long Form category would continue to cover work more than 90 minutes in length, but be renamed “Best Dramatic Presentation, Feature Length Long Form.” The Short Form category would become “Best Dramatic Presentation, Mid-Length Short Form” and cover works 15 to 90 minutes in length.
Lastly, Joshua Kronengold and Lisa Padol want to transform the Best Fan Artist Hugo into something that can also be won by “musical, dance, jewelry and costuming artists.”
The new eligibility definition would be — “An artist or cartoonist working in any visual or performance medium whose work has appeared through publication in semiprozines or fanzines or through other public, non-professional, display (including at a convention or conventions) during the previous calendar year.”
Illustrators and cartoonists appearing in fanzines and semiprozines would remain eligible. Kronengold and Padol, in a commentary, say animators and artists working in special effects would also be eligible. But the motion’s fate could depend on wooing votes from costumers and filkers onsite at LSC3. Saturday is also the day of the masquerade, so costumers might need to juggle the demands on their schedules if they want to vote for the change.
John Coxon released the 2013 Trans Atlantic Fan Fund voting statistics in Taffline #6 [PDF file].
Hold Over Funds
Jim Mowatt won with a first-round majority. He also passed TAFF’s “20% rule” which, explains John Coxon, “meant that each candidate needed to get 10 votes in North America and 11 votes in Europe (‘no preference’ was not included when calculating these numbers).”
Coxon says 58 votes were cast in North America and 60 votes in Europe, and 3 more from the rest of the world — the latter reported in the North America column so it would not become too easy to deduce who they voted for. All voters’ names are listed in Taffline #6. Voter donations totaled $533.23 in North America and £349.68 in Europe.
Jim Mowatt will be the Trans-Atlantic Fan Fund delegate to LoneStarCon 3.
Here is TAFF co-administrator John Coxon’s press release —
It is the pleasure of the TAFF administrators to announce the end of voting in the westbound TAFF race for 2013. Theresa Derwin and Jim Mowatt have both been excellent candidates who have kept TAFFing through some tough patches, but unfortunately there can be only one delegate.
Jim Mowatt is the winner of this year’s Trans-Atlantic Fan Fund and will represent European fandom in a trip that takes him throughout North America. He will be appearing at LoneStarCon 3, in San Antonio, Texas, USA, amongst other fannish destinations yet to be confirmed.
The administrators would like to thank both candidates for their patience and good humour throughout the voting period. We wish Jim a fantastic trip to San Antonio and other amazing locales!
TAFF is the Trans-Atlantic Fan Fund and has been sending sf fans across the Atlantic Ocean since 1952 or 1955, depending on who you ask. The official unofficial TAFF website is at taff.org.uk and we can be found on Facebook at facebook.com/groups/TAFFnews or on Twitter as @TAFFnews.
For the full race results, keep an eye on taff.org.uk or efanzines.com for the next edition of the TAFF newsletter, which will contain information on the EightSquaredCon fan fund auction as well as the full voter breakdown for this race.
Don’t look for the voting totals in the official announcement. You won’t find them. Even though they must have been calculated to decide the winner. After weeks of reminders to VOTE FOR TAFF VOTE FOR TAFF VOTE FOR TAFF it’s a bit anticlimactic not to know how close the race was or how many fans participated.
The TAFF administrators have officially announced the candidates for the 2013 Trans-Atlantic Fan Fund, Theresa Derwin and Jim Mowatt. Each has sworn a mighty oath (well, confirmed a willingness) to attend LoneStarCon 3 in San Antonio if he or she wins, and posted a £15 bond.
The ballot is available here [RTF format]. Votes and donations may also be submitted via PayPal – see the ballot for details.
Voting ends Friday, April 19 at 23:59 British Summer Time aka UTC+1.
Theresa Derwin was nominated by Anders Bellis, Steve Green and John Meaney (from Europe), as well as Christopher J. Garcia and Yvonne Penney (from North America). Here is Derwin’s campaign platform, from the ballot:
Derwin: The Natural Selection. Theresa Derwin is standing for TAFF! A regular convention attendee and panel moderator/member, Theresa has been active in fandom since her teen years. She produces fanzine Andromeda’s Offspring, which promotes the genre work of female authors. She has also previously written for Critical Wave and writes book reviews on her blog www.terror-tree.co.uk whilst writing lots of fiction in a variety of anthologies and in her first book Monsters Anonymous. Theresa wants to attend LoneStarCon3 as a positive ambassador for European/British fandom and female fans and writers in particular. She brings enthusiasm, knowledge and humour to the race!
Jim Mowatt was nominated by Fran Dowd, Rob Hansen and Mark Plummer (in Europe), as well as Randy Byers and Curt Phillips (in North America). Jim’s platform reads:
Jim Mowatt came of age in the fiery fannishness of Leeds and burst upon the scene as Jim Trash at the Sou’wester Eastercon in 1994. Few noticed. He retreated into the shadows like a bewildered ninja. Since then he has made a number of friends, produced fanzines (e.g. Pips and Beam) and decided that fandom is a wonderful place to be(eblebear). He has produced a prodigious number of podcasts, and has a great face for radio. Jim followed a woman to Cambridge in 2002. She didn’t call the police so he moved in. San Antonio needs to know why.
The winner will have approximately four months to arrange his or her TAFF trip, which customarily includes meeting various groups of fans around the country in addition to attending the anchor convention. Recent visits to North America by TAFF delegates have included trips to Las Vegas, Toronto, New York City, Seattle, the Bay Area and Reno. The trip often lasts up to a month, and sometimes longer.
TAFF co-administrator John Coxon says candidates must:
• Be nominated by three European SF fans.
• Be nominated by two North American SF fans.
• Submit a written platform not exceeding 101 words.
• Post a bond of £15 (GBP).
The candidates must also pledge to take the 2013 TAFF trip and attend the Worldcon, LoneStarCon 3, in San Antonio, TX, USA from August 29 to September 2, 2013.
“TAFF delegates are expected to write and produce a trip report and will administer the fund for two years,” adds Coxon. “The fan fund will pay for the trip, related expenses and the publication of the completed trip report.”
Candidates will be voted on by interested fans from all over the world – voters and nominators must be active SF fans that are known to the administrators.
Nominators should send their nominations to their local administrator. The European administrator is John Coxon – his email address is john.coxon (at) gmail.com and his postal address is 14 Chapel Lane, Peterborough, PE4 6RS, United Kingdom. The North American administrator is Jacqueline Monahan – her email address is jaxn8r (at) msn.com and her postal address is 2991 El Cajon Street, Las Vegas, NV 89169, United States.
The deadline for nominations is 23:59 GMT on December 31, 2012. Voting will commence shortly after the close of nominations and be completed by April 5, 2013.