Pixel Scroll 11/20/18 Maybe The Real File Was The Pixels We Scrolled On The Way

(1) BACK TO BACK. The Hollywood Reporter asked, the fans answered: “Which Movie Franchise Should Return? ‘Back to the Future’ Tops New Poll”. They don’t care that director Robert Zemeckis declared three years ago that he would try to block a reboot of the franchise, “even after his death.”

Of the 2,201 adults surveyed between Nov. 8 and 11, 71 percent said that they’d be likely to watch another outing for Marty McFly and Doc Brown ahead of other franchises like Pixar’s Toy Story (69 percent), Lucasfilm’s Indiana Jones (68 percent) and Universal’s Jurassic Park (67 percent).

Back to the Future also polled well when it came to the question of which franchise has been most closely followed by the public. Fifty-four percent of those polled reported having watched the entirety of the series, compared with just 36 percent for the ever-growing Star Wars series. As with the earlier question, both Toy Story and Indiana Jones performed well, with 47 percent of those responding having followed each series faithfully.

(2) FIREFLY. The Verge’s Andrew Liptak tells Firefly fans where to find more of the good stuff: “Big Damn Hero is a familiar trip back to Joss Whedon’s Firefly universe”.

In December 2002, Fox gave the ax to a little-known science fiction show from Joss Whedon called Firefly. The series gained a cult status when it hit DVD the following year, and its story continued in the 2005 film Serenity and a handful of comic books — but a planned massively multiplayer game based on the series never materialized, and Firefly has been weirdly left out of the recent surge of rebooted TV shows. Now, for fans who have been missing the franchise, there’s a new glimmer of hope — or at least an opportunity to revisit the ‘Verse, with James Lovegrove and Nancy Holder’s new novel Big Damn Hero.

Big Damn Hero is the first of three novels being published by Titan Books in the coming months, under the guidance of Whedon, who serves as a “consulting editor.” Like Firefly, the book follows the crew of the spaceship Serenity, led by Captain Malcolm Reynolds, a veteran of a failed rebellion against the authoritarian Alliance government. The result is a new bona fide adventure in the story — one that could be an extended episode from the series, but which also fleshes out the characters and world just a bit more.

(3) WOKE ON A COLD HILL SIDE IN GALLIFREY. The Daily Mail (of course!) is all over this story: “Exterminate! Fans’ backlash over Doctor Who’s latest transformation- into TV’s most PC show”

One fan wrote: ‘There should be a clever story line, not a rehash of history. There’s also an underlying feeling the focus has been forcing inclusiveness by having such obviously diverse characters.’

Another said: ‘Please keep the PC stuff for documentaries and serious drama and let the Doctor help us escape to a fantasy world.’

(4) SAYS WHO? Stylist tells how “Jodie Whittaker brilliantly hits back at all those saying Doctor Who is “too PC””.

Now, Whittaker – who’s the first ever female Doctor – has addressed the backlash.

“What’s the point of making a show if it doesn’t reflect society today?,” Whittaker said while switching on the Christmas lights at London’s Regent Street on Monday 19 November. “We have the opportunity with this show like no other to dip to future, to past, to present, to new worlds and time zones. There is never going to be a drought in the stories you can tell.”

Whittaker continued: “It’s always topical. Chris is a very present-minded person who is very aware of the world he lives in and is passionate about storytelling. It would be wrong of him to not have used the past. He does it in a really beautiful way.”

(5) BOMBS AWAY. Those of you who don’t think Robin Hood is sff can skip this review, and those who do may want to skip this movie after reading what The Hollywood Reporter says about it in “‘Robin Hood’: Film Review”.

Taron Egerton, Jamie Foxx and Ben Mendelsohn lead the cast in the latest big-screen iteration of the classic adventure story.

Guy Ritchie’s idiotic, leathered-up, fancy-weaponed take on King Arthur worked out so wonderfully for all involved last year ($149 million worldwide box office on a $175 million budget) that someone still evidently thought it would be a good idea to apply the same preposterous modernized armaments, trendy wardrobe and machine-gun style to perennial screen favorite Robin Hood.

Well, it’s turned out even worse than anyone could have imagined in this all-time big-screen low for Robin, Marian, Friar Tuck, Guy of Gisbourne and the Sheriff of Nottingham, not to mention for Jamie Foxx as an angry man from the Middle East who’s gotten mixed up on the wrong side of a Crusade, or maybe just in the wrong movie. Leonardo DiCaprio can rest easy in the knowledge that this fiasco will come and go so quickly that few will remember that it even existed, much less that he produced it. In a just world, everyone involved in this mess would be required to perform some sort of public penance.

(6) RESOURCES FOR AN IRISH WORLDCON. Fanac.org’s Joe Siclari turns the site’s attention to Retro-Hugo-eligible zines and classic Irish fanwriting.

Retro Hugos: We have a guide to 1943 fannish publications online for your Retro Hugo nominating pleasure. We’re not done adding links to it, so there’ll be even more to read. The guide shows all the 1943 fanzines, including the ones we don’t have, and will let you know what’s eligible for best fanzine. Even if a fanzine had too few issues to be eligible, it can give insight for nominations in the Best Fan Writer and Best Fan Artist categories. In addition to FANAC.org hosted zines, there are links to materials on efanzines and the University of Iowa’s Rusty Hevelin collection. The printed fanzines are rare, not readily available, and physically frail, so we’re especially glad we can make them available to you online.

The Irish Project: As part of our effort to promote our fannish history, FANAC makes a priority of adding material that is pertinent to current fan events (like our push to make fan source material available for the Retro Hugo Awards). With the very first Irish Worldcon scheduled for 2019, we are making available classic Irish fan publications from such luminaries as Walt Willis, Bob Shaw, James White, and the Englishmen often identified with Irish Fandom (IF), John Berry, Chuck Harris, Arthur Thomson (Atom), etc.

The Wheels of IF had extensive interaction and influence in fandom, and so we are including English and American zines where that influence was often seen. There are publications included by Lee Hoffman (Quandry), Shelby Vick (Confusion), Vin¢ Clarke, Ken Bulmer (Steam), and others.

We have fanzines, apazines, trip reports and fabulous one-shots (like John Berry’s “This Goon For Hire”). Publication dates range from the 50s to the 90s, with more current pieces coming. Our

Wheels of IF directory (http://www.fanac.org/fanzines/Irish_Fandom/) now has nearly 200 zines available with dozens more in the pipeline.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • November 20, 1929 – Jerry Hardin, 89, Actor famous for his character roles, whom genre fans know as the informant Deep Throat in The X-Files, or perhaps as Samuel Clemens in the Star Trek: The Next Generation double episode “Times’s Arrow”. Other TV series guest appearences include Star Trek: Voyager, Sliders, Brimstone, Time Trax, Lois & Clark, Quantum Leap, Dark Justice, Starman, Alfred Hitchcock Presents, The (new) Twilight Zone, and The Incredible Hulk, and he had roles in Big Trouble in Little China and Doomsday Virus (aka Pandora’s Clock).
  • November 20, 1932 – Richard Dawson, Actor, Comedian, and Game Show Host. I debated including him, as he really had but one meaty genre performance – but oh, was it oh so great: in the Saturn-nominated film adaptation of Stephen King’s The Running Man, as the self-referential, egotistical and evil game-show host Damon Killian who came to a deservedly bad end; he won a Saturn Award for his dead-on performance. Other genre appearances include Munster, Go Home!, The Alfred Hitchcock Hour, and The Outer Limits. (Died 2012.)
  • November 20, 1923 – Len Moffatt, Writer, Editor, Conrunner, and Member of First Fandom. He became an SFF fan in his teens, and was a founder of the Western Pennsylvania Science Fictioneers. He produced numerous fanzines over the years, and was deeply involved in several fan associations, including the National Fantasy Fan Federation (N3F), for which he produced the Fan Directory. He and his wife June, who was also an ardent fan, organized many Bouchercons (mystery fandom conventions) and were recognized with that con’s Lifetime Achievement Award. A member of the LA Science Fantasy Society (LASFS) since 1946, he was honored with their Forry Award for Lifetime Achievement. The Moffatts were the TAFF delegates in 1973 to the UK Natcon, and Fan Guests of Honor at many conventions. (Died 2010.)
  • November 20, 1944 – Molly Gloss, 74, Writer and Teacher from the Pacific Northwest who is known for both science fiction and historical fiction. A close friend of Ursula K. Le Guin, many of her works touch on themes of feminism and gender. Her novel Wild Life won a Tiptree Award, her novelette “The Grinnell Method” won the Sturgeon Award, and her short story “Lambing Season” was a Hugo finalist.
  • November 20, 1963 – Ming-Na Wen, 55, Actor from Macau who is currently appearing as Agent Melinda May in Agents of S.H.I.E.L.D. She has also had main roles in the series Stargate Universe and the short-lived Vanished, and a recurring role in Eureka. Her breakthrough genre role was providing the voice for Disney’s Mulan, for which she won an Annie Award (awards which recognize voice actors in animated productions). This led to a lengthy career providing voices for animated features and series, including Spawn, The Batman, Adventure Time with Finn & Jake, Phineas and Ferb, Robot Chicken, and Guardians of the Galaxy, as well as a plethora of Mulan spinoffs, offshoots, tie-ins, and video games. Other genre appearances include the films The Darkness, Starquest (aka Terminal Voyage), Tempting Fate, and Rain Without Thunder.

(8) COMICS SECTION.

(9) BOOK TWO. Camestros Felapton does a “Proper Review of the Consuming Fire”.

…There’s a lot of talking and plotting and counter-plotting that is important because this is supposed to be a world of plotting and counter-plotting. However, it feels inconsequential even at the time. Of course it is MEANT to be futile in the face of a systemic collapse of the hyperspace routes that hold the Empire together. Meanwhile, the story is plotting a new course and warming up its engines….

(10) IMPERIAL WALKER TOLD TO TAKE A HIKE. Some people just have no sensawunda. Officials in Devon have ordered a 14 foot replica of a Star Wars All-Terrain Scout Transport (AT-ST) be taken away from its spot near the A38 (Hollywood Reporter: “Officials Order Englishman to Remove ‘Star Wars’ AT-ST Replica”).

The 14-foot homage will no longer be on display. […]

Star Wars fan living in the southeast county of Devon, England, has been ordered by the local government to remove a 14-foot-tall AT-ST replica that he hoped would bring attention to his town.

The monstrous attack vehicle, which sits near a road, was initially built by Dean Harvey for his children.

“The reason why I built it was a den for my daughters,” he told the BBC. “It’s all made of out [steel] and weighs about two-and-a-half tons.”

After his kids outgrew the AT-ST, he gave it to a man named Paul Parker, who is now being ordered to get rid of it.

(11) SPACE HAWAIIAN STYLE. The side of Mauna Loa have been the home, these past few years, of a Mars habitat simulation. Now, after a major glitch in the sim, it’s being repurposed as a Moon habitat simulation. (The Atlantic: “Hawaii’s Mars Simulations Are Turning Into Moon Missions”)

For the last five years, a small Mars colony thrived in Hawaii, many miles away from civilization.

The Hawaii Space Exploration Analog and Simulation, or HI-SEAS, was carried out in a small white dome nestled along the slope of a massive volcano called Mauna Loa. The habitat usually housed six people at a time, for as long as eight months. […]
In February of this year, something went wrong. The latest and sixth mission was just four days in when one of the crew members was carried out on a stretcher and taken to a hospital, an Atlantic investigation revealed in June. There had been a power outage in the habitat, and some troubleshooting ended with one of the residents sustaining an electric shock. The rest of the crew was evacuated, too. There was some discussion of returning—the injured person was treated and released in the same day—but another crew member felt the conditions weren’t safe enough and decided to withdraw. The Mars simulation couldn’t continue with a crew as small as three, and the entire program was put on hold.

But the habitat on Mauna Loa was not abandoned. While officials at the University of Hawaii and NASA investigated the incident, the wealthy Dutch entrepreneur [Henk Rogers] who built the habitat was thinking about how the dome could be put to use.

[…] Under Rogers’s direction and funding, the HI-SEAS habitat will reopen this year—not as a Mars simulation, but a moon one.

(12) STAYIN’ ALIVE. “Elon Musk renames his BFR spacecraft Starship” Why? Your guess is as good as mine.

Elon Musk has changed the name of his forthcoming passenger spaceship from Big Falcon Rocket (BFR) to Starship.

The entrepreneur would not reveal why he had renamed the craft, which has not yet been built, but added its rocket booster will be called Super Heavy.

In September, Mr Musk’s SpaceX company announced that Japanese billionaire Yusaku Maezawa had signed up to be the first passenger to travel on the ship.

The mission is planned for 2023 if the spaceship is built by that time.

It is the craft’s fourth name – it started out as Mars Colonial Transporter (MCT) and then became Interplanetary Transport System (ITS) before becoming BFR.

(13) SHARPER IMAGE. Japan is on the cutting edge of space technology: “A samurai swordsmith is designing a space probe”.

If you wanted to slice stuff up in space, what would you bring with you? ‘Samurai’ swords, which have been made in Japan for centuries, might be on your list because the tempered steel used in them is notoriously tough. There are plenty of videos online showing these Japanese swords, also called ‘katana’, cutting up everything from thick boards of wood to metal pipes.

Now, a trio of engineers have teamed up with a master Japanese swordsmith to design a rock-sampling device made with the same steel used in these blades – and the plan is to use it on an asteroid.

Japan’s Hayabusa missions have so far sent spacecraft, rovers and sampling tools to a one kilometre-wide asteroid called Ryugu, which orbits the sun between Earth and Mars. Hayabusa2’s rovers recently sent back stunning images of the asteroid’s black, rocky surface. But bringing fragments of Ryugu back to Earth is an enormously tricky task, which is why novel ideas are being suggested for how to do it

(14) SAY WHAT? Brenton Dickieson tells what a shock it is to go a lifetime assuming a word you’ve only seen in print would be pronounced a certain way – and then someone actually says it out loud another way… “C.S. Lewis’ ‘Dymer’… or is it Deemer? (or Can Someone from the Buffyverse be Wrong?)” (He has a lot more to say about the poem, of course.)

After five years of avoiding the book, I decided to reread Alister McGrath’s biography of Lewis. I am listening to it as an audiobook this time, and Robin Sachs pronounces Dymer as “Deemer.” It has shattered my vision of the entire piece. All along, I have been pronouncing Dymer as “Daimer,” so that “Dym” rhymes with “rhyme.” McGrath’s bio of Lewis is one of the last things that Sachs read in a long career of acting. Who am I to question someone who studied at the Royal Academy of Dramatic Art? More than anything, Robin Sachs had a recurring role on Buffy the Vampire Slayer.

Clearly, I must be wrong. After all, Robin Sachs is British. How could he be wrong?

(15) DOOMED TO GO BOOM. [Item by Mike Kennedy.] A new article in Nature (caution, paywall: “Anisotropic winds in a Wolf–Rayet binary identify a potential gamma-ray burst progenitor”) about a pinwheel-shaped star system that may go boom in a big way has received a good bit of notice in the press. (CNN: “First-known ‘pinwheel’ star system is beautiful, dangerous and doomed”; Popular Mechanics: “Two Young Stars On a Death Spiral Are Acting Very Strangely”)

The close binary star system has the stars in a death spiral of sorts creating an image that in the infrared looks startlingly like a child’s toy pinwheel. This one, though, would be no fun at all to any being close enough to really experience it. The PM story explains:

The stars, located about 7,800 light years away, are in what’s called a Wolf-Rayet stage. That’s when massive stars begin to shed their hydrogen, burning certain elements in their atmosphere like carbon and nitrogen. A sort of nebula that forms around the stars makes them easy to spot.

But something peculiar is happening here: These two Wolf-Rayet stars are causing the nebula to move a bit like a pinwheel in interactions that are also producing gamma ray bursts—high energy events usually generated by massive objects like black holes. By finding a source of the particular kinds of gamma ray bursts produced in these stars, astronomers have a laboratory right in our backyard to test long duration gamma ray bursts.

The system was named Apep after the Egyptian deity of chaos, often depicted as a snake. One of the co-author of the study, Dr. Peter Tuthill (University of Sydney), is quoted in the CNN article as saying, “The curved tail is formed by the orbiting binary stars at the center, which inject dust into the expanding wind creating a pattern like a rotating lawn sprinkler. Because the wind expands so much, it inflates the tiny coils of dust revealing the physics of the stars at the heart of the system.” Another co-author, Benjamin Pope (New York University), was quoted as saying, “The only way we get such a system to work is if the Wolf-Rayet star is spewing out gas at several speeds. One way for such different winds to happen is via critical rotation. One of the stars in Apep is rotating so fast that it is nearly ripping itself apart. On its equator, the rotational forces make the gas basically weightless, so it slowly floats off the equator.”

(16) SERIES INTERRUPTUS. The following tweet struck me as a poorly constructed defense.

The cultural impact of George R.R. Martin’s series is huge. Of course its fans are invested in seeing it finished. “Entitlement” doesn’t enter into it. And despite being kindly intended, Naruto’s idea that attention should instead be paid to authors who do finish their series is identical to the logic Dave Freer and Richard Paolinelli used when they attacked Martin to gain attention for themselves.

Anyway, we all know Martin is perfectly capable of speaking for himself, as he has done in several recent interviews to publicize his new Westeros history book Fire and Blood.  Here’s what he told Entertainment Weekly

Before we go, here’s a standard question I missed asking you at the start: What excites you most about Fire and Blood?
The book is a lot of fun. The people who are open to reading an imaginary history and not a novel — which I realize is not everybody — have enjoyed it so far. But honestly, the single thing that excites me most is that I finished it. I know there are a lot of people out there who are very angry with me that Winds of Winter isn’t finished. And I’m mad about that myself. I wished I finished it four years ago. I wished it was finished now. But it’s not. And I’ve had dark nights of the soul where I’ve pounded my head against the keyboard and said, “God, will I ever finish this? The show is going further and further forward and I’m falling further and further behind. What the hell is happening here? I’ve got to do this.” I just got the [Fire and Blood] copy and, holding it in my hand, it’s a beautiful book. The illustrations by Doug Wheatley are great. It’s been a long while since I had a new Westeros book and nobody knows that as well as I do. I know that just as much as the angriest of my hardcore fans. And I have continued to publish other things. It’s not like I’ve been on a seven-year vacation. I have Wild Cards books coming out every six months. But not like this, one that’s entirely my writing. So to finish a book that I’m proud of and excited by was emotionally a big lift for me.

And an hour-long video “In Conversation: George R. R. Martin with John Hodgman” was posted today on YouTube.

George R. R. Martin talks with John Hodgman about his new book FIRE & BLOOD, the first volume in a two-part history of the Targaryens in Westeros. Filmed at the Loews Theater in Jersey City, NJ.

 

[Thanks to Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories Title credit goes to File 770 contributing editor of the day the fantabulous Andrew.]

Pixel Scroll 3/3/18 Scrolling Occupants Of Interpixellary Craft

(1) STRANGE TOY. Robin Sloan offers “Voyages in sentence space”.

Imagine a sentence. “I went looking for adventure.”

Imagine another one. “I never returned.”

Now imagine a sentence gradient between them—not a story, but a smooth interpolation of meaning. This is a weird thing to ask for! I’d never even bothered to imagine an interpolation between sentences before encountering the idea in a recent academic paper. But as soon as I did, I found it captivating, both for the thing itself—a sentence… gradient?—and for the larger artifact it suggested: a dense cloud of sentences, all related; a space you might navigate and explore.

…My project called sentencespace, now public on GitHub, serves up an API that provides two things.

  1. Sentence gradients: smooth interpolations between two input sentences.
  2. Sentence neighborhoods: clouds of alternative sentences closely related to an input sentence.

Sentence neighborhoods are simpler than gradients. Given an input sentence, what if we imagine ourselves standing at its location in sentence space, peering around, jotting down some of the other sentences we see nearby?

Mlex sent the link together with a screenshot of his own experiment with gradients between two sentences: “I put in the opening and closing phrases of Dhalgren and got the output (in the screenshot attached).”

(2) JUKKA WINS. The Finnish Science Fiction and Fantasy Writers Association presented Worldcon 75 chair Jukka Halme with the Cosmos Pen Award, their highest honor.

(3) SPIRIT AWARDS. Get Out won the top two categories at today’s Film Independent Spirit Awards ceremony, Best Feature and Best Director.

The Spirit Awards recognize independent filmmakers. Read the full list of winners here.

(4) SUGGEST CHESLEY AWARD NOMINEES. The Association of Science Fiction and Fantasy Artists is seeking suggestions for 2017 works for consideration for this year’s Chesley Awards in the categories Hardback Cover, Paperback Cover, Magazine Cover, Interior Illustration, Gaming Related Illustration, Product Illustration, Color Work Unpublished, Monochrome Work Unpublished, Three Dimensional Art, Art Director, and Lifetime Artistic Achievement. Anyone can suggest works for consideration, you do not need to be an ASFA member.

The Suggestion form is here: https://goo.gl/v8QuzP

The gallery of works suggested so far is here.

The deadline is March 5.

(5) THESE BOOTS. Will Terry Goodkind get a veto over his next book cover? Although not yet displayed on the Macmillan website, another service is circulating this draft cover art for the third novel in his Nicci Chronicles series. Siege of Stone goes on sale December 31, 2018. Unfortunately, the banner obscures the character’s footwear, one of the things Goodkind criticized in his recent blast about the cover for Shroud of Eternity.

(6) DID PKD EVER COMPLAIN ABOUT HIS COVERS? Alicia Kroell, in “33 of the Weirdest Philip K. Dick Covers We Could Find” at LitHub, has unearthed some truly creepy covers!

(7) ASSEMBLY REQUIRED. Roy Scranton reviews an Iraqi sf novel in New Republic — “A Surreal Story from Baghdad”.

Frankenstein in Baghdad begins with an explosion in Baghdad’s Tayaran Square, the full significance of which doesn’t become clear until later, when the junk dealer Hadi tells his story to a group of journalists at a coffee shop. One, a German documentary-maker, leaves halfway through, laughing off Hadi’s tale as a fable stolen from a Robert De Niro movie. But Mahmoud al-Sawadi, an Iraqi magazine journalist, stays and listens closely, because what Hadi’s telling him is genuinely weird, even for Baghdad: how after the explosion he’d picked up someone’s nose off the street and sewed it onto the face of a corpse he’d been building in his shed. Then how, while he was sleeping, the corpse apparently got up and walked away.

Hadi’s a well-known liar, and a drunk to boot, but as Mahmoud discovers, this time the junk man was telling the truth. His story sparks the plot of Ahmed Saadawi’s brilliant, rueful novel, which won the 2014 International Prize for Arabic Fiction and has recently appeared in a crisp, moving, and mordantly humorous English translation from Jonathan Wright and Penguin Books. Hadi, it turns out, created a monster.

(8) STIERS OBIT. David Ogden Stiers, best known for playing Major Charles Emerson Winchester III on MAS*H, died March 3 at the age of 75. He also appeared in several genre TV shows, and had numerous voice acting roles in animated films.

Stiers was a prolific voice actor, working in eight Disney animated features including 1991’s Beauty and the Beast (in which he played Cogsworth), The Hunchback of Notre Dame (the Archdeacon), Pocahantas (Governor Ratcliffe) and Lilo & Stitch (Dr. Jumba Jookiba). He also voiced Kamaji in the English-dubbed version of Hayao Miyazaki’s Spirited Away.

(9) TODAY’S BIRTHDAYS

  • Born March 3, 1920James Doohan, Actor (Star Trek)
  • Born March 3, 1945George Miller, Director & Producer (Mad Max franchise)
  • Born March 3, 1958Miranda Richardson, Actor (Blackadder, Harry Potter)
  • Born March 3, 1980Katherine Waterston, Actor (Fantastic Beasts and Where to Find Them, Alien: Covenant)
  • Born March 3, 1982Jessica Biel, Actor (Blade: Trinity, Total Recall)

(10) TODAY’S BIRTHDAY DOMAIN

(11) WAKANDA AND COSPLAY. NPR explores how “‘Black Panther’ Brings New Visibility To Cosplayers Of Color”.

The film “Black Panther” has inspired black cosplayers around the country to be more visible within the cosplay community.

Cosplay, which is short for “costume play,” is when people wear often-handmade costumes to embody fictional characters from comic books and popular movies like Captain America and Star Wars. But black and other non-white cosplayers often feel excluded because non-white characters are rarely featured prominently in the fantasy worlds of comics. They are often relegated to the roles of sidekicks or villains rather than the superheroes.

But Black Panther, which features a black lead and a predominantly black cast, offers a multifaceted depiction of African life where people of color play both the villains and the heroes. These characters are transforming the playing field for non-white cosplayers like Tamara Heredia, a black cosplayer from Houston, Texas. …

(12) ANCIENT SAILORS. Learn Moana’s real history — “DNA sheds light on settlement of Pacific”.

Prof Reich, who is lead author of the study in Current Biology, added that Vanuatu was a “gateway to the remote Pacific islands… through that region of Vanuatu and neighbouring islands, people spread all over the Pacific”.

The first people to arrive in the islands belonged to the Lapita culture, who expanded out of Taiwan between 5,000 and 6,000 years ago, reaching Vanuatu about 3,000 years ago. “They were really talented seafaring people,” said Dr Cosimo Posth, from the Max Planck Institute for the Science of Human History in Jena, Germany. Dr Posth was co-author of the study in Nature Ecology & Evolution.

Their secret was the specialised outrigger canoe, which is characterised by the addition of lateral support floats which stabilise the main hull. This innovation, says Dr Posth, “allowed them to cover immense distances of the ocean”.

(13) BUTLER TALK. The Pasadena (CA) Museum of History will host a lecture, “Telling My Stories: The Pioneering Fiction of Octavia E. Butler”, on March 29 at 6:30. Tickets now on sale.

Join Natalie Russell, Assistant Curator of Literary Collections at the Huntington Library and curator of the recent Huntington exhibition, Telling My Stories: The Pioneering Fiction of Octavia E. Butler, for this lecture in celebration of Womens History Month and in conjunction with the new exhibition Dreaming the Universe. Octavia E. Butler was the first female African American writer to make science fiction her career. A shy, only child from Pasadena, she dreamed of ordinary people in extraordinary worlds, and extraordinary people in ordinary worlds, and put them on the page. Her stories brought the voice of women of color to a genre traditionally dominated by white men. That powerful voice tackled issues, not just about race, but themes that continue to resonate with a wide audience: power, identity, gender, class, the environment, and what it means to be human.

This program is presented in partnership with the Historical Society of Southern California – George A. V. Dunning Lecture Series.

Tickets include light refreshments and entrance to the exhibition Dreaming the Universe: The Intersection of Science, Fiction, & Southern California starting at 5:30 pm. Tickets: Members $10; General $15. Advanced ticket purchase is recommended, visit https://octaviabutlerlecture.brownpapertickets.com.

(14) APPRENTICED TO A PILOT. From 2012, John Hodgman presents “Dana Gould as Maurice Evans as Dr. Zaius as Hal Holbrook as Mark Twain.” And I’ll throw in a twisted Gilbert & Sullivan reference as the headline.

[Thanks to JJ, Chip Hitchcock, Alan Baumler, Mark Hepworth, Cat Eldridge, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 9/30/17 Anyway For All The Things You Know Tell Me Why Does Appertainment Flow

(1) VERSUS ORVILLE. Nick Izumi conducts his own “Trek Off: Comparing ‘The Orville’ to ‘Star Trek: Discovery’” at Nerd & Tie.

Production Design:

The Orville‘s sets and costumes are also reminiscent of 90s Trek. The inside of the ship is well lit, the Bridge design is almost one-to-one with any Federation ship from Star Trek. Event the titular ship basically has a saucer section and light-speed engines in the back. It really doesn’t look bad, all things considered, just really derivative. We all know it wants to be Star Trek, it just legally isn’t. The show does still look very nice, and it’s not just the ins and outs of the ship — the alien make-up is on point. With some occasional cheesy exceptions, you can’t knock The Orville‘s look.

Discovery uses mostly familiar Trek design language, but the budget is clearly much higher than the TV Trek shows that came before it. This has its ups and downs. Some may not take to the very Kelvin Timeline inspired look of the interiors of the Starfleet ships. The new uniforms also seem to be a continuity hiccup, but they honestly look so snazzy, I personally can’t knock them.

What I will knock is the designs of everything Klingon. While Klingon fashion could easily be different in different parts of the universe, the look of the Klingon’s heads and the design language of their ships simply does not match with the established Klingon aesthetic. Frankly, these deviations are not the kind that are easy to overlook. Still, if it serves the story, there’s then I see it as very deal-with-able.

(2) NOT A FAN. NPR’s Glen Weldon dissects the new TV show: “Introducing … The Inept, Inert ‘Inhumans'”

…OK, that’s exactly what you just said abou-

The thing about mutants, see, is that their special abilities manifest, most often, in adolescence.

Uh-huh.

But with Inhumans, their special abilities only manifest when they’re exposed to a special substance called the Terrigen Mists!

“The Terrigen Mists.”

… Which happens, generally speaking, in their adolescence.

[Sigh.]

Generally but not exclusively! I hasten to point out!

Great. So this show is about a bunch of Not-Mutants. With special abilities.

… Who live on the moon, yes. In a city called Attilan, invisible to humans. They have a king named Black Bolt, played here by a pair o’cheekbones named, improbably enough, Anson Mount. Black Bolt’s voice is hugely destructive, so he never speaks. His queen is Medusa, played by Serinda Swan. She’s got long red hair with tresses that can punch and choke and, I don’t know, play the bass line to Primus’ “Jerry was a Race Car Driver,” probably.

There’s also Black Bolt’s brother Maximus, played by Game of Thrones‘ Iwan Rheon, adding another villain to his IMDB page, although this time a strangely joyless one. He didn’t get special powers when he was exposed to the Terrigen Mists as a kid, which happens sometimes. When it does, the little nonspecial Inhuman in question usually gets sent to the moon mines. But Maximus’ status as a member of Attilan’s royal family kept him free to plot and brood and generally skulk around like a low-key Loki….

(3) APEX MAGAZINE IN PRINT. Jason Sizemore says the “Exciting changes for Apex Magazine in 2018” include the availability of print-on-demand copies of each issue.

Beginning with the January, 2018 double issue (#104), the issue’s content will be published in a 5.5? x 8.5? paperback edition using a POD service and made available for sale from Amazon (and it’s affiliates). The price will be $6 to $8 for a single issue, depending on the size of the content month-to-month. It will only be available for purchase as single issues from Amazon (and possibly Apex–TBD).

When will the print edition become available? About 1 week after the digital release (first Tuesday of each month) of each eBook edition.

What about subscriptions? Subscriptions will only be available as a Patreon backer reward level. There will be a $10 a month backer level (for domestic US backers) that will insure you receive the print version every month. A level will be created for international backers to account for the difference in shipping costs.

Subscriber copies will ship about 2 weeks after the digital release.

Will it have all the short fiction that’s in the digital edition? Yes.

And the nonfiction? Yes.

What about the incredible cover art? Yes. In fact, this was our top priority.

Our January issue is filled with double the stories. Right now, we have original work by Nisi Shawl, Delilah S. Dawson, Nick Mamatas, and Benjamín Naka-Hasebe Kingsley.

(4) CBS TAX STATUS RESTORED. In July, the Carl Brandon Society announced that its IRS tax exemption was reinstated. Nisi Shawl wrote:

The Carl Brandon Society’s Steering Committee is very happy to announce that the U.S. Internal Revenue Service has reinstated our organization as an official 501 (c) 3 nonprofit, tax- exempt group–and furthermore that this nonprofit status has been made retroactive to the date it was first revoked, back in 2013. Donations to us are now itemizable for those past years as well as for all years going forward.

Although we’ve been presenting our Octavia E. Butler Scholarships during this temporary revocation period, and also have been actively pursuing the selection of winners of the Kindred and Parallax literary awards, you may have noticed a lull in our fundraising activities. Now that we can safely guarantee the 501 (c) 3 classification applies to us and all your gifts to us, please feel free to help us out!

Of course this great news inspires us to put more energy into our many programs–the Scholarships, the awards, the panels and parties and online discussions and all the other work the Carl Brandon Society carries out to support the presence of POC in the fantastic genres. It also sharpens our commitment to preventing the unfortunate miscommunications that originally caused the temporary revocation of our nonprofit status. To that end we expect to put together annual reports on what we’re doing, how we’re doing it, and where we stand financially and in terms of our programmatic goals. Look for the first of these reports by February 2018.

(5) FAUX KITSCHIES. The award was on hiatus last year, but a leading author helpfully filled the gap – “Adam Roberts Phantom Kitschies 2016”.

Adam Roberts, in typical overachieving fashion, managed to read enough books to populate a full and complete shortlist.

Adam Roberts

No Kitschies were awarded last year. 2016 was a Kitschless year—for one year only it was Nitch on the Kitsch. Which was a shame, since 2016 saw a wealth of (to quote the Kitschies’ remit) ‘progressive, intelligent and entertaining works containing elements of the speculative or fantastic’. So, [*clears throat*] in my capacity a former judge, I thought I’d post some speculative short-lists for the year the prize didn’t happen….

(6) SHEEP DREAMS. NPR’s Chris Klimek loves it: “‘Blade Runner 2049’: Even Sharper Than The Original”.

“I hope you don’t mind me taking a liberty” are the first words spoken in Blade Runner 2049, an unlikely sequel to the oft-revised Ridley Scott sci-fi sleeper that has confounded and divided normals — and been an object of adoration for nerds — for 35 years.

I certainly don’t mind. This inspired, expansive follow-up, for which Blade Runner screenwriter Hampton Fancher returned, though Scott handed the directorial reins to Sicario and Arrival‘s Denis Villeneuve, is less a generational iteration from its precursor than an evolutionary leap. It chews on the many existential questions introduced in Blade Runner — if our machines can think and feel, are they still machines? How do we know our memories can be trusted? Do androids dream of electric sheep, or unicorns or whatever? — more fully and more satisfyingly than Blade Runner did. Yes, even The Final Cut, which came out some 25 years after the original.

(7) CAMERA NOT SO OBSCURA. France strikes back against unreal body images: “Is she Photoshopped? In France, they now have to tell you”.

It’s no secret that images of models are often retouched to make their bodies look thinner or curvier in certain places, to lengthen their legs to mannequin-esque proportions, or to smooth out their skin and widen their eyes.

From Sunday, in France, any commercial image that has been digitally altered to make a model look thinner will have a cigarette-packet style warning on it.

“Photographie retouchée”, it will say, which translates to “edited photograph”.

Anyone flouting the new rule could be fined €37,500 (£33,000) or 30% of the cost of creating the ad.

(8) UNDERAPPRECIATED. In “FFB: Kit Reed, 1932-2017 and some of her peers”, Todd Mason has more to say about the late author, an early nominee for the Best New Author Hugo.

Reed, as noted here last year, started her writing career as a professional journalist, and made a mark, winning industry awards before selling her first short story to The Magazine of Fantasy and Science Fiction in 1958, “The Wait”…one rather pathetic colleague at the New Haven Register, she recounted not too long ago, would make a point of pulling her office typewriter off her desk and taking over to a corner where he would type out his own attempts at stories, and claimed, upon learning of her F&SF sale, to have sold a story to The New Yorker, which would be appearing Real Soon Now. Reed continued to place fiction with F&SF, and branched out to the Yale Literary Magazine, Robert Lowndes’s  Science Fiction, Joseph Payne Brennan’s Macabre, and by 1960 Redbook…while her colleague had slunk off somewhere to await his further stories’ appearance in equally imaginary issues of The Dial and Scribner’s, no doubt.

(9) TODAY IN HISTORY

  • September 30, 1953 — Mad science classic Donovan’s Brain debuts.
  • September 30, 1959 Men Into Space premiered on television.
  • September 30, 1960 – The day we met The Flintstones
  • September 30, 1988 Elvira, Mistress of the Dark premieres in theaters.

(10) TODAY’S BIRTHDAY BOY

  • Born September 30, 1946 – Director Dan O’Bannon

(11) TAKING CARE OF NUMBER ONE. Yesterday marked a half-century since the show first aired in Britain: “Number Six At 50: The 50th Anniversary Of ‘The Prisoner'”.

As the series went on, and those symbolic elements kept piling up, it became clear that McGoohan — who created the show — was offering an extended, increasingly surreal allegory about the battle of the individual against society.

In the final episode, all that allegorical, Kafkaesque stuff bubbles over. Characters representing Youth and The State deliver monologues about Freedom and Rebellion.

Number Six escapes the prison of the Village but not the prison of himself — get it?

… No, yeah, lots of people didn’t. They wanted clear answers — Where WAS the village? Which side ran it? Who WAS Number One? — but McGoohan gave them symbols and speeches.

(12) DRAWN THAT WAY. At CBR.com, Kieran Shlach says “It’s Time For DC to Acknowledge HG Peter, Wonder Woman’s Co-Creator”.

This year has been a phenomenal year for Wonder Woman. The iconic Amazon has risen to new heights of popularity thanks to the instant-classic story told by Greg Rucka, Liam Sharp, Nicola Scott and Bilquis Evely as part of DC Rebirth, a blockbuster feature film which blew the doors off even the wildest of expectations, and a new biopic chronicling the life and times of Wonder Woman’s creator William Moulton Marston, his wife Elizabeth and their lover Olive.

However, among all those works there’s one name that you won’t see: Harry George Peter, the artist who helped bring Wonder Woman to life along with Marston in the page of 1941’s All-Star Comics #8.

More often than not, comic books are a collaborative format, and everyone deserves credit for their role in that collaboration. The history of comics as an industry is riddled with horror stories of creators being mistreated by publishers when it comes to work-for-hire projects, but recent years has seen those same publishers attempt to make amends. HG Peter created Wonder Woman as much as William Moulton Marston did, and he deserves to be credited for that right alongside his collaborator.

(13) NOT SO SIMPLE MATH. Galactic Journey turns its spotlight to “[September 30, 1962] The Woman Pioneers of Space Exploration”.

But while the Journey has covered the Space Race in lavish detail, it has devoted little space to the woman scientists and engineers involved behind the scenes.  In part, this is because space travel is a new field.  In part, it’s because science is still a heavily male-dominated arena.  While women have risen to prominence as scientists for centuries, from Émilie du Châtelet to Marie Curie to Grace Hopper, it is only very recently that they have made their way to the top ranks of space science.

Times have changed, and there is now a vanguard of women leading the charge that will perhaps someday lead to complete parity between the sexes in this, the newest frontier of science.  To a significant degree, this development was spurred by the digital computer, which you’ll see demonstrated in several of the entries in this, the first installment of The Second Sex in Space Exploration….

(14) MONSTERS FROM THE ODD. At Camestros Felapton’s blog, Timothy the Talking Cat threatened France with a lawsuit in “Tim’s Legal Updates”.

Timothy: I’m going to sue FRANCE. France as the thing that is itself France. Not ‘the French’ not the French Government. Not any kind of the adjectival case of France but France strictly as a noun.

Camestros: Ah, you’ve been at the Krell machine again and given yourself a brain boost, haven’t you?

Timothy: I may have partaken a smidgen. How can you tell?

There followed an official (?!?) response from France channeled by the commenter known as KR:

RE: Cease and Desist – Harassment

Dear Sir:

This letter serves as notice to you and your id monster immediately to cease and desist all harassing activities towards my client the historico-geographic entity currently known as France, aka La Cinquième République, aka La Ve République.

Among your many unwanted gestures, I refer you to the time when you bombarded my client with thousands of documents and old VHS cassette tapes pretending to be Gérard Depardieu making an attempt to regain his citizenship. You sent the Ministre des Affaires sociales et de l’emploi 1848 copies of The Fountainhead with hopes of persuading them of the evils of unionized labour and long summer holidays. You gravely insulted la francophone mondiale by launching a YouTube channel in which you hire Jesse Watters to dress like a mime and throw “Freedom fries” at Antifa in the name of free speech….

And it goes on. As these things do.

(15) PUBLISHED DECISION. This is John Hodgman’s column from the September 17 New York Times Magazine, “Judge John Hodgman on Coerced Bedtime Stories”:

Morgann writes: I bring a case against my husband, Ben, who is an incredibly talented short-fiction writer. I struggle with falling asleep, especially after a stressful workday. I often ask Ben to tell me a short story to help me get sleepy. Ben absolutely refuses. He uses precious wind-down time arguing with me instead of just telling me a silly little story.

There is never a night when my wife asks me to write a short, judgy newspaper column — she knows that I get paid to do that. Also, it would not help her sleep, because I chisel all my first drafts into stone, loudly. (There are no second drafts.) Even if Ben does not write for money, it’s still the case that creativity is work and usually highly personal. Ben deserves as much wind-down time as you do.

(16) TEENIE WEENIE VIBRATION. With the help of colorful animations and graphics, a YouTuber explained “The Absurdity of Detecting Gravitational Waves” in a video released this past January.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]