From the large number of stories that series editor John Joseph Adams screened for this year’s collection, he picked the 80 best pieces to submit to editor Veronica Roth for a blind reading, so that the prestige of the venues or author bylines were not a factor. (The ones Adams designated as notable are shown in a table at the link). Roth then selected 20 for publication (ten science fiction, ten fantasy, (highlighted in green on the table.)
The book will be published on October 12.
Here is the Table of Contents with the 20 stories they thought the best.
Glass Bottle Dancer by Celeste Rita Baker from Lightspeed
The Long Walk by Kate Elliott from The Book of Dragons
The Cleaners by Ken Liu from Faraway
Tiger’s Feast by KT Bryski from Nightmare
Crawfather by Mel Kassel from F&SF
Two Truths and a Lie by Sarah Pinsker from Tor.com
Let’s Play Dead by Senaa Ahmad from The Paris Review
And This is How to Stay Alive by Shingai Njeri Kagunda from Fantasy
Our Language by Yohanca Delgado from A Public Space
The Rat by Yohanca Delgado from One Story
One Time, a Reluctant Traveler by A. T. Greenblatt from Clarkesworld
Skipping Stones in the Dark by Amman Sabet from F&SF
Brother Rifle by Daryl Gregory from Made to Order: Robots and Revolution
Schrodinger’s Catastrophe by Gene Doucette from Lightspeed
The Plague Doctors by Karen Lord from Take Us to a Better Place: Stories
Survival Guide by Karin Lowachee from Burn the Ashes (The Dystopia Triptych, Vol. 2)
The Pill by Meg Elison from Big Girl
The Beast Adjoins by Ted Kosmatka from Asimov’s
How to Pay Reparations: a Documentary by Tochi Onyebuchi from Future Tense
Beyond the Dragon’s Gate by Yoon Ha Lee from Tor.com
Guest editor Veronica Roth is the best-selling author of the Divergent series (Divergent, Insurgent, Allegiant, and Four: A Divergent Collection), the Carve the Mark duology (Carve the Mark, The Fates Divide), and Chosen Ones. She is a board member of YALLFest, the biggest YA book festival in the country, and YALLWEST, its sister festival. She lives in Chicago, Illinois.
…The Arkham House Archive contains over 4000 letters and documents related to publications issued by Arkham House, Mycroft & Moran and Stanton & Lee between 1939 and 1971, as well as correspondence and business papers related to Derleth’s activities as writer and editor for other publishers, including his editorial work as an anthologist in the 1940s and 1950s, and as a TV scriptwriter in the 1950s. This archive is a highly important collection of letters and documents. The core of the archive is correspondence, often extensive, from several hundred authors whose work Derleth published under his own imprints or in his highly important non-Arkham House anthologies published in the 1940s and 1950s, as well as manuscripts, mostly typewritten (including fair copies and carbons), submitted by Arkham House authors.
… These business papers largely predate the August William Derleth Papers held by the Wisconsin Historical Society, as “most of the pre-1963 materials were destroyed when this collection was originally processed, so substantially complete records survive only for the years between 1963 and 1970.”
(2) ROSWELL JUDGE. Light Bringer Project has introduced S.B. Divya as one of the Finalist Judges for the Roswell Award international short science fiction story competition from writers age 16 and older.
S.B. Divya is a lover of science, math, fiction, and the Oxford comma. She enjoys subverting expectations and breaking stereotypes whenever she can. Divya is the Hugo and Nebula–nominated author of Runtime and co-editor of Escape Pod (anthology), with Mur Lafferty. Divya also co-host of the premier science fiction podcast magazine, Escape Pod.
Her short stories have been published at various magazines including Analog, Uncanny, and Tor. Her collection, Contingency Plans For the Apocalypse and Other Situations, is out now from Hachette India. Machinehood is her debut novel from Saga Press. She holds degrees in computational neuroscience and signal processing, and she worked for twenty years as an electrical engineer before becoming an author.
Find out more about her at SBDivya.com or on Twitter as @DivyasTweets.
(4) NIGHT AT THE MUSEUM. [Item by Martin Morse Wooster.] In the March 10 Financial Times, Tom Faber discusses how video games incorporate museums into their gaming.
In 2020’s Spider-Man: Miles Morales, the hero is excluded from a science museum as a child but returns later as the titular web-slinger, leaping triumphantly between the wings of rockets suspended from the ceiling. Here the museum space is shorthand for lost innocence, playing on gamers’ memories of school trips to exhibitions. This same effect is pulled off more artfully in The Last Of Us Part II, which features a poignant flashback sequence in an abandoned museum of science and history. In the ruined atrium, flooded with sunlight and overtaken by vines, the complex relationship between protagoinist Ellie and her father-figure Joel is infused with tenderness as they play on dinosaur skeletons and enter the command module of an Apollo spacecraft, forgetting the zombie-infested world outside for a few blissful moments.
In-game museums sometimes serve instead of meta-commentary, spaces where games tell the story of their own creation. The joyous PS3 platformer Astro’s Playroom is a living exhibition of Sony’s greatest hits, while old Ratchet And Clank games contain secret levels which teach players about how developers created the game’s physics and environments. Most imaginative is the post-credits museum of Call Of Duty 2: Modern Warfare, remastered last year, where players can scrutinise character models, environments and weapons from the game. Looking closely at each diorama–zooming in via the scope on your sniper rifle, naturally–reveals the extraordinary detail put into each component. A tempting red button causes the exhibits to spring to life and attack.
(5) SMARTEST GUY IN THE ROOM? [Item by Martin Morse Wooster.] Isaac Asimov’s autobiography In Joy Still Felt discusses how in 1958 he was approached to be on a quiz show called Brain or Brawn and he declined to appear. Asimov writes, “I thought of Sprague de Camp, who managed to get on The $64,000 Question and who (for reasons known only to himself and God), chose motion pictures as his category, then muffed the very first question.”
I’d be interested in stories about fans and pros being on quiz shows. Ray Bradbury appeared on an episode of You Bet Your Life in 1956.
… The White Rabbit never says, “The hurrier I go, the behinder I get,” nor does the Mad Hatter say, “I am under no obligation to make sense to you.” The quote attributed to the Queen of Hearts – “That’s enough! Off with their head” – is almost right; she was after “heads”.
Dr Franziska Kohlt, editor of the Lewis Carroll Review, says she’s always spotting Carroll misquotes. “I saw a post about the coins on a collectors’ page, and almost automatically went checking for the quote, thinking, ‘Oh I hope they haven’t – oh no they have,” she said. “Misattributed Alice quotes are absolutely everywhere.”
Kohlt said that the “hurrier I go” and the “I am under no obligation!” quotes are “absolutely not Carroll quotes, as much as the internet insists”. “You wouldn’t believe how often we have to deal with these misquotes. I even find them in academic papers,” she said….
(7) TRIVIAL TRIVIA.
Anthony J. Lumsden conceived a design so advanced for the Van Nuys sewage facility that the building stood in for Star Trek’s Starfleet Academy (see it in Star Trek: The Next Generation, Star Trek: Voyager, and Star Trek: Deep Space Nine). 6100 Woodley Ave., Van Nuys. (See “Scene It Before: The Japanese Garden from Star Trek” in Los Angeles Magazine.)
(8) JAMES FOLLETT OBIT. British writer James Follett (1939-2021) died January 10. Blake’s 7 fans knew him as the scriptwriter for the “Stardrive” and “Dawn of the Gods” episodes. In the Seventies he wrote many genre plays for BBC Radio 4’s Afternoon Theatre, Just Before Midnight, and Saturday Night Theatre. In the Eighties he created Radio 4’s acclaimed SF serial Earthsearch, and later wrote three novels based on it. Altogether he wrote 11 sff novels, several computer games, and many radio and TV scripts. (He was the cousin of Ken Folett.)
(9) MEDIA BIRTHDAY.
March 15, 1981 — On this date in 1981, Scanners premiered. Directed by David Cronenberg and produced by Claude Héroux, it starred Jennifer O’Neill, Stephen Lack, Patrick McGoohan, Lawrence Dane and Michael Ironside. Reviewers, with the exception of Roger Ebert who despised it with all of his soul, generally liked it, and reviewers at Rotten Tomatoes currently give it a healthy sixty four percent rating among audience reviewers. The same cannot be said for the sequels which have ratings of seventeen and eighteen percent among those same reviewers.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 15, 1852 – Augusta, Lady Gregory. Folklorist, playwright, theatre manager. Vital to Irish Literary Revival. For us, collected and retold Irish tales e.g. “The Three Sons”, Cuchulain of Muirthemne. Bernard Shaw called her the greatest living Irishwoman. (Died 1932) [JH]
Born March 15, 1924 — Guy Williams. Most remembered as Professor John Robinson on Lost in Space though some of you may remember him as Don Diego de la Vega and his masked alter ego Zorro in the earlier Zorro series. (Is it genre? You decide. I think it is.) He filmed two European genre films, Il tiranno di Siracusa (Damon and Pythias) and Captain Sinbad as well. (Died 1989.) (CE)
Born March 15, 1943 — David Cronenberg, 78. Not a Director whose tastes are at all squeamish. His best films? I’d pick Videodrome, The Fly, Naked Lunch and The Dead Zone.Though I’m tempted to toss Scanners in that list as well. ISFDB says he has one genre novel, Consumed, which garnered a Bram Stoker Award nominated for A Superior Achievement in a First Novel. Oh and he was in the film version of Clive Barker’s Nightbreed. (CE)
Born March 15, 1926 – Rosel Brown. Three novels (one with Keith Laumer), two dozen shorter stories. Recent reprint collection Earthblood (6 by RB, 3 by KL, 1 by both). Had an M.A. in Greek, too. (Died 1967) [JH]
Born March 15, 1933 – Al Lewis, age 88. Chaired Westercon 15. Long active in LASFS (Los Angeles Science Fantasy Society); first to receive its Evans-Freehafer Award (service). Produced The Genie and The Musquite Kid Rides Again, famous in song and story. [JH]
Born March 15, 1937 – Dan Adkins. A dozen covers, two hundred twenty interiors. Fanart for e.g. Double:Bill (he has five in this issue – PDF), Vega, Xero (he’s in The Best of “Xero”), Yandro. Fanzine, Sata (later by Bill Pearson). Here is the Nov 66 If. Here is the Jul 69 Galaxy. Here is the Sep 71 Amazing. Later worked with Wally Wood and for DC, Marvel, Dell. Here is Doctor Strange 169. Here is an interview by Roy Thomas. Sinott Hall of Fame. (Died 2013) [JH]
Born March 15, 1948 — Carl Weathers, 73. Most likely best remembered among genre fans as Al Dillon in Predator, but he has some other genre creds as well. He was a MP officer in Close Encounters of the Third Kind, General Skyler in Alien Siege, Dr. Artimus Snodgrass in the very silly The Sasquatch Gang comedy and he voiced Combat Carl in Toy Story 4. And no, I’m not forgetting he’s currently playing Greef Karga on The Mandalorian series. I still think his best role ever was Adam Beaudreaux on Street Justice but that’s very, very not genre. (CE)
Born March 15, 1949 — Lawrence Kasdan, 72. Director, screenwriter, and producer. He’s best known early on as co-writer of The Empire Strikes Back, Raiders of the Lost Ark and Return of the Jedi. He also wrote The Art of Return of the Jedi with George Lucas which is quite superb. He’s also one of the writers lately of Star Wars: The Force Awakens and Solo: A Star Wars Story. (CE)
Born March 15, 1962 — Jemma Redgrave, 59. Her first genre role was as Violette Charbonneau in the “A Time to Die” episode of Tales of the Unexpected which was also her first acting role. Later genre roles are scant but include a memorable turn as Kate Lethbridge-Stewart, daughter of Brigadier Lethbridge-Stewart on Doctor Who. Not at all surprisingly,she has also appeared as Stewart as the lead in myriad UNIT adventures for Big Finish Productions. (CE)
Born March 15, 1965 – James Barclay, age 56. A dozen novels, half a dozen shorter stories. Guest of Honour at FantasyCon 2008, Master of Ceremonies at FantasyCon 2010. “Barclay Rambles On” in BFS Journal 10 (British Fantasy Society). Two children, two dogs – meaning a total of four, not two. [JH]
Born March 15, 1967 — Emily Watson, 54. Her first genre appearance is in Equilibrium as Mary O’Brien before voicing Victoria Everglot in Tim Burton’s Corpse Bride. Next is she’s Anne MacMorrow in the Celtic fantasy The Water Horse: Legend of the Deep. She appeared apparently in a Nineties radio production of The Wolves of Willoughby Chase but I’ve no information on it. (CE)
Born March 15, 1980 – Julie Cross, age 41. Three novels, one shorter story for us; several others. NY Times and USA Today Best-Seller. Gymnast and coach. Has read The Odyssey, Native Son, One Flew Over the Cuckoo’s Nest, The Adventures of Huckleberry Finn. [JH]
John Joseph Adams was a guest lecturer at the 2020 Odyssey Writing Workshop. In this excerpt from a question and answer session, he talks about worldbuilding and what he’d most like to see in submissions.
John is the editor of John Joseph Adams Books, a science fiction and fantasy imprint from Houghton Mifflin Harcourt. He is also the series editor of Best American Science Fiction and Fantasy, as well as the bestselling editor of more than thirty anthologies, including Dead Man’s Hand, Robot Uprisings, Oz Reimagined, The Mad Scientist’s Guide to World Domination, Other Worlds Than These, Armored, Under the Moons of Mars, Brave New Worlds, Wastelands, The Living Dead, The Living Dead 2, By Blood We Live, Federations, The Improbable Adventures of Sherlock Holmes, and The Way of the Wizard.
Recent books include Cosmic Powers, What the #@&% Is That?, Operation Arcana, Press Start to Play, Loosed Upon the World, and The Apocalypse Triptych.
John is also the editor and publisher of the magazines Lightspeed and Nightmare.
2. DONNA SHIRLEY WAS INSPIRED BY SCI-FI NOVELISTS RAY BRADBURY AND ARTHUR C. CLARKE.
At age 12, Shirley discovered—and devoured—Ray Bradbury’s The Martian Chronicles at the Wynnewood public library. Her earthbound teenage endeavors included editing her high school yearbook and playing cymbals in the marching band, but her space dreams were powered by Jimmy, the protagonist of Arthur C. Clarke’s The Sands of Mars, who makes a seven-month voyage to the planet. In her 1998 autobiography Managing Martians, Shirley recalled, “Clarke described a world that was my ideal of community and comradeship.”
(13) SET IN DC. In the Washington Post, Fritz Hahn, Anyang Guo, and Angela Haupt ask various people for their favorite books set in Washington. Michael Dirda recommends This Shared Dream by Kathleen Ann Goonan, set in an alternate universe 1991 where JFK wasn’t assassinated and Martin Luther King becomes U.N. ambassador. “The best books about Washington D.C.”. One other sff novel is mentioned —
“Lincoln in the Bardo” by George Saunders
I had often passed beautiful Oak Hill Cemetery on my walks around the city, but I didn’t get obsessed with it until I read “Lincoln in the Bardo,” a novel that might be described as a phantasmagoric “Spoon River Anthology” with footnotes. Set at the cemetery, and told by ghosts, it’s hilarious, disturbing and poignant by turn. George Saunders was inspired to write it after hearing about Lincoln’s visits to the cemetery to see his young son Willie, who temporarily lay in the Carroll Family Mausoleum after his death in 1862. The first time I tried to visit Oak Hill it was closing time, but an employee told me I could get a key and enter any time if I bought a plot, an idea I haven’t entirely ruled out. In the meantime I’ll make due with visiting hours.
(14) MUPPET KNOWLEDGE. In “The Muppets Find Out Which Muppet They Are” on YouTube, the Muppets take BuzzFeed’s Muppet quiz to determine which Muppet they are, a process one Muppet called “very meta.”
(15) VIDEO OF THE DAY. In “300 Pitch Meeting” on ScreenRant, Ryan George says that 300 is set in Sparta, “a Greek city state where shirts have been outlawed” and the film consists of “slow-motion fight scenes with very muscular men wearing very tight thongs.”
[Thanks to Nick Eden, John Hertz, Mike Kennedy, Andrew Porter, JJ, Michael Toman, Martin Morse Wooster, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Houghton Mifflin Harcourt is ending its John Joseph Adams Books sff imprint after five years. Adams told Facebook followers:
Sad news, friends: HMH has decided to discontinue John Joseph Adams Books. We’ve still got several books forthcoming, and those will still be published, but nothing new beyond those, alas. Cheers to all of the authors who went on this ride with me, and to all who bought & read.
Adams emphasized that HMH is still publishing another project:
I should note that Best American Science Fiction and Fantasy is not connected to JJA Books in a technical sense, so the 2020 and 2021 volumes of that will still be published, and then we’ll see. This doesn’t impact whether or not THAT continues.
And he added, “This also has no impact on Lightspeed or Nightmare [magazines] or the impending relaunch of Fantasy, or any of my anthologies.”
[Thanks to rcade and Andrew Porter for the story.]
(1) CLARION ZOOMS THROUGH THE SUMMER. Join the Clarion Conversations, a series of Zoom-based conversations about writing speculative fiction “with a just tiny fraction of the amazingly talented Clarion alumni, instructor, and broader community.” RSVP each conversation via the links below:
Editing Speculative Fiction and Poetry – July 22, 5pm PT / 8pm ET (register here)
This week, our guests are John Joseph Adams, Ruoxi Chen, and Brandon O’Brien, moderated by Theodore McCombs. We’ll be discussing the state of publishing speculative fiction and poetry and how these three editors approach their work.
Holly Black and Kelly Link in Conversation – July 29, 5pm PT / 8pm ET (register here)
For our final week, we’re thrilled to have the incredible Holly Black and Kelly Link in conversation about craft, community, surviving as a writer, and what Clarion has meant to them.
…”In my early teens, I assumed science fiction was about the future,” Gibson says of his days reading writers like Robert Heinlein. “But it was about how the future looked to Robert Heinlein in 1942, which was very different to how the future looked to him in 1960. By the time I began to write science fiction, I took it for granted that what I was doing was writing about the present.”
…The Baby Yoda dispenser comes in a set along with a Mandalorian dispenser and grape, lemon, and strawberry PEZ candy. The new Harry Potter dispensers are already available on the PEZ site, but the Mandalorian candy set is not, so it’s unclear when exactly these will be available online or if they’ll be available in stores as well.
In the past few years, Muslim women have quietly taken the speculative fiction publishing industry by storm, earning rave reviews with fantasy and science fiction narratives that upend both the genre’s historic lack of diversity and popular depictions of women and Islam.
Last year alone, mainstream publishing houses released at least 13 fantasy and sci-fi books written by Muslim women in English, from Farah Naz Rishi’s debut “I Hope You Get This Message” to Karuna Riazi’s middle-grade novel “The Gauntlet.”
At least another dozen, including sequels to Hafsah Faizal’s instant New York Times bestseller “We Hunt the Flame” and Somaiya Daud’s award-winning “Mirage,” are in the works….
(6) LEWIS OBIT. Civil Rights legend Rep. John Lewis died died July 17 of cancer.
…His passion for equal rights was backed by a long record of action that included dozens of arrests during protests against racial and social injustice.
A follower and colleague of Martin Luther King Jr., he participated in lunch counter sit-ins, joined the Freedom Riders in challenging segregated buses and — at the age of 23 — was a keynote speaker at the historic 1963 March on Washington.
When Rep. John Lewis and Andrew Aydin wrote a graphic novel trilogy March about the Civil Rights Movement, Lewis went to Comic-Con to promote it.
All three March books were Eisner Award nominees — the second and third volumes won the award (2016, 2017). Lewis received San Diego Comic-Con’s Inkpot Award in 2017.
Founder of the Type Archive dedicated to rescuing the remains of the letterpress printing industry
In 1970 the price of lead went through the roof, and the art, craft and industry of letterpress printing, essentially unchanged for five centuries, became suddenly vulnerable. Property speculators, rival technologies and alternative media all threatened a world dependent on precision engineering and subtle manual skill. To Susan Shaw, who has died aged 87, this was a challenge to which she devoted the rest of her life, and in 1992 she founded the Type Museum (now the Type Archive) in Stockwell, south London, to rescue the remains of the dying industry.
In that year, the Monotype Corporation, pioneers of the leading type-composition system, went into liquidation. Susan went to Salfords, near Redhill, Surrey, where the Monotype factory was, saw the size of the plant, and planned to take it over. She chatted up the owners of a 1900 industrial complex near her home in Stockwell, and persuaded them to sell it to a trust set up for the purpose, borrowing the money.
The main building had been a veterinary hospital, with floors solid enough to support circus elephants, and now heavier stuff. She next organised the transport of plant, keyboards, casting machines and associated equipment, together with all the records of the corporation worldwide, altogether several hundred tons. She called its transport and reinstallation Operation Hannibal, and an elephant became her trademark.
(8) MEDIA BIRTHDAY.
July 18, 2006 — Eureka premiered on the Sci-Fi Channel. In syndication, it was renamed A Town Called Eureka. It was created by Andrew Cosby who was responsible for the rebooted Hellboy film and Jaime Paglia who’s executive producer of the current Flash series. No, it doesn’t tie into the CW continuity but it did tie-in to the Warehouse 13 reality. It would last six seasons and seventy episodes with an additional eight web episodes forming the “Hide and Seek” story as well. The large ensemble cast included Colin Ferguson, Salli Richardson-Whitfield, Joe Morton, Debrah Farentino, Jordan Hinson, Ed Quinn, Erica Cerra, Neil Grayston, Niall Matter, Matt Frewer, Tembi Locke and James Callis.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 18, 1896 – Otto Gail (rhymes with “pile”). Science journalist and author; among the most popular German 1920s SF authors. Member of the German Interplanetary Society, knew Oberth and Valier. Five technologically realistic novels for us including juveniles, five nonfiction including a 20-booklet series. (Died 1956) [JH]
Born July 18, 1913 — Red Skelton. Comedian of the first order. The Red Skelton Hour ran for three hundred and thirty-eight episodes. He’s here because ISFDB says he wrote A Red Skelton in Your Closet which was also called Red Skelton’s Favorite Ghost Stories. He also has cameos in Around the World in Eighty Days and Those Magnificent Men in their Flying Machines, both of which I consider genre adjacent. (Died 1997.) (CE)
Born July 18, 1913 — Marvin Miller. He is remembered for being the voice of Robby the Robot in Forbidden Planet. He would reprise that role myriad times in the next few decades in such films and series as The Invisible Boy, the Lost in Space series and Gremlins. (Died 1985.) (CE)
Born July 18, 1921 – John Glenn. In fact he never liked science fiction, or what he knew of it, perhaps thinking, in a reverse of James Bond, “It lives better than it reads”. First-rate US Marines pilot (6 Distinguished Flying Crosses, 18 Air Medals); first supersonic flight across the US; only person to fly in both the Mercury and Space Shuttle programs; six terms as US Senator (Democrat – Ohio); flew on the Discovery at age 77 to help study Space and human age. NASA Distinguished Service Medal, US Astronaut Hall of Fame, Congressional Gold Medal, Presidential Medal of Freedom. Memoir, John Glenn. (Died 2016) [JH]
Born July 18, 1938 — Paul Verhoeven, 82. Responsible for Starship Troopers, Total Recall, Hollow Man and Robocop. He’s made the short list for the Hugo for Best Dramatic Presentation three times (Starship Troopers, Total Recall and Robocop) but was not won it. (CE)
Born July 18, 1943 — Charles G. Waugh, 77. Anthologist who is amazingly prolific. I count over two hundred anthologies, most done with co-anthologists, and many done with Martin Greenberg. Oft times a third anthologist would be listed, i.e. Poul Anderson for Terrorists of Tomorrow, or Isaac Asimov for Isaac Asimov’s Wonderful Worlds of Science Fiction series. (CE)
Born July 18, 1950 – Jay Kinney, 70. Bijou Funnies with R. Crumb, Jay Lynch, Skip Williamson. Hasn’t published his fanzine in a while, but here is a cover for Chunga (L to R, Hooper, Byers, juarez); here is a wise comment; here is his Clinic of Cultural Collison (noting Vaughan Bodé, who died on this day, 1975; name shared by Tex Jarman’s Uncle Bodie); here is “Welcome to the Late Show” for the Eagles. Letters in Banana Wings, Raucous Caucus (Relapse has, alas, relapsed). [JH]
Born July 18, 1963 – Sue Mason, 57. Standing for TAFF (Trans-Atlantic Fan Fund) she called herself “gamer, filker, costumer, dealer, apahack” modestly omitting she’s among our best fanartists. She won; we must’ve forgiven her. Ten covers, two hundred interiors, for Attitude, Banana Wings, Bento, Challenger, Idea, QuasiQuote, Twink. Eight Nova Awards as Best Fanartist, two Hugos. Part of the PLOKTA Cabal (PLOKTA = Press Lots Of Keys To Abort, the Journal of Superfluous Technology). Guest of Honor at Eastercon 55 (British nat’l convention), Minicon 38. MC’d the Masquerade costume competition at Intersection the 53rd Worldcon. Artwork for Aussiecon 4 the 68th Worldcon. Doc Weir service award. Rotsler Award, later judge. [JH]
Born July 18, 1966 — Paul Cornell, 54. Author of both the Shadow Police series and the Witches of Lychford novella series which are quite excellent as well as writing a lot of television scripts for Doctor Who, Primevaland Robin Hood. He was part of the regular panel of the SF Squeecast podcast which won two Hugo Awards for Best Fancast. And he scripted quite a bit of the Captain Britain and MI: 13 comic series as well — very good stuff indeed. (CE)
Born July 18, 1972 – Eve Marie Mont, 48. Time-travel tales send highschooler Emma Townsend into worlds she met in fiction, A Breath of Eyre, A Touch of Scarlet, A Phantom Enchantment. “I shouldn’t love Rochester [in Jane Eyre]… dark, arrogant, moody, mistakes in his life that are seriously hard to overlook…. I teach high school, and the teens I know are a far cry from the ones portrayed in the media…. It’s that sense of wonder and possibility in YA literature that really excites me.” Sponsors her school’s literary magazine. [JH]
Born July 18, 1982 — Priyanka Chopra, 38. As Alex Parrish in Quantico, she became the first South Asian to headline an American network drama series. Is it genre? Maybe, maybe not, though it could fit into a Strossian Dark State. Some of her work in her native India such as The Legend of Drona and Love Story 2050 is genre as Krrish 3, an Indian SF film she was in. She’s got a major role in the forthcoming Matrix 4 film. (CE)
Born July 18, 1990 – Kyle Muntz, 30. Five novels, poetry (is poetry fiction?), two shorter stories, dark-fantasy game The Pale City (also the name of his Website). Sparks Prize. Interviewed in Lightspeed. Has read two translations of Tu Fu (or, if you prefer, Du Fu), ranks them well above Zen and the Art of Motorcycle Maintenance. By turns impish and sinister. [JH]
(11) SUMMERTIME. Six critics lavish affection on “My Favorite Summer Blockbuster” in the New York Times. Lots of genre – you’re not surprised, are you? And it’s not all Marvel – though I was less impressed to see someone reach back in time for this film once I saw the call-out for its availability on the new Disney+ service.
Monica Castillo: ‘Who Framed Roger Rabbit’
Little was conventional about Robert Zemeckis’s 1988 film, “Who Framed Roger Rabbit,” which helped make it the highest-grossing film that summer and the year’s second top box office draw (behind “Rain Man”). This seedy drawing of Tinseltown took inspiration from film noir, and its story was set in the golden age of Hollywood studios, many of which were then in decline….
The British Board of Film Classification (BBFC) has confirmed Todd Phillips’ R-rated comic book drama “Joker” was the most complained about movie in the United Kingdom last year. The BBFC’s annual report has “Joker” topping the list of most complained about films with 20 complaints filed in regards to the movie’s age 15 classification.
The majority of complaints against “Joker” argued the film should’ve received an age 18 rating due to “violence and tone,” while a select few said the BBFC should’ve banned the movie altogether. The BBFC defended the age 15 rating for “Joker” because the film “doesn’t dwell on the infliction of pain or injury in a manner that requires an 18.”…
It’s often said in Canada that living next to the United States is like sleeping with an elephant: affected by every twitch and grunt. It’s a phrase that came to mind when reading Arkady Martine’s debut A Memory Called Empire, a sprawling and richly imagined novel about hegemony and loss of culture.
Set in the capital city of the vast Teixcalaanli interstellar empire, A Memory Called Empire follows Mahit Dzmare the new ambassador from the much smaller Lsel Stationer Republic as she investigates the murder of her predecessor and navigates a political crisis that could spell disaster for both nations.
Martine has delivered one of the most Asimovian science fiction novels we’ve read in recent memory, while making the narrative uniquely her own.
(14) VIRTUAL STAGE PLAY. Otherworld Theatre, Chicago’s premier science fiction and fantasy theatre will present Of Dice And Men – A Play about Dungeons and Dragons on their YouTube page on July 31 and will remain available for free until August 14, at which point it will move to Otherworld’s Patreon page. Tickets are FREE and can be obtained from Eventbrite or by subscribing to Otherworld’s YouTube page here.
(15) VIDEO OF THE DAY. “Let’s Work Together” on YouTube is a new collaboration between William Shatner and Canned Heat, which will be one track on a new blues album Shatner will release this fall.
[Thanks to JJ, Mike Kennedy, Chip Hitchcock, Olav Rokne, Michael Toman, John Hertz, Cat Eldridge, John King Tarpinian, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]
From the large number of stories that series editor John Joseph Adams screened for this year’s collection, he picked the 80 best pieces to submit to editor Diana Gabaldon for a blind reading, so that the prestige of the venues or author bylines were not a factor. (The ones Adams designated as notable are shown in a table at the link). Gabaldon then selected 20 for publication (ten science fiction, ten fantasy, (highlighted in green on the table.)
The book will be published on November 3.
Here is the Table of Contents with the 20 stories they thought the best.
Thirty-Three Wicked Daughtersby Kelly Barnhill from The Magazine of Fantasy & Science Fiction
Erase, Erase, Eraseby Elizabeth Bear from The Magazine of Fantasy & Science Fiction
Canst Thou Draw Out the Leviathanby Christopher Caldwell from Uncanny Magazine
The Freedom of the Shifting Seaby Jaymee Goh from New Suns
The Eight People Who Murdered Me (Excerpt from Lucy Westenra’s Diary)by Gwendolyn Kiste from Nightmare Magazine
Up from Slaveryby Victor LaValle from Weird Tales
Shape-ups at Delilah’sby Rion Amilcar Scott from The New Yorker
Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Islandby Nibedita Sen from Nightmare Magazine
Another Avatarby S.P. Somtow from Amazing Stories
The Time Invariance of Snowby E. Lily Yu from Tor.com
The Bookstore at the End of Americaby Charlie Jane Anders from A People’s Future of the United States
Life Sentenceby Matthew Baker from Lightspeed Magazine
Bullet Pointby Elizabeth Bear from Wastelands: The New Apocalypse
The Galactic Tourist Industrial Complexby Tobias S. Buckell from New Suns
Sacrid’s Podby Adam-Troy Castro from Lightspeed Magazine
Thoughts and Prayersby Ken Liu from Future Tense Fiction
The Robots of Edenby Anil Menon from New Suns
Between the Dark and the Darkby Deji Bryce Olukotun from Lightspeed Magazine
A Brief Lesson in Native American Astronomy by Rebecca Roanhorse from The Mythic Dream
The Archronology of Love by Caroline M. Yoachim from Lightspeed Magazine
Guest editor Diana Gabaldon is the author of the bestselling Outlander novels—Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, and A Breath of Snow and Ashes (for which she won a Quill Award and the Corine International Book Prize)—and one work of nonfiction, The Outlandish Companion, and another series featuring Lord John Grey, a character she introduced in Voyager.
John Joseph Adams is bringing back Fantasy Magazine. The first new issue of Fantasy will publish in November 2020 and will join sister-magazines Lightspeed and Nightmare under the same publishing umbrella. Henceforth the publishing company that publishes all three magazines will be known as Adamant Press.
Adams has named Arley Sorg and Christie Yant as co-editors-in-chief and will continue in his role as publisher. Yant will also serve as co-publisher of Fantasy—and of the other two magazines.
Arley Sorg is an associate editor at Locus Magazine, where he’s been on staff since 2014. He joined the Lightspeed family in 2014 to work on the Queers Destroy Science Fiction! special issue, starting as a slush reader. He eventually worked his way up to associate editor at both Lightspeed and Nightmare. He also reviews books for Locus, Lightspeed, and Cascadia Subduction Zone and is an interviewer for Clarkesworld Magazine.
Christie Yant worked as an assistant editor for Lightspeed Magazine from its launch in 2010 through 2015, and, in 2014 she edited the Women Destroy Science Fiction! special issue of Lightspeed, which won the British Fantasy Award for Best Anthology. In 2019 she co-edited (with Hugh Howey and Gary Whitta) Resist: Tales From a Future Worth Fighting Against, an anthology benefiting the ACLU, and co-edited The Dystopia Triptych series of anthologies (with Hugh Howey and John Joseph Adams). She is also a consulting editor for Tor.com’s line of novellas, and her own fiction has appeared in best of the year anthologies.
Yant and Sorg’s creative vision includes being “a welcoming market eager to find new voices.” They will be open to submissions July 1-7 and, going forward, will be open the first week of every month (1st – 7th). Visit fantasy-magazine.com/guidelines for more information.
Fantasy Magazine’s format will differ slightly from its sister-magazines with its inclusion of flash fiction and poetry. Like Nightmare and Lightspeed, Fantasy will be publishing each issue in ebook format (and offering subscription options) as well as making the contents of the magazine online for free. The forthcoming issue with Yant and Sorg as co-editors will be the first new Fantasy issue in four years.
(1) THE CITY WITH TWO NAMES TWICE. N. K. Jemisin will join W. Kamau Bell, host of CNN series United Shades of America (and her cousin) on June 16 for a discussion of sci-fi, Afrofuturism, and her most recent novel The City We Became. The event is hosted by the New York Public Library. Hyperallergic has the story: “A POC-Centered Vision of NYC From NK Jemisin, Celebrated Sci-Fi Author”.
…Next Tuesday (June 16), Jemisin will join comedian W. Kamau Bell for a discussion of sci-fi, Afrofuturism, and her most recent novel, The City We Became, presented by the New York Public Library. The novel, which brings her unique brand of speculative fiction a little closer to earth, is set in a version of New York City where the future is threatened by an ancient evil that seeks to divide and destroy its community by capitalizing on its differences (sound familiar?). The City We Became imagines cities as living, sentient organisms that take shape as individual human avatars. New York and its five boroughs are embodied as mainly Black and brown folks (Staten Island and the nefarious Enemy that threatens the city are not insignificantly imagined as white women).
At a moment when New York City is slowly beginning to reopen amid the ongoing coronavirus pandemic, while simultaneously considering numerous pieces of legislation that could combat pervasive police brutality against Black people, Jemisin’s POC-centered speculations about the future of this city feel especially timely.
(3) THE HEART OF YOUR WEEKEND. Essence of Wonder with Gadi Evron will host several of the “Hugo Finalists for Best Novella and Best Novelette 2020” on its June 13 program, including Seanan McGuire, Sarah Gailey, Sarah Pinsker, Siobhan Carroll, and Amal El-Mohtar. Facilitating the discussions will be Vincent Docherty and Karen Castelletti.
The episode will also feature a Sara Felix Tiara Giveaway and “Tammy Coxen’s Mixology Show Corner.”
(4) STOKERCON UK: STRIKE TWO. StokerCon UK has postponed again, having decided its new August dates are no longer tenable. New dates forthcoming.
As per previous communications, like all of you we have been closely monitoring the NHS and UK Government guidelines as they have evolved over the past weeks and months, and the situation with regard to COVID-19 is still extremely changeable.
We have done everything we can to try to continue with StokerCon UK in August but, unfortunately, this is still a fast-changing situation and, with the worldwide situation and the current government guidelines as they stand now, we are left with no choice but to postpone the convention once again as we feel it would be irresponsible to push ahead and put anyone’s health at risk, apart from the obvious issues with social distancing, travel etc. Safety has to be the paramount concern for all involved.
We will advise new dates in the next week, as we’re currently finalising details of this with the hotels and will advise plans moving forward for everyone who has already signed-up to attend. We understand how disappointing this will be to many of you, and share that disappointment, but we want to make sure our members are safe, and postponing will be the best way to try and achieve that.
(5) THE SUN GIVES ABUSER PAGE ONE. Right after J.K. Rowling published an essay defending her views on gender and sex, in which she revealed she is the survivor of domestic abuse in her first marriage, UK tabloid The Sun tracked down her former husband for a front-page interview. The Guardian covered the response: “JK Rowling: UK domestic abuse adviser writes to Sun editor”.
The government’s lead adviser on domestic abuse has written to the editor of the Sun to condemn the newspaper’s decision to publish a front page interview with JK Rowling’s first husband, under the headline: “I slapped JK and I’m not sorry.”
In the letter seen by the Guardian, Nicole Jacobs, the independent domestic abuse commissioner, said it was “unacceptable that the Sun has chosen to repeat and magnify the voice of someone who openly admits to violence against a partner”.
Jacobs joined a chorus of voices speaking out against the newspaper, which described the remarks by Rowling’s ex as a “sick taunt” against the Harry Potter creator.
“The media can play a vital role in shining a light on this issue and bringing it out of the shadows, but articles such as this one instead feed the shame that so many survivors will feel every day, minimising their experiences and allowing perpetrators to continue to abuse without fear of consequence,” Jacobs wrote to Victoria Newton, who was appointed the Sun’s editor in February.
(6) WRITERS OFFERED INSURANCE PROGRAM. The Book Industry Health Insurance Partnership, a coalition of 10 organizations that includes SFWA, has partnered with Lighthouse Insurance Group Solutions to “provide its members with a choice of health insurance options, including ACA-compliant major medical, Medicare/supplements, short-term policies, vision, dental, critical care, supplemental coverage, as well as small group/Health Reimbursement Arrangements.”
The Authors Guild noted in a recent press release that the coalition also includes the American Booksellers Association, American Society for Indexing, Book Industry Study Group, Graphic Artists Guild, Independent Book Publishers Association, Novelists Inc., and Western Writers of America.
No, I hear you: Now doesn’t seem the ideal moment to Netflix-and-chill with an animated series about the last vestiges of humanity struggling to survive.
I mean, imagine the pitch meeting:
“Cities lie in ruin.
“The surface of the earth is overgrown with plant life — and with overgrown animals: mutated beasts, 300 feet tall, that stomp across the land hunting for prey.
“Which is to say: for humans, who, now firmly at the bottom of the food chain, have retreated to vast underground burrows to protect themselves.”
It all sounds … pretty bleak, I get that. Depressing, even. Like if you mashed up The Walking Dead with the popular anime series Attack on Titan, in which gruesome giants gobble up humanity’s last survivors like so many chocolate-covered cherries.
And I haven’t even mentioned the violent gangs of mutant, human-sized animals who’ve staked out their own territories, making the Earth’s surface a deadly place for the few humans who still live there.
Netflix’s Kipo and the Age of the Wonderbeasts, which returns for a second season Friday, June 12, manages to be anything but bleak and depressing. It’s bright and sunny, colorful and funny, and … then, there are those tunes.
(8) O’NEIL OBIT. Comic book writer Denny O’Neil died June 11 at the age of 81. Games Radar’s tribute is here.
…O’Neil was best known for his work on Batman, which included writing Batman, Detective Comics, and Batman: Legends of the Dark Knight, as well as editing DC’s Batman titles from 1986 to 2000. He, editor Julius Schwartz, and artist Neal Adams are credited for guiding the Dark Knight back to his darker roots after a period of campiness brought on by the success of the 1960s Batman TV series….
(9) MEDIA BIRTHDAY.
June 12, 1956 — X Minus One’s “If You Was A Moklin” was aired for the first time. Written by Murray Leinster (published in Galaxy, September 1951) who would win a number of Hugos in his career (L.A. Con III awarded him a Retro Hugo Novelette for “First Contact”, published in Astounding May 1945; NY Con II would give him Best Novelette for “Exploration Team”, published in Astounding March 1956; and he’s up this year for a Retro Hugo Novella for “Trog”, published in Astounding Science Fiction, June 1944.) This story is about a planet that has a strange imitative trait it shows in producing its offspring. Or so it seems. Adapted as usual by Ernest Kinoy. The cast was Joe Julian, Patricia Weil, Karl Weber and Ralph Camargo. You can listen to hear it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 12, 1856 – Georges Le Faure. Among a dozen popular swashbuckling novels, War Under Water against Germany; The Extraordinary Adventures of a Russian Scientist (with Henry de Graffigny, 4 vols.; tr. in 2 vols. 2009) with an explosive that could destroy the world, a Space-ship faster than light, visits to other planets, aliens. Verne was first but not alone. (Died 1953) [JH]
Born June 12, 1914 – Frank Kelly. Two novels, half a dozen shorter stories, from this pioneer. “Light Bender” was in the June 1931 Wonder Stories – he was 15! Later a speechwriter for Harry Truman; vice-president, Center for the Study of Democratic Institutions. “My Interplanetary Teens” in the June 1947 Atlantic. Fiction outside our field in The New Yorker and Esquire. First Fandom Hall of Fame. (Died 2010) [JH]
Born June 12, 1914 — William Lundigan. Col. Edward McCauley in the Fifties serial Men into Space which lasted for thirty-eight episodes. He really didn’t do any other SF acting other than showIng up once on Science Fiction Theater. (Died 1975.) (CE)
Born June 12, 1927 — Henry Slesar. He had but one genre novel,Twenty Million Miles to Earth, but starting in the Fifties and for nearly a half century, he would write one hundred sixty short stories of a genre nature, with his first short story, “The Brat” being published in Imaginative Tales in September 1955. He also wrote scripts for television — CBS Radio Mystery Theater (which, yes, did SF), Tales Of The Unexpected, the revival version of the Twilight Zone, Batman, The Man from U.N.C.L.E., and genre adjacent, lots of scripts for Alfred Hitchcock Presents. (Died 2002.) (CE)
Born June 12, 1940 — Mary A. Turzillo, 80. She won the Nebula Award for Best Novelette for her “Mars is No Place for Children” story, published in Science Fiction Age. Her first novel, An Old Fashioned Martian Girl was serialized in Analog, and a revised version, Mars Girls was released. Her first collection to polish her SWJ creds is named Your cat & other space aliens. Mars Girls which I highly recommend is available from the usual digital suspects. (CE)
Born June 12, 1945 — James Stevens-Arce, 75. Encyclopedia of Science Fiction says that “James Stevens-Arce, is perhaps the first Puerto Rican to publish sf, and the most prolific.“ He has but one novel, Soulsaver which won thePremio UPC de Ciencia Ficción, and a double handful of short stories which do appear to have made to the digital realm.(CE)
Born June 12, 1946 – Sue Anderson. Fannish musicals with Mark Keller, performed at 1970s Boskones: Rivets, Rivets Redux, Mik Ado about Nothing (note Gilbert & Sullivan allusion), The Decomposers. George Flynn, Anne McCaffrey, Elliot Shorter are gone, but Chip Hitchcock was in some or all and I’m counting on him to explain what really happened. Three short stories (one posthumously in Dark Horizons 50), and this cover with Stevan Arnold for Vertex. (Died 2004) [JH]
Born June 12, 1948 – Etienne Sándorfi. Hungarian hyperrealist painter. It was said that he painted like an assassin; also that, working at night, he went to bed each day later than the day before, puzzling his daughters. Ten interiors for Omni. The Wayback Machine has this interview; see some of his paintings here (Madeleine), here (nature morte organes). (Died 2007) [JH]
Born June 12, 1948 — Len Wein. Writer and editor best known for co-creating (with Bernie Wrightson) Swamp Thing and co-creating Wolverine (with Roy Thomas and John Romita Sr.) and for helping revive the the X-Men. He edited Watchmen which must have been interesting. He’s a member of the Will Eisner Award Hall of Fame. (Died 2017.) (CE)
Born June 12, 1955 — Stephen Pagel, 65. Editor with Nicola Griffith of the genre anthologies, Bending the Landscape: Science Fiction, Bending the Landscape: Fantasy, and Bending the Landscape: Horror. (CE)
Born June 12, 1963 – Franz Miklis. Austrian artist active for decades in fanart (see here and here) and otherwise (see here and here). His Website is here. [JH]
Born June 12, 1970 – Claudia Gray. A score of novels, some in the Star Wars universe; a few shorter stories; translated into Dutch, French, German, Portuguese. Her Website is here (“Bianca, Tess, Nadia, Skye, Marguerite, and Noemi aren’t that much like me. For example, they all have better hair”; also “Read as much as you can…. Read the stuff you love. Read the stuff you never thought you’d love”). [JH]
The Mouse Factory“The Mystery of Mickey’s Ears Revealed” Illustration by Ward Kimball Original Art (Walt Disney, c. 1970s). Walt Disney like to say, “I only hope that we don’t lose sight of one thing – that it was all started by a mouse.” Mickey’s trademark ears have been a source of conversation since the famous mouse was born in 1928. Created by Walt Disney and Ub Iwerks, Mickey is characterized as a cheerful and mischievous “little guy” with ears that move strangely. In the early 1970s, Disney Legend Inductee and one of “Walt’s Nine Old Men”, Ward Kimball (1914 – 2002) attempted to clear up the matter and explain the mystery of Mickey’s ears on the television show, The Mouse Factory. In this lot is a rare illustration by Kimball showing Mickey in front and side views with an explanation on how his ears move independently as he moves his head.
(12) BE SEATED. In “Episode 29: Omphalistic Hugosity” of Two Chairs Talking (no relation to Arthur “Two Sheds” Jackson), former Aussiecon chairs David Grigg and Perry Middlemiss talk about the shorter fiction nominees for the 2020 Hugo Awards, and then take the Hugo Time Machine back to 1962, when Stranger in a Strange Land won Best Novel.
Loma Homes translated the magic of “Harry Potter” into an epic new rental just 30 minutes away from The Wizarding World of Harry Potter at Universal Orlando.
The Wizard’s Way villa has eight themed bedrooms with 10 beds, five bathrooms, and dozens of book and movie Easter eggs that fans of the franchise will love.
(14) AVATAR. [Item by Cliff.] This video demonstrates a digital avatar created by the company founded by an ex-colleague of mine.
This demo showcases a cutting edge end-to-end virtual assistant prototy[e developed by Pinscreen. The entire Avatar runs on the cloud and is streamed directly onto a web browser. This demo highlights a real-time facial AI-synthesis technology based on paGAN II, cutting edge NLP, voice recognition, and speech synthesis. None of the conversation is scripted.
(15) MURDER(BOT) SHE WROTE. Camestros Felapton has many kind (but non-spoilery) words to say about Martha Wells’ new novel: “Murderbot: Network Effect”.
I sort of gave up reviewing Murderbot a few novellas ago. There is a sense that actually the plot really doesn’t matter and the simplest explanation of an instalment is that its a Murderbot story and the reader either knows the formula or doesn’t and if they don’t then see earlier reviews. However, that belies how much I enjoy each and every one of Martha Wells’s brilliant episodes of Murderbot’s continuing adventures.
The essence of the formula is the juxtaposition of this incredibly vulnerable highly competent killing machine. Murderbot has been shot and blasted and zapped but the struggles with their own sense of self and connections with other people pulls you in….
Bose-Einstein condensates, sometimes called the fifth state of matter, are gaseous clouds of atoms that stop behaving like individual atoms and start to behave like a collective. BECs, as they’re often called, were first predicted by Albert Einstein and Satyendra Nath Bose over 95 years ago, but they were first observed in the lab by scientists just 25 years ago. The general idea when making a BEC is to inject atoms (in the case of CAL, rubidium and potassium) into an ultra-cold chamber to slow them down. A magnetic trap is then created in the chamber with an electrified coil, which is used along with lasers and other tools to move the atoms into a dense cloud. At this point the atoms “kind of blur into one another,” says David Aveline, a physicist at NASA’s Jet Propulsion Laboratory, and the lead author of the new study.
(17) VIDEO OF THE DAY. “Creative Writing Advice From Neil Gaiman” on YouTube is a 2015 compiilation by Nicola Monaghan of excerpts from speeches Gaiman has given on writing.
[Thanks to Cliff, Mike Kennedy, Andrew Porter, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, John Hertz, Cat Eldridge, Daniel Dern, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
From the large number of stories that series editor John Joseph
Adams screened for this year’s collection, he picked the 80 best pieces to
submit to editor Carmen Maria Machado for a blind reading, so that the prestige
of the venues or bylines were not a factor. (The ones Adams designated as notable are shown in a table at the
link). Machado then selected 20 for publication (ten science fiction, ten
fantasy, highlighted in green on the table.)
The book will be published on October 1, with a cover by Galen Dara.
(2) AVENGING ECONOMIST.
Behind the Financial Times paywall, economics
columnist Tim Harford offers his thoughts on Avengers: Endgame.
Thanos fascinates me not only because he’s the best bad guy since Darth Vader–but because the muscular utilitarian is an economist on steroids.
Thanos’s claim to the economists’ hall of fame lies in his interest in scarce resources, his faith in the power of logical analysis, and a strong commitment to policy action–specifically, to eliminate half of all life in the universe, chosen at random…
…Thanos has convinced himself that he’s seen something nobody else can quite understand. The truth is that he sorely needs peer review. Like many powerful people, he regards himself as above his critics, not to mention every sapient being in the universe. He views humans less as free-willed spirits capable of solving their own problems, and more like overbreeding rabbits, needing a cull for their own good.
Going into Avengers: Endgame, one would be well-advised to manage both one’s expectations, and — given its three-hour-plus, intermissionless runtime — one’s fluid intake.
…The Russos’ decision to stick close to the experiences of the remaining Avengers proves a rewarding one, as they’ve expressly constructed the film as an extended victory lap for the Marvel Cinematic Universe writ large. Got a favorite character from any Marvel movie over the past decade, no matter how obscure? Prepare to get serviced, fan. Because the film’s third and final hour contains extended references to every single Marvel film that has led up to this one – yes! even Thor: The Dark World! I’m as surprised as you are! – and part of the delight Endgame provides to the patient audience member is gauging the size of the cheer that greets the entrance of any given hero, locale or – in at least once instance – item of super-hardware.
Make no mistake: There will be cheers. And boos. And gasps. The final, climactic battle (come on, you knew there’d be one) is legitimately thrilling, because every one of its manifold delights is fueled by (a cynic would say coasting on) the warm familiarity that spending a decade with these characters has engendered….
…Many authors and industry spokespeople have talked more eloquently about the need to address this disparity in publishing than I will ever be able to. But I also suspect more than a few publishers will quietly check their new submissions piles or log into BookScan after reading this, and suggest that in order to affect any real change they need to submit more books by writers of colour.
They may argue, of course, that there needs to be more evidence of sales potential first to get those books past gatekeepers in marketing, finance and other departments. They might (just) have a short-term point, but to me this sounds more like using data to justify a current position – and I think it also misses the bigger publishing opportunity.
Here are four cultural tipping point trends that show what I mean.
From the ‘respectable’ bookshelves: Colson Whitehead’s The Underground Railroad wins the Pulitzer, the National Book Award and the Arthur C. Clarke Award for science fiction literature.
From the Box Office: The Marvel Universe film Black Panther makes over a billion dollars at the box office in record time and gets nominated for seven Oscars including Best Picture (it doesn’t win that one though, of course).
From an adjacent cultural sector: The Musée d’Orsay in Paris opens their major exhibition Black Models: From Gericault to Matisse, challenging our historic perceptions of French masterpieces by reframing and renaming them to foreground attention on their black subjects, gaining both critical acclaim and a big upswing in first time visits from new audiences (new readers to you and me) along the way.
…In 2018, almost every category of the Hugos were won by women, including N.K. Jemisin, who became the first person ever to win the Hugo for Best Novel three years in a row. Before Jemisin, no Black person of either gender had ever won the top award.
Then came this year’s historic collection of nominees, which are notable not just for the elevation of a more diverse field of storytellers, but for the specific type of story that many of them represent.
Rowland coined the term “hopepunk” on a whim in a 2017 Tumblr post, having no idea that it would catch on so strongly within the community. She defined it initially as “the opposite of grimdark,” referring to a popular dystopian subgenre characterized by nihilism, amorality, and a negative view of human nature. Hopepunk, in contrast, is optimistic about humanity and sees kindness as “an act of rebellion” against a power structure that benefits from people giving up on compassion.
In an essay for the Winter 2019 issue of The Stellar Beacon zine, Rowland expanded on hopepunk, emphasizing the resistance element. Unlike another subgenre dubbed “noblebright”—characterized by the belief that righteous heroes can and will prevail over wicked villains—hopepunk does not deny the inherent injustices of the real world. However, it also recognizes the potential for justice within humanity. Compassion and empathy are weapons in the eternal fight between good and evil within the human heart. Hopepunk acknowledges that that fight will never be won, but insists on fighting anyway, because, as Rowland wrote, “the fight itself is the point.”
Dann listened to the podcast and sent along these
During the interview, Burk categorically denied having anything to do with abusive/predatory behavior that had been an issue at past cons. He was incensed at the post-con attempts to tie abusive behavior with himself or Morrison. Burk suggested that the tone/perspective of comments that he received at the con were decidedly different from what was seen on the Internet in the days that followed. The people complaining most loudly online had appeared to have substantially different perspectives while at the con. He also denied that Morrison ever exposed himself during his performance. A prosthetic/prop was used during the performance.
Burk acknowledged that he had made the mistake of thinking that BizarroCon was an appropriate venue for Morrison’s performance. Similar (and perhaps more gross) performances have been a long tradition at KillerCon.
Brian Keene indicated that he had acted as a consultant/mediator after the BizarroCon performance, but he had no direct input on Deadite Press’ decision to fire Burk.
Burk indicated that he disagreed with the decision by Eraserhead Press’ decision to terminate him. But he also said that he is still on good terms with the executives in charge and has a positive opinion of them.
He also discussed his new imprint “Section 31 Productions”. Star Trek fans will recognize the homage in the company’s name.
In theSeason 8 premiere, Winterfell leather goth Sansa Stark questions her brother Jon Snow’s decision to bring his pushy new girlfriend (and aunt!) Daenerys and her two dragons to the north, wondering out loud what precisely the dragons are going to eat. The Mother of Dragons smugly replies, “Whatever they want.” (Which, judging from past episodes, includes a lot of animal herds and the occasional shepherd boy.)
Later in the episode, two of Dany’s Dothraki footmen inform her that her dragons only ate only “18 goats and 11 sheep” for lunch, a sign that they are losing their appetite as a result of the move up north. Considering that Game of Thrones scribes D.B. Weiss and David Benioff love foreshadowing, we couldn’t help but wonder if the dragon’s dietary needs will play some key role in the upcoming Battle of Winterfell. To better understand the dragon hunger situation and how it could impact the impending war with the Night King, Eater got in touch with a bona fide expert on large reptiles and flying animals, and asked her a few questions about how these aerial beasts might act during the epic battle ahead.
(9) CONNOR TRIBUTE. Graham
Connor (1957-2018) co-founded SF² Concatenation at the 1987 Eastercon and remained one of its
co-editors until his death in December 2018. Jonathan Cowie and other friends have
assembled an illustrated profile of his life in SF and space communications in “A
life in SF and space”, an advance post ahead of SF²
He did make it to several Worldcons — Brighton (1979), Brighton (1987), The Hague (1990) – he
subsequently worked a couple of years for ESA nearby, and Glasgow (1995).
Sadly, chronic illness prevented further attendance beyond the mid-2000s.
One of the co-designers of a machine later recognised as the world’s oldest working digital computer has died.
Richard “Dick” Barnes helped to create the Harwell Dekatron, which was first put to use in 1951 by Britain’s fledgling nuclear research establishment.
He was also involved in the 2.5-tonne machine’s restoration, which saw it switched back on in 2012.
…He and two colleagues, Ted Cooke-Yarborough and Gurney Thomas, began their work on the Harwell Dekatron in 1949.
It was initially used by the Atomic Energy Research Establishment in Oxfordshire, where its tasks involved solving equations used to design the structure supporting the world’s first commercial nuclear reactor at Calder Hall.
…In November 2012 the machine was successfully switched back on after a three-year restoration project.
The revived machine functioned as planned, which is to say, very slowly.
It could take up to 10 seconds to multiply two numbers – but Mr Barnes and his co-designers had wanted a machine that could run continuously, not necessarily quickly, in order to be useful.
Indeed, it was known to calculate continuously for periods of up to 80 hours.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 24, 1930 — Richard Donner, 89. Oh, now he’s credited in directing Superman as making the modern superhero film. H’h. Well I’m going to celebrate him instead for Scrooged, The Goonies (really not genre but fun) and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh and the first X-Men film which was superb.
Born April 24, 1936 — Jill Ireland. For her short life, she was in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise”. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery, My Favorite Martian, Voyage to the Bottom of the Sea, The Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.)
Born April 24, 1946 — Donald D’Ammassa, 73. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered as a reviewer.
Born April 24, 1947 — Michael Butterworth, 72. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklords and Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures“.
Born April 24, 1953 — Gregory Luce, 66. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth. For a delightful look at him and these works, go here. Warning: cute canine involved!
(12) WILSON FUNDRAISING
UPDATE. The “Help
Gahan Wilson find his way”GoFundMe
is now up to 1300 contributors and just over
$60,000 raised. Gahan Wilson is suffering from severe dementia, and the
goal is to pay for his memory care.
Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, he must move to a memory care unit.
…Gahan will be in our care at the casita, and we will also find him a memory care unit in Santa Fe since he also needs daily medical care.
Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.
That’s what this is all about. Making the rest of Gahan’s days as wonderful as they can be.
…Any author or editor attempting to claim the mantle of [Howard] Zinn’s work has an unenviable task ahead of them. But when SF luminaries John Joseph Adams and Victor LaValle — both of whom have produced top-quality works — announced a short story collection whose title is an homage to Zinn, we were very excited.
Given the provocative and timely premise of A People’s Future Of The United States, we approached the collection of stories with enthusiasm. Unfortunately, the collection as a whole failed to live up to the grand ideas described by the editors.
…Questions of race, class and gender are important to explore and have all-too-often been ignored in science fiction.
We would argue that because science fiction is an inherently political genre, it is of paramount importance to create inclusive futures we can believe in. Some of the stories in this volume do indeed ably tackle topics of race, class and gender. But the topic of labour is almost entirely neglected.
It is disappointing that an anthology that so explicitly aims to address cultural blindspots has reproduced one itself.
In comparison, the index to Zinn’s classic history book includes a full page of references to organized labour movements. At a rough estimate, 30 per cent of the book deals with the struggles of traditional union movement organizing, and workers rights are integral to much of the rest of the text….
McEwan’s story often digresses into infodumps and intellectual musings which are common pitfalls of writing science fiction. And the trouble is he goes over the same well-worn territory. The theme of androids is often used to explore: What does it mean to be human? McEwan uses his literary skills to go into psychological details that most science fiction writers don’t, but the results are the same.
I’ve been reading these stories for decades, and they’ve been explored in the movies and television for many years too, from Blade Runner to Ex Machina. Why can’t we go deeper into the theme? Partly I think it’s because we assume AI robots will look identical to us. That’s just nuts. Are we so egocentric that we can’t imagine our replacements looking different? Are we so vain as a species as to believe we’re the ideal form in nature?
…Instead of writing stories about our problems of dealing with facsimiles of ourselves, we should be thinking about a world where glittery metallic creatures build a civilization on top of ours, and we’re the chimpanzees of their world.
Scientists have developed a brain implant that can read people’s minds and turn their thoughts to speech.
The team at the University of California, San Francisco says the technology is “exhilarating”.
They add that their findings, published in the journal Nature, could help people when disease robs them of their ability to talk.
Experts said the findings were compelling and offered hope of restoring speech.
The mind-reading technology works in two stages.
First an electrode is implanted in the brain to pick up the electrical signals that manoeuvre the lips, tongue, voice box and jaw.
Then powerful computing is used to simulate how the movements in the mouth and throat would form different sounds.
WORLDCON TALK. At Anticipation, the 2009 Worldcon in Montreal, Nobel Prize-winning economist Paul Krugman spoke and then took questions.
Scott Edelman has posted an audio recording on YouTube.
(17) PROP MAKER. Kenneth Spivey is “The Swordsmith to the Stars”. Great Big Story has a video (just over 3
minutes) about this artist and prop maker who is “working on
Hollywood films like the ones he’s always loved—and likely inspiring the
next generation.” Chevy trucks are featured prominently since they are the
(18) GEMINI MAN. The Hollywood Reporter
asks “Can ‘Gemini Man’ Revive the Golden Age of ’90s Sci-Fi?” That is, can it be “an event unto itself?” Will
Smith stars opposite a CGI-ed 23-year-old version of himself in Ang Lee’s Gemini
Man—a property with a long history of previous stars being attached. The
movie opens October 11.
This morning Paramount had us seeing double with the first trailer for the Ang Lee-directed sci-fi/action film Gemini Man, starring not one, but two Will Smiths. The long-gestating film, which began development as a Tony Scott feature in 1997, centers on assassin on the verge of retirement Henry Brogen (Smith), who is forced to combat a younger clone of himself (Smith) in the not-too-distant future. Since the film’s inception in the late ’90s, a number of big names have been attached to star, including Harrison Ford, Nicolas Cage, Clint Eastwood and Sean Connery. When Ang Lee took over the project in 2017, he cast Smith in the lead role, giving the actor the unique opportunity to play both his current 50-year-old self and his 23-year-old self, who, thanks to the film’s revolutionary technology, looks like he just stepped right off the set of The Fresh Prince of Bel-Air. If the trailer for the film, which also stars Mary Elizabeth Winstead, Clive Owen and Benedict Wong, is any indication, Gemini Man may be just what the science fiction genre needs.
[…] Big-budget original science fiction needs a win, and hopefully Gemini Man can recapture the spirit of the ’90s where a big-name director, producer and actor were an event unto themselves, regardless of preexisting material. Gemini Man looks appealing not simply because of its concept and slick action sequences, but because it looks to simultaneously tap into our nostalgia with a sunglasses-wearing Smith, and also our desire for an original, high-concept property that doesn’t require any prior knowledge. It’s a double threat.
John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin
Morse Wooster, Dann, Carl Slaughter, StephenfromOttawa, Jonathan Cowie, Scott
Edelman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Jack Lint.]
(1) NAME THAT ROCK. In the Washington Post, Sarah Kaplan profiles the “byzantine and marvelously
nerdy naming guidelines” of the International Astronomical Union (“The
bizarre and brilliant rules for naming new stuff in space”). Among them: the mountains and
plains of Titan have to be named according to references in Dune or Lord of the Rings, Names for asteroids have relatively few rules,
but one of them is not to name an asteroid after your cat, as James Gibson
found out when he named an asteroid after his cat, Mr. Spock, and was told that
while his asteroid remains “2309 Mr. Spock,” he really shouldn’t do
[Names for the moons of Jupter] must come from a character in Greek or Roman mythology who was either a descendant or lover of the god known as Zeus (in Greek) or Jupiter (Latin). It must be 16 characters or fewer, preferably one word. It can’t be offensive, too commercial, or closely tied to any political, military or religious activities of the past 100 years. It can’t belong to a living person and can’t be too similar to the name of any existing moons or asteroids. If the moon in question is prograde (it circles in the same direction as its planet rotates) the name must end in an “a.” If it is retrograde (circling in the opposite direction), the name must end in an “e.”
Most people don’t kill time by finding the most distant object ever discovered in the solar system, but most people aren’t Scott Sheppard.
Last week, the Carnegie Institution for Science astronomer announced he had just discovered an object that sits about 140 astronomical units away. One AU equals the 93 million miles between Earth and the sun, so that means this object is 140 times the distance of Earth from the sun, or 3.5 times farther away than Pluto.
This is just a mere couple months after he and his team discovered 2018 VG18, nicknamed “Farout,” which sits 120 AU away, and for a brief moment was the farthest known object in the solar system. Sheppard and his team have already given a pretty apt tongue-in-cheek nickname to the usurper: “FarFarOut.”
Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous joins us to share her insights into worldbuilding as part of the San Diego 2049 series of programs.
(4) SALAM AWARD JUDGES. The 2019 jury for the Salam Award will be Jeffrey Ford, Mary Anne Mohanraj, Maha Khan Phillips, John Joseph Adams, and Saba Sulaiman. The award promotes imaginative fiction in Pakistan. (Via Locus Online.)
Last year’s winner was Akbar Shahzad for his story Influence
From what I’ve seen–and the effects of the last decade in the genre short fiction scene have been to render it even more diffuse than it already was, so I really can’t say that I’ve had a comprehensive view–2018 was a strong year for SF short fiction, with venues including Strange Horizons, Lightspeed, and Uncanny delivering strong slates of stories. I was interested to observe how easy it is to discern an editorial voice, and a preoccupation with certain topics, when reading through a magazine’s yearly output. Uncanny, for example, had a strong focus on disabled protagonists in 2018, with stories that often turn on their struggles to achieve necessary accommodation, with which they can participate and contribute to society.
One topic that I expected to see a great deal more of in my reading was climate change. Only a few of the pieces I’ve highlighted here turn on this increasingly important topic, and very few stories I read dealt with it even obliquely. Given how much climate change has been in the public conversation recently (and not a moment too soon) it’s possible that next year’s award nominees will deal with it more strongly, but I was a bit disappointed not to see SF writers and editors placing an emphasis on it already.
The Necronomicon is undoubtedly the most emblematic book in the mythology of H.P. Lovecraft. In this game you will assume the role of Abdul Alhazred with the aim of completing all sections of the aberrant book. It is a game for 2 to 4 players with game modes for 20 or 60 minutes.
(7) PLAYING IN THE FIELDS OF D.C. John Kelly in the Washington Post went on the press tour for Tom Clancy’s The Division 2, a Ubisoft
video game in which Washington, wiped out by a pandemic, has turned the
National Air and Space Museum into an armory and the Lincoln Memorial into a
graffiti-covered headquarters for paramilitary groups. (“A
new video game invites players to wallow in a dystopian Washington”.) But Ubisoft couldn’t use the World
War II Memorial for copyright reasons and decided not to have shooters blast
away at the Martin Luther King Jr. Memorial because “the gamemakers
thought it would be disrespectful to have players shooting at each other around
the statue of the famous pacifist.”
The game is set in the months after a deadly pandemic has swept the country and transformed the area around the Tidal Basin into a flooded wasteland, the National Air and Space Museum into a heavily guarded armory and the Lincoln Memorial into the smoke-blackened, kudzu-shrouded headquarters of a paramilitary group.
On the plus side, rush hour traffic is pretty light.
The challenge facing anyone designing a video game set in an actual place is making it realistic. The purpose of this junket — events were spread over two days, with a shuttle bus squiring the group from site to site — was to explain that process.
It will consist of a talk by David Ketterer and Ken Smith on Wyndham and the Penn Club where he lived from 1924 to 1943 and from 1946 to 1963 followed by drinks and food at a pub on the nearby Store Street, a street which figures on page 98 of the Penguin edition of The Day of the Triffids.
David Ketterer has more or less completed a full scale critical biography entitled TROUBLE WITH TRIFFIDS: THE LIFE AND FICTION OF JOHN WYNDHAM…
Anyone who is interested is invited to gather outside the Penn Club at 21-23 Bedford Place, London W.C.1 (near the British Museum) at 6.00 pm on Monday, 11 March 2019. We shall move to seating in the Penn Club lounge around 6.15 pm for the talk and questions. Around 7.00 pm we shall walk to The College Arms at 18 Store Street (near Senate House).
(10) HUGH LAMB OBIT. British anthologist
Hugh Lamb, editor of many paperback collections of vintage horror, died March 2.
His son, Richard, tells more in a “Tribute to My Father”.
On the night of 2nd March 2019, Hugh Lamb passed away. He died peacefully, in his sleep, after a long illness that had left him frail and weak. At the end he chose to move on, rather than suffer long months of treatment with no guarantees. We, his family, chose to honour his wishes and were with him at the end.
Hugh Lamb was, to many, one of the country’s foremost authorities on Victorian supernatural literature and a respected anthologist of those stories. To me, however, he was just dad. Certainly, I inherited a great love of ghost stories, as well as the cinema of the macabre, from my father. We would recommend movies to each other and enjoy critiquing them. As a child I used to thrill at tales of the supernatural, both real and fictional, all because of my father’s influence. When I wrote a series of screenplays, two of which were optioned by producers, they were all either ghost stories or stories with a supernatural flavour. And when one of my screenplays won the 2008 Rocliffe/BAFTA New Writers award, it was my father who positively glowed with pride. The screenplay was a father and son story, and he recognised himself in the pages with a mischievous delight.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during 5he first season of Trek. Doohan did nothing of genre nature post-Trek. (Died 2005.)
Born March 3, 1945 — George Miller, 74. Best known for his Mad Max franchise, The Road Warrior, Mad Max 2, Mad Max Beyond Thunderdome andFury Road. He also directed TheNightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming.
Born March 3, 1948 — Max Collins, 71. Best known for writing the Dick Tracy comic strip from 1977 to 1993 giving The it a SF flavor. He also did a lot of writing in various media series such as Dark Angel, The Mummy, Waterworld, The War of The Worlds and Batman.
Born March 3, 1955 — Gregory Feeley, 64. Reviewer and essayist who Clute says of that “Sometimes adversarial, unfailingly intelligent, they represent a cold-eyed view of a genre he loves by a critic immersed in its material.” Writer of two SF novels, The Oxygen Barons and Arabian Wine, plus the Kentauros essay and novella.
Born March 3, 1970 — John Carter Cash, 49. He is the only child of Johnny Cash and June Carter Cash. To date, he’s written two fantasies, Lupus Rex which oddly enough despite the title concerns a murder of crows selecting their new leader, and a children’s book, The Cat in the Rhinestone Suit, which I think Seuss would be grin at.
Born March 3, 1982 — Jessica Biel, 37. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.
(12) COMICS SECTION.
Rich Horton, quite rightly, calls this a “very Eganesque” Dilbert.
(13) VARIANT COVERS. Brian
Hibbs in his Tilting at Windmills column
for Comics Beat“Heroes
in (Sales) Crisis” says variant covers are helping to break the
Again, the new Marvel catalog leads with a mini-series called “War of the Realms” that has seventeen different covers attached to it. For one single issue worth of release. Even if you try to “ignore variants” they take up catalog and “eye” space, they increase the amount of time it takes to order (let alone find) the comics you want to stock; they also consume distributor resources, ultimately increasing overages, shortages and damages, hurting everyone as a result.
The January 2019 order form features 1106 solicited periodical comic books. Of those, only 454 of those SKUs are new items – the other 652 are variant covers. That means a staggering fifty-ninepercent of all solicited comics are actually variants. That’s completely and entirely absurd! It is deluded, it is dangerous, and it actively works against the best interests of the market.
Last Man on Earth star Will Forte voicing Shaggy, Jane the Virgin star Gina Rodriguez [Velma], Tracy Morgan [Captain Caveman] and Frank Welker [Scooby-Doo] are going for a ride in the Mystery Machine.
The actors have closed deals to voice star in the untitled Scooby-Doo animated movie being made by Warner Bros. and its Warner Animation Group division.
Tony Cervone is directing the feature, which counts Chris Columbus, Charles Roven and Allison Abbate [as] producers.
[…] The story sees the Mystery Inc. gang join forces with other heroes of the Hanna-Barbera universe to save the world from Dick Dastardly and his evil plans…and this time, we are told, the threat is real. The movie is slated for a May 2020 release.
Star Trek is boldly going on a new mission where only men have gone before. Hanelle Culpepper will direct the first two episodes of the upcoming untitled Star Trek Jean-Luc Picard series, making her the first woman to direct a pilot or debut episode of a Starfleet series in the franchise’s 53-year history. All 13 feature films in the Trek universe have also been directed by men.
Culpepper has directed two episodes of Star Trek Discovery on CBS All-Access. She helmed the episode titled Vaulting Ambition in Season One as well as an upcoming episode in Season Two, now underway on the subscription streaming site.
…Try as they will to style themselves international, the Inner and Outer Party members of American literary SF/F are hopelessly provincial, sharing a painful overlap in ideology, as well as a kind of homogeneous, mushy globalist-liberal outlook. Which, being “woke”, puts a premium on demographics over individualism. Fetishizing ethnicities and sexualities. While remaining borderline-militant about a single-track monorchrome political platform.
So, certain Inner and Outer Party folks proceeded to step all over their own unmentionables in an effort to “call out” the “slate” of the indie Proles from the dirty ghettos of indie publishing. And now the Inner and Outer Parties are in damage control mode (yet again!) trying to re-write events, submerge evidence, gaslight the actual victims of the literary pogrom, blame all evils on Emmanuel Goldstein (cough, Sad Puppies, cough) and crown themselves the Good People once more. Who would never, of course, do anything pernicious, because how could they? They are Good! They tell themselves they are Good all the time! They go out of their way to virtue-signal this Goodness on social media! It cannot be possible that they have done anything wrong!
Rabid Puppies packmaster Vox Day not only reprinted Torgersen’s post at Vox Popoli (“Puppies redux: Nebula edition” [Internet Archive link]), he appropriated to himself others’ credit for indie authors being in SFWA:
It was funny to read this in my inbox, as it was the first time I’ve had any reason to give a thought to SFWA in a long, long time. Possibly the most amusing thing about this latest SFWA kerfluffle is that it is a direct consequence of SFWA adopting my original campaign proposal to admit independent authors to the membership. Sad Puppy leader Brad Torgersen observes, with no little irony, the 2019 version of Sad Puppies…
(17) DIAL 451. The New Indian Express’ Gautam Chintamani uses a famous Bradbury novel as
the starting point to comment on news coverage of the recent Pakistan-India incident
Bradbury wrote Fahrenheit 451 as a commentary on how mass media reduces interest in reading literature but considering the times we live in, it is doing more than that. Following the February 14 Jaish-e-Mohammed fidayeen attack on a CRPF convoy in Pulwama that left 44 Indian soldiers dead, most television news channels bayed for blood. There is no denying that the national emotions were running high and it was only natural for citizens of a nation that have been at the receiving end of a proxy war conducted by a neighbour that as a national policy believes in causing loss of life in India to ask for a befitting reply. Yet the fashion in which many news anchors assumed the mantle of judge, jury, and executioner was nothing less than appalling. The constant white noise emanating from most news debates, where everyone was urged to shout louder than the next person, offers a greater emotional bounty to the one who would teach Pakistan a lesson and this showed a committed effort from media to not allow the average citizen a moment to think.
(18) GAHAN WILSON FUNDRAISER. A GoFundMe to “Help Gahan Wilson find his way” wants to raise $100,000 for the artist’s care. Neil Gaiman gave $1,000. Other donors include artist Charles Vess, editor Ellen Dtalow, and Andrew Porter.
Gahan Wilson is suffering from Dementia
Gahan is suffering from severe dementia. We have helped him through the stages of the disease and he is currently not doing very well.
His wife, Nancy Winters, just passed away
My mother, and his wife of fifty three years, Nancy Winters, passed away on March 2, 2019. She was his rock. His guide through the world. While we all helped with his care, it was my mother who grounded him. He is currently distraught and out of sorts with the world.
Memory care is needed immediately
Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, the facility is about to discharge him. We must find him a memory care facility immediately.
… Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.
Canada will contribute US$1.4bn to a proposed Nasa space station that will orbit the Moon and act as a base to land astronauts on its surface.
Prime Minister Justin Trudeau said the step would “push the boundaries of innovation”.
The space station, called Gateway, is a key element in Nasa’s plan to return to the Moon with humans in the 2020s.
As part of the 24-year commitment, Canada will build a next-generation robotic arm for the new lunar outpost.
“Canada is going to the Moon,” Mr Trudeau told a news conference at Canadian Space Agency’s headquarters near Montreal, according to AFP.
Nasa plans to build the small space station in lunar orbit by 2026. Astronauts will journey back and forth between Gateway and the lunar surface. It will also act as a habitat for conducting science experiments.
(22) VIDEO OF THE DAY. In “Motion Makes a Masochist” on
Vimeo, Dev warns that if you want to be a motion designer for movies, you
should be prepared to suffer a lot for your art.
John King Tarpinian, Rich Horton, Mike Kennedy, Frank Olynyk, Chip Hitchcock, Carl Slaughter, JJ, Martin
Morse Wooster, Brian Z., Andrew Porter, and Cat Eldridge for some of these stories.
Title credit goes to File 770 contributing editor of the day John Winkelman.]