Pixel Scroll 6/29/19 I Scroll Less Than Half Of You Half As Well As You Pixel

(1) SPEAKING WITH PRIDE. Sina Grace tells about Marvel’s lack of support for LGBTQ+ superheroes and comic books: “As Pride Month comes to a close, it’s time I spoke candidly about my experience at Marvel Comics”. Warning: Grace quotes some of the abuse.

…It’s no surprise that I got the attention of trolls and irate fans for taking on this job. There was already backlash around the manner in which Bobby Drake aka Iceman came out, and Marvel needed to smooth that landing and put a “so what” to the decision. After a point, I could almost laugh off people making light of my death, saying they have “cancerous AIDS” from my book, or insinuating I’m capable of sexual assaultalmost. Between Iceman’s cancellation and its subsequent revival, Marvel reached out and said they noticed threatening behavior on my Twitter account (only after asking me to send proof of all the nasty shit popping up online). An editor called, these conversations always happen over the phone, offering to provide “tips and tricks” to deal with the cyber bullying. I cut him off. All he was going to do was tell me how to fend for myself. I needed Marvel to stand by me with more work opportunities to show the trolls that I was more than a diversity hire. “We’ll keep you in mind.” I got so tired of that sentence. 

Even after a year of the new editor-in-chief saying I was talented and needed to be on a book that wasn’t “the gay character,” the only assignment I got outside of Iceman was six pages along, about a version of Wolverine where he had diamond claws. Fabulous, yes. Heterosexual, yes. Still kind of the gay character, though.

We as creators are strongly encouraged to build a platform on social media and use it to promote work-for-hire projects owned by massive corporations… but when the going gets tough, these dudes get going real quick…. 

(2) SFWA SUPPORTS BEAGLE. Here’s one more instance where they lent a helping hand:

(3) TALE WAGGERS. How can you not want to read a post with a title like this? “Where Dogs Play a Part: Dogtime on the 5 Best Fantasy And Science Fiction Books With Dogs” at Black Gate.

Everybody loves recommending science fiction books. It’s not just our friends at Tor.com, Kirkus Reviews, and The Barnes & Noble Sci-Fi & Fantasy Blog anymore. Last week at Dogtime (Dogtime?!) Jean Andrei recommended the 5 Best Fantasy And Science Fiction Books “where dogs play a part in the story.” Starting, of course, with one of the great classics of the genre, the 1944 fix-up novel City.

(4) BARBARIANS AT THE GATES. Did you get into fandom Before Mainstream Acceptance (BMA) or After Mainstream Acceptance? Amazing Stories’ Steve Davidson has a theory he’d like to try out on you: “BMA Fans and AMA Fans. Will the Real Fan Please Stand Up”.

BMA fans are frequently taken to task for so-called “gatekeeping”.  I think that some of that, perhaps even a large part of it, is not gatekeeping in the minds of those fans so much as it is an expression of fierce loyalty and protectiveness over something that they paid hard currency to help create.  They value certain things because they’ve learned that those things are important to the maintenance of fandom (as they know it) and are suspicious and critical when AMA fans don’t exhibit the same respect, knowledge of or, worst-case-scenario, take it upon themselves to redefine things that are already settled law and enshrined in the fannish encyclopedia.

(5) SOLEIN IS NEITHER GREEN NOR PEOPLE. It’s marketed as electric food, but it’s not what The Guardian’s headline implies: “Plan to sell 50m meals made from electricity, water and air”.

The powder known as Solein can be given texture through 3D printing, or added to dishes and food products as an ingredient.

It is produced through a process similar to brewing beer. Living microbes are put in liquid and fed with carbon dioxide and hydrogen bubbles, which have been released from water through the application of electricity. The microbes create protein, which is then dried to make the powder.

(6) LOCUS AWARDS. Here’s two photos from today’s fun:

  • The cast of Primeval came to the banquet looking for something good to eat.
  • And the traditional Hawaii shirt fun and games:

(7) WWII FANACK. Rob Hansen, curator of fanhistory site THEN, tells about his latest additions:

In what I think concludes my recent deep dive into 1940s LASFS. I’ve just added a page on Ackerman’s War which is accompanied by a couple of photos you may not have seen before. I’ve also moved most of the clubroom stuff onto its own page ‘cos it makes more sense that way. The text includes the usual cornucopia of links, of course.

It’s mostly lighthearted, but not this part —

On New Year’s Day 1945 Alden Ackerman, a Pfc with the 42nd Tank Battalion 11th Armored Division and Forry’s kid brother, was killed in action in Belgium during the Battle of the Bulge. The news took several weeks to reach Forry, who reported the death in ‘The Alert’ and in VOM #39, which featured him on its cover. Ackerman later announced he would also be starting ALDEN PRESS, whose first offering in March was a memorial to Alden.

(8) BERGLUND OBIT. In another major loss for Lovecraftians, friends of Edward P. Berglund (1942-2019) reported on Facebook he died this week. In the words of Luis G. Abbadie:

Edward P. Berglund was a great editor, a great contributor to our beloved shared world of the Cthulhu Mythos, a great man, period. His anthology The Disciples of Cthulhu was the first original Mythos collection to follow August Derleth’s classic Tales of the Cthulhu Mythos and a classic in its own right. And his monumental website A Guide to the Cthulhu Mythos is a fondly remembered Ancient Pharos for so many of us.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 29, 1919 Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
  • Born June 29, 1920 Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film), Jason and the Argonauts,  Mighty Joe Young and Clash of the Titans. (Died 2013.)
  • Born June 29, 1943 Maureen O’Brien, 76. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
  • Born June 29, 1947 Brian Herbert, 72. Son of Frank Herbert.
  • Born June 29, 1950 Michael Whelan, 69. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. 
  • Born June 29, 1956 David Burroughs Mattingly, 63. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary
  • Born June 29, 1957 Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing several years back. (Died 2015.)

(10) 101. Anna-Louise Fortune is starting a short series about the Worldcon. After hearing her voice JJ says “I keep expecting her to pull out a ruler and whap me on the knuckles.”

(11) HUGO TAXONOMY. The fabulously inventive Camestros Felapton commences to drilling through the award’s historic layers in “The Hugosauriad: Introduction to a Dinography”.

…Two points form a line and following that line backward I could cut a rock sample through the Hugo Awards and expose the geologic layers. From there I could construct not a biography of the Hugo Awards but a dinography* — an account of a thing using the medium of dinosaurs.

A dinography requires some rules, specifically a rule as to what counts as a dinosaur. For my purpose the dinosaur eligibility includes

  • Actual dinosaurs as recognised by the paleontology of the time a work was written.
  • Prehistoric reptilian creatures from the Mesozoic era that in popular culture count as dinosaurs such as large marine reptiles and pterosaurs.
  • Fantastical creatures derived from dinosaurs such as creatures in Edgar Rice Burroughs Pellucidar series.
  • Aliens (intelligent or not) of a reptilian nature that humans would see as dinosaur like.
  • Dinosaurs as a metaphor for something either out of time or hanging on beyond their time.

(12) DEADLY BED. The Guardian delves into a California seashore calamity: “Temperatures lead to what appears to be largest local die-off in 15 years, raising fears for broader ecosystem”

In all her years working at Bodega Bay, the marine reserve research coordinator Jackie Sones had never seen anything like it: scores of dead mussels on the rocks, their shells gaping and scorched, their meats thoroughly cooked.

A record-breaking June heatwave apparently caused the largest die-off of mussels in at least 15 years at Bodega Head, a small headland on the northern California bay. And Sones received reports from other researchers of similar mass mussel deaths at various beaches across roughly 140 miles of coastline.

While the people who flocked to the Pacific to enjoy a rare 80F beach day soaked up the sun, so did the mussel beds – where the rock-bound mollusks could have been experiencing temperatures above 100F at low tide, literally roasting in their shells.

Sones expects the die-off to affect the rest of the seashore ecosystem. “Mussels are known as a foundation species. The equivalent are the trees in a forest – they provide shelter and habitat for a lot of animals, so when you impact that core habitat it ripples throughout the rest of the system,” said Sones.

(13) LAST CHANCE. James Reid’s assessment: “Hugo Awards Extravaganza 2019 – John W. Campbell Award for Best New Writer”.

The Campbell award is open to the best new writer, and is judged over their output regardless of length or quantity.  Usually, the main thing to comment on is that it is not really a Hugo,1 but the interesting wrinkle of the Campbell award this year is that you can be eligible for it twice.  The Campbell competition is often my favourite, because it usually the most diverse and novel category.   This year however, five of the six nominees are in the second year of eligiblity, and four of those were on last years slate.2

(14) UNDER THE LID. Alasdair Stuart introduces “The Full Lid 28th June 2019”:

This week’s Full Lid is here for all your bio-mechanical, classics of English literature and scrappy can-do cinema needs. I take a listen to the Dirk Maggs’ produced adaptation of William Gibson’s Alien III script, am impressed by the first episode of Catch-22 and ridiculously charmed by the minimal budget enthusiasm of Audax. Also this week, the DJBBQ5000, Journeyquest take us Cooking WIth Carrow and I look back on a demanding week.

The subject isn’t sff (is it?) but I’m going to excerpt Stuart’s sharply-written Catch-22 review.

…Luke Davies and David Michôd’s adaptation of Joseph Heller’s classic novel does everything right. It doesn’t have hundreds of pages so instead of the slow burn agonizing unreleased terror of the novel’s absurd waits between missions, it focuses all the way in on Yossarian. Abbott is perfect for the role, simultaneously swaggering and cowed and his jokes are always a quarter second away from a scream. He’s not okay. No one cares. He gets worse. No one cares. That’s the marching tempo of the story, always accelerating, never quite breaking out into a run….

(15) WHAT A CROC! But NPR says it’s true: “Veggie Surprise: Teeth Of Ancient Crocs Reveal That Some Very Likely Ate Plants”.

Modern crocodiles can trace their lineage back to when dinosaurs roamed the earth. If you picture that crocodile ancestor, way back in the Cretaceous period, what do you imagine it snacking on? Maybe a fish or a bird?

Think again. Scientists say it’s more likely it was chomping on prehistoric flowers or other plants. A new study in Current Biology has found these ancient crocodile cousins actually evolved into plant eaters at least three times, and probably more.

It started with a paleontology graduate student at the University of Utah puzzling over some strange-looking teeth of the crocodile cousins (known as crocodyliforms, or crocs for short).

“The fact that so many croc teeth look nothing like anything around today just absolutely fascinated me,” Keegan Melstrom tells NPR.

(16) OUT OF THE ZONE. Galactic Journey is there when The Twilight Zone leaves the air (in 1964): “[June 26, 1964] Curtain Call (Twilight Zone, Season 5, Episodes 33-36)”.

Back in January, it was announced that this season would be The Twilight Zone’s last. In the show’s five year run, Rod Serling’s brainchild has produced more than 150 episodes and brought a new level of sophistication to science fiction and fantasy entertainment on television. Even with some decline in the program’s quality, The Twilight Zone still remains incredibly impressive as a whole — as the series comes an end, the show still manages to deliver some strong performances…

[Thanks to Camestros Felapton, Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Hampus Eckerman, Martin Morse Wooster, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

What’s In The 2019 Hugo Voter Packet?

By JJ: On May 11, the 2019 Hugo Awards voter packet became available for download by Attending, Supporting, First Worldcon, Young Adult, and Child members of Dublin 2019. The packet is an electronic collection which helps voters become better informed about the works and creators on the ballot. Works which are included have been made available through the generosity of finalists and their publishers.

The voter packet contains complete texts of many Hugo-nominated works, preview versions of some works, and directions for finding some finalists’ works online. Some novels have been made available through NetGalley, which requires a user account for access (registration is free).

The packet is available for download from the Dublin 2019 website in the Membership section by clicking “Vote for the 2019 Hugo Awards”. You must have a valid Membership login link to download the packet. If you have recently joined Dublin 2019, you will be sent a Membership login link shortly after joining. You can request that your Membership login link be re-sent to you by entering the e-mail address you used when you registered with Dublin 2019 on the Membership page. If you do not receive the e-mail, or your Membership login link fails to authenticate, you can e-mail hugohelp@dublin2019 for assistance.

If you haven’t yet downloaded this year’s Hugo Voter Packet and wish to download only selected parts, or if you’re still trying to decide whether to purchase a membership, a breakdown of its contents is presented below.

The Hugo Voter Packet will be available for download until the voting deadline at 11:59 pm Pacific Daylight Time on Wednesday July 31st, 2019 (7.59 am, Irish time, on 1 August 2019). Voters can make as many changes as they wish to their ballot until the deadline. Changes are automatically saved, and a copy of the voter’s current ballot will be emailed to them 30 minutes after they finish modifying it.

As in previous years, WSFS and Dublin 2019 ask that voters honor publishers’ and creators’ request that they reserve these copies for their personal use only, and that they do not share these works with non-members of Dublin 2019.

Only members of Dublin 2019 can access the 2019 Hugo Award Voter packet and vote on the 2019 Hugo Awards. To become a member of Dublin 2019, see the membership page.

If you don’t have access to the Hugo Voter Packet, here is a list of links to read the 2019 Hugo Finalists which are available for free online. Some detailed discussions of the Finalist works can be found on the 2019 Hugo Award Finalists announcement thread, as well as in other posts on File 770.

Dublin 2019 and WSFS are deeply appreciative of the publishers, authors, artists, editors, and other creators who have generously provided their works to this year’s Hugo Voter Packet, and ask that voters who feel the same way consider posting on social media to thank the publishers, editors, and creators who have participated in the packet.

Read more…

Where To Find The 2019 Hugo Award Finalists For Free Online

By JJ: Dublin 2019 has announced the 2019 Hugo Award Finalists. Since the Hugo Voter’s packet has not yet arrived, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online. Where available in their entirety, works are linked (most of the Novelettes and Short Stories are free, as are the Pro and Fan Artist images, and many of the Semiprozines and Fanzines).

If not available for free, an Amazon link is provided. If a free excerpt is available online, it has been linked. Excerpts are web pages, except where otherwise indicated. Overdrive excerpts are usually longer than web excerpts, and are read by clicking the right side of the page or swiping right-to-left to advance pages.

Fair notice: All Amazon links are referrer URLs which benefit fan site Worlds Without End.

SEE ALSO: Martin Pyne’s post Where To Find the 2019 Hugo Longlist For Free Online.

2019 HUGO AWARD FINALISTS

Best Novel

Best Novella

Best Novelette

Best Short Story

Best Series

Best Related Work

Best Graphic Story

Best Dramatic Presentation, Long Form

Best Dramatic Presentation, Short Form

  • The Expanse: “Abaddon’s Gate” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (trailer)
  • Doctor Who: “Demons of the Punjab” written by Vinay Patel, directed by Jamie Childs (trailer)
  • Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (full video on YouTube & Vimeo)
  • The Good Place: “Janet(s)” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (trailer)
  • The Good Place: “Jeremy Bearimy” written by Megan Amram, directed by Trent O’Donnell (trailer)
  • Doctor Who: “Rosa” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (trailer)

Best Professional Editor, Short Form

Best Professional Editor, Long Form

Best Professional Artist

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
  • FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
  • Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
  • Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

Best Fancast

Best Fan Writer

Best Fan Artist

Best Art Book

John W. Campbell Award for Best New Writer

Lodestar Award for Best Young Adult Book

RELATED: What’s In The 2019 Hugo Voter Packet?

Dublin 2019 Announces Hugo and Retro Hugo Finalists

The finalists for the 2019 Hugo Awards, John W. Campbell Award for Best New Writer, the World Science Fiction Society (WSFS) Award for Best Young Adult Book, and the 1944 Retrospective Hugo Awards were announced April 2 in a live webcast.

There were 1800 valid nominating ballots (1797 electronic and 3 paper) received and counted from the members of the 2018 and 2019 World Science Fiction Conventions for the 2019 Hugo Awards.

For the 1944 Retro Hugo Awards, 217 valid nominating ballots (214 electronic and 3 paper) were received.

The webcast announcing the finalists is available for viewing on the Dublin 2019 YouTube channel.

Dublin 2019 – An Irish Worldcon will take place in and around the Convention Centre Dublin from August 15 to 19. More than 5,600 people have already signed up as members, including more than 4,580 attending members.

Voting on the final ballot will open later this month. Only Dublin 2019 members will be able to vote on the final ballot and choose the winners.

RELATED: Where To Find The 2019 Hugo Award Finalists For Free Online

 

2019 HUGO AWARD FINALISTS

Best Novel

  • The Calculating Stars, by Mary Robinette Kowal (Tor)
  • Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
  • Revenant Gun, by Yoon Ha Lee (Solaris)
  • Space Opera, by Catherynne M. Valente (Saga)
  • Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
  • Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella

  • Artificial Condition, by Martha Wells (Tor.com publishing)
  • Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
  • Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
  • The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
  • Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
  • The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette

  • “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
  • “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
  • “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
  • The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
  • “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
  • “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story

  • “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
  • “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
  • “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
  • “STET,” by Sarah Gailey (Fireside Magazine, October 2018)
  • “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

  • The Centenal Cycle, by Malka Older (Tor)
  • The Laundry Files, by Charles Stross (most recently Tor/Orbit)
  • Machineries of Empire, by Yoon Ha Lee (Solaris)
  • The October Daye Series, by Seanan McGuire (most recently DAW)
  • The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
  • Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work

  • Archive of Our Own, a project of the Organization for Transformative Works
  • Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
  • The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
  • An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
  • www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
  • Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story

  • Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
  • Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
  • On a Sunbeam, by Tillie Walden (First Second)
  • Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
  • Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

  • Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
  • Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
  • A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
  • Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
  • Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

  • The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
  • Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
  • Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
  • The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
  • The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
  • Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Professional Editor, Short Form

  • Neil Clarke
  • Gardner Dozois
  • Lee Harris
  • Julia Rios
  • Lynne M. Thomas and Michael Damian Thomas
  • E. Catherine Tobler

Best Professional Editor, Long Form

  • Sheila E. Gilbert
  • Anne Lesley Groell
  • Beth Meacham
  • Diana Pho
  • Gillian Redfearn
  • Navah Wolfe

Best Professional Artist

  • Galen Dara
  • Jaime Jones
  • Victo Ngai
  • John Picacio
  • Yuko Shimizu
  • Charles Vess

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
  • FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
  • Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
  • Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus
  • Journey Planet, edited by Team Journey Planet
  • Lady Business, editors Ira, Jodie, KJ, Renay & Susan
  • nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
  • Quick Sip Reviews, editor Charles Payseur
  • Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast

  • Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
  • Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
  • Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer

  • Foz Meadows
  • James Davis Nicoll
  • Charles Payseur
  • Elsa Sjunneson-Henry
  • Alasdair Stuart
  • Bogi Takács

Best Fan Artist

  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Likhain (Mia Sereno)
  • Spring Schoenhuth

Best Art Book

  • The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)
  • Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
  • Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
  • Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
  • Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
  • Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

John W. Campbell Award for Best New Writer

  • Katherine Arden (2nd year of eligibility)
  • S.A. Chakraborty (2nd year of eligibility)
  • R.F. Kuang (1st year of eligibility)
  • Jeannette Ng (2nd year of eligibility)
  • Vina Jie-Min Prasad (2nd year of eligibility)
  • Rivers Solomon (2nd year of eligibility)

Lodestar Award for Best Young Adult Book

  • The Belles, by Dhonielle Clayton (Freeform / Gollancz)
  • Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
  • The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
  • Dread Nation, by Justina Ireland (Balzer + Bray)
  • The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
  • Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

1944 RETROSPECTIVE HUGO AWARD FINALISTS

Best Novel

  • Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
  • Earth’s Last Citadel, by C.L. Moore and Henry Kuttner (Argosy, April 1943)
  • Gather, Darkness! by Fritz Leiber, Jr. (Astounding Science-Fiction, May-July 1943)
  • Das Glasperlenspiel [The Glass Bead Game], by Hermann Hesse (Fretz & Wasmuth)
  • Perelandra, by C.S. Lewis (John Lane, The Bodley Head)
  • The Weapon Makers, by A.E. van Vogt (Astounding Science-Fiction, February-April 1943)

Best Novella

  • “Attitude,” by Hal Clement (Astounding Science-Fiction, September 1943)
  • “Clash by Night,” by Lawrence O’Donnell (Henry Kuttner & C.L. Moore) (Astounding Science-Fiction, March 1943)
  • “The Dream-Quest of Unknown Kadath,” by H.P. Lovecraft, (Beyond the Wall of Sleep, Arkham House)
  • The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)
  • The Magic Bed-Knob; or, How to Become a Witch in Ten Easy Lessons, by Mary Norton (Hyperion Press)
  • “We Print the Truth,” by Anthony Boucher (Astounding Science-Fiction, December 1943)

Best Novelette

  • “Citadel of Lost Ships,” by Leigh Brackett (Planet Stories, March 1943)
  • “The Halfling,” by Leigh Brackett (Astonishing Stories, February 1943)
  • “Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)
  • “The Proud Robot,” by Lewis Padgett (Henry Kuttner) (Astounding Science-Fiction, February 1943)
  • “Symbiotica,” by Eric Frank Russell (Astounding Science-Fiction, October 1943)
  • “Thieves’ House,” by Fritz Leiber, Jr (Unknown Worlds, February 1943)

Best Short Story

  • “Death Sentence,” by Isaac Asimov (Astounding Science Fiction, November 1943)
  • “Doorway into Time,” by C.L. Moore (Famous Fantastic Mysteries, September 1943)
  • “Exile,” by Edmond Hamilton (Super Science Stories, May 1943)
  • “King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
  • “Q.U.R.,” by H.H. Holmes (Anthony Boucher) (Astounding Science-Fiction, March 1943)
  • “Yours Truly – Jack the Ripper,” by Robert Bloch (Weird Tales, July 1943)

Best Graphic Story

  • Buck Rogers: Martians Invade Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
  • Flash Gordon: Fiery Desert of Mongo, by Alex Raymond (King Features Syndicate)
  • Garth, by Steve Dowling (Daily Mirror)
  • Plastic Man #1: The Game of Death, by Jack Cole (Vital Publications)
  • Le Secret de la Licorne [The Secret of the Unicorn], by Hergé (Le Soir)
  • Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)

Best Dramatic Presentation, Long Form

  • Batman, written by Victor McLeod, Leslie Swabacker and Harry L. Fraser, directed by Lambert Hillyer (Columbia Pictures)
  • Cabin in the Sky, written by Joseph Schrank, directed by Vincente Minnelli and Busby Berkeley (uncredited) (MGM)
  • A Guy Named Joe, written by Frederick Hazlitt Brennan and Dalton Trumbo, directed by Victor Fleming (MGM)
  • Heaven Can Wait, written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)
  • Münchhausen, written by Erich Kästner and Rudolph Erich Raspe, directed by Josef von Báky (UFA)
  • Phantom of the Opera, written by Eric Taylor, Samuel Hoffenstein and Hans Jacoby, directed by Arthur Lubin (Universal Pictures)

Best Dramatic Presentation, Short Form

  • The Ape Man, written by Barney A. Sarecky, directed by William Beaudine (Banner Productions)
  • Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
  • Der Fuehrer’s Face, story by Joe Grant and Dick Huemer, directed by Jack Kinney (Disney)
  • I Walked With a Zombie, written by Curt Siodmak and Ardel Wray, directed by Jacques Tourneur (RKO Radio Pictures)
  • The Seventh Victim, written by Charles O’Neal and DeWitt Bodeen, directed by Mark Robson (RKO Radio Pictures)
  • Super-Rabbit, written by Tedd Pierce, directed by Charles M. Jones (Warner Bros)

Best Professional Editor, Short Form

  • John W. Campbell
  • Oscar J. Friend
  • Mary Gnaedinger
  • Dorothy McIlwraith
  • Raymond A. Palmer
  • Donald A. Wollheim

Best Professional Artist

  • Hannes Bok
  • Margaret Brundage
  • Virgil Finlay
  • Antoine de Saint-Exupéry
  • J. Allen St. John
  • William Timmins

Best Fanzine

  • Fantasy News, editor William S. Sykora
  • Futurian War Digest, editor J. Michael Rosenblum
  • The Phantagraph, editor Donald A. Wollheim
  • Voice of the Imagi-Nation, editors Jack Erman (Forrest J Ackerman) & Morojo (Myrtle Douglas)
  • YHOS, editor Art Widner
  • Le Zombie, editor Wilson “Bob” Tucker

Best Fan Writer

  • Forrest J. Ackerman
  • Morojo (Myrtle Douglas)
  • Jack Speer
  • Wilson “Bob” Tucker
  • Art Widner
  • Donald A. Wollheim

The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for more than 60 years.

The 1944 Retro Hugo Awards will be presented on Thursday, August 15, the opening night of Dublin 2019. The 2019 Hugo Awards, and the Lodestar and Campbell Awards, will be presented on Sunday, August 18 as part of the main Hugo Awards ceremony.

The 2019 Hugo base will be designed by Dublin artist Jim Fitzpatrick. The 1944 Retro Hugo base will be designed by Eleanor Wheeler, a ceramicist in County Down. The 2019 Lodestar Award will be designed by Sara Felix, the Austin, Texas-based president of the Association of Science Fiction and Fantasy Artists.

More information about the Hugo Awards, including details about how to submit a nominating ballot: https://dublin2019.com/hugo-awards-wsfs/the-hugo-awards/. Any questions about the Hugo Awards process should be directed to [email protected].

More information and membership registration for Dublin 2019 are available at https://dublin2019.com. Follow the convention on Twitter at @dublin2019.

“World Science Fiction Society,” “WSFS,” “World Science Fiction Convention,” “Worldcon,” “NASFiC,” “Hugo Award,” the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society.

2018 Hugo Winners

The winners of the 2018 Hugo Awards, John W. Campbell Award for Best New Writer, and World Science Fiction Society (WSFS) Award for Best Young Adult Book were announced on Sunday, August 19, 2018, at the 76th World Science Fiction Convention.

The administrators received and counted 2,828 valid ballots (2,810 electronic and 18 paper) from the members of the 2018 World Science Fiction Convention.

The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for well over 60 years.

The winners are:

2018 Associated Awards (not Hugos)

John W. Campbell Award for Best New Writer

  • Rebecca Roanhorse

The World Science Fiction Society (WSFS) Award for Best Young Adult Book

  • Akata Warrior, by Nnedi Okorafor (Viking)

2018 Hugo Awards

Best Fan Artist

  • Geneva Benton

Best Fan Writer

  • Sarah Gailey

Best Fancast

  • Ditch Diggers, presented by Mur Lafferty and Matt Wallace

Best Fanzine

  • File 770, edited by Mike Glyer

Best Semiprozine

  • Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Professional Artist

  • Sana Takeda

Best Editor – Short Form

  • Lynne M. Thomas & Michael Damian Thomas

Best Editor – Long Form

  • Sheila E. Gilbert

Best Dramatic Presentation – Short Form

  • The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)

Best Dramatic Presentation – Long Form

  • Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Graphic Story

  • Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)

Best Related Work

  • No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)

Best Series

  • World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

Best Short Story

  • “Welcome to Your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Novelette

  • “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)

Best Novella

  • All Systems Red, by Martha Wells (Tor.com Publishing)

Best Novel

  • The Stone Sky, by N.K. Jemisin (Orbit)

What’s In The 2018 Hugo Voter Packet?


By JJ:
On May 30, the 2018 Hugo Awards voter packet became available for download by Supporting, Attending, Youth, Child, and Active Duty members of Worldcon 76. The packet is an electronic collection which helps voters become better informed about the works and creators on the ballot. Works which are included have been made available through the generosity of finalists and their publishers.

The voter packet contains complete texts of many Hugo-nominated works, preview versions of some works, and directions for finding some finalists’ works online. Some novels have been made available through NetGalley, which requires a user account for access (registration is free).

The packet is available for download from the Worldcon 76 website in the “Hugo Voter Packet” section. You must have a valid Membership Number and PIN to download the packet. If you have recently joined Worldcon 76, you will be sent a membership number and PIN shortly after joining. Your PIN will be e-mailed to you using the e-mail address you entered when you registered with Worldcon 76. If you do not receive the e-mail, or your name or membership number and PIN fail to authenticate, you can use the PIN lookup page to request your PIN.

If you haven’t yet downloaded this year’s Hugo Voter Packet and wish to download only selected parts, or if you’re still trying to decide whether to purchase a membership, a breakdown of its contents is presented below.

The Hugo Voter Packet will be available for download until the voting deadline at 11:59 pm Pacific Daylight Time on July 31, 2018. As in previous years, Worldcon 76 asks that voters honor publishers’ and creators’ request that they reserve these copies for their personal use only, and that they do not share these works with non-members of Worldcon 76.

Only members of Worldcon 76 can access the 2018 Hugo Award Voter packet and vote on the 2018 Hugo Awards. To become a member of Worldcon 76, see the membership page.

If you don’t have access to the Hugo Voter Packet, here is a list of links to read the 2018 Hugo Finalists which are available for free online. Some detailed discussions of the Finalist works can be found on the 2018 Hugo Award Finalists announcement thread, as well as in other posts on File 770.

Worldcon 76 and WSFS are deeply appreciative of the publishers, authors, artists, editors, and other creators who have generously provided their works to this year’s Hugo Voter Packet, and ask that voters who feel the same way consider posting on social media to thank the publishers, editors, and creators who have participated in the packet.

My thanks to Camestros Felapton for assistance with the multi-part category packets.

Here is the breakdown of the 2018 Hugo Voter Packet contents:

Read more…

2018 Hugo Award Finalists

Worldcon chair Kevin Roche at the live announcement in San Jose.

The finalists for the 2018 Hugo Awards, John W. Campbell Award for Best New Writer, and the World Science Fiction Society (WSFS) Award for the Best Young Adult Book were announced March 31.

There were 1813 valid nominating ballots (1795 electronic and 18 paper) were received and counted from the members of the 2017, 2018, and 2019 World Science Fiction Conventions.

For the 1943 Retrospective Hugo Awards, 204 valid nominating ballots (192 electronic and 12 paper) were received.

Voting on the final ballot will open in April (date unspecified). The Hugo Award winners will be announced Sunday, August 19.

The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for well over 60 years.

2018 Hugo Awards Finalists

Best Novel

  • The Collapsing Empire, by John Scalzi (Tor)
  • New York 2140, by Kim Stanley Robinson (Orbit)
  • Provenance, by Ann Leckie (Orbit)
  • Raven Stratagem, by Yoon Ha Lee (Solaris)
  • Six Wakes, by Mur Lafferty (Orbit)
  • The Stone Sky, by N.K. Jemisin (Orbit)

Best Novella

  • All Systems Red, by Martha Wells (Tor.com Publishing)
  • “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
  • Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
  • The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
  • Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
  • River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

  • “Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
  • “Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
  • “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
  • “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
  • “Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
  • “Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

  • “Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
  • “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
  • “Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
  • “The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
  • “Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
  • “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Series

  • The Books of the Raksura, by Martha Wells (Night Shade)
  • The Divine Cities, by Robert Jackson Bennett (Broadway)
  • InCryptid, by Seanan McGuire (DAW)
  • The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
  • The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
  • World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

Best Related Work

  • Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
  • Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
  • A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
  • Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
  • No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
  • Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

  • Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
  • Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
  • Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
  • My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
  • Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
  • Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentaton – Long Form

  • Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
  • Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
  • The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
  • Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
  • Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
  • Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Dramatic Presentation – Short Form

  • Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
  • “The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
  • Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
  • The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
  • The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
  • Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor – Long Form

  • Sheila E. Gilbert
  • Joe Monti
  • Diana M. Pho
  • Devi Pillai
  • Miriam Weinberg
  • Navah Wolfe

Best Editor – Short Form

  • John Joseph Adams
  • Neil Clarke
  • Lee Harris
  • Jonathan Strahan
  • Lynne M. Thomas & Michael Damian Thomas
  • Sheila Williams

Best Professional Artist

  • Galen Dara
  • Kathleen Jennings
  • Bastien Lecouffe Deharme
  • Victo Ngai
  • John Picacio
  • Sana Takeda

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • The Book Smugglers, edited by Ana Grilo and Thea James
  • Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
  • Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
  • Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
  • Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

  • File 770, edited by Mike Glyer
  • Galactic Journey, edited by Gideon Marcus
  • Journey Planet, edited by Team Journey Planet
  • nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
  • Rocket Stack Rank, edited by Greg Hullender and Eric Wong
  • SF Bluestocking, edited by Bridget McKinney

Best Fancast

  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Ditch Diggers, presented by Mur Lafferty and Matt Wallace
  • Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
  • Sword and Laser, presented by Veronica Belmont and Tom Merritt
  • Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

  • Camestros Felapton
  • Sarah Gailey
  • Mike Glyer
  • Foz Meadows
  • Charles Payseur
  • Bogi Takács

Best Fan Artist

  • Geneva Benton
  • Grace P. Fong
  • Maya Hahto
  • Likhain (M. Sereno)
  • Spring Schoenhuth
  • Steve Stiles

2018 Associated Awards (not Hugos)

John W. Campbell Award for Best New Writer

  • Katherine Arden
  • Sarah Kuhn
  • Jeannette Ng
  • Vina Jie-Min Prasad
  • Rebecca Roanhorse
  • Rivers Solomon

The World Science Fiction Society (WSFS) Award for Best Young Adult Book

  • Akata Warrior, by Nnedi Okorafor (Viking)
  • The Art of Starving, by Sam J. Miller (HarperTeen)
  • The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)
  • In Other Lands, by Sarah Rees Brennan (Big Mouth House)
  • A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
  • Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)

2018 Hugo Nominees To Be Revealed on 3/31

Worldcon 76 will announce the finalists for the 2018 Hugo Awards, the John W. Campbell Award for the Best New Writer, the World Science Fiction Society (WSFS) Award for the Best Young Adult Book, and the 1943 Retro Hugo Awards on March 31.

They will be announced live at three locations by Worldcon 76 at 12 noon Pacific / 8 p.m. British Summer Time.

Live announcements will be held simultaneously in three locations: the 7 Stars Bar & Grill, located at 398 S. Bascom Ave, San Jose, California, at Follycon (Eastercon) in Harrogate, UK, and Norwescon in Seattle, Washington.

The Hugo Awards, first presented in 1953 and presented annually since 1955, are science fiction’s most prestigious award. The Hugo Awards are voted on by members of the World Science Fiction Convention (“Worldcon”), which is also responsible for administering them.

The John W. Campbell Award for Best New Writer is awarded by Dell Magazines and administered by WSFS. This award is given annually to the best new writer whose first professional work of science fiction or fantasy was published within the two previous calendar years. The prize is named in honor of influential science fiction editor and writer John W. Campbell.

This is the first year that the WSFS Award for the Best Young Adult Book will be presented.

Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcons (1939 onwards) in years when awards had not been presented. These awards may be presented for years that are a multiple of 25 years prior to the current year’s convention, with the exception of the hiatus during World War II when no Worldcon was convened. In 2017, a revision to the rules was ratified, giving Worldcon 76 in San Jose an opportunity to present Retro Hugo awards for the best science fiction works of 1942 which, if neglected, won’t return for another quarter century.

A video announcement will follow an hour later on the Worldcon 76 website

The Hugo Awards ceremonies will be held at Worldcon 76 in San Jose on August 16-20, 2018 at the San Jose McEnery Convention Center.

[Based on a press release.]

Free Anthology of Stories from 2018 Campbell Award Eligible Writers

Event Horizon 2018, edited by Jake Kerr, with a quarter million words of fiction by 58 Campbell-eligible authors, is available as a free download. (Epub, mobi, and PDF formats are available.)

Nominees for the John W. Campbell Award for Best New Writer come from Hugo voters, who will need to read fast – votes must be in by 11:59 p.m. Pacific time on Friday March 16, 2018.

The book’s introduction reminds readers that the project was originally conceived by M. David Blake, and called The Campbellian Pre-Reading Anthology. The first volume was published by Stupefying Stories in 2013 and contained stories by 43 authors. The next volume included over 111 authors and 1 million words.

Table of Contents

  • “Devil’s Due” By Percival Constantine
  • “Forestborn” By Sylvia Heike
  • “A Question Of Faith” By Tonya Liburd
  • “Shaman’s Quest” By Kevin L. O’Brien
  • “Memories to Come” By Paul Alex Gray
  • “Aspiration Value” By Mike Reeves-McMillan
  • “Of Puddings and Prophecies” By Helen French
  • “Dearly Departed” By Kelly Stewart
  • “Cyborg Shark Battle (Season 4, O’ahu Frenzy)” By Benjamin C. Kinney
  • “The Legendary Legend of the Darkly’s Slayer” By J.R. Dawson
  • “The Invisible Box” By J.J. Litke
  • “Termination Pending” By Rachelle Harp
  • “Eyes That See Everything” By Karen Bovenmyer
  • “Twisted Knots” By D.A Xiaolin Spires
  • “The Heart is a Lonesome Hunter” By Eugenia Triantafyllou
  • “The Fox, the Wolf, and the Dove” By Ville Meriläinen
  • “Dragon’s Trail” By Joseph Malik
  • “Spooky Action” By David A. Kilman
  • “Granite Requires” By TJ Berry
  • “Forgive Us Our Trespasses” By Bennett North
  • “The Best Busker in the World” By R. K. Duncan
  • “Like You, I am a System” By Nathan Hillstrom
  • “Darner” By Jonathan Laidlow
  • “First date with the Hive” By Gretchen Tessmer
  • “The Librarian” By Andrew Kozma
  • “The Stars and the Rain” By Emily McCosh
  • “London Calling” By Philip A. Suggars
  • “Analog Signals” By Shawn Proctor
  • “Fandom for Robots” By Vina Jie-Min Prasad
  • “The Spark That Starts The Flame” By Daniel Rosen
  • “These Constellations Will Be Yours” By Elaine Cuyegkeng
  • “The Nine” By Tracy Townsend
  • “I Remember Your Face” By E. K. Wagner
  • “Old Teacups and Kitchen Witches” Kate Baker
  • “The In Between Place” By Kat Day
  • “”A Matter of Interpretation” By M. Elizabeth Ticknor
  • “Baby Teeth” By Lina Rather
  • “The Awakening of Insects” By Bobby Sun
  • “”The Man in the Crimson Coat” By Andrea Tang
  • “Outburst” By B. Morris Allen
  • “Rushford Recapitulation” By Christopher Mark Rose
  • “A Heart in the Hand” By Jeremy M. Gottwig
  • “Moths To The Flame” By Daniel Rosen
  • “A Glowing Heart” By Anton Rose
  • “Demeter’s Regard” By Deborah L. Davitt
  • “The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself” By Matt Dovey
  • “The Lives Beneath” By Katherine Inskip
  • “Abyssal” By Lorraine Schein
  • “Starr Striker Should Remain Capitol City’s Resident Superhero, by Keisha
  • Cole, 10th Grade Student”” By Amanda Helms
  • “Baro Porrajmos, or Love in the Vardo” By Eileen Gunnell Lee
  • “Ora et Labora” By Theodore McCombs
  • “An Equal Share of the Bone” By Karen Osborne
  • “Phalium arium ssp anams” By Victoria Sandbrook
  • “The Broken Karwaneer” By Jeremy A TeGrotenhuis
  • “Seb Dreams of Reincarnation” By Aimee Ogden
  • “Snail Mail” By Steven Fischer
  • “The Arrow of Time” By Kate Dollarhyde
  • “Think of Winter” By Eleanna Castroianni

 

[Thanks to Mark Hepworth for the story.]

Worldcon 75 Posts PR#6, Souvenir Book, Hugo Ceremony Video

The 2017 Worldcon issued this news blast today —

They have published a sixth Progress Report 6, with a recap of convention activities, photographs, and membership and attendance statistics. Available online only —

Worldcon 75 has reopened its merchandise webshop for orders until February 28. A last chance to buy your Worldcon 75 keepsake.

The Worldcon 75 Souvenir Book is being made available to all members who were not in Helsinki. You need your membership login info, then you can choose these options —

  • An electronic copy is available for download by all members from the W75 membership site.
  • If you did not attend the convention, but would like a paper copy of the Souvenir Book, sign in to the member site and edit your personal information to include your paper pubs mailing address by February 28. They expect to have the paper copies mailed out shortly thereafter.

Finally, W75 Vice-Chair Colette H. Fozard stated in a comment today the Hugo Ceremony video is coming this week:

I can also announce that I have been informed that the Hugo Ceremony Video has been uploaded into Worldcon 75’s YouTube channel with a scheduled “go live” date of 16 February at 18.00 EEST (Finnish time).

Here is the link to Worldcon 75’s YouTube channel.