Pixel Scroll 1/26/24 La Scroll È Mobile

(1) SATURN AWARDS NEWS. Keanu Reeves will be the inaugural recipient of the Lance Reddick Legacy Award when the 51st Saturn Awards take place on February 4. reports Variety.

The Academy of Science Fiction, Fantasy and Horror Films has announced that Keanu Reeves will receive the inaugural Lance Reddick Legacy Award at the 51st Saturn Awards. The entire show will be dedicated to the memory of the late Reddick, who died at the age of 60 in March 2023.

Reeves, who was friends with Reddick, starred alongside him in the “John Wick” action-thriller franchise. Reddick appeared in all four movies as Charon, the concierge at the Continental hotel, where his character interfaced with Reeves’ titular hitman.

Academy president Robert Holguin and Saturn producers Bradley and Kevin Marcus released a statement on Reeves’ forthcoming honor: “This award symbolizes and celebrates not only a performer’s talent, but their character; someone who’s a true goodwill ambassador in the industry. From science fiction (‘The Matrix Trilogy’), fantasy (‘Bill & Ted’s Excellent Adventure’/’Constantine’and horror (Francis Ford Coppola’s ‘Dracula’/’The Devil’sAdvocate’), Keanu has done it all — not to mention ‘Speed’ and ‘Point Break.’”…

(2) SNUBBED? [Item by Dann.] The Hollywood Reporter has a story about the backlash to the backlash that protested the lack of Oscar nominations for Greta Gerwig and Margot Robbie.  Media outlets from the New York Times to Slate offered rebuttals suggesting that it’s OK for a successful property to not win every award. “The ‘Barbie’ Oscar Snubs Backlash-Backlash: ‘Everyone Lost Their Minds’”.

The penultimate paragraph includes a quote from a genre fan-favorite:

And finally there was The View‘s Whoopi Goldberg, proclaiming, “[Saying somebody was snubbed] assumes someone else shouldn’t be in there. There are no snubs. That’s what you have to keep in mind: Not everybody gets a prize, and it is subjective. Movies are subjective. The movies you love may not be loved by the people who are voting.”

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to “Munch MVP sandwiches with MVPs Gary K. Wolfe and Jonathan Strahan” in Episode 217 of his Eating the Fantastic podcast.

Gary K. Wolfe and Jonathan Strahan

Gary K. Wolfe is a science fiction critic, editor, and biographer who’s had a monthly review column in Locus since December 1991. He was nominated for the Hugo Award for Best Related Work in 2006 for the book Soundings: Reviews 1992–1996, and again in 2011, for the book Bearings: Reviews 1997–2001. Over the years, he’s won the Eaton Award from the Eaton Conference on Science Fiction, the Pilgrim Award for Lifetime Achievement from the Science Fiction Research Association, the Distinguished Scholarship Award from the International Association for the Fantastic in the Arts, and the British Science Fiction Association Award for nonfiction for the previously mentioned Soundings: Reviews 1992–1996. He’s also (among many other things) edited two wonderful volumes for the Library of America — American Science Fiction: Four Classic Novels 1953-1956 and American Science Fiction: Five Classic Novels 1956-1958.

Jonathan Strahan is a nineteen-time Hugo Award nominated editor and publisher of science fiction, fantasy, and horror. He’s won the Aurealis Award, the William Atheling Jr Award for Criticism and Review, the Australian National Science Fiction Convention’s “Ditmar Award”, and the Peter McNamara Achievement Award. As a freelance editor, he’s edited or co-edited more than sixty original and reprint anthologies and seventeen single-author story collections and has been a consulting editor for Tordotcom Publishing and Tor.com since 2014, where he’s acquired and edited two novels, 36 novellas, and a selection of short fiction. Strahan won the World Fantasy Award (Special – Professional) in 2010 for his work as an editor, and his anthologies have won the Locus Award for Best Anthology four times (2008, 2010, 2013, 2021) and the Aurealis Award seven times. He has been Reviews Editor at Locus since 2002.

As the reason I’m with both of them is — together, they’ve been cohosts of The Coode Street Podcast since May 2010, which had 640 episodes live the last time I looked, and has been nominated for the Hugo Award for Best Fancast ten times, winning once.

We discussed why The Coode Street Podcast is “the Cheers of podcasts,” the foolish statement made during their first episode which meant there had to be more, the identity of the guest who was most resistant to appearing on their show, the reason the podcast made Paul Cornell want to run, the different interviewing techniques necessary when having conversations with the voluble vs. the reticent, the white whales whom they could never snare, how to make sure we’re speaking to more than just our own generations, their advice for anyone who wants to launch a podcast, the way to avoid getting canned responses out of guests, how their conversational methods have changed over 13 years, whether critiquing books or rejecting stories has ever affected relationships with a guest, and much more.

(4) PRESSURE FOR REGULATION. “The Sleepy Copyright Office in the Middle of a High-Stakes Clash Over A.I.” – the New York Times has the story.

For decades, the Copyright Office has been a small and sleepy office within the Library of Congress. Each year, the agency’s 450 employees register roughly half a million copyrights, the ownership rights for creative works, based on a two-centuries-old law.

In recent months, however, the office has suddenly found itself in the spotlight. Lobbyists for Microsoft, Google, and the music and news industries have asked to meet with Shira Perlmutter, the register of copyrights, and her staff. Thousands of artists, musicians and tech executives have written to the agency, and hundreds have asked to speak at listening sessions hosted by the office.

The attention stems from a first-of-its-kind review of copyright law that the Copyright Office is conducting in the age of artificial intelligence. The technology — which feeds off creative content — has upended traditional norms around copyright, which gives owners of books, movies and music the exclusive ability to distribute and copy their works.

The agency plans to put out three reports this year revealing its position on copyright law in relation to A.I. The reports are set to be hugely consequential, weighing heavily in courts as well as with lawmakers and regulators.

“We are now finding ourselves the subject of a lot of attention from the broader general public, so it is a very exciting and challenging time,” Ms. Perlmutter said.

The Copyright Office’s review has thrust it into the middle of a high-stakes clash between the tech and media industries over the value of intellectual property to train new A.I. models that are likely to ingest copyrighted books, news articles, songs, art and essays to generate writing or images. Since the 1790s, copyright law has protected works so an author or artist “may reap the fruits of his or her intellectual creativity,” the Copyright Office declares on its website.

That law is now a topic of hot debate. Authors, artists, media companies and others say the A.I. models are infringing on their copyrights. Tech companies say that they aren’t replicating the materials and that they consume data that is publicly available on the internet, practices that are fair use and within the bounds of the law. The fight has led to lawsuits, including one by The New York Times against the ChatGPT creator OpenAI and Microsoft. And copyright owners are pushing for officials to rein in the tech companies….

(5) RADIO SILENCE. Looking for comments from Kevin Standlee? We’re told he’s probably seeing the questions, but he’s been told he mustn’t say anything, so don’t be offended about getting no response to the Standlee Signal.

(6) ANOTHER BRICK IN THE WALL. “Pharrell Williams: Lego Animated Biopic Coming From Focus Features” at Variety.

The musician and superproducer announced that he is teaming with The Lego Group, director Morgan Neville and Focus Features to create “Piece by Piece,” an animated film about his life using the famous toy blocks.

Per the press release, “Uninterested in making a traditional film about his life, Pharrell set out to tell his story in a way that would set audience’s imaginations free. Developed from his singular vision, ‘Piece by Piece’ defies genres and expectations to transport audiences into a Lego world where anything is possible.”…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 26, 1979 Yoon Ha Lee, 44. A truly stellar writer.

His first work for us was “The Hundredth Question” story published in The Magazine of Fantasy & Science Fiction in the February 1999 issue. May I note that magazine has published some of the finest short fiction I’ve ever had the pleasure to read?

After “The Hundredth Question”, I count just over a hundred short stories and intriguingly nearly thirty pieces of poetry which is a fair amount of genre work I’d say.

Yoon Ha Lee

Quite interesting is that the stories have several series running there — one that runs off with “The Cat Who Forgot to Fly” and runs five stories (I went to read these); then there’s series of stories about dragons, librarians, mermaids, phoenixes and queens. 

So let’s talk about his novels. His Machineries of Empire space opera novels, well space opera is a gross understatement to it mildly, consisting of Ninefox GambitRaven Stratagem and Revenant Gun are splendid works indeed. As a follower of Asian folklore, the fact that these nicely use Korean folklore is a bonus. 

Ninefox Gambit was nominated for a Hugo at Worldcon 75, Raven Stratagem at Worldcon 76 and Revenant Gun at Dublin 2019. None alas won a Hugo.

He likes fox spirits, he really does. (As do I.) So The Thousand World series is a space opera, and yes time that is an accurate term, about thirteen-year-old Min, who comes from a long line of fox spirits. Oh there’s dragons and tigers, oh my here as well. 

I’ve not read his latest novel, Phoenix Extravagant, but magic fueled weaponized armored giants sounds potentially interesting. 

Remember all of those short stories? Well they have been collected,  well I thought most of them had in The Candlevine Gardener and Other Stories but it turned out that those are flash fiction, all sixty five of them as I just discovered, though available are free from his website here.

I just read “The Cat Who Forgot to Fly”. It read like a classic folklore story from well before the 1800s — charming, magical and everyone is fine at the end. All two pages. 

The longer stories can be found in Conservation of ShadowsThe Fox’s Tower and Other Tales and Hexarchate Stories.

(8) COMICS SECTION.

(9) SOMETHING ELSE YOU CAN’T SAY. [Item by Cat Eldridge.] Can we please stop calling it AI? They’re not actually artificial intelligences, they’re collections of algorithms doing routines based off them. None could pass a Turing test. “George Carlin’s Estate Sues Creators Of AI Version Of Comedy Icon” at Deadline.

Over 50 years ago, the late and great George Carlin listed off the seven words you couldn’t say on television. Based on a lawsuit from the iconic comedian’s estate filed in federal court in California today, at least two of those words may apply to the creators of an AI generated special that uses Carlin’s style and voice to a 2024 effect.

AKA: “a bastardization of Carlin’s real work,”  the copyright infringement complaint says.

“Defendants’ AI-generated “George Carlin Special” is not a creative work,” it goes on to exclaim. “It is a piece of computer-generated click-bait which detracts from the value of Carlin’s comedic works and harms his reputation.”… 

(10) THE END. Another one from Sam Sykes that tickled me.

(11) VIDEO OF A YEAR AGO. [Item by Danny Sichel.] German band Electric Callboy just (for values of ‘just’ that include ‘over a year ago’) released a very genre-intense video for their song ‘Spaceman’.

Warning: Electric Callboy’s style is a mix of bouncy energetic rave pop and thrashing deathcore growls. They are an extremely non-serious band.

(12) VIDEO OF THE DAY. “The Wicked Witch on Mister Rogers’ Neighborhood (1975)”.

David Newell (Mr. McFeely) recollects Margaret Hamilton’s visit to Mister Rogers’ Neighborhood filmed at WQED in Pittsburgh. In the episode on scary images, Fred Rogers meets the actress who played the Wicked Witch of the West in 1938 movie “The Wizard of Oz”.

[Thanks to Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Danny Sichel, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

World Fantasy Convention 2023 To Be Held in Kansas City

World Fantasy Convention℠ 2023 will be hosted from October 26-29 at the Sheraton Kansas City Hotel at Crown Center in Kanasas City, Missouri.  

The organizing entity is World Fantasy Convention 2023, a Kansas not-for-profit incorporated earlier this year by Ruth Lichtwardt and Rosemary Williams.  Lichtwardt’s experience includes chairing the 2016 Worldcon in Kansas City, and Williams is a conrunner and published author.  

The WFC 2023 Guests of Honor are:

KIJ JOHNSON

Kij Johnson writes fantasy and science fiction including the novels The Fox Woman and Fudoki; the short story collection, At the Mouth of the River of Bees; the novella, The Dream-Quest of Vellitt Boe; and more than fifty stories. She’s won the Hugo, World Fantasy, Nebula, and Sturgeon Awards, as well as the Grand prix de l’imaginaire and others. She’s worked in publishing, comics, games and miscellaneous tech companies; currently she teaches creative writing at the University of Kansas, where she was associate director for the J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction and currently serves in the same capacity for The Ad Astra Center. She teaches novel masterclasses and short fiction workshops online and in person. She lives in Kansas.

VINCENT VILLAFRANCA

Vincent Villafranca has been sculpting since childhood. In 1991, while working on a degree in history,  he took an elective art course and was introduced to bronze-casting. Vincent instantly became fascinated with the idea of preserving his small sculptures in metal. After graduating, he worked in a bronze foundry just outside of Austin, Texas where he further developed his sculpting, mold-making and bronze-casting skills. He continues to make a wide array of sculptures, from tiny, intricate dragons to large-scale futuristic robots. Vincent is a lifelong fan of Science Fiction and Fantasy, thus, he was quite honored to design the World Fantasy Award, the 2013 Hugo Award and the Ray Bradbury Nebula Award for Outstanding Dramatic Presentation. He lives in north Texas with his ecologist wife and an assortment of animals.

ELIZABETH LEGGETT

Elizabeth Leggett is a two time fan artist Hugo winner, gold award winner in the digital category in Infected By Art 10 and bronze winner overall. She is a gallery artist, and science fiction and fantasy novel cover designer. Her clients include KEEP Contemporary gallery in Santa Fe, NM, Prince of Cats Literary Productions, Melinda Snodgrass, DreamForge Magazine, Uproar Books, Houghton, Mifflin and Harcourt, Walter Jon Williams and more. Her work can be seen in Spectrum Volumes 22, 24, 26, and 27 and the premiere issue of Spectrum Art Quarterly. She can also be found in Infected By Art Volumes 3-10. She is a five time Chesley nominee.

JONATHAN STRAHAN

Jonathan Strahan (www.jonathanstrahan.com.au) is a Hugo and  World Fantasy Award award-winning editor, anthologist, and podcaster. He has edited more than 90 books, is reviews editor for Locus, a consulting editor for Tor.com, and the co-host and producer of the Hugo-winning Coode Street Podcast.

Pixel Scroll 5/6/22 I Pixelled Today’s Scrolldle In Fifth Guesses

(1) KSR AT EARTH DAY GATHERING IN DHARAMSALA. Kim Stanley Robinson was among those present for the 14th Dalai Lama’s “Meeting with Participants in a Dialogue for Our Future”. This was posted on April 22:

…Kim Stanley Robinson, who described himself as a science fiction writer, asked how Buddhism can help science. His Holiness told him that scientists have been interested to discuss ways to achieve peace of mind because they recognise that if the mind is disturbed people won’t be happy. He emphasised the benefits of discovering more about mental consciousness and learning to train it on the basis of reasoning…

(2) VERTLIEB MEDICAL UPDATE. Steve Vertlieb returned to Facebook as he begins his long recovery from major heart surgery.

… My time on Facebook will, for the present, be limited, I fear, in the days ahead, but I just wanted to let everyone know that I’ve survived. I came home from the hospital yesterday (Thursday) after a ten day stay following major open-heart surgery. The procedure lasted approximately six hours, during which my surgeons replaced one heart valve, repaired another, stitched back together the hole in my heart, and stopped my internal bleeding.

This procedure was far more involved and life threatening than I ever imagined or was advised. The second time, it seems, is not the charm, but the entire bracelet. They had to cut through an already existing incision, breaking once healed bones protecting my heart cavity yet again, in order to reach and operate upon the newly troubled areas. My recovery, consequently, will also be far more difficult than my original transition back to health, healing, and wholeness twelve years ago.

The good news, however, is that when I asked my surgeon the chances for a complete recovery, he responded “ONE HUNDRED PERCENT.” Doing anything beyond menial movement and chores over the next several months will be severely limited. My brother Erwin is here with me for the next month or so, and he’ll be taking care of me….

(3) LOWREY ARRIVES. Trans-Atlantic Fan Fund delegate “Orange Mike” Lowrey has returned. “As of 5 p.m. Milwaukee (11 p.m. GMT), I’m off the plane and have already been put back to work here at the bookstore. (Yes, the gout’s still painful.)” Welcome back! Sorry about the gout…

(4) YEAR’S BEST SERIES IN ABEYANCE. Jonathan Strahan, praising a story at his Notes from Coode Street blog, said:

In the meantime, since I’m not currently editing a year’s best anthology series for anyone, I’ll try to note some of the best short fiction I’m reading about the place. My favourite story of the moment is Maureen McHugh’s wonderful “The Goldfish Man“, from Uncanny 45. Because it’s online and shareable, you should go read it if you see this. It would be in my year’s best.

He clarified in a comment there will not be a forthcoming volume in his Year’s Best SF series:

Sadly, those were not successful and they opted not to proceed. I have been looking for new publisher for the series, but to no avail so far.

It was news to me.

(5) I’M WORKING, REALLY. [Item by Martin Morse Wooster.] Anne Helen Petersen explains how remote workers can show the home office they’re busy by turning work into a LARP: “LARPing your job” at Culture Study.

…The compulsion to LARP is for those who have to feel accountable to some larger salary god, one who takes earthly shape in the form of our manager, our manager’s manager, and/or our coworkers, all of whom are constantly deciding whether or not we deserve the salaried, privileged position in which we’ve found ourselves. This is largely bullshit, of course: yes, our managers do think about how much we’re producing, but only the worst of them are clocking how many hours our green dot is showing up on Slack. Most of our coworkers are too worried about LARPing their own jobs to worry about how much you’re LARPing yours.

We’re performing, in other words, largely for ourselves. Justifying to ourselves that we deserve the place that we’ve found ourselves. Justifying to ourselves that writing for the internet is a vocation that deserves steady payment. At heart, this is a manifestation of a general undervaluing of our own work: we still navigate the workplace as if getting paid to produce knowledge means we’re getting away with something, and have to do everything possible to make sure no one realizes they’ve made a massive mistake.

Of course, there are myriad cultural and societal forces that have led us to this point of disbelief. Every time someone made fun of my undergrad degree, or my dissertation, or my Ph.D. Every time someone made fun of BuzzFeed, or denigrated writing about celebrities or pop culture generally. Every time someone at a family gathering said something like “must be fun to get paid to go to the movies?” All of those messages come together to tell me that my work is either easy or pointless. No wonder I spend so much time trying to communicate how hard I work…

(6) LOUD AND CLEAR. [Item by Martin Morse Wooster.] This is a documentary that Penguin Random House UK putout in late April about the new Discworld audiobooks.  This is corporate promotion but still worth 20 minutes in part because you get a sense of how an audiobook is made and also because you get to hear some of the actors who are narrating, as well as Pratchett’s literary executor, Rob Wilkins. One important point is that these books have been called “full cast” audiobooks and they’re not; a single actor narrates each one of the Discworld subseries, with the great Bill Nighy providing the footnotes. Of the narrators I thought Andy Serkis (who now has a pompadour) was the most interesting. “Turning Terry Pratchett’s Discworld into Audiobooks”.

This documentary follows Penguin Audio’s ambitious project of turning the entire Discworld catalog into audiobook format. Click here to find out more: https://linktr.ee/Discworld This is Discworld like you’ve never heard it before. With an incredible cast of names from British stage and screen, including Bill Nighy, Peter Serafinowicz, Indira Varma, Colin Morgan, Andy Serkis and Sian Clifford. This ambitious project, taking 40 unabridged books, containing nearly 4 million words, recording over 135 days and featuring over 420 hours of audio is being produced and directed by Neil Gardner – the multiple award-winning radio writer & director – who is a life-long Terry Pratchett superfan.

(7) STOP AVOIDING THE SF LABEL. At Publishers Weekly, Emily Midkiff argues “Sci-Fi for Kids Is a Missed Publishing Opportunity”.

… When I looked at very different libraries all across the country, I saw the same low supply of science fiction that I had observed in that first elementary school library, but I also saw a high demand for it. In each library, only about 3% of the books were science fiction. I expected to see a corresponding low number of checkouts. Instead, the records showed that science fiction books were getting checked out more often per book than other genres. While realistic fiction books were checked out, on average, one to three times per book and fantasy books were checked out three to four times per book, science fiction books’ checkout numbers were as high as six times per book. These libraries may not have many science fiction books available, but the children seem to compensate by collectively checking out the available books more often.

The librarians were just as surprised as I was. Library software doesn’t keep track of each book’s genre, and so librarians have no easy way of knowing that science fiction books are being checked out so often. Librarians are, however, aware that there isn’t much science fiction available. There just aren’t as many choices as there are for other genres…

(8) GREAT LEAP FORWARD. “’Quantum Leap’ Sequel Scores Series Pickup at NBC”The Hollywood Reporter has details.

Nearly 30 years since the Scott Bakula-led original series signed off after a five-season run on NBC, the broadcast network has handed out a formal series order to the sequel series starring Raymond Lee.

The drama, which was formally picked up to pilot in January, recently wrapped production and is one of a handful of comedies and dramas that is expected to be in formal consideration for the 2022-23 fall schedule.

Written by God Friended Me and Alcatraz duo Steven Lilien and Bryan Wynbrandt — who will now have two shows on NBC with rookie La Brea having already been renewed — the new Quantum Leap follows a new team that has been assembled to restart the Quantum Leap project in the hopes of understanding the mysteries behind the machine and the man who created it 30 years since Dr. Sam Beckett stepped into the accelerator and vanished….

(9) MEDIA BIRTHDAY.

1960 [By Cat Eldridge.]

This is Gart Williams, age thirty-eight, a man protected by a suit of armor all held together by one bolt. Just a moment ago, someone removed the bolt, and Mr. Williams’ protection fell away from him, and left him a naked target. He’s been cannonaded this afternoon by all the enemies of his life. His insecurity has shelled him, his sensitivity has straddled him with humiliation, his deep-rooted disquiet about his own worth has zeroed in on him, landed on target, and blown him apart. Mr. Gart Williams, ad agency exec, who in just a moment, will move into the Twilight Zone—in a desperate search for survival. — opening narration of “A Stop at Willoughby”

Sixty-two years ago this evening CBS aired The Twilight Zone’s “A Stop at Willoughby”. So why am I essaying this Scroll? It is because, although I cannot give you an original source for it, it is said that Rod Serling cited this as his favorite story from the first season of the series. This being a story of the Twilight Zone, I’m willing to accept that as a true story.

 So “A Stop at Willoughby” concerns a man so lonely, so unhappy with his life that he starts dreaming as he takes a short nap on the train while commuting home one snowy November day. Waking he finds his dream is real and he is in Willoughby in 1888, which Serling describes as a “peaceful, restful place, where a man can slow down to a walk and live his life full measure.” Even the train, where he’s the only passenger, is eighty years old.

He returns to Willoughby several times where he’s created as if he’s actually resident there but this being the reality of the Twilight Zone, things don’t end as he hopes. I am most definitely not saying what happens as that’d be a major spoiler and there might actually be someone here who hasn’t yet seen it. Though I find that extremely unlikely. 

It shows up repeatedly in popular culture with some instances I’ll note here. The For All Time film starring Mark Harmon was based on this episode. An animated Rugrats “Family Reunion” episode has all of the Pickles family taking the train to Willoughby, with the conductor saying, “Next stop Willoughby!” And in Stargate Atlantis’ “The Real World” episode, Dr. Elizabeth Weir awakens in the Acute Care Unit of Willoughby State Hospital. 

The Twilight Zone is streaming on Paramount +. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 6, 1914 Randall Jarrell. Author of the ever so charming The Animal Family which is illustrated by Maurice Sendak. Go read it — you’ll be smiling afterwards. The Anchor Book of Stories has more of his genre friendly stories. (Died 1965.)
  • Born May 6, 1915 Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success, but for the Federal Theatre Project he also did the 1936 adaptation of Macbeth with an entirely African American cast that was absolutely amazing. That was known as the Voodoo Macbeth which might give you an idea of what he did to it. He would later do a more straightforward film of Macbeth. And of course he made a most excellent radio Shadow as well! (Died 1985.)
  • Born May 6, 1946 Nancy Kilpatrick, 76. Fangoria called her “Canada’s answer to Anne Rice”. I do recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection. 
  • Born May 6, 1952 Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair in the first season of Babylon 5.  Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. And yes, he’s one of Babylon 5 actors who died well before they should’ve. (Died 2012.)
  • Born May 6, 1961 Carlos Lauchu, 61. Anubis, the captain of Ra’s personal guard, in the original Stargate film. His only other genre acting was two appearances in the Monsters anthology series. 

(11) COMICS SECTION.

  • Bizarro has Superman explaining why you can’t afford to be subtle in comics.

(12) MOON KNIGHT QR & A. Variety reveals “How Marvel Studios Buried Secret Messages via QR Codes Inside ‘Moon Knight’”.

It’s not every day that one can write a sentence that reasonably connects the Fox animated series “Bob’s Burgers,” the House of Terror museum of fascist and communist regimes in Hungary, and the Marvel Cinematic Universe — but in 2022, anything is possible.

Let’s back up. Ever since the Marvel Studios series “Moon Knight” debuted on Disney+ on March 30, eagle-eyed viewers have noticed a series of semi-conspicuous QR codes in the background of scenes in the first, second and fifth episodes of the show. Scanning the codes sends viewers to a special website that contains a weekly free web comic featuring the Moon Knight character through the run of the show, from his first appearance in 1975 through his most recent issue in 2019.

It’s a savvy way to expand viewers’ comic book knowledge for a character even serious Marvel fans may never have read, and it’s been wildly successful: According to Disney, the landing page has been visited over 1.5 million times, leading to over 500,000 full comics read to date…

(13) DOUBLE-CROSSOVER. [Item by Danny Sichel.] in 2004, KC Carlson compiled an Oral History of the JLA/Avengers crossover from the early 80s. The one that was never published. The Oral History wasn’t published either — possibly because it presents a rather unpleasant image of many of the people involved. But now here it is. At Comics Beat:

George Pérez:  “It just ended up being one thing after another — accusations both from DC and Marvel towards each other — until I realized there was a lot more private politics that seemed to be going on which were killing the book I really wanted to work on. After a while I became very bitter about the entire thing. It was never more apparent to me that, as much as I love drawing comics, it’s still a business, and politics and petty squabbles can kill a project, even such a potential money-maker.”  — Modern Masters Volume 2: George Pérez, 2003

George nailed it. If there ever was a single comics project that embodied company politics, petty squabbles, and flying accusations, it was the original JLA/Avengers crossover, scheduled to be jointly published between Marvel Comics and DC Comics in the summer of 1983 — the fifth in a series of highly successful team-ups. Pairing the legendary Justice League of America (JLA) and the mighty Avengers, this project would include virtually all of the quintessential characters from the two companies’ lineups….

George Pérez:  “I had been drawing for two weeks and was already starting page 21, when I received a call from Len Wein saying they needed to find out what changes I was making in the plot. (DC staffer) Joey Cavalieri had to do a piecemeal plot based on things I had changed — ideas, if not actual explanations — since I hadn’t quite worked out everything as I was going along yet.” — Comics Interview #6, August 1983

Gerry Conway, unwilling to do another draft of the plot, leaves the project at this point. Cavalieri, in consultation with Perez and Wein, cobbles together a new plot — draft #3 — and Giordano rushes it into Shooter’s hands….

(14) ABOUT JANE 57821. Janelle Monáe’s volume of collaborative stories is the subject of  “Review: The Memory Librarian and Other Stories of Dirty Computer” by Arturo Serrano at Nerds of a Feather.

… The introduction to the collection is a quick summary of the rise of a totalitarian regime, New Dawn, whose control over society was possible because “we accepted their offer that an eye in the sky might protect us from… ourselves.” With the assurance of total visibility, an immediate problem emerged regarding privacy and deviancy, and the regime decided that “what they struggled to see, they began to deem not worthy of being seen—inconsistent, off standard. Began calling it dirty—unfit to be swallowed by their eyes.”

In the backstory that this introduction presents, the new social category of the dirty started being applied to modes of thought and identity that did not fit the rigid standards of the regime. The stories that compose this collection explore various characters’ struggle to reclaim, preserve, and even celebrate the dirty….

(15) A LAUGH RIOT IT’S NOT. [Item by Mike Kennedy.] “The debut episode of the new Star Trek show has drawn complaints for using documentary footage of the 2014 Maidan Uprising to depict an alien riot,” reports Gizmodo: Star Trek Strange New Worlds Uses Ukrainian Protest Footage as Alien Riot”.

Star Trek: Strange New Worlds heads to the franchise’s past to tell adventure stories for a bright, optimistic future—but its very first episode has looked to our own recent history to provide a proxy that has some very unfortunate connotations.

Part of the first episode of the new series, titled “Strange New Worlds” itself, sees the Enterprise’s Captain Pike (Anson Mount), Lt. Spock (Ethan Peck), and Lt. Noonien-Singh (Christina Chong) beam down to an alien world, Kiley 279, in an attempt to recover missing Starfleet officers in the wake of a First Contact meeting. The trio arrives to find the world a pre-warp civilization being torn apart by a conflict between the planetary government and a local uprising…

…Shortly after the away team lands on Kiley 279, they come across a crowd of civilians watching a news broadcast on an outside monitor, discussing an overnight series of protests taking place across the Kiley civilization. However, the footage shown is from much closer to our home than the world of Star Trek: it’s footage taken during the late 2013-early 2014 civil unrest in Ukraine known as “Euromaidan,” or the Maidan Uprising.

…Footage from the Maidan Uprising is not the only archival protest footage used in the episode—later on in the episode, Captain Pike shows the Kiley 279 government a selection of footage from Earth’s history as a precedent to World War III in Star Trek’s timeline, notably using footage from the January 6th 2021 riots at the U.S. Capitol as Pike draws a direct line between a “second Civil War, and then the Eugenics War, and then finally just World War III.”… 

(16) ROBOHOP. [Item by Mike Kennedy.] Dine Brands—corporate parent of both IHOP and Applebee’s—is among the restaurant companies beginning or expanding experiments with robotics. The bots have roles both back-of-house (e.g., food prep) and front-of-house (e.g., delivering food or busing tables). Labor shortages are said to be the biggest inspiration. “Applebee’s And IHOP Are Adding New Technologies, Including Robotics, To Offset Labor Shortages” at Forbes.

…Further, IHOP has a new point-of-sale system that streamlines orders across channels and a franchisee is also testing a robot that can deliver food to guests and bus tables. Robotic servers are starting to pop up across the casual dining segment, including at Denny’s and Chili’s, the latter of which just expanded deployment to 51 more restaurants.

It’s too early to tell if such an approach is worth a broader rollout. Peyton did say, however, that the robot makes servers more productive and efficient and “guests and kids think it’s super cool.”

“Also, borrowing from QSR, we’re testing a robotic arm that can work the fryer station,” he said. “If we have one less cook in the kitchen, this can help them be more efficient and productive.”…

(17) 8K. Seán Doran provides some video of a crater on Mars from the Mars Reconnaissance Orbiter: “A Very Detailed View Of A Crater On Planet Mars”.

This is ESP_073055_1675 from HiRISE camera onboard Mars Reconnaissance Orbiter. Frame height is approximately 1km taken from an orbit height of 250km. Source was denoised, blended, graded, rescaled & animated to create the footage. HiRISE (High Resolution Imaging Science Experiment) is the most powerful camera ever sent to another planet, one of six instruments onboard the Mars Reconnaissance Orbiter. The color you see in HiRISE images is not the “true” color human eyes would see on Mars. This is because the HiRISE camera views Mars in a different part of the spectrum than human eyes do. The camera has three different color filtered CCDs: red, blue-green, and near-infrared. False color imagery is extremely valuable because it illuminates the distinction between different materials and textures.

(18) MAKE A DOUBLE BATCH. [Item by Mike Kennedy.] Do you know where your Cumberbatch is? James Cordon of The Late Late Show, Elizabeth Olsen, Benedict Cumberbatch, and Benedict Cumberbatch dispute whether telling news-based jokes or drinking margaritas is more important on Cinco de Mayo. Or maybe it’s figuring out which Benedict Cumberbatch is from our universe. “Benedict Cumberbatch and Elizabeth Olsen interrupting James Corden’s monologue is sheer chaos” at Mashable.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Rob Thornton, Andrew (Not Werdna), Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/12/22 Asking Only Filer’s Pixels, I Come Looking For A Scroll

(1) BIPOC WRITERS INVITED. Editor Jonathan Strahan is reserving up to three spots in his upcoming anthology The Book of Witches for new BIPOC (Black, Indigenous, and other People of Colour) writers. “Open submission period for BIPOC* writers for The Book of Witches”. He will be taking submissions from March 14-18. Complete guidelines at the link.

Following on from the award-winning success of The Book of Dragons, Harper Voyager will publish an exciting new anthology, The Book of Witches, edited by Jonathan Strahan in the fall of 2023. Like The Book of DragonsThe Book of Witches will be a big, inclusive, illustrated anthology of fiction and poetry, this time looking at “witches”, more specifically your witch and what it means to you.

So far writers who have agreed to contribute to the book include Linda Addison, S.A. Chakraborty, Zen Cho, P. Djèlí Clark, Indrapramit Das, Amal El Mohtar, Andrea Hairston, Millie Ho, Nalo Hopkinson, Alaya Dawn Johnson, Cassandra Khaw, Fonda Lee, Darcie Little Badger, Ken Liu, Karen Lord, Usman T. Malik, Tochi Onyebuchi, C.L. Polk, Rebecca Roanhorse, Kelly Robson, Angela Slatter, Rivers Solomon, Andrea Stewart, Sheree Renée Thomas, and Tade Thompson, and we are reserving up to three spots in the final book for new BIPOC writers.

If you are a BIPOC writer – regardless of whether you’re widely published or just starting out – and would like to see your work appear in a major anthology like The Book of Witches, we’d love to hear from you. Just check out the submissions guidelines below and send us your story. 

(2) KEEP WATCHING THE SKIES. The American Museum of Natural History will livestream Neil deGrasse Tyson’s “Year in Review” on February 26. Purchase tickets at the link.

Find out what’s new in the cosmos as Tyson, the Frederick P. Rose Director of the Hayden Planetarium, reviews top stories from 2021, including notable commercial space launches, missions to Mars, visits to asteroids, and sky phenomena. 

This program will be presented online. Viewing information will be provided with your purchase confirmation. Only one ticket is needed per household.

(3) APPLY FOR SLF’S BOSE GRANT. The Speculative Literature Foundation is now accepting applications for the 2022 A.C. Bose Grant for South Asian Speculative Literature. Applications will be open through January 31. Complete guidelines are here.

The $1,000 A.C. Bose Grant for South Asian Speculative Literature, co-sponsored by the SLF and DesiLit, is awarded to a South Asian or South Asian diaspora writer developing speculative fiction.

The grant is named in memory of Ashim Chandra Bose, a lover of books, especially science fiction and fantasy, and was founded by his children, Rupa Bose and Gautam Bose.

(4) RELOADING THE CANON. Lois McMaster Bujold has updated her recommended reading order for her various series: “The Vorkosigan Saga Reading Order Debate: The Chef Recommends – Bujold reading-order guide 2022 update (chapter 2)” at Goodreads.

(5) NASA’S WEBB TELESCOPE LEADER PROFILED. [Item by Martin Morse Wooster.] In the Washington Post, Courtland Milloy profiles James Webb Space Telescope program administrator Gregory Robinson, who is Black. His parents were tobacco sharecroppers and he began his student days in a segregated school, but after graduating from Virginia Union University and then from Howard University joined NASA in 1989 and worked his way up to his current position. Gregory Robinson, Webb telescope director, has had his own journey – The Washington Post

…“I often reflect on how dedicated, smart, encouraging and supportive they were during that time,” Robinson said of his teachers. “They’d tell us that we could do anything we wanted if we had an education. That appealed to me because I wanted to get out of Danville and have a better life.”

“I wanted to go to college but didn’t know if I could afford it,” he recalled. Fortunately, along with his knack for math, he’d been a pretty good high school quarterback. He earned himself a football scholarship to Virginia Union University in Richmond, packed two bags, and caught a Greyhound bus to the university.

At Virginia Union, he earned a bachelor’s degree in math. Then he transferred to Howard University, where he earned a bachelor’s degree in electrical engineering. He later earned an MBA from Averett College in Danville and attended Harvard University’s Senior Executive Fellows Program at the Kennedy School of Government.

While attending Howard, he met students who had done internships with NASA’s Goddard Space Flight Center in Greenbelt, Md. He was intrigued by what he heard. “They were doing really interesting things, unlocking many secrets, mysteries and unknowns about our solar system, our Earth systems,” he said….

(6) FROM AN OLD FAMILIAR SCORE. CBR calls these the “10 Most Overdone Sci-Fi Clichés”.

…However, the overabundance of certain clichés can be a tad tiresome, especially for fans of sci-fi. This is because the genre insists on recycling the same old symbols and allegories, over and over until all meaning is drained out of the story, leaving behind nothing more than a stale skeleton of something that used to be original at one point….

One of the offenders on their list:

7 Hacking Into Computers Is Easy Enough For Anyone

The process of hacking, particularly methods that rely on brute force, is long, slow, and painfully dull. Most people wouldn’t have the attention span to work out the countless algorithmic permutations required to break into secure computing systems, but sci-fi would have audiences believe that anyone can become a hacking professional.

Even scientist characters aren’t immune to this trope: in Independence Day (1995), they somehow write a virus and inject it into the alien’s computer, despite having no formal knowledge of extraterrestrial tech. Similarly, R2-D2 from Star Wars is capable of hacking practically any computing device with ease, even though his build is relatively ancient.

(7) MEMORY LANE.

1937 [Item by Cat Eldridge.] Eighty-five years ago, the German adaptation of The Hound of Baskervilles, Der Hund von Baskerville, as directed by Carl Lamac premiered in Bavaria from the screenplay by Carla von Stackelberg. 

Two individuals are credited as playing Holmes, Bruno Güttner doing the physical work and Siegfried Schürenberg doing the voice. The latter dubbed most of Clark Gable’s films into German including Gone with the Wind. Fritz Odemar was Dr. Watson it was the ninth German film adaptation of this story with the first being in 1914. (There’s only been three such adaptations since then.) 

This was one of two films that was found in Adolf Hitler’s bunker by the Allies in 1945. The other film was Der Mann, der Sherlock Holmes war (The Man who was Sherlock Holmes), another Thirties film. 

If you’re interested, you can see it here with English subtitles.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 12, 1913 Marc Davis. He was one of Disney’s Nine Old Men who created some of Disney’s most-remembered animated cartoons from Snow White and the Seven Dwarfs to The Rescuers in the Seventies. He worked on Snow White and the Seven DwarfsBambi, Cinderella, Peter Pan, Sleeping Beauty and A Hundred and One Dalmantians. (Died 2000.)
  • Born January 12, 1916 House Peters Jr. Though he’s best remembered as Mr. Clean in the Procter & Gamble commercials of the Fifties and Sixties, he did appear in a fair amount of SFF including Flash Gordon, Batman and RobinKing of the Rocket MenThe Day The Earth Stood StillRed Planet MarsTarget Earth and The Twilight Zone. Here’s one of the pre-animated Mr. Clean commercials. (Died 2008.)
  • Born January 12, 1937 Shirley Eaton, 85. Bond Girl Jill Masterson in Goldfinger, and yes, she got painted gold in it. She was not nude as is generally thought but was wearing a monokini. She also shows up as the title character in The Million Eyes of Sumuru, the Sax Rohmer based film we discussed last year. Her other significant role would be as Dr. Margaret E. ‘Maggie’ Hanford in Around the World Under the Sea. She retired from acting in the late Sixties. 
  • Born January 12, 1948 Tim Underwood, 74. Bibliographer with such works as Fantasy and Science Fiction by Jack Vance (done with Jack Miller), Shameless Art: Paintings of Dames, Dolls, Pin-ups, and Bad Girls (genre adjacent at the very least) and Stephen King Spills the Beans: Career-Spanning Interviews with America’s Bestselling Author.  
  • Born January 12, 1951 Kirstie Alley, 71. She’s here for being Saavik on Star Trek II: The Wrath of Khan, her very first film. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being the villain’s ex-girlfriend in Runaway, an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner.
  • Born January 12, 1952 Walter Mosley, 70. I have read his most excellent Ezekiel “Easy” Rawlins series but hadn’t  been aware that he wrote SF of which he has four novels to date, Blue LightFutureland: Nine Stories of an Imminent FutureThe Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four that was conceived of and orchestrated by him.  Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking was the Host according to IMdB.
  • Born January 12, 1952 Rockne S. O’Bannon, 70. He’s the genius behind the rejuvenated Twilight ZoneAmazing Stories, the absolutely frelling fascinating Farscape, the could-have-been-great SeaQuest 2032, the Alien Nation series and Defiance.
  • Born January 12, 1980 Kameron Hurley, 42. Winner of a Best Related Work Hugo at London 3 for We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative. Fiction wise, her most excellent God’s War won a BFA and a Kitschie, whereas her The Geek Feminist Revolution won her a BFA for non-fiction. Very impressive indeed. Oh, and she won a Hugo for Best Fan Writer at London 3 as well. Nice. 

(9) COMICS SECTION.

 (10) THINK AGAIN. In the Washington Post, David Betancourt says Andrew Garfield’s good work in Spider-Man: No Way Home should lead to a reassessment of his two Spider-Man movies, which Betancourt believes are underrated. “Andrew Garfield’s Spider-Man deserves redemption”.

…That is not to say Garfield’s Spider-Man never had believers. There are plenty of younger fans who were children when he was sticking to walls on the screen between 2012 and 2014 and who identify him as their Spider-Man. For many, however, Garfield’s Peter Parker was the Spider-Man that couldn’t. A Spider-Man who couldn’t beat the worldwide box office of his predecessor, Tobey Maguire. A Spider-Man who couldn’t make it to trilogy status. And worst of all, a Sony Spider-Man that couldn’t swing on his webs alongside the Avengers over at Marvel Studios because of legalities.

But our spidey-senses failed us. Now we know we were wrong about Garfield….

(11) A PREVIOUS PIXEL. Pat Cadigan is always supplying her Facebook readers with essential facts.

Robert Heinlein told me that one winter day, he and his wife were watching one of their cats go from door to door in their house. The cat would look at each door curiously, meow, and then move on to another door.

Heinlein said to his wife, “I wonder what he’s looking for.”

Virginia Heinlein replied, “He’s looking for the door into summer.”

Heinlein said, “Don’t say another word!”

He ran to his typewriter and finished a first draft of the novel within ten days.

Just because I know you couldn’t go a moment longer without knowing this. You’re welcome.

(12) LOOKALIKE COLLECTIBLE. Space Command showrunner Marc Scott Zicree tells “How I Saved Myself $300,000!” Before Marc gets to the main event he talks about some other Star Trek items.

…Then this could easily be an illustration from that but, no, this is an officially licensed product — the Star Trek Coloring Book. Spock has the wrong color uniforms so he’s a red shirt, so he should probably  get killed in this coloring book…

(13) SOLAR BUBBLE. Been having a “lonely, empty feeling” lately? “The Solar System Exists Inside a Giant, Mysterious Void, And We Finally Know Why”ScienceAlert has the story.

The Solar System floats in the middle of a peculiarly empty region of space.

This region of low-density, high-temperature plasma, about 1,000 light-years across, is surrounded by a shell of cooler, denser neutral gas and dust. It’s called the Local Bubble, and precisely how and why it came to exist, with the Solar System floating in the middle, has been a challenge to explain.

A team of astronomers led by the Harvard & Smithsonian Center for Astrophysics (CfA) has now mapped the Local Bubble with the highest precision yet – and found that the Local Bubble was likely carved out of the interstellar medium by a series of supernova explosions millions of years ago.

(14) DEATH WILL NOT RELEASE YOU. Netflix previews a Korean series about zombies taking over a high school. “All of Us Are Dead”.  Gore warning.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Chris Barkley, Daniel Dern, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

2021 Hugo Awards

2021 Hugo base with and without rocket. Photo by William Lawhorn.

The 2021 Hugo Awards were presented in a ceremony held today at DisCon III.

The Hugo voting statistics are here.

BEST NOVEL
 
Network Effect, Martha Wells (Tor.com)

BEST NOVELLA
 
The Empress of Salt and Fortune, Nghi Vo (Tor.com)

BEST NOVELETTE
 
Two Truths and a Lie, Sarah Pinsker (Tor.com)

BEST SHORT STORY
 
“Metal Like Blood in the Dark”, T. Kingfisher (Uncanny Magazine, September/October 2020)

BEST SERIES
 
The Murderbot Diaries, Martha Wells (Tor.com)

BEST RELATED WORK
 
Beowulf: A New Translation, Maria Dahvana Headley (FSG)

BEST GRAPHIC STORY OR COMIC
 
Parable of the Sower: A Graphic Novel Adaptation, written by Octavia Butler, adapted by Damian Duffy, illustrated by John Jennings (Harry N. Abrams)

BEST DRAMATIC PRESENTATION, LONG FORM
 
The Old Guard, written by Greg Rucka, directed by Gina Prince-Bythewood (Netflix / Skydance Media)

BEST DRAMATIC PRESENTATION, SHORT FORM
 
The Good Place: Whenever You’re Ready, written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television, a division of Universal Studio Group)

BEST EDITOR, SHORT FORM

Ellen Datlow

BEST EDITOR, LONG FORM

Diana M. Pho

BEST PROFESSIONAL ARTIST

Rovina Cai

BEST SEMIPROZINE
 
FIYAH Magazine of Black Speculative Fiction, publisher Troy L. Wiggins, executive editor DaVaun Sanders, managing editor Eboni Dunbar, poetry editor Brandon O’Brien, reviews and social media Brent Lambert, art director L. D. Lewis, and the FIYAH Team.

BEST FANZINE
 
nerds of a feather, flock together, ed. Adri Joy, Joe Sherry, The G, and Vance Kotrla

BEST FANCAST
 
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe, Jonathan Strahan, producer

BEST FAN WRITER

Elsa Sjunneson

BEST FAN ARTIST

Sara Felix

BEST VIDEO GAME

Hades (Publisher and Developer: Supergiant Games)

LODESTAR AWARD FOR BEST YOUNG ADULT BOOK (not a Hugo)
 
A Wizard’s Guide to Defensive Baking, T. Kingfisher (Argyll Productions)

ASTOUNDING AWARD FOR THE BEST NEW WRITER, SPONSORED BY DELL MAGAZINES (not a Hugo)

Emily Tesh (2nd year of eligibility)

Strahan’s The Year’s Best SF Volume 2 Cover and ToC

Tor.com has revealed the cover and table of contents for editor Jonathan Strahan’s The Year’s Best Science Fiction Vol. 2 (Gallery / Saga Press) with stories from 2020. The 608-page collection will be released September 14, 2021.

You can find the pre-order information for the book here. More information at Strahan’s blog.

Table of Contents

  • “50 Things Every AI Working with Humans Should Know” by Ken Liu
  • “A Guide for Working Breeds” by Vina Jie-Min Prasad
  • “A Mastery of German” by Marian Denise Moore
  • “Airbody” by Sameem Siddiqui
  • “An Important Failure” by Rebecca Campbell
  • “Beyond These Stars Other Tribulations of Love” by Usman T. Malik
  • “Burn or The Episodic Life of Sam Wells as a Super” by A.T. Greenblatt
  • “Don’t Mind Me” by Suzanne Palmer
  • “Drones to Ploughshares” by Sarah Gailey
  • “Father” by Ray Nayler
  • “GO. NOW. FIX. “ by Timons Esaias
  • “How Quini the Squid Misplaced His Klobu?ar” by Rich Larson
  • “How to Pay Reparations: a Documentary” by Tochi Onyebuchi
  • “If You Take My Meaning” by Charlie Jane Anders
  • “It Came From Cruden Farm” by Max Barry
  • “Midstrathe Exploding” by Andy Dudak
  • “Polished Performance” by Alastair Reynolds
  • “Schrödinger’s Catastrophe” by Gene Doucette
  • “Sparklybits” by Nick Wolven
  • “The Bahrain Underground Bazaar” by Nadia Afifi
  • “The Final Performance of the Amazing Ralphie” by Pat Cadigan
  • “The Mermaid Astronaut” by Yoon Ha Lee
  • “The Pill” by Meg Elison
  • “The Search for [Flight X]” by Neon Yang
  • “The Suicide of Our Troubles” by Karl Schroeder
  • “The Transition of OSOOSI” by Ozzie M. Gartrell
  • “Yellow and the Perception of Reality” by Maureen McHugh

[Thanks to Nina Shepardson for the story.]

Pixel Scroll 11/25/20 Pixel To Elf Queen’s Midsummer Knight’s Four

(1) CAPTAIN JACK SIGHTINGS. You’ll be seeing Captain Jack again soon — the question is, how often? Radio Times asks “Is John Barrowman’s Captain Jack in Doctor Who series 13?”

It’s official – Captain Jack is back for the Doctor Who Christmas special, with John Barrowman’s immortal Time Agent set to join the TARDIS team in Revolution of the Daleks.

Of course, this isn’t as big a shock as it might have been. Jack Harkness already popped up once after a decade away from Doctor Who in series 12’s Fugitive of the Judoon, and fans had long suspected this could be followed by a larger onscreen return. After all, he hasn’t even met Jodie Whittaker’s Doctor yet!

But now that his festive presence has been confirmed, we have to wonder… is this just the start of Jack’s new era in the TARDIS? Does John Barrowman already have a key cut for Roath Lock Studios in Cardiff? Is Jack’s coat currently being dusted off for another adventure?

(2) RESISTANCE IS FUTILE. “Penguin Random House to Buy Simon & Schuster” reports Shelf Awareness.

Bertelsmann, owner of Penguin Random House, is buying Simon & Schuster from ViacomCBS and will make it part of PRH, the company announced. The deal should close in the second half of next year, subject to the usual closing procedures as well as regulatory approval. The deal is reportedly for more than $2 billion. PRH is the largest trade book publisher in the world, and both it and S&S have substantial distribution operations.

ViacomCBS had put S&S up for sale in March, saying the publisher was “not a core asset.” At the time, ViacomCBS was reportedly asking at least $1.2 billion for S&S. Bertelsmann publicly expressed interest in September; News Corp., owner of HarperCollins, was also interested in the company.

In a memo to staff, PRH CEO Markus Dohle said in part, “I have long admired the team at Simon & Schuster and the books they publish, and I am incredibly excited to welcome our new colleagues to Penguin Random House. Simon & Schuster’s distinguished legacy of publishing notable authors, perennial bestsellers, and culture-shaping blockbusters is a natural complement to our publishing programs and catalogs around the world.”

Referring to the merger of Penguin and Random House and other PRH acquisitions, he said, “As we have demonstrated, we can successfully unite company cultures and prestigious publishing teams while preserving each imprint’s identity and independence. Simon & Schuster aligns completely with the creative and entrepreneurial culture that we nurture by providing editorial autonomy to our publishers, funding their pursuit of new stories, ideas, and voices, and maximizing reach for our authors….”

(3) 100 MORE TBR. The New York Times’ “100 Notable Books of 2020” has plenty of good reading even if there are just a few titles that register as genre — and of those, none I’ve heard of. Mind you, I’m generally not impressed to see the dismissive phrase, “Well, I never heard of it,” and I’m counting on you to remain equally unmoved when I say it; I’m just reporting. Besides, some of you probably have heard of them and can say something on their behalf.

(4) 2021 NEBULA CONFERENCE. SFWA announced that 2021 Nebula Conference Online Registration is now open. The virtual event will take place June 4-6. Registration is $125.

The SFWA Airship Nebula will be returning in June 2021… Captaining the ship this year, SFWA is also very pleased to announce that L.D. Lewis is joining the Nebula Conference team.

Lewis is an award-winning SF/F writer and editor, and serves as a founding creator, Art Director, and Project Manager for the World Fantasy Award-winning and Hugo Award-nominated FIYAH Literary Magazine. She primarily writes stories of ordinary Black women and femmes with extraordinary powers in equally extraordinary worlds.

Coming off the success of helming FIYAHCON last month, L.D. will be acting as the project manager for all of the exciting year-round events associated with the Nebula Conference. We hope you join us in welcoming L.D. aboard.

With smaller events leading up to our main conference, the team is working on elevating our content and offerings again this year, and celebrating the best that science fiction and fantasy have to offer with our annual Nebula Awards ceremony.

So, please join us for another weekend full of professional development, workshops, and opportunities to network in one of the coolest virtual spaces there is. There will be more dance parties, karaoke, and social meet-ups around special interests. We’ll also be bringing back our conference-specific mentorship program and office hours.

(5) ABOUT THE SFF COMMUNITY. Cat Rambo considers how to advance the democratization of sff, particularly the programming of conventions, in “Moving Beyond Diversity: A Conversation We Need To Have In SFF” at Strange Horizons.

…Diversity is about getting the most differently informed points of view on a panel because that is a valuable thing. Because it means we all get a chance to learn new and interesting aspects to a topic.  And sometimes it is about making sure that the voices that have not been able to contribute in the past for one reason or another get a chance to take part in the conversation by reaching out to them.

We need to rethink the ways we create [convention] programming. Consider this art form, the quilt. A practical item made beautiful, and often a way to use up excess fabric or recycled rags. One variant is the “crazy quilt,” which uses up odds and ends in irregularly shaped patches, sometimes with embroidered details. Crazy quilts can be beautiful, but not by nature. When they are it is the result of serendipitous accident or the creation of someone experienced and talented at putting those scraps together. Programming should not be a crazy quilt made up of the varied scraps of material different participants pull out of their pockets.

Quilts with deliberately created patterns can be extraordinarily beautiful, and this is where our programming metaphor comes in. The Multiverse [Con in Atlanta] was such a quilt, pulling from those eight tracks and interspersing them in a rhythm that made the convention’s quilt far greater than the sum of its yardage. Partially because they realized the world is not binary—a thing that’s hard to do sometimes in America in a political scene which doesn’t acknowledge that people can agree on one thing and not another.

The democratisation of conventions created by the move online has been heartening, because conventions have previously been limited to the people of means and those who the first group was willing to club together and help. The Hugos are voted on by people who have the money to afford the membership fee; the Nebulas, while voted on by F&SF writers, are still limited to those writers with the money for a membership fee. (One reason why I worked to find ways to reduce or ameliorate that fee when holding SFWA office.) One of the things that has come out of 2020, in fact, has been this democratisation, which has made the conventions available to people who historically and geographically were barred from them due to factors over which they had no control….

(6) CHANGING OF THE GUARD AT F&SF. On The Coode Street Podcast Jonathan and Gary K. Wolf devote Episode 538 to a parlay with the incoming and outgoing editors of F&SF, Sheree Renée Thomas and Charles Coleman Finlay.

Charles Coleman Finlay, who for more than five years has carried on the grand tradition of editing The Magazine of Fantasy and Science Fictionand Sheree Renée Thomas, who picks up the mantle as new editor beginning with the March/April 2021 issue. We talk about the magazine’s distinguished history, the challenges of maintaining an iconic magazine in a radically changing short fiction field, and their own experiences as SF readers, writers, and editors.

(7) BE A MEDIEVAL SURVIVALIST. In “A Survival Guide to Medieval Fairy Tales” at Medievalists.net, Marta Cobb looks at great medieval romances such as Sir Orfeo and Sir Gawain And The Green Knight to discover the moral lessons these romances convey, particularly in dealing with the supernatural.

Rule 1: Know the signs

The border between the supernatural world and our own can be extremely permeable. Sometimes it’s easy to tell when the supernatural has intruded upon more normal life, such as when the Green Knight barges into a holiday feast (it is not that the Green Knight wears green clothing but that his skin and hair and even his horse are completely green). Sometimes, however, the signs are more subtle, such as a deer that leads a knight away from his friends and into the unknown or a boat that sails away in the absence of sailors. In the case of Sir Lanval, it can be a mysterious woman in an opulent tent….

(8) KOBAYASHI OBIT. Japanese author Yasumi Kobayashi (1962-2020) died November 23 at the age of 58. His short story “The Man Who Watched the Sea” won the Hayakawa Award for best short story in 1998.Two more were nominated for the Seiun Award for best short story in 2003 and 2004. He was nominated as “Best Foreign Author” in the Chinese-language Galaxy Awards in 2009.

(9) MEDIA ANNIVERSARY.

  • November 25, 1998 Babylon 5 ended its five year run with the “Sleeping in the Light” finale. In the year 2281, twenty years since Sheridan died on Z’ha’dum and twenty years since the Interstellar Alliance was formed, Sheridan realises his time is running out and calls his old friends for one last get-together before embarking on one final journey. In the process, he learns that his fate and that of Babylon 5 remain interconnected. Trivia note: The worker who throws the final switch to shut down the station is played by Straczynski. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 25, 1904 – Amelia Reynolds Long.  Pioneer female SF author; one novel, a score of short stories for us.  “Reverse Phylogeny” is in Conklin’s fine SF Adventures in Dimension.  Also detective fiction, poetry.  Here is a tribute site.  (Died 1978) [JH]
  • Born November 25, 1920 Ricardo Montalbán. Khan Noonien Singh and the first Mr. Rourke. Armando and Grandpa Valentin Avellan as well. I’m picking those as four most memorable roles he’s played and they just happen to all be genre in nature. Oh, and is Khan Noonien Singh the only occurrence of a non-crew character carrying over from the original series into the films? I suspect not but I can’t think of anyone other. If there is, I’m sure one of you will tell me. (Died 2009.) (CE) 
  • Born November 25, 1926 Poul Anderson. My favorite ones by him? Orion Shall Rise for the mix of personal scale story with his usual grand political stories, and all of the Flandry and van Rijn stories. I also enjoy his Time Patrol stories as well, and the two Operation Luna tales are quite fun. He was quite honored with seven Hugo Awards and three Nebula Awards. I’m currently reading the first two volumes of his NESFA short fiction series which I will review here soon. (Died 2001.) (CE)
  • Born November 25, 1926 Jeffrey Hunter. Best known for his role as the first Captain Christopher Pike in the original pilot episode of Star Trek and the later use of that material in “The Menagerie” episode.  Other genre work included Dimension 5A Witch Without A BroomStrange Portrait (never released, no print is known to exists), Alfred Hitchcock HourJourney into Fear and The Green Hornet. (Died 1969.) (CE) 
  • Born November 25, 1941 – Sandra Miesel, 79.  Two novels, half a dozen shorter stories; anthologies; Myth, Symbol, and Religion in “The Lord of the Rings”Against Time’s Arrow (Poul Anderson); more than a hundred essays, forewords and afterwords, letters, reviews; collection of fanwriting, Sweetmeats (Jerry Kaufman, ed.); much other work outside our field.  Guest of Honor at Rivercon III.  [JH]
  • Born November 25, 1953 – Michael “Orange Mike” Lowrey, 67.  Why orange?  So he dresses – inside and out: he has sixty pairs of orange underwear.  Fanzine, Vojo de Vivo; he is also an Esperantist.  Fan Guest of Honor at ICON 25.  Elected the 2020 TAFF (Trans-Atlantic Fan Fund) delegate.  Often seen here.  In case you wonder, he doesn’t wear orange on St. Patrick’s Day – but only then.  [JH]
  • Born November 25, 1953 Mark Frost, 67. He’s best known as a writer for Hill Street Blues (I know it’s not genre but superb nonetheless) and as the co-creator with David Lynch of Twin Peaks in which he’s been involved with in other roles as well. He had a hand in writing both of the not well regarded Fantastic Four films. He was also one of the Executive Producers of the very short lived All Souls series. (CE) 
  • Born November 25, 1963 – Tony Daniel, 57.  A dozen novels, forty shorter stories, a dozen poems.  “The Infuence of ‘The Song of the South’ on Lucius Shepard” in NY Review of SF.  Interviewed in Lightspeed.  “Life on the Moon” was a Readers’ Choice in Asimov’s.  [JH]
  • Born November 25, 1972 – D.A. Adams, 48.  Five books about the Brotherhood of Dwarves; others outside our field.  Likes C.S. Lewis and Toni Morrison.  Has read The Glass Bead Game and Absalom, Absalom!  [JH]
  • Born November 25, 1974 Sarah Monette, 46. Under the pen name of Katherine Addison, she published The Goblin Emperor which garnered the Locus Award for Best Fantasy Novel and was nominated for the NebulaHugo and World Fantasy Awards. She won the Spectrum Award in 2003 for her short story “Three Letters from the Queen of Elfland”.  Her first two novels Mélusine and The Virtu are quite wonderful and I highly recommend her Iskryne series that she co-wrote with Elizabeth Bear. (CE) 
  • Born November 25, 1980 – Licia Troisi, 40.  Astrophysicist; she is currently the best-selling Italian fantasy author.  Fifteen novels.  “If you don’t read, you cannot write.  Read everything, not only your favorite genre.”  [JH]
  • Born November 25, 1986 Katie Cassidy, 34. Best remembered as Laurel Lance / Black Canary in the Arrowverse, primarily on Arrow but also Flash and Legends of Tomorrow. She was also Ruby on Supernatural, Patricia “Trish” Washington on Harper’s Island and Kris Fowles on A Nightmare on Elm Street. (CE) 

(11) COMICS SECTION.

(12) RACE AND SF. The Fifth Annual City Tech Science Fiction Symposium on the topic of Race and SF was held on November 19 via Zoom. (See the full program here.) You can watch the videos of each session, access links to expanded presentations, and hear SF writers reading their stories in this roundup of the event — “Videos from The Fifth Annual City Tech Science Fiction Symposium on Race and Science Fiction” at the New York City College of Technology, CUNY website.

(13) DESTROY TO CREATE. This post contains the whole recipe for reproducing classic silent film actor Buster Keaton’s trademark hat — “’How To Make a Porkpie Hat’ by Eleanor Keaton” – published nine years ago, but it’s news to me!

…My favorite memory of Buster making his hat is when we were in Germany in 1962 to promote the screenings of The General. He needed a new hat. Buster went to a little hat shop next to our hotel in Frankfurt and pointed out the hat he wanted to the little elderly man who ran the shop. Buster pantomimed everything, as he did not speak German and the shopkeeper did not speak English. Buster tried on the fedora and liked it. He then pantomimed scissors, and the shopkeeper handed Buster a pair of shears. Buster proceeded to tear the entire hat lining out, fold down the crown and cut the brim. The old man looked like he was about to have a stroke because Buster had not yet paid for the hat. When Buster finished and placed the hat on his head to test it, the old man recognized who Buster was and what was taking place in his hat shop.

(14) STUNNING PRICE. “Pokémon: First edition cards net $360,000; Team Rocket pack found in Colorado”SYFY Wire makes it sound like to catch ‘em all you have to spend it all:

Never underestimate the popularity of Pocket Monsters. A box of unopened, first edition base set Pokémon trading cards recently sold for a whopping $360,000 at Heritage Auctions’ Comics & Comic Art Auction. The item, which is over 20-years-old, was purchased by Thomas Fish, president of Blowoutcards.com. “I am thrilled to purchase this pedigree box,” Fish said in a statement.

His winning bid shattered the previous world record, also held by Heritage Auctions, which sold a similar set last September for $198,000. Demand for the still-shrink wrapped box was reportedly so heated, that online offers broke the record before bidding even officially began.

(15) VIDEO OF THE DAY. In “Honest Trailers: The New Mutants” on YouTube, the Screen Junkies say that the final X-Men movie “looks like a long pilot episode for a series the CW passed on” and where the producers saved money by not having a dialect coach and by having the mutants rarely use their powers.”

[Thanks to JJ, Cat Eldridge, Bill, John Hertz, Mike Kennedy, Michael Toman, Martin Morse Wooster, John King Tarpinian, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Group Sends Letter of Concern To CoNZealand Programming

Alasdair Stuart has published a “Statement of 2020 Hugo Finalists re: Worldcon Programming” on behalf of a group of CoNZealand program participants and award finalists. Stuart, co-owner of Escape Artists podcasts and a 2020 Best Fan Writer Hugo finalist, outlined the issues in a Twitter thread starting here.

Stuart told File 770, “The letter was workshopped by the entire group, and wasn’t published before they gave express approval so it very much is a group of co-signees.”

The group includes: Charles Payseur, Benjamin C. Kinney, Jennifer Mace, SL Huang, Shiv Ramdas, SB Divya, Jenn Lyons, Sarah Gailey, Paul Weimer, Sarah Pinsker, Claire Rousseau, Maria Haskins, Tasha Suri, Marguerite Kenner, Alasdair Stuart, Jonathan Strahan, Pablo Defendini, Elsa Sjunneson, Brent Lambert, Freya Marske, Julia Rios, Alix Harrow, Gideon Marcus, Janice Marcus, Lorelei Marcus, James Davis Nicoll, Neil Clarke, Cora Buhlert, Charlie Jane Anders, Brandon O’Brien, Erica Frank, Jen Zink, Adri Joy, Fran Wilde, Suzanne Walker, Chimedum Ohaegbu, Navah Wolfe, John Picacio, and Max Gladstone.

The letter says:

We applaud the courage and conviction of the CoNZealand organisers in pivoting to a virtual Worldcon during an unprecedented global event. Their work has been admirable and — in many aspects — both innovative and successful.

We are a group of Hugo Award finalists who identified concerns with our programming when we received our “final schedules” this week, and came together to help CoNZealand recognize and address these issues.

In brief, our key concerns are:

  • Many Hugo finalists have not been offered programming and panels relevant to their nomination.
  • We believe that many of our panels cannot be adequately performed without more diverse participants and/or a reframing of the topic.
  • Communication with Hugo finalists about the financial requirements for participation has been inconsistent or absent, with contradictory information on whether or not we were able to participate in programming without a full attending membership. This issue particularly impacted Black, Indigenous and people of color (“BIPOC”), leaving them more likely than other finalists to receive no programming.

We present our concerns in the hope that these issues represent not intentional choices on the convention’s part but the unavoidable consequences of Worldcon’s discontinuous structure, and the necessary prioritization CoNZealand has had to undertake in order to pivot successfully to a virtual event. 

We have tried to be brief and targeted in our recommendations so as to remain sensitive to the time pressure CoNZealand is under. Accompanying this letter is a spreadsheet containing specific examples of the issues above. We have listed (1) which panel topics we are missing; (2) which panels have problematic design or membership; (3) which panels we finalists want off or are willing to leave to create space; and (4) finalists that were deterred from participation due to lack of membership.

Our data are incomplete because we could only recruit a limited number of Hugo finalists to provide input without further delaying the process. Among our group of finalists, about 25% entirely lack relevant panels, and about 45% are dissatisfied with the fit of the programming they have.

We recognize there is a difficult balance to strike when raising concerns to an overtaxed team less than two weeks before an event, however many of us have repeatedly raised these issues or volunteered only to receive no response. We have intentionally not sought to assume ownership of programming items, but we are committed to assisting where possible and desired by CoNZealand. However, we emphasize that our bringing awareness to these issues does not obligate us to single-handedly resolve them.

As part of our offer to assist, we have begun identifying additional and replacement panelists who could add necessary diversity. If CoNZealand lacks sufficient BIPOC attendees, we hope you will provide free attendance to needed panelists who aren’t members. Moreover, there remain issues we cannot address on our own, especially (1) communicating with all finalists whether paid membership is required for programming; and (2) making sure all finalists with memberships are on relevant programming.

We are not united in what actions we intend to take if our concerns are not addressed. Many have already begun the process of asking to be removed from programming in its entirety, while others are actively working to locate replacements for the programming items they feel need improvement. Our focus at this stage remains taking action to make our concerns known, and to support CoNZealand addressing them in the combined spirit of fostering an environment for all to share in the celebration of our genre.

Although there are some echoes of the representation issues raised before the 2018 Worldcon (which a team led by Mary Robinette Kowal stepped in to address before the con), so far the efforts have been collaborative.

The CoNZealand’s Programming Division Head Jannie Shea emailed this reply to Stuart:

Thank you for sending us your concerns. We are addressing those we can. We encourage indigenous, marginalised and historically underrepresented fans to apply for our Inclusion Initiative, (https://conzealand.nz/blog/2020/07/03/conzealand-chairs-inclusion-initiative) which offers two types of opportunities to join CoNZealand. 

We appreciate your volunteerism in contacting all those people for us. As you know, due to privacy regulations, we cannot contact people more than once without a response from them. We hope they will get in touch with us directly and soon, to see if we can fit them in.

All the best,
Jannie

Shea points to CoNZealand’s inclusion initiative in answer to the letter’s question “whether paid membership is required for programming.” Typically, only people who have bought attending memberships become Worldcon program participants. The introduction to the  inclusion initiative explains what help is available:

Marginalised communities are overrepresented in the group suffering the greatest fallout from this pandemic, and as such, we want to ensure that our community does not suffer a loss of its hard-won diversity. We want to lower the barriers for participation for those from underrepresented communities. 

We want the convention to be a global one, where all communities and viewpoints are represented, and this fund is intended to help those who would otherwise not be able to participate fully in the activities of the Worldcon.

The initiative upgrades eligible members from supporting to attending memberships. …There are a small number of attending passes available.

CoNZealand is especially challenged in its efforts to answer these needs because, as a virtual convention, it isn’t limited to programming people who can afford to come to Wellington, as would have been the case before the pandemic — it could draw people from everywhere. But like most non-U.S. Worldcons it has a smaller membership base from which to draw the financial support needed to make its budget.  

Following the jump is a roundup of Twitter comments from participants.

Continue reading

Pixel Scroll 3/14/20 In Dublin’s File City, Where The Scrolls Are So Pixely

(1) RSR ASSESSES STRAHAN’S NEW BEST TOC. Rocket Stack Rank has prepared an annotated list of the 28 stories in Jonathan Strahan’s new Year’s Best Science Fiction series (highlights are free online), along with the tweet by Saga Press that shows the stories. To see how the 28 stories ranked among the 2019 Best SF/F, click this link (JStrahan TOC highlighted).

(2) MIDSOUTHCON CANCELLED. MidSouthCon has been “postponed until 2021”, which is to say cancelled. The administrator of the Darrell Awards gave an update now that the presentation can’t take place there.

What About the 2020 Darrell Awards?

First, they will be given.

Second, the Winners and Runners-up and other Finalists will be announced here and on other social media.

Third, the details of how and when for the above will be decided by the Jury shortly.

(3) ANOTHER SHUTDOWN. Add Anime Boston (April 10-12) to the list of cancelled cons: “Anime Boston 2020 Cancellation Announcement”.

 As you may be aware, Governor Charlie Baker recently announced a ban on all gatherings of 250 people or more in Massachusetts. This ban is set with no current end date, until the governor announces otherwise. With Anime Boston 2020 scheduled for less than four weeks from now, it is highly likely this ban will still be in place. Given the uncertainty around these new circumstances, we have no choice but to cancel Anime Boston 2020….

(4) PLAN FOR LEFTY AWARDS. The Left Coast Crime mystery convention was brought to an abrupt end on Thursday when the coronavirus outbreak caused local San Diego health officials to restrict gatherings. The event’s Lefty Awards would have been voted on by members at the con. Now con committee member Stan Ulrich says they’re working on an alternative plan.  

As you may know, we vote with paper ballots, and of course the voting period was unexpectedly cut short within a 2-hour period, due to conflicting and poorly-worded San Diego edicts.

We told the assembled folks at the last event, where about 200 attendees were in the room, that we will not be counting the paper ballots that had been cast, but rather would conduct an online vote by all registrants to this convention.

I don’t know when that will take place, but I’d hope we can do it very soon. We have many issues to deal with, ones we don’t even know about yet, so it will depend on when I can find the time to concentrate on getting it done right. But for now, my intention is to get the e-ballots out in the next few days, after we get home to Santa Fe, and set the system up.

(5) VIRUS-FREE AUDIO. Scott Edelman invites listeners to chow down on crab cakes with Pulitzer Prize-winning book critic Michael Dirda in Episode 117 of the Eating the Fantastic podcast.

Michael Dirda

Early this week, before it occurred to me that leaving the house to break bread might not be the wisest thing to do considering the times in which we live, I headed to Silver Spring, Maryland for lunch with Michael Dirda at All Set restaurant. Luckily, you won’t have to risk contagion from the coronavirus to take a seat at the table and eavesdrop on our conversation.

Michael is a Pulitzer Prize-winning columnist for The Washington Post Book World with a special love for genre fiction. He’s the author of the memoir An Open Book, plus four collections of essays: Readings, Bound to Please, Book by Book and Classics for Pleasure. Since 2002, he’s been a member of the Baker Street Irregulars, and his book On Conan Doyle was awarded the 2012 Edgar Award in the Best Critical/Biographical category. He’s currently at work on The Great Age of Storytelling, an appreciation of British popular fiction of the late 19th and early 20th centuries. 

We discussed the convention at which he thought he was about to be punched out by Harlan Ellison, the book he wants to write but which he realizes he could probably never publish, how discovering E. F. Bleiler’s Guide to Supernatural Fiction opened a whole new world for him, whether he faced judgment from his peers for believing Georgette Heyer is as important as George Eliot, why he wants to be buried with a copy of The Count of Monte Cristo, how Beverly Cleary’s Henry Huggins is like a Proustian madeleine, the way he navigates the tricky act of reviewing the fiction of friends, the word he used which annoyed Gene Wolfe, and much more.

(6) HIS FACE MASK ISN’T ENOUGH. SoraNews24 reports “Jason calls off Friday the 13th activities due to coronavirus”.

Hockey-masked Jason has been creeping into everyone’s nightmares since making his killing debut in the ’80s, and later resurfacing for some more bloodshed in the early 21st century as well. While he’s been keeping a curiously low profile recently, this year Jason appeared in Japan in the lead-up to Friday the 13th, giving a surprise press conference to inform everyone that the coronavirus would be impinging on this year’s activities.

(7) GAMING THE SYSTEM. BBC finds “Minecraft ‘loophole’ library of banned journalism”.

It started out as a project in an online forum and turned into the best-selling video game of all time, but now Minecraft is being used for something even its creator would not have dreamt of.

The iconic game based around placing Lego-like blocks with more than 145 million players each month has been turned into a hub of free speech.

A virtual library has been meticulously created to host articles written by journalists which were censored online.

Work by Jamal Khashoggi, the journalist killed by Saudi agents in 2018, can be read among the plethora of books in the library.

Minecraft has declined to comment.

The project was created by non-profit organisation Reporters Without Borders, which seeks to defend the freedom of information worldwide, and the Minecraft library itself was built by design studio Blockworks.

Christian Mihr, executive director of Reporters Without Borders Germany, told the BBC that Minecraft was good for the project as he believes it is not seen as a threat by governments which censor their media.

“We chose Minecraft because of its reach,” he said. “It is available in every country. The game is not censored like some other games which are under suspicion of being political.

(8) WE DON’T NEED NO STINKIN’ BABIES. [Item by Mike Kennedy.] GeekMom isn’t shy about sharing this opinion. My advice is to not click through to the article unless you’re prepared to read about several major bummer outcomes for these fictional tykes. “Stop With the Superhero Babies! It Never Works”.

This is going to sound callous, but I wish creators would stop adding superhero babies to their stories.

Because I hate it when the big two superhero comic companies introduce babies and young children into their stories.

When I saw the teaser panel of a pregnant Catwoman for the upcoming Batman/Catwoman series, I winced.

Do I have anything against little kids and babies? No.

Do I think good stories of superhero parents can be told? Yes.

Do I think that’s ever been done on a consistent basis at DC and Marvel?

Heck no.

There are only a few fates available for babies or little kids with superhero parents in comics.

(9) TODAY IN HISTORY.

  • March 14, 1994 Robocop: The Series premiered. It stars Richard Eden as the title character. A Canadian produced and directed series, it lacks the graphic violence and intent of Robocop and Robocop 2 that preceded it, and adds a lot more humor. You can see the two-hour pilot episode here. It was adapted from the unused RoboCop 2 script, Corporate Wars which was from the writers of the first  RoboCop film, Edward and Michael Miner. 
  • March 14, 1995 Cyborg Cop II  premiered.  It’s directed by Sam Firstenberg as written by Jon Stevens and Firstenberg. It’s obviously the sequel to Cyborg Cop, and stars David Bradley, Morgan Hunter, Jill Pierce, and Victor Melleney. Needless to say, a Cyborg Cop IIII film followed. You can see it here. Unlike Robocop: The Series, it is R rated, so you’ll need to sign in to prove you of an an appropriate age.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 14, 1869 Algernon Blackwood. Writer of some of the best of the best horror and ghost stories ever done according to the research I just did. Most critics including Joshi say his two best stories are “The Willows” and “The Wendigo”. The novel that gets recommended is The Centaur. If you’re interested in reading him, he’s readily available at the usual digital suspects. (Died 1951.)
  • Born March 14, 1918 Mildred Clingerman. Most of her stories were published in the Fifties in F&SF whenBoucher was Editor. Boucher included “The Wild Wood” by her in the seventh volume of The Best from Fantasy and Science Fiction and dedicated the book to her, calling her the “most serendipitous of discoveries.”  A Cupful of Space and The Clingerman Files, neither available as a digital publication, contain all of her stories. (Died 1997.)
  • Born March 14, 1948 Valerie Martin, 72. Her novel Mary Reilly is the retelling of The Strange Case of Dr. Jekyll and Mr. Hyde from the point of view of a servant in the doctor’s house. It is a film of the same name with John Malkovich in the lead role. It was nominated for Nebula and World Fantasy Awards. 
  • Born March 14, 1957 Tad Williams, 63. Author of the Memory, Sorrow, and Thorn series, Otherland series, and Shadowmarch series as well as the most excellent Tailchaser’s Song and The War of the Flowers
  • Born March 14, 1964 Julia Ecklar, 56. She’s the Astounding Award–winning author for The Kobayashi Maru which is available in English and German ebook editions. She’s also a filk musician who recorded numerous albums in the Off Centaur label in the early 1980s, including Horse-Tamer’s Daughter, Minus Ten and Counting, and Genesis.
  • Born March 14, 1971 Rebecca Roanhorse, 49. Her “Welcome to Your Authentic Indian Experience™“ which was first published  in the August 2017 of Apex Magazine won both a Nebula and a Hugo as best short story. She also won the 2018 Astounding Award for Best New Writer. Her novel Trail of Lightning was also a Nebula and Hugo nominee.
  • Born March 14, 1974 Grace Park, 46. Boomer on the reboot of Battlestar Galactica. She’s been on a fair amount of genre over the years with her first acting role being the Virtual Avatar in the “Bits of Love” episode of Outer Limits. After that, she shows up on Secret Agent Man, This Immortal, The Outer Limits again, Star Gate SG-1, Andromeda, and oddly enough, Battlestar Galactica in a number roles other than her main one. I’m sure one of you can explain the latter. 
  • Born March 14, 1978 Butcher Billy, 42. Brazilian artist and graphic designer known for his art pieces and illustration series based on popular culture. Though ISFDB only lists his Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded and Jurassic Park piece, he’s active right to the present as he did artwork based on Black Mirrior which in turn led him to being commissioned to do work for the series by series creator Charlie Brooker. 

(11) COMICS SECTION.

(12) HIGH CAPACITY. Alasdair Stuart’s “The Full Lid 13th March 2020”  has a report from planet-forming vessel The Future about their recent…Dalek…unpleasantness. Plus —

We’ve also got a detailed look at new James Bond sourcebook Bond Vs Bond, an offer of help for anyone whose projects are marooned due to the ever receding tide of events, an update on where I’m at right now and my favorite Kids in the Hall sketches! Which may not be the ones you think…

Signal Boost this week covers Ginger Nuts of Horror and their series on horror and mental health. It also takes a look at Geek Syndicate‘s latest project, The Nugeroom and the most recent episode of always excellent comics podcast House to Astonish.

Over on the dark side of the street, The Lurking Transmission are one of my favorite new horror podcasts and Dread Singles, home of my favorite esoteric postal deliveries, is launching a newsletter!  We’ve also got the imminent end of season 3 of Flying In The Face of Fate, one of the Lid’s favorite shows. Get caught up here.

Elsewhere, Kat Kourbeti is one of my favorite people and she’s just started a writing/commentary/media newsletter. If you like The Lid you’ll love Honest to Blog
Finally, Liberty is a constellation of podcasts and comics. It’s one of my personal high watermarks for cyberpunk/urban SF and they’ve just lost some listeners due to a server migration. Treat yourself and go check them out.

(13) THE WAY OUT OF HELL. James Davis Nicoll picks out “Five SFF Characters Seeking Redemption and Trying to Do Better”. Here’s one of them:

Harry Connolly’s Twenty Palaces series protagonist Ray Lilly would have been right at home in a hardboiled crime novel. In the weird horror setting in which he lives, Ray’s combination of criminal smarts, blind loyalty, and diminished executive function led him to dabble in the Dark Arts. Unlike most fools who flirt with inadvertently letting extradimensional predators into our world, Ray is given a chance to make amends for his bad judgement. Indeed, he’s not given any choice: Ray will spend the rest of his life fighting the horrors he enabled.

(14) ARE YOU SMURFING ME? Never let it be said they blue their opportunity: “‘It was the chance to say that we are alive’: France hosted a record-breaking Smurf festival amid the escalating coronavirus epidemic”.

The novel coronavirus has assailed more than 100 countries, infecting over 121,000 people and causing over 4,300 deaths. And while the outbreak sparked in China, Europe has not been spared: Italy is on lockdown, cases are escalating in Spain and France, and German leaders are bracing for nearly 70% of the country’s population to contract the illness. Tourist haunts, shops, universities, and entire towns are deserted.

But the mounting fear of this contagion didn’t stop people in western France from setting a Guinness World Record on March 7.

Some 3,500 people dressed up as Smurfs — in blue and white outfits, with painted faces, and toting the characters’ trademark pointed hats — gathered in the town of Landerneau. Their goal was to set a record for the largest-ever gathering of the blue, human-like Belgian comic characters. 

(15) TIMELY QUESTION. The BBC asks “How do you keep a space station clean?”

The astronauts and cosmonauts on board the International Space Station have brought with them a host of bacteria from Earth. How do they keep them from creating havoc?

By 1998, after 12 years in orbit, Russian space station Mir was showing its age. Power cuts were frequent, the computers unreliable and the climate control system was leaking. But when the crew began a study to assess the types of microbes they were sharing their living space with, even they were surprised at what they found.

Opening an inspection panel, they discovered several globules of murky water – each around the size of a football. Later analysis revealed the water was teeming with bacteria, fungi and mites. Even more concerning were the colonies of organisms attacking the rubberised seals around the space station windows and the acid-excreting bugs slowly eating the electrical cabling.

When each Mir module launched from Earth it was near-pristine, assembled in clean rooms by engineers wearing masks and protective clothing. All the unwanted life now living on the station had been carried into orbit by the multinational group of men and women who subsequently occupied the orbiting laboratory.

We share our lives, and bodies, with microbes. From the bacteria lining our gut, to the microscopic mites nibbling at our dead skin, it’s estimated that more than half the cells in our body aren’t human. Most of these microbes are not only harmless but essential, enabling us to digest food and fend off disease. Everywhere we go, we take our microbiome with us and – just like humans – it’s learning to adapt to life in space….

Her research is timely. By November this year, the ISS will have been occupied continuously for 20 years. After the experience of Mir, biologists have been concerned about what else might be living on board and particularly any microbes that might endanger the station, or worse, the astronauts.

(16) SOUL TRAILER. Disney and Pixar’s Soul, in theaters June 19.

Joe Gardner is a middle-school band teacher who gets the chance of a lifetime to play at the best jazz club in town. But one small misstep takes him from the streets of New York City to The Great Before – a fantastical place where new souls get their personalities, quirks and interests before they go to Earth. Determined to return to his life, Joe teams up with a precocious soul, 22, who has never understood the appeal of the human experience. As Joe desperately tries to show 22 what’s great about living, he may just discover the answers to some of life’s most important questions.

(17) THAT’S COOL. Lyles Movie Files praises the decision to speed up the release date: “Frozen 2 debuts on Disney+ tomorrow”.

With little in the way of excitement with the box office delay of Mulan and likely Black Widow, Disney decided to give fans something to be exciting about by releasing Frozen 2 to Disney+ three months ahead of schedule starting Sunday. It was originally set to release June 26.

The film will also arrive on Disney Plus in Canada, the Netherlands, Australia and New Zealand on Tuesday, March 17.

In a statement, new Disney CEO Bob Chapek said “the themes of perseverance and the importance of family are messages that are incredibly relevant during this time, and we are pleased to be able to share this heartwarming story early with our Disney+ subscribers to enjoy at home on any device.”

(18) MAN TROUBLE. Andrew Porter was tuned into Jeopardy! the other night when contestants collided with this topic:

Category: Male Writers

Answer: “Me, Alex. Him, this serial novelist who oldest WWII correspondent in South Pacific theatre at age 66”

Wrong question: “Who is Michener?”

Right question: “Who is Edgar Rice Burroughs?”

(19) BETTER THAN JURASSIC PARK. “Blood sucking insect stuck in amber with dinosaur DNA is nothing. Whole dinosaur skull preserved in Amber – now you’re talking.” — John Hammond.

In this week’s Nature: “Tiny fossil sheds light on miniaturization of birds”. Tagline “A tiny skull trapped in 99-million-year-old amber suggests that some of the earliest birds evolved to become miniature. The fossil illustrates how ancient amber can act as a window into the distant past.”

Dinosaurs were big, whereas birds — which evolved from dinosaurs — are small. This variation is of great importance, because body size affects lifespan, food requirements, sensory capabilities and many other fundamental aspects of biology. The smallest dinosaurs weighed hundreds of grams, but the smallest living bird, the bee hummingbird (Mellisuga helenae), weighs only 2 grams. How did this difference come about, and why? In a paper in Nature, Xing et al. describe the tiny, fossilized, bird-like skull of a previously unknown species, which they name Oculudentavis khaungraae. The discovery suggests that miniature body sizes in birds evolved earlier than previously recognized, and might provide insights into the evolutionary process of miniaturization.

Full research paper abstract (subscribers only for full paper).

(20) STARGIRL. Here’s the extended version of the Stargirl trailer. Stargirl debuts Monday, May 11 on DC Universe. It will debut on The CW the next day, Tuesday, May 12.

[Thanks to Mike Kennedy, Eric Wong, Chip Hitchcock, John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Michael Toman, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]