Pixel Scroll 9/13/19 One Pixel, One File and One Scroll, Well, My Fandom, She Gone, She Gone Tonight

(1) A CLASSIC. Deadline reports Clifford D. Simak’s novel Way Station, a 1964 Hugo winner, will be developed for Netflix: “Matt Reeves’ 6th & Idaho To Turn Sci-Fi Tale ‘Way Station’ Into Netflix Movie”. In years gone by this was my #1 favorite sf book!

Here’s the logline on Way Station: For more than 100 years Enoch Wallace has been the keeper of a Way Station on Earth for intergalactic alien travelers as they teleport across the universe. But the gifts of knowledge and immortality that his intergalactic guests have bestowed upon him are proving to be a nightmarish burden, for they have opened Enoch’s eyes to humanity’s impending destruction. Still, one final hope remains for the human race.

(2) GRRM WILL CO-AUTHOR GOT TV PREQUEL. “‘Game of Thrones’: Second Prequel in the Works at HBO”The Hollywood Reporter has the story.

A second Game of Thrones prequel is in the works at HBO.

Sources confirm to The Hollywood Reporter that the premium cable network is near a deal for a pilot order for a prequel set 300 years before the events of the flagship series that tracks the beginnings and the end of House Targaryen. Ryan Condal (Colony) and Game of Thrones author George R.R. Martin will pen the script for the drama, which is based on Martin’s book Fire & Blood.

(3) COPING WITH CHANGE. M.L. Clark provides a deeply thoughtful analysis of the conversation about award names in “Letting Go of Our “Heroes”: Ongoing Humanist Training and the (Ex-)James Tiptree, Jr. Award” at Another White Atheist in Colombia.

…I asked myself three questions, then, to challenge my knee-jerk defense of the status quo–and I’d encourage you to employ similar the next time a group decision focussed on harm-reduction finds you, initially, “on” or “on the other side of” the fence.

1. To whom are you listening in this debate?

In the wake of my defensiveness, I had to make a concerted effort to read counterpoints to my perspective. Lots of them. And as I did, I took note of the times when I felt the greatest urgency to seek out both-sides-ism, to return to the security of others whose initial reactions were the same as mine: folks reluctant to change the name of this award, to own up to the pain Sheldon’s story has left in the hearts of many living human beings.

Critically, too, I didn’t then seek out those arguments when I wanted to–because what need did I have of them? They’d be sheer preaching to the choir, like the reading of apologetics for some Christians when faced with doubts. But I did note the contexts in which I most wanted to dive for shelter… and those contexts? They were usually when someone said something that challenged me to reason from empathy, to recognize the humanity of other people marginalized by Sheldon’s prominence at potential cost to the value of her disabled husband’s life. At those points most of all, I felt the urge to hide behind the presumption of neutrality, in superficial phrasing like, Well, no one can say for sure what happened that night! 

Which, sure, is true… but then why was I still automatically favouring one interpretation–the more convenient interpretation–over another that people were actively telling me did harm to their sense of full and safe inclusion in SF?

(4) EX-MEN. Cian Maher helps Polygon readers remember “That time the X-Men’s humanity was put on trial in a real court of law”. Because the Toy Biz company could get a lower tariff rate if the figurines were deemed nonhuman.

…Toy Biz’s motion acknowledged that the X-Men “manifest human characteristics at varying degrees,” but argued that most are more of a mixed bag of human and non-human aspects. For example, the document specifically calls out Wolverine (rude!) for having “long, sharplooking [sic] claws grafted onto his hands that come out from under his skin along with wolf-like hair and ears.”

Don’t body-shame Wolverine! He tries very hard!

Judge Barzilay’s official ruling, in which Toy Biz prevailed, states “the action figure playthings at issue here are not properly classifiable as ‘dolls’ under the HTSUS by virtue of various non-human characteristics they exhibit.”

(5) THESE THINGS HAVE TO BE DONE CAREFULLY… Vance K offers advice to parents in “Let’s Frighten Children! Vincent Price & Scooby-Doo” at Nerds of a Feather.

You’re a parent. You love horror. But horror is scary. So how to share this love of horror with your young, innocent, in-love-with-the-world child?

…For me and my family, the first step to introducing horror was to introduce the language of scares without, really, the fear. It’s hard to be a little kid. You are tiny, and surrounded by giants. Nothing makes sense, and every outcome is uncertain. Mom’s leaving…Will she come back?! How long is an hour?! It’s unknowable. And worse, there might actually be a monster under the bed. Or in the closet — you just don’t know.

This is where Vincent Price and Scooby-Doo came in handy. It’s pretty unlikely any kid is going to be legitimately frightened by an episode of Scooby-Doo. And yet, there are ghosts, goblins, witches, vampires, werewolves, creepers, and more, all running about. I’m actually not a huge Scooby fan, but I found the Cartoon Network Scooby-Doo Mystery Incorporated series to be excellent. I watched a big chunk of it with my kids, who were five and seven at the time. They loved it, and still do. We re-watch episodes regularly. In a world where asking a kid who has grown up with an iPhone to watch Bela Lugosi’s Dracula seems like a bridge too far, this is a show that is fast-paced, conversant in horror tropes, dabbles in grotesque/frightening imagery, and is funny, smart, and good. It’s also a show that prominently features Vincent Van Ghoul, who is a not-at-all-disguised representation of Vincent Price.

(6) ALA ADDRESSES MACMILLAN CEO. Publishers Weekly covers an American Library Association press conference where “Librarians Launch National Campaign to Oppose Macmillan’s Library E-book Embargo”.

…So far, that action includes two rather modest initiatives, unveiled on Wednesday. One is an online petition (eBooksForAll.org) urging Sargent and Macmillan to reconsider the publisher’s recently announced embargo. The other is a new online book club, in partnership with OverDrive. The “Libraries Transform Book Pick” will offer library users unlimited access to a selected e-book for two weeks, with no holds list and no waiting. The first pick is Kassandra Montag’s debut novel After the Flood (HarperCollins), which will be available for unlimited e-book checkouts at public libraries from October 7-21.

(7) WORDS OF A FEATHER. Paul Di Filippo’s F&SF column “Plumage from Pegasus” tells all about a collaboration by two of the genre’s founders that was largely unknown ‘til a couple of years ago: Flora Columbia: Goddess of a New Age, by Jules Verne and H. G. Wells.

In the year 1901, with the publication of his ninth novel, The First Men in the Moon, H. G. Wells, then a thirty-five-year-old wunderkind, cemented his reputation as the leading purveyor of “scientific romances.” The acclaim accorded to this British upstart, however, did not sit well with the aging lion of the nascent genre, Jules Verne—then an ailing seventy-three and just a few years away from his own death. Verne did not care for Wells’s less-stringent approach to scientific speculation, nor for his wilder imagination. In fact, Verne was so perturbed that he gave vent to his famous direct criticism of the novel: “I sent my characters to the moon with gunpowder, a thing one may see every day. Where does M. Wells find his cavorite? Let him show it to me!”

So much is a matter of historical record. But what came next remained secret until just recently.

Both irked and disappointed by the jab from this venerable figure who had done so much to pioneer imaginative literature and whose respect he would have relished, Wells did a daring thing. On a mission both conciliatory and confrontational, he journeyed to France to confront the Master. In Amiens, at 44 Boulevard de Longueville, he was received with a wary hospitality. But after some awkward conversation over a lunch of calvados and choucroute garnie, the two writers found a shared footing in their mutual love of “science fiction,” a term they would not even have recognized. And then, impulsively, they decided to seal their tentative new friendship in a manner befitting their shared passion.

They would collaborate on a short novel….

(8) COLLINS OBIT. Charles Collins (1935-2019) died August 26 at the age of 83. He worked as a Publisher’s Representative, eventually becoming co-owner of Como Sales Company. Also, with Donald M. Grant, he co-founded Centaur Press, later renamed Centaur Books, a small press active from 1969 through 1981.

With Donald M. Grant, left, and Robb Walsh at the launch of Kingdom of the Dwarfs, 1980. Photo by © Andrew Porter

It was primarily a paperback publisher, though one of its more successful titles was reissued in hardcover. It was notable for reviving pulp adventure and fantasy works of the early twentieth century for its “Time-Lost Series.”

Authors whose works were returned to print include Robert E. Howard, Arthur O. Friel, Talbot Mundy, H. Warner Munn, and William Hope Hodgson. In the sole anthology it issued, the press also premiered a new work by Lin Carter. In later years it also published longer works by contemporary authors, including Carter, Galad Elflandsson, and Robb Walsh. Its books featured cover art by Jeff Jones, Virgil Finlay, Frank Brunner, Stephen Fabian, Randy Broecker, and David Wenzel.

The family obituary is here. Collins’ own history of Como Sales Company is here.

(9) TODAY IN HISTORY.

  • September 13, 1969 – CBS introduced Scooby Doo, Where Are You? 50 years ago this week: Quoting the Wikipedia —

The first episode of Scooby-Doo, Where Are You! “What a Night for a Knight” debuted on the CBS network Saturday, September 13, 1969. The original voice cast featured veteran voice actor Don Messick as Scooby-Doo, radio DJ Casey Kasem (later host of radio’s syndicated American Top 40) as Shaggy, actor Frank Welker (later a veteran voice actor in his own right) as Fred, actress Nicole Jaffe as Velma, and musician Indira Stefanianna as Daphne.[15] Scooby’s speech patterns closely resembled an earlier cartoon dog, Astro from The Jetsons (1962–63), also voiced by Messick.[2] Seventeen episodes of Scooby-Doo Where are You! were produced in 1969–70.

  • September 13, 1974  — Planet of the Apes debuted as a weekly television series with the  “Escape from Tomorrow” episode. Roddy McDowall was once again Galen. Due to really poor rating, CBS canceled the series after 14 episodes. 
  • September 13, 1999 — On this day, in the timeline inhabited by the crew of Space: 1999, the events told in the “Breakaway” premier episode happened.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 13, 1898 Arthur J. Burks. He  sold his first stories to Weird Tales in 1924. He became one of the “million-word-a-year” men in the pulp magazines by dint of his tremendous output. He wrote in the neighborhood of eight hundred stories for the pulps. Both iBooks and Kindle have some of his fiction available for free if you care to see how this pulp writer reads. (Died 1974.)
  • Born September 13, 1926 Roald Dahl. Did you know he wrote the screenplay for You Only Live Twice? Or that he hosted and wrote for a sf and horror television anthology series called Way Out which aired before The Twilight Zone for a season? He also hosted the UK Roald Dahl’s Tales of the Unexpected.  My favorite Dahl work is The BFG. What’s yours? (Died 1990.)
  • Born September 13, 1931 Barbara Bain, 86. She’s most remembered for co-starring in the original Mission: Impossible television series in the 1960s as Cinnamon Carter, and Space: 1999 as Doctor Helena Russell. I will confess that I never watched the latter. Her first genre role was as Alma in the “KAOS in CONTROL” episode of Get Smart! 
  • Born September 13, 1932 Dick Eney. Most notably, in 1959 he published Fancyclopedia 2, an over two hundred page encyclopedia of all things fandom. He worked on committees for Discon I, Discon II, and Constellation and was the Fan Guest of Honor at L.A.Con II, the 1984 Worldcon. He served as OE of FAPA and SAPS and was a member of The Cult and the Washington in ’77 Worldcon bid. He was toastmaster at Conterpoint 1993. (Died 2006.)
  • Born September 13, 1936 Richard Sapir. Pulp writer in spirit if not in actuality. Among his many works is The Destroyer series of novels that he co-created with Warren Murphy. (Murphy would write them by himself after death of Sapir starting with the seventy-first novel until the series concluded with ninety-sixth novel.)  And the main character in them is Remo Williams who you’ll no doubt recognize from  Remo Williams: The Adventure Begins where Fred Ward played Remo which I’ve watched but remember nothing of thirty years on. (Died 1987.)
  • Born September 13, 1939 Richard Kiel. He’s definitely  best remembered  for being the steely mouthed Jaws n The Spy Who Loved Me and Moonraker. Now let’s see what other SFF films he’s been in… His very last genre work was voicing Vlad in the animated Tangled with first his being The Salorite in The Phantom Planet. He was Eegah in the low budget horror film Eegah,  a giant House of the Damned, Dr. Kolos in The Human Duplicators, Psychiatric Hospital Patient in Brainstorm, Bolob in the Italian L’umanoide, internationally released as The Humanoid, and he reprised his Jaws character in Inspector Gadget. Series wise, he’s shown up in The Man from U.N.C.L.E., Twilight Zone,  Kolchak: The Night StalkerThe Wild Wild West (where he working in a recurring role with Michael Dunn as Dr. Miguelito Loveless), I Dream of Jeannie, Gilligan’s Island, Land of The Lost and Superboy. (Died 2014.)
Richard Kiel, right, in Wild Wild West
  • Born September 13, 1944 Jacqueline Bisset, 75. I never pass up a Bond performance and so she’s got on the Birthday Honors by being Giovanna Goodthighs in Casino Royale even though that might have been one of the dumbest character names ever. As near as I can tell, until she shows up in as Charlotte Burton in the “Love the Lie” episode of Counterpart that’s her entire encounter with genre acting.
  • Born September 13, 1947 Mike Grell, 72. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth .
  • Born September 13, 1961 Tom Holt, 59. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, truly into Wagner, you’ll love Expecting Someone Taller; if not, skip it. 
  • Born September 13, 1969 Bob Eggleton, 50. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork,  Primal Darkness: The Gothic & Horror Art of Bob Eggleton  which he put together in 2010 and was published by Cartouche Press.

(11) ROLLING ON THE RIVER. Kelly Lasiter recommends a book at Fantasy Literature: “Mapping Winter: A character and a world that will stick with me”.

Mapping Winter (2019) is Marta Randall’s reworking of her 1983 novel, The Sword of Winter. (Randall talks more about the story behind the book here.) Its release as Mapping Winter was followed shortly by the all-new sequel The River South, with the two novels making up the RIDERS GUILD series. It’s a secondary-world fantasy, but without magic; I was about two-thirds of the way through the book when I realized, “Huh, I don’t think there’s been any magic!” What it does have is a nation poised between feudalism and industrialization.

(12) SCHOOL DAZE. James Davis Nicoll rings up our magic number: “Five SFF Stories About Surviving the Dangers of Boarding School” at Tor.com.

Kazuma Kamachi’s ongoing series of short novels and their associated manga and anime (A Certain Magical Index, A Certain Scientific Railgun, A Certain Scientific Accelerator, etc.) is set in Academy City. The city is home to over two million students, most of whom have some degree of reality-breaking Esper power. Some can control electromagnetism; some can keep objects at a constant temperature. Imagine the Xavier School for the Gifted with the population of Paris, France. Unlike the leadership of Xavier’s school, however, the people running Academy City are ambitious people entirely unfamiliar with the concepts of consent or ethics….

(13) ABOUT THAT DEAD HORSE. Good point – after all, how many people would watch a channel that mostly runs commercials?

(14) YOU’VE GOT MAIL. Paul Weimer says people who like a character-focused story will love it: “Microreview: This Is How You Lose The Time War, by Amal El-Mohtar and Max Gladstone” at Nerds of a Feather.

…In a world of twitter, and direct messages, and texts, and instant social media, long form letters are a delightful retro technology and form. Epistolary novels and stories, never the most common of forms even when letters were dominant as a means of communication, are exceedingly distinctive just by their format in this day and age. It’s a bold choice by the authors to have the two agents, Red (from a technological end state utopia) and Blue (from a biological super consciousness utopia) to start their correspondence and to have their letters (which take increasingly unusual forms as described in the narrative) be the backbone of the action. Every chapter has one of the principals in action, and a letter from the other principals, giving a harmonic balance for the reader as far as perspective. But it is within the letters themselves that the novella truly sings and shows its power.

(15) BOG STANDARD. Nina Shepardson reviews Ghost Wall by Sarah Moss at Outside of a Dog.

The theme of Sarah Moss’s latest novel, Ghost Wall, can be summed up by a William Faulkner quote: “The past is never dead. It isn’t even really past.” Sylvie’s father plans an unusual vacation for their family: joining a local college professor’s project to spend a couple of weeks living the way British people did in the Bronze Age. This involves some of the physical discomforts you would expect, such as foraging for food in the summer heat and living in huts. But things take a darker turn as Sylvie’s father’s fascination with the period deepens into obsession. And not all the hazards of the era were natural ones; there’s evidence that a nearby bog was a site of human sacrifice….

(16) ALASDAIR STUART. It’s Full Lid o’clock!

(17) THE MESSAGE. Joseph Hurtgen has just released his second sff novel with a theme chosen for reasons he explains in “Why I Wrote an Anti-Gun, Anti-Trump, Environmental Science Fiction Novel “. “This novel is an exercise in hoping our democracy outlasts this election cycle, hoping our generation doesn’t destroy the planet, and hoping that we could rise above greed to make our nation safe for our children. What better place to do all this hoping than in the pages of science fiction?”

The book follows William Tecumseh Sherman as he time travels around America’s history, talking to presidents that like their guns and aren’t interested in instituting environmental protections. 

I realize that it’s a bit of stretch that Sherman would get involved politically. Sherman once said if he was elected, he wouldn’t serve. But isn’t that precisely the kind of leader America needs? Someone disinterested in leadership wouldn’t likely have ulterior motives for holding a position of power: no Putins to please, no buildings to build in Moscow or the Middle East.

But the reality of American politics is that those willing to profit from power are rewarded for it. In 2019, the emoluments clause might as well be struck from the record. It clearly isn’t taken seriously. But emoluments are only the tip of the ugly iceberg.

(18) “THE SCREAM”. “Comedy Wildlife Photography Awards 2019: Here are the finalists” — minimal text, great photos.

(19) THEATER AS GAME. “Variant 31: ‘Pushing the boundaries’ of immersive theatre”.

It’s being promoted as the biggest live immersive game yet. Variant 31 is theatre – there are 150 real-life performers involved. But its creator is hoping it will bring in video gamers – and people who like jumping out of aircraft.

If you heard reports of reanimated cadavers roaming at will beneath New Oxford Street you might suppose London had been having a particularly bad day for public transport.

But producer Dalton M Dale is proud to stand in a slightly musty former shop basement and talk of the malevolent band of marauding zombies he’s adding to the growing world of immersive theatre.

He’s from North Carolina but in 2017 he came to London after a few years working on immersive shows in New York.

“London is the place to push the envelope of what immersive storytelling can do: the point about Variant 31 is that as you move through our really large site you get actively involved in the story. That’s instead of standing at a slight distance and observing and admiring, which has often been the case with even the best immersive experiences.”

…”You start at Patient Intake at Toxico Technologies,” Dale explains. “Toxico 25 years ago has manufactured strange and nefarious materials for chemical warfare. You are given a piece of wrist technology which at key points across 35 floors will allow you to do various things: you can alter the lighting and open hidden passages and even change the weather.

“Creatures emerge as you move through. From the moment you step into this world the hunt is on and someone wants to catch you. Oh, and always bear in mind: the only way to kill a zombie is to aim for the head.

Players score points by killing the creatures and at the end of the experience there will be just one winner from your group. “We claim this is the first truly immersive experience: it’s not spoon-fed like some other shows. Your presence matters and genuinely changes what goes on.”

(20) DATA SAVED BY DEFNESTRATION. BBC tells how “Russian activist saves data from police with drone”.

A Russian activist used a drone to get his data out of his high-rise flat when police came to search it.

Sergey Boyko says he sent hard drives to a friend by drone when police banged at his door at 10:00 local time, to avoid them getting hold of the data.

The search was part of a nationwide crackdown on the opposition.

Around 200 raids have been carried out in the past few days after the ruling party suffered major losses in local elections in Moscow.

A YouTube video taken (in Russian) by a female companion shows Mr Boyko, who lives in the Siberian city of Novosibirsk, releasing a drone from his flat in a tall apartment block as police wait to be let in.

Mr Boyko heads the local branch of the movement of opposition leader Alexei Navalny, who campaigned for voters to defeat candidates of the United Russia party using tactical voting in Sunday’s city council election.

The activists say the raids are a form of revenge by the authorities for the setbacks.

(21) VIDEO OF THE DAY. In A Month of Type on Vimeo, Mr Kaplin animates the alphabet.

[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Cat Eldridge, Joseph Hurtgen, IanP, and Andrew Porter for some of these stories. Title credit goes to File 770 contrbuting editor of the day Matthew Johnson.]

Pixel Scroll 8/23/19 Pixels Of Lily Help Me Scroll At Night

(1) EATING THE FANTASTIC. Scott Edelman invites listeners to share subcontinental cuisine with Lucy A. Snyder in episode 103 of his Eating the Fantastic podcast.

Lucy A. Snyder

Lucy A. Snyder’s a seven-time Bram Stoker Award finalist and a five-time winner, including for her first novel Spellbent in 2009, and most recently for her collection While the Black Stars Burn in 2016. She has published more than 80 short stories in Lady Churchill’s Rosebud Wristlet, Strange Horizons, Weird Tales, and more. Her nonfiction book Shooting Yourself in the Head for Fun and Profit: A Writer’s Survival Guide. was published in 2014. She was a Bram Stoker Award nominee at this year’s StokerCon for her collection Garden of Eldritch Delights.

We took off for lunch one afternoon to Punjab Cafe, which has been operating in Quincy since 2000, and is by all accounts the best Indian restaurant in the area. They had a tasty looking buffet option available, but we ordered a la carte instead, because a buffet is definitely not the way you want to go when you’re trying to maintain the flow of a conversation and are both wired to a recorder.

We discussed how Madeleine L’Engle’s A Wrinkle in Time made her want to become a writer, the rare bad advice she got from one of her Clarion instructors, the way Hunter S. Thompson and Truman Capote taught her about consensual truth, how she learned to embrace her uneasy relationship with horror, the time Tim Powers said of one of her early stories that “this is an example of everything that’s wrong with modern science fiction,” why if you want to write flash fiction you should learn to write poetry, what you should consider if you’re starting a new writing workshop, how best to prepare for public readings of emotionally difficult stories, the way she used Kickstarter to continue her Jessie Shimmer series (plus everything you need to know to start your own campaign), what it was like writing in the Doctor Who and X-Files universes, and much, much more.

(2) CAT’S GOT HIS TONGUE. Another work of feline genius! “On Writing by Timothy the Talking Cat” at Camestros Felapton.

…Being a writer is a lot like being on a roller coaster. For a start, if you are a small child or a cat some spotty gatekeeper won’t let you be a writer. “You have to be this tall to be a writer!” they say. “Keep you arms inside the carriage while writing is in motion” they say. Ignore these self-appointed petty tyrants in the fairground of publishing! You only need TWO things to be a writer 1. the willpower 2. the determination and 3. a valid ticket from the ticket booth….

(3) KEEPS ON BURNIN’. Slate’s Evan Urquhart brings history up to date in “Gamergate Never Died”.

… Last but not least there’s Gamergate itself, which has survived not just as an influence on current events and a template for subsequent harassment campaigns, but in something close to its initial form: The Gamergate subreddit is still very active. Its participants still mob journalists who report critically on them and games. So “gamers” didn’t die, and neither did socially conscious games journalism, nor efforts to increase diversity in games. Even individual Gamergate targets like Quinn, Sarkeesian, and others continue to work in their respective fields. But neither, it seems, did Gamergate.

Recent topics on the Gamergate subreddit—in 2019!—include lists of video games and game development studios to avoid because they pander to “social justice warriors” and complaints about Kotaku’s coverage of diversity in games and the industry. There are posts in the past month continuing to detail, and criticize, everything Quinn does. The lesson for all of us is that reactionary ideas and movements and cults of personality—ones that oppose progress and equality—won’t simply disappear even if they “lose,” even with the passage of time. Reporters who write about Gamergate—or any of the topics it reacted against—can still expect a brigade of hundreds of negative replies on social media. It hasn’t died. It never ends….

(4) SF DISTINCTIVES. John Plotz interviews “Samuel Delany on Capitalism, Racism, and Science Fiction” at Public Books.

JP: This focus on the technical aspects of writing reminds me of what you’ve said before about the sentence: that the sentence is the most important unit of writing for you.

SD: For me, yes. I do go along with Gertrude Stein, in that the paragraph is the emotional unit of the English language. It’s also a point about the sentence instead of the word.

JP: Is that how you think of your own writing? Do you think of it as sentence-making?

SD: Basically, yes.

JP: And is that different for science fiction, versus fantasy and other kinds of genres?

SD: No, that’s not where the difference lies; I think all writing requires that. But I do think science fiction allows some unique combinations of words. It’s a genre that is distinguished, because certain things can happen in the language of science fiction that don’t happen anywhere else. Science fiction tends to take the literal meaning. If it has a choice between a figurative meaning and a literal meaning, the literal meaning is always available. Her world exploded. In science fiction, it’s not an emotionally fuzzy metaphor. Instead, it can literally mean a planet belonging to a woman blew up. As in, Princess Leia: Her world exploded.

(5) TREND INTERRUPTED. NPR’s Glen Weldon says that  “In The Brisk Horror-Comedy ‘Ready Or Not,’ Bluebloods Are Out For Blood”.

Call it The Film About Rich People Hunting Poor People … That Lived.

But that’s a mouthful. Maybe The Hunt Strikes Back; it’s pithier.

Just two weeks ago, Ready or Not seemed poised to represent a second data point in 2019’s “Murderous, Mansion-Dwelling One-Percenters In Film” trend graph, preceded by Craig Zobel’s “blue bloods vs. red staters” thriller The Hunt and followed in November by Rian Johnson’s latter-day Clue riff, Knives Out.

But with The Hunt withdrawn from release, Ready or Not assumes pride of place … albeit in the doggiest of days of the dead of August. And what should have blossomed into a delicate arc describing an emerging cinematic trend (and launching a thousand thinkpieces in the process) instead reverts to a flat line connecting two 2019 movies that both feature 1. rich jerks wielding bladed weapons in elegantly appointed rooms and 2. dumbwaiters, probably. One assumes.

(6) CUTTING THE WEB. The Hollywood Reporter chronicles “How ‘Spider-Man’ Divorce Shows Ugly Side of Fandom”.

…While both studios should be enjoying a victory lap after a successful summer, with Disney, hot off of their Marvel Studios Comic-Con announcements, set to make D23 this weekend’s event, and Sony releasing an extended cut of Far From Home over labor day weekend. Instead, Spider-Man has become victim of a messy custody battle that has dominated social media and shown just how ugly Disney fandom can get with #SaveSpiderMan and #BoycottSony hashtags trending this week.

Battle lines have been drawn on social media, and by way of willful ignorance on the parts of adults online behaving like children, Sony has been made the bad guy for refusing to give up its asset. While details surrounding Disney and Sony’s split have varied, The Hollywood Reporter reported that the breakup comes down to money. Disney, already possessing the merchandizing rights for Spider-Man and benefiting from the use of the character in the MCU, sought at least a 30 percent stake in future Spider-Man grosses. Others have reported figures as high as 50 percent. However you cut it, those numbers are a significant uptick from Disney’s previous 5 percent stake. It’s also worth noting that while Sony’s Spider-Man films may receive an uptick in box office grosses for their MCU connection, the studio doesn’t receive a share of the grosses for the Marvel Studios films in which Holland’s Spider-Man appears.

(7) ALL IN THE FAMILEE. TMZ, in “Stan Lee’s Daughter Sides W/Sony Over Disney in SPIDER-MAN/MCU SPLIT,” says that Stan Lee’s daughter, J.C. Lee, approves of Sony withdrawing Spider-Man because “Marvel and Disney seeking total control of my father’s creations must be checked and balanced by others.”

…She goes on … “Whether it’s Sony or someone else’s, the continued evolution of Stan’s characters and his legacy deserves multiple points of view.”“When my father died, no one from Marvel or Disney reached out to me. From day one, they have commoditized my father’s work and never shown him or his legacy any respect or decency.” JC’s parting words … “In the end, no one could have treated my father worse than Marvel and Disney’s executives.” Ouch!!!

(8) AVENGERSLAND. Cnet took notes: “Disneyland’s ‘Avengers Campus’ theme park unveiled at D23: Here’s everything we know” Tagline: “At least Spider-Man will definitely be involved with this one.” Disney’s Paris and Hong Kong parks also have MCU attractions on the way.

Disney finally unveiled new details about its new Marvel Cinematic Universe (MCU)-themed area arriving at Disneyland at its D23 expo on Thursday. Disney had originally announced the new superhero areas coming to three Disney parks in March last year, dreamed up in partnership with Marvel Studios.

Here’s what we know so far.

Disneyland, California

“We’re building an immersive super hero-themed land at Disney California Adventure to enable our guests to join the Avengers to save the world,” Bob Chapek, chairman of Disney Parks, Experiences and Products, said at D23 Expo, ComicBook reported.

The Avengers Campus will open in summer, 2020.

(9) TODAY IN HISTORY.

  • August 23, 1965  — In the United Kingdom, Dr. Who And The Daleks was released which starred Peter Cushing as Doctor Who.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 23, 1869 Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it?  (Died 1950.)
  • Born August 23, 1927 Peter Wyngarde. Not a lead actor in any genre series but interesting none-the-less. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s one in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
  • Born August 23, 1929 Vera Miles, 90. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight ZoneAlfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E. 
  • Born August 23, 1939 Barbara Eden, 80. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors though she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring as Aunt Irma on Sabrina, the Teenage Witch
  • Born August 23, 1944 Karl Alexander, 75. Author of Time after Time, which was filmed directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. Sequel of Jaclyn the Ripper is not as well known. 
  • Born August 23, 1963 Ed Gale, 56. Ok I now introduce you to the man inside of Howard the Duck. (Sorry JJ.) Well someone has to play that crappy role. And did you know that it’s been retooled to be called by the studio, and I kid you not, Howard: A New Breed of Hero? Did you know Seth Green voices Howard the Duck in Guardians of The Galaxy?
  • Born August 23, 1965 Chris Bachalo, 54. Illustrator well known for his work on DC Comics’ Shade, the Changing Man and Gaiman’s two Death series, Death: The High Cost of Living and Death: The Time of Your Life
  • Born August 23, 1970 River Phoenix. The Young Indiana Jones in Indiana Jones and the Last Crusade was his best known genre role. He was also Wolfgang Müller in Explorers, and he’s Talbot Roe in Silent Tongue, a horror film most likely you’ve never heard of. (Died 1993.)

(11) COMICS SECTION.

  • John A Arkansawyer sent the link to Wondermark with a note, “I’m surprised this technology was never used during the glory days of the APA era.”

(12) WILSON LEAVES WW. ComicBook.com is there when “Wonder Woman Writer Announces She’s Leaving the Title”.

Today marks the end of an era for DC’s Wonder Woman, as G. Willow Wilson is set to exit the title in the coming months. On Thursday, Wilson took to Twitter to confirm the news, citing that the exit will be so she can schedule out time for a “bucket-list-dream-project”.

Wilson also confirmed that Steve Orlando will be taking over the title, something that had previously been hinted at in DC’s solicitations….

(13) SHIRLEY JACKSON. LitHub does a post of clippings of quotes from “11 Famous Writers on the Genius and Influence of Shirley Jackson”.

Victor LaValle:

I’ve probably reread The Haunting of Hill House by Shirley Jackson more than any other book. It’s not her greatest, that would be We Have Always Lived at the Castle, but I got to it when I was a teenager and so it entered my bloodstream early. I read it three or four times in high school alone.

There are lots of reasons why I love it, Jackson is an underrated literary stylist, and I love the way she loathes human beings. It’s cruel, but it’s almost always funny, too. Misanthropy always goes down better with a sense of humor. But maybe the reason I most love that book is for the house itself. Jackson does a wondrous job of animating Hill House without ever really answering the question of whether its truly haunted or merely haunted by the imagination of a lonely young woman.

(14) HISTORY. “Life of Brian: The most blasphemous film ever?” What are the other contenders?

Forty years after Life of Brian was first released, Nicholas Barber looks at why the Monty Python film was banned – and went on to become a box office hit.

It may not be true that all publicity is good publicity, but in the case of Monty Python’s Life of Brian, which was released 40 years ago, some of the bad publicity was heaven-sent. The comedy team’s irreverent Biblical romp had been due to open on 200 screens across the US, but after various religious groups protested against it, the number of screens was tripled. “They actually made me rich,” said John Cleese of the protesters on one American talk show. “I feel we should send them a crate of champagne or something.”

The idea for Life of Brian came about when the team was promoting its previous film, Monty Python and the Holy Grail. Eric Idle joked that their next project would be called “Jesus Christ: Lust For Glory”, and his team-mates realised that no one had ever made a comedy about the Messiah. Initially, they planned to lampoon Jesus himself, but the more they read up on him, the less keen they were. “It was quite obvious that there was very little to ridicule in Jesus’s life, and therefore we were onto a loser,” said Michael Palin in 1979. “Jesus was a very straight, direct man making good sense, so we decided it would be a very shallow film if it was just about.”

They moved onto the character of Brian, a 13th disciple who never made it into the Bible because he always arrived five minutes late and missed the miracles. But they eventually settled on the premise that the hapless Brian (Graham Chapman) wouldn’t have any connection with Jesus at all; he would be someone who happened to live in Roman-occupied Judea at the same time, and who was mistaken for a Messiah by the fanatical masses.

The Pythons’ satire wouldn’t target Jesus or his teachings, instead caricaturing political militants, credulous crowds, the appeal of throwing stones at people, the complexities of Latin grammar, and the difficulties of being a tyrant when you’ve got a speech impediment. “I thought we’d been quite good,” said Idle in Robert Sellers’ behind-the-scenes book, Very Naughty Boys. “We’d avoided being specifically rude to specific groups.”

(15) PRESENT. “Hail Satan?: The Satanists battling for religious freedom” – BBC has the story.

Everything you know about Satanism is wrong.

At least that’s what a new documentary about the Satanic Temple could be about to prove.

Despite the similarity of the name, the Temple is different to The Church of Satan, established in 1966 by chat show circuit celebrity Anton LaVey in San Francisco, California.

Human sacrifice? Wrong. Blood drinking? Wrong. Black Mass? Well, sort of right.

The Temple was founded in 2013 with a mission statement “to encourage benevolence and empathy among all people, reject tyrannical authority, advocate practical common sense and justice, and be directed by the human conscience to undertake noble pursuits guided by the individual will”.

Hail Satan? directed by US film-maker Penny Lane, follows the Temple’s attempts to curtail what they see as the encroachment of Christianity on US life through its growing political influence….

(16) UNDERWORLDS. Alix Nathan looks beneath the surface in “The Art of Subterranean Fiction” at CrimeReads.

…Perhaps the most famous novel of the subterranean genre is Jules Verne’s Journey to the Centre of the Earth, in which Verne’s hero, Professor Lidenbrock, and his nephew, Axel, believe that there are volcanic tubes leading to the earth’s centre. Verne is a great story-teller and the adventures of these two very different characters and their guide Hans, involve natural dangers like running out of water and deadly storms as well as encounters with creatures from a far distant past.

Although there’s no actual time travel, Verne’s underworld seems located in prehistory, where everything is gigantic, whether it be insects, mushrooms or petrified trees; where an Icthyosaurus wins a battle with a Plesioraurus. The travellers’ most terrifying experience is an encounter with an enormous prehistoric man, all of 12 feet tall, watching over a herd of huge mastodons….

(17) D23 NEWS. SYFY Wire shares some of the exhibits from D23: “Disney unveils first look at Monsters at Work, Forky shorts, and new Phineas & Ferb film at D23”.

…The monsters aren’t the only Pixar creations headed to Disney+ for new adventures. Toy Story 4‘s Forky, the fan-favorite piece of trash who became a toy, will return in a new series of short films called Forky Asks a Question, starring Tony Hale reprising his role from the film. Fans in attendance at the presentation got a sneak peek of the first short, which features Forky talking to Hamm the Piggy Bank about the concept of money. That clip hasn’t landed online yet, but we’ve got the poster for the shorts right here:

(18) MARVEL STUDIOS UNVEILINGS. The Hollywood Reporter also picked up some news at D23: “Marvel Unveils 3 New Disney+ Shows Including ‘She-Hulk’ and ‘Moon Knight'”.

Kevin Feige also revealed new details for ‘WandaVision’ and ‘Falcon & The Winter Soldier.’ Marvel Studios confirmed three new series in the works for Disney+ at D23: She Hulk, Moon Knight and Ms. Marvel.

She-Hulk — AKA attorney Jennifer Walters, cousin to Bruce Banner, whose blood transfusion was responsible for her powers — first appeared in 1980’s The Savage She-Hulk No. 1, and was the last major Marvel character co-created by Stan Lee. After her original series ended after two years, she became a member of both the Avengers and the Fantastic Four as the character developed more of a distinct personality from her male counterpart, gaining a stronger sense of humor and intelligence and deciding that she preferred being super-strong and green permanently — or, at least, as much as possible. (Unlike the male Hulk, She-Hulk traditionally maintains her smarts and personality when Hulked out.)

[Thanks to John King Tarpinian, Michael Toman, Alan Baumler, Cat Eldridge, Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Lee Whiteside.]

Wandering Through the Public Domain #3

A regular exploration of public domain genre works available through Project Gutenberg, Internet Archive, and Librivox.

By Colleen McMahon: Fans of the public domain have been looking forward to 2019 for a very long time — 20 years to be exact! This is because on January 1, 2019, new works will enter the public domain in the United States for the first time since 1998. In this edition of “Wandering Through the Public Domain,” I want to take a brief look at how the “public domain freeze” happened.

In 1998, the Copyright Term Extension Act (CTEA) was passed by Congress. For copyrights owned by an individual, the term was extended to life of the creator plus 70 years. For copyrights owned by corporations, the term was extended to 95 years from publication or first use.

The previous update to copyright law in 1976 had done away with the need to renew copyrights for 28-year terms. The 1976 law set the term for individual copyright at life plus 50 years, or 75 years for corporate copyrights, and the implications of this latter term is what set the stage for the 1998 changes.

Under the 1976 law, Disney faced the possibility of Mickey Mouse moving into the public domain in 2003, 75 years after the release of the first Mickey Mouse cartoon, “Steamboat Willie.” Beginning in the early 1990s, Disney heavily lobbied Congress to lengthen the copyright term, joined by other large corporations like Time Warner.

Republican Congressman Sonny Bono was a vocal supporter and sponsor of copyright extension legislation in the 1990s, and his unfortunate death in a ski accident in early 1998 created additional momentum for passage of the new law. Mary Bono, the late Congressman’s widow, was appointed to finish Sonny’s term and took up the copyright cause. The CTEA was renamed “TheSonny Bono Copyright Term Extension Act” and passage of the law was promoted as a way to memorialize a popular Congressman and celebrity. The law was passed by both houses of Congress and was signed into law by President Clinton in October 1998.

Up until the law was passed, works had been passing into the public domain each January as the 75-year mark was reached. Under the 75-year term, works copyrighted in 1923 would have moved into the public domain on January 1, 1999, but the 20-year extension meant that the new expiration date for 1923 works moved to 2019. The public domain limit that has been frozen at 1922 for two decades will at last begin moving again in just a few weeks.

I’ve been looking at 1923 publications and have not found much in the F/SF realm as yet. The one exception so far is H.G. Wells’ Men Like Gods, a “scientific fantasy” about a utopian society in a parallel universe. There is more to come just over the horizon, as the earliest science fiction magazines began publishing in the late1920s.

In the meantime, we can still enjoy the many pre-1923 works as well as later ones where the copyright was not renewed while we look forward to a new burst of public domain access each January — at least until Congress decides to change the laws again. Mickey Mouse is back on the expiration schedule for 2023, so Disney is probably revving up their lobbying efforts even as I write this….

On to this week’s finds:

Lester Del Rey (1915-1993) is best remembered these days as an editor, particularly of the publishing imprint that still bears his name, but he was also a prolific author of science fiction in earlier years. Project Gutenberg has three Lester Del Rey novels, all of which have also been recorded through Librivox:

I’m not sure this is really science fiction, but Atom Mystery by Charles Coombs (1914-1994) is a fun kid/YA book with a trope you don’t see anymore — finding a uranium mine as a ticket to riches!

Recent Librivox releases:

The Note-Books of Samuel Butler by Samuel Butler (1851-1928) and Henry Festing Jones (1835-1902)

A collection of unpublished writings of Samuel Butler, edited after his death by Henry Festing Jones. Musings on writing, art, and philosophy, including thoughts about Erewhon and Erewhon Revisited, which are often categorized as early F/SF.

[Full disclosure: I worked on this project, recording two of the chapters!]

Mowgli: All of the Mowgli Stories from the Jungle Books by Rudyard Kipling (1868-1936)

In the Jungle Books, Kipling tells 9 wonderful and exciting tales about Mowgli, the human baby raised by a pack of wolves in the jungles of India. His exploits and adventures are many and varied especially his dealing with the other animals such as his wolf mother and father and brother wolves, Baloo the wise bear who teaches him the Law of the Jungle, and in his life long battle with Shere-Kahn, the lame human-killing tiger. This edition collects all the Mowgli stories from both Jungle Book volumes and places them in chronological order.

The Castle of the Carpathians by Jules Verne (1828-1905)

The Castle stood above the quiet little town for as long as folks remembered: barren, deserted, lonely and frightening to the townsfolk. Until one day, smoke began to ascend from the dunjon. They were warned not to go near, and when intrepid souls dared to venture to uncover the mystery of the ruined castle, they learned firsthand what supernatural terrors await inside The Castle of the Carpathians.

Short Science Fiction Collection 059 by Various

20 short science fiction stories by various authors. This volume includes stories by Lester Del Rey, H.Beam Piper, Robert Silverberg, Miriam Allen DeFord, Philip K.Dick, and others. 

Pixel Scroll 7/30/18 There Have Been Rumors About This Strange Scroll, Frightening Rumors About Hapennings Way Beyond The Laws of Nature

(1) FREE ELIZABETH BEAR BOOK. Joey Eschrich, Editor and Program Manager, Center for Science and the Imagination at Arizona State University wants Filers to know they recently published We Have Always Died in the Castle, a free ebook featuring a near-future story about virtual reality by Elizabeth Bear. It also features a couple of stunning original illustrations by Melissa Gay.

Virtual reality technology is no longer confined to computer-science labs and high-tech theme parks. Today, head-mounted goggles, sensors, and haptic control systems are tools for immersive journalism, professional development, and clinical therapy. In this novella, award-winning science fiction and fantasy author Elizabeth Bear and artist Melissa Gay imagine a near future informed by visceral VR simulations to catalyze positive change.

We Have Always Died in the Castle is the first story in the Crowd Futures project from Arizona State University. An experiment in collaborative storytelling, Crowd Futures brings authors and illustrators into dialogue with members of an intellectually curious public to participate in the creative process by proposing scenarios, sharing ideas, weighing options, and navigating the uncertainties of our looming scientific and technological discoveries.

(2) ON THE RADIO. SF Concatenation’s Jonathan Cowie tells Filers when to tune in to BBC Radio 4.

Cowie says, “A slight shame this was not broadcast a couple of weekends ago as that would have been compensation for those of us who did not go to the Eurocon in Amiens, the home of Jules Verne”

  • Radio 4 Extra (a separate BBC radio channel supplementing Radio 4) will shortly see a programme on the comic Eagle [Wikipedia]. (But I don’t think they – BBC – have a web page for this prog yet). This was a mainstay for kids aged 8 to 12 in the 1960s wit a few SF related strips.  The most famous of which was Dan Dare: Pilot of the Future [Wikipedia].
  • The channel will also broadcast a related programme, a drama adaptation of the Dan Dare adventure Voyage to Venus (there is a page for it).

(3) ATTENTION ALL FILERS WHO HAVE $100K THEY DON’T KNOW WHAT TO DO WITH. A rare Magic: The Gathering card (“Black Lotus from the original [Alpha] release”) has sold on eBay for $87,672 — not counting shipping of $125  There were “exactly 1,100 copies printed of every ‘rare’ card in the Alpha set” (Kotaku.com: “Rare Alpha Black Lotus Sells For $87,000”) and ghis one was graded as a 9.5/10. At this writing, another copy (graded 9/10) is listed on eBay for $100,000.

(4) ORDER A NORSE COURSE. Francesca Strait, in “Channel Your Inner Thor At This Viking Restaurant in Australia” on CNN.com, says that if you’re in Sydney or Melbourne, you can have a Viking feast at Mjølner restaurant, named after Thor’s hammer.

It might be thousands of miles from Scandinavia, but this Viking-themed restaurant offers a contemporary interpretation of Norse traditions Down Under.

Mjølner restaurant first originated in Sydney and there’s a recently opened outpost in Melbourne, named after Thor’s famous hammer.

Of course, Thor himself, Chris Hemsworth, is a proud Aussie and featured in a recent Crocodile Dundee-themed tourism ad for Australia, so it’s only fitting the feasting halls of Asgard are being recreated in Oz.

(5) SEMI-FORGOTTEN HARD SCIENCE. James Davis Nicoll remembers when “When Ramjets Ruled Science Fiction”.

The classic Bussard ramjet novel is, of course, Poul Anderson’s Tau Zero. What was for other authors a convenient prop was one of the centerpieces of Anderson’s novel. The Leonora Christina sets out for Beta Virginis, a nearby star. A mid-trip mishap robs the ship of its ability to slow down. Repairs are impossible unless they shut down the ramjet, but if the crew did that, they would instantly be exposed to lethal radiation. There’s no choice but to keep accelerating and hope that the ship will eventually encounter a region in the intergalactic depths with a sufficiently hard vacuum so that the ramjet could be safely shut down. Even if they did find such a region, the crew is still committed to a journey of many millions of light years, one that will forever distance them from their own time.

Even before Tau Zero, Bussard ramjets were everywhere. Larry Niven’s A Gift From Earth feature an egregiously hierarchical society that is toppled thanks to a package delivered by robotic ramship. Jo Walton’s review of that novel is here.

(James Davis Nicoll also proudly notes, “I got name-checked in the Guardian” — “The English language reigns now, but look at the fate of Latin”.

The point is made graphically by a famous description attributed to James Nicoll: “We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary”.

(6) TODAY’S BIRTHDAYS

  • Born July 30 – Arnold Schwarzenegger, 71. Terminator franchise of courses as well as Running ManConan the Barbarian and Conan the Destroyer, Tales from the Crypt and True Lies. Apparently in sort of announced Conan and Terminator reboots.
  • Born July 30 – Christopher Nolan, 48. Writer, producer and often director as well of the Batman film franchise, The Prestige, Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work.

(7) HINTING UNDINTING. An utterly brilliant challenge on Reddit: In limerick form (AABBA), and without saying its name, what is your favorite movie?

There once was a man with a dream:
“Put a dream in a dream!” He would scream.
There’s a top at the end,
And we all pretend
That we definitely know what it means.

Two rockers were failing a class,
so they telephoned back to the past.
They escaped awful fates
with some help from Socrates,
and the speech by Abe Lincoln kicked ass.

(One commenter says the choice to rhyme fates and Socrates was excellent.)

It’s a tale that’s a bit unbelievable:
A princess is now irretrievable.
When a man all in black
Catches up from the back
The kidnapper says, “Inconceivable!”

(8) ARTIFICIAL STUPIDITY? “IBM’s Watson supercomputer recommended ‘unsafe and incorrect’ cancer treatments, internal documents show”STAT News has the story – behind a paywall, unfortunately.

Internal IBM documents show that its Watson supercomputer often spit out erroneous cancer treatment advice and that company medical specialists and customers identified “multiple examples of unsafe and incorrect treatment recommendations” as IBM was promoting the product to hospitals and physicians around the world.

The documents — slide decks presented last summer by IBM Watson Health’s deputy chief health officer — largely blame the problems on the training of Watson by IBM engineers and doctors at the renowned Memorial Sloan Kettering Cancer Center.

(9) TODAY IN HISTORY

  • July 30, 1958War Of The Colossal Beast enjoyed its New York theatrical premiere

(10) COMICS SECTION.

  • Monty illustrates one of the downsides of a writer using a coffee shop as free office space.
  • Non Sequitur explains when to accept defeat.
  • Would you admit your worst fear? — Candorville.

(11) ROCK AROUND THE CLOCK.

(12) POLITICAL DISCOURSE. One small step for man, one giant bleep for mankind. From the Washington Post — “Perspective What is Bigfoot erotica? A Virginia congressional candidate accused her opponent of being into it.”

Our weird political era just got a little hairier. For the first time, millions of Americans are asking, “What is Bigfoot erotica?”

That question has been inspired by Leslie Cockburn, a Democrat who’s running for Congress in Virginia’s 5th District. On Twitter this Sunday, Cockburn accused her Republican opponent, Denver Riggleman, of being a “devotee of Bigfoot erotica.” Her tweet included a crudely drawn image of Bigfoot — with the monster’s genitalia obscured — taken from Riggleman’s Instagram account. She added, “This is not what we need on Capitol Hill.”

…Chuck Tingle, the pseudonym of an author of comically absurd erotica, is perhaps the most well-known creator of monster porn, including about 10 books featuring encounters with Sasquatch. Reached via email, Tingle said he understands why Bigfoot monsters are so attractive as romantic heroes: “They are natural outdoorsmen .?.?. which I think is nice, and, even though it seems like they could have a bad-boy way, they are actually very kind.” He imagines his readers think, “Wow, he could protect me in a big fight, and he could also take me on a walk in nature and show me which are the best plants to kiss or to eat in a stew.”

“Such stories, he said, “prove love is real for all.”

Whether the voters of Virginia’s 5th District will agree is not clear

(13) A FUTURE TO AVOID. Ian Allen’s opinion piece “Inside the World of Racist Science Fiction” in the New York Times says “To understand why white supremacists back the president, we have to understand the books that define their worldview.” Andrew Porter sent the link with a note, “The article has a horrible title, bound to sow confusion. Absolutely nothing at all to do with professionally published science fiction, or SF fandom.” Just the same, I’m surprised I  never heard of any of these authors before.

Two years later — after Richard Spencer, after Charlottesville — the public has heard a lot about white supremacist culture. But I’d argue that we haven’t quite heard enough. To understand their ideologies and why they support this president so strongly, we need to examine their literature…..

Most of the books are self-published. Others are distributed by small, activist imprints or the publishing arms of white nationalist organizations. They are sold online, at gun shows or person to person. This scattershot distribution system makes it hard to track sales, but the more popular titles are estimated to have sold hundreds of thousands of copies. I acquired some out-of-print titles from rare book dealers.
They are dog-eared, annotated and often inscribed.

… White supremacists seem convinced that the novels’ “white genocide” is coming to life, and are petitioning Mr. Trump for help. This past spring, Andrew Anglin, the deeply sinister and darkly clever force behind Daily Stormer, the most Millennial-y neo-Nazi site on the web, started to spread the news of a “migrant caravan” that was moving through Central America, toward the United States-Mexico border. It was a protest march, organized by the Central American pro-immigration activist group Pueblo Sin Fronteras. The march has taken place every year since 2010 without ever getting much traction in the press.

But Mr. Anglin saw an opportunity in the implication of a literal enactment of [Jean Raspail’s 1973 novel] “The Camp of the Saints.” He rallied his troll army to petition Mr. Trump to use the word “caravans” publicly, and on April 1, he did. In fact, he and Vice President Mike Pence used the word multiple times, then issued an order to send the National Guard to the border. The story dominated the news cycle for days, and Mr. Anglin took a well-deserved victory lap, bragging that “the media was not talking about this, only the alt-right was, and Trump is posting about it — so he does hear us.”

…It is unlikely that Mr. Trump has read any of these books. But members of his staff undoubtedly have. His former aide Steve Bannon is a fan of “The Camp of the Saints” and refers to it often — in knowing, offhand ways that betray both his familiarity with racist literature and his awareness of his target audience’s reading habits. Another administration official, Julie Kirchner, was named ombudsman at the Customs and Border Protection after spending 10 years as the executive director of the Federation for American Immigration Reform. That organization, which Southern Poverty Law Center has designated a hate group, was founded by John Tanton, who runs The Social Contract Press, which is the current publisher of “The Camp of the Saints.”

The point is not that there is a direct line between, say, “The Turner Diaries” and the Oval Office. Rather, it’s that the tropes that define the Trump administration’s rhetoric and policies — apocalyptic xenophobia, anti-Semitic conspiracies, racist fear-mongering — are also the tropes that define white-supremacist literature.

(14) EMISSION QUITE POSSIBLE. James Corden looks like he might lose it before they even get him on the plane —

[Thanks to JJ, Rick Moen, Andrew Porter, Cat Eldridge, Carl Slaughter, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Daniel Dern,Mike Kennedy, Martin Morse Wooster, Joey Eschrich, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 3/26/18 You Know How To Pixel, Don’t You Steve? You Just Put Your Files Together And Scroll

(1) BANKS WITH AND WITHOUT THE M. Abigail Nussbaum’s latest column for Lawyers, Guns & Money is “A Political History of the Future: Iain M. Banks”.

In this installment of A Political History of the Future, our series about how science fiction constructs the politics and economics of its future worlds, we discuss the late, great SF author Iain M. Banks, and specifically his Culture series.

Iain M. Banks died in 2013, and his last work of science fiction was published in 2012. In the context of this series, one might even argue that the last book Banks published that is relevant to our interests was Look to Windward (2000), or maybe The Algebraist (2004). There are, however, two reasons to go back to Banks in 2018. The first is that last summer, the University of Illinois Press’s Modern Masters of Science Fiction series (edited by Gary K. Wolfe), which produces short studies about important mid- and late-20th century science fiction authors, published what is to my knowledge the first complete critical study of Banks’s life and work. Iain M. Banks, by the Hugo-nominated British critic Paul Kincaid (by next week we will know whether he’s been nominated a second time for this volume), is both a biography of Banks’s life and his writing career, and an analysis of the themes running through his work. It is essential reading for any Banks fan.

(2) THIS SPACE NOT INTENTIONALLY LEFT BLANK. Farah Mendlesohn’s book about Heinlein now has a title.

One of the comments I’ve frequently made, is that in some ways I have been channelling the great man himself. Verbosity, intemperance, etc etc. But nowhere has this been truer than my inability to come up with a title. Heinlein had a terrible ear for titles. Most of his stories were titled by magazine editors, and most of his adult novels were titled by Virginia. His original title for Number of the Beast, for example, was The Panki-Barsoom Number of the Beast, or even just Panki-Barsoom.

So I did what Heinlein did and outsourced the problem, in this case to many friends on facebook.

And the title is…..

The Pleasant Profession of Robert A. Heinlein.

With a release date in March 2019.

(3) A WAY. In “Mountain and Forest” Nick Stember analyzes “the Tao of Ursula K. Le Guin.”

For science fiction fans, the fact that The Left-Hand of Darkness owes a debt of inspiration to Taoism is nothing new, of course. As early as 1974 Douglas Barbour was pointing out parallels in Le Guin’s earlier books in the Hainish cycle, and Le Guin herself said as much in  interviews. Perhaps more surprising is the fact that Le Guin’s last novel in the Hainish cycle, The Telling, was directly inspired by the Cultural Revolution:

I learned that Taoist religion, an ancient popular religion of vast complexity and a major element of Chinese culture, had been suppressed, wiped out, by Mao Tse-tung…In one generation, one psychopathic tyrant destroyed a tradition two thousand years old…And I knew nothing about it. The enormity of the event, and the enormity of my ignorance, left me stunned.

(4) SUSPICION. The authorities spent the day grilling two writers:

(5) DON’T BOTHER ME BOY. And yet they let this one go Scot-free! Richard Paolinelli, borrowing a page from Lou Antonelli’s book – the one printed on a thousand-sheet roll – tried to embroil Camestros Felapton with the Aussie cops:

(6) PRO TIP. This is the way professional writers handle feedback, says Cole McCade in “The Author’s Guide to Author/Reviewer Interactions”. Strangely enough, calling the cops isn’t on his list.

B-but…I read a bad review of my book!

Then stop reading your goddamn reviews.

…all right. Okay. I know you won’t. I still read my reviews sometimes, I just don’t talk about it. And I generally try to stay on the positive ones; they’re a good pick-me-up. Even those, though, I don’t talk about.

That’s the thing. You can read reviews all you want, but you can’t engage with them save for in very specific circumstances. Don’t like a review on GoodReads. Don’t flag it for removal unless it actually meets the guidelines, such as posting derogatory things about you as a person/author rather than reviewing the book. Don’t comment on the review. Don’t send your fans to comment on the review defending you. (I actually have a policy in my street team that anyone caught attacking negative reviewers gets booted from the group.) Don’t seek out tweets about your book and reply to them (particularly if you or the book aren’t mentioned by name; if you’re stalking reviewers on social media for the idlest sideways mention of your book, that’s fucking creepy and intrusive). If you happen to have friendly conversations with a reviewer, do not bring up their review or try to chat about it.

You know why?

Because reviews are not for you.

They’re for other readers.

(7) EXPLOITATION. At the SFWA Blog, John Walters is irate about “The Egregious Practice of Charging Reading Fees” – although his examples are from outside the sff field —

The sad state of affairs in the field of literary magazines is that a high percentage now charge reading fees. The amounts range from two dollars to five dollars or more, but the average is three dollars. They justify it in all sorts of ways. Some, to avoid the stigma of charging reading fees, call it a handling fee or a software fee. Evidently they haven’t heard that many email services are free. Some, even as they ask it of writers, say outright: This is not a reading fee. Yeah, right. As if calling it by another name makes it all better. Several sites explain that if you were to send the manuscripts by mail you would have to spend at least that much in postage, so send that postage money to them instead. Most modern magazines and anthologies are getting away from postal submissions anyway, both as a money saver and to protect the environment, so that argument doesn’t make any sense.

(8) BSFATUBE. The British Science Fiction Association’s publication Vector has branched out to producing YouTube videos. Here’s the first one:

Glasgow-based DJ Sophie Reilly, aka ‘Sofay’, talks about her love of science fiction and the connections that exist between some of her favourite records and novels such as Ursula Le Guin’s ‘The Left Hand of Darkness’ and Stanislaw Lem’s ‘Solaris’…

 

(9) CARRINGTON OBIT. Actress Debbie Lee Carrington has died at the age of 58:

She began her acting career in 1981, appearing in the Chevy Chase-starring comedy, Under the Rainbow. Later, Carrington landed a role in Return of the Jedi, famously playing the Ewok who consoles another Ewok that was blown up by a landmine. She ended up starring in The Ewok Adventure and Ewoks: Battle for Endor as Weechee, Wicket’s older brother. Carrington was also an advocate for the rights of people with disabilities in Hollywood and also had a degree in child psychology, which earned her much respect in the industry along with her giant body of work. Mike Quinn, who worked with Debbie Lee Carrington on Return of the Jedi, had this to say.

“So sad to hear of the passing of a fellow Return Of The Jedi performer Debbie Lee Carrington. She was an advocate for actors with disabilities and had a degree in child psychology. She had done so much, not only as an Ewok but was inside the costume for Howard The Duck, appeared in Total Recall, Grace & Frankie, Dexter, Captain Eo, the list goes on… Way too young. She was a real powerhouse! My condolences to all her family and friends at this time.”

(10) CAMERON OBIT. SF artist Martin G. “Bucky” Cameron died unexpectedly on March 26.

For over 35 years he worked as a professional artist. He was the first 3D artist at the Lucasfilm games division. Other game companies he worked for included NAMCO, Broderbund, and Spectrum Holobyte. He also did art for magazines including Analog and Penthouse, and for myriad companies.

His recent project was creating a shared Steampunk world with Robert E. Vardeman. The first issue came out in February.

MT Davis adds, “Martin was usually known as ‘Bucky’ at the Cons he attended and was part of the Sacramento/Bay Area Fan nexus that went into the computer Gaming industry as it rose in the late 80’s early 90’s. Very congenial and always cordial accepting of almost all.”

(11) TODAY’S YESTERDAY’S DAY

It’s Tolkien Reading Day!

Tolkien Reading Day is held on the 25th of March each year.

It has been organised by the Tolkien Society since 2003 to encourage fans to celebrate and promote the life and works of J.R.R. Tolkien by reading favourite passages. We particularly encourage schools, museums and libraries to host their own Tolkien Reading Day events.

Why 25 March?

The 25th of March is the date of the downfall of the Lord of the Rings (Sauron) and the fall of Barad-dûr. It’s as simple as that!

(12) TODAY IN HISTORY

  • March 26, 1985 Outer Limits was reincarnated for TV.
  • March 26, 1989 Quantum Leap made its TV premiere.
  • March 26, 2010 Hot Tub Time Machine appeared in theaters.

(13) TODAY’S BIRTHDAY BOY

  • Born March 26, 1931 – Leonard Nimoy

(14) TODAY’S BIRTHDAY VACCINE

On March 26, 65 years ago, Dr. Jonas Salk announced he had successfully tested a vaccine against polio. Look back at Dr. Salk’s achievement.

Alan Baumler comments, “If you are wondering ‘Who is the model for the heroic scientist who saves the world?’ as seen in thousands of SF stories, it is probably him.”

From the Wikipedia:

Author Jon Cohen noted, “Jonas Salk made scientists and journalists alike go goofy. As one of the only living scientists whose face was known the world over, Salk, in the public’s eye, had a superstar aura. Airplane pilots would announce that he was on board and passengers would burst into applause. Hotels routinely would upgrade him into their penthouse suites. A meal at a restaurant inevitably meant an interruption from an admirer, and scientists approached him with drop-jawed wonder as though some of the stardust might rub off.”

For the most part, however, Salk was “appalled at the demands on the public figure he has become and resentful of what he considers to be the invasion of his privacy”, wrote The New York Times, a few months after his vaccine announcement.

(15) CAPTAIN MY CAPTAIN. Not much about superhero movies has to make logical sense, but there’s an odd reason why this development does. Inverse reports that “‘Captain Marvel’ Will Bring Back Two ‘Guardians of the Galaxy’ Villains” who audiences have already seen killed off.

Captain Marvel may be the 22nd movie in the Marvel Cinematic Universe, but thanks to its Nineties setting, it’s chronologically the second film in the series, following Captain America’s World War II setting. That means that MCU characters who died in recent movies would still be alive during Captain Marvel’s time, and Marvel revealed on Monday that three somewhat unexpected deceased characters will be appearing in the upcoming film.

In a posting announcing the start of principal photography on Captain Marvel, starring Brie Larson as the titular hero, Marvel announced that Djimon Hounsou, Lee Pace, and Clark Gregg would all make appearances in the upcoming film. Hounsou and Pace played Guardians of the Galaxy villains Korath the Pursuer and Ronan the Accuser, respectively, while Gregg played the beloved Agent Coulson in the MCU’s Phase One (and continues to play the character on the TV show Agents of S.H.I.E.L.D.)

(16) OH BRAVE NEW WORD. Tor.com’s Emily Asher-Perrin investigates “What We Mean When We Call Something ‘Shakespearean’”.

It does seem a term that falls into two categories: (a) a term used to denote high quality, or (b) a term used to denote a certain type of story. Sometimes it is used to indicate both of these things at the same time. But we see it everywhere, and often reapplied past the point of meaning. When Marvel Studios released the first Thor film in 2011, it was heralded as Shakespearean. When Black Panther was released earlier this year, it was labeled the same. Why? In Thor, the characters are mythological figures who speak in slightly anachronistic dialects, and family drama is the three-dollar phrase of the hour. Black Panther also contains some elements of family drama, but it is primarily a story about royalty and history and heritage.

So what about any of this is Shakespearean?

(17) APOSTLE TO THE CURMUDGEONS. What do Ambrose Bierce and the fashion magazine Cosmo have in common? Doctor Strangemind’s Kim Huett says you might be surprised: “Ambrose Bierce Buries Jules Verne”.

In Cosmopolitan Magazine, Vol. XL No. 2, December 1905 [Bierce] reacted to what he considered to be a hagiographic response to the death of Jules Verne:

The death of Jules Verne several months ago is a continuing affliction, a sharper one than the illiterate can know, for they are spared many a fatiguing appreciation of his talent, suggested by the sad event. With few exceptions, these “appreciations,” as it is now the fashion of anthropolaters to call their devotional work, are devoid of knowledge, moderation and discrimination. They are all alike, too, in ascribing to their subject the highest powers of imagination and the profoundest scientific attainments. In respect of both these matters he was singularly deficient, but had in a notable degree that which enables one to make the most of such gifts and acquirements as one happens to have: a patient, painstaking diligence—what a man of genius has contemptuously, and not altogether fairly, called “mean industry.” Such as it was, Verne’s imagination obeyed him very well, performing the tasks set for it and never getting ahead of him—apres vous, monsieur. A most polite and considerate imagination, We are told with considerable iteration about his power of prophecy: in the “Nautilus,” for example, he foreshadows submarine navigation. Submarine navigation had for ages been a dream of inventors and writers; I dare say the Egyptians were familiar with it…

(18) STOKERS. The Horror Writers Association has posted video of the 2018 Bram Stoker Awards ceremony held at StokerCon in Providence, RI on March 3.

(19) ROBO PUNCHING. NPR’s Glen Weldon, in “‘Pacific Rim Uprising’ serves up another helping of mech and cheese”, holds a mock press conference:

REPORTER #1: … and then we clucked our tongues, the way we do, and sat there a while basking in our keenly developed aesthetic sense. Then we got to wondering who in the world would ever actually see it.

CRITIC: I mean … you shouldn’t.

REPORTER #1: So you agree. (Cluck.)

CRITIC: Do I agree that you shouldn’t see it? I very much do. I mean, listen to yourself. You expressly do not count yourself among the cohort of giant-robots-fight-giant-monsters potential filmgoers, safe to say. So clearly you shouldn’t see it. I mean … I would have thought that was obvious. Unless … I’m sorry, is someone forcing you to go see it? Are there armed gangs of street toughs employed by Universal Studios going house-to-house and frog-marching the hapless citizenry into Pacific Rim Uprising showings across this nation?

REPORTER #1: No. Look, I’m just sayi-

CRITIC: Yes, you are just saying, not asking, and I’m here to answer questions about the film Pacific Rim Uprising. This is not a forum for your smug condemnation of the fact that a given piece of popular culture is popular. This is a press conference, not Facebook. Security, kindly remove this person. Next question. Yes, you there….

Chip Hitchcock calls it, “Much kinder than the Boston Globe’s response: ‘If only they hadn’t made a movie that plays like a lost “Transformers” entry.’”

(20) RESISTANCE IS RUTILE. Got to love this. On Quora Nyk Dohne answers the question “Would a Borg Cube be any match for a Star Destroyer if the two ever met in battle?”

Here is what clearly will happen: The Borg beam over some scouts to investigate. Because the Death Star is so huge, let’s say it is only a few dozen scout Borg. Stormtroopers try to repulse them, and 2 Borg are killed before they adapt and become quite invulnerable. The Death Star predictably uses the superlaser to destroy the Borg Cube, which doesn’t have a chance to adapt because it is all over in one shot. Only a few components of the cube survive re-entry as they scatter and fall on the nearby forest moon; all the Borg humanoids are dead. All? Not quite: There are still a few dozen (-2) Borg on the Death Star. Those few dozen quickly begin Assimilating the Death Star and it’s crew. Because the Death Star is so huge, it takes a LONG time, but the Imperials are not known for the innovative tactics required to stop the onslaught. The battle lasts for months, but it is unstoppable. The Borg grows exponentially, despite reinforcements….

And Nyk goes on from there.

[Thanks to Mark Hepworth, Martin Morse Wooster, John King Tarpinian, MT Davis, JJ, Cat Eldridge, Chip Hitchcock, Alan Baumler, Michael Toman, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 4/19/17 I Am The Very Model Of A Modern Pixel Scroller

(1) VALENTINELLI CONSIDERS ANTIHARASSMENT PROJECTS. Monica Valentinelli has issued a “Tentative Plan for Con Safety Discussion and Call for Feedback”.

…I want to stress, however, that I am no expert on the subject of con safety. There are several people (4) who are already doing the work to make cons/events safer, and I feel that any forthcoming materials needs to emphasis those efforts and individuals. As I mentioned in the previous post, the discussion about con safety is far bigger than what happened at one con, and there can definitely be more than one solution (5) and multiple books.

What I Can Offer

Besides offering support, words of encouragement, or signal boosting where I can (6), I’ve had a few volunteers saying they’d be willing to help put together a book (7) on con safety. Doing so is complex, because a) it collates invaluable knowledge from existing volunteers b) people need to be paid fairly for their time c) it needs to be inclusive to address “what’s missing” from underrepresented groups d) it requires a publisher and ample distribution and e) possibly a Kickstarter….

(2) NERD CON SAYS GOODBYE. Nerd Con, an Escondido, CA event, sent its fans into mourning when they announced on March 31 that the con is kaput.

Nerd Con Announcement:

These past years have been so much fun and we’ve had such a blast meeting so many awesome people. Its been really exiting bringing people together through our events (Nerd Con, Nerdy New Year) and creating memories that will surely last a lifetime.

We would like to thank the multitude of really great people who spent countless hours of time and dedicated their energy into making Nerd Con and Nerdy New Year special events for everyone.

At this time we no longer have the necessary resources to continue producing these events. We realize that this may come as a shock to many of you and we would like to thank you in advance for your patience and understanding….

It may have been a touch overdramatic to say “These past years have been so much fun…” The con’s only been around for two years — the first was in 2015.

But that’s been long enough to energize a few critics. Some wag put up a webpage with the message “Nerd-Con 2017 in Escondido IS CANCELLED for non-payment for services” and filled it with complaints about his experiences at last year’s con.

(3) BACK TO KRYPTON. Might as well start covering this now, I’m sure we’ll be hearing a lot more about the series as time goes on — “Syfy’s Krypton: In Leaked Pilot Trailer, Grandpa Has a Message for Superman”.

The story of your family isn’t how we died, but how we lived.”

That’s the message being left by Kal-El’s grandfather in a leaked (and since-deleted, sorry!) trailer for Syfy’s upcoming Superman prequel pilot, Krypton.

Penned by David S. Goyer (Man of Steel) and Ian Goldberg (Once Upon a Time), Krypton is set two generations before the destruction of Superman’s home planet and follows the future Man of Steel’s forefather — Seg-El (played by The Halcyon‘s Cameron Cuffe), whose House of El was ostracized and shamed — as he fights to redeem his family’s honor and save his beloved world from chaos.

The cast also includes Georgina Campbell (Broadchurch) as Lyta Zod, a military cadet and Seg-El’s romantic interest; Ian McElhinney (Game of Thrones) as Seg-El’s own grandpa, a genius fascinated by space exploration; Rasmus Hardiker (Black Mirror) as Seg-El’s best friend; Elliot Cowen (Da Vinci’s Demons) as chief magistrate Daron Vex; and Wallis Day (The Royals) as Daron’s daughter Nyssa.

(4) MAJOR BLABBAGE. DenofGeek brings “Doctor Who: huge Christmas special rumors” – coverage that comes with a big fat warning sign —

Huge rumours could become huge spoilers, so only read this article about the Doctor Who Christmas special if you’re okay with that…

The Mirror is reporting that David Bradley will portray William Hartnell’s first Doctor in the 2017 Christmas special, (sort of) reprising his role from the 2013 making-of drama, An Adventure In Space And Time.

“In the plot, the 1st Doctor has to help the 12th [Peter Capaldi] play out his last mission in the TARDIS. The pair must work together to save [their] home planet Gallifrey by moving it to another dimension”, The Mirror claims.

The tabloid’s report continues: “Fans will discover the close-up shot of Capaldi’s eyes from the 50th [anniversary] special The Day Of The Doctor, was actually the start of his own regeneration.”

(5) VERSATILE AUTHOR LAUNCHES PATREON. Since we last heard from Malcolm Cross (“Malcolm Cross, MilSF, and Piracy”), the author of Dog Country, Dangerous Jade, and Extinction Biome:  Invasion, Dog Country has been nominated for the Ursa Major and Coyotl Awards, which are the equivalent of a Hugo and Nebula for furry writers.  Cross has started a Patreon to reignite his career.

(6) HAPPY NEW YEAR! Standback’s Short Story Squee & Snark online short story club is starting on stories from 2017.

With a whole Internet constantly supplying us with excellent short fiction, SSS&S is devoted to reading short stories often, and widely. Every week we read a story – hopping between magazines, authors, styles and subgenres. Then, we meet up back here and discuss – love it or loathe it, being able to talk stories over is often half the fun!

We’re kicking off discussing Sarah Pinsker’s “And Then There Were (N-One)” – the story of SarahCon, the exciting new convention for Sarah Pinskers from across the multiverse.

And, entering a new year of short fiction, we’re very eager for story recommendations – tell us what stories from 2017 you’d love to see discussed, because we’d love to discuss ’em!

(7) 70TH EASTERCON. Last weekend the bid for Ytterbium was chosen to host the 2019 British Eastercon over the Easter weekend, April 19-22 at the Park Inn, Heathrow.

The Guests of Honour will be Frances Hardinge, Sydney Padua, John Scalzi, and DC.

Follow them here on Facebook.

And if someone is willing to alleviate my ignorance of who DC is, please do!

(8) KAYMAR. Congratulations to long-time fan John Thiel on winning the N3F’s Kaymar Award for 2017.

The Kaymar Award is given in April every year, supposedly because the [National Fantasy Fan Federation] was organized in the month of April. The award, unlike other awards in fandom, can only be awarded once to a single person. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club historian. He went by the fan name of Kaymar

(9) LOST LOSS LEADER. For a mere $29,000 you can own a Lost In Space B-9 Robot 3rd Season Ultimate Prop Replica. (Though wouldn’t you think you could get the original for that much money?)

This B9 Robot was given the privilege to appear at the “50th Anniversary of Lost in Space” at the Hollywood show in Los Angeles. It also held a private exclusive photo shoot with the cast along with their signatures. Photo’s and video will be made available as part of this sale.

3rd season version (paint & finish as seen in the final season)

Functioning Components:

– Lots of Sound FX and Dialogue from the series!
– This Robot has a 6 channel remote control that works 5 motors.
– The Robot will come to life at your control and you can impress family and friends.
– It has dual arm & claw extensions that will open and close, move forward and back.
– The Robot has a rotating torso, entire functions may be used at same time to bring the Robot to life.

(10) TANGLED UP IN BLUE. Some say they were creeped out by the commercial for ”Pandora: The World of Avatar”, which opens May 27 at Walt Disney World in Florida.

To others, Avatar feels like a distant memory now, but according to Polygon

It may seem strange for an Avatar-themed park to be opening in 2017, but the Avatar franchise is far from over. Last April, Fox confirmed Cameron would direct Avatar 2, Avatar 3, Avatar 4 and Avatar 5 over the course of the next six years, with the final movie expected to be released around Christmas 2023. Avatar 2, the sequel to Cameron’s box office-breaking 2009 film, will be released around Christmas 2018.

(11) TODAY IN HISTORY

The object in the water was not a form of marine life. It was a toy submarine outfitted with a sea-serpent head. This was revealed in 1994 when Christian Spurling, before his death at the age of 90, confessed to his involvement in a plot to create the famous Surgeon’s Photo, a plot that involved both Marmaduke Wetherell and Colonel Wilson.

  • April 19, 1987 — The first television appearance of The Simpsons — Homer, Marge, Bart, Lisa, and Maggie — aired during the third episode of The Tracey Ullman Show.

(12) RESONANCE IMAGERY. Justira at Lady Business undertakes a deep. politically-based critique of two works in “Flawed Protagonists, Reader Discomfort, and the Semiotics of the Self: ‘Borderline’ & ‘White Tears’”.

…So let’s return to Millie before we move on to Seth and White Tears. One of Millie’s defining traits as a protagonist, when it comes to my reading experience, is that she made me uncomfortable, brought me discomfort. Sometimes this was the simple discomfort of a protagonist doing an obviously bad thing. That’s relatively was easy to deal with. But sometimes it was the book making a point. Let’s take Millie’s self-consciousness about her racism — that made me uncomfortable, too. Millie will form some negative impression of a character and then wonder, it’s not because he’s a POC, is it? Or, conversely, Millie will desire a POC in a pretty… shall we say, colour-coded way. This, she was less self-conscious about, but juxtaposed with the flip side of her racism, it seemed obvious to me. To me, Millie’s experience of this in her own head — am I thinking this because of X-ism? — ran perfectly parallel to my experience as a reader in regards to Millie: am I finding her unlikable in this moment because I’m ableist? This book uses reader discomfort as a tool to achieve a sociopolitical goal, to achieve a certain kind of consciousness, self-consciousness….

(13) SUBMISSION. Elizabeth Nolan Brown’s analysis and opinion, in “Drupal Developer Larry Garfield Ostracized Over Involvement in Sci-Fi Based Kink Community” on Reason’s “Hit and Run” blog, turns out to be about the consequences to an industry leader of being part of a community of “Goreans,” who are devotees of the novels of John Norman. (Amazing to find Gor novels in the news 40 years later.) A lot of the arguments about the interplay of personal rights and membership in communities are familiar from comments on various topics here.

Inc points out that “the deeper question about how much tolerance should be afforded to controversial views is one that has popped up multiple times in open-source communities” in recent years, from Brendan Eich’s removal as CEO of Mozilla over his opinion on same-sex marriage to the drama surrounding LambdaConf’s inclusion of programmer Curtis Yarvin (who runs a neoreactionary blog in his non-professional life).

Buytaert was at first quite explicit on his answer to this question. In a section of his blog post that’s now been deleted, the Drupal head opined that “someone’s belief system inherently influences their actions, in both explicit and subtle ways,” and wrote that he is “unwilling to take this risk going forward” with regard to Garfield’s potential beliefs about sex and gender potentially spilling over into his professional life. And here’s the real rub of it:

Larry’s continued representation of the Drupal project could harm the reputation of the project and cause harm to the Drupal ecosystem. Any further participation in a leadership role implies our community is complicit with and/or endorses these views, which we do not.

Whether Buytaert himself believes that Garfield is a sexist pervert is irrelevant—he’s clearly worried that other people will perceive Garfield as a sexist pervert, and afraid that this will create bad public-relations for Drupal. Rather than practice what he preaches about tolerance, respect, and creating “a culture of open-mindedness toward difference,” Buytaert offered up Garfield for social-justice sacrifice in order to appease prudes and busybodies. Here’s hoping the tech community continues to reject this sort of phony promise of diversity and attempts at inclusiveness through exclusion.

(14) FIRST NATIONS. Take Us to Your Chief and Other Stories: Classic Science Fiction with a Contemporary First Nations Outlook, edited by Drew Hayden Taylor, was released April 11.

A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs.

Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective.

The nine stories in this collection span all traditional topics of science fiction–from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor’s First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a “good Native” in such an unnatural situation as a space mission.

Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.

(15) SENSE OF WONDER. John Joseph Adams’ Cosmic Powers anthology was released April 18 – cover by Chris Foss.

“Inspired by movies like The Guardians of the Galaxy and Star Wars, this anthology features brand-new epic stories from some of science fiction’s best authors.  For fans who want a little less science and a lot more action.”

Table of Contents

A Temporary Embarrassment in Spacetime  —  Charlie Jane Anders
Zen and the Art of Starship Maintenance  —  Tobias S. Buckell
The Deckhand, the Nova Blade, and the Thrice-Sung Texts  —  Becky Chambers
The Sighted Watchmaker  —  Vylar Kaftan
Infinite Love Engine  —  Joseph Allen Hill
Unfamiliar Gods  —  Adam-Troy Castro, with Judi B. Castro
Seven Wonders of a Once and Future World  —  Caroline M. Yoachim
Our Specialty is Xenogeology  —  Alan Dean Foster
Golden Ring  —  Karl Schroeder
Tomorrow When We See the Sun  —  A. Merc Rustad
Bring the Kids and Revisit the Past at the Traveling Retro Funfair  !—  Seanan McGuire
The Dragon that Flew Out of the Sun  —  Aliette De Bodard
Diamond and the World Breaker  —  Linda Nagata
The Chameleon’s Gloves  —  Yoon Ha Lee
The Universe, Sung in Stars  —  Kat Howard
Wakening Ouroboros  —  Jack Campbell
Warped Passages  —  Kameron Hurley
The Frost Giant’s Data  —  Dan Abnett

(16) VERNE DISCOVERY. Mysterious Universe says a Jules Verne time capsule has been found after researchers analyzed hints about its location on his tomb.

So far, the box has only been examined with X-rays and, unfortunately, it and the materials inside show deterioration from being buried since the late 1800s – Verne died on March 24, 1905. According to Paris Descartes University Field Archaeologist Elouan Beauséjour, the papers appear damp and crumbling and the engravings on the inside of the box are nearly illegible. Other things that can be identified include books and metal objects. Beauséjour says the examination has moved to a more detailed phase that may involve opening the box in a sterile and preservative environment. He plans to issue a statement as this progresses.

(17) CAPITAL INFUSION. Not quite another The Leaky Establishment reference, but some unexpected people are getting into nuclear power: “British reality star building a fusion reactor”.

Although it would be easy to dismiss Dinan as a dreamer, his startup Applied Fusion Systems is one of a growing number of firms investing in the promise of fusion. In the UK alone, there are at least two other companies trying to produce commercial nuclear fusion power stations. And as BBC Future reported last year, in the US, several projects have received the backing of wealthy technology billionaires including Amazon’s Jeff Bezos, Microsoft co-founder Paul Allen, Paypal co-founder Peter Thiel and former Google vice president Mike Cassidy.

(18) COOL BEANS. And a lab demo of “negative mass”.

Prof Peter Engels, from Washington State University (WSU), and colleagues cooled rubidium atoms to just above the temperature of absolute zero (close to -273C), creating what’s known as a Bose-Einstein condensate.

In this state, particles move extremely slowly, and following behaviour predicted by quantum mechanics, acting like waves.

They also synchronise and move together in what’s known as a superfluid, which flows without losing energy.

To create the conditions for negative mass, the researchers used lasers to trap the rubidium atoms and to kick them back and forth, changing the way they spin.

When the atoms were released from the laser trap, they expanded, with some displaying negative mass.

“With negative mass, if you push something, it accelerates toward you,” said co-author Michael Forbes, assistant professor of physics at WSU.

He added: “It looks like the rubidium hits an invisible wall.”

(19) SHIRLEY YOU JEST. When John Hertz cast his eye on the new Shirley Jackson bio Shirley Jackson: A Rather Haunted Life by Ruth Franklin (a Stoker nominee) this is what he discovered –

I turned to the index and found no entry for “One Ordinary Day, with Peanuts”. Various other works of hers were listed.

I haven’t read the book so can’t say if the story is included in the text and merely omitted from the index, or left out entirely.

Opinions differ as to whether it’s a horror story. I don’t think it is, but I do think it wonderful.

(20) FIRST PAST THE POST. Camestros Felapton rates “Hugo 2017: Best Dramatic Presentation Short”. Did that nominee we have already read Camestros raving about come in number one on his ballot? Well, yes!

(21) FURTHER DELIBERATIONS. More reviews from the Shadow Clarke jury – the hardest-working critics on the planet! Superb writers, too.

Empire V is about vampires, which is probably guaranteed to turn away many readers who could happily go the rest of their lives without seeing another vampire. The figure of the vampire has by this point been made to stand in for so many disparate things—the sexual predator, the romantic outsider, the lonely immortal, the feral beast, whatever—that the image feels quite emptied of meaning in itself. Merely knowing that there are vampires in a story no longer tells us anything useful about it. At best, one might make two safe guesses: one, that the story is not going to be about vampirism as such; two, that the vampires will be in some way a fringe element to society.

The first three books on my Sharke shortlist were an unabashed joy to me. Valente, Tidhar and Jemisin all delivered to my personal tastes in terms of prose, character and moral tone. I picked those books because I thought they would push my buttons and they did. I felt minimal friction while reading them or writing about them. Ninefox Gambit by Yoon Ha Lee was and is a different animal altogether; a book that I found challenging, elusive, tantalising and frustratingly obtuse by turns. This is unsurprising. I’m a historian and a medievalist by training, so military SF predicated on advanced mathematics is always going to test my limits. After 30 pages of immersion in Lee’s world I found myself entirely at a loss for what the hell was going on. My paradigmatic understanding of how things work smacked into the world of the novel at high speed. Stuff exploded, characters were killed, geocide was committed and I was left feebly grasping at threads as they whipped past me. I might have given up on the book in discombobulated despair if not for the muscular grip of the writing:

Hunters & Collectors is a book about celebrity and the way that online celebrity interacts with social class. Tomahawk presents himself as this hedonistic and transgressive figure but as his destruction suggests, his ability to transgress the rules of polite society is constrained by a particular social contract: As a critic, he can express himself as honestly as he wants as long as that self-expression does not extend beyond the realms of consumer advice to a critique of existing power structures and social systems. Be as rude as you like about restaurant owners, but don’t you dare talk about the government. The social contract also has an – unwritten but understood – rule that your celebrity and popularity are entirely dependent upon your ability to face the right direction at all times. Be as rude as you like about the out-group, but don’t you dare talk about people we aspire to be lest we turn against you. There is also an understanding that making any statement in public (even anonymously) positions you in a world where everyone spends their time tearing each other to pieces. Face the wrong direction and your support will evaporate and once your support evaporates, you can be utterly destroyed even if you have not done or said anything wrong. This is a dog-eat-dog world but only for those without any real power.

What I know as the Ashmolean Museum is, in Kavenna’s Oxford, the Tradescantian Ark, reflecting the fact that the collection Elias Ashmole gave to Oxford University was in part composed of John Tradescant the Younger’s collection of artefacts, known as the Ark, which he gave to Ashmole (or, depending on who you listen to, which Ashmole swindled him out of). So, perhaps we are in an Oxford which is less a ‘home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties’, as Matthew Arnold memorably described it, and instead a place where potential wrongs have been righted even before they were committed, and Jeremiah Tradescant’s ownership of his family’s remarkable collection is justly celebrated. Perhaps, but rather as light is both particle and wave, so wrongs can be righted even as the lost causes and forsaken beliefs persist.

[Thanks to Mark-kitteh, John Hertz, Cat Eldridge, JJ, Chip Hitchcock, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 11/24/16 And He Pixeled A Crooked Scroll

thanksgiving-meal-astro

(1) AS GOD IS MY WITNESS, I THOUGHT TURKEYS COULD FLY. The astronauts aboard the International Space Station tucked into another technically perfect holiday meal today. Motherboard explains — “Happy Space Thanksgiving: How the Food-Stuffed Holiday Went Orbital”.

Naturally, these hermetically packaged, shelf-stable Thanksgiving edibles lack much of the flavor and flair of the dishes that Earthbound feasters will be piling up on their plates. But these meal packs are still leaps and bounds beyond the humble dinners shared by the crew of Skylab over four decades ago, when manned spaceflight was still in its early years.

(2) SMALL BUSINESS MODELING. Kristine Kathryn Rusch explains why the election was not a Black Swan event, but was one of the reasonably possible scenarios she considered in developing her current business plans — “Business Musings: Running A (Writing) Business In Uncertain Times”.

The first two items in her ten-point plan are —

To do modeling for the next year of your business, you need to be as clear-eyed as possible. You should research trends for your business for similar economic times, if you can.

Then you figure out as best you can what your future will be.

Here’s how you do it.

First, you figure out what the possible futures could be. By July, ours were pretty simple. Clinton victory—then what? Trump victory—then what? Markets react well—then what? Markets react poorly—then what? Civil unrest—then what? Governmental gridlock—then what? Governmental ease—then what? Possible impeachment (either candidate)—then what? And so on.

Second, figure out the impact those scenarios will have on your business. Dean and I were modeling for different businesses. Our retail businesses have a local component that our publishing and writing businesses do not have. Therefore, our models for the retail business were different than our models for publishing and writing.

Some scenarios will have no impact at all on what you’re doing. Others might have a huge impact. Be as clear-eyed and honest with yourself as possible as you set out these scenarios.

(3) ROCKS AND SHOALS. Jules Verne’s status as a hard science fiction writer received an unexpected boost from the latest research reported by New Scientist.

JULES VERNE’s idea of an ocean deep below the surface in Journey to the Centre of the Earth may not have been too far off. Earth’s mantle may contain many oceans’ worth of water – with the deepest 1000 kilometres down.

“If it wasn’t down there, we would all be submerged,” says Steve Jacobsen at Northwestern University in Evanston, Illinois, whose team made the discovery. “This implies a bigger reservoir of water on the planet than previously thought.”

This water is much deeper than any seen before, at a third of the way to the edge of Earth’s core. Its presence was indicated by a diamond spat out 90 million years ago by a volcano near the São Luíz river in Juina, Brazil.

The diamond has an imperfection – a sealed-off inclusion – that contains minerals that became trapped during the diamond’s formation. When the researchers took a closer look at it with infrared microscopy, they saw unmistakable evidence of the presence of hydroxyl ions, which normally come from water. They were everywhere, says Jacobsen.

(4) CAST OF THE RINGS. Empire magazine came up with a cute gimmick: “The Lord of the Rings at 15: the Fellowship interview each other”.

One anniversary to rule them all… To celebrate the 15th anniversary of The Lord Of The Rings: The Fellowship Of The Ring, the latest issue of Empire gathered the nine members of the Fellowship, and asked each of them to pose nine questions to one another.

One does not simply walk into a Lord Of The Rings interview. So here, as a little Middle-earth aperitif, we can reveal one answer from each actor. For the full interviews, be sure to pick up a copy of the January issue of Empire, on sale from Thursday 24 November….

Sean Astin (Samwise Gamgee)

Where do you keep the sword you were given when you completed Lord Of The Rings? Question set by Ian McKellen

The garage, or maybe a cupboard, or in storage with a ton of fan art. I cried heavily through my send-off. I remember being presented with my costume, including Sam’s backpack (pots, pans, sausages, elven rope, lembas bread, box of salt) and sword. But the most moving trophy was the wee dress [my daughter] Ali wore as she portrayed Elanor in the last moments of Return Of The King.

(5) ALIEN POSTER CHILD. By sharing this image, does CinemaBlend aim to upset turkey-filled tummies? “Alien: Covenant’s First Poster Is Simple And Absolutely Terrifying”.

Following the lukewarm response to Prometheus in 2012, the Alien franchise is aiming to win back hearts with the next entry in the series, Alien: Covenant. As an early Thanksgiving treat, 20th Century Fox just released the first poster for the blockbuster, and it’s making sure fans know that like previous installments, it will be a terrifying ordeal.

(6) UNCLE 4E TALK AT ALIEN CON. A panel discussion about the Ackermonster:

Alien Con marked the 100th birthday of Forrest J Ackerman — writer, literary agent, and professional Sci-Fi geek who not only founded Famous Monsters, but invented cosplay and encouraged the pursuits of monster fanatics everywhere! Hear Forry memories and learn about TALES FROM THE ACKER-MANSION, American Gothic Press’s massive tribute to the man who created the term “Sci-Fi”.  Guests on Panel: Kevin Burns, Joe Moe, William F Nolan, Jason V. Brock

Part I

Part II

(7) SOMEWHERE OVER THE WORMHOLE. Scifinow has it right – “Emerald City trailer is definitely not in Kansas anymore”.

(8) CHIZINE GROWS ANNUAL ANTHOLOGY. ChiZine Publications will expand Imaginarium, its Annual ‘Best-Of’ short story,  and poetry volume, to include more content in an anthology that will be released every two years.

The latest edition,  Imaginarium 5, will be released in Summer 2017 and encompass the best short stories and poetry from 2015 and 2016. It will include an introduction from bestselling Canadian author Andrew Pyper.

There will be a call for submissions for both short stories and poetry published in 2016 for Imaginarium 5 announced via Facebook and the CZP Website in December 2016.

(9) TODAY IN HISTORY

Fifty years ago Thursday, Lunar Orbiter II took a picture of a moon crater. When it was beamed back to Earth, the photo’s then-unique view made the moon real in a way it hadn’t been before — as an actual place, another world that might be a second home for humanity. Seeing the Copernicus crater close up mustered Space Age feelings of wonder. Such wonder is harder to provoke now, but the image reminds us: The moon still waits for us

(10) TODAY’S BIRTHDAY MONSTER KID

  • Born November 24, 1916 – Forrest J Ackerman

Learn more about him on the Ray Harryhausen Podcast.

November 24th 2016 marks the 100th birthday of sci-fi legend Forrest J Ackerman, founder of ‘Famous Monsters of Filmland’ magazine. Forry was also one of Ray Harryhausen’s oldest friends, the two having met in the late 1930’s after discovering a shared interest in ‘King Kong’.

We caught up with former ‘Famous Monsters’ editor David Weiner to discuss the friendship between Ray, Forry and Ray Bradbury. We also heard a clip of the three legends in discussion, taken from an interview which can be found on the ‘Ray Harryhausen- the early years collection’ DVD.

And in the November issue of Aeromexico’s Aire magazine, Guillermo Del Toro tells how important Ackerman was to his artistic development. (You’ll need to click on the second image and zoom in to make the text readable.)

front

back

(11) TODAY’S ROSWELL BIRTHDAYS

  • Born November 24, 1977 — Colin Hanks
  • Born November 24, 1978 — Katherine Heigl

(12) NEWEST K9 IN THE CULTURE WARS. Sarah A. Hoyt, in yesterday’s Sad Puppies 5 announcement, said: “….One of the things the — for lack of a better term — other side has is bully pulpits…. BUT still, they have magazines that publish recommended lists, and interviews with authors, and turn the spotlight on work they think should be read. We have nothing like that.”

However, as someone pointed out, she had overlooked the brand new review site Puppy of the Month Book Club – where the motto is Hugo delenda est.

Jon Mollison and Nathan Housley explained what they’ll be covering:

So what makes a book a viable candidate for Puppy Of the Month?  Easy:

  • Any novel nominated by the Sad Puppies for a Hugo nomination
  • Any novel nominated by the Rabid Puppies for a Hugo nomination
  • Any work listed in Appendix N of Gary Gygax’s D&D Dungeon Master’s Guide
  • Any work published by Castalia House
  • Any work selected by a Contributor that isn’t shouted down by the rest of the contributors as an inappropriate selection

Their latest post is an interview with Schuyler Hernstrom, a fellow who knows on which side his bread is buttered:

Editor: Rabid or Sad?

SH: Ya know, this is corny but I am actually going to pull a quote from my own work to answer. It is a bit early in the career to pull a stunt like this but it is so apropos I can’t resist:

He took a knife from his belt and cut away the flag and a length of cloth from the sleeve and turned to Tyur. He tied the thing to the hunter’s thick arm. Tyur looked down in awe.

“But I am not of your blood…”

“All who fight tyranny are of my tribe.”

The young man grasped his host’s shoulders and the old man returned the gesture.

(13) REJECTS ZERO SUM GAMES. Kevin Standlee tells how he feels about the latest Sad Puppies announcement in “Perhaps we should be grateful”.

Why don’t these people who are so completely certain (or so they say) that the Hugo Awards are washed up, finished, dead, pushing up daisies, etc. concentrate on the awards that they so confidently insisted would overwhelm the entire field and be the One True Awards That Real Fans Give for Real Good Stuff So There Will Be No Need For Any Other Awards Ever Again? They seem pretty unhappy that the members of WSFS continue to hold their convention and present their awards just like they have been doing for many years, including arguing over the rules (which, for those who have been paying attention, was a running theme long before the Puppies showed up). “Sad” is a good description for people for whom, as far as I can tell, think that the amount of happiness is a finite quantity, so that the only way they can be happy is to make other people unhappy.

(14) WELLS STORY DISCOVERED. The Guardian brings word of an “Unseen HG Wells ghost story published for the first time”.

Here’s a gothic tale for a stormy night: a man called Meredith converts a room in his house into a cluttered and untidy study, and one day asks a visiting friend if he can see anything strange on the ceiling.

Don’t you see it?” he said. “
See what?”
“The – thing. The woman.”
I shook my head and looked at him.
“All right then,” he said abruptly. “Don’t see it!”

This is the beginning of a newly discovered HG Wells ghost story, called The Haunted Ceiling, a macabre tale found in an archive that Wells scholars say they have never seen before. It will be published for the first time this week, in the Strand magazine.

(15) TRUE GRIT. An unplanned furrow plowed when the Spirit rover suffered a broken wheel may have reaped a harvest of evidence for life on the Red Planet — “Scientists Think They Finally Found Evidence of Ancient Life on Mars”.

What the researchers found was that El Tatio produces silica deposits that appear nearly identical to those found by Spirit in Gusev Crater on Mars. The discovery of these deposits in similar environments on both planets suggests life because it implies they were formed by a similar process—specifically, microbial organisms.

“We went to El Tatio looking for comparisons with the features found by Spirit at Home Plate,” Ruff said in a statement. “Our results show that the conditions at El Tatio produce silica deposits with characteristics that are among the most Mars-like of any silica deposits on Earth.”

Exploration by the Spirit rover was discontinued in 2010 when the front wheel broke, causing the rover to get stuck and plow across the ground. This mishap is actually what caused the digging that uncovered the rich deposit of pure silica, and now the discovery of the silica deposits in Chile may be enough to send a rover back to that same site on Mars.

(16) ASK NOT FOR WHOM THE CHURRO TRUCK BELL TOLLS. You’ve got mail!

[Thanksgiving every day for John King Tarpinian and everyone else who contributes to this site, which today includes JJ, and Martin Morse Wooster. Title credit goes to File 770 contributing editor on Turkey Day, Paul Weimer.]

Pixel Scroll 9/23/16 Is There In Pixel No Scrolling?

(1) WOKING UNVEILS WELLS STATUE. H. G. Wells only lived in Woking for 18 months, but the city’s theory is the time there had a big impact on his work, so they’ve put up a statue. This week saw the unveiling of unveiling of a seven-foot statue of the author, to honor his 150th birthday on September 21.

wells-holdng-sphere

Stephen Baxter, president of the British Science Fiction Association and vice president of the HG Wells Society, said: “HG Wells was in this very small town for a very brief period but in that time he produced a novel that changed forever mankind’s view of our infinite future in infinite space.”

Woking was a landing site for the Martian invasion in *War of the Worlds*; some years ago, sculpture illustrating the novel appeared around town. One can see a Martian tripod, a crashed interplanetary cylinder, and [SPOILER ALERT] a bacillus.

In a video on the *Get Surrey* site, sculptor Wesley Harland explains notable features of the work.

On the back of Wells’s chair is “802,701 AD,” the year his narrator visits in *The Time Machine*. Beneath the chair, the red weed from Mars creeps across the ground, as in *War of the Worlds*. And in his hand he holds a model of Professor Cavor’s spherical antigravity vessel, from *The First Men in the Moon*. Harland’s sculpture is made of bronze and, presumably, Cavorite.

(2) COWS IN SPACE. I discovered this on the back of a lunch-sized milk carton – the Cows in Space ttp://www.dairypure.com/cows-in-space game.

(3) THERE’S A HOLE IN THE BOTTOM OF THE SEA. Mark Leeper had a little fun deconstructing the 1959 movie based on Jules Verne’s novel Journey To The Center of the Earth.

Last week I wrote an evaluation of JOURNEY TO THE CENTER OF THE EARTH (1959), one of my favorite movies of the 1950s and what I consider one of the great adventure films of all times. I find what is wrong with the film forgivable. But I would not feel right about just ignoring the many problems I saw watching the film recently. This is effectively an appendix to that essay listing problems with the writing of JOURNEY TO THE CENTER OF THE EARTH.

Jules Verne’s novel leaned rather heavily on lucky coincidence. He started with a note falling out of a book where just the right person could read it. But that is a small coincidence compared to those in the 1959 adaptation. Walter Reisch’s and Charles Brackett’s screenplay seems to consider this a carte blanche and ver and over has fortuitous accidents pushing the story forward. Consider Arne Saknussemm who, knowing he would not return from his expedition, scratched his message into a plumb bob. Somehow this tool made its way back up to the surface from near the center of the earth. Along the way somehow this tool was lightly coated in lava so it look much like another rock. It managed not to fall into the sea surrounding the volcano. Then someone found the rock and sold it individually to a shop in Edinburgh where a student volcanologist found it. What do you figure are the chances of all that happening? Later an explosion blows off the lava jacket and the plumb bob is left shiny and legible once the lava is removed.

(4) THE BIG BOOK OF BIG BOOKS. John Scalzi’s latest piece for the LA Times takes off from Alan Moore’s epic Jerusalem.

Writer Alan Moore, perhaps best known for the classic “Watchmen” graphic novel, has this month released a novel, “Jerusalem,” to generally very positive reviews. There are many words to describe the novel (“epic,” “Joycean,” “vast,” and “show-offingly brilliant” are some of them) but the one word I think that every reader and critic of the work can agree is accurate with regard to the book is “long.” “Jerusalem” clocks in at over 600,000 words, a length that dwarfs such monster books as “Ulysses” (a mere 265,000 words), and exceeds  “Shogun,” “Infinite Jest,” “War and Peace” and either the Old or New Testament individually (but not together).

… When a single word encompasses such a wide range of objects, it has the effect of skewing people’s expectations. I’m a fairly standard working novelist, in that I publish about a novel a year. In one decade, from 2006 to 2016, I wrote eight novels; Alan Moore wrote one. In terms of novel-sized objects, it appears that I have ­vastly outpaced Moore, by a ratio of 8 to 1. But my novels ranged in length from about 75,000 words to about 130,000 words, with an average of about 90,000 words. So across eight novels, I’ve written — or at least, had published — about 720,000 words in novel form. Moore, on the other hand, published more than 600,000.

(5) SELF-PUBLISHED PATRONUS. A lot of Filers were mildly grumpy about the patronus that Pottermore picked for them, but unlike most, RedWombat was ready to solve the problem herself…

I got Chestnut Mare which left me with questions–like how you know it’s chestnut when it’s SILVER!–and also I’m not that fond of horses, so I took it again with a different email, got completely different questions…

And got Bay Stallion.

Filled with burning rage, I drew my own.

(6) TRILOGY TRAILER. Tor/Forge has posted a trailer for Cixin Liu’s Three Body Trilogy on YouTube. I watched it to find out why I should buy the books I’ve already bought. (Reminds me of that cabinet member in Dave justifying the budget to buy advertising that makes people feel better about the American autos they’ve already purchased.)

(7) ROCKET ARRIVAL. Nnedi Okorafor’s Hugo arrived.

So maybe this is a good time for me to thank Elayne Pelz fo dropping off my Hugos this week. And I had John King Tarpinian shoot a photo:

mike-with-hugos-crop

(8) YOU CAN’T GET THERE FROM HERE. Atlas Obscura pays a nice graphical tribute to “Places You Can No Longer Go: Ray Bradbury’s House”, which includes one frame based on John King Tarpinian’s iconic photo of the shattered garage published in news services in January 2015.

(9) LONG TIME FRIEND. Scoop hosts Maggie Thompson’s tribute: “In Memoriam: David Kyle”.

That’s some of what a formal obituary would say, but I have to add that David was one of the fan friends I’ve always known: He and Ruth were friends of my mother and father and then of Don and mine, and their kids—Kerry and AC—grew up as friends of my daughter. In fact, our families even “traded daughters” some summers, and Valerie moved to New York City to room with Kerry the year she graduated from high school.

In recent years, David has been acting grandfather to Valerie’s son—and every time I’ve seen David, he’s been the same delightful friend I’ve known for years. His body grew weaker, but his wit continued to entertain friends and fans alike.

The post also tells some of the byplay between ultimate comics fan Thompson, and Kyle, who didn’t care for comics.

(10) SF-THEMED CAT SHOW. The Cat/SF conspiracy continues. Mark-kitteh reports, “The UK’s Supreme Cat Show (yes, this is a real thing) will have a SF-themed competition for Best Decorated Pen, and the theme continues with special guests appearing including Colin Baker, Paul Darrow, Michael Keating, John Leeson & Peter Purves.”

[Thanks to Bill Higgins, Mark-kitteh, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 2/8/16 One Scroll I Sing, A Simple Separate Pixel

(1) WHEN GRAVITY DOESN’T FAIL. NDTV headline: “Announcement Thursday On Albert Einstein’s Gravitational Waves”:

“My earlier rumor about LIGO has been confirmed by independent sources. Stay tuned! Gravitational waves may have been discovered!! Exciting,” said a message on Twitter from Arizona State University cosmologist Lawrence Krauss, who does not work with LIGO.

His words sparked a firestorm of speculation.

An announcement will be made Thursday at 10:30 am (1530 GMT) at the National Press Club in the US capital Washington.

The event brings “together scientists from Caltech, MIT and the LIGO Scientific Collaboration to update the scientific community on efforts to detect them,” a National Science Foundation statement read.

They will provide “a status report on the effort to detect gravitational waves — or ripples in the fabric of spacetime — using the Laser Interferometer Gravitational-wave Observatory (LIGO),” it said.

LIGO is a dual set of identical detectors built by scientists at MIT and Caltech to pick up “incredibly tiny vibrations from passing gravitational waves,” said the statement.

(2) CHINESE STAR WARS. “Red ‘Star Wars’: How China used pirate comic to promote science in 1980s”  at Japan Times.

Song Feideng

Song Feideng

A long time ago in a country far, far away, Chinese authorities managed to obtain a copy of America’s ultimate cultural weapon: a blockbuster movie with enough special effects to wow an entire planet.

Summoned to a small theater in the southern city of Guangzhou in 1980, artist Song Feideng was shown “Star Wars” and instructed to transform it into a traditional Chinese comic book, known as a “lianhuanhua,” to promote scientific achievement in China.

Song was one of the first people in China to see George Lucas’ magnum opus at a time when it was still banned — a marked contrast to the status of the series’ most recent installment in a market that Hollywood increasingly sees as crucial to success.

“The objective was to take the world’s advanced science and popularize it in China,” Song, who worked for a state-owned publisher at the time, said in an interview.

He replaced the movie’s X-wing spacecraft with Soviet rockets and jet fighters. In one illustration, Luke Skywalker wears a cosmonaut’s bulky spacesuit and rebel leaders are dressed in Western business suits. Darth Vader appears alongside a triceratops.

(3) AND YOU CAN READ IT IN ENGLISH. The whole comic has been translated by Nick Stember — Star Wars comic part 1-6.

Chinese_star_wars_comic_manhua_llianhuanhua6-1024x792

(4) GENIUS CLUSTER. “Alice Cooper on His Dinner With David Bowie and Ray Bradbury” at Rolling Stone.

After Cooper’s initial meeting with Bowie in the late Sixties, they later forged a friendship. Once, they even had dinner together with Fahrenheit 451 author Ray Bradbury. “It was really interesting, because these guys were in outer space somewhere,” he says. “They were talking about quantum physics, and I’m going, ‘So … what kind of car are you driving?'” Cooper laughs.

Does Cooper know how funny that question really was? Despite living in LA, Bradbury famously didn’t drive.

(5) NUMBERS THAT MATTER. What File 770 reader can resist a series titled “Five Books About”? Marc Turner’s contribution is “Five Books Where Dragons Are Put In Their Place” at Tor.com.

Dragons may be a trope of the epic fantasy genre, but they are a trope I suspect I will never tire of. My new book, Dragon Hunters, might just have one or two of the creatures lurking within its pages.

Whenever you encounter a dragon, it’s usually the apex predator of its world. But invincible? Certainly not. There’s a quote I recall from Neil Gaiman’s Coraline (paraphrasing G.K. Chesterton) that goes: “Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”

His first choice is Smaug.

(6) WHERE SAWYER BEGAN. Robert J. Sawyer’s first SF publication was in The Village Voice in 1981.

I’d had an earlier fantasy publication (“The Contest,” in the 1980 edition of White Wall Review, the literary annual of my alma mater, Ryerson Polytechnical Institute, edited by Ed Greenwood, who created the “Forgotten Realms” for Dungeons & Dragons), and I’d sold a science-fiction story to be produced as a a planetarium starshow), but that was my first science-fiction publication — and it came out exactly 35 years ago today.

That story appeared in the 14-20 January 1981 issued of The Village Voice: The Weekly Newspaper of New York, as a winner in a ten-week contest they were running called “Sci-Fi Scenes,” featured in the “Scenes” column by Howard Smith & Lin Harris.

The rules required a story of exactly 250 words — no more, no less (title words didn’t count, a fact I took full advantage of).

(7) TODAY’S BIRTHDAY BOY

  • Born February 8, 1828 – Jules Verne.

(8) EVEN BAT DURSTON LOST? Charlie Jane Anders tells the story of “That Time When a Fake Science Fiction Author Won a Major Novel-Writing Prize” at io9.

Back in 1953, Galaxy Science Fiction and Simon & Schuster launched a huge contest to find a great new science fiction novel. The prize was $6,500 (a lot of money in those days). The winner? A brand new writer named Edson McCann. Except for one thing: Edson McCann did not exist.

It was a pretty disgraceful scam, everything considered.

(9) PUPPIES MARCH ON. Vox Day announced the next addition to his slate – “Rabid Puppies 2016: Best Editor (Long-form”).

  • Anne Sowards, Penguin
  • Bryan Thomas Schmidt, independent
  • Mike Braff, Del Rey
  • Toni Weisskopf, Baen Books
  • Vox Day, Castalia House

(10) LURKER REQUEST. People are welcome to ask questions like this in a comment on the Scroll. I received this one as an e-mail query:

I was wondering if you recognized this summary, or would be willing to post it (a long shot, I know), to see if someone recognizes it and can give title or author.

Our main character is a women who is involved in a profession that shows a lot of skin; I don’t recall if it’s actress, dancer, sex worker, or what. One day she wakes up in a thick, gray, sack-dress with no recollection of how it could have gotten on her. She can’t take it off and, when she tries to bathe, it sheds material but doesn’t wash away. It turns out that a Moral Majority opponent of hers has figured out how to program nanobots to turn out this cloth, and has set it in a cloud around her. He and his congregation wear it as well, I think? I know that the climax of the story involves that as a plot-point, along with some clever reverse-engineering on what wavelengths the nano-cloth passes or reflects…

Sound familiar to anyone?

(11) HIS FIELD OF EXPERIENCE. Never let it be said that Neil deGrasse Tyson missed a chance to talk science.

(12) SPORTS JOKE. For those who are interested enough in US sports to get the joke, a parody of a series of NFL promos aired during yesterday’s Super Bowl broadcast.

[Thanks to John King Tarpinian, and Alan Baumler for some of these stories. Title credit goes to File 770 contributing editor of the day Jim Henley.]

Pixel Scroll 1/23/16 Farmer In The Tunnel In The Dell In The Sky

chronicles-of-narnia-silver-chair-book-cover-357x600(1) BACK TO NARNIA? According to Evangelical Focus, a fourth Narnia movie – The Silver Chair — could be ready in 2016

The story happens decades later. In Narnia, King Caspian is now an old man. Eustace and Jill will be asked to find Caspian’s son, Prince Rilian, with the help of Aslan.

Scriptwriter David Magee (“Life of Pi”, “Finding Neverland”) is writing the film adaptation, which will be released five years after the previous movie, “The Voyage of the Dawn Treader.”

Collider says the next film will be the start of a new franchise entirely – one where The Walden group, makers of the earlier movies, will not be involved.

The rebooted angle doesn’t come as a total surprise. The Mark Gordon Company and The C.S. Lewis Company took over the rights from The Walden Group back in 2013, when they first announced plans for a Silver Chair adaptation, so it’s not surprising that the production companies would want to build something new instead of relying on the foundation of a franchise that was ultimately always a bit of an underperformer.

Collider also asked about casting.

Given the plot of The Silver Chair, the fourth book in the series, which takes places decades in future from where we last saw our heroes in 2010’s Voyage of the Dawn Treader, I also asked if we would see any of the original cast reprising their roles in the new film. The answer is a hard no.

[Mark Gordon] No, it’s all going to be a brand new franchise. All original. All original characters, different directors, and an entire new team that this is coming from.

If the phrase “original characters” causes your hair to bristle, don’t worry, I asked him to clarify if these were entirely new character creations or existing characters in the Narnia mythology that have yet to get the movie treatment, and he confirmed the later. The new characters will come “from the world” of Narnia.

The IMDB FAQ has more information about what characters will be included:

Will we see characters from earlier Narnia films?

Not necessarily. We should see Eustace Scrubb as a main character, along with Aslan. But Silver Chair, the novel, does not include his Pevensie cousins, Lucy, Edmund, Susan and Peter. Other returning characters who may or may not be included are Trumpkin (PC), King Caspian (PC, VDT), Ramandu’s Daughter (VDT), and Lord Drinian (VDT).

(2) IDEA TO HONOR GERRY ANDERSON. Some of his admirers have launched a “Campaign for blue plaques in honour of Kilburn creator of Thunderbirds”. (via Ansible Links.)

Gerry Anderson, who attended Kingsgate Primary School, is most famous for the cult 1960s series Thunderbirds, which featured iconic characters including Scott Tracey, Lady Penelope and Parker.

The Historic Kilburn Plaque Scheme (HKPS) is looking to raise £2,500 to mark his contribution with two plaques: one on his old school in Kingsgate Road, and one on the Sidney Boyd Court estate, on the corner of West End Lane and Woodchurch Road, where he used to live.

Mr Anderson lived with his parents in a large detached house on the site of the estate from 1929 to 1935 before the area was bombed in the war.

(3) AND WE’RE STILL MAD. “Seven TV Finales That Went Out of Their Way to Anger Fans” at Cracked. Number six is Quantum Leap.

In the last episode, Sam somehow leaps into his own body in some kind of odd purgatory-like dimension that looks like a bar — which, as far as purgatory dimensions go, ain’t half-bad. Also, a guy who is implied to be God is there, working as a bartender. If the fact that even God had to have a part-time job in the early ’90s doesn’t disprove Reaganomics, what will?

(4) IS THIS CHARACTER THAT POPULAR? Suvudu’s Matt Staggs reports “Poe Dameron to Have Monthly Comic Book”.

He was only on screen for a few minutes, but Star Wars: The Force Awakens Resistance pilot Poe Dameron turned out to be one of the film’s biggest breakout characters. (Well, maybe next to TR-8R.) This week, Lucasfilm Ltd. and Marvel Entertainment announced that he’ll be the star of his own comic book: Star Wars: Poe Dameron. The new ongoing series will be written by Charles Soule (Lando, Obi-Wan and Anakin) and illustrated by Phil Noto (Chewbacca).

(5) UNDER-REMEMBERED AUTHORS. David Brin, in a post that begins with a tribute to the late David Hartwell, also names some forgotten authors – who should not be.

A fun little conversation-starter? On Quora I was asked to name “forgotten” sci fiauthors.  Other respondents were citing Roger Zelazny, L. Sprague de Camp, Ursuala Le Guin, Lester del Rey, A.E. VanVogt, Fritz Lieber, Clifford Simak, Harlan Ellison and Theodore Sturgeon. Well, of course Zelazny and Farmer and Ursula and those others should never be forgotten.  But would any reasonably well-read person say they are?  Or Walter Miller or Iain Banks?  No, not yet on any such list!  And I hope never.

For my own answer I dug deeper. From Robert Sheckley and Alice Sheldon (James Tiptree Jr.) and William Tenn, the greatest of all short story writers to lamented classics like John Boyd’s “The Last Starship From Earth.”

(6) CALL FOR PAPERS. The MLA 2017 session “Dangerous Visions: Science Fiction’s Countercultures” seeks papers that probe the following topic –

In the introduction to the chapter on “Countercultures” in his edited volume The Oxford Handbook of Science Fiction (2014), Rob Latham asserts that “Science fiction has always had a close relationship with countercultural movements” (383). The alternative worldmaking capacities of SF&F, in other words, has long had resonances in the sub- and countercultural movements of the past few centuries, “especially,” as Latham qualifies and expands, “if the allied genre of the literary utopia [and, we might add, the dystopia] is included within” the orbit of SF.

The convention will be held in January 2017 in Philadelphia. Papers proposed to the panel … might address the countercultural forces of the following topics, broadly conceived, or take their own unique direction:

  • pulp magazines
  • SF and the Literary Left
  • the New Wave (American or British)
  • cyberpunk
  • British Boom
  • contemporary/world SF
  • postcolonial SF
  • (critical) utopias/dystopias
  • SF as counterculture
  • SF beyond “science fiction”
  • SF comics, films, television

(7) TODAY IN HISTORY

  • January 23, 1957 – Machines at the Wham-O toy company roll out the first batch of their aerodynamic plastic discs–now known to millions of fans all over the world as Frisbees.

(8) SOME GOOD OLD DAYS. The Traveler at Galactic Journey in “20,000 Leagues Over The Air!” is among the very first in 1961 to review Vincent Price’s performance in Master of the World.

Every once in a while, my faith is restored in Hollywood, and I remember why I sit through the schlock to get to the gold.

My daughter and I sat through 90 minutes of the execrable, so bad it’s bad Konga because we had been lured in by the exciting posters for Master of the World.  It promised to be a sumptuous Jules Verne classic a la Journey to the Center of the Earth, and it starred the inimitable Vincent Price to boot.

It was worth the wait–the movie is an absolute delight….

(9) TIME TRAVELING IN STONE. On Book View Café, Steven Popkes tells about a road trip that combined “Fossils and Atomic Testing in Nevada”.

It was also a different perspective to see how people in Nevada viewed such things. I was living in California most of that time. We ducked and covered in the classrooms in case war came. But, in Las Vegas, people saw the flash. There were hundreds of tests in Nevada, many above ground. Every time an above ground test happened, it was seen across much of the state. In California, we were scared of something amorphous. In Nevada, they saw it every few months.

Then, back to the hills and looking for rocks and fossils.

We ended up with about 100 pounds of rock holding down every counter in the hotel room. Fifty pounds were our addition to the adjacent rock garden but the remaining 50 pounds needed to be shipped. We ended up purchasing a sturdy suitcase in Walmart and paying $25 for a check on. We heard, “what do you have in here? Rocks?” more than once. We just smiled and gave them our credit card.

(10) TROUBLE MAGNET. Lela E. Buis shares her ideas about “The dangers of Internet activism”.

However, some of these activists have run afoul of public opinion and suffered for it. Jenny Trout was dropped by her publisher after the Fionna Man episode. Ann Rice, Kevin Weinberg and Marvin Kaye suffered from their efforts to counter some of these attacks. Sarah Wendell received a lot of negative attention after Vox Day featured her comments on his conservative blog. And Day is a prime example himself. Everyone in the SFF community should know his name after last year’s Hugo debacle, but most of the press is so negative that it leads people to discount his viewpoints.

(11) TERMS WITHOUT ENDEARMENT. Did Steve Davidson just refuse John C. Wright’s surrender?

[Davidson] Response: “Publicly repudiate slates and campaigning. Don’t participate; let your readers know that you don’t endorse slates and have requested that your works not be included on them.”

[Writer left unnamed in article] “Done! I accept your offer, I have posted a notice on my blog eschewing slate voting, and you must now perform your part of the deal, and forswear putting my works, should any be nominated, below ‘No Award.’”

[Davidson continues] And now for the analysis.

First, note that in the first quote from PP we have this “assuming it wins the nomination”.

This whole thing is about the nominating process and the final voting, not just the final vote.  PP has very carefully tried to thread a needle here by entirely ignoring the fact that slates and campaigning are pretty much a done deal by the time we get to the final ballot.

So, PP.  No.  Your assumption about what you’ve agreed to do is meaningless because the assumption is wrong – and I think deliberately so.

Moving on:  We’ve been through this in detail for over two years now.  You may have made a statement on your blog – but I see no requests you’ve made to have your works removed from slates.

[Thanks to Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]