Pixel Scroll 7/25/18 Pun For A Headline, Pixels Comment Underground

(1) DILLON KICKSTARTER. A Kickstarter to crowdfund “Daydreamer’s Journey, a new Art Book by Julie Dillon” was launched July 24. Dillon is one of the top artists in the field, a three-time Hugo Award winner (plus five Chesley Awards, three Locus Awards, and a British Fantasy Award).

I absolutely love to draw and paint, and art has been a vital part of my life for as long as I can remember.  Art can offer an escape as well as an invitation; a way to process one’s experience of the world, a way to offer a different perspective. It can illuminate and reveal the magic lurking just beneath the surface of the world, and that is what I’ve attempted to do throughout my career as an artist.

I’ve put together an art book that will let me share with you more of my art and ideas than I ever have before….

Daydreamer’s Journey will be a 200 page 8.5″ x 11″ hardcover book, on beautiful thick glossy paper. This book will contain personal work, freelance projects, sketches, studies, and illustration drafts, some of which either has never been posted online or that hasn’t been available online in over a decade. Also included will be my commentary and thoughts, as well as progress shots for most pieces so you can see part of my painting and brainstorming process.

With 29 days to go, Dillon so far has raised $12,653 of her $18,500 goal.

(2) #METOO AT COMIC-CON. SFGate evaluates the attention to antiharassment efforts at this year’s Comic-Con International in San Diego: “Comic-Con in the #MeToo Era: Progress Comes One Panel at a Time”.

…Officially, Comic-Con was silent about #MeToo. When SDCC programming director Eddie Ibrahim gave his traditional kick off speech in Hall H on Thursday morning, notably absent was any mention of the convention’s harassment policies. That continued for all four days of the convention.

…Comic-Con for its part has chosen not to update those anti-harassment policies, which state in part that “harassing or offensive behavior will not be tolerated,” and that “persons finding themselves in a situation where they feel their safety is at risk or who become aware of an attendee not in compliance with this policy” should seek out security or SDCC staff.

Whatever actions the organization is taking behind the scenes, it ultimately chose not to discuss them publicly. Comic-Con International did not immediately respond to a request for comment from TheWrap

Unofficially, fans and creators were frequently vocal in support of greater inclusion and representation, and in talking about harassment and abuse.

The panel for NBC’s “Brooklyn Nine-Nine” on Friday night was a particular stand out, with cast members, producers, and fans touching on a range of sensitive issues. Notably, one fan thanked Terry Crews, who accused William Morris Endeavor agent Adam Venit of groping him, “for your part in #MeToo,” adding, “I’m so sorry for all of us that are part of #MeToo that you have to be part of it.”

And at a panel called “The Future Is Female,” “Bumblebee” and “Birds of Prey” screenwriter Christina Hodson got huge cheers and lots of knowing muttering when she celebrated the successes of the #MeToo era but noted that much work remains.

“Nine months ago, no one gave a s—. Like, no one cares what happens. Now everything has shifted. So I think behavior on set, in writers’ rooms, that’s all going to shift. So I’m very happy about that,” she said.

(3) ELFQUEST PROFILED. Rob Beschizza explores “The Weird Of Wendy Pini” at BoingBoing. “Voices from another world spoke with sublime otherness, helping an indie cartoonist face down prudes, pain and the patriarchy.”

Elfquest began in 1978 and concluded this spring, forty years in the telling. Devised and written with her husband Richard, its story follows the Wolfrider clan and its chief, Cutter, burned from their ancient forest home by vengeful humans. Sweeping from a rough fantasy premise to epic science fiction, the Wolfriders find other elfin refugees, the derelict spaceship of their shape-shifting ancestors, and unsettling truths concerning their own nature. At its sales peak, the magazine-sized pamphlets were selling 100,000 copies at an intersection of fandom rarely seen in comic book stores: women, queer folk, people of color.

The American Library Association describes Elfquest as “one of the most important works in American fantasy”. Georgy Khoury and Alex Ross, in Comic Book Fever, call it one of the “first long-form sagas of the art form,” unique for its “confident and inspired storytelling.” Artist and historian Trina Robbins told me that Wendy’s strong women characters were responsible for getting countless young girls into comics. Elfquest was one of the books targeted as obscene material in the Comic Book Legal Defense Fund’s first case. Buzzfeed ranked it as the most life-changing graphic novel of all time.

(4) TODAY’S VISION. Rick Liebling recalibrates the historic look of sf in a post for Medium: “The Aesthetics of Science Fiction. What does SciFi Look Like After Cyberpunk?” (First in a two-part series.)

But now, some three decades-plus since we first “saw” Cyberpunk, what do we have now? Is there a unifying visual idea that we associate with modern (2000 and beyond) science fiction? I’ve noticed over the last decade or so that there are some recurring themes. Perhaps not exclusive to science fiction – in the same way that the Cyberpunk aesthetic wasn’t exclusive to science fiction (see: Black Rain) – but that I’ve seen recurring in genre work.

I call it Hard Concrete.

Like Cyberpunk and Atomic Age &Space Age design before it, Hard Concrete is linked to the realities of the times. If Cyberpunk was the visual embodiment of the corporation as mysterious behemoth, Hard Concrete parallels a world where corporations and governments have been exposed as brutal, uncaring and stripped of their shiny, mirror-glass facades. They may be no less controlling, violent or malevolent, they just no longer bother to hide it.

(5) ORDER ME ANOTHER SCREWDRIVER. The Thirteenth Doctor has a collectible out already: “Jodie Whittaker Reveals the New Sonic Screwdriver Fan Collectible at San Diego Comic-Con”.

Today in Hall H at San Diego Comic-Con, Jodie Whittaker revealed the new Sonic Screwdriver Fan Collectible, a replica of the one her character will use in the new series of Doctor Who, now available to pre-order.

Designer Arwel Wyn Jones talked through the new sonic; “It’s a privilege to have been asked to redesign the iconic Sonic Screwdriver for the Thirteenth Doctor and a new generation of audiences.  I can’t wait for people to see how the Doctor acquires it!”

(6) ORIGINAL WONDER. Al Abbazia’s superb Rockwell-inspired Saturday Evening Post magazine cover featuring Wonder Woman can be seen on Facebook. The artist said:

It’s beyond gratifying that the granddaughter of William Marston, creator of Wonder Woman, found me and took a special liking of my art piece, saying it honored her family. My daughter, Emily Claire Abbazia (who came up with the concept) and myself thank you Christie Marston 🙂

And thank you to the wonderful Shiree Collier for her excellent modeling and Gal Gadot for that pretty face.

(7) ‘WARTS AND ALL. [Item by Mike Kennedy.] Those cunning Danes are at it again, dreaming up ways to take your money. LEGO has announced a new Hogwarts set (io9: “Lego’s New 6,020-Piece Hogwarts Castle Set Is Huge and Pricey”) priced at a “mere” $399.99. It’s built on their “microscale” standard, to use microfigs rather than the more familiar minifigs—presumably to keep the both the overall size and the price in check.

Quoting the io9 article:

…Lego is also bundling 27 microfigures with the set, including Dumbledore, Harry, Ron, Hermione, Draco, Snape, McGonagall, Remus, Umbridge, and even Lord Voldemort, as well as Aragog the spider, the Basilisk, a Hungarian Horntail dragon, and five dementors.

There are minifigs involved, thogugh. The founders of the four houses of Hogwarts (Godric Gryffindor, Helga Hufflepuff, Salazar Slytherin, and Rowena Ravenclaw) are included in minifig form. Writing for io9, Andrew Liszewski seems taken by the quality of the set:

Despite the smaller overall footprint of the set, Lego has still managed to stuff an incredible amount of detail into Hogwarts, including the castle’s Great Hall, the library, potions class, the Room of Requirement, the giant chess set, and the Chamber of Secrets, among other places for the microfigures to re-enact scenes from the books and movies.

(8) KGB READINIGS. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Swanwick and Jeffrey Ford on Wednesday, August 15, 7 p.m. at the KGB Bar.

Michael Swanwick

Michael Swanwick has received the Nebula, Theodore Sturgeon, World Fantasy and Hugo Awards, and has the pleasant distinction of having been nominated for and lost more of these same awards than any other writer. He has written ten novels, over a hundred and fifty short stories, and countless works of flash fiction. His latest novel The Iron Dragon’s Mother, will be published by Tor Books in 2019

Jeffrey Ford

Jeffrey Ford is the author of the novels The PhysiognomyThe Girl in the GlassThe Portrait of Mrs. CharbuqueThe Shadow Year, and the four collections: The Empire of Ice CreamThe Drowned LifeCrackpot Palace, and A Natural History of Hell. His most recent novel is Ahab’s Return: Or The Last Voyage published by HarperCollins. He has been the recipient of the Nebula Award, the World Fantasy Award, and the Edgar Award. He lives in Ohio and teaches writing part time at Ohio Wesleyan University.

The KGB is at 85 East 4th Street (just off 2nd Ave, upstairs) New York, NY. Website: www.kgbfantasticfiction.org.

(9) COMICS SECTION.

(10) WORLDCON 76 BUSINESS MEETING AGENDA. More items have been added, so WSFS Secretary Linda Deneroff suggests you re-check the Business Meeting Agenda.

(11) ONE IS THE ONLIEST NUMBER. James Davis Nicoll asks “What’s With Sci-Fi’s Fixation on Single-Gendered Planets?” at Tor.com.

I recently reread three thematically similar books: Poul Anderson’s Virgin Planet, A. Bertram Chandler’s Spartan Planet, and Lois McMaster Bujold’s Ethan of Athos. All three imagine single-gender planets: worlds whose populations are either all men or all women. This particular selection of books to reread and review was mere chance, but it got me thinking…

There are actually quite a few speculative fiction books set on single-gender planets (in which gender is mainly imagined in terms of a binary model) 1. Most of them are what-if books. As one might expect, they come up with different extrapolations….

(12) REMEMBERING THE PAPERBACK REVOLUTION. Kim Huett of Doctor Strangemind, in “Doubling Down With Don Wollheim”, says “The Ace Double paperbacks have long been a favourite of science fiction collectors. So here are 15 amazing facts about the Ace Doubles, #6 will shock you to your very core (he claims tongue in cheek).”

…So how similar was the packaging? Well this is the cover of the very first Signet Double….

And this is the cover of the very first Ace Double….

Okay, so they don’t look that alike and the Ace artwork is decidedly pulpier in style. But then it would be, wouldn’t it? Don Wollheim wasn’t going to try and muscle in on Signet’s classier patch. No, Don Wollheim was going to do what he knew best and let’s not forget that Don’s editorial career had begun with Cosmic Stories and Stirring Science Stories, two of the pulpiest of the pulp magazines.

Covers not withstanding it’s pretty clear to me that the Ace books borrowed a lot of layout detail from Signet. If you have any doubt about that compare the spine of Signet’s Knock On Any Door with the spine of a 1958 Ace Double featuring Eric Frank Russell I just happen to have laying about.

Oh, Don Wollheim you clever scamp.

Now you might be thinking that this is all very well but really, what did the Ace Doubles do other than borrow some layout details from Signet? The core feature, the two different novels in one volume, well that’s clearly unique to Ace, isn’t it? Now if you’ve been thinking anything like that then you are so very wrong. Consider the examples pictured below and their publication dates; Two Complete Detective Books (Winter 1939), Two Daring Love Novels (January 1948); and Two Complete Science-Adventure Books (Winter 1950). Three magazine titles that predated Ace Doubles by years (and the first two even left Kurt Enoch and his Signet Doubles in their dust).

(13) THERE GOES THE NEIGHBORHOOD. At Tor.com, James Davis Nicoll complains that “Classic Sci-Fi Star Systems Keep Getting Ruined by Science”. Well, complains is probably overstating things….

There are a lot of SF novels, particularly ones of a certain vintage, that feature that particular set of stars. If one is of that vintage (as I am), Alpha Centauri, Epsilon Indi, Epsilon Eridani, Procyon, and Tau Ceti are old friends, familiar faces about whom one might comment favourably when it turns out, for example, that they are orbited by a pair of brown dwarfs or feature an unusually well-stocked Oort cloud. “What splendid asteroid belts Epsilon Eridani has,” one might observe loudly, in the confident tone of a person who never has any trouble finding a seat by themselves on the bus.

In fiction, Procyon is home to L. Sprague de Camp’s Osiris, Larry Niven’s We Made It, and Gordon R. Dickson’s Mara and Kultis, to name just a few planets. Regrettably, Procyon A should never ever have been tagged as “possesses potentially habitable worlds.” Two reasons: solar orbits and Procyon B’s DA classification.

(14) THE LATE MR. ELLISON. Mark Evanier tells “A Harlan Ellison Story” at News From Me.

Now with Harlan’s passing, the Internet is filled with remembrances and honors and cyber-mourning and tributes, and in lot of them you’ll see some version of the phrase, “He inspired me to become a writer.” Harlan did a lot of that. He inspired people in other ways, as well. He occasionally inspired someone to hate Harlan Ellison but we won’t go into that here. Here, I’m celebrating him for inspiring so many people in a good way. Like I said, he was a writer who made other writers proud to be writers.

So many of us learned good, valuable things from him but a few writers I can think of learned to yell and scream about every rewrite, every note, every alteration. I can’t guarantee the following but supposedly, someone once asked Ray Bradbury if it was a wise idea for a writer to fight about each bit of interference the way Harlan did. Bradbury reportedly replied — and this sure sounds like an answer he’d give — “I don’t know if that’s okay but if you try it, check first and make sure you have the talents of a Harlan Ellison.”

…But he was late with so much of what he wrote, and I suspect…well, I know there are writers who think, “If Harlan Ellison can be weeks/months/years late, so can I.” To quote Ray Bradbury again, assuming he even said it, “I don’t know if that’s okay but if you try it, check first and make sure you have the talents of a Harlan Ellison.”

One might argue that he was not late with the Batman story he promised in 1971 to write for Julie Schwartz since he never had a firm deadline. But it finally saw print in the October, 1986 issue of Detective Comics, fifteen years later…and eight years after Julie had stepped down as the editor of Detective Comics. Deadline or no deadline, that’s late…

And all that is just an introduction to the story Evanier promised in the title….

(15) MORE TO BE READ. Publishers Weekly lists books of interest to adult-age readers of children’s literature in the ambiguously-titled post “2018 Adult Books on Children’s Lit”:

From an analysis of the psychological impact of fairy tales to an illustrated biography of a well-known illustrator and a book about the landscape that inspired Anne of Green Gables, there’s plenty to inform and inspire adult readers of children’s books.

What are we talking about? Here are three of the titles on the list:

Astrid Lindgren: War Diaries 1939–1945

By Astrid Lindgren, translated from the Swedish by Sarah Death (Feb. 27, Yale, $20 paper, ISBN 978-0-300-23456-5).

Originally released in hardcover in 2016, the wartime diaries of the author of Pippi Longstocking are now in paperback.

Daemon Voices: On Stories and Storytelling

By Philip Pullman (Sept. 18, Knopf, $30 ISBN 978-0-525-52117-4).

The author of the His Dark Materials series shares the secrets behind how he writes his influential novels.

Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters

By Anne Boyd Rioux (Aug. 28, Norton, $27.95, ISBN 978-0-393-25473-0).

In time for the 150th anniversary of the story of four American sisters, Rioux, a professor of gender studies, explores the impact the novel has had through its depiction of female growth.

(16) CALL GOES OUT. Manifold Press is relaunching and Managing Editor Farah Mendlesohn wants to spread the word.

As from today, we are delighted to announce that after a period of reorganisation, Manifold Press will relaunch on the 1st January 2019.

Please note: we are revamping our web pages so none of the menu links work. That will change bit by bit over August.  We’ll announce on the blog and on twitter and fb etc as we create new pages.

At our AGM in July we bade a fond farewell to Julie Bozza who is heading back to Australia; Fiona stood down as Managing Editor after 9 years with the press.

The new Board consists of Farah Mendlesohn (Managing Editor), Sandra Lindsey, Fiona Pickles and Aleksandr Voinov. We are actively recruiting others.

We have opened a new call for submissions.

(17) DO YOU GROWL WHEN YOU’RE PLEASED? The BBC story “The complicated truth about a cat’s purr” notes that cat research lags behind the study of dogs because dogs are more willing subjects….

Part of the mystery around the purr is that we often only notice cats purring “when we tickle them in places that they like to be tickled”, says Debevere. Yet they also purr when we’re not around, and the extent of that purring varies between individuals. “All cats are different, some never purr and some will purr constantly,” she says. She draws the comparison between her cat Luigi – a stray who followed someone in to their office and was subsequently taken to a shelter – and Archie, who “moved in from next door” and became part of the family. Luigi purrs little, and Archie a lot.

“I’ve photographed more than 3,000 cats so far [at shelters] and no two are the same,” Debevere says. “I’ve witnessed a lot of cats purring when they’re dying, and when they’re being put to sleep. The vet will say something like ‘They were purring right up until the end’, and people assume they’re happy when they’re purring. That’s just not always the case.”

(18) UH-OH. Sarah Kaplan and Joel Achenbach in the Washington Post report that the James Webb Space Telescope, which has already cost $7,6 billion, will have its launch delayed until 2021 because of screws that fell off of the sun shield during a test, leaving critics to argue that the telescope could be “too big to fail and too complicated to work.” “NASA’s next great space telescope is stuck on Earth after screwy errors”.

The Webb’s problems have rattled many powerful constituencies. NASA is embarrassed and dismayed by the human errors that have snarled its biggest robotic science project, which was identified by the astronomy community back in 2000 as its top priority.

(19) NOT THE SAME SHAPE. Judge dismisses The Shape of Water copyright suit – the BBC has the story.

The plot of Oscar-winning fantasy film The Shape of Water was not copied from a 1969 play, a US judge has ruled.

Judge Percy Anderson has dismissed a legal action that claimed Guillermo del Toro’s film copied the story of Let Me Hear You Whisper by Paul Zindel.

The late playwright’s son sued del Toro, the Fox Searchlight studio and others in February, claiming the two works were “in many ways identical”.

In his ruling, however, the judge said they only shared “a basic premise”.

(20) THE STARS THEIR DESTINATION. Something people of the future will be running into: “Japanese firm to launch wedding plaques into space”.

According to the Yomiuri Shimbun newspaper, the Warpspace start-up in the city of Tsukuba is working with Kibo, Japan’s orbital science module, to launch wedding plaques from the International Space Station.

The company, which is largely staffed by faculty members from the University of Tsubuka, says that it will engrave couples’ names, messages, and other information on titanium plaques, measuring some 16 millimetres by eight millimetres.

The plaques will then be loaded onto miniature cubic satellites, which can hold several hundred plaques, and be released into orbit. They will join the tens of thousands of satellites, man-made objects and space junk already orbiting the Earth.

(21) BATMAN’S AMBITION. On the Conan O’Brien show, “Batman Wants To Join The Marvel Universe.”

Batman is sick of the perpetually rainy and depressing DC Universe; he’d rather have a seat at the Avengers’ table.

 

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Daniel Dern, James Davis Nicoll, Julie Dillon, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anthony.]

Pixel Scroll 12/9/17 All Pixels Great And Small

(1) EVERYBODY’S TALKIN’. Fleen continues its epic roundups about the Patreon controversy and lists the alternatives:

The logic of the decision is, if not in my opinion sound, at least defensible, but Patreon didn’t trust its users enough to defend it. The (best reading) incompetent or (worst reading) dishonest way they treated their user base is a mark that will persist. Kickstarter is smart enough to keep to their plans for Drip, maybe speed things up by 10%, but they won’t rush to open the gates to all; they know that as the invites go ever wider (and when they’re ready, invites are no longer needed), creators that don’t trust Patreon any more will be waiting to shift. Ko-Fi, Venmo, Paypal, Tippeee, Flattr, Google Wallet, and other means of cash transfer are suddenly burning up the search engines.

(2) BOTTOM LINE. Three-time Hugo-winning professional artist Julie Dillon tweeted daggers at Patreon management. Jump onto the thread here:

(3) WITHOUT REPRESENTATION. Rose Lemberg compares the Patreon fee rollout with another fiasco:

(4) WHO VIEW. Here’s the newest Doctor Who Christmas Special trailer.

(5) BRAVE NEW WORDS AWARD CREATED. “Starburst Launches Brave New Words Book Prize”. Nominations are being accepted through the end of the year. Submission guidelines at the link.

STARBURST Magazine, the world’s premier platform for new and exciting genre media, is pleased to announce that it will now have a prize for genre-related writing. The award ceremony will be part of The STARBURST Media City Festival.

The Brave New Words award is for someone who produces break-out literature that is new and bold. We are looking to highlight exciting work that breaks new ground in the field of Cult Entertainment.  Editors, writers, publishers, and bloggers can be nominated. We are looking for works produced in 2017. A shortlist will be announced early 2018 and the winner will be announced at The STARBURST Media City Festival, at Salford Media City 16th – 18th March 2018.

The panel of judges will be announced soon.

(6) ECLECTIC WORKS. The Economist has posted a wide-ranging list of the “Books of the Year 2017” – two fiction titles are of genre interest.

Fiction

Lincoln in the Bardo. By George Saunders. Random House; 368 pages; $28. Bloomsbury; £18.99
Abraham Lincoln’s son dies young and enters a multi-chorus Buddhistic underworld. One of the year’s most original and electrifying novels.

Austral. By Paul McAuley. Gollancz; 288 pages; £14.99
A chase thriller set in late 21st-century Antarctica that combines elements of Jack London, J.G. Ballard and William Gibson. A significant contribution to writing about the anthropocene.

(7) MORE ON COMIC CON LITIGATION. Rob Salkowitz gives Forbes readers a pro-San-Diego spin on the verdict in “Jury Decides For San Diego Comic-Con In Trademark Suit”.

‘David vs. Goliath?’ Farr and Brandenburg also saw advantages in taking their case public, rallying fans to the idea that “comic con” belongs to everyone, not one particular institution. They ran a coordinated campaign on social media including promoted Facebook posts, marshalling an online army of supporters to comment, upvote and retweet their position and paint themselves as altruistic “Davids” standing up to the “Goliath” of SDCC, which is seen by some as the embodiment of commercialism and Hollywood hype.

It was disclosed in court proceedings that the two organizers voted themselves bonuses of $225,000 each as they were mounting a crowdfunding campaign to get fans to pony up for their legal defense. However, the comment threads on SLCC’s posted content indicated that the tactics were effective in mobilizing fan anger.

“Comic-Con is a Brand.” CCI, meanwhile, saved its best lines for the court. They asserted that Comic-Con was a brand recognized to apply exclusively to the San Diego show, and offered in evidence a survey showing that more than 70% of respondents agreed. The validity of the survey was called into question by SLCC attorneys during the trial but the jury appeared to accept it as proof.

“This is a brand that we must protect from these defendants and anyone else who seeks to exploit or hijack it,” Bjurstrom said.

SDCC’s lawyers also asserted the defendants knew this to be the case when they launched their own event, an assertion the jury apparently rejected in their deliberations regarding damages. In filings seeking summary judgment, Comic-Con produced emails and public statements by Farr and Brandenburg boasting of how they sought to “hijack” the media notoriety of SDCC to boost their own event, and settled on the name “comic con” expressly to leverage fan enthusiasm around the festival that draws upwards of 140,000 to San Diego each July and generates billions of media impressions and coverage during its 4-day run.

(8) PAUL WEIMER. Book Smugglers continue their own unique holiday season with “50th Anniversary of The Prisoner – Paul Weimer’s Smugglivus Celebration”.

The Prisoner is the story of an nameless British secret service agent, played by Patrick McGoohan. McGoohan was no stranger to playing spies and secret agents. McGoohan had previously played a British secret service agent, John Drake, in Danger Man. Patrick McGoohan, based on the strength of his performance in that show, had been offered the role of James Bond in Dr. No, but had turned it down. That would have been a rather strange thing if he had accepted, because the no-nonsense John Drake is erudite, thoughtful, not much of a lady chaser and quite different than James Bond in other aspects as well. Whilst filming The Prisoner, McGoohan would also get the role of a British secret agent in the Cold War spy thriller Ice Station Zebra. He also would be asked again, and to turn down again, James Bond, for Live and Let Die.

(9) MOSAIC AUTOBIOGRAPHY. The University of Oregon Libraries’ magazine Building Knowledge has compiled a first-person Ursula K. Le Guin biography [page 20, PDF file] “illustrated with her personal keepsakes, told (mostly) in her own, inimitable words” all drawn from the collections of the UO Libraries.

“If I can draw on the springs of ‘magic,’ it’s because I grew up in a good place, in a good time even though it was the Depression, with parents and siblings who didn’t put me down, who encouraged me to drink from the springs. I was encouraged by my father, by my mother. I was encouraged to be a woman, to be a writer, to be any damn thing I wanted to be.”

Jeffrey Smith sent a note with the link:

It’s a snowy day here in the east, so I’ve been going through the week’s mail. I just received the Fall 2017 issue of the University of Oregon Libraries’ magazine Building Knowledge, and started flipping through it before throwing it out, and found myself reading quite a bit of it. After enjoying the article on the book about Oregon’s marine invertebrates, I continued paging through and was surprised to see an article on Ursula Le Guin (page 20), with some great old family photos (many of which I had seen the last time I was out at UO) — there’s also one on the inside back cover. Then I turned the page and saw my own picture (bottom of page 24).

Guess I won’t be tossing this out after all.

(10) IAN WATSON. An Ian Watson interview at The Bloghole: “Space Marine! And an Interview with a Legend”.

Firstly, Space Marine, and the Inquisition trilogy which started with Draco, were the first “proper” novels set in the Warhammer 40k universe. I know it was a little while ago, but was there much input from Games Workshop at the time, or were you left to your own devices in terms of how you chose to interpret the setting?

[IAN WATSON] Go back quarter of a century and Mr Big was Bryan Ansell, Managing Director/Owner of GW who wanted to read “real” novels by “real” novelists set in his beloved Warhammer domains. As intermediary Bryan hired David Pringle, editor of Britain’s leading SF magazine Interzone, operating from Brighton as GW books. David had already recruited half a dozen authors who regularly contributed stories to Interzone, but no one would touch Warhammer 40K with a bargepole. So it fell to me to read Rogue Trader and many other encyclopedic publications which Nottingham HQ proceeded to send me, including printouts of nonfiction work-in-progress such as the manual of Necromunda, and much else. Bryan Ansell did send me quite a long letter lovingly detailing the sounds which 40K weaponry should make, so that I should be geared up sensually to describe combat. As far as I’m aware (though beware of false memory!) I was given no instructions at all regarding plot or characters and I simply made up the story, within the constraints of what I knew about the 40K universe. I toured the 40K universe, and after a few years the GW games designers decided that they disapproved of a broad approach, compared with single-action novels set on single worlds. (Those are more compatible with games, of course.)

(11) NEW LEADERSHIP FOR WADE CENTER. The Marion E. Wade Center of Wheaton College, Illinois is a major research collection of materials by and about seven British authors: Owen Barfield, G.K. Chesterton, C.S. Lewis, George MacDonald, Dorothy L. Sayers, J.R.R. Tolkien, and Charles Williams. The college has announced who the new directors of the Center will be: “Introducing Newly Named Wade Co-Directors Crystal and David C. Downing”.

Dr. Crystal Downing is currently Distinguished Professor of English and Film Studies at Messiah College, PA. She has published on a variety of topics, with much of her recent scholarship focused on the relationship between cultural theory and religious faith. Her first book, Writing Performances: The Stages of Dorothy L. Sayers (Palgrave Macmillan 2004) received an international award from the Dorothy L. Sayers Society in Cambridge, England in 2009. The thought of Sayers and C.S. Lewis is evident in Crystal’s next two books, How Postmodernism Serves (My) Faith (IVP Academic 2006) and Changing Signs of Truth (IVP Academic 2012). The success of her fourth book, Salvation from Cinema (Routledge 2016) has led to her current book project, The Wages of Cinema: Looking through the Lens of Dorothy L. Sayers. Crystal has received a number of teaching awards and was the recipient of the Clyde S. Kilby Research Grant for 2001 from the Wade Center.

Dr. David Downing currently serves as the R.W. Schlosser Professor of English at Elizabethtown College, PA. He has published widely on C.S. Lewis, including Planets in Peril: A Critical Study of C.S. Lewis’s Ransom Trilogy (UMass 1992), The Most Reluctant Convert: C.S. Lewis’s Journey to Faith (IVP 2002), which was awarded the Clyde S. Kilby Research Grant for 2000, Into the Region of Awe: Mysticism in C.S. Lewis (IVP 2005), and Into the Wardrobe: C.S. Lewis and the Narnia Chronicles (Jossey-Bass 2005)….

They follow Wade founder and first director Clyde S. Kilby (1965–1980), director Lyle W. Dorsett (1983–1990), and director Christopher W. Mitchell (1994–2013).

(12) TODAY IN HISTORY

  • December 9, 1983  — John Carpenter’s adaptation of Stephen King’s Christine premieres.

(13) MAKE THE KESSEL RUN IN 13 STEPS. You could make this. Disney Family has the recipe: “Nothing Says the Holidays Like a Millennium Falcon Gingerbread Starship”. The final step is —

Attach the cockpit (piece #3). Then start decorating the Millennium Falcon! Use frosting to outline the ship, add details, and attach cookies, chocolate wafers, peppermints, chocolates, and candies.

(14) THE GAME IS SLOW AFOOT. The Hollywood Reporter knows “Why ‘Game of Thrones’ Won’t Return Until 2019”.

At least one more full winter will pass until the winter of Westeros arrives one last time, as the final season of Thrones will not arrive until 2019. Production on the eighth and final season began in October and will reportedly run through August 2018 — a full year following the season seven finale, all but dashing any prospects for Thrones‘ arrival in the next calendar year.

“Our production people are trying to figure out a timeline for the shoot and how much time the special effects take,” HBO programming president Casey Bloys told The Hollywood Reporter over the summer about the long wait between seasons of Thrones. “The shooting is complicated enough — on different continents, with all the technical aspects — and the special effects are a whole other production period that we’re trying to figure out. That is a big factor in all of this.”

(15) VERSE ON THE WEB. Here’s the teaser trailer for Spider-Man: Into the Spider-Verse.

Enter a universe where more than one wears the mask. Watch the Spider-Man: Into The Spider-Verse trailer now, in theaters next Christmas

 

(16) DEL TORO DEL MAR. Now that it’s officially out, NPR’s Chris Klimek says  The Shape of Water is An Elegant Fable Of Starfish-Crossed Lubbers”.

The Shape of Water, the latest R-rated fairy tale from Mexican auteur Guillermo del Toro, offers a sense of what might spawn if those two Rimbaldi feature-creatures were to mate. The Spielbergian gentleness wins out, by a lot, making for a hybrid that’s just a little too cuddly to rate with The Devil’s Backbone or Pan’s Labyrinth, del Toro’s twin masterpieces. I wish his new film had spent at least a little time being frightening before it phased into aching and swooning; with its lush evocation of longing amid gleaming midcentury diners and cinemas and Cadillacs, SoW sometimes feels like The Carol of the Black Lagoon. But it’s a transporting, lovingly made specimen of escapism — if it’s possible for a movie that depicts a powerful creep blithely abusing women in the workplace to count as escapism — and easily the strongest of del Toro’s seven English-language features, though it spin-kicks less vampire butt than Blade II did. To place yourself in GDT’s hands, as he tells the type of story he tells better than anyone else, is a rich pleasure.

(17) BOUNCING MATILDA. Can you hear this GIF? BBC explores “Why some people can hear this silent gif”. “An optical illusion for the ears” –apparently not new, but it’s news again.

Dr DeBruine received more then 245,000 responses from people claiming to hear a sound accompanying the animation, with 70 per cent of respondents saying they could hear a thudding sound.

(18) DISSECTING ANOTHER HOLIDAY. Having vented about Thanksgiving in the first, John C. Wright’s second Dangeous column is: “It’s Not Just the Décor. Why the Left Truly Hates Christmas”.

In the culture of life, life is a gift from the hand of the Creator. It is not ours to decide to keep or to destroy. In the culture of life, your life is not your own.

This means your unborn daughter or your grandmother in the terminal ward can live, despite any pragmatic, dead-eyed, empty-hearted, cost-cutting reason to murder her.

That is the end goal of all of this. The end goal is a black mass where innocent life is sacrificed. Nothing is sacred but the whim of Caesar. No one prospers, but Moloch feeds.

Yes, strange as it sounds, that is what is at stake.

The War on Christmas is a war by the unhuman against the human.

(19) END GAME. Bob Byrne tells “the story of how TSR destroyed one of the greatest wargaming companies in history” in “Simulations Publications Inc: The TSR Incursion” at Black Gate.

The death blow came in 1982 and it would be delivered by Brian Blume, who initially looked like a white knight. Well, at least a moderately gray one. Wagner and SPI secured a $425,000 loan from TSR, secured by its assets and intellectual properties (uh oh!).

The majority of the loan was used to repay the venture capitalists, which eliminated that problem, but it was the modern day equivalent of getting an advance on your credit card to pay down the existing balance on another credit card. You still have to pay off that second credit card advance.

Only two weeks later, TSR called in the loan, which SPI had absolutely zero ability to pay back. TSR announced in March that it had “initiated a legal and economic chain of events” to buy SPI. Once it realized the company’s debt situation, it backed off of that and stated that TSR had acquired the company’s assets, but not its debts. I’m still not sure how TSR got away with that.

WOW! How can you look at it in any other light than that TSR lent the money so it could immediately foreclose on SPI and acquire all its games? I mean, yeesh.

(20) NEW ART EXHIBIT. Tove Jansson is profiled by Dominic Green in The New Criterion. “Adventures in Moominland”. “Tove Jansson” opened at the Dulwich Picture Gallery, London, on October 25, 2017 and remains on view through January 28, 2018.

It was a Swedish actress, Greta Garbo, who said she wanted to be alone, and a Swedish director, Ingmar Bergman, who documented what it felt like. It was, however, Tove Jansson (1914–2001), a Swedish-speaking Finn, who may have produced the most truthful record of the inner life of postwar Scandinavia. Best known in the English-speaking world as the illustrator of the Moomintroll comic strips, Jansson was also a painter, cartoonist, and writer of stories for children and adults. In Scandinavia, the breadth of her work is common knowledge. The Helsinki Art Museum contains a permanent Jansson gallery, and sends visitors out on a “Life Path of Tove” sculpture trail around her hometown. There is even a Moomin Museum in nearby Tampere, featuring the Moominhouse, a five-story doll’s house that Jansson built. And posthumously, the Moominlegend has incorporated Jansson’s complex and often unhappy private life.

“Tove Jansson,” now at London’s Dulwich Picture Gallery, is a comprehensive survey, and the first Jansson exhibition designed for a foreign audience

(21) LATE NIGHT LAST NIGHT. Lost ‘Star Wars’ Footage Of Luke Skywalker At The Cantina.

[Thanks to Andrew Porter, Diana Glyer, JJ, John King Tarpinian, Ed Fortune, Jeff Smith, Chip Hitchcock, Stephen Burridge, Carl Slaughter, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]