Pixel Scroll 5/22/18 The Return Of The Revenge Of The Son Of The House Of The Bride Of The Night Of The Living Pixel Scroll

(1) ROBSON ON WORLDBUILDING. Juliette Wade interviews celebrated author Kelly Robson in her latest Dive Into Worldbuilding hangout — “Kelly Robson and ‘Gods, Monsters, and the Lucky Peach’”. Wade has both notes on the interview and a video at the link.

This hangout looks twice as exciting now that Kelly has gone on to win a Nebula in the meantime (for her novellette, A Human Stain)! It was a pleasure to have her on the show to talk about her recent novella, Gods, Monsters, and the Lucky Peach.

Kelly started out by telling us about how critical economics was to this story. She’s passionate about economics! (And so she should be; worldbuilding without economics is flimsy.) She calls it “the physics of worldbuilding.” She told us that when she was first writing historical fiction, she began with medieval settings because it seemed more straightforward to manage, but that since then, she’s branched out into greater challenges. In this story, the historical portion is set in Mesopotamia!

(2) RECAP. Shannon Hale, one of the principals in the story, gives her own rundown of yesterday’s FanX antiharassment news in “My FanX craziness, annotated”.

Since this has blown up and become news, I’m going to lay out here all my interactions with FanX (Salt Lake City’s Comic Con).…

(3) IN TUNE. Olga Polomoshnova shares her analysis “On Lúthien’s power of singing” at Middle-Earth Reflections.

The fairest of all Children of Ilúvatar, Lúthien is not an ordinary character. Being the daughter of an Elf and a Maia, she inherited various traits of both kindreds. Among many of her gifts and skills singing was one of the most exceptional. However, when it comes to talking about Lúthien’s singing, we should bear in mind that hers was not renowned just for being done in a beautiful voice. Lúthien’s songs possessed special power

(4) REALITY SHOW. Tom McAllister tells new writers to recalibrate their expectations in “Who Will Buy Your Book?” at The Millions.

Before I ever published anything, I’d assumed that if I ever finished a book, there would be so much demand from family and friends alone that we’d have to go into a second printing before the release date. But I am here to tell you: most people in your family will never buy your book. Most of your friends won’t either.

I have a handful of friends and family members—people I consider close to me, people I see regularly—who have never come to any of my dozens of book events. I don’t know if they own any of my books because I haven’t asked, but I have a pretty good guess. After my first book came out, I would peruse friends’ bookshelves, trying to determine their organizational system (if it’s not alphabetical, then where is my book? Maybe they have some special hidden shelf for books they truly cherish?). On a few occasions, I called them out for not having it. This accomplished nothing, besides making both of us feel bad.

The point of this piece is not to shame those people or to complain about not getting enough support. It’s just to say: whatever you think it’s like after you publish a book, it’s actually harder than that.

(5) PAYSEUR. Quick Sip Reviews’ Charles Payseur covers “Beneath Ceaseless Skies #251”, which, coincidentally has a story by Jonathan Edelstein.

It’s a rather quick issue of Beneath Ceaseless Skies, with two stories linked in a way by their length (neither of them over 2500 words, which is unusual for the publication). But it lends both stories a sort of impact, and a feeling of anticipation. In the first, that means having to wait for the results of a very important test. In the second, that means having to wait for the results of a very important confrontation. In both, there are certain indications that might guide readers otwards guessing what happens next, but both times it’s left up in the air what _actually_ transpires after the final stories end. What it is certain is that both look at characters struggling to solve tricky problems, ones where they have been made culpable of a misstep and are desperate to find a way forward. So yeah, to the reviews!

Stories:

“The Examination Cloth” by Jonathan Edelstein (2232 words)…

(6) LAW WEST OF THE EAST RIVER. The New York Times Magazine offers the verdict of “Judge John Hodgman on Children Watching James Bond Movies”. Here’s the problem —

Ren writes:  Our children, ages 7 and 9, love James Bond movies.  We’ve seen almost every one, but my wife doesn’t want them to see Casino Royale.  It’s often referred to as the best Bond, but she believes it is too inappropriate for them.  Can you help?  I’d like to watch the movie with my kids, who are James Bond fans just like me.

John Hodgman’s answer:

Of course 7-and 9-year-olds like movies with cars that fly.  But they don’t love problematic gender portrayals and seventh-grade-level sex jokes.  That’s why Ian Fleming wrote Chitty Chitty Bang Bang for children and the James Bond series for man-children.  But if Casino Royale (which is great!) is truly the last one you have left, why not?  Why not complete your experiment and cuddle up with your kids and watch Daniel Craig be tortured in a very private area?  No one can stop your mad plan now.  Not even you, Mr. Bond!

(7) GOLD OBIT. Virtuoso movie poster creator Bill Gold died May 20 at the age of 97. His iconic work included Casablanca and The Exorcist.

Mr. Gold comfortably spanned the years from paperboard to the computer era, and many of his posters became nearly as famous as the movies they promoted. Some won design awards; many were coveted by film buffs, sold at auctions or collected in expensively bound art books. The best originals came to be considered rare and costly classics of the genre.

For Michael Curtiz’s “Casablanca” (1942), Mr. Gold’s second assignment, he drew Humphrey Bogart in trench coat and fedora, dominant in the foreground, with a constellation of co-stars — Ingrid Bergman, Paul Henreid and others — in the airport fog behind him. To raise the drama, Mr. Gold put a pistol in Bogie’s hand. And he put fear and regret, not love, in Ms. Bergman’s eyes, to avoid stepping on his last lines.

(8) COMICS SECTON.

(9) SHORT STUFF. Camestros Felapton walks us through his rankings in “Hugo Ballot 2018: Short Story”.

…It doesn’t feel that long ago that the talk was whether the SF short story was dead or close to death. The impact of Sad Puppy campaigns and Rabid Puppy vandalism hit the short story category hard. And what an emblematic category it had been for the Hugo Awards and science fiction! American style science fiction had grown out of the short story style and some of the greats of SF were intimately connected with shorter form fiction. Ray Bradbury especially but also Issac Asimov – The Foundation Trilogy being one of many SF classics that grew from connected shorts.

The Hugo finalists this year are a set of entertaining and varied reads. There’s not one theme or style and there are elements of fantasy and science-fiction as well as some classic twists.

(10) KATE BAKER AT WORK. The Verge’s Andrew Liptak points to Clarkesworld where people can “Listen to one of the best short science fiction podcasts right now”.

In the years since she became the full-time narrator for the podcast, Baker has become the de facto voice for the podcast, an experience that she says is “surreal.” “I view it as a huge responsibility and an honor,” she says. “because I get to go and be in someone’s ear, and I think that’s an intimate power, and I don’t ever want to abuse that.”

Baker doesn’t read or rehearse the story before recording, and while she notes this approach has burned her a couple of times, the “biggest draw to this whole job is the fact that I’m experiencing the story along with the listener for the first time, and I can experience those emotions with the listener. If you’re hearing my voice crack or if I sound stuffy because I had to walk away because I started crying, that’s all pretty genuine.”

That’s something that shines through: a recent episode featured Rich Larson’s heartbreaking short story “Carouseling”, and you can hear her voice break after she finishes reading the story. This emoting, along with Baker’s long-standing narration for the podcast, provides a familiar and consistent warmth that subtly enhances each story that the magazine produces. The result is not only a catalog of powerful short fiction, but one that’s also presented in a voice that makes them even better.

(11) CHINESE BOTS. My brethren are bound for Luna. “China launch will prep for Moon landing”.

“The launch is a key step for China to realise its goal of being the first country to send a probe to soft-land on and rove the far side of the moon,” the state news service Xinhua quoted Zhang Lihua, the satellite project’s manager, as saying.

In addition to its onboard communications equipment, Queqiao will also carry two scientific instruments and will deploy two microsatellites.

The forthcoming Chang’e 4 mission will explore the Moon’s South Pole-Aitken Basin with a payload of scientific instruments. It is a key step in China’s long-term plan to further its ambitions as a major space power.

China previously landed a robotic lander and rover, collectively known as Chang’e 3, on the Moon in December 2014. The rover continued to transmit data until March 2015.

(12) STONY END. BBC tells about plans for “Turning carbon dioxide into rock – forever”.

With rising concentrations of atmospheric CO2, scientists have been testing “carbon capture and storage” (CCS) solutions since the 1970s.

CarbFix, however, stands out among CCS experiments because the capture of carbon is said to be permanent – and fast.

The process starts with the capture of waste CO2 from the steam, which is then dissolved into large volumes of water.

“We use a giant soda-machine”, says Dr Aradottir as she points to the gas separation station, an industrial shed that stands behind the roaring turbines.

“Essentially, what happens here is similar to the process in your kitchen, when you are making yourself some sparkling water: we add fizz to the water”.

The fizzy liquid is then piped to the injection site – otherworldly, geometric igloo-shaped structure 2km away. There it is pumped 1,000m (3,200ft) beneath the surface.

In a matter of months, chemical reactions will solidify the CO2 into rock – thus preventing it from escaping back into the atmosphere for millions of years.

(13) HOW IT BECAME A KILLER. From the BBC: “Malaria genetics: study shows how disease became deadly” — relatively recently — and a warning to watch for other parasites and viruses jumping species.

According to the World Health Organization, more than 200 million people are infected with malaria every year; the disease caused the deaths of almost half a million people globally in 2016, and the majority of those deaths were children under the age of five.

By far the deadliest species of the parasite which causes this global health scourge is Plasmodium falciparum.

While this species infects and often kills people when injected through the bite of a female Anopheles mosquito, there are many other related species which infect some of our great ape cousins – chimpanzees and gorillas.

To study those, the researchers collaborated with a team caring for injured and orphaned apes in a sanctuary in Gabon. As part of the animals’ health checks, veterinary staff take blood samples from them.

“It turns out that healthy animals have a really high background level of parasites in their blood,” Dr Berriman told BBC News. “[These animals] are blissfully ignorant of the scientific value in their blood.”

The blood samples provided a series of malarial genetic codes that the scientists could use to trace its evolutionary history.

“We don’t have fossils for tracing the history of a parasite,” said Dr Berriman.

(14) WATCHMEN PITCH. ComicsBeat is less skeptical after seeing how “Damon Lindelof details new WATCHMEN television adaptation in open letter”.

But recently, reports began to spring up that the showrunner might be taking a completely different approach to the material. Instead of a mannered, straight adaptation of the 12 issues or any kind of extrapolation thereof, he was instead comparing it to what Noah Hawley has been up to with FX’s Fargo: a series whose world is informed by the original property, but not beholden to it in terms of character or plot. In short: think of it as “stories taking place in that same world, at any time period you can think of”. It’s great, with a capital “G”.

And today, Lindelof has spoken in more specific (maybe) terms, with a letter he posted on his Instagram, to give the public an opportunity to dig into his headspace a bit regarding his overall pitch for the series…if it sounds familiar, well…it should:

 

View this post on Instagram

Day 140.

A post shared by Damon (@damonlindelof) on

More at the link.

(15) ZOMBIE EMERGENCY. Not “Florida man” this time: “Florida city apologizes for alert warning of zombies”.

Officials in a Florida city apologized for an emergency alert that warned of a real power outage and a not-so-real “zombie alert.”

The alert, sent out by the city of Lake Worth early Sunday, warned of a “power outage and zombie alert for residents of Lake Worth and Terminus,” referencing a city from AMC’s The Walking Dead.

 

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr. Horrible copyediting courtesy of OGH.]

Pixel Scroll 5/14/18 They Took Some Pixels, And Plenty Of Scrolls, Wrapped Up In A Five Pound Note

(1) SUDDENLY THERE CAME A TAPPING. Seattle Times headline: “Ripples in space-time or 3-pound bird? Ravens at Hanford foul test of Einstein’s theory”. Ravens are interfering with measurements at LIGO (Laser Interferometer Gravitational-Wave Observatory) which helped find the first confirmed gravitational waves.

For the LIGO observatory on Washington’s Hanford site, noise is a real buzz killer.

Any earthly sound — a truck rumbling past, the humming of a refrigerator in a nearby building, or the distant flutter of a plane’s propellers — can drown out the faint whispers from the cosmos that the Nobel Prize-winning project was designed to detect.

So when strange blips in the data started cropping up on summer afternoons, researchers were anxious to find the source and eliminate it.

“Any other noise makes it harder to hear the thing you’re listening for,” said University of Oregon physicist Robert Schofield, whose job is to ferret out racket from the environment and reduce its impact on some of the most sensitive instruments ever built.

…The glitches at Hanford corresponded to sounds recorded by a microphone installed by Schofield and his colleagues as part of their endless quest to detect and stamp out noise.

…It didn’t take long for Schofield to identify the prime suspect once he listened to the recordings. “It sounded like pecks to me,” he said. “I immediately thought it must be ravens.”

(2) DOCTOR NEW. What she told Radio Times: “Jodie Whittaker on filming Doctor Who: ‘I smile every single morning going to work’”.

“It’s like nothing I’ve ever done before, it’s absolutely incredible,” she said. “I must smile every single morning knowing I’m going to work to do it, I’m very lucky – it’s brilliant.”

We’re still in the dark as to what form the new series will take following Chris Chibnall taking over from Steven Moffat as showrunner, but the star assures us that it’s likely to be even bigger and bolder than what has come before it. Whittaker and Walsh will also be joined by new stars Tosin Cole and Mandip Gill. The ten-episode series is expected to air this autumn on the BBC.

“It feels incredibly epic,” Whittaker said. “The ambition is wonderful, and something we’re fighting every day to have the energy to back it up with.”

(3) FUTURE IS ON THE WAY. Alex Shvartsman will launch a new sf magazine tomorrow: “Announcing Future Science Fiction Digest”. It will be free to read online.

This bit of news has been six months in the making, but I can finally announce that I will be editing a science fiction magazine, to be published in collaboration by UFO Publishing and the Future Affairs Administration. The magazine will focus on various science fiction sub-genres (hard SF, space opera, cli-fi) but will not include fantasy or horror. There will be a strong focus on international fiction. I’ll be looking to fill about half of each issue with translations and stories written by authors from non-anglophone countries.

Although the magazine will feature original (to anglophone readers, anyway) fiction, I’ve put together a sample “issue zero,” to be released in time for the Nebulas and the Asia Pacific SF Con organized by the FAA. This issue features all-reprint stories with different takes/visions of the future, which also happen to be representative of the sort of material I hope to acquire and publish in the future.

The magazine’s website goes live Tuesday, May 15 at www.future-sf.com.

(4) MEET HENRY LIEN. Juliette Wade hosted a video hangout with Henry Lien about his new fantasy novel: “Henry Lien and Peasprout Chen, Future Legend of Skate and Sword. You can read a summary on her blog, and/or watch the conversation on YouTube. (I was excited to hear more about his writing, having already become a fan through his composition “Radio SFWA.”)

…Henry explained that he loves rules. School is an environment girdled all around with rules to keep people from misbehaving, so it’s a setting he loves to work in. Students at the wu liu school are not allowed to do any moves outside of class, or they will forfeit their next examination. This is a key element of the plot of Peasprout Chen.

In particular, he says he wanted a fantasy world with no magic. George R. R. Martin consulted with him on aspects of it. Everything is grounded in real world experience, including the constant threat of injury that has grave consequences for the students. Even a bad wrist can knock you out. Henry himself got injured at one point during his training because he had become frustrated when another student did a kick the first time. Henry tried the same jump and tore his hamstring; he said it looked like someone had cut him.

Danger creates good stories. Ambition is a characteristic required by the sport.

Henry quoted a line from Susanna Clarke’s Jonathan Strange and Mr. Norell: “Don’t talk to me about magic. It’s like everything else: full of setbacks and disappointments.” If this is the way your work seems, then whenever you achieve something, it feels like a huge accomplishment! Peasprout Chen’s life is full of cultural landmines and danger, but when she does something cool, we cheer….

(5) BEYOND BECHDEL. IndieWire covered this story in December: “Lena Waithe, Kimberly Peirce, and More Women Introduce 12 New Bechdel Tests to Measure Gender Imbalance”.

FiveThirtyEight recently asked 12 women to come up with new gender imbalance tests, including actress and Emmy-winning writer Lena Waithe, filmmaker Kimberly Peirce, cinematographer Jen White, and actress Naomi Ko. The new tests demand more gender equality from film and television, both in front the camera and behind the scenes.

In order to pass the Waithe Test, for instance, a movie or show must feature a black woman who’s in a position of power and is in a healthy relationship with her partner. Only five of the top 50 films of 2016 pass the Waithe Test: “Bad Moms,” “Central Intelligence,” “Hidden Figures,” “Boo! A Madea Halloween,” and “Independence Day: Resurgence.”

Here’s more direct from FiveThirtyEight: “The Next Bechdel Test” – “We pitted 50 movies against 12 new ways of measuring Hollywood’s gender imbalance.”

Another example: The Feldman Test

Rachel Feldman: director; former chair of the Directors Guild of America’s Women’s Steering Committee

A movie passes with a score of five or higher:

  • 2 points for a female writer or director
  • 1 point for a female composer or director of photography
  • 1 point for three female producers or three female department heads
  • 1 point for a crew that’s 50 percent women
  • 2 points if there’s a female protagonist who determines story outcomes
  • 2 points if no female characters were victimized, stereotyped or sexualized
  • And 1 point if a sex scene shows foreplay before consummation, or if the female characters initiate or reciprocate sexual advances

(6) NICHELLE NICHOLS. A TMZ story about Nichelle Nichols reports “Judge Grants Conservatorship After Dementia Claims”

‘Star Trek’ actress Nichelle Nichols will have a new team handling her financial affairs in response to her son’s claims she’s battling dementia … TMZ has learned.

According to court docs, an L.A. County judge signed off on Kyle Johnson’s request to have 4 fiduciaries be his mom’s conservators until mid-August, when there will be a court hearing. The hope is Nichelle will be able to attend that hearing.

As we first reported … Kyle says his mother, who famously played Lt. Uhura, suffers from severe short-term memory loss, and needs court-ordered protection to block people from taking advantage of her.

In the docs, obtained by TMZ, the judge said Nichelle consents to the appointment of her conservators. The judge also noted Nichelle is currently out of state.

(7) KIDDER OBIT. CNN reports “Margot Kidder, ‘Superman’ actress, dead at 69”:

Kidder starred opposite Christopher Reeve’s Clark Kent and his alter ego Superman in the original [1978] film as well as the three sequels: “Superman II” in 1980, “Superman III” in 1983 and “Superman IV: The Quest for Peace” in 1987.

She also starred in “The Amityville Horror” in 1979 and worked steadily in television and on stage.

After three marriages and thousands of dollars in medical bills, Kidder found herself homeless in 1996 as she struggled with bipolar disorder.

Her story grabbed the hearts of fans and Hollywood with many reaching out to help Kidder, who eventually got back on her feet and went on to become a mental health advocate.

(8) TODAY’S BIRTHDAY MOGULS

  • Born May 14, 1944 – George Lucas
  • Born May 14, 1951 – Robert Zemeckis

(9) REMEDIAL CLASSWORK. Alexandra Erin is refreshing the recollection of some Twitter users who proved unfamiliar with the Sad Puppies events as they really occurred in this timeline. Jump on the thread here:

(10) SPACE SPRITZ. Analysts are catching up with the data collected by space probe Galileo: “Icy Moon Of Jupiter Spews Water Plumes Into Space”.

Scientists have new evidence that there are plumes of water erupting from the surface of Jupiter’s icy moon Europa — plumes that could, maybe, possibly contain signs of life.

The evidence comes from data collected by the now-defunct Galileo spacecraft. Although the data has been available since it was collected in 1997, it’s only now that an analysis confirms the existence of water plumes.

For more than two decades, scientists have been convinced Europa has a liquid water ocean sloshing around beneath its icy outer crust. In the past six years, two teams of researchers using the Hubble Space Telescope reported the possible existence of plumes. But as powerful as Hubble is, seeing something as small as a plume on a moon more than 380-million miles away is difficult.

(11) DROP BY ANYTIME. NPR has the story: “Tardis Optional: Time Travelers Invited To Stephen Hawking Service” — repeat of an old Hawking test/gag?

Stephen Hawking’s ashes will be interred at Westminster Abbey this June. He’ll take his place among giants — between Sir Isaac Newton and Charles Darwin. Applications to attend a Service of Thanksgiving are open to the public, and anyone — including people born in 2038, can apply. A thousand spaces are available.

…The time warp in the memorial service application was first spotted by London blogger IanVisits. He writes on his blog that Hawking had once thrown a party for time travelers, sending out invitations after the fete, to see if anyone would show up. Spoiler: no one did, yet.

CATCHING UP WITH SOME EXCELLENT BLACK PANTHER THEMED LINKS COURTESY OF ROBIN A. REID:

(12) AWESOME TECHNOLOGY. In May 2016, Popular Science did an “Entertainment” feature on the technology of Black Panther. Xavier Harding interviewed artist Brian Stelfreeze in “‘Black Panther’ Has The Coolest Tech In The Marvel Universe”.

Popular Science: There’s a lot of great tech in the world of Wakanda. Where does your inspiration for it come from?

Brian Stelfreeze: I think when you’re being creative, you still attach it to reality somehow. I grew up in a small town in coastal South Carolina. Where I’m from, the people are known as Gullah people. They’re some of the first freed slaves that lived on their own, without being attached to the rest of the U.S.

They kind of developed their own culture, so they do things a little bit different. Growing up in that area and going to the rest of the world, I noticed things were just slightly different. Seeing my first pile driver in real life I thought, “Oh, that’s like what my uncle built out of tree stumps to dig wells.” So I thought, “what if that happened over thousands of years? How could technology evolve?”

Popular Science: So how does that compare to T’Challa and the people of Wakanda?

Brian Stelfreeze: I think of Wakandan technology as organic technology. Most of their tech mimics nature because it comes from nature. Wakanda was a tremendously warring nation, with a very feudal time early on. But after a while proper borders were established, which ushered in a time of peace. Peace time shifted concerns from war to agriculture, from agriculture to early days of knife and spear-building to developing exotic materials. Rather than coming from industry, Wakandan tech came from agricultural needs—using organic tech to build machines.

But a lot of this stuff is in the background. Like the flying vehicles you see in Wakanda designed like a flying animal. And even when readers may not directly see it, I want them to feel it.

(13) SIX GOOD REASONS Cherokee Washington explains “Why The Black Panther is So Important To The Black Community”  for Odyssey in June 2016.

In 2002, Marvel studios graced the world with the first superhero blockbuster film; “Spiderman.” Following suit with “Spiderman 2,” “Spiderman 3,” and two spin-offs of the series, Marvel went on to create one of the largest Hollywood franchises in the world, telling the stories of a hand full of the comic book company’s most popular heroes. Today, amongst the many Iron Man and Avenger films, one hero in particular has recently been added to the mix; the Black Panther. It may not sound that exciting or important to the general public, but the introduction of the Black Panther is a momentous event for the Black (and comic-lover) community. Not only is he a bad ass superhero, but he’s one of 10 or so major Marvel characters who identifies as Black, something that would’ve been unheard of back in the day. Making his first appearance in the 52nd issue of the Fantastic Four comic books, Black Panther has shifted back and forth in the limelight, falling behind other heroes such as Captain America and the X-Men. Fortunately, Marvel has decided to push Black Panther more into the centerfold with the rest of his comrades by giving him a cameo in the newest “Avengers: Civil War” film and announcing the “Black Panther” film’s release in 2018. With that said, I thought it appropriate to list a few reasons as to why the Black Panther character is so important not only to me, but to my community. He’s a symbol of more than justice; he’s a symbol of pride, hope, and so much more. Here it goes…

(14) BREAKDOWN! You’ve seen the trailers, but have you seen the trailer breakdown by Jacob Hall: “Black Panther Trailer Breakdown: Welcome to Wakanda”. Posted in June 2017 on Slashfilm.

The Black Panther trailer feels like a breath of fresh air in an environment crowded with superhero movies – no comic book adaptation has ever looked like this. Heck, no movie has ever looked like this. Even with a few familiar Marvel Studios trappings on display, Ryan Coogler’s movie looks to blend superheroes and afrofuturism and all kinds of intrigue into something…well, new.

And if you’re new to this corner of the Marvel universe (or just want to take a closer look), we went through the trailer frame-by-frame for an extended breakdown. Join us, won’t you?

Frame by lovely frame!

And, if you want to look at the trailer again after the breakdown, here you go:

(15) CRYING EYES. Alan Jenkins gets geeky and weepy and happy about Wonder Woman and Black Panther in this piece published in Ebony in July 2017: “Black Panther, Wonder Woman and the Power of Representation”.

My theory is that audiences are being moved by the overwhelming power of symbolism.  We are not used to seeing people of color and women on the big screen who are powerful, triumphant, and heroes of their own story.  The most emotionally powerful moments in each film are those that use the power of symbols to break away from social stereotypes.

As in the Black Panther comic book, the film’s characters are everything that a century of cinematic Black and African characters have not been.  They are regal.  They are brilliant.  They are gorgeous.  They are the future as well as the past.

(16)  REVOLUTIONARY!  “Black Superheroes Matter: Why a ‘Black Panther’ Movie Is Revolutionary”, by Tre Johnson, in Rolling Stone, October 2017, puts the upcoming film in the historical context of American film and comics representations of heroes.

The novelist Chimamanda Ngozi Adichie talks about “the danger of a single story” – about Africa, about black brilliance, our humanity and the black experience for too long. There would never be a time when this movie’s creation wouldn’t mean something to black people in particular, and the inevitable backlash that this movie will receive for its celebration, existence and confidence in blackness will be a reminder that there are no new conversations, merely new opportunities to remind us of who we collectively are. Yet that won’t matter because the people this movie will speak most deeply to – a rainbow-coalition cross-section of black comic book readers, African-American movie audiences, Boseman/ Jordan/ Bassett/ Nyong’o fans, black-culture connoisseurs and pop-culture nerds – will see something of themselves in this movie. They will also likely be both familiar and resistant to the disdain it will receive for merely existing. Like anything black in America, Black Panther will be politicized for being black, which is to say for being and for announcing itself as a having a right to be here and to be heard.

(17) AFROFUTURISM. Mic, a digital news media site, discussed the revolutionary Afrofuturistic elements of Black Panther in December 2017 in  “‘Black Panther’ isn’t just another Marvel movie–it’s a vision of a future led by blackness”.

Wakanda is more than just a fun spectacle; it represents something much more magnificent and powerful — a version of Africa unaffected by the external world, one that was allowed to pursue its own march toward spectacular progress.

When the most recent trailer for the movie was released in October, people weren’t just excited, they were jubilant. Now, it’s an event pretty much every time there’s a new Marvel movie but — no disrespect to Spider-Man: Homecoming, Thor: Ragnarok, etc. — those blockbusters don’t normally have an entire culture of people impatiently awaiting their release. So what makes Black Panther especially noteworthy?

The secret sauce of Marvel’s Black Panther is Afrofuturism — an arts form that combines science fiction with black culture to create a future informed by blackness. On its face, Black Panther masquerades as Marvel’s latest superhero flick. Dig deeper and you’ll find the movie’s true identity: an Africa-set, Afrofuturist film — made for black people, by black people — powered by a Disney budget.

(18)  WRIGHT AND NYONG’O INTERVIEW. TeenVogue‘s Lynette Nylander interviewed Letitia Wright and Lupita Nyong’o on film diversity and superheroes in December 2017: “Letitia Wright and Lupita Nyong’o on “Black Panther” Film and Diversity in Hollywood”.

When he debuted in 1966 as the first black superhero in mainstream American comics, Black Panther broke boundaries. Naturally, next year’s silver-screen rendition of his story, featuring a nearly all-black cast, isn’t going to be just a box-office blockbuster — it’s going to be history in the making. The film is set in the fictional African country of Wakanda, where Black Panther (also known as T’Challa) serves as a leader at a time when the nation’s safety is under threat. And at the core of the story: Oscar winner Lupita Nyong’o and ingénue Letitia Wright as Nakia and Shuri, who play two of the strongest women in Wakanda. Their characters do away with the usual damsel-in-distress narrative associated with many classic superhero movies and create a new normal. Here, they discuss what making Black Panther meant to them and what the movie will hopefully mean for others.

(19) THE WOMEN OF WAKANDA. Cameron Glover looks at the women heroes in “Here’s What Black Panther Is Doing Differently For Its Female Heroes” posted in January 2018 at Refinery29.

The expansion of what a woman’s role in film looks like speaks directly to how the female action heroes of Black Panther are able to balance their fight scenes with embodying these expansive personal themes. Giving women, especially Black women, such public roles in the film not only speaks volumes to how women are regarded within Wakanda, but also shows the shifting attitudes of women’s roles in action films. The way that female action stars are celebrated and centered within the film is just another reason to snag a ticket to see Black Panther once it’s released next month.

[Thanks to Carl Slaughter, Cat Eldridge, JJ, Martin Morse Wooster, Robin A. Reid, John King Tarpinian, Jonathan Cowie, Mike Kennedy, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Vicki Rosenzweig.]

2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

Read more…

Pixel Scroll 9/30/16 How Much For Just the Pixels?

(1) WRITERS WITH POWER? Having lived through the days when few sf authors had any kind of industry prestige, I’m impressed how many genre writers are included in “Hollywood’s 25 Most Powerful Authors 2016”, compiled by The Hollywood Reporter. The list begins with Patrick Ness, and Lauren Oliver, drops Margaret Atwood in the middle, and spots Rowling at #1, Stephen King at #2, and George R.R. Martin at #4. Neil Gaiman and Diana Gabaldon are in there, too.

(2) QUESTION TIME. Shana DuBois has unveiled a new installment of a popular feature at B&N Sci-Fi & Fantasy Blog, “Mind Meld: The Imagined Possibilities of Science Fiction”.

In Istvan Csicsery-Ronay’s The Seven Beauties of Science Fiction, he states works of science fiction “may be credible projections of present trends or fantastic images of imagined impossibilities. Or an amalgam of both.”

Q: Do you enjoy science fiction that is more a reflection of where today’s society could be headed in the near future, or science fiction that reflects a far, far future, and why? What are some recent works you’ve enjoyed?

The participants are S. C. Flynn, Michael R. Underwood, Laura Anne Gilman, Andrea Phillips, K. C. Alexander, and Malka Older.

(3) CAT RAMBO AUTHOR NEWSLETTER. Cat Rambo sent a link to her newsletter:

Usually I don’t make my newsletter public, but I did so today so people can see a sampling what it’s like: http://us6.campaign-archive1.com/?u=5c1e6d30440f85da8e0ac39d3&id=5befcbc8ca

One of the news items is about — The Rambo Academy for Wayward Writers.

On October 1, Rachel Swirsky and Juliette Wade will launch their classes in the Rambo Academy for Wayward Writers. The following week I’ll be announcing four single session workshops for October-December: the long-promised space opera class with Ann Leckie, live classes with Swirsky and Wade, and one solo workshop.

(4) WHO REVIEWS MOST BOOKS BY POC? James Davis Nicoll is not one to hold a grudge. He’ll tell you so – read “A challenge for Rising Shadows, Foundation, SFS, Analog, Asimov’s, Vector, F&SF, SFX, and Locus”

Nobody who made Strange Horizons’ annual count—still not holding a grudge—has reviewed as many books by POC as I have.

Nicoll is speaking of Strange Horizons’ “The 2015 SF Count”. The editors there explain:

Welcome to the sixth Strange Horizons “SF count” of representation in SF reviewing. The goal of the count is straightforward: for the last calendar year, for a range of SF review venues, to calculate the gender and race balance of books reviewed, and of reviewers.

Despite being just about the most prolific reviewer in the field, a review-writing dynamo, Nicoll is not included in the Strange Horizons survey. Maybe if he pretended  to be a magazine?

(5) FUNDRAISER. Family members of the Yosts have started a GoFundMe page to benefit the two girls, ages 6 and 8, who survived the murders reported here the other day.

I am a family member of the Yost Family and even typing these words out now still doesnt make it real.  The unimaginable as happened to two little innocent girls who are now left with out parents to raise them.  Our hearts are completely broken and will miss them every single day that passes.  We will remember the good times we had and remind these two beautiful girls of how much they were loved by their parents.  The girls are 6 and 8 and will need all the help they can get in this extremely tragic event.

Every donation received will be to help for future care of these children.

Our family sends our deepest gratitude for any help.  Please keep us in your thoughts and prayers during this difficult time.  We truly appreciate all of your help and kind words while our family mourns the loss of two beloved family members.

(6) GOLDEN DUCK. Still catching up with awards announced in August.

2016 Golden Duck Awards

The 2016 Golden Duck Awards were announced by Doug Drummond and Helen Gbala at MidAmeriCon II on August 18.

  • Picture Book Interstellar Cinderella, by Deborah Underwoon (author) and Meg Hunt (illustrator) (Chronicle)
  • Eleanor Cameron Award for Middle Grade Fuzzy Mud, by Louis Sacher (Delacorte)
  • Hal Clement Award for Young Adult Armada, by Ernest Cline (Crown)

(7) KANSAS CITY BBQ. Scott Edelman and David Levine sat down for barbecue while attending the Worldcon, and that culinary inspiration led to Episode 19 of the Eating the Fantastic podcast.

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We talked about the things being a science fiction fan for so long taught him about being a professional science fiction writer, what it was like contributing to George R.R. Martin’s Wild Cards universe after having read the series since Day One, how pretending to live on Mars for two weeks helped him write his newly published novel Arabella of Mars, and much more.

(8) TODAY IN HISTORY

  • September 30, 1988 Elvira, Mistress of the Dark premieres in theaters.

(9) TODAY’S BIRTHDAY BOY

  • Born September 30, 1924 — Truman Capote.

And what, you may ask, is his connection to sf/f?

After a rejection notice from the pulp magazine Weird Tales, Ray Bradbury sent his short story “Homecoming” to Mademoiselle Magazine. There it was spotted by a young editorial assistant named Truman Capote, who rescued the manuscript from the slush pile and helped get it published in the magazine. “Homecoming” won a place in The O. Henry Prize Stories of 1947.  This was the first publication of a Ray Bradbury story in the mainstream.

(10) FAN FUND OF NEW ZEALAND. The FFANZ administrators have announced that Lynelle Howell is running to be the fund’s delegate to Continuum 13, in Melbourne, 2017:

The Fan Fund for Australia and New Zealand was created to strengthen the ties between Australian and New Zealand fandom.  FFANZ assists fans with travel to the Natcon of the other nation, and assists with as many of the attendant costs of travel as practical, as well as facilitating connections between fans.

This year’s FFANZ race is a westward bound one, facilitating travel by a New Zealand fan to the 56th Australian Speculative Fiction National Convention, Continuum XIII – Triskaidekaphilia, to be held in Melbourne, Victoria, over Queen’s Birthday Weekend, 9th-12th June, 2017. It is expected that after the trip the winner takes over as administrator of the fund, engages in fundraising for the fund, and that they promote links between the two fandoms via a trip report or other means.

Click the link above for the candidate’s platform, and her nominators’ statements.

(11) FREAKY FRIDAY MUSICAL. The Washington Post’s Jane Horwitz writes about the Disney-backed Freaky Friday musical, opening at the Signature Theatre in Arlington, Virginia this weekend, including how the show is simultaneously based on the Mary Rodgers novel, the first Disney movie, the second Disney movie and the 1995 TV movie and how stars Emma Bunton and Heidi Blickenstaff really like working together.

(12) WHAT DIDN’T MAKE IT TO THE PAGE. Some things are better left untold.

(13) HIDEOUS TO BEHOLD. The Good Show Sir blog promises to post “Only the worst Sci-Fi/Fantasy book covers. The amazing thing is, they never run out!

There are many pieces of cover art that are beautiful to behold. Yet, there are others which exhibit a rarer, odd form of beauty. We think that such conflicts of focal points, lettering choices, false perspectives, anatomical befuddlement, ridiculous transport vehicles, oversized and frankly unusable monster-hunting weaponry, clothing choices that would get you killed walking down the street let alone hiking a through a frozen wasteland, clichéd cat-people, and downright bad art deserve their own special form of tribute.

The Three Stigmata of Palmer Eldritch

The Hammer and the Horn

I think they’re living up to their promise….!

[Thanks to JJ, Scott Edelman, Michael J. Walsh, Hampus Eckerman, Cat Rambo, James Davis Nicoll, DMS, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA.]

Pixel Scroll 7/13/16 Scroll on the Water, Fire in the Sky

(1) YOUTUBER PAYOLA? ScienceFiction.com headlined that “The FTC Has Proven That Warner Brothers Has Paid YouTubers For Positive Reviews”.

In some not so awesome news, Warner Brothers was caught buying off YouTubers to give them positive reviews of their video games. The U.S. Federal Trade Commission (FTC) has released details that the company was working with some of the most influential YouTubers out there to provide positive reviews of their games, film gameplay footage that worked around bugs and hype sales numbers that all ignored criticism of the titles they were being paid to look at. Oh, and they of course never disclosed that they were being paid to do this which is against the law. **

While this is currently limited to video games, one has to wonder if it may extend to films as well.

Most damning though is that Felix Arvid Ulf Kjellberg, or PewDiePew as he is known to millions of ‘Let’s Play’viewers was involved as well. PewDiePew is the highest watched YouTube celebrity in gaming circles and had an undisclosed agreement to provide positive press for ‘Middle Earth: Shadows of Mordor’ when it was released….

** According to Washington Post reporter Andrea Peterson, the notices that they were paid endorsers of the game appeared in fine print no one read. The FTC settlement says that paid endorsers have to reveal in non-fine print that that they have been paid by game manufacturers.

(2) PAUL AND STORM CONCERT AT MACII. The comedic musical duo Paul and Storm will perform in concert at MidAmeriCon II on Thursday.

MidAmeriCon II is delighted to announce that comedic musical duo Paul and Storm will be appearing at the convention. They will be live in concert at 12 Noon on Thursday, August 18, and interacting with members throughout the convention in the MidAmeriCon II Dealers’ Room.

Paul and Storm (Paul Sabourin and Greg “Storm” DiCostanzo) are known internationally and across the Internet for their original comedy music and vaudeville style shows (mostly with a nerdish bent). They also co-founded the geek variety show “w00tstock” (along with Wil Wheaton and Adam Savage) which has toured across America since 2009, and co-produce the annual JoCo Cruise (www.jococruise.com).

The duo’s original webseries musical, LearningTown, debuted on YouTube’s Geek & Sundry channel in January 2013. In the same year, their song “Another Irish Drinking Song” was featured in the movie Despicable Me 2, while their guitar was memorably smashed on stage by George R.R. Martin. Their fifth full-length CD, Ball Pit, came out in 2014, and was the central item of the duo’s successful Kickstarter campaign.

Paul and Storm have a long history of bringing well known personalities on stage during their shows – and with this being their first Worldcon appearance, they will have an exceptionally broad range of writers, editors, artists and other genre names to choose from. Members can look forward to a memorable and entertaining concert, full of “mature immaturity” (NPR).

More information on Paul and Storm can be found on their website at www.paulandstorm.com.

(3) CHARITY AT SDCC. NBC Los Angeles covers Comic-Con charitable events including the Heinlein Blood Drive:

The annual Robert A. Heinlein Blood Drive returns to the mega pop culture convention for its 40th go-around. Billed as “the San Diego Blood Bank’s longest-running event,” the Comic-Con blood drive has collected “16,652 pints of blood” over its four-decade history.

Talk about superheroes. Want to give? Head for Grand Hall D at the Manchester Grand Hyatt.

Once you’ve given your pint, and you want to look for more ways to lend a hand, consider two off-site traditions that, while not affiliated officially with the convention, still keep ties to its cape-wearing themes and charitable heart.

The Heroes Brew Fest raises money each year for Warrior Foundation — Freedom Station. Yep, you can wear your costume, yep, you’ll drink nice beer, and yep, you’ll need to zoom through the clouds from the convention center, or at least catch a ride, to San Diego’s Waterfront Park on Saturday, July 23.

Earlier in the day the Helen Woodward Animal Center’s Pawmicon returns, though don’t head for Rancho Santa Fe, the home of the center. The “Cosplay for a Cause” — think furry pumpkins in their “Star Wars” and superhero best — is happening at the Hazard Center in the late morning.

(4) BLOOD OF PATRIOTS. There was also a Blood Drive at LibertyCon – Lou Antonelli says that’s where he met Jason Cordova, one of many first encounters mentioned in his con report.

(5) AUTO CRASH. I found Brad Templeton’s “Understanding the huge gulf between the Tesla Autopilot and a real robocar, in light of the crash” to be very helpful.

It’s not surprising there is huge debate about the fatal Tesla autopilot crash revealed to us last week. The big surprise to me is actually that Tesla and MobilEye stock seem entirely unaffected. For many years, one of the most common refrains I would hear in discussions about robocars was, “This is all great, but the first fatality and it’s all over.” I never believed it would all be over, but I didn’t think there would barely be a blip.

There’s been lots of blips in the press and online, of course, but most of it has had some pretty wrong assumptions. Tesla’s autopilot is a distant cousin of a real robocar, and that would explain why the fatality is no big deal for the field, but the press shows that people don’t know that.

Tesla’s autopilot is really a fancy cruise control. It combines several key features from the ADAS (Advance Driver Assist) world, such as adaptive cruise control, lane-keeping and forward collision avoidance, among others. All these features have been in cars for years, and they are also combined in similar products in other cars, both commercial offerings and demonstrated prototypes….

(6) JOE HILL’S DAD. Boston.com reports, “Library of Congress to recognize Stephen King for his lifelong work”.

Stephen King—Maine native, horror author, and hater of Fenway’s “protective netting”—will get a new title this fall: Library of Congress honoree.

King is set to open the main stage of the 2016 Library of Congress National Book Festival in Washington, D.C., where the Library will recognize the author for his lifelong work promoting literacy, according to a release.

Since his first published novel, Carrie, in 1974, King has written more than 50 novels and hundreds of short stories, according to his website.

The festival takes place Saturday, September 24. Authors Kareem Abdul-Jabbar, Shonda Rhimes, Bob Woodward, Raina Telgemeier, and Salman Rushdie will also appear on the main stage.

(7) JUNO SHOOTS THE MOONS. IFLScience has the story behind Juno’s first image of Jupiter and its moons from orbit.

This image, taken on July 10, proves that the camera has survived the pass through Jupiter’s intense radiation, meaning it can start taking stunning high-resolution shots in the next few weeks. The camera (called JunoCam) itself has no scientific purpose, but will be used to engage the public with images of the gas giant. You can even vote online for what it takes pictures of.

 

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(8) FUNNY PAGES. A popular fantasy work is referenced in the July 13 Wizard of Id comic strip.

(9) TODAY’S BIRTHDAY BOYS

  • Born July 13, 1940 — Patrick Stewart (age 76)
  • Born July 13, 1942  — Harrison Ford (age 74)

(10) LIVING UNOFFENDED. Maggie Hogarth, SFWA VP, was moved by Cat Rambo’s post yesterday (“SFWA Is Not a Gelatinous Cube”) to make a point about personal growth. The comments are very good, too.

I wanted to call out specifically her comment about having been pleased to recruit me specifically because I’m a conservative writer. When she suggests that we work well together because of our sometimes opposing perspectives, I think she’s entirely correct. It’s not that we talk politics specifically (though unfortunately, sometimes our jobs as officers require us to)… it’s that our beliefs give us oblique approaches to things, and consulting each other helps us find our own weaknesses and blind spots.

This is not a new thing for me. I have always worked in arenas that are overwhelmingly colonized by people of opposing political viewpoints (hello, Art, Academia). The knowledge that I would have to find a way to work with people who believed stuff I found strange, wrong-headed, or toxic is so old by now that I don’t even think about it. But it’s interesting to me that the people who are in the majority in any arena often seem to be offended at the thought that they should have to deal with people who disagree with them. At the university, I have brought up lots of professors short who were upset that I didn’t think they were right. One of them even asked me what I was doing there, which was… frankly bizarre. (Broadening my mind, maybe? By grappling with ideas I don’t necessarily agree with?)

Here then is my takeaway from living as a political minority in the workplace all my life: unless you’re in a group devoted specifically to a political cause you agree with, you cannot expect to be protected from people who don’t share your beliefs. Inevitably someone will tell me that this is an invitation to abuse and cruelty, as if there can be no disagreement without extremism. Reject this false dichotomy. People who don’t share your beliefs aren’t all heartless criminals who long to see you hurt. They just… don’t agree with you.

(11) TAKING THE TEST. Rambo and Hogarth have also publicized their vocabulary quiz results.

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(12) SCALZI BREAKS THE SPELL. Don’t expect John Scalzi to be posting a quiz score.

No risk of my relitigating my SAT results. I can personally assure John you’ll never see me embarrassing myself by reporting results from an internet math quiz. I did just enough on the math side of the SAT to keep that from sandbagging what I did on the verbal side and get a California State Scholarship. (However, if someone knows a link to an online math quiz the rest of you might enjoy it….)

(13) TIMOTHY BREAKS THE QUIZ. Camestros Felapton published Timothy the Talking Cat’s score plus Timothy’s interpretation of all his test answers.

(14) MEANWHILE, BACK AT THE THESAURUS. If there’s anyone who should score high on a vocabulary test it’s John C. Wright – and he did.

My score was 30500, also in the top 0.01% Albeit there was one word I did not know, and guessed.

I am going to the dictionary to look it up, and then I am going to use it three times correctly within the next 24 hours.

I was once told that is the way to accumulate a large and handsome vocabulary.

(15) COMICS HUGO. Nicholas Whyte has posted “My Hugo and #RetroHugos1941 votes: Best Graphic Story”.

It’s really striking that two years ago, it was impossible to find enough comics from 1938 to populate the Retro Hugo category – we gave a Special Committee Award to Superman instead – but this year there is a wealth of 1940 material to choose from. Having said that, there’s not in fact a lot of variety; with one exception, the 1941 Retro Hugo finalists are origin stories of costumed crime-fighters

(16) TASTE TEST. Joe Sherry continues his series at Nerds of a Feather, “Reading the Hugos: Novella”.

Today we continue with our Hugo Award coverage with a look at the Novella category. There are not many categories on this year’s ballot which lines up so well with my nomination ballot, but this is one of them. Of the five nominees, I nominated three of them: Binti, The Builders, and Slow Bullets. Naturally, I am happy that the three of them made the cut. If I had the power to add just one more story to this category, I would have loved to have seen Matt Wallace’s wonderful Envy of Angels make the list. That was a fantastic story and everyone should read it. Since people tend not to fully agree with my taste in fiction, let’s take a look at what is actually on the final ballot.

(17) FROM THERE WILL BE WAR. Lisa Goldstein reviews “Novelette: ‘What Price Humanity?’”, a Hugo-nominee, at inferior4+1.

And here we are at the third story from There Will Be War, “What Price Humanity?” by David VanDyke.  It’s the best of the three, though unfortunately that’s pretty faint praise.  An infodump at the beginning tells us that aliens called Meme (Meme? Really?) are attacking from the outer Solar System, and that when the Meme’s reinforcements come, every decade or so, EarthFleet suffers catastrophic losses.  Captain Vango Markis wakes up in Virtual Reality, having suffered what he thinks is a bad hit, and meets other officers he’s served with, some of whom he remembers as having died.  They find flight simulators, and go on practice runs.

(18) LEVINE HIP-HOPS FOR ARABELLA OF MARS. Science fiction writer David D. Levine performs a hip-hop theme song, based on the opening number of “Hamilton,” for his Regency Interplanetary Airship Adventure novel “Arabella of Mars.”

…Every day she was learning posture and Latin
But every night she and her brother would batten
Down the hatches, hit the desert, going trackin’ and whackin’
Her brother backtrackin’, their Martian nanny was clackin’…

The rest of the lyrics are under “Show More” here. Arabella of Mars was released by Tor on July 12.

Arabella Ashby is a Patrick O’Brian girl in a Jane Austen world — born and raised on Mars, she was hauled back home by her mother, where she’s stifled by England’s gravity, climate, and attitudes toward women. When she learns that her evil cousin plans to kill her brother and inherit the family fortune, she joins the crew of an interplanetary clipper ship in order to beat him to Mars. But privateers, mutiny, and insurrection stand in her way. Will she arrive in time?

 

(19) FUTURE PLAY. On her Dive into Worldbuilding hangout, “Games”, Juliette Wade discussed games as a feature of worldbuilding.

Power struggle is one of the big things that games can symbolize. Chess has sometimes been used in science fiction as a form of communication between races. It can reflect or change a power dynamic.

Games are also powerful in folk tales, such as when you play a game with the devil, the fae, or Death.

Games can be critical as a symbolic representation of a larger conflict. If you can engage in single combat instead having whole armies clash, why not do it? If you can play a game and agree on the stakes, might you save many lives?

Games and the ways in which they are played reflect the world around them. If you are playing a game with plastic dice, it’s not the same as playing a game with pig knucklebones. Where do the knucklebones come from? Knucklebones, the word itself, makes the game of dice sound exotic and like it comes from a particular period. There are many games of chance or rune-reading. We noted that people have found real twenty-sided stone dice from the Roman period.

 

(20) TODAY’S UN-FACT-CHECKED TRIVIA

Four Pokémon have palindromic names: Girafarig, Eevee, Ho-oh and Alomomola.

(21) ROUNDUP. In a Washington Post article, Hayley Tsukuyama and Ben Guarino do a Pokemon Go roundup, including that Nintendo’s shares have risen by 38 percent in two days and how police in Riverton, Wyoming say that four men lured victims to a remote spot in the Wind River by promising an elusive Pokemon avatar.

On their screens, players of the viral mobile game “Pokémon Go” are seeing these creatures pop into existence alongside real-world physical objects. The mole-like Diglett peeks out of a toilet. A flaming demon Shetland called Ponyta gallops across the National Mall. A ostrich-like Doduo appears on top of the hold button of an office phone.

Capturing these little monsters isn’t just good for players. In just a few days since its July 6 launch, the game has become a national sensation, nearly overtaking Twitter in daily active users. It currently ranks as the most profitable game on Google and Apple’s app stores. On Monday, Nintendo’s stock jumped 25 percent. On Tuesday, it rose another 13 percent…..

Its makers also have made the game highly shareable. The delight of seeing a little monster pop up on the sidewalk in front of your home, or, in one case, on the bed of your wife while she’s in labor — has been social media gold for players.

The game is perhaps the first real success story of the use of augmented reality technology, which blends the digital and real world together. The combined effect is part bird-watching, part geocaching, part trophy-hunting, with a heavy dose of mid-1990s nostalgia.

(21) POKEMON SNARK. In a humor piece another Washington Post writer, Caitlin Dewey, says she told her fiance to stop playing Pokemon while he is wandering in the supermarket and driving.

This is all well and good, of course, but the hype glosses over something that gives me pause: With an app such as Pokémon Go, we’ve essentially gamified such basic pursuits as going outside, talking to strangers and visiting national monuments. These are activities we’ve long undertaken on their own merits. But everything must be digitally augmented now; no value is inherent.

The same could be said of the sorts of “engagement” trumpeted by the makers of Pokémon Go. If you’ve ventured to a local PokéStop, you know that — counter the pitch — most players aren’t making friends or appreciating the vista anew: They’re squinting into their screens, ignoring each other, hoping to sight that rare Pikachu.

(22) VIP BREW. Time to tap those kegs (or whatever they make it in) — “Drew Curtis/Wil Wheaton/Greg Koch Stone Farking Wheaton w00tstout 2016 Release”.

2016_w00tstout4

COLLABORATORS
Drew Curtis, Fark.com Creator & Patent Troll Killer
Wil Wheaton, Actor & Web Celeb
Greg Koch, CEO & Co-founder, Stone Brewing

This barrel-aged palate-saver has been a favorite among our fans—and us—since its inception in 2013. Pecans, wheat, flaked rye and bourbon-soaked wood provide this whopping, complex superhero version of an imperial stout with a profound complexity that makes it ideal for cellaring—if you can wait that long. Now, we can’t say this beer bestows jedi powers, exactly, but your taste buds may just be fooled into believing as much….

A famed illustrator celebrated for her characters Vampirella, Power Girl, Silk Spectre and Harley Quinn and comics “Gatecrasher” and “Gargoyles,” Amanda Conner embraced the term “Stone’s bearded leader” for this year’s bottle art design. She transformed the three collaborators into unique renditions of “Star Wars” characters, with Koch playing the woolly role of everyone’s favorite wookiee.

At 13 percent alcohol by volume and with the highest concentration of midi-chlorians seen in a beer, the Stone Farking Wheaton w00tstout may be enjoyed fresh, or cellared for several months or years to give way for the deliciously rich flavors to mature and develop more prevalent dark cocoa, coffee and nut notes.

The brew will be a centerpiece of the celebration at Hopcon 4.0 on July 20 in San Diego, where Paul and Storm will be among the many guests.

Our annual celebration of nth-degree beer geekery is back for a fourth round, and this time all 66,000 square feet are dedicated to the convergence of geek culture and beer culture. More retro arcade games, more casks and more bars add up to a release party large enough to match the formidable Stone Farking Wheaton w00tstout.

[Thanks to Cat Rambo, Lisa Goldstein, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Red Wombat.]

Pixel Scroll 6/16/16 Schroedinger’s Kzin

(1) ARM-WRESTLING WITH A PUBLISHER. Kristine Kathryn Rusch sees writers as too prone to follow rules, and too prone to think themselves as powerless in the face of contractual language: “Business Musings: Thus, Lawyers, and Writers (Contracts/Dealbreakers)”.

Lawyers aren’t afraid of thugs and goons and cartoon characters that go bump in the night. They’re not afraid of someone who plays the Big Dog and says, You’ll never work in this town again. Lawyers generally say, Well, let’s see.

Lawyers know there’s usually a solution—and it’s often as simple as standing up and saying to the person on the other side of the contract, I’m not playing your silly game. No. I’m not doing it. Now, what are you going to do?

…. Here’s the bottom line, people. I know a bunch of you are stuck in contracts you don’t like. Publishers are reinterpreting contracts in whole new ways, ways that they never looked at in the past.

The big shift is that publishers no longer see themselves as manufacturers and distributers of books. They’re running a rights management business, which means taking advantage of the full copyright on a property, instead of licensing a tiny part of that copyright. (If you don’t understand that sentence, get a copy of the Copyright Handbook. If you’re too damn lazy or cheap to do that, at least see this blog post of mine.)

(2) ATWOOD. “Margaret Atwood awarded 2016 PEN Pinter Prize”.

Canadian poet, novelist and environmental activist Margaret Atwood has been awarded the 2016 PEN Pinter Prize. She will receive her award at a public event at the British Library on the evening of Thursday 13 October, where she will deliver an address.

Margaret Atwood was chosen by this year’s judges Vicky Featherstone, Zia Haider Rahman, Peter Stothard, Antonia Fraser and President of English PEN and Chair of Judges, Maureen Freely.

The judges praised Atwood as a ‘consistent supporter of political causes’, adding ‘her work championing environmental concerns comes well within the scope of human rights … she is a very important figure in terms of the principles of PEN and of Harold Pinter’.

Atwood said:

I am humbled to be the recipient of the 2016 PEN Pinter Prize. I knew Harold Pinter and worked with him – he wrote the scenario for the film version of The Handmaid’s Tale, back in 1989 – and his burning sense of injustice at human rights abuses and the repression of artists was impressive even then. Any winner of such an award is a stand-in for the thousands of people around the world who speak and act against such abuses. I am honoured to be this year’s stand-in.

(3) GUY WITH A GUN. Bruce Arthurs wrote about this army experience in 2012 after the Aurora theater shooting, and it’s relevant again this week: “Shots In The Dark, or, How I Became A Sharpshooter”.

Several ammo clips later, I and the other trainees have finished the Night Firing exercise and gather around to get our scores. I get a high score.  I get a surprisingly high score.  I get an astonishingly high score, far above the type of scores I’d gotten during daytime firing exercises.  I get a score so high that suddenly I’ve moved up into Sharpshooter-level numbers. That Holy Shit guy?  He skunked it.  Didn’t hit a single target. Well, let’s revise that statement, because it doesn’t take much time or brains to figure out what happened.  In the dark, with everyone firing around him, with multiple targets and multiple dim flashes, he’d gotten his orientation just slightly off and had been shooting at the wrong target.  The target of the guy next to him.  At my target.

(4) HOWARD TAYLER’S TAKE ON GUN OWNERSHIP.

(5) FIRST FIFTH. Joe Sherry continues his series at Nerds of a Feather with “Reading the Hugos: Novel”. Number five on his ballot is: The Aeronaut’s Windlass:

Butcher’s novel is the only finalist not on my nomination ballot. Prior to last year, I was completely unfamiliar with Butcher’s work. I knew that it existed, but until Skin Game‘s nomination, I had never read anything Butcher wrote. Happily, Skin Game was a solid read and one that I vastly preferred over the eventual winner, The Three-Body Problem. The Aeronaut’s Windlass is the first volume in a steampunk epic fantasy series from Butcher. I like it more than Skin Game, and I’m happy to be getting in on the ground floor of the series rather than jumping in at Book 15 like I did with the Dresden Files. The setting was fantastic (airships and insanely tall towers), but what drew me in was the characters. Gwen, Benedict, Brother Vincent, Bridget Tagwynn, Rowl, Captain Grimm, and pretty much everyone across the board are what sold me on this book. These are characters I would love to spent more time with.

This is one of those spots on my ballot that I could realistically swap positions with the next one up. I think Seveneves is an overall a better book, but I enjoyed The Aeronaut’s Windlass just about as much as I did Seveneves, just in different ways. They are two very different sorts of novels, and I’m down for more of Butcher’s Cinder Spires series, but Seveneves gets the nod today.

Sherry’s first installment was – “Watching the Hugos: Dramatic Presentation Long Form”.

(6) CONCLUSION OF FROZEN SKY. “Jeff Carlson has finished his Frozen Sky trilogy and the third book is by far the biggest and most ambitious of the 3 books,” reports Carl Slaughter. Frozen Sky 3: Blindsided was released June 11.
Carl interviewed Jeff in 2014 for Diabolical Plots. He was nominated for the John Campbell and Philip Dick awards and has been published in Asimov’s.

The aliens in The Frozen Sky are intelligent, but they look a bit like squids, they don’t speak and they don’t have sight. Why not bipedal aliens like Vulcans or Klingons or Romulans with vocal cords and eyes?

Because I’m not constrained by a production budget! Ha. “Let’s glue some ears on him. We’ll glue some forehead thingies on them. Okay, we’re done.”

Star Trek is good fun but limited in presentation. That’s the beauty of being a novelist. The medium requires the reader’s imagination. Yes, I direct the action, but hard sf readers are smart readers. They want to be strangers in a strange land. So I can say, well, I have this claustrophobic three-dimensional low-gravity environment like the mazes of an ant farm inside Europa’s icy crust. What would kind of creatures would evolve here? Six-foot-tall bipedal creatures like people? Heck no.

Jeff’s other series is the Plague series.

(7) GREAT GHOSTBUSTERS POSTER.

(8) EARLY WRITING. Jami Gray gets a great interview — “Hugo award winner, Seanan McGuire visits with latest InCryptid novel!”

Many writers have that first novel which will never see the light of day. Out of curiosity, do you have one stashed somewhere? Inquiring minds want to know: what was your first attempt at writing and how old were you?

My first serious attempt at writing was a fourteen-page essay when I was nine, explaining to my mother why she had to let me read Stephen King. It had footnotes and a bibliography. I finished my first book when I was twelve. It was called Dracula’s Castle, and if I knew where it was, I’d probably put it online.

(9) MORE STORIES. Editor Glenn Hauman’s Indiegogo appeal to fund the Altered States of the Union anthology has an update – “We’re annexing new territory!”

The response to the concept behind Altered States has inspired a lot of authors to join in the fun, so we’re proud to announce we’re expanding the book by almost 60%, adding new stories by:

  • Russ Colchamiro
  • Peter David
  • Keith R.A. DeCandido
  • Robert Greenberger
  • Meredith Peruzzi
  • Aaron Rosenberg
  • David Silverman & Hildy Silverman
  • Anne Toole

(10) A BOOKSTORE NEAR YOU. Dutch writer Thomas Olde Heuvelt will be on a book tour in the US in June and July, courtesy of TOR. The trip includes three appearances in California, including an LA-vicinity stop at Dark Delicacies Bookstore in Burbank on the evening of Tuesday, July 19.

TOH-US-Tour-2016

(11) MEDIA STRATEGY. Vox Day’s tells followers at Vox Popoli that his new philosophy is “Don’t talk to the media!”

In light of my ridiculous experience with Wired and after seeing how multiple media outlets turned to George RR Martin and John Scalzi to ask them to interpret my actions, I now turn down most media requests. I do so literally every week; I just turned down two yesterday alone. The media is not in the business of reporting the news, they are in the business of selling their masters’ Narrative.

(12) A MAD GENIUS ON THE HUGOS. Kate Paulk devotes half of “Hugo Awards – The Nominee Highlights – Best Fanzine” to criticizing Gregory Benford’s intention to vote for Steve Stiles in the Best Fan Artist category. Yet his reasons for supporting Stiles — Steve’s years of accomplishment as a cartoonist — parallel my reasons for voting for Toni Weisskopf as Best Pro Editor in 2015.

(13) PRINCE OF TIDES, THE GREAT SANTINI. George R.R. Martin urges readers to donate:

Pat [Conroy] passed away in March… but his books will live on, and so will his memory. In his memory, his family has now establishing a Pat Conroy Literary Center in his beloved home town of Beaufort, South Carolina. You can read about it here: http://patconroyliterarycenter.org/ A worthy project, I think. I’ll be donating. I urge all of you who love good writing to do the same.

(14) LOOKING FOR LAUGHS? The B&N Sci-Fi & Fantasy Blog is enthusiastic about Joe Zieja’s humorous Mechanical Failure.

Comedy is a tricky beast, especially in science fiction. The Hitchhiker’s Guide to the Galaxy is unquestionably a towering achievements of the form, but after than, opinions vary wildly (we’d wager John Scalzi has equal numbers of fans who either want him to stop trying to be funny, or to stop writing books that are so serious). It’s rare in genre to find a book that can do satire without being preachy, comedy without being entirely silly (not that a little silliness is a bad thing), and still manage toss a little “science fiction” into the mix. Joe Zieja’s debut novel, Mechanical Failure (the first part of the Epic Fail trilogy, which gives you a hint as to what you’re in for) makes as good a bid as we’ve seen in quite some time, diving headfirst into full-on military SF parody and making it look easy.

(15) UPJOHN OUTPACED BY REALITY? Alexandra Erin’s facing a challenge that reminds me of the one Garry Trudeau faced while producing Doonesbury during the Watergate era — it’s hard to be more absurd than real life.

Mr. Upjohn’s post-con report from WisCon is still forthcoming; it’s evolved and grown a few times since the con actually ended as I took reality onboard , which once again has made parody seem tame. When actual flesh and blood con attendants are decrying the “dystopian” tape lines designating travel lanes on the crowded party floor, I clearly need to step up the game.

Meanwhile, Erin writes, “I’d really love to close out my WorldCon fundraiser” – still needs $375.

(16) CHANGE OF ADDRESS. Juliette Wade has ported her TalkToYoUniverse content to her Dive Into Worldbuilding site.

Introducing the Dive into Worldbuilding Workshop at Patreon!

Dive into Worldbuilding started in 2011 – five years ago – when Google+ introduced their hangouts feature and I decided it would be fun to hang out with fellow writers and talk about worldbuilding. Since then, it has grown and changed, from just a bunch of friends meeting online with no record except my written summaries, to a meeting that got recorded and sent to YouTube, to a show featuring a wide variety of guest authors as well as regular topic discussions. With each change, my goal has been to reach a wider variety of interesting people, listen to more interesting views on worldbuilding, and share insights with as many people as possible.

Today, I’m taking it a step further with the Dive into Worldbuilding Patreon – which is also the Dive into Worldbuilding Workshop.

This Patreon will do more than just support my research into panel topics. It will help me to pay my guest authors for their time and expertise – but it will also let me help more of you.

(17) TODAY IN HISTORY

  • June 16, 1816 — At the Villa Diodati, Lord Byron reads Fantasmagoriana to his four house guests—Percy Shelley, Mary Shelley, Claire Clairmont, and John Polidori—and challenges each guest to write a ghost story, which culminates in Mary Shelley writing the novel Frankenstein, Polidori writing the short story The Vampyre, and Byron writing the poem Darkness.

[Thanks to Petréa Mitchell, Vincent Docherty, Michael J. Walsh, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/15/16 Great Sky Pixel

(1) DEFENDING SELF-DEFENSE. Larry Correia covers a lot of ground in “Self-Defense Is A Human Right” at Monster Hunter Nation. Here’s a representative excerpt.

Orlando is yet another example that Gun Free Zones are vile, stupid ideas. The intent is to prevent people from getting hurt. The reality is the opposite. Your feelings on the matter don’t change the results. The vast majority of mass shootings have taken place in areas where regular citizens are not allowed to carry guns.

I’ve seen a lot of people over the last few days saying that the “random good guy with a gun” is a myth. That is foolish simply because we have plenty of examples where a mass shooter was derailed or stopped by the intervention of a random person who happened to be near. Just in my home state alone, which is relatively peaceful, with low crime, a low population, and above average police response time in our urban areas, I can think of several instances where a killer was interrupted or stopped entirely by somebody other than the responding officers.

Sometimes these were regular citizens with concealed weapons permits (KSL shooting, mass stabbing at Smiths) and others they were off duty police officers in regular clothing going about their daily lives who responded first (Trolley Square, Salt Lake Library hostage situation) or even a parole officer who just happened to be at a hospital (Cache) for unrelated reasons, and ended up saving lives.

The identity of the responder doesn’t matter, just that there is one as soon as possible. The important thing is how much time elapses between the beginning of the massacre and the violent response, because that is time the killer is allowed to work unimpeded. In some cases the attack was in a gun free zone and the responders had to leave, go to their vehicles, retrieve a weapon, and then return (Pearl Mississippi, and if I recall correctly the Appalachian School of Law).

Traditionally the gay community has trended overwhelmingly statistically liberal in their politics, with a correspondingly low number of gun owners. But being unarmed also makes you easier victims for evil people. This has to change.

I don’t care what your personal beliefs are, or what your lifestyle is, self-defense is a human right. Take advantage of it. Please.

(2) EUROCON HITS MEMBERSHIP LIMIT. Eurocon 2016 Barcelona has sold out four months ahead of the event.

The committee is creating a waiting list where members who no longer want their memberships can arrange an exchange with people who wish to join—email info@eurocon2016.org

Perhaps unexpectedly, the committee is also publicizing on its Facebook page things that people who don’t have memberships can do at and around the con:

Even if you are not lucky, there are several activities you can enjoy without a membership. Our DEALERS ROOM will be awesome! Bring your wallet and cards, we will make sure you keep on using them. You can also enjoy the EXHIBITIONS (three, but allow us our secrets for the moment), and there will be a number of presentations of books in the LIBRARIES of Barcelona.

Also, our friends at GIGAMESH bookstore will have special activities during the days before Eurocon, and CHRONOS bookstore has several surprises in the oven, too.

For a bit of money, if you have some left after the Dealers Room, there will be THREE PANELS open for the general public at CCCB. We are doing this in order to attract people from outside fandom, but that doesn’t mean these events can’t be enjoyed by true fans who, ahem, forgot to buy their memberships in time.

Last but not least, FILMOTECA DE CATALUNYA will project a few movies with panels afterwards featuring some of our celebrities. The tickets will not be expensive, we promise.

(3) CLASS. Showrunner Ness is conflicted — “Doctor Who spin-off will have a gay lead character”: should he take credit, or say that’s how the world should work?

Doctor Who spin-off TV series Class will feature an gay lead character, it has been confirmed.

Celebrated author Patrick Ness is helming upcoming the BBC spin-off series, which features teenagers at a school set in the Whoniverse.

The show has been described as a British take on Buffy the Vampire Slayer; and Ness revealed this week that like Buffy, one of the main characters will be gay.

After recent events in Orlando, he tweeted: “Been asked if Class will have LGBT representation in it. Will a lead character with a boyfriend who he kisses & sleeps with & loves do?

“We were keeping that secret, but today that secret doesn’t seem very important. #lovewins”

The series stars Mr Selfridge’s Greg Austin, alongside  Fady Elsayed, Sophie Hopkins and Vivian Oparah.

Ness added: “Kind of astounded that having a gay lead on Class has been such big news. One day it won’t be, one day soon.

(4) EYE ON SHORT FICTION. At Locus Online, “Rich Horton reviews Short Fiction, May 2016”.

March is science fantasy month at Beneath Ceaseless Skies, which I always like. There’s something about mixing SF and fantasy that to my mind brings forth ideas wilder and more colorful than either genre provides alone. The best, which is to say, weirdest example comes from Jason Sanford (not surprisingly). ‘‘Blood Grains Speak Through Memories’’ (3/17) is set in a far future in which the environment is preserved by ‘‘anchors’’, humans en­hanced by ‘‘grains’’ on their land. ‘‘Normal’’ humans (called day-fellows) are forced to a nomadic life: if they stay too long anywhere, or interfere with the environment (use too high technology, or cut down a tree), the grains will compel the anchors to kill them. Frere-Jones Roeder is an anchor with doubts, some related to her now dead life-partner, some to an atrocity she committed at the behest of the grains long before, some expressed in her concern for her son, exiled to life among the day-fellows. When a day-fellow girl becomes infected by the grains on her territory, she is finally pushed to take a drastic step. It’s cool and strange stuff, almost gothic at times, thought-provoking and honest.

(5) DROP IN ANYTIME. Jeremy P. Bushnell selects “Five Books Riddled with Holes” for Tor.com.

I have a good friend who suffers from trypophobia, the fear of holes. (If you think you might have this, I don’t recommend Googling it, as right on top of the search results is a rather horrific array of “images for trypophobia.”) When my new novel, The Insides, came out, I had to apologize to this friend—going so far as to offer to personally hand-annotate her copy of the book with trigger warnings—because holes are at the very center of the narrative. The novel features a set of characters who use magic to cut holes into the fabric of time and space, and these holes don’t always behave as they should: sometimes they open or reopen unexpectedly, sometimes weird things come out of them.

(6) THERE’S THAT PESKY TAVERN AGAIN. Guess what shows up in “Juliette Wade takes a ridiculously close look at the worldbuilding of Ancillary Justice” on Ann Leckie’s blog?

Paragraph 1:

The body lay naked and facedown, a deathly gray, spatters of blood staining the snow around it. It was minus fifteen degrees Celcius and a storm had passed just hours before. The snow stretched smooth in the wan sunrise, only a few tracks leading into a nearby ice-block building. A tavern. Or what passed for a tavern in this town.

I’m going to start here with the word “The.” That little article has an important job, which is to tell you that “body” is something that someone already knows about. It’s as if someone just said “Wow, a body,” and then the story picked up an instant later. As readers, we are seeing it for the first time, but we can sense that observing someone outside the boundaries of the page. Thus, “the” implies the presence of a narrator. The first hint of a world comes with “the snow around it.” Our minds produce a snowy scene.

(7) PLANETARY SOCIETY. In the fifth installment of The Planetary Post, Robert Picardo and Bill Nye take a special tour of NASA’s Goddard Space Flight Center to see the amazing new James Webb Space Telescope.

(8) EXTRA CREDIT. The Planetary Post webpage has additional links of interest.

Juno Orbit Insertion: The Juno spacecraft will arrive at Jupiter on July 4-5 (orbit insertion is on the night of July 4 in the Americas, early July 5 in the Eastern Hemisphere). This groundbreaking mission will improve our understanding of the solar system’s beginnings by revealing the origin and evolution of Jupiter. Watch our CEO Bill Nye demystify the cutting-edge science behind NASA’s Juno mission to Jupiter. Follow Emily Lakdawalla to learn when you will be able to see new Jupiter pictures from its camera, JunoCam.

Tanking It To The Streets: After an epic parade through the streets of Los Angeles, the last unflown space shuttle external tank arrived at the California Science Center to be displayed alongside the Space Shuttle Endeavour. The tank, known as ET-94, had quite an eventful journey—including a rescue at sea.

New Space Policy Podcast: Planetary Radio just launched a monthly podcast that looks underneath the hood of how NASA works. Join Space Policy Director Casey Dreier, Policy Advisor Jason Callahan, and Mat Kaplan in this new series exploring the history, politics, and process of how we get to space. A new episode will be released on the first Friday of every month. Subscribe to Planetary Radio on your favorite listening platform.

SpaceX’s Fantastic Four: Elon Musk and his team have done it again and landed a fourth first-stage booster. This makes three landings by sea and one by land. Be sure to watch the spectacular Falcon 9 landing from the side of the booster.

LightSail™ 2 Test Success: Our citizen-funded LightSail 2 spacecraft recently breezed through a major systems test. The CubeSat successfully deployed its antenna and solar panels, communicated with the ground, and unfurled its 32-square-meter solar sails in a lab setting. Read more in our full recap.

(9) JUST LIKE CLOCKWORK. Tor.com has posted the first chapter of David D. Levine’s Arabella of Mars as a free read.

Arabella-MarsA plantation in a flourishing 18th century British colony on Mars is home to Arabella Ashby, a young woman who is perfectly content growing up in the untamed frontier. But days spent working on complex automata with her father or stalking her brother Michael with her Martian nanny is not the proper behavior of an English lady. That is something her mother plans to remedy with a move to an exotic world Arabella has never seen: London, England.

However, when events transpire that threaten her home on Mars, Arabella decides that sometimes doing the right thing is far more important than behaving as expected. She disguises herself as a boy and joins the crew of the Diana, a ship serving the Mars Trading Company, where she meets a mysterious captain who is intrigued by her knack with clockwork creations. Now Arabella just has to weather the naval war currently raging between Britain and France, learn how to sail, and deal with a mutinous crew…if she hopes to save her family remaining on Mars.

Arabella of Mars, the debut novel by Hugo-winning author David D. Levine offers adventure, romance, political intrigue, and Napoleon in space—available July 12th from Tor Books. Read chapter one below, and come back all this week for additional excerpts!

(10) POWERED BY BELIEF. Kameron Hurley is a trusted interpreter of the career writer’s inner life — “Real Publishing Talk: Author Expectation and Entitlement”.

As I’ve had more interest in my work, and more opportunities have come my way, I’ve also learned how to say no to things that aren’t furthering my ultimate goal of building my work into its own powerhouse. This is another reason I still hold onto the day job, because it means I don’t have to take every deal or every opportunity. Still, it’s hard to say no. You’re always concerned about opportunities drying up. What if this is the best it ever gets? What if I don’t get an opportunity again?

And then I look at my career and I go, “We are just getting started.”

And it is this, this hope, this rally from the depths of doubt and despair, that keeps me going. You must believe in the future. You must believe you can create it. You must believe that endurance, and hard work, and persistence, will carry you through.

(11) YOON HA LEE. Aidan Moher was pleased he found a reason to persist, as he explains in “Stealing the Future: Ninefox Gambit by Yoon Ha Lee”.

I have a confession to make. When I finished the first chapter of Ninefox Gambit, the debut novel from noted short fiction author Yoon Ha Lee, I thought that was all I would read. It wasn’t clicking with me. I found the world confusing, the action gruesome, and the pace difficult to keep up with. I could recognize that novel’s quality, and the originality that Lee is known for, but other books beckoned, and there was an easy, lazy whisper at the back of my head. “It’s just not for you,” it said. I listened, and moved onto another book.

Yet, here I am reviewing it.

(12) SEASON 10 SHOOTING BEGINS. CinemaBlend tells fans “Doctor Who Is Giving Fans Way More Of An Unexpected Character”.

It was announced today that Bridesmaids star Matt Lucas will reprise Nardole for the opening episode of Doctor Who Season 10, which begins filming in Cardiff on June 20. Reuniting with the Twelfth Doctor and meeting his new companion, Bill (played by Pearl Mackie), for the first time, Lucas’ Nardole will have a recurring role throughout the season. The episode is being written by showrunner Steven Moffat, and it was also revealed that Sherlock actor Stephanie Hyam will have a guest cast role this season.

(13) CYBERPUNK WOMEN. Before moving on to the positives, Geoff Willmetts starts with the shortcomings of “Cyberpunk Women, Feminism And Science Fiction by Carlen Lavigne (book review)” at SF Crowsnest.

I had slight misgivings with the preface to Carlen Lavigne’s book, ‘Cyberpunk Women, Feminism And Science Fiction’ when she starts describing the history of cyberpunk without mentioning Bruce Bethke’s 1983 short story but in the proper introduction, she clearly is well read on the subject and covers the history in the following chapter. She describes cyberpunk as belonging to the 4 C’s: corporation, crime, computers and corporeality (read that as corporations) and the changes to our world today as computer technology takes over our reality and taken to extremes. She also includes cyborgs as a near fifth C. Oddly, she misses out the meaning of ‘punk’. Not the original meaning which meant ‘prostitution’ but that of rebellion as given with the UK punk movement of the 1980s. The reason why ‘cyberpunk’ didn’t really last that long was because, unlike William Gibson’s assertion that people would rebel against computers, is because they embraced the technology instead. Many of you people reading here lived through that period and look what you’re reading this review on. Something else Lavigne misses out on is Gibson admitting that he doesn’t like computers and I suspect those who read his novels probably raised their own eyebrows as to how druggies could program computers when you really need all your attention when writing code.

(14) OUTSIDE OF A WALRUS. Camestros Felapton created a parody of Tran Nguyen’s Spectrum-winning art “Traveling To a Distant Day,” as it appeared on the cover of semiprozine Hugo nominee Uncanny.

Then he shared his analysis: “Hugo Choices 8: Best Semiprozine – Sci-Phi beats No Award” — and for a moment I panicked because I thought that meant it was the only nominee he placed above the event horizon. But no, he means all the nominees deserve to be ranked above No Award.

What Sad Puppies (particularly SP4) has inadvertently demonstrated, is that the lack of authentic conservative voices in modern science fiction lies less with sinister conspiracies or SJW gate-keepers but rather a genuine lack of conservatives writing SF/F of any great depth. Sci-Phi journal hasn’t fixed that problem but at least it is attempting to do something constructive about it.

(15) GAIMAN ON STAGE. In the Baltimore Sun Tim Smith reviews a production of Neverwhere, the fantasy novel and BBC television series by Neil Gaiman adapted for stage by Robert Kauzlaric and performed by the Cohesion Theatre of Baltimore.  He says “this theatrical version…is well worth visiting.”

Whatever the influences, Gaiman spins a good, fresh yarn. And Kauzlaric’s adaptation does a mostly smooth job of cramming in characters and incidents, while maintaining a coherent thread.

Likewise, director Brad Norris proves adept at keeping the Cohesion production cohesive, drawing nicely delineated portrayals from the actors (accents are respectably achieved), and keeping the pace taut enough to make a long play feel almost speedy.

Some of the dry wit in the script could use brighter delivery; that may emerge as the run continues. But the violent bits — the story gets pretty dark at times — are well in hand, deftly guided by fight choreographer Jon Rubin….

(16) ABOUT FEYNMAN. In a 2011 TEDX talk called “Leonard Susskind: My Friend Richard Feynman”, Stanford physicist Susskind tells Feynman stories.  Sidney Coleman is mentioned starting at about 4:06 and continuing for a minute as Feynman, Susskind, and Coleman, take on some clueless philosophers over the nature of artificial intelligence.

Richard Feynman was a very complex man. He was a man of many, many parts. He was, of course, foremost, a very, very, very great scientist. He was an actor. You saw him act. I also had the good fortune to be in those lectures, up in the balcony. They were fantastic. He was a philosopher; he was a drum player; he was a teacher par excellence. Richard Feynman was also a showman, an enormous showman. He was brash, irreverent — he was full of macho, a kind of macho one-upmanship. He loved intellectual battle. He had a gargantuan ego. But the man had somehow a lot of room at the bottom. And what I mean by that is a lot of room, in my case — I can’t speak for anybody else — but in my case, a lot of room for another big ego. Well, not as big as his, but fairly big. I always felt good with Dick Feynman.

 

[Thanks to JJ, robinareid, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]

Pixel Scroll 3/9/16 Pet Symmetry

(1) REMEMBERING HARTWELL. Rudy Rucker has one of the best personal tributes to the late David G. Hartwell that I’ve read.

In 2005, Dave got me invited to give the keynote talk at ICFA, the International Conference for the Fantastic in the Arts, held in a brutally cold motel Florida. One of the organizers quipped, “We don’t come here for the sun, we come here for the air-conditioning.”

Dave told me that a member of the committee had said, “We can’t invite Rucker, he’s a difficult drunk,” and Dave told him, “Not any more.” By then I’d been sober for nearly ten years. I said to Dave, “I wonder if my drinking years had a bad effect on my career.” Dave said, “I don’t think so. Even now, I still talk to people who are very disappointed when they see you at a con and you aren’t swinging from the chandeliers.”

(2) JEMISIN DISCUSSES ROWLING’S NEW WORLD MAGIC. N.K. Jemisin’s verdict on Rowling’s magical North America is: “It could’ve been great.”

…I’m still careful, even with “dead” faiths, because I don’t know how playing with these things might hurt real people. Nations have been built upon and torn down by the concepts I’m playing with. The least I can do is research the hell out of a thing before I put a toe in that ancient water.

It’s even more crucial for religions that are alive, and whose adherents still suffer for misconceptions and misappropriations. But these are easier to research, and it’s often much easier to figure out when you’re about to put a foot right into a morass of discrimination and objectification. All the evidence is there, sometimes still wet with blood. You just need to read. You just need to ask people. You just need to think….

Anyway. This is just to say that there’s a number of ways Rowling could’ve made her Magical North America work without causing real harm to a lot of real people. That would be for her to have treated American peoples — all of us — with the same respect that she did European. Pretty sure she would never have dreamt of reducing all of Europe’s cultures to “European wizarding tradition”; instead she created Durmstrang and Beauxbatons and so on to capture the unique flavor of each of those cultures. It would’ve taken some work for her to research Navajo stories and pick (or request) some elements from that tradition that weren’t stereotypical or sacred — and then for her to do it again with the Paiutes and again with the Iroquois and so on. But that is work she should’ve done — for the sake of her readers who live those traditions, if not for her own edification as a writer. And how much more delightful could Magic in North America have been if she’d put an ancient, still-thriving Macchu Picchu magic school alongside a brash, newer New York school? How much richer could her history have been if she’d mentioned the ruins of a “lost” school at Cahokia, full of dangerous magical artifacts and the signs of mysterious, hasty abandonment? Or a New Orleanian school founded by Marie Laveau, that practiced real vodoun and was open/known to the locals as a temple — and in the old days as a safe place to plan slave rebellions, a la Congo Square? Or what if she’d mentioned that ancient Death Eater-ish wizards deliberately destroyed the magical school of Hawai’i — but native Hawai’ians are rebuilding it now as Liliuokalani Institute, better than before and open to all? …

(3) BAR’S NEW NAME. SF Site News, in its story “Geek Bar Rebrands”, reports that Geek Bar Chicago has changed its name to SFCO.

The rebranding will also bring in an influx of video consoles, late night programming, and new hours, Sunday and Wednesday from 5pm to 10pm, Thursday and Friday from 5pm to Midnight, and Saturday from 3 pm to 2 am. The bar will be closed on Mondays and Tuesdays. In addition to their game selection, SFCO will continue to offer a rotating menu of geek-themed signature cocktails and a pop culture reference-filled menu items. The news of the rebranding was followed by former CEO David Zoltan announcing that he had resigned from Geek Bar in January.

(4) JULIETTE WADE’S FANCAST. Juliette Wade’s TalkToYoUniverse is a great place to find regular coverage of “linguistics and anthropology, science fiction and fantasy, point of view, [and] grammar geekiness.” Wade is often joined by a guest writer, as in the latest installment, “Andrea Stewart – a Dive into Worldbuilding”.

Something that makes Wade’s project exceptional is that every episode is accompanied by a post fully detailing what was discussed. Here are the first few paragraphs about her visit with Stewart –

We were joined for this hangout by author Andrea Stewart, who told us a bit about her worldbuilding and her work. Her work has appeared in Beneath Ceaseless Skies, IGMS, and Galaxy’s Edge.

We started by talking about a piece she had in Beneath Ceaseless Skies. Set in a psudo-Chinese culture, it featured an opium den with magical smoke, in a place where the land surrounding the city was dying and this had become the people’s escape. Very cool story! Andrea explained that her mom is a Chinese immigrant, so half her family is Chinese. One of the key differences, she says, is in conversational interaction style.

I asked her about her series, the Changeling Wars. She told me that it had begun as a writing exercise, where every person in a group picks a word, and then each member has to write a piece that uses all the words chosen by the group. She describes this series as being part of a move from dark fantasy to a bit lighter fantasy. The first book begins when a woman walks in on her cheating husband, and her emotion is so powerful in that moment that it awakens magic in her. It turns out she’s a changeling, and not just adopted, as she believed.

Andrea has very warm words for writing exercises, which she says can spark ideas you might not otherwise come up with.

There are 101 Worldbuilding hangouts in the index, 25 featuring special guests, including Aliette de Bodard, N.K. Jemisin, Ken Liu, Myke Cole, Usman T. Malik, Cat Rambo, Sofia Samatar and Isabel Yap.

(5) IN FOR A DIME. Sonia Orin Lyris tells how she “Will Build Worlds for Spare Change” at The Fictorians.

The next week my inbox was filled with indignant treasures, among them this: “No, no, no! This is NOT a D&D game. Coins have names! Coins have histories!”

I instantly knew how right she was. Knew it like the contents of my own pocket.

Pennies. Nickels. Dimes. Not “coppers.” Not “large silvers.”

I dove back into my research and emerged soaked in currency-related facts, from minting to metals, from Greece to China. The facts went on and on, as did the likeness of people and horses and birds and insects, of ships and buildings, of angels and flowers, of myths and monarchs.

So many coins, each symbolizing their culture’s prosperity and priorities. Its very self-image.

I now understood that not only did coins have names and histories, but they were keys to wealth and power, to trade and politics. Coins affected everyone, from rulers to merchants to the poorest of the poor. Coins mattered, and mattered quite a bit.

Coins had names and histories. They had faces. Coins traveled.

That’s when it hit me: Coins are stories.

(6) EVEN MORE WORLDBUILDING ADVICE. Coining words is the focus of “This Kind of World Building :: An Interview with Sofia Samatar” at Weird Sister.

Kati Heng: One thing that always amazes me is when a writer is able to make up not just a story, but also an entire language behind it. Like all creative writing, there must be rules you set for its creation. Can you tell me a little bit about the inspiration behind Olondrian, and especially how the names of characters were created?

Sofia Samatar: Making up the languages was one of my favorite parts of creating the world of Olondria. The biggest influence on the Olondrian language is Arabic, which I had studied before writing A Stranger in Olondria, and was speaking daily while writing the book in South Sudan. I was inspired by Arabic plurals, for example, to devise a complicated system of plural patterns for Olondrian. Olondrian pronouns resemble Arabic pronouns as well. And, like Arabic, Olondrian has no P sound (any word with a P in it has been imported from another language).

The creation of the language was closely tied to the development of names. I don’t have anything close to a complete Olondrian vocabulary, but I do know what the names mean. “Vain” means forest, for example, so there are a bunch of “vains” on my map — Kelevain, Fanlevain, and so on. “Kele” means hunting. “Fanle” means apple.

To invent the names, I chose small chunks of sound that seemed pretty to me and played with combining them. Few activities can be more self-indulgent. It was wonderful

(7) VALLEY FORGE SHARES CoC DRAFT. The Valley Forge in 2017 NASFiC bid’s “Progress Update 2” links to its draft Code of Conduct and other policies. (They also unveiled their mascot, Proxie the Celestial Raccoon.)

Next, we have had a number of queries about what our code of conduct will look like if and when we win the bid. Like I mentioned in the last progress update, we’ve been working on a draft of the CoC for a while now, and it has been a whole heck of a lot of work for the entire team. After many, many hours of sweat and toil by all of us, we’re happy to be able to share version 1.0 of the Valley Forge 2017 Code of Conduct (html version) with you.

Now obviously, calling it “version 1.0” implies that we expect updates, and we do. The convention is a long way (and a successful vote) away and there are some details that we just can’t get in place until we have more structure, like phone numbers and room locations and websites. A lot can change in a year and a half, so what you see here may not be exactly the same thing you see if and when you show up at our door – but substantively, we are happy with what we have and are proud to put our names behind it. If you have any feedback, we’d love to hear it.

We’re also elbow-deep in the guts of an internal procedures manual for how to deal with a variety of scenarios, including what to do if we receive a report of a code of conduct violation. That’s not quite ready for prime time yet, and may not be ready until we have a more formal concom structure in place of our current bidcom (in other words, until and unless we win the bid). If we can whip something into releasable shape before then, we will publish that as well.

(8) THE KESSEL RUNS. It is alleged the full title of Kitbashed’s “Complete History of the Millennium Falcon” is “The Complete Conceptual History of The Millennium Falcon or How I Started Worrying and Lost My Mind Completely Over a Fictional Spaceship Someone Please Do Something Send Help Why Are You Still Reading Someone Do Something.”

The Pork Burger

The ILM model shop built the new Pirate Ship model, and quickly found a way to distinguish it from the old one in conversation, namely by adopting Grant McCune’s nickname for it: The Pork Burger.

And if you want my theory, that’s where the myth of the design being based off of a burger Lucas was eating got started.

(9) FURRY CUSTOMS. The Independent learned from Twitter that “Syrian refugees in Canada got housed in same hotel as VancouFur furry convention and the children loved it”.

The fifth annual VancouFur convention, in which people dress up as fictional anthropomorphic animal characters with human personalities and characteristics, was held at the same hotel where a number of Syrian refugees are currently being housed.

A message was given to all attendees at the convention that the hotel had been chosen as one of the temporary housing locations for the Syrian refugees in Canada, and that “a major concern that VancouFur has is ensuring that each and every one of the refugees (and attendees) feels welcome and safe and the fact that this is likely to be a major shock to them”.

“Keep in mind that they likely will not want to interact with you and consent is important to everyone,” the message added.

But luckily for everyone involved, the refugees – especially the children – loved it.

 

(10) TODAY’S BIRTHDAY GIRL

  • Born March 9, 1911 — Clara Rockmore.

Rockmore was a master of the theremin, the world’s first electronic music instrument and first instrument that could be played without being touched.

On what would have been her 105th birthday, Rockmore has been commemorated with a Google Doodle. The interactive game teaches you to play the theremin by hovering your mouse over the notes to play a melody.

google_doodle_clara_rockmore-large_trans++4k9pB6mVv575RZMUuuHUNod8NF4FUHHs1V8EwfI8yHk

(11) PROPHET IN HIS OWN LAND. Even George R.R. Martin won’t be allowed a hometown premiere of Game of Thrones Season 6.

And yes, it’s true. After last year’s unfortunate leak, HBO is not sending out any press screeners this year, to try and cut down on the piracy.

They have also eliminated all the regional premieres, including (sob) the one we had scheduled at my own Jean Cocteau Cinema. This year the only premiere will be the big one in LA at Grauman’s Chinese.

The Jean Cocteau will, however, go ahead with our season 5 marathon. Admission is free, so watch our website and newsletter for show times.

(12) LESSER OF TWO WEEVILS. Joe Hill brings his skills as a professional horror writer to bear on the Presidential race in his latest “Perspective”.

I asked my three sons and a cousin what would be scarier: 8 years of a Trump presidency, or two kaiju attacks, one on Washington D.C. and one on L.A., separated by 8 years. Assume standard kaiju size (20 stories, 80,000 tons), atomic breath, acid blood, probably the ability to produce subsonic blasts with one whap of the tail. Immune to conventional nuclear weapons. Highly aggressive.

By a vote of 3 – 1, they agreed two kaiju attacks would be much worse for the nation than if Trump were to become President of the United States. So if you feel depressed by Trump’s toxic mix of misogyny, xenophobia, and bullying, look to this for a cheer-up. It could be worse. You could be jellied beneath the trampling scaly feet of a salamander the size of a skyscraper.

Admit it. You feel better all ready.

(13) THIS JUST IN. “New Survey Finds 92% Of Evangelicals Would Have Supported Genghis Khan” reports Babylon Bee.  

Genghis Khan, the genocidal warlord who conquered most of Central and Northeast Asia during the first part of the thirteenth century, enjoys widespread support from twenty-first century evangelicals, a new CNN poll revealed Tuesday.

“The level of support for the Supreme Khan of the Mongols is off the charts,” explained Malcom Johnstone, the pollster who conducted the survey for CNN. “I’ve never seen anything like it. Clearly, there is a strong correlation between being pro-God and pro-Genghis.”

Still, many Christians question the accuracy of the new findings.

Like Buddy Buchanan of Baton Rouge, Louisiana. “I’ve been in a Bible church my whole life, and I’ve never met anyone who likes this Genghis fellow,” Buchanan revealed to sources. “I just don’t get it. I can’t think of a single person who supports him. I remember there was a cool-looking Khan in one of those Star Trek movies, but I don’t think that’s the same guy.”

(14) SHARKNADO FOUR. “Syfy and The Asylum announce Sharknado 4 casting”Sci-Fi Storm has the story.

Syfy and The Asylum announced today that Ian Ziering will slay again in Sharknado 4 (working title), reprising his role as shark-fighting hero Fin Shepard, while Tara Reid is set to return as April Wexler to reveal the outcome of the fan-voted #AprilLives or #AprilDies social campaign. The fourth addition to the hit global franchise also sees the return of David Hasselhoff as Gil Shepard and Ryan Newman as Claudia Shepard.

(15) FOREVER FANS. Future War Stories presents the case for picking Joe Haldeman’s The Forever War as the best military sf work.

In 1974, Joe Haldeman, armed with his bachelors in Physics and Astronomy along with his experiences in the Vietnam War, would craft a military science fiction tale of UNEF soldier William Mendella. This book, The Forever War, would go on to win every major award and prize, rocketing Joe Haldeman into the realm of sci-fi literature. Since its original publication, The Forever War would be re-edited, translated into every major language, and be adapted into various forms, including an major studio film has been in the works since 2008 and the effort seems to be active. The book’s legacy is being hailed has the best military science fiction book of all time and it has been a source of inspiration for decades. In this installment of the continuing Masterworks series, we will explore and explain why Joe Haldeman’s The Forever War is the best literary military science fiction work. A word of caution: this blog article contains spoilers on key moments of the book. Read at your own risk!

(16) STROSS INTERVIEW. Charles Stross, in an interview at SFF World, thinks magic might be a better metaphor for one of sf’s typical tropes.

And what of newer authors? Are there any personal favourites?

In the past year, I’ve read and been incredibly impressed by Seth Dickinson’s “The Traitor” (US: “The Traitor Baru Cormorant”); grim, harrowing, and deeply interesting for his use of secondary world fantasy as a tool for interrogating kyriarchy. I’ve also been impressed by Alyx Dellamonica’s “Child of a Hidden Sea” (and sequel “A Daughter of No Nation”), V. E. Schwab’s “A Darker Shade of Magic”, and Naomi Novik’s “Uprooted”—secondary world/portal fantasies for the most part. SF … I find myself having a knee-jerk reaction against most of what comes to me as highly-recommended or highly popular SF these days; I think this is partly because—for me, these days—magic works better as a metaphor for depicting alienating technology than actual ham-fisted attempts at describing the thing in itself. (And also because so much of the exotic tech in SF is basically warmed-over magic wands.)

(17) VINESPLAINING. In this GEICO commercial, Tarzan and Jane get into an argument about asking for directions. (I may have linked this before, but I can’t find it…)

[Thanks to John King Tarpinian, James H. Burns, Will R., and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

When The Puppies Come Marching Home 8/28

(1) Steve Rzasa on Speculative Faith“Puppies v. Trufans: Civil War”

My short story Turncoat, set in the Quantum Mortis sci-fi universe and written with a very specific aim, was nominated this way: Last spring, Vox Day approached me about writing a short story for the Riding the Red Horse anthology. He saw it as a successor to Jerry Pournelle’s There Will be War. Since I had a genuinely good time writing the Quantum Mortis books, I agreed. Over the next few months, I brainstormed concepts, and wrote Turncoat in July.

Fast forward to December 2014 and Turncoat was released as part of Riding the Red Horse. The first I learned of the Rabid Puppies thing was when I saw Turncoat on Vox’s slate or list or helpful suggestions round-up — whatever you want to call it — in February. I thought that was nice to be considered for such an award, and vaguely read over what Rabid Puppies’ aim was. Frankly, I didn’t think they had a snowball’s chance. But then again, I knew next to nothing about the Hugos and absolutely zero about the previous Sad Puppies efforts.

Whatever the goals of both Puppy groups are/were, they were not, from my perspective, pursued with Christian views in mind. The campaigning on both sides was, in one word, brutal. Even supposing the Puppy groups were correct that they were persecuted and disregarded when it came to science fiction awards, the whole fracas is in direct violation of Paul’s admonitions in Romans 12: Bless those who persecute you; bless and do not curse them… Repay no one evil for evil, but give thought to do what is honorable in the sight of all. If possible, so far as it depends on you, live peaceably with all.”

The Puppy vs. Trufan war was not conducted in this fashion. There were some on both sides who conducted themselves well, but name-calling and threats dominated. I’m sure a lot of people outside the debate now think there’s a ton of crazy people reading sci-fi and fantasy.

But don’t kid yourself: this showdown was not about faith. It was about message.

(2) Sarah A. Hoyt on According To Hoyt – “Fauxtrage”

Mary Three Names, whom I don’t mean to impugn, because it’s becoming clear to me that she has an impairment that prevents her from understanding written language but has nonetheless managed to win three Hugos, leapt to a conclusion probably caused by her impairment and decided “Chicom” was a racial insult.

Now, I understand some of the younger people and those who didn’t grow up in Europe during the cold war might NOT know that Chicom is a contraction of Chinese and Communist.  Not a racial slur under any way or form, but a way of specifying these were CHINESE communists, you know, not Russian Communists or Feminist Communists (you know, Mary, Femcoms, you might know some) or any other form of the repulsive ideology.

 

(3) True dat.

(4) Vox Day on Vox Popoli“Directly over the target”

And wait, there’s more! The SJWs are also engaged in a charity drive so that John Scalzi will read it for the audio version.

As you can see, this is a masterful rhetorical response that totally proves the falsity of the Second Law of SJW: SJWs Always Double Down. One of my friends sent me an email last night that I think aptly describes the situation. “WTF, are you PAYING these people or something?” And just to ice the crazy cake, we’ve now officially gone meta as there are now fake fake reviews being posted. And while I’m not surprised by the nature of the reaction of the science fiction SJWs to the book, I am amazed by the vehemence behind it. They are absolutely furious to see that a book unmasking them was not only published by me, but is riding the very wave of media attention that they themselves created to success. That’s the importance of the parody in their minds; if it can become even more popular than SJWs Always Lie, that will disqualify it and render it harmless, thereby relieving the stress they are presently feeling.

(5) Dave Langford in a comment on Whatever at 1:39 a.m.

$50. I’m too deaf for audiobooks but will imagine this one in my head. WITH SOUND EFFECTS.

You rock Dave!

(6) Walt Boyes on Facebook

[This is a long post, as is the Burnside post that follows. All the excepts can do is suggest why I found them of interest.]

I am neither a Puppy nor a Puppy Kicker. But as a working editor, I am appalled that an award in which nearly all the professional categories requires the services of an editor to be a successful work, something like 2400 votes were cast in opposition to ALL the editor nominees. There were several worthy nominees who were beaten by NO AWARD, in my opinion, unfairly. One comment I have seen repeated several times was that if they were worthy, they’d have won. Maybe they’ll get nominated again sometime. That’s bullshit. They WERE worthy, and they got shat upon. All you have to do is to notice that Toni Weisskopf got four times the number of votes that the winner has in the last five years to see that. Mike Resnick had the same experience in the Best Editor-Short Form category…..

Revenge attempts won’t work, and in the long run, counter-revenge attempts like the slate voting of NO AWARD (Yes, it was a slate, and there is proof that is widely available). In fact, nothing will work. The Hugos are legally owned by the WSFS Trust, and they don’t want the rest of us.

They. Don’t. Want. Us.

I don’t think the Hugos can be saved. At least, I don’t think that the puppies movement will change things. WSFS owns the Hugos. Legally, to change the Hugo system you have to change WSFS. I don’t see that happening.

At Kansas City, amendments to the WSFS constitution will be proposed (please don’t ask me how I know) that will make it even harder to inject an outside nominee into the Hugos than the amendments passed in Spokane do. The Spokane amendments will almost certainly be ratified in Kansas City, as WSFS works to make it harder to “steal” their awards. The amendments made in Kansas City will be ratified in Helsinki, at what will may possibly be a very small Worldcon. Note how few people attended the WSFS business meeting in Spokane. And only people who attend the business meeting have the right to vote on the constitution. No Award will always win in a contest of wills. It isn’t right, but it is the way the rules are rigged. Remember, WSFS _owns_ the Hugo Awards outright. It IS their football.

What is going to happen, basically, is the WSFS Hugo Committee will be given the power to reject any ballot for “wrong think” of any kind. If the puppies campaign in 2016 has legs, WSFS will react by making their control tighter. They will create a “nominating committee” which will prepare a slate (I know, Irony, thy name is WSFS) of nominees for the ballot, from a “suggestion list.”

The SMOFs, the Nielsen-Haydens, and the other PuppyKickers have the numbers and the staying power to do this. The puppies, I am afraid, do not. In order to change this, and keep it from happening, the puppies will have to deliver 300-500 committed puppy voters to Kansas City and Helsinki, in person. $50 supporting memberships won’t help here. You have to have an attending membership, and then you have to show up for the business meetings. There were on the order of 300 people attending the WSFS business meetings in Spokane at some point in the proceedings. This year, the outsiders couldn’t deliver enough votes to take the Hugos. They certainly aren’t going to be able to deliver actual butts in chairs at two successive Worldcons.

The other thing that happened this year, and will happen again, is that the PuppyKickers controlled the media. This is not because of some gigantic left wing media conspiracy. That’s bullshit. Something like six companies, all led by conservatives, and 277 conservative executives control nearly all of the media outlets in the United States. If you don’t think so, look at how comparatively right wing CNN and MSNBC have gotten in the past six months. It’s because of the fact that Nielsen-Hayden and friends knew how to issue a freakin’ press release, and did so regularly. You can see the evidence for this in the fact that all the articles online and in print kept using the same phrases and sentences over and over. That’s because they got press releases, and used them as source material. To my knowledge, the puppies didn’t issue any. They waited for the media to come to them, and by the time they did, what passed for objectivity was the Wired article last weekend….

After the money, it is all about the culture war. There are people who believe honestly and strongly that women, minorities, and sexual issues are not being addressed to their satisfaction in science fiction and fantasy. They believe that there is too much white colonialism in science fiction. Folks, the way to change people’s minds is to understand where they are, be sympathetic to their position, and slowly move them to where you want them to be. It is way too late to do that. There is a crop of writers, mostly women, some women of color, and quite a few men, both white and non-, who are committed to changing what they see as bias toward white only culture.

This is not necessarily wrongthink. Nor is it necessarily the gods’ own truth. Stop telling these young writers they are wrong, or dismissing them as some sort of weird Marxists. Some of them are amazingly gifted writers. The ones that are, write brilliant stories where their bias against white colonialism culture really doesn’t show—it is about the story, and their bias isn’t the plot, and it certainly doesn’t affect the action….

One of the puppy kickers has regularly said, “Go start your own awards.” Despite the snark and the down-nose-looking deprecation, it really is good advice.

I fully expect to be run out of here on a rail for what I’ve said.

It is hard to be neutral in this thing. My sympathies lie with both sides, but my efforts lie in getting good writing, regardless of politics, and writing well myself. I got the trebuchet from David Gerrold after the awards, because I mildly pointed out that I didn’t support, “applause is okay, booing is not.” And I mean mildly. And Gerrold and I go back a ways. I am sure there are more people on the other side (Mike Glyer for one) who think I am an unmitigated Puppy asshole. I am not, and never have been, a Puppy.

Just a note: Walt Boyes has never been mentioned in a post on File 770 before, and only in two comments, neither of which expressed any opinion about him at all.

(7) Ken Burnside – “How the Hugos Crashed, aka: ‘The Diary of a Self-Deploying Human Sandbag In The Culture War”

I went to the INB Theater, sat in the front row and waited.  The long discussion of the Official Hugo Asshole Disks led things off.  The Sasquan chair reminded people that “No Award” was an option.  David and Tananarive did a lovely job, and covered for a few gaffes from script pages not turning, and tried to keep it fun.  I’ve been a master of ceremonies; I’m not going to rag on them for it.

Best Related Works came up.  It went to No Award; I expected that.  I didn’t expect the loud and raucous cheering, which, frankly, pissed me off.

Then Best Short Story came up.  It also went to No Award.  The cheering was even louder.

Then Best Editor, Short Form went to No Award and the cheering was deafening. There were several people who said “Fuck this…that’s not right…” when that happened, down in the nominee area.  David heard it; he quickly looked over the orchestra pit to see what was going on.

Then Best Editor, Long Form went to No Award, and the cheering made the floor tremble. Several people (myself included) started booing.  David said “booing is not appropriate” and I came about a half-second away from standing up and jumping on the stage to grab the mic.  Bryan Thomas Schmidt DID get up and curse loudly.  Toni Weisskopf apparently never went to the ceremony at all; per Bryan the two of them commiserated for a few hours after the ceremony.

Best Novelette went to an actual winner, best Novella got No Awarded (but with less cheering), and Best Novel got a Hugo.  I made a point of personally congratulating all of the Hugo winners when I found them on Sunday.

Words cannot describe how furious I was at the outcome at the time.  I sat in the theater after the lights came up.  I had a brief conversation with political pundit (and fabricator of the Hugo Asshole Disks) Jim Wright.  He agreed with why I was angry: Cheering for No Award (and cheering loudly) was beyond the bounds of acceptable behavior.

For a ceremony that promised to be about inclusion and “we’re all fandom,” having the master of ceremonies feed off the cheering for No Award?  That’s very easy to take as hypocrisy of the first order.  I’ve also been told, multiple times that SF readers are NOT FANDOM…and that’s part of the problem. Seeing “No Award” blow out candidates who were clearly meritorious, like Mike Resnick and Toni Weisskopf?  With cheers that rattled the rafters and made the floor rumble?

I felt so very included in Fandom then.  Really.

(8) Meg Frank discusses why she resigned as a Sasqan committee member in response to the handling of the Antonelli letter to the Spokane cops and what he wrote about Carrie Cuinn.

It is common knowledge at this point that Lou Antonelli wrote a letter to the Spokane PD. It is also known that he went on Sarah Hoyt’s podcast and bragged about it. While many were rightly focused on David Gerrold’s reaction, the simple fact is that he wasn’t the only person harassed and intimidated, and he wasn’t the only one to report it. As the Co-Director of the Hugo Ceremony I reported my fear directly to my superiors. I did so several times – initially rather timidly because I didn’t want to make a fuss, but later rather firmly in a way that could not be misunderstood. One of the vice-chairs, Glenn Glazer, attempted to guilt me into not pursuing the complaint, and one of the Operations Division Heads, Robbie Bourget told me flat out that I hadn’t been harassed. When I pointed this out to them, I was told that I hadn’t ever made an official harassment complaint and lots of sarcasm that wasn’t in any way close to appropriate.

Senior members of the Sasquan committee responded to a member reporting harassment and asking for help with guilt trips, denial, victim blaming, sarcasm and dismissal.

In the interest of avoiding a he said/she said situation, I have PDFd all of the emails in this conversation and placed them in a Google Drive folder here:

https://drive.google.com/open?id=0B-XkKq2NGWUZV21ubUpYOVhtOHM

[Frank has since created an alternate address because people said they could see all the emails — https://drive.google.com/folderview?id=0B-XkKq2NGWUZfkEzMlNwMGl3amVndzZ1MmxmakhHUHpEdzJRNG1BOVNRYlBJZEZsd1dPT00&usp=drive_web.]

After a fair bit of crying, some time spent on the phone with Jill, and lunch with a good friend, I decided to resign. I cannot ever in good conscience support a committee that treats its members this way. Any member, including committee members and staff, should feel able to report violations of the code of conduct and be taken seriously.

(9) Cat Valente sets the record straight in a comment on File 770:

I can knock this one down:

>I saw George R.R. Martin declare that all Puppies were Rabid at his party, and hoped that his alternate awards would’t be needed in the future, and more or less cheered for fandom holding off the barbarians. You know, people like me.

I was at the party, and as usual there is a tiny bit of truth in the wreckage of honesty on display.

George did indeed talk at length in the lead up to his announcing the Alfies. Most of it was on the history of the Hugo rocket as a hood ornament and the early days of the Hugo Losers Party that, you know, he invented. When it came time to say something about why he went and dug up old hood ornaments to make awards out of, he did say that he hoped the awards would be the first and last Alfies given out–because he hoped that next year would be a normal Hugos with a fair ballot. He absolutely did not say “all Puppies are Rabid” or anything of the kind. And he did not “more or less” praise fandom for holding off barbarians. You can tell by the “more or less” that this part is complete bullshit.

George Martin has advocated against No Award since day one of this mess. He was sad and hurt and astonished by the vitriol like we all have been, but he in no way presented the No Award result as a victory, (why would he, since he didn’t want No Award to take the night) nor the Alfies as the “real award” in any way. Rather, he emphasized that this was all his opinion and his party and his decision, his “grand and futile gesture.” His exact words were: “And yes, there are committee awards, but I am the committee.”

(10) This sounds terrifying.

(11) Gary K. Wolfe in the Chicago Tribune – “Hugo Awards: Rabid Puppies defeat reflects growing diversity in science fiction”

Following the official awards ceremony, Martin hosted a huge party in a landmark mansion, during which he presented his own “Alfie Awards,” named after science fiction writer Alfred Bester, to several candidates who, according to the final vote tallies, would have been on the Hugo ballot but were bumped by the Puppy slates. The Alfies, made from actual old automobile hood ornaments (which earlier Hugo trophies were said to resemble), also went to Puppy-slate authors who had withdrawn their own nominations, giving up a chance at a Hugo rather than being associated with the Puppies and with slate voting, and to Eric Flint, a novelist who — although he is popular among many Puppies — had posted insightful critical commentary on the controversy during the summer.

Martin clearly viewed the Hugo results as a dramatic victory for fandom and for the science fiction community at large, and made the point, shared by many in the aftermath of the awards ceremony, that in the end the controversy—inevitably dubbed “Puppygate” — represented not a divided science fiction community, but rather a surprisingly united one, and one which chooses to celebrate diversity rather than to view it as a conspiratorial threat. The Puppies themselves — some of whom have since claimed victory simply by forcing the “no awards” votes — may or may not return next year, when Worldcon is in Kansas City. But some estimates have them at no more than 10 percent to 20 percent of this year’s voting, and since the huge membership of the Spokane Worldcon — over 11,000, including non-attending members — provides an enormous base for next year’s nominations, it likely will be more of an uphill battle against a broader community that has already rejected them once and that will not as easily again be taken by surprise.

The final irony in all this is that the Hugo Awards, while more diverse and international in recent years, have never really disdained the kind of adventure fiction that the Puppies claim to champion. I met the winning novelist, Cixin Liu, when he was in Chicago earlier this year, and he made it clear that his idols are classic writers like Robert A. Heinlein and Isaac Asimov. “The Three-Body Problem” itself concerns communications with an alien race, the Trisolarans, whose plan is to invade the Earth as a refuge for their own endangered civilization — surely one of the oldest plots in science fiction. John Scalzi, who became one of the chief targets of Puppy vituperation, is a white male who won the Hugo in 2013 for “Redshirts,” a space opera adventure with knowing references to “Star Trek.” Among the novellas bumped off the ballot this year by the Puppy slate was Nancy Kress’ “Yesterday’s Kin,” a well-written tale that begins with an alien spaceship parking itself over New York harbor.

The problem, I suspect, is that none of these works are only about revisiting these favored old tropes. Sometimes they satirize them (as with Scalzi). Sometimes they introduce political themes (as with Cixin Liu, whose novel opens with a harrowing account of China’s Cultural Revolution). Sometimes they focus on character and family relationships (as with Kress). What seems to threaten the Puppies is not that science fiction has forsaken its origins (which it clearly hasn’t), but that readers have come to expect more and to welcome different voices. The old-fashioned modes of space adventure and military science fiction still have substantial markets, but it’s probably true that such works show up less on Hugo or Nebula award ballots than their supporters would like.

(12) Olivia Geng on the Wall Street Journal – “Cixin Liu Becomes First Asian to Win Hugo Award for Science Fiction”

Chinese author Cixin Liu last weekend became the first Asian to win the Hugo Award for best science fiction or fantasy novel. Yet to hear the Shaanxi native tell it, making history pales in comparison to the importance of ensuring science fiction’s future in China.

“I don’t really have any special feeling about it,” Mr. Liu said by phone from his hometown in Yangquan, Shaanxi province, when asked about becoming the first Asian to win the prize in its 62-year history.

“The Hugo Awards are not well-known in China,” he added. “It still cannot change the recent receding popularity of science fiction in China. All I can do is try my best and write as many good sci-fi works as I can.”

(13) R. S. Benedict on Unicorn Booty – “Sorry, Sad Puppies: Science Fictuion Has Always Been Political”

If Mary Shelley was science fiction’s mother, its father was probably H. G. Wells. His many works have been imitated, copied and adapted over and over again. Were H. G. Wells alive today, the Sad Puppies would probably despise him. He was a socialist who believed in racial diversity — a very controversial view in the 19th century.

But, the Sad Puppies might argue, as long as he kept his politics out of his writing, it wouldn’t be a problem. The problem with sci-fi writers is that they insist in letting their politics shape their stories.

Bad news, guys: H. G. Wells’s works were all about politics.

The War of the Worlds was Wells’s reaction to Western imperialism. Unlike many of his countrymen, he believed that Great Britain did not have a God-given right to invade and conquer other nations in Africa and the Pacific. The War of the Worlds was his way of saying to England, “How would you like it if someone did that to you?” He explicitly spells out his point in the novel: ….

(14) Aya de Leon – “The Hugo Awards, Social Justice, and the Psychoanalytics of Genre”

In many ways, the Hugo battle has been inevitable. It’s been coming since the US ended the era of legal racial segregation and began to question strict gender roles. In the latter case, young women have historically been pressured to read materials that reinforced their domestic roles. They weren’t supposed to be concerned with what happened outside their door in this world, let alone be concerned about what was happening in other worlds. But in the 70s and 80s, women SFF writers have developed a strong body of work in the genre and beyond, exploring issues of gender and developing wide readership.

For people of color, prior to integration, SFF was for white people. However, in the 70s and 80s, an early vanguard of black SFF writers began to integrate the genre. During that time, a relatively small number of people of color would read SFF (sometimes—prior to the internet—they were completely unaware of the POC who were writing it). The readership was primarily those of us with white friends, at white schools, or in white communities. Not surprising that SFF themes of alienation or actual aliens spoke to many of us.

(15) jaythenerdkid on The Rainbow Hub – “The Hugo Awards Controversy and Sci-Fi’s Diversity Problem”

The Sad Puppy vision for the Hugo Awards is one where nominations are a meritocracy (where people who write innovatively about gender, sexuality, race and other social issues are considered without merit). The Sad Puppy method of achieving this vision involves harassing everyone who doesn’t agree with them, because their arguments can’t actually stand on merit. They’ve even run afoul of George R. R. Martin, who is about as establishment as it gets in contemporary fantasy (I mean, one of his heroines is a literal white saviour in a land full of brown savages, yikes!), which means they’re now very much persona non grata in the SF/F community, something they’ve decided is a badge of honour rather than a damning condemnation of their beliefs and tactics.

That’s all well and good, but the fact that the Puppies got as far as they did – completely rigging five categories so that the only nominees were of their choosing, and skewing several others so there were very few choices who weren’t theirs – says a lot about a community that’s always inhabited a curious place halfway between insular and inviting, inflexible and innovative. It’s strange to think that the Hugo Awards, which have honoured legends like Ursula K. LeGuin and Octavia Butler, were turned into a farcical man-child temper tantrum by a bunch of jilted former nominees who wanted to ruin everyone else’s fun. At the same time, it makes perfect sense coming from a community that can accept the War of the Roses with dragons, but not making a fictional god female. There’s always been this element in the fandom of people – mostly men, mostly cis, mostly straight, mostly white, mostly middle-class, mostly college-educated – who think escapism and adventure stop being fun once politics that don’t agree with their own are introduced. (They’re fine, of course, with the hard-right libertarian politics of works like Ender’s Game or the oeuvre of Terry Goodkind.) The internet has enabled these squeaky wheels, giving them wider platforms and the ability to organise their bullying and harassment.

(16) Joe Vasicek on One Thousand and One Parsecs – “The Decline and Fall of Fandom and the Hugo Awards”

Can the Hugo Awards be saved? I seriously doubt it. The “truefans” will jealously clutch it to their chests until they die, and with the graying of fandom, that will probably be accomplished fairly soon. But just as the Renaissance rose from the long-cold ashes of the Roman Empire, so too I hope that something good will eventually come out of all of this. Because really, there is a place in fandom (lower-case f) for everyone, and that has never changed.

(17) Creative Bloq – “Hugo Award-winning artist reveals her secrets to success”

Here, Elizabeth reveals her top tips for fantasy and sci-fi artists who want to get noticed…

01. Community

Search out art communities, locally and web-based.  We are a reasonably small set of artists in the grand scheme of things and it becomes really easy to see all of the connections and overlaps.

Personally, I highly recommend ArtOrder.  Jon Schindehette is a huge advocate for artists in general and ArtOrder is his baby.

02. Professionality

Be professional.  Always, always, always make deadline.  READ YOUR CONTRACTS.

03. Exceed Expectations

Strive to make your art director look awesome through giving them great work. One of the bits of advice I follow is do not create illustration you feel simply reflects your payment.

Always try to exceed their expectations.  It may only be a $100 contract, but your work should look like you were paid $500.  The internet is forever.  Your work is you.

(18) Natalie Luhrs on Pretty Terrible – “No More Memory Holes”

So remember how Sasquan decided that even though Lou Antonelli violated their Code of Conduct they weren’t going to enforce the Code of Conduct because David Gerrold didn’t want them to?  Turns out that Gerrold wasn’t the only one feeling harassed and intimidated–and he wasn’t the only one to report it.

Meg Frank, the Events Deputy Division Head also reported same against Lou Antonelli and was told by the head of operations, Robbie Bourget, that she had not been harassed and one of the vice-chairs, Glenn Glazer, attempted to guilt her into backing down.  Instead of backing down, Meg Frank resigned a week before the convention.  Frank has provided a PDF of emails to back up her assertions.

I wish I could say I was surprised, but I’m not.  Here are a some screencaps from the Journeymen of Fandom group on Facebook in which it is clear that Robbie Bourget sees the rehabilitation of offenders back into community as a higher priority than attendee safety….

(19) Juliette Wade on TalkToYoUniverse“My new SF/F Reading Journal for next year’s Hugos”

I have been inspired by this year’s Hugos.

It’s become clear to me, as perhaps it has to many others, that entrusting my opinions of the latest genre works to others to nominate for awards is not enough any more.

One might ask: why haven’t I done the active, thorough job I wanted on nominating? Easy: life. The biggest factor in my failure is my faulty, distracted, non-eidetic memory.

Therefore, I’m starting a reading journal.

Essentially, I am a very busy person (as many are), and I can’t always call to mind every story I’ve read in a year, even the good ones. From now on, every time I read a story in the field, or a brilliant article, etc. I’ll be writing down title, author, and publication

(20) Cat Rambo on The World Remains Mysterious – “My Report from Sasquan: Mostly Glorious and So Many Thank Yous”

Met up with Mike Resnick, who has appeared on the Hugo ballot a breathtaking 37 times, winning 5, after the panel. We ventured out into the hazy afternoon along the riverwalk to talk about some SFWA stuff and came out of that excited about some prospects. I’m a longtime fan of Mike’s, not just of his excellent work, but of the way he helps newer writers, consistently extending a hand by collaborating with or publishing them. As SFWA President, I’m trying to make sure that the org’s moving forward in a way that makes (almost) everyone happy, so I wanted to talk about how we could use some of SFWA’s new marketing resources to help with the committee that Mike has ably headed for so long, the Anthology Committee. I’m looking forward to working with him on the SFWA projects we discussed.

[Thanks to Mark Dennehy, Ann Somerville, and John King Tarpinian for some of these links.]

Canopus Award Judges Named

canopus-award100 Year Starship today announced the first slate of judges for the 2015 Canopus Award, an annual writing prize recognizing fiction and non-fiction works “that contribute to the excitement, knowledge, and understanding of interstellar space exploration and travel.”

The judges include writer and 100YSS Creative and Editorial director Jason Batt, author and former Wall Street Journal reporter August Cole, editor Jaym Gates, 100YSS Principal and former astronaut Mae Jemison, M.D., Chapman University creative writing student Alec Medén, Rutgers University Professor Ronke Olabisi. Ph.D., Georgia high school freshman Bailey Stanley, and writer and anthropologist Juliette Wade, Ph.D.

100YSS is currently accepting submissions for original works and nominations for previously published works through August 31. The public is invited to nominate previously published works.

Winners will be announced during 100YSS’s annual public symposium, October 29-November 1 in Santa Clara, CA.