Pixel Scroll 11/17/20 When You Get Caught Between The Moon And New Scroll City, The Best That You Can Do Is File In Love

(1) VIRTUAL PHILCON. Philcon 2020 will be taking place online the weekend of Friday November 20 through Sunday, November 22, 2020. It’s free. Information about how people can participate and navigate in Philcon using Zoom and Discord can be found at www.philcon.org and at https://konopas.philcon.org/#info

There will be no charge for joining Philcon 2020. It will be necessary to sign up for each program item, which may be done even while the program item is underway  The program schedule is set, subject to changes, and can be reviewed at https://konopas.philcon.org/

There will be five program tracks, a reading track, a filk and music track and social gatherings in Zoom and Discord.

The massive Filk program begins at 11 a.m. Friday. Concerts, open filk and a songwriting contest will run day and night until Sunday night.

The panels, readings and workshops start at 5:30 p.m. Literary panels cover topics for fans and writers. Science and technology, fandom, media, anime, gaming all have substantial coverage.

There are currently plans for 157 program items.

For those of you who knew and loved Hugh Casey, we will be holding a memorial get-together on Saturday at 5:30.

We hope to have an in person Philcon back at the Cherry Hill Crowne Plaza Hotel in Cherry Hill, New Jersey in 2021. The dates will be November 19 to 21, 2021.

(2) VIRTUAL CONTRAFLOW/DEEPSOUTHCON. Also this coming weekend, on November 21 there will be a free one-day virtual 2020 DSC/SFC CONference put on by the CONtraflow committee.

As most of you already know, we had to postpone our 2020 convention due to the Covid-19 pandemic. While we were able to work out most of those details for a Convention next year, we are not able to postpone an actual Deep South Con. In lieu of what would have been our event this year, we would like to offer to the Fen at the Southern Fandom Confederation a virtual day of the community, creativity, and fun the Fans of the Southern Louisiana region can offer with a small taste of a virtual CONtraflow’s 2020 Deep South Con. We are calling it The 2020 DSC/SFC CONference. 

This one-day event will be completely virtual and totally free and begins at 10 am Saturday November 21.  It is an invitation for you to join us on ZOOM for panels on some of your favorite topics: Science Fiction, Fantasy, Horror, Film, TV, SMOF subculture, and much more. 

…We will also be hosting a virtual Southern Fandom Confederation meeting, gaming on the Discord Platform (including the annual DSC Hearts event) and evening programming.  Again, all the events are free- but since it is free, the space/seats are limited.  Interested Fans should be sure to drop us an email at http://www.contraflowscifi.org or find/message us on Facebook to make sure there are seats still available before November 20.  Also, while the event will be free, CONtraflow will be selling 2021 memberships during the day for the absolute lowest price that weekend on Eventbrite.com

We will also have a donation page available for those who’d just like to help out since we have expenses accrued for 2020, even without holding a convention, and the costs of this weekend’s CONference….

(3) CARNEGIE MEDALS SHORTLIST. The six shortlist titles for the 2021 Andrew Carnegie Medals for Excellence — three each for the fiction and nonfiction medals — were announced on November 17. The winners will be named online on Thursday, February 4, 2021.  

I believe none of these are genre, but you may still be interested.

FICTION FINALISTS

  • A BurningMegha Majumdar (Alfred A. Knopf, a division of Penguin Random House LLC)
  • Deacon King KongJames McBride (Riverhead Books, an imprint of Penguin Random House LLC)
  • Homeland Elegies — Ayad Akhtar (Little, Brown and Company, a division of Hachette Book Group, Inc.)

NONFICTION FINALISTS

(4) THE BIG PICTURE. Kaaron Warren told Facebook followers her novel The Grief Hole has scored a development grant to be made into a movie. “Imagine Sol Evictus in real life…and all those ghosts.”

It’s one of seven projects to be supported by Screen Canberra.

THE GRIEF HOLE– Fiction Feature Film – Development loan Writers: Joshua Koske, Kaaron Warren When an embattled social worker with the ability to see how people die discovers her cousin’s suicide was influenced by a seductive and powerful celebrity, she must overcome her own personal tragedies and work with other gifted individuals to put a stop to his reign of terror before they become the next in a long line of willing victims.

Two of the other announced projects are also of genre interest:

PARANORMAL BLACKTIVITY Writers: Benny Eggmolesse, Jacob Keed, Nakyua Gorrie, Romina Accurso Producers: Benny Eggmolesse, Joe Weatherstone, Catherine Nabauer and Scott Wilson Development Loan, TV Series (horror) Rival siblings must team up to investigate bloody murders, strange disappearances and super weird stuff they suspect are caused by ancient Aboriginal monsters, woken by an imbalance in the natural world.

GIRL ON THE MOON – Television Series Fiction – Development loan Writers: Georgina Jenkins, Sue McPherson In 2069, Aboriginal Australian girl Luna (17), the only child ever born on the Moon, dreams of travelling to Earth to connect with her unknown father and her culture. But she knows her weak Moonling body would never survive. Luna is about to discover she is more powerful than any Earthling.

(5) CAREER WISDOM. “Questions for: David Burnett” – the former Gollancz publisher — at BookBrunch [PDF file.]

Who has been the most influential person in your career?

There have been a few, including Paul Elek [of Paul Elek Publishers]. He taught me to go out there and find authors and projects and pictures when you have small resources (in his case, it was a crushing bank overdraft). Liz Calder was the greatest. Victor Gollancz was a publishing genius and one man tornado. He could dine on sardines if the going got difficult, otherwise it was the Savoy Grill.

(6) PANIC IN THE YEAR TWO-OH-TWO-ZERO. I usually don’t get my cancel culture news from Mad Genius Club, but here is Amanda S. Green with two scoops concerning The Mandalorian: “A Swab, A Huh? And A You’ve Got To Be Kidding Me”.

…But I do think we will see more pressure from the Left to try to delist our work if it doesn’t meet the cause du jour. We’ve already seen how Target overreacted to a single tweet about a book and removed it from its shelves last week. It’s apologized and, iirc, returned the book. But this knee-jerk reaction to the woke crowd is more than a little disturbing.

The idiocy seems to grow with each week that passes. Just this month, Baby Yoda was “cancelled” by the woke crowd because he dared eat the eggs of a sentient being. How dare this “Child” do that! Bad Baby Yoda.

But that’s not the only scene from The Mandalorian to catch the eye of the woke crowd this month. In a more recent episode, cries of outrage were heard through the interwebz because of a character’s armor. 

Boobz armor is bad according to Anita Sarkeesian.

Why do I think she’d have been outraged if the lady Mando armor was exactly the same as Mando’s was? After all, then they could be accused of trying to erase the female form. 

But, but, but it’s not “real”, as one commenter points out. No shit, Sherlock. It’s a fucking show. It’s fiction. Not that the Sarkeesians of the world care as long as they can show their woke card.

And, yes, they will come for those writers they feel aren’t giving out the right message–especially those more successful than they are. And that presents a danger to all of us. Will the venues we’ve been using to sell our books remain open to us in their current forms or will we have to start tailoring our books to their demands?

(7) VICTORY AT SEA. Harry Turtledove, dubbed “The Master of Alternate History”by Publishers Weekly, has written a number of classics in the subgenre, including How Few Remain, The Guns of the South and The Man with the Iron Heart. His new novel Salamis was released November 11.

Salamis is the fifth (standalone) novel in Harry Turtledove’s critically acclaimed Hellenic Traders universe, detailing the adventures of two cousins, Menedemos and Sostratos, who work as seaborne traders following the death of Alexander the Great. This time the stage is one of the greatest sea battles ever fought in ancient times; the Battle of Salamis of 306 BC.

The small, free, and independent polis of Rhodes is trying to stay neutral between the local great powers, each ruled by one of Alexander the Great’s marshals: Asia Minor, controlled by one-eyed Antigonos, and Egypt, under the rule of Ptolemaios.

As tensions between the great powers escalate, Menedemos and Sostratos are trying to resolve their own problems, oblivious to the fact that one of the greatest navel fleets in ancient history is about to set sail. Ptolemaios, needing shipping to carry weapons for the army he intends to land, coerces Menedemos into bringing their ship, the Aphrodite, along as part of his expeditionary force. And so, very much against their will, Menedemos and Sostratos become small parts of one of the ancient world’s most significant naval battles.

Turtledove uses his study of history (with a Ph.D in Byzantine history) to create alternate worlds in intricate detail, crafting enthralling adventures that have garnered him high critical praise as well as making him one of the most successful bestselling authors in alternate history.

(8) YOUNG AUTHORS’ CLUB. SFFAudio tweeted a graphic of this story by 13-year-old Philip K. Dick published in a Berkeley paper in 1942.

(9) ZACK’S CUT. HBO Max dropped a trailer for what is now called Zack Snyder’s Justice League.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 17, 1915 – Raymond F. Jones.  Sixteen novels, six dozen shorter stories.  Son of the Stars was I think the first science fiction I read, at about age 8.  Also I like “The Person from Porlock” – which Groff Conklin, one of our finest anthologists, put in his Treasury, one of our finest anthologies.  RFJ entitled a story “I Tell You Three Times” a year before Heinlein put that Hunting of the Snark allusion in The Rolling Stones.  When I agree with Clute and Nicholls it’s a frabjous day – oops, wrong Carroll poem: RFJ wrote “solid, well-crafted … adventures … in a … transparent style…. one of the carriers of the voice of SF.”  (Died 1994) [JH]
  • Born November 17, 1925 Rock Hudson. Best known genre role was as Col. John Wilder in The Martian Chronicles series off the Ray Bradbury work. He also played President Thomas McKenna in the World War III miniseries which you may or may not consider SF. That’s it. He was by the way yet another of the uncredited guest performers on Rowan & Martin’s Laugh-In. (Died 1985.)  (CE) 
  • Born November 17, 1936 – John Trimble, 84.  He and wife Bjo (the software won’t show the caret over her j, an Esperantism indicating the pronunciation “bee-joe”), two of our great fans, are also omnifans: fanwriting, fanart, clubs, costuming, conventions, Star Trek, our neighbor the Society for Creative Anachronism.  I’ve been Master of Ceremonies for our onstage costume competition the Masquerade, a wondrous and sometimes terrifying task; JT was MC for possibly the greatest, certainly the longest, at L.A.con II the 42nd Worldcon: over a hundred entries: you couldn’t leave, the next one would be even better: two-thirds through, when a voice cried “How many more, John??” he answered I won’t tell you.  I can’t quite remember this panel, but it was fun.  JT chaired Westercon 23 and an Equicon; he & Bjo were Guests of Honor at Westercons 66 & 70, at the 13th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas; in the photo, JT & BT with daughter Kat), at ConJosé the 60th Worldcon.  More here.  [JH]
  • Born November 17, 1952 Robin McKinley, 68. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version  of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels that are not based on folktales are SunshineChalice and Dragonhaven.  Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015, they lived together in Hampshire, England where she still lives. They co-wrote two splendid collections, Water: Tales of Elemental Spirits and Fire: Tales of Elemental Spirits. I’d be very remiss not to note her Awards, to wit a Newbery Honor for The Blue Sword, then a Newbery Medal for The Hero and the Crown, a World Fantasy Award for Anthology/Collection for Imaginary Lands, as editor, a Phoenix Award Honor Book for Beauty and a Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed! (CE) 
  • Born November 17, 1954 –Kevin E. Johnson, 66.  A hundred forty covers, a few interiors; one short story.  Here is Gods of Riverworld.  Here is Firebird.  Here is The Toynbee Convector.  Here is Throne of Fools.  Here is Ciara’s Song.  Artist Guest of Honor at RustyCon 2, Valleycon 11.  [JH]
  • Born November 17, 1956 – Rebecca Moesta, 64.  Half a dozen novels, three shorter stories; thirty more novels, half a dozen more shorter stories, two pop-up books, with husband Kevin Anderson.  Interviewed together in SF Chronicle 224, Shimmer 4.  The only continent they have not visited together – yet – is Antarctica.  Devout gadgetologist.  [JH]
  • Born November 17, 1965 Sophie Marceau, 54. Elektra King, the villain opposing our hero In The World Is Not Enough, the 19th Bond Film. Also Eloïse d’Artagnan in Revenge of the Musketeers, Hippolyta in that version of A Midsummer Night’s DreamandLisa / Belphegor in Belphegor, Phantom of the Louvre. She’s also one of the voice actors in Nature is Speaking, a Gaian series. (CE) 
  • Born November 17, 1966 Ed Brubaker, 54. Comic book writer and artist. Sandman Presents: Dead Boy Detectives I’d consider his first genre work. Later work for DC and Marvel included The AuthorityBatmanCaptain AmericaDaredevil, Catwoman and the Uncanny X-Men. If I may single out but one series, it’d be the one he did with writer Greg Rucka which was the Gotham Central series which has been rumored to in developed as a tv series. It’s Gotham largely without Batman but with the villains so GPD has to deal with them by themselves. Grim and well done. He’s a member of the writing staff for the Westworld series where he co-wrote the episode “Dissonance Theory” with Jonathan Nolan. (CE)
  • Born November 17, 1976 – Shawna Yang Ryan, 44.  Four novels for us, one other.  Fulbright scholar.  Ass’n for Asian American Studies Best Book Award in Creative Writing, Elliot Cades Emerging Writer Award, American Book Award.  [JH]
  • Born November 17, 1978 Tom Ellis, 42. Currently playing Lucifer Morningstar in the rather excellent Lucifer series created by Neil Gaiman, Sam Kieth, and Mike Dringenberg from The Sandman series. It’s quite good. Also had roles in Doctor Who as Tom Milligan in the Ten Doctor story, “Last of the Time Lords”, Once Upon a TimeMessiahThe Strain and Merlin. (CE) 
  • Born November 17, 1983 Christopher Paolini, 37. He is the author of the most excellent Inheritance Cycle, which consists of the books EragonEldestBrisingr, and Inheritance. Several years ago, The Fork, the Witch, and the Worm, the first book in a series called Tales of Alagaësia, was published. A film version of the first novel came out sometime ago but I’ve not seen it. And his first SF novel, To Sleep in a Sea of Stars, was just published. (CE)
  • Born November 17, 1993 – Andrew Melvin, 27.  Sixteen short stories so far; they are all horrid – I mean, literally – and so collected in Horror Tales; see this cover.  [JH]

(11) COMICS SECTION.

  • Bizarro is there to witness Dracula’s day in court.

(12) URBAN SPACEMAN. Sprudge invites you to “Meet Covidisor, A Practical COVID Helmet That Lets You Drink Coffee”.

…But what the Covidisor has that puts it head and shoulders above the Air is a special swivel-mounted port on the front of the face shield that allows the wearer to consume any beverages via a straw. No longer will you have to make your face available to the outside world in order to enjoy that extra hot no foam latte. At last we can be safe, and caffeinated.

Available in eight different color options for the hard hat, the Covidisor retails for $275. And if you’re not sold on it yet, this snazzy music video by Vedra might change your mind. They’re walking all over a plague-ridden NYC, singing and wearing the Covidisor and just having the time of their life as though everything is fine. Everything is going to be fine…with Covidisor.

(13) SUPERMAN DOCUMENTARY MINI-REVIEW. [Item by Martin Morse Wooster.] The Amazing Story of Superman on YouTube is a 2006 documentary, directed by Kevin Burns and narrated by Kevin Spacey, about Superman from Siegel and Shuster’s creation through Superman Returns.  It wouldn’t surprise me if this was originally a bonus feature for the Superman Returns DVD, because there’s too much of a hard sell for both that movie and “Smallville” which makes both productions out to be imaginative masterpieces, even though Superman Returns is average and “Smallville” got pretty soapy pretty quickly.  But there’s lots of interesting Superman stuff in it, such as the photos of Superman from the 1939 World’s Fair, ads for Superman Bread from the 1940s, and commercials from around 2004 with Jerry Seinfeld and an animated Superman.  The most interesting discovery is that after George Reeves killed himself in 1959, the people behind the Superman TV show did a pilot for The Adventures of Super Pup with characters in animal suits.  This of course went nowhere.  I still think it’s worth watching provided you know you’re getting a hard sell for about a third of the film.

Forrest J. Ackerman is in it briefly explaining what fanzines are and how Siegel and Shuster got their start in sf fandom.

(14) SPACEX ISS MISSION SUCCESSFUL. “SpaceX capsule with 4 astronauts reaches space station”WDRB has the story.

SpaceX’s newly launched capsule with four astronauts arrived Monday at the International Space Station, their new home until spring.

The Dragon capsule pulled up and docked late Monday night, following a 27-hour, completely automated flight from NASA’s Kennedy Space Center. The linkup occurred 262 miles (422 kilometers) above Idaho.

“Oh, what a good voice to hear,” space station astronaut Kate Rubins called out when the Dragon’s commander, Mike Hopkins, first made radio contact….

(15) WHERE NO GREEN TOY HAS GONE BEFORE. “‘Star Wars’ Fans Notice An Adorable Addition To The New Space Station Crew”Yahoo! News has details.

…Eagle-eyed “Star Wars” fans spotted an adorable addition to the crew that launched into space on Sunday: The Child, better known as Baby Yoda.

The four astronauts onboard used a plush toy of the beloved character from the Disney+ series “The Mandalorian” to determine whether they had reached zero gravity:

(16) PREDICTING THE PRESENT. [Item by Martin Morse Wooster.] Songbird takes place in week 215 of the national lockdown, where people quarantined under Covid-23 have to be placed in camps.  Good times!  Produced by Michael Bay.

(17) ACQUISITION. Publishers Lunch reports:

Richard Kadrey and Cassandra Khaw’s THE DEAD TAKE THE A TRAIN, about a freelance psychic operative tracking an ever-morphing supernatural serial killer in New York City, to Diana Gill at Nightfire, with Kelly Lonesome editing, in a two-book deal, for publication in summer 2022, by Ginger Clark at Curtis Brown for Kadrey, and by Michael Curry at Donald Maass Literary Agency for Khaw.

(18) ITTY BITTY TEENY WEENY BACTERIAL SPACE MINERS. [Item by Daniel Dern.] The New York Times reports “These Microbes May Help Future Martians and Moon People Mine Metals”. (May be paywalled.)

An experiment aboard the space station showed that bacteria were effective at extracting rare earth elements from rocks.

(19) VIDEO OF THE DAY. In “Honest Trailers: Toy Story 4” on YouTube, the Screen Junkies say the fourth Toy Story movie has Keanu Reeves in it because we all love Keanu Reeves and has “many beloved character actors getting paid only to say ‘Woody’ or ‘Buzz.'”

[Thanks to Martin Morse Wooster, Michael Toman, John Hertz, JJ, Cat Eldridge, Mike Kennedy, John King Tarpinian, Daniel Dern, Gary Feldbaum, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

2019 Ditmar Awards

The winners of the Australian SF (“Ditmar”) Awards for 2019 were presented at the 2019 Australian National SF Convention, (Continuum 15) in Melbourne on June 8.

Best Novel

  • City of Lies (Poison Wars 1), Sam Hawke, Tom Doherty Associates.

Best Novella or Novelette

  • “Cabaret of Monsters”, Tansy Rayner Roberts, in Cabaret of Monsters, The Creature Court.

Best Short Story

  • “The Heart of Owl Abbas”, Kathleen Jennings, in Tor.com.

Best Collected Work

  • Mother of Invention, Rivqa Rafael and Tansy Rayner Roberts, Twelfth Planet Press.

Best Artwork

  • Cover art, Likhain, for Mother of Invention, Twelfth Planet Press.

Best Fan Publication in Any Medium

  • Earl Grey Editing, Elizabeth Fitzgerald.

Best Fan Writer

  • Liz Barr, for writing in squiddishly.

Best New Talent

  • Sam Hawke

William Atheling Jr Award for Criticism or Review

  • Cat Sparks, for “The 21st Century Catastrophe: Hyper-capitalism and Severe Climate Change in Science Fiction” PhD exegesis.

OTHER AWARDS PRESENTED AT CEREMONY

Peter McNamara Achievement Award for Lifetime Achievement and Contribution towards Australian Speculative Fiction

  • Kaaron Warren

Chandler Award for Outstanding Achievement in Australian Science Fiction

  • Alan Stewart

Pixel Scroll 5/24/19 Timeo Filers Et Dona Pixeles

(1) NIXING BREXIT. In a letter to The Guardian, “John le Carré and Neil Gaiman join writers warning Brexit is ‘choosing to lose'”.

Dozens of writers have put their names to a letter to the Guardian that urges UK voters taking part in Thursday’s European parliament elections to use their franchise to support the European Union, “unless they know what they are choosing to lose, for themselves and everyone they know, and are happy with that”.

The authors, who also include Neil Gaiman, Nikesh Shukla, Kate Williams and Laurie Penny, go on to say: “It seems to us that the same question is facing every industry and every person in the UK: what will you choose to lose? Because we used to hear about advantages in Brexit. We used to hear about the bright future, the extra money, the opportunities. Now the advocates of Brexit just assure us that it won’t be as bad as the last world war.”

(2) EATING THE FANTASTIC. Episode 96 of Scott Edelman’s podcast let you listen to him crunch into a crab cake sandwich with leading Aussie author Kaaron Warren.

Kaaron Warren

We met at the Freer Gallery, and then wandered over for lunch at the Capitol Hill branch of Hank’s Oyster Bar, which opened in 2012.

I first met Kaaron slightly less than 10 years ago, at the 2009 Montreal Worldcon, where her novel Slights was one of the inaugural titles from Angry Robot Books. The publisher even had a robot rolling around the launch party! (It was not angry, however.) She’s published many more novels and stories since then, with one novel, The Grief Hole, winning all three of Australia’s genre awards — the Aurealis Award, the Ditmar Award, and the Australian Shadows Award. Her most recent novel is Tide of Stone. She’s published seven short story collections, the most recent being A Primer to Kaaron Warren.

We discussed how her recent Rebecca reread totally changed her sympathies for its characters, the disturbing real-life crime related to the first time she ever saw The Shining, the catalyst that gave birth to her award-winning novel Tide of Stone, how she came up with new angles for tackling stories about such classic characters as Sherlock Holmes and Frankenstein, the way flea market bric-a-brac has led to some of her best ideas, the only correct method for preparing fairy bread, her go-to karaoke song, and much, much more.

(3) TAKING A BITE OUT OF SONIC’S SCHEDULE. ComicsBeat explains why “Character design changes push SONIC THE HEDGEHOG movie release date to 2020”.

…The first trailer for the upcoming Sonic the Hedgehog movie definitely got people talking…just probably not the way the studio intended. Reaction to Sonic’s design—his muscular legs, his regularly-proportioned head, his teeth—was swift, loud, and overwhelmingly negative. The filmmakers heard the cries of the masses, and they responded with action, as director Jeff Fowler tweeted a few days after the trailer’s release that they would be working to tweak the design of the character…

(4) DRAGON RECOMMENDATIONS. Red Panda has created a “Dragon Awards 2019 Eligible Work” based on Renay’s Hugo recommendation’s spreadsheet. She says, “We’re trying to get folks to pay attention to the Dragon Awards to prevent them from becoming puppy awards by default. Here is a spreadsheet of eligible works – and people are welcome to add to it as long as works fit the Dragon award rules.”

(5) AFTERMATH. Cora Buhlert wrote a blog post about the Nebula Awards kerfuffle involving 20Booksto50K: “Some Reactions to the 2018 Nebula Award Winners and a Post-mortem on the 20Booksto50K Issue”.

…Most of [Craig] Martelle’s post seems to be extolling the virtues of the 20Booksto50K group and the idea behind it which was developed by Martelle’s business partner and occasional collaborator Michael Anderle. For those who don’t know, the basic idea behind 20Booksto50K is  is basically “write fast, publish fast and create a ‘minimum viable product’ in highly commercial genres”. For more information, you can also read their manifesto or watch videos of their conferences. They also have a Wiki with more background information here.

Now I don’t have a problem with either the 20Booksto50K group or their system. I don’t doubt that the group or their conferences help a lot of indie writers. And while their approach to writing and publishing isn’t mine, there are a nuggets of useful information in there.

Alas, the rest of the Martelle’s post engages in same tired “indie versus traditional publishing” rheotric that we’ve been hearing since 2010. “Traditional publishing is slow” – yes, it is, because their model is different, but that doesn’t make it bad. “Awards don’t matter, but whether stories resonate with readers does” – okay, so why are you so desperate to win an award then?

(6) ROTTEN TOMATOES REVAMP. The movie ratings site makes changes in the wake of their experience with people who lowballed Captain Marvel’s pre-release score: “We’re Introducing Verified Ratings and Reviews To Help You Make Your Viewing Decsions”.

In February we ditched our pre-release “Want to See” percentage in favor of a more straightforward Want to See tally (kind of like the “likes” you see on social media). We also removed the function that allowed users to write comments about a movie prior to seeing it. You can read about these changes here.

What’s next? Today, we’re excited to introduce new features to our Audience Score and user reviews with the addition of Verified Ratings and Reviews.

So, let’s get to it.

Rotten Tomatoes now features an Audience Score made up of ratings from users we’ve confirmed bought tickets to the movie – we’re calling them “Verified Ratings.” We’re also tagging written reviews from users we can confirm purchased tickets to a movie as “Verified” reviews.

… The first Audience Score you see on a movie page – that’s it next to the popcorn bucket just to the right of the Tomatometer – will be the score made up of Verified Ratings. As with the current Audience Score, when the score is Fresh (that is, above 60%), you’ll see a red popcorn bucket; when it is Rotten (59% and below), the bucket will be green and tipped over (you can read more about that here). If you want to see a score that incorporates all included ratings – both verified and non-verified – simply click “more info” where you can toggle between the two….

(7) TODAY’S THING TO WORRY ABOUT. Amazing Stories’ Steve Davidson says “The trouble with streaming: It could fragment fandom”.

…All this is a reminder that genre tales now dominate the entertainment landscape. The people behind all these platforms are fighting to attract the attention of us, the SF, fantasy and horror fandom.

But they are also fighting for our wallets. And while is is technically possible for one household to receive all these services, it is unlikely that very many households could afford to.

Once, producers essentially had two ways of monetising their entertainment. They could charge for it – for movie tickets, videotapes or discs; or they could give it to us via free-to-air television and sell our eyeballs to advertisers.

Now, we have a new eco-system where the producers are charging us, not for individual works, but for whole bundles of content. So we can get the Netflix package, the HBO package or the Hulu package, but not everything….

What is this in contrast to? Sure, things are different than when all TV was free, however, not so different from periods when there were five or eight or ten printed prozines coming out that you could only get by subscription, unless you were lucky enough that your local library subscribed to some (never all) of them.

(8) KERR OBIT. British children’s book writer and illustrator Judith Kerr died May 22 aged 95. Cora Buhlert comments —

In spite of the title, her most famous work (at least in Germany) When Hitler Stole the Pink Rabbit is not genre, but about the Kerr family’s escape from the Nazis in the 1930s. The pink rabbit of the title was young Judith Kerr’s beloved toy, which she lost en route. But a lot of her children’s picture books are at least genre-adjacent and several feature SJW credentials. Besides, she was married to Nigel Kneale, British TV writer and creator of Professor Quatermass:

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 24, 1925 Carmine Infantino. Comics artist and editor, mostly for DC Comics, during the late 1950s know as the Silver Age of Comics. He created the Silver Age version of the Flash (with writer Robert Kanigher) and the Elongated Man (with John Broome). He also introduced Barbara Gordon as a new version of Batgirl. Infantino wrote or contributed to two books about his life and career: The Amazing World of Carmine Infantino and Carmine Infantino: Penciler, Publisher, Provocateur. (Died 2013.)
  • Born May 24, 1945 Graham Williams. Producer and script editor. He produced three seasons of Doctor Who during the era of the Fourth Doctor. He went to be one of the producers of Rould Dahl’s Tales of the Unexpected. (Died 1990.)
  • Born May 24, 1946 Jeremy Treglown, 63. Author of Roald Dahl: A Biography and Roald Dahl: Collected Stories. Amateur actor who met his first wife while both were performing Romeo and Juliet at University. 
  • Born May 24, 1949 Jim Broadbent, 70. He played Horace Slughorn in Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows – Part 2. He joined the cast of A Game of Thrones, playing a role of Archmaester Ebrose, in the seventh season. His genre credits include Time Bandits, BrazilSuperman IV: The Quest for PeaceThe BorrowersThe AvengersThe Chronicles of Narnia: The Lion, the Witch and the Wardrobe and Indiana Jones and the Kingdom of the Crystal Skull (well somebody had to be in it). 
  • Born May 24, 1952 Sybil Danning, 67. Her rise to fame began with her role in Roger Corman’s space opera cult classic, Battle Beyond the Stars. She went on to star in HerculesHowling II: Your Sister Is a Werewolf (which bears the charming alternative title of Howling II: Stirba – Werewolf Bitch), a faux trailer directed by Rob Zombie titled Werewolf Women of the SS for Quentin Tarantino’s Grindhouse (I couldn’t make this stuff up!), the Halloween remake and finally she as in a horror film called Virus X. Series, She  appeared in recurring roles of the The Lair as a vampire out for revenge.
  • Born May 24, 1953 Alfred Molina, 66. His film debut was on Raiders of The Lost Ark as Satipo. He was an amazing Doctor Octopus on Spider-Man 2, and he also provided the voice of the villain Ares on the  outstanding 2009 animated  Wonder Woman. Oh and he was a most excellent Hercule Poirot on Murder on the Orient Express. I know, not genre, but one of my favorite films no matter who’s playing the character.
  • Born May 24, 1960 Doug Jones, 59. Among his roles, I’ll single out as Abe Sapien in the Hellboy films, the Faun and the Pale Man in Pan’s Labyrinth, the ghosts of Edith’s Mother and Beatrice Sharpe in Crimson Peak, and the Amphibian Manin The Shape of Water. 
  • Born May 24, 1965 Michael Chabon, 54. Author of one of the great baseball novels ever, Summerland. Then there’s The Amazing Adventures of Kavalier & Clay which is the best look I know of at the comics industry during the Golden Age. And The Final Solution: A Story of Detection may be an awesome home to the Greatest Beekeeper Ever.

(10) COMICS SECTION.

  • Wondermark takes fan disappointment about Game of Throne’s final season in a hilarious new direction.

(11) REVISITING THE ENCHANTED DUPLICATOR. The highlights from February’s two-day conference on The Art of the Mimeograph at the University of Westminster include an appearance by fanhistorian Rob Hansen beginning around the 8:54 mark.

(12) OVERFLOWING LID. Alasdair Stuart says his Full Lid for May 24 2019 “takes a look at DJ Kirkbride and team’s excellent SF/crime/comedy comic series Errand Boys. I’ve also got a breakdown of the 2014 Godzilla in the first of two briefings in the run up to Godzilla: King of the Monsters. There’s a look at the excellent documentary Knock Down The House and the one thing about its structure that bothered me. Finally, special guest Sarah Gailey drops by to do the Hugo Spotlight feature, which, this week, features me.”

…The creative team behind Errand Boys is a who’s who of people whose work I pick up, sight unseen. DJ Kirkbride and Adam P Knave are two of the best writers and editors in the business and Frank Cvetkovic is one of the best letterers. They’re joined by a raft of artists whose work is unfamiliar to me but is all massively impressive, kinetic and fun.

(13) RETRO REVIEWS. The link takes you to Evelyn C. Leeper’s Comments on the 1944 Retro Hugo Finalists and to her Retro Hugo Novel Reviews Part 1 and Part 2.

I am pretty sure this is the first time someone has been a finalist both in a fiction category and in an art category (Antoine de Saint-Exupery). It is also the first time a father and son appeared on the same ballot–well, sort of. Fritz Leiber, Jr., is a finalist for three works of fiction; Fritz Leiber, Sr., (the actor) appeared as Franz Liszt in PHANTOM OF THE OPERA (1943), a Dramatic Presentation (Long Form) finalist.

(14) ALADDIN’S LAMP DOES NOT SHINE BRIGHTLY. NPR’s scott Tobias finds  “Aladdin to be A CGI World, Neither Whole Nor New”.

As Disney plunders its archives for live-action remakes of animated classics, the question of “Why?” continues to be less evident on the screen than it is on the company ledger. The one quiet exception was Pete’s Dragon, which succeeded because it had no fidelity to the second-rate slapstick and songcraft of the original, and could re-imagine the premise from the ground up. When the catalog titles get as massive as Aladdin, however, the mission becomes to replicate it as closely as possible, which inevitably leads to stilted facsimile. No matter how sophisticated CGI gets, the speed and fluidity of animation is hard to reproduce.

The new Aladdin mostly has the beat-for-beat quality of the live-action Beauty and the Beast, the current standard-bearer for pointlessness, but there are elements of it that really pop, even for being bizarre missteps. Foremost among them is Will Smith’s Genie, whose entire look is a Violet Beauregarde nightmare of bright blue and CGI-inflated swole, with a top-knot/goatee combination that suggests 10,000 years away from the fashion pages. Yet Smith is the only member of the cast who’s bothered to rethink the original character: He doesn’t bother to imitate Robin Williams’ manic schtick, but draws on his own ingratiating silliness and kid-friendly hip-hop flavor instead. If everyone else had followed suit, this Aladdin wouldn’t necessarily be any better, but at least it would be its own thing….

Chip Hitchcock notes: “My local paper wasn’t quite so harsh, but did give it just 2.5 stars.”

(15) EINSTEIN? NEVER HEARD OF HIM. BBC remembers “The man who made Einstein world-famous”.

It is hard to imagine a time when Albert Einstein’s name was not recognised around the world.

But even after he finished his theory of relativity in 1915, he was nearly unknown outside Germany – until British astronomer Arthur Stanley Eddington became involved.

Einstein’s ideas were trapped by the blockades of the Great War, and even more by the vicious nationalism that made “enemy” science unwelcome in the UK.

But Einstein, a socialist, and Eddington, a Quaker, both believed that science should transcend the divisions of the war.

It was their partnership that allowed relativity to leap the trenches and make Einstein one of the most famous people on the globe.

Einstein and Eddington did not meet during the war, or even send direct messages. Instead, a mutual friend in the neutral Netherlands decided to spread the new theory of relativity to Britain.

Einstein was very, very lucky that it was Eddington, the Plumian Professor at Cambridge and officer of the Royal Astronomical Society, who received that letter.

Not only did he understand the theory’s complicated mathematics, as a pacifist he was one of the few British scientists willing to even think about German science.

(16) FAKEBOOK. According to NPR, “Facebook Removed Nearly 3.4 Billion Fake Accounts In Last Six Months”. Over half a century ago, Clarke suggested what’s now become a truism: that the Internet would be a haven for porn. But he didn’t foresee the other abuses….

Facebook says it removed 3.39 billion fake accounts from October to March. That’s twice the number of fraudulent accounts deleted in the previous six-month period.

In the company’s latest Community Standards Enforcement Report, released Thursday, Facebook said nearly all of the fake accounts were caught by artificial intelligence and more human monitoring. They also attributed the skyrocketing number to “automated attacks by bad actors who attempt to create large volumes of accounts at one time.”

The fake accounts are roughly a billion more than the 2.4 billion actual people on Facebook worldwide, according to the company’s own count.

(17) SPIKING THE CANON. James Davis Nicoll diagnoses the waning popularity of once-beloved works in “The Sad But Inevitable Trend Toward Forgotten SF” at Tor.com.

Love your beloved classics now—because even now, few people read them, for the most part, and fewer still love them. In a century, they’ll probably be forgotten by all but a few eccentrics.

If it makes you feel any better, all fiction, even the books people love and rush to buy in droves, is subject to entropy. Consider, for example, the bestselling fiction novels of the week I was born, which was not so long ago. I’ve bolded the ones my local library currently has in stock.

[Thanks to Cora Buhlert, Daniel Dern, John King Tarpinian, JJ,. Mike Kennedy Cat Eldridge, Standback, Martin Morse Wooster, Chip Hitchcock, Rob Hansen, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor Peer.]

World Fantasy Convention 2018 Announces Kaaron Warren as GOH

Kaaron Warren

World Fantasy Convention 2018 – Baltimore has announced another Guest of Honor, Australian author Kaaron Warren. She joins previously announced Guests of Honor Scott Edelman, Tom Kidd, and Michael J. Walsh, Special Guest Aliette de Bodard, and Toastmaster Linda D. Addison.

Kaaron Warren won the Shirley Jackson Award for her novella “Sky,” which also was a 2013 nominee for the World Fantasy Award. Her 2016 novel, The Grief Hole (IFWG Publishing Australia), is the first to win all three Australian genre awards: the Aurealis Award, the Ditmar Award, and the Australian Shadows, as well as winning the Canberra Critics Circle Award. Her first novel, Slights (Angry Robot Books, 2009) won the Australian Shadows Awards, Ditmar Award, and the Canberra Critics Circle Fiction Award. Her story, “Death’s Door Café,” was a World Fantasy Award nominee in 2015.

Warren also has published two other novels and seven collections of her short stories. Her stories have appeared in Australia, the US, the UK, and elsewhere in Europe, and have been selected for both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.

Kaaron Warren lives in Canberra, Australia. In addition to writing, she was a Fellow at the Museum for Australian Democracy. In 2018 she will be the Established Artist in Residence at the Katharine Susannah Prichard House in Western Australia.

The World Fantasy Convention 2018 in Baltimore is a joint effort of The Baltimore Science Fiction Society (BSFS) and the Washington Science Fiction Association (WSFA). It will be held at the Marriott Renaissance Harborplace Hotel in Baltimore, Maryland, USA, Nov 1 – 4, 2018.