Pixel Scroll 7/27/19 Baby Is 3, Jeffty Is 5, Now We Are Number 6, Who Is Number One?

(1) MACMILLAN APPLIES LIBRARY EMBARGO ACROSS THE BOARD. Publishers Weekly outlines the expanded policy — “After Tor Experiment, Macmillan Expands Embargo on Library E-books”.

More than a year after imposing a controversial four month “test” embargo on new release e-books in libraries from it’s Tor imprint, Macmillan announced today that it will now impose a two month embargo on library e-books across all of the company’s imprints. The terms take effect November 1.

Under the publisher’s new digital terms of sale for libraries, “library systems” will be now be allowed to purchase a single—that is, one—perpetual access e-book during the first eight weeks of publication for each new Macmillan release, at half price ($30). Additional copies will then be available at full price (generally $60 for new releases) after the eight-week window has passed. All other terms remain the same: e-book licenses will continue to be metered for two years or 52 lends, whichever comes first, on a one copy/one user model. A Macmillan spokesperson confirmed to PW that the single perpetual access copy will be available only for new release titles in the first eight weeks after publication—the option to buy a single perpetual access copy expires after that eight week window, and the offer is not available for backlist titles.

And the American Library Association goes on the warpath: “ALA denounces new Macmillan library lending model, urges library customers to voice objections”.

The American Library Association (ALA) denounces the new library ebook lending model announced today by Macmillan Publishers. Under the new model, a library may purchase one copy upon release of a new title in ebook format, after which the publisher will impose an eight-week embargo on additional copies of that title sold to libraries.

“Macmillan Publishers’ new model for library ebook lending will make it difficult for libraries to fulfill our central mission: ensuring access to information for all,” said ALA President Wanda Brown. “Limiting access to new titles for libraries means limiting access for patrons most dependent on libraries.

“When a library serving many thousands has only a single copy of a new title in ebook format, it’s the library – not the publisher – that feels the heat. It’s the local library that’s perceived as being unresponsive to community needs.

“Macmillan’s new policy is unacceptable,” said Brown. “ALA urges Macmillan to cancel the embargo.”

The new Macmillan ebook lending model is an expansion of an existing policy that went into effect in July 2018, when the company, without warning, issued a four-month embargo applying solely to titles from the company’s Tor imprint. At the time ALA stated that the delay would hurt readers, authors and libraries.

Since last fall, Hachette Book Group (HBG) and Penguin Random House (PRH) have eliminated “perpetual access” for libraries and replaced it with a two-year access model. Simon & Schuster changed from a one-year to two-year access model. While re-evaluating their business models, none of these firms implemented an embargo—deciding that equitable access to information through libraries is also in their business interest. HarperCollins continues with its 26-loan model. Macmillan now stands alone in its embargo policy among the largest (Big 5) publishers….

(2) FOOD OF THE GODZILLA. SYFY Wire browses the latest from Sideshow Collectibles and other toymakers in “Important Toy News: This ramen-eating Godzilla is priceless, Charlie Brown feels shame”.

But all of this money-spending is making us hungry. And what do you do when you’re hungry? That’s right: you eat. You eat ramen, and just like Godzilla, you look so unbelievably adorable when you do it that it makes your face explode and you cry tears of unyielding madness.

(3) BEST RELATED WORK. A writer who goes by “Building Worlds” has written an appeal to voters: “AO3, the Hugos, and Fandom” on Medium.

I’ve seen an argument online that a distinction voters are struggling with regarding AO3 is that they believe it is not noteworthy primarily for aspects other than the fictional text (all the fan fiction).

I’d argue that the most noteworthy thing about AO3, /r/Fantasy, and other online fan forums, is that they are venues for users to come together and discuss the speculative fiction they love, run by volunteers. To me, the Hugo Awards and WorldCon itself are about bringing fans together around the work we all love. Ultimately, that’s about the purest reason to vote for a Hugo as any I can think of.

(4) SFF ART GOES UNDER THE HAMMER. Bids are being taken by Heritage Auctions for the August 13 – 14 Glynn and Suzanne Crain Science Fiction Collection Signature Auction. Robert Emil Schulz’ cover for PKD’s The World Jones Made 1956 paperback is the poster for the event.

(5) COLLECTIVE NOUN. New Voices in Orbit #19 asks writers: “What do you call a group of dragons?” Kendall says, “And yes, I’m thinking of Meredith when I send you this. But also everyone.”

(6) SNAPS COURTESY OF THE HUT. Esquire has posted “133 Photos of Comic-Con 2019’s Biggest Celebrities”.

Jay and Silent Bob, Elizabeth Henstridge, Chloe Bennet and more stopped by the Getty Images Portrait Studio delivered by Pizza Hut.

Shohreh Aghdashloo, Frankie Adams, Dominique Tipper, (Bottom L-R) Steven Strait, Wes Chatham, and Cas Anvar of ‘The Expanse’ pose for a portrait during the Pizza Hut Lounge at 2019 Comic-Con International: San Diego on July 19, 2019 in San Diego, California.

 (7) WHEN E.T. COMES TO STAY. Science & Futurism with Isaac Arthur episode 196 discusses “Invasive Aliens.”

Alien Invasions have been a staple of science fiction for years, with motherships and UFOs assaulting Earth, but how realistic is such a thing? We’ll take a look at what might motivate an attack, how it might happen, what alternatives might make more sense, and what might prevent extraterrestrials from trying.

(8) TODAY IN HISTORY.

  • July 27, 1940 — Bugs Bunny made his cartoon debut.
  • July 27, 1994 Test Tube Teens From The Year 2000 went direct to video.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 27, 1874 Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940.  The serials themselves were Flash GordonFlash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.)
  • Born July 27, 1938 Gary Gygax. Game designer and author best known for co-creating  Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.)
  • Born July 27, 1939 Sydney J. van Scyoc, 80. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format. 
  • Born July 27, 1948 Juliet Marillier, 71. She’s a New Zealand-born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
  • Born July 27, 1949 Robert Rankin, 70. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely great. 
  • Born July 27, 1950 Simon Jones, 69. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well. 
  • Born July 27, 1968 Farah Mendlesohn, 51. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein. Her work on Diana Wynne Jones, Diana Wynne Jones: Children’s Literature and the Fantastic Tradition, is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. 
  • Born July 27, 1973 Cassandra Clare, 46. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? 

(10) COMICS SECTION.

  • Frank and Ernest encounter a vending machine that’s too intelligent.
  • When was the last time a B.C. strip made me laugh out loud? July 27….

(11) HE’S THE REASON FOR THE “GOOGLE 15”. Fast Company claims “This snack curator for Google is one of the most powerful people in food”.

…As urban legend has it, Google cofounder Sergey Brin once instructed office architects that “no one should be more than 200 feet away from food.” And so they rarely are. On any given day, the 1,300 “microkitchens” located within Google’s 70 or so offices around the world, from Pittsburgh to Istanbul, brim with dried seaweed, turkey jerky, kombucha, and other eclectic treats that rotate according to season, popularity with employees, local tastes, and food trends.

Google takes its snacking very seriously. That’s why it has a dedicated team overseeing it and a chef named Matt Colgan at the helm at many of its western campuses, where he (along with menu architects, wellness managers, and nutrition specialists at Google Food) has quietly emerged as one of the most powerful gatekeepers in the packaged-food world.

“When you’re feeding this many people,” says Colgan, culinary director for Google’s food operations in San Francisco, Los Angeles, Austin, Texas, and Boulder, Colorado, “you encounter every diet imaginable, every request.” You also get bombarded by sales reps at food companies, who are hungering after snackers—and these snackers in particular. They see Google employees, the drivers of Silicon Valley tech innovation, as having the clout, and appetite, to set snack trends.

(12) RIGHT TO THE SOURCE. Michael Cassutt was interviewed by the Washington Post’s Eryn Brown for the obituary of long-time Mission Control director Christoper C. Kraft, Jr., who died on July 22 at age 95.

When Gemini 4 astronaut Ed White lingered during the first U.S. spacewalk in 1965, enjoying the scenery, Mr. Kraft commandeered the communications system and ordered him, “Get back in!” the ship.

“This is the saddest day of my life,” White said, before heading back into the cockpit.

The incident was indicative of the culture that Mr. Kraft set.

“It was, ‘I, the flight director, am in charge. Not you the astronaut, and not the head of NASA. You come to me,’?” said author Michael Cassutt, who writes about the space program. “Much of the NASA culture as we envision it really derives from Chris Kraft.”

(13) BEHIND THE PAYWALL. An article in the July 20 Financial Times by David Cheal tells how musicians are inspired by space and space travel.

“In 2015 the British band Public Service Broadcasting released an album that celebrated the golden era of space travel.  The Race for Space knitted together propulsive, often funky music  with spoken-word clips (Kennedy:  ‘We go to the moon because it is hard’) to recapture the sheer excitement of Sputnik, the Moon landing–and also tragedies such as the deaths of three Apollo 1 astronauts in 1967.  The music was refreshing because it eschewed the notion that spsce has to be electronic, using a range of often acoustic instruments.  In 2018  the Northern Irish composer and artist Hannah Peel released Mary Casio; Journey to Casiopeia, which follows the dream of a fictional stargazer to travel from her home in Barnsley to the constellation of Cassiopeia.  Peel’s music combines synthesizers with brass.

But one band have gone further and faster than any other in their exploration of the possibilities of space and music:  Muse.  The British trio’s interstellar adventures show how far space-themed pop music has travelled since the early days of Joe Meek:  bass and synths that thrum and pulse like gravitational waves, guitars that shriek and howl like the geysers of Enceladus, wailing, otherworldly voices that sing of “Space Dementia,’ ‘Starlight’ and, most epically of all, a ‘Supermassive Black Hole.'”

(14) WHERE ARE YOU IN TIME? Doc Brown drove a DeLorean to his future – now your past! Today they’d like to sell you a watch whose look is inspired by the car — “DeLorean, the Eternal Design”.

(15) KEEPING TRACK OF YOU. Wired points out how “Netflix’s The Great Hack Brings Our Data Nightmare to Life”.

The new documentary about Cambridge Analytica uses thoughtful narration and compelling visuals to create a dystopian horror movie for our times.

If you’d rather not think about how your life is locked in a dystopian web of your own data, don’t watch the new Netflix documentary The Great Hack.

But if you want to see, really see, the way data tracking, harvesting, and targeting takes the strands of information we generate and ties them around us until we are being suffocated by governments and companies, don’t miss the film, which premieres today on the streaming platform and in theaters. […]

(16) THINKING INSIDE THE BOX. Where do you land in this grid of Writing Style Alignments?

(17) ACTING CREDENTIALS. Kittens recreate horror movies. (From 2015.)

You won’t believe how adorable these kitties are as they star in ‘The Purring’ (1980), ‘The Texas Chainpaw Meowsacre’ (1974), ‘Psycat’ (1960), and ‘Cattie’ (1976).

(18) THE POINT. Finland was a magnet for competitors in the inaugural Heavy Metal Knitting Championship.

The AP story: “Purl jam: Finland hosts heavy metal knitting championship”

Armed with needles and a yarn of wool, teams of avid knitters danced Thursday to the deafening sounds of drums beating and guitars slashing at the first-ever Heavy Metal Knitting World Championship in eastern Finland.

With stage names such as Woolfumes, Bunny Bandit and 9? Needles, the participants shared a simple goal: to showcase their knitting skills while dancing to heavy metal music in the most outlandish way possible.

“Heavy Metal Knitting World Champion 2019” was won by “Giga Body Metal” from Japan.

Finland is the promised land of heavy metal music. There are 50 heavy metal bands per 100 000 Finnish citizens, which is astonishingly many and actually more than anywhere else in the whole world. The number of needlework enthusiasts is equally high, as according to even the most modest estimates there are hundreds of thousands of people in Finland who are immersed various kinds of needlework crafts, knitting included. What combines them both is the great joy of creativity. When playing guitar as well as knitting stitches it is all about the pleasure of creating something cool with your hands. And – it’s all about the attitude!

(19) DOUBLE DOWN. Gemini Man Official Trailer 2 has dropped:

Who will save you from yourself? From visionary director Ang Lee, watch the official trailer for Gemini Man, starring Will Smith. In theatres October 11. Gemini Man (#GeminiMan) is an innovative action-thriller starring Will Smith (#WillSmith) as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move.

[Thanks to John King Tarpinian, Hampus Eckerman, Kendall, Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge Chip Hitchcock, Carl Slaughter, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/13/19 And What Rough Pixel, Its Hour Come Round At Last, Crowdfunds Towards Dublin, To Be Scrolled?

(1) SKIPPING OVER THE SAND. Judith Tarr tells why she’ll be passing on a Bene Gesserit tv series with an all-male creative team. Thread starts here.

(2) KAIJU-CON. On Saturday June 14, the Japanese American National Museum in Los Angeles is holding a one-day “Kaiju-Con”.

In conjunction with Kaiju vs Heroes, JANM is hosting a day-long Kaiju-Con that will include a vendor hall, workshops, panel discussions, and demonstrations all related to kaiju and Japanese toys. The day will culminate in a special free outdoor screening at 8:30 p.m., on JANM’s plaza of Mothra vs. Godzilla from 1964.

The museum’s exhibit “Kaiju vs Heroes: Mark Nagata’s Journey through the World of Japanese Toys” continues through July 7.

… After the war, the United States closely monitored the types of industries allowed to revive in Japan. The toy industry was one of the first to be enabled to reinvent itself, and the kaiju films and television shows helped fuel it. Additionally, the toy industry helped stimulate Japan’s economy during the early postwar reconstruction period. These new artistic and economic factors fused with kaiju and hero characters to set the stage for a golden age of Japanese popular culture—one that Nagata first became enamored with as a nine-year-old boy.

Nagata’s pursuit of these Japanese toys took him on an unexpected journey that brought new realizations about his cultural identity as an American of Japanese ancestry….

(3) DRAW YOUR OWN CONCLUSIONS. Gizmodo assures us that “Half the DNA on the NYC Subway Matches No Known Organism”.

The results of a massive new DNA sequencing project on the New York City subway have just been published. And yup, there’s a lot of bacteria on the subway—though we know most of it is harmless. What’s really important, though, is what we don’t know about it.

The PathoMap project, which involved sampling turnstiles, benches, and keypads at 466 stations, found 15,152 life-forms in total, half of which were bacterial. The Wall Street Journal has created a fun, interactive microbial map of the subway out of the data, showing where on the lines the bacteria “associated with” everything from mozzarella cheese to staph infections was found.

(4) GUNN RETROSPECTIVE. Dark Matter Zine is revisiting the work of the late Hugo-winning fanartist Ian Gunn: “Giant man-baby. A silly illo by Ian Gunn”.

Over the next few weeks we’ll be seeing some movie cliches that Ian Gunn drew. Today’s, obviously, is the giant man-baby walking in slow motion. Although the drawing is at least 20 years old but did Gunn foresee the Trump Baby resistance balloons, banners etc? I wonder if the giant Trump Baby acts in slow motion too?

(5) JUST A LITTLE SMACK. John Boston doesn’t pull his punches when he’s slugging the prozines of 1964 for Galactic Journey: “[June 12, 1964] RISING THROUGH THE MURK (the July 1964 Amazing)”.

Can it be . . . drifting up through the murk, like a forgotten suitcase floating up from an old shipwreck . . . a worthwhile issue of Amazing?

You certainly can’t tell by the cover, which is one of the ugliest jobs ever perpetrated by the usually talented Ed Emshwiller—misconceived, crudely executed, and it doesn’t help that the reproduction is just a bit off register.

(6) CLONE ARRANGER. ComicsBeat brings music to fans’ ears — “ORPHAN BLACK returns in new serialized novel and audio adaptation”.

The Clone Club is reconvening. Variety reports that Orphan Black, the hit BBC America sci-fi series that ended in 2017, is set to return as a serialized novel, with accompany audio narration, later this year. The new story is produced by publishing startup Serial Box, and will feature original series star Tatiana Maslany providing the audio narration.

(7) FLIP THE SCRIPT. Eater says the promotion is really quite simple: “Burger King’s New ‘Stranger Things’ Special Is Literally an Upside-Down Whopper”.

With the premiere of Stranger Things Season 3 just a few weeks away, Netflix and Burger King are teaming up for a fast food stunt that seems aimed at the die-hard fans, only: At 11 locations across the country, the chain is adding an “Upside Down Whopper” to the menu, which is literally just a Whopper served upside down. No special Demagorgon sauce, Eggo bun, or Hopper’s bacon crumbles. It’s just an inverted hamburger in Stranger Things-branded packaging.

The YouTube caption assures viewers —

pro tip: you can’t get eaten by something in the upside down if you’ve already eaten the upside down whopper. served upside down at select bk locations on June 21:

(8) MILES OBIT. Actress Sylvia Miles has died at the age of 94 reports the New York Times.

Sylvia Miles, who earned two Academy Award nominations (for “Midnight Cowboy” and “Farewell, My Lovely”) and decades of glowing reviews for her acting, died on Wednesday in Manhattan. She was 94.

Ms. Miles began her career as a stage actress; [she] was a witch in “A Chekhov Sketchbook” (1962). She described her character in the 1977 horror film “The Sentinel” as “a mad dead crazed German zombie lesbian ballet dancer.” Her other film roles included … Meryl Streep’s mother in “She-Devil” (1989).

Her final TV appearance was in 2008, on the series “Life on Mars.” Her last screen appearance was in “Old Monster,” a 2013 short based on the epic “Beowulf.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 13, 1892 Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
  • Born June 13, 1893 Dorothy Sayers. ISFDB often surprises me and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957.)
  • Born June 13, 1929 Ralph McQuarrie. Conceptual designer and illustrator. He worked on the original Star Wars trilogy, the first Battlestar Galactica, Star Wars Holiday Special, Cocoon, Raiders of the Lost Ark, Nightbreed, Star Trek IV: The Voyage Home andE.T. the Extra-Terrestrial. (Died 2012.)
  • Born June 13, 1943 Malcolm McDowell, 76. My favorite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course, his most infamous role was Alex in A Clockwork Orange. Scary film, that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series. Remember the Will Smith starred Wild Wild West film? Here is the same premise with John Hex instead. 
  • Born June 13, 1945 Whitley Strieber, 74. I’ve decidedly mixed feelings about him. He’s written two rather good horror novels, The Wolfen which made a fantastic horror film and The Hunger. But I’m convinced that his book Communion about his encounter with aliens is an absolute crock. 
  • Born June 13, 1949 Simon Callow, 70. English actor, musician, writer, and theatre director. So what’s he doing here? Well, he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the latter. How are they? He was The Duke of Sandringham in the first season of Outlander
  • Born June 13, 1953 Tim Allen, 66. Jason Nesmith in the beloved Galaxy Quest, winning a much deserved Hugo Award for Best Dramatic Presentation. (What was running against it that year?) it actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in that film franchise.
  • Born June 13, 1963 Audrey Niffenegger, 56. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film as only the characters in the novels are hers. Good for her. Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performed at the Royal Opera House. 
  • Born June 13, 1981 Chris Evans, 38. Captain America in the Marvel film franchise. He had an earlier role as the Human Torch in the non-MCU Fantastic Four and Fantastic Four: Rise of the Silver Surfer. I think this makes him the only performer to play two major characters in either the DC or Marvel Universes. 

(10) ROBOCOMICS. The New York Times looks at a marketing solution: “Like Comic Books? This Platform Picks Titles for You”.

Comic book fans have multiple digital options to choose from these days, with apps for independents, manga and political cartoons as well as libraries from giants like DC and Marvel. But the fractured nature of the business means readers have to visit several platforms to fill their needs.

Enter Graphite, a free digital service from Graphic Comics that begins Tuesday and hopes to put them all under one roof.

The impetus for the company was a simple one, said Michael Eng, Graphite’s chief executive: “There is no solution right now that serves comics in all its forms.”

The goal of the service is to offer digital comics from all formats, including the work of independent creators as well as major publishers, and make it all free. The content will include ads, but an ad-free service is available for a $4.99 monthly fee. Graphite also hopes to expand the audience of comics readers by offering material in 61 languages. But its biggest bet is on artificial intelligence, which will suggest content to readers based on their taste.

(11) HIDDEN NO MORE. BBC: “Hidden Figures: Nasa renames street after black female mathematicians”.

The street outside Nasa’s headquarters has been named “Hidden Figures Way”, in honour of three African-American women whose work helped pave the way for future generations at the space agency.

(12) A LARK IN THE VACUUM. The Atlantic’s Rebecca Boyle has her own estimate of “The True Price of Privatizing Space Travel”.

…NASA’s decision to open up the space station is in some ways a natural next step for space exploration. Earlier, earthbound vessels all experienced a similar transformation. Transoceanic ships, railroads, and airplanes spawned cottage industries to enable their spread and wide adoption, and each eventually reached the masses. And in widening access to space, NASA is actually behind the Russians, whose space agency has transported a few space tourists through a company called Space Adventures.

But space is different. Space, as they say, is hard. To get there, you have to strap yourself to a bomb, and sometimes those bombs malfunction.

Personal space exploration is also hard to justify….

…Handing tourists the keys to the ISS reflects a much broader shift in space exploration, one that prioritizes resource extraction and commercial profit over pure research and collective scientific efforts. It’s a step toward making space more mundane, a travel destination defined by money and vacations, rather than discovery and glory.

(13) ONE OF EVERYTHING. Joe Sherry does a fine job of tackling these finalists in “Reading the Hugos: Related Work” at Nerds of a Feather.

Related Work is a bit of a catch-all category. It’s for work that is primarily non fiction and that is related to science fiction and fantasy, and which is not otherwise eligible elsewhere on the ballot. This is how you can have an encyclopedia compete against a folk album against a podcast against a collection of essays about movies (this was in 2012 when the Fancast category had not yet been created. That particular lineup of finalists can’t happen today. You may also note that albums and songs have been included in Dramatic Presentation – because the two Clipping albums in question are narrative driven whereas Seanan McGuire’s Wicked Girls was not.). There may also be a single blog post competing and winning in the category. Or a series of blog posts focusing on the women of Harry Potter. In the case of this year there is a four way biography, a series of interviews, a three part documentary, a collected essay series about the Hugo Awards, a recognition of the work done by a website, and the experience of bringing together Mexicanx fans and creators to Worldcon. Related Work is an interesting cross section of another side of the genre and another side of fandom.

(14) HUGO NOVELLAS. James Reid continues his “Hugo Awards Extravaganza 2019 – Novella”.

I feel like this category has undergone a bit of a renaissance with digital publishing: when I was growing up, I thought of Novellas as either the anchor of a short story collection, 1 or works that flesh out a larger series.2  Without the pressure of meeting mass market paperback length however, novellas can be sold as free standing works, which then can lead to series of novellas.  Fully half the slate fall into this category,3 and not only are they sequels, but they are sequels to previous nominated works.

In all three of these series, I liked the original novella,4 but the two sequels that were in the ballot last year, Binti: Home and Down Among the Sticks and Bones were both marked by precipitous drops in quality.  Given this, my big questions going into the ballot this year are can Artificial Condition avoid this sophomore slump, and can either of the threequels pull out of their series nosedives?

(15) CANNED. “Star Wars’ Mark Hamill Reveals He Got Fired From Jack in the Box for Doing a Clown Voice”Comicbook.com has the story.

Star Wars icon Mark Hamill is still full of stories that will surprise and delight fans – as he recently proved during an appearance on The Late Show with James Corden. Corden and Hamill were talking about the road to fame (and all the detours it an take); when they got to the topic of Hamill having worked as a waiter (like so many struggling actors), we got this great anecdote:

“I tried. I always was trying to find the theatrical aspect of it. You know, I worked right down the street at Jack in the Box. And I was in the back all the time, making shakes and minding the grill, and I always aspired to work the window… The one chance I had at it, it never occurred to me not to be in character as the clown, as the Jack in the Box clown! Who would want to hear [Robot voice] ‘What is your order?’ I wanted to hear [Clown voice] ‘Whats your orderrrrrrrrrr?” My manager didn’t think it was very funny: He told me to go home and never come back. I got fired! Fired for being in character! Why you… [Shakes fist] I’ll show you: One day I will be The Joker and then you’ll be sorry!”

(16) BIG FAMILY IS WATCHING. [Item by Jonathan Cowie.] Nature notes some past fiction has become science fact with the rise of the surveillance state — “Eyed up: the state of surveillance”

In the 1998 Hollywood thriller Enemy of the State, an innocent man (played by Will Smith) is pursued by a rogue spy agency that uses the advanced satellite “Big Daddy” to monitor his every move. The film — released 15 years before Edward Snowden blew the whistle on a global surveillance complex — has achieved a cult following. It was, however, much more than just prescient: it was also an inspiration, even a blueprint, for one of the most powerful surveillance technologies ever created…

This is the basis for the new book Eyes in the Sky: The Secret Rise of Gorgon Stare and How It Will Watch Us All by Arthur Holland Michel (Houghton Mifflin Harcourt, 2019).

(17) A SEMI-MOVING PICTURE. Mike Kennedy sent the link with an observation – “I was not aware we needed this”: “‘Playmobil: The Movie’: Film Review” in The Hollywood Reporter.

Once they’re transformed into animated characters, Charlie soon winds up prisoner in a Gladiator-like kingdom ruled by the evil Emperor Maximums (Adam Lambert), prompting Marla to team up with a hipster food truck driver (Jim Gaffigan, providing vague comic relief) and a ridiculous secret agent (Daniel Radcliffe) to get her bro back. Along the way, she runs into tons of other merchandise, although it’s uncertain at this point whether the figure of Glinara (Maddie Taylor) — basically a female Jabba the Hut decked out in a sleeveless leather dress — was something already made by Playmobil or a creature the filmmakers invented for the hell of it.

Otherwise, everything goes exactly where you expect, from the live-action scenes bookending the cartoon to the nonstop chases and thundering soundtrack to all the attempts at humor that mostly miss their mark. To the director’s credit, the animated sequences are richly rendered, making the most of the rather stiff and plain-looking originals (though, if you want to get nitpicky, an early gag poking fun at the fact that Playmobil legs are unbendable is soon forgotten) and offering up a plethora of settings that help compensate for the lack of good writing.

[Thanks to Mike Kennedy, Martin Morse Wooster, ULTRAGOTHA, John King Tarpinian, JJ, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, the reference detecting Randall M.]

Pixel Scroll 11/6/18 Scroll it, Jake. It’s Pixeltown.

(1) KAIJU INSTANT CLASSIC. Adam Roberts spent the morning on a retelling of the story of Godzilla in the style of Pope’s Homer: The Godziliad.

It beginneth thus:

Book 1
Godzilla’s wrath, to Earth the direful spring
Of woes unnumber’d, heavenly goddess, sing!
What grudge could light the fierce atomic breath
That burnt so many citizens to death?
What move four mighty limbs to crush and tear
Whole city blocks and scatter them to air?

(2) STORYBOARDING PARTY. If you’d been at last weekend’s World Fantasy Convention you’d have seen a selection of original art from GoH Scott Edelman’s comics writing. He says, “I gave a docent tour for one hour during the con, and then talked endlessly about the pieces during the Art Reception.”

(3) DEADPOOL SAYS “FUDGE CANCER.” Why so restrained? Because charity will benefit from a cleaned-up re-release of Deadpool 2 — “‘Once Upon A Deadpool’: Ryan Reynolds (and Fred Savage) On Franchise’s PG-13 Plunge”.

All Fox wants for Christmas are 12 more days of Deadpool — that’s certainly one valid interpretation of the studio’s plan to revamp, rename and re-release the year’s biggest R-rated hit, Deadpool 2, as a PG-13 film called Once Upon A Deadpool. There’s more to it than that, however. Deadline has all the details about the studio’s unconventional plan — a plan that may have intriguing relevance when viewed through the prism of the Disney-Fox merger and the future of the red-hot Deadpool franchise.

First some of those details: Once Upon a Deadpool will have a limited-engagement that begins Dec. 12 and concludes on Christmas Eve, positioning it as a box-office play aimed at young teens on holiday break from school. The lion’s share of Once Upon Deadpool  is footage from Deadpool 2 that has been edited to meet PG-13 thresholds of violence and language. There’s also new footage in the form of a framing sequence that was conceived by Deadpool star Ryan Reynolds and writers Rhett Reese and Paul Wernick. Working with a small film crew, Reynolds and his cohorts filmed all the framing scenes in a single hectic day of guerrilla-style filmmaking.

There’s a major charity component to the limited-engagement release, too, as Reynolds explained to Deadline that for every ticket sold $1 will go to the audaciously named F-ck Cancer campaign, which will be temporarily renamed “Fudge Cancer” for the purpose of tie-in fundraising effort….

(4) VOYNICH SPECULATIONS. Monica Valentinelli has a theory: “Why I Believe the Voynich Manuscript was Created by a Woman”.

I have a facsimile of the folios, and after reviewing all the theories I’ve realized the Voynich Manuscript may have been written by a woman.

For background, the vellum has been carbon-dated to the early 1400s, and illustrations potentially place its author in Northern Italy. Okay, so what was happening in Northern Italy at that time? The Italian Renaissance was flourishing despite the long shadow of the Holy Roman Empire and the established patriarchy. While it’s true that belief in witches during this time period was present, primarily among peasants and commoners, keep in mind the hysteria not peak until much later following the publication of the international best-seller Malleus Maleficarum in 1486.

Why write an untranslatable book about women’s health during the Italian Renaissance? One that has no overtly Christian or Catholic-specific symbols in it, either? On the one hand, you have an age of discovery and a period of enlightenment. On the other, you have the establishment of the Church and its political might. In between, however, you also have the birth of an Italian feminist movement that began in the late 14th century. Several Italian women of privilege were not only literate, they also taught at university, published books, and participated in the Italian Renaissance as thinkers of their age. Dorotea Bucca was a professor of health and medicine in Bologna, for example, for forty years from 1390-1430. As another example, Christine di Pizan challenged the idea that women were inferior to men by publishing the City of Ladies in 1404.

This, dear reader, points to my “who”. Who would be interested in writing a book that emphasized women’s health?…

(5) SKEIN POWER. Mary Robinette Kowal exercises hypnotic powers in this tweet –

(6) LLAMA LLAMA DUCK. [Item by Mike Kennedy.] Did you get your flu shot yet this year? If not, stop reading this and go get it… but even when you do, each year’s shot is tailored to provide protection from a few strains of the influenza virus that scientific consensus says are probably going to be the ones going around. And sometimes they are wrong. Ars Technica has a story about antibodies that don’t have to be tailored to specific influenza strains and they depend on, of all things, llamas (“Llama ‘nanobodies’ might grant universal flu protection”).

Llama antibodies are different from ours. Our antibodies are a mix of two pairs of proteins, heavy and light, wrapped around each other. Llamas, camels, and sharks all use only a pair of heavy chains. Because they are smaller, they can wedge into molecular crevices that our larger antibodies can’t access. Perhaps that’s why scientists based at The Scripps Institute decided to use them as a basis for flu protection.

[…] Current flu vaccines generate antibodies to the head of the hemagglutinin protein [on the flue virus], which is highly variable. This is why we need to get a new shot every year: it ensures we make antibodies that bind to and counteract the strain in circulation that year. Broadly neutralizing antibodies that recognize all forms of hemagglutinin have been made and tested, but they don’t combat [some types of] influenza [at all], and they don’t last for very long in our upper airways.

[…] Each [of four llama] antibod[ies] neutralized a group of flu viruses, not just one; but the groups of viruses did not overlap. So the scientists made a composite antibody by fusing parts of different llama antibodies with a human antibody base (the parts are termed “nanobodies” and targeted two different regions on the hemagglutinin stem). In a test tube, the resulting fusion antibodies could neutralize flu strains that neither of their single constituents could alone. When given to mice intravenously a day before the mice were infected with flu, the fusion antibodies were protective against a panel of 60 different flu viruses. And when administered to the mice intranasally a month before infection, they were also able to confer protection.

(7) DESK SET. In “In Disney’s Golden Age, a Modernist Pioneer Designed the Perfect Animator’s Desk” by Ben Marks in Collectors Weekly, Marks looks at the animator’s desks designed by Kem Weber in 1939 and how they enabled Disney animators to do good work for nearly 50 years.

As a filmmaker, Disney always had big plans. As a builder, though, Walt Disney may have been even more ambitious, spending much of 1938 and ’39 consulting with his new studio’s architect, Kem Weber. Together, they created a work environment that was designed expressly for animators. Weber’s low-rise buildings, which quickly filled with the company’s roughly 800 employees, were sited to maximize northern exposure, ensuring optimal natural light for Disney’s small army of animators. Even the birch plywood desks these animators sat at were customized for their tasks, whether they were sketching storyboards, executing the entry-level grunt work of the “inbetweener,” or painting backgrounds.

(8) TODAY IN HISTORY

  • November 6, 1981 Time Bandits was released

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • November 6, 1907 – Catherine Crook de Camp, Writer, Editor, Teacher, and Member of First Fandom. Most of her fiction, nonfiction, and anthology editing work was done in collaboration with her husband of 60 years, L. Sprague de Camp, but she was also a member of SFWA and an author in her own right, producing a number of genre short stories and poems, and editing the anthology Creatures of the Cosmos. She attended dozens of SF conventions, and in later years was Guest of Honor at a significant number of them. One of the people to whom Heinlein dedicated his novel Friday, she was nominated for a World Fantasy Special Award for Professional Achievement, and honored with the Raymond Z. Gallun Award for outstanding contributions to the genre of science fiction.
  • November 6, 1910 – Sarban (John William Wall), Diplomat and Writer from England whose writing career was early and brief, but he is notable for his 1952 novel The Sound of His Horn, one of the earliest alt-history stories describing a world where the Nazis won World War II, 10 years before Philip K. Dick’s The Man in the High Castle.
  • November 6, 1947 – Carolyn Seymour, 71, Actor from England who is likely to be best known to genre fans for her roles as Romulans in episodes of Star Trek: The Next Generation; she also played a member of an alien race in another TNG episode, and a holodeck character in Voyager. Other genre roles in TV series include a main role in the BBC’s Survivors, a recurring role on Quantum Leap, and guest appearances on Babylon 5, The Greatest American Hero, Otherworld, Alfred Hitchcock Presents, The (new) Twilight Zone, Tales from the Darkside, and Blue Thunder, parts in the films The Return of the Man from U.N.C.L.E. and Mortal Kombat: Annihilation, and numerous voice roles in animated series and videogames, including Star Wars, Mass Effect, and Gears of War.
  • November 6, 1948 – Michael Dirda, 70, Pulitzer Prize-winning Writer, Journalist, and Critic, currently reviewing books for The Washington Post. He has numerous connections to genre, including providing the Introduction to the omnibus of Asimov’s Foundation series, an essay on Gene Wolfe in the Nebula Awards Showcase 2014 anthology, an Appreciation of Elizabeth Hand in the Readercon 20 Souvenir Book, and a ghost story in All Hallows magazine. On Conan Doyle; or, The Whole Art of Storytelling, won an Edgar Award for Best Critical / Biographical Works. Also worth bringing to your attention is Browsings: A Year of Reading, Collecting, and Living with Books, which y’all should naturally be interested in reading.
  • November 6, 1955 – Dr. Catherine Asaro, 63, Physicist, Mathematcian, Writer, Poet, Dancer, Singer, and Fan who started out with her own fanzine in the early 90s  After having one short work published in 1993, she burst onto the SFF scene in 1995 with Primary Inversion, a Compton Crook finalist and the first of at least 16 novels and many shorter works in what was to become the acclaimed Skolian War Saga. Her works have accumulated numerous Hugo and Nebula nominations, and she has taken two of those lucite trophies home. She is popular with fans, and has been Guest of Honor at nearly two dozen conventions (and JJ caught her working enthusiastically at the New Zealand in 2020 promotional table at Worldcon 76).
  • November 6, 1961 – Kim Huett, 57, Writer, Editor, and Fan from Australia who has been editor of, and contributor to, numerous fanzines and apazines, as well as occasional posts for File 770. Although he has mostly gafiated from fandom, he blogs at Doctor Strangemind about forgotten stories of fantastic literature and those who have written it.
  • November 6, 1966 – Peter DeLuise, 52, Actor, Writer, Director, and Producer. After early genre appearances in Solarbabies, Children of the Night, and Bloodsuckers, and guest roles on TV series Supernatural, Highlander, Andromeda, SeaQuest DSV, Third Rock from the Sun, The New Outer Limits, and Stargate SG-1, he began working as producer, writer, director, and creative consultant for SG-1, and went on to do the same for Stargate Atlantis and Stargate Universe. Among his numerous other directing credits are the series jPod and the fantasy film Beyond Sherwood Forest.
  • November 6, 1970 – Ethan Hawke, 48, Oscar-nominated Actor, Writer, and Director who is best known to genre fans for lead roles in the Hugo- and Saturn-nominated Gattaca and Predestination, the adaptation of Heinlein’s “All You Zombies –”, as well as The Woman in the Fifth, Valerian and the City of a Thousand Planets, Explorers, and Sinister (his scenes in the Total Recall remake ended up on the cutting room floor).
  • November 6, 1971 – P. Djèlí Clark, 47, Historian, Critic and Afro-Caribbean-American Writer of speculative fiction who has produced numerous works of short fiction in the last seven years, including the particularly acclaimed novella The Black God’s Drums and the novelette “A Dead Djinn in Cairo”. His work has been published in Strange Horizons, FIYAH, Beneath Ceaseless Skies, Tor.com, and various anthologies.
  • November 6, 1972 – Rebecca Romijn, 46, Actor who played Mystique in the X-Men films, but my favorite role for her is as Eve Baird, The Guardian of the Library that crosses all realities in The Librarians series. She also was a regular on Eastwick, yet another riff the John Updike novel about modern-day witches, she voiced Lois Lane in the animated The Death of Superman, and appeared in the Rollerball remake and S1m0ne. She has been cast as Number One in the second season of Star Trek: Discovery.
  • November 6, 1972 – Thandie Newton, 46, Actor and Producer who has been playing a main role in the Saturn-winning TV series Westworld, for which she also received a Saturn nomination. She has also appeared in genre films Solo: A Star Wars Story, Mission: Impossible 2, The Chronicles of Riddick, the Hugo finalist Interview with the Vampire, Beloved, Vanishing on 7th Street, and 2012: We Were Warned.

(10) COMICS SECTION.

  • Half Full concocts a holiday nightmare from leftover pumpkins.

(11) ANOTHER GHOST OF HALLOWEEN PAST. Here’s a relic. The episode of Route 66 aired October 26, 1962 featured guest stars Boris Karloff, Peter Lorre, and Lon Chaney, Jr.

As first broadcast on October 26th, 1962, here’s the famous Halloween episode of ROUTE 66, complete with original network commercials, just as it was seen a half-century ago.

 

(12) WET AND WILD. Apparently, it takes two to tango; if you tango in a swamp (Deadline:‘Swamp Thing’ Finds Its Swamp Thing, Sets Derek Mears & Andy Bean For Roles”). The “DC Universe” streaming service is casting two actors to play the titular character in Swamp Thing—one wearing the suit and one not.

DC Universe’s upcoming Swamp Thing series is continuing to cast up, setting Power‘s Andy Bean to play biologist Alec Holland, who in the DC mythology as created by Len Wein and Bernie Wrightson transforms into the titular creature. Derek Mears, who played another horror icon Jason Voorhees in the Friday the 13th reboot, will play the bog monster.

The streaming series, which hails from James Wan’s Atomic Monster in association with Warner Bros Television, is set to premiere in 2019 on the DC Universe digital subscription service.

(13) MARTIAN CHRONICLE. Did you know that Google has now mapped Mars? And more than that, Google Mars performs an assortment of special searches – like the one that pinpoints where all the spacecraft on the planet’s surface currently are.

(14) DOG TREK. “Live Long And Paws-Per”  came out in 2016 but it’s news to me!

(15) FASHION STATEMENT. This could be the perfect gift for someone you know: Star Trek Airlock t-shirt.

(16) WORM RUNNERS. NPR inquires: “These Flatworms Can Regrow A Body From A Fragment. How Do They Do It And Could We?” Chip Hitchcock comments, “Older fans may remember The Worm Runners Digest, a mix of oddball humor and serious articles about the possibility that memory could be transmitted by consuming RNA — since disproved, but the basis of Niven’s ‘The Fourth Profession.’ Now flatworms might show us something usable.”

Other animals like starfish, salamanders and crabs can regrow a tail or a leg. Some planarians, on the other hand, can regrow their entire bodies — even their heads, which only a few animals can do.

Key to planarians’ regenerative ability are powerful cells called pluripotent stem cells, which make up one-fifth of their bodies and can grow into every new body part. Humans only have pluripotent stem cells during the embryonic stage, before birth. After that, we mostly lose our ability to sprout new organs.

(17) POWERING UP. Beyond “slow glass”: “How the humble lamp-post could help power our cities”. A new material can be both structural and photoelectric; another doesn’t require the processing that silicon does.

New materials certainly show promise. Cement mixtures made from power station waste could turn buildings in to batteries, for example.

These potassium-geopolymetric (KGP) composites are cheaper than ordinary cement and can store electricity. A six-metre tall lamp-post made from KGP and equipped with a small solar panel could hold enough energy to power itself throughout the evening, researchers say.

(18) DAM NUISANCES. Researchers say “Large hydropower dams ‘not sustainable’ in the developing world”; based on a paper here).

A new study says that many large-scale hydropower projects in Europe and the US have been disastrous for the environment.

Dozens of these dams are being removed every year, with many considered dangerous and uneconomic.

But the authors fear that the unsustainable nature of these projects has not been recognised in the developing world.

Thousands of new dams are now being planned for rivers in Africa and Asia….

The problem, say the authors of this new paper, is that governments were blindsided by the prospect of cheap electricity without taking into account the full environmental and social costs of these installations.

More than 90% of dams built since the 1930s were more expensive than anticipated. They have damaged river ecology, displaced millions of people and have contributed to climate change by releasing greenhouse gases from the decomposition of flooded lands and forests.

…”Large hydropower doesn’t have a future, that is our blunt conclusion,” said Prof Moran.”

(19) MR. DATA, WOULD IT BE POSSIBLE? More foaming at the mouth about this drive-by asteroid: “Scientists say mysterious ‘Oumuamua’ object could be an alien spacecraft”.

Now a pair of Harvard researchers are raising the possibility that Oumuamua is an alien spacecraft. As they say in a paper to be published Nov. 12 in The Astrophysical Journal Letters, the object “may be a fully operational probe sent intentionally to Earth vicinity by an alien civilization.”

The researchers aren’t claiming outright that aliens sent Oumuamua. But after a careful mathematical analysis of the way the interstellar object sped up as it shot past the sun, they say Oumuamua could be a spacecraft pushed through space by light falling on its surface — or, as they put it in the paper, a “lightsail of artificial origin.”

Who would have sent such a spacecraft our way — and why?

“It is impossible to guess the purpose behind Oumuamua without more data,” Avi Loeb, chairman of Harvard’s astronomy department and a co-author of the paper, told NBC News MACH in an email. If Oumuamua is a lightsail, he added, one possibility is that it was floating in interstellar space when our solar system ran into it, “like a ship bumping into a buoy on the surface of the ocean.”

…But Loeb called the conjecture “purely scientific and evidence-based,” adding, “I follow the maxim of Sherlock Holmes: When you have excluded the impossible, whatever remains, however improbable, must be the truth.”

(20) DINOCHROME. BBC discusses “Dinosaur world ‘more colourful than we thought'”.

…”We think that camouflage is one of the main drivers.”

Researchers detected the same two pigments that are present in colourful birds eggs in a group of dinosaurs called eumaniraptorans.

Comparisons with the eggs of modern birds suggest the clawed predator Deinonychus laid a blue egg with brown blotches.

The birdlike feathered Oviraptor had eggs that were a dark blue-green, like an emu.

(21) VIDEO OF THE DAY. In “Dr. Evil Runs for Congress” on YouTube, Dr. Evil showed up on Fallon and says he is running for Congress on the Eviltarian Party to “Make America Evil Again.”

[Thanks to Bruce Arthurs, John King Tarpinian, JJ, Olav Rokne, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Brian Z.. and Andrew Porter as the Beaver for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]

Pixel Scroll 10/11/16 When An Unscrollable Pixel Meets An Irretickable File

(1) THE PAST THROUGH YESTERDAY. Dave Langford recalls his experiences at the Milford (UK) writers workshop three decades ago in “Mr Langford’s Milfords”

My Milford attendance record was nothing to write home about, let alone pad out to a six-volume fantasy trilogy.  All “my” Milfords were in the early though not the earliest days at the Compton Hotel, Milford-on-Sea. The Langford era ran from 1977 to 1984, skipping 1979 because that year’s UK Worldcon led to Milford being cancelled, and missing the 1983 event as a personal decision after long and painful study of my credit card statement.

Dave also heartily recommends Christopher Priest’s July post, “The Prequels”:

The misbehaviour of those middle-aged writers at Milford was in fact more or less as described, although I did leave out the bit where one of the most famous writers stormed out in a rage, where two others went for a midnight swim but afterwards couldn’t remember where they’d left their clothes … and when someone suddenly appeared at dinner dressed only in a black plastic bin-liner. No, that was another year.

(2) TYPO IN BRONZE. The Heinlein Society reports a typo was discovered on the dedication plaque of Robert Heinlein’s bust in the Hall of Famous Missourians, and a corrected plaque has now been installed.

(3) CONVERGENCE. Pukeko tries to relate his notions about political reality to Stross’ creation the Laundry Files, and Stross’ own politics, in “The turning is progressing as expected” at Dark Brightness.

The Laundry, on one level, is a horror urban fantasy. On another level, a spy story, And on the third, it has become a satire of the pretensions of the British Civil Service. The British Civil Service still is a good reason to move to than Antipodes.

But there is a tide in the seasons of man, and his neo-liberal political model — which he hates — is becoming one with the Soviet and Tyre. The Luddites he despises are on the flood. And the organisations he writes about, supports, and have his loyalty are converging, which means they are becoming unreliable, without utility, and forked….

Stross and I are of an age. Our youth was the time of Thatcher, Gorbachev, Clinton and brush wars in failing states. Our leaders became neo conservatives, including the converged leftist ones, and broke the social contract of the welfare state. We remember the welfare state. And we remember the Christmas strikes.

But that world has gone, along with the rules that made our society decent, functional, and allowed us to align with those who did not have the same religion, politics or lifestyle. The current social justice cadre instead demand we all double down and quackspeak.

My fear is that Stross will do this. I would much rather he pull the plot off, as he did when he introduced vampirism into the world. He moved too far into the uncanny valley with the last book. I want his cynical, but believable, Bob back. He is too good a writer to quack. And he does not deserve to go down with this death dealing elite.

(4) KEEP THAT RED NOSE UNDER COVER. McDonald’s downplays Ronald McDonald while ‘creepy clown’ sightings spread, reports the Los Angeles Times.

(5) SPACE TOURISM. Carl Slaughter points out —

Hidden Universe Travel Guides: Star Trek: Vulcan
by Star Trek novelist Dayton Ward

Plan your next trip to the planet Vulcan! Find restaurants that serve the best fried sandworms and Vulcan port. Take a trip to the Fire Plains or experience spring break at the Voroth Sea. Learn all about the native Vulcan people and their unusual customs. Discover how to correctly perform the traditional Vulcan salutation (you really don’t want to get this wrong). Learn key Vulcan phrases such as Nam-tor puyan-tvi-shal wilat: “Where is your restroom?” Find out what to do if you suddenly find yourself host to a katra—a Vulcan’s living spirit—at an inconvenient moment. All this and more can be found within the pages of this essential travel guide to one of the most popular—and logical—destinations in the known universe.

This Hidden Universe travel guide draws on 50 years of Star Trek TV shows, films, and novels to present a comprehensive guide to Spock’s iconic home world. Modeled after real-world travel guides, the book will explore every significant region on Vulcan with fascinating historical, geographical, and cultural insights that bring the planet to life like never before. Also featuring a dynamic mixture of classic Star Trek imagery and original illustrations created exclusively for the book, Hidden Universe Travel Guide: Star Trek: Vulcan is the perfect way to celebrate 50 years of Star Trek and will thrill pop culture fans and hardcore Star Trek fans alike.

(6) HOLD ON TO THE LIGHT. Cat Rambo has posted her contribution to the HoldOnToTheLight campaign, “Nattering Social Justice Cook: Be Kind to Yourself”.

I’ve found that writers excel at angst and guilt, at worrying at 2 am over whether or not they stuck their foot in their mouth (human nature being what it is, the answer is sometimes yes), at being anxious and projecting futures far out of proportion to actuality in their horror.

They’re also tough on themselves, holding themselves to sometimes impossible standards. It involves being willing to forgive yourself and the illness you live with, to not just know yourself but be comfortable with yourself.

(7) IN THE BEGINNING. EverydayFangirl interviewed Lois McMaster Bujold on her early fannish life:

When do you realize you were a Fangirl?

LMB:

Before the term “fangirl” was invented. I started reading science fiction for grownups at about age nine, because my father, an engineering professor, used to buy the magazines and books to read on the plane when he went on consulting trips, and they fell to me. Got my first subscription to Analog Magazine at age 13. So when Star Trek came along in 1966, when I was in high school, the seed fell on already-fertile ground; it was an addition, not a revelation. At last, SF on TV that was almost as good as what I was reading, a miracle! I would have just called myself a fan then, or a reader, ungendered terms I note.

In my entire high school of 1,800 students, there was only one other genre reader I knew of (later we expanded to 4 or 6), my best friend Lillian, and she only because we traded interests; I got history from her, she got F&SF from me. So there was no one to be fans with, for the first while.

(8) GHOST OF HALLOWEENS PAST. The Los Angeles Times invites readers to “See what’s killing haunted houses and other independent Halloween attractions”

For every success like Carbone’s, there are several mom-and-pop haunted attractions that have been killed off by mounting insurance and other expenses, as well as extensive government regulations…

“It’s getting so expensive that unless you have $100,000 to put into it and $30,000 into the marketing, you are not going to make it,” said Jeff Schiefelbein, chief executive of Sinister Pointe Productions, and Orange County company that builds haunted attractions for theme parks and individual entrepreneurs.

(9) KAIJU IN THEATERS THIS WEEK. Shin Godzilla, the latest addition to the mythos, is having a limited theatrical run with subtitles right now in the US and Canada.

Make way for the ultimate homage to one of the most enduring legends of the big screen—Godzilla! The King of the Monsters is back in Tokyo for a city-crushing crusade that speaks to the very roots of the world-renowned franchise.

It’s a peaceful day in Japan when a strange fountain of water erupts in the bay, causing panic to spread among government officials. At first, they suspect only volcanic activity, but one young executive dares to wonder if it may be something different… something alive. His worst nightmare comes to life when a massive, gilled monster emerges from the deep and begins tearing through the city, leaving nothing but destruction in its wake. As the government scrambles to save the citizens, a rag-tag team of volunteers cuts through a web of red tape to uncover the monster’s weakness and its mysterious ties to a foreign superpower. But time is not on their side—the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.

(10) UNDERRATING INDIES. Amanda S. Green gives a Passive Voice columnist a stern talking to about his short-selling indie authors in “Oh my, are they protesting too much” at Mad Genius Club.

Yesterday, when I started looking for something to blog about, I made my way over to The Passive Voice. TPV is an excellent source of information for every author out there, traditionally published or indie. One post in particular caught my eye. It asks the question we have heard asked so many times over the last few years: Are self-published books inferior to professionally published books?

Now, without even reading the article, I knew I wasn’t going to like the post TPV had linked to. The title of the article itself shows a bias, not by TPV but by the author of the article TPV linked to. It assumes that self-published books, what we call indies, aren’t professionally published. Take that one step further. By phrasing the headline the way it did, the author of the article signals from the beginning that indies aren’t as professional or as good as traditionally published books. Otherwise, why not rephrase the title of the article as “are self-published books inferior to traditionally published books?”

So, without even reading the underlying article, my back is up. I can’t speak for anyone except myself but I am a professional writer. I make money from writing, enough to pay my bills. I simply chose not to take the traditional publishing route. That does not make me any less of a professional than any other writer who has chosen to try to find an agent, get a contract and publish with one of the Big 5 publishers.

(11) ALL OVER BUT THE SHOUTING. Jim C. Hines adds his observations about the Weingart/Worldcon 75 controversy.

The Beale Effect: I’m bemused at how effectively Theodore Beale managed to unite Worldcon and Weingart, both of whom came together as if to say, “Oh hell no. F**k that guy.” As soon as Beale jumped in, Weingart pulled his posts, Worldcon called Weingart to apologize, then posted their public apology. It pretty much ended the public dispute right there.

Tuesday-Afternoon Quarterbacking: I wasn’t there, and I wasn’t part of the decision-making process. But as I understand it, Weingart notified the staff from the beginning that the other individual had set boundaries about not wanting to interact or work with him. Bringing Weingart on but restricting his interactions seems like a solution destined to cause problems. If this other individual was already working for the con, my hindsight solution would be to simply not bring Weingart on staff. Yeah, it might mean losing a good volunteer in Weingart, but it would have more effectively respected the other individual’s boundaries, and would have avoided the mess that eventually followed.

(12) PLUTO’S NEW PAL ISN’T GOOFY. The discovery-by-software of another dwarf planet: “A Friend For Pluto: Astronomers Find New Dwarf Planet In Our Solar System”.

Scientists in Michigan have found a new dwarf planet in our solar system.

It’s about 330 miles across and some 8.5 billion miles from the sun. It takes 1,100 years to complete one orbit.

But one of the most interesting things about the new object, known for the time being as 2014 UZ224, is the way astronomers found it.

David Gerdes of the University of Michigan led the team that found the new dwarf planet. Gerdes describes himself as “an adult-onset astronomer,” having started his scientific career as a particle physicist.

He helped develop a special camera called the Dark Energy Camera that the U.S. Department of Energy commissioned to make a map of distant galaxies.

A few years ago, Gerdes had some undergraduates visiting him for the summer. He decided to give them a project: He asked them if they could find some solar system objects lurking in the galaxy map.

Chip Hitchcock joked, “Clyde Tombaugh is spinning in his grave and grumbling ‘You punks don’t know how easy you have it these days!’”

(13) X MARKS THE SPOTS. “Why Are There X’s In The Desert?” In the first place, you probably never knew there were. But for the high-tech answer, you need to search back to the Cold War.

We step out in the searing heat and into a desolate landscape — just cactus and tumbleweed.

“Middle of nowhere,” Penson says.

We walk toward the base of a small mountain range, and that’s when we see it: four 25-foot slabs of concrete inlaid in the desert floor that form a giant “X.”

Penson kneels down to brush off the sand covering a tarnished brass plate at the very center. The engraving reads: “$250 fine or imprisonment for disturbing this marker — Corps of Engineers – U.S. Army.”

That’s who Penson and Owen contacted to get their answer.

These X’s were once part of a top-secret government program called CORONA — the nation’s first reconnaissance satellite program.

[Thanks to Chip Hitchcock, Cat Rambo, John King Tarpinian, Mark-kitteh and Petréa Mitchell for some of these stories. Title credit goes to File 770 contributing editor of the day Heather Rose Jones.]

Pixel Scroll 7/2/16 The Ancillary Swords of Lankhmar

(1) THIS IS THE END MY FRIEND. Melinda Snodgrass advises writers about “Sticking the Landing” at SFFWorld.

All of these various skills work in concert, but I think if a writer fails to deliver a satisfying ending — the ending that has been promised by the story then the entire project is likely to fail.  It doesn’t matter how good the ride or delightful the journey.  If the final scene is disappointing and leaves the reader/viewer/player feeling cheated they probably aren’t going to be recommending that book or film or game to their friends and family.

There are various ways to state this — “keeping your promise”, “sticking the landing”, “providing a sense of closure”.  Often people who dismiss this requirement do so by sniffing “that the readers/viewers/players just want a happy ending.”  That may be true, and it’s probably a topic for a different essay, but let me say that I think there is case to be made for the happy ending.  Too often critics seem to equate darkness with importance.

So how do you make an ending satisfying?  First, you have to lay in the ultimate solution and the tools to bring about that solution in the beginning of the book or film or game.  You can’t suddenly ring in a new player, or a new fact, a new magic power or super power for the protagonist to use at the end and expect to keep your fans.  They will rightly feel cheated, that you hid the football from them and didn’t play fair.  Worse is the conclusion that you didn’t really know what you were doing and just grabbed for some kind of resolution.  Often those kind of ending don’t seem organic and true to the world that was created, the rules of that world, and the problem as presented…

(2) BUY-IN. Sherwood Smith responds to the question “Reading: What makes YOU believe?” at Book View Café.

A lot of these readers are lured by what I call the seduction of competence: characters who have agency, especially with panache. Anyone who has dreamed of stepping forward and having the right idea, which everyone responds to, and leading the way to righting an egregious wrong instead of cowering back waiting for someone else to act (or, worse, stepping forward just to be shouted down scornfully, or totally ignored) probably looks for characters who either start out as heroes, or attain heroism through hard work.

So those are the easy ones: readers willingly invest in characters they can fall in love with, or identify with, or admire. And then there are the characters who fascinate for whatever reason, like the many who couldn’t get enough of Hannibal Lector. Some are drawn to characters who are monstrous, or ridiculous.

(3) VERSATILITY. Coach Paul Cornell visited Convergence today.

(4) THE INK NO LONGER STINKS. Technology has turned the corner, in the latest installment of M.D. Jackson’s series: “Why Was Early Comic Book Art so Crude (Part 4)”.

But there were two other factors that changed the nature of comic books. One was technological and the other was economical.

The technology of printing was changing with the adoption of flexography. Flexography is a high speed print process that uses fast-drying inks and can print on many types of absorbent and non-absorbent materials. The flexopress is cheaper because the inks are water based, which meant they dried quicker and were easier to clean up. The flexographic presses also are lighter and take up less room.

For years comics were printed on low-grade, absorbent papers that were not meant to last. Early comics were rare because the paper degraded so quickly. The distribution system also was designed to put comic books in as many places as they could find kids to buy them. Remember the spinner racks of comics in your local drug store? Comic books, then retailing for about 25 – 30 cents per title, were available everywhere, but they were not made to last.

In the 1980’s the comic book companies began printing certain titles on a better quality of paper, Baxter paper. It was smoother and whiter and the inks and colors looked much better than your regular comic book fare….

(5) CONVERGENT EVOLUTION. Jennifer Frazer, in “The Artful Amoeba” blog on Scientific American, rounds up the photographic evidence for “Butterflies in the Time of Dinosaurs, With Nary a Flower in Sight”.

Jurassic butterflies disappeared a full 45 million years before the first caterpillar decided to grow up and become a beautiful butterfly. Again

…Apparently, way back when Dinosaurs Ruled the Earth, a group of insects called lacewings produced butterflies. Not the butterflies we see flitting around today from the Order Lepidoptera, but floating, flapping, nectar-sucking flibbertigibbits nonetheless, with wings adorned with eyespots, veins, and scales….

(6) THOSE DAYS OF YESTERYEAR. At Getty Images you can view footage of the Sinclair oil dinosaur exhibit from the 1933 World’s Fair.

PAN along Brontosaurus dinosaur over to a Triceratops confronting a Tyrannosaurus Rex and down to a duck-billed Hadrosaurid; all dinosaurs were part of the Sinclair Oil exhibit.

(7) FOR SOME VALUES OF HISTORY. Vox Day interrupted his Castalia House status report to endorse the assault on Judith Merril’s memory

Meanwhile, Barry Malzburg makes it clear that some women have always been bent on destroying science fiction.

— because, after all, the measure of a man’s intelligence is how closely he agrees with you, regardless of whether you’ve ever heard of Barry Malzberg before.

(8) QUITE RIGHT.

(9) GAME DEMO. Based on the work of Jeff VanderMeer.

(10) DEEP DIVE INTO BUSIEK/ROSS.

Osvaldo Oyala’s “Marvels and the Limited Imagination of Nostalgia”.

I had not read Kurt Busiek and Alex Ross’s Marvels in quite some time, probably 15 years or more, and despite having a memory of quite liking it when I first read it in the 90s sometime, my suspicion was that it would not hold up to that memory. And, while I was right, it also was not so hagiographic that I could just dismiss it. On the surface it certainly seems that way—unapologetically nostalgic about Marvel’s Golden and Silver Age—but it is actually constructed with competing visions that grant it a bit—a little bit—more complexity, even if ultimately it fails as anything except a sharp reaction to the moment in mainstream comics from which it emerged.

After Phil Sheldon lets a young mutant girl his daughters were sheltering run off into the anti-mutant riotous streets (a reference to a story in 1953’s Weird Science #20) it is difficult to take any of his moral claims seriously (from Marvels #2).

Marvels is a look back at the emergence of Marvel Comics’ heroes through the eyes of “Everyman” photojournalist, Phil Sheldon, from the first appearance of characters like the Original Human Torch and Prince Namor the Sub-Mariner in 1940, through the death of Gwen Stacey in the early 70s. Sheldon, as a kind of stand-in for the Marvel reader, displays complex and shifting attitudes towards the superheroes he calls “Marvels.” In each of the four issues we see his different perspectives on Marvel’s super-characters. From a deep fear of their raw power and capricious behavior that shifts to an appreciative awe of their demi-god stature as forces of nature in the first issue to a threatening cynicism that leads him to retire from his livelihood snapping pictures of their conflicts, adventures and social appearances in the last issue, when Gwen Stacey’s death becomes just another minor detail buried in a seeming endless cycle of superhero fisticuffs and collateral damage. In between, he participates in paranoid anti-mutant riots before abandoning his bigotry upon realizing mutants can be “our own children” (which made me roll my eyes so hard they still hurt), and later grows angry at the flaring bouts of negative public sentiment against heroes like the Fantastic Four, the Avengers and Spider-Man, fuming at the lack of gratitude displayed for their having saved the city or the world over and over again. And in case we might forget Sheldon’s special insight into the world of superheroes, in the first issue he loses an eye, calling to the One-Eyed Man or Blind Seer trope. At every stage when everyone else seems to return to hating or being suspicious of the superhero figure, Sheldon sees through public fear and pettiness (despite sometimes feeling it himself) to an understanding of the world he occupies that evokes something akin to the awe of Moses before the burning bush. As he says in the first issue after the rubble from the epic confrontation between the original Human Torch and the Sub-mariner takes his eye (a re-telling of the events of Marvel Mystery Comics #8 and 9), “It isn’t going to be them that adapts to us. The world is different now.” In other words, he can see with his Odin-eye what the general public cannot or will not, everyday people exist in the superhuman world, not the other way around. As Geoff Klock posits in his seminal book of comic book literary criticism, How to Read Superhero Comic Books and Why, unlike the transformative comic book texts like Watchmen or The Dark Knight Returns that ask, “What would it be like if superheroes lived in our world? Marvels…ask[s], what would it feel like if we could live in theirs?” (77). And the answer is, kinda fucking scary.

This narrative vision constructed by Busiek, however, manifests in the near-photorealistic painting of Alex Ross which provides a Rockwellian patina of troubling idealism that passes for “realism.” ….

(11) LEWIS DRAMATIZED. The Most Reluctant Convert, a stage show about C.S. Lewis, will be in town July 10-23 at the Irvine Barclay Theatre in Irvine, CA.

Max McLean brings to life one of the most engaging personalities of our age and takes audiences on Lewis’ fascinating theatrical journey from atheism to Christianity. Adapted exclusively from Lewis’ writings, McLean inhabits Lewis from the death of his mother, his estranged relationship with his father and the experiences that led him from vigorous debunker to the most vibrant and influential Christian intellectual of the 20th Century. Experience a joyous evening of Lewis’ entertaining wit and fascinating insight. Cherish every minute of the extraordinary journey of C.S. Lewis as The Most Reluctant Convert.

Lewis’ experience is synopsized in a Director’s Note.

In 1950, C.S. Lewis received a letter from a young American writer expressing his struggle to believe Christianity because he thought it “too good to be true.” Lewis responded, “My own position at the threshold of Christianity was exactly the opposite of yours. You wish it were true; I strongly hoped it was not…Do you think people like Stalin, Hitler, Haldane, Stapledon (a corking good writer, by the way) would be pleased on waking up one morning to find that they were not their own masters…that there was nothing even in the deepest recesses of their thoughts about which they could say to Him, ‘Keep out! Private. This is my business’? Do you? Rats!… Their first reaction would be (as mine was) rage and terror.”

(12) TODAY IN HISTORY

(13) GENTLEFEN, BE SORTED. Want to be enrolled in the North American wizards’ school? Potterverse will run you through the process.

“Ilvermony House: Thunderbird”

Named by Chadwick Boot after his favourite magical beast, the Thunderbird, a beast that can create storms as it flies. Thunderbird house is sometimes considered to represent the soul of a witch or wizard. It is also said that Thunderbird favours adventurers.

(14) LINEAGE UNLOCKED. A recent episode of Game of Thrones inspired Adam Whitehead to draw conclusions about Jon Snow — “When Theories Are Confirmed: Twenty Years of Speculation”.

BEWARE SPOILERS. OR AT LEAST SPECULATIVE ATTEMPTS AT SPOILERS.

However, its status as the biggest mystery in fantasy had already long been supplanted. In 1996 George R.R. Martin published the first novel in A Song of Ice and Fire, A Game of Thrones. A minor subplot revolves around the status of Eddard Stark’s bastard son, Jon Snow, born out of wedlock to Eddard and…well, someone. His wife, Catelyn, believes it was a Dornish noblewoman, Ashara Dayne of Starfall. Eddard himself has told King Robert Baratheon – incredibly reluctantly – that it was a serving girl named Wylla. In A Storm of Swords the young lord of Starfall, Edric Dayne, also confirms (to Arya Stark) that it was Wylla, who was his wetnurse.

(15) NONE DARE CALL IT SLASH. NPR found there is plenty of fan fiction online about the 2016 candidates, Bernie, Donald, and others now out of the running.

In another story, written in the style of a Western, Jeb Bush fights to protect a Florida school from a Sharknado.

“You think ‘it can happen anywhere,’ never realizing that it can happen anywhere.

A SHOT —

The shard of glass in Jeb’s hand shatters by the scrape of a bullet. Jeb drops the ground, rolls through the booze-soaked ground. He jumps up to a squat and whips out the old pistol and holds it to the bullet hole in the doorway. The engraved barrel shimmers: Gov. Jeb Bush.

Florida hasn’t been safe since the Sharknados started coming. When I was in my 40s, the kids used to tease about the swamp sharks. Gave me the heebie-jeebies over a plague of mutant sea creatures that roamed the Everglades.”

In the 2016 presidential cycle, where everything seems unpredictable, fiction allows voters to determine exactly what happens next – whether it’s set in the present day or some kind of alternate universe where sharks rain down in a natural disaster.

(16) WHEN TWO FANTASISTS MET. Walt Disney and Roald Dahl hung out together in 1942 – who knew?

More than a decade before Walt Disney welcomed guests into his land of fantasy and two decades before author Roald Dahl penned his excursion into The BFG’s cave and Willy Wonka’s chocolate factory, these two creative legends crossed paths in 1942 when The Walt Disney Studios optioned Dahl’s first book, The Gremlins, for an animated feature. With Disney’s The BFG coming to theaters on July 1, D23 takes a look at the connection between these two creative visionaries.

The Gremlins was fashioned from stories told by English airmen who attributed equipment failures and other mishaps to mischievous little saboteurs. From these tales, Dahl—then a Flight Lieutenant for the Royal Air Force—created a story and specific characters for his book.

(17) LACKING CHARACTERS. In an “Uninvent This” feature for The New Yorker, Ted Chiang contemplated “If Chinese Were Phonetic”.

So let’s imagine a world in which Chinese characters were never invented in the first place. Given such a void, the alphabet might have spread east from India in a way that it couldn’t in our history, but, to keep this from being an Indo-Eurocentric thought experiment, let’s suppose that the ancient Chinese invented their own phonetic system of writing, something like the modern Bopomofo, some thirty-two hundred years ago. What might the consequences be? Increased literacy is the most obvious one, and easier adoption of modern technologies is another. But allow me to speculate about one other possible effect.

One of the virtues claimed for Chinese characters is that they make it easy to read works written thousands of years ago. The ease of reading classical Chinese has been significantly overstated, but, to the extent that ancient texts remain understandable, I suspect it’s due to the fact that Chinese characters aren’t phonetic. Pronunciation changes over the centuries, and when you write with an alphabet spellings eventually adapt to follow suit. (Consider the differences between “Beowulf,” “The Canterbury Tales,” and “Hamlet.”) Classical Chinese remains readable precisely because the characters are immune to the vagaries of sound. So if ancient Chinese manuscripts had been written with phonetic symbols, they’d become harder to decipher over time.

Chinese culture is notorious for the value it places on tradition. It would be reductive to claim that this is entirely a result of the readability of classical Chinese, but I think it’s reasonable to propose that there is some influence. Imagine a world in which written English had changed so little that works of “Beowulf” ’s era remained continuously readable for the past twelve hundred years. I could easily believe that, in such a world, contemporary English culture would retain more Anglo-Saxon values than it does now. So it seems plausible that in this counterfactual history I’m positing, a world in which the intelligibility of Chinese texts erodes under the currents of phonological change, Chinese culture might not be so rooted in the past. Perhaps China would have evolved more throughout the millennia and exhibited less resistance to new ideas. Perhaps it would have been better equipped to deal with modernity in ways completely unrelated to an improved ability to use telegraphy or computers.

(18) STRONG LURE. At BookRiot, Derek Attig feels there’s no need to bait the hook when what you’re offering is as irresistible as “100 Must-Read Books about Libraries & Bookstores”.

I’m not even sure why I’m writing an introduction to this list. It’s a hundred books about libraries and bookstores! That should sell itself.

But sure. Fine. I’ll make the pitch.

Books are a crucial part of our lives (especially yours, since here you are being a great big nerd on Book Riot), but I think we don’t always pay enough attention to the institutions that get those books into our grubby, greedy little hands. Sure, we’ll bicker about Amazon sometimes or squee over a bookmobile, but how much time do we take to really explore and think about what libraries and bookstores really mean?

Not enough!

(19) SORRY ABOUT THAT. Godzilla and fellow monsters apologized at a Japanese press conference for acts of destruction. Why, yes, it’s another scheme to sell toys – how did you guess?

The world of gachapon vending machine capsule toys just got even weirder with a new lineup of figurines from top Japanese toy producer Bandai. Called the “Godzilla Toho Monsters Press Conference”, the series depicts Godzilla, along with three other kaiju monsters from the acclaimed movie production and distribution company Toho, all appearing at fictional press conferences, complete with microphone stand and name plaque. These types of formal apologies are commonly seen on television news reports around Japan, in cases where high-profile politicians and celebrities formally atone for scandals and wrongdoings, expressing remorse to the public with deep, heartfelt bows. Only this time, it’s a group of well-known movie monsters making amends for their actions.

Godzilla apologizes

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Paul Weimer, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]

Pixel Scroll 1/9/16 To Flail Beyond the Sunset

(1) USE THE FARCE. Entertainment.ie says this Twitter spat between Emo Kylo Ren and Very Lonely Luke is what the internet was made for. Here are the first two tweets in the exchange —

(2) BEWARE FAUX SPOILERS. Will R., who says Hobotopia is a long-running web comic, and one of the nicest things in all of the Internet, draws attention to its ostentatious Spoiler Alert for what turns out to be a pretty obscure The Force Awakens spoiler.

(3) ACTION FIGURES. Here are your prototype action figures for the Ghostbusters reboot. There wasn’t much chance Mattel would repeat the mistake Hasbro made with The Force Awakens of leaving out the female characters, was there?

Amanda Kooser at CNET already has play suggestions.

The action figures come from toy company Mattel and will be 6 inches (about 15 centimeters) in height. That’s a pretty standard size for action figures, so you should be able to fold them into imaginative play along with your Star Wars and Star Trek collection. The crossover possibilities are endless. I can’t wait to see what a proton pack does against Kylo Ren.

(4) STABBY WINNERS. Reddit’s r/Fantasy group has chosen the winners of the 2015 Stabby Awards. Here are the top vote-getters in 3 of the 15 categories:

Stabby Award

Stabby Award

  • BEST NOVEL OF 2015 Shadows of Self by Brandon Sanderson
  • BEST SELF-PUBLISHED / INDEPENDENT NOVEL OF 2015 The Labyrinth of Flame by Courtney Schafer
  • BEST DEBUT NOVEL OF 2015 The Traitor Baru Cormorant by Seth Dickinson

Click on the link to see the rest.

(5) MEAN STREETS. Tobias Carroll at Literary Hub introduces a review by reminding everyone of the time Raymond Chandler mocked science fiction.

In a 1953 letter to his agent H.N. Swanson, Chandler indulges in a brilliantly entertaining, paragraph-long parody of sci-fi writing, which hits every trope and cliché of the genre. Oh, and he namedrops Google some 45 years before Larry and Sergey registered the domain.

Did you ever read what they call Science Fiction? It’s a scream. It is written like this: “I checked out with K19 on Adabaran III, and stepped out through the crummaliote hatch on my 22 Model Sirus Hardtop. I cocked the timejector in secondary and waded through the bright blue manda grass. My breath froze into pink pretzels. I flicked on the heat bars and the Bryllis ran swiftly on five legs using their other two to send out crylon vibrations. The pressure was almost unbearable, but I caught the range on my wrist computer through the transparent cysicites. I pressed the trigger. The thin violet glow was ice-cold against the rust-colored mountains. The Bryllis shrank to half an inch long and I worked fast stepping on them with the poltex. But it wasn’t enough. The sudden brightness swung me around and the Fourth Moon had already risen. I had exactly four seconds to hot up the disintegrator and Google had told me it wasn’t enough. He was right.”

They pay brisk money for this crap?

In the case of Adam Christopher, Chandler’s rivalry with science fiction gave rise to literary inspiration. In the acknowledgements to his new novel Made to Kill, Christopher writes that “what I really wished did exist was Raymond Chandler’s long-lost science fiction epic.” He describes himself as “amused” by “the way Chandler hated science fiction.” There are a handful of nods to Chandler’s infamous riff on the genre peppered throughout Christopher’s novel, including as its epigraph. Made to Kill can be read as a science fiction-laced detective story and as a way of using the detective story template to investigate more archetypally science fictional themes of memory and identity.

The setting of Made to Kill is an altered 1965: John F. Kennedy is president, the Cold War rages on, and American society has had an unsuccessful dalliance with incorporating robots into everyday life. The last survivor of this program, narrator Ray Electromatic, is the detective at the center of this novel, drawn into a conspiracy involving Hollywood stars, radioactive material, and Soviet spies. Ray makes for an interesting protagonist in a number of ways: as robots go, he has an unexpected moral compass, and the fact that his memory only lasts for a day does a good job of establishing him as a less-than-reliable narrator from the outset.

(6) YOU’VE BEEN WARNED. David Gerrold says he’s learned from (bad) experience to avoid feuds, as he explains on Facebook.

Here are 5 of his 10 points:

4) “Forgive and forget” does not apply here. Everyone in a feud, no matter what side they’re on, has already succumbed to self-righteousness, simply by being in the feud. Self-righteousness is terminal.

5) A really spectacular feud, if it goes on long enough, if it gets loud enough, if it gets ferocious enough, will not only destroy the participants, it will destroy the community in which the feud occurs. (I have seen this happen multiple times, where whole forums evaporated because the toxicity reached armpit level.)

6) Sociopaths and attention whores enjoy feuds. People who have not yet learned a modicum of restraint or self-awareness are the biggest victims.

7) Screechweasels and harangutans will outlast everyone and declare the victory of getting the last word. It’s a hollow victory, because most of the other participants will have walked away in disgust.

8) Reconciliation of any kind is almost always impossible — because there is always at least one person who needs to recap the past in one last attempt to prove the other side wrong.

(7) CALL FOR PAPERS. “Reframing Science Fiction”, a one-day conference on the art of science fiction, will be held in Canterbury (UK) on March 21. Keynote speakers: Dr. Jeannette Baxter (Anglia Ruskin University) and Dr. Paul March-Russell (University of Kent).

From William Blake and John Martin to Glenn Brown and The Otolith Group, artists have been producing works of art that are science fiction. And artists and their works have been incorporated into many works of sf.

Meanwhile, on countless book covers and in magazine illustrations, a visual language of science fiction has evolved: bug-eyed monsters; spaceships; robots and so on.

Art in the comic strip and the graphic novel has been the means of telling stories in visual form – whilst artists such as Roy Lichtenstein have made comic panels into art.

The call for papers (which opened some time ago) has a January 15 deadline.

We invite 300 word proposals for twenty minute papers on the intersection of art and sf across the media – painting, sculpture, drawing, collage, photography, film, performance, prose, dance, architecture and so on…

(8) ONE ISLAND’S OPINION. Colleen Gillard’s article “Why the British Tell Better Children’s Stories” in The Atlantic is high-brow click-bait.

The small island of Great Britain is an undisputed powerhouse of children’s bestsellers: The Wind in the Willows, Alice in Wonderland, Winnie-the-Pooh, Peter Pan, The Hobbit, James and the Giant Peach, Harry Potter, and The Lion, the Witch, and the Wardrobe. Significantly, all are fantasies. Meanwhile, the United States, also a major player in the field of children’s classics, deals much less in magic. Stories like Little House in the Big Woods, The Call of the Wild, Charlotte’s Web, The Yearling, Little Women, and The Adventures of Tom Sawyer are more notable for their realistic portraits of day-to-day life in the towns and farmlands on the growing frontier. If British children gathered in the glow of the kitchen hearth to hear stories about magic swords and talking bears, American children sat at their mother’s knee listening to tales larded with moral messages about a world where life was hard, obedience emphasized, and Christian morality valued. Each style has its virtues, but the British approach undoubtedly yields the kinds of stories that appeal to the furthest reaches of children’s imagination.

And it works – people are coming unglued in the comments.

(9) FX. Doctor Science formulates a TV production axiom in “How special effects eat characterization”. The Doctor’s last paragraph says it best, but you should read it there. Here is the first paragraph:

I don’t think this trend is mostly an artistic or marketing choice, even though that’s what people in Hollywood usually say. I think “more explodey” is driven by the need to justify budgets, and by the individual interests of the people who have to do it.

(10) UNEMPLOYED KAIJU. They won’t be needing any special effects for Pacific Rim 2 — it’s dead, Jim.

According to The Hollywood Reporter, the follow-up to director Guillermo Del Toro’s monsters-versus-robots epic is “off the table indefinitely” – and in its place, del Toro has entered talks with 20th Century Fox to helm a rather different sci-fi spectacular.

Del Toro is reportedly gearing up to take the helm on ‘Fantastic Voyage,’ a remake of the 1966 sci-fi classic which starred Raquel Welch and Donald Pleasance as members of a team who are miniaturized in a submarine and injected into the body of a dying scientist in order to save his life.

(11) CLASS. The Doctor Who spinoff Class will air on BBC America in 2016. It was already on BBC Three’s schedule in the UK.

The eight-part series is from young-adult author Patrick Ness, who is known for writing the “A Monster Calls” books. The series is exec produced by “Doctor Who’s” Steven Moffat and Brian Minchin and is a co-production between BBC America and BBC Cymru Wales. It is filmed in Cardiff in the U.K.

“I’m astounded and thrilled to be entering the Doctor Who universe, which is as vast as time and space itself,” said Ness. “I can’t wait for people to meet the heroes of ‘Class,’ to meet the all-new villains and aliens, to remember that the horrors of the darkest corners of existence are just about on par with having to pass your exams,” he joked.

(12) BESTSELLER SNARK. Diana Gabaldon zinged George R.R. Martin – The Hollywood Reporter has the quote:

When asked by a reporter whether her work on the Starz drama [Outlander] — she penned a season two episode — would interfere with her meeting the deadline for the ninth installment in her saga — in light of Game of Thrones’ George R. R. Martin’s recent announcement that, of course, his next book will be delayed — Gabaldon didn’t miss a beat. “No. Unlike George, I write no matter where I am or what else I’m doing,” she said, adding: “He admits it himself that he likes to travel and he can’t write when he travels. That’s just the way he works. Everybody’s got their own writing mechanism. When I began writing, I had two full-time jobs and three small children.”

(13) TENTACLE TIME. Matthew Dockrey, designer of Sasquan’s Hugo base, made news with his new piece of public art in Vancouver (WA).

A newly installed tentacle sculpture is seen on Main Street in Vancouver Wednesday January 6, 2016. (Natalie Behring/The Columbian)

A newly installed tentacle sculpture is seen on Main Street in Vancouver Wednesday January 6, 2016. (Natalie Behring/The Columbian)

A giant steel tentacle bristling with saucer-sized suckers is slithering from the sewer in Uptown Village at Main and West 23rd streets.

Does it belong to an enormous octopus? A sea monster? Is it the tail of a dragon?

The imagination reels with possibilities.

The sculpture, created by Seattle metal artist Matthew Dockrey, is Vancouver’s newest piece of public art. Called “The Visitor,” the 5-foot-tall appendage cradling a genuine city manhole cover was installed Saturday. It will be dedicated at a celebration at noon Friday by the Uptown Village Association, Arts of Clark County, Vancouver’s Downtown Association and the city.

Karen Madsen, chairwoman of the nonprofit Arts of Clark County, said the artwork selection committee had sought a piece that was whimsical and interactive and that would endure over time. The sculpture, which Dockrey specifically created for the site in front of the old Mission Theatre, fits within the Steampunk art movement, she said.

(14) THE FRONT. Cedar Sanderson has pulled together the Mad Genius Club’s considerable wisdom about cover creation for self-published books into one post.

First and most important: before you start designing a cover, creating art intended for book covers, or even thinking about a book cover, you need to look at book covers. A lot of them. Specific book covers to your genre is even better, as there are subtle cues you need to know and recognize, even if you aren’t doing your own covers. So first, before anything else, go to Amazon and search for your sub-genre (space opera, paranormal romance, werewolf stories, historical military fiction, whatever it is) and look at the top 100 selling books. Not the freebies (unless you are looking at what not to do). Make notes of elements you like, things you hate, and the consistent notes that many of the covers have in common. When you’re done with this, you are ready to begin.

(15) HUGO PREP WORK. Shaun Duke has posted a crowdsourced list – “The 2016 Hugo Awards Reading/Watching List (or, My Next Few Months)”.

Last month, I asked for recommendations for my annual Hugo Awards reading bonanza.  A bunch of you responded with books, movies, TV shows, cookbooks, and so on.  The form will remain open for the next month or so, so if you haven’t submitted anything or want to submit some more stuff, go for it!

So, without further delay, here is the big massive monster list of stuff I’ll be reading or watching for the next few months…

(15) IN THE REAR VIEW MIRROR. Doris V. Sutherland resumes her analysis of the comparative quality of Puppy and non-Puppy Hugo nominees in the past two races in “2014 Hugos Versus 2015 Sad Puppies: Novelettes” at Women Write About Comics.

Breaking down the above ten works, we have two stories from the 2014 Sad Puppies slate, four from the 2015 Sad Puppies slate, one from the Rabid Puppies and three that were not Puppy picks. In terms of numbers, this is a strong showing from the Puppies. In terms of quality, well…

Before I go on, I should—in the interests of balance—remind my readers that I generally liked the Puppy choices for Best Short Story; some had their flaws, but I felt that the only out-and-out dud was the Rabid slate’s “Turncoat.” Looking at the Puppy novelettes, on the other hand, I find myself decidedly unimpressed.

(16) ROCK ENROLL. NASA’s new Planetary Defense Coordination Office will coordinate asteroid detection and hazard mitigation.

NASA has formalized its ongoing program for detecting and tracking near-Earth objects (NEOs) as the Planetary Defense Coordination Office (PDCO). The office remains within NASA’s Planetary Science Division, in the agency’s Science Mission Directorate in Washington. The office will be responsible for supervision of all NASA-funded projects to find and characterize asteroids and comets that pass near Earth’s orbit around the sun. It will also take a leading role in coordinating interagency and intergovernmental efforts in response to any potential impact threats….

NASA’s long-term planetary defense goals include developing technology and techniques for deflecting or redirecting objects that are determined to be on an impact course with Earth. NASA’s Asteroid Redirect Mission concept would demonstrate the effectiveness of the gravity tractor method of planetary defense, using the mass of another object to pull an asteroid slightly from its original orbital path. The joint NASA-European Space Agency Asteroid Impact and Deflection Assessment (AIDA) mission concept, if pursued, would demonstrate an impact deflection method of planetary defense.

Even if intervention is not possible, NASA would provide expert input to FEMA about impact timing, location and effects to inform emergency response operations. In turn, FEMA would handle the preparations and response planning related to the consequences of atmospheric entry or impact to U.S. communities.

(17) AFRICAN SF. There are six African authors on BSFA Awards Longlist.

Sarah Lotz has been nominated in the Best Novel category for Day Four, the follow-up on her bestseller The Three.

Chinelo Onwualu of Nigeria has been nominated in the Best Non-fiction category for her essay “Race, Speculative Fiction And Afro SF”, published by the New Left Project.

The Best Short Fiction category features four other African nominations:

Unfortunately Samatar’s story won’t be eligible for the award as she announced hers is a reprint of a 2012 story.

(18) ANIMAL FARM. The extended trailer for Disney live-action movie The Jungle Book looks pretty good.

(19) WUV. Matthew Johnson contributed these instant classic parody lyrics in a comment.

Star Base… LOVE.”

Love, at Warp Factor Two

Beam aboard, we’re expecting you

Love, it’s a captain’s reward

Make it so, it warps back to you

 

The Love Base

Soon we’ll be plotting a different course

The Love Base

You’ll learn a new way to use the Force

Love

Won’t stun anyone

It’s fruity drinks ‘neath the double suns

It’s the Love

It’s the Love

It’s the Love

It’s the Love Base

[Thanks to John King Tarpinian, Brian Z., Will R., Standback, and Alan Baumler for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 11/21 The Incredible Linking Fan

(1) For lovers and others of giant movie monsters, “Doc Kaiju” — well known at the Classic Horror Film Board — has put together a rather remarkable compendium of such creatures: Kaijumatic: House of 1,000 Giant Monsters

Or, as he likes to put it:

Now with 1003 pages stuffed with 1670 big stars from 749 movies!

And, he updates it, constantly.

(2) Barney Evans has uploaded 50 photos taken at the 1988 Loscon, including many from the masquerade.

(3) “David Tennant Answers Our Burning Questions… Sort Of” in a Yahoo! video and profile.

As any David Tennant fan knows after years of watching him promote Doctor Who and Broadchurch, no one evades questions more delightfully. Hoping some of the mind control capabilities of his latest character, the villainous Kilgrave in Marvel’s Jessica Jones (now streaming on Netflix), had rubbed off on us, we invited him in to Yahoo Studios, handed him a card filled with questions, and asked him to answer them.

One example:

Name a book, TV show, or movie you’ve pretended to have read or seen, but you totally haven’t.

That’s a very good question. Probably in audition I’ve done that several times with some worthy director, who asked me what I thought of their latest opus.

(4) Entertainment Weekly looks on as “Stephen Colbert mocks scientists for making wrong Lord of the Rings reference”:

This week, a new species of spider was identified and given the name Iandumoema smeagol, a reference to Smeagol, the hobbit who would become Gollum after getting ahold of the One Ring. The cave-dwelling spider was given the name Smeagol because it shared a similar lifestyle with the character, who lived in a cave and stayed out of the sun until he morphed into the monstrous Gollum.

Colbert, however, wasn’t having any of it on Friday’s show. “Smeagol wasn’t a scary creature who lived in a cave,” Colbert said before recounting Smeagol’s biography, and how he killed his cousin after finding the One Ring.

Explained Colbert: “Smeagol hid from his guilt and the yellow face of the sun, by retreating into a cave, where his shame and his fear turned him into an unrecognizable creature. That creature wasn’t Smeagol anymore; that creature was Gollum. You should have named the spider Gollum. You don’t discover a venomous snake and name it Anakin. You name it Darth Vader.”

 

(5) Brandon Kempner strikes gold in “SFWA 2015 Nebula Recommended Reading List: Analysis and Prediction” at Chaos Horizon.

Table 1: Correlation Between Top 6 (and Ties) of the 2014 Nebula Suggested Reading List and the Eventual 2014 Nebula Nominees

Novel: 4 out of 6, 67.7%
Novella: 6 out of 6, 100%
Novelette: 5 out of 6, 83.3%
Short Story: 6 out of 7, 85.7%

(6) Netflix will remake Lost in Space.

The original comedy, which ran from 1965 to 1968, centered on the Robinson family as they attempted to colonize another planet in deep space — a mission that was sabotaged by a foreign secret agent and caused their ship to get knocked off course.

According to our sister site Deadline, the updated version is an epic (but grounded!) sci-fi saga about “a young explorer family from Earth, lost in an alien universe, and the challenges they face in staying together against seemingly insurmountable odds.”

(7) Laughing Squid presents the entire history of Doctor Who illustrated as a medieval tapestry.

In celebration of the 50th anniversary of Doctor Who, Bill Mudron has created a “slightly ridiculous” tribute to the Bayeux Tapestry that shows the entire history of the show. It begins when the Doctor runs away from his home planet of Gallifrey and ends with “The Day of the Doctor,” the 75-minute 50 anniversary special set to air on BBC One on November 23rd, 2013. A larger version of the illustration can be found on Mudron’s Flickr, and prints are available to pre-order online.

 

Doctor Who tapestry COMP

(8) The sparks fly when Galactic Journey’s time traveler to the sf genre of 55 years ago rubs together the contemporary and historical notions of political correctness in “I aim at the Stars (but sometimes I hit London)” .

If the United States is doing well in the Space Race, it is in no small thanks to a group of German expatriates who made their living causing terror and mayhem in the early half of the 1940s.  I, of course, refer to Wehrner von Braun and his team of rocket scientists, half of whom were rounded up by the Allies after the War, the other half of whom apparently gave similar service to the Soviets.

The traveler comments on a hagiographic von Braun biopic released at the time, and provides a scan of the souvenir Dell comic book based on the film.

(9) Michael J. Martinez prepping to see the new Star Wars movie by watching the two original trilogies in their canonical order. He begins — Star Wars wayback machine: The Phantom Menace.

This is basically a movie that’s supposed to remind us of the first trilogy, but does very little to actually create an origin story for those older movies. Instead, we have attempts at nostalgia. Look, Jedi! Lightsabers! The Force! Spaceships and space battles! But even there, we have problems. Such as:

There’s no smart-ass. All the prequels were missing the Han Solo archetype — the scrappy outsider and audience surrogate who can stand toe-to-toe with these gods and monsters.

There’s George Lucas’ efforts at being cute, with the Gungans. I think George felt that he needed to appeal to the cute younger audiences, starting with Return of the Jedi, and thus we had Ewoks. Now we have Gungans, complete with silly mannerisms and catchphrases. Adults always underestimate kids’ ability to grasp nuanced entertainment, and this is no exception. We didn’t need Gungans.

The stereotypical accents and mannerisms of the Gungans and the Trade Federation folk have been covered elsewhere. But still…WTF were you thinking, man? Just no.

Wooden dialogue and stiff acting. I think I know what George was going for here — a shout-out to the sci-fi serials and movies of the 1940s and 1950s. Fine, I get it. But it didn’t work. At all.

(10) “Don’t nominate me for any awards” posts Lela E. Buis.

I don’t want to be left out of the trending commentary….

(11) “4 Beautiful Ray Bradbury Quotes That Celebrate Autumn”  selected by Jake Offenhartz at History Buff.

Though mid-afternoon sunsets and leafless trees may give the impression that winter is fast approaching, we’re still technically just halfway through fall. Which strikes us as good enough reason to look back at the work of Ray Bradbury—master of science fiction, adversary of censorship, and chronicler of all things fall. The author wrote extensively about the season, penning autumnal wisdom in various projects throughout his career, most notably in a short story collection called The October Season and a novel titled The Halloween Tree. We’ve collected some of our favorite fall-related quotes below, so cozy up and have a read:

1. The October Country (1955)

“That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.”

(12) Merlin is in Disney’s future says CinemaBlend.

If you were going to create a checklist for how to make a current Hollywood blockbuster there are a few things you want to be sure were on it. First, you want to base it on an already existing piece of fiction, preferably a book. It would be even better if it were a series of books, about a character people were already familiar with. It would need to be able to have big fantasy action set pieces too. Then you want to bring in a production team that was involved in one of the previous fantasy action franchises based on a series of books, because that stuff looks great on a trailer. It looks like Disney just checked off all their boxes as they just brought in an Academy Award winning screenwriter from The Lord of the Rings to pen the screenplay based on a 12 book series about Merlin the magician.

Philippa Boyens is known, almost exclusively, as one of the writers behind the incredibly successful films based on the works of J.R.R. Tolkien.

(13) Guy Gavriel Kay, Member of the Order of Canada.

(14) Caitlin Kiernan, two-time WFA winner, regrets the Lovecraft bust is being retired, in her post “I have seen what the darkness does.”

You may or may not have heard that the World Fantasy Committee has voted to change the design of the World Fantasy Award from Gahan Wilson’s bust of Lovecraft, which has served as the award since it was first given out in 1975. No, I don’t approve. I don’t believe this was the appropriate course of action. I’m saddened by this lamentable turn of events, and I’m glad that I received my two World Fantasy awards in advance of this change. How long, now, before the Mystery Writers of America are pressured to abandon the Edgar Award? When we set this sort of thing in motion, where does it end?

(15) A limited TV series based on a Vonnegut book – it could happen, reports A.V. Club.

Back in April, we reported that Kurt Vonnegut’s fourth novel, Cat’s Cradle, had been optioned for TV by IM Global Television. At that point almost nothing was known about the project other than the fact that it would indeed use Cat’s Cradle as its source material, which is implicit in a TV show labeled as Cat’s Cradle adaptation. Now though, according to Deadline, a precious few details have emerged: the show will live on FX as a limited series, and be written and executive produced by Fargo creator Noah Hawley.

Vonnegut’s original work was published in 1963 and takes on science, technology, and religion with equal satirical fire. After the novel’s narrator, John, becomes involved in the lives of the adult children of Felix Hoenikker, a fictional co-creator of the atomic bomb, he travels to the fake Caribbean island of San Lorenzo and encounters a strange outlawed religion called Bokononism that many of the area’s inhabitants practice anyway. Through Hoenikker’s children he also learns about ice-nine, a way to freeze water at room temperature that could be devastating if used improperly. Needless to say, destruction and dark humor ensue.

(16) On its February cover, Mad Magazine slipped Alfred E. Newman into a crowd of storm troopers.

MAD-Magazine_555x717_532_54d52a91bb51c7_86515890

(17) IGN will be ranking the top 100 movie trailers of all time in a feature that will be unveiled November 23-25.

(18) Comic Book Resources retells a bit of lore about the making of Star Trek IV: The Voyage Home in “Movie Legends Revealed: The Accidental ‘Star Trek’ Actress?”

It is a funny scene, but it was also ad-libbed. Notice how everyone else ignores them? The woman who answered them was also supposed to ignore them. The comedy was supposed to derive from the fact that they couldn’t get an answer (and, yes, from the way Chekov says “vessels”).

The woman in question was San Francisco resident Layla Sarakalo, who woke up one day to discover her car had been towed. She had missed the notices that “Star Trek” was filming on her street, and her car was in the way. She decided that one way to get the money to pay for the towing was to get a job as an extra on the set.

 

[Thanks to Shambles, James H. Burns, Will R., John King Tarpinian, and Lynn Maudlin for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 10/9 Pixellary Mercy

(1) While I missed the story when this was done for the 70th anniversary of The Wizard of Oz movie, the image is still good for a laugh.

Super-sized version of the infamous Witch’s legs, complete with sparkling red ruby slippers, replicating an iconic scene from the movie ‘The Wizard of OZ’ in central London on December 1, 2009. As part of the Wizard of Oz Christmas season at Harrods.

Harrods_2

(2) “The Last Voyage of the Starship Enterprise” is one of the iconic skits from Saturday Night Live’s first season in 1976. A.V. Club writer Phil Dyess-Nugent discussed it in a 2013 retrospective:

The acknowledged sketch-comedy masterpiece in these episodes is “The Last Voyage Of The Starship Enterprise,” a marvelously detailed Star Trek parody with a very fan-geek sensibility—which is a surprise coming from the writer, O’Donoghue, who you might not think of as the kind of person who would declare fealty to a cult sci-fi TV show. Maybe that, too, is in indication of how much the world has changed. Here’s another: The network suit played by Gould who appears on the deck of the Enterprise to explain the show’s cancellation has nothing to say about demographics or desirable marketing niches, but simply “low Nielsen ratings.” Chevy Chase’s Mr. Spock explains to his captain that Nielsen ratings “were a primitive system of estimating television viewers, once used in the mid-twentieth century.”

Watch it free on Hulu.

John_Belushi,_SNL_Vulcan_salute

(3) Another Lovecraft-inspired brew from Naragansett Beer will be released at a party October 10 in Providence, RI.

Back from the dead just in time for the spookiest month of the year, our beloved Bock has morphed into the Reanimator Helles Lager. At 6.5% ABV and 35 IBUs, we’ve reanimated our classic Bock by dry-hopping it with Czech Saaz to boost its hop presence with a sophisticated and spicy twist. You won’t want to miss this Lovecraft inspired brew and you can be one of the first try it on Saturday, October 10th at the Columbus Theatre! The party starts at 8PM and a special screening of Re-animator starts at 9PM to celebrate the film’s 30th Anniversary and the release of our latest beer!

lovecraft-reanimator-release

(4) Charles Stross is worried that low Earth orbit will eventually become as trash-strewn as an LA freeway onramp, which will make it nearly impossible to use it for satellites and navigation.

Here’s a technological question with philosophical side-effects that’s been bugging me for the past few days …

Today, the commercial exploitation of outer space appears to be a growth area. Barely a week goes by without a satellite launch somewhere on the planet. SpaceX has a gigantic order book and a contract to ferry astronauts to the ISS, probably starting in 2018; United Launch Alliance have a similar manned space taxi under development, and there are multiple competing projects under way to fill low earth orbit with constellations of hundreds of small data relay satellites to bring internet connectivity to the entire planet. For the first time since the 1960s it’s beginning to look as if human activity beyond low earth orbit is a distinct possibility within the next decade.

But there’s a fly in the ointment.

Kessler Syndrome, or collisional cascading, is a nightmare scenario for space activity. Proposed by NASA scientist Donald Kessler in 1978, it proposes that at a certain critical density, orbiting debris shed by satellites and launch vehicles will begin to impact on and shatter other satellites, producing a cascade of more debris, so that the probability of any given satellite being hit rises, leading to a chain reaction that effectively renders access to low earth orbit unacceptably hazardous…..

(5) In the meantime, space exploration continues unimpeded by junk in the sky, as they will be happy to explain tomorrow at JPL’s annual Open House.

Saturday, October 10 and Sunday, October 11, 2015

9:00 a.m. – 4:00 p.m.

No tickets or reservations required

NASA’s Jet Propulsion Laboratory, Pasadena, California, invites the public to its annual Open House on October 10-11,2015. The event is free of charge and takes visitors on a “ride” through the wonders of space. Highlights include a life-size model of Mars Science Laboratory, demonstrations from numerous space missions, JPL’s machine shop, where robotic spacecraft parts are built, and the Microdevices Lab, where engineers and scientists use tiny technology to revolutionize space exploration.

 

oh2

(6) The work of composer John Williams is synonymous with science fiction media. He will be honored with the AFI Life Achievement Award on June 9, 2016. Williams is the 44th winner, but the first composer to receive the award.

John Williams’ storied career as the composer behind many of the greatest American films and television series of all time boasts over 150 credits across seven decades. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your-seat Jaws (1975) motif to the emotional swell of E.T. The Extra-Terrestrial (1982) and the haunting elegies of Schindler’s List (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium. Three of Williams’ scores landed on AFI’s 100 Years of Film Scores — a list of the 25 greatest American film scores of all time — including the unforgettable Star Wars (1977) soundtrack, at number one. With five Academy Award wins and 49 nominations in total, Williams holds the record for the most Oscar nominations of any living person.

Besides Star Wars, he’s written themes for TV’s The Time Tunnel, Lost In Space, Land of the Giants, and movies like Close Encounters of the Third Kind and Superman.

(7) Lela E. Buis tries to fathom what kept Michael A. Burstein from winning any of the Hugos he’s been nominated for

More today on Michael A. Burstein, who’s been nominated 10 times for a Hugo but never won. Just achieving the nomination shows he was a very popular author during these years. His nominations include the short story category, which requires at least 5% of the cast nominations in order to appear on the ballot. So what’s the problem? What was he missing that would have put him over the top?

(8) The third installment of Superversive Blog’s interview with Ruth Johnston, author of Re-modeling the Mind: Personality in Balance, is titled “If You Had Introverted Intuition, My Dinosaur”.

L. Jagi Lamplighter poses the questions in this series described as “Speculative Fiction meets Jung.” Rachel Swirsky’s now-famous story is the subject of analysis this time.

[Ruth Johnson] A: I think this story is a wonderful example of the hardest to explain, most mysterious mental function we can observe in personality: Introverted Intuition. Both kinds of Intuition are involved in a search for meaning, but Introverted Intuition is particularly intent on finding cloaked, disguised, suppressed truth.

I think that’s what this story is about. Of course, it isn’t really a story; it’s a scene that poses questions about meaning. There isn’t any movement in plot, rather the motion consists of a gradual revealing of the speaker’s state of mind. The scene: A woman sits by a hospital bed, where her fiancé, an archeologist, is in a coma. He was beaten by five drunken men for unknown reasons. The only dinosaur in the story is in her imagination, of course, as she envisions what would have been different if he had been even a small carnivore. The title poses the question: what if, instead of being who you are, you had been something else?

I think the key to the story is that she feels a small Tyrannosaurus Rex would have been a truer form for the soul of the man she loves. It would reveal his true nature, whereas his powerless natural appearance forms a kind of mask that makes him look like he ought to be a victim. The exercise in imagining is pointless if being a dinosaur wasn’t somehow a truer truth than the natural one; otherwise we could ask what if he were a Mack truck or an onion. By emphasizing that the dinosaur would be the same size as the human, she is making it clear that she sees the transformation as revelation, not random change. “If you actually looked like your true inner nature, my love, then people would see that you are strong and this would be a deterrent to getting hurt.”

When you posit that the appearance of a human being might be a disguise, a false archetype that covers truth, you are deep into Introverted Intuition’s territory.

(8) Disney and Lucasfilm will hold a massive world premiere for Star Wars: The Force Awakens in Los Angeles on Dec. 14, The Hollywood Reporter has learned. A premiere in London immediately follows.

(9) See the trading card with the most explicit Star Wars photo of all time.

The final chapter in the story of the biggest boner in Topps’ history.

The year was 1977 and the U.S. was caught in the throes of a pop culture phenomenon unlike anything it had seen before, all because of a little movie called Star Wars. The Topps Company, known for making pocket-sized stacks of popular baseball players since the 1930s, lucked out when Kenner’s subsidiary Donruss passed on the Star Wars license. What followed was one of the most successful series of trading cards ever created.

Five sets of cards and stickers were produced over the course of two years. In a time before the Wookiepedia, these were one of the few ways to get in-depth information about the beloved soon-to-be franchise. But the original editor of those cards, Gary Gerani, and his team made one small mistake that will go down in history.

(10) Today in History

Is the anniversary literally today? I don’t know, but Prague’s astronomical clock is 605 years old, and Google has marked the occasion today, October 9, with a Google Doodle.

The ornate clock, known as the Orloj, is one of Prague’s most recognised touristic spectacles, and is located in the Old Town Square in the centre of the city. Its hourly shows draw curious visitors from all over the world, where 12 apostles emerge from two windows to nod at the crowds below.

 

(11) Creature Features presents The Monster Squad on October 11:

1PM – Sun Oct 11, 2015

$15 – $65 – The Theatre at Ace Hotel, Los Angeles

Tickets on sale now

Creature Features haunts The Theatre at Ace Hotel with this special cast & crew reunion screening of THE MONSTER SQUAD, the epic 1987 smackdown between an intrepid band of middle schoolers and five of horrordom’s most fearsome beasties, led by Count Dracula himself!

This spook-tacular matinee showing will include two panel discussions before and after the film, hosted by Eric “Quint” Vespe of Aint It Cool News. Guests include: actors Andre Gower, Ryan Lambert, Ashley Bank and Stephen Macht, make-up FX artists Alec Gillis and Tom Woodruff, and composer Bruce Broughton, who will be on hand to premiere the brand new deluxe CD release of his score to the film, courtesy of La-La Land Records.

 

Monster Squad

(12) This brings back memories. The cartoon commercial for Bonomo Turkish Taffy

(13) A Gamera remake is on the way. There was a trailer shown at this weekend’s New York Comic Con.

(14) I know that people who live in glass houses shouldn’t throw stones, so I will remain silent about “The Competitive World of AOL Disc Collecting”.

The discs came like a swarm of locusts, burrowing into post boxes and sliding through mail slots. They popped out of cereal boxes and appeared on meal trays during airline flights. They fell out of magazines and Happy Meals. They were stocked at the checkout counters of Best Buy, near the popcorn at Blockbuster, on bookshelves at Barnes & Noble. The ubiquity of AOL discs—those free marketing materials sent by American Online in the 90s to entice people to sign up for internet service—could be likened to world domination….

Of the bunch, Sloan Cline is arguably the most prolific collector. By her estimates, she has over 4,000 unique AOL discs stored in the basement of her home in Kansas. Every CD in her collection is different: There are discs in every color, ones in plastic cases or shrink-wrap packaging, ones promising various hours on the free trial. Versions one through three came on floppy disk, and some of the early ones came in metal tins—Sloan Cline has those kinds, too. There were also branded AOL discs, like her prized Marvel Spider-Man disc, and foreign AOL discs, which she got from her friends in Canada and Argentina.

(15) The National Toy Hall of Fame in Rochester, NY has announced the shortlist for 2015 induction. The selection will be revealed November 5. The Hall of Fame typically inducts three toys each year, with last year’s honors going to miniature green army men, the Rubik’s Cube and bubbles.

The 2015 finalists are: American Girl dolls, Teenage Mutant Ninja Turtles, spinning tops, Twister, Wiffle Ball, Battleship, puppets, Jenga, coloring books, Playmobil, Super Soaker and scooters.

The National Hall of Fame said the toys are judged based on icon status, longevity, discovery and innovation.

 

National-Toy-Hall-of-Fame-announces-2015-finalists

(16) Today’s Birthday Boys

Born 1950 – David Brin

Born 1954 — Scott Bakula, famed for Quantum Leap and as Captain Jonathan Archer on Enterprise.

Born 1964 – Guillermo del Toro, acclaimed movie director.

(17) Guillermo del Toro talked about his second house/man cave which is filled with all sorts of horror movie memorabilia on Jimmy Kimmel Live.

And he graciously worked the crowd outside.

[Thanks to Iphinome, Will R., Andrew Porter, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Sylvia Sotomayor.]