Pixel Scroll 8/6/20 The Scroll With The Twisted Pixel

(1) SHARKE SIGHTING.  Nina Allan has been doing an interesting series of posts on both Hugo nominees and Clarke Award nominees; she wrote one on all of the Hugo-nominated novellas, for example. Her most recent is on Kameron Hurley’s The Light Brigade. “Weird Wednesdays #9/Clarke Award #3: The Light Brigade by Kameron Hurley”.

…What a ride, what a charge. Kameron Hurley was last shortlisted for the Clarke Award back in 2014, for her debut novel God’s War. I enjoyed and admired God’s War, but had fallen somewhat out of touch with Hurley’s work since, so I was pleased to have the opportunity to read her latest within the context of the Clarke. What a delight it is to see a writer fulfilling her potential. What I loved most about God’s War and the short fiction from Hurley that I’d read in the interim was its densely textured language, and The Light Brigade is immediately, thrillingly identifiable as by the same hand. Time (and increasing fame) has done nothing to slow or flatten the vividness and immediacy of Hurley’s approach, nor compromise its intelligence or conceptual ambition.

… Although The Light Brigade works perfectly well as a standalone novel – you don’t need to have read any of Hurley’s other work or even any science fiction to get on board – it is important to note the many and clever ways in which it is directly in conversation with older works of SF. …

(2) SUBSCRIBE TO ASTROLABE. Aidan Moher will launch a new newsletter— Astrolabe — on Friday

Aidan Moher

Astrolabe covers all the stuff I love—from science fiction and fantasy, to retro gaming, parenting, and personal news about my work. It’s about talking my stuff and professional news, but also building a community of readers, and sharing the love by highlighting and sharing all the other great work and books I come across.

Why wait? Here’s the link to subscribe.

Aidan Moher, who won a Best Fanzine Hugo in 2014 for A Dribble of Ink, which really was a beautiful publication, has gone on to author  “On the Phone with Goblins” and “The Dinosaur Graveyard,” and write for KotakuVentureBeatEGMUncanny MagazineCast of WondersBarnes & Noble Sci-Fi & Fantasy BlogTor.com, and various other places. 

But Aidan has not forgotten my teasing from back in 2014. He ended his email:

I see your absolute glee that I’m starting a issue-based fanzine, Mike Glyer. I SEE YOU.

(3) NUMBER NINTH, NUMBER NINTH. NPR’s Jason Sheehan warns us that “Whatever You’re Expecting, ‘Harrow The Ninth’ Is Not That Kind Of Book”.

You know how sometimes people say, Oh, it’s okay. You don’t have to read the first book in this series to dive right into the second.

This is not that kind of book

You know how sometimes people say, It’s like everything you loved about the first book, only MORE.

This is not that kind of book.

Last year, Tamsyn Muir absolutely owned the lesbian-necromancers-in-space genre. She created a crumbly, dusty, deeply haunted and wonderfully goopy horror-universe with Gideon the Ninth, peopled it with creepy, sepulchral wizards, dipped it all in the reverential tones of quasi-Catholic religious fanaticism, wrote it like a science-fantasy parlor romance full of murder and then gave it to us, still warm and dripping, like a cat bringing home a particularly juicy mouse.

…I loved Gideon. Loved everything about it. It was just so much of a book — so strange, so full, so lush, so double-bats*** crazy and so unerringly cool — that I didn’t think anything could top it.

And Harrow the Ninth, second in the series, doesn’t.

Because it is not that kind of book.

Gideon was the perfect surrogate through which to experience Muir’s creation — a brash, foul-mouthed, anarchic guide who was just as wonderstruck as we were by the gory weirdness happening at every other breath, but never so serious about it that any piece of the story felt logy with funereal detail.

Harrow, though? Harrow is all black crepe and rosaries. She’s that one goth girl from high school gone full dark supernova with her sacramental face paint and unfathomable necromantic powers. A bone witch (and don’t think Muir doesn’t have some fun with that), she can construct a skeleton from a chip of tibia and have it tear your arms and legs clean off. She vacillates wildly between breathless (though exceptionally prudish) teenage passion for a corpse (that would take pages to explain), fervent prayer and drear musings on death — her own and everyone else’s. At one point, she carefully (and explosively) poisons someone with a soup made from her own bone marrow and it’s passed off like, Oh, that’s just Harry, exploding one of God’s own hit men at the dinner table, the kooky kid!

(4) FAN PIPES UP. Speaking of Tamsyn Muir, she did an Ask Me Anything on Reddit yesterday: “I’m Tamsyn Muir, author of HARROW THE NINTH, second book of the Locked Tomb trilogy. AMA!”

[Question] … I have been telling all my friends that Alecto the Ninth is going to be a heist novel. Can you please confirm this, and if so, also confirm that there will be many heart crimes. Thank you for writing these books, they are fantastic….

tazmuir

AMA Author Tamsyn Muir

I had to go back and look to see if I’d ever mentioned that I wanted a heist in Alecto, because otherwise you are 1. psychic or 2. hiding in my drywall — there IS actually a heist in Alecto. It’s not the world’s greatest heist, and is undertaken by idiots, but there’s a heist. If you’re in my house, can you tell me if turning off the boiler at night has helped the pipes? I assume you’re between the walls.

(5) OPENING A FRESH DECK. NPR’s Glen Weldon reports that “With ‘Star Trek: Lower Decks,’ A Venerable Franchise Loosens Up”.

The prospect of spoofing Star Trek represents nothing new under the (binary) sun(s). The franchise has become an institution, and mocking institutions remains a thriving American cottage industry. Saturday Night Live started taking whacks at Trek way back in the ’70s, as did MAD magazine, and the short-lived sitcom Quark. As a piece of cultural furniture, Star Trek’s ubiquity, driven by multiple television series, movies, books, games, comics and fan-fiction, means its tropes have entered the collective consciousness, and have thus become easy to recognize — and to make fun of.

Why, one could even construct an entire, very-good movie just by riffing on Trek (1999’s Galaxy Quest), as well as an entire, not-very-good television series (FOX’s mystifying The Orville).

The difference between all these previous efforts and the one represented by Star Trek: Lower Decks, premiering Thursday August 6th on CBS All Access, is a simple one:

This time, the comm signal is coming from inside the house.

True, the franchise has poked the gentlest of fun at itself, over the years — a throwaway line here, a winking reference to previous Trek series there. But Star Trek: Lower Decks is an official Trek property, its yuks are both nerdily meta and rigorously in-canon, and they go — more broadly than boldly, it must be said — where no Trek has gone before.

The premise is such stuff as comedy sketches are made on: Starships are huge, and staffed by hundreds of officers and crew members, so why does every Trek story need to revolve around the bridge, and the same 7 or so characters? Why not focus instead on the grunts doing the tedious, everyday work?

Creator/showrunner Mike McMahan made his bones on the animated series Drawn Together and Rick and Morty — shows whose darker, more cutting humorous sensibilities would seem to clash with Trek’s traditional commitment to ennobling, optimistic uplift. But that disconnect turns out to work for the new series, in most respects. For the nerds, in-jokes and easter eggs abound, testifying to the creators’ fondness for the source material, while viewers who don’t know a nacelle from a Jeffries Tube will likely appreciate the show’s sheer joke-density — and the fact that, as an animated series, it comes outfitted with an unlimited special effects budget.

That’s important, because despite its bright, broad, cartoony look, the planets of Lower Decks can appear legitimately otherworldly, instead of all looking like the Vasquez Rocks outside of Santa Clarita, California. Alien races can look alien — obviating previous series’ need to, as one wag (me) once put it, “Grab a dayplayer, slap a hunk of spirit gum between their eyebrows, paint ’em Prussian blue and shove ’em in front of the camera”.

(6) I WRITE THE WORDS. NPR reveals how “A New Documentary Shines A Spotlight On The Lyricist Behind The Disney Renaissance”.

Alan Menken composed the song “Prince Ali,” memorably sung by Robin Williams in Disney’s 1992 animated feature Aladdin, while sitting at the lyricist’s hospital bed. His friend, Howard Ashman, was dying.

“His life was pitifully cut short, unfortunately, as were many at that time,” says Menken. “But Howard’s [death], for me, is the most personally difficult and his spirit remains very, very present still; there’s something about Howard that is not just a statistic in the battle against AIDS. But as an artist, he’s extremely vital — even now.”

Howard, a documentary about Ashman and his work as an award-winning lyricist, is coming to streaming August 7 on Disney+. It also shows the friendship between Ashman and Menken, who met in New York City in the 1970s, where Ashman was the artistic director of a black box theater, the WPA, near Union Square. Menken had been working as an accompanist for singers and writing songs for Sesame Street, and they immediately gelled like Rodgers and Hammerstein. Together they wrote the musicals Kurt Vonnegut’s God Bless You, Mr. Rosewater and the unlikely hit, Little Shop of Horrors — a monster mash parody of American musical comedies, which won several Drama Desk Awards and was adapted into a film in 1986 – before going on to work for Disney.

The documentary tracks Ashman’s rise from a theater-obsessed kid in Baltimore, to his musical highs and lows (including the ill-fated Broadway show Smile with composer Marvin Hamlisch), and to his untimely death. It’s told through archival photos, song demos, new interviews with family and friends and a filmed recording session from Beauty and the Beast — a Disney-lover’s treasure trove….

(7) ABOUT ASIMOV. In the comments on LitHub’s article “What to Make of Isaac Asimov, Sci-Fi Giant and Dirty Old Man?”, posted in May, former SFWA President Marta Randall told about the time Isaac Asimov assaulted her:

“In general,” writes Nevala-Lee, “Asimov chose targets who were unlikely to protest directly, such as fans and secretaries, and spared women whom he saw as professionally useful.”

I have to take exception to this. In the mid-1980s I was serving my first term as president of the Science Fiction Writers of America (SFWA), the first woman to hold that office, and attended the Boskone convention, as did Dr. Asimov. He showed up in the organization’s suite and I thought it proper to introduce myself, so at a suitable break in the conversation, I held out my hand for a shake and tried to say, “Dr. Asimov, I’m Marta Randall, the president of SFWA.” I didn’t make it to the second syllable of his title before he grabbed my hand, jerked me to him, and tried to stick his tongue down my throat. We were in a suite run by our professional organization, but apparently it never occurred to him that his actions might be inappropriate. Luckily a number of members who knew me pried him off of me before I tried to deck him.

We met again years later, when I was protected by carrying a baby on my back. He was perfectly cordial, but never apologized, if he even remembered the assault.

The man was a pig.

(8) VIRTUAL OXONMOOT. The UK’s Tolkien Society will hold “Oxonmoot Online” from September 18-20. Full details at the link.

…Clearly Oxonmoot Online will be a very different event from a normal Oxonmoot, but our aim is to bring you a busy and engaging weekend of Tolkien related activities. In addition, the online nature of the event offers new opportunities for international members who are normally unable to travel to Oxford to take part….

…Thanks to the actions of Ar-Pharazôn at the end of the Second Age, we find ourselves living on a round world – which means we have to deal with the complexities of time zones. To make the event as accessible as possible to as many of our members as we can, the “core” time for the keynote events and larger activities will be 18:00-22:00 UK time.

Outside these hours, we will run an engaging programme of talks, papers, activities and social gatherings – the exact timing of which will depend on the offers we get from you, our members. We intend to record talks and papers so that delegates can watch the presentations which are delivered at a time which is difficult in their time zone…

(9) THE GOAL IS MONEY. Trailer for the Korean sff movie Space Sweepers. “Are lots of trash worth a fortune?”

(10) MEDIA BIRTHDAY.

  • August 6, 1955 Science Fiction Theater’s “The Stones Began to Move” first aired. Starring Truman Bradley, Basil Rathbone, and Jean Willie, a discovery inside the just-opened tomb of an Egyptian pharaoh may hold a clue as to the construction of the pyramids, but a murder is committed to keep that secret from being revealed. You can watch it here,

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 6, 1809 – Alfred, Lord Tennyson.  (His name was Alfred Tennyson; he was later made 1st Baron Tennyson.)  Poet whose engagement with quest and fantasy point us to him (“To follow knowledge like a sinking star, beyond the utmost bound of human thought” – speaking of which, don’t neglect the highly strange Frank Belknap Long story “To Follow Knowledge”, 1942).  See “Ulysses”, “Tithonus”, Idylls of the King (the Matter of Arthur).  (Died 1892) [JH]
  • Born August 6, 1874 Charles Fort. Writer and researcher who specialized in anomalous phenomena. The term fortean is sometimes used to characterize such phenomena. No, not genre as such, but certainly an influence on many a writer. The Dover publication, The Complete Books of Charles Fort, that collects together The Book of The Damned Lo!Wild Talents and New Lands has a foreword by Damon Knight. L. Sprague de Camp reviewed it in Astounding Science-Fiction in the August 1941 issue when it was originally published as The Books of Charles Fort. (Died 1932.) (CE)
  • Born August 6, 1877 John Ulrich Giesy. He was one of the early writers in the Sword and Planet genre, with his Jason Croft series  He collaborated with Junius B. Smith on many of his stories though not these which others would call them scientific romances. He wrote a large number of stories featuring the occult detective Abdul Omar aka Semi-Dual and those were written with Smith. I see iBooks has at least all of the former and one of the latter available. Kindle has just the latter. (Died 1947.) (CE)
  • Born August 6, 1911 Lucille Ball. She became the first woman to run a major television studio, Desilu Productions, which is where Star Trek was produced. Her support of the series kept it from being terminated by the financial backers even after it went way over budget in the first pilot. (Died 1989.) (CE) 
  • Born August 6, 1917 – Barbara Cooney.  Author and illustrator of a hundred children’s books, some fantastic.  Two Caldecott Medals.  National Book Award.  Here is a picture that might simply be entitled “Fantasy”.  Here is a cover for Snow White and Rose Red.  Here is Where Have You Been?  Here is “The Owl and the Pussycat” (note the runcible spoon).  (Died 2000) [JH]
  • Born August 6, 1955 – Judith Bemis, 65.  Co-chair (with husband Tony Parker), Tropicon 8-9.  Fan Guest of Honor (with Parker), Concave 16.  Treasurer of MagiCon (50th Worldcon), Noreascon 4 (62nd).  Active getting fanzines into FANAC.org database. [JH]
  • Born August 6, 1955 –Eva Whitley, 65.  Chaired Paracon 1, Disclaves 26 & 34.  Widow of Jack Chalker; says  ”Possibly the only person in fandom to meet spouse by making him GoH (Paracon 1)”.  Fan Guest of Honor at Balticon 17 (with Chalker) & 21, Norwescon XXII (with Chalker).  Active in WSFA (Washington [D.C.] SF Ass’n) and BSFS (Baltimore SF Ass’n).  [JH]
  • Born August 6, 1962 Michelle Yeoh, 58. Ok, I have to give her full name of Yang Berbahagia Tan Sri Dato’ Seri Michelle Yeoh Choo-Kheng. Wow. Her first meaningful genre roles were as Wai Lin in Tomorrow Never Dies and Yu Shu Lien in Crouching Tiger, Hidden Dragon. I actually remember her as Zi Yuan in The Mummy: Tomb of the Dragon Emperor, the first film of a since cancelled franchise. And then there’s her dual roles in the Trek universe where she’s Captain Philippa Georgiou and Emperor Philippa Georgiou. The forthcoming Section 31 series will involve one of them but I’m not sure which one… (CE)
  • Born August 6, 1969 – Álvaro Enrigue, 51.  Novel Sudden Death for us, Herralde Prize.  Six novels, three collections of shorter stories and one of essays.  Mortiz Prize.  Carlos Fuentes said E’s novel Perpendicular Lives “belongs to Max Planck’s quantum universe rather than the relativistic universe of Albert Einstein, a world of co-existing fields … whose particles are created or destroyed in the same act.”  Translated into Chinese, Czech, French, German.  [JH]
  • Born August 6, 1972 – Paolo Bacigalupi, 48.  Six novels, a score of shorter stories, translated into French, German, Hungarian, Italian, Japanese, Romanian, Spanish.  Interviewed in Electric VelocipedeIntergalactic Medicine ShowInterzoneLightspeedLocusNY Review of SFSF Research Ass’n Review.  First novel The Windup Girl won Hugo, Nebula, Campbell (as it then was) Memorial, Compton Crook, Grand Prix de l’Imaginaire, Ignotus, Laßwitz, Prix Planète, Seiun; also a Printz, a Sturgeon, another Seiun.  Toastmaster at MileHiCon 42; Guest of Honor at ArmadilloCon 33, Capclave 2014.  Williamson Lectureship, 2014.  [CE and I found two different dates for his birthday; since he’s done and won much, we decided to let both notes stand – JH]

(12) COMICS SECTION.

  • Truer cartoon words were never spoken — Ziggy.

(13) US IN FLUX. The latest story from the Center for Science and the Imagination’s Us in Flux project is “Tomorrow Is Another Daze,” a story of Aztlán, creative reuse, and making technology work for you by Ernest Hogan (an Arizona-based writer, often called the father of Chicanx science fiction).

Lalo was in the middle of making Huevos Rancheros Microöndas when the doorbell rattled. The microwave buzzed less than a second after. Yet another quarantine for yet another virus was going on, so he wasn’t eager to answer the door. For all he knew it could be a terminal case, long past the early stages that are said to be similar to what they used to call future shock: the disorientation and hallucinations, the convulsions, foaming at the mouth, about to drop dead on his porch under the decorations his wife insisted on putting up, requiring the services of a hazmat team….

On Monday, August 10 at 4:00 p.m. Eastern, they will have another virtual event on Zoom, with Ernest and scholar, author, and editor Frederick Luis Aldama. Register at the link.

(14) EAR TO THE GROUND. Michelle Nijhuis, in “Buzz Buzz Buzz” at New York Review of Books, discusses four recent works about human responsibilities towards animals.

…The scholarly emphasis on negative rights, along with the work of animal-rights and animal-welfare activists, has arguably improved the treatment of domesticated animals in North America and Europe. Public opposition to animal cruelty is now widespread, and recent laws and policies have banned animal blood sports. The insights of advocates such as Temple Grandin have helped us imagine how other species experience the world, and begin to curb some of the most brutal factory-farming practices.

None of these advances, however, has changed our fundamental relationship with animals—which is hardly sustainable, ethically or otherwise. In Slime, when one of the translators finally succeeds in communicating with a bump-nosed parrotfish from the Pacific Ocean, the message is stark, delivered in dramatic terms: “Youare helping Slime to kill us You You You Land Monsters!!! Why? Stop? Why? Change your swimming! Change your swimming! Change your swimming!!!!” Were Slime written today, it might include a line from a pangolin or a bat, warning that our heedless exploitation of animals carries deadly risks for all.

… That animals are in this sense political actors is an underrecognized and, to my mind, potentially powerful point of convergence between the animal-rights and ecological-protection movements: both traditions hold that animals have needs and wants that humans are more than capable of understanding, and should attend to.

(15) BE CAREFUL OUT THERE AMONG THEM ENGLISH. James Davis Nicoll was pleased to get some egoboo from the letters to the editors in the August 4 Sydney Morning Herald:

Hold the phonics

Each of your “o’s”, Kevin Harris, represents different sounds because of the consonants in each word that have individual phonetic sounds; always have and always will (Letters, August 5). Otherwise, we’d all be speaking French, where half the letters aren’t ever pronounced. John Kingsmill, Fairlight

Thirty years ago, one James Nicoll observed that “English has pursued other languages down alleyways to beat them unconscious and riffle their pockets for new vocabulary”. With that has come disparate rules of pronunciation, to the annoyance of Kevin Harris’ five-year-old and countless others. For English, basic phonics works for about 40 per cent of words, enough to make it a useful tool. For the rest, plenty of guided reading will make up most of the deficit. Richard Murnane, Hornsby

(16) SURPRISE! – NOT. “Hollywood censors films to appease China, report suggests” – BBC has details.

Hollywood bosses have been censoring films to placate the film market in China, a report has suggested.

The lengthy report says US film companies want to avoid losing access to China’s lucrative box office market.

It said casting, content, dialogue and plotlines were increasingly being tailored to appease censors in Beijing.

The report, compiled by the free speech charity PEN America, claimed China was therefore influencing movies released in cinemas around the world.

China holds the world’s second largest box office market behind the US.

According to the Hollywood Reporter, American films earned $2.6bn (£2bn) in China last year, with Disney’s Avengers finale, Endgame, making $614m (£466m).

PEN is a non-profit organisation that campaigns on free speech and it sponsors the Pinter Prize for literature.

The report said that Marvel’s 2016 superhero film Dr Strange whitewashed a major Tibetan character for fear of jeopardising the title’s chances of success in China.

The forthcoming Top Gun sequel, Maverick, was also criticised for the “mysterious disappearance of the Taiwanese flag” in a 2019 trailer.

“Our biggest concern is that Hollywood is increasingly normalising pre-emptive self-censorship in anticipation of what the Beijing censor is looking for,” said James Tager, author of the report.

(17) HEISENBIRDS. “Attaching Small Weights To Pigeons Helps Them Shoot Up In The Social Hierarchy”NPR transcript:

Scientists found that attaching small weights to pigeons causes them to shoot up in the social hierarchy. The finding is important because scientists often attach trackers to pigeons.

STACEY VANEK SMITH, HOST:

It turns out there is a social hierarchy among pigeons, and it definitely pays to be the big bird on campus.

STEVE PORTUGAL: Being top of the dominance hierarchy basically gives you preferential access to everything. It means you get priority access to food, priority access to mates.

SHAPIRO: That’s Steve Portugal, a zoologist and biologist at Royal Holloway, University of London. And contrary to what you may have heard about the early bird getting the worm, in the case of pigeons, it is heavier birds that get all the perks.

VANEK SMITH: So Portugal and his colleagues wondered what would happen if you made lighter pigeons feel heavier. If you beefed them up, would they punch above their weight?

SHAPIRO: They tested their theory in a captive flock of homing pigeons. They identified the birds in the bottom half of the hierarchy and loaded them up with tiny weights – little bird backpacks, actually.

PORTUGAL: And sure enough, when I did that, they became much more aggressive, started much more fights and won many more fights as well.

(18) EVRYBODY MUST BE STONE. ScreenRant luckily didn’t run out of fingers while counting the cast: “All 9 Star Trek Actors In Gargoyles The Animated Series”.

A number of Star Trek actors lent their voices to the animated series Gargoyles. The show followed the adventures of gargoyles, nocturnal creatures who turned into stone during the day. After being transported from their home in Scotland to New York City, the clan were awoken from their 1000-year-long magical slumber and took on the responsibility of protecting the city. The children’s series originally ran from 1994 until 1997, but has been finding new audiences thanks to Disney+.

… Like Jonathan Frakes, Marina Sirtis was a main character on both Star Trek: TNG as well as GargoylesSirtis played Deanna Troi, the empathetic, chocolate-loving counsellor onboard the USS-Enterprise. Troi is half-Betazoid, which grants her empath abilities — which often came in handy in dealings with other alien races. Also like Frakes, Sirtis played a villainous role on Gargoyles: her character Demona despised humans, and is possibly the most dangerous of all remaining gargoyles. She aligned herself with David Xanatos, and was largely responsible for him resurrecting the Wyvern clan, whom she had hoped would join her on her quest for vengeance.

(19) BEEB TRIVIA. Nicholas Whyte told the SMOFs list where they could see this Hugo-related feat:

The UK quiz show University Challenge had three questions about the Hugo Awards for Best Dramatic Presentation, Short Form last night, all correctly answered by the team from Strathclyde University – which, as it happens, is in Glasgow.

[Thanks to PhilRM, JJ, Chip Hitchcock, John Hertz, Mike Kennedy, Cat Eldridge, Michael Toman, John King Tarpinian, Peer Sylvester, Martin Morse Wooster, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, verified, blue check Andrew.]

Masked Filers Reading SFF:
The Light Brigade

That’s Lis Carey behind the mask —

Reading The Light Brigade, on my Kindle. Okay, so you can’t tell, from looking at the back of my Kindle, but that and audiobooks are how I get my reading done these days.


If you want to see this series continue, send photos of your mask and social distancing reads to mikeglyer (at) cs (dot) com

2020 Arthur C. Clarke
Award Shortlist

The 34th shortlist for the Arthur C. Clarke Award for science fiction literature was announced on June 18.

  • The City in the Middle of the Night – Charlie Jane Anders (Titan)
  • The Light Brigade – Kameron Hurley (Angry Robot)
  • A Memory Called Empire – Arkady Martine (Tor)
  • The Old Drift– Namwali Serpell (Hogarth)
  • Cage of Souls – Adrian Tchaikovsky (Head of Zeus)
  • The Last Astronaut – David Wellington (Orbit)

Clarke Award director Tom Hunter said:

Listening to the deliberations of our judges this year, I was reminded again of the depth of passion that can power and unite our science fiction community, and what shines through for me in the choices of this year’s panel is this sense of shared love for the sf genre.

There are familiar themes here, from first contact and colonisation to the ravages of war and the end of the world, but all retooled with eyes firmly fixed on science fiction’s future as well as its long history.

 Andrew M. Butler, Chair of Judges, added:

It felt as if we were actually inside an sf novel when we chose these half dozen books – it was our first virtual shortlist meeting. I think the judges have selected a wonderful set of novels. At this point any of the six could win.

The award judges are Stewart Hotston, British Science Fiction Association; Alasdair Stuart, British Science Fiction Association; Farah Mendlesohn, Science Fiction Foundation; Chris Pak, Science Fiction Foundation; and Rhian Drinkwater, SCI-FI-LONDON film festival.

The list of 122 eligible titles submitted for this year’s prize can be found on the award committee’s Medium blog here.

The winner will be revealed in September, date to be determined.

Pixel Scroll 5/1/20 Do Ansibles Dream Of Electronic Beeps?

(1) NEW MARVEL COMICS ON THE WAY. Today, Marvel Comics announced its plans to resume releases for its comics starting Wednesday, May 27. Said a press releasem “True Believers everywhere will now be able to escape back into the Marvel Universe and continue following their favorite Marvel stories and characters.”

Over the next few weeks, Marvel will keep a balanced release schedule for its comics and trade collections as the industry continues to restart distribution and comic shops begin to reopen and adapt to current social distancing policies. Stay tuned for more information as Marvel continues to release new comics in the most thoughtful way we can for fans, creators, and the industry during these unpredictable times.

(2) THINGS COVID-19 MAKES UNPREDICTABLE. Fantastika 2020 today announced that they have optioned March 19-21, 2021 as a backup in case their first deferred date – October 23-25 this year – doesn’t pan out. All four guests of honor — Adrian Tchaikovsky, Aliette de Bodard, Peadar Ó Guilín, and Eva Holmquist — are planning to come to Fantastika 2020 in October, but right now no one knows if they will be able to come next March.

(3) A CERTAIN CONVENTION CASUALTY. Pittsburgh’s furry fandom Anthrocon, which was to be held July 2-5, announced on April 27 that they have cancelled this year’s event:

(4) AN UNEXPECTED OMEN. Tor.com’s Emmet Asher-Perrin directed fans how to eavesdrop on an exchange between two favorite characters: “Crowley and Aziraphale Weather the Lockdown on Good Omens’ 30th Anniversary”.

It’s the 30th anniversary of Good Omens’ publication, so Neil Gaiman, David Tennant, Michael Sheen, and the other folx involved with last year’s miniseries have offered up a brand new scene. As a (literal) treat.

(5) MEREDITH MOMENT. Barbara Krasnoff’s mosaic fantasy novel of the past and future of two Jewish families, The History Of Soul 2065, is available today for only 99 cents at Amazon & other venues! — Amazon, Barnes & Noble, itunes, Kobo, Google Play. Read Daniel Dern’s January 27 File 770 review of the book.

(6) ABOUT JEMISIN’S AUDIOBOOK. AudioFile has posted a Behind the Mic video with Robin Miles and her Earphones Award winning performance on N.K. Jemisin’s The City We Became.

AudioFile Magazine’s review begins —  

Robin Miles gives voice to everything New York in this fantastical celebration of the city’s spirit. As the novel opens, New York City is going through a transformation–it’s becoming sentient, embodied by six human avatars who represent the city’s five boroughs plus New York as a whole…. 

(7) A SHAGGY DOG STORY. Margaret Lyons, the New York Times television critic, asks “How Much Watching Time Do You Have This Weekend?”

Robbie Amell on “Upload.” The dog is his character’s therapist.

‘Upload’
When to watch: Starting Friday, on Amazon.

“Upload” feels like a hybrid of “The Good Place,” “Black Mirror” and “Idiocracy,” a cheeky, cynical but still lyrical sci-fi romantic dramedy. Robbie Amell stars as Nathan, a tech bro in 2033 whose consciousness is uploaded to a chichi but bizarre afterlife. Corporate greed is a defining pillar of modern life, and on “Upload” it’s a defining pillar of death, too, where the indignities of being advertised to, of always feeling shaken down, of being little more than a revenue stream, can endure for eternity. But hey, free gum! If you like big, imaginative shows with bite, watch this.

(8) HOPS TO IT. The bibulous Camestros Felapton shares the results of exhaustive testing in “Beers and Hugos: what to pair with your novel finalists”.

What to drink as you sit in your favourite reading spot with a good book is a vexing question of no import whatsoever. Wine has its advocates but I think drinking beer or slowly sipping spirits is a better a match for novels.

But what to match with this year’s Hugo Finalists for Best Novel?

So many factors to consider about each book! For example —

The Light Brigade, by Kameron Hurley. Do we need a high-strength beer here to match the mind-twisting plot or something with more flavour and less alcohol so we can concentrate and try to work out what is going on? I’ve drunk Chocolate Fish Milk Stout before which is a suitably disorientating car-crash of nouns but I don’t think that is the right tone for this novel. I want something that is sharp but very much not what it seems to be — a drink that makes you want to know what is going on and why? Perhaps something with a hint of a terrible experiment gone wrong… …

(9) LOVECRAFT COUNTRY. HBO dropped a teaser trailer. The series debuts in August.

HBO’s new drama series, based on the 2016 novel by Matt Ruff of the same name, debuts this August. The series follows Atticus Freeman (Jonathan Majors) as he joins up with his friend Letitia (Jurnee Smollett-Bell) and his Uncle George (Courtney B. Vance) to embark on a road trip across 1950s Jim Crow America in search of his missing father (Michael Kenneth Williams). This begins a struggle to survive and overcome both the racist terrors of white America and the terrifying monsters that could be ripped from a Lovecraft paperback.

(10) MORE BUDRYS. David Langford says, “Research for the recent Budrys SF essay collection Beyond the Outposts uncovered a mass of material that didn’t fit the scope of that already oversized book. I’m happy to report that the Budrys family liked the idea of my releasing a free ebook of other writings by our man — from a tasty 1960 fanzine to his final editorials in Tomorrow SF.”

Now you can download free A Budrys Miscellany: Occasional Writing 1960-2000 at the Trans-Atlantic Fan Fund Free Ebooks page – and please consider making a donation to TAFF.

(11) IT WASN’T THAT LONG AGO. Onward came and went with good reviews but an otherwise muted reception placing it much lower than Pixar’s more beloved films. YouTuber 24 Frames of Nick gives it a reappraisal. “You’re wrong about Onward.”

(12) TODAY’S DAY.

SPACE DAY is celebrated annually on the first Friday of May. An unofficial educational holiday created in 1997 by Lockheed Martin, Space Day aims to promote the STEM (science, technology, engineering, and mathematics) fields among young people.

(13) TODAY IN HISTORY.

  • May 1, 1953 Tales of Tomorrow’s “The Evil Within” episode first aired. A scientist has perfected a chemical that unleashes the beast within, but before he can create an antidote, his wife takes it when he takes a sample home to keep it refrigerated. It was directed by  Don Medford from a script by David E. Durston and Manya Starr. It starred James Dean, Margaret Phillips and Rod Steiger. It was Dean’s only genre role.  You can watch it here.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 1, 1905 E. Mayne Hull. She was the first wife of A. E. van Vogt and a genre writer in her own right with two novels to her credit, Planets for Sale and The Winged Man (which is co-written with her husband), and about a dozen stories. The Winged Man is a finalist for the Retro Hugo this year. She does not appear to be available in digital form. (Died 1975.)
  • Born May 1, 1923 Ralph Senensky, 97. Director of six Trek episodes including “Obsession” and “Is There in Truth No Beauty?“ which are two of my favorite episodes. He also directed episodes of The Wild Wild WestMission: ImpossibleThe Twilight Zone (“Printer’s Devil”), Night Gallery and Planet of the Apes.
  • Born May 1, 1946 Joanna Lumley, 73. No, she was no Emma Peel, but she was definitely more than a bit appealing (pun fullly intended) in the New Avengers as Purdey. All twenty-six episode are out on DVD. Her next genre outing was In Sapphire & Steel which starred David McCallum as Steel and her as Sapphire. If you skip forward nearly near twenty years, you’ll  find her playing The Thirteenth Doctor in The Curse of Fatal Death in the 2017 Comic Relief special. Yes, she played the first version of a female Thirteenth Doctor. 
  • Born May 1, 1952 Andrew Sawyer, 68. Librarian by profession, critic and editor as well being an active part of fandom. He is the Reviews Editor for Foundation: The International Review of Science Fiction. I’ve also got him doing Upon the Rack in Print, a book review column in Interzone and elsewhere and contributing likewise the Rust Never Sleeps column to Paperback Inferno as well. He hasn’t written much fiction, but there is some such as “The Mechanical Art” in the  Digital Dreams anthology.
  • Born May 1, 1955 J. R. Pournelle, 65. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter. And that’s how I came to find out there was a third Motie novel called, errrr, Moties. It’s better than The Gripping Hand.
  • Born May 1, 1956 Philip Foglio, 64. He won the Hugo Award Best Fan Artist at SunCon and IguanaCon 2. He later did work for DC, First and Marvel Comics including the backup stories in Grimjack. He and his wife are responsible for the totally ass kicking Girl Genius series
  • Born May 1, 1957 Steve Meretzky, 63. He co-designed the early Eighties version of The Hitchhiker’s Guide to the Galaxy video game with the full participation of Douglas Adams. ESF also says that he did a space opera themed game, Planetfall and its sequel A Mind Forever Voyaging in the Eighties as well. He did the definitely more erotic Leather Goddesses of Phobos as well. 
  • Born May 1, 1972 Julie Benz, 48. I remember her best as Darla on Buffy the Vampire Slayer and Angel, but she’s had other genre roles such as Julie Falcon In Darkdrive, a very low budget Canadian Sf film, Barbara in the weirdly good Shriek If You Know What I Did Last Friday the 13th, and Angela Donatelli in Punisher: War Zone. 

(15) COMICS SECTION.

  • Reality Check tells how one robot family overcame its hereditary medical problem.
  • Reality Check also demonstrates the importance of grammar when instructing one’s fairy godmother.
  • Speed Bump describes a drug with questionable effects.

(16) THE LAST OF SHE-RA. She-Ra and the Princesses of Power: Final Season Trailer.

(17) HISTORY IMPROVED UPON. David Doering wonders if this is where the tradition of fabulous meeting minutes began for the Los Angeles Science Fantasy Society:

“Bruce A. Yerke’s position as the most entertaining Secretary the LASFS ever corralled, and as founder and editor of Imagination (the magazine which precipitated the  unprecedented hordes of LASFS publications on the fan world ), is doubtless well known to most fans, but it wouldn’t do to forgo mention of his fabulously hilarious minutes. Those priceless documents were probably the indirect cause of the attendance of many otherwise uninterested persons, who came around solely to discover whether they had been libeled or praised, and to writhe or bask in a flow of words as the minutes were read.”

“The Damn Guy” in Fan Slants, Sept. 1943

Some of Yerke’s other attempts at jocularity in 1943 were more sophomoric.

“I was resting on a couch in one corner of the LASFS clubroom, dozing contentedly. Yerke entered, espied my recumbent form, and concluded that this was a splendid opportunity for some real fun. Producing an enormous sheet of wrapping paper, he tucked it about me, and then gleefully set fire to it. Luckily I came to my senses at this point and prevented an uncomfortable experience. When I demanded an explanation for his unseemly conduct, he replied, ‘I was giving you a hot-torso!’” 

(18) CIRCULAR FILE. James Davis Nicoll shares the addresses in “Put a Ring On It: Potential Planetary Ring Systems and Where to Find Them” at Tor.com.

… The mediocrity principle would suggest that other ring systems exist—systems that may be even more spectacular than Saturn’s. Recent discoveries hint that this may be the case. Data from the star 1SWASP J140747—have I complained yet today that astronomers are terrible at naming things?—suggests that its substellar companion may have a ring system that could be 180 million kilometers wide. That is about 30 million kilometers more than the distance from the Earth to the Sun. If Saturn had a ring system like that, it would be naked-eye visible.

(19) THE NAVY VS. THE DAY MONSTERS. Bad Astronomy’s Phil Plait tells SYFY WIRE readers: “So, Those Navy Videos Showing UFOs? I’m Not Saying It’s Not Aliens, But It’s Not Aliens.” He gives a kind of Reader’s Digest condensation of the work done at MetaBunk.

On 27 April 2020, the U.S. Department of Defense officially released three unclassified videos, footage taken on Navy fighter jets. These videos, leaked to the public in 2007 and 2017, appear to show three unidentified flying objects moving in weird and unexpected ways. The Navy had already acknowledged the videos were real, but pointedly did not say what they show.

Do these videos show alien spaceships? If you do a lazy search on Google for them, the results might give you the idea they do. A lot of electrons have been spilled claiming these show alien vehicles making impossible maneuvers, are surrounded by a glow indicating some sort of advanced tech like a “warp drive,” and are clearly beyond our own miserable human technology.

But is any of this actually true?

Yeah, no. I mean, sure, the objects in the footage are unidentified, but something being a UFO doesn’t make it, y’know, a UFO….

(20) LINNAEUS NEVER HEARD OF THESE. Maybe you want to know, maybe you don’t, but you’re about to find out! “The 7 Strangest Real-Life Species Named After Star Trek Characters” courtesy of StarTrek.com.

Ever since Gene Roddenberry’s seminal sci-fi series blasted off in 1969, scientists across Earth have been naming newly-discovered species after the franchise’s characters and cast. Which animals share names with Star Trek’s most beloved and why? We’ve energized the etymology behind seven real-life Star Trek species into one handy databank below.

First on the list:

Ledella spocki (named after Mr. Spock)

At first, naming a mussel after Leonard Nimoy’s Science Officer may seem highly illogical. However, when tasked to title a newly-discovered mollusk in 2014, Spanish researchers led by Dr. Diniz Viegas opted to pay homage to Spock. The reason? They noted the shape of the mussel’s valves resembled the pointed ears of Star Trek’s most famous human-Vulcan hybrid.

(21) OPINIONS — EVERYBODY’S GOT ONE. The BBC’s Nicholas Barber earns his check this week arguing“Why The Empire Strikes Back is overrated”.

…This might come across as a contrarian hot take, but it seems obvious to me that the best film in the Star Wars series is, in fact, Star Wars. (I know we’re supposed to call it ‘A New Hope’ these days, but it was called Star Wars when it came out in 1977, so that’s good enough for me.) What’s more, it seems obvious that The Empire Strikes Back is the source of all the franchise’s problems. Whatever issues we geeks grumble about when we’re discussing the numerous prequels and sequels, they can all be traced back to 1980.

…My grievance with The Empire Strikes Back isn’t that it sticks to the winning formula established by Star Wars: that’s what most sequels do, after all. My grievance is that it also betrays Star Wars, trashing so much of the good work that was done three years earlier. My un-Jedi-like anger bubbles up even before the first scene – at the beginning of the ‘opening crawl’ of introductory text, to be precise. “It is a dark time for the Rebellion,” says this prose preamble. “Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy.”

Haaaaang on a minute. “Although the Death Star has been destroyed”? “Although”? The sole aim of the heroes and heroines in Star Wars was to destroy the Death Star, a humungous planet-pulverising spaceship of crucial strategic importance to the Empire. One of their big cheeses announced that “fear of this battle station” would keep every dissenter in line. Another hailed it as “the ultimate power in the universe”. But now the Rebels’ demolishing of the ultimate power in the universe is waved aside with an “although”? That, frankly, is not on. And it’s just the first of many instances when The Empire Strikes Back asks us to pretend that Star Wars didn’t happen….

(22) LITTERBUGS. “High microplastic concentration found on ocean floor”.

Scientists have identified the highest levels of microplastics ever recorded on the seafloor.

The contamination was found in sediments pulled from the bottom of the Mediterranean, near Italy.

The analysis, led by the University of Manchester, found up to 1.9 million plastic pieces per square metre.

These items likely included fibres from clothing and other synthetic textiles, and tiny fragments from larger objects that had broken down over time.

The researchers’ investigations lead them to believe that microplastics (smaller than 1mm) are being concentrated in specific locations on the ocean floor by powerful bottom currents.

“These currents build what are called drift deposits; think of underwater sand dunes,” explained Dr Ian Kane, who fronted the international team.

“They can be tens of kilometres long and hundreds of metres high. They are among the largest sediment accumulations on Earth. They’re made predominantly of very fine silt, so it’s intuitive to expect microplastics will be found within them,” he told BBC News.

(23) IT’S SAD TO BE ALL ALONE IN THE WORLD. Or so I remember someone telling Mary Tyler Moore in Thoroughly Modern Millie. “Animals in zoos ‘lonely’ without visitors”.

A number of zoos around the world are reporting that their animals are becoming “lonely” without visitors.

Zoos have had to close to members of the public due to Covid-19.

At Phoenix Zoo, keepers have lunch dates with elephants and orangutans, and one sociable bird needs frequent visits. Primates have gone looking for missing visitors.

Dublin Zoo said animals were also “wondering what’s happened to everyone”.

Director Leo Oosterweghel said the animals look at him in surprise.

“They come up and have a good look. They are used to visitors,” he told the Irish Times.

…Without visitors, some animals lack stimulation, Paul Rose, lecturer in animal behaviour at the University of Exeter, told the BBC.

“Some individuals, such as primates and parrots get a lot of enrichment from viewing and engaging with visitors. It is beneficial to the animal’s wellbeing and quality of life. If this stimulation is not there, then the animals are lacking the enrichment,” he said.

It’s not just the mammals: “Garden eels ‘forgetting about humans’ need people to video-chat”.

Keepers at Toyko’s Sumida Aquarium, which has been closed since 1 March due to the coronavirus pandemic, are starting to worry about their garden eels.

The sensitive little creatures had become used to seeing hundreds of faces peering into their tanks.

Now the aquarium is deserted they’ve started to dive into the sand whenever their keepers walk past.

This makes it hard to check they’re healthy.

The aquarium says the eels are “forgetting about humans” and is making what it calls an “emergency plea”.

“Could you show your face to our garden eels from your home?”

Yes, they’re asking people to call in for a sub-aqua video chat and remind the eels that humans are friendly.

(24) COMIC STALK. Marvel Entertainment announced today the launch of a brand-new digital series, Marvel Presents: The World’s Greatest Book Club with Paul Scheer, a six-episode weekly series celebrating your favorite comics and the community around them. This fun, light-hearted series is hosted by actor and comedian Paul Scheer, who will be joined by celebrity guests including Damon Lindelof, Gillian Jacobs, W. Kamau Bell, Phil Lord, Yassir Lester, and Jason Mantzoukas. The series is produced in partnership with Supper Club with Paul Scheer, Jason Sterman, Brian McGinn, and David Gelb as executive producers.

For fans, comic shops have and always will be the heart of the comic book community; a place for new and longtime fans to come together and share their passion, fandom, and appreciation for the artform while learning about something new. As a lifelong lover of Marvel comics, Scheer will look to capture some of that comic shop experience by diving into the personal origin stories with comics and beyond with each guest in the series. Scheer will be joined by Marvel New Media Head of Content Stephen Wacker to provide an inside look into some of Marvel’s most-read classics and unlock forgotten treasures from the Marvel vault.

In the first installment, Scheer and special guest Damon Lindelof and Marvel’s Stephen Wacker take an inside look into some of Marvel’s most-read classics and forgotten treasures, discussing Ultimate Wolverine Vs. Hulk (2005) #1, New Mutants (1983) #1, and The New Mutants Marvel Graphic Novel (1982).

[Thanks to John King Tarpinian, David Doering, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Michael Toman, Mike Kennedy, N., and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Akwaeke Emezi Wins
2019 Otherwise Award

The winner of the 2019 Otherwise Award is Freshwater, by Akwaeke Emezi (Grove Press 2018).

The Otherwise Award (formerly known as the Tiptree Award) celebrates science fiction, fantasy, and other forms of speculative narrative that expand and explore the understanding of gender. The jury that selects the Award’s winner and the Honor List is encouraged to take an expansive view of “science fiction and fantasy” and to seek out works that have a broad, intersectional, trans-inclusive understanding of gender in the context of race, class, nationality, disability, and more.

The winner of the Otherwise Award will receive $1000 in prize money, a specially commissioned piece of original artwork, and (as always) chocolate.

About the Winner

“Akwaeke Emezi’s Freshwater is beautiful, complicated, magical, challenging, and sometimes vividly cruel,” writes juror Edmond Y. Chang. “Told from multiple, overlapping, and often conflicted perspectives, the novel tells the story of Ada, who is caught between worlds, trying to navigate family, education, migration and immigration, Catholicism and Igbo spirituality, and what it means to be a self, a person. The novel does not shy away from explorations of gender nonconformity (particularly for people of color), sexuality, toxic masculinity, race, mental illness, and trauma. There are no easy paths or answers for Ada (or the reader), and therefore the novel imagines alternative, even radical forms of identity and most importantly survival. I will continue to think about Freshwater for a long, long time, adding it to my constellation of gorgeously intense stories like Okorafor’s Who Fears Death, Hopkinson’s Brown Girl in the Ring, and Butler’s Xenogenesis trilogy.”

On a more personal note, juror Bogi Takács. writes: “Sometimes a work comes that says something you carry in yourself as intimately as flesh and bones, but you’ve never seen reflected in fiction; speculative or otherwise. For me, Freshwater by Igbo and Tamil author Akwaeke Emezi was one of those works, straining against the constraints of Western literary genres and bursting them in a luminous display of strength…. Freshwater gives me hope, room to grow into myself as a reader, and a sense of relation that emerges across continents and traditions; with all our commonalities and differences.”

The Honor List follows the jump.

Continue reading

Pixel Scroll 1/15/20 This Pixel Has Been Approved For Scrolling Before All Audiences

(1) BIG CHOICES. “The Big Idea: Kameron Hurley” at Whatever.

…When I began writing my Worldbreaker Saga back in 2012, which begins with the novel The Mirror Empire, I too was obsessed with this idea of two choices: the light and the dark. I was writing fantasy, after all! While my protagonists might be morally messy early on, I always knew I was headed for a showdown where they had two choices: good or evil. Genocidal or self-sacrificing.

But it was a false choice.

And it literally took me years to realize this.

At some level I must have understood I was setting up a false choice as I finished the second volume, Empire Ascendant, and began the grueling process of tying everything up in the third and final book, The Broken Heavens. Emotionally, I was rebelling against my own embrace of these false choices, because no matter how many times I tried to get myself to write the ending I had in mind at the beginning of the series, it just never felt… right.

(2) BASE RUMORS. CoNZealand has extended the deadline for entering the Hugo base design competition until January 31.

If you were thinking of entering the competition to design bases for the 2020 Hugo Awards and 1945 Retro Hugos, you’re in luck. The deadline for entries has been extended until 31st January 2020 (from the original deadline of 17th January).

Read more about the design contest.

Read more about the Hugo Awards.

(3) SCREAM QUIETLY. Paramount dropped a trailer for A Quiet Place II.

Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

(4) THEY HAVE ISSUES. Daily Grail spotlights fantasy history in “Hidden Jewels in ‘The Garden of Orchids’: The Esoteric Content of an Early Fantasy Magazine”.

For a long time Weird Tales (probably best known for short stories by H.P. Lovecraft, Robert. E. Howard, and later Ray Bradbury) was seen as the first fantastical magazine, publishing science fiction, weird fiction and horror. That history has been revised over the past few years. Der Orchideengarten (in English, The Garden of Orchids) was a Munich-based magazine first published in 1919, predating the better known American magazine by several years, and is now acknowledged as the first fantasy magazine (archived digitally here).

Only published until 1921 Der Orchideengarten is somewhat overshadowed by its better known, and more mainstream, Munich-based contemporaries, Jugend and Simplissicimus, yet the breadth of stories and unsettling art is worth looking at.

(5) WOLFMAN. One of the many cameos in CW’s Crisis on Infinite Earths “Part 5” was the real Marv Wolfman, who co-wrote the original Crisis on Infinite Earths mini-series which was published by DC Comics in 1985-1986. CBR.com has the dialog, from when Marv, playing a fan, stops Supergirl and The Flash to ask for their autographs.

“Wait, you know both of us?” Kara asks. “And it’s normal to see us together?” Barry adds.

“Well, normally, you’d also have Green Arrow and a Legend or two,” Wolfman explains. “Last year, even Batwoman joined in.” He points to the folder. “Would you make that out to Marv? Thank you!”

“You’re welcome,” Barry says as he scribbles. “Marv, as far as you know, how long have Supergirl and I and all the rest of us been working together on this Earth?”

“Uh, since forever!” Wolfman answers.

(6) LAST TRUMP. The LA Times’ Mark Swed reviews an opera: “King Arthur meets Trump and Superman in Long Beach “.

…Meanwhile, Long Beach Opera, as ever priding itself with radically rethinking repertory, has done a full refashioning of the first great “King Arthur” opera (there aren’t many, but Chausson’s “Le Roi Arthus” is a neglected beauty). Arthur here becomes the comic book delusional fantasy of a pudgy, narcissistic, emigrant-phobic politico requiring psychiatric treatment.

…Arthur King is a patient at Camelot O’Neil, a behavioral residence mental health unit. His sexy nurse is Gwen E. Veer. His buddy is another patient, Lance E. Lott. Doc Oswald runs the dubious joint.

Mitisek then takes apart the opera, adapting Purcell’s music to fit new circumstances and a completely new theatrical structure. His cutup rearranges, revises, reorders and reduces Purcell’s score. The occasional Dryden line is retained, but much of the sung text is new. Five acts become a single uninterrupted one under two hours.

Our schlumpy, Trumpian Arthur thinks he can save the world from aliens. He can be ridiculously pompous, Drydenesque even. He can also be sympathetically vulnerable.

(7) MAISEL MASHUP. Marvel’s Mrs. Maisel: Rachel Brosnahan Enters the Marvel Universe on The Late Late Show with James Corden.

(8) TODAY IN HISTORY.

  • January 15, 2010 — Peter Jackson’s adaptation of Alice Sebold‘s The Lovely Bones novel premiered.  It starred starring Mark Wahlberg, Rachel Weisz, Susan Sarandon, Stanley Tucci, Michael Imperioli, and Saoirse Ronan. The screenplay was by Fran Walsh, Philippa Boyens, and Peter Jackson. Although Ronan and Tucci were praised for their performances, it received mixed reviews from critics. It has a 32% rating at Rotten Tomatoes by reviewers.
  • January 15, 2008 File 770 blog makes its first post. Happy birthday to us!

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 15, 1879 Ernest  Thesiger. He’s here because of his performance as Doctor Septimus Pretorius in James Whale’s Bride of Frankenstein. He had a major role in Hitchcock’s not completed and now lost Number 13 (or Mrs. Peabody) which is even genre adjacent. He was also in The Ghoul which was an early Boris Karloff film. And he continued to show up in SFF films such as The Ghosts of Berkeley Square where he was Dr. Cruickshank of Psychical Research Society. (Died 1961.)
  • Born January 15, 1913 Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, I’m listing it anyways because I’m impressed with it — it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. He’s the Pilot Col. Floyd Graham in Rocketship X-M, Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
  • Born January 15, 1926 Maria Schell. German actress who had roles in Superman and The Martian Chronicles. I’m reasonably sure that the Village of The Damned was her only other SFF film appearance.  (Died 2005.)
  • Born January 15, 1927 Phyllis Coates, 93. Lois Lane on The Adventures of Superman series for the first season. She’s also in Superman and the Mole Men which preceded the series. And she was in Fifties horror film Teenage Frankenstein. Wiki claims she had an appearance on Lois & Clark but IMDB does not show one. 
  • Born January 15, 1928 Joanne Linville, 92. Best remembered I’d say for being the unnamed Romulnan Commander Spock gets involved with on “The Enterprise Incident”. (Vulcan’s Heart by Josepha Sherman and Susan Shwartz, calls her Liviana Charvanek.)  She also starred in the Twilight Zone‘s “The Passersby” episode, and she starred in “I Kiss Your Shadow” which was the final episode of the Bus Stop series. The episode was based on the short story by Robert Bloch who wrote the script for it. This story is in The Early Fears Collection
  • Born January 15, 1935 Robert Silverberg, 85.  I know the first thing I read by him was The Stochastic Man a very long time ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years. So what should I have read by him that I haven’t? 
  • Born January 15, 1944 Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if sometimes excessive dollop of humor. His best-known novels are his Warlock in Spite of Himself series which I’ve read some of years ago. Who here has read has Starship Troupers series? It sounds potentially interesting. (Died 2018.)
  • Born January 15, 1945 Ron Bounds, 75. One of the founders of the Baltimore Science Fiction Society in the Sixties. He co-chaired Discon 2, was a member of both the Baltimore in ’67 and Washington in ’77 bid committees.  He chaired Loscon 2.  He published the Quinine, a one-shot APA. He was President of the Great Wall of China SF, Marching & Chop Suey Society which is both a cool name and a great undertaking as well.

(10) BINTI FOR TV. Author Nnedi Okorafor will co-write the script alongside Stacy Osei-Kuffour (Watchmen) for Media Res.Shelf Awareness reports –

Hulu has given a script order for an adaptation of Nnedi Okorafor’s Hugo and Nebula award-winning Binti trilogy. The Hollywood Reporter noted that Stacy Osei-Kuffour (WatchmenPEN15, The Morning Show) will co-write the script with Okorafor. The studio is Media Res, the banner launched by former HBO drama head Michael Ellenberg, who will executive produce alongside Osei-Kuffour and Okorafor.

(11) GENERAL WITHOUT TROOPS. NPR finds it’s lonely a the top:“Commander Sworn In As First Member Of New Space Force”.

The first newly created branch of the U.S. armed forces in more than seven decades now has its first official member.

Air Force Gen. John “Jay” Raymond was sworn in Tuesday as chief of Space Operations. It’s the top post in what since late last month is the Pentagon’s seventh military branch, the United States Space Force.

…But at the moment, there are no Space Force troops to command. Most of the 16,000 officers, airmen and civilians who Pentagon officials expect to comprise the new service branch in the next few months would likely be Air Force personnel drawn from the U.S. Space Command, which is to be the Space Force’s operational component.

(12) LIVE LONG AND PROSPER. “Secrets of ‘1,000-year-old trees’ unlocked” – BBC shares the key.

Scientists have discovered the secret of how the ginkgo tree can live for more than 1,000 years.

A study found the tree makes protective chemicals that fend off diseases and drought.

And, unlike many other plants, its genes are not programmed to trigger inexorable decline when its youth is over.

The ginkgo can be found in parks and gardens across the world, but is on the brink of extinction in the wild.

“The secret is maintaining a really healthy defence system and being a species that does not have a pre-determined senescence (ageing) programme,” said Richard Dixon of the University of North Texas, Denton.

“As ginkgo trees age, they show no evidence of weakening their ability to defend themselves from stresses.”

(13) RIGHT TO THE POINT. James Davis Nicoll tells Tor.com readers about “Five Sword-Wielding Women in SFF”.

Steel by Carrie Vaughn

In Carrie Vaughn’s Steel, fourth-rate fencer Jill Archer tumbles off her boat during a family vacation near Nassau. She hits the water in the 21st century; she is pulled out during the Golden Age of Piracy. Luckily for the teen, Captain Marjory Cooper offers Jill the choice between signing on as a pirate or remaining a prisoner. (Less savoury fates are not on offer.) She chooses piracy, a life that involves a lot more deck swabbing than Basil Rathbone movies would suggest. Jill’s astounding temporal displacement makes her of considerable interest to scallywag pirate Edmund Blane. Jill will need better than fourth-place sword skills to survive Blane and find her way home.

(14) TWO RESNICK TRIBUTES. One of them was a young writer longer ago than the other, but they both admire how Mike Resnick treated them then.

George R.R. Martin: “RIP Mike”.

I don’t recall when I first met Mike, but it was a long, long time ago, back in the 1970s when both of us were still living in Chicago.  I was a young writer and he was a somewhat older, somewhat more established writer.  There were a lot of young writers in the Chicago area in those days, along with three more seasoned pros, Gene Wolfe, Algis Budrys, and Mike.   What impressed me at the time… and still impresses me, all these years later… was how willing all three of them were to offer their advice, encouragements, and help to aspiring neo-pros like me.   Each of them in his own way epitomized what this genre and this community were all about back then.  Paying forward, in Heinlein’s phrase.

And no one paid it forward more than Mike Resnick.

Michelle Sagara West: “Mike Resnick and me, or Laura Resnick is my sister”.

…Michelle is shy.

People who had met me in real life found this hilar­ious. I think one of them was certain I was play-acting. I wasn’t, of course. I was terri­fied. I could stand outside a door that lead to a publisher party and hyper­ven­ti­late.

Resnick?—?I called him Resnick, not Mike; I don’t remember why?—?under­stood that fear. He talked about being nine­teen and terri­fied at his first conven­tion. And I knew that if I went to a conven­tion that Mike Resnick was at, I’d know at least one person. I’d have one friend.

(15) TO DYE FOR. “Oreo Is Releasing Pink Easter Egg Cookies This Year And They’re Honestly Adorable” – that’s Delish’s opinion, anyway.

From the looks of it, these are actually Golden Oreos that have been dyed pink and made to look like decorated Easter eggs. As @ThreeSnackateers pointed out, these aren’t any fancy flavor, they’re just festive and fun.

And maybe you can wash them down with one of these — “Jelly Belly Is Releasing Seltzer And It Comes In 8 Sweet Flavors”.

Just because the name suggests this will be a super sugary drink (based off the beloved jelly beans, of course) doesn’t mean that’s true. These seltzers are going to have zero calories and zero sweeteners and will only use two ingredients.

The cans will begin to stock shelves next week, and the drink comes in eight of the iconic Jelly Belly jelly bean flavors. You can take your pick between French vanilla, lemon lime, orange sherbet, piña colada, pink grapefruit, tangerine, very cherry, or watermelon. Each flavor is made only with carbonated water and natural flavors, so you can have a taste of the candy jar with zero of the cals.

(16) HOPING TO LAUNCH. When you’re rich enough, you can get AV Club to treat your singles ad as news: “Rich man taking applications for moon wife”.

Yusaku Maezawa is a Japanese billionaire and the founder of online fashion retailer Zozotown—according to Forbes, as of today, he’s worth $2 billion…

Let me be perfectly clear: the Bachelor references are there for fun, and technically, Maezawa is looking for a female “life partner,” not a moon wife, but other than that, nothing else in this story is a joke. These are facts: Yusaku Maezawa, a billionaire, is taking applications from women (aged 20 and up) who want to be his life partner. One of the things that life partner will do with Maezawa is go to the moon, and that’s not just a minor perk or something, it is his major selling point.

(17) JEOPARDY! Andrew Porter was tuned in when a Jeopardy! contestant missed another chance:

Answer: This Netflix show is a chilling reworking of Shirley Jackson;s gothic horror tale.

Wrong question: “What is ‘The Lottery.'”

Correct question: What is ‘The Haunting of Hill House’?”

And somebody else took a header over this —

Answer: One of England’s most beloved tunes is the one by Hubert Parry names for this faraway Mideast city.

Bizarrely wrong question: “What is Van Diemon’s Land?”

(18) VIDEO OF THE DAY. In the sci-fi short film ‘Regulation'” on YouTube, Ryan Patch describes a dystopian future where children are forced to wear “happy patches” to fight depression.

[Thanks to Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 10/9/19 Pixel, Pixel, Scroll Me Your Answer, Do

(1) WAPO’S NEW SFF COLUMN. Silvia Moreno-Garcia and Lavie Tidhar have launched a new column on SFF in the Washington Post: “The weird, the wacky, the underappreciated: A new look at science fiction and fantasy”.

Even 10 years ago, the fields of science fiction and fantasy were still overwhelmingly American and white. And, if you grew up speaking Spanish in Mexico City, (as I, Silvia, did), or Hebrew on a small kibbutz in Israel (as I, Lavie, did), it meant that the world of science fiction, filtered through translation, was as remote and alien as the other side of the moon. The very idea we could be writing novels like these seemed, well, fantastical.

Yet, somehow, here we are. The past decade has seen the science-fiction world change as more international voices enthusiastically jumped into the fray. Now, wonderful writers including Malaysian Zen Cho can write smart, funny fantasies such as “Sorcerer to the Crown”; after years of struggle, Nigerian Tade Thompson’s ambitious Africa-set novel, “Rosewater,” was published to wide acclaim and recently won the prestigious Arthur C. Clarke Award; and Chinese author Liu Cixin’s “The Three-Body Problem,” translated by Ken Liu, has become a bestseller and even has a recommendation from former president Barack Obama.

(2) LISTEN TO HURLEY. The title of Kameron’s Hurley’s latest podcast says it all: “GET TO WORK HURLEY: Episode 13. In this episode we discuss how to take notes, long-term career planning, and why it is books seem to get more difficult to write the more of them you write. I’ll also be tackling some listener questions, from where to find more gooey biopunk to what I think of writers’ unions”.

(3) FIRESIDE CANCELLATIONS. The October 8 issue of Jason Sanford’s Genre Grapevine reported —

Fireside Press contacted a number of its authors and cancelled their pending book titles. The messages received by those authors said that due to unexpected changes at Fireside, the publisher had to re-evaluate their plans for the upcoming year. As a result Fireside was cancelling the contracts for multiple titles which had been accepted and contracted but not yet scheduled for publication. Fireside reverted the rights for these books to their authors, although no kill fee was paid because that wasn’t in the contract.

Pablo Defendini, the Publisher of Fireside, responded to the report with a statement: “About our Acquisitions”.

On Monday morning, I sent out messages reverting the rights on five unpublished and unannounced manuscripts that we acquired last year during our novel and novella acquisitions period. In the last day or so there’s been lots of rumor and speculation, so I wanted to explain what’s going on directly.

We’ve had some unexpected changes on the editorial front at Fireside this year. Any time there’s a change like that, it affects workflow, capacity, and resourcing throughout, especially at very small operations like ours. Over the past few months, as I’ve reworked our editorial operations to account for working with more people than ever before, it’s become clear to me that the amount of work that I’d previously thought Fireside could take on was unsustainable. Trying to take on too much work would have made living up to our obligations to our authors extremely challenging. It would have been bad both for Fireside and for these authors and their work. So rather than publishIng these books badly, I made the decision to cut down on our upcoming list.

This sucks no matter how you slice it, but it would have sucked more down the line. As I told each author, this is not a reflection on their work. There’s a reason we were attracted to these manuscripts in the first place — they’re great stories, and I have no doubt that they will find good homes. But I’d much rather revert the rights to these books back to their authors, than do a bad job publishing their work, or worse: sit on the rights until the contracts expired….

Meg Elison today said she is one of the authors whose contract was cancelled, and commented at length about how that was handled. Thread starts here.

(4) LEWIS QUEST. Matt Mikalatos, while “Introducing the Great C.S. Lewis Reread” at Tor.com, raises the suspicion that the series will be of great interest to all except to those who actually like Lewis’s writing.

…Time passed, and over the years I’ve grown and changed, of course; recently my 16-year-old picked up my favorite Lewis book, Till We Have Faces. It’s a beautiful novel about loss and faith and confronting the gods. My daughter told me it was good, but added, “He didn’t like women much, did he?”

Okay, yes, that’s a fair response. And there are certainly moments of deeply troubling racism in Lewis’s books, too. And for those who aren’t from a Christian background (and maybe some who are), the central Christian conceits can be off-putting (even Tolkien, who was a key player in Lewis’s conversion, often disliked Lewis’s sermonizing).

So why are we embarking on a massive re-read of Lewis’s books?

Well, love them or hate them, the Narnia books played a key role in bringing children’s literature back into the worlds of the fantastic. There was a strong emphasis on realism in Lewis’s days, and too much imagination was seen as unhealthy for kids (though Baum, Barrie, and Nesbit might still be on the nursery shelf). The popularity of Narnia opened the door to more fantasy literature for children, and The Chronicles of Narnia still get placed on “Best Of” lists for children today….

(5) EMULATING WHO. Watch the full recreation of the missing Doctor Who 1965 episode Mission to the Unknown by the University of Central Lancashire. Find out more and watch the making-of here.

(6) A HOGWARTS TENURE APPLICATION. McSweeney’s Alyse Knorr reveals “Professor Minerva McGonagall’s Letter to the Tenure Committee”.

…When I first applied for this position, did I know that my expected job duties would include dueling genocidal dark lords or battling Death Eaters in the Astronomy Tower? No. Did I do them anyway, even after being denied a cost of living adjustment to my salary for ten years in a row while also dealing with insidiously small-but-steady cuts to my annual conference travel budget? Yes. Do these accomplishments count as service to the student body, to the institution, or to humanity itself? Hard to say.

Not even saving the institution from an apocalyptic calamity orchestrated by a noseless neo-Nazi, however, can compare to the daily, ongoing, and, frankly, deeply disheartening struggle to protect our students from themselves….

(7) TODAY IN HISTORY.

  • October 9, 2010 Monsterwolf debuted on Syfy. It stars Leonor Varela, Robert Picardo, and Marc Macaulay. It’s a werewolf movie and Robert Picardo appeared in The Howling as a werewolf.
  • October 9, 2012 Werewolf: The Beast Among Us was released on DVD. Starring Ed Quinn and Guy Wilson, it rated 37% at Rotten Tomatoes. Yes, a lot of werewolf films get released round Halloween. 
  • October 9, 2015 Pan was released by Warner Bros. Starring Hugh Jackman as Blackbeard and Levi Miller as Pan, it bombed at the box office. Rotten Tomatoes gives it a 27% approval rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 9, 1900 Harry Bates. His 1940 short story “Farewell to the Master” was the basis of The Day the Earth Stood Still just over a decade later. And he edited Astounding Science Fiction from its inception in January 1930 until March 1933 when Clayton went bankrupt and the magazine was sold to Street and Smith. Other than The Day the Earth Stood Still, neither iBooks or Kindle has much by him. (Died 1981.)
  • Born October 9, 1936 Brian Blessed, 83. Lots of genre appearances including Space 1999, Blake’s 7, Doctor Who, Hamlet (as the a Ghost of Hamlet’s father), MacGyver: Lost Treasure of Atlantis, Johnny and the Dead and Star Wars: Episode I – The Phantom Menace.
  • Born October 9, 1953 Tony Shalhoub, 66. Two great genre roles, the first being Jack Jeebs in Men In Black, the second being more I think more nuanced one, Fred Kwan in Galaxy Quest. Actually, he’s done three great genre roles as he voiced Master Splinter in Teenage Mutant Ninja Turtles and Teenage Mutant Ninja Turtles: Out of the Shadows.
  • Born October 9, 1954 Scott Bakula, 65. Lead in two great SF series, Sam Beckett on Quantum Leap and Captain Jonathan Archer on Enterprise. He also starred as Nolan Wood who discovers the alien conspiracy in the remake of The Invaders.
  • Born October 9, 1956 Robert Reed, 63. Extremely prolific short story writer with at least two hundred tales so far. And a number of novels as well, such as the superb Marrow series. 
  • Born October 9, 1958 Michael Paré, 61. I’ll start off with his being in Streets of Fire but he’s also been in The Philadelphia Expirement, Lunarcop, both BloodRayne films and Moon 44.
  • Born October 9, 1961 Matt Wagner, 58. The Grendel Tales and Batman / Grendel Are very good as is Grendel vs. The Shadow stories he did a few years back. His run on Madame Xanadu was amazing too.
  • Born October 9, 1964 Jacqueline Carey, 55. Author of the long-running mildly BDSM centered Kushiel’s Legacy Universe which also includes the Moirin Trilogy. (Multiple Green Man reviewers used this phraseology in their approving reviews.) LOCUS in their December 2002 issue did an interview with her called “Jacqueline Carey: Existential BDSM”.  She did several stand-alone novels including the intriguingly entitled Miranda and Caliban.
  • Born October 9, 1964 Guillermo del Toro, 55. Best films? Hellboy, Hellboy II and Pan’s Labyrinth. Worst films? The Hobbit films. Hellboy II would make it solely for the Goblin’s Market sequence. 
  • Born October 9, 1979 Brandon Routh, 40. The lead in Superman Returns, a film that got a very positive 75% rating on Rotten Tomatoes. Surprisingly it didn’t make the final ballot for the Hugo Best Dramatic Presentation, Long Form when It was eligible. He’s currently Ray Palmer, The Atom, in the Arrowverse.

(9) COMICS SECTION.

They’re always the last to know.

(10) EIGHTY CANDLES. Let the BBC tell you about this survivor: “Marvel Comics at 80: From bankruptcy threat to billions at the box office”.

…But that universe could have been lost forever when Marvel hit financial problems in the 1990s.

“The comics industry had been massively overvalued for years,” says [Professor Chris Murray].

“Comic collectors had been buying multiple copies of issues, believing that they were going to be valuable in 10-20 years time so they were investing.”

(11) TAKING THE TUBE. Steve Carper has a fascinating profile of “Gyro Gearloose’s Little Helper” at Black Gate.

…The tiny figure, like those singers in the terrific documentary 20 Feet From Stardom, was a major talent in its own right. Like so much else in Disney comic history, the name was applied retroactively, because fans and followers needed a tag to put on the character. They had little to go on. At first, Barks seldom had Gyro even directly notice his shadow, much less address it. But even Barks occasionally nodded. There is an instance of Gyro calling it “Helper.” And Helper morphed into Little Helper, which is the best term to search on. (It’s Little Bulb in the Duck Tales cartoons.) Helper is canonical, because helper is how Barks thought of his creation, as quoted in Tom Andrae, Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity.

(12) THE CREEPIEST. Food Network calls these the “15 Limited-Edition Halloween Candies to Hunt for This Year”. For example:

Zombie Skittles are the definition of trick or treat. This new bag of candy looks like regular ol’ Skittles — but beware! Some of the candy pieces are sweet and fruity, while others taste like rotten eggs. So, brace yourself before you grab a handful. There’s a good chance you’ll get a mouthful of YUCK.

(13) HOLD THE PHONE. A prize for device power: “Nobel chemistry prize: Lithium-ion battery scientists honoured”.

Three scientists have been awarded the 2019 Nobel Prize in Chemistry for the development of lithium-ion batteries.

John B Goodenough, M Stanley Whittingham and Akira Yoshino share the prize for their work on these rechargeable devices, which are used for portable electronics.

At the age of 97, Prof Goodenough is the oldest ever Nobel laureate.

Professor of chemistry Olof Ramström said lithium-ion batteries had “enabled the mobile world”.

The trio will share the prize money of nine million kronor (£738,000).

The lithium-ion battery is a lightweight, rechargeable and powerful battery that is used in everything from mobile phones to laptops to electric cars.

(14) DON’T FORGET TO CENSOR YOURSELF. Looper is there when “South Park creators ‘apologize’ to the Chinese government after being erased from the internet”. Once you learn how to fake sincerity, you’ve got it made.

…A recent episode of the adult-oriented animated series entitled “Band in China” was, well, banned in China after the country’s government deemed it inappropriate (via The Hollywood Reporter). Every last clip of the episode, which critiques the ways in which Hollywood tends to adjust its content to avoid censorship from the Chinese government and features character Randy Marsh (Trey Parker) getting thrown in jail after he’s caught selling drugs in China, has been scrubbed from China’s intensely monitored internet — including from streaming services, fan pages dedicated to South Park, and social media platforms. All instances of discussion about the “Band in China” episode, official or otherwise, have also been removed from the Chinese internet.

(15) AT THE CORE. Atlas Obscura reveals that “Russia’s Retro Lenin Museum Still Runs on Decades-Old Apple II Computers”.

The versatility of the Apple II made it one of the most widespread personal computers of the 1970s and 80s. In schools, labs, and even command centers, these classic American computers kept a foothold even after the advent of more advanced machines. But of all the places you’d expect to find the computer that popularized The Oregon Trail, the mournful museum of a Communist leader is one of the most unlikely.

Lenin Museum in Gorki Leninskiye, located 20 miles south of Moscow, doesn’t look hi-tech even by 1980s standards. But among black marble interiors, gilded display cases, and Soviet historical documents, there is an elaborate audiovisual show about the last years of Vladimir Lenin’s life. Opened in 1987, it’s still powered by vintage Apple technology….

(16) BRADBURY PROFILE. Thanks to YouTube, it’s not too late to tune into Ray Bradbury – Story of a Writer, a 25-minute documentary from 1963 by David L. Wolper.

(17) FRIGHT NIGHT. Remember the week horror stars Bela Lugosi, Lon Chaney Jr. and Vampira were on the Red Skelton Show? Me neither, but YouTube does. (And it somehow seems appropriate that Geritol was the sponsor.) Dial B for Brush starts at about the 7:30 mark.

(18) DRAWN THAT WAY. In “The Real Fake Cameras of Toy Story 4” on YouTube, the Nerdwriter looks at how Toy Story 4 cinematographer Patrick Lim used analog cinematography techniques, including split diopter shots and anamorphic lenses, to improve the film.

[Thanks to Andy Leighton, Mlex, Lise Andreasen, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Olav Rokne, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Broken Hearts and Hugos

Ulrika O’Brien launches BEAM 14 with an editorial that might have gone unnoticed outside the circle of FAAn Award voters if she hadn’t (1) given John Scalzi the KTF treatment and (2) Scalzi hadn’t tweeted a link to the zine to his 165,000 Twitter followers.

…But once a year, like clockwork, the Fan Hugo short list comes out and somehow I can never quite avoid seeing it. When I do see it, I increasingly find a bunch of total strangers who’ve not visibly participated in fandom, and I see red all over again. I will inevitably be told that the failing is in me, that were I to educate myself, I would discover their merit. As often as not, whatever merit is involved, what I actually discover are more neo-pros doing nothing remotely to do with fandom as we know it, or if they do, only in pursuit of making money off us. So thanks, Scalzi. Fuck you. Wait, what now? Why am I still on about John Scalzi’s Fan Writer Hugo, eleven years after the parade? Because it was John Scalzi who finally broke the Fan Hugos, that’s why. And he didn’t do the rest of the Hugos any favors, either, as it turns out….

John Scalzi’s mild answer starts here.

Responses include Camestros Felapton’s “I Guess I’m Talking About John Scalzi Today”.

Taking two steps back and looking at the bigger picture and the actual societal changes occuring in the relevant time period, what do we see? Nothing mysterious and nothing secretly controlled by John Scalzi but rather the increasing and inevitable online nature of fandom, along with generational change. The period of 2000 to 2020, was always going to be one in which fandom would have the kind of generational change that fandom is always having because people get older and people from a younger generation become more influential. To use tired generational-terms, a shift from Baby Boomers to Gen-X with (now) more Millennials (and younger).

The accompanying shift was technological with blogs, blogging networks (particularly Live Journal at one point), social media platforms and commerical pop-culture media sites changing where fan-related discourse was happening. This was a cross-generational change (e.g. GRRM’s Live Journal or how influential Mike Glyer’s File770 fanzine-turned-blog became during the Puppy Debarkle).

Doc Rocket’s tweet is especially interesting for its “no one, really” conclusion —

Alexandra Erin’s thread starts here.

Michi Trota observed:

And Kameron Hurley doesn’t want to be left out –

In fact, seeing people say they’re sorry that Ulrika didn’t cuss them out, too, reminds me of the Watergate days when everyone wanted to be added to Nixon’s enemies list!

Pixel Scroll 5/4/19 Pixellation Of The Scroll Nation

(1) MAY THE FOURTH BE WITH YOU. John Stratman posted a 16-bit “Super Nintendo inspired version of the trailer for Star Wars Episode 9.” SYFY Wire explains

His awesome contribution to May The 4th is a sly homage to old-school 16-bit video games of yore applied to the official trailer for Star Wars: The Rise Of Skywalker.  Stratman is notorious for his slick remastered trailers in 8-bit and 16-bit style,

(2) HE DIDN’T MEAN IT. WIRED’s “Geek’s Guide to the Galaxy” podcast hastens to reassure us that “Ian McEwan Doesn’t Hate Science Fiction”. In case you care.

In a recent interview British novelist Ian McEwan seemed to suggest that science fiction is only about “traveling at 10 times the speed of light in anti-gravity boots,” in contrast to his own novel Machines Like Me, which he says explores the “human dilemmas” involved with artificial intelligence. Science fiction fans bristled, questioning whether McEwan had ever actually read any science fiction, but McEwan now insists that he’s been misunderstood.

“I was a little taken aback at how some rather offhand remarks of mine should cause such a storm,” McEwan says in Episode 359 of the Geek’s Guide to the Galaxy podcast. “And actually I’ve read a fair amount of science fiction over a lifetime.” …

“I actually put a nod towards Blade Runner in Adam’s final speeches, after he’s been attacked by Charlie,” McEwan says. “There’s a very self-conscious nod to that famous farewell in the rain.”

And while science fiction works like Blade Runner are a definite influence on Machines Like Me, McEwan notes that there are many other influences as well. “I’d be very happy for my novel to be called science fiction, but it’s also a counterfactual novel, it’s also a historical novel, it’s also a moral dilemma novel, in a well-established traditional form within the literary novel,” he says. “I’m very happy if they want to call my novel science fiction, even honored. But it’s much else, that’s all I’m trying to say.”

(3) MARVEL CONTENT FOR LIBRARIES AND SCHOOLS. Rakuten OverDrive now offers Marvel Digital Graphic Novels to public libraries and schools.

Marvel Entertainment has teamed up with Rakuten OverDrive, the leading digital reading platform for libraries and schools, to offer 600 graphic novel and comic collection titles to public libraries and schools worldwide. Library patrons and students of participating public libraries and schools can borrow digital versions of renowned titles including Avengers, Black Panther, Amazing Spider-Man, X-Men and more. Visit overdrive.com to find a library or school near you.

Marvel Entertainment joins OverDrive’s catalog of millions of ebooks and audiobooks including over 31,000 graphic novels and comics from prominent publishers such as DC Comics, Image Comics, IDW, Valiant, Izneo and Titan Comics. Libraries and schools can select from this catalog to build their individual digital collections.

…Readers can embark on the Marvel adventure in a variety of ways. Public library patrons may download Libby or choose to read on a computer browser. Libby provides an easy, user-friendly experience and is compatible with all major devices, including iPhone®, iPad®, Android™, Windows® and “send to Kindle®” [US only]. Students of participating schools can use Sora, the student reading app, or enjoy via computer browser. Through the Sora app, students have easy access to both the school’s and local public library’s digital collections anytime, anywhere. In both cases, the title will automatically expire at the end of the lending period and there are no late fees.

Daniel Dern notes/adds:

1, Good news, free!

2, Takes a little patience. It looks like each library has a finite # of concurrent per-item licenses, so you may have to search other library systems, and hope that your credentials will let you borrow from it.

3, The price is right.

4, Like all digital comic reading, works best on a big-enough display, either your desktop, or an iPad Pro 12.9. Probably good ’nuff on slightly smaller tablets, but (I suspect) often frustrating in terms of any tiny print, etc.

(4) CINEMATOGRAPHY AS GENRE. NPR’s Mark Jenkins reviews “‘Shadow’: An Epic Tale Of Feudal China That Gradually Shades Into Fantasy”.

…While Shadow is loosely based on historical events, the story’s mythic nature is announced not by the movie’s story but by its look. The ravishing costumes and sets are all in black, white, and watery shades of gray, as if they’d been conjured from Chinese calligraphy and ink paintings.

One of Zhang’s visual signatures is a billowing sheet of brightly colored cloth, a device that dates to 1990’s Ju Dou, set in a fabric dying plant. The closest equivalents in Shadow are seen in the king’s receiving chamber, outfitted with more than a dozen large banners. They’re emblazoned with black-on-white script, its loose penmanship as traditional as Lao Zai’s spare score, composed for venerable Chinese instruments.

In the film’s first half, the only bits of color are the characters’ pinkish skin and an occasional sprig of gray-green vegetation. Later, of course, there will be blood.

Shadow doesn’t rush to battle, unlike such earlier Zhang martial-arts spectaculars as Hero and House of Flying Daggers. The movie spends about an hour sketching the backstory and observing the machinations that will lead to war….

(5) CUMBERBATCH LENDS VOICE TO TOLKIEN PROJECT. The Express reports: “Benedict Cumberbatch waives £7m fee for charity film”.

The star stepped in at no cost – and at short notice – to narrate the film about the death of the great-grandson of Hobbit creator JRR Tolkien from the devastating disease. Cumberbatch, who starred in the film version of the classic fantasy novel, commands up to £7.5million a film. But after hearing from Royd Tolkien, whose brother Mike died aged 39, he waived his fee in a secret deal.

The film portrays Mike’s battle with the neurodegenerative disease and the bucket list he left for actor and film maker Royd, 49, which included a canyon swing tied to a chair.

“Benedict made the most noble, private and breathtaking tribute to my brother,” Royd said. “On his deathbed [Mike] told me he’d left a secret list with 50 challenges I had to complete around the world.

“We made a film of my journey and the detailed narration is a key part.

“The budget was finished and I was devastated. It needed a big name, but I felt Mike’s spirit and just rolled the dice.

“Benedict is my favourite actor so I simply emailed to ask a colossal and free favour.

“I was on urgent deadline and realistically expected nothing in return.”

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 4, 1858 E. Nesbit. She wrote or collaborated on more than 60 books, forty of which were children’s literature, at least some of which are fantasy or supernatural horror. I strongly recommend The Complete Book Of Dragons, the 1975 edition which collection previously unpublished material, and Man and Maid which collects most of her short story horror. (Died 1924.)
  • Born May 4, 1940 Robin Cook, 79. Well he is genre, isn’t he? Or at least genre adjacent? I’ve never actually read any of his best selling books so one of y’all that has will need tell to me how truly genre friendly he is. 
  • Born May 4, 1943 Erwin Strauss, 76. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, the Connection, that ran for at least thirty years. Tell me about him. 
  • Born May 4, 1949 Kim Mohan, 70. Editor and author of the Cyborg Command RPG based on an outline by Gary Gygax. He was Editor of TSR’s The Dragon magazine for several years which led to his becoming editor of Amazing Stories from 1991 to 2000. 
  • Born May 4, 1974 James Bacon, 45. Editor along with more folk than I can possibly mention here of the Hugo-winning Journey Planet magazine from 2009 to the present. Also editor of Exhibition Hall, a Steampunk Zine he edited with Christopher J. Garcia and Ariane Wolfe for some years. 
  • Born May 4, 1977 Gail Carriger, 43. Ahhhh, lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moirai Cook does a delightful job of the audiobooks by the way. I also the two novellas in her Supernatural Society series as well. 
  • Born May 4, 1995 Shameik Moore, 24. He voices Miles Morales, the teen-ager who would become Spider-Man in Spider-Man: Into the Spider-Verse which I review here.  It’s by far the best film I’ve seen this year and I urge you to go see it now. 

(7) COMICS SECTION.

  • Off the Mark remembers that Star Wars speed record a little differently.

(8) ISS BECOMES A GAS STATION. “Nasa instrument heads to space station to map CO2” – BBC has the story.

Nasa has sent up an instrument to the International Space Station (ISS) to help track carbon dioxide on Earth.

OCO-3, as the observer is called, was launched on a Falcon rocket from Florida in the early hours of Saturday.

The instrument is made from the spare components left over after the assembly of a satellite, OCO-2, which was put in orbit to do the same job in 2014.

(9) LIGO. Apparently there’s an app for that — “Gravitational waves hunt now in overdrive”.

…The alert on Mansi Kasliwal’s phone went off at two in the morning. Shrugging off the sleep, she squinted at the message. It was from LIGO, the Nobel Prize-winning scientific collaboration that operates gravitational wave detectors.

A far-off violent event had sent ripples in space-time through the Universe, to be picked up by LIGO’s sensor in Louisiana, and it looked from the data like there should be visible “fireworks”, too.

Thanks to the smartphone revolution, she could react without leaving her bed. A few taps on the screen, and the Zwicky Transient Facility, a robotic telescope on Mount Palomar, was reprogrammed to start the hunt.

LIGO, the Laser Interferometer Gravitational-Wave Observatory, and its European counterpart, VIRGO, have just completed upgrades that mean they should be spotting space-distorting events several times each week – collisions of black holes, of neutron stars, and even more exotic phenomena.

And since they started running again at the start of April, expectations are holding up: two in the second week; three last week.

(10) MONOLITH. “How Avengers put Disney at the top of the charts” – and Chip Hitchcock wants to know, “Will Endgame take the title for all-time inflation-adjusted gross from Gone With the Wind?”

Avengers: Endgame broke all box office records last weekend and has confirmed Disney’s dominance in global cinema.

More than 90% of the value of all tickets sold in UK cinemas last weekend was for Avengers: Endgame.

Within five days it had become the fastest film to break the $1bn sales barrier worldwide.

(11) EVERMORE. It may not be quite as hot a ticket as Avengers:Endgame, but the Utah theme park is making sales says David Doering: “While some suggested the park opening would be delayed, they are now selling tix for opening day on Saturday, May 25th. The show, called World of Mythos, sells regularly for $29/adult, $16/child )<14).on Saturdays,  $19 and $9 on Thursdays and Fridays. Mondays are discount day with $14/adults, $9 for kids.”

(12) SLOW HAND. Did he hurt the hand he painted with? Just which hand was that anyway? Analysts speculate that “Leonardo’s ‘claw hand’ stopped him painting”.

Leonardo da Vinci could have experienced nerve damage in a fall, impeding his ability to paint in later life, Italian doctors suggest.

They diagnosed ulnar palsy, or “claw hand”, by analysing the depiction of his right hand in two artworks.

It had been suggested that Leonardo’s hand impairment was caused by a stroke.

But in the Journal of the Royal Society of Medicine, the doctors suggest it was nerve damage that meant he could no longer hold a palette and brush.

Leonardo da Vinci, who lived from 1452-1519, was an artist and inventor whose talents included architecture, anatomy, engineering and sculpture, as well as painting.

But art historians have debated which hand he used to draw and paint with.

Analysis of his drawing shows shading sloping from the upper left to lower right, suggesting left-handedness. But all historical biographical documents suggest Leonardo used his right hand when he was creating other kinds of works.

(13) SHOUT OUT/BLOT OUT. Vanity Fair: “Mike Pence Got an Insane Game of Thrones Shout-Out During the Battle of Winterfell”.

[…] co-creator/showrunner D.B. Weiss […] shared with Jimmy Kimmel some of the challenges of their extensive production [of “The Long Night” episode]. In particular, Weiss revealed the long hours and night-shoots took a toll on series star Jacob Anderson (Grey Worm), whose usual fluency with the “High Valyrian” language was reduced to improvising gibberish among his fellow Unsullied.

“At one point, Miguel [Sapochnik], the director, starts yelling at Jacob to improvise something in Valyrian … yell to your troops in Valyrian,” Weiss explained. “And Jacob was so tired and so delirious and so out of it that all he could think to yell was, ‘Mike Pence! Mike Pence! Mike Pence!’ So in one of those scenes when Jacob is yelling and pointing—whatever he was saying was dubbed over—but what he was actually saying was ‘Mike Pence! Mike Pence!’”

Not only were Anderson’s lines understandably dubbed in post, but Weiss noted the mask over Anderson’s mouth prevents any recognition of the “Mike Pence!” chant regardless. Probably for the best—Game of Thrones has a history of riling up Washington. […]

(14) COP ON A STICK. A new invention, still in development, promises to make the interaction between police and motorists they pull over safer for both sides. Gizmodo: “Imagine Getting Pulled Over By This Tablet on a Stick”.

Every year, millions of drivers are pulled over and during those stops thousands of assaults and physical altercations happen, resulting in injuries and even deaths to both police officers and suspects. On top of that, there’s also the risk from other vehicles when a stop is made on the side of a busy road. Reuben Brewer […] cobbled together [the first versions] in his garage, [but] he’s now developing his police robot for SRI International in the company’s Applied Technologies and Science Department.

[…] When officers pull over a vehicle,] the robot will help create a safe distance between suspects and the police while they both remain in their vehicles during testing. It’s a telepresence robot that extends on a long arm from a police cruiser to the suspect’s vehicle, facilitating two-way video and audio communications.

[… T]he robot is […] equipped with a barcode reader allowing a driver’s license to be quickly scanned, while a thermal printer can churn out tickets and citations that drivers can tear off like a receipt. As the robot moves alongside a vehicle it also subtly deploys a spike strip under the car, so should a suspect decide to flee, they’ll shred at least one tire in the process. […]

(15) KAMERON HURLEY. Paul Weimer considers the “genre conversation” that leads to Hurley’s new novel in “Microreview [book]: The Light Brigade by Kameron Hurley” at Nerds of a Feather.

A future world where Corporations dominate the globe, have in effect become the superpowers that rule a rather tired Earth. For the lower classes, those who are not citizens, it’s a rather rough and precarious life. Dietz (who never gets a first name, and in a bit of ledgerdemain their gender is kept relatively unstated and understated) goes from a future and poor Sao Paulo, to fighting Martians on Mars, in what was once Canada, and far beyond. There’s just one problem: The lightspeed technology to move soldiers around has a strange effect on Dietz, and in short order starts to learn they are experiencing her future all out of order. Worse, thar futuie is a dark one in which the war they signed up for is far more terrible than they can imagine.

(16) GENRE IN NIGERIA. Charles Payseur visits a new frontier of sff in “Quick Sips – Strange Horizons 04/29/2019”.

It’s a special release from Strange Horizons to close out April, featuring two short stories and three poems celebrating Nigerian SFF. The works bring a fresh feel to fantasy that weaves magic and creation, persecution and resistance. It finds characters who just want to be free to live their lives being pulled into plots and intrigues that they want no part of but that threaten them all the same. And only through connecting to their power, their families, and the people they have chosen to surround themselves with can they fight back and perhaps fully embrace their potential. It’s a wonderful batch of short SFF, and a treat for readers hungry for more international SFF, so I’ll get right to the reviews!

(17) BEWARE SPOILERS. ScreenRant invites you to step inside the pitch meeting that led to Avengers: Endgame. (“Oh, it’s like Fanservice: The Movie!”) While amusing the viewers Ryan George pretty much gives everything away so BEWARE SPOILERS!

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Chris M. Barkley, Carl Slaughter, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 4/4/19 But, Doctor, I Am Pixeliacci!

(1) MCINTYRE TRIBUTE BOOK PLANNED. At CaringBridge, Jeanne Gomoll invites people to participate in a “Vonda Memories” project.  

Stephanie Ann Smith and I are collecting memories of Vonda from folks who loved Vonda. We plan to collect the material into a book and would like to see it made available both as a free electronic document and as a print-on-demand physical book. We are looking for stories, poems, artwork, photos, tributes, ANYTHING you would like to contribute. Please send them to me at jg@unionstreetdesign.com or 2825 Union Street, Madison, WI 53704. I will keep you up-to-date on the publication here. Thank you!

(2) INTERPRETING THE AO3 LEAVES. Michael Schick’s article for Hypable philosophizes about the meaning of AO3’s Hugo nod:“Archive of Our Own’s Hugo Nomination is a win for marginalized fandom”.

In allowing for the nomination of AO3, the Hugo Awards are broadening what it means to contribute to the experience of fiction. This process, they have recognized, goes beyond interacting with a work of fiction as it is — it also encompasses interacting with what the work might be. The imaginations and creativity of fans also contribute to the story of that original story. Talking about art by working within it is not particularly different from talking about art from a remote perspective.

As any fanfiction writer will tell you, transformative works are constantly in dialogue with the original piece. That dialogue may take the form of a Coffee Shop AU rather than an essay, but it is equally as involved in the work of commentary and reflection. Far beyond the academic or critical space, fanfiction probes and challenges original works, bolstering themes and reworking flaws.

It just also happens to be done for fun.

Camestros Felapton also cheers the nomination: “Archive of Our Own is a work and its related and I’m really happy that it’s a Hugo finalist”.

As a thing in itself, AO3 is a monumental achievement and a huge expression of fan activity. It’s this last aspect that I think makes it a good fit for the Hugo Awards which are themselves derived from a similar drive of fannish self-organisation and expression.

(3) SHAZAM! NPR’s Glen Weldon gives context for his conclusion that “With ‘Shazam!’ DC Superhero Movies Bring The Thunder … And The Lightening Up”.

The cultural narrative that’s built around films starring DC Comics superheroes over the course of the past decade or so reads thusly: DC films are too dark and dour, and the company should take a cue from Marvel, whose films always leave room for the fun and whimsical elements so crucial to the superhero genre.

It’s a gross oversimplification, but there’s no denying the kryptonite-hard nugget of truth there: Years ago, Warners/DC executives looked at the runaway success of Christopher Nolan’s dark and dour The Dark Knight trilogy, and concluded that they’d cracked how to approach the superhero genre, once and for all.

…It would be easy to say that the latest DC superhero outing, Shazam!, represents DC/Warners finally learning how to pivot, how to come at a given hero in the mode that suits them best. It’s certainly true that the film’s stuffed to its gills with goofy gags and clever winks, and that the film’s resident good guy (his name’s “Shazam!” in the credits, but in the movie’s reality, it’s more an open-question kind of deal) is a puffed-up, square-jawed galoot in a tomato-red getup played by Zachary Levi. But it also frequently stops dead in its tracks to dutifully attend to more familiar, straight-ahead genre business…..

(4) YOACHIM TALKS. Lightspeed’s Laurel Amberdine gets the interview: “Author Spotlight: Caroline M. Yoachim”.

I know you write at a lot of different story lengths. Do you have a particular preference nowadays, and has that changed any over time?

I have less of a preference than I used to. For a long time, my natural length was flash, so I spent a lot of time trying to figure out how to write things longer—adding threads, having more characters, sometimes playing with the structure to force myself to draw out the story more.

The two projects I’m currently working on are relatively longer lengths—I’m currently finishing up a trio of inter-related short stories (which in some ways is like a novelette in three parts), and when that’s done I have a novella that I drafted last year and need to go back and revise.

(5) MILSF COMPARISONS. Paul Weimer conducted an “Interview with Kameron Hurley” about her new book The Light Brigade for Nerds of a Feather.

I’ve seen comparisons to Starship Troopers–how do you feel that, for positive and negative, the novel has influenced this novel and other stories and novels of your work?

It’s more like the film than the book! In book form, I’d say it more closely resembles The Forever War in tone and approach, but really The Light Brigade is its own beast. I loved a lot about the film adaptation of Starship Troopers; it didn’t take itself too seriously while also being very serious. You can say important things about war, fascism, freedom, corporal punishment, and conscription while telling an exciting story. People who live in dystopias don’t always believe they’re living in one, especially when they’re young. They’re raised to believe it’s the only sane and rational way to be.

(6) MORE ABOUT MCINTYRE. The Guardian published its “Vonda N McIntyre obituary” today.

Vonda N McIntyre, who has died aged 70, was foremost among a legion of new female science-fiction authors in the early 1970s inspired by humanist writers such as Ursula K Le Guin, Joanna Russ and Samuel Delany. With Dreamsnake (1978), she became only the second woman to win the Nebula award and the third to win the Hugo award for best novel.

(7) SPIKECON GUEST. An introduction to Kitty Krell.

Masquerade, Hall Costuming Awards, and Cosplay are just the tip of the iceberg – meet Kitty Krell, cosplay Guest of Honor for Westercon 72. A wonderful Corset and Costume maker, cosplay advocate, artist and Kitty will be here in July!

(8) CAMPBELL HOLDING FORTH. On Fanac.org’s YouTube channel, hear Fred Lerner’s 1962 radio interview with John W. Campbell, Jr. I corresponded with Campbell but never met him, so this was a new experience for me.

John W. Campbell and his views on science fiction are showcased in this intriguing audio interview (presented with illustrative pictures) from 1962. Fred Lerner, noted librarian, bibliographer and historian, was just 17 when he interviewed John W. Campbell, the man that shaped much of science fiction for decades. Campbell was both a successful author and the long time editor of Astounding Science Fiction (later Analog). Topics discussed include Rudyard Kipling as a science fiction writer, the government’s interest in Cleve Cartmill’s fiction, and the nature and value of science fiction. If you like Golden Age science fiction, this is an opportunity to hear one of the giants of the field in his own voice

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 4, 1902 Stanley G. Weinbaum. His first story, “A Martian Odyssey”, was published to general accolades in July 1934, but he died from lung cancer less than a year-and-a-half later. ISFDB lists two novels, The New Adam and The Dark Other, plus several handfuls of short stories that I assume were out for consideration with various editors at the time of his death. (Died 1935.)
  • Born April 4, 1932 Anthony Perkins. Without doubt, he’s best known for playing Norman Bates in Alfred Hitchcock’s Psycho and its three sequels. Three sequels?!? One sec.. H’h, I missed the third one in the Nineties. Genre wise, I don’t see a lot otherwise by him though he was in The Black Hole as Dr. Alex Durant and was in Daughter of Darkness as Prince Constantine. (Died 1992)
  • Born April 4, 1948 Dan Simmons, 71. He’s the author of the Hyperion Cantos and the Ilium/Olympos cycles. I’m reasonably sure that I’ve read some of the Hyperion Cantos but I’ll be damned if I remember it clearly now. 
  • Born April 4, 1952 Cherie Lunghi, 66. Her fame arise from her role as Guinevere in Excalibur. (I saw Excalibur in a 1920s theater on a warm summer night with hardly anyone there. Those there were very impressed by it.) She was also Baroness Frankenstien (Victor’s Mother) in Kenneth Branagh’s Mary Shelley’s Frankenstein. She was also in The Lady’s Not for Burning as Jennet Jourdemayne.
  • Born April 4, 1954 Bruce Sterling, 65. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near future setting is quietly impressive. Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson which is neither of these things.
  • Born April 4, 1958 Phil Morris, 61. His first acting role was on the “Miri” episode of Trek as simply Boy. He was the Sam the Kid on several episodes of Mr. Merlin before returning to Trek fold as Trainee Foster in Star Trek III: The Search for Spock. Next interesting role is voicing Vandal Savage on a three-part Justice League Unlimited story called “The Savage Time”, a role he reprised for Justice League: Doom. No, I’ve not forgotten that he was on Mission: Impossible as Grant Collier. He also played the Martian Manhunter (J’onn J’onzz) on Smallvillie. Currently He’s Silas Stone on Doom Patrol and no, I didn’t spot that was him in that role. 
  • Born April 4, 1960 Hugo Weaving, 59. He is known for playing Agent Smith in The Matrix franchise, Elrond in The Lord of the Rings and The Hobbit trilogies, V in V for Vendetta  and Red Skull in Captain America: The First Avenger. He also voiced Megatron in the first three films of Transformers franchise.
  • Born April 4, 1965 Robert Downey Jr., 54. Iron Man in the Marvel Universe film franchise. Also a rather brilliant Holmes in Sherlock Holmes and Sherlock Holmes: A Game of Shadows. Also voicing James Barris in an animated adaption of Philip K. Dick’s A Scanner Darkly. Charmingly enough, he’s playing the title role in the ‘20 release of The Voyage of Doctor Dolittle.
  • Born April 4, 1967 Xenia Seeberg, 52. She is perhaps best known for her role as Xev BeLexx in Lexx, a show’s that’s fantastic provided you can see in its uncensored form. I’ve also see her playing Muireann In Annihilation Earth, Noel in So, You’ve Downloaded a Demon, uncredited role in Lord of The Undead, and Sela In the “Assessment” episode of Total Recall 2070.
  • Born April 4, 1968 Gemma Files, 51. She’s a Canadian horror writer, journalist, and film critic. Her Hexslinger series now at three novels and a handful of stories is quite fun. It’s worth noting that she’s a prolific short story writer and four of them have been adapted as scripts for The Hunger horror series. 

(10) ORDER TODAY! Dr. Diana Pavlac Glyer’s Azusa Pacific University honors students will publish the fruit of their labors as a book: Warnings from Outer Space: Backdrops and Building Blocks of C. S. Lewis’s Science Fiction Trilogy.

My students were fortunate enough to collaborate with some of the best scholars around: Charlie Starr, Mike Glyer, Scott Key, and Sørina Higgins took an active role and read draft chapters and gave advice. It was wonderful to see these undergraduates joining the scholarly conversation. Did you order your copy?

(11) STAR POWER. The manicurist didn’t get the story quite right, but look how MRK celebrated her Hugo nomination:

(12) DEL TORO. Coming on July 2, a book will fill out the background of a popular movie: “Guillermo Del Toro Is Expanding The World Of ‘Pan’s Labyrinth’ With A Novel”ScienceFiction.com has the story.

Thirteen years after it was released, Guillermo del Toro is fleshing out his iconic film ‘Pan’s Labyrinth’ with a novel titled ‘Pan’s Labyrinth: The Labyrinth of the Faun.’ In its pages, you will find the full tale from the movie which was co-written with Cornelia Funke

(13) THE MAGIC GOES AWAY. Microsoft is getting out of ebook selling – and the books its customers bought will be going away too: “Books in Microsoft Store: FAQ”.

The books category is closing

Starting April 2, 2019, the books category in Microsoft Store will be closing. Unfortunately, this means that starting July 2019 your ebooks will no longer be available to read, but you’ll get a full refund for all book purchases. See below for details.

While you can no longer purchase or acquire additional books from the Microsoft Store, you can continue to read your books until July 2019 when refunds will be processed.

If that isn’t clear enough, let the BBC explain it: “Microsoft’s eBook store: When this closes, your books disappear too”.

…But just think about that for a moment. Isn’t it strange? If you’re a Microsoft customer, you paid for those books. They’re yours.

Except, I’m afraid, they’re not, and they never were – when you hand over money for your “book”, what you’re really paying for is access to the book. That access, per the terms and conditions of every major eBook store, can be taken away at any moment.

At BoingBoing, Cory Doctorow heaps contempt on the whole arrangement: “Microsoft announces it will shut down ebook program and confiscate its customers’ libraries”.

…People sometimes treat me like my decision not to sell my books through Amazon’s Audible is irrational (Audible will not let writers or publisher opt to sell their books without DRM), but if you think Amazon is immune to this kind of shenanigans, you are sadly mistaken. My books matter a lot to me. I just paid $8,000 to have a container full of books shipped from a storage locker in the UK to our home in LA so I can be closer to them. The idea that the books I buy can be relegated to some kind of fucking software license is the most grotesque and awful thing I can imagine: if the publishing industry deliberately set out to destroy any sense of intrinsic, civilization-supporting value in literary works, they could not have done a better job.

(14) ROWLING WINS IN COURT. BBC reports “JK Rowling assistant to pay back fraud money to Harry Potter author”.

A former personal assistant to JK Rowling has been ordered to pay almost £19,000 to the Harry Potter author after fraudulently using her credit card.

Amanda Donaldson, 35, from Coatbridge in North Lanarkshire, must pay £18,734 back with interest.

The author pursued damages in a civil case at Airdrie Sheriff Court under her married name Joanne Murray.

She said the money would be donated to her charity Lumos.

Donaldson was dismissed from her job in Ms Rowling’s Edinburgh office in 2017 over the incident.

(15) ANCIENT KINDLING. History illustrates a possible worst case — “Climate change: Warning from ‘Antarctica’s last forests'”.

Scramble across exposed rocks in the middle of Antarctica and it’s possible to find the mummified twigs of shrubs that grew on the continent some three to five million years ago.

This plant material isn’t much to look at, but scientists say it should serve as a warning to the world about where climate change could take us if carbon emissions go unchecked.

The time period is an epoch geologists call the Pliocene, 2.6-5.3 million years ago.

It was marked by temperatures that were significantly warmer than today, perhaps by 2-3 degrees globally.

These were conditions that permitted plant growth even in the middle of the White Continent.

(16) SEE SPOT RUN. For the first time, scientists studying Neptune have been able to track the blossoming of a ‘Great Dark Spot’ — an enormous, whirling storm in the planet’s atmosphere. The academic paper is a tad dry, so here’s a snap the Hubble took:

(17) FRESH GUNS. The Borderlands 3 game is coming in September.

[Thanks to JJ, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Carl Slaughter, Harold Osler, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Paul Weimer, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]