Let’s start with your virtual production process for The Mandalorian. How did it grow out of work that you did for The Lion King?
In The Lion King, we built a tool set, basically a “multiplayer VR filmmaking game,” using the Unity game engine. We built a bunch of tools working with [lead VFX house] MPC and [tech developer] Magnopus and Unity, and we developed a way by which you could actually create environments and set up cameras and shots within VR. In The Mandalorian, we used a lot of the same tools to plan the entire production, working with the Unreal engine [from Epic Games]. But Lion King was a much different production because there was no actual photography. For Mandalorian, we take that cut, and instead of going right to animation and render like we did on Lion King, we build sets and a digital environment that we project onto a video wall. We partnered with Unreal and [VFX house] ILM and put together this system for The Mandalorian. All the people that we worked with then took that technology, and they’re doing their versions of it. They’re all slightly different, but basically we did research and development for The Mandalorian, and now everybody is building on the innovation that we collectively did and making that available to other people who might be curious about this process as well.
(2) CONTINUED NOBEL BLOWBACK. [Item by Karl-Johan Norén.] Member
of the Swedish Academy and former permanent secretary Peter Englund will not
participate in any of the Nobel festivities or activities this week, due to the
2019 Nobel Prize in literature being awarded to Peter Handke. He writes on Instagram
As previously reported I will not participate in this year’s Nobel Week. To celebrate Peter Handke’s Nobel Prize would be deeply hypocritical from my part. Can add that this will not be a surprise for my friends and colleagues in the Academy. Also I will be present in the usual way at the Academy’s celebratory meeting on December 20. The white tie will rest until then.
The image used is of the Stockholm City Hall, where
the Nobel Prize banquet is traditionally held.
Peter Englund is a historian, and during the
Yugoslavian Civil War he made several trips to the country as a journalist. He
is without a doubt the member of the Swedish Academy with the strongest
relation to and knowledge of the Yugoslavian Civil War and its consequences.
Many of you know that Arc Manor is, essentially, a two-person company: Myself and Lezli Robyn. Some of you are also aware that we had a GoFundMe for a couple of years ago for treating her eyes–for Keratoconus, a rare disease that effectively leads to blindness by causing blurriness and multiple images.
…Unfortunately, Lezli’s other illnesses intervened and she had to postpone her eye surgery twice (the second time needing to be in another country for urgent abdominal surgery). She was misdiagnosed for about two years (until very recently) for her hyperthyroid condition, which led her to have a Thyroid Storm. At the point of her diagnosis, she was in the hospital in a touch-and-go situation with her life.
Since her diagnosis, she has been put on the right meds (she may need an additional surgery, but the meds may be sufficient) and has recovered significantly. However, one side effect of her untreated condition has been a significant worsening of her eye-sight. She was legally blind even before this, but now it is gotten to the point where she has needed to get a blind cane. She now sees 40 duplications, instead of the original 7.
Shahid, his wife, and other close friends have been arguing that I need to raise the level on my fundraiser so it can also cover the procedure to CORRECT my eye condition as well as HALT my Keratoconus (giving me normal eyesight again!). People are very confronted by how bad my eyesight is now—especially after seeing me get around in person. I can no longer hide it and they say it’s not a matter of wanting to get it done, but NEEDING to get it done, because they argue my quality of life is severely compromised. I have also had to be honest and let my boss (also Shahid) know what I cannot do for work now, because I literally cannot see well enough to do certain publishing tasks.
Her delayed eye surgery is now scheduled for March 2020, and for
reasons explained in these two posts, more funds are needed,
Until last month, 2019 felt like a year in which popular culture was winding itself down. What seems like an abnormal number of shows, including juggernauts like Game of Thrones, wrapped up their stories, while others were cancelled. Collaborations like the Netflix MCU were brought to an abrupt end. Everywhere there was a feeling of holding one’s breath, clearing the decks in preparation for the coming onslaught. And then, a few weeks ago, that deluge arrived with the launch of Apple TV+ and Disney+, two new streaming platforms seeking to directly challenge Netflix and Amazon for primacy in a field that already feels hopelessly crowded and balkanized. Scripted TV is only one front in that fight (Disney+, for example, can afford to launch with only one original scripted series because it has such an enormous back-catalog to boast of, whereas Apple+ is scrambling to measure up with four new scripted series, and more to come). But it’s the one I find most interesting. Overall, my verdict is that all of these shows are ambitious, and a few are interesting, but none of them are truly great (and all suffer from the besetting flaw of streaming TV, of working better at a binge, which obscures annoying tics and makes the plot seem to flow better, than in weekly installments). If this is the future of television, my reaction to it is decidedly qualified, with a few sprinklings of hope.
To (mis)quote Russian Cosmonaut Yuri Gagarin, “I looked and looked but I didn’t see God.” Humans are cunning little monkeys, though, so even if at present we assume there are no gods as such, it’s within the realm of possibility that we might someday build something (or somethings) functionally equivalent to gods.
We could even turn ourselves into gods (via tech assist or magic). Would this be an unmixed blessing? Um, not really. We already know that humans can be monumental dicks; deified humans could be just as nasty….
THE UNIVERSITY LIBRARY UNIVERSITY OF CALIFORNIA, RIVERSIDE
Rank and Salary Scale Assistant Librarian/Associate Librarian/Librarian – Potential Career $61,201 – $82, 045
The Jay Kay Klein and Doris Klein Librarian for Science Fiction is responsible for the development, stewardship, and promotion of the Eaton Collection of Science Fiction and Fantasy and associated collections of science fiction, fantasy, horror, and other forms of speculative fiction housed in the University of California, Riverside Library’s Special Collections & University Archives Department….
Disney has issued an uncommon warning to cinema owners around the globe asking them to notify customers that certain visuals and sustained flashing lights sequences in J.J. Abrams’ upcoming Star Wars: The Rise of Skywalker could affect those with photosensitive epilepsy.
The studio has also notified the Epilepsy Foundation, which posted a similar advisory Friday morning, saying it was working in concert with Disney to provide information to its constituents.
[Disney’s letter to exhibitors stated,] “Out of an abundance of caution, we recommend that you provide at your venue box office and online, and at other appropriate places where your customers will see it, a notice containing the following information: Star Wars: The Rise of Skywalker contains several sequences with imagery and sustained flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.” […]
…On the second aired episode of Star Trek, “Charlie X,” the slender, blue-eyed Walker portrayed Charles “Charlie” Evans, the sole survivor of a transport-ship crash who possesses strange powers. Walker was actually 26 when he played the 17-year-old Charlie during filming in 1966.
He starred in Jack Lemmon’s role as the title character in Ensign Pulver (1964), a sequel to the 1955 classic comedy Mister Roberts, and portrayed a kid sharpshooter opposite Robert Mitchum in Young Billy Young (1969).
(9) TODAY IN HISTORY.
December 6, 1991 — Star Trek VI: The Undiscovered Country premiered. It will be the last film with the entire cast of the original series. Screenplay by Nicholas Meyer, who also directed as he did previously with the Wrath of Khan film. It was a very spectacular financial success and bless them the critics treated it very well. Currently it scores in the low eighties among critics and viewers alike at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This site is a good place to do so. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her. Kingdoms of Elfin is available on Kindle, Lolly Willowes is available everywhere. (Died 1973.)
Born December 6, 1900 — Agnes Moorehead. I’m assuming that the statute of limitations for spoilers has long passed on this particular show. I’m referring to the Twilight Zone episode “The Invaders” in which she never spoke a word as she fought off the tiny Invaders, human astronauts, and she a giant alien. Written especially for her by Richard Matheson. (Died 1974.)
Born December 6, 1918 — William P. McGivern. Once in a while, I run across an author I’ve never heard of. So it is with McGivern. He was a prolific writer of SFF stories for twenty years starting from the early Forties. ISFDB only lists one genre novel by him, The Seeing, that he wrote with his wife Maureen McGivern. The digital has been good for him with both Apple Books and Kindle having pretty much everything by him that he did except the long out of print The Seeing. (Died 1982.)
Born December 6, 1941 — Wende Wagner. She is no doubt best remembered as Lenore Case on the Green Hornet series. Other genre roles include being Rosemary’s Girl Friend in Rosemary’s Baby, and Sandra Welles in Destination Inner Space, a horror film drawing the not coveted 0% rating at Rotten Tomatoes among viewers. (Died 1997.)
Born December 6, 1941 — Leon Russom, 78. He portrayed Admiral Toddman In Deep Space Nine‘s “The Die is Cast” episode and the Starfleet Chief in Command in Star Trek VI: The Undiscovered Country. He’s had one offs in the classic Mission Impossible, Strange World, X-Files, Jericho and Paranormal Burbank.
Born December 6, 1957 — Arabella Weir, 62. A performer with two Who appearences, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and Midsomer Murders.
Born December 6, 1962 — Colin Salmon, 57. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories. He has, alas, been in some clunkers, Mortal Engines certainly come to mind.
Born December 6, 1969 — Torri Higginson, 50. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in Stargate SG-1 and Stargate Atlantis. Her most recent genre role was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients.
In an effort to study the rodents’ ability to manipulate simple magical objects, researchers at the University of Chicago reportedly released a teeny little minotaur into a maze Thursday to test mice’s capacity to use enchanted string….
Two convention-only clips were screened for the audience, including a new trailer that focused more on Black Canary and Huntress than the first — as Black Canary (Jurnee Smollett-Bell) put it, Huntress (Mary Elizabeth Winstead) has “anger issues,” despite her shouted assertions to the contrary, while Canary herself has a broken heart and feels empathy for a Harley who’s learning to be alone after the Joker dumped her. Don’t worry; there was also plenty of explosions, and Harley’s two beloved hyenas, Wayne and Bruce. (Just wait a second, it’ll come to you.)
…So first and foremost, this bottle is a work of art unto itself. Rarely do I ever have wine in a square container such as this, but it’s a standard 750 ml. The design caught me off-guard but also made me smile because this is very much a Trek thing. Whenever you look at bottles of liquor in Ten Forward or Quark’s, the prop masters always went out of their way to create futuristic glasses and containers that you normally wouldn’t keep booze in during this point in time. But maybe wine is stored differently in the future, so you get this rectangle-shaped design that slims down the lower it goes.
“Last year, we captured the hearts, noses and fireplaces of our fans, but thousands more were clamoring to get their hands on our limited firelogs. So, we brought our 11 Herbs & Spices Firelogs back with an exclusive partnership with Walmart to spread the finger-lickin’ good cheer,” Andrea Zahumensky, KFC U.S. CMO said in a statement to the company’s website. “We hope you’ll cuddle up with your family or friends with a bucket of our world-famous fried chicken and a warm fried chicken-scented fire this holiday season.”
Also available right now, the anime-themed “I Love You,
Colonel Sanders! A Finger Lickin’ Good Dating Simulator”
Do you have what it takes to date the most famous chicken salesman of all time? Find out now in the most delicious dating simulator ever created. Play now on Steam for free! http://bit.ly/2m9MaQu
The author wasn’t all about literary masterpieces, dry martinis and rakish charm – he also invented a technique that can beat procrastination and boost productivity.
He was famous for his constant womanising, his achingly cool moustache and his affection for six-toed cats. Legend has it that he could drink 17 daiquiris in an afternoon, he was recruited by the KGB as a spy codenamed “Argo” and he once slept with a bear. Oh, and he wrote some of the most highly acclaimed works of all time.
I’m talking about Ernest Hemingway, of course. But it turns out that the author had more than novels and macho anecdotes up his rugged, intellectual sleeves. He was also the inventor of a clever psychological trick: the “useful interruption”.
According to a 1935 article Hemingway penned for Esquire magazine, when asked “How much should you write in a day?” by a young writer, he replied: “The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel, you will never be stuck.” He urged the nascent writer to remember this – and even went so far as to say that it was the most valuable advice he could give.
We are all familiar with the spinning wheels and download indicators that signify when our electronic devices are “working”, but are they making us fall for the “labour illusion”?
…But there is a good chance that you have been misled online at least once already today, probably without you even realising it. If you downloaded some software, tried to stream a video or even conducted an internet search, you’ve more than likely been taken in by one of the most widespread fibs of our modern age.
The spinning wheels, rotating egg timers and moving progress bars we regularly see on our screens when using our electronic devices are often misleading. Rather than offering an accurate representation of work being done, they are more often than not simply there to give the impression that something is happening behind the scenes. They provide us with a sense that we are not waiting in vain for something to happen.
And there is a fundamental reason for this: we like to see real work being done. In fact, we value it more, even when the end result is the same.
Ryan Buell, an associate professor of business administration at Harvard Business School, studies how we value the work we see being done. Perhaps this is most clearly illustrated in restaurants where customers can see chefs working in the kitchen. Diners rated the quality of food from those restaurants as 22% higher than the same food when they could not see it being prepared.
As Black Friday/Cyber Monday impulse-buys start piling up on our doorsteps, Peter Strickland’s new film In Fabric hits a nerve: Everyone loves a great sale, after all, just as everyone rankles at overly strict return policies.
Especially if the item in question is a dress that’s out to kill you.
Sheila, played by Marianne Jean-Baptiste, falls prey to a great winter sales rack. It’s a pity that the flowy A-line red dress she purchases is haunted by a coven of macabre sales clerks led by Miss Luckmoore (Fatma Mohamed) — but what can one expect of a dress purchased at 60% off retail? That said, it does come in ‘Artery Red.’
…What, you may ask, prompts the purchase of a killer dress, beyond a love for a great deal? The recently divorced Sheila is putting herself back out there, going on a first date with Adonis (Anthony Adjekum) — who is not all what his name implies. Bad luck follows Sheila: a mysterious rash, an imploding washing machine, and constant undermining from both her superiors at the bank and her son’s girlfriend, played by Gwendoline Christie in a harsh black wig. Jean-Baptiste grounds the movie in a world filled with the farcical, the gory and the hypersexualized.
A society dedicated to preserving the correct use of the apostrophe has shut down because “ignorance has won”.
Retired journalist John Richards, 96, started the Apostrophe Protection Society in 2001 to make sure the “much-abused” punctuation mark was being used correctly.
But Mr Richards has now announced: “With regret I have to announce that, after some 18 years, I have decided to close the Apostrophe Protection Society.
“There are two reasons for this. One is that at 96 I am cutting back on my commitments and the second is that fewer organisations and individuals are now caring about the correct use of the apostrophe in the English Language.”
…His website lists three simple rules for the correct use of the apostrophe.
The rules Mr Richards gave for apostrophes are: They are used to denote a missing letter or letters, they are used to denote possession and apostrophes are never ever used to denote plurals.
Much like Taika Waititi’s eponymous film, FX’s What We Do in the Shadows gleefully leans into mundanity. This simple idea—that being an immortal, centuries-old vampire could lead to a meandering existence—is elevated by the show’s largely anonymous cast and the fact our vamps are based in Staten Island. (No disrespect to the Staten Islanders out there, but it’s usually not the borough tourists head for when they visit New York.) But in “The Trial,” What We Do in the Shadows pulls out all the stops, providing what could be the greatest on-screen vampire reunion … ever?
When our protagonists Nandor, Laszlo, and Nadja go before an international tribunal of vampires to answer for the death of the “Baron,” they’re greeted not just by the stars of the original movie, but some of the most famous actors who’ve played vampires in other projects: Tilda Swinton (Only Lovers Left Alive), Evan Rachel Wood (True Blood), Paul Reubens (the Buffy the Vampire Slayer movie), Danny Trejo (From Dusk Till Dawn), and even Wesley Snipes (the Blade trilogy) via glitchy Skype. Absentees Brad Pitt, Tom Cruise, Robert Pattinson, and Kiefer Sutherland are all name-dropped, as well, turning “The Trial” into the Avengers for pop-culture vampires and, more importantly, a clever inversion of the show’s banal storytelling. The flex of having all these stars show up is commendable in and of itself, but “The Trial” is a series highlight for its excellent banter and the subtle implication that Swinton and Co. are also still themselves—and that they play vampires on screen in order to hide in plain sight. Like the humans they feast on, the vampiric world of What We Do in the Shadows remains an absolute treat. —Surrey
[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse
Wooster, Cat Eldridge, JJ, N., Mike Kennedy, Karl-Johan Norén, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Peer.]
…The biggest problem I have with this proposal is the message it sends not only to domestic readers, but foreign authors, editors, and publishers: translated works are not as good as ours, so we’re making a special category for you so you can get awards too. I don’t believe that’s the intention of those who drafted this proposal. I think they approached it with the best of intentions, but simply got it wrong. For years now, I have been making the case that we should be treating translated and international works as equals: stories worthy of standing alongside those we have routinely seen published. This proposal sends the opposite message, and on those grounds intend to vote no.
Translated works are capable of winning the Hugo without any special treatment. As they point out in their own commentary, three translated works have won since 2015, despite the relatively low number of translations published among a wide sea of domestic releases….
(2) ‘TOPIARY. Juliette Wade’s Dive Into Worldbuilding encounters winner of the John W. Campbell Memorial Award and Nebula nominee “Sam J. Miller and Blackfish City”. Read the synopsis at the link, and/or watch the video:
…There are some utopian elements in the story as well as dystopian ones. A lot of energy problems can be solved. The city uses methane generators to produce light. They also don’t need militarized police. Sam remarked how any place can have both utopian and dystopian elements depending on who you are. To the people who live in the Capital, the Hunger Games world is a utopia.
I asked if this book was strictly speaking science fiction or whether it had fantastical elements. He explained that it is a science fiction story, but that he uses nanites to do things that might seem magical. The nanites allow some humans to bond with animals. That bond could seem fantastical but it has technological underpinnings.
There are people called orcamancers. Sam explained that the origins of the orcamancers are with illegal pharmaceutical testing that happened in the period between the present and the time period of the novel. Rival drugs were tested on people at different times. This accidentally led to a form of bonding with animals that Sam compared to the daemons in The Golden Compass. He explained that cultural practices regulate why you would bond with particular animals….
I was recently interviewed for a piece in the Times on why the philosophy of stoicism has become very popular in the Silicon Valley tech crowd. Only a sliver of my thoughts made it into the article, but the question from Nellie Bowles was very stimulating so I wanted to share more of my thoughts.
To begin with, like any ancient philosophy, stoicism has a physics and metaphysics–how it thinks the universe works–and separately an ethics–how it advises one to live, and judge good and bad action. The ethics is based on the physics and metaphysics, but can be divorced from it, and the ethics has long been far more popular than the metaphysics. This is a big part of why stoic texts surviving from antiquity focus on the ethics; people transcribing manuscripts cared more about these than about the others. And this is why thinkers from Cicero to Petrarch to today have celebrated stoicism’s moral and ethical advice while following utterly different cosmologies and metaphysicses. (For serious engagement with stoic ontology & metaphysics you want Spinoza.) The current fad for stoicism, like all past fads for stoicism (except Spinoza) focuses on the ethics.
Cressida Cowell has become the new UK Children’s Laureate.
The author of How To Train Your Dragon, and the Wizards of Once will take over from previous laureate, Lauren Childs..
She said: “Books and reading are magic, and this magic must be available to absolutely everyone. I’m honoured to be chosen to be the eleventh Waterstones Children’s Laureate. I will be a laureate who fights for books and children’s interests with passion, conviction and action. Practical magic, empathy and creative intelligence, is the plan.”
Cressida has also revealed a ‘giant to-do list’ to help make sure that books and reading are available to everyone. It says that every child has the right to:
Read for the joy of it.
Access NEW books in schools, libraries and bookshops.
Have advice from a trained librarian or bookseller.
HBO’s untitled Naomi Watts-led “Game of Thrones” prequel pilot may not have Targaryens and dragons — but it does have Starks, direwolves and, of course, White Walkers.
“The Starks will definitely be there,” George R.R. Martin, co-creator and executive producer on the project alongside showrunner Jane Goldman, told Entertainment Weekly in an interview published Tuesday.
“Obviously the White Walkers are here — or as they’re called in my books, The Others — and that will be an aspect of it,” the “A Song of Ice and Fire” author said, adding: “There are things like direwolves and mammoths.”
The appearance of the Starks, descendants of the First Men, shouldn’t be a shock to fans who remember the prequel — which is reportedly currently filming in North Ireland — takes place roughly 5,000 years before the events of HBO’s “Game of Thrones.”
A former intern at NASA may become a millionaire when he sells three metal reels that contain original videotape recordings of man’s first steps on the moon.
The videotapes will be offered in a live auction on July 20th at Sotheby’s New York, but interested parties are able to place bids now at Sothebys.com. The sale coincides with the 50th anniversary of the Apollo 11 mission. The price could reach $2 million.
According to the auction site, Gary George was awarded a cooperative work internship at the NASA Johnson Space Center in June 1973. Three years later, he bought more than 1,100 reels at a government surplus auction for $218, Reuters reported.
Although Gaiman has won multiple Hugo Awards, he only keeps one in his office; the others are in his house in Wisconsin. The one he earned in 2016 for “The Sandman: Overture” receives extra special placement not only because of his long history with the franchise (“It had a ‘you can go home again’ quality to it,” he says) but also because “there is something magical in knowing I was awarded it for a graphic novel. I remember I was there, not too long ago, fighting for whether comics could get awards and things like that. But people loved it; it got its audience; it got awards; people cared.”
(9) NATIVE TONGUE TRILOGY EVENT. On Thursday, July 18, there will be a panel discussion on feminist sci-fi with Rebecca Romney, Jennifer Marie Brissett, Bethany C. Morrow, and moderated by Eliza Cushman Rose focusing on “The Legacy of Suzette Haden Elgin’s Native Tongue Trilogy”. This event is hosted by The Feminist Press and will be held at Books are Magic, 225 Smith Street, Brooklyn, NY
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 9, 1911 — Mervyn Peake. Ok I’ll admit I’ve not read the Gormenghast novels, nor have I seen the various video adaptations. Please tell me what I’ve been missing. (Died 1968.)
Born July 9, 1944 — Glen Cook, 75. With the exception of the new novel which I need to read, I’ve read his entire excellent Black Company series. I’ve also his far lighter Garrett P.I. Which unfortunately he’s abandoned. And I should read the Instrumentalities of the Night as I’ve heard good things about it.
Born July 9, 1945 — Dean Koontz, 74. The genres of of mystery. horror, fantasy and science fiction are all home to him. Author of over a hundred novels, his first novel was SF — it being Star Quest (not in print) published as an Ace Double with Doom of the Green Planet by Emil Petaja. ISFDB claims over half of his output is genre, I’d say that a low estimate.
Born July 9, 1954 — Ellen Klages, 65. Her novelette “Basement Magic” won a Nebula Award for Best Novelette. I strongly recommend Portable Childhoods, a collection of her short fiction, which published by Tachyon Publications, my boutique favorite publisher of fantasy. Passing Strange, her 1940 set San Francisco novel is really great.
Born July 9, 1970 — Ekaterina Sedia, 49. Her Heart of Iron novel is simply awesome. I’d also recommend The Secret History of Moscow as well. It’s worth noting that both iBooks and Kindle list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilful Impropriety that ISFDB doesn’t list. I’m off to buy them now.
Born July 9, 1978 — Linda Park, 41. Best known for her portrayal of communications officer character Hoshi Sato on the Enterprise. Her first genre role was Hannah in Jurassic Park III, she was Renee Hansen in Spectres which Marina Sirtis is also in. She was in some called Star Trek: Captain Pike three years back as Captain Grace Shintal.
Earlier this morning, Jar Jar Binks was inexplicably one of the trending topics on Twitter. No one seemed to understand why, although there have been some theories. The Tampa Bay Times looked into the matter, which traced it back to a meme that predicts your Star Wars fate. While the image had been making the rounds online, it was shared by Mark Hamill earlier this morning, giving it some serious traction.
(12) VINTAGE 2018 FINNCON. Karl-Johan Norén’s report on his 2018 Nordic Fan Fund trip to Finncon 2018 is up on eFanzines in
both epub (preferred) and PDF formats.
…Meanwhile, Hulda and Therese participated in the Klingon language workshop, where they learnt some helpful Klingon phrases and Hulda impressed by showing a basic knowledge of the IPA symbols. Later on, when Hulda accidentally tickled Therese, Therese gave off a very Klingon-like sound, leading Hulda to ask if Klingons are ticklish. That gave rise to a very spirited discussion, including if Klingons would admit that they could possibly be ticklish, and if empirical research was advised…
It bans “social justice warriors” and drives across Nevada with a logo that looks suspiciously like a Nazi flag. It’s Reno’s new bus line and the owner says the racist reputation is all just a misunderstanding.
On Friday, Streamliner Lines launched its maiden bus run from Reno to Las Vegas. Streamliner president John Wang told The Daily Beast it ran a little behind schedule (traffic), and sold few tickets (the Nazi reputation). Still, the trip was the first victory for Streamliner, which previously failed inspection on its only bus and has spent the past month embroiled in spats with Redditors over the company’s logo and its ban on some left-wing passengers.
(14) BLADE RUNNER. Titan Comics advertises Blade Runner 2019 as “the first
comic to tell new stories set in the Blade Runner universe!”
(15) KORNBLUTH TRIBUTE. Andrew Porter passed along a scanned
clipping of Cyril Kornbluth’s obituary in a 1958 New York Times.
English pastry chef Annabel de Vetten crafts what may be the world’s most fantastically morbid confections. Her Birmingham studio and cooking space, the Conjurer’s Kitchen, is filled with feasts of macabre eye candy rendered with ghoulish precision.
Here is a plate heaped with thumb-sized maggots and grubs. There a bloodied human heart lies in a pool of green, molar-strewn slime. A stainless-steel coroner’s table hosts the disemboweled upper-torso of a corpse. It’s flanked by a four-foot statue of a saint, his face melting away to bone. On the counter, the neck of a deer’s partially fleshless head sinks its roots into a bisected flowerpot; a sapling bursts from its skull like a unicorn horn.
…Taking a look at this year’s offerings – well, the Hugo voters’ packet contains partial content (the images, really) from three of the six, and the full text and images from a fourth, which last was something I really didn’t expect. I bought one of the remaining two myself… but the last one, Julie Dillon’s Daydreamer’s Journey, is a self-published job funded by a Kickstarter project and put together using indie tools, and the ultimate result was, I figured I could just about afford the book, but then I looked at the cost of overseas shipping, and my wallet instinctively snapped shut. Pity, really. Julie Dillon is a familiar name from recent Pro Artist final lists, and a book of her artwork (with accompanying descriptions of her creative process for each piece) would be a very nice thing to have. The Kickstarter makes it look very enticing indeed….
Darby Dyar says that as a kid, whenever Apollo astronauts returned from the moon, she and her classmates would get ushered into the school library to watch it on TV.
She remembers seeing the space capsules bobbing in the ocean as the astronauts emerged. “They climbed out and then they very carefully took the lunar samples and put them in the little rubber boat,” Dyar says, recalling that the storage box looked like an ice chest.
Nearly a half-ton of moon rocks were collected by the six Apollo missions to the lunar surface. And as the 50th anniversary of the Apollo 11 first landing mission approaches, NASA has decided to open up a still-sealed, never-studied moon rock sample that has been carefully saved for decades, waiting for technology to advance.
An automatic pilot has landed a plane using image-recognition artificial intelligence to locate the runway.
At large airports, systems on the ground beam up the position of the runway to guide automatic systems.
But in late May a new AI tool landed a small plane carrying passengers, by “sight” alone at Austria’s Diamond Aircraft airfield.
One expert said it could potentially improve flight safety.
The new system, developed by researchers at the technical universities of Braunschweig and Munich, processes visual data of the runway and then adjusts the plane’s flight controls, without human assistance.
Because it can detect both infrared light as well as the normal visible spectrum, it can handle weather conditions such as fog that might make it difficult for the human pilot to make out the landing strip.
Another advantage of the technology is it does not rely on the radio signals provided by the existing Instrument Landing System (ILS). Smaller airports often cannot justify the cost of this equipment and it can suffer from interference.
(20) LE GUIN ON PBS. THIRTEEN’s
American Masters presents the U.S. broadcast premiere of the “Worlds of Ursula K. Le Guin” documentary on
Produced with Le Guin’s participation over the course of a decade, American Masters – Worlds of Ursula K. Le Guin tells the intimate coming-of-age story of the Portland, Oregon, housewife and mother of three who forever transformed American literature by bringing science fiction into the literary mainstream. Through her influential work, Le Guin opened doors for generations of younger writers like Neil Gaiman, Margaret Atwood, Michael Chabon and David Mitchell — all of whom appear in the film — to explore fantastic elements in their writing.
The film explores the personal and professional life of the notoriously private author through revealing conversations with Le Guin as well as her family, friends and the generations of renowned writers she influenced. Visually rich, Worlds of Ursula K. LeGuin illustrates the dramatic real-world settings that shaped Le Guin’s invented places using lush original animations over her own readings of her work to provide a firsthand experience of her fantastic worlds.
(21) TOUGH TIME AT NASFiC. Artist Newton Ewell had a terrible experience at SpikeCon and wrote about it on Facebook. Friends of his told me he’s okay with sharing it on File 770. (I’m adding this at the last minute, in preference to waiting for tomorrow’s Scroll.)
Have you ever been invited to a convention, only to be treated like you don’t belong there? I have.
Thursday was really hard on me. I felt very unwelcome at Spikecon, and have realized that driving an hour one-way, being shoved off into an unlit corner and having to confront people who hate me just really isn’t my thing.
Frankly, I’m afraid to come back to the convention. Libertarian Loudmouth Guy came by the table yesterday evening to drone on at me like a broken record about the same crap (his skewed politics) as usual. Being buttonholed by wackos who see my skin color and use it as a pretext to spew hateful talk at me does not make a good convention experience. Racist DrawGirl’s grudge against me was on full display. I’m not there to compete with anyone, nor am I there to be hated on by weirdos with strange fetishy grudges. Right-Wing Space Guy still can’t grasp that I don’t want to talk to him either, because of the Trump fanaticism displayed toward me.
I have friends there, but I was isolated from them, making the whole experience into an ordeal for me. I wanted to bring my large pieces, but something said, “don’t”. I’m glad I listened to that inner voice, because if I’d brought them, they’d have been ruined by the rain. I was supposed to have an electrical outlet for my drawing light, but all the outlets were taken up by the USS Dildo-prise people.
I don’t have money to afford driving back out there, let alone commuting back-and-forth, food etc. Being placed into a hostile working environment is too much pain for too little reward.
I realized that being presented with a symbol of racial oppression and corporate greed (a plastic golden spike) really hurt. All I feel from that is the pain and death dealt out to the people who worked so hard to join the two railroads, and it makes me sad. I’m hurt that my art is on all the con badges, but once I get there I’m made into a problem, a bothersome individual who’s not worth having the space I contracted for….
[Thanks to Martin Morse Wooster, Andrew Porter, Cat Eldridge, JJ, John King Tarpinian, Contrarius, Robin A. Reid, Trisha Lynn, Mike Kennedy, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
I’ve been writing a lot in cafes recently. Well, mostly one cafe, but I’ve dallied with others…
I always accomplish something, or prove I can’t.
Because I’m at the cafe with someone else, and we are there with a purpose, I always spend at least some time trying to write. Some days, nothing comes. More often, even if I feel creatively dry, I can scrape up something, whether it’s a bit of editing, a paragraph or two, or the beginning of a story (which I may never finish). On my own I can get depressed over those days when the writing doesn’twork, and it makes me avoidant for a while afterward. With a writing partner, there’s a set time to try again.
At least I think we ate at Noodle Charm. I’m not really sure. (Give a listen to the episode to find out the reason for my uncertainty.)
Kozeniewski is the author of such gonzo novels as Braineater Jones, Billy and the Cloneasaurus, and The Ghoul Archipelago. He’s also been part of the writers room for Silverwood: The Door, a 10-episode prose follow-up to Tony Valenzuela’s Black Box TV series Silverwood, which was released in weekly installments in both prose and audiobook formats.
We discussed how it took nearly 500 submissions before his first novel was finally accepted, why he has no interest in writing sequels, his advice for winning a Turkey Award for the worst possible opening to the worst possible science fiction or fantasy novel, why his output is split between horror and science fiction (but not mysteries), the reason Brian Keene was who he wanted to be when he grew up, why almost any story would be more interesting with zombies, when you should follow and when you should break the accepted rules of writing, where he falls on the fast vs. slow zombies debate, and much more.
…That’s just a cursory account of Mortal Engines, which would have benefited from losing a few supporting characters, several flashbacks and at least one subplot. Yet the movie’s major weakness is not story, but characterization.
The only actor who holds the screen is Weaving, and even he suffers from a cardboard role and plywood dialogue. Hilmar, Natsworthy and Jihae are all as bland as their parts, lacking charm, swagger and humor. The disastrous absence of the last quality can partly be blamed on the script, which hazards a joke about every 45 minutes.
It’s hard to fathom that the same Sony Pictures that, in 2012, decided the best way to expand the appeal of its live-action Spider-Man franchise was to start over with lesser movies, has now become smart enough to put its resources into a superb new — really new — Spider-Man cartoon. Maybe someone in a Culver City boardroom got bit by a radioactive MacArthur Fellow.
Whatever the reason, for a powerful corporation to relax its grip on an ancient specimen of blue-chip IP enough to let the creatives have some fun is a rare thing, and one that should not go unheralded. Marvel Comics weathered the ire of reactionary fandom back in 2011 when it introduced Miles Morales, a Spider-Man no less Amazing than that nerdy orphan Peter Parker, but for the fact he was the son of a Puerto Rican ER nurse and an African-American beat cop. Miles became the Spider-Man of the publisher’s “Ultimate” line, a spiral arm of the Marvel Universe that…
…you know what? Don’t worry about it. To cite the refrain of this graphically dazzling, generously imaginative, nakedly optimistic, mercilessly funny and inclusive-without-being-all-pious-about-it animated oydssey called Spider-Man: Into the Spider-Verse, “Anyone can wear the mask.”
Sensibly, Blunt doesn’t impersonate Andrews. Less sensibly, she impersonates Maggie Smith: her haughty, upper-crust Mary would be right at home in Downtown Abbey. But otherwise, Mary Poppins Returns is so similar to its predecessor as to be almost identical. There are no revelations, no unexpected locations, no hints at what Mary gets up to when she isn’t looking after the Banks children – although we’ll probably get a prequel set in nanny-training college in a few years’ time. The only significant difference is that the story has been moved on from 1910 to the 1930s, so it’s Mary Poppins: The Next Generation.
The publisher is immediately ending the critically acclaimed series, amid accusations of sexual abuse by writer and co-creator Eric M. Esquivel.
DC Entertainmentimprint DC Vertigo has canceled comic book series Border Town effective immediately, with all orders for the unreleased issues 5 and 6 being canceled, The Hollywood Reporter has confirmed. Those issues will not be published, and all issues already released are also being made returnable, according to the publisher.
The publisher has not commented on the reasons for the title’s cancellation, but it coincides with the release of a statement by toy designer Cynthia Naugle in which she wrote about being “sexually, mentally, and emotionally abused” by an unnamed figure later identified on social media — and seemingly confirmed by Naugle via retweets — as Border Town writer and co-creator Eric M. Esquivel.
Since Naugle’s statement went live, both Border Town artist Ramon Villalobos and color artist Tamra Bonvillain released statements via Twitter on the subject, distancing themselves from the project.
(7) HUGO VOTING STRATEGY TRUE OR FALSE. Karl-Johan Norén warns, “The meme that one should not ‘dilute’ ones Hugo nomination power under EPH is going around again, and I wrote a quick refutation.”
…As a voter and nominator for the Hugos, it is in your best interest to nominate as many works as you find worthy as you can.
I will illustrate it using two cases. The first is that if every single nominator in a Hugo category nominates only a single work, EPH will default back to a simple first past the post selection with six finalists — exactly the system that we had before EPH, but with much less input! …
(8) THE POINTY THRONE. This cover for the March issue of Amazing Spider-Man resonates with a certain TV show you may have seen….
(9) BLACK SCI-FI DOCUMENTARY. Three excerpts from Terrence Francis’ 1992 documentary Black Sci-Fi, originally broadcast on BBC2 as part of the Birthrights series.
The documentary focuses on Black science fiction in literature, film and television and features interviews with Octavia Butler, Samuel R. Delany, Mike Sargent, Steven Barnes and Nichelle Nichols.
In this extract, Octavia Butler discusses how her interest in science fiction developed and the genre’s potential for exploring new ideas and ways of being.
In this section Samuel R. Delany, Mike Sargent and Steven Barnes discuss the stereotypical portrayal of black characters in science fiction literature and cinema, including the predictable fate of Paul Winfield in films like Damnation Alley, Star Trek II: The Wrath of Khan and The Terminator.
In this section, Nichelle Nichols discusses the significance of her character, Uhura, in Star Trek; Steven Barnes and Mike Sargent consider how attitudes towards race and skin colour might develop in the (far) future.
(10) VAULT OF THE BEAST. Robert Weinberg interviewed A.E.
Van Vogt in 1980 – now posted at Sevagram.
Weinberg: How did you first get interested in science fiction, and in particular, how did you come to write a science fiction story?
Van Vogt: I first read science fiction in the old British Chum annual when I was about 12 years old. Chum was a British boy’s weekly which, at the end of the year was bound into a single huge book; and the following Christmas parents bought it as Christmas presents for male children. The science fiction in these stories was simple. Somebody built a spaceship in his tool shop (in his backyard) and when he left earth he took along all the neighborhood twelve-year-olds without the parents seeming to object.
Later, at age 14, I saw the November 1926 Amazing and promptly purchased it, read it avidly until Hugo Gernsbach lost control and it got awful under the next editor, T. O’Connor Sloane. So I had my background when I picked up the July, 1938 issue of Astounding and read “Who Goes There?” It was one of the great SF stories; and it stimulated me to send Campbell, the editor, a one paragraph outline of what later became “Vault of the Beast. “If he hadn’t answered, that would probably have been the end of my SF career. But I learned later he answered all query letters either favorably or with helpful advice. The helpful advice he gave me was to suggest that I write with a lot of atmosphere. To me that meant a lot of imagery, and verbs other than “to be” or “to have.”
Paul Dale Anderson has written more than 27 novels and hundreds of short stories, mostly in the horror, fantasy, science fiction, and suspense-thriller genres. Paul has also written contemporary romances, mysteries, and westerns. Paul is an Active Member of SFWA and HWA, and he was elected a Vice President and Trustee of Horror Writers Association in 1987. Paul is also a member of International Thriller Writers, the Authors Guild, and MWA.
His wife, Gretta, predeceased him in 2012.
(12) TODAY IN HISTORY
December 14, 1984 – John Carpenter’s Starman premiered on this day.
December 14, 1984 – For better or worse – Dune debuted in theaters.
December 14, 2007 – Will Smith’s I Am Legend opened.
(13) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born December 14, 1916 – Shirley Jackson. First gained public attention for her short story “The Lottery, or, The Adventures of James Harris” but it was her The Haunting of Hill House novel which has been made her legendary as a horror novelist as it’s truly a chilling ghost story. I see that’s she wrote quite a bit of genre short fiction —has anyone here read it? (Died 1965.)
Born December 14, 1920 – Rosemary Sutcliff. English novelist whose best known for children’s books particularly her historical fiction which involved retellings of myths and legends, Arthurian and otherwise. Digging into my memory, I remember reading The Chronicles of Robin Hood which was her first published novel and rather good; The Eagle of the Ninth is set in Roman Britain and was an equally fine read. (Died 1992.)
Born December 14, 1949 – David A. Cherry, 69. Illustrator working mostly in the genre. Amazingly he has been nominated eleven times for Hugo Awards, and eighteen times for Chesley Awards with an astonishing eight wins! He is a past president of the Association of Science Fiction and Fantasy Artists.
Oh and he’s is the brother of the science fiction writer C. J. Cherryh (“Cherry” is the original spelling of the last name of the family) so you won’t be surprised that he’s painted cover art for some of her books as well as books for Robert Asprin, Andre Norton, Diane Duane, Lynn Abbey and Piers Anthony to name but a few of his contracts.
Born December 14, 1966 – Sarah Zettel, 52. Her first novel, Reclamation, was nominated for the Philip K. Dick Award in 1996, and in 1997 tied for the Locus Award for the Best First Novel. Writing under the alias of C. L. Anderson, her novel Bitter Angels won the 2010 Philip K. Dick award for best paperback original novel. If you’ve not read her, I’d recommend her YA American Fairy Trilogy as a good place to start.
Born December 14, 1968 – Kelley Armstrong, 50. Canadian writer, primarily of fantasy novels since the early party of the century. She has published thirty-one fantasy novels to date, thirteen in her Women of the Otherworld series, another five in her Cainsville series. I’m wracking my brain to think what I’ve read of hers as I know I’ve read something. Ahhhh I’m reasonably sure I listened to the Cainsville series and would recommend it wholeheartedly.
With failed harvests, fewer growers are taking a chance on cucumbers. According to USDA records, pickling cucumber acreage declined nearly 25 percent between 2004 and 2015. Globally, downy mildew threatens fields as far flung as India, Israel, Mexico and China.
“This is the number one threat to the pickle industry,” says vegetable pathologist Lina Quesada-Ocampo of North Carolina State University. The growers, she says, lose money on failed crops and pricey fungicides. “It is a really bad double whammy.”
Fortunately for pickle lovers, vegetable breeder Michael Mazourek of Cornell University is close to releasing varieties that resist downy mildew. “It’s been one of our proudest David and Goliath stories,” he says. But his success hinges on funding at a time when public support of agricultural research is declining.
(15) HEVELIN PHOTOS SOUGHT. Bruce Hevelin is looking for photos of his father, James “Rusty” Hevelin. If you have any scanned in or in digital form, please send them to him at: <email@example.com>
Update, December 14: Oh, you actually were interested in that chicken-scented log, eh? Sorry for those who didn’t snatch theirs up early, as the logs reportedly sold out within hours yesterday.
Original story, December 13:
“Back in my day,” your grandpa begins wheezily, “If we wanted fried chicken-smellin’ fires, we had to throw the chicken on the flames ourselves.”
He’s right, friends, but that hardship ends today, as KFC introduces a firelog that smells like the Colonel’s 11-herbs-and-spices fried chicken, made in partnership with Enviro-Log.
(17) NOT SOLD OUT.This is still available. No wonder! It will cost a heck of a lot more than a log! The Houdini Seance at LA’s Magic Castle.
The séance is held for a private group of ten to twelve guests in our historic Houdini Séance Chamber. Decorated in the High Victorian style, it is now the home of many priceless pieces of Houdini memorabilia, including the only set of cuffs Houdini was unable to open.
…You will experience remarkable things you might not fully understand. Don’t feel alone. It’s that way for all of us.
Your party begins its experience with a four-course gourmet meal at 6:30 p.m. with bottomless red and white house wine during the dining portion of your evening — all created by your own private chef and served by your own private butler.
A medium will then join you who will open the veil between this world and the next. Your medium will begin with fascinating experiments in the power of the unseen and then, forming a magic circle, will summon the spirits and allow them to demonstrate their awesome ability to manifest in our physical world.
The structure is so ancient that it feels almost prehistoric. Some people take a trip to a remote island, they see some dinosaurs, and then the dinosaurs try to have them for lunch. It’s what happened in Jurassic Park in 1993, and by the time the first sequel came out in 1997, the screenplay was already poking fun at how formulaic it was. “‘Ooh, aah’, that’s how it always starts,” says Jeff Goldblum’s Dr Ian Malcolm in The Lost World: Jurassic Park. “Then later there’s running and screaming.” How right he was. But this self-knowledge didn’t stop the makers of Jurassic Park III (2001) and Jurassic World (2015) sticking to the formula, and it wasn’t until the second half of this year’s Jurassic World: Fallen Kingdom that the series found somewhere else to go.
How different things might have been. Back in 2004, John Sayles (the writer-director of Passion Fish and Lone Star) wrote a half-crazy half-brilliant screenplay for Jurassic Park 4 that took the story all over the planet, and which pioneered several radical ideas that are only just being incorporated into the franchise now. Steven Spielberg, the series’ producer and its original director was keen at first, and it’s easy to see why: Sayles’ rollicking script is sprinkled with quintessentially Spielberg-y moments. On the other hand, it’s also easy to see why Spielberg cooled off on the project. A movie about a globe-trotting A-Team of genetically modified, crime-busting Deinonychuses might have strayed just a little too far from the Jurassic Park films that audiences knew and loved.
The season-ending episode:
Titans 1×11 “Dick Grayson” Season 1 Episode 11 Promo (Season Finale) – Robin faces off against Batman when Dick takes a dark journey back to Gotham in the first season finale of Titans.
Oweynagat cave is a placeof both birth and death. An unimposing gash in the ancient misty hills of north-western Ireland, it is said to be the entrance to the underworld where fairies and demons lure mortals to their doom, and the sacred birthplace of a warrior queen. For thousands of years, the Irish have regarded Oweynagat as a site of awe-inspiring magic, weaving a rich tapestry of mythology around it.
…For millennia, Queen Medb has remained the most intoxicating thing to come out of the cave. However, just this year that changed with the creation of a beer made from wild yeast cultivated from the walls of Oweynagat. Called Underworld Savage Ale for the mythic place that it was conceived, this beer is the first of its kind, with a backstory strange enough to fit within the cave’s fantastic mythology
(23) FROM THE HISTORIC RECORDS. Rachel Swirsky discovered a reference to File 770 in a 1981 copy of Fandom Directory. The zine was only three years old at the time.
(24) VIDEO OF THE DAY. “The Mother of All Demos Hosted by Douglas Englebart” on YouTube is a video (recorded by Stewart Brand) of the December 1968 demonstration where Douglas Englebart introduced the world to videoconferencing, hypertext, and the computer mouse.
[Thanks to Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Carl Slaughter, Rachel Swirsky, and Andrew Porter for some oft hese stories, Title credit belongs to File 770 contributing editor of the day John Winkleman.]
By Karl-Johan Norén: The questions about the Nobel Prize in literature and its awarding body—the Swedish Academy—are still very much ongoing, but yesterday it was announced that the Academy would change its process for the preparatory work. Instead of a select committee formed entirely from within the ranks of the Academy, the work of reading the various nominated authors and creating the shortlist would go to a committee made up of five members of the Academy and five external members.
The venerable institution, which has awarded the Nobel Literature Prize since 1901, has been in crisis mode since November 2017, after a deep rift emerged among Academy members about how to manage its longstanding ties to a Frenchman accused – and now convicted – of rape.
For the first time in 70 years, the Academy postponed this year’s literature prize by a year while it attempts to sort out its problems.
On Monday, the Academy said in a brief statement that its Nobel Prize committee – usually made up of five members who recommend a laureate to the rest of the Academy – would in 2019 and 2020 also include “five external experts”, including critics, publishers and authors ranging in age from 27 to 73.
The Academy’s permanent secretary, Anders Olsson, told news agency TT the two-year appointment was “temporary”.
The decision to build “a new Nobel committee” was taken “in consultation with the Nobel Foundation,” Anders Olsson, the permanent secretary of the Swedish Academy, said in a statement.
“What I understand is we run through (the names of) the prize nominees and discuss it. But I do not know exactly how it will go. We’ll see,” Rebecka Karde, a literary critic and one of those selected, told Swedish broadcaster SVT before the announcement.
One of these external members is of genre interest: Kristoffer Leandoer has worked as a literature critic, poet, and translator, but he has also written poetry and several YA novels which are openly supernatural horror or weird fiction. He was also a very appreciated Guest of Honour of the sf con Fantastika 2003 in Stockholm.
The question of there will be a Nobel Prize in literature next year (then probably awarding the prize for both 2018 and 2019) is still open. The idea of a committee at a remove from the Swedish Academy awarding the Nobel Prize in literature came from the Nobel committee, but they still want to see progress in the public confidence in the Swedish Academy.
…The convention has always been a home for comic book and genre enthusiasts, and a refuge for like-minded fans to mingle, but it’s also been a place rife with harassment of women and others, whether it’s cosplayers (people who dress up in costumes), general attendees or even those hawking merchandise (sometimes called “booth babes”).
“I don’t think any convention has historically been a safe or inviting space for women,” says Cher Martinetti, the managing editor of SYFY Wire’s Fangrrls site.
Sexual harassment at fan conventions is a subject that is often raised, but the scrutiny will be even more intense this year with the heightened awareness about misconduct.
Just weeks ago, Nerdist founder Chris Hardwick, a mainstay at Comic-Con and moderator of numerous panels, stepped aside from moderating AMC and BBC America panels amid allegations from an ex-girlfriend , which Hardwick has denied. And since last fall a handful of familiar Comic-Con faces, have been accused of misconduct as well, like Ain’t It Cool News founder Harry Knowles and “Honest Trailers” creator Andy Signore.
Comic-Con has a code of conduct that representatives say was, “Intentionally created to serve as a comprehensive measure that makes attendee safety a priority.
“We want all participants to feel if they are treated in a manner that makes them uncomfortable, that there is a system in place that will respond to misconduct and sexual harassment,” Comic-Con International told The Associated Press in a statement Sunday.
According to the code, attendees must “respect commonsense rules for public behavior” and “personal interaction” and that “harassing or offensive behavior will not be tolerated.” The code specifies that anyone who feels at risk should report it to a security person or a staff member and outlines the location of the show office in the San Diego Convention Center, which is open during show hours. Anyone who violates the code is at risk of losing their pass….
Attendees must respect commonsense rules for public behavior, personal interaction, common courtesy, and respect for private property. Harassing or offensive behavior will not be tolerated. Comic-Con reserves the right to revoke, without refund, the membership and badge of any attendee not in compliance with this policy. Persons finding themselves in a situation where they feel their safety is at risk or who become aware of an attendee not in compliance with this policy should immediately locate the nearest member of security, or staff member, so that the matter can be handled in an expeditious manner.
The Comic-Con Show Office is located in the lobby of Hall E of the San Diego Convention Center. During show hours you can always find a Comic-Con staff member or security guard at the Show Office. Please stop by there if you have any questions or concerns.
Four people who answered my call made these observations about the Code of Conduct.
The flaws with the Comic-con’s approach seem obvious, but here are my immediate (and general) thoughts about it.
I went and read through the actual policies page and, in addition to the Code of Conduct being woefully short and vague, there are no policies that address what “commonsense rules” for public behavior, interaction, etc actually looks like. Nothing to address videotaping or taking photos of people in public or private spaces. (They have two different policies regarding not recording panels/panelists or any images or video footage being presented because proprietary and exclusive, blahblahblah.) Nothing about asking permission to hug strangers or touch them or put your arm around someone for a photograph. Nothing about what harassing or offensive behavior means.
I mean, sure – you can’t write out *everything* that would be problematic. And things that are an issue for some folks won’t be for others. But by giving no examples it leaves the door wide open for abuse. (“I didn’t know they’d mind if I snapped this photo of her bending over.” “All my friends let me hug them, it’s no big deal.”) And it means that folks who are having problems will be even more reluctant to report them because they won’t know if the staffer they approach for assistance will take them seriously because there are no written guidelines about what the convention considers inappropriate. Of course, not writing anything down also lets the con off the hook if something with a higher profile guest happens because they could claim that there was no violation of written policy. Which does make the obvious omission of anything looking like an actual Code of Conduct seem suspicious.
Taking a quick look over the Code of Conduct on the convention website, the glaring omission here to me, other than the Code of Conduct being a little vague (no attempt at defining “common sense rules”), is any sort of information about what to expect when one makes a report, or what will happen after a report is made. Lack of evidence that there is a post report process concerns me, as does the fact that there is no number to call in case going to the show office would not be a safe option.
I’m far from a code of conduct expert, and even less so in working on enforcing them (I’m one of the last fen I know who I know should be put into that spot). But having read some code of conducts, discussed them sometimes, and seen a few incidents play out, I can give the following comments.
The code of conduct has some things in its favour: it is brief, it contains no parts that obviously contradict its purpose, and it gives the right to rescind memberships. If this was a small con, with maybe a couple hundred attendees, with no prior history of harassment, and known good people in the concom, this would be a workable CoC. And it does not contain the dread “your right not to be harassed is not a right not to be offended” clause.
Its deficiencies are in the things that are not said, because none of those three factors above are likely true for SDCC.
(1) No dedicated chains for reporting harassment. Handling harassment cases beyond any initial intervention is psychologically tricky at the best of times. The only con security people I’d trust to have a clue here are the Finnish ones. A con the size of SDCC should list a phone number, e-mail account, and at least physical point of contact dedicated to CoC issues. These points of contact should be heavily promoted (I’d not be averse to putting at least the phone number on the badge itself). Given SDCC’s size, the phone should probably be staffed 24/7 during the con, not only during show hours.
(2) There are no promises from the con regarding how CoC issues will be handled. Granted, the CoC itself is not the place where one should detail instructions to staff, but it should at least: (a) give a promise of confidentiality and discretion from the con towards the person reporting the issue, (b) outline the assistance and help the con can or will provide.
(3) The highest sanction the con reserves is to rescind a membership. Arguably, it should mention contacting the authorities as well, even if it is only like “we will assist any person wishing to contact the authorities, and assist the authorities in any following investigation”. I know US police are far worse than the Swedish police (which also have a poor historical track record), but the con might find itself dealing with cases of reported rape or sexual assault.
(4) No specific guidelines regarding cosplay or photography, nor any examples (clearly not limited to the list itself) of what the con sees as harassing behaviour.
John Scalzi says the CoC is why he keeps passing on chances to attend the convention:
The SDCC’s code never offers examples of what it considers harassing or inappropriate behavior (see the code of conduct at New York Comic Con as an example of a good version of explaining what it is) — it’s all a judgement call by whomever is taking the complaint, and it allows harassers more wiggle room than they should have. That’s not acceptable to me, and it’s one reason I haven’t been back to SDCC in several years.
Worldcon 76 has issued the 2018 Hugo Awards Voter Packet, a collection of finalists for the 2018 Hugo Awards made available to members of Worldcon 76 to assist them in making informed decisions when voting on this year’s Hugo Awards. The packet is available for download from the Worldcon 76 Hugo Awards website in the “Hugo Voter Packet” section. Members of Worldcon 76 can sign in using their Hugo Award voting credentials that were sent to them when the final Hugo Award ballot was issued.
Only members of Worldcon 76 can access the 2018 Hugo Award Voter Packet and vote on the 2018 Hugo Awards.
…Worldcon 76 will shortly send an announcement regarding the availability of the Hugo Voter Packet to all members who registered their e-mail address with the convention. This mailing will include a copy of the member’s voting credentials (membership number and voting PIN). Members can request a copy of their credentials using the 2018 Hugo Awards PIN lookup page.
One letter is from producer David Heyman, who sent Rickman a thank-you note after 2002’s Harry Potter and the Chamber of Secrets. “Thank you for making HP2 a success,” it reads. “I know, at times, you are frustrated but please know that you are an integral part of the films. And you are brilliant.”
(3) MORE ON WISCON. From S. Qiouyi Lu. Thread starts here:
like, wiscon does not dole bans out lightly, and I have been in the audience for and have heard of so much bullshit that we let go because, well, sometimes people have bad takes that don’t necessarily rise to the level of abuse, mostly just cluelessness
— S. Qiouyi Lu ?? ??? ?? your epicene boyfriend (@sqiouyilu) May 29, 2018
Avila outlined several of his frustrations with the group but said he quit because it was requiring him to agree to a community code of conduct to attend its conference.
That code of conduct basically says the group is open to people from all walks of life and expects its members to be courteous.
Avila also said he was unhappy that the project had decided to accept an intern from a group called Outreachy, which offers paid internships to women, LGBTQ folks, African-Americans, people with Hispanic or Latin heritage, and those with indigenous American ancestries.
In other words, the internships are for people in underrepresented gender and racial groups in the programming/open-source worlds; white men and Asian men are the two groups best represented in tech, diversity reports have found.
…Despite that kind of rancor, large open-source communities and conferences are increasingly adopting community codes of conduct.
And for good reason — the open-source world has a reputation for aggressive, rude, and intimidating behavior.
In 2013, Linus Torvalds, the creator of Linux and the god of open-source programming, was called out for profanity-laced rants on the Linux email lists, which set the tone for the open-source world.
He and the Linux community did an about-face — sort of — in 2015, telling members that their work would be criticized but asking them to “be excellent to each other” and to feel free to report abuse.
At this stage of James’ Tour of Disco-Era Women SF Authors, we have reached M. Certain letters are deficient in authors whose surnames begin with that particular letter. Not so M. There is an abundance of authors whose surnames begin with M. Perhaps an excess. In fact, there are more authors named Murphy than the authors I listed whose names begin with I….
Sondra Marshak is best known for her Star Trek-related activity. Star Trek, an American science fiction television show akin to Raumpatrouille—Die phantastischen Abenteuer des Raumschiffes Orion, was cancelled after seventy-nine episodes in the mid-1960s. An anthology of original stories commissioned a decade after a show’s cancellation seems unthinkable and yet in 1976, Marshak and Myrna Culbreath’s co-edited collection, Star Trek: The New Voyages, was published by Bantam Books, soon followed by Star Trek: The New Voyages 2. This suggests that the show’s fandom managed to survive the show’s demise. Perhaps some day there will be a revival of this venerable program—perhaps even a movie!—although I must caution fans against getting their hopes up…
(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Mary Robinette Kowal and Lawrence C. Connolly on Wednesday, June 20, 7 p.m. at the KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs) in New York.
Mary Robinette Kowal
Mary Robinette Kowal is the author of historical fantasy novels: Ghost Talkers, and The Glamourist Histories series and the forthcoming Lady Astronaut duology. She is also a three time Hugo Award winner and a cast member of the podcast Writing Excuses. Her short fiction appears in The Magazine of Fantasy and Science Fiction, Tor.com, and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.
Lawrence C. Connolly
Lawrence C. Connolly is one of the writers for the anthology film Nightmare Cinema, premiering next month at the Fantasia Film Festival in Montreal. Produced by Mick Garris, the movie goes into wide release later this year. Connolly’s books include the Stoker finalist Voices (scheduled for re-release this summer), This Way to Egress, and Veins. More at LawrenceCConnolly.com.
(7) FUNDRAISER. Tessa B. Dick is trying to raise $5,000 through YouCaring to “Keep my home”. She’s got $4,205 in contributions as of this writing. Her May 28 update said:
I really need your help, or I am not going to make it. I don’t know how to explain that I can’t sleep because every time I close my eyes, I see that gang banger with a knife to a boy’s throat. I can’t go anywhere because every time I walk out the door, I see his gangster buddies coming after me because my testimony put their buddy in prison. I got crisis counseling and I coped for twelve years, but I can’t cope any more. I went through major forest fires in 2003 and 2008, a severe burn to my foot in 2007, a head injury in 2010, a broken leg in 2012, and more stress than I can describe. I got a settlement for the head injury that didn’t even cover my medical bills, which is why I had to go bankrupt.
I should qualify for disability, based on my severe weight loss alone, but they keep turning me down. My only hope is to get this house in good enough shape to get a reverse mortgage.
(8) GAME MAN. Rich Lynch was tuned into tonight’s Jeopardy! In the category “Award Winning Books” one of the answers was:
(9) TRIVIAL TRIVIA.
Crayola crayons’ distinctive smell — ranked 18th in a list of the 20 most identifiable smells in a 1982 Yale University study — is largely due to the stearic acid used to make the waxy consistency. Stearic acid is a derivative of beef fat.
Tens of thousands of pop culture buffs took a pilgrimage to the ExCeL this bank holiday weekend for the UK’s largest comic book convention.
…Monolithic entertainment brands seemed keen to continue cashing in on the nerd demographic, wheeling out a long list of stars for the event, including Black Panther’s Letitia Wright, The Defenders’ Rosario Dawson and Khary Payton and Cooper Andrews from zombie series The Walking Dead.
The authors suggest we may not be too far away from cracking the mysteries of higher, unseen dimensions and negative or “dark energy,” a repulsive force that physicists believe is pushing the universe apart at ever-faster speeds.
“Control of this higher dimensional space may b? ? source of technological control ?v?r the dark energy density and could ultimately play ? role in the development of exotic propulsion technologies; specifically, ? warp drive,” the report says, adding: “Trips to the planets within our own solar system would take hours rather than years, and journeys to local star system would be measured in weeks rather than hundreds of thousands of years.”
However, Sean Carroll, a theoretical physicist at Caltech who studies and follows the topics covered by the report, had a lot of cold water to pour on the report’s optimism.
“It’s bits and pieces of theoretical physics dressed up as if it has something to do with potentially real-world applications, which it doesn’t,” Carroll said.
“This is not crackpot. This is not the Maharishi saying we’re going to use spirit energy to fly off the ground – this is real physics. But this is not something that’s going to connect with engineering anytime soon, probably anytime ever.”
Today, Twitch begins a seven-week endurance run/celebration of all things old-school Doctor Who, live streaming over 500 episodes worth of adventures in Time and Space. Unless you happen to have seven weeks of free time starting imminently (in which case, I envy you), you likely can’t sit down and watch all of it. So here’s a few must-watch storylines to dive in for….
If you’ve ever wondered if there’s really something to this whole “dimensional transcendentalism” thing, a.k.a. the explanation given as to why Doctor Who’s TARDIS is so tiny on the outside but enormous on the inside, now’s your chance to find out for yourself. A TARDIS created for Peter Cushing for the 1965 film Dr. Who and the Daleks is getting ready to hit the auction block at Ewbank’s as part of its “Entertainment & Memorabilia” auction, which kicks off on May 31.
(18) DIVIDENDS. Absolutely true.
As I was reading through the Hugo packet, it suddenly occurred to me that I contributed to a Hugo Finalist Fanzine last year (https://t.co/r2df5vmY2b). So in a very tiny way, I've been nominated for a Hugo. https://t.co/r2df5vmY2b
Also, for the Nick Lowe/Johnny Cash fans among us:
The beast of squees
Obsessed with old, forgotten Bonds
And whichever one you like
Is one of which he isn’t fond
God help the beast of squees
The beast of squees
Knows more than you on Doctor Who
Which host was better on Blue’s Clues
And in the twinkling of an eye
Might declare a Mary Sue
God help the beast of squees
Sometimes he tries to kid me
That he’s just a normal fan
Or even that he’s run right out of things to pan
I feel pity when I can
For the beast of squees
That everybody knows
They’ve seen him out in fannish clothes
If it’s A New Hope or New Year
The beast of squees
[Thanks to Mike Kennedy, John King Tarpinian, JJ, Rich Lynch, Cat Eldridge, Bill, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, James Davis Nicoll, Matthew Kressel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
By Karl-Johan Norén: Lars-Olov Strandberg passed away early morning on March 3, never having recovered from a stroke he suffered in January. He was a Guest of Honour at Interaction, the 2005 Worldcon in Glasgow.
Lars-Olov was born July 26, 1929. He was active from the start of Swedish science fiction fandom, present at the first Swedish science fiction con, Luncon in 1956, and on hand with his camera at nearly every Swedish sf con since. He did not make a big mark in this very early fandom, but he was present, and his strong organisational skills were instrumental in making the Scandinavian Society for Science Fiction (SFSF) a success after its founding in 1960. Many of its early meetings were held in his apartment at Folkskolegatan 22.
Lars-Olov held a secure, well-paying job at a major Swedish insurance company, and served as treasurer, secretary, or chairman at nearly every con held in Stockholm, often paying the economic deficit of the cons out of his own pocket. He also used this to make frequent travels to international cons. He visited most Eastercons for nearly forty years, and was a regular at Worldcons as well.
When Swedish fandom started to expand in the 1970s, Lars-Olov was there was well. He was one of the founding members of Forodrim, the Stockholm Tolkien society, where he took the alias of Théoden. He organised the first lasting Swedish fan foundation, the Alvar Appeltofft Memorial Foundation. He was a member of nearly every science fiction club in Sweden. Perhaps most importantly, he was part of the board of SFSF when they acquired the book club of the Swedish publisher Askild & Kärnekull, instantly making the society’s membership several times larger. The publishing activity and postal order store was the foundation of the Stockholm Science Fiction bookstore, nowadays with presence in Stockholm, Gothenburg, and Malmö, and one of the largest science fiction bookstores in the world. It is unlikely that the Science Fiction bookstore could have grown beyond its humble beginnings without Lars-Olov.
I first met Lars-Olov sometime early 1999, when I first went to meet Swedish organised fandom. I think he served as the secretary of the book auction, and he was friendly and unassuming. He was never forward, and I never heard him raise his voice. He was so retiring that one could be excused to think he was not there. But he kept careful notes at every meeting, no matter how small, and he was always there, making Swedish fandom better by being friendly to everyone. A Swedish con or an SFSF meeting without Lars-Olov was something impossible.
(1) ANOTHER MASTERPIECE OF CONRUNNING. Mothership says Akiba Town, held this weekend in Singapore and which markets itself as a “Japanese culture event bringing in official anime merchandise along with fan artists and guest cosplayers” — was a mess: “S’pore-organised cosplay event riddled with multiple problems, slammed by cosplay community”. It changed venues a week before the event, allowed stolen artwork to be sold as official merchandise, oversold vendor space, and the list goes on….
If you guys are coming to AkibaTown, please use the Hall B entrance! We're straight ahead to the end from there ? pic.twitter.com/wIGAkci5MV
The spider, named Kumo, is one of two giant robots created by a street theater company of artists, technicians and performers based in Nantes, France. The company, La Machine, was in Ottawa July 27-30 as part of celebrations marking Canada’s 150th birthday.
The spectacle of robots, music and other special effects drew tens of thousands to Ottawa’s downtown.
The show opened July 27 in the evening, with Kumo “waking up” to organ music from inside the cathedral. As the spider, suspended from cranes, climbed off its perch between the towers, “snow” fell from above as part of the event’s special effects.
“I don’t understand how allowing a mechanical spider to stand on the cathedral is anything but disturbing, disappointing and even shameful,” wrote Diane Bartlett on the archbishop’s Facebook wall.
…Archbishop Terrence Prendergast said he was surprised by the negative reaction to an artistic initiative after critics called the spider’s placement “sacrilegious,” “demonic,” and “disrespectful” of a sacred space.
“My cathedral staff and I anticipated that some … might object, but thought it would be minimal, as nothing demeaning was intended in the spider being near the church,” said the archbishop in an email interview with Canadian Catholic News.
“I regret that we had not sufficiently understood that others would see this event so differently. I say to those who were shocked that I understand that this would have been upsetting for them and that I regret that a well-intentioned effort to cooperate in a celebration was anything but that for them.”
So in this languorous time, about the only consistent pasttime I can enjoy, aside from my records, is the ever-growing pile of stf (scientifiction, natch) magazines. One of the ones I look forward to is IF, which, if it is not always stellar, usually has a few items of interest. This month, the September 1962 issue has a lot of lousy stories, and editor Pohl cunningly placed the best one in front so as to dull the impact of the sub-par stuff that follows. But the last tale is a fine reprise of the first, quality-wise. See if you agree:
A famous author and actor, Leiber’s works often approach sublimity. This is one of them, combining both beautiful prose and cutting edge science fiction….
(6) A TO Z. When yesterday’s Scroll said a website had picked an sf author for every letter of the alphabet – all male — Karl-Johan Norén immediately set about balancing the books with his own alphabetical list of 26 influential sf authors – all women:
Authors who appeared at the YALC young adult literature convention over the weekend, including Alex Wheatle and Joanne Harris, have spoken out about what they feel was a lack of disabled facilities at the event. Their complaints centre on the sequestering of one of two disabled toilets for the use of celebrities attending the associated Comicon festival on a lower floor.
Organisers of the event, tied to the London Film and Comic Convention (Comicon) at Olympia in London, were accused by one visitor of “ablism” after wheelchair users ended up squeezing into busy lifts and negotiating crowds to reach accessible toilets on the Comicon floor.
Actor and playwright Athena Stevens, who has cerebral palsy, described organiser Showmasters’ decision to rope off one of the facilities for famous figures attending Comicon – including Benedict Cumberbatch – as “ablist”….
Disabled charity Scope said that defining “reasonable” provision of toilet facilities was a grey area under the Disability Discrimination Act, but it did seem that Showmasters had shown a disregard for their disabled attendees over access to them.
Showmasters, however, denied claims that accessible facilities were unavailable on the same floor as the literary festival, which attracted 40,000 visitors, but acknowledged problems on Saturday. “There were two disabled toilets on that floor, and one was behind the green room wall,” he said. Overcrowding at lunchtime on Saturday had meant that wheelchair users were forced to use facilities on another floor, a spokesman conceded, but not for the whole weekend. Showrunners will consult disabled people to ensure there was no repetition of the problem, he added.
(8) TODAY IN HISTORY
August 6, 1996— A Game of Thrones by George R.R. Martin is released.
August 6, 2003 — Asteroids renamed to honor final Shuttle Columbia crew
(9) TODAY’S BIRTHDAY BOYS
Born August 6, 1934 — Piers Anthony
Born August 6, 1970 – Filmmaker M. Night Shyamalan
With more than two months to go before Philip Pullman’s long-awaited new novel from the world of His Dark Materials is published, pre-orders have sent La Belle Sauvage flying up bestseller lists. But with booksellers already slashing the cover price in half, the award-winning author has spoken out about how cheap books devalue the experience of reading, and called for an end to the “pernicious” doctrine of “market fundamentalism” if literary culture is to survive.
“I don’t like it when I see my books sold cheaply,” Pullman said. “But I’d like to think I’m speaking on behalf of all authors who are caught in this trap. It’s easy to think that readers gain a great deal by being able to buy books cheaply. But if a price is unrealistically cheap, it can damage the author’s reputation (or brand, as we say now), and lead to the impression that books are a cheap commodity and reading is an experience that’s not worth very much.”
A pair of vehicles are operating on a route through the city as part of the Baltic state’s presidency of the European Union, and have so far managed not to collide with any other road users, national broadcaster ERR reports.
But there have been a number of near misses since the launch on Saturday, ERR says. An eyewitness reports that one of the buses failed to give way to a police car with its lights flashing on Monday; while an ERR photographer saw a bus ignore a red light at a pedestrian crossing, ploughing on regardless of the “surprise” it had provoked.
Despite no-one driving, local traffic law means that there still has to be a responsible person on board, meaning that all passengers are greeted by a host. They’ve been tasked with explaining the technology to passengers new to the world of autonomous vehicles, ERR says.
7) So don’t quit your damned day job. Seriously. Do. Not. Quit. Your. Day. Job. It sucks trying to write full-time and work full-time. It sucks more not paying bills and being forced out of your house or your apartment. It sucks even more depending on the good will of your relatives, or your church, or government programs. If I had $10 for every embarrassed pauper author who proudly proclaimed, “I am a full-time writer, so fuck you,” and then (s)he went back to begging for lunch money, I wouldn’t have to work anymore. Starving artistry is not a holy calling. Really, it’s not. I know I am gonna get burned at the stake for saying it. But seriously, do not check out of the “mundane” work force. Not unless you’ve got a metric ton of dough in the bank, or you’ve got a spouse who eagerly volunteers to carry the mundane load — while you labor at the desk in the attic. But if you’ve got responsibilities to meet, and mouths to feed, please, meet them and feed them. As Steven Barnes said at Norwescon ’07, suffering for your art may be noble, but making your family suffer for your art, just means you’re an asshole.
(13) INHUMANS. In this“Marvel’s Inhumans” clip, Maximus and Medusa face off.
(14) YOUTUBE ARCHEOLOGY. Today I discovered there’s a whole subgenre of YouTube videos which take the musical intros to famous TV series and swap in visuals from Star Trek. I admire the effort, although they’re rarely funny. I found this one from 2008 to be somewhat amusing — it starts with the advantage that the original A-Team intro included a lot of self-referential humor.
[Thanks to Hampus Eckerman. John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
Worldcon 75 is now taking nominations for the 2017 Hugo Awards. All members eligible to nominate may do so either by sending in a paper ballot, included with the convention’s Progress Report 3 and also separately downloadable from the Worldcon 75 website, or voting online by individual links supplied to voters.
All nomination ballots must be postmarked by March 17, 2017 or submitted by 11:59 p.m. Pacific Daylight Time on March 17.
Eligible to vote are all those who have purchased membership in Worldcon 75, MidAmericon II or Worldcon 76 in San José by January 31, 2017. Both attending and supporting members have the right to vote for the Hugo Awards and in Worldcon Site Selection for 2019.
Hugo voters are encouraged to nominate up to five works/individuals in each category that they believe are worthy of the award. The most popular nominees will go forward to the Final Ballot.
According to Karl-Johan Norén, online voting —
…uses a new system with personalized links, which should not be shared. Once you have logged in, you can make as many changes as you like up to your nomination ballot until the deadline. Your current ballot will be emailed to you an hour after you stop making changes to it.
The final ballot will be announced in early April, and the awards will be presented August 11 at Worldcon 75 in Helsinki, Finland. Only Worldcon 75 members will be able to vote on the final ballot and choose the winners.
As in previous years, voters may nominate up to five possible finalists in each category. However, the World Science Fiction Society’s Business Meetings in 2015 and 2016 made some changes to the way nominations will be tallied this year to produce the final ballot. These include:
Final ballots in each category will now have six rather than five finalists (but the maximum number of nominations that a voter can make in each category remains five);
A new system for counting nominations, which will reduce the extent to which a small bloc of voters can dominate individual categories;
No more than two works by the same creator(s), and no more than two stories from the same series, can appear on the ballot for any one category;
The requirement that all finalists in a category must receive more than 5% of nominations has been removed.
Worldcon 75 also is using its right under the rules to run a one-time Hugo category by giving a trial run to the proposed Best Series category, which received its first passage at the 2016 Worldcon Business Meeting and will become permanent if the 2017 Business Meeting ratifies it.
The Hugo base this year will be designed by a Finnish artist, to be selected by the Worldcon 75 committee.
The Hugos are the most prestigious award in the science fiction genre, honoring literature and media as well as fan activities. The awards were first presented in 1953.