Pixel Scroll 7/1/21 Scrolling By 40 Specially Trained Ecuadorian Mountain Pixels

(1) KGB IN TIMES TO COME. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Nancy Kress and Kim Stanley Robinson in a YouTube livestream event on Wednesday, July 21 at 7 p.m. EDT. Link to follow. 

  • Nancy Kress

Nancy Kress is the multiple-award winner of science fiction and the occasional fantasy.  Her most recent works are the stand-alone novella Sea Change, about the genetic engineering of crops, and the space-opera The Eleventh Gate. Based in Seattle with, Nancy divides her time between writing and trying to train a very stubborn Chihuahua puppy.

  • Kim Stanley Robinson

Kim Stanley Robinson is a multi-award winner of science fiction probably best known for his Mars trilogy. His most recent novels are Red Moon and The Ministry for the Future. He lives in Davis, California.

(2) JEMISIN’S STATEMENT. Following publication of the Vox article “How Twitter Can Ruin A Life”, based on an interview with Isabel Fall, author of “I Sexually Identify as an Attack Helicopter,” some of N. K. Jemisin’s tweets about the topic from 2020 (see the Wikipedia) have been criticized. Today Jemisin posted an explanatory “Statement on Isabel Fall comments” at her blog.

… The reporter also reached out to me while researching this article, because there’s been a lot of internet chatter about my involvement. I shared what I could with her (off the record), and since she let me know that she was in direct contact with Ms. Fall, I took the opportunity to send a private apology at that time. I had hesitated to do so publicly before this because I didn’t know if it would just bring more unwanted attention to Ms. Fall — but since we’re talking about all of this again, now seems like a good time….

Jemisin recaps in some detail what she was trying to say and what went wrong, followed by this short summary:

…I am deeply sorry that I contributed to Ms. Fall’s distress, and that I was not as thoughtful as I should have been in my response. Let me also apologize specifically to my trans and NB readers, some of whom caught flak because I RTed them, and others who may have been hurt or confused by what I said. I just should’ve done a better job of it.

By now I hope it’s clear that I never wanted to hurt Ms. Fall and was trying to offer support…. 

(3) ALIEN COMING TO TV. Vanity Fair interviews the showrunner: “New ‘Alien’ TV Series Will Be Class Warfare With Xenomorphs”.

…Now a new FX TV series based on the franchise is in the works from Fargo showrunner Noah Hawley—who says it’s about time for the facehuggers and xenomorphs to sink their claws into the white-collar executives who have been responsible for sending so many employees to their doom. 

In a conversation about the symbolism of season four of Fargo, Hawley also offered an update on the Alien series, as well as his new novel, Anthem. The show, however, will have to wait a little while, since the crush of new productions after the pandemic has consumed all of Hollywood’s resources. How appropriate….

Vanity Fair: What’s next for you? Is there a season five in the works for Fargo?

Noah Hawley: Yeah, I think so. I don’t have it yet. I have pieces that will have to survive. They’re not connected. I think it would be good to create an ending, and deliberately come to something, knowing it’s the last one and see how one might wrap up this anthology. What’s next for me, it looks like, is [an] Alien series for FX, taking on that franchise and those amazing films by Ridley Scott and James Cameron and David Fincher. Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting.

(4) SPEED READING. Cat Rambo will be part of the July 2 First Friday Quick Read Zoom event. It’s free – register at the link.

Join us for a lunchtime tasting menu of science fiction, fantasy, and horror stories written by women and non-binary authors. We’ll feature 6 authors who will each have 8 minutes to tempt and tantalizing you with their reading. Our readings are like Forrest Gump’s box of chocolates – you never know what you’ll get!

(5) RADIO PLAY WINS KURD LAßWITZ AWARD. The radio play jury of Kurd Laßwitz Award has finished voting reports award trustee Udo Klotz. The winner is Der zweite Schlaf by Heinz Sommer.

  • Best German SF Radio Play First Broadcast In 2020

 (6) SFF AFTER MAO. There is a new book on Chinese sff in the 70s and 80s that readers might be interested in: Hua Li’s Chinese Science Fiction during the Post-Mao Cultural Thaw, from University of Toronto Press.

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw.

Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction.

(7) TIME LIMIT. A trailer has dropped for the fourth and final installment of the Rebuild of EvangelionEvangelion: 3.0+1.01 Thrice Upon A Time.

The fourth and final installment of the Rebuild of Evangelion. Misato and her anti-Nerv group Wille arrive in Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of Nerv Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei wander around Japan.

(8) MARS IN CULTURE. “Exploring the Red Planet through History and Culture” with Nick Smith (past President of LASFS) will be hosted by the Pasadena Museum of History. This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. Sign up for email notification here.

The planet Mars has long been connected to humankind through religions, literature, and science. Join Nick Smith, guest curator of PMH’s 2018 exhibition Dreaming the Universe, to explore our fascination with Earth’s neighboring planet, and discover some of the many ways Mars is part of our culture. 

This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. An email with the link to the presentation will be sent to all of our email subscribers on Thursday, July 22.

*Pre-recorded presentation from Spring ArtNight 2021.

(9) RESOURCES FOR HORROR FICTION SCHOLARSHIP. The University of Pittsburgh library system announced the acquisition of the papers of Linda Addison, Kathe Koja, and the archives of the Horror Writers Association: “University of Pittsburgh Library System Acquires Additional Archives for its Horror Studies Collection”/

…The ULS has acquired the papers of Linda D. Addison, the most decorated horror poet today with a total of six Bram Stoker literary awards. Addison became the first African American writer to win a Stoker in 2001 for her collection, Consumed, Reduced to Beautiful Grey Ashes and has also received the Lifetime Achievement (2018) and Mentor of the Year (2016) Awards from the Horror Writers Association as well as the title Grand Master from the Science Fiction and Fantasy Poetry Association (2020). Her poetry explores themes of race, gender, loss, struggle, hope, and the resiliency of humanity through a lyrical style that employs both traditional horror tropes of the supernatural as well as stark realism. Her archive will include drafts and manuscripts of her poetry as well as ephemera such as convention programs and awards which help demonstrate her impact on the genre. On her hopes that her archive will inspire others, she says:

“Having my writing journey from journals, through edits to final versions, become part of the University of Pittsburgh Horror Studies Collection is a dream, I never imagined, come true! To think that others, studying my process, could find value and inspiration will allow my work to safely exist past the length of my life, is an incredible blessing.”

The ULS has also acquired the papers of Kathe Koja, who is a true iconoclast whose works push boundaries, expand our conceptions of horror, and prove that horror is indeed a true literary genre. Her first novel, The Cipher (1991), won both a Bram Stoker Award and Locus Award and solidified her impact as a force within new horror. She employs a striking and unique prose style to explore themes of alienation and social isolation as well as transcendence, often through art. Her collection will include drafts, manuscripts, and notes from her novels and short stories. On her decision to establish her archive at the University of Pittsburgh, Koja said:

“A book is its writing as well as its words: the thoughts and notes and drafts and edits (and edits, and edits) that comprise the final text. To have all that making made available for scholars, readers, and fans of horror literature is a real boon, and I’m beyond delighted that my own horror novels will now be available this way.”

Lastly, the ULS has acquired the archives of the Horror Writers Association (HWA), the premiere professional organization for writers working in the genre.  This collection, established by current HWA President John Palisano with support from former President Lisa Morton, documents the history of the organization through its newsletters, convention booklets and programs, and other published materials. Collectively, these materials illustrate the work of the HWA, as well as the community it has built. The HWA has been the main space for writers working within the genre to collect and collaborate since the late 1980s and has issued the Bram Stoker literary awards since 1987 at yearly conventions, such as the World Horror Convention and, since 2016, StokerCon.

(10) HUGO NOMINEE IS PLEASED. Best Professional Artist Hugo finalist Maurizio Manzieri tweeted –

(11) MEMORY LANE.

2003 – Eighteen years ago, Iain M. Banks’ only non-fiction book was published. It was Raw Spirit: In Search of The Perfect Dram. Of course he published it as Iain Banks as only his SF was under published under Iain M. Banks. It was his tour of the small whisky distilleries of Scotland in the small red sports coupe that he’d bought with the advance from the publisher who’d underwrote the entire affair on the word of Banks that it was a Great Idea. And being Banks about the Iraq War as well.  As he says in his introduction, “After doing extensive research, I can definitely tell you that single malt whiskies are good to drink”.  If you want to know more about this book, we reviewed it here at Green Man Review. And yes, it is available from the usual suspects. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 1, 1891 — Otis Adelbert Kline. Early pulp writer and and literary agent whose great claim to fame was a possibly apocryphal feud with fellow author Edgar Rice Burroughs, in which he supposedly raised the latter’s anger by producing close imitations of Burroughs’s Mars novels. Wollheim and Moskowitz believed in it having happened, Lupoff did not. (Died 1945.)
  • Born July 1, 1934 — Jean  Marsh, 87. She was married to Jon Pertwee but it was before either involved in Dr. Who. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly Stranger Dark PlacesReturn to OzWillow as Queen Bavmorda and The Changeling. (CE)
  • Born July 1, 1935 — David Prowse. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been  a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he played that role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (Died 2020.)
  • Born July 1, 1952 — Dan Aykroyd, 69. Though best known as Dr. Raymond Stantz in the original Ghostbusters films (which he wrote with Harold Ramis), he actually shows up a year earlier in his first genre role in Twilight Zone: The Movie as Passenger / Ambulance Driver. He’s reprising his role in the recent Ghostbusters 2020
  • Celebrated July 1, 1955 — Robbie the Robot. On this date in 1955, Robby the Robot was born. Or more properly constructed. Or so claims the studio, Metro-Goldwyn-Mayer, that would release Forbidden Planet, where he had his first screen appearance, on March 3, 1956 when the movie had its US premiere. He would go on to be in a number of  series including Lost in Space twice plus on The Addams FamilyThe Man from U.N.C.L.E. twice,  Twilight Zone (five appearances , mostly as toys) and Holmes & Yo-Yo to name but a few of his other  appearances. His latest appearance was on The Big Bang Theory with other movie props in “The Misinterpretation Agitation” episode. He had a memorable appearance on The New Adventures of Wonder Woman where he was the Master of Ceremonies at one of our SF Cons!  
  • Born July 1, 1962 — Andre Braugher, 59. He’s the voice of Darkseid in Superman/Batman: Apocalypse which is why he makes the Birthday list. If there’s ever proof that a great voice actor can make an animated role, this is it. It’s also a superb film. His other major genre role is as General George W. Mancheck in The Andromeda Strain series that originally aired on A&E. 
  • Born July 1, 1964 — Charles Coleman Finlay, 57. The Traitor to the Crown series is his best known work. His first story, “Footnotes”, was published in The Magazine of Fantasy and Science Fiction where many of his stories have since been published. Six years the editor of The Magazine of Fantasy and Science Fiction, ending in February of this year.
  • Born July 1, 1981 — Genevieve Valentine, 40. Author of the superb  Persona novel and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She scripted a run of Xena: Warrior Princess, and scripted Batman & Robin Eternal as well. 

(13) COMICS SECTION.

(14) HUGOS FROM THE HAGUE. Fanac.org now hosts a video of the ConFiction (1990) Worldcon Hugo Ceremony.  

This video, captured with a hand held camera, covers the Hugo Awards, as well as the Campbell Award for New Writers, and the fannish Big Heart and First Fandom awards. Many awards were accepted by designees for the recipients, and we see Anne McCaffrey and Jack Chalker among those accepting for others. There’s a bit of humor from Dave Langford, and appearances by the American Ambassador to the Netherlands, C. Howard Wilkins. The World Science Fiction Society Banner, first hung at NyCon II in 1956, makes its appearance, and the video ends with the traditional view of all the recipients on stage. The video was recorded by John Cramer, provided by Tom Whitmore and used with the permission of Kees van Toorn, Chairman of ConFiction.

(15) SHAT TRADES SMACK. Shat gets into trouble by being a host on Russian propaganda network RT.“Star Trek Icon William Shatner Spars With Journalists About His New Show on Kremlin TV” says The Daily Beast.

Star Trek star William Shatner has taken to Twitter to trade blows with journalists who called him out for hosting a new show on the Kremlin’s notorious state-funded network, RT.

Earlier this week, the 90-year-old Canadian actor—known for taking on the legendary role Captain James Kirk in the Star Trek saga—announced he would be hosting a new general talk show on the American branch of RT called “I Don’t Understand,” where he’ll be posing questions to guests on a variety topics. The show is set to debut later this month.

Alexey Kovalev, an investigative editor for Meduza—one of the most popular independent Russian-language news outlets—had some choice words for Shatner on his work with the network.

“Quick reminder about [RT’s] views and editorial policies @WilliamShatner is now endorsing (whether he wants to or not),” he tweeted on Thursday, linking to a thread that ends with “Don’t go on RT, unless you are okay with sharing a mic with some of the most vile racist degenerates out there. It’s not a legitimate media platform. It has no redeeming qualities. And if no other platform will have you, then you really shouldn’t have *any* platform.”

Those comments seem to have hit a nerve with Shatner, who wrote back, “Perhaps instead of rebuking me with facts that have zero influence on my show, a better use of your time would be to move? It seems that you being in Moscow means you are directly supporting the very regime you are berating me about. #hypocrite.”…

(16) POE’S SCIENCE REPORTING. Daniel Engber reviews John Tesch’s Poe biography The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science in “Edgar Allan Poe’s Other Obsession” at The Atlantic.

…By 1840, Poe was working at a men’s magazine, where he launched a feature called “A Chapter on Science and Art,” consisting of the sorts of squibs on innovation later found in Popular Mechanics. (“A gentleman of Liverpool announces that he has invented a new engine,” one entry started.) With this column, Tresch suggests, “Poe made himself one of America’s first science reporters.” He also made himself one of America’s first popular skeptics—a puzzle master and a debunker, in the vein of Martin Gardner. Poe wrote a column on riddles and enigmas, and he made a gleeful habit of exposing pseudoscience quacks….

(17) RAILGUN R.I.P. The idea got a lot of media attention, however, they’re going another direction: “Navy ditches futuristic railgun, eyes hypersonic missiles” reports the AP.

The U.S. Navy pulled the plug, for now, on a futuristic weapon that fires projectiles at up to seven times the speed of sound using electricity.

The Navy spent more than a decade developing the electromagnetic railgun and once considered putting them on the stealthy new Zumwalt-class destroyers built at Maine’s Bath Iron Works.

But the Defense Department is turning its attention to hypersonic missiles to keep up with China and Russia, and the Navy cut funding for railgun research from its latest budget proposal.

“The railgun is, for the moment, dead,” said Matthew Caris, a defense analyst at Avascent Group, a consulting firm.

(18) PUNCH, BROTHERS, PUNCH WITH CARE. At the link, another fabulous Middle-Earth transit map, from 2018 – “One does not simply walk into Mordor” by artist Christian Tate.

Middle Earth map commissioned for Empire Magazine plotting the journeys of Tolkien’s key characters through Peter Jackson’s six films of The Hobbit and Lord of the Rings trilogies.

(19) A REALLY SHORT HOBBIT. Brenton Dickieson introduces readers to “The First Animated Hobbit, and Other Notes of Tolkienish Nonsense” at A Pilgrim in Narnia. The film runs about 11 minutes.

…Rembrandt Films had purchased film rights to produce a film by 1967, but a Hollywood feature-length deal fell apart. According to the Wikipedia page, the film was produced cheaply and quickly–Mythmoot lore places it at 7-10 days–and premiered on the last day that the contract, paying people to see the film. Having fulfilled the contract, they were able to return rights to Tolkien, opening possibilities for future adaptations, including the 1977 animation (which I call “the cute Hobbit” in my mind), and the trilogy epic of the fairy tale in the early 2010s by Peter Jackson, which some may have heard about….

(20) VIDEO OF THE DAY. The HISHE series says this is “How Godzilla vs Kong Should Have Ended”.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Shao Ping, N., Tom Becker, Daniel Dern, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/21/19 No, My Toupee Isn’t Slipping, That’s My Emotional Support Tribble

(1) BE THE FIRST ON THE MOON. Apollo 11 in Real Time is a very impressive site that collates all kinds of archival mission material to simulate a real-time journey through the first landing on the Moon. You can watch the launch, you can follow what I’ll describe as a media reenactment of the entire mission.

Included real-time elements:

  • All mission control film footage
  • All TV transmissions and onboard film footage
  • 2,000 photographs
  • 11,000 hours of Mission Control audio
  • 240 hours of space-to-ground audio
  • All onboard recorder audio
  • 15,000 searchable utterances
  • Post-mission commentary
  • Astromaterials sample data

(2) TOP ART. Mark Lawrence has started a page for the 2019 Self-Published Fantasy Blog-Off cover contest – only three covers as of today, more to be added when the participating blogs make their picks.

Each year I run a cover contest for the SPFBO entrants. Each blog choses its 3 favourite covers from their pool of 30 entrants. The 30 favourites collected from the 10 blogs are then voted on in separate ballots by the bloggers and by the public.

The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.

(3) CHASTE CHUCK. Here’s a position you won’t find in the Kama Sutra:

(4) IT COULD HAPPEN. Also, there’s reason to believe that Chuck will be at CONvergence 2019 in Minneapolis over July 4th weekend.

(5) AVOID CALENDRICAL HERESEY. Steve Davidson proclaims, “Well, we FINALLY did it, and by ‘we’, I mean Kermit Woodall, Amazing Stories’ Art Director and Electronic Media Maestro and by ‘it’ I mean Amazing Stories Events Calendar!”

  • It’s gorgeous.
  • It’s clean.
  • It’s easy to navigate.
  • It has well over 500 events listed (and more regularly added).
  • It covers events World Wide.
  • It covers events from Bronycons to Middle Eastern Gaming Cons and, if there were such things as cons located off the Earth, we’d have them in there too!
  • You can export it to other calendar programs.
  • You can display it on your screens in a variety of different ways.
  • You can search it by date and by keyword, including type of event, name of event, location of event.
  • You can not only read about an event on our website, but you can click through to the event’s website right from the calendar.
  • There’s pop-outs and roll-overs and clicking for more info!
  • AND – you can add your own events.

In short, we’re now providing fans with an indispensible tool for planning their cons, one with comprehensive information and an easy to use interface.

No longer will you have to say “These aren’t the events I was looking for.”

Mini-editorial: We’ve been working towards this pretty much from the launch of the website. We’ve long believed that a comprehensive, one-stop-shopping events calendar is a must for the Fan community. Many more conventions than most realize are held every month, most of them small, intimate affairs with little to no marketing or advertising outside of a very small local footprint.

Yes, there are a few websites out there, and Erwin ‘Filthy Pierre’ Straus continues to do yeoman’s work for a couple of the print magazines (and continues to put his events rack out at conventions), but these efforts are limited in scope for a variety of legitimate reasons.

We wanted to go beyond that and we think that we’ve succeeded.

***

Want your convention to be seen by over 45,000 convention-going fans? Go click that button that says “Submit Your Event”, right there on the events calendar. There’s an easy to use interface that will let you add an image, set your dates and locations, contact information, website, select multiple ‘types’ of con (there’s 23 different categories and we’ll add more as needed!); you can add your own description of the event, enter costs, venue and more.

  • Check out the sample page below or visit The Events Calendar here – here.
  • And if you visit those pages and come away saying “But my event isn’t in there” – ADD IT!

(6) WHERE THE BODIES ARE BURIED. Andrew Liptak told readers of The Verge that although the movie adaptation has never been released, there may be a Three-Body Problem TV series in the works:

China’s biggest science fiction novel, The Three-Body Problem, is being developed for a potential television series, according to CX Live. If it happens, it’ll come after the massive success of another big sci-fi adaptation from the country, The Wandering Earth.

Chinese entertainment company YooZoo Entertainment holds the rights to the series, and it’s apparently working on an adaptation of the book. CX Live discovered a publicity form submitted to the Chinese government that lists the production details of the proposed series, which will apparently run for 24 episodes and could begin shooting this September.

(7) LUCASARTS. The Digital Antiquarian remembers the game “Sam and Max Hit the Road”:

Day of the Tentacle wasn’t the only splendid adventure game which LucasArts released in 1993. Some five months after that classic, just in time for Christmas, they unveiled Sam & Max Hit the Road.

At first glance, the two games may seem disarmingly, even dismayingly similar; Sam and Max is yet another cartoon comedy in an oeuvre fairly bursting with the things. Look a little harder, though, and some pronounced differences in the two games’ personalities quickly start to emerge. Day of the Tentacle is clever and funny in a mildly subversive but family-friendly way, very much of a piece with the old Warner Bros. cartoons its aesthetic presentation so consciously emulates. Sam & Max, however, is something else entirely, more in tune with an early 1990s wave of boundary-pushing prime-time cartoons for an older audience — think The Simpsons and Beavis & Butt-Head — than the Saturday morning reels of yore. Certainly there are no life lessons to be derived herein; steeped in postmodern cynicism, this game has a moral foundation that is, as its principal creator once put, “built on quicksand.” Yet it has a saving grace: it’s really, really funny. If anything, it’s even funnier than Day of the Tentacle, which is quite a high bar to clear. This is a game with some real bite to it — and I’m not just talking about the prominent incisors on Max, the violently unhinged rabbit who so often steals the show.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 21, 1938 Ron Ely, 81. Doc Savage in Doc Savage: The Man of Bronze, a film I saw a long time ago and remember little about. He was also, fittingly enough, Tarzan in that NBC late Sixties series. Somewhere Philip Jose Farmer is linking the two characters…  other notable genre roles included being a retired Superman from an alternate reality in a two-part episode “The Road to Hell” of the Superboy series, and playing five different characters on the original Fantasy Island which may or may not be a record. 
  • Born June 21, 1932 Lalo Schifrin, 87. Argentina-American pianist and composer of the music for the original Mission: Impossible series along with The Four Musketeers (1974 version), The Amityville Horror, The Mask of Sheba, The Hellstrom ChronicleTHX 1138The Cat from Outer Space and The Man from U.N.C.L.E. to select some of his work.
  • Born June 21, 1947 Michael Gross, 72. Ok, I’ll admit that I’ve a fondness for the Tremors franchise in which he plays the extremely well-armed graboid hunter Burt Gummer. Other than the Tremors franchise, he hasn’t done a lot of genre work as I see just an episode of The Outer Limits              where he was Professor Stan Hurst in “Inconstant Moon” (wasn’t that a Niven story?) and voicing a  few Batman Beyond and Batman: The Animated Series characters. 
  • Born June 21, 1952 David J. Skal, 67. Vampires! He’s an academic expert on them and horror in general, so he’s got a number of with his first being Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. He followed that up with a more general work, The Monster Show: A Cultural History of Horror. And then he produced The Monster Show: A Cultural History of Horror which links horror films to what is going on in culture at that time, ie AIDS. His latest book was a biography of Bram Stoker, Something in the Blood.
  • Born June 21, 1957 Berkeley Breathed, 62. ISFDB on the basis of a chapbook called Mars Needs Moms is willing to include him as genre but I’d argue that Bloom County which includes a talking penguin is genre as they are fantastic creatures. 
  • Born June 21, 1964 David Morrissey, 55. His most well-known role is playing The Governor on The Walking Dead (which is a series that I’ve not seen and have no interest in seeing) but I saw his brilliant performance as Jackson Lake, the man who who believed he was The Doctor in “The Next Doctor”, a Tenth Doctor adventure which was an amazing story. He was also Theseus in The Storyteller: Greek Myths, and played Tyador Borlú in the BBC adaption of China Mieville’s The City & The City. I’ll admit that I’m very ambivalent about seeing it as I’ve heard the novel at least a half dozen times and have my own mental image of what it should be. He has also shows up in Good Omens as Captain Vincent. 
  • Born June 21, 1965 Steve Niles, 54. Writer best- known for works such as 30 Days of Night, Criminal Macabre, Simon Dark and Batman: Gotham County Line. I’ve read his Criminal Macabre: The Complete Cal McDonald Stories and the the graphic novel — great bit of horror! Sam Raimi adapted 30 Days of Night into a film.
  • Born June 21, 1969 Christa Faust, 50. It does not appear that she’s written any original fiction save one nove with Poppy Z. Brite called Triads but she’s certainly had a lot of media tie-in work including novels set in the Final Destination, Friday the Thirteenth, FringeGabriel HuntNightmare on Elm StreetSupernatural and Twilight Zone universes. Did you know there’s an entire ecology of novels, fan fiction, a game, comics, even an encyclopedia guide, September’s Notebook — The Bishop Paradox made around Fringe? I hadn’t until I was researching her. One of the perks of doing this. 
  • Born June 21, 1979 Chris Pratt, 40. Starlord in the MCU film franchise. His first genre role was voicing Jake in the “Attack of the Terrible Trio” episode of The Batman series. After that, he’s largely confined himself to the MCU with the exception of being Owen Grady in Jurassic World: Fallen Kingdom. 

(9) COMICS SECTION.

  • Speed Bump shows a UFO abductee’s priorities.
  • And Bizarro shows that if it’s not easy being green, consider the alternatives.

(10) GUNN BEARING. Dark Matter Zine has posted another Ian Gunn illo: Hollywood Cliché No. 15. See it there!

Last week we began a series of movie cliche illustrations by Ian Gunn. This week we look at villains’ habits of climbing to the highest room in the tallest tower — then falling off. And here are some of New York’s finest, puffing and panting their way in pursuit of said villain… who is climbing to the highest room in the tallest tower.

(11) STOOGE SURPLUS. Nate D. Sanders Auctions is putting “The Personal Collection of Moe Howard” up for bid from June 24-28. Featured items include “Scarce Three Stooges Agreement With Columbia From 1946 Signed by FOUR Stooges, Moe, Curly, Larry & Shemp”.

 (12) ON THE MENU. Scott Edelman urges listeners to hash it out with Kathe Koja in Episode 98 of his Eating the Fantastic podcast.

Kathe’s debut novel The Cipher, for which she won a Bram Stoker Award, had a tremendous impact on the horror field — as much of an impact on horror, in fact, as William Gibson’s first novel Neuromancer did on science fiction — a tremendously rare thing for a debut. She’s also written historical fiction, such as her Under the Poppy trilogy, as well as a number of young adult novels, starting with Straydog in 2002, and most recently Headlong. Her short stories have been published in Asimov’s, Weird Tales, Realms of Fantasy, F&SF, and many other magazines, plus anthologies such as Queen Victoria’s Book of Spells and Redshift: Extreme Visions of Speculative Fiction. She is the founder of nerve, a Detroit-based immersive theatre company.

We snuck away during StokerCon to San Chez Bistro. Not only is this tapas restaurant well-reviewed and highly rated, but they’re also amazingly sensitive to the needs of their guests, so much so they have multiple full specialized menus — not just a Vegan menu, but ones for soy allergies, tree nut allergies, citrus allergies, shellfish allergies and more. It’s one of the most accommodating restaurants I’ve ever visited when it comes to food preferences. My one regret from my trip to Grand Rapids is that time didn’t permit me to experience the full dinner menu.

We discussed her love of immersive theater (and dissected her previous night’s performance at StokerCon), why her groundbreaking debut novel The Cipher will always be The Funhole in her heart, what caused her to move into the YA world after her dark adult novels and why it’s harder to write for a younger audience, how she accidentally wrote her Under the Poppy trilogy, the allure of writing historical novels, how being in the presence of Kate Wilhelm at Clarion changed her life, what she got out of her many collaborations with Barry Malzberg and others, plus much, much more.

(13) PLOT AND PLAN. Nina Shepardson gives a quick review to Odd Adventures with Your Other Father by Norman Prentiss” at Outside of a Dog.

I did have a couple of stylistic issues with the novel. The primary one is that some of the dialogue doesn’t feel realistic. Elmore Leonard once said, “If it sounds like writing, I rewrite it,” and some of the dialogue here definitely sounds like writing.

(14) PEACES OF EIGHT. Paul Weimer applauds the result in “Microreview [book]: Children of Ruin, by Adrian Tchaikovsky” at Nerds of a Feather.

Adrian Tchaikovsky’s Children of Ruin continues the Children of Time universe in a mostly standalone braid of stories of terraforming, Uplift and first contact.

…The novel follows two strands in the web of plot. In the “past” timeline, a human exploration ship before their fall into a dark age (and subsequent revival) has come into a likely solar system looking for a planet to terraform. What they find are two candidate planets, a marginal glaciated one, Damascus,  that might be melted into terraformability, and a second inner one, Nod, that, much to their disappointment is already full of indigenous life. That strange  alien life is worth study, but it means the planet is not really suited for future colonization. But within that life on Nod is a surprise. On Damascus, in the meantime, a crew member’s idea to use octpodes to help in the colonization will have unexpected consequences.

In the present day, a Human/Portiids (Spider) exploration ship with a clone of the AI from Children of Time, has arrived in that same solar system thousands of years later, to find, to their shock and surprise, what has happened in the interim to the two planets. The humans are gone, but on both planets, their legacy and inheritors are most definitely in evidence, and much more than the explorers anticipated…

(15) THE REASONS. Ian Sales tells what he thought about “The Hugos 2019, novellas” and why at It Doesn’t Have To Be Right. This is an excerpt from his take on Binti: the Night Masquerade.

…I’m no fan of exposition, and I disagree entirely with Kim Stanley Robinson’s statement “it’s just another form of narrative”, and “streamlining exposition into the narrative” is another piece of writing advice that gets my back up… Which is not to say there’s zero info-dumping in Binti: the Night Masquerade. There’s plenty. But it’s all about Binti and her culture, or that of her male companion. The rest of the world is so sketchy it might as well have been made-up on the spot by Binti herself. I really do not rate these novellas, and I’m mystified by the love shown to them.

(16) CANCEL CULTURE. Remember that petition signed by 20,000 calling on Netflix to cancel Good Omens? Well, they did. And Amazon Prime returned the favor.

(17) BY THE YARD. The New York Times points to another Amazon Prime offering, reruns of a Fifties show with Boris Karloff.

‘Colonel March of Scotland Yard’ 
When to watch: Now, on Amazon.

This is more specimen than gem, but there aren’t that many shows from the 1950s available to stream — and this one, starring Boris Karloff in an eye patch, has a fun spookiness. Karloff plays Colonel March, who works in the “department of queer complaints,” and thus solves mysteries of all sorts. How can he do it all? one character marvels. “Because I’m a student of the major obsessions of our time: food, finance, fashion and frenzied love,” he replies. Sounds fun.

(18) TALES OF SUPER SCIENCE. You can thank a black rocket scientist from Alabama for both the Super Soaker and the Nerf Blaster. Assuming, of course, that you weren’t traumatized as a child by being blasted by either one of those at an embarrassing time (or place). Smithsonian Magazine: “The Accidental Invention of the Super Soaker”. Tagline: “A leak in a heat pump gave rocket scientist Lonnie Johnson the idea for his powerful squirt gun”

You might think it doesn’t take a rocket scientist to invent a squirt gun like the Super Soaker. But Lonnie Johnson, the inventor who devised this hugely popular toy that can drench half the neighborhood with a single pull of the trigger, actually worked on the Galileo and Cassini satellite programs and at NASA’s Jet Propulsion Laboratory, where he helped develop the B2 stealth bomber.

Johnson is a prodigious creator, holding more than 120 patents on a variety of products and processes, including designs for film lithium batteries, electrochemical conversion systems, heat pumps, therminonic generators and various items to enhance battery production, including a thin-film ceramic proton-conducting electrolyte. In addition to serious-science inventions, Johnson has also patented such versatile and amusing concepts as a hair drying curler apparatus, wet diaper detector, toy rocket launcher and Nerf Blasters. Yes, that rapid-fire system with foam darts that tempts the child in all of us to mount ambushes on unsuspecting relatives and pets.

“I’m a tinkerer,” Johnson says. “I love playing around with ideas and turning them into something useful or fun.”

(19) HERE COMES THE SUN. A day like any other day, only — “Stonehenge summer solstice: Thousands gather to cheer sunrise” (lots of pictures).

Thousands of people cheered sunrise at Stonehenge on summer solstice.

About 10,000 people gathered at the Neolithic monument to greet the start of the longest day of the year, according to Wiltshire Police.

Kate Logan, from English Heritage, said: “There was a lovely, friendly atmosphere, the sun shone and the dawn was greeted with loud cheers.”

The celebrations at Stonehenge came as people descended on sites across the UK to celebrate the first day of summer.

Glastonbury Tor in Somerset and the Avebury stone circle in Wiltshire also attracted crowds.

(20) LET THERE BE LIGHT AT NIGHT, TOO. BBC hails “The invention that saved a million ships”.

In the 1820s, Augustin Fresnel invented a new kind of lens and installed it in France’s Cordouan lighthouse. Suddenly, one lamp could light the way for sailors many miles out to sea.

Since antiquity, lighted beacons have guided ships to port. The earliest lighthouses were controlled fires on hilltops that warned vessels that they were approaching land. Over time, these signals were powered by burning coal or oil lamps backed by mirrors, which could reach navigators further out to sea. But lamp power was no match for a dark and stormy night; over centuries, broken hulls and wind-whipped sails ran aground as ships’ captains and crew perished within, unable to spot the coastline before it was too late.

All that changed in the early 1820s, when a French physicist invented a new kind of lens: a ring of crystalline prisms arranged in a faceted dome that could reflect refracted light. Augustin Fresnel installed his creation in the Phare de Cordouan, a towering lighthouse situated in France’s Gironde estuary, about 100km north of Bordeaux. Suddenly, one lamp could illuminate the way for sailors many nautical miles out to sea.

(21) BDPLF MEANS FINE TOBACCO. Steve J. Wright has completed his Hugo Best Dramatic Presentation (Long Form) finalist reviews.

Anyway.  Time for me to don my World’s Worst Film Critic hat and look at the films this year.  They’re all good, you see.  They get shown on a screen that’s bigger than my bedroom!  Nobody would do that if the films weren’t any good, right?

(22) PLAN F***. Rachel Bloom featured in a video that illustrated the host’s topical comments on state abortion laws on Jimmy Kimmel Live!

[Thanks to JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, ULTRAGOTHA, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Andrew Liptak, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

HWA Celebrates Women in Horror Month

In February the Horror Writers Association blog is posting interviews with award-winning women authors. Here are the highlights of the first week.

Elizabeth Massie – February 7

Elizabeth Massie

What advice would you give to new female authors looking to break into horror?

Read extensively across the genre. AND read extensively outside the genre. Write what you want to write how you want to write it. Don’t write as if your mother is looking over your shoulder; let the stories flow freely. If you need a story to be graphic, go there. And if you want a story to be more subtle and quiet, go there. Don’t feel that you have to write splatter/gore to prove yourself. And don’t feel you can’t write splatter/gore if the story demands it. Meet other writers – both female and male. Attend conventions or conferences if you can. Don’t be arrogant but be bold.

Ellen Datlow – February 6

Ellen Datlow

Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?

ED: I’ve won twice for original anthologies: Haunted Legends (with Nick Mamatas) and Fearful Symmetries and twice for The Year’s Best Fantasy and Horror (one of those with Terri Windling and one with Gavin J. Grant and Kelly Link).

As an editor I’ve been inspired by three people:

Maxwell Perkins, the mainstream editor of F. Scott Fitzgerald, Ernest Hemingway, and other American greats. He inspired me by his relationships with his authors-his nurturing and pushing them to create their best work.

Judith Merril, the great sf/f editor (and writer) inspired me by being generous in her definition of science fiction and her perspicacity in embracing mainstream writers works of the fantastic in her Year’s Best Science Fiction reprint series.

Harlan Ellison (also, a brilliant writer) for his two seminal anthologies Dangerous Visions and Again, Dangerous Visions. They broke boundaries, they smashed taboos and many of the stories in those books have become classics.

Paula Guran – February 5

Paula Guran

Do you think women in horror face more difficulties than their male peers?

PG: If you are talking about a woman who writes or edits, I think the challenges are about the same now in publishing as they are for a man. There are areas probably easier for a woman to break into; areas men will have an easier time. For women who write for the screen or direct, I think it is still hard to get a foot in the door.

I feel any woman creative who considers herself only “in horror,” though, may have a lot of difficulties of many kinds. I suppose it depends on what you want, but don’t confuse a very small, insular community for the world. If you want only to write for a limited audience and enjoy feeling you are part of a group of like-minded individuals—if that makes you happy, then that is great. But if you want to become a professional writer, then you need to avoid isolating yourself.

Kathe Koja – February 4

Kathe Koja

Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?

KK: Mr. Stoker has many friends in many places, so it’s always an honor to be able to say I won a Stoker Award: Dracula is an enduring symbol of the shocks and pleasures of darkness. And of course winning was a lot of fun, and the Dell Abyss list was a marvelous, groundbreaking group of writers.

Linda Addison – February 3

Linda Addison

Do you think women in horror face more difficulties than their male peers?

LA: It’s pretty clear in the wider world that women face more problems in fields where men dominate. I don’t have any personal experiences to point to because no one has treated me badly, but I have heard other women authors tell of having issues as horror writers. I’m glad there is an increase in conversation and attention about the need for inclusiveness on many levels of our field. Part of the challenge is convincing people to read/publish outside the names they are familiar with; this is happening slowly.

The gatekeepers (editors, publishers, agents, etc.) have a lot to do with evolving the horror landscape. Not only is there a need to be more aware of the need for diversity, but they also need to become more diverse.

I’m part of the HWA Diverse Works Inclusion Committee and we’re tasked with introducing the membership to creators in The Seers Table column of the monthly newsletter that they may not know about. It’s a way to put names and work out to members that they wouldn’t necessarily choose. I hope it’s making some impact.

Another project I’m involved in that I hope will introduce interesting new voices to the field is Sycorax’s Daughters, an anthology of 28 horror stories and 14 poems written by African American women writers, and edited by myself, Kinitra Brooks and Susan Morris from Cedar Grove Publishing. It is currently available for pre-order.

Nancy Etchemendy – February 2

Nancy Etchemendy

Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?

NE: Two of my Stoker-award-winning works, “Bigger than Death” (1998) and “The Power of Un” (2000), won in the “Work for Young Readers” category, which was very broadly defined. “Bigger than Death” is a short story, and “The Power of Un” is a novel. The rules surrounding works for young readers have changed since then. The category no longer exists. I also won the award in the short fiction category in 2004 for “Nimitseahpah.”

People seem particularly curious about where horror writers get their ideas. I’ve lost count of the number of times I’ve been asked about my sources of inspiration. I do have nightmares, and have had them all my life. They are certainly one source. But my stories more often revolve around the mysterious or inexplicable in everyday life. In “Bigger than Death,” a ghostly mother dog leads two children to her nest of puppies, still very much alive. “The Power of Un” examines questions about how a boy would change his past if he had that power. I wrote “Nimitseahpah” for an anthology about gargoyles. It didn’t make the cut, I think because I strayed pretty far from the usual definition of gargoyle. On the surface, it’s about a supernatural stone figure who guards an abandoned mine where a large number of miners lost their lives. Deeper down, it’s about a human boy who has an uncanny connection with the four traditional elements — air, earth, fire, and water. That story and several others which share the same setting were inspired by the weird desert landscape of Nevada, where I grew up….

Mercedes M. Yardley – February 1

Mercedes M. Yardley

Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?

MMY: Oh my goodness! I was the dorkiest award winner ever! I was so certain I wasn’t going to win that I wasn’t even paying attention and missed my name being called. I was wearing six inch heels and nearly tripped on my way to the pulpit. I didn’t have a speech prepared. I just grinned like a fool and garbled out a very sincere, heartfelt thank you before staggering back to my seat.

Winning put me on the map in a way that hadn’t happened before. People were interested in doing interviews and that was enjoyable. I had a few agents approach me instead of it happening the other way around. But what was most profound is that the award validated me in a very meaningful way. I had a friend say to me, “You’re a Bram Stoker award winner now. Your time is worthwhile. Work on what is important to you.” They were wise words. It’s almost as if that award gave weight to what I wanted to say. It was a nearly magical totem that gave me the power and courage to say no to some projects and stop stretching myself so thin.