(1) ALL WISDOM, Last October, The New Yorker’s Sheelah Kolhatkar interviewed Talmon Marco, CEO of Juno, a ride-hailing app that is trying to take business from Uber and Lyft by offering its drivers more pay and stock options.
When I asked Marco why he was so sure that Juno would still be around, he said, half jokingly, that he had acquired all the wisdom he needed by reading The Hitchhiker’s Guide to the Galaxy by Douglas Adams. “Oh, my God,” he said. “It’s the Bible. Everything is there.”
…I asked Marco to share what he had learned from the book, and he hesitated. “Now you’re really putting me on the spot,” he said. After thinking for a few seconds, he went on, “It claims the math never works in a restaurant, which explains why the bill never adds up.” He wasn’t sure if that was still true, because, he said, he stopped looking at restaurant checks a long time ago — preemptively handing your credit card to the server saves the five minutes it takes to get the bill, look at it, and send it back with the payment.
“It was a very popular book, especially when I was growing up, among geeks in the eighties and nineties,” Marco went on. “You have to ask the founders of Snapchat.”
(2) A BOOK OF HER OWN. In the Washington Post, David Betancourt interviews Gabby Rivera, whose “Latina, queer, superpowered and superpopular character” America Chavez has made appearances in the Marvel books Young Avengers and The Ultimates and has now appeared in her own comic book from Marvel, America.
“Superhero comics seemed so out of my league that I never even imagined it as something I could do. But the second the opportunity came my way, it felt so right,” Rivera told The Washington Post’s Comic Riffs. “I’ve always dreamt up wild, powerful and carefree superheroes that look like me and my family: thick, brown, goofy, beautiful. And now I get to see them come to life. ‘America’ is going to be all those things and it’s [going to] be wild.”
Before beginning to write “America,” the new solo series (illustrated by Joe Quinones) that debuted in print and digitally last week, Rivera dived into stacks of comic books featuring the superstrong heroine who can fly and punch star-shaped dimension-hopping holes into the air. Rivera called it her “crash course” on all things America.
(3) PODCASTING TIME LORD. Scott Edelman writes, “I was very pleased to have gotten live on the second weekend of March 2017 an episode of Eating the Fantastic recorded the second weekend of March 1995! How? You’ll see.”
Episode 31 is a 1995 World Horror Con Flashback:
So prepare to time travel back to a 1995 mall food court lunch as I talk about my first job at Marvel Comics, how I broke into writing for Tales from the Darkside, and the beginnings of Science Fiction Age magazine, while Adam-Troy Castro reveals how he created the first story in the first issue of that magazine, as well as how a cab ride he feared he wouldn’t survive turned into one of his most memorable works of fiction.
(4) AS THE TWIG IS BENT. Crooked Timber is running one of their seminars on Ada Palmer’s “Terra Ignota” books — Too Like the Lightning, and the just-released Seven Surrenders. So far they have posted –
Ada Palmer’s new book – Seven Surrenders – is out today. So too is our seminar….
Almost all science fiction, as J.G. Ballard remarked in the introduction to Vermilion Sands, is really about the present day. This is certainly less true today than it was in 1971, but it is still often the case that the relationship between our present and the future world that is depicted – or between the present of the imagined world and that future’s past, when anyone inside the story decides to look back – is oddly straightforward and uninteresting. This is certainly not something that can be said of Ada Palmer’s Terra Ignota books.
In the genres of science fiction and fantasy, when a book is written in an unusual mode, it’s usually either a gimmick or window-dressing. Window-dressing is when for instance a Victorian feeling book has a faux Victorian style as part of that feel. An example of this would be Heinlein’s The Moon is a Harsh Mistress, where Heinlein doesn’t have to tell us that the English spoken on the moon is heavily influenced by Australian and Russian, he gives us a first person narrative devoid of articles and peppered with Russian borrowings and Australian slang. It’s great, but really it’s just scenery, everything else would be the same if he’d chosen to write the book in third with just the dialogue like that. It’s quite unusual to read something where the mode is absolutely integral to what the book is doing. In Womack’s Random Acts of Senseless Violence, the decaying grammar and vocabulary of the first person narrator, Lola, mirrors the disintegration of society around her, and we the reader slowly move from a near future with a near normal text to a complete understanding of sentences that would have been incomprehensible on page one, in a world that has also changed that much.
Too Like the Lightning and Seven Surrenders tell the story of beautiful, brilliant, compassionate people who are also terribly vulnerable. They are Eloi who have convinced themselves Morlocks do not exist; they are victim-beneficiaries of two hundred years of willful ignorance of growing rot. Like the dragon Smaug, they’ve rested on their hoard for centuries, adding layer after layer to their invulnerable bejeweled armor—but they cannot see the armor’s chink, the soft space waiting for Bard the Bowman’s arrow.
The arrow is shaped like God.
(5) AMERICAN GODS. The creators of the American Gods TV series told attendees at a SXSW panel the show has new meaning in “a climate that vilifies immigrants”.
When Neil Gaiman’s American Gods comes to television next month, it’s going to look a little different than fans of the book remember — and its creators hope they’ll take away a subtle political message alongside the myths and magic.
“Our first task of adapting is to make the show that we wanted to see as an audience member,” said Bryan Fuller, one of the showrunners. But “it’s definitely a different show than we set out to make, because the political climate in America shat its pants,” he said. “We are now telling massive immigration stories in a climate that vilifies immigrants. And so we have a strange new platform to start a different kind of conversation.” Fellow showrunner Michael Green agreed. “The book is joyful, it celebrates a lot of things that we love about America, and have since become weirdly odd about America,” he said.
Neil Gaiman echoed the sentiment on Twitter after the panel. “I don’t think we preach,” he told a fan. “And we didn’t think we were making a politically relevant show, just adapting a book about immigrants and America.”
(6) POLITICAL ACTION FIGURES. You may or may not ordinarily be interested in a review and photos of Pinhead Hellraiser III 1/6th action figure by ThreeZero, but Cat Eldridge predicts many readers will be entertained by the political statement at the very end of the review…
(7) NAFF. The National Australian Fan Fund, to send one Australian fan to the Natcon, has opened voting. The winner will attend Continuum 13 in Melbourne, June 9–13.
There are four candidates from three states:
- Jason Fischer (SA)
- Talitha Kalago (QLD)
- Fe Waters (WA)
- Jay Watson (WA)
More details available here. Voting ends April 16.
(8) AT THE BACK OF THE PACK. Rolling Stone has ranked all the cast members from Saturday Night Live since the beginning of the show in the 1970s. Although he went on to have a hugely successful acting career in the Sherlock Holmes and Iron Man movie franchises, this fellow came in last place —
- Robert Downey Jr.
Robert Downey Jr. is a comic genius. Making him unfunny stands as SNL’s most towering achievement in terms of sucking. How do you fuck up a sure thing like Downey? He’s funny in anything. I mean, dude was funny in Weird Science. He was funny in Johnny Be Good. He was funny in Iron Man. But he met his Kryptonite, and it was SNL, where he spent the 1985-1986 season sucking up a storm. His greatest hit? A fart-noise debate with Anthony Michael Hall. In a perverse way, the Downey Fail sums up everything that makes SNL great. There are no sure things. No rules. No do-overs. No safety net — when you flop on SNL, you flop big. And that’s the way it should be. The cameras roll at 11:30, ready or not. Live from New York — it’s Saturday Night.
(9) COSTUMING HISTORY. A video compilation of Kat Bushman’s convention masquerade entries from 1967-2000.
(10) LONG-LASTING HORROR. On Fivebooks, Darryl Jones, who teaches at Trinity College in Dublin, is asked to recommend the best horror stories. He turns to 1897 and reminds us why The Island of Dr. Moreau and The Great God Pan are still worth reading.
Can you give some examples?
One of the best places to look for examples is late-Victorian England. Think of 1897, the year of the Diamond Jubilee of Queen Victoria, which marks the zenith of the British Empire.
1897 also saw the publication of a number of landmark works which were very anxious about the status and lasting power of the British Empire. These works often envisage colonial or intergalactic Others coming to invade London, the imperial metropolis. London gets invaded, London gets destroyed.
(11) KEEP ON TINGLING. A reworking of a popular meme —
please enjoy this relatable chart that all in the BUCKAROO LIFESTYLE can understand. this is an important hilarious way thank you pic.twitter.com/zaLnaAJiiK
— Chuck Tingle (@ChuckTingle) March 11, 2017
[Thanks to Martin Morse Wooster, David K.M. Klaus, Standback, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]