The Effect of Puppy Rays on Fan-in-Spokane Rocketships 5/26

aka It is a truth universally acknowledged, that a sad puppy in possession of a published story must be in want of a Hugo

From rules wonk to rap filk, we have it all in today’s roundup courtesy of Adam-Troy Castro, Keith “Kilo” Watt, Jameson Quinn, Ian Mond, Kat Jones, Lis Carey, Joe Sherry, Reinder Dijkhuis, Brian Niemeier, Rebekah Golden, Lou Antonelli and Vox Day. (Title credit goes out to today’s File 770 contributing editors Kurt Busiek and Peace Is My Middle Name.)

Vox Day in e-mail – May 26

[How many GamerGaters were involved during the Hugo nominating phase? Vox Day says people overestimated in today’s comments.]

The GamerGate involvement in RP/SP through the nomination period is limited to two individuals, me and Daddy Warpig. We are both original GG (GG before Baldwin) and we are both Rabid Puppies.

There are a few GGers who have gotten involved post-nomination, but I don’t know how many. The RP are basically the Vile Faceless Minions plus a few Dread Ilk.

You may wish to note that there are more Vile Faceless Minions (366) than Rabid Puppy nominating votes. That’s because the extent of the Rabid Puppies campaign was a single blog post. Every Rabid Puppy is a VP reader. We didn’t need GG and we knew it, as you can confirm from our pre-shortlist discussions. There are some GGers buying supporting memberships. How many, I do not know.

 

Adam-Troy Castro on Facebook – May 26

Among the revelations in the “Return of Kings” blog post about how women in publishing are keeping true men writers down:

If you are a first-time writer and the acquiring editor decides that you’re an asshole — literally, if she is given reason to believe you’re an asshole who will be a pain to work with — she will likely make the decision to not buy your book.

This is represented as part of the shameful status quo that is keeping men down….

The other option is, of course, to not be an asshole, and is left unconsidered.

 

Keith “Kilo” Watt on Making Light

“E Pluribus Hugo: Out of Many, A Hugo” – May 26

In this thread we will hammer out the formal language of the proposal, any FAQs we wish to include, and strategize for the presentation at the business meeting itself. At this point, we’ll consider the system itself locked in, so we are really only looking at the language.

  1. RME instead of 6th place
  2. (1,1), (1,2), or (1,2,2) for ties in points
  3. Option 2a (if there is a tie for nominations, eliminate the one with fewer points; if there is a tie for both nominations and points, eliminate them both)

There is one more issue that is still up for debate: Should we explicitly empower the Hugo admins to use further tie breakers in the future if they decide it’s necessary? I’ve written the proposal and FAQ explanations assuming that we do, however, a case can be made for not worrying about giving them the power explicitly. We should settle that question here. I think that the way I’ve written the “empowerment” makes it okay to include it, but for myself, I don’t feel a strong need to. I’m definitely not opposed to it, however.

….19. Wasn’t this system just designed by Social Justice Warriors to block the Good Stuff? It is true that much of the discussion for this system occurred on Teresa and Patrick Nielsen Hayden’s “Making Light” discussion board, and it is also true that groups such as the Sad Puppies and the Rabid Puppies consider TNH and PNH to be The Enemy, and therefore completely biased and not to be trusted. Other than serving as occasional moderators, TNH and PNH had no real input in the discussions of the system, however. Those of us who worked on the system were very clear that our goal was not to keep the Sad/Rabid Puppies off of the Hugo ballot, and that any system which specifically targets any type of work is inherently wrong and unfair. One of the members of the group is a retired US Naval officer, a combat veteran, a certified Navy marksman, a Christian, and considers Robert Heinlein to be the greatest science fiction author who has ever lived. In short, he is exactly the Puppies’ demographic. But any slate, of any sort, be it a Sad Puppy or a Happy Kitten of Social Justice, breaks the Hugo Award because a small percentage of voters can effectively prevent any other work from appearing on the final ballot. This is a major flaw in the Hugo nomination system, and it is a flaw that must be fixed if the integrity of the award is to be maintained. Politics should play no role whatsoever in whether a work is Hugo-worthy or not.

 

Jameson Quinn in a comment on Making Light

Final update on the gofundme:

Fully funded, and beyond!

I’m truly in awe of the generosity this community has shown, both to me personally and to the cause of voting reform. Not only has the main campaign received $1440, beyond the goal of $1400; but I’ve also been offered a Sasquan attending membership, so in effect it’s actually $250 over the goal.

 

Ian Mond on The Hysterical Hamster

“Who Should Win The Hugo Award For Best Novel” – May 27

The Anderson in particular led me to question this whole notion purported by the Sad / Rabid Puppies that good SF has big ideas and entertains.  Having read two examples of this sort of SF, both the KJA and Charles Gannon’s awful Nebula nominee, Trial by Fire (review forthcoming) I can only conclude that my idea of entertainment and big, high concept ideas lives in a very different Universe than what the Sad Puppies are aiming to promote.  This isn’t snobbishness***** on my part, I just struggle to see the appeal of novels that are so poorly written.

But let’s get back to the point of this blog post:

Who Do I Want To See Win – I tossed and turned about this, but I’ve finally landed with The Goblin Emperor by Katherine Addison (Sarah Monette)

Who Do I Think Will Win – I might not have been so keen on the novel, but I believe that Ann Leckie will take home her second novel Hugo for Ancillary Sword.

 

Kat Jones on CiaraCat Sci-Fi Review

“Review: The Goblin Emperor by Katherine Addison” – May 26

It’s an interesting slice of life, and I found myself caring about some of the characters. But for me, it wasn’t a compelling STORY.

 

Lis Carey on Lis Carey’s Library

“Ms. Marvel, Vol. 1, by G. Willow Wilson (writer), Adrian Alphona (artist), Ian Herring (colorist), Sara Pichelli (cover)” – May 26

This is the first pure fun I’ve had reading Hugo nominees this year, barring The Goblin Emperor, which I read prior to the announcement of the ballot.

 

Joe Sherry on Adventures In Reading

“Thoughts on the Hugo Award Nominees: Professional Artist” – May 26

There is a lot of quality art being produced by the 2015 nominees. Julie Dillon, last year’s winner for Professional Artist, continued to produce excellent work. Based on their work included in the Hugo Voter’s Packet, Greenwood, Pollack, and DouPonce have also produced good work. As a point of personal preference, Greenwood is my top choice here, but it was very close between Dillon and Greenwood. While referencing the Voter’s Packet is a touch unfair because unless you’re also a voter, you can’t see that work. Unfortunately, except for Dillon, none of the other nominees have work posted at the Hugo Eligible Artists tumblr (a great reference for both fan and pro work, by the way), but you should be able to browse the various websites I’ve linked above to get a feel for their work.

 

Reinder Dijkhuis on Obsession Du Jour

“Notes/first impressions: 3 Hugo-nominated graphic novels” – May 25

Above, I’ve dwelled on the flaws of the comics discussed a lot, and I would like to mention that I really did enjoy two of them and found things to enjoy in the third. They have flaws but they’re not disastrous ones. As the incompleteness problem is apparently par for the course for this category, I’ve decided to ignore this and give all works the benefit of the doubt on that score as far as award-worthiness is concerned. I have decided to vote all four above No Award for the Hugos, in, as it happens, the exact same order as I read and discussed them. My preliminary vote for the category, then, is

  1. Ms Marvel
  2. Sex Criminals
  3. Rat Queens
  4. Saga
  5. No Award.

 

Reinder Dijkhuis on Obsession Du Jour

“Notes/First Impressions: Zombie Nation by Carter Reid” – May 26

…. Everything about it looks copied from other comics. That includes the writing, which is based on just a small number of stale, sexist jokes and pop culture references that need to be retired. Who in their right minds nominated this?

 

 

Brian Niemeier on Superversive SF

“Transhuman and Subhuman Part VI: Swordplay in Space” – May 26

“Why is the preferred weapon of the Galactic Empire the sword?” John C. Wright tackles that question in the sixth part of his essay collection Transhuman and Subhuman.

Following the premise that a man’s attitude toward war and death reveals his outlook on life, Wright examines a selection of great science fiction books for the answer to why authors attempting to imagine the future so often employ archaic conventions.

Wright posits five basic views on war…

 

Rebekah Golden

“2015 Hugo Awards Best Movie: Reviewing Lego Movie” – May 26

I really liked the Lego Movie. I believe it has a lot more content to it than first glance would give it. It is interesting and has a good emotional punch as well as a significant number of fun moments.

 

Lou Antonelli on Facebook – May 26

On the way to Kansas City for ConQuest 46, I had to drive through Hugo, Oklahoma, so I stopped and took a selfie of me with the city sign, in celebration of my …two Hugo nominations.

Now, I know right now, some of you are thinking, “Hah! That’s as close to a Hugo as you will ever get, Antonelli!”

 

Lou Antonelli poses with sign outside Hugo, Oklahoma.

Lou Antonelli poses with sign outside Hugo, Oklahoma.

 

Vox Day on Vox Popoli

“You don’t like the medicine, Doctor?” – May 26

And because Public Enemy is always appropriate:

He book-reviewed, he S.J.W’d
Vile minions viewed his anti-Puppy feud
One-star the rating, listen to him double trouble
He signs in now he’s pushing for the lower level
Like crashing cars he’s out there stealing stars
From books he took without a single look.
Taking a toll ’cause his soul broke with the poll
From the revelation… of a Puppy Nation.
Now this is what I mean an anti-Puppy machine
If Hugo come out at all, he won’t come out clean
But look around here go the sound of the wrecking clown
Boom and pound when he put ’em down

Portrait of the Artist as a Young Puppy 5/12

aka The Puppy Who Was Death

On hand for today’s roundup are Jason Sanford, Lyda Morehouse, Martin Wisse, John C. Wright, John Scalzi, Brian K. Lowe,  Damien G. Walter, Fred Kiesche, Rebecca Vipond Brink, Megan Baxter, Lis Carey, Brian Niemeier, Lisa J. Goldtstein, James Weber, Keith “Kilo” Watt, The Weasel King, Alexandra Erin, Sonya Craig, Gabe Posey and Christopher Chupik. (Title credit belongs to File 770 contributing editors of the day Steve Moss and Paul Weimer.)

Jason Sanford

“An engaged fandom means “No Award” won’t kill the Hugos” – May 12

No Award won’t mean the death of the Hugos

With voting for the Hugo Awards now open I’m hearing through private messages and on social media how many people have voted. Based on these comments it appears “No Award” is poised to do very well. In fact, I’d be surprised if No Award didn’t win several categories, notably the Novella, Novelette and Short Story categories, along with other categories where the Puppy slates make up all the nominees.

Despite what the Puppies will try to say if No Award wins, this doesn’t result from some organized attack on their slate. Instead, most Hugo voters appear to be reading the nominees and deciding that many of them are not worthy of being on the final ballot. A smaller group of voters appear to be voting No Award because they dislike how the Hugos were politicized.

One of the strengths of the Hugo Awards has always been how voters punish stories and works which were placed on the ballot through political maneuvering and campaigning. We saw this in the 1987 Hugo Awards for Best Novel, where Black Genesis by L. Ron Hubbard made the final ballot through political campaigning. End result: Hubbard’s novel placed sixth in the voting, behind No Award.

We appear to be seeing a repeat of what happened in 1987. And the good news is that a more engaged fandom, as indicated by Worldcon membership numbers, not only means that people are rejecting PuppyFail, they’ll also make it harder for the Puppies to game the Hugo nomination process in future years. That means any threats to destroy the Hugos if No Award wins will turn out to be meaningless.

 

Lyda Morehouse on Bitter Empire

“On Sad Puppies, The Nebula Awards, And Jeff VanderMeer’s Annihilation” – May 12

There has been some talk in the science fiction community that the next target for the Sad Puppies might be the Nebulas.

For myself, I highly doubt it. First of all, even though it takes far fewer votes1 to get on the Nebula ballot, the Nebulas are nominated and voted entirely by the members of SFWA, the Science Fiction Writers of America. Talk about insiders. This is actually a fairly exclusive group of people, and a small enough that a lot of us know one another personally.

Thing is, it’s actually fairly difficult to become a Nebula voting member of SFWA and, possibly more importantly if you believe the “Sad Puppy Data Analysis,” they would be bereft of their highly effective Rabid Puppy ally, Vox Day, because he was one of two people, EVER, to be forcibly kicked out of SFWA.

Similarly, on a personal level, since they changed how SFWA accepts nominations, I find it kind of baffling to actually do the process of nominating. There are passwords and forums involved now and I am an old lady who can’t always figure out Twitter. I used to only have to shoot an email to the Nebula coordinator with the pertinent info from a member-valid email. While I miss the old way, you can see why the change. The Nebula nomination process is far more protected from hack this way.

That being said, the Nebula is also the science fiction version of the Cannes Film Festival. The Nebula nominees come out significantly sooner than the Hugo and often end up reflecting the current science fiction gestalt, if you will.

 

Martin Wisse on Wis[s]e Words

“The Baen fallacy” – May 12

Eric Flint is one of Baen’s old guard of authors, somebody who has been writing and editing for Baen since at least the nineties. He’s also one of the more insightful of Baen’s stable of authors, being an old lefty rather than a rightwinger, though it’s only noticeable in his fiction because his gun toting heroes defending the American way of life are unionised. Whereas a Larry Correia or Brad Torgersen show little evidence of thinking things through, acting purely on rightwing reflexes, blaming everybody else for their failures to get Hugo nominations, seeing conspiracies in the everyday actions of fandom, Flint thinks much more nuanced and sophisticated about why the Hugo Awards have failed to reward much of the sort of science fiction Baen publishes. Unlike them, he isn’t so much looking for excuses as for looking for explanations. He’s still wrong though, but he’s interestingly wrong and he provides as clear headed a defence of what I like to call the Baen fallacy as is possible….

 

John C. Wright

“An Answer” – May 12

“Then came the Rabid Puppy/Sad Puppy debacle and I was heartbroken. Not because your beliefs and mine are so different, but because you and your fellow Puppies were so *rude*. You, Vox, Day, and Torgenson tore into the heart of fandom out of sheer cussedness and that’s it. Your arguments for nominating a slate and violating the unwritten code underlying the Hugos were irrational and make no sense outside of the right-wing ‘reality bubble.’

Yours,

Rob Thornton Catonsville, MD”

It is a hard letter to read. I aim to please by readers, and when I fail, the fault is mine.

 

John Scalzi on Whatever

“Reader Request Week 2015 #4: Bullies and Me” – May 12

Well, with regard to the Puppies specifically, I don’t think they’re trying to bully me. They just like to use a fictional version of me as a poster boy for Everything That’s Wrong With Science Fiction, and occasionally the poster boy for Sure We’re Doing a Shitty Thing But This Guy Kinda Did It First If You Squint Real Hard, and always as the poster boy for WAAAAAAAAAAAH SCALZI WE JUST HATE YOU SO MUCH AND WISH YOU WOULD DIE. Which is different than bullying. There’s not much to do but snark on that, honestly. They keep at it, I suppose, as a community-building activity. Which, you know. I guess is nice? None of their rationales for slating holds up to even casual scrutiny but at least they’re united in their dislike of me? Bless their little hearts. I wish them joy.

 

Brian K. Lowe

“Friends with Enemies” – May 11

I am what some call a Social Justice Warrior (“SJW”). Not that I crusade for liberal causes; other than voting and contributing to a few, I don’t get much involved. But the Sad Puppies and their allies would call me an SJW for that alone, or because I believe awards should go to stories that are more than just popular, or for a hundred other reasons. Fine. Call me what you want. It just shows how short-sighted such labels are, because in the end, I read the same stuff you do.

The Puppies put Jim Butcher on the Hugo ballot. I love Jim Butcher’s books. Larry Correia would have been on the ballot if he hadn’t taken himself off. I enjoy his books a lot. Most of the other Puppy offerings I am unfamiliar with, but my point is made. They want books that have spaceships on the cover to be about space exploration and high heroics. Well, guess what? So do I. You want proof? Read “The Invisible City.” It’s about a guy who ends up in a (mostly) invisible city. Truth in advertising. End of plug.

But I also believe that the influx of new authors who are not white males is a good thing. The only thing wrong with saying, “F/SF is a wide field with room for all kinds of authors and stories,” is that it implies we’re still writing and reading in a ghetto….

 

 

 

Fred Kiesche on Bernal Alpha

“The Nuclear Option (My 2015 Hugo Vote)” – May 3

I spent a lot of working on my list of nominations of works worthy of a Hugo Award that appeared in 2014. However, unless you’ve been sleeping under a rock, you’ll know that most of what I nominated did not make it.

There has been a lot of talk about how to vote. Well, long story short: You (Puppies, Either Stripe) have your opinion and some of you (Puppies, mostly Rabid) have made your threats. You dug your grave. Go lie in it. I may have voted for some of your nominees in the various categories such as Best Professional Editor (Long Form) if you hadn’t gone the route you went. I have nominated some of your names in the past; I did so again this year [specifically, again, Best Professional Editor (Long Form)].

But…you stand for something I do not. Those nominees who have not dropped from your slate have, in my opinion, embraced your philosophy. So, no vote, no matter how I may have felt previous to this.

 

Rebecca Vipond Brink on The Frisky

“Kirsten Powers Might Be Right About ‘Illiberal’ Feminist Rhetoric” – May 12

I’ve been thinking a lot about what George R. R. Martin said about the Tone Argument in regards to the Hugo Award takeover a few weeks ago: “I am against punching and kicking. Up, down, or sideways. No punching here, please.” The idea that we should “punch up” becomes less and less appealing the more we classify as “up,” the more we classify as “power” to which we need to “speak truth,” and the more hatred and vitriol we excuse as “truth-speaking.” I know for a fact that I’m going to be archiving my blog and starting fresh, because I regret some of the sentiments I’ve employed in order to make a point (I’d be lying if I said I didn’t regret some of the sentiments I’ve employed on The Frisky, too). And I’ve been fiddling with ceasing to call myself a feminist, too, because I really don’t want to be associated with the loud minority who tend to be cruel, censorial, and proscriptive.

 

Megan Baxter on Smorgasbook

“Hawksbill Station By Robert Silverberg” – May 12

Look at the covers above. They may not tell you everything about the book, but if the Sad Puppies narrative is to be believed, they’ll be a straightforward adventure yarn, instead of harbouring something more subversive. You hear that, Silverberg? You guys didn’t write anything more complex than that, right? Wait, what? These books are about the criminalization of left-wing dissent, and the exiling of left-wing would-be revolutionaries to the Pleistocene, on a one-way time travel trip? They’re jam-packed full of references to Marxism, Trotskyism, debates over non-violence versus violent revolution, and the tactics and long-term strategies of the revolution?

 

Lis Carey on Lis Carey’s Library

“Totaled by Kary English” – May 12

Another 2015 Hugo nominee from the Sad Puppies slate. Quite competently written, and there are some interesting ideas. Maggie Hauri, a research scientist in brain/computer interface, is killed in a car accident. Due to the research rider on her insurance policy, her still-aware brain becomes a research subject in what was her own lab.

 

Brian Niemeier on Kairos

“Transhuman and Subhuman Part III: Whistle While You Work” – May 11

The third essay in John C. Wright’s Hugo-nominated collection Transhuman and Subhuman: Essays on Science Fiction and Awful Truth tackles the enduring question of why small animals help Snow White with her housework.

Yes. It really does.

The author formulates his answer in terms of Aristotelian metaphysics.

 

Lisa J. Goldstein on theinferior4

“The Hugo Ballot, Part 7: Novelettes” – May 12

The dialog is a weird combination of fake Western, epic speech, current catch-phrases (“Made in the shade”), and even Yiddish.  This could be the result of a great mixing of languages among Terrans who have forgotten their roots, but the sudden switches in style kept making my head spin.  “Ever seen a kid with a toy what he ain’t playing with it, then some other kid comes along and picks it up?” Teo says.  “Give Bowman his space and he’ll beat feet.”  Just a few minutes later his speech becomes formal, epic, complete with references to himself in the third person: “Very strange was that house-within-the-hill… Then, seeing the bravery of Teodorq and his stalwart companion, the headman of the shuttle summoned them to her council chamber. This was Jamly-the-ghost.”  Anya points out that ghosts can’t be seen, and Teo replies, “Duh, they’re invisible?”

 

James Weber on Alligators and Aneurysms

“Ancillary Justice: Scandalously Good” – May 12

Basically, Ann Leckie was out sick the day they went over pronouns in elementary school — or rather Breq, the main character, was sick that day — and so every single one is a she, even when the character speaking, being spoken to, or being spoken of, is not a she.

Also, Leckie decided: “Stories don’t start at the beginning and move straight through until the end. They start at the beginning and the middle at the same time. And then they race to see who can get to the end quicker. But they also perfectly complement one another so that comprehension of what is actually going on can only happen with both.”

And I’m convinced that this story could not have been told any other way. I wish I could have been there the moment she decided that’s how she was going to do it. I imagine she couldn’t wipe the smile from her face. I imagine that anyone standing around was like “Are you OK?” And she was like “Oh I’m way better than OK. I’m amazing.”

 

Keith “Kilo” Watt on Making Light

“Discussing Specific Changes to the Hugo Nomination Election: A Post Not By Bruce Schneier”  – May 12

After a couple thousand posts, here’s the current proposal, summarized in this comment by Keith “Kilo” Watt.

[Plain-Language Explanation of SDV-LPE]

Least Popular Elimination (formally called “single divisible vote with least popular eliminated” or SDV-LPE for short) is very simple and straightforward.

– You have one nomination “vote”, which we’ll call one “point” to avoid confusion.

– You can distribute that nomination “vote” among as many works as you feel are Hugo-worthy, and it will get divided among them equally. So, if you nominate two works, each gets half a point, if you nominate three works, each gets one third of a point, etc.

– All the points for each work from all the ballots submitted are added together, and the two works that got the least number of points are compared with each other. One of these works is the least popular and will be eliminated.

– For those works that are eligible to be eliminated, we compare the total number of nominations they each received (that is, the total number of times that work appeared on anyone’s nomination ballot). The work that received the fewest number of nominations is the least popular and now completely vanishes from the nomination process as though it never existed.

– We start over for the next round, and repeat the process, however, if one of your nominations was eliminated, you now have fewer works on your nomination ballot — so each one gets more points since you aren’t dividing your vote among as many works.

 

The Weasel King

“This is my new favourite blog” – May 12

Alexandra Erin is snarky as fuck and it’s great. (That link is specifically to her “Noisy Nonsense” category, wherein she is doing an excellent “Sad Puppies Review Books” series.)

 

Alexandra Erin on Blue Author Is About To Write

“Rabid Puppies Review Books: IMOGENE’S ANTLERS”  – May 12

imogene-231x300

Reviewed By Special Guest Reviewer Theophilus Pratt (Publisher — Hymenaeus House)….

Well, John Z. Upjohn has been reviewing books here for a week with not much to show for it. If anything, the SJWs have treated the whole thing as a joke! He means well, but the problem is the SJWs don’t. His fundamental decency shows through in every moderate, conciliatory word he writes, but they spit in his face every time. That’s why I’m taking over for the day, to show him how it’s done.

This is a culture war, and the SJWs take no prisoners. They are the most ruthless thought police the world has ever seen. This is why every last trace of their philosophy must be expunged from existence and all who extol it punished suitably.

Our battle ground for the day is Imogene’s Antlers, which from the very cover obviously promises to be an amusing if instructive lesson in the fundamental truth of the rhetoric of the SJWs and their myriad lies. I purchased this book not with Congress-issued coins of gold and silver but unbacked fiat currency, an irony which was not lost on me when I considered that this book, too, was mere paper backed by nothing of value.

 

https://twitter.com/gabeposey/status/598170830586126336