Pixel Scroll 2/17/20 From Rishathra With Love

(1) NOT FAR FROM THE TREE. Apple TV+ has dropped the Amazing Stories — Official Trailer. The show debuts March 6 on the Apple TV app – if you have an Apple TV+ subscription: Amazing Stories.

From visionary executive producers Steven Spielberg and Edward Kitsis & Adam Horowitz, this reimagining of the classic anthology series transports everyday characters into worlds of wonder, possibility, and imagination

(2) IN THE AUDIENCE AT BOSKONE. Filer Mlex posted a report about the sessions he attended at this weekend’s “Boskone 2020”.

Fairy Tales from the Dark Side

Theodora Goss started off this session by noting that she spent some years of her childhood in Budapest and that she takes particular interest in the fairy tales of Hungary, with their typical strong heroines. She went on to say that fairies vary quite a lot, not only in different cultural traditions, but depending on the date and conditions where they were formed. Victorians had their small flower fairies, for example, and subtle messages could be presented in the form of fairy tales about feminism or other social and political movements. Think of the women brewing eels, bats, herbs, and potions. The fairy represents the human encounter with the magical other.

Isabel Yap noted that Fillipino fairies do not play by human rules. They are not so clearly anthropomorphized and might often turn into fish, or other creatures. These fairy tales might be quite violent, and the fairies are not on our side.

(3) LISTENING TO A CULTURE. [Item by SF Concatenation’s Jonathan Cowie.] There is something of a theme taking place in British culture this spring.

Second Sleep

First we had The Second Sleep by Robert Harris which then became BBC Radio 4’s book at bed time last month (and still downloadable in 15 minute episodes. Here the end of the world was IT related (not really a spoiler as it is hypothesized in first few chapters).

Then on the non-fiction front a vaguely respected Brit senior politician (i.e. pre-Boris /Trump) is to have a book published next month warning that our IT society has no fall-back back-up system in place. This book uses an SF novelette interspersed with factual comment and explanation to elucidate such things as Black Swan events among much else.

And finally, back at the BBC, Radio 4 has just launched another season of its SFnal Dangerous Visions the first episode of 4 is ‘Blackout’ and concerns what happens when the internet (hence power as the grid is web managed) crashes…

Be thankful you can still read this post….

Dangerous Visions

(4) VISUALIZING THE CULTURE. I don’t know how I missed this — The Culture: Notes and Drawings by Iain M. Banks and Ken MacLeod is set for a November 26 release date.

Iain M. Banks, the modern master of SF, created many original drawings detailing the universe of his bestselling Culture novels. Now these illustrations – many of them annotated – are being published for the very first time in a book that celebrates Banks’s grand vision, with additional notes and material by Banks’s longtime friend and fellow SF author Ken MacLeod. It is an essential addition to the collection of any Iain M. Banks fan.

(5) CROWDFUNDING. Apex Publications has launched a Kickstarter to raise $20,000 to publish Invisible Threads: Cutting the Binds That Hold Us edited by Jason Sizemore and Lesley Conner.

No matter who you are or where you come from, there are boundaries and barriers that dictate what you can do, where you can go, and who you can become. Invisible threads running through society, pulling you this way or that, tripping you when you try to better yourself, ensnaring and holding you back.  Invisible Threads is an anthology of dark sci-fi, fantasy, and horror stories that examine these barriers.

Confirmed authors include Alix Harrow, Andi Buchanan, Maurice Broaddus, Fran Wilde, Chesya Burke, Merc Fenn Wolfmoor, Stephanie Malia Morris, Jordan Kurella, K.T. Bryski, ZZ Claybourne, A.C. Buchanan, Damien Angelica Walters, Beth Dawkins, Geoffrey Girard, Sabrina Vourvoulias, A.C. Wise, and Michael Wehunt. We plan to hold an open submissions call should we fund.

(6) EVEN IF IT IS JOSHI. The John Hay Library at Brown University invites applications for its 2020-2021 S.T. Joshi Endowed Research Fellowship for research relating to H.P. Lovecraft, his associates, and literary heirs. The application deadline is March 13, 2020.

The Hay Library is home to the largest collection of H. P. Lovecraft materials in the world, and also holds the archives of Clark Ashton Smith, Karl Edward Wagner, Manly Wade Wellman, Analog magazine, Caitlín Kiernan, and others. The Joshi Fellowship, established by The Aeroflex Foundation and Hippocampus Press, is intended to promote scholarly research using the world-renowned resources on H. P. Lovecraft, science fiction, and horror at the John Hay Library (projects do not need to relate to Lovecraft directly). The Fellowship provides a monthly stipend of $2,500 for up to two months of research at the library between July 2020 and June 2021. The fellowship is open to students, faculty, librarians, artists, and independent scholars.

(7) DOOM IN BLOOM. In “The Pleasure (Reading) of Impending Doom” at CrimeReads, Tosca Lee recommends novels by Ben H. Winters, William Fortschen, A.G. Riddle if you want to read novels about global apocalypses.

As a lifelong lover of a good doomsday story, I’ve always considered the tenacity and resourcefulness of the human spirit to be the category’s major appeal—along with the it-could-really-happen scary plausibility and ingenious “prepping” specifics, of course. But it wasn’t until I started writing my apocalyptic thriller, The Line Between, that the real charm of the genre became apparent to me. 

I’d recently married a single father and become an insta-mom to four. Life was busy and crowded with details. But as I began to plot my literary cataclysm, the chaos of daily life—work, bills, school schedules, errands, house stuff, holidays, political noise, grocery lists, social media, bucket lists, and those ever-elusive last ten pounds—fell away in the face of a story with a single goal: survival. Suddenly, that looming list of to-dos doesn’t seem so insurmountable—or even important—compared to savoring time with those we love while we’re all here on earth together.

(8) NAKAHARA OBIT. Kellye Nakahara, best known for her work on M*A*S*H but who also had several genre roles, died February 17. Consequence of Sound paid tribute: “R.I.P. Kellye Nakahara, M*A*S*H Actress Dies at 72”.

…Nakahara portrayed Nurse Kellye Yamato for 167 episodes of the hit show (according to IMDb). It would go on to be her largest and most memorable role. She followed it up with bit parts in television series such as At Ease, Hunter, Sabrina the Teenage Witch, and with film roles in Clue (the cook, Mrs. Ho), Black Day Blue Night (as Fat Mama), and Eddie Murphy’s version of Doctor Dolittle (credited as Beagle Woman).

(9) TODAY IN HISTORY.

  • February 17, 1959 The Cosmic Man premiered. It produced by Robert A. Terry and directed by Herbert S. Greene. The film stars John Carradine, Bruce Bennett and Angela Greene. The film was shot quickly, primarily on a hotel lobby set, and in Griffith Park in L.A., where the Griffith Observatory was used as stand-in for the Pacific Institute of Technology. At least in Los Angeles, it played on a double bill with House on Haunted Hill. With the notable exception of Variety who really didn’t like it, most critics at the time found it to be a pleasant, fun experience. The audience rating at Rotten Tomatoes does not reflect that — it has a 0% rating from the very few, only thirty four, who’ve given it a score. You can see it here.
  • February 17, 1966 — On this day in Dublin, The Projected Man premiered. It was directed by Ian Curteis from a script by Peter Bryan, John C. Cooper, and Frank Quattrocchi, and starred Bryant Haliday, Mary Peach, Norman Wooland, Ronald Allen, and Derek Farr. Universal Studios released it on a double bill with Terror Island. Critics noted the monster’s resemblance to that of one in The Fly but those involved here denied that film inspired the look of the creature in this movie. It was featured in a ninth season episode of  Mystery Science Theater 3000, and currently the audience over at Rotten Tomatoes gives it a 3% rating. You can see it here.

February 17, 1966 — In the United Kingdom, Episode Twenty-one of the first season of The Thunderbirds,  “The Duchess Assignment”, aired. Created by Gerry and Sylvia Anderson, and. filmed by their production company. The electronic marionette puppetry which they called Supermarionation  was combined with scale-model special effects sequences.  It was the fifth such project by their company. You can see this episode of the Thunderbirds here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 17, 1903 Kenne Duncan. He’s got a number of genre credits starting with the 1938 Flash Gordon’s Trip to Mars serial where he was the Airdrome Captain. He’d play Ram Singh, the butler to the Spider, in The Spider’s Web and The Spider Returns serials, and he’d be Lt. Lacy in the 1939 Buck Rogers serial. Several years later, he’d be Cheney Hencheman Barnett in The Adventures of Captain Marvel serial. You can see him in the first chapter of Spider’s Web serial here. (Died 1972.)
  • Born February 17, 1912 Andre  Norton. She penned well over a dozen series, but her major series was Witch World which began rather appropriately with Witch World in 1963. The first six novels in that series were Ace Books paperback originals published in the Sixties. I remember them with some fondness quite some decades after reading them. (Died 2005.)
  • Born February 17, 1920 Curt Swan. He’s the artist most associated with Superman during the Silver Age, and he produced hundreds of covers and stories from the Fifties through the Eighties. He would be let go in the DC reorganization of the Eighties with his last work as a regular artist on Superman being the 1986 story “Whatever Happened to the Man of Tomorrow?” that was written by Alan Moore. (Died 1996.)
  • Born February 17, 1930 Ruth Rendell. I’ve read and enjoyed some of her mysteries down the decade but am not familiar at all with the three listed as genre by ISFDB (The Killing Doll, The Tree of Hands and The Bridesmaid). Who of you is familiar with these? (Died 2015.)
  • Born February 17, 1931 Johnny Hart. The creator of B.C. and The Wizard of Id. (Brant Pant was the other creator of the latter strip.)  He certainly wasn’t without controversy as this strip attests. (Died 2007.)
  • Born February 17, 1954 Don Coscarelli, 66. A film director, producer, and screenwriter best known for horror films. His credits include the Phantasm series, The Beastmaster, and Bubba Ho-Tep, the latter based on a novella by Joe R. Lansdale whom I’ve met and who is a really nice person
  • Born February 17, 1971 Denise Richards, 49. Her first genre role was as Tammy in Tammy and the T-Rex (really don’t ask). Her next role was the one she’s known for as Carmen Ibañez in Starship Troopers. She’ll be a few years later Dr. Christmas Jones in The World Is Not Enough, the eighteenth Bond film. She’s been announced as playing Victoria Darw in the still to be scheduled Timecrafters: The Treasure of Pirate’s Cove.
  • Born February 17, 1974 Jerry O’Connell, 46. Quinn Mallory on Sliders, a series whose behind the broadcast politics is too tangled to detail here. His first SF role was on Mission to Mars as Phil Ohlmyer with the SF dark comedy Space Space Station 76 with him as Steve being his next role. He’s done a lot of of DCU voice work, Captain Marvel in Superman/Shazam!: The Return of Black Adam, Clark Kent / Superman in Justice League vs. Teen Titans and Justice League: Throne of AtlantisJustice League Dark, The Death of Superman and Reign of the Supermen where he also plays Cyborg Superman to great, chilling effect. The latter film is kickass excellent. 

(11) SH-BOOM. High Seas Trading Co. has reason to brag about its “Outer Space” design:

The Hawaiian Shirt that the Astronauts wore on Aloha Friday on the International Space Station.This space themed Hawaiian shirt is out of this world.

(12) FRESH LID. Alasdair Stuart’s “The Full Lid for 14th February 2020” maps the abstractions of nautical horror with Underwater and The Lighthouse, take a look at the amazing Parasite and shows him learning to Hack the Panic!

Signal Boost this week is Mockery Manor ,Mike UnderwoodKevin Petker‘s Princess World is live on Kickstarter from next week. Be sure to check it outRosarium are currently crowdfunding ‘Hellraiser meets Black History Month’ graphic novel, Box of Bones.. Gordon B. White‘s splendidly titled anthology As Summer’s Mask Slips, and Other Disruptions just got a starred PW review!!

Finally Tracacy Barnett’s current project, This Thing We Started is crowdfunding now. They’ve also recommended Descent into Midnight, launching on Saturday and VERY much my sort of thing.

(13) SPATIAL DELIVERY. James Davis Nicoll found copies of “Five SF Stories About Teleportation Systems Gone Awry” at Tor.com. At least.

In Thomas Disch’s 1967 novel Echo Round His Bones, Nathan Hansard is transmitted to America’s Camp Jackson Mars via teleporter. This is a routine operation…or so it is believed. Wrongly. Hansard is surprised to discover himself somewhere other than Mars. Teleportation creates phantom duplicates on Earth, living ghosts dependent on the phantom duplicates of supplies sent to Mars. Food is in short supply, but no matter. Some of Hansard’s predecessors have solved the problem in a straightforward manner: by eating their fellow phantoms….

But if they eat The Phantom, who will remain to leave comments on Lela Buis’ blog?

(14) EASY DOES IT. So, more like smushing together mudpies? “New Horizons spacecraft ‘alters theory of planet formation'”.

Scientists say they have “decisively” overturned the prevailing theory for how planets in our Solar System formed.

The established view is that material violently crashed together to form ever larger clumps until they became worlds.

New results suggest the process was less catastrophic – with matter gently clumping together instead.

The study appears in Science journal and has been presented at the American Association for the Advancement of Science meeting in Seattle.

…The claim arises from detailed study of an object in the outer reaches of the Solar System. Named Arrokoth, the object is more than six billion km from the Sun in a region called the Kuiper belt. It is a pristine remnant of planet formation in action as the Solar System emerged 4.6 billion years ago, with two bodies combining to form a larger one.

Scientists obtained high-resolution pictures of Arrokoth when Nasa’s New Horizons spacecraft flew close to it just over a year ago. It gave scientists their first opportunity to test which of the two competing theories was correct: did the two components crash together or was there gentle contact?

The analysis by Dr Stern and his team could find no evidence of violent impact. The researchers found no stress fractures, nor was there any flattening, indicating that the objects were squashed together gently.

(15) HIGH FLIGHT. BBC is there: “Virgin Galactic: Unity rocket ship moves to operational base”.

Sir Richard Branson has moved his rocket plane from its development base in California to what will be its operational centre in New Mexico.

The transfer of the Unity vehicle and its mothership, Eve, to the Spaceport America complex signals the start of final testing.

Sir Richard’s Virgin Galactic company is now close to beginning commercial service.

More than 600 individuals have paid deposits to ride Unity to over 80km.

The trip will enable them to experience a few minutes of weightlessness around the top of the rocket ship’s climb.

Already almost 100 Virgin Galactic staff have moved to the southern New Mexico spaceport to prepare it – and themselves – for operations.

Unity will now perform a series of test flights above the desert.

Some of these will see it dropped from altitude to simply glide back to the runway. Others will involve firing its rocket motor to power skyward.

(16) WHAT A CAST. Does a show about Skeletor and He-Man deserve this array of talent? “Mark Hamill and Lena Heady Lead Expansive Voice Cast for Kevin Smith’s ‘Masters of the Universe’ Series”.

Netflix and Mattel TV announced an expansive voice cast for its upcoming “Masters of the Universe” series from Kevin Smith. The cast is led by Mark Hamill as Skeletor, Lena Headey as Evil-Lyn and Chris Wood as Prince Adam aka He-Man.

The new series, “Masters of the Universe: Revelations,” will focus on the unresolved storylines of the original 1982 TV series, picking up many of the characters’ journeys where they left off decades ago.

In addition to those three, the cast also includes Sarah Michelle Gellar (Teela), Liam Cunningham (Man-At-Arms), Stephen Root (Cringer), Diedrich Bader (King Randor/Trap Jaw), Griffin Newman (Orko), Tiffany Smith (Andra), Henry Rollins (Tri-Klops), Susan Eisenberg (Sorceress), Alicia Silverstone (Queen Marlena), Justin Long (Roboto), Jason Mewes (Stinkor), Phil LaMarr (He-Ro), Tony Todd (Scare Glow), Cree Summer (Priestess), Kevin Michael Richardson (Beast Man), Kevin Conroy (Mer-Man) and Harley Quinn Smith (Ileena).

(17) INSPECTOR SPOT-ET. [Item by Mike Kennedy.] Spot may not be designed to follow the Three Laws (yet?), but it is starting to protect humans by taking over certain hazardous and/or mind-numbingly repetitive jobs. Of course, some people would argue that it’s also starting to threaten humans by taking over certain hazardous and/or mind-numbingly repetitive jobs. SYFY Wire: “Boston Dynamics’ robotic dog gets a job working an offshore oil rig”.

See Spot walk. See Spot sit. See Spot roll over. See Spot run onto a Norwegian oil rig to sniff out lethal gas leaks!

Boston Dynamics’ next-generation robotic device, affectionately nicknamed Spot, will soon be embarking on a new test mission aboard an offshore oil rig for petroleum product producer Aker BP and AI software company Cognite. The newly announced project will be rolled out to test a number of advanced robots and drones on Aker BP’s Skarv installation in the Norwegian Sea later this year.

[…] “Our vision is to digitalize all our operations from cradle to grave in order to increase productivity, enhance quality, and improve the safety of our employees,” Aker BP’s CEO Karl Johnny Hersvik said in a press release. “Exploring the potential of robotics offshore underpin our digital journey.”

(18) COLLECTIBLE ROBOT. Michael Crawford provides a review and photos of Wal-Mart’s “Robby the Robot Forbidden Planet action figure” at Captain Toy.

Sculpting – ****
The sculpt isn’t particularly detailed, but the original robot had a lot of smooth surfaces.

What sets this guy apart is all the individual pieces that went into making him, particularly inside and attached to the dome. Check out the levers and doo-dads which would spin and turn and clack along as he spoke and moved, demonstrating the very analog way we looked at robots back then. You could almost see the zeroes and ones flitting through his mechanical brain. Of course none of the interior dome pieces on this figure move, but the detail work is quite impressive for this price point.

The body recreates the original look quite well, although the proportions are a smidge off. Still, at a solid 14″ tall, he’s about the right height and scale to fit in great with other sixth scale figures, including the old Lost In Space characters.

(19) FRENCH VIDEO OF THE DAY. (A) Vous Regardez Un Film on Vimeo is a cartoon by Jon Boutin about the drudgery of going to the office.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Michael Toman, Daniel Dern, Mlex, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern, who scores a Rishathra hat trick.]

Pixel Scroll 5/9/16 A Transatlantic Tunnel In The Sky, Hurrah!

(1) CONVERSATION. At Tor.com, Natalie Zutter tells about the appearance of N.K. Jemisin, Nnedi Okorafor, and Ibi Zoboi at the Brooklyn Museum’s Target First Saturday, in “Masquerade, Initiation, and Sci-Fi/Fantasy: N.K. Jemisin and Nnedi Okorafor in Conversation”.

…Okorafor’s initiation was her experience with paralysis as a teenage athlete, a difficult period during which she had to relearn how to walk but during which she also turned to writing as a way to cope. Her first story was about a flying woman, “because when you can fly, you don’t have to walk.” She explained, “I know that that experience was my initiation into becoming a writer. When I look back, when it was happening, I didn’t know. I just knew that I was learning how to cope and going deep like that, being so distraught that the only way I [could] stay sane was to go into myself, was how I discovered that thing, that storytelling. From that point on, there is this mystical aspect to storytelling; I’ve had several times where I’m writing stories and I just go somewhere, and something is there. An hour will go by and I’ll look at what I’ve written and it will be new to me and I’m like, ‘Who wrote that?’ […] That actually is very scary to me, but over the years I’ve come to deal with that fear and be comfortable with it and expect it, and know to just sit back and let it happen.”

While Okorafor turned into herself, Jemisin’s initiation was the inverse—she went outward through countless adventures as a child and extensive traveling as an adult. Growing up in Mobile, Alabama, the kind of child who would make little books out of construction paper tied together with yarn, she would visit her father up in New York City (specifically, pre-hipster Williamsburg). “This was my wonderland,” she said, remembering how her father would give her a handful of money and mark a spot on the map, then send her out to traverse the subway system and find her way to her destination. “This was the place I came to become my true self,” she said, “where I shed the masks that I had to wear in Alabama in order to be safe, in order to fit in, to be accepted. I came here, and I could be my little nerdy self and be where I needed to be.” Those childhood adventures prepared her for adulthood as an author navigating the publishing industry: “I’ve always been the little black face, the little ink spot on the page. It did not feel to me like having to go into that space and ask for acceptance or fight to be understood. It felt like ‘You need to reshape yourselves. I am here, this is the industry that you claim to be, you need to be what you claim to be.’ And the industry has been changing in that way, in the last few years. I don’t think it’s me; it’s a lot of people. But the fact that I felt that has been built from that early-adapter stuff I had to do.” …

(2) DISCUSSING DISABILITIES. Today saw the launch of Our Words: Discussing Disabilities in Science Fiction.

The purpose of Our Words is to focus on disabilities in speculative fiction, and give the disabled a place to talk freely and openly about our experiences in the genre. Furthermore, I hope to educate genre fans, authors, publishers, and whoever else about disabilities in the genre, in a comprehensive, well-rounded sort of way. This website will eventually expand to do interviews, discuss and review books, have personal essays, highlight issues in the genre, at conventions, and so more.

Our Words is a website run by a disabled genre fan, for disabled genre fans. This is a place for us to all have a voice. A place for us to use our words, and be heard.

(3) HARRY DRESDEN CARD GAME. Jim Butcher’s Dresden-verse has spawned a cooperative card game that is in the midst of being lavishly funded by fans on Kickstarter. Asked for $48,000, supporters have pledged over $379,000 so far, with nine days to go.

Backers will be rewarded with many extras, including the first chapter of Peace Talks (mid May 2016). More details at: The Dresden Files Cooperative Card Game. (Here’s a video that explains how the game is played.)

(4) OWN A BRICK FROM BRADBURY’S HOME. Con or Bust is gathering items for its 2016 fundraising auction. John King Tarpinian has donated a brick from Ray Bradbury’s home, which was demolished in January 2015.

Bidding opens on Wednesday, May 25, 2016 at 12:01 a.m. Eastern. It will close on Sunday, June 5, 2016 at 4:00 p.m.

(5) CAREER LAUNCH. Tina Jens at Black Gate mentions the magic number in “Things Your Writing Teacher Never Told You: Going to the Nebulas”.

I require the students in the more advanced course, the Fantasy Writing Workshop, to complete at least one story and submit it to a semi-pro or pro market. But the course aimed at writing majors and non-writing majors alike, Exploring Fantasy Genre Writing, has more than half the students ready to submit a poem or short story for publication, as well. There’s always a few, each semester, but more this semester, I think….

As part of the last week of classes, for both my courses, I’m having a representative from our department’s Publishing Lab (run by students, for students, to help them submit their poetry, fiction, and creative nonfiction) come in. They help read proposed cover letters, find markets, and provide emotional support. The drill is this, with their laptops open and everyone tapped in to the school wi-fi, when a student author says they’re ready to submit, their finger hovering over the send button, the group does a mission-control countdown from five.

Five, four, three, two, one, SEND! When the button is pushed, we ring a bell and give them a cookie. An actual bell, and an actual cookie. We’ve found both help.….

(6) CARL BRANDON AWARD. Nominations are open for the 2014 and 2015 Carl Brandon Awards.

Two awards are given each year:

The Carl Brandon Parallax Award is given to works of speculative fiction created by a self-identified person of color. This Award includes a $1000 cash prize.

The Carl Brandon Kindred Award is given to any work of speculative fiction dealing with issues of race and ethnicity; nominees may be of any racial or ethnic group. This Award includes a $1000 cash prize.

Nominations open through July 16, 2016

(7) KEN MACLEOD. The Herald of Scotland profiled “Science fiction writer Ken MacLeod on his Free Presbyterian childhood, his time as a Communist Party member and the future of humanity”.

“I got disillusioned with my early Trotskyism and joined the Communist Party at exactly the wrong time in the mid-1980s.” You join us as Ken MacLeod, a man once described as “the greatest living Trotskyist libertarian cyberpunk science-fiction humourist,” is recalling his political history. “I think I left in 90 or 91,” he continues, “a few months before it dissolved itself.

“The CP at that time was certainly a very interesting place to be because they were having their terminal crisis as it were. So it was certainly intellectually stimulating.”

He stops and sips his coffee, looks out through the window of the South Queensferry café where we are sitting at the looming Forth rail bridge. For a moment Scotland’s industrial past and service sector present are invisibly united in the eyesight of one of the country’s most entertaining, politically engaged futurists.

(8) TODAY IN HISTORY.

…My wife, Emily, has joined me to help out with the freelancing. So the business has grown. We haven’t killed each other yet being home all the time.

I almost died just a few years into freelancing. Found out I had a heart defect. Spent years recovering and learning how to manage a whole new life.

Had twins. Still trying to figure out this dad thing. Very much a learn as you go.

I have published 9 novels in that 10 years, 2 under a pseudonym. There are two more written as of yet unsold as well. I’ve also done 4 collections, 5 novellas, and sold 36 short stories….

(9) COSPLAY ORIGINS. Jennifer Culp invites everyone to “Meet the Woman Who Invented Cosplay” in her article for Racked.

Myrtle Rebecca “Morojo” Douglas Smith Gray Nolan was a Gemini, born in June 1904. She was an atheist, an active member of the Los Angeles Science Fiction Society, and a proponent of the 19th-century constructed auxiliary language Esperanto, meant to foster communication and understanding between people of all cultures. (Obviously, she was a big nerd.)

Between the years of 1938 and 1958, she edited three separate long-running sci-fi fanzines (“editing” including all of the typing, mimeo, and physical work required to manufacture the zines, naturally) and wrote editorials for several major early sci-fi “pro”-mags in the early ‘40s. Basically she was the mid-20th century equivalent of a prolific, influential blogger. She married three times, had one son, and shared a decade-long romantic and creative relationship with fellow fan Forrest J Ackerman, with whose help she sparked off a phenomenon that would develop into costume-loving fan culture we know today. In the decades following her death, her memory has largely been resigned to footnotes designating her a mere “girlfriend,” and that’s a damn shame, because both with and without Ackerman Morojo was a badass….

Following her death in 1964 at the age of 60, Morojo found herself in an unenviable posthumous predicament: the most detailed and accessible record of her life and work exists in the form of eulogies written by two of her ex-boyfriends. (Hold up, just take a second here: can you freakin’ IMAGINE what a hell that could be???) Amazingly, her old flames Elmer Perdue and, of course, Forrie, seem to have done pretty damn right by her memory, publishing (of course!) a fanzine in her honor.

Ackerman comes across as — frankly — a self-absorbed ass in his brief essay “I Remember Morojo,” openly acknowledging his surprise at being asked to contribute. He had barely spoken to the woman since he “got mad at her about half my life ago,” as he puts it. But in spite of the teeth-grindingly irritating paragraph he spends speculating about her position in his own imaginary hierarchy of female sci-fi fandom and the insulting description of 17 years of dedicated work on Guteto as “her own little” zine, Forrie gives Morojo what he surely perceived as the ultimate in (awkward nerd) respect, meticulously listing all of the fannish achievements he could recall to ascribe to her. It is through Ackerman’s remembrance that we know that Morojo was responsible for the world’s first fan costumes, which he specifically notes that she “designed and executed.”

You can download a scanned copy of Ackerman’s I Remember Morojo at eFanzines. Here’s FJA’s quote about her leading role in early costuming —

“She designed & executed my famous ‘futuristicostume’ – and her own – worn at the First World Science-Fiction Convention, the Nycon of 1939. In 1940 at the first Chicon she and I put on a skit based on some dialog from THINGS TO COME, and won some kind of prize. In 1941 at the Denvention she wore a Merrittesque AKKA-mask (frog face) devised by the then young & as yet unknown master filmonster model maker & animator, Ray Harryhausen. In 1949 at the Pacficon in LA, I understand she created a sensation as A. Merritt’s Snake Mother…”

Although Ackerman surpassed all others at drawing fannish attention to himself, as you can see he gave the credit in this case to Morojo. Nor was he the one who gave himself the title the inventor of cosplay. That was masquerade fans of an earlier era who named Ackerman the father of costuming, a move that may have been designed to catch some of his reflected glory for costumers, who at times have felt pushed to the margins by conrunners and fanzine fans. Just the same, Morojo – the actual creator of the costumes – was never treated as the primary historical figure before now.

(10) BRITISH MILIARY SF. SFFWorld has an “Interview with Tim C. Taylor author of The Human Legion series”.

The first book in the series, Marine Cadet has been released as part of the Empire at War collection. How has it been to join forces with fellow British authors and promote British military SF like this?

It’s been wonderful to meet a few fellow military SF authors in the flesh at the recent British convention called Eastercon, because writing can at times be a lonely profession. To begin with, I had a lot of doubts. Can really do this? I had the idea of putting together a box set of military SF books, and hit upon British military SF as a theme, but I was treading new ground. American readers might find this strange, but to the best of my knowledge there has never been such a thing as a ‘British military SF scene’. I mean, the Warhammer 40K novels have been enormously successful, and one of the most successful of all British science fiction authors of recent years is Karen Traviss with her four Halo military SF novels that were all New York Times bestsellers. So it’s not a new thing for British authors to write military SF, but Warhammer 40K and its Black Library publishing arm seems to sit in a splendid and psychotic isolation, and Karen Traviss seems to be largely ignored by much of British fandom, as if writing the tie-in novels where she has seen greatest success so far means that she is not a ‘proper’ writer.

To be honest, I haven’t previously placed a lot of interest in where an author was based, but when I looked at the bios of the new wave of military SF authors I had read in recent years, I was astonished to find how many were British.

So when I started inviting authors (and an artist for the cover and interior illustrations) and saying, “Let’s do something together and call it British military SF”, I don’t think anyone had ever used that term before. Now that I’m more attuned to where people are based, I realize there are many more British authors I could have invited.

By the way, I want to point out that although I kicked off ‘The Empire at War’ project, it was far from just myself doing the work, and it is a good feeling to create something as a group that we can all be proud of.

(11) DAMN RIGHT. Here’s the wisdom Sigrid Ellis serves between two slices of Hamilton and Burr:

…I so often feel this way about Wiscon. It feel like the big things, the stuff everyone talks about later, are always taking place somewhere I am not. In some other panel, some other party, some other room. Never the room I am in.

But I gave this some serious thought and realized that I’ve actually been IN “the room” while “it” is happening at some points in the past. At Wiscon, or other events. I’ve been there. I’ve been, from time to time, the insider. It just never felt that way at the time.

And that made me think how utterly stupid I am being. I mean, way to proactively ruin a great convention, being upset about whether or not the “important” things are happening where I can see them. It’s my convention experience, dammit! I can and will enjoy it for my friends, the conversations I have, the sleep I’ll get, the people I’ll meet, the dinners I’ll have! …

(12) THE AUTOBIOGRAPHICAL CAT. Ursula K. Le Guin continues “Annals of Pard: My Life So Far, by Pard, Part II” at Book View Café.

I cried very loudly in the roaring moving room-thing on the way here, because I thought the awfulness and strangeness was all happening over again forever. I still always think that when they put me in box that smells of fear and the roaring moving room-thing. But except for that I have hardly cried at all since coming here.

The aunty human went away and left me with the old queen and an old tom. I was distrustful of him at first, but my fears were groundless. When he sits down he has an excellent thing, a lap. Other humans have them, but his is mine. It is full of quietness and fondness. The old queen sometimes pats hers and says prrt? and I know perfectly well what she means; but I only use one lap, his. What I like to use about her is the place behind her knees on the bed, and the top of her head, which having a kind of fur reminds me a little of my Mother, so sometimes I get on the pillow with it and knead it. This works best when she is asleep.

(13) FREE COMICS. James Bacon tells about spending Free Comic Book Day with the creators signing at Forbidden Planet, in  “Fiends of the Eastern Front: Fodder by Hannah Berry and Dani at FCBD in Orbital”.

It is rare that so many cool things could align so nicely.

A free copy of 2000 AD is pretty much a boon, but finding that it contains a ‘Fiends of the Eastern Front’ story was really rather exciting. Entitled ‘Fodder’ the artwork is by Dani and is really quite lovely, but apart from it being on the paper pages, the originals are concurrently on display as part of Orbital comics Danistrips ‘Stay Cool’ exhibition on now until the 31st of May.

This allows fans to get a closer look at the original work, which is always a pleasure to behold.

Added to this, Dani the artist, and the writer, Hannah Berry were doing a signing with Peter Milligan, Matt Smith, Clint Langley and Alec Worley in the same location, to celebrate Free Comic Book Day.

(14) CENSUS OF SF REVIEWERS. Strange Horizons has posted “The 2015 SF Count”.

Welcome to the sixth Strange Horizons “SF count” of representation in SF reviewing. The goal of the count is straightforward: for the last calendar year, for a range of SF review venues, to calculate the gender and race balance of books reviewed, and of reviewers….

A number of limitations should be taken into account when interpreting these data. For gender, the limitations include limited accounting for pseudonyms and, more generally, a reliance on public presentation of gender. The count divides individuals into “men” or “women and non-binary.” However, reliable information about gender identity for the vast majority of people counted is not accessible through our methodology, which means it is probable that some individuals have been misrepresented. We will continue to review our methodology each year, and welcome suggestions. (For instance, we are considering changing our terminology to “women and genderqueer,” based on feedback from genderqueer individuals and the inclusion of that term in the Merriam-Webster dictionary this year.)

For race, our categories were “white” and “person of color.” These are crude, and such a binary division is arguably only valid here (as opposed to more specific categorisation) because the total number of POC is so low. Since race is difficult to determine reliably using only names and Google, it is probable that here, too, some authors, editors, or reviewers have been incorrectly allocated. We nevertheless believe that the count is worth publishing because the number of incorrect allocations is likely to be small compared to the overall number of individuals counted….

(15) GRRM IN GE. This month’s Galaxy’s Edge features short fiction by, and an interview with, George R.R. Martin.

(16) JOE ABERCROMBIE. A week before he placed two novels as finalists in the Locus Awards, Joe Abercrombie participated in a Reddit Ask Me Anything session.

Hi Joe, can you tell us about your day to day writing process? How much do you outline scenes and how many words do you tend to write a day? Are there any tricks that help you get into it? – Actevious

It depends a lot what stage of the process you’re at, so the workflow is very different depending on whether you’re planning something, drafting something, or revising and editing. There’s always a fair bit of work to do that’s not actually writing – emails, interviews, dealing with the business side. When I’m drafting new stuff I try to make sure I actually write, uninterrupted, for 3 hours each day. That doesn’t sound like much but you can cover a lot of ground if you’re focused. 1,200 words in a day I consider acceptable. 2,000 would be good. 3 or 4,000 would be a great day. But then when you’re revising you might measure progress by how many words you cut. If there’s a trick I’m aware of, it’s just to make sure you put in the time even when you’re not feeling inspired. Sometimes you feel like you’re writing real junk, but just get it down, when you come back maybe you cut a lot of it, but there’ll still be stuff that’s worthwhile in there.

A theme I notice you write quite a lot about is war, vengence and the endless circle of misery and horror they create. How did you come to write about this? – TheOtherWhitman

Well war is certainly a fundamental of epic fantasy – Lord of the Rings is all about a war, likewise the Belgariad, Dragonlance, Wheel of Time, etc., etc. I guess I felt the fantasy I read as a kid had come to show the shiny and heroic side of warfare a bit too much, and the dark actions and dark characters were somewhat overlooked. Not a lot of trauma or PTSD. I wanted to look at the other side of it.

(17) GLADIATOR JOINS MUMMY. CinemaBlend reports Russell Crowe has joined the cast of The Mummy.

It seems like everyday a new reboot or long awaited sequel gets announced. We’ve seen streaming services like Netflix bring back previously cancelled series, and even movies like Independence Day get their sequel after 20 years. One of the most recent of these sequels is the upcoming Mummy reboot, starring Tom Cruise. Now it appears that the film has booked another huge star for its already impressive cast. Collider recently sat down with actor Russell Crowe, where they asked him to confirm or deny the rumors of his involvement in the sequel. He had to say the following:

Yeah, I’m gonna do it. I’m gonna play Dr. Henry Jekyll, Fellow of the Royal Society. It’s very interesting, what they’re gonna do with that stuff. I’ve had a couple of chats about it with the director (Alex Kurtzman).

There you go, ladies and gents. Russell Crowe will officially be freaking us all out in The Mummy.

(18) KIP THORNE IN SOCAL. The OC Breeze announced “Astrophysicist Kip Thorne to give free talk on intersection of arts and science” at Chapman College on May 12.

Noted astrophysicist Kip Thorne, Ph.D. knows a lot about the weird phenomena of time and space: black holes, wormholes, time travel and more. As one of the world’s leading experts on Einstein’s Theory of Relativity, Dr. Thorne has collaborated with many of the top names in science, including Stephen Hawking, and served as science advisor and executive producer on the recent blockbuster movie “Interstellar.” His multi-faceted interests in art, science and the universe know no bounds – and it is precisely this intersection of big ideas that Dr. Thorne will discuss in a free talk at Chapman University on Thursday, May 12, 7:30 p.m. in Musco Center for the Arts.

Admission is free and open to the public, but a ticket is required for entry and can be obtained online at www.muscocenter.org or by calling 844-OC-MUSCO (844-626-8726).

(19) CHEAP SEATS. They aren’t that cheap. Neil Gaiman and Audrey Niffenegger will join forces at a London event on May 31. Break your piggy bank.

Author Neil Gaiman will do a rare public event in London to celebrate his new non-fiction collection, “The View from the Cheap Seats” (Headline), together with Audrey Niffenegger, author of The Time Traveler’s Wife (Vintage).

The event, run in association with Headline Publishing Group, Penguin Random House, Waterstones and video streaming agency Streaming Tank, will take place at The Union Chapel, Islington, on Tuesday, 31st May. The two US-based writers will discuss Gaiman’s latest work, with “a couple of surprises” also in store, according to publishers.

Tickets are £20 each, and include a free signed copy of The View from the Cheap Seats for every ticket-holder. The books will be distributed on the night by Waterstones, which will have a pop-up bookshop in place on the evening.

The event will be live-streamed across the globe by Streaming Tank, via YouTube, Facebook and Twitter, so anyone unable to attend can also enjoy the “one-off” event.

Gaiman and Niffenegger will be answering audience questions, both from within the chapel and viewers at home or in bookshops tuning in. Questions can be submitted via Twitter ahead of the event too using the hashtag #CheapSeats.

[Thanks to robinareid, Xtifr, Andrew Porter, Will R., James David Nicoll, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Ken MacLeod’s New Gig

Ken MacLeod

Ken McLeod has been appointed Writer in Residence at Edinburgh Napier University.

A three-time winner of the Libertarian Futurist Society’s Prometheus Award, the British sf writer has thirteen published novels that range from hard sf space operas like The Star Fraction (1995) to his dystopian novel, Intrusion (2012).

MacLeod’s work also has attracted scholarly attention in works like The Science Fiction Foundation’s The True Knowledge Of Ken MacLeod, edited by Andrew M. Butler and Farah Mendlesohn.

Former literary agent Sam Kelly – who runs the MA course alongside acclaimed screenwriter and author David Bishop – said MacLeod’s appointment was a “perfect fit.”

The course embraces genre writing, especially science fiction, fantasy, horror and crime writing – and was the first in Britain to offer a specialist module in writing for graphic fiction.

“Ken has tackled many of the biggest ethical and political dilemmas of our age, through artistically ambitious speculative fiction,” she said. “His work closely reflects our commitment to intellectual radicalism and genre writing. The role of the writer-in-residence is to challenge and inspire the teachers as well as the students and it’s a great privilege to be able to house our chosen influences on campus.”

Edinburgh Napier created the year-long writer in residence role in 2010. MacLeod will spend an average of two days a week at the university mentoring students.

[Thanks to Andrew Porter for the story.]