Pixel Scroll 7/17/19 By The Time I Get To Pixel, She’ll Be Scrolling

(1) CALL FOR SUBMISSIONS. Christopher J. Garcia and Chuck Serface are co-editing an issue of The Drink Tank dedicated to science-fiction comics of the 1950s and 1960s! Any critical articles, fanfic, personal remembrances, artwork, and any media we can publish in a fanzine are welcome.

Chuck Serface says, “Consideration of materials from any comic publisher of the time is fair game: Atlas/Marvel, DC, Gold Key, Charlton, Warren, EC, ones I’m forgetting at the moment — all of them.”

The deadline’s October 14, 2019. They’ll have it out by the end of the calendar year. Send submissions to ceserface@gmail.com.  

(2) COLSON WHITEHEAD Q&A. His new book is not sff, but some of his answers are about genre in “Powell’s Interview: Colson Whitehead, Author of ‘The Nickel Boys’”.

Rhianna: You’ve mentioned in other interviews being an avid reader of horror, and your novel Zone One is a zombie horror story. You’re very skilled at depicting violence. I was wondering if the horror genre has stylistically influenced the way that you depict historical atrocities, like those in The Underground Railroad and The Nickel Boys.

Whitehead: Again, I think the story determines how you tell it. The violence in Zone One is gorier. It’s more flamboyant than some of the stuff in The Underground Railroad and The Nickel Boys. In those two books, I think the horrific brutality that they experience speaks for itself. They don’t have to be dramatized.

This kind of language, I borrowed from reading the slave narratives. You don’t have to dramatize or sell to the listener or the reader how terrible everything is that is happening because it speaks for itself. If the violence is speaking for itself, I can concentrate more on the characters and what they’re feeling.

(3) TOLD WITH CONVICTION. LAist tells how “This LA Writer Turned Comic-Con Into A Crime Story”.

San Diego’s Comic-Con International starts Wednesday night, which makes this the perfect time to talk about Bad Weekend, a noir set against the backdrop of a fictionalized version of the now famous comics convention.

Writer Ed Brubaker described the graphic novel — with art by Brubaker’s longtime collaborator Sean Phillips and colors by Phillips’ son Jacob — as a weird love letter to comics, being a fan, and the strangeness of the comic book industry.

Bad Weekend is the product of filing away stories he’s heard around the comic book industry for the past 20 to 30 years, according to Brubaker — stories of who screwed over whom, of success not bringing happiness, and of comic companies getting rich off their work with movies and TV shows without the creators sharing in that wealth.

(4) OP-EDS. [Item by Olav Rokne.] If, like me, you’ve been enjoying the New York Times’ series of science fictional op-eds, they’ve just created a landing page with all the articles in the series now organized in one place:  “Op-Eds From the Future”

It’s worth checking back every second Monday to see the latest installment, as they’ve been excellent so far. 

(5) FILER NAMED FGOH. Chris Barkley shared on Facebook: “I am pleased to report that I was asked and accepted to be the Fan GoH at the 2021 Astronomicon in Rochester, NY along with my good friend (and Identical twin) Robert J. Sawyer.”

(6) TRANSLATED NOVEL HUGO REDUX. Chris Barkley has also addressed criticism of the Best Translated Novel Hugo category in a Facebook post which begins —

I have taken this past week to ponder a response to Neil Clarke and Taiyo Fujii’s objections to the viability of a Hugo Award category for Best Translated Novel. And frankly, their objections puzzle me.

I ask this of Mr. Fujii and to Mr. Clarke; if the three Hugos awarded to translated works are the awakening of fandom to translated literature, why haven’t more of those works been nominated in their wake? In the past three years of nominations; only 2017’s Death’s End, by Cixin Liu, translated by Ken Liu, has been included in the Best Novel category, all of the other nominees in the category have all been decidedly anglocentric.

The truth of the matter we think that the Worldcon and the Hugo Awards have been overwhelmingly perceived for quite a while as an English speakers only party since a majority of the conventions have been held in the United States, Canada, the United Kingdom and Australia.

Mr. Clarke and Mr. Fujii may see the proposed award as either unnecessary, pandering or condescending to authors and fans but all Ms. Cordasco, my co-sponsors and I only want to do is shine a spotlight to fervently call attention to and honor authors and their translators. Speaking for myself, had there been three, four or five nominees on the final ballot since those historic awards, I would not have contemplated initiating and offering this proposal for an open debate…

(7) JUDGE UNCONVINCED. “Marvel Finally Beats a Lawsuit Over the ‘Iron Man 3’ Poster”The Hollywood Reporter has the story. There does seem to be a family resemblance, just the same:

Horizon still could have gotten the case to trial, but it then needed to show an inference of copying through the similarity of the works. Specifically, Horizon argued the two works were “strikingly similar,” with reliance on an expert report discussing anatomical structures, faces and heads, and camera views.

The judge responds that the expert report is “equivocating” on some of the noteworthy similarities by addressing features on careful viewing and not going quite so far to rule out any reasonable possibility of independent creation. Plus, the judge adds, “there remain enough differences between the two works,” nodding to Marvel’s pointing out differences in pose, differing placement of blue lights, and significantly different overall coloring.

(8) SEE READERCON 30. Ellen Datlow has posted 89 photos taken at ReaderCon 30 in a Flickr album.

Catherynne M. Valente, Heath Miller, and Sebastian

(9) ARE YOU WHAT YOU CONSUME? Surprising no one, here’s where The Hollywood Reporter lands on the meaning of “fan” and “fandom” — “Among Fandoms, Marvel May Reign Supreme, Poll Finds”.

A nationally representative sample of 2,200 adults carried out between July 8 and 10 revealed that, when it comes to genre properties, Marvel is far and away the most successful, with 63 percent of those surveyed considering themselves fans. The next most popular property was Marvel’s Disney sibling, Star Wars, with a 60 percent fandom, and DC followed with 59 percent.

(10) TODAY IN HISTORY.

  • July 17, 1955 — Disneyland Park opened in Anaheim, California.
  • July 17, 1987 Robocop premiered on this day.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 17, 1858 Florence Balcombe Stoker. She was the wife and literary executor of Bram Stoker. She’s best remembered for her extended legal dispute with the makers of Nosferatu, an unauthorized film blatantly based on her husband’s novel Dracula. (Died 1937.)
  • Born July 17, 1889 Erle Stanley Gardner. Though best known for the Perry Mason series of detective stories, he did write a handful of SF stories, all of which are collected in The Human Zero: The Science Fiction Stories of Erle Stanley Gardner. (Died 1970.)
  • Born July 17, 1944 Thomas A. Easton, 75. SF critic and author who wrote the book review column in Analog from 1979 – 2009. His Organic Future series is quite entertaining and I’m reasonably certain I read Sparrowhawk when it was serialized in Analog
  • Born July 17, 1952 Robert R. McCammon, 67. Horror writer whose Michael Gallatin books, The Wolf’s Hour and The Hunter from the Woods, Alllied WWII werewolf agent and his adventures, I strongly recommend. His “Nightcrawlers” short story was adapted into an episode of the Twilight Zone.
  • Born July 17, 1954 J. Michael Straczynski, 65. Best known rather obviously for creating and writing most of Babylon 5 and its short-lived sequel Crusade. He’s also responsible for as well as the Jeremiah and Sense8 series. On the commit sides, he’s written The Amazing Spider-Man, Thor and Fantastic Four. Over at DC, he did the Superman: Earth One trilogy of graphic novels, and has also written Superman, Wonder Woman, and Before Watchmen titles.
  • Born July 17, 1967 Kelly Robson, 52. I just got done reading her brilliant “Gods, Monsters and the Lucky Peach”.  Right now, it appears only this plus “A Human Stain” and “Waters of Versailles” are available on iBooks and Kindle for reading as she has no collection out yet. And no novel as far as I can tell. 
  • Born July 17, 1971 Cory Doctorow, 48. I’ll admit that I’ve mixed feelings about his work. I enjoyed Down and Out in the Magic Kingdom, his first novel, and thought The Rapture of the Nerds had potential but really failed to live to that potential to great. Everything else is ‘Meh’. His activism is oft times that of an overeager puppy trying to get attention for himself. 
  • Born July 17, 1976 Brian K. Vaughan, 43. Wow. Author of  Ex Machina,  Pride of BaghdadRunawaysSagaY: The Last Man, and his newest affair, Paper Girls. And yes, he’s won Hugo Awards. You could spend an entire summer just reading those series. In his spare time, he was a writer, story editor and producer of the television series Lost during seasons three through five. And was the showrunner and executive producer of the Under the Dome series.

(12) IN THE BEGINNING. The San Diego Union-Tribune explores “50 Shades of Comic-Con: What we’ve gained and lost in five decades of pop culture celebrations”.

From its inception, Comic-Con had intergalactic ambitions.

The initial show, then called San Diego’ Golden State Comic Con, featured science fiction writers Ray Bradbury and A.E. Van Vogt; Jack Kirby, creator of Captain America, X-Men and other iconic superheroes; vintage films; an art auction; and dozens of dealers peddling mountains of new and used comics.

An unforgettable event — for the 300 attendees. Few others noticed and even they dismissed this as a juvenile jamboree. For instance:

On the show’s first day, Aug. 1, 1970, the author of “Fahrenheit 451″ and “The Martian Chronicles” granted an interview to The San Diego Union. Yet Bradbury’s spirited defense of comics was buried on page B-11, under articles about a flower show, the repainting of the White House East Room and a medical brief with the headline “Fat Men More Tipsy.”

… Neil Kendricks is a writer, filmmaker and teacher who recently led a San Diego State course on comics and sequential art. In the early 1980s, though, he was a high school student at his first Comic-Con. In the dealer’s room, he bumped into a white-haired gentleman flipping through the cardboard boxes full of used comics.

“Mr. Bradbury,” he stammered, “will you be here for awhile?”

When Ray Bradbury nodded yes, Kendricks dashed out of Golden Hall and ran the half-mile to Wahrenbrock’s Book House.

“I went upstairs to the science fiction section and bought as many of his books and I could find. Then I ran all the way back and he signed them. That,” Kendricks said, “could never happen now.”

(13) UP ON CHARGES. Trae Dorn reports at Nerd & Tie that a conrunner is being prosecuted in the Twin Cities: “How to React When a Member of Your Con Staff is Accused of Rape”. Documentation accompanies the post.

On Monday it came to light that long time staffer of Twin Cities based Anime Detour Stephen Gifford has been charged with third-degree sexual assault in Hennepin County, Minnesota. Gifford was head of Convention Communications for Anime Detour’s 2019 event earlier this year, and has previously served as the event’s convention chair.

… Now we’ve seen cons react to situations like this in many ways, but thankfully Anime Detour’s staff has taken the situation seriously.

(14) KNIT ONE, PEARL TWO. While they still can, WIRED lets readers decide for themselves what to think about this coming technology: “Here’s How Elon Musk Plans to Stitch a Computer into Your Brain”.  

…At a presentation at the California Academy of Sciences, hastily announced via Twitter and beginning a half hour late, Musk presented the first product from his company Neuralink. It’s a tiny computer chip attached to ultrafine, electrode-studded wires, stitched into living brains by a clever robot. And depending on which part of the two-hour presentation you caught, it’s either a state-of-the-art tool for understanding the brain, a clinical advance for people with neurological disorders, or the next step in human evolution.

The chip is custom-built to receive and process the electrical action potentials—“spikes”—that signal activity in the interconnected neurons that make up the brain. The wires embed into brain tissue and receive those spikes. And the robotic sewing machine places those wires with enviable precision, a “neural lace” straight out of science fiction that dodges the delicate blood vessels spreading across the brain’s surface like ivy.

…And, sure, there’s more. A public records request from WIRED in April 2019 found that Neuralink is licensed to have hundreds of rats and mice in its research facilities. In a seemingly unplanned moment at the Cal Academy, Musk also acknowledged that Neuralink’s research had progressed beyond rodents to non-human primates. It’s only because of a records request filed by Gizmodo that Neuralink’s affiliation with the primate research center at UC Davis is public knowledge. That affiliation has apparently progressed: “A monkey has been able to control a computer with its brain, just FYI,” Musk said during the Q and A after the presentation.

His team seemed as surprised and discombobulated by the announcement as the audience. “I didn’t know we were running that result today, but there it goes,” said Max Hodak, president of the company, on stage next to Musk. (Monkeys have controlled computers via BCIs before, though presumably this would be the first time one used Neuralink.)

(15) APOLLO 11 AT 50 CLIPPINGS.

One small holograph for man, one giant holograph for the Washington Monument.

The Smithsonian National Air and Space Museum will celebrate the 50th anniversary of the Apollo 11 moon landing with a life-size projection of the Saturn V rocket on the Washington Monument on Tuesday, Wednesday and Thursday.

The Saturn V rocket is now iconic for carrying the Apollo 11 crew to the moon in 1969. The projection-mapping artwork will occupy 363 of the monument’s 555 vertical feet.

As the 17th century’s most famous Italian astronomer surveyed the heavens, he likely never dreamed a rocket shooting fire would one day power people up among the stars he eyed through his telescope, or that his work would help guide a ship to the moon.

But Galileo Galilei’s observations would become a key link in the chain of scientific research and discovery fundamental to our understanding of the universe and our drive to explore it.

That scientific continuum is at the heart of a new Houghton Library exhibit connecting early celestial calculations to the Apollo 11 mission that put two American astronauts on the lunar surface 50 years ago this July. “Small Steps, Giant Leaps: Apollo 11 at Fifty” features gems from Harvard’s collection of rare books and manuscripts as well as NASA artifacts from an anonymous lender and Harvard alumnus, many of which were aboard the spaceship that left Earth’s orbit in 1969.

Not all of the equipment carried into space was cutting edge and expensive. Some of the more humble odds and ends even prevented disaster.

…25: Length of duct tape rolls carried to the Moon, in feet

If there’s one saviour time and again of American space missions over the past 50 years, it’s a roll of duct tape. During Apollo missions, it was used for everything from taping down switches and attaching equipment inside the spacecraft, to fixing a tear on a spacesuit and, during Apollo 17, a fender on the lunar rover.

One of the surviving crew members of the first manned mission to the Moon – Apollo 11 – has returned to the site where the mission set off 50 years ago.

Michael Collins, 88, visited Florida’s Kennedy Space Center on Tuesday. He marked theprecise time – 09:32 (13:32 GMT) – when their rocket took off.

Mr Collins had stayed in lunar orbit while his colleagues Neil Armstrong and Buzz Aldrin walked on the Moon.

…Mr Collins described how he felt during take-off.

“The shockwave from the rocket power hits you,” he told Nasa TV. “Your whole body is shaking. This gives you an entirely… different concept of what power really means.”

Esquire was not expecting much from Neil Armstrong.

“While the space program is poised on the brink of a truly epoch-making triumph of engineering, it is also headed for a rhetorical train wreck,” the story said.

“The principal danger is not that we will lose the life of an astronaut on the Moon, but that the astronauts will murder English up there . . . . That they are likely to litter the intergalactic void with gibberish and twaddle.”

The smugness is rather remarkable, because despite the talent of the people it enlisted, Esquire got not a single decent line from any of them.

It got, in fact, a lot of gibberish and twaddle.

…With that as your benchmark, here’s a sampling of what Esquire’s best and brightest came up with:

John Kenneth Galbraith, the Harvard economist: “We will hafta pave the damn thing.”

Ayn Rand, libertarian thinker and novelist: “What hath man wrought!”

…Leonard Nimoy, the actor, then in his third season as Spock on the new TV series Star Trek: “I’d say to Earth, from here you are a peaceful, beautiful ball and I only wish everyone could see it with that perspective and unity.”

(16) BACK SEAT FLYING. [Item by Mike Kennedy.] Washington Post: “Airline tweets about where passengers are least likely to die in a crash”. The pic below is cribbed from the WaPo article. Apparently, they got ahold of a screenshot of the since-deleted tweet. The thought process of whoever sent this out must have been, well, let’s just call it astounding.

(17) A KING WILL BE CROWNED. Looper fills us in about The Most Anticipated Sci Fi Movies Of 2020.

2020 might feel far away, but Hollywood’s major studios are already planning ahead with some legit super hits on the horizon. And if you’re a fan of sci-fi flicks, then 2020’s looking like an especially good year for you. These are just a few of the most anticipated sci-fi blockbusters on their way to a big screen near you. Film fans will finally get the answer to an age-old question in 2020, when Godzilla and King Kong face off on the big screen. Director Adam Wingard has already assured fans that his take on the two monsters will crown a definitive winner, unlike the 1962 film that first pit the two characters against each other. This will be the fourth entry in Legendary’s MonsterVerse, first established in 2014’s Godzilla and further explored in Kong: Skull Island.

[Thanks to Olav Rokne, Mike Kennedy, Cat Eldridge, JJ, Chip Hitchcock, Martin Morse Wooster, Michael Toman, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 6/27/19 Never Scroll A Filer When Pixels Are On The Line!

(1) DISNEY’S STICKY FINGERS LAND. Brady Macdonald, in “Galaxy’s Edge smugglers make off with anything not nailed down in Disneyland’s new Star Wars land” in the Redlands Daily Facts, says that crooks have been helping themselves to maps of Galaxy’s Edge and menus at Oga’s Cantina and then unloading the swag on eBay, ensuring that Disney is cracking down.

The “free” collectibles in Disneyland’s new Star Wars: Galaxy’s Edge that didn’t have a price tag and weren’t nailed down have found their way to cyberspace with many of the five-finger discount items showing up on the secondary market.

A simple search for “Galaxy’s Edge” on the eBay online shopping site reveals a slew of purloined items that probably should not have left the Black Spire Outpost village on the Star Wars planet of Batuu, the setting for the new 14-acre land at the Anaheim theme park.

Other resourceful Galaxy’s Edge visitors simply took more of the free Star Wars stuff than Disneyland might have anticipated or expected. As a result, many of the pilfered and hoarded souvenirs are no longer available in the new Star Wars land.

Gone are the Galaxy’s Edge maps and Docking Bay 7 sporks that are likely not to reappear in the park or the land. It’s always possible they were intended as grand opening swag. Or maybe new shipments of the popular keepsakes are bound for Batuu….

…What constitutes thievery? If a Disneyland employee hands you something without a price tag on it are you obligated to give it back? Most people would agree that keeping a theme park map as a souvenir is OK, but taking restaurant silverware is stealing. It appears plenty of Disneyland visitors are stepping over that grey line.

(2) BILL VS. BRIANNA. Bounding Into Comics’ slant on things is self-evident from the first paragraph, but they have rounded up enough tweets to let you navigate to the source material: “Brianna Wu Takes Aim At Star Trek Actor William Shatner, He Fires Back!”

Star Trek actor William Shatner, who played Captain Kirk in Star Trek: The Original Series, found himself in the middle of an internet argument about autism, and how society should accommodate those with the disorder. Congressional candidate Brianna Wu threw herself into the argument attempting to take a shot at Shatner. The actor quickly shot her down with a firm response about her own past.

One of Shatner’s threads begins here (and includes a couple of comments where Scott Edelman tries to contradict Shatner with a cocktail of Harlan Ellison and George Bernard Shaw quotes).

One of Brianna Wu’s threads starts here.

The mystery question is whether Shatner writes his own tweets or delegates that to someone else?

(3) VOYAGE TO THE BOTTOM OF THE INTERNET. In the aftermath of Ulrika O’Brien’s BEAM #14 editorial, John Scalzi analyzes his role in the past decade of Hugo fanhistory: “On Being Denounced, Again (Again)”

6. So why, over the last decade plus change, have certain people focused on me as the agent of change (and not necessarily a good one) with regard to the Hugos? After all, this latest editorial is not the first jeremiad about me on the subject; people will recall I was a frequent example from the Puppy Camp of Everything That Was Wrong in Science Fiction and Proof the Hugos Were Corrupt, etc.

Here are some of the reasons:

a) professional/personal dislike and/or jealousy;
b)
unhappiness with inevitable change with fandom and the science fiction and fantasy community and genre generally and the need to find a single cause to blame it on;
c) ignorance (willful or otherwise) of the labor of other people (many of them not straight and/or white and/or male) to change the tenor of the SF/F community (and as a consequence, its awards);
d) a general lack of understanding that the SF/F community is a complex system and like most complex systems a single input or actor, in this case me, does not usually precipitate a wide system change on its own;
e)
my privileged position in the community makes me an easy and acceptable target/strawman/scapegoat — no one’s exactly punching down when they go for me.

(4) ABOUT THAT GATE. Darusha Wehm, Escape Pod associate editor and author, has also responded to Ulrika O’Brien’s BEAM 14 editorial. Thread starts here.

(5) HE WANTS GEEZERS TO GET OFF HIS LAWN, TOO. This was S.M. Stirling’s response to Scalzi’s post:

(6) DEVOURING BRADBURY. In “David Morrell: Preparing for Crisis and Finding Inspiration” on Crimereads, Mark Rubinstein interviews David Morrell about his new collection, Time Was.  Morell explains how he started off as a writer “devouring Ray Bradbury” and how his short stories “tend to be in the Serling/Bradbury mold.”  He also offers good advice about a writing career from his teacher, Phil Klass.

David Morrell: …Philip Klass, my writing instructor from years ago, insisted that writers who went the distance and enjoyed long careers, were those who had a definable viewpoint and a unique personality in their prose. That’s been my lifelong goal as a writer.

(7) LONDON CALLING. Britain’s North Heath SF Group has been in touch. Filers are invited!

It is a small group not even three years old and based at the Kent end of London (not far across the Thames from the Excel if ever they hold another Worldcon there).  

While the group is only 15 strong, they are getting a fair bit of social media interest and now have over 100 Facebook followers nearly all from SE London.

If any Filers are based in SE London (apparently the 89 and 229 busses to the Brook St stop is useful if any live on those routes), or have fan friends based in SE London then they’d be welcome at their next meet which is especially for new members. July 11 – see details on Facebook.

The group is a broad church SF group (member’s interests span books, films, TV) with some having specialist interests.

Last weekend a few gathered for a barbecue, and yes, the garden really is bigger on the outside….

NHSF-BBQ-2019

(8) FRIEND OBIT. “Robert J. Friend, Tuskegee Pilot Who Led U.F.O. Project, Is Dead at 99” – the New York Times has the story.

Robert J. Friend, one of the last surviving Tuskegee Airmen, who defied racism at home and enemy fire over Europe and who later oversaw the federal government’s investigation into U.F.O.s, died on Friday in Long Beach, Calif. He was 99.

… “Do I believe that we have been visited? No, I don’t believe that,” he said. “And the reason I don’t believe it is because I can’t conceive of any of the ways in which we could overcome some of these things: How much food would you have to take with you on a trip for 22 years through space? How much fuel would you need? How much oxygen or other things to sustain life do you have to have?”

But unlike many of his colleagues, he favored further research.

“I, for one, also believe that the probability of there being life elsewhere in this big cosmos is just absolutely out of this world — I think the probability is there,” he said.

(9) WRIGHT OBIT. An actor in theALF series died June 27. BBC has the story —

Actor Max Wright has died aged 75 after a long battle with cancer, his family has confirmed.

He was well known for playing Willie Tanner, the adoptive father of an alien, in the hit 1980s sitcom ALF.

(10) DRAGO OBIT. Actor Billy Drago, known for his work on Charmed, X-Files, and The Untouchables, died June 24. Details at SYFY Wire: “Effortlessly menacing character actor Billy Drago dies at 73”

…As far as his recurring roles, he played the eccentric Barbas, The Demon of Fear on the original Charmedas well as outlaw John Bly in the beloved The Adventures of Brisco County, Jr. He also had several one-off roles in series like The X-Files, Masters of Horror, and Supernatural

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 27, 1941 James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. I’m sure that I’ve read at lest a few of his novels, most likely Inherit the Stars and The Gentle Giants of Ganymede. A decent amount of his work is available digitally on what is just called Books and Kindle. (Died 2010.)
  • Born June 27, 1966 J. J. Abrams, 53. He of the Star Trek and Star Wars films that endlessly cause controversy. I can forgive him any digressions there for helping creating Fringe and Person of Interest, not to mention Alias at times. 
  • Born June 27, 1952 Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice.” Water Rites and Horizons are the only ones available digitally. (Died 2018.)
  • Born June 27, 1959 Stephen Dedman, 60. Australian author who’s the author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it.  He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Apple Books has nothing for him, Kindle has The Art of Arrow-Cutting and a few other titles. 
  • Born June 27, 1972 Christian Kane, 47. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage ain’t genre, his role as Eliot Spencer there is definitely worth seeing. 
  • Born June 27, 1975 Tobey Maguire, 44. Spider-man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one serious weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film.
  • Born June 27, 1987 Ed Westwick, 32. British actor who has roles in the dystopian Children of MenS. Darko (a film I couldn’t begin to summarise), Freaks of Nature (a popcorn film if ever there was one), the  “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF). 

(12) COMICS SECTION.

(13) ALA DROPS MELVIL DEWEY NAME FROM AWARD. The decimals remain, but Dewey is gone. Read the resolution here. Publishers Weekly reports:

Citing a history of racism, anti-Semitism, and sexual harassment, the council of the American Library Association on June 23 voted to strip Melvil Dewey’s name from the association’s top professional honor, the Melvil Dewey Medal. The ALA Council approved the measure after a resolution was successfully advanced at the ALA membership meeting, during the 2019 ALA Annual Conference in Washington DC.

Best known by the public for creating the Dewey Decimal Classification System, Dewey was one of the founders of the American Library Association in 1876, and has long been revered as the “father of the modern library,” despite being ostracized from the ALA in 1906 because of his offensive personal behavior.

In an article last June in American Libraries, Anne Ford questioned why the ALA and the library profession still associates its highest honor with a man whose legacy does not align with the profession’s core values. This week, some 88 years after his death, Dewey’s #TimesUp moment appears to have finally come.

(14) HATCHING DRAGONS. Michael Swanwick explains how he wrote “My Accidental Trilogy” at Flogging Babel.

…When I began work on The Dragons of Babel, I had no idea whether it existed in the same universe as The Iron Dragon’s Daughter or not. The two books had no characters or locations in common. Even the names of the gods were different, though at the head of each pantheon was the Goddess. Only she and the dragons were the same. Ultimately, I decided that it did no harm for the books to be in the same world (though, presumably, on different continents) and would please those who had read The Iron Dragon’s Daughter. So I brought Jane back—not from our world but from an earlier period of her life, when she was behaving very badly—for a brief cameo appearance. Just as a small treat, an Easter egg, for those who had read the earlier novel.

To my surprise, The Iron Dragon’s Daughter had been characterized by reviewers as an “anti-fantasy” because it challenged many of the assumptions of genre fantasy. This had never been my intent. But, the idea having been placed into my head, in The Dragons of Babel I set out to upend the standard model of fantasy in as many ways as possible while still delivering its traditional pleasures….

(15) THE KING WILL ABDICATE FROM BROADWAY. The New York Times says no more monkey business after mid-August: “‘King Kong’ and ‘Cher Show’ Musicals Announce Closings”.

“King Kong,” the big-budget musical driven by its massive namesake puppet, will close Aug. 18 after less than a year on Broadway, the show’s producers announced on Tuesday.

… “King Kong” was capitalized for $30 million, according to the production. That sum — enormous by Broadway standards — has not been recouped.

The show eventually opened to stinging reviews, with most of the praise going to the towering title character himself, a colossal marionette clocking in at 20 feet tall and 2,000 pounds. For the week ending June 23, it grossed just shy of $783,000 at the box office, only 53 percent of its potential take.

(16) MARS RUNS OUT OF GAS. Nature updated the search for life on Mars. For one brief, shining moment, it was Camelot: “Record methane level found on Mars”.

NASA’s Curiosity rover last week measured the highest level of methane gas ever found in the atmosphere at Mars’s surface. The reading — 21 parts per billion (p.p.b.) — is three times greater than the previous record, which Curiosity detected back in 2013. Planetary scientists track methane on Mars because its presence could signal life; most of Earth’s methane is made by living things, although the gas can also come from geological sources…

… NASA ran a follow-up experiment last weekend and recorded a methane level less than 1 p.p.b., suggesting that the high reading last week came from a transient gas plume.

(17) GETTING UNSTUCK IN TIME. Camestros Felapton is happy to offer “Some advice for time travellers”. Pay attention — even if he starts with “Don’t Panic!” there’s a lot here you haven’t heard before.

4. Listen to that mysterious stranger you meet early on

Honestly, even if you aren’t currently planning to go time travelling, NOW is the time to carry a notebook. When the uncannily familiar stranger and/or your great aunt starts babbling to you about destiny, or how what has been written can (or cannot) be unwritten, get them to pause a moment and ask them to write it down in your handy notebook.

This encounter may be the point where you are told The Rules (we’ll get to The Rules in a moment). Having them written down will make your life so much easier and will also make it easier for you to explain them to your younger self when you meet them when you are disguised as an uncannily familiar stranger.

(18) SIT ON IT. The Warner Bros. Studio Tour is adding a Big Bang Theory exhibit: “BAZINGA! The Sets Are Coming to The Tour”.

Starting June 28th, take a seat in Sheldon’s spot and relive your favorite moments from apartment 4A.  Recreate Sheldon’s signature knock, stroll through the foyer to see the infamous broken elevator or visit the Caltech Physics Department Cafeteria featuring original costumes from Leonard, Sheldon, Penny, Howard, Raj, Bernadette and Amy.

(19) COLBERT ON MEDIA. Steven Colbert starts with the news that Kim Kardashian is offering a new line of makeup that doesn’t go on your face. The Good Omens cancellation petition is his second bit, starting at the 2:00 mark (in case you want to fast-forward past Kim Kardashian’s thighs).

[Thanks to JJ, Cat Eldridge, Mike Kennedy, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, John King Tarpinian, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 6/10/19 We Have Always Lesnerized In The Castle

(1) DOUBLE DUNE.  Deadline reveals there will be a Dune TV series concurrent with the new films (the two back to back). “‘Dune: The Sisterhood’ Series Ordered By WarnerMedia Streaming Service With Denis Villeneuve Directing”.

WarnerMedia has given a straight-to-series order to Dune: The Sisterhood, a drama from Legendary Television based on Frank Herbert’s classic novel Dune and the popular sci-fi franchise it spawned.

The series is designed to co-exist with the Dune feature film, currently in production at Warner Bros., as part of Legendary’s comprehensive plans for Dune which also include video games, digital content packages and comic book series.

Further underlining the symbiotic relationship between the movie and the series, Denis Villeneuve, who is directing and producing the new Dune film, also is set to executive produce the series and direct its pilot episode, with one of the feature’s co-writers, Jon Spaihts set to write the show. It mirrors NBCUniversal ‘s approach to the Purge franchise, which also encompasses a film and TV series franchise.

(2) GREAT FANTASY NOVELS BY WOMEN. The writer and filmmaker Sarah Passos tweeted:

She has gotten over 500 replies, including recommendations from Gaiman and Rothfuss.

(3) MY IMPOSTOR SYNDROME. Once in a dream I was impersonating a famous fantasy writer and Oxford scholar, wearing suitably tweedy clothes. “Hello,” I said to a middle-aged woman, and introduced myself. “I’m J.R.R. Tolkien.”

“Tres bien,” she answered in French. She was buying it. That much French I understood. In fact, that was all the French I understood. I was going to need an excuse to hold the conversation in English. Uh. Uh. So the next thing I said was, “I’m sorry, but I’ve forgotten all of my French, Old Norse, Greek, Latin, and 14 other languages I made up myself.”

(4) THROUGH A GLASS, DARKLY. That tech had to be good for something. Variety has learned, “Steven Spielberg Writing Horror Series for Quibi That You Can Only Watch at Night”.

Steven Spielberg is penning a horror series for Quibi that users will only be able to see when their phone knows it’s dark outside, founder Jeffrey Katzenberg said on Sunday.

…Katzenberg said Spielberg has already “written five or six episodes (which Quibi calls “chapters,” like a novel) of a 10- or 12-chapter story.” The program is being developed under the title “Spielberg’s After Dark.” (Spielberg is also developing a revival of his anthology series “Amazing Stories” for another new content programmer, Apple TV Plus.)

(5) CHELSEA CAIN. Comic writer Chelsea Cain has deleted her Twitter-account after a controversy regarding her new comic Man-eaters. At Women Write About Comics, Jameson Hampton analyzes the controversy: “Questioning Chelsea Cain’s Feminist Agenda”.

…Insisting that her book is not trying to imply that all women menstruate is one thing, but the implication that all people who menstruate are women is something else entirely — and plays into a societal habit to assume all trans issues are trans women issues. Compounding that issue is Mags Visaggio, a prominent trans woman in comics who came to Cain’s defense on twitter, insisting the book wasn’t offensive and that Cain should be able to write about “her experience as a cis woman” — again, missing the point that transmasculine people were primarily the ones being harmed.

Specifically, Cain has been back under scrutiny this week after the release of issue #9 of Man-Eaters on June 5th. The controversy? Imagery of propaganda posters in concentration camps featuring the text from fan tweets that had been critical of Cain’s work on the book.

Cain claims that her intention was to “acknowledge the really painful criticisms” that made her feel “worthless and small.”

However, she clearly hasn’t given a lot of thought to the implications of sharing criticism in this way. While the tweets were unattributed in the comic, she has claimed that she “didn’t know” people could still find the original tweets by searching for the text — which feels like a dubious claim, not only because it’s a basic function of Twitter, but also because (as pointed out by CK Stewart) it seems difficult to believe that someone who has experienced so much online harassment is so naive about how online harassment can happen. It’s possible she didn’t consider the nuance of using these words on the walls of a concentration camp, but worth noting that “being more nuanced” was something she explicitly promised to the very writer of the tweets used here. The potential implication that trans folks and their allies are the oppressors and women are the victims is subtext, but it’s hard not to read into it, especially while Cain continues to complain about how the criticisms of her book are mean and hurting her feelings….

(6) THAT’S WHAT THEY SAID. Max Florschutz, in “Being a Better Writer: Voice VS Grammar”, supports this point with some colorful analogies (which you should go there to read).

…I want you to think for a moment, and think hard. Have you ever read a book where a scene or chapter begins without telling you who the viewpoint character of the chapter is, but you can tell anyway because of the voice in the narration? Or read a book where two characters are speaking unattributed, but you’re able to figure out who they are because of their voices?

I have. To both. Because those characters are given strong voices that, while often not grammatically correct, are vivid and real. They have a way of speaking, from use of particular words, to phrases, to even just a cadence or a flow that makes them uniquely identifiable.

That is the power of character voice. To be so vivid and real that even if a character doesn’t offer a name, the reader can figure out who they are simply based on their style of speaking. And since dialogue and narration are the two things our reader will see the most in most books, this makes character voice as powerful a tool as a character walking in screen in a film or show.

(7) SPEAK, MEMORY. The book created for Vonda McIntyre’s memorial, Remembering Vonda, is available for purchase at Lulu.com.

Award-winning SFF author Vonda N. McIntyre died April 1, 2019. The world lost a force of nature, a brilliant, kind, generous, fiercely talented artist. In this volume, friends, colleagues, admirers, fans all pay tribute to a radiant life. McIntyre’s oeuvre includes Dreamsnake (Hugo and Nebula award winner, ’78), The Moon and the Sun (Nebula ’98; a movie based on it is awaiting release); as well as stories, novelizations and tie-ins, including the Star Trek novel The Entropy Effect. She founded the Clarion West workshop and was a “fairy godmother” to hundreds of students; a quiet, tireless feminist, Kentucky-born McIntyre moved to Seattle with her family and became a life-long resident, as well as a prolific creator of crochet topoplogy; McIntyre also collaborated with Ursula K. Le Guin, and was a founding member of the Book View Cafe, an author-owned publishing cooperative. McIntyre both shaped and nurtured the SF/F community; as her friend Jane Hawkins has said “we shall not see her like again.

(8) STEPHEN COLBERT MEETS KING KONG. Just another Tony Award nominated guest….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 10, 1922 Judy Garland. Best remembered for her portrayal of Dorothy Gale in The Wizard of Oz, it was also her only genre role in her tragically short life. (Died 1969.)
  • Born June 10, 1928 Maurice Sendak. In Seattle many years ago, I saw the painted flats he did for The Nutcracker. Truly stunning. Of course, he’s known for Where the Wild Things Are which I think is genre adapted into other media including a film by Spike Jonze. In the Night Kitchen might be genre and it is often on Banned Books lists. (Died 2012.)
  • Born June 10, 1937 Luciana Paluzzi, 82. She’s best known for playing SPECTRE assassin Fiona Volpe in Thunderball. Genre wise, I see she was also in Journey to the Lost City (in the original German, Das indische Grabmal), HerculesThe Green Slime1001 NightsCaptain Nemo and the Underwater City and War Goddess (also known as The Amazons and The Bare-Breasted Warriors in its original Italian title). The latter film is online in its entirety on Youtube. 
  • Born June 10, 1950 Ed Naha, 69. Among his many genre credits, he was Editor of both Starlog and Fangoria. An even more astonishing genre credit was that he produced Inside Star Trek in 1976 wth Gene Roddenberry, William Shatner, DeForest Kelley and Mark Lenard talking about the series. Fiction wise, he wrote one series as D. B. Drumm, The Traveller series and adapted a number of movies such as Robocop and Robocop 2 under his own name. Way back in the Seventies, he wrote Horrors: From Screen to Scream: An Encyclopedic Guide to the Greatest Horror and Fantasy Films of All Time which alas has not been updated. There are no digital books at iBooks or Kindles for him.
  • Born June 10, 1951 Charles Vess, 68. If you ever need a crash course in learning about his art, go find a copy of Drawing Down the Moon: The Art of Charles Vess which lavishly covers his career up to a decade ago. I’ve got a personally signed copy here along with lots of his artwork. He’s had interesting career including the Spider-Man: Spirits of the Earth graphic novel that he wrote and illustrated. I strongly recommend the illustrated version of Stardust he did with Gaiman as it’s amazing. 
  • Born June 10, 1952 Kage Baker. I never met her but we had a decade long conversation via email and once in a while via phone. We were supposed to write a Company Concordance for Golden Gryphon but she got too ill for it to happen. Harry the Space Raptor is now living with her sister Katheleen.(Died 2010.)
  • Born June 10, 1953 Don Maitz, 66 Winner of the Hugo twice for Best Artist and ten Chesley Awards from the Association of Science Fiction and Fantasy Artists. And a World Fantasy Award as well. Yes, I’m impressed. From Asimov to Wolfe, his artwork has adorned the covers of many genre authors. He’s married to Janny Wurtz and their excellent website can be found thisaway.

(10) COMICS SECTION.

(11) DUBLIN 2019 DAY PASSES. Available June 15.

(12) SLOW CHANGE. Unlike Sweden (noted in a Pixel some time ago), “For Many Germans, Cash Is Still King”.

This may be surprising to some. After all, Germany is Europe’s leading economy and famous for technological know-how. But, even while some of its neighbors in Europe and elsewhere are quickly swapping physical money for new pay technologies, many Germans prefer their euro bills. Cash is quick and easy to use, they argue. It provides a clear picture of personal spending, keeps transactions more private and is widely accepted in the country.

“I usually pay cash. This way I have the feeling of keeping track of the money I spend,” says Madeleine Petry, 29, as she shops at a supermarket in Berlin. “Sometimes when I couldn’t make it to the ATM, I use my debit card in the store, but I never use my credit card for shopping in the real world — just for online shopping.”

She is not the only one with this mindset.

A 2017 study by the country’s central bank, Deutsche Bundesbank, said Germans carried an average of 107 euros (over $115 at the 2017 exchange rate) in their wallet. That’s more than three times what the average French person carries (32 euros), according to the European Central Bank. It is also far more than what Americans carry. Three-quarters of respondents in a U.S. Bank survey said they carried less than $50 — and one-quarter said they keep $10 or less in their wallet.

(13) THE ROBOTS RETURN. John Scalzi announces “Love Death + Robots Renewed for Season Two”. The Hollywood Reporter has the story:

Netflix has picked up its series Love, Death and Robots for a second run, and the anthology is bringing aboard an animation veteran to help bring the show to life.

Jennifer Yuh Nelson, the director of Kung Fu Panda 2 and 3, will join the series as supervising director for the second season — or “volume,” as the show’s producers call it. A release date and episode count for the new run has yet to be determined.

(14) HIDE AND SEEK. “Scientists close in on hidden Scottish meteorite crater”, estimated to be 20 times older than Chicxulub.

Scientists think the time has come for a full geophysical survey of The Minch, to see if the Scottish strait is hiding an ancient meteorite crater.

The idea that such a structure lies between the Western Isles and mainland Scotland was first raised back in 2008.

They found evidence on the Highlands coast for the rocky debris that would have been produced by a giant impact.

Now, the team from Oxford and Exeter universities believes it can pinpoint where the space object fell to Earth.

Writing in the Journal of the Geological Society, Dr Ken Amor and colleagues say this location is centred about 15-20km west-northwest of Enard Bay – part way across The Minch towards Stornoway in the Outer Hebrides.

The feature would be buried deep under the seafloor, they add.

(15) ALIEN MUSEUM PIECES. In the Washington Post, John Kelly remembers seeing Alien when it was released 40 years ago and interviews National Air and Space Museum curator Margaret Weitekamp about the artifacts from Alien and Star Trek in the Air and Space Museum’s collections: “‘Alien’ scared me silly 40 years ago. Today, my chest bursts with affection for it.”

In 2003, the Smithsonian’s National Museum of American History welcomed into its collection a 3-foot-tall plaster-of-Paris xenomorph egg that was used as a prop in “Aliens.” It may not be a moon rock or a first lady’s dress, but it’s iconic just the same. The National Air and Space Museum has a set of 103 “Alien” trading cards.

(16) RETURN OF THE BLOB. Watch where you step! ABC7 in LA reports “Tar oozes on to sidewalk, street near La Brea Tar Pits”.

A black, gooey mess was bubbling up out of the ground near the iconic La Brea Tar Pits on Saturday.

The sight was attracting the attention of locals and tourists alike.

City workers were on Wilshire Boulevard trying to contain the seepage that was taking over a corner across the street from the historic landmark.

“I’ve seen it bubble up a little bit before, and it’s always fascinating when it happens. Thinking, OK, the tar pits are gonna win this time and take over the world,” Andrea Ross-Greene said laughing. “This is the biggest eruption I’ve seen, and I think it’s pretty cool.”

The earth has been oozing tar and methane gas in the area since pre-historic times.

(17) GRRM Q&A. In Santa Fe at his Jean Cocteau Cinema, George R.R. Martin emcees occasional author events, which they have now started recording for streaming and later viewing. Here are three available on YouTube.

  • Marlon James (author of Black Leopard, Red Wolf.)
  • Alan Brennert (from The Twilight Zone, author of Daughter of Molokai.)
  • Lee Child (Creator of Jack Reacher.)

[Thanks to Cat Eldridge, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, JJ, Hampus Eckerman, Carl Slaughter, rcade, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The Biggest Star on Broadway

By Rich Lynch: This January, as has been the case for most Januaries that Nicki and I have visited New York, there were several big-name actors and actresses who were appearing in Broadway shows.  Bryan Cranston and Tatiana Maslany were the leads in a new stage adaptation of the Oscar-winning film Network.  Ethan Hawke and Paul Dano were getting great reviews in a revival of Sam Shepard’s True West.  Singer-songwriter Sara Bareilles and Tony Award-winning actor Gavin Creel had taken on leading roles in Waitress.  And Jeff Daniels was starring in Aaron Sorkin’s stage adaption of To Kill a Mockingbird.  But, in spite of their prominence, none of these luminaries were actually the biggest star on Broadway.  That would be Kong.

Outside the Broadway Theatre on the evening of January 8th

King Kong is a recent addition to the Great White Way.  Even though it’s very New York-centric, at least in its final act, it had originally been adapted for the stage back in 2013 in Melbourne, Australia.  And it’s a musical! 

To be frank, I was a bit skeptical going in that it would work very well.  When you go to see a show about a literally larger-than-life stage character, you don’t do it because of the music.  And while that was true even for Nicki and me, we still found that the songs, though not memorable, were good compositions which did move the plotline along. 

But in the end, it was Kong that everybody came to see.  And we weren’t disappointed.  He didn’t make his initial appearance until about halfway through the first act of the show, and when he did he had his own talented assemblage of handlers – about a dozen people dressed all in black (listed in the show’s Playbill as the “King’s Company”) who were the manipulators.  And they were so expert in their machinations of controlling a 20-foot tall puppet that it was able to exhibit a broad range of nuanced facial expressions and body language.  Truly sophisticated.

Kong’s curtain call with his handlers.

And there was certainly considerable talent in the rest of the cast – in particular, Christiani Pitts (who played soother-of-the-savage-beast Ann Darrow), appeared to be a future Broadway superstar.  As a review on Yelp! put it, she “sang her butt off” and from our viewpoint she was the only one in the cast who succeeded in not being upstaged by Kong.  The professional reviewers, however, were not nearly as charitable, the worst of the lot being The New York Times, which described the show as “the Mess that Roared” and The Observer, which offered that “Broadway’s disastrous King Kong is a $35 million crime against puppets”.  We, however, beg to disagree.  When you go to see a Broadway musical, the one thing you don’t want to happen is to come away with a disappointing experience of an unmemorable production.  That was certainly not the case for King Kong.  It was a good show.

(This is part of a longer essay about New York that will be reprinted in December in My Back Pages 23.)

Pixel Scroll 11/7/18 Neil Gaiman On A Mountain Of Books Holding a Kitten

(1) THE CRIMES OF VISACARD. BBC takes note as “JK Rowling sues former employee for £24,000”.

Harry Potter author JK Rowling has launched a £24,000 legal claim against a former employee for allegedly using her money to go on shopping sprees.

Ms Rowling, 53, claims Amanda Donaldson broke strict working rules by using her funds to buy cosmetics and gifts.

Ms Donaldson worked as a personal assistant for the writer between February 2014 and April 2017, before being sacked for gross misconduct.

The 35-year-old from Coatbridge, Lanarkshire, has denied the claims.

Legal papers lodged at Airdrie Sheriff Court allege Ms Donaldson wrongly benefited to a value of £23,696.32 by spending on a business credit card and taking Harry Potter merchandise.

(2) BLEEPIN’ RIGHT. Let K.M. Alexander expand your word power — “Raunch Review: Mork & Mindy/Starsiege: Tribes”.

Raunch Reviews is a series about profanity. Not real profanity, but speculative swearing. Authors often try to incorporate original, innovative forms of profanity into our own fantastical works as a way to expand the worlds we build. Sometimes we’re successful. Often we’re not. In this series, I examine the faux-profanity from various works of sci-fi and fantasy, judge their effectiveness, and rate them on an unscientific and purely subjective scale. This is Raunch Reviews, welcome.

The Author: Garry Marshall and Dynamix

Work in Question: Mork & Mindy/Starsiege: Tribes

The Profanity: “Shazbot”

It’s rare for a fictional profanity to transcend its original source material and find new life in other properties. But that’s what we find with 1978’s Mork & Mindy’s “shazbot.” …

(3) MOVING UP AT TOM DOHERTY ASSOCIATES. Publishers Lunch reports:

In promotions at Tom Doherty Associates: Alexis Saarela moves up to senior associate director of publicity focusing on Forge; Laura Etzkorn is now publicist; Desirae Friesen becomes senior publicist with a focus on Tor; Saraciea Fennell is senior publicist overseeing publicity for Tor Teen and Starscape; and Lauren Levite is now associate publicist.

(4) DYSTOPIC DYNAMIC. In “How Technology Grows (a restatement of definite optimism)” blogger Dan Wang says that economic stagnation and limited growth leads to depressing sf:

Much of the science fiction published in the last few decades veer towards cyberpunk dystopia.  (The Three Body Problem is an exception.)  We don’t see much change in the physical landscape of our cities, and instead we get a proliferation of sensors, information, and screens.  By contrast, the science fiction of the 50s and 60s were much more optimistic.  That was the space age, a time when we were busy reshaping our physical world, and by which point the industrial acheivements of the ‘30s had made themselves obvious.  Industrial deepening leads to science fiction that is optimistic, while digital proliferation pushes it towards dystopia.

(5) BOPPING AROUND THE GALAXY. Steve Carper helps Black Gate readers remember the “Space Conquerers!” comic strip. (Or in my case, provides a first-time introduction….)

Space Conquerors! ran for a full twenty years, from 1952, when a simple rocket trip to Mars was nearly unimaginable, to 1972, when their flying saucer casually strolled alien star systems. The science was an odd mix of realism and convenience. That first rocket to Mars could go faster than the speed of light but a later space ship, built in 2054, was deemed a marvel because it could travel at half the speed of light. It needed a proper eight years to get to get to Alpha Centauri from the moon. Or perhaps the marvel was that a 1957 sequence strives for an educationally accurate first trip to the moon, but somehow is set in 2057, three years after the star ship set sail.

(6) YOU BETTER NOT POUT. Laura Anne Gilman’s post “A Meerkat Rants: The War on Christmas Retailers” solves the angst shortage for readers of Book View Café.

…Because, yes Virginia, there is a war against Christmas holiday retailers.  And it begins with the first stores loading up Christmas decorations and candies the day after Halloween (Rite Aid and such, we’re looking at you, and you were already on our shitlist for not discounting Halloween candy the day after, what the hell is wrong with you?)

Look, anyone who is that into Christmas that they need it two months ahead of time?  Has the ever-increasing option to go to a 365-days-a-year Christmas Store.  Or buy things online.  They don’t need that in their local drugstore.  The rest of us walk in, take one look, and say “oh hell no,” and walk out again, often without searching for the thing we went in for.  Or if we do, we curtail any further impulse shopping, in order to escape as quickly as possible.

You jump the gun by a month or more, and shove your retail Christmas agenda in my face the first week of NOVEMBER?  I’m going to walk past your door, and go somewhere else.  And I know I’m not alone in this….

(7) SPACEX BEATS RUSSIAN PRICE. The Republic of Kazakhstan—ex of the Soviet Union and still the home of Russia’s primary spaceport—has chosen SpaceX over Russia for launch services (Ars Technica: “Kazakhstan chooses SpaceX over a Russian rocket for satellite launch”). Unsurprisingly, it boils down to money. The launch in question will place small satellites from a few dozen customers in orbit on the same launch.

The first satellite launched into orbit, Sputnik, launched from a spaceport in Baikonur, Kazakhstan. The Central Asian country was then a Soviet republic. Later, the first human to fly into space, Yuri Gagarin, also launched from Kazakhstan. Today, despite its independence, this spaceport remains the primary launch site for the Russian space program.

However, when Kazakhstan wanted to get a small scientific satellite named KazSaySat and a technology satellite called KazistiSat into space, the country didn’t select a Russian rocket. Instead, it chose the US-based launch company SpaceX to reach orbit.

[…][T]he press secretary of the Ministry of Defense and Aerospace Industry, Aset Nurkenov, explained why. “The reason for using a Falcon 9 for this launch is that it will be less expensive,” he said. “The total cost is a commercial confidentiality we can not reveal at the request of the American launch provider.”

(8) THE MONSTER. Adri Joy finally gets to read Seth Dickinson’s anticipated sequel: “Microreview [Book]: The Monster Baru Cormorant by Seth Dickinson” at Nerds of a Feather.

It’s been three long, interesting years between the release of Seth Dickinson’s The Traitor Baru Cormorant and its fair to say this long-awaited sequel, in which the Traitor becomes the Monster, has been one of my most anticipated releases of the year. The Traitor Baru Cormorant blew me away when I read it in 2015: I was still relatively new to modern adult SFF, and at the time I didn’t realise that it was possible to capture this type of political and economic intrigue in fantasy. Baru’s journey from island prodigy to rebel leader was immensely satisfying, as was the fact she was doing it all as a civil servant. Then, like all books, it ended, and as anyone who has read it will sympathise, it ended like that. I lost hours of sleep. If you haven’t read the book and don’t know what I’m referring to, let me warn you not to look for queer happy endings in this otherwise magnificent book and send you away to do what you will.

(9) SALMONSON ANTHOLOGY. Adri Joy also adds an entry to Nerds of a Feather’s series with “Feminist Futures: Amazons!”

Legacy: I read Amazons! in 2018, sandwiched between the Deed of Paksenarrion by Elizabeth Moon, a trilogy about a sheepfarmer’s daughter who finds her calling as a warrior, and Redemption’s Blade by Adrian Tchaikovsky, in which a woman veteran seeks restoration after killing the renegade demigod who took her entire world to war. In that context, the legacy of Amazons! – and, perhaps more importantly, the writers in it and the movement it represents – is one that has made a huge difference to the range and depth of well-crafted woman-centred fantasy narratives out there to discover. Reading the anthology has definitely piqued my interest in the stories that prefaced full novels, namely “The Dreamstone” – which started the Ealdwold series – and “Bones for Dulath” by Megan Lindholm, which was the first appearance of Ki and Vandrien (although neither is a work that the authors are primarily known for now). …

(10) O’NEIL OBIT. From the BBC — “Kitty O’Neil: Wonder Woman stuntwoman dies at 72”.

Kitty O’Neil, a stuntwoman who was Lynda Carter’s stunt double on 1970s TV series Wonder Woman, has died in South Dakota at the age of 72.

O’Neil, who lost her hearing when she was five months old, also doubled for Lindsay Wagner on The Bionic Woman.

Her other credits included Smokey and the Bandit II and The Blues Brothers.

O’Neil’s success as a stuntwoman led her into the world of speed racing and she set a land-speed record for women in 1976 – which still stands today.

The New York Times version adds –

On a dry lake in Oregon in December 1976, Kitty O’Neil wedged herself into a three-wheeled rocket-powered vehicle called the SMI Motivator. She gave the throttle two taps to awaken the engine and then watched an assistant count down from 10 with hand signals. At zero, she pushed the throttle down.

The Motivator accelerated rapidly, though silently for Ms. O’Neil; she was deaf. Her speed peaked briefly at 618 miles per hour, and with a second explosive run measured over one kilometer, she attained an average speed of 512.7 m.p.h., shattering the land-speed record for women by about 200 m.p.h.

For Ms. O’Neil, her record — which still stands — was the highlight of a career in daredevilry. She also set speed records on water skis and in boats. And, working as a stuntwoman, she crashed cars and survived immolation.

(11) TODAY IN HISTORY

  • November 7, 1954 – Giant robots attack Chicago in Target Earth.
  • November 7, 1997 — A version of Robert Heinlein’s Starship Troopers premiered in theatres.

(12) TRIVIAL TRIVIA

As long as we are examining number theory, the house number for Wil Wheaton’s fictional home on The Big Bang Theory is 1701.

(13) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ]

  • Born November 7, 1914 – R.A. Lafferty. Writer known for somewhat eccentric usage of language. His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, he received the Cordwainer Smith Foundation’s Rediscovery award. I’m going to confess that I’ve not read him so I’m leaving up to y’all to tell me which works of his that I should read. (Died 2002.)
  • Born November 7, 1954 – Guy Gavriel Kay. So the story goes that when Christopher Tolkien needed an assistant to edit his father J.R.R. Tolkien’s unpublished work, he chose Kay who was at the time a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? The Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere, which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles renaissance Italy. My favorite work by him is Ysabel, which strangely enough is called am urban fantasy when it really isn’t. It won a World Fantasy Award.
  • Born November 7, 1960 – Linda Nagata. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre, which is not be confused with the Biopunk genre. To date, she has three series out: The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels), and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her website is here.

(14) COMICS SECTION.

(15) A NAME TO CONJURE WITH. Conjure, as in, his events disappear before happening. Trae Dorn at Nerd & Tie asks “Is Ray Jelley Running a Roman Themed Event Called ‘Like Caesar?’”

Some of you may remember that last year we ran a number of stories covering Angry Goat Productions and it’s owner Ray Jelley. If you don’t feel like trodding through half a dozen stories today, the short version is pretty simple — over the years a man named Raymond Francis Jelley has announced a series of events which then all ended up being cancelled prior to taking place.

There are a number of other details, including a lawsuit filed by a member of The Hobbit films, but that’s really the important bit.

In any case, after a string of announcements under the Angry Goat moniker, and a Harry Potter themed train under a different name, Mr. Jelley seemed to drop off my radar for a while. He seemed to go silent, and that was just fine as far as I was concerned.

Well, at least until recently.

Over the last couple of weeks, Nerd & Tie has received messages from multiple sources pointing us to an event called “Like Caesar.” …

(16) SHORT FICTION REVIEWED. Charles Payseur needs to be quick when the subject is Lightspeed — “Quick Sips – Lightspeed #102”.

It’s an issue of return in this November issue of Lightspeed Magazine. Two short stories and two novelettes make the issue a bit heavy, and for me a big theme running through the pieces is the idea of cycles and returns. Returns to childhood dreams, to classic books, and to familiar settings. There’s a look at childhood and how children are often confronted by some very upsetting things that they can’t quite handle, that they certainly shouldn’t have to deal with. And it’s a rather dark issue, centering death and abuse and trauma and a shift of the familiar for the strange, for the new and dangerous. Even so, there’s a beauty and a light that shines through a lot of these stories, where children can find their way through the darkness to someplace safer and free. Where even if there is loss, that loss can be honored, and remembered. And yeah, let’s just get to the reviews!

(17) SUBLIMINAL SHINTO. In “The Philosophy of Miyazaki” on YouTube, Wisecrack discusses how the Japanese religion of Shinto ensures that the characters in Miyazaki’s films learn to respect nature.

(18) THOSE DARN LEFTIES. No strawman is safe when it’s Sarah A. Hoyt’s day to write for Mad Genius Club: “Reading Authors”.

Besides all this, what IS the obsession with “male” in “don’t read white males.”  No, seriously.  I’m 56 years old an my early influences as were almost exclusively female: Enid Blyton, (who was the one that made me want to be a writer) the Countess of Segur and Agatha Christie.  Dumas and Shakespeare fell in there somewhere along the way, but so did Austen.

And in science fiction Anne McCaffrey was a major influence in my teen years.

So…. really?  What is this exclusively male voice that we need a break from.  Hell, given that I read a lot of cozy mysteries and most of those are women, reading a male now and then IS a break.

(19) PLONK YOUR NONMAGICAL TWANGER. Victoria Lucas heard something in 1963 – it may have been music. “[November 7, 1963] This Performance Not Wholly Silence (John Cage and his art)” at Galactic Journey.

I really don’t know how to describe it.  I realized that I was trapped, because I didn’t know where my host or driver was.  I didn’t even know—with my poor sense of direction—if I could find the car and house again in the dark, but it wouldn’t help even if I could, with no keys.  I contemplated going out and sitting in the lobby (rather than outside in the snow), because the noise from the piano harp, legs, sounding board, and everything else Tudor wired was so loud.  That was how and why I experienced the breakthrough I did.  I couldn’t leave.  I decided to stay and started to resent the people who were leaving, although I soon didn’t care.  They couldn’t help leaving any more than I could help staying.  The music was loud and had no melody, no rhythm, nothing definable to get a handle on it.  It sounded like nothing I had ever heard before.

Exactly.  That was exactly it: I had never heard anything like it before, and eventually that was why I stayed in the concert hall rather than sitting in the lobby.  At some point early on it was obvious that the music and dance were on separate tracks, had nothing to do with each other.

(20) WORD OF THE YEAR. “Words, words, words: ‘Single-Use’ Is The 2018 Word Of The Year, Collins Dictionary Says” – NPR has the story.

The English-speaking world’s growing concern for the environment and the ubiquity of disposable items that are used only once has pushed the word “single-use” to the top of Collins Dictionary’s list of “Word of the Year.”

Collins says there’s been a fourfold increase in the usage of the word since 2013, in part thanks to news coverage of environmental issues.

Single-use “encompasses a global movement to kick our addiction to disposable products. From plastic bags, bottles and straws to washable nappies, we have become more conscious of how our habits and behaviours can impact the environment,” Collins says.

(21) GOING APE. Jeff Lunden’s NPR article “‘King Kong’ On Broadway Is The 2,400-Pound Gorilla In The Room” discusses the fascinating live effects – but since this is a musical, it’s strange to see not a word about the songs, etc.

…Let’s start with the old school. Ten puppeteers are onstage moving the beast.

“They’ve got ropes down there which are connected to the wrist and the elbows, so they can move it,” Williams says. “It’s basically the oldest style of puppet — a marionette.”

Khadija Tariyan is one of the puppeteers who operate Kong’s legs, arms and torso on the stage.

“To be Kong, we are one with Kong,” she says. “We wear these black hoodies, and we’re all in black outfits, and we’re for the most part quite hidden. And we — we’re in a crouch position, so you don’t necessarily always see us — we’re almost like his shadows. And then there also moments in the show where we are able to come out and almost express his feelings, like when he’s curious about something, we do have a little appearance.”

(22) UNLEVEL PLAYING FIELD. Still need the Equal Rights Amendment they tried to pass 40+ years ago — “League of Legends firm sued over workers’ sexism claims”.

League of Legends’s developer is facing legal action over allegations it paid female employees less than men because of their gender and tolerated sexual harassment.

The action against Riot Games is being pursued by one of its former workers as well as a current staff member.

It follows investigations by the Los Angeles Times and the news website Kotaku, which made related claims.

Riot has not said if it will challenge the accusations.

(23) THE BLAME GAME. Forbes’ Erik Kain lists “The 5 Biggest Problems With This ‘Diablo Immortal’ Fiasco”.

It doesn’t help that early reports from players of the Diablo Immortal demo are largely tepid at best. It doesn’t help that we PC and console players are not only aware of the mobile game industry’s bad monetization practices, but also of the limits of mobile gaming’s inputs and controls. We know for a fact that Immortal won’t be as good as a PC Diablo title. It’s not possible.

So we’re left clueless as ever, still wondering when and what the next real Diablo game will be.

With a bungled announcement, one might expect that fingers would be pointed at Blizzard and its surprising incompetence on this front, but sadly that was largely brushed under the table as everyone began focusing their ire on the usual suspects: Gamers.

And ReviewTechUSA did a YouTube commentary:

Yesterday, Activision’s stock fell by a staggering 7.2 percent. This put the stock on track for having the lowest close it had since January 2018. Fans are still outraged over Diablo Immortal and there is even a petition with over 35,000 signatures asking for Blizzard Entertainment to cancel the game. However, on the other side of the coin analysts are excited for the mobile title and predict it will bring Activision and Blizzard over 300 million dollars of revenue annually.

 

[Thanks to Cat Eldridge, Andrew Porter, John King Tarpinian, Carl Slaughter, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Sheila Strickland.]

Pixel Scroll 11/2/18 Keep Scrolling All The Time – Stormy Pixels

(1) RABBIT CAST MULTIPLYING. More celebrities join the Watership Down warren: “Daniel Kaluuya, Rosamund Pike Join Animated Netflix/BBC Miniseries ‘Watership Down'”.

The latest adaptation of Richard Adams’ classic allegorical bunny adventure novel will be a CGI series, with John Boyega, James McAvoy, Nicholas Hoult and Ben Kingsley previously announced as voicing a group of rabbits, led by the brave Hazel (McAvoy) and visionary Fiver (Hoult). Written by Tom Bidwell, the series also will feature the vocal talents of Gemma Arterton (Quantum of Solace), Freddie Fox (Pride), Anne-Marie Duff (Suffragette), Miles Jupp (The Thick of It) and Olivia Colman, it was previously revealed.

The story follows a group of rabbits as they escape the destruction of their warren and seek a place to establish a new home, encountering perils and temptations along the way.

Kaluuya (Get Out, Black Panther) will voice Bluebell; Pike (A Private War, Gone Girl) will voice The Black Rabbit of Inle; Egerton will voice El-Ahrairah; and Capaldi will voice the seagull Kehaar. Other new voice talent includes Gemma Chan (Crazy Rich Asians, Humans) as Dewdrop, Tom Wilkinson (Selma) as Threarah and Rory Kinnear (Skyfall) as Cowslip,

(2) TOO MUCH SUGAR IN THAT PLUM. The Hollywood Reporter’s David Rooney really doesn’t like it: “‘The Nutcracker and the Four Realms’: Film Review”.

Disney’s attempt to wrestle E.T.A. Hoffmann’s 1816 story and the perennially popular Tchaikovsky ballet into a fairy tale with a modern attitude is like one of those big, elaborately decorated, butter cream-frosted cakes that looks delicious but can make you quite ill. Something else that The Nutcracker and the Four Realms calls to mind is those mechanized holiday department store windows, stuffed with so many busy elements you can barely take them all in before some obnoxious kid behind you is nudging you to keep the line moving. So much attention has been lavished on the sumptuous visuals that the story and characters are suffocated.

(3) CROWDFUNDED DEPARTURE. Amazing Stories contributor Susan Sussman has launched a GoFundMe appeal to get her family out of Venezuela. Steve Davidson hopes everyone will help:

Susana Sussmann, author, conference organizer, editor and contributor to the Amazing Stories blog (read her posts here), is trying to get her family out of strife torn Venezuela and she needs our help.

She and her husband have secured job offers in Germany and have opened up a GoFundMe fundraising campaign to help her get to that job and her family to safer environs.

Susana and family have been caught up in and affected by Venezuela’s humanitarian crisis (information on which can be found here.)  Her son needs medical and educational support which is simply no longer available to the family,

(4) EARLY REPUBLICAN. Camestros Felapton engages Plato in “Dialogue: Thessaly by Jo Walton”.  Some say we don’t have great fan writers like this anymore – but we do!

[Warning on themes around sexual violence and consent]…

Camestros: You are a man of contradictions, Plato! You scorn poetry and yet you are the most poetic of classical philosophers. You fear fiction but you literally include made-up stories in your model civilisation and call them noble lies! In Western history, you are arguably the first person to invent a story and overlay claim that you just made it up and that it wasn’t actually based on an existing myth or history!
Plato: But those myths are for the purpose of instruction and improvement of the mind. The fictions you tell me about these “science fictions” are untruths about knowledge! What was that last one with the Olympic gods and thinking machines and the works of your island’s Homer? This new book you have better not be like that one.
Camestros: That would be Olympus and Illium by Dan Simmons. Well, there are some similarities. There are some excellent robot characters, as well as the gods of Olympus and both books discuss arete. However, Walton’s book is genuinely concerned with examining your ideas, rather than just exploring the Greek pantheon.
Plato: Excellent!

Plato: Before we part company, can you tell me where I might find these books we have been discussing? It may be that you have at last brought me something worthy of my interest?
Camestros: Oh, you get them from Amazon!
Plato: The great warrior women are now booksellers! What wonders you era brings!

(4) YOUR NAME HEAR. This thread summarizes World Fantasy Con’s panel about podcasting – starts here.

(5) MONSTER SCIENCE. Amusing podcast from Harvard Dept. of Organismic and Evolutionary Biology on the science of big monsters: “Veritalk: Monsters Episode 3 – King Kong vs. Gravity”. There’s also a transcript.

AFP: So this really busts the idea of having King Kong. We couldn’t have an ape the size of a skyscraper that just wouldn’t work at all.

SCS:  I think both King Kong and Godzilla, at the very least they would have to be built very differently than what we typically see as a lizard or a or a primate. They would definitely have to remodel their body shape in order to support that much weight.

AFP: So, if you’re big?—?you need lots of oxygen, a long life, and industrial-strength limbs. But if you want to survive, you also need to eat.

SCS: I mean, this is one of the things that worries me the most about Godzilla. If you just go into Tokyo and you start smashing things, at some point you get hungry. And as a carnivore that means you have to hunt. But all of the prey that are available are so tiny with respect to your size?—?and being big requires a lot of energy. The largest animal on the planet, the blue whale, it is still technically a carnivore. It spends its life eating krill, which are these small crustaceans. But a blue whale has to take in something like eight thousand pounds of food every single day.  I have no idea how long it would take me to eat eith thousand pounds of food but every single day that’s what it has to do just to stay alive and keep swimming.

AFP: Right. You would have to eat a lot of bus loads full of people before you feel a little bit full.

SCS: Many, many busloads. yeah. [laughs]

(6) FOR COMICS GOURMANDS. Among the stacks of comics coming to Marvel Unlimited this month:

Avengers (2018) #1

Thor Odinson. Steve Rogers. Tony Stark. The Big Three of the Avengers are reunited at last! And just in time to save the world from total annihilation at the hands of their most powerful enemies yet: the 2000-foot-tall space gods known as Celestials. Behold the coming of the Final Host. Who will answer the call to assemble for a wild new era of Earth’s Mightiest Heroes? Hint: one of them has a flaming skull for a head. And what strange, world-shaking connection exists between the Final Host and Odin’s ancient band of Prehistoric Avengers?

(7) ALL BRADBURY ALL THE TIME. Paul DiFilippo has reproduced Ray Bradbury’s 1984 “A Salute to Superman” at Theinferior4. Paul rightly says, “I doubt this has seen the light of day in 35 years.”

(8) CLI-FI NEWS. “Amazon launches climate change sci-fi series about ‘possible tomorrows’”The Hill has the story.

Amazon Original Stories, an Amazon Publishing imprint, this week launched a sci-fi series about “possible tomorrows” in a United States ravaged by climate change.

The series, called “Warmer,” includes seven books that explore fictional stories about characters fighting to survive despite rising temperatures, floods, ice storms and rising sea levels.

“’Warmer’ is our first collection of topical fiction, an area where we plan to keep expanding next year with collections of socially-attuned suspense stories, tales of dating after #MeToo, and more,” Original Stories’ editorial director Julia Sommerfeld said in an interview with Publishing Perspectives.

(9) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ.]

  • November 2, 1913 Burton Stephen Lancaster, Actor who played Dr. Paul Moreau in the 1977 film The Island of Dr. Moreau, which also featured genre favorite Michael York. His only other genre appearance is in Field of Dreams as Archibald Wright “Moonlight” Graham.
  • November 2, 1927 Steve Ditko, Artist and Illustrator who began his career working in the studio of Joe Simon and Jack Kirby, during which he began his long association with Charlton Comics, and which led to his creating the Captain Atom character. Did I mention that DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of the Marvel Comics superheroes Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove, all characters in use to this day, he was inducted into the Jack Kirby Hall of Fame in 1990, and into the Will Eisner Award Hall of Fame in 1994.
  • Born November 2, 1942 Stefanie Powers, 76, Actor whose best known genre role has been as the lead, April Dancer, in The Girl from U.N.C.L.E., a spinoff from the original TV series which lasted one season. Other appearances include a crossover guest role on episodes of The Six Million Dollar Man and The Bionic Woman, the horror movies Someone Is Watching, The Astral Factor (aka Invisible Strangler), Ellery Queen: Don’t Look Behind You, and Fanatic, and the Transformers Bumblebee predecessor, Herbie Rides Again. She played aviation pioneer Beryl Markham in the movie A Shadow on the Sun.
  • Born November 2, 1949 Lois McMaster Bujold, 69, Writer and Fan who has won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record (not counting his Retro Hugo). Quite impressive that, especially given the multitudes of other awards her works have received. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series (aka The World of Five Gods), and the Sharing Knife series – the first two of which have won the Hugo Best Series Award. Starting out in fandom, she joined the Central Ohio Science Fiction Society, and with Lillian Stewart Carl, co-published StarDate, a Star Trek fanzine in which a story of hers appeared under the byline Lois McMaster. To this day, she has great engagement with her fans through the blog she maintains on GoodReads. She has been Guest of Honor at dozens of conventions including the 2008 Worldcon, and she has been presented the Skylark Award for achievement in imaginative fiction.
  • Born November 2, 1952 David Andrews, 66, Actor probably best known in genre for his role as Claire Danes’ father the Army General in Terminator 3: Rise of the Machines. He also played Astronaut Pete Conrad in Apollo 13, and had roles in World War Z, Stealth, A Nightmare on Elm Street, Cherry 2000, and Graveyard Shift.
  • Born November 2, 1957 Michael Bailey Smith, 61, Stuntman and Actor, he’s appeared in multitude of genre films and TV shows, including The Fantastic Four, Babylon 5, Star Trek: Voyager, The X-Files, Seven Days, Roswell, Men In Black II, and the Emperor: Battle for Dune video game.
  • Born November 2, 1959 Peter Mullan, 59, Actor and Filmmaker from Scotland whose first genre role is in FairyTale: A True Story, which is based very loosely based on the story of the Cottingley Fairies (and which makes for interesting reading, if you have the time). He played Corban Yaxley in both parts of Harry Potter and the Deathly Hallows, and is currently in a recurring role on the Westworld series as the James Delos character.
  • Born November 2, 1968 Samantha Ferris, 50, Actor from Canada who had starring role on the TV series The 4400, a recurring role as Supernatural, and guest roles in episodes of The New Addams Family, Stargate SG-1, V, First Wave, Smallville, The Collector, and Battlestar Galactica

(10) COMICS SECTION.

(11) WHAT THEY HEAR. Something to keep in mind when you’re in New Zealand for the 2020 Worldcon –

(12) READY FOR ITS CLOSE-UP. NASA has published a composite image of Bennu—the clearest look yet at the near-Earth asteroid that’s being visited in about a month. (Gizmodo: “NASA’s OSIRIS-REx Spacecraft Captures Stunning View of Asteroid Bennu Ahead of Arrival”). Even with the fancy processing, Bennu is still only about 100 pixels wide.

More than two years after its launch, NASA’s OSIRIS-REx spacecraft has beamed back what the space agency is calling a “super-resolution” view of the asteroid Bennu. OSIRIS-REx is NASA’s exciting mission to near-Earth asteroid 101955 Bennu, which the spacecraft is set to reach in about a month, to collect and bring back a sample to help scientists better understand the origins of the Solar System.

The close-up of Bennu was created with a series of images taken on October 29 and shared by the space agency earlier this week. NASA used eight images snapped by the spacecraft from roughly 205 miles away to create a super-clear composite image.

“The spacecraft was moving as it captured the images with the PolyCam camera, and Bennu rotated 1.2 degrees during the nearly one minute that elapsed between the first and the last snapshot,” NASA said this week. “The team used a super-resolution algorithm to combine the eight images and produce a higher resolution view of the asteroid. Bennu occupies about 100 pixels and is oriented with its north pole at the top of the image.”

(13) PROFESSORS PHONING IT IN. BBC announces “‘Hologram’ lecturers to teach students at Imperial College London”.

Imperial will initially limit its use to its Business School’s activities but expects the technology could eventually become common.

“The alternative is to use video-conferencing software but we believe these holograms have a much greater sense of presence,” Dr David Lefevre, director of Imperial’s Edtech Lab, told the BBC.

(14) SWAG. Steven Hager registered at World Fantasy Con and took a photo of his free bag of books.

Alma Katsu gave a peek at what’s inside –

(15) I’VE SEEN DEFACE BEFORE. Scott Edelman asks people to be on the lookout for the suspect –

(16) POST-APOCALYPTO. [Item by Mike Kennedy.] The final episode of Post-Apocalypto, an explicit animated series from rock duo Tenacious D (Jack Black & Kyle Gass) has been released and with it the same-named album (Billboard: “Tenacious D Premiere Their Hilarious ‘Post-Apocalyptic’ Album: Listen”). The animated series is hand drawn by Black and “follows the hilarious antics of two friends, voiced by Black and Gass, after the world is destroyed by an atomic bomb.”

The new album brings listeners on a sonic journey through the series and features Foo Fighters frontman Dave Grohl on drums. Post-Apocalypto is the duo’s fourth LP and first release since 2012’s Rize of the Fenix.

Samples of all 21 tracks (some spoken dialog; some played/sung) of the album can be streamed at the Billboard article. Full disclosure: I tired the first few samples and didn’t much care for it, so I didn’t finish the samples. I also watched the first of the six animated episodes (“Hope”) and found it less than hilarious (eliciting a few mild chuckles at best). YMMV.

(17) X-NUMBER OF SHOPPING DAYS LEFT. Here’s a gift for the sff fans on your list: “Calamityware Mugs: Things Could Be Worse (Set of 4)”. (Artist Don Moyer has all kinds of appealing designs at Calamityware.)

No matter how bad your day is going, these beautiful porcelain mugs graciously remind you things could be much worse. You could also be chased by UFOs, pestered by pirates, or plagued by giant frogs.

One set of four identical 12-ounce (355 mL) porcelain mugs adorned with Don Moyer’s multi-calamity drawing. These mugs are made and decorated by the award-winning Kristoff Porcelain workshop in Poland using the traditional in-glaze technique. That means the image is slightly melted into the surface like the fine porcelain you see in museums.

…These porcelain mugs feature Don’s drawing of a traditional blue-willow paradise discombobulated by more than a dozen calamities, perils, and pests. You’ll find…
• hairy fiend
• giant frog
• pirates
• cephalopod
• unpleasant blob creature
• voracious sea monster
• UFOs
• agressive pterodactyls
• rambunctious robots
• zombie poodle
and other suspicious animals and shrubs.

(18) EXCLUSIVE CLUB. Your mission should you choose to accept it….

(19) A WARNING FROM SFWA.

(20) SHADOW OF DEATH. Shadow puppets tell the story in a one-hour Frankenstein at Public Theater, January 3-12 in New York.

Love, loss, and creation merge in unexpected ways in this thrilling classic gothic tale conceived by Manual Cinema. Stories of Mary Shelley, Victor Frankenstein, and his Monster expose how the forces of family, community, and education shape personhood—or destroy it by their absence.

Internationally-renowned multimedia company Manual Cinema stitches together the classic story of FRANKENSTEIN with Mary Shelley’s own biography to create an unexpected story about the beauty and horror of creation. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive visual stories for stage and screen.

 

[Thanks to John King Tarpinian, Mlex, Cat Eldridge, JJ, Mike Kennedy, Olav Rokne, Chip Hitchcock, Martin Morse Wooster, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 6/27/18 What Has It Got In Its Retro Packet?

(1) ANAHEIM EVENT GOES DOWN THE TUBER. With dreams of rivaling VidCon, YouTuber Tana Mongeau tried to stage her own event in Anaheim. How did that go? New York Magazine titled its coverage “A Mouth to Hell Opened This Weekend at Tanacon, a Fyre Festival for the YouTube Set”.

Tana Mongeau wanted to throw an alt-VidCon. Instead, she threw a Fyre Festival redux.

Mongeau is a YouTuber. She has 3.5 million followers and her name might sound vaguely familiar if you’re at all versed in the surprisingly engaging world of vegan YouTube drama. VidCon is an annual YouTube-centric convention organized by brothers and YouTube royals Hank and John Green. Tanacon is the event that Mongeau organized — and named after herself — last week in California.

Tanacon was inspired by Mongeau’s self-professed dislike of VidCon. In a video you can watch if you have an hour and eighteen minutes to kill, Mongeau explained she would not be attending VidCon this year, citing drama over not being designated a featured creator at the event. And so, Tanacon was born. And, in a way, so Tanacon died. The event was barely six hours into its first day when it was shut down by officials for overcrowding, sending thousand of teens — many who had been waiting hours outside in the sun — into a tizzy. A dehydrated tizzy we can now recount for you to gleefully relive from the relative comfort of wherever you’re presently posted up. (We can only assume it’s not still the parking lot of the Anaheim Marriott Suites.)…

…The fan horde did not take well to the event cancellation. “After the lady said it was canceled, everyone started screaming, complaining, and cussing her out,” 13-year-old Alyssa, who bought a VIP ticket and waited six hours to be turned away empty-handed, said. “Everyone ran to the registration tent and threw the merch … pop sockets, Tanacon bags, stickers, Tanacon condoms, badges. This led to everyone destroying everything.”

Mongeau eventually came outside to calm the crowd. This, reader, will you believe … also did not end well, as evidenced by clips of screaming fans, phones raised above their heads with cameras at the ready, running through the parking lot to spy their queen….

 

(2) AND A BAD TRACK RECORD GETS WORSE. Louisville’s Fandomfest, which unaccountably did not go out of business last year after the loss of more than half its celebrity guests and a last-minute move to an old Macy’s store, (“Louisville’s Fandom Fest Shambles On”), has failed its attempt to relaunch in 2018. Co-promoter Myra Daniels announced on Facebook yesterday they’re “rescheduling” Fandomfest 2018 and plan to divide it into two more affordable events.

Hey Guys!!!

We are rescheduling Fandomfest 2018 this year.

A number of reasons why.

When we picked the date last year it was a different date range then we normally pick. It was the date closest to the previous few years of Fandomfest. The Omni is a great hotel and we wanted to have it there this year.

Unfortunately several things happened. The date we chose made it very difficult to get vendors and bigger named celebs for that date because there were 6 other big conventions on that date.

So many of our normal vendors had already paid and booked other shows for that date. That made it difficult to procure vendors which helps to pay for everything.

Another reason is the pre-sale tickets were at a lower rate then ever. The guests we have chosen to bring in to the event weren’t a big enough pre-ticket purchase draw for the fans.

Putting these shows on costs money. A lot of money. The idea is to have an idea of the excitement for your guest list and the pre-sales are a huge way for us to gauge that in our plan.

We worked with the great people at The Omni to try and find another date there at their beautiful facility but they are completely booked all the way into 2019.

So we are excited to announce that we are working to reschedule and instead of bringing one show in the summer we are going to bring 2 events to better serve you guys. We know we hear all the time how expensive the shows are getting with the autograph prices and the photo op prices as well as admission. We think the time is right to have shows that don’t cost the fans as much money.

All of us love meeting our favorites from our Superhero Movies or favorite TV Shows out there but lets face it, it can get expensive.

Daniels says they’ll “be refunding the few ticket purchases and vendor booths” starting on June 30.

(3) STILL EARTHBOUND. It was an open secret that the launch of James Webb Space Telescope would be delayed again; now it’s just plain open. The schedule now calls for a launch on March 30, 2021. Once launched, the JWST will be inserted into a solar orbit at the Earth-Sun L2 point.

NASA says

The James Webb Space Telescope (sometimes called JWST or Webb) is an orbiting infrared observatory that will complement and extend the discoveries of the Hubble Space Telescope, with longer wavelength coverage and greatly improved sensitivity. The longer wavelengths enable Webb to look much closer to the beginning of time and to hunt for the unobserved formation of the first galaxies, as well as to look inside dust clouds where stars and planetary systems are forming today.

Quoting The Verge’s article “NASA’s next flagship space telescope is delayed again”:

NASA has again delayed the launch of its next-generation space observatory, known as the James Webb Space Telescope (JWST), the space agency announced today. The telescope now has a new launch date of March 30th, 2021. It’s the second delay to the program’s timeline this year, and the third in the last nine months.

“We’re all disappointed that the culmination of Webb and its launch is taking longer than expected, but we’re creating something new here. We’re dealing with cutting-edge technology to perform an unprecedented mission, and I know that our teams are working hard and will successfully overcome the challenges,” NASA administrator Jim Bridenstine said in a video statement. “In space we always have to look at the long term, and sometimes the complexities of our missions don’t come together as soon as we wish. But we learn, we move ahead, and ultimately we succeed.”

(4) TAKE NOTE. The Guardian answers the question:  “Who is Segun Akinola? The composer reinventing the Doctor Who theme”.

Segun Akinola has been announced as the sci-fi show’s new composer, and he’s in for a challenge almost as significant as hers: reinventing one of TV’s best-known theme tunes. The British-Nigerian musician’s unveiling continues the trend for bringing in fresh blood all around for the show’s new era. Composer Murray Gold worked on all 10 series of the revived show, winning acclaim for his blockbustery orchestral scores – despite many fans complaining they became invasive and overbearing.

Akinola, an alumnus of the Royal Birmingham Conservatoire and part of 2017’s Bafta Breakthrough Brit programme, could prove an altogether different prospect for a remodelled show. Could fans look forward to hearing something a little more pared down, modern and minimalist?

…Yet his latest challenge sets the bar high. Composing soundtracks for all 10 episodes of Whittaker’s debut series might provide the lion’s share of his workload – but he is also tasked with providing a ‘fresh take’ on the show’s theme music. That’s one of the most iconic elements of Doctor Who – just like the show itself, it’s always changing while remaining, broadly, the same.

Composed by Ron Grainer, the eerie, warping titles first emerged in 1963 in an arrangement now synonymous with Doctor Who’s renegade spirit….

(5) TRAVEL BAN CONSEQUENCES URGED. In the aftermath of the Supreme Court decision upholding Trump’s travel ban, several leading sff figures voiced a new resolve to deprive the United States of future Worldcons. Patrick Nielsen Hayden’s Twitter thread starts here. Adam Roberts carried on the theme in his Twitter thread, and Paul Cornell ratified it.

(6) CHRISTOPHER STASHEFF REMEMBERED. The daughter of the late Christopher Stasheff gave an interview about the author to the Champaign, IL News-Gazette.

A daughter of the prolific author who brought literary depth to the science fiction and fantasy genres with books like “The Warlock in Spite of Himself” said he used the people of Champaign as his muse.

“He gained inspiration from the people around him,” said Eleanore Stasheff, whose father, Christopher Stasheff, died June 10 at age 74.

“He always believed home is where the heart is, which is Champaign,” she said. “He found beauty anywhere we were at, but to him, people were more important than nature.”

(7) HEART OBIT. Frank Heart (1929-2018), a U.S. engineer who led the team that built the Interface Message Processor, heart of internet precursor ARPAnet, died on June 24 aged 89. The New York Times recalls his achievements: “Frank Heart, Who Linked Computers Before the Internet, Dies at 89”.

Data networking was so new that Mr. Heart and his team had no choice but to invent technology as they went. For example, the Arpanet sent data over ordinary phone lines. Human ears tolerate low levels of extraneous noise on a phone line, but computers can get tripped up by the smallest hiss or pop, producing transmission errors. Mr. Heart and his team devised a way for the I.M.P.s (pronounced imps) to detect and correct errors as they occurred.

(8) TODAY’S BIRTHDAYS

  • Born June 27 – Tobey Maguire, 43. Spider-Man films of course.
  • Born June 27 — J.J. Abrams, 52. Executive Producer of Alias, Lost: Missing Pieces, Star Trek, Lost, Fringe, Star Trek Into Darkness, Almost Human… Well you get the idea.
  • Born June 27 – Samuel George Claflin, 32. Performer, the Hunger Games film series, Pirates of the Caribbean: On Stranger Tides and Snow White and the Huntsman

(9) COMICS SECTION.

  • John King Tarpinian spotted a Return of the Jedi joke in Brewster Rockit.

(10) KING KONG V GODZILLA. At Galactic Journey, The Young Traveler gives a blow-by-blow account of monstrous showdown: “[June 26, 1963] Double or Nothing (King Kong vs. Godzilla (1962))”.

Though the epic monster fight was the main spectacle of the movie, it also managed to have a plot too. Well, sort of. The movie follows a dying Pharmaceuticals company whose executive is trying to get business by gaining traction on TV. Obviously the best way to get TV viewership is to send two of your employees to a small exotic island in search of giant monsters you can exploit. So that’s just what they do, discovering King Kong in the process. An awesome fight breaks out between King Kong and a giant octopus, for some reason, and after a much too long “exotic” dance sequence from the island’s “natives” King Kong drinks some special juice and falls asleep.

(11) READY FOR ITS CLOSE-UP. BBC reports “Japan’s Hayabusa 2 spacecraft reaches cosmic ‘diamond'”.

A Japanese spacecraft has arrived at its target – an asteroid shaped like a diamond or, according to some, a spinning top.

Hayabusa 2 has been travelling toward the space rock Ryugu since launching from the Tanegashima spaceport in 2014.

It is on a quest to study the object close-up and deliver rocks and soil from Ryugu to Earth.

It will use explosives to propel a projectile into Ryugu, digging out a fresh sample from beneath the surface.

(12) HISTORY ONLINE. Did you know the BBC once sold a home computer? “BBC releases computer history archive”.

A slice of computing history has been made public, giving people the opportunity to delve into an archive that inspired a generation of coders.

The Computer Literacy Project led to the introduction of the BBC Micro alongside programmes which introduced viewers to the principles of computing.

It included interviews with innovators such as Bill Gates and Steve Wozniak.

The BBC hopes the 1980s archive will encourage today’s youngsters to become involved in computing.

With the release of the archive, viewers can now search and browse all of the programmes from the project.

They will be able to:

  • watch any of the 267 programmes
  • explore clips by topic or text search
  • run 166 BBC Micro programmes that were used on-screen
  • find out the history of the Computer Literacy Project

(13)  DRAGON CON LOSES POC PARTICIPANT. Gerald L. Coleman, who withdrew as a ConCarolinas guest, has decided Dragon Con isn’t suitable either.

Here’s a little thread I just sent. I still haven’t heard back from Cisca Small after emailing her twice this month about whether #DragonCon intends to invite John Ringo. According to Ringo he’s been invited. If that’s true I’ll be withdrawing my participation as an Attending Professional. I don’t have the luxury of pacifying, appeasing, or normalizing these decisions with my presence. I’m sure a number of authors who aren’t people of color or women will find all kinds of justifications for why it’s ok to attend but still call themselves “allies”. Just know I don’t buy it. I understand though, selling a few copies of your books is more important than letting a Con know that who they invite says everything about who they are.

Coleman also wrote a Twitter thread, which starts here.

(14) MANIFESTUNG. The Daily Dot’s Michelle Jaworski shows that “‘The Last Jedi’ backlash ‘campaign’ demands to be taken seriously “.

More than six months after the theatrical release of The Last Jedi, just about every aspect of the backlash against it has already been argued and debated to death. But that hasn’t stopped old arguments appearing in new formats.

Last week, we saw an almost certainly fake campaign “raise” millions of dollars to remake a film that earned more than $1.3 billion at the box office. This week, we’re seeing a “manifesto” written by “We the fans of Star Wars” go viral several weeks after it was originally posted. The emergence of the post, which didn’t get that much traction when it was first posted, is almost solely so people can mock it.

The creators of the manifesto believe that “those in charge of a Franchise derives its power as a creative force from the consent of the fandom of that Franchise.” The creators take umbrage with the direction that Lucasfilm has gone since being purchased by Disney and the perceived “misguided political agenda” that it’s pursuing with the new films. It includes grievances against The Last Jedi and the newer films as a whole, characterizing the films as desecrating the legacies of characters we’ve known for decades. And they certainly have an issue with people assuming that they’re racist, sexist, or part of the alt-right for disliking a movie.

“To these ends, we pledge our merchandise, our honor, and our wallets,” the manifesto stated in its final line.

These Star Wars fans, you see, demand to be taken seriously.

For the historians among us, this June 3 Twitter thread contains both the manifesto and a flag (complete with explanation of all its symbolism).

(15) A FORK IN THE ROAD. NPR’s Jason Sheehan reviews Laura Anne Gilman’s novel: “‘Red Waters Rising’ Leads Old Friends Into New Trouble”.

In the Devil’s West trilogy, Laura Anne Gilman has given us an imagined history of the United States — one that feels nearly as true as facts, both crazier and more reasoned than our Old West reality. Silver On The Road defined that world. One where the Devil — the actual Devil, smelling warmly of whiskey and tobacco, dressed in a prim cardsharp’s suit — holds dominion over everything in the United States west of the Mississippi, and defends it and its people from the predation and influence of Washington, Spain, the French and all of the East. From a town called Flood, he makes his deals and sends his chosen out into the world — one of them being Isobel, a teenaged girl, raised at the Devil’s knee and then sent forth (along with her mentor, Gabriel) into the Territory as his Left Hand. She is the Devil’s cold eye, final word and, when necessary, his justice.

(16) LUKE CAGE. The Orlando Sentinel interviews “’Luke Cage’ showrunner on its controversial killing”.

Before Cheo Hodari Coker began plotting Season 2 of Netflix‘s “Luke Cage,” he had to address the elephant in the room.

Actually, it was more like a snake in the room. A Cottonmouth to be specific.

Coker, a director, writer and producer who can frequently be found on social media answering both positive and negative questions and comments from viewers of his works, had frequently seen comments online saying that the killing of Season 1 villain Cottonmouth (Mahershala Ali) was a huge mistake.

There was a method to Coker’s perceived madness. One reason he gleefully accepted working on “Luke Cage” in the first place was his love of superhero comics. Coker still remembers vividly how he felt the moment he read the 12th issue of “Alpha Flight” (published by Marvel Comics in 1983), when legendary comics scribe and artist John Byrne killed the character Guardian.

“When (Bryne) killed Guardian I was verklempt,” Coker told The Washington Post. “I wanted to bring that kind of thing to Marvel television. I wanted to kind of do what Hitchcock did with ‘Psycho,’ because it was a big deal to kill Janet Leigh. And so, that was the thing. Cottomouth in that structure was always going to die. Even though people liked him a lot.”

(17) NIGHTFLYERS. Syfy Wire was terrified: “Nightflyers: George R.R. Martin goes ‘Psycho’ in new teaser”.

In the latest intense and unnerving teaser for George R.R. Martin’s upcoming sci-fi/horror series, Nightflyers, a young girl seems to recite some sort of incantation while we’re treated (if that’s the right word) to brief flashes of the rest of the cast in tight, dark spaces looking concerned, being set on fire, being dragged across the floor by some unseen force, and running for their lives. It’s all pretty terrifying, to tell the truth.

 

[Thanks to Jim Meadows, Chip Hitchcock, Mike Kennedy, JJ, IanP, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Andrew Porter, Rev. Bob, Nickpheas, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/7/18 The Secret Diary Of Pixel Scroll, Aged Four And Five Fifths

(1) HUMANITY. Marko Kloos describes his reaction to “The Münster incident”.

There was a vehicle-based attack in Germany today. It happened in the city of Münster, which is where I spent much of my childhood. I went to kindergarten and elementary school there, and my family still lives in the surrounding area, so they are in the city a lot.

You want to know a Xanax moment? Try texting your siblings after learning of a terror attack in the city where they go to school and do their weekend shopping trips. Today was a sunny day, the first really nice day of spring, and the sidewalk cafes were full. Some asshole with a box truck intentionally crashed it into one of those sidewalk cafes, killed two people, and injured thirty more (six of which are still in critical condition.)

To the dismay of some of the German right-wing party members, the attacker wasn’t a Muslim. He was a 27-year-old German with no police record, but he had a history of mental illness. So nobody gets to make much hay out of this incident–just a brain wired wrong. The perpetrator killed himself with a gun right after he had plowed into the crowd, so this was clearly a suicide that was supposed to make a statement.

…But I keep looking at that picture, taken a minute or so into the incident. The first police car has just arrived on the left edge of the picture, and one of the civilians is hurrying over to them to let them know the situation. But look at the people by the van. They don’t know the background of the attack or the motivation of the driver (other than the fact that it was clearly intentional.) They don’t know if the driver is armed, or if there are explosives in the van. But before the authorities even get there, they are busy helping the injured and each other.

(2) LGBTQ INITIATIVE. Inspired by John Picacio’s success with the Mexicanx Initiative, Chuck Serface has launched the “LGBTQ Initiative for Worldcon 76”.

Recently, John Picacio raised enough money to send 50 deserving Mexicanx professionals and fans to Worldcon 76 happening in San Jose, California from August 16-20, 2018. Let’s replicate that success by opening the door for interested members of the LGBTQ community.  Welcome to the LGBTQ Initiative for Worldcon 76!

You can participate in two ways.

As a Donor

Your donation will fund sponsored memberships for LGBTQ science-fiction and fantasy professionals and fans. We’ve begun accepting gifts already. So far we’ve gathered $1135, enough to fully fund seven memberships.  Help us keep that momentum rolling!  We’d like to help 50 individuals.

Click here to give: http://www.worldcon76.org/donations

As a Sponsored Membership Recipient

To apply for sponsored memberships, send an email to lgbtqworldcon@gmail.com telling me about yourself and why you want to attend Worldcon 76.

You must identify as LGBTQ.

You can be a professional writer, artist, or any kind of performer in the science-fiction and fantasy realm. Why do you want to attend Worldcon 76? Show me your enthusiasm!

You can be a fan. If so, why do you want to attend Worldcon 76? Let’s see that passion!

I, Chuck Serface, will review submissions and select recipients.  Please keep your statements under 500 words. I may ask follow-up questions, however.  If you’re a professional, links to examples of your work would be helpful.

We realize that marginalized groups have felt reticent about joining us, and understandably so. But we need more representation from the LGBTQ community in science fiction fandom! Bring it!

(3) THE TWILIGHT ZONE’S PAST GLEAMING. Galactic Journey’s Natalie Devitt covers “[April 7, 1963] The Twilight Zone, Season 4, Episodes 9-12”.

What is the price you would pay for one last chance at achieving a dream? That is the question that Douglas Winter, played by Robert Sterling, has to wrestle with in Printer’s Devil. Douglas is the editor of a failing newspaper called The Courier. Faced with the possibility of the paper, to which he has dedicated his life, folding, Douglas contemplates suicide. He drives himself out to a local bridge in the middle of the night, hoping to end it all there. At the bridge, he meets a mysterious stranger named Mr. Smith. Mr. Smith is played by Twilight Zone favorite Burgess Meredith. Mr. Smith offers Douglas everything he needs in order to keep The Courier in business. In no time, the paper is beating its competition to the latest scoop. In this surprisingly strong update of Faust, Douglas begins to question if his paper’s success is worth the price he will have to pay Mr. Smith, who is really the devil in disguise.

(4) RULES TO LIVE BY. Stephen L. Carter shares “My own 12 rules of life: Drawn from science fiction but a good fit for reality”.

Like so many other scribes, I have been inspired by psychologist Jordan Peterson’s fascinating book to sketch my 12 rules of life. But mine are different, because each is drawn from canonical science fiction. Why? Maybe because this is the literature on which I grew up, or maybe because I have never lost the taste for it. Or maybe because the sci-fi canon really does have a lot to teach about the well-lived life.

Here are a couple of examples:

  • “Repressive societies always seemed to understand the danger of ‘wrong’ ideas.” (Octavia Butler, “Kindred.”)

Butler, of course, means this the other way around: that a society’s taste for getting rid of “wrong” ideas is a mark of its repressive nature. The time-traveling narrator is explaining the need to get rid of an inflammatory book in the antebellum South — inflammatory in this case meaning that it might spark a slave uprising. Whether the “wrong” ideas that must not be expressed are ideas we love or ideas we hate, the same mischief is afoot. Better by far for us to trust each other to draw the right answers from the wrong books….

  • “The books are to remind us what asses and fools we are. They’re Caesar’s praetorian guard, whispering as the parade roars down the avenue, ‘Remember, Caesar, thou art mortal.’?” (Ray Bradbury, “Fahrenheit 451.”)

As Bradbury notes, a crucial reason to read is that we can be surprised, upset, offended, turned in a different direction. Books at their best make us think. We don’t live in a thoughtful age, and for just that reason, reading books that challenge us has become more important than ever. When we read seriously and thoughtfully, we run the risk that we might change our minds. That’s good. One of the worst things in the world is conformity, which is another word for intellectual cowardice.

(5) EVANGELIZING READERS. Here’s video from this weekend’s Science Fiction Outreach Project at Silicon Valley Comic Con.

(6) TODAY IN HISTORY

  • April 6, 1933 King Kong premiered theatrically. (Trivial Trivia: Upon a re-release of the movie, in 1938, Ray Bradbury & Ray Harryhausen took double dates to see King Kong.)

(7) TODAY’S BIRTHDAY TWONKY

  • Born April 7, 1915 – Henry Kuttner

(8) COMICS SECTION.

  • Mike Kennedy says, “I don’t believe Spielberg got his start like this Bloom County might imply.”
  • Mike also admits, “This Non Sequitur isn’t clearly genre, but given how much Cat Fancy has been going on at File 770, I thought you’d want to see it.”

(9) RADCH AND OTHERS. Glyn Morgan, in an essay for LA Review of Books, devotes a great deal of attention to the Imperial Radch trilogy before exploring the questions “Where Have We Come From? Where Are We Going?: Identity and Self in Ann Leckie’s ‘Provenance’”.

…In Provenance, too, Leckie diverts us toward quieter, more introspective fare, expanding the size and complexity of her universe while retaining the character-driven focus that has become her trademark. Indeed, much of the novel’s success or failure rests on how the reader warms to its protagonist, Ingray Aughskold. At the opening of the novel, Ingray hatches a plot to rescue convicted thief Pahlad Budrakin from the prison planet euphemistically known as “Compassionate Removal” in order to identify the location of the priceless Budrakin vestiges, historical artifacts prized by Ingray’s Hwaean people for their connection to the past. Recovering these vestiges, Ingray hopes, will give her the edge on her brother Danach in the siblings’ lifelong competition to succeed their adoptive mother, the aristocratic Netano, as heir.

The Budrakin vestiges are particularly valuable because they date back to the ancient arrival of the Budrakin ancestors on Hwae. Vestiges of lesser value include party invitations, event tickets, and myriad souvenirs and mementos whose values increase with connection to important figures. It quickly becomes apparent that the Hwaean people’s obsession with vestiges goes far beyond a reverence for momentous artifacts like the Magna Carta or The Declaration of Independence: instead, it resembles a mania for collectibles and memorabilia. This mindset knowingly evokes an environment familiar to science fiction fans and attendees at conventions, some of whom pay significant sums for autographs and photographs of even minor actors from their favorite shows….

(10) HE’S ON THE COVER. At Not A Blog, George R.R. Martin shared his latest triumph as a “Cover Boy” on the Chinese edition of Esquire.

(11) FEED YOUR HEADSET. The TechCrunch headline “MIT’s new headset reads the ‘words in your head” dramatizes things to the point of misrepresenting what this headset actually does. See if you can figure it out:

“The motivation for this was to build an IA device — an intelligence-augmentation device,” grad student Arnav Kapur said in a release tied to the news. “Our idea was: Could we have a computing platform that’s more internal, that melds human and machine in some ways and that feels like an internal extension of our own cognition?”

The school tested the device on 10 subjects, who essentially trained the product to read their own neurophysiology. Once calibrated, the research team says it was able to get around 92 percent accuracy for commands — which, honestly, doesn’t seem too far off from the accuracy of voice commands for the assistants I’ve used.

The MIT Media Lab says:

AlterEgo is a wearable system that allows a user to silently converse with a computing device without any voice or discernible movements — thereby enabling the user to communicate with devices, AI assistants, applications, or other people in a silent, concealed, and seamless manner. A human user could transmit queries, simply by vocalizing internally (subtle internal movements) and receive aural output through bone conduction without obstructing the user’s physical senses and without invading a user’s privacy. AlterEgo aims to combine humans and computers—such that computing, the internet, and AI would weave into human personality as a “second self” and augment human cognition and abilities.

 

(12) D&D&FUD. C.J. Ciaramella admires “The Radical Freedom of Dungeons & Dragons”, a retrospective on Gary Gygax and D&D at Reason.com.

D&D is a deeply libertarian game—not in a crude political sense or because its currency system is based on precious metals, but in its expansive and generous belief in its players’ creative potential. It’s collaborative, not competitive. It offers a framework of rules, but no victory condition and no end. The world you play in, and how you shape it, are entirely up to you.

In the afterword to the original D&D manuals, Gygax encouraged players to resist contacting him for clarification on rules and lore: “Why have us do any more of your imagining for you?”

(13) BUT WAS IT WEARING A KILT? More on the Skye discovery: “Giant dinosaur tracks found in Scotland reveal the secrets of the Jurassic period”.

The discovery is being lauded for how much it can tell us about the Middle Jurassic Period, in particular, an important time in dinosaur evolution when meat-eating tyrannosaurs and the first birds came exist. The find was made at Brothers’ Point on the north-east coast of the Island of Skye. While it is now a collection of craggy ridges and stunning rocky beaches, the area used to be subtropical in the days of the dinosaurs, with lagoons and rivers.

(14) POKEMON INFILTRATED? The keen-eyed Hampus Eckerman asks –

[Thanks to Martin Morse Wooster, Carl Slaughter, Andrew Porter, John King Tarpinian, JJ, Mike Kennedy, Chip Hitchcock, ULTRAGOTHA, Dann, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/9/18 Scrolled Pixel’s Book Of Practical SJW Credentials

(1) CLASSIC KETTLE. True Rat: The Beast of Leroy Kettle collects and preserves the humorous writing of British fan Leroy Kettle. Edited by Rob Hansen, it’s available as a free download in the usual ebook formats plus PDF from Ansible Editions. Over 105,000 words.

Every issue of True Rat is included, plus much more comic autobiography and articles, speeches and scurrilous gossip columns published elsewhere. Only a very few passages that seemed almost funny in the 1970s are here omitted to protect the guilty (Leroy Kettle).

One included item is the transcript of a live interview with our hero by Simone Walsh – with audience participation – at Skycon, the 1978 UK Eastercon. Rob Hansen strongly recommends the audio version, available as an MP3 download from this linked page on his site.

(2)  BUT NOT FORGOTTEN. Wil Wheaton remembers his friend Stepto in a touching tribute, “who lives who dies who tells your story”. The excerpt comes from his remarks at the memorial. He follows them with a powerful and poetic vision.

“I want to tell you about the time Stepto and I had cigars in the Caribbean,” I say, “I want to tell you about how he saved my Xbox for me, about how he made me laugh and how much I miss him in my life.” I think, but don’t say, that I want to talk about how sad and angry I am that Stepto successfully kept his alcoholism a secret from me, and from everyone who was closest to him, for the more than ten years we were friends. I want to talk about how angry I am that he got a second chance, when he survived a coma last year. I want to say a lot of swears, because he convinced himself and me that it wasn’t alcohol that put him into a coma, but some kind of genetic thing and a virus and something else that was a bunch of bullshit. But I am coming up on two years of an alcohol-free life, myself, and even though I’m not an alcoholic, and even though I don’t do any recovery programs, I do know that addiction is powerful and all consuming. I know that it’s incredibly easy to convince yourself that you’ve got it under control, and that the rationalizations and justifications come as easily as opening another bottle after adding an empty one to the lie. Huh. I was going to write “line”, but my fingers made the first typo I think I’ve ever made that was more apt than what I intended. I want to be angry, but I can’t be. Stepto was sick, and he couldn’t get well, so he died. But while he was here, he was a good friend, and a magnificent human being. The world is better because he was in it, and the sun is not as warm or as bright as it was, now that he is gone.

(3) BOMBCON. Fanhistorian Rob Hansen has added the story of “Bombcon” (1941) to his THEN website. It happened in London during WWII. He’s assembled the text of two conreports plus supporting photos.

England’s biggest fan reunion for the last year was held over the weekend, September 20/21, when in spite of the manifold difficulties attending such a proposition – far in excess of anything the US fans encounter – a muster of some 14 was managed. At Saturday lunch time a party gathered to welcome Maurice Hanson, ex-editor of “Novae Terrae” who had wangled leave from Somerset. After some bookhunting in Charing X Road, the party saw the film “Fantasia”.

On Sunday, a crowd assembled in Liverpool St. stn. waiting room, and proceeded to convert it, in the approved manner of fan meetings, into a magazine mart. We rolled on to Holborn to meet author John Beynon Harris, nearly got arrested for taking photos of the gang, had tea, & held London’s first open air meeting of fans, in Lincoln’s Inn Fields….

(4) MEANING OF DECLINING NUMBERS OF STARS. John Scalzi’s “Four Views of the Same Short Story” uses reviews of his newly-published short story as the basis for an essay about how different readers perceive the same story differently and what authors should do about that.

…The text of the story is the same regardless of who reads it, but the experience of reading it is unique to the person reading.

This is a very important thing for writers (especially newer writers) to learn and build into their worldview: That everyone’s experience of your work, and any reviews they might then write, are inherently subjective, dependent on the person writing them, and there is nothing in the world you can do about that. That’s just the nature of putting work out into the world. Your job is to write the story as well as you can, and not worry overly much how it will be received. Because, as you can see above, it will be received well, and poorly, and everywhere inbetween.

And yes, learning to be okay with the fact everyone won’t love what you wrote is hard, because everyone has an ego, and everyone likes the validation of people enjoying their work…

(5) JOHN CARTER IS ALIVE! ALIVE! I09, in “John Carter Of Mars Is Getting an Action-Packed Romance RPG”, says –

Disney might have soured a few people on Edgar Rice Burroughs’ classic scifi saga, but John Carter and the world of Barsoom, Mars have been reborn with a new roleplaying game….

Modiphius Entertainment has announced its latest tabletop game, John Carter of Mars: Adventures on the Dying World of Barsoom. Working in cooperation with Burroughs’ estate, the pulp-action RPG lets players take on iconic roles like John Carter, Dejah Thoris, and Tars Tarkas (or a made-up character) “as they travel, battle, and romance their way across the wondrous and dangerous world known to its natives as Barsoom.” John Carter of Mars launched today on Kickstarter, and it’s already nearly tripled its fundraising goal.

The John Carter of Mars game rules are available on the Kickstarter page.

(6) COMICS SECTION.

  • John King Tarpinian liked Bizarro’s take on the Bard of Avon.
  • Tarpinian also recommends The Argyle Sweater, where they serve up some Transformer humor.
  • And I’m personally a fan of this cat joke at Bizarro.

(7) TRANSFORMATIVE WORK. The Washington Post’s John Kelly looks at the cheesy 1973 horror film Werewolf of Washington which he thinks has resonances with contemporary politics — “What a howl: Here’s the background story to ‘The Werewolf of Washington’”.

A few years later, one of that film’s producers asked Ginsberg whether he had anything else up his sleeve. As scandal was starting to engulf the Nixon White House — but before Watergate had exploded — Ginsberg went to New York’s Fire Island and in 10 days wrote “The Werewolf of Washington.”

Said Ginsberg: “I came back and the [producer] said, ‘Are you out of your mind? This is an attack on the president. The script is yours. Don’t ever show up here again.’?”

Another producer and some of Ginsberg’s friends stepped in to fund the movie, shot on a shoestring budget of $100,000. Somehow, they were able to get veteran actor [Dean] Stockwell to star. His career, Ginsberg said, “had fallen into eclipse at that time. He loved the script.”

(8) GAME CHANGER. NPR discusses “Fighting Bias With Board Games” — like Buffalo.

This is where Buffalo — a card game designed by Dartmouth College’s Tiltfactor Lab — comes in. The rules are simple. You start with two decks of cards. One deck contains adjectives like Chinese, tall or enigmatic; the other contains nouns like wizard or dancer.

Draw one card from each deck, and place them face up. And then all the players race to shout out a real person or fictional character who fits the description….

It’s the sort of game you’d pull out at dinner parties when the conversation lulls. But the game’s creators says it’s good for something else — reducing prejudice. By forcing players to think of people that buck stereotypes, Buffalo subliminally challenges those stereotypes.

“So it starts to work on a conscious level of reminding us that we don’t really know a lot of things we might want to know about the world around us,” explains Mary Flanagan, who leads Dartmouth College’s Tiltfactor Lab, which makes games designed for social change and studies their effects.

Buffalo might nudge us to get better acquainted with the work of female physicists, “but it also unconsciously starts to open up stereotypical patterns in the way we think,” Flanagan says.

In one of many tests she conducted, Flanagan rounded up about 200 college students and assigned half to play Buffalo. After one game, the Buffalo players were slightly more likely than their peers to strongly agree with statements like, “There is potential for good and evil in all of us,” and, “I can see myself fitting into many groups.”

(9) ALL GOOD THINGS. “End signalled for European Ariane 5 rocket” says the BBC — 82 straight successes, but Ariane 6 will be cheaper.

A final order for a batch of 10 Ariane 5 rockets has been raised.

The vehicle, which has been the mainstay of European launcher activity for the past 20 years, will be phased out once its successor is in place.

ArianeGroup, the French-led industrial consortium, expects its new Ariane 6 to be flying no later than mid-2020, and in full operational service in 2023.

At that point, Ariane 5 can be retired. The last order ensures sufficient rockets are available for the handover.

(10) BIGGER. How do you take away a crashed helicopter? With a bigger helicopter: “US Marines rescue their helicopter… with a bigger one” (video)

US Marines have rescued one of their helicopters after it made an emergency landing on a beach in Okinawa, Japan. The aircraft was airlifted back to base using an even bigger helicopter.

The US presence on Okinawa in southern Japan is a key part of the security alliance between the two countries. The base houses about 26,000 US troops.

(11) WITH FACTS UNCHECKED. It’s fascinating to see JDA start his post “I’m in Good Company” with the rhetorical fillip “I was wrong,”  then grandiosely “correct” himself by citing more misinformation.

It turns out I was wrong in saying WorldCon  made an unprecedented  move in banning someone over politics. It has happened — one time before. Today on the blog we’re going to take you all the way back to 1939, where WorldCon was, like in this year, all too proud of blackballing someone over their dangerous visionary ideas for science fiction. A reader wrote to me:

The Futurians were kicked out of the first Worldcon because organizers feared that they would distribute communist propaganda. The group included a number of luminaries including Asimov and Pohl.

Because  of their fear of not Asimov hurting anyone  (no one fears me hurting anyone by the evidence of how I’ve conducted myself at dozens of conventions in the past) — but spreading political ideas that they found too dangerous for the times  — WorldCon banned Isaac Asimov.

The implication is clear. The elites in science fiction believe I have the potential to be the next Asimov…

Asimov wasn’t kicked out of the first Worldcon. There are a lot of places you can learn who was (like this  Fancyclopedia entry.) Asimov wasn’t one of them — a fact he himself referenced when speaking at “Science Fiction’s 50th Anniversary Family Reunion” in 1989 (Noreascon 3), where he sounded less embarrassed than proud that he had not been turned back at the door with the six other Futurians.

(12) WHAT’S A MAP? Meanwhile, blogger The Phantom, determined to force a connection between the Worldcon and James Damore’s lawsuit against Google, performs this geographic sleight-of-hand:

What does this have to do with WorldCon? Well, this year’s WorldCon and Hugo award ceremony will be held in San Francisco. That’s where Google’s headquarters is, and where all the computer nerds who work at Google live.

Of course, Google’s headquarters is in Mountain View, and the Worldcon is in San Jose. Neither is in San Francisco.

(13) KING KONG. Steve Vertlieb’s 2014 Rondo-nominated article ”A Triple Life: King Kong’s Trinity of Reincarnation on Film” is “A published celebration of the enduring legacy, and profound cultural significance of Merian C. Cooper’s immortal 1933 motion picture masterpiece, King Kong, as well as its numerous cinematic incarnations, influences, and tributes throughout the past eighty five years.”

KING KONG related the remarkable tale of a giant beast, an impossible ape-ike creature whose imposing, horrifying shadow would follow the intrepid explorers whose heroic exploits had led them to its discovery.  Released by RKO Studios during the winter of 1933, the picture reunited Fay Wray and Robert Armstrong with Merian C. Cooper and Ernest B. Schoedsack for yet another thrilling adventure in the lurid jungles of a primordial world.  They were joined by Bruce Cabot in, perhaps, the pivotal performance of his career.

(14) ADVERTISING ART. Andrew Liptak at The Verge recommended a documentary about a very rare collection:

The Collection is a short documentary (via Kottke) by Adam Roffman that chronicles a unique piece of Hollywood history: tens of thousands of plates and blocks used to create the newspaper advertisements used for nearly every film that hit theaters before the 1980s.

…The collection includes blocks used for films as 2001: A Space Odyssey, Blade Runner, Star Wars, Planet Of The Apes, and many others.

 

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Carl Slaughter, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 11/19/17 And That’s What Pixelmas Is All About, Charlie Scroll

(1) BY WAY OF MELBOURNE. Playbill says King Kong will open on Broadway next year. (Just keep those biplanes grounded!) “King Kong Sets Broadway Opening Night; Tickets Now on Sale”. This musical premiered in Melbourne in 2013 and was originally supposed to come to Broadway when Spiderman folded in 2014. But it didn’t.

The anticipated stage musical adaptation of King Kong—written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect—will officially open November 8, 2018, at the Broadway Theatre. Previews are set to begin October 5.

The production, which features a one-ton, six-meter-tall silverback gorilla puppet as its star, arrives on Broadway following a 2013 Melbourne world premiere.

An all-new creative team has been assembled to bring King Kong to Broadway, including Olivier Award-winning book writer Thorne (Harry Potter and the Cursed Child, Let the Right One In), Olivier Award-winning director-choreographer Drew McOnie (Strictly Ballroom, In the Heights), and Australian songwriter Perfect, who is also adapting Beetlejuice for Broadway. Perfect joins the show’s original composer and arranger de Vries (Moulin Rouge, Romeo + Juliet).

(2) TWO FINS UP. Craig Miller comments on a screening of The Shape of Water.

The film was pretty great. It’s set in the early 1960s but it has a sort of timeless quality about it. Set at some sort of secret, military-run laboratory, it’s about a lonely, mute cleaning woman (Hawkins) who works there and what happens when a new “asset” is brought in for investigation and experimentation. Her performance, and that of Doug Jones, are remarkable. More so in that neither character is capable of speaking but you understand them both perfectly.

(3) MINORITY REPORT. The National Review’s Armond White says “Justice League Is the Epic We Deserve” – and means it in a good sense.

Zack Snyder’s audacity in creating a comic-book movie renaissance (which began with the complex, ambitious Watchmen) has inspired philistine resentment from reviewers and fanboys who don’t want cinema. They’ve been desensitized to the form’s vitality and richness. (Like civics, art is no longer being taught in schools.) The schoolyard game of lambasting Snyder’s magnificent Man of Steel and the even more intricate Batman v Superman: Dawn of Justice almost directly parallels the unsubtle breakdown of our political process. And this year’s post-election delusional praise for the utterly mediocre Wonder Woman is a symptom of our current political paralysis. By coordinating DC Comics’ superhero characters into the fight against Steppenwolf, Snyder attempts to extend his saga from Dawn of Justice. Studio interference (Warner Bros. envy of the lucrative Marvel franchise) and personal tragedy have prevented Snyder from completing his vision on a scale commensurate with the ever-astonishing Watchmen. But as Aquaman (Jason Momoa), The Flash (Ezra Miller), Cyborg (Ray Fisher), and Wonder Woman (Gal Gadot) join Batman (Ben Affleck) in the most-intense-yet fight for human life, what remains of Snyder’s handiwork — after the studio imposed The Avengers dullard Joss Whedon on the final product — is still a triumph.

(4) COCO. The Washington Post’s Michael Cavna talks to the stars and producers of COCO and looks at how Pixar is coming out with a Mexican-themed film for the first time: “‘Coco’ forced Pixar to dive deep into a real-world culture — and add some diversity”.

PIXAR STUDIOS, for all its renown for creating highly detailed worlds, has rarely had to worry too much about cultural authenticity. Even after all their fabled research for movies such as “Brave” and “Ratatouille,” the filmmakers have been free to use their imaginations, without real fear of offending toymakers, automakers or entomologists.

The Bay Area studio knew, however, that centering “Coco,” which opens Nov. 22, on Mexico’s Day of the Dead holiday would enter an entirely different realm, because it would include not only depictions of traditions, but also a significant increase in casting diversity.

(5) THE SCIENTISTS IN SF. Tor.com nominates “Our Favorite Fictionalized Scientists, Mathematicians, and Inventors in SFF”.

Benoit Mandelbrot (Mandelbrot the Magnificent)

Where the rest of us see fractals spinning off into infinity, Benoit Mandelbrot saw minute pockets into parallel universes. Liz Ziemska’s magical pseudo-biography reimagines the mathematician’s childhood during Hitler’s rise to power: in an era where people like Mandelbrot’s family were fleeing their homes to escape the growing evil, young Benoit discovers secret dimensions in which to hide, all unlocked by math. Talk of Kepler’s ellipses transports Benoit; archetypal math problems about approaching infinity provide him with glimpses into mirror worlds in which he can hunt monsters. But as the monsters in his world abandon all pretense of peace, Mandelbrot must harness his gifts to hide his family, or else he’ll have sealed their fates. It’s a lovely example of using fantasy as a way to gild the edges of inspiring true stories, linking math with magic for non-mathematicians. —Natalie

(6) GRAPHIC NOVEL ROUNDUP. In another piece, Michael Cavna gives his picks for “The 10 best graphic novels of 2017”.

My Favorite Thing Is Monsters

By Emil Ferris (Fantagraphics)

This debut graphic novel from a 55-year-old Chicago artist is a revelation: a deeply textured tale of dark histories framed as a girl’s diary and told through riveting art that is an homage to midcentury horror comics and film. A dark-horse winner that came out of nowhere.

(7) NIGEL’S NEXT. Nigel Quinlan did a cover reveal of his new book, The Cloak of Feathers, an MG fantasy coming in the UK and Ireland from Hachette Children’s in January 2018.

It’s about an awful summer festival held every year in a small village in Ireland. Once every hundred years the Fair Folk visit, and it becomes a Great Festival, full of magic and wonder. Except everything has gone horribly wrong. The lake is polluted, there’s a ghost estate built on the shore, and their beloved Princess has vanished. Our heroes, the reluctant members of the Junior Knockmealldown Festival Committee (Cow-Fetching Sub-Group) must perform four Feats to win the Cloak of Feathers and rescue the Princess before the whole village is punished.

(8) SUPER SJW CREDENTIALS. Quirk Books makes its selection of the “10 Best Cats in Comics”.

Chewie – Captain Marvel

Supergirl and Power Girl are not the only big name superheroes to have pet cats. Captain Marvel has her own feline companion, Chewie. Initially, Carol believed that Chewie was just a normal cat that could keep her company on her adventures, but when she met Rocket Raccoon, he claimed that Chewie was, in fact, a Flerken. Captain Marvel refused to believe that her furry friend was secretly a tentacle-mouthed, egg-laying alien with pocket dimensions in her body…but when Chewie laid 117 eggs on board the ship, she was forced to admit it was true. Although the 117 Flerken kittens were left at a rescue, Chewie herself teleported back on board the ship, and Carol decided to keep her, Flerken or not.

(9) REBOUND. The Traveler pilloried the November 1962 issue of F&SF in a post at Galactic Journey. What a difference a month (and 55 years) makes! — “[November 19, 1962] Reverse Course (December 1962 Fantasy and Science Fiction)”.

I’ve complained bitterly in this column on the meanderings of my favorite science fiction magazines.  Galaxy has gotten too tame.  Analog has gotten too staid.  F&SF has gotten too literary.  In fact, just last month, I was lamenting the streak of purple fluffiness that had corrupted that last mag.  Story after story of unreadable droll nothings, or at best, fantastic horrors without any hard sf.

The December 1962 issue did not promise to be any better.  It has the same line-up of authors, the same subject matter of stories.  There are even 11000…er.. 24 pages devoted to the concept of binary numbers.  Has F&SF lost its mind?!

So imagine my surprise to find that I actually enjoyed this month’s issue, entirely due to the well-written nature of its material.  These are not the kind of stories I prefer, but this experience just goes to show that high quality trumps subject matter.  See if you agree…

(10) ANDY WEIR. The Arthur C. Clarke Center for the Human Imagination has an extra installment of its Into the Imagination podcast: “Bonus: Andy Weir (author of The Martian and Artemis)”.

We have a mid-month bonus episode with Andy Weir, author of the novel The Martian, so memorably adapted in the film starring Matt Damon, and the new book Artemis, which launches today! We talk about lunar colonization, his approach to world- and character-building, and what he would do if he was in charge of the future of space exploration. Andy will be speaking at the Clarke Center on December 7th.

To listen to the podcast, click here.

(11) BEST AND THE REST OF AUGUST. Rich Horton reviews short fiction at Locus Online, covering Lightspeed 8/17, 9/17, Tor.com 8/17, Apex 7/17, Interzone 7-8/17, and McSweeney’s #49.

There’s a good set of stories in the August Lightspeed. Ashok Banker‘s “Tongue” is an uncomfortable and rather over-the-top satire on the horrors of a traditional Indian mar­riage, set on an asteroid. The over-the-top elements are part and parcel of satire, though I also thought the portrayal of Indian culture seemed a wincing cliché, as did the corporate menace target; still, it shocks and scares.

(12) ANALOG (NOT THE MAGAZINE). An op-ed writer for the New York Times claims “Our Love Affair With Digital Is Over”.

This surprising reversal of fortune for these apparently “obsolete” analog technologies is too often written off as nostalgia for a predigital time. But younger consumers who never owned a turntable and have few memories of life before the internet drive most of the current interest in analog, and often include those who work in Silicon Valley’s most powerful companies.

Analog, although more cumbersome and costly than its digital equivalents, provides a richness of experience that is unparalleled with anything delivered through a screen. People are buying books because a book engages nearly all of their senses, from the smell of the paper and glue to the sight of the cover design and weight of the pages read, the sound of those sheets turning, and even the subtle taste of the ink on your fingertips. A book can be bought and sold, given and received, and displayed on a shelf for anyone to see. It can start conversations and cultivate romances.

The limits of analog, which were once seen as a disadvantage, are increasingly one of the benefits people are turning to as a counterweight to the easy manipulation of digital. Though a page of paper is limited by its physical size and the permanence of the ink that marks it, there is a powerful efficiency in that simplicity. The person holding the pen above that notebook page is free to write, doodle or scribble her idea however she wishes between those borders, without the restrictions or distractions imposed by software.

(13) VERDICT ON NEW TURTLEDOVE. The Hugo Award Book Club contends The Hot War is Turtledove at his best”.

Of particular interest in this alternate history is the tragic — and believable — story of Harry Truman. Turtledove’s research into historical figures is always impeccable, and many of Truman’s decisions in these novels are based on courses of action that he considered in real life. Turtledove paints a portrait of an alternate failed presidency that hinges on one bad decision after another.

The consequences of Truman’s mistakes keep compounding. The way in which this weighs on him in the novels is effectively conveyed, and this may be one of the best character arcs Turtledove has ever written. Turtledove seems to be arguing that even a well-intentioned president might invite calamity through brinksmanship.

This cast may be one of the most memorable groups that Turtledove has written since Worldwar: In The Balance back in the 1990s. However, it’s still clear that Turtledove has difficulty writing characters from outside his cultural background — none of the important Korean or Chinese characters are given point-of-view sections.

(14) BE OUR GUEST. Her Universe is ready to fill your need to own the “Star Wars BB-8 Tea Set”.

Being stranded on Jakku might be a downer, but it’s no excuse to avoid quality tea time. This BB-8 themed teapot and cup set from Star Wars is happy to roll up with a hot beverage. Set includes a 650 ml teapot & lid with two 220 ml cups and two 5 1/2″ saucers.

(15) MILLENNIUM PLUS FORTY. Entertainment Weekly was there: “Luke comes home: Mark Hamill’s heartbreaking return to the Millennium Falcon in The Last Jedi”.

Luke Skywalker quietly walks aboard the Millennium Falcon, alone. His old friends are gone. His old life is gone. He is ghostlike himself.

The old Luke Skywalker is gone, too.

That’s a scene from the latest trailer for The Last Jedi (see it here), but in real life, visiting the set of the old Corellian freighter was a similarly haunting experience for Mark Hamill.

“I’m telling you, I didn’t expect to have the reaction I had,” the 66-year-old actor tells EW. “I was there with my family, with [my children] Nathan and Griffin and Chelsea and my wife Marilou, and [Lucasfilm] asked if the documentary crew could be there when I came back on the Millennium Falcon. I mean, this was not on the shooting day. I was just street clothes and going to visit that set. And I said, ‘Sure.’”

(16) BLABBING ABOUT CAMEOS. The Hollywood Reporter learned “Princes Harry and William Play Stormtroopers in New ‘Star Wars’ Film”.

The royals — along with Tom Hardy and singer Gary Barlow — were rumored to make an appearance in Stormtrooper outfits in the film releasing Dec. 15.

In August, Star Wars: The Last Jedi star John Boyega spilled the beans that not only did Prince William and Prince Harry film scenes when they visited Pinewood Studios in April 2016, but Tom Hardy also was milling around the set at the same time. By then, Take That singer Gary Barlow had already revealed that he had shot a scene in March.

(17) KEEPING A FINGER IN THE PIE. According to SyFy Wire, “Steven Moffat and Russell T Davies to write new Doctor Who adaptations”.

Steven Moffat may be leaving his gig as Doctor Who showrunner following this year’s upcoming Christmas special titled “Twice Upon a Time” to make way for Chris Chibnall (Broadchurch), but it looks like he isn’t done with the Whoniverse-at-large just yet.

According to Radio Times, Moffat will team up with former showrunner Russell T Davies and novelist Jenny T. Colgan for a series of Doctor Who novels that will adapt several episodes from the Davies and Moffat eras of the BBC series.

Published by BBC Books and Penguin Randomhouse, the new “Target Collection” is based on the old Target novelizations that strived to adapt classic Doctor Who episodes from the 1970s to the 1990s, with the episodes’ original scriptwriters penning the adaptations whenever possible from the original scripts.

(18) SOME TIME LATER. I will never be the same now that I have seen this tweet.

Here’s the link to his post.

(19) MIGHTY MUMBLING. How It Should Have Ended does a comedy overdub of Batman v Superman and Dawn of Justice. It’s a toss-up whether these animated mouths remind me more of Clutch Cargo or Wallace and Gromit.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]