Pixel Scroll 7/26/18 What Is The Law? Not To Reuse Titles, That Is The Law

(1) GOOD THOUGHTS ON BAD PRACTICES. Kristine Kathryn Rusch comments on historic efforts to game Amazon’s algorithms. “Business Musings: Sometimes I Just React…”

…Back when I started blogging on publishing in 2010 (after writing The Freelancer’s Survival Guide on this site in 2009), I had the lovely experience of being trashed repeatedly by the Kindle Unlimited folks. Only there wasn’t Unlimited—not yet. There was just the Kindle Boards, where writers gathered to talk.

And what they talked about was what professional writers everywhere talk about—how to make money. (We don’t dare discuss craft with each other for fear that we’ll insult our peers. We all have friends who have great writing careers, whom we believe {in our heart of hearts} can’t write their way out of a paper bag. And, we know, that some of our friends think the same thing about us. It’s better to discuss quantifiable things, like money, instead of qualitative things, like craft. {See my post on “Taste” from last week.})

That “how to make money” thing took on a life of its own on the Kindle Boards. It wasn’t about how to improve your storytelling to make money. It wasn’t about those old-fashioned systems like agents or traditional publishers or contracts, although there occasionally was talk like that.

Instead, it was about which subgenres sold, and how many books you had to write and publish each month to stay ahead of the algorithms. It was about writing short so that you had more books published (in the early days) or putting the table of contents at the end so that the algorithm would think someone who clicked there had read the whole book….

(2) RUNNING DARMOK. Whew, people really took off with this meme game….

For example (the second is what I have in mind) —

JJ suggests, “Breq, outside a tavern in snow.”

(3) AT THE CORE. Scientific American tells how “Milky Way’s Black Hole Provides Long-Sought Test of Einstein’s General Relativity”.

Genzel and his colleagues have tracked the journey of this star, known as S2, since the early 1990s. Using telescopes at the European Southern Observatory in Chile, the scientists watch it as it travels in an elliptical orbit around the black hole, which lies 26,000 light-years from Earth in the constellation Sagittarius. With a mass of 4 million times the Sun, the black hole generates the strongest gravitational field in the Milky Way. That makes it an ideal place to hunt for relativistic effects.

On 18 May this year, S2 passed as close as it ever does to the black hole. The researchers pointed instruments including GRAVITY, an instrument called an interferometer that combines light from four 8-meter telescopes and became operational in 2016. “With our measurements the door is wide open to black-hole physics,” says team member Frank Eisenhauer, an astronomer at the Max Planck institute.

GRAVITY measured S2’s movement across the sky; at its fastest, the star whizzed along at more than 7,600 kilometres a second, or nearly 3% the speed of light. Meanwhile, a different instrument studied how fast S2 moved towards and away from Earth as it swung past the black hole. Combining the observations allowed Genzel’s team to detect the star’s gravitational redshift—its light being stretched to longer wavelengths by the black hole’s immense gravitational pull, which is consistent with the predictions of general relativity.

“What we measured cannot be described by Newton any more,” says Odele Straub, an astrophysicist at the Paris Observatory. Future observations of S2 might confirm other Einstein predictions, such as how the spinning black hole drags space-time around with it.

(4) SFWA MENTEE PROGRAM. The deadline to apply is July 31.

(5) UNCANNY KICKSTARTER. Lynne M. Thomas and Michael Damian Thomas have launched a Kickstarter for Year Five of their 2016 and 2017 Hugo Award-winning professional online SF/F magazine: Uncanny Magazine. The funds will cover some of its operational and production costs for the fifth year, with an initial goal of $18,700. plus an added stretch goal of launching a new Uncanny TV video magazine. The Kickstarter runs through August 24: “Uncanny Magazine Year Five: I Want My Uncanny TV!”

For Year Five, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award-winning and nominated authors and bestselling authors including: Ursula Vernon, Mary Robinette Kowal, Kelly Robson, Maurice Broaddus, Fran Wilde, Ellen Klages, Naomi Kritzer, Greg van Eekhout, John Chu, Sarah Pinsker,  Rebecca Roanhorse, and Delilah S. Dawson.  There will also be numerous slots for unsolicited submissions.

Uncanny Magazine Year Five plans to showcase original essays by Mark Oshiro, Zoë Quinn, Alexandra Erin, Tanya DePass, Jim C. Hines, and Diana M. Pho,  plus poetry by Beth Cato, S. Qiouyi Lu, Brandon O’Brien, Cassandra Khaw, Nicasio Reed, and Leah Bobet.

Uncanny Magazine Year Five will also feature cover art by John Picacio and Galen Dara.

This year, Uncanny is back with a new mission for the ranger corps: UNCANNY TV.

Hosted and produced by Michi Trota and Matt Peters, Uncanny TV will be the launch of our community-based vid channel, featuring exclusive geeky content related to Uncanny and the Space Unicorn Ranger Corps community. Matt Peters & Michi Trota will host a short (20-30 min) variety talk show Uncanny Magazine style: highlighting creators in SF/F working in a variety of art forms and projects, focusing on people building and nurturing their communities, particularly highlighting marginalized creators. They’ll talk about topics that can be serious, but the overall tone of the show will be to celebrate the things we enjoy and the people who make our communities good places to be in SF/F.

(6) DOES THIS WORK? Beatrice Verhoeven, in The Wrap’s story “‘Star Wars’ Director Rian Johnson Deletes 20,000 Tweets After James Gunn Firing in ‘Why Not?’ Move”, says that Johnson has deleted all his tweets before January 25 of this year, explaining, “if trolls looking for ammunition is the new normal, this seems like a ‘why not’ move.”

On Tuesday, The Mary Sue tweeted a story that said, “it’s also possible that Disney has issued some sort of directive to their talent about social media post-Gunn situation, suggesting caution or deletion.” In response, Johnson tweeted, “No official directive at all, and I don’t think I’ve ever tweeted anything that bad. But it’s nine years of stuff written largely off the cuff as ephemera, if trolls scrutinizing it for ammunition is the new normal, this seems like a ‘why not?’ move.”

(7) NO BUCKS AND NO BUCK ROGERS. The Hollywood Reporter has the latest about the Buck Rogers rights litigation: “Judge Directs Government Intervention in “Buck Rogers” Bankruptcy”.

The audacious plan to use a bankruptcy court to auction off “Buck Rogers” rights despite lingering ownership challenges appears to have backfired on those ostensibly serving the interests of heirs of John Dille, who published the fictional space hero in magazines in the early-to-mid 20th century. On Wednesday, a Pennsylvania bankruptcy court issued an extraordinary decision that faulted the Dille Family Trust with a number of sins. As a result, the Office of the U.S. Trustee has been directed to appoint a Chapter 11 Trustee in what could ultimately result in a long anticipated film adaptation of Armageddon 2419 A.D., the 1929 novella by Philip Francis Nowlan that introduced the Buck Rogers character.

The background of what happened is detailed much more extensively here, but in November 2017, the Dilles declared bankruptcy in the midst of litigation with Nowlan’s heirs about trademark rights and in the middle of fighting with producer Don Murphy about whether Armageddon 2419 A.D. was in the public domain. Filing for bankruptcy meant a pause on litigation, and the Dilles wanted to liquidate their interests in Buck Rogers rights — whatever those might be — through Heritage Auctions. Since the filing of bankruptcy, Murphy and the Nowlans have pounded the table that this proceeding was all a farce.

Now, U.S. Bankruptcy Judge Jeffery Deller has seen enough.

In a memorandum opinion (read here), he writes that it is undisputed that the Dille Family Trust has no business operations, has no meaningful income, is liquidating as opposed to reorganizing, has incurred administrative expenses with no liquid assets available to satisfy these debts, and has invoked the automatic stay for the primary purpose of avoiding a trial regarding an alleged interest in various intellectual property.

(8) WORLDCON WOES. John Scalzi delivers “A Little More On Recent Worldcon Stuff”.

Also, while I’m on the subject of the Hugo and Worldcon, I see some various turdlings out there are gleeful about the recent dustup re: the Worldcon program. “The SJWs are eating themselves!” is the basic line of the turdlings. In fact, something entirely different happened.

Which was: When the problems cropped up (and they did) and people started to complain (and they did), the Worldcon, within a day, acknowledged that various mistakes had happened and actively moved to correct those mistakes. Not perfectly or instantly, but it still happened.

Which is what you want to happen! In an ideal world, mistakes don’t get made, but we don’t live in an ideal world and none of us is our ideal self. The next best thing is, when mistakes are pointed out, you move to fix them and to learn from them.

The turdlings who are gleeful at the Worldcon’s temporary woes don’t care about anything other than an institution they dislike and tried (or are still trying) to sabotage having a stumble. That’s because they’re basically awful, whiny menchildren. No surprise there.

(9) TAKE ME OUT TO THE BOT GAME. Flippy the Robot, from Miso Robotics, will be “wearing” Dodger blue this summer (Food & Wine: “Flippy the Robot Is the Tater Tot-Making Boyfriend I Deserve”) and manning (robotting?) the fry basket:

In 2017, Miso Robotics introduced the world to Flippy, a jaunty new robot that can make food alongside humans, prepping fried chicken and tater tots and burgers with ease. And this summer, Flippy will be gainfully employed at Dodgers Stadium to make concessions, working the frying station. This follows a successful stint flipping burgers at a Pasadena CaliBurger earlier this year.

“Adapting Flippy into a fryer assistant … has been a great opportunity to demonstrate the scale of Miso’s platform,” Miso Robotics CEO David Zitosaid in a statement. “[T]his technology [is] a win-win — improving working conditions for stadium employees and improving the game experience for fans.” In February, Flippy raised $10 million from investors.

(10) ROBOTS OVER THE MILLENNIA. A Nature open-access PDF article, “Ancient dreams of intelligent machines: 3,000 years of robots”, in which “Stephen Cave and Kanta Dihal revisit the extraordinary history of cultural responses to automata.”

The word ‘robot’ was born in Czech writer Karel ?apek’s 1920 play R.U.R. (Rossum’s Universal Robots). In the very work coining the term, the robots rebel against and destroy their creators. And that narrative of rebellion has proved to be the most potent of all our AI fears, retold repeatedly as technology evolves.

During the cold war space race, the film 2001: A Space Odyssey (1968) gave us HAL 9000, the murderous spaceship supercomputer. With the rise of the Internet, we got Skynet — a defence network that becomes self-aware in the Terminator films (starting in 1984) — and The Matrix (1999), featuring intelligent machines that farm humans whose minds unknowingly inhabit a virtual reality. Now, with AI dominating headlines, we have sophisticated robots again overthrowing their wetware masters, from Ava in the 2015 film Ex Machina to the android amusement-park hosts in the Westworld television series.

The persistent trope of robot revolts reveals the paradox at the heart of our relationship with intelligent machines. We want to create clever tools that can do everything we can do, and more. They will be the perfect oracles, servants, soldiers, even lovers. To fulfil our hopes, they must have attributes such as intellect and agency — minds of their own, superior to ours. But, paradoxically, that is also why we fear HAL and Skynet. The tension lies in our conflicted desire to create beings superhuman in capacity, but subhuman in status.

(11) PETERSEN OBIT. Andrew Petersen, a student I met at Azusa Pacific University’s Yosemite Semester in 2001, has died. One of his ambitions was to captain a Jungle Cruise boat at Disneyland and he not only did that, he went to work at the Park, along the way running the Indiana Jones ride and the Enchanted Tiki Room. What a character he was, what a great guy.

(12) TODAY’S BIRTHDAYS

  • Born July 26, 1894 – Aldous Huxley. Swap two numbers in the year and you have another dystopian author’s book.
  • Born July 26, 1928 – Stanley Kubrick.
  • Born July 26 – Helen Mirren, 73. Genre work includes A Midsummer Night’s Dream, The Fiendish Plot of Dr. Fu Manchu, the classic Twilight Zone, Faerie Tale Theatre and as Deep Thought in The Hitchhiker’s Guide to The Galaxy film.
  • Born July 26 – Sandra Bullock, 54. First genre role was in, I kid you not, Bionic Showdown: The Six Million Dollar Man and the Bionic Woman, also Demolition Man and Gravity to name but two of her other genre appearances.
  • Born July 26 – Jeremy Piven, 53. Jeffrey Tanner in the quickly and mercifully canceled Wisdom of the Crowd series, in Dr. Jekyll and Ms. Hyde, the Hercules animated series, the Cupid series as well and a lot of voice work.
  • Born July 26 – Olivia Williams, 50. Adelle DeWitt in Dollhouse and Emily Burton Silk in Counterpart, also the Jason and the Argonauts series in a recurring role as Hera, yet another Peter Pan  film, and apparently an uncredited appearance in X-Men: The Last Stand.
  • Born July 26 – Kate Beckinsale, 45. Selene in the Underworld film franchise, also Van HelsingAlice Through the Looking Glass, Haunted and a recurring role in the Elder Scrolls Online video game franchise.
  • Born July 26 – Eve Myles, 40. Gwen Cooper in both the Doctor Who and Torchwood series, and voice performer in the Big Finish series of audiobooks including Golden Age, a splendid story involving Torchwood India.

(13) COMICS SECTION.

(14) A CAREER, JUST NOT THE ONE PRESENTED. Her history of crowdsourcing funds, promoting literary events, and tendency to not deliver made the LA Times ask “Who Is Anna March?”

…Anna March whisked in and out, a flash of pink hair in a polka-dot dress. The 2015 party at the Ace’s mezzanine bar, serving free drinks, was packed to overflowing.

March had never published a book but had been quietly working literary Los Angeles’ social media connections for months. A spunky, unapologetic, sex-positive feminist ready to raise hell, she was supportive and flattering. She was also conspicuously generous — concerned about the line of people waiting to get into the party, March asked a pair of new acquaintances if she should give $20 bills to those stuck on the sidewalk. The bill for the night would total more than $22,000.

Why is she doing this? people asked, stealing glances at March.

Some had a larger question:

Who was Anna March?

That was a harder question to answer than you might think. Anna March first appeared around 2011, when she started publishing online. Before that, she was known by different names in different cities. In researching this story, The Times found four: Anna March, Delaney Anderson, Nancy Kruse and Nancy Lott.

In three places — Los Angeles, San Diego and Rehoboth Beach, Del. — March became a part of the literary community. She won over new friends, even accomplished authors but especially writers trying to find a way into that world, with her generosity, her enthusiasm and apparent literary success — only to leave town abruptly…

(15) DOUBLE JEOPARDY. No sooner had Jon Del Arroz started an Indiegogo to fund a comic book project than somebody unveiled a bogus Kickstarter featuring an image of the same character. JDA has gotten the hoax Kickstarter taken down.

Fake fundraiser screencap

JDA knows his audience — his announcement of the real Indiegogo appeal on his blog is sandwiched between a post gloating about Worldcon 76 program travails and another post complaining that Tor Books is attacking him — and the Indiegogo appeal is closing in on its $6,000 goal.

(16) ALAN MOORE. Paste Magazine says these are “The 10 Best Alan Moore Comics of All Time”.

  1. A Small Killing
    Artist: Oscar Zarate
    Publisher: Avatar Press
    Here’s the landmark which stands nearest to Moore. Allow me to explain: I don’t think A Small Killing is the work that means the most to Moore emotionally, or that it shows some never-revealed Rosebud, or that it amounts to autobiography by code. What I mean is that A Small Killing is the work I see as somehow closest to the heart of the creator, the way the Book of Job is central to any exegesis of the Tanakh. A Small Killing is a story that unconsciously comments on Moore’s anxiety. (This is all rabid hearsay, of course, and should not be aired in a legitimate court of law.)

(17) IN UNIFORM. People.com shows how “Natalie Portman Transforms Into NASA Astronaut in Pale Blue Dot. Natalie Portman plays a NASA astronaut in Pale Blue Dot, a fictional story said to be based loosely on the Lisa Nowak -Bill Oefelein-Colleen Shipman “astronaut love triangle” of 2007.

In the early morning hours of that day, Nowak was wearing a black wig and trench coat when she approached Colleen Shipman’s car in the parking lot of Orlando International Airport. She banged on the Shipman’s window and begged for a ride. When Shipman rolled down her window, Nowak sprayed her with pepper spray and tried to get in the car.

Shipman fled the scene, shaken but unhurt. Police arrested Nowak on attempted murder and kidnapping charges.

The resulting case was dubbed the “astronaut love triangle.”

(18) DOOR-TO-DOOR.

(19) ON THE BEACH. “Liquid water ‘lake’ revealed on Mars” — ESA’s Mars orbiter finds something too big (12 miles across) to be just sub-ice meltwater — probably very cold and briny, and a mile under the ice, but definitely a lake.

Marsis wasn’t able to determine how thick the layer of water might be, but the research team estimate that it is a minimum of one metre.

“This really qualifies this as a body of water. A lake, not some kind of meltwater filling some space between rock and ice, as happens in certain glaciers on Earth,” Prof Orosei added.

(20) MARSWARD BOUND. Here’s The First Teaser. The series comes to Hulu September 14.

The First is created by Beau Willimon (House of Cards) and stars Sean Penn. Set in the near future (2030), this groundbreaking story explores the challenges of taking the first steps towards Mars. Viewers will get an intimate look at the dedicated characters trying to reach the unknown while dealing with the psychological and physical toll it takes to achieve the impossible.

 

(21) NOT ALONE. The last man on earth was alone in his room. Suddenly there was a knock at the door. – Oops, sorry, this is not the Fredric Brown story, it’s the I Think We’re Alone Now teaser trailer.

Del (Peter Dinklage) is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself – until he is discovered by Grace (Elle Fanning), an interloper whose history and motives are obscure. Worse yet, she wants to stay.

 

[Thanks to Chip Hitchcock, Joel Zakem, Carl Slaughter, Andrew Porter, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, and John  King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/31/18 The Pixel That Parsed The Hornets Nest

(1) ANOTHER CAT AND SFF STORY TO LOVE. Huge news for Cat Valente:

Deadline has the story: “Universal Options ‘Space Opera’ For Marc Platt & Colin Trevorrow To Produce”.

Universal Pictures has optioned Catherynne M. Valente’s  science fiction novel Space Opera, which Marc Platt will produce for his Universal-based Marc Platt Productions with Adam Siegel, along with Colin Trevorrow producing.

(2) BOOK SALES STATS. Data Guy has posted the slides from the “2018 SFWA Nebula Conference Presentation” at Author Earnings.

(3) KNOW YOUR BEARDS. Camestros Felapton challenges you in the “Puzzle Corner: Help Timothy Spot the Author”.

Poor Timothy is still having problems with human faces. I don’t know what fraction of science-fiction authors have beards but I’d guess 30%? Sometimes feels like more!

Can you match the beard-style (numbered) to the author (lettered) so Tim can tell which is which?

(4) BREAKING IN. Congratulations, Buzz Dixon! He told Facebook readers —

I finally cracked Analog after 50 years of trying!

(Not that Buzz hasn’t enjoyed a highly successful writing career in the meantime.)

The Astounding/Analog Companion has posted “A Q&A with Buzz Dixon”:

Analog Editor: What is the story behind “While You Sleep, Computer Mice Earn Their Keep”?

Buzz Dixon: Often I’ll hear an idiom or phrase and think to myself, “What does that mean literally?” In this case, the phrase was “computer mouse,” and I asked myself how mice could actually interact with a computer. Immediately the old fairy tale of “The Cobbler and the Elves” popped into mind.

AE: How did this story germinate? Was there a spark of inspiration, or did it come to you slowly?

BD: If the Computer Mice represent the force of order, then the wild female rat represents the force of chaos. I remember reading Robert Chilson’s “Ecological Niche” in the December 1970 issue of Analog when I was in high school and was struck with his portrayal of wildlife finding a way to be both wild and alive even in the middle of an extremely complex technology. Once I had my opposing points of view, the actual writing went very quickly.

(5) CAT RAMBO. On Mary Robinette Kowal’s blog, “My Favorite Bit: Cat Rambo talks about HEARTS OF TABAT”.

One of my favorite pieces of the most recent fantasy novel, Hearts of Tabat, didn’t actually get into the final version, which was a set of chapter headers defining which Trade God each chapter belonged to. The Trade Gods of the city of Tabat embody various economic forces of one size or another, ranging from the large Anbo and Enba (Supply & Demand) to the more particular, like Zampri, who oversees Advertising, or Uhkephelmi, God of Small Mistakes.

(6) FORENSICS. Kristine Kathryn Rusch teases apart a major news story about embezzlement at a literary agency in “Business Musings: An Agent Nightmare Revealed”.

…To the greatest extent possible.

In other words, my friends, Donadio & Olson does not have the financial resources to make up for a theft of $3.4 million, let alone any more potential losses that the forensic accountant might turn up.

The complaint alleges that Webb stole money as far back as 2011. However, according to Law360, he worked for the company since 1999. Did he start this behavior then? Or after Candida Donadio died? (Which seems likely. Agencies go off the rails when their founders leave or die.)

It’s pretty easy to steal from writers’ estates. I worked with a number of them on some projects in 2015 and 2016, and with one exception, the agencies or the organizations in charge of the estates didn’t give a crap about resale, about payment, about anything. Most of them weren’t even familiar with the story I wanted to reprint, and only one of them had an author’s preferred version that they sent to me. (I asked.)

I probably could have reprinted those stories and never paid any of the estates. I probably would not have been caught in most cases. And that’s rather minor theft.

Now, imagine what’s going on with estates like [Mario] Puzo’s, which includes all of the monies still coming in from the movies, from licensing, from the books (which are still in print). These are multimillion dollar ventures, handled every year by Donadio & Olson, with no one overseeing the day to day running of the finances.

Oh, my. The money was simply there for the taking.

The thing is, Donadio & Olson is a “reputable” agency. The New York Post used the word “prestigious” in describing the agency. Donadio & Olson was, until last week, a gold-standard agency, one that most young writers might have aspired to have as representatives….

Then she shares some firsthand experiences.

Sadly, I am not surprised by any of this. As I have blogged about before, literary agencies are not regulated. Prestigious agencies embezzle. I’ve personally had one of the biggest boutique agencies in the world embezzle from me. (And I suspect they still are, although I can’t prove it. But there are licensed properties—tie-ins—that I wrote whose royalty statements I cannot get my hands on because no one at the licensor will cooperate with me. The books have been in print for 25-30 years and I have never seen a dime in royalties. Ever.) I’ve also had one of the biggest fraudsters in the industry steal from me. I speak from hard-earned life lessons here.

(7) AUREALIS AWARDS TAKING ENTRIES. The Aurealis Awards, “Australia’s premier awards for speculative fiction,” is taking entries until December 7.

The awards  are for works created by an Australian citizen or permanent resident, and published for the first time in 2018.

Full guidelines and a FAQ can be found on the Aurealis Awards website.

We strongly encourage publishers and authors to enter all works published in the first half of the year by August 2018, then subsequent publications as they are released; our judges appreciate having time to consider each entry carefully.

The same group is also running the Sara Douglass Book Series Award for series ending between 2015-2017, this year. Entries for this special award close on August 31, 2018. More information is available at the link.

Finalists of all award categories will be announced early in 2019 and winners announced at a ceremony to take place in Melbourne in the first half of the year. For more information contact the judging coordinator Tehani Croft at aajudges@gmail.com

(8) ASTRONAUT OBIT. Donald H. Peterson passed away May 27 reports the Washington Post: “Donald Peterson Sr., who spacewalked from the shuttle Challenger, dies at 84”.

Mr. Peterson’s avid consumption of science fiction in his childhood drove his interest in aviation and space.”

In 1983 he told a reporter:

‘Back when I was a kid, there was no space program,’ Peterson said in an interview. ‘In fact, I was old enough to know about airplanes before there were jet airplanes.

‘My earliest interest came from science fiction. I read a lot of things as a kid, but I read some science fiction and got interested. As I got older, I started reading real things

A trading card featuring Peterson:

(9) IN A SOCIAL MEDIA FAR, FAR AWAY. (Found with the help of Nicholas Whyte.)

(10) COMICS TO BE PRESERVED. Michael Cavna, the Washington Post’s “Comic Riffs” columnist, says that the Library of Congress has acquired most of Steven Geppi’s comics collection, including most of the contents of the Baltimore-based Geppi Entertainment Museum, which will close after this weekend: “Library of Congress acquires its largest donation of comic books ever”.

The impressive acquisition, which is set to be announced Wednesday, comes courtesy of Baltimore-based collector and entrepreneur Stephen A. Geppi, who is donating more than 3,000 items from his holdings, many spanning the eight-decade history of the American comic-book industry. His Mickey Mouse storyboards are from the Jazz Age animated short “Plane Crazy,” which was inspired by Charles Lindbergh. Other items include printing blocks from Richard Outcault’s fin-de-siecle comic-strip character the Yellow Kid, Beatles memorabilia and a No. 2 Brownie camera model F from Eastman Kodak, the library says.

The donation — which the library says it is valuing “in the millions” — was born out of months of conversations between Librarian of Congress Carla Hayden, a champion of giving the public new ways to view the library’s scope, and Geppi, who opened Geppi’s Entertainment Museum in Baltimore in 2006.

(11) BUTLER AT HOME. From Pasadena Weekly — “Octavia Butler’s Pasadena connections informed her stellar science-fiction writing career”.

The Crown City played a major part in her development, both for its major role in the space race via Caltech, JPL and the Carnegie Observatories, and because of the fact it was racially integrated long before much of the nation. Her archives are collected at the Huntington Library in San Marino, having formed the basis of a popular exhibition in 2017 and remaining one of the hottest collections for researchers there.

“Pasadena was a major inspiration, and part of that has to do with JPL being in her backyard, right over the hill and being so close to the space race and growing up with that had to have piqued her interest,” says Theresa Russell, assistant curator of literary collections at the library. “I think Butler felt it was a very diverse place. She talks about her novels not just being filled with black people, but people of all colors. There were white, black, Asian students at Caltech, and it seemed natural to her that the future would be the world she was seeing, filled with diversity.”

Russell also notes that the Pasadena area or a version of it appears in some of Butler’s works. Her novel “Kindred” offers a particularly strong example, as it focused on a writer living in Altadena amid an early career as a writer, and the novel “Mind of My Mind” features a city called Forsyth that was modeled after Pasadena. Yet Russell notes that the dystopian novel “Parable of the Sower” has the most intriguing connections of all to the City of Roses.

(12) STORIES THAT ADMIT THEY ARE ABOUT POLITICS. The Kickstarter for Cat Rambo’s “IF THIS GOES ON – Political SF Anthology” has raised $3,736 of $10,000 at this writing, with 28 days to go.

Looking at the state of the world today, we are clearly at a nexus of inflection points. Global relations and power structures are changing more rapidly than they have since the cold war. The divide between the haves and have nots is broadening and we are at the start of a new gilded age of robber barons and crippling poverty. Racial, social, and class relations are stretched to a point of breaking. Global climate change threatens to remake our planet.

The choices we make today; the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it.

IF THIS GOES ON asks a very straightforward question – what happens if things continue to be like this and what happens next?

We asked thirty writers to put their minds to it and show us what the future may hold a generation or more from today. To show us the promise of a better world if we embrace our better angels or the cost of our failures if we give in to the demons of divisiveness, if we allow politicians and pundits to redefine truth, and if we continue to ignore the warnings all around us.

Truth matters, stories matter.

The full Table of Contents, organized alphabetically by the author’s last name is:

  • Cyd Athens – Welcome to Gray
  • Steven Barnes – The Dayveil Gambit
  • Rachel Chimits – Dead Wings
  • Paul Crenshaw – Bulletproof Tattoos
  • Beth Dawkins – Tasting Bleach and Decay in the City of Dust
  • Andy Duncan – Mr. Percy’s Shortcut
  • Chris Kluwe – The Machine
  • Kitty-Lydia Dye – Three Data Units
  • Scott Edelman – The Stranded Time Traveler Embraces the Inevitable
  • Judy Helfrich – A Pocketful of Dolphins
  • Langley Hyde – Call and Answer
  • Gregory Jeffers – All the Good Dogs Have Been Eaten
  • Jamie Lackey – Fine
  • Jack Lothian – Good Pupils
  • Nick Mamatas – Hurrah! Another Year, Surely This One Will Be Better Than The Last; The Inexorable March of Progress Will Lead Us All to Happiness
  • Lynette Mejía – A Gardener’s Guide to the Apocalypse
  • Aimee Ogden – Twelve Histories Scrawled in the Sky
  • Sarah Pinsker – That Our Flag Was Still There
  • Conor Powers-Smith – The Sinking Tide
  • Zandra Renwick – Making Happy
  • Kathy Schilbach – Counting the Days
  • Nisi Shawl – King Harvest Will Surely Come
  • Priya Sridhar – Mustard Seeds and the Elephants Foot
  • Marie L Vibbert – Free Wi-Fi
  • Calie Voorhis – The Editor’s Eyes
  • Tiffany E. Wilson – One Shot
  • James Wood – Discobolos
  • Sylvia Spruck Wrigley – Choose Your Own Adventure
  • E. Lily Yu – Green Glass: A Love Story
  • Hal Y. Zhang – But for Grace

Cover art by Bernard Lee. Design by Michael Altmann.

(13) BUY PROP FOR NEVER-MADE TREK MOVIE. Motherboard says this model for the starship Enterprise is going on the auction block with a starting bid of $40,000.

A rare, redesigned version of the starship Enterprise NCC-1701 will go on auction in L.A. (and online) Thursday, with bidding starting at $40,000. The model was designed by Ralph McQuarrie and Ken Adam in 1976 for the ill-fated film Star Trek: Planet of the Titans, which was the first plan for a motion picture after the original series was cancelled. But after months of writing and rewriting the script, it was ultimately shelved, and the redesigned Enterprise was shelved with it. Shortly after, Paramount began working with Star Trek creator Gene Roddenberry on what would eventually become Star Trek: The Motion Picture.

The model would have changed the iconic look of NCC-1701. The model did appear briefly (though not as the Enterprise) in Star Trek: The Next Generation’s two-part episode “The Best of Both Worlds.” It was in the Starfleet armada which was destroyed by the Borg in the Battle of Wolf 359.

(14) HOT TIP: PLASTICS. NASA now has a combination plastic recycler and 3-D printer to test on the International Space Station. The Tethers Unlimited, Inc. device is about the size of a mini-fridge and was built as part of the Small Business Innovation Research program. It was certification tested at the Tethers Unlimited lab in Bothell WA and at Huntsville AL’s Marshall Space Flight Center. The plan is to deliver it to the ISS on a SpaceX Dragon supply run later this year.

Quoting the GeekWire article: “Tethers Unlimited delivers 3-D printer and recycler combo to NASA for space station”.

The Refabricator uses a process called “Positrusion” for recycling plastic parts into fresh filament for 3-D printing.

“Traditional plastics recycling and 3-D printer filament manufacturing techniques involve grinding and extrusion steps that could pose safety concerns on the ISS and often require a lot of adjustment to keep them running reliably,” [Tethers Unlimited CEO Rob] Hoyt explained.

“To create a recycling system that is safe and doesn’t demand a lot of astronaut time, we developed a new method for recycling plastic parts into 3-D printer filament, and integrated it together with a 3-D printer to create a highly automated recycling-and-manufacturing system,” he said.

(15) WATER WATER EVERYWHERE. BBC reports “Two different forms of water isolated for first time”. Not polywater (a hoax) let alone ice-nine (though both have been topics of sf stories), but physics-level differences leading to different chemical behavior.

Scientists have isolated the two different forms of water molecule for the first time.

Water molecules were known to exist as two distinct “isomers”, or types, based on their slightly different properties at the atomic level.

By separating out the two isomers, researchers were able to show that they behave differently in the way that they undergo chemical reactions.

The work appears in Nature Communications.

(16) EARLY INFLUENCES. At Postscripts to Darkness “PSTD Author Interview: Mike Allen”.

Whether they are historical or contemporary, who are some of the writers whose work has been most influential on, or important to, your own, and what have you taken from their writing?

I think it all boils down to Poe and Tolkien, the first is probably kind of obvious, the second I imagine less so for any readers out there that might know me only through my creative work.

Those two writers set me on the path. A well-meaning third grade teacher read “The Tell-Tale Heart” and “The Raven” to our class for Halloween, and while the other kids just giggled it away I was traumatized, with night terrors that lasted for years. Yet instead of staying away from all things horror, I became consumed with morbid curiosity, constantly coming back to this type of story-telling that held so much power over me, leading me to devour stuff by H.P. Lovecraft, Stephen King, Peter Straub and Clive Barker.

With Barker, my favorite writer when I was in my teens, I experienced a paradigm change. I became a gleeful participant in the land of imaginary horrors, rather than a frightened victim. I ended up consuming so much horror that I essentially inoculated myself from the night terrors.

I would bet the idea that I’m best known for horror stories would be a big shock to 10-year-old me. Around 4thgrade or so my dad made me read The Lord of the Rings, because he thought it was the greatest novel ever written and because he was sure I would like it. On that second part, absolutely, he was right. Maybe the first one, too? But anyway, I developed this hunger for all things Tolkien. We lived at the time in Wise, Virginia, a coal town high in the Appalachians. There was no bookstore. There were a couple of other kids who liked fantasy, but didn’t share my obsessive need for it, or at least not my precise interests — as I recall, one buddy was a huge Larry Niven fan.

(17) FELINES AND FANTASY. Can you believe it? Long before the idea was codified by File 770, authors independently recognized the association of cats and SFF. For example, see these Martha Wells LiveJournal posts.

(18) SFWA EMERGENCY FUND. Hey, I didn’t know that.

(19) SILVERBERG ADAPTED AS OPERA. This is from an interview with composer Emily Howard by Richard Fairman in the May 26 Financial Times (behind a paywall).

Howard, 39, tells how she was working with her librettist, Selena Dmitrijevic, on a story about a person being shunned by society.  A draft scenario, in which that character was arrested and sentenced to being ‘invisible,’ was already well advanced when they discovered it came from a short story that Dmitrijevic had on her shelf at home, Robert Silverberg’s ”To See The Invisible Man.’

There is a strong flavour of Kafka, or perhaps Margaret Atwood.  ‘In our opera you never know exactly what the Invisible’s crime was,’ says Howard.  ‘We assume we are dealing with some authoritarian regime, where society is forced to operate within very narrow parameters of human behaviour.  It is a wonderfully constructed story, because it opens with the Invisible’s crime of coldness, and then(when the Invisible is apprehended for trying to help another Invisible in distress) closes with the crime of warmth.’

Note that Silverberg’s ‘Invisible Man’ has become the gender-neural ‘Invisible.’  It is one of Howard’s most eye-catching ideas that the role of this person is to be sung by two singers:  a soporano and a bass.  When the Invisible is alone, they will sing it together, but out in society, where he/she is unable to be themselves, only one voice will be heard.

To See The Invisible is going to be performed at the Aldeburgh Festival  from June 8-11.

[Thanks to John King Tarpinian, Bill, JJ, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Tehani Croft, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 2/25/18 I, Pixel

By JJ:

(1) ALSO #METOO. In a follow-on to Myke Cole’s mea culpa as reported in the February 15 Pixel Scroll (item #3) about a thread on industry harassment at School Library Journal, author Janci Patterson, in a post entitled “Sexual Harassment, Apologies, and Forgiveness” explains how Cole’s willingness to own, and apologize for, his past behavior has made a huge difference in her life:

That is what it was like being a woman in publishing who had been harassed. I watched people discrediting the women who spoke up on the basis of their comments being anonymous. If it was true, why would they need anonymity?

I knew why. After Zoe Quinn, women in my position all know. We are all one internet post away from being Zoe Quinn.

And then Myke apologized. If you haven’t yet, take a minute and read what he wrote. What he says describes my experience exactly. It’s a damn good apology. He admits to what he did, in specific terms. He expresses that he was unaware that he did it, but he doesn’t treat that as an excuse. He addresses his victims directly and says he’s sorry. He expresses additional sorrow. He talks about both what he’s going to do to make reparations and also how he’s going to address his behavior going forward.

Reading that changed the whole world for me. I had been watching the cultural shifts in our post-#metoo, post-Weinstein-scandal world, but for me, this was the final piece. In that moment, I went from a scared woman with a difficult secret to a woman who could speak authentically. Who could tell the truth. No one could jump on me in any kind of credible way anymore. It was true. It happened. Myke admitted it was true. He saw the hypocrisy in his feminism. He owned it.

He set me free.

Another SFF author who was mentioned in the comments on the SLJ thread, Dan Wells, also posted his thoughts on harassment and being willing to step up and do better:

I have always believed that you should believe a woman who says she’s been harassed, so I believe these women, too.

And then I was accused of being a harasser.

And then the same woman recanted her accusation.

I do not know who this woman is, as she posted anonymously both times, but I want to take this opportunity to pubicly accept her apology, and to thank her for coming forward.

But here’s the thing: I believed her. Obviously I didn’t believe that I had assaulted someone and then forgotten about it, or anything ridiculous like that. But I was – and am – willing to believe that without intending to and without noticing I had done something to make a woman feel uncomfortable or unwelcome or unsafe…

I could have raged against the injustice of this comment – and to be perfectly honest, a part of me did – but the more useful, more helpful response was to sit down and take a good hard look at myself and my actions. What have I been doing, and what can I do in the future, to make the conventions I attend and the spaces I inhabit safer for other people?

Recanted accusation or not, I found some stuff I need to work on. Not a long history of abusive behavior, but a tune-up on boundaries, and on thinking before I speak.

(2) THE LATTER IS NOT RECOMMENDED. SFF author Jeremiah Tolbert spent last Saturday at the Planet ComicCon Kansas City 2018, and he says, “ComicCons Are More Fun With Children. You Should Make Some, or Steal Somebody’s”.

So given that I’m not big on photos with famous people (but definitely not above walking past autograph alley to oogle them and say, without fail, “oh, they’re shorter than I expected”), and I am not really a collector of toys or comics, why would I ever attend these things? Two simple reasons: to meet up with professionals attending who are good friends and to watch my tiny human

lose.

his.

shit.

Little Dude Tolbert (hereafter referred to LDT) will be four in June, and he’s developing into quite the little protogeek.

 

(3) CONTRACTUALLY DEFICIENT. In a public post on Patreon, Jason Sanford reported:

Since the first of the year I’ve written a couple of times about Spectacle Magazine, a new quarterly speculative fiction publication (see here and here for previous articles). The magazine is published and edited by Kevin Hale and Danny Dumas and aims to be a high-end venue for thought-provoking fiction and non-fiction focused on SF/F themes.

Three days ago the Spectacle’s editors sent out a number of story acceptances. Normally you’d expect authors to be excited about acceptances, but news quickly spread that many of them were not happy with the contract terms being offered. I personally had multiple authors contact me about issues around the contracts they were offered…

There are several issues there, including with derivative rights. At worst this derivative rights grab could allow Spectacle to create films or video games or nearly anything else using the stories they purchased and the authors wouldn’t be able to object.

There are also other issues with the contract, such as not laying out when the work would be published or that the rights will revert to the author in the case the story is never published.

Shortly afterward, Spectacle Magazine published the following tweet:

Another author on Twitter noted, with astonishment:

(4) DEADLINE EXTENDED. Worldcon 76 has announced that the deadline for submissions to their Academic Track have been extended to March 1, 2018:

Participants in the Academic Track will have a chance at winning a “Best Academic Track Paper” cash prize from The Heinlein Society.  This $250 prize will be awarded based on the presentations as given at Worldcon 76.  Given this new opportunity, we will extend the submission deadline to March 1st.

Details on submitting can be found at the Worldcon 76 website.

(5) THIS IS THE FUTURE THAT FILERS WANT. Via Foz Meadows:

http://peppylilspitfuck.tumblr.com/post/171099260572/fozmeadows-majorgenerally-writing-prompt-s

(6) TAKING CREDIT. Kristine Kathryn Rusch, in her latest column “Business Musings: Editorial Encroachment”, comments on the recent trend she’s been seeing of editors requiring equal authorial credit on books:

Last week, as I was searching for a friend’s book on Amazon, I made a loathsome discovery. My friend’s book, which is up for preorder, lists her name and the name of someone else on the byline.

I had never heard of that someone else. So I clicked on the preorder, and what did I see? A cover, with just my friend’s name on it.

So I glanced up at the title. Beneath it was this byline:

My Friend (Author), Annoying Person (Editor)

I went through the roof. My friend wrote that book. She hired Annoying Person to edit the book.

I looked up Annoying Person and found her terms and conditions. She sounds like a fairly knowledgeable editor. She only handles copy editing and line editing (although it sounds like she would have a pretty heavy hand). She explicitly says she does not do developmental editing.

Which means she has done exactly nothing on this book. She didn’t come up with the concept. She didn’t brainstorm the characters. She didn’t improve the plot. She didn’t imagine the setting.

All she did was tweak the words.

So why the hell is she getting credit for this book?

Rusch explains in detail why she believes that going along with this is damaging to an author’s brand, and offers advice to authors who are faced with such contracts by their editors.

(7) CHESHIRE CATS. In a Twitter thread, lindsay beth explains how your SJW Credential always manages to magically appear, despite not having been in any of the places you’ve looked: (click the date/time stamp to read the whole thread)

(8) NEBULOSITY. Filer Cora Buhlert has posted “Some Thoughts on the 2017 Nebula Award Nominees”, and offers her thoughts on the shortlists of the various categories as well as some possible trends.

In general, what’s notable about the adult fiction categories is that Uncanny dominates the short fiction categories, followed by Tor.com and Clarkesworld. Tor.com absolutely dominates the novella category, while Orbit dominates best novel. The decline of the big three print magazines continues. F&SF and Asimov’s managed to garner one nomination each, while Analog didn’t get any at all. Only a single nominee in the fiction categories is self-published. Thematically, I don’t see a clear trend beyond a preferences for works with historical settings.

Buhlert’s piece contains more detailed analysis of individual entries, as well as of the levels of diversity reflected by the shortlist authors.

(9) DOCTOR WHEN. The Gallifrey Times says that during the February 21 BBC Worldwide Showcase Panel at Liverpool’s Echo Arena, it appeared to be confirmed that Doctor Who will be returning in October 2018.

In the background, we see a promotional photo of the Thirteenth Doctor with some text that reads:

Series 11 – 1×65 – 9×50 – delivers October 2018

You can view the Liverpool Echo’s photo gallery of the event here.

(10) ACHIEVEMENT GATEKEPT. Experienced gamer and blogger Mysty Vander describes how she conquered her social anxiety to attend a gaming convention in 2017, only to be confronted with outrageous sexism, in “Honey, Let the Real Gamers Play”:

We reached a point where my Gunslinger passed a search check nobody else did. I had found a letter. My character was quiet, stoic, and kept to herself – she likely would only divulge the necessary information. When the GM took the letter out, he handed it to the man playing Freya instead of myself. Okay…that’s fine, not a big deal, as long as I get to read it in the end (being partially deaf at a convention, I truly needed to read it with my own eyes to understand all of it).

That didn’t quite happen. Freya’s player read it, passed it along to the older man beside him, and then the note went no further. “Oh, so we need to find the South Gate?” Freya inquired.

The player beside him responded, “Seems like it,” and handed the note back to the GM.

“May I see the note?” I asked.

Without hesitation, the player playing Freya responded, “No need, we know what it meant, sweetie,” he said with a smile.

(11) JUMPING ON THE MAPWAGON. The February 19 Pixel Scroll (item #9), mentions an artist who has done Lord of the Rings-style maps of UK and US National Parks. Kim Huett points out that an Australian artist has done a map of Canberra in the style of Game of Thrones.

(12) BIRTHDAYS.

  • Born February 25, 1966Alexis Denisof (The Avengers, Guardians of the Galaxy)
  • Born February 25, 1966Téa Leoni (Deep Impact, Jurassic Park III)
  • Born February 25, 1971Sean Astin (The Lord of the Rings, Stranger Things)
  • Born February 25, 1986Jameela Jamil (The Good Place)

(13) BUG REPORTS. In xkcd’s 2018 CVE List, Randall Munroe details the most recently-discovered Common Vulnerabilities and Exposures of software, of which we must all be wary. Be sure to mouseover the image for a special Security Disclosure.

(14) DEBUNKING THE MYTHS. In “Hugo Myth Season Again”, Cheryl Morgan dispels the idea that nominators must have read exhaustively in order to be legitimate nominators:

Voting is open for this year’s Hugo Awards, and consequently I need to get back to dispelling the strange ideas about the Hugos that seem to proliferate at this time of the year.

This post has been inspired in particular by the latest episode of the Coode Street Podcast where Gary and Jonathan do their usual fine job, but don’t quite get everything right.

Something that they do get right is the “I haven’t read enough” myth. Every year people trot out the idea that if you haven’t read “everything” then you are not eligible to nominate. This is nonsense.

However, Morgan says that there is another persistent myth to which even the Coode Street Regulars have fallen, which must be corrected:

Finally we come to the bit where the podcast goes totally off the rails. Jonathan resurrects one of the best known zombies of Hugo lore, the idea that the Hugos were once for science fiction only and were later changed to include fantasy. This is not entirely Jonathan’s fault. He got the story from Justin Ackroyd. I have had this discussion with Justin before. He was wrong then and he is still wrong now.

 

(15) I GOT YOUR EXHIBIT RIGHT HERE. Filer von Dimpleheimer, after seeing the announcement in the February 18 Pixel Scroll (item #21) that the exhibit “A Conversation Larger Than the Universe: Science Fiction and the Literature of the Fantastic from the Collection of Henry Wessells” would be taking place at The Grolier Club, stopped by when he was in the neighborhood. You can see his photos of the exhibit here.

– photo by von Dimpleheimer

(16) INADVERTENT DOXXING. In an article entitled “Furry Website Leaks Real Identities”, Medium contributor Sky raises some issues for concern regarding the registration software system used by a number of fannish conventions.

A “feature” in the popular convention registration system ‘Convention Master’ lets anyone find out your fursona name just by typing your real name.

The software is used widely by many conventions, especially in the furry scene. Civet Solutions, the maker of the software, boast “over one hundred and fifty thousand registrations processed.” If you’ve ever attended a furry convention, there’s decent odds they have your data on file… and are now leaking it with no plans to ever stop.

During online pre-registration, you enter your first and last name to see if you have an account at that convention. Unfortunately, anyone can do this. If you’ve ever pre-registered for that convention, or registered on site in a previous year, you have an account. And everyone can see you’ve attended that con with just your first and last name.

Even worse, your fursona name is also displayed.

Yep, that’s right. Anyone can find your fursona name if they know your real name.

Known affected furry cons:

  • Alamo City Furry Invasion
  • Califur
  • Fur-Eh!
  • Furlandia
  • Pacific Anthropomorphics Weekend
  • Scotiacon
  • Vancoufur
  • Wild Prairie Fur Con

Known affected non-furry cons:

  • Arisia
  • RustyCon

The article’s author discusses potential personal and professional implications of the public accessibility of members’ information, as well as possible avenues for remediation. They have also added a follow-up:

UPDATE NOTE: This article was updated with a section of feedback from Civet Solutions at the end of the article. Although the real name look-up feature in question will unfortunately not be removed from the software in future, I encourage you to read the update over to better understand their point of view and their future development plans.

(17) OLD PEOPLE READ YOUR SFF. In the past, James Davis Nicoll took requests on a commission basis only. However, he has now opened a Suggestion Box. There’s no guarantee that the work you suggest will be reviewed; however, submissions are welcome.

(18) YOU SHOULD SEE THIS. At Skiffy and Fanty, Stephen Geigen-Miller offers his “Best Graphic Story Hugo Recommendations”:

One of my biggest personal goals with these reviews – I mention this in the introduction to every column, and unpacked it a bit in my Month of Joy post – is to bring more, and different, deserving SFFnal comics, webcomics and graphic novels to the attention of SF&F readers.

That’s especially important when when it gets to be Hugo nomination season; I want to see a diverse, inclusive, smart Best Graphic Story category that reflects the breadth of the material that’s out there, and I want other genre readers to have the chance to find and fall in love with those comics, like I have.

(19) WHY SETI IS CONTRAINDICATED.

(20) ANNIHILATED. At The Verge, Annihilation and Ex Machina director Alex Garland talks about using sci-fi to explore self-destruction:

I think the main thematic preoccupation probably belongs primarily to the film, which is really about self-destruction. It’s about the nature of self-destruction in a literal sense: cells have life cycles and stars have life cycles and plants and the universe and us. You, me, everyone. But also psychological forms of self-destruction.

It was born out of a funny kind of preoccupation I started to have, that everybody is self-destructive, which is a strange thing to notice. I think a lot of self-destruction is very obvious. [Gestures to cigarettes on the table.] That’s an obvious self-destruction, right? And if a friend of yours is a heroin addict or an alcoholic, that’s an obvious kind of self-destruction. But there are also… You’ve also got friends, or people you encounter, who are super comfortable in their own skin, and very self-possessed, and feel like they have understood some sort of secret to existence that you’re not party to. And then you start to see, no, that’s not quite right. It’s more complicated than that. And fissures and fault lines appear, and between the fissures and the fault lines, you see bits of behavior that doesn’t really make sense – like they’re dismantling things in their lives for no good reason.

In “People Have Accused Annihilation of Whitewashing. Here’s How Its Director and Stars RespondedTIME Magazine reports:

Anticipation for the movie has been high since the release of the first trailer last fall. But recently, some, including the advocacy group Media Action Network for Asian Americans, have accused the film of whitewashing the roles played by Portman’s and Leigh’s characters, saying the characters on which they are based are of Asian descent and Native American descent, respectively, in the trilogy. In a statement, Alieesa Badreshia, an MANAA board member, said that writer-director Alex Garland “exploits the story but fails to take advantage of the true identities of each character.”

Others have pointed out that revelations of the two characters’ ethnic backgrounds are not made until subsequent books in the series.

In response to the criticism, Garland provided the following statement to TIME:

This is an awkward problem for me, because I think whitewashing is a serious and real issue, and I fully support the groups drawing attention to it.

But the characters in the novel I read and adapted were not given names or ethnicities. I cast the film reacting only to the actors I met in the casting process, or actors I had worked with before. There was no studio pressure to cast white. The casting choices were entirely mine.

As a middle-aged white man, I can believe I might at times be guilty of unconscious racism, in the way that potentially we all are. But there was nothing cynical or conspiratorial about the way I cast this movie.

While Portman, Leigh and Novotny are white, co-stars Thompson and Rodriguez are women of color. Oscar Isaac, who plays Portman’s character’s husband in the film, is of Guatemalan and Cuban descent.

 

[Thanks to Cora Buhlert, James Davis Nicoll, Jason Sanford, Kim Huett, RedWombat, ULTRAGOTHA, and von Dimpleheimer for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 12/7/17 Pixel, It’s Scrolled Outside

(1) SOCIETY PAGE. Cat Valente and Heath Miller shared their news on Twitter. Jump onto the thread about the romantic proposal here —

Part of the announcement:

(2) A GOOD COUNTRY FOR OLD MAN. Deadline started with an Exclusive story, but now we all know — “Netflix Grabs Hold Of John Scalzi’s Sci-Fi Novel ‘Old Man’s War’ For Jon Shestack, Madhouse”.

Netflix has acquired John Scalzi’s modern sci-fi classic Old Man’s War to develop as an original film. The novel is the first in a bestselling six-book series and is considered to be one of the best of the genre over the past two decades, nominated for a Hugo Award. Jon Shestack Productions and Madhouse Entertainment will produce.

John Scalzi goes into a little more detail in his FAQ about the news: “Old Man’s War in Development at Netflix”.

Are you excited?

Hell, yes. One, because I would love to see an OMW movie. But also, two, Netflix is a place where a lot of fantastic entertainment is happening these days. It’s trying a lot of things and taking a lot of chances, and most people I know who are working with Netflix are thrilled about being there right now. It really seems like it could be a great place for the OMW universe.

So is this a movie or TV series?

It’s a movie. On your television!

(Or computer or phone or monitor or wherever you choose to watch Netflix, I don’t judge.)

(3) GODSTALKER. James Davis Nicoll brings you his list of “Twenty Core Works of Religious Speculative Fiction Every True SF Fan Should Have on Their Shelves”. Here are four examples –

  • High Deryni by Katherine Kurtz
  • A Swiftly Tilting Planet by Madeleine L’Engle
  • The Brothers Lionheart by Astrid Lindgren
  • A Canticle for Leibowitz by Walter M. Miller

(4) ROWLING CHALLENGED ON SUPPORT OF DEPP. Amy Zimmerman of The Daily Beast calls it “J.K. Rowling’s Cowardly Defense of Alleged Abuser Johnny Depp in ‘Fantastic Beasts’”.

… In May 2016, actress Amber Heard filed for divorce from Johnny Depp, declaring at the time, “During the entirety of our relationship, Johnny has been verbally and physically abusive to me…I endured excessive emotional, verbal, and physical abuse from Johnny, which has included angry, hostile, humiliating, and threatening assaults to me whenever I questioned his authority or disagreed with him.” In the wake of these explosive allegations, The Daily Beast’s Kevin Fallon wrote a piece titled “Amber Heard Says Johnny Depp Beat Her. It Will Ruin His Career. Just Kidding!”, in which he argued that Depp, like so many accused A-listers before him, was destined to emerge from this scandal professionally unscathed.

…On the one hand, Rowling has inarguably found herself in a difficult position, and it’s hard to watch as female creators are asked to answer for the alleged misconduct and immorality of their male collaborators. In her statement, Rowling acknowledges the seriousness of the allegations against Depp, and appears to have taken the pressure to potentially recast seriously. But, make no mistake: she is supporting and defending Johnny Depp. And, in doing so, she is calling his accuser’s testimony into question.

The most damning sentence here is when Rowling cites “our understanding of the circumstances” to justify the fact that she is “genuinely happy” with Depp’s starring role; it sounds like she’s implying that, if we knew what she knew, we would feel comfortable dismissing Heard’s story too. Rowling is, finally, saying “I believe you”—but the person she’s acknowledging in this scenario is Johnny Depp, not Amber Heard

Here is J.K. Rowling’s complete statement on “Grindelwald casting”:

When Johnny Depp was cast as Grindelwald, I thought he’d be wonderful in the role. However, around the time of filming his cameo in the first movie, stories had appeared in the press that deeply concerned me and everyone most closely involved in the franchise.

Harry Potter fans had legitimate questions and concerns about our choice to continue with Johnny Depp in the role. As David Yates, long-time Potter director, has already said, we naturally considered the possibility of recasting. I understand why some have been confused and angry about why that didn’t happen.

The huge, mutually supportive community that has grown up around Harry Potter is one of the greatest joys of my life. For me personally, the inability to speak openly to fans about this issue has been difficult, frustrating and at times painful. However, the agreements that have been put in place to protect the privacy of two people, both of whom have expressed a desire to get on with their lives, must be respected.  Based on our understanding of the circumstances, the filmmakers and I are not only comfortable sticking with our original casting, but genuinely happy to have Johnny playing a major character in the movies.

I’ve loved writing the first two screenplays and I can’t wait for fans to see ‘The Crimes of Grindelwald’. I accept that there will be those who are not satisfied with our choice of actor in the title role. However, conscience isn’t governable by committee. Within the fictional world and outside it, we all have to do what we believe to be the right thing.

(5) QUICK SIP SHORT FIC RECS. I think I missed Charles Payseur’s “Quick Sip Reviews 2017 Recommended Reading List”, posted last month.

This comes courtesy of my monthly recommendation column, The Monthly Round. The rules are fairly easy, in that the stories must come from publications I regularly read. It’s the single greatest limiting factor for the list, because I do not read everything, but this prevents me from essentially cherry-picking stories from other publications. So there are my favorite stories published at the places I read regularly and have reviewed. There’s a whole wide world of other stories out there, but I did dearly love these. So I hope that, even with that limitation in mind, the list is helpful for finding some truly awesome short SFF. If you want more info on any of the stories, there are links to each or you can do a search of this blog to find my more in-depth reviews.

(6) BLACK SF HONORED. The Root has named “The 16 Best Books of the Year by Black Authors”. Three of these books are of genre interest.

  • #1 — Sing, Unburied, Sing: A Novel by Jesmyn Ward, which Amazon currently lists as the top-selling book in Magical Realism.
  • #4 — Akata Warrior by World Fantasy/Hugo/Nebula Award winner Nnedi Okorafor.
  • #9 — What It Means When a Man Falls From the Sky, by Lesley Nneka Arimah, a debut short-story collection from an award-winning Nigerian-American writer whose short stories hit fantasy, magical realism, science fiction, and horror.

(7) THERE ARE NO OLD, BOLD EQUATIONS. RedWombat mashes up a classic poem with a Hall of Fame story. The first tweet in response by Tim Chase is brilliant, too,

(8) JOIN THE VAMPIRE LODGE. An io9 exclusive! “Vampire Veronica Descends on Riverdale in a New Archie Horror Series”.

Between Afterlife with Archie, Chilling Adventures of Sabrina, and the recent addition of Jughead: The Hunger, Archie Comics’ horror imprint is flying higher than Sabrina’s broomstick ever thought possible. But there’s already another series coming to Archie Horror, and it’s got a bit of a bite to it….

Veronica Lodge, Riverdale’s socialite encounters a centuries-old creature of the night, who transforms her into a bloodthirsty vampire. Now she must descend on her unsuspecting hometown to quench her newfound hunger. Veronica now has to contend with this new transformation However, she is still the Veronica we all know and love.

(9) GULP FICTION. Fainting cloths have been in much demand since news broke that “Quentin Tarantino Might Direct a Star Trek Movie”io9 has the story.

Apparently Tarantino recently pitched an idea for a Trek movie to producer J.J. Abrams, who loved it, and they’ll soon begin to assembling a writer’s room to flesh it out. If everything falls into place, Tarantino could be interested in directing with Abrams producing.

This isn’t something that’ll be happening soon, though. Next up for the iconic director is his still-untitled 1969-set movie, which Sony Pictures just picked up. That already has a release date of August 9, 2019, so there’s no doubt that’s next for him. That leaves almost two years of time for a script to get written that could woo Tarantino into doing several things he’s never done before.

He’s never directed a feature he didn’t write. He’s never done a scifi film. He’s never done a major franchise film.

(10) EARLY BIRDS. Worldcon 76 and Dublin 2019 announced their Retro Hugo plans a few days ago and the Hugo Awards Book Club wasted no time coming up with the first set of recommendations: “Retro Hugos 1943: Novels”

It was with no small degree of excitement that we greeted the news that there would be Retro Hugo awards presented at next summer’s Worldcon. Just on principle, we love Retro Hugos, and will take any opportunity to do a deep dive into the science fiction published in a particular year. The Hugo year of 1943 (which would cover works published in 1942) has some excellent novels to choose from. We will explore other fiction categories for these awards in later posts.

Legendary science fiction pioneer Olaf Stapledon has never been nominated for a Hugo

Award in any category. The author of Last and First Men, Star Maker, and Odd John had published most of his major works prior to the first Worldcon, so even with Retro Hugos, there hasn’t been much opportunity to honour his works with the genre’s top award. Although Darkness And The Light is not one of his most well-remembered works, and although it has some flaws, it is still one that should be considered for the award.

(11) CRIDER IN HOSPICE. Crime fiction writer Bill Crider, who also won a 2015 Sidewise Award for his story “It Doesn’t Matter Anymore,” has entered hospice care. He signed off from his blog saying –

Things could change, but I suspect this will be my final post on the blog. I met with some doctors at M. D. Anderson today, and they suggested that I enter hospice care. A few weeks, a few months is about all I have left. The blog has been a tremendous source of pleasure to me over the years, and I’ve made a lot of friends here. My only regret is that I have several unreviewed books, including Lawrence Block’ fine new anthology, Alive in Shape and Color, and Max Allan Collins’ latest collaboration with Mickey Spillane, The Last Stand, which is a collection of two novellas, “A Bullet for Satisfaction,” an early Spillane manuscript with an interesting history, and “The Last Stand,” the last thing that Spillane completed. It saddens me to think of all the great books by many writers that I’ll never read. But I’ve had a great life, and my readers have been a big part of it. Much love to you all.*

(12) TODAY IN HISTORY

  • December 7, 1972 — The crew of Apollo 17, while on their way to the Moon, took a photo of Earth from about 28,000 miles.

(13) TODAY’S BIRTHDAY GIRL

  • Born December 7, 1915 — Leigh Brackett, well-known sf author and screenwriter. George Lucas hired Brackett to write the first draft of The Empire Strikes Back, which she completed shortly before she died in March of 1978.

(14) ALL BRADBURY. Courtesy of Cora Buhlert, here’s a brief clip from a German cultural TV program  presenting a new illustrated German edition of Ray Bradbury’s “Something Wicked This Way Comes”. (Video.)

(15) THE GOLD RUSH IS OVER. In “Business Musings: Sustainability”, Kristine Katherine Rusch argues that the market for independently published books has “matured” and that authors should expect much slower growth and lower incomes from here on.

I’m talking about the changes in income to writers who were not rushing to every new way of doing something, writers who were not gaming algorithms, writers who were producing a lot, interacting professionally with their fans, and doing everything right.

Those writers received major rewards, both in sales and in income, in the early years of indie publishing. Those rewards have diminished, because we are entering into a mature market.

What does that mean, exactly?

In business, markets respond to things in similar ways, whether we’re talking markets for shoes or markets for books.

When something is new, everyone wants it. When something is new, the growth is usually exponential. We see that in all kinds of new markets over the years, from desktop computers twenty-five years ago to smart phones ten years ago. There’s always something cool, and consumers flock to it, sometimes in very large numbers.

In publishing, we went through a shift, from traditional only to anyone-can-do-it indie, because of the rise of the neat-o ereader, the Kindle, from Amazon, which gave that ereader a platform and an ecosystem.

Year to year, the number of people who joined the new ecosystem was huge. Other players created viable ereaders and ebook ecosystems. You didn’t just have to use Amazon to publish a book. You could do it on other platforms.

(16) SEVENTIES SF RARITY. The British Film Institute tells “How lost British TV sci-fi Thwum was rediscovered”.

On 16 December 2017, BFI Southbank is offering the first opportunity for over 40 years to see Thwum, a sci-fi-themed 1970s rarity that had long been thought lost forever – and Pete Postlethwaite’s first TV appearance with it.

At the time of Thwum’s broadcast in 1975, it was still common practice for TV companies to wipe much of their output, meaning that many television programmes from the era are now sadly missing. Since 1993, it’s been the mission of the BFI’s Missing Believed Wiped initiative to track down and screen material long AWOL from the official TV archives. Finds over the years have included material from television programmes such as The Avengers, Till Death Us Do Part, Dad’s Army, Armchair Theatre and Top of the Pops.

The case of Thwum provides an interesting example of how missing UK TV material can be recovered….

(17) THE KING IS DEAD. Google’s general-purpose AI beats chess specialist: “Google’s ‘superhuman’ DeepMind AI claims chess crown”. It won or drew 100 games 4 hours after being given the rules of chess.

Even so, one human chess grandmaster was still hugely impressed by DeepMind’s victory.

“I always wondered how it would be if a superior species landed on earth and showed us how they played chess,” Peter Heine Nielsen told the BBC.

“Now I know.”

(18) WHERE YOUR PIZZA DELIVERS ITSELF. There are limits: “San Francisco to restrict goods delivery robots”.

Opponents are concerned about the safety of pedestrians, particularly elderly people and children.

Walk San Francisco, a group that campaigns for pedestrian safety, wanted a complete ban.

A range of companies have begun trialling small robots that can deliver food and other goods.

They use sensors and lasers in a similar way to self-driving cars in order to navigate their routes.

(19) ON A HOLE FAR AWAY. BBC tells where “Farthest monster black hole found”.

The matter-munching sinkhole is a whopping 13 billion light-years away, so far that we see it as it was a mere 690 million years after the Big Bang.

But at about 800 million times the mass of our Sun, it managed to grow to a surprisingly large size in just a short time after the origin of the Universe.

The find is described in the journal Nature.

The newly discovered black hole is busily devouring material at the centre of a galaxy – marking it out as a so-called quasar.

(20) PETRIFEYED. They say it may not be possible to find one any earlier: “Researchers find ‘oldest ever eye’ in fossil”.

An “exceptional” 530-million-year-old fossil contains what could be the oldest eye ever discovered, according to scientists.

The remains of the extinct sea creature include an early form of the eye seen in many of today’s animals, including crabs, bees and dragonflies.

Scientists made the find while looking at the well-preserved trilobite fossil.

These ancestors of spiders and crabs lived in seas during the Palaeozoic era, between 541-251 million years ago.

(21) FTFY. They’re not riotously funny, though some are clever or wonderfully bitter: “These Parody Book Covers Of Famous Classics Will Make Any True Literary Nerd Laugh Out Loud”. Here’s a sample:

(22) SHOULD THAT BE PETREON? Another Patreon critic heard from.

[Thanks to Mark Hepworth, Paul Weimer, JJ, Carl Slaughter, Cora Buhlert, Cat Eldridge, rcade, Greg Hullender, Andrew Porter, Martin Morse Wooster, Allan Maurer, Chip Hitchccock, Darrah Chavey, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Chris S.]

2017 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last couple of years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015 and 35 of the novellas published in 2016 (though a few of those were after Hugo nominations closed).

Last year, the result of this was the 2016 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I decided to do it again this year.

The success of Tor’s novella line seems to have sparked a Golden Age for SFF novellas, with Subterranean Press, NewCon Press, PS Publishing, and Book Smugglers jumping on the bandwagon, as well as the Big 3 magazines and the online fiction venues – so there are a lot more novellas to cover this year. Toward the end, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book in such a case, and to discover that, indeed, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?

Please feel free to post comments about any other 2017 novellas which you’ve read, as well.

(Be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)


All Systems Red [The Murderbot Diaries #1], by Martha Wells (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid – a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

What I thought: This seems to be the runaway Filer favorite Novella this year, and I’ll add my voice to everyone else raving about this story. Action, suspense, and adventure with a rogue military AI whose personality is displayed subtly and with a slight bit of delightful snark. This is real SF space opera, the way it should be done. #2, Artificial Condition, comes out in May 2018, and #3, Rogue Protocol, will be released in August 2018. Given how much I enjoyed this, I’m going to have to check out Wells’ Raksura series.

Filer Comments:

  • Lace: arrived Tuesday and I finished it Wednesday. Fun was had. I enjoyed the narrator and its humans – the book is stuffed full of potential for touching moments of cyborg-human connections, which would happen in a different book and don’t in this one. It’s on the list for now, it may well stay there, and I’ll definitely tune in for future instalments.
  • Mark-kitteh: a Tor.com novella that is probably the start of a series (it subtitles itself The Murderbot Diaries) but is nicely self-contained. Its narrator calls themselves “Murderbot” because as a cyborg security unit they don’t have a real name and that’s how the real humans seem to see them, even though behind their armour there’s a more complex intelligence that binge-watches soap operas but can’t stand real life melodrama. So there are two story strands – an action-adventure plot as they are assigned to protect a survey group exploring an alien planet while Shenanigans occur, and exploring the narrator’s character as they react to the group of humans they’ve fallen in with. (If you read Questionable Content then you might see some parallels with the recent storyline there as well.) The adventure plot is good, but the personal storyline is great.
  • Greg Hullender: I gave it five stars. I agree wholeheartedly that the development of the character of the “MurderBot” is the strong point of the story, but I loved how the author did such great character development and worldbuilding without a single infodump. All the dialogue was natural. All the narration was transparent. And all the key plot points were adequately foreshadowed. All of that on top of nonstop action.
  • Rose Embolism: So, I really enjoyed the excerpt at Tor.com. The problem is. ..now I just can’t help but visualize Murderbot as Bubbles from Questionable Content.
  • Linda S: I loved it, and I’ll almost certainly be nominating it for a Hugo next year.
  • Ghostbird: I don’t know if I’d call Murderbot a companionable character but I find them very relatable. I’d recommend the book to anyone who’s cultivated detachment in an awful workplace.
  • Paul Weimer: The tight first-person point of view really does help here in making Murderbot a relatable character, and Wells shows just how important point of view is to telling the story in the way you want to. I can imagine a good Murderbot novella with a 3rd person limited point of view. We might even get some more details on the worldbuilding that I’d love to have. But we’d lose that deep dive into Murderbot’s mind and soul, and the work, IMO, would be lesser if she had chosen that path. A 2nd person Murderbot story would be interesting, I think.
  • Lee: I would say that Murderbot is a compelling character rather than a companionable one. I would also say that their thought processes are a lot like mine when I’m having to put on a polite face while doing something I would very much rather not be doing. I powered my way right thru the story – it dragged me in from the opening scene, and the mystery element was challenging and well-done. It’s definitely got a place on my Hugo nominations for 2018. I notice a thread of similarity between this, the Ancillary trilogy, and A Closed and Common Orbit; they all involve a created intelligence trying to learn how to function beyond its original parameters. This suggests that I’ve got a strong interest in stories which explore that concept and do it well.
  • lurkertype: So I read Murderbot last night, and liked the story. It’s really good, and the interactions between Murderbot and the humans are great. Lots of action. I agree with @Lee’s analysis. This is going on my embryonic Hugo list for next year.
  • Viverrine: just finished Martha Well’s All Systems Red and can’t wait for more Murderbot stories. Thought it did a great job with the narrator’s perspective.
  • Arifel: [It] has already had a lot of deserving hype among Filers – I also loved it and wrote a little bit about it here.
  • Eve: My short list is Wells’ All systems red (Murderbot)…
  • Bonnie McDaniel: Seconding this rec as well, because of the fantastic title character. (Also because sometimes, the cranky misanthropic Murderbot, with its desire to be left alone with its books entertainment feeds, reminded me of… me.) Seriously, though, I realized that Murderbot is pretty much the anti-Data – the artificial being who doesn’t want to be human. It’s a fresh take on the android trope, and I’m looking forward to the sequel.
  • Red Panda Fraction: I finished [it] last night in one sitting, and I really enjoyed it. It’s on my list.
  • Kyra: I’ll chime in along with everyone else who’s already recommended this one. A nice novella with tight plotting and a great main character. I like that it didn’t go for easy answers to the protagonist’s issues. I’m looking forward to the sequels.
  • Cheryl S.: Count me as very pro Murderbot. As soon as I finished it, I started a re-read.
  • Kendall: Y’all have to stop rec’ing things that keep me up two nights in a row. This was excellent, plus it wasn’t what I expected (a good thing, here). The personality, the interactions, the mostly-suppressed-but-expressed emotions – Wells did a great job with everything here. Perfect ending. I look forward to the next two!
  • Cassy B: I just bought and read [it] per Kendell’s rec above. And then immediately started evangelizing about this book to everyone I know. I *love* the narrative voice. Absolutely on my Hugo ballot.
  • Bookworm1398: So far I have… Murderbot for Best Novella.
  • Camestros Felapton: Despite some dark plots, murders and monstrous local fauna, this is a very compassionate story. Beyond Murderbot themselves, the individual characterisation isn’t deep but Wells quickly establishes a feel for what the team Murderbot is protecting is like. A mix of well meaning but wary people, the relationship between the survey team and Murderbot has a strong and plausible arc that gives the story some real soul.
  • Chris S.: I have to admit I inhaled this in one sitting, really enjoyed the concept. Origins of the murderbot personality still seem to be a mystery. Would definitely recommend, despite some dodgy plotting.

And Then There Were (N-one), by Sarah Pinsker (full text)

Uncanny Magazine March-April 2017, editor unknown

Synopsis: A quantomologist who discovers how to access parallel universes arranges a convention for attendees who are all versions of herself from slightly divergent universes.

What I thought: This murder mystery novella uses a format familiar to many SFF fans – a convention with keynote speeches and panels on relevant subjects of interest – to provide the setting for an exploration of the theme in Frost’s Road Not Taken. It’s a powerful metafictional musing on choices and consequences and what’s most important in life – and how one’s priorities can change, depending on the results of previous choices. I loved it. This is definitely going on my Hugo Novella ballot.

Filer Comments:

  • David Goldfarb: Quick note to all, that I’ve just put [this as] the first work this year on my Hugo longlist record for next year… I found it well-written and amusingly meta, although I did guess in advance the outlines of the solution to the mystery.
  • Meredith: Throughly enjoyable multiverse murder mystery where all the suspects are the same person. Ish.
  • Lace: a different, introspective read. A bit more con experience could’ve been fun, but what we saw worked. I was also pleased that whodunnit vf bar ynlre qrrcre guna gur boivbhf fbyhgvba jvgubhg orvat bhg bs yrsg svryq.
  • Arifel I don’t think I’ve ever read anything quite like this, and I wish it had been twice as long.
  • Arifel: wonderful and i keep forgetting it’s a novella as it was published in Uncanny.
  • Andrew: I really liked that one and have been recommending it to a lot of folks.
  • Laura: Here are my favs so far… Novella: And Then There Were (N-One), Sarah Pinsker
  • Short Story Squee and Snark discussion

Lightning in the Blood, by Marie Brennan [Ree Varekai #2, sequel to Cold-Forged Flame] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art by Jaime Jones, design by Christine Foltzer

Synopsis: Once, there was a call – a binding – and so, a woman appeared, present in body but absent in knowledge of her past self. Making the ultimate journey of rediscovery was not without its own pitfalls – or rewards – and now Ree, a roaming archon, spirit of legend and time and physically now bound to her current form, has yet to fully uncover her true identity. Ree has spent her last innumerable seasons on the move – orbiting, in some sense, the lands of her only friend in this world, Aadet, who has become intricately involved in the new post-revolution politics of his people. Swinging back from the forests surrounding Solaike, Ree falls in with another wandering band, some refugees accompanied by their own archon, who seems to know much more about Ree’s own origins than she ever dared to hope.

What I thought: I really enjoyed the first in this series, Cold-Forged Flame, enough to put it on my Hugo ballot last year, and this is a worthy successor. I really love the world and the characters, and I’m looking forward to more in this universe. I thought this series was so good that it convinced me that I need to read the author’s Lady Trent series sooner, rather than later, even though it’s based on a very different premise.


The Runabout, by Kristine Kathryn Rusch [Diving Universe #6] (42677 words) (excerpt)

Asimov’s Science Fiction Mar-Apr 2017 / WMG Publishing, edited by Sheila Williams

Asimov’s cover art by Jim Simpson; WMG cover art by Philcold/Dreamstime, design by Allyson Longueira

Synopsis: A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it “The Boneyard.” She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists. Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: The ship’s active anacapa drive. To escape the Boneyard, Boss must deal with the drive. Which means she’ll have to dive the ship on limited time and under extremely dangerous conditions. And she can’t go alone.

What I thought: I love love love Kristine Kathryn Rusch’s Diving Universe, which saw the release of The Runabout this year (which is currently on my ballot for Best Novella as well as Best Series). The series focuses on a spaceship-wreck-exploration company, and includes time travel and lots of mystery, action and adventure. The Runabout, and its predecessor The Falls, while they each stand alone, are intertwined stories – but I recommend reading the rest of the series from the beginning, because there’s background and worldbuilding, especially in the first 2 books, which really enhance the rest of them.

Filer Comments:

  • Greg Hullender: I liked The Runabout so much that I went out and bought the rest of the stories in the series.

Passing Strange, by Ellen Klages (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover art by Gregory Manchess, design by Christine Foltzer

Synopsis: San Francisco in 1940 is a haven for the unconventional. Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet. Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where magic, science, and art intersect.

What I thought: This story is loosely based on the life of Margaret Brundage, a prolific artist of more than 70 covers plus many interior illustrations for the early SFF pulp magazines (primarily Weird Tales). While the SFFnal elements are slight until the end, I really loved the way the story captured the cultural context of that time and place, as well as telling a poignant story of love and friendship, with beautifully-realized characters. I enjoyed this so much that I was sorry to see it end, and it will definitely be on my Hugo ballot.

Filer Comments:

  • Mark-kitteh: I was going to pass on this because the concept sounded far too light on fantastic elements for my tastes, but some rave reviews persuaded me to try it. I was right that it was very light on the actual fantasy, but it was beautifully written with compelling characters and relationships, and the historical elements of 40s San Francisco were fascinating, so I’m glad I picked it up.
  • Kurt Busiek: Started reading [it] last night, and so far it’s terrific.

The Memoirist, by Neil Williamson (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: In a near future where everyone is wired to an interactive evolution of the Internet, ubiquitous tiny recording drones which make everyone’s personal lives fodder for public consumption are an accepted fact of life. A young journalist scores a rare, highly-enviable job writing the memoirs of the reclusive retired lead singer from a historically-famous rock band which mysteriously broke up after something happened… but despite rumors and speculation, no one knows what that something actually was. Why are so many powerful people determined to wipe a poignant gig by a faded rock star from the annals of history? What are they so afraid of? Rhian has no idea of the dangerous path she is treading, nor the implications of her discoveries, which may well alter the course of human history…

What I thought: I really, really liked this story. It blends a realistic projection of future technology with an intriguing mystery. I think that fans of Sarah Pinsker’s Our Lady of the Open Road might really enjoy this one.


The Ghost Line, by Andrew Neil Gray and J. S. Herbison (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by John Harris, design by Christine Foltzer

Synopsis: The Martian Queen was the Titanic of the stars before it was decommissioned, set to drift back and forth between Earth and Mars on the off-chance that reclaiming it ever became profitable for the owners. For Saga and her husband Michel, the cruise ship represents a massive payday. Hacking and stealing the ship could earn them enough to settle down, have children, and pay for the treatments to save Saga’s mother’s life. But the Martian Queen is much more than their employer has told them. In the twenty years since it was abandoned, something strange and dangerous has come to reside in the decadent vessel. Saga feels herself being drawn into a spider’s web, and must navigate the traps and lures of an awakening intelligence if she wants to go home again.

What I thought: I thought that the worldbuilding and characterization in this space opera mystery about an awakening AI were really well-done, and am hoping for more from the authors in this universe. Depending on how my Hugo ballot shakes out, this could be in the running for an appearance on it.


Penric’s Fox, by Lois McMaster Bujold [Penric #5, sequel to Penric and the Shaman] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Some eight months after the events of Penric and the Shaman, Learned Penric, sorcerer and scholar, travels to Easthome, the capital of the Weald. There he again meets his friends Shaman Inglis and Locator Oswyl. When the body of a sorceress is found in the woods, Oswyl draws him into another investigation; they must all work together to uncover a mystery mixing magic, murder and the strange realities of Temple demons.

Filer Comments:

  • Lace: takes place after Penric and the Shaman, with some supporting characters in common. I liked this one more than the pair starting with Penric’s Mission. It’s in the middle of my pack of maybes for the Hugo ballot, though I’ve only collected a couple of probables so far.
  • Kendall: Bujold goes back in time to write a story connected to (and not long after, IIRC) Penric and the Shaman. I enjoy the Penric & Desdemona novellas a lot; this is a very good addition to the line-up, a little mystery-adventure with more talk about cbffvoyr pbaarpgvbaf orgjrra qrzbaf naq funznavp cbjref.

Mira’s Last Dance, by Lois McMaster Bujold [Penric #4, sequel to Penric’s Mission] (audio excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: The injured Penric, a Temple sorcerer and learned divine, tries to guide the betrayed General Arisaydia and his widowed sister Nikys across the last hundred miles of hostile Cedonia to safety in the Duchy of Orbas. In the town of Sosie, the fugitive party encounters unexpected delays, and even more unexpected opportunities and hazards, as the courtesan Mira of Adria, one of the ten dead women whose imprints make up the personality of the chaos demon Desdemona, comes to the fore with her own special expertise.

Filer Comments:

  • ULTRAGOTHA: my least favorite so far of her Penric stories. There doesn’t seem to be as much there there, this time. There will probably be another Penric story as this one ends in a good place for it to end, but there’s obviously more to come. It takes up immediately after Penric’s Mission with the same three characters (or 15 if you count the Lioness and the Mare). I find Bujold’s stories always, always, improve on re-reading. It’s extraordinary how she manages to do that! So I suspect I’ll like it better the next time around.
  • Arifel: I have to give a massive “wait what????” to. Of course it’s all good solid well written Bujold fun, but the main plot makes light of transphobia and violence against sex workers in a way i was really disappointed by (the more spoilery elaboration is that Craevp, jvgu n cnegvphyne snprg bs Qrfqrzban ng gur uryz, ratntrf va na riravat bs frk jbex jvgu n urgrebfrkhny zna juvyr cnffvat nf n jbzna, naq zbfg bs gur punenpgref rkcrpg gur phfgbzre gb erfcbaq jvgu ivbyrapr vs Craevp vf bhgrq – fb sne fb ernyvfgvp, naq V unir ab crefbany vffhr jvgu gur jnl frk jbex be traqre naq frkhnyvgl ner cerfragrq va n ernfbanoyl znggre bs snpg jnl, ohg V URNIVYL dhrfgvba Ohwbyq’f qrpvfvba gb cynl nyy guvf nf n uhzbebhf fbhepr bs grafvba.)

The Prisoner of Limnos, by Lois McMaster Bujold [Penric #6, sequel to Mira’s Last Dance] (no excerpt)

Spectrum Literary Agency, editor unknown

cover art and design by Ron Miller

Synopsis: Temple sorcerer Penric and the widow Nikys have reached safety in the duchy of Orbas when a secret letter from a friend brings frightening news: Nikys’s mother has been taken hostage by her brother’s enemies at the Cedonian imperial court, and confined in a precarious island sanctuary. Their own romance still unresolved, Nikys, Penric, and of course Desdemona must infiltrate the hostile country once more, finding along the way that family relationships can be as unexpectedly challenging as any rescue scheme.

What I thought: I will say that while I have really enjoyed all of the Penric novellas, possibly Penric’s Mission (which was actually well into novel length) might be the only one I really felt rose to Hugo level for me. Both last year, and this year (so far), the rest of them are in my Top 10 but not in my Top 5. They’re great stories, but they seem a bit slight compared to the Vorkosigan stories; they’re solid but not exceptional. That’s probably a function of length, but also probably of their “quietness”. I suspect that if Mission / Dance / Prisoner had been released as one novel, they’d have more of an impact for me. (I re-read Mission before reading Dance, and I re-read Dance before reading Prisoner. For those who have the ability and the reading time to do that, I recommend doing so.)

Filer Comments:

  • Mark-kitteh: The new Penric is good.
  • techgrrl1972: I loved the new Penric, although I don’t always appreciate Lois’ choice of where to stop. It’s not like she needs these sortakinda cliffhangers to draw us back for the next instalment!
  • JJ: I wouldn’t necessarily say that it ends with a cliffhanger. It stops at a logical place, having completed this particular story, but with plenty of seeds dropped for future adventures.

Down Among the Sticks and Bones, by Seanan McGuire [Wayward Children #2, prequel to Every Heart A Doorway] (excerpt Ch 1-2) (audio excerpt Ch 3)

Tor.com Publishing, edited by Lee Harris

cover photographs by Getty Images, design by FORT

Synopsis: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children. This is the story of what happened first… Jacqueline was her mother’s perfect daughter – polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline. Jillian was her father’s perfect daughter – adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got. They were five when they learned that grown-ups can’t be trusted. They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

What I thought: I really enjoyed the first novella, and this one provides some good character development for the twin sisters from that story. I re-read the first one after reading this, so the inconsistency between the two endings – probably an artifact of trying to retrofit a prequel after the later story has been published – was rather obvious. Nevertheless, I thought this was very good, but it didn’t quite reach the level of Doorway for me. The third novella, Beneath the Sugar Sky, comes out in January 2018.

Filer Comments:

  • Beth in MA: Premise: What happened to Jack and Jill before Every Heart a Doorway? We find out about the world they went to and what happened there. I picked this up on my birthday weekend trip and really loved it! The world is creepy and yet, the real world for the twins was creepy too. In fact, in some ways, the real world for them was worse. We see how that world affected them in the otherworld they visited. It is definitely at the top of my 2017 novella longlist.
  • Chip Hitchcock: So with the discussion of Every Heart a Doorway coming back, has anyone else read the partial prequel, Down Among the Sticks and Bones? I just finished it and am very torn; it’s a powerful story, but there’s much more telling than showing, including a lot of “this is the way Story goes” lines. It’s possible that showing would have taken a much larger book (a very fast count suggests it’s 30-35K words), or even technique McGuire doesn’t have yet (based on my having read most of what’s she’s written), or maybe she’s deliberately writing something that might be called interpreted fiction?
  • Peer Sylvester: Just finished [it]. The short version: Its the Roald Dahlish backstory of Jack and Jill and thats a bit of a problem, because Jack has revealed her backstory in Doorway already and this is just the fleshed-out-version of said backstory. So, there is not much room for surprises here. But its beautifully written – again! If you like Seanan McGuires writing style (and I very much do), you will enjoy this as well. I just hope the third wayward children book will offer a bit more in terms of story.
  • Kendall: I listened to McGuire narrate her novella Down Among the Sticks and Bones this week; she was a pretty good narrator. The book was good, but I liked the first one better. Two minor criticisms (leaving off a third tiny nit I was going to pick): There was too much “I will now talk about how I’m telling you the story that you’re reading” and faux-children’s-book stuff. The former (weirdly) seems like it would work better in print, and was a little clunky; the latter isn’t really my style. Am I misremembering the first novella – did it do this, too?! I want to re-listen anyway, to see the twins now that I’ve listened to the prequel. The twins’ pre-door back story should’ve been shorter. The background helped us understand how they became the people that made the choices they did in the Moors, and how they developed into the characters we met in the first book. But it was too long and a bit tedious. Also, it was the most juvenile-written part (as in, seemingly written for juveniles), too, which isn’t to my taste. The Moors remind me of D&D’s Ravenloft – in a good way. I was very interested to see Qbpgbe Oyrnx pbhyq perngr n qbbe; and to see fbzrbar jub jrag guebhtu n qbbe ohg unq n snvyrq “fgbel” naq jnf genccrq, rgp. Anyway, overall, I enjoyed it and look forward to the next one.
  • Karl-Johan Norén: @Kendall: Every Heart a Doorway is very straightforwardly narrated, so no, it differed from [this one] both in tone and in narrative style. I think the main trouble with Sticks and Bones is twofold: first it’s a prequel, so you have start and end points set, second any story set in McGuire’s fairylands is likely to depend heavily on narrative causality. I’m not sure she has leveled up as an author enough yet to tackle works that explore works of narrative causality yet (not like, say, Cat Valente or the late Terry Pratchett).
  • David Goldfarb: I just finished reading [it], and my socks were knocked off to the extent that it made me go back and re-read “Every Heart a Doorway”. The first time I read Heart I was annoyed by some of its flaws (chiefly that I found the solution of the mystery plot a bit obvious), but this time I was able to focus more on the themes of self-acceptance.
  • Bonnie McDaniel: I actually liked this better than Every Heart a Doorway, as it lacked the somewhat distracting murder mystery plot. This tightly written backstory of Jack and Jill, and nightmare parenting, pulls no punches. At the end, the reader knows just what the twins found in their portal world of the Moors, and understands why they would do anything to return there.
  • Arifel: (specifically the audiobook version read by the author: ) I find it hard to pay attention to audio for long periods of time, but I listened to the whole 4 hours of this in almost one sitting without getting distracted. It’s a powerful story about femininity and sisterhood which worked better for me on a first pass than Every Heart A Doorway. Excellent narration. Will be very surprised if this isn’t on All The Lists at the end of the year

Dusk or Dark or Dawn or Day, by Seanan McGuire (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photographs by Emma Cox and Corey Weiner, design by Jamie Stafford-Hill

Synopsis: When her sister Patty died, Jenna blamed herself. When Jenna died, she blamed herself for that, too. Unfortunately Jenna died too soon. Living or dead, every soul is promised a certain amount of time, and when Jenna passed she found a heavy debt of time in her record. Unwilling to simply steal that time from the living, Jenna earns every day she leeches with volunteer work at a suicide prevention hotline. But something has come for the ghosts of New York, something beyond reason, beyond death, beyond hope; something that can bind ghosts to mirrors and make them do its bidding. Only Jenna stands in its way.

What I thought: I really enjoyed this story. McGuire’s work, in my opinion, ranges from very good to absolutely fantastic. I’d put this one in the very good range; I thought that it was solid and well-done, but not exceptional.

Filer Comments:

  • Mark-kitteh: This is… a separate standalone in a new continuity. Any description of the plot spoils a well-played reveal early in the story so I’m going to keep quiet, but it’s just as readable as you’d expect from McGuire. What I particularly liked was that it had some of the older Urban Fantasy feel of being about people and places and the connections between the two. There’s an element that deserves a content note (rot13 although it’s also obvious from the blurb: Gur znva punenpgre jbexf ng n fhvpvqr ubgyvar naq ure fvfgre pbzzvggrq fhvpvqr) but I believe it’s handled sensitively.
  • Peer Sylvester: Thanks to the Filers who recommended [this]! It was just the right read for a sick day in bed… Easy, but very nice indeed, great world Building, great characters, just the story was a bit on the thin side. But beautiful written and as I sad good “Comfy-iterature” (And yes, its best to go in it totally “cold”, i.e. knowing nothing about the story)
  • Cassy B.: A compelling ghost story… written from the point of view of the ghost.

Idle Ingredients, by Matt Wallace [Sin du Jour #4, sequel to #1 Envy of Angels, #2 Lustlocked, and #3 Pride’s Spell] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Catering for a charismatic motivational speaker, the staff of the Sin du Jour catering agency find themselves incapacitated by a force from within their ranks. A smile and a promise is all it took. And for some reason, only the men are affected. It’s going to take cunning, guile and a significant amount of violence to resolve. Another day of cupcakes and evil with your favorite demonic caterers.


Greedy Pigs, by Matt Wallace [Sin du Jour #5] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Politics is a dirty game. When the team at Sin du Jour accidentally caters a meal for the President of the United States and his entourage, they discover a conspiracy that has been in place since before living memory. Meanwhile, the Shadow Government that oversees the co-existence of the natural and supernatural worlds is under threat from the most unlikely of sources. It’s up to one member of the Sin du Jour staff to prevent war on an unimaginable scale. Between courses, naturally.


Gluttony Bay, by Matt Wallace [Sin du Jour #6] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Getty Images, design by Peter Lutjen

Synopsis: Welcome to Gluttony Bay High Security Supernatural Prison. We value your patronage. For your entertainment this evening, we are delighted to welcome the world’s most renowned paranormal culinary experts. And on the menu: You.

What I thought: I’m another that loves this series: for the appealing characters, the inventiveness of the otherworldly cuisine, the humor which is great without going over-the-top into cringeworthy, and the way he intertwines the supernatural world with the real world so deftly that it’s utterly believable. Content note: While all of the novellas have some element of gore and/or violence, Gluttony Bay is particularly so. The 7th (and ostensibly the last) Deadly Sin du Jour book, Taste of Wrath, comes out in April 2018.

Filer comments on the Sin du Jour series:

  • Alasdair: One of the Crown Jewels of Tor’s novella lone. Inventive, funny and immensely confident writing.
  • Greg Hullender: The biggest problem I have with this series is that there are too many characters, and they can be hard to tell apart. As a consequence, the individual stories (apart from “Small Wars”) don’t stand alone very well.
  • Kendall: I love this series!
  • Cheryl S.: I really love this series and look forward to every new novella, because they’re terrific; well written, with interesting, offbeat characters that grow in unexpected directions. Plus, there’s always something funny but totally plausible in each one (Goblin King anyone?).
  • Kendall: I also finished Greedy Pigs last night – the latest “Sin du Jour” novella. I read Idle Ingredients… and they’re more closely connected plot-wise than previous entries, ISTM… I enjoyed earlier entries a little more, but I can’t pinpoint why, sorry. Unrelated, but it seemed like there was less food?! LOL. I like that Darren’s and especially Lena’s characters are developing, in these two novellas, and I look forward to the final two entries in the series.

Acadie, by Dave Hutchinson (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Stephen Youll, design by Christine Foltzer

Synopsis: The Colony left Earth to find their utopia – a home on a new planet where their leader could fully explore the colonists’ genetic potential, unfettered by their homeworld’s restrictions. They settled a new paradise, and have been evolving and adapting for centuries. Earth has other plans. The original humans have been tracking their descendants across the stars, bent on their annihilation. They won’t stop until the new humans have been destroyed, their experimentation wiped out of the human gene pool. Can’t anyone let go of a grudge anymore?

What I thought: This is an interesting story and an enjoyable read, but perhaps suffers a bit in execution by comparison to similar stories; explaining why would be spoiling the story, so I’ll just suggest reading this if the synopsis appeals to you.


Agents of Dreamland, by Caitlín R. Kiernan (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover photograph by Getty Images, design by Christine Foltzer

Synopsis: A government special agent known only as the Signalman gets off a train on a stunningly hot morning in Winslow, Arizona. Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman. In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible – the Children of the Next Level – and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in. A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact. And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

What I thought: There are a lot of elements in this work which will only really have meaning for someone who has at least a passing familiarity with Lovecraft’s works. I found it to be more of a “and then this happened… and then this happened…” story, and less what I’d consider a story with a plot and a resolution (but I guess that description would apply to a lot of Lovecraft works). In a review of Dreamland, James K. Nelson says “enough is resolved to satisfy the reader, but we never fully get our bearings on the forces at work. ” I’m going to disagree with him on that; I didn’t think that enough is revealed to be satisfying. I do think that Lovecraft fans will enjoy this, though.

Filer Comments:

  • PhilRM: Two agents from separate, mysterious government agencies – a man known only as the Signalman, and a woman who is even more mysterious than the agency she works for – meet in Winslow, Arizona to trade information on a horrifying event that occurred in a decaying house near the Salton Sea, an event that proves to be only the latest in a series, and will not be the last. No one does modern-day Lovecraft better than Kiernan: this searing, disturbing novella takes place in a universe that, at best, is bleak and indifferent. It also lies at the SF end of the SF/horror spectrum, as in most of late Lovecraft. You will benefit from having read Lovecraft’s The Whisperer in Darkness, but it’s not required. Beautifully written and as dark as a dream of Yuggoth.
  • Mark-kitteh: Another in [Tor.com’s] mini-theme of Lovecraftian stories… and probably the one least likely to be accessible to non-fans of Lovecraft. It’s a rather twisty tale about an unnamed investigator looking into a weird cult with a sense of quiet desperation, while a prescient colleague follows similar threads with quiet acceptance. It was suitably moody but I wasn’t that taken with it.
  • Bonnie McDaniel: I loved this. It’s dense, complex, non-linear, with great characterizations and beautiful writing. It’s a surprisingly successful, if bizarre, blending of Lovecraft and The X-Files, with an alien invasion fit to give anyone nightmares. It’s a shame Kiernan isn’t better known, and it would be great if this story could change that. For the moment, at the top of my Hugo list.
  • Rob Thornton: I wasn’t too hot on Kij Johnson’s Dream-Quest of Vellitt Boe (paled next to the original despite the 21c updates) but Kiernan’s Dreamland truly captures the feverishly bizarre quality of good Lovecraftian fiction. Highly recommended and of course it is on my Hugo list.

At the Speed of Light, by Simon Morden (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: A breathless drama set in the depths of space. Aboard a ship that has travelled beyond the reach of human knowledge, Corbyn discovers he is not as alone as he ought to be.

What I thought: A novella about how a near-light-speed vehicle might work, with an uploaded mind as an AI and adaptable drones, and the technical aspects of relativity and maneuvering at such a speed. I found it very Interesting, but the plot, such as it is, is just set dressing for the technical aspects. I’m not sorry I read it, but I can’t enthuse about it either. I gave it 3.5 stars. Morden has a murder mystery set on Mars, One Way, coming out in February 2018 (under the name S.J. Morden), which sounds good enough that I’m already on my library’s waiting list for it.

Filer Comments:

  • Mark-kitteh: I read [it] as well, and I’d totally agree – all the clever science couldn’t cover for a rather meh story.

Binti: Home, by Nnedi Okorafor [Binti #2, sequel to Binti] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Dave Palumbo, design by Christine Foltzer

Synopsis: It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she found friendship in the unlikeliest of places. And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders. But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace. After generations of conflict can human and Meduse ever learn to truly live in harmony?

What I thought: Like the previous novella, this story has some interesting world-building – but like the previous one, it relies on another deus ex machina in the third act to get where it wants to go. It’s well worth reading, but won’t be on my Hugo ballot.

Filer Comments:

  • Arifel: a very worthy continuation of 2015’s winner, and I’m very excited to see how the final(?) installment [Binti: The Night Masquerade, coming out in January 2018] pans out.

Brother’s Ruin, by Emma Newman [Industrial Magic #1] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: The year is 1850 and Great Britain is flourishing, thanks to the Royal Society of the Esoteric Arts. When a new mage is discovered, Royal Society elites descend like buzzards to snatch up a new apprentice. Talented mages are bought from their families at a tremendous price, while weak mages are snapped up for a pittance. For a lower middle class family like the Gunns, the loss of a son can be disastrous, so when seemingly magical incidents begin cropping up at home, they fear for their Ben’s life and their own livelihoods. But Benjamin Gunn isn’t a talented mage. His sister Charlotte is, and to prevent her brother from being imprisoned for false reporting she combines her powers with his to make him seem a better prospect. When she discovers a nefarious plot by the sinister Doctor Ledbetter, Charlotte must use all her cunning and guile to protect her family, her secret and her city.

Filer Comments:

  • Mark-kitteh: This is a Victorian urban fantasy, although apparently they want us to call it a Gaslamp Fantasy which, hmm, let’s see if it catches on. It’s the start of a series and does an ok-but-not-brilliant job of being a standalone story, mostly setting up the world and getting some initial plot, which is that magic in England is controlled by three competing Guilds, rogue mages are caught and forcefully enrolled, and there’s something non-specifically rotten going on with the whole system, which our protagonist will undoubtedly be bumbling into at some point. Speaking of our protagonist, Charlotte is an artist who is already hiding her mundane talent under a bushel by illustrating under a male pseudonym, which leads neatly into the inevitable discovery that she’s also hiding a non-mundane talent under a bushel too… Anyway, Emma Newman is a good writer of UF already, and so this is a good piece of UF and I like the (ahem) gaslamp setting, but I ended up feeling a bit like I’d been served up the first third of a novel. I’ll be picking up the sequel(s) but I really wish first volumes would be a bit more standalone, and if you’re likely to be frustrated by that then you might want to hold off.
  • Kendall: first of two (or four, if they sell well!) in the Industrial Magic set of novellas, which Tor’s calling gaslamp fantasy. IIRC it’s around the 1850s, around the industrial revolution, but powered by magic. Magi are required to work for the Crown via the Royal Society and can’t marry or pursue other endeavors. Hiding your magic (or even not reporting someone else you know has magic) is against the law. It’s all a bit dire and draconian, which makes a good setup for tension and paranoia on the part of the main character – a woman hiding her magic, and a career as an artist, to boot. Anyway, I enjoyed this a lot… there’s a lot of setup here, but for me there was enough plot and intrigue that it felt like a complete story, while obviously setting up the next novella(s). I hope there are more than two; I enjoyed it a lot. It’s way to early to say whether it would be on my Hugo list, but I definitely recommend it!
  • Arifel: great, with an interesting worldbuilding setup and a slightly thin but compelling enough cast, but it does feel like the first third of a really interesting novel, not a complete story in itself – looking forward to more but I recommend anyone who likes solid resolution at the end of their reading hold off for now.
  • Chip Hitchcock: I was looking forward to this as I liked her other fantasy, but was disappointed by [this] first book.

Weaver’s Lament, by Emma Newman [Industrial Magic #2] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Cliff Nielsen, design by Christine Foltzer

Synopsis: Charlotte is learning to control her emerging magical powers under the secret tutelage of Magus Hopkins. Her first covert mission takes her to a textile mill where the disgruntled workers are apparently destroying expensive equipment. And if she can’t identify the culprits before it’s too late, her brother will be exiled, and her family dishonoured…

What I thought: As others have mentioned, these are parts 1 and 2 of a 3-part novel, and may not be satisfying when read individually. I read all 5 of the author’s Split Worlds novels earlier this year, and I really enjoyed them (enough for it to be a Best Series contender), but these first two Industrial Magic novellas feel a lot like re-treads of that series, and I can’t get really enthused about them.


The Dispatcher, by John Scalzi (audio excerpt)

(likely not award-eligible, due to 2016 Audible release)

Subterranean Press, editor unknown; Audible version narrated by Zachary Quinto

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: One day, not long from now, it becomes almost impossible to murder anyone – 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don’t know. But it changes everything: war, crime, daily life. Tony Valdez is a Dispatcher – a licensed, bonded professional whose job is to humanely dispatch those whose circumstances put them in death’s crosshairs, so they can have a second chance to avoid the reaper. But when a fellow Dispatcher and former friend is apparently kidnapped, Tony learns that there are some things that are worse than death, and that some people are ready to do almost anything to avenge what they see as a wrong. It’s a race against time for Valdez to find his friend before it’s too late…before not even a Dispatcher can save him.

What I thought: If you can just roll with the utterly unbelievable premise, this is an enjoyable read – but I suspect that it will end up being one of Scalzi’s less successful attempts at expanding his oeuvre. I’m not sorry I read it, but I can’t enthuse about it, either.

Filer Comments:

  • Kendall: I recommend John Scalzi’s The Dispatcher
  • Anne Goldsmith: I think The Dispatcher was my favourite of these, but I may be giving it subconscious bonus points for being read aloud by Zachary Quinto.
  • Cheryl S.: meh, it was fine but I’m not sure what got it so many five star reviews on Amazon

The Dragon of Dread Peak, by Jeremiah Tolbert (prequel The Cavern of the Screaming Eye) (full text Part 1 Part 2)

Lightspeed Magazine #89 October 2017, edited by John Joseph Adams

Illustration by Reiko Murakami

Synopsis: In a world where trans-dimensional portals from RPG universes have intruded upon and devastated the real world, children and teenagers are the defenders against the monsters and further encroachment. But the dangers in dungeonspace are real: Rash, who was an expert monster slayer, never came back from his last mission a year ago – one of many who have died trying to close down the portals. His younger brother, Flip, has secretly become a crawler in defiance of his mother’s grief – and with his inexperienced team, Flip has been taking on progressively more dangerous portals in the hope of finding and rescuing his brother. What’s more, a mysterious voice has been talking only to him inside of dungeonspace, its motives unknown.

What I thought: Despite not being a gamer, I enjoyed this story; I suspect that RPGers will like it even more. I highly recommend reading the short story prequel “The Cavern of the Screaming Eye” first, as it provides a little additional worldbuilding and characterization for this novella.


The Enclave, by Anne Charnock (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Chris Moore, design by Andy Bigwood

Synopsis: Advances in genetic engineering have created a population free of addictive behaviour. Violent crime is rare. But out in the enclaves it’s survival of the fittest for Lexie – embroiled in a recycling clan and judged unfit for cognitive implants – and Caleb, a young climate migrant working as an illegal, who is eager to prosper and one day find his father.

What I thought: This is an interesting story, set in the same universe as A Calculated Life. I enjoyed it and found it solid but not outstanding.


The Furthest Station, by Ben Aaronovitch [Rivers of London] (excerpt)

Subterranean Press / Gollancz, edited by Editor

cover art by Stephen Walters, design by Desert Isle Design

Synopsis: There have been ghosts on the London Underground, sad, harmless spectres whose presence does little more than give a frisson to travelling and boost tourism. But now there’s a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something. Enter PC Peter Grant, junior member of the Metropolitan Police’s Special Assessment unit a.k.a. The Folly a.k.a. the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying crush of London’s rush hour to find the source of the ghosts. Joined by Peter’s wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog, their investigation takes a darker tone as they realise that a real person’s life might just be on the line. And time is running out to save them.

What I thought: This is a nice little standalone side mystery in the Rivers of London universe, quick and enjoyable – and minus any of the laddish, male-gazey aspects of the early novels in the series.

Filer Comments:

  • Mark-kitteh: It’s very consistent with the rest of the series so if, like me, you’re a fan of the series then you’ll enjoy this. If you’ve found it’s not your cup of tea, then this won’t change your mind. The title refers to the fact that parts of the London Underground actually head out to some very far-flung places. (For a non-Londoner like me it’s a bit disconcerting to find yourself traveling through green fields on an “underground” train!) It doesn’t really advance the main plot significantly, but is a nice little mystery solved with a good combo of magic and real police work.

Havergey, by John Burnside (excerpt)

Little Toller Monographs, editor unknown

cover art by Norman Ackroyd, designer unknown

Synopsis: A few years from now on the small and remote island of Havergey, a community of survivors from a great human catastrophe has created new lives and a new world in a landscape renewed after millennia of human exploitation. This is an exploration of what constitutes a utopia, a reminder of how precious and precarious our world is, and a rejection of the idea of human supremacy over landscape and wildlife.

What I thought: This is a bit like a near-future, post-apocalypse version of Thoreau’s Walden, in which a time traveler from our era arrives on an island populated by anarchist utopians who survived a devastating global plague, and consists mainly of manuscript readings of the colony’s historians with the traveler’s own personal musings. Fans of literary speculative fiction and philosophy may really enjoy it, but it’s definitely not an SF adventure.


I Met a Traveller in an Antique Land, by Connie Willis (excerpt)

Asimov’s Science Fiction Nov-Dec 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An author, in New York City to meet with his publisher and do promotion for his book, takes refuge from a bad storm in a tiny used bookstore in an unfamiliar area of the city. But the store is much larger inside than it looks from the outside, and there’s clearly something mysterious going on.

What I thought: I’m a big Connie Willis fan, and I enjoyed this story, but honestly, it felt a lot like a re-tread mashup of some of her other stories, especially The Winds of Marble Arch. It’s clear very early on to the reader what is really going on (at least it was for me), so it didn’t have that feel of a mystery eventually followed by a discovery which has made a lot of her other stories so enjoyable for me. I thought it was worth reading, but not award-worthy.


In Calabria, by Peter S. Beagle (excerpt)

Tachyon Publications, edited by Rachel Fagundes

cover design by Elizabeth Story

Synopsis: Claudio Bianchi has lived alone for many years on a hillside in Southern Italy’s scenic Calabria. Set in his ways and suspicious of outsiders, Claudio has always resisted change, preferring farming and writing poetry. But one chilly morning, as though from a dream, an impossible visitor appears at the farm. When Claudio comes to her aid, an act of kindness throws his world into chaos. Suddenly he must stave off inquisitive onlookers, invasive media, and even more sinister influences.

What I thought: This is a lovely little fable and well worth reading, but did not come close to the level of The Last Unicorn for me.


Killing Gravity, by Corey J. White [The Voidwitch Saga #1] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Tommy Arnold, design by Christine Foltzer

Synopsis: Before she escaped in a bloody coup, MEPHISTO transformed Mariam Xi into a deadly voidwitch. Their training left her with terrifying capabilities, a fierce sense of independence, a deficit of trust, and an experimental pet named Seven. She’s spent her life on the run, but the boogeymen from her past are catching up with her. An encounter with a bounty hunter has left her hanging helpless in a dying spaceship, dependent on the mercy of strangers. Penned in on all sides, Mariam chases rumors to find the one who sold her out. To discover the truth and defeat her pursuers, she’ll have to stare into the abyss and find the secrets of her past, her future, and her terrifying potential.

What I thought: The worldbuilding in this is pretty well-done, but I found it a little too predictable and tropey to reach the level of excellent. It’s well worth reading, though, and I’ll be picking up its sequel, Void Black Shadow, which comes out in March 2018.

Filer Comments:

  • Mark-kitteh: This is probably going to suffer from being the novella I read after the excellent All Systems Red, but it was clever enough to cheat by having an exceptionally cute cat-like creature in it for bonus points. It’s a grimy sort of space opera setting, with mercs, bounty hunters, miserable planets and chaotic stations. The protagonist is Mariam Xi, nicknamed Mars, with her not-a-cat Seven. Mars is a powerful telekinetic and she’s permanently running from the big evil corp that made her that way. (You could make a lazy comparison to River Tam and Firefly at this point, but it’s a fairly different plot.) Anyway, shenanigans happen and there’s a rapid tour of various locations in the grimy space opera settings. I would say it’s solid rather than spectacular – none of the elements are especially original on their own but it’s all well put together. One thing that niggled was that her abilities kept on being just powerful enough for the situation, even if she’d dealt with much worse elsewhere in the story. It appears to be the start of a series but stood on its own well enough. I don’t see it troubling my novella shortlist, but on the other hand it appears to be the author’s professional debut – no short stories that I can see – and it was sufficiently interesting that they go onto my Campbell watch list.

The Lamb Will Slaughter the Lion, by Margaret Killjoy [Danielle Cain #1] (excerpt)

Tor.com Publishing, edited by Diana Pho

cover art by Mark Smith; design by Jamie Stafford-Hill

Synopsis: Searching for clues about her best friend’s mysterious suicide, Danielle ventures to the squatter, utopian town of Freedom, Iowa, and witnesses a protector spirit – in the form of a blood-red, three-antlered deer – begin to turn on its summoners. She and her new friends have to act fast if they’re going to save the town – or get out alive.

What I thought: This story features a great selection of diverse characters, but parts of the plot didn’t really work for me, and it definitely felt like a first novel to me. A sequel, The Barrow Will Send What it May, comes out in April 2018, but I probably won’t be picking it up.

Filer Comments:

  • Bonnie McDaniel: This was an odd little book, and I’m including it because while I don’t think it was really for me, I imagine plenty of other people will like it. It’s a punk anarchist mindtrip, with plenty of zombified demon animals, and yes, it’s just as wacky as it sounds. Whether the story hangs together will depend on your tolerance of its collectivist anarchist mindset, but I appreciate that it’s an ambitious story that takes risks.
  • Mark-kitteh: I wasn’t actually going to pick this out, but then it got strongly recced in several places and so I decided to give it a try – and I’m glad I did, because although it’s a bit uneven I found it really interesting. Danielle Cain travels to a small squatters town of utopian-minded anarchists to find out why her friend died. It turns out that the townsfolk have called up that which they cannot put down – a protector spirit in the form of a demonic deer which has started taking a very… abrupt… view of what protection means. I have to say that the concept didn’t grab me when I first heard about it, but actually it works really well. It’s a warts-and-all portrayal of this type of community – something well outside my experience – with the fantasy element rather acting as a metaphor for the problems that it throws up. This style of story lives and dies by the lead character, and Cain is well-drawn and interesting. I also liked that the fantasy element was very limited and mysterious – there’s not a whole menagerie of magic animals trotting around, just this one weird beast that someone created without really knowing what they were doing.
  • Meredith: The imagery… has really stuck with me (I badly want someone to adapt it, it would look amazing), but I wish I’d come out of it feeling like I knew the viewpoint character, like, at all. There’s a bit about her being The Traveler, and I wondered whether that was a hint that she wasn’t human (anymore?) but sort of took on aspects of the people she travels with and that was why she never seemed like much of a person, but they never went anywhere with it, so… ¯\_(?)_/¯ (But I did like a lot of stuff about it! Characters just matter a lot to me as a reader. Probably still the third most interesting novella I’ve read this year, behind And Then There Were N-One and All Systems Red.)

A Long Day in Lychford, by Paul Cornell [Lychford #3, sequel to #1 Witches of Lychford and #2 Lost Child of Lychford] (excerpt)

Tor.com Publishing, edited by Lee Harris

cover photograph by Mark Owen, cover design by FORT

Synopsis: It’s a period of turmoil in Britain, with the country’s politicians electing to remove the UK from the European Union, despite ever-increasing evidence that the public no longer supports it. And the small town of Lychford is suffering. But what can three rural witches do to guard against the unknown? And why are unwary hikers being led over the magical borders by their smartphones’ mapping software? And is the immigration question really important enough to kill for?

What I thought: I thought that Witches was great, and that Lost Child was very good (with the exception of the part with the consent-violating physical assault by the “good guys” against another character, which was pretty awful). But this one just didn’t really do it for me. It’s the story of a one-day ordeal experienced by the 3 main characters, but it felt forced and artificial and pointless to me.

Filer Comments:

  • Kendall: Quoting myself: “I suspect I won’t enjoy it as much as the first two”. Well, I was wrong; it was very good! I’m not sure, but I may have enjoyed it more than the second one. It was depressing and made me sad, especially at the end, but it was well done. BTW this seemed shorter than the others (but I presume it’s still a novella). It’ll probably go into the novella cage match on my ballot.

Mightier than the Sword, by K. J. Parker (no excerpt)

Subterranean Press, editor unknown

cover art by Vincent Chong, design by Desert Isle Design

Synopsis: An Imperial legate is called in to see his aunt, who just happens to be the empress running the civilized world while her husband’s in his sick bed. After some chastisement, she dispatches her nephew to take care of the dreaded Land and Sea Raiders, pirates who’ve been attacking the realm’s monasteries. So begins a possibly doomed tour of banished relatives and pompous royals put in charge of monasteries like Cort Doce and Cort Maleston, to name a few. While attempting to discover the truth of what the pirates might be after, the legate visits great libraries and halls in each varied locale and conducts a romance of which he knows – but doesn’t care – his aunt will not approve. With enough wit and derring-do (and luck), the narrator might just make it through his mission alive… or will he?

What I thought: I’ve really enjoyed the author’s other novellas, and this is another which is well worth reading for its sly humor and solid plotting.


The Murders of Molly Southbourne, by Tade Thompson (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover photograph by RekhaGarton, design by Christine Foltzer

Synopsis: Since she was a small child, Molly has learned that when she sheds blood, Molly-clones magically appear and try to kill her. Her parents have ingrained into her a protective routine to prevent extra Mollys from occurring, and for defending herself and eliminating them when they do occur. But as she gets older, the occurrences become more frequent, and they start to threaten people Molly cares about, too.

What I thought: This isn’t really my sort of thing, but the author actually manages to present a somewhat plausible explanation of the situation at the end of the story which made it interesting reading. If you’re into horror, it might be your sort of thing. Trigger Warning for huge amounts of blood and violence.


Of Things Unknown, by Seanan McGuire [October Daye / April O’Leary] (no excerpt)

(included with the novel The Brightest Fell)

DAW Books, edited by Sheila Gilbert

cover art by Chris McGrath

Synopsis: April O’Leary, (rot13’ed for those who have not yet read the second novel in the October Daye series, A Local Habitation) n qelnq jub abj rkvfgf cheryl nf n ploreorvat va gur pbzchgre flfgrz bs gur snrevr Pbhagl bs Gnzrq Yvtugavat, vf fgvyy zbheavat gur qrngu bs ure “zbgure”, VG theh Wnahnel B’Yrnel, naq frireny bs gur pbhagl’f bgure orybirq erfvqragf ng gur unaqf bs na rivy vagreybcre. Ohg jvgu Gbol’f uryc, gurer vf n cbffvovyvgl gung n erfheerpgvba, bs ng yrnfg fbzr bs gur ivpgvzf, pna or npuvrirq.

What I thought: I enjoyed this novella, which is a follow-on to the second novel in the October Daye series, A Local Habitation, and is a nice expansion on the personality of a secondary character in it. However, it would not stand alone well, and is only recommended to those who have read that book or who have read a lot of the stories in the series.


Proof of Concept, by Gwyneth Jones (excerpt)

Tor.com Publishing, edited by Jonathan Strahan

cover by Drive Communication

Synopsis: On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible. When the Needle’s director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it’s only because her brain is host to a quantum artificial intelligence called Altair. But Altair knows something he can’t tell. Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?

What I thought: I enjoyed this story, but not as much as I wanted to. It probably warranted a second read to put all the pieces into place once the ending is known, but I didn’t feel compelled to take the time to do so. Readers who find the synopsis appealing will probably enjoy it.


River of Teeth, by Sarah Gailey [River of Teeth #1] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan. Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

Filer Comments:

  • Bonnie McDaniel: This has been mentioned before, but I’ll second (or third) it – what’s not to love about an alternate history weird Western with hippopotami? Also, I believe Sarah Gailey is still eligible for the Campbell (2nd year).
  • Bruce Arthurs: enjoyed it a lot. I got the feeling that the plot structure was heavily influenced by television writing, rather than standard book plotting.
  • Mark-kitteh: River of Teeth was fun. Perhaps the concept was a bit better than the execution, but still worth a read.
  • Chris S.: pretty fun, good characters, great concept, extremely dodgy geography (naq abg rabhtu sreny uvccbf, frrzrq gb or n irel fznyy nern jurer gurl yvirq pbzcnerq gb jung gur znc fhttrfgf). I enjoyed it..

Taste of Marrow, by Sarah Gailey [River of Teeth #2] (excerpt)

Tor.com Publishing, edited by Justin Landon

cover art by Richard Anderson, design by Christine Foltzer

Synopsis: A few months ago, Winslow Houndstooth put together the damnedest crew of outlaws, assassins, cons, and saboteurs on either side of the Harriet for a history-changing caper. Together they conspired to blow the dam that choked the Mississippi and funnel the hordes of feral hippos contained within downriver, to finally give America back its greatest waterway. Songs are sung of their exploits, many with a haunting refrain: “And not a soul escaped alive.” In the aftermath of the Harriet catastrophe, that crew has scattered to the winds. Some hunt the missing lovers they refuse to believe have died. Others band together to protect a precious infant and a peaceful future. All of them struggle with who they’ve become after a long life of theft, murder, deception, and general disinterest in the strictures of the law.

What I thought: These are entertaining little Magnificent Sevenish stories, and the alternate history plotline of the hippos is interesting but rather peripheral to what are essentially standard tropey Westerns set in the Louisiana bayou. They’re readable, but I can’t rave about them.

Filer Comments:

  • Peer: I’m happy to report that I enjoy this more than the first part: It still has the cool setting and the great characters AND it gets going much faster. Im not sure the story is that much deeper or original, but it works better because there is no more need of introduction. Fun, nice read!
  • Mark-kitteh: The sequel to River of Teeth, picking the plot up shortly afterwards… if you liked the first one then pick this up, if you didn’t then I doubt this will improve your opinion. I do think it shows Gailey improving as a writer, as she weaves several storylines together with aplomb.

Snapshot, by Brandon Sanderson (excerpt)

Vault Books / Dragonsteel Entertainment, edited by Peter Orullian and Moshe Feder

cover art by Howard Lyon, design by Isaac Stewart

Synopsis: If you could re-create a day, what dark secrets would you uncover? Anthony Davis and his partner, Chaz, are the only real people in a city of 20 million, sent there by court order to find out what happened in the real world 10 days ago so that hidden evidence can be brought to light and located in the real city today. Within the re-created Snapshot of May 1, Davis and Chaz are the ultimate authorities. Flashing their badges will get them past any obstruction and overrule any civil right of the dupes around them. But the crimes the detectives are sent to investigate seem like drudgery – until they stumble upon the grisly results of a mass killing that the precinct headquarters orders them not to investigate. That’s one order they have to refuse. The hunt is on. And though the dupes in the replica city have no future once the Snapshot is turned off, that doesn’t mean that both Davis and Chaz will walk out of it alive tonight.

What I thought: This is another of what I have come to recognize as standard Sanderson storytelling. It’s a slick little plot along the same lines as Perfect State but better done; unfortunately, I didn’t find the surprise ending very surprising. Solid but not exceptional.


Standard Hollywood Depravity, by Adam Christopher [Ray Electromatic] (excerpt)

Tor.com Publishing, edited by Miriam Weinberg

cover art and design by Will Staehle

Synopsis: The moment Raymond Electromatic set eyes on her, he knew she was the dame marked in his optics, the woman that his boss had warned him about. Honey. As the band shook the hair out of their British faces, stomping and strumming, the go-go dancer’s cage swung, and the events of that otherwise average night were set in motion. A shot, under the cover of darkness, a body bleeding out in a corner, and most of Los Angeles’ population of hired guns hulking, sour-faced over un-drunk whiskey sours at the bar. But as Ray tries to track down the package he was dispatched to the club to retrieve, his own programming might be working against him, sending him down a long hall and straight into a mobster’s paradise. Is Honey still the goal – or was she merely bait for a bigger catch? Just your standard bit of Hollywood depravity, as tracked by the memory tapes of a less-than-standard robot hitman.

What I thought: This is a little noir mystery story featuring an android whose programming gets reset after every mission. Enjoyable but not spectacular (but I haven’t read the other stories in the series, which might make a difference).


Other 2017 Novellas:


Bearly a Lady, by Cassandra Khaw (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Muna Abdirahman, design by Kenda Montgomery

Synopsis: Zelda McCartney (almost) has it all: a badass superhero name, an awesome vampire roommate, and her dream job at a glossy fashion magazine (plus the clothes to prove it). The only issue in Zelda’s almost-perfect life? The uncontrollable need to transform into a werebear once a month. Just when Zelda thinks things are finally turning around and she lands a hot date with Jake, her high school crush and alpha werewolf of Kensington, life gets complicated. Zelda receives an unusual work assignment from her fashionable boss: play bodyguard for devilishly charming fae nobleman Benedict (incidentally, her boss’s nephew) for two weeks. Will Zelda be able to resist his charms long enough to get together with Jake? And will she want to? Because true love might have been waiting around the corner the whole time in the form of Janine, Zelda’s long-time crush and colleague. What’s a werebear to do?

Filer Comments:

  • Mark-kitteh: This is not the grim and disturbing Cassandra Khaw you might be expecting. In fact, this is a romcom featuring a Were-bear trying to get on in the big city (London in this case, although it could be NY just as easily) with job, romance, and life. Were-bear in the City, if you will. Anyway… a romcom isn’t really in my wheelhouse but I still enjoyed this – there’s a nice mix of competing life pressures for the lead character to juggle in a slightly madcap way. I suspect that if the lead character speaks to you more strongly than she did to me then you’ll like this very much.

The Black Tides of Heaven, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What’s more, they saw the sickness at the heart of their mother’s Protectorate. A rebellion is growing. The Machinists discover new levers to move the world every day, while the Tensors fight to put them down and preserve the power of the state. Unwilling to continue as a pawn in their mother’s twisted schemes, Akeha leaves the Tensorate behind and falls in with the rebels. But every step Akeha takes towards the Machinists is a step away from Mokoya. Can Akeha find peace without shattering the bond they share with their twin?


The Red Threads of Fortune, by JY Yang [Tensorate] (excerpt)

Tor.com Publishing, editor unknown

cover art by Yuko Shimizu, design by Christine Foltzer

Synopsis: Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love. On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.


The Book Club, by Alan Baxter (excerpt)

PS Publishing, editor unknown

cover art by Ben Baldwin, design by Michael Smith

Synopsis: Jason Wilkes s life takes a turn for the worse when his wife fails to come home from her book club. Jason calls Kate s book buddy , Dave, who assures him she left hours ago. Contacting the police, Jason finds them equal parts sympathetic and suspicious. He tells them almost everything, except that he s been hearing Kate s voice, calling as if from far away. He certainly doesn t mention that he s seeing shadows that reach for him. With the police getting nowhere fast, Jason takes matters into his own hands, even as nightmare images and Kate s distant cries continue to haunt his waking moments and his dreams, and the strange, grasping shadows persist. Jason begins to unravel the mystery, but he s at odds with the police, he s being lied to by Kate s book club friends, and his chances of finding Kate slip ever further away. It seems that everything is going to go as wrong as it possibly can.


Buffalo Soldier, by Maurice Broaddus (excerpt)

Tor.com Publishing, edited by Lee Harris

cover art by Jon Foster, design by Christine Foltzer

Synopsis: Having stumbled onto a plot within his homeland of Jamaica, former espionage agent, Desmond Coke, finds himself caught between warring religious and political factions, all vying for control of a mysterious boy named Lij Tafari. Wanting the boy to have a chance to live a free life, Desmond assumes responsibility for him and they flee. But a dogged enemy agent remains ever on their heels, desperate to obtain the secrets held within Lij for her employer alone.

Assassins, intrigue, and steammen stand between Desmond and Lij as they search for a place to call home in a North America that could have been.


Case of the Bedevilled Poet: A Sherlock Holmes Enigma, by Simon Clark (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: After narrowly escaping a bomb blast during the blitz in WW-II London, poet Jack Crofton is threatened with death and worse by a mysterious soldier. Fleeing through the war-torn streets, he seeks sanctuary in a pub and falls into company with two elderly gentlemen who claim to be Holmes and Watson, the real life detectives that inspired Conan Doyle’s fictions. Unconvinced but desperate, Jack shares his story, and Holmes agrees to take his case…


Cottingley, by Alison Littlewood (no excerpt)

NewCon Press, edited by Ian Whates

cover art by Vincent Sammy, design by Andy Bigwood

Synopsis: In 1917 the world was rocked by claims that two young girls – Elsie Wright and Frances Griffiths – had photographed fairies in the sleepy village of Cottingley. In 2017, a century later, we finally discover the true nature of these fey creatures. Correspondence has come to light that contains a harrowing account, written by village resident Lawrence Fairclough, laying bare the fairies’ sinister malevolence and spiteful intent.


The Emperor and the Maula, by Robert Silverberg (no excerpt)

Subterranean Press, editor unknown

cover art by Jim Burns, designer unknown

Synopsis: This is the story of a woman telling a story in order to extend – and ultimately preserve – her life. The Scheherazade of this striking story is Laylah Walis, denizen of a far-future Earth which has been invaded and conquered by a starfaring race known as the Ansaarans. Laylah is a “maula,” a barbarian forbidden, under pain of death, to set foot on the sacred home worlds of the imperial conquerors. Knowing the risks, Laylah travels to Haraar, home of the galactic emperor himself. Once there, she delays her execution by telling the emperor a story – and telling it well. That story, the tale within a tale that dominates this book, is, in fact, Laylah’s own story. It is also the story of the beleaguered planet Earth, of people struggling, often futilely, to oppose their alien masters and restore their lost independence.


Final Girls, by Mira Grant (excerpt)

Subterranean Press, editor unknown

cover art by Julie Dillon, designer unknown

Synopsis: What if you could fix the worst parts of yourself by confronting your worst fears? Dr. Jennifer Webb has invented proprietary virtual reality technology that purports to heal psychological wounds by running clients through scenarios straight out of horror movies and nightmares. In a carefully controlled environment, with a medical cocktail running through their veins, sisters might develop a bond they’ve been missing their whole liveswhile running from the bogeyman through a simulated forest. But… can real change come so easily? Esther Hoffman doubts it. Esther has spent her entire journalism career debunking pseudoscience, after phony regression therapy ruined her father’s life. She’s determined to unearth the truth about Dr. Webb’s budding company. Dr. Webb’s willing to let her, of course, for reasons of her own. What better advertisement could she get than that of a convinced skeptic? But Esther’s not the only one curious about how this technology works. Enter real-world threats just as frightening as those created in the lab. Dr. Webb and Esther are at odds, but they may also be each other’s only hope of survival.

Filer Comments:

  • Lace: just finished [this], and I’m still unpacking some of my thoughts. There are aspects I found underdeveloped though not central, a central story with layers to its horror, and an ending and implications to think through. A scientist has immersive VR technology that’s being used to help people shed psychological trauma; a skeptical reporter comes to write a story about it. Matters develop from there. In general, I don’t like horror, and probably wouldn’t have read this without the combination of picking it up in a Humble Bundle, and generally enjoying Seanan McGuire. Probably worth a look and opinion from someone better suited to weighing it up.

The Girl Who Stole Herself, by R. Garcia y Robertson (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: A young woman escapes being kidnapped by human traffickers to embark on an interplanetary space adventure.


The Girls With Kaleidoscope Eyes, by Howard V. Hendrix (excerpt)

Analog Science Fiction May-Jun 2017, edited by Trevor Quachri

cover art by NASA

Synopsis: A government agent must investigate and discover the truth in a case of an aborted bombing attack on a classroom full of girls.


Gwendy’s Button Box, by Richard Chizmar and Stephen King [Castle Rock] (excerpt)

Cemetary Dance, editor unknown

cover art by Ben Baldwin and illustrations by Keith Minnion, designer unknown

Synopsis: There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974, twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong – if time-rusted – iron bolts and zig-zag up the precarious cliffside. Then one day when Gwendy gets to the top of Castle View, after catching her breath and hearing the shouts of kids on the playground below, a stranger calls to her. There on a bench in the shade sits a man in black jeans, a black coat, and a white shirt unbuttoned at the top. On his head is a small, neat black hat. The time will come when Gwendy has nightmares about that hat… The little town of Castle Rock, Maine has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told – until now.


Heaven’s Covenant, by Bud Sparhawk (no excerpt)

Analog Science Fiction Sep-Oct 2017, edited by Trevor Quachri

cover art by Eldar Zakirov

Synopsis: In the run-up to a space colony mission, the expedition’s leader must unravel the threads of conspiracy and political intrigue which threaten it.


Homecoming, by Rachel Pollack [Jack Shade] (no excerpt)

Fantasy and Science Fiction Jan-Feb 2017, edited by C.C. Finlay

cover art by Charles Vess

Synopsis: A paranormal private investigator is hired by a woman to find her missing soul.


How Sere Picked Up Her Laundry, by Alexander Jablokov (excerpt)

Asimov’s Science Fiction Jul-Aug 2017, edited by Sheila Williams

cover art by Bob Eggleton

Synopsis: An investigator is hired to learn the cause of a mysterious death in a planetary colony.


Ironclads, by Adrian Tchaikovsky (excerpt)

Solaris, edited by Jonathan Oliver

cover art by Maz Smith, designer unknown

Synopsis: Scions have no limits. Scions do not die. And Scions do not disappear. Sergeant Ted Regan has a problem. A son of one of the great corporate families, a Scion, has gone missing at the front. He should have been protected by his Ironclad – the lethal battle suits that make the Scions masters of war – but something has gone catastrophically wrong.

Now Regan and his men, ill equipped and demoralized, must go behind enemy lines, find the missing Scion, and uncover how his suit failed. Is there a new Ironclad-killer out there? And how are common soldiers lacking the protection afforded the rich supposed to survive the battlefield of tomorrow?

Filer Comments:

  • Lace: A group of soldiers/grunts in a near-future war is sent to rescue a wealthy soldier, whose supersuit has inexplicably failed behind enemy lines. Some fun geopolitics, maybe a bit stretched but not cookie-cutter, and an asymmetric war with some eerie opposition. “Bugs” aren’t front and center in this one, but they have an enjoyable role.

Infernal Parade, by Clive Barker (no excerpt)

Subterranean Press, edited by Editor

cover art by and interior illustrations by Bob Eggleton, designer unknown

Synopsis: Convicted criminal Tom Requiem returns from the brink of death to restore both fear and a touch of awe to a complacent world. Tom becomes the leader of the eponymous “parade,” which ranges from the familiar precincts of North Dakota to the mythical city of Karantica. Golems, vengeful humans both living and dead, and assorted impossible creatures parade across these pages. The result is a series of highly compressed, interrelated narratives that are memorable, disturbing, and impossible to set aside.


The Keeper of the Dawn, by Dianna Gunn (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by unknown

Synopsis: All Lai has ever wanted is to become a priestess, like her mother and grandmother before her, in service to their beloved goddess. That’s before the unthinkable happens, and Lai fails the trials she has trained for her entire life. She makes the only choice she believes she can: she runs away. From her isolated desert homeland, Lai rides north to the colder, stranger kingdom of Alanum – a land where magic, and female warriors, are not commonplace. Here, she hears tales about a mountain city of women guardians and steel forgers, worshiping goddesses who sound very similar to Lai’s own. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple. She is determined to make up for her past failure, and will do whatever it takes to join their sacred order. Falling in love with another initiate was not part of the plan.


The Little Gift, by Stephen Volk (excerpt)

PS Publishing, editor unknown

cover art by Pedro Marques, designer unknown

Synopsis: I was Group Manager at forty-six with a Range Rover Evoque, a beautiful wife and two gorgeous, healthy children, and that was all I wanted. Or so I thought…This is the story of a man who takes a path to become the person he always wanted to be, but never believed he was. Fate takes a hand, a very special person enters his life and changes everything. Emboldened by an irrational passion he risks everything he thought he loved and valued – but the price is worth paying for happiness… Isn’t it?


The Man Who Put the Bomp, by Richard Chwedyk [Saur #5] (no excerpt)

Fantasy and Science Fiction Mar-Apr 2017, edited by C.C. Finlay

cover art by Bryn Barnard

Synopsis: Once they were an in-demand toy craze, but now genetically-engineered, sentient tiny dinosaurs which have escaped or been discarded live together in a community, where various plots, mysteries, and agendas intersect.


Mandelbrot the Magnificent, by Liz Ziemska (excerpt)

Tor.com Publishing, edited by Ann VanderMeer

cover art and design by Will Staehle

Synopsis: Born in the Warsaw ghetto and growing up in France during the rise of Hitler, Benoit Mandelbrot found escape from the cruelties of the world around him through mathematics. Logic sometimes makes monsters, and Mandelbrot began hunting monsters at an early age. Drawn into the infinite promulgations of formulae, he sinks into secret dimensions and unknown wonders. His gifts do not make his life easier, however. As the Nazis give up the pretense of puppet government in Vichy France, the jealousy of Mandelbrot’s classmates leads to denunciation and disaster. The young mathematician must save his family with the secret spaces he’s discovered, or his genius will destroy them.


Mapping the Interior, by Stephen Graham Jones (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover art by Greg Ruth, design by Christine Foltzer

Synopsis: Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you’d rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them… at terrible cost.


Native Seeds, by Catherine Wells (no excerpt)

Analog Science Fiction Nov-Dec 2017, edited by Trevor Quachri

cover art by Marianne Plumridge Eggleton

Synopsis: On a post-apocalyptic earth, two groups of survivors must find a way to work together to ensure the genetic diversity of threatened species.


Never Now Always, by Desirina Boskovich (excerpt)

Broken Eye Books, edited by Scott Gable, C. Dombrowski, and Matt Youngmark

cover art and design by Jeremy Zerfoss

Synopsis: A dark future finds humanity imprisoned. Invaders took away our story and rewrote everything: all minds, all lives, all history. Everyone forgot. How could this happen? But in this now, Lolo must reclaim her stolen words – her stolen family – from the silent Caretakers. She must call out to all rapt children, “This world is hell. Let’s run.” When the words needed are forgotten, lying unknown, when memories flit like smoke, how can she recover what is lost? She must. To live in this nightmare without a story would be too much to bear.


Nexus, by Michael F. Flynn (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: The life of a time traveler obsessed with fixing the history he destroyed with his mistake intersects with that of several other humans, aliens and androids, all of whom have their own urgent agendas.


Not Far Enough, by Martin L. Shoemaker (no excerpt)

Analog Science Fiction Jul-Aug 2017, edited by Trevor Quachri

cover art by Rado Javor

Synopsis: The surviving members of disastrous Mars exploration mission must battle a rogue AI to get what they need to stay alive.


Plaisir d’Amour, by John Alfred Taylor (excerpt)

Analog Science Fiction Mar-Apr 2017, edited by Trevor Quachri

cover art by Tomislav Tikulin

Synopsis: A sociologist visits a low-gravity mining colony to study its genetically-engineered inhabitants, and falls in love with one of them despite the fact that there is no possibility for them of having a future together.


A Portrait of the Desert in Personages of Power, by Rose Lemberg [Birdverse] (full text)

Beneath Ceaseless Skies #229 July 2017, editor unknown

Synopsis: The Old Royal, a magical bigender being who has reigned for millenia, is threatened by the arrival of a young stranger.

Filer Comments:


The Process (Is a Process All Its Own), by Peter Straub (excerpt)

Subterranean Press, editor unknown

cover art and design by Michael Fusco Straub

Synopsis: This is the story of a 1950s Jack The Ripper, told from the killer’s perspective, with occasional glimpses into the perspectives of his victims.


The Proving Ground, by Alec Nevala-Lee (excerpt)

Analog Science Fiction Jan-Feb 2017, edited by Trevor Quachri

cover art by Kurt Huggins

Synopsis: In a near-future where rising sea-levels threaten existing cities, a woman hopes that an island will provide a safe haven for her community. But the birds are behaving very strangely, to the point of becoming threatening the future existence of the colony, and she needs to find out what’s causing their destructive behavior.


Reenu-You, by Michele Tracy Berger (excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Emma Glaze, designer unknown

Synopsis: New York City, August 1998. On a muggy summer day, five women wake up to discover purple scab-like lesions on their faces – a rash that pulses, oozes, and spreads in spiral patterns. City clinic doctors dismiss the women’s fears as common dermatitis, a regular skin rash. But as more women show up with the symptoms, one clear correlation emerges: an all-natural, first-of-its-kind hair relaxer called Reenu-You. As the outbreak spreads, and cases of new rashes pop up in black and latino communities throughout New York, panic and anger also grows. When the malady begins to kill, medical providers and the corporation behind the so-called hair tonic face charges of conspiracy and coercion from outraged minority communities and leaders across the country. At the heart of the epidemic are these five original women; each from different walks of life. As the world crumbles around them, they will discover more about each other, about themselves, and draw strength to face the future together.

Filer Comments:

  • Arifel: Reenu-you by Michele Tracy Berger… [is] great.

Renegat, by Orson Scott Card [Ender’s Universe] (full text)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This Ender’s Universe story, a follow-on from Children of the Fleet, is told from Dabeet Ochoa’s point of view as he, Speaker for the Dead Ender, and Valentine try to solve a murder mystery on the planet Catalunya.


River’s Edge by James P. Blaylock [Langdon St. Ives] (no excerpt)

Subterranean Press, editor unknown

cover art by J.K. Potter, designer unknown

Synopsis: The body of a girl washes up on a mud bank along the edge of the River Medway amid a litter of poisoned fish and sea birds, casting an accusing shadow upon the deadly secrets of the Majestic Paper Mill and its wealthy owners. Simple answers to the mystery begin to suggest insidious secrets, and very quickly Langdon St. Ives and his wife Alice are drawn into a web of conspiracies involving murder, a suspicious suicide, and ritual sacrifice at a lonely and ancient cluster of standing stones. Abruptly St. Ives’s life is complicated beyond the edge of human reason, and he finds himself battling to save Alice’s life and the ruination of his friends, each step forward leading him further into the entanglement, a dark labyrinth from which there is no apparent exit.


Rupert Wong and the Ends of the Earth, by Cassandra Khaw [Gods and Monsters: Rupert Wong #2] (excerpt)

Abaddon Books, edited by David Moore

cover art by Sam Gretton, design by Sam Gretton and Oz Osborne

Synopsis: For a man who started a celestial war, Rupert Wong, Seneschal of Kuala Lumpur and indentured cannibal chef, isn’t doing too badly for himself. Sure, his flesh-eating bosses inexplicably have him on loan to the Greek pantheon, the very gods he thrust into interethnic conflict. Sure, the Chinese Hells have him under investigation for possible involvement in the fracas. And sure as hell, he’s already elbow-deep in debt with the Sisyphean gambling ring. But Rupert is alive. For now. Really, it could be slightly worse.


Snowspelled, by Stephanie Burgis [The Harwood Spellbook #1] (excerpt)

Five Fathoms Press, editor unknown

cover art by Leesha Hannigan, design by Patrick Samphire

Synopsis: Four months ago, Cassandra Harwood was the first woman magician in Angland, and she was betrothed to the brilliant, intense love of her life. Now Cassandra is trapped in a snowbound house party deep in the elven dales, surrounded by bickering gentleman magicians, manipulative lady politicians, her own interfering family members, and, worst of all, her infuriatingly stubborn ex-fiancé, who refuses to understand that she’s given him up for his own good. But the greatest danger of all lies outside the manor in the falling snow, where a powerful and malevolent elf-lord lurks…and Cassandra lost all of her own magic four months ago. To save herself, Cassandra will have to discover exactly what inner powers she still possesses – and risk everything to win a new kind of happiness.

Filer Comments:

  • Lace: First-in-series in a Regency-esque England where the humans are at truce with the elves, and women handle the politicking while men do the magic. For me, it almost felt like its own prequel – a lot of fun world-building setting up future installments, but not too much happens. I’ll probably be back to see where Burgis goes from here. If you enjoy Kowal’s Glamourist Histories or Cho’s Sorcerer to the Crown, or Burgis’s other work, you should take a look.

A Song for Quiet, by Cassandra Khaw [Persons Non Grata #2] (excerpt)

Tor.com Publishing, edited by Carl Engle-Laird

cover art by Jeffrey Alan Love, design by Christine Foltzer

Synopsis: Deacon James is a rambling bluesman straight from Georgia, a black man with troubles that he can’t escape, and music that won’t let him go. On a train to Arkham, he meets trouble – visions of nightmares, gaping mouths and grasping tendrils, and a madman who calls himself John Persons. According to the stranger, Deacon is carrying a seed in his head, a thing that will destroy the world if he lets it hatch. The mad ravings chase Deacon to his next gig. His saxophone doesn’t call up his audience from their seats, it calls up monstrosities from across dimensions. As Deacon flees, chased by horrors and cultists, he stumbles upon a runaway girl, who is trying to escape the destiny awaiting her. Like Deacon, she carries something deep inside her, something twisted and dangerous. Together, they seek to leave Arkham, only to find the Thousand Young lurking in the woods. The song in Deacon’s head is growing stronger, and soon he won’t be able to ignore it any more.


The Speed of Belief, by Robert Reed [The Great Ship Universe] (no excerpt)

Asimov’s Science Fiction Jan-Feb 2017, edited by Sheila Williams

cover art by Maurizio Manzieri

Synopsis: Travelers on a journey to negotiate with a new alien race for new resources must try to salvage their mission when everything goes horribly awry.


The Squirrel on the Train, by Kevin Hearne [Iron Druid / Oberon’s Meaty Mysteries #2] (no excerpt)

Subterranean Press, editor unknown

cover art by Galen Dara, designer unknown

Synopsis: Oberon the Irish wolfhound is off to Portland to smell all the things with canine companions wolfhound Orlaith and Boston terrier Starbuck, and, of course, his human, ancient Druid Atticus O’Sullivan. The first complication is an unmistakable sign of sinister agendas afoot: a squirrel atop the train. But an even more ominous situation is in store when the trio plus Atticus stumble across a murder upon arrival at the station. They recognize Detective Gabriela Ibarra, who’s there to investigate. But they also recognize the body – or rather that the body is a doppelganger for Atticus himself. The police, hampered by human senses of smell and a decided lack of canine intuition, obviously can’t handle this alone. Not with Atticus likely in danger. Oberon knows it’s time to investigate once more – for justice! For gravy! And possibly greasy tacos!


Stillborne, by Marc Laidlaw [Gorlen Vizenfirth] (excerpt)

Fantasy and Science Fiction Nov-Dec 2017, edited by C.C. Finlay

cover art by Kent Bash

Synopsis: The bard Gorlen Vizenfirthe has been cursed — his hand replaced with the stone paw of a gargoyle named Spar, who is reciprocally afflicted. Together, the two of them search for a cure to their problem and frequently end up in fresh varieties of trouble. In this story, which is perhaps the series finale, Gorlen and Spar travel to join the swarm of the Philosopher Moths: giant insects with telepathic powers, who may be able to finally give them a cure for their curse.


The Strange Bird by Jeff VanderMeer [Borne] (excerpt)

MCD/FSG, edited by Sean McDonald

cover design by Abby Kagan

Synopsis: The Strange Bird is a new kind of creature – she is part bird, part human, part many other things. But now the lab in which she was created is under siege and the scientists have turned on their animal creations. But, even if she escapes, she cannot just soar in peace above the earth. The farther she flies, the deeper she finds herself in the orbit of the Company, a collapsed biotech firm that has populated the world with experiments both failed and successful: a pack of networked foxes, a giant predatory bear. But of the many creatures she encounters, it is the humans – all of them now simply scrambling to survive – who are the most insidious, who still see her as simply something to possess, to capture, to trade, to exploit. Never to understand, never to welcome home.


Strange Dogs, by James S. A. Corey [The Expanse] (excerpt)

Orbit Books, edited by Will Hinton

cover art and design by Kirk Benshoff

Synopsis: Like many before them, Cara and her family ventured through the gates as scientists and researchers, driven to carve out a new life and uncover the endless possibilities of the unexplored alien worlds now within reach. But soon the soldiers followed – and under this new order, Cara makes a discovery that will change everything.


Sunwake, in the Lands of Teeth, by Juliette Wade (full text)

Clarkesworld #127 June 2017, edited by Neil Clarke

cover art by Eddie Mendoza

Synopsis: A member of an alien race which resembles dogs, who has made friends with human visitors, must undertake a dangerous rescue mission to bring back his human friend in time for a meeting with his ruler.


Tao Zero, by Damien Broderick (no excerpt)

Asimov’s Science Fiction Mar-Apr 2017, edited by Sheila Williams

cover art by Tomislav Tikulin

Synopsis: The children of two families immersed in different aspects of the Tao philosophy must come together to save the world.


Taste of Ashes, by Charles E. Gannon [Tales of the Terran Republic / Caine Riordan] (no excerpt)

Infinite Stars, edited by Bryan Thomas Schmidt

cover art by Julia Lloyd

Synopsis: This story is set in the author’s Caine Riordan universe; it appears to be an excerpt of the first book in the series, Fire with Fire, about humans’ first encounter with several more advanced races of aliens who have formed an interstellar alliance.


Temporary Duty Assignment, by A.E. Ash (prequel Nice) (no excerpt)

Book Smugglers Publishing, edited by Ana Grilo and Thea James

cover art by Reiko Murakami, design by Kenda Montgomery

Synopsis: Samantha Gao is an elite Metro soldier, dedicated to the job and to her team. But following a devastating mission, Sam is handed a new temporary duty assignment. On paper, she’s supposed to babysit a Metro tech-inspector during a routine evaluation of Greenerhouse seed colony’s corporate sponsor. Sam expects to be on duty at all times, ready for whatever comes. But what she didn’t expect was to see him – Caleb – again. Caleb Estes is an engineer at Greenerhouse and cannot believe his luck when his first love, Samantha Gao, walks into his lab – and back into his life. It’s enough to make him believe in second chances after all. But Sam and Caleb’s reconciliation will have to wait when the routine bodyguard job goes sideways, and the future of the seed colony itself is at stake…


There Was a Crooked Man, He Flipped a Crooked House, by David Erik Nelson (no excerpt)

Fantasy and Science Fiction Jul-Aug 2017, edited by C.C. Finlay

cover art by Nicholas Grunas

Synopsis: The employee of a professional house renovator/flipper is sent to evaluate a gorgeous old mansion as a possible new project, but the house turns out to be an extra-dimensional horror.


The Twilight Pariah, by Jeffrey Ford (excerpt)

Tor.com Publishing, edited by Ellen Datlow

cover photograph by Roy Bishop, design by Christine Foltzer

Synopsis: All Maggie, Russell, and Henry wanted out of their last college vacation was to get drunk and play archaeologist in an old house in the woods outside of town. When they excavate the mansion’s outhouse they find way more than they bargained for: a sealed bottle filled with a red liquid, along with the bizarre skeleton of a horned child. Disturbing the skeleton throws each of their lives into a living hell. They feel followed wherever they go, their homes are ransacked by unknown intruders, and people they care about are brutally, horribly dismembered. The three friends awakened something, a creature that will stop at nothing to retrieve its child.


Published through Tor.com’s Novella line, but NOT novellas

  • The Fortress at the End of Time, by Joe M. McDermott
  • Switchback, by Melissa F. Olson
  • A Red Peace, by Spencer Ellsworth [Starfire #1]
  • Shadow Sun Seven, by Spencer Ellsworth [Starfire #2]

Pixel Scroll 11/10/17 As I Was Pixelating Over Barsoom, I Saw Dejah Thoris On A Coup DeScroll

(1) STAR WARS TV SERIES COMING. Inverse was paying attention — “So, There’s a Live-Action ‘Star Wars’ Television Show on the Way”. But it will only be available on Disney’s standalone streaming service.

Hidden in the weeds of Lucasfilm’s official announcement that Star Wars: The Last Jedi director Rian Johnson will be developing a new standalone Star Wars trilogy was news of a live-action Star Wars television show.

… The only thing we do know about the as-yet-unnamed live-action Star Wars television show is that it’s a part of Disney’s upcoming streaming service. In 2019, Disney will pull all of its titles from Netflix and other streaming services to launch its own streaming platform, which will include this live-action Star Wars series as well as “four to five original movies a year.”

(2) SHE CAN AFFORD TO SCINTILLATE. That didn’t take long. Jo Walton’s Kickstarter to launch a new Montreal convention fully funded in nine hours and since then has blown past several stretch goals. Scintillation will be held in Montreal from October 5-7, 2018, with program by Walton, and takes the place of another con she used to do:

I stopped doing Farthing Party because every year I suffered agonies of anxiety that we wouldn’t have enough members to break even and I’d go into debt to the hotel. It also ate a lot of my time, and in 2014 I decided to stop and concentrate on writing and organizing smaller events with friends. Scintillation is going to be different. For one thing, it’s going to be funded (or not) by this Kickstarter. We’ll know how much money we have. If there isn’t enough interest and it doesn’t fund, we’ll know now and give up. For another, I have more help. I’ll still be doing program, but other people are going to be doing everything else, including the dreaded badge printing. So we can all have more fun.

Walton set a goal of $2,366 and has already raised $4,457.

(3) BROUGHT TO YOU BY THE LETTER F. Kristine Kathryn Rusch, in “Business Musings: The People in Your Office”, says doing this is bad for a writer’s business – not that you had any doubts.

So, it happened again. A big name fantasy writer made his fans angry because the next book in his series hasn’t appeared in years. And, in a passing remark, he compared the comments fans make on his overdue book to those comments people make to their unemployed adult child about getting a job or to their single grandkid about getting married.

Patrick Rothfuss made the foolhardy decision to let a reporter shadow him all day and of course Rothfuss had an unguarded moment. He said, on the record,

“[The fans] don’t realize this is so wearying,” he said with a sigh when we spoke a few weeks ago. “It’s like asking, ‘When are you going to get married? When are you going to go to law school?’ It’s like, just fuck off. Just die. I don’t need any more of that in my life.”

It’s not a good plan to tell your fans to fuck off and die. Nor is it a good idea to tell them that their favorite author “is not your bitch” the way Neil Gaiman did for George R.R. Martin several years ago.

It’s especially not a good plan to tell the reporter who is also covering the fact that The Kingkiller Chronicle superfan Lin-Manuel Miranda (of Hamilton fame) will be the executive producer on a version of your series that’s going to be aired on Showtime in the next year or two.

But writers are who writers are. And most of them (most of us) spend our time alone in a room, making things up. Writers tend not to realize that their fans are people. Nor do some writers—especially newer writers who have fast success—realize that the only reason they’re going to be remembered as artists is if they have fans of their work.

(4) SEE ORIGNAL RUSS TEXT. This weekend at the Boston Book Fair Lloyd Currey and John Knott will be at booth 426 with several unique items will be on display, including an important manuscript by Joanna Russ.

Russ, Joanna. HOW TO SUPPRESS WOMEN’S WRITING [Nonfiction]. AUTOGRAPH MANUSCRIPT (AMs). Rough draft handwritten on lined notebook paper, except for the three-page “Authors Note” which is typewritten (carbon copy), with Russ’s handwritten corrections. 245 leaves, most with footnotes written on the versos. The manuscript includes material that was not included in the published book. The book is a high point of feminist literary criticism, a witty and rigorous examination of the arguments used to marginalize and suppress writing by women historically and in the present, arguments that might easily be (and have been) adapted to any body of writing a dominant group might wish to marginalize. It is a work of enduring interest and application that might outlast even the best of this fine writer’s fiction. “A book of the most profound and original clarity. Like all clear-sighted people who look and see what has been much mystified and much lied about, Russ is quite excitingly subversive. The study of literature should never be the same again …” – Marge Piercy.” The book was published in 1983 by the University of Texas Press and remains in print, although the author did not live to grant permission for an electronic edition.

(5) THANKS FOR THE MEMORIES. Doctor Science explains “Why I need maps in fantasy novels”:

For me, a map is a type of memory palace, linking up all kinds of information for easy retrieval. Without one, I don’t just feel lost, I feel *dumb* — because my memories are disorganized and harder to recall.

The novel that started me toward this realization is The Ruin of Angels, the sixth book in Max Gladstone’s Craft Sequence. Set in a complex world in which both gods and capitalism are real, the books have been mostly set in different cities, each with its own culture and gods/capitalism balance, where history, human minds, and the fabric of reality keep being re-written under pressure.

(6) ALSO KNOWN AS. Kim Huett tries to psyche out why the author picked that particular name: “Paul Linebarger – Cordwainer Smith: Pondering the Pseudonym”.

However Paul Linebarger chose his own pseudonym and given the care with which he wrote his stories I can’t imagine him applying anything less than the same degree of care to choosing a pen-name. In which case I think it reasonable to assume Linebarger chose Cordwainer Smith because it had some sort of significance to him. He wouldn’t be the first to do so, Robert Heinlein for example constructed the pen-name Lyle Monroe from his mother’s maiden name and a surname taken from one branch of her family.

In Linebarger’s case however just what that significance his chosen pen-name might have isn’t immediately apparent. As far as I’m aware Paul Linebarger never explained why he chose Cordwainer Smith and those words have no obvious connection to the man. But that’s alright because I have a theory (actually, I always have a theory, it’s my least endearing trait people tell me)….

(7) TOYS IN THE HALL. The 2017 National Toy Hall of Fame inductees were announced today:

The mystery has been solved! The simple, soaring paper airplane; game-changing Wiffle Ball; and murder-mystery favorite Clue today became the latest inductees to The Strong’s National Toy Hall of Fame. The honorees were selected from a field of 12 finalists that also included: Magic 8 Ball, Matchbox Cars, My Little Pony, PEZ Candy Dispenser, play food, Risk, sand, Transformers, and Uno.

About paper airplane: Artist and inventor Leonardo DaVinci sketched and designed flying creations using parchment in the 15th century. Later, in the early 19th century, Sir George Cayley identified four primary forces—lift, drag, weight, and thrust—which eventually helped the Wright Brothers first take flight in 1903. These defining moments helped lead to the purported invention of the paper airplane in 1909—but its exact origin is unclear. Experts can agree that the principles that make an airplane fly are the same that govern paper versions. Paper’s high strength and density make it similar, scale wise, to the materials out of which actual airplanes are constructed.

“Where some toys require financial investment, paper airplanes start with a simple sheet of paper, coupled with creativity and dexterity, to produce a toy with infinite aeronautical possibilities,” says Christopher Bensch, The Strong’s vice president for collections. “They allow the imagination to takeoff and soar!”

About Wiffle Ball: A retired semi-pro baseball player in 1950s suburban Connecticut noticed that his son and friend could not play a game of baseball in the cramped space of their backyard (especially without breaking any windows). He began cutting holes in spherical plastic containers and gave them to his son for testing, eventually developing a ball with eight oblong slots that allowed the ball to grab air, thus diverting its trajectory. With it, a pitcher could easily throw a curve, a slider, or a knuckle ball. The Wiffle Ball slowed the game, shrunk the playing field, and made it conducive to post World War II-suburbia. The family-owned Wiffle Ball Inc. opened in Connecticut and established rules for the game of Wiffle Ball. Soon, it was producing millions of Wiffle Balls each year and it continues to do so.

“The Wiffle Ball changed the outdoor play landscape, taking the basics of backyard baseball and transforming it into something easier for neighborhood kids to negotiate. In the more than 60 years since its introduction, generations of Little League, high school, college, and pro sluggers have begun their baseball careers swinging at a Wiffle Ball,” says Curator Michelle Parnett-Dwyer.

About Clue: A British couple designed Clue during World War II and based it on the murder-mystery dinner parties popular around that time. They patented the game in 1944 and successfully pitched it to Waddington Games, but material shortages kept it out of production for several years. Then, in 1949, Waddingtons released it under the name “Cluedo.” Gaming giant Parker Brothers purchased the rights and released it in America under the name “Clue” shortly thereafter. The game—in which players must deduce with available evidence the murderer of the luckless Mr. Boddy—became a quick success. It remains one of the top 10 best-selling games of all time.

(8) NO SPACE MARINES. CNN reports “Lawmakers scrap ‘Space Corps’ proposal”.

Congressional negotiators have rejected the House’s plan to create a new “Space Corps” — omitting the proposal for a new military branch under the umbrella of the Air Force from the final version of a nearly $700 billion bipartisan defense policy bill called the National Defense Authorization Act.

Despite support from House Armed Services Committee leaders — including chairman Mac Thornberry — the Space Corps proposal will not be included in the final NDAA for fiscal year 2018. Though the bill does contain language directing further long-term study of the issue, according to senior staff for both armed service committees, who briefed reporters on the contents of the bill Wednesday.

The proposal, which was included in the House’s National Defense Authorization Act, would have set up a Space Corps in the mold of the Marine Corps, which is a separate military branch that’s housed within the Navy.

(9) TODAY IN HISTORY

  • November 10, 1969 Sesame Street premiered.
  • November 10, 1973 Slaughterhouse Five is burned in North Dakota. “Some found the book’s pessimistic outlook and black humor unsuitable for school children.”
  • November 10, 1989 Communion premieres in theaters.

(10) CASTLES IN THE TEAR. Jamie Hannigan keeps busy in a way that might make some booklovers cringe: “I Make Game Of Thrones Sculptures Using The Books From The Series”.

I make sculptures out of the pages of used books. Each piece depicts what the book is about in some way. I decided to do a series of places in the Game of Thrones universe, as shown on the show’s intro sequence. Each sculpture takes somewhere from 10- 20 hours to make.

The series is not yet complete. I’m working on another piece now (Dorne) and I have several more planned out. You can see additional views of the GoT pieces, as well as my other work on my website.

More info: jamiebhannigan.com

Here’s Winterfell.

The artist also has a series of paper sculptures of Harry Potter, Moby Dick and Don Quixote.

(11) THANKS. Entertainment Weekly describes how “Deadpool 2 poster brings the family (and Cable) back together”.

The foulmouthed, R-rated, unicorn-loving, Francis-stalking, fourth wall-breaking Marvel family is getting back together in the new poster for Deadpool 2. After debuting on Collider, franchise star Ryan Reynolds released the one-sheet, which spoofs the famous “Freedom From Want” painting by Norman Rockwell.

Our favorite Merc with the Mouth, presenting a Thanksgiving turkey, is seen standing beside Josh Brolin’s time-traveling psychic mutant Cable, while Dopinder (Karan Soni), Vanessa (Morena Boccarin), Negasonic Teenage Warhead (Brianna Hildebrand), Blind Al (Leslie Uggams), newcomer mutant Domino (Zazie Beetz), Weasel (T.J. Miller), and Colossus (Stefan Kapicic) sit around the dinner table.

(12) CATCH OF THE DAY. As it says in the photo caption, “Nasty big pointy teeth.” — “Portuguese trawler nets ‘prehistoric shark'”.

Portuguese scientists have captured a “shark from the age of the dinosaurs” off the Algarve coast.

Researchers caught the rare frilled shark aboard a trawler, where they were working on a European Union project to “minimise unwanted catches in commercial fishing”, Sic Noticias TV reports.

The scientists from the country’s Institute for the Sea and Atmosphere dubbed the shark a “living fossil” because remains have been dated back 80 million years, making it one of very few species of such antiquity still around today.

The Institute said the male fish measured 1.5 metres (5ft) in length and was caught at a depth of 700 metres (2,300 ft) in waters off the resort of Portimao.

…It is rarely caught, and even then examples do not often make it to research laboratories. There is also little footage of the shark in its natural habitat.

(13) HERE KITTY KITTY. Roman SJW credentials under threat: “The cats who rule Rome”. (video)

It’s well known that the Romans love their cats – so much so that they have designated the felines as a biocultural heritage of the city. But how much longer will this last?

(14) DIVERSE COMICS. And speaking of…. Barry Deutsch criticizes those who seem to believe in insisting that everyone else enjoy things in the same way as they do. The Twitter thread begins here —

(15) FORGOTTEN EARLY MAN. Can’t remember if I ran this already, so let’s err on the side of not missing it –

(16) NEXT PIXAR FLICK. Disney’s Coco, final official trailer. The movie hits theaters November 22.

[Thanks to John King Tarpinian, Mark Hepworth, JJ, Cat Eldridge, Mike Kennedy, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew.]

Pixel Scroll 10/2/17 The World Will Always Welcome Pixels As Time Scrolls By

(1) HERALDRY. The former astronaut, now Governor General of Canada Her Excellency the Right Honourable Julie Payette, has an official Coat of Arms.

Arms

A symbol of exploration and liberty, an open wing embodies our desire to reach higher and expand our horizons. As with birds protecting their young, the wing also conveys the strength and safety of family ties. Moreover, it represents Ms. Payette’s career as an aviator and astronaut. The Royal Crown symbolizes the viceregal office and service to all Canadians.

The astronaut’s helmet represents the never-ending quest for knowledge, a quest that extends beyond the frontiers of the known world.

(2) FEATHERED FRIGHT. Chloe N. Clark begins a new series of posts for Nerds of a Feather with “HORROR 101: An Introduction to Fear”.

Welcome to Horror 101. This will be an ongoing series of essays about the horror genre: from analysis about the elements of horror to using monster theory to in-depth looks at individual works of horror….

So as a writer and reader I loved what horror could give me. As a teacher and scholar, though, I wanted to look under the hood. I became interested in exploring how horror operates on a level of mechanics as well as how it operates as a means of communicating ideas. What was the rhetorical value of horror? After studying monster theory, a fairly new form of critical study that looks into monsters and horror from the analytical perspective, I began to think even more deeply about the value of monsters and using them both in writing and in teaching. I’m lucky to teach at a university that allows me to shape my composition courses and this allowed me to create a class that teaches multimodal composition and communication through the theme of Monsters. Monsters are a fun way to get students thinking about much deeper issues. By exploring the ideas of monstrosity, we’re able to look at acts of othering and monstering that permeate history: racism, sexism, xenophobia, homophobia, and the list goes on. My students began to pick up on these ideas and tropes in various media they consumed. They realized it wasn’t just a “genre” thing as they could point to the language of othering and monstering in the speeches of politicians.

(3) INKY AWARDS. The winners of the 2017 Inky Awards were announced October 2. The award recognizes achievement in young adult literature, with nominees and winners selected by voters under the age of 20. Some of the shortlisted titles were of genre interest, though it’d be a stretch to say that about either winner.

The Gold Inky for Australian titles went to Words in Deep Blue, and the Silver Inky for international titles to Radio Silence..

(4) WHAT A LOAD OF BOVRIL. The Royal Albert Hall website, in a 2016 post, claimed to have hosted the first sff convention in 1891 — “5-10 March 1891: Bovril and the first ever Sci-Fi convention, at the Royal Albert Hall”. It was a fancy-dress ball for charity, that’s all.

Widely regarded as the first ever sci-fi convention, the ‘The Coming Race’ and ‘Vril-Ya’ Bazaar and Fete was held at the Royal Albert Hall on 5-10 March 1891.

This costumed fund-raiser was themed on a 1871 science fiction novel, The Coming Race by Baron Edward Bulwer-Lytton, in which the Earth is threatened by the ‘Vril-ya’. This superior and winged master race find the source of their power in ‘Vril’ – a latent source of energy akin to electricity. The Coming Race was a pioneering publication of the sci-fi genre, and extremely popular in popular culture in the 1890s.

In the model of modern comic-cons, visitors were encouraged to come in fancy dress, filling the Hall with various ‘Coming Race’ characters and generally ‘exotically’ costumed fans of the book; many donned wings. The character of Princess Zee, from the novel, was played by a young lady wearing a black satin dress and silver flower tiara that glowed with electric lights.

With Vril-ya architecture having been described as similar to that of ancient Egypt, Sumeria and India, the Hall was bedecked in flowers, palm leaves and ferns. A grand ‘Pillar of the Vril-ya’ was erected in the arena, modeled on Cleopatra’s Needle. Vril-themed magic shows, a fortune telling dog, musical entertainment and grand feasts were held in the auditorium, while winged Vril-ya mannequins flew above….

(5) DIEHL OBIT. The founding editor of the Los Angeles Times Book Review, Digby Diehl, died September 26. With many publishing credits as a reviewer, he also wrote celebrity bios and a history of EC Horror Comics series Tales from the Crypt. He was 76.

(6) TODAY IN HISTORY

  • October 2, 1959The Twilight Zone premiered.
  • October 2, 1976 Ark II aired “The Robot.”

(7) TODAY’S BIRTHDAY BOYS

  • Born October 2, 1895 – Bud Abbott, whose resume includes Abbott and Costello Go To Mars (1953).
  • Born October 2, 1906 – Willy Ley

(8) COMICS SECTION.

This is sick humor I tell you, John King Tarpinian — today’s Off the Mark.

(9) PRAISE FOR BARDUGO. NPR’s Jason Sheehan approves of Leigh Bardugo’s The Language of Thorns: “‘The Language Of Thorns’ Will Ensnare You With Dark Magic”.

Good fairy tales balance sweetness and nightmares. They are candy apples with razorblades inside; kisses touched with poison. Bad ones are nothing but sweet. They coddle and muffle and take all the sharp, dangerous edges off of the dirty business of learning important lessons in a world that’s rarely as nice as we want it to be. The bad ones sing Careful what you wish for and Sometimes pretty isn’t as important as smart with choruses of cute mice and bluebirds. But the good ones don’t end before there’s blood on the knife.

The good ones understand that scars are the best teachers.

(10) CURRENT EVENTS. NPR considers, “Winter Is Coming. What If Roads And Runways Could De-Ice Themselves?”.

Starting in 2002 and working with the Nebraska Department of Transportation, he ran a five-year test on a 150-foot-long bridge near Lincoln, Neb. He says a 208-volt current running through electrodes kept the bridge free of ice during 15 major snowstorms at the “amazingly low” operating cost of about $250 per storm.

The conductive concrete involves adding steel fiber and carbon to the concrete mix, he says. While regular concrete costs $120 per cubic yard, the conductive concrete costs $350-$400 per cubic yard. But in the long term, Tuan says the conductive concrete means fewer de-icing chemicals in the ecosystem, and concrete that lasts longer and costs less to maintain.

(11) FAST FORENSICS. A practictioner discusses the “The computers being trained to beat you in an argument”

It has long been the case that machines can beat us in games of strategy like chess.

And we have come to accept that artificial intelligence is best at analysing huge amounts of data – sifting through the supermarket receipts of millions of shoppers to work out who might be tempted by some vouchers for washing powder.

But what if AI were able to handle the most human of tasks – navigating the minefield of subtle nuance, rhetoric and even emotions to take us on in an argument?

It is a possibility that could help humans make better decisions and one which growing numbers of researchers are working on.

The next thing they’ll need after that is a computer that knows what to do when humans ignore their superior arguments – Facebook should give them lots of practice.

(12) STILL NEWS TO THEM. Geek Girl Con managed to produce a bubble in time – Galactic Journey filled it — “[Oct. 2, 1962] Women of Washington, Unite!  (The Seventh Geek Girl Con in Seattle)”.

Ah, Geek Girl Con.  Every year, Seattle’s clarion call of intellectual feminine fandom calls us to attend Washington’s signature science fiction/fantasy event.  It is an intimate (but growing) gathering of sff devotees with a fascination for things both creative and technical.

This year, as with last year, the Journey was invited to speak on the last 12 months in fandom, and boy did we have a lot to relate.  From coverage of Marvel Comics’ slew of new superheroes to a report on this year’s Hugo winners, and with a special piece on the woman pioneers of space exploration, our four panelists ensured that our several dozen attendees left educated and excited.

(13) CUFF INFO. Kent Pollard tells his plans for moving the Canadian Unity Fan Fund history to a new home.

The cometedust.ca website hasn’t been used for anything else in half a decade, and the hosting has become pointless for me. rather than have it drop off the net completely, I’m going to transition the pages into a blogger account. the domain name itself is sufficiently inexpensive that I will retain it and point it that blog when I can (The Canadian Internet Registration Authority being privacy-aware requires all .ca domains to have private whois information, which must be manually removed before Google will accept a transfer of the name control.) The existing site will function for an un-defined period. Eventually (I hope), cuff.cometdust.ca will point to cufffanfundery.blogspot.ca. for the moment, users can go directly to that blog if they are seeking old info about the Canadian Unity Fan Fund.

(14) DIVING AGAIN. Kristine Kathryn Rusch told fans today that WMG just published the latest Diving novel, The Runabout. “Also, I finished the next novel in the series. That’ll appear next year, but bits and pieces of it (as well as a standalone novella) will start appearing in Asimov’s in 2018.”

The Runabout

A Diving Novel

Kristine Kathryn Rusch

A graveyard of spaceships, abandoned by the mysterious Fleet thousands of years earlier. Boss calls it “the Boneyard.” She needs the ships inside to expand her work for Lost Souls Corporation. Yash Zarlengo thinks the Boneyard will help her discover if the Fleet still exists.

Boss and Yash, while exploring the Boneyard, discover a small ship with a powerful and dangerous problem: the ship’s active anacapa drive.

To escape the Boneyard, Boss must deal with the drive. Which means she’ll have to dive the ship on limited time and under extremely dangerous conditions. And she can’t go alone.

(15) FISHLIPS. Is this a threat or a promise? The Verge reports “Big Mouth Billy Bass will soon work with Amazon Alexa”.

The tacky-but-classic Big Mouth Billy Bass will soon be compatible with Amazon’s Alexa assistant, according to Business Insider. This means the fish will be able to pair over Bluetooth and then lip sync and dance when music plays. I’m sure this is just what you all wanted: a connected, dancing silicon fish.

In case you didn’t know —

The Big Mouth Billy Bass is a classic of novelty shops and Wal-Marts, designed to sing “Take Me To The River” or “Don’t Worry Be Happy” when its motion sensor is activated. There’s no built-in microphone, so presumably Billy is running off some off-camera offboard microphone.

 

[Thanks to Chip Hitchcock, John King Tarpinian, James Davis Nicoll, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 10/1/17 And Lockjaw The Teleporting Bulldog (Played By A Bunch Of Pixels)

(1) STONY END. At Asking the Wrong Questions, Abigail Nussbaum delivers a masterful review of the third novel in the acclaimed trilogy, “The Stone Sky by N.K. Jemisin”.

It might seem a bit strange to say that The Stone Sky, the concluding volume of the Broken Earth trilogy, had a lot riding on it.  For the past two years, the SF field and its fandom have been falling over themselves to crown this trilogy as not just good, but important.  Both of the previous volumes in the series, The Fifth Season and The Obelisk Gate, were nominated for the Nebula and the Hugo.  When The Fifth Season won the Hugo in 2016, it made Jemisin the first African-American (and the first American POC) to win the best novel category.  When The Obelisk Gate won the same award earlier this year, it was the first time that consecutive volumes in a series had won the Hugo back-to-back since, I believe, Ender’s Game and Speaker for the Dead thirty years ago.  That’s probably not considered the best company nowadays, but it speaks to the kind of zeitgeist-capturing work that Jemisin is doing with this series.  In that context, the third volume might almost be looked at as a victory lap, just waiting to be showered with laurels.

To me, however, a great deal depended on the kind of ending Jemisin crafted for her story….

(2) STAN BY ME. This doctor makes house calls? Here in LA in October!

(3) THEY WERE JUST RESTING. Dean Wesley Smith and Kristine Kathryn Rusch have launched a Kickstarter to bring back “Pulphouse Fiction Magazine” after a 21-year hiatus.

Dean returns as editor of Pulphouse Fiction Magazine, bringing back the attitude and editing eye that got Pulphouse three Hugo nominations and thousands of subscribers. Kris will function as executive editor. Allyson Longueira is the publisher, Gwyneth Gibby is the associate publisher, and Josh Frase will be the managing editor and website guru….

Pulphouse Fiction Magazine returns as a quarterly publication, with the first issue coming out in January 2018.

But before January, as was a tradition with Pulphouse Publishing, there will be an Issue Zero. Basically, Issue Zero will be a complete issue of the magazine, but will function as a test run.

Issue Zero will be given to anyone who supports this Kickstarter subscription drive if we make our goal.

They’ve already surpassed their $5,000 goal, with 17 days left to run.

(4) BURNING LOVE. The anonymous Red Panda Fraction calls Dragon Con their home convention, and seeks to justify one of their tactics to level the Dragon Awards playing field in “Why Did We Create a Red Panda Slate? 1st Post from Rad Sonja”.

Now that Dragon Con is over and our schedules have returned to normal, it seems like it’s time to explain why the Red Panda Fraction decided to create a slate for the Dragon Awards this year. It was the most controversial thing we did, and we noted the consternation among blog commenters. We appreciate the criticism that authors may not want to be on any slate because it would make them “political footballs” or put targets on their backs. If we create a recommendation list for the next Dragon Award, we will ask authors if they want to be taken off before sending anything out to the public….

“Rad Sonja” doesn’t really delve into the ethics of slating beyond the poetic “fighting fire with fire”, but instead indulges in lengthy speculation about the networking that led to certain results in the first year of the award.

Moreover, from the beginning, the most active boosters of the award have been Puppies. Among the first places to publish a story about the Dragon Awards (April 8th, 2016) was the Conservative-Libertarian Fiction Alliance (CLFA), a closed Facebook group which includes a number of major Puppy organizers. It didn’t take much digging for us to figure out that Dragon Con’s SF=literature track director, Sue Phillips, and long-time SF-lit track volunteer, the Puppy-booster blogger and podcaster, Stephanie Souders, (aka “The Right Geek”, who added Phillips to the FB group in 2014) were also members of the CLFA Facebook group. The CLFA actively promotes the work of their members on their blog. See, for example, this post from this year….

(5) FROM ARES TO ARTEMIS. The Arthur C. Clarke Center for Human Imagination will host “An Evening with Andy Weir” on December 9 at UCSD. Time and ticket information at the link.

 

Join us for the launch of the much-anticipated new novel by Andy Weir, #1 New York Times best-selling author of The Martian. Weir will discuss Artemis—a crime caper set on the moon, in a near-future world that Weir builds with his trademark rich, scientifically accurate detail.

Artemis is the first only city on the moon. If you aren’t a tourist or an eccentric billionaire, life in this fledgling new territory is tough. Providence and imperial dreams have been nickel-and-dimed from those who have called the moon their home. That’s why Jazz doesn’t rely on her day-job. She moonlights, instead, as a smuggler, and gets along okay with small-time contraband that is, until the chance to commit the perfect crime presents itself.

Weir will discuss Artemis with Dr. Erik Viirre, Associate Director of the Clarke Center and the Medical and Technical Director of the Qualcomm Tricorder XPRIZE.

Book signing to follow. Copies will be available for purchase.

(6) JUST GUYS DOIN’ STUFF. Ashe Armstrong answers the question “What is Orctober?” at Fantasy-Faction.

Orctober seeks, as you may have guessed by now, to celebrate the orc. With the Elder Scrolls and Warcraft blowing up like they have, thanks to World of Warcraft and Skyrim, orcs have started to be viewed differently. While there are still those who love the old vision of them, grimy and lanky and full of malice, many of us are embracing a changing view of them. Orcs can be just as varied as the other races. They’re no longer an Evil Race of Evil, or at least not just that. It even happened with the Forgotten Realms books, with Drizzt and the orc, Obould Many-Arrows. In Warcraft, you had Thrall and Durotan. The Elder Scrolls had Gortwog go-Nagorm, who sought to reclaim the lands of Orsinium and help his people find respect.

(7) IN LIVING 3-D. This is great! Walk through the Center for Bradbury Studies using My Matterport.

In the spring of 2007, IUPUI’s School of Liberal Arts created the nation’s first center for the study of Ray Bradbury (1920-2012)

(8) PERSONAL FANDOM STORIES WANTED. Joe Praska at The Continuing Voyage is looking for autobiographical contributions to their series “My Fandom. My Story.”

My Fandom. My Story. is a series on The Continuing Voyage that aims to share the stories of individuals; their fandoms, passions, identity, struggles and successes.  Maybe you have a passion for a certain science fiction franchise that’s helped shape your ideals as an adult, maybe your knitting hobby led you to find a sense of community, maybe your love for a specific book helps you feel a deeper connection to your family or your culture, or maybe your interest in science has shaped your career.  Whatever it is, we’d like to hear your story.

My Fandom. My Story hopes to bring to light personal stories that explore countless themes that may arise such as community, family, creativity, art, inspiration, identity, mindfulness, politics, social justice, and culture while of course exploring the fandoms and passions of the individuals writing.

(9) TRIVIAL TRIVIA

In the original and best The Wolf Man, Larry Talbot had been away 18 years working on Mt. Wilson Observatory in California.

(10) TRIVIALEST TRIVIA

Silent film actor Gibson Gowland appears in The Wolf Man as a villager present at the death of Larry Talbot. He also had been present during the Phantom’s death scene in the 1925 version of The Phantom of the Opera (1925), becoming the only actor to appear in death scenes performed by both Lon Chaney and Lon Chaney Jr.

(11) TODAY IN HISTORY

  • October 1, 1957 The Brain From Planet Arous premiered on this day.
  • October 1, 1992 — The Cartoon Network started.

(12) TODAY’S BIRTHDAY GIRL

  • Born October 1, 1935 — Julie Andrews (whose best-known genre work is Mary Poppins.)

(13) COMPELLING SF. Publisher Joe Stech has released the 9th issue of Compelling Science Fiction. You can buy the issue from the Kindle store, or download the issue from Patreon in DRM-free mobi and epub format if you’re a subscriber. They also welcome readers to their new Facebook page — facebook.com/CompellingSF

(14) CHEERING FOR CHAOS. Camestros Felapton, in “Separatism, Spain, Catalonia, Russia, the Alt-Right & Chaos-Fascism”, tries to fathom the motives behind the latest political posturing.

I don’t know what Putin’s perspective is on Catalonia but I can guess by looking at more accessible proxy mouthpieces. Our least favourite science fiction publisher, Vox Day, is very much against the Spanish government’s actions and supportive of the Catalonian government. Likewise Julian Assange. The Alt-Right, in general, are treating events in Catalonia and the Spanish government’s heavy hand suppression of the voting as vague proof of something – it isn’t clear what they think it proves but their choosing of sides is clear: Madrid bad, Barcelona good. For once they aren’t on the side of militarised police beating the crap out of ordinary people. Why not? After all, in many ways, the current Spanish government is also nationalist and its application of force to quash dissent would, under other circumstances be cheered by the Alt-Right as strong government protecting national identity.

The answer is that there is always at least 50-50 chance which side of a cross-nationalist conflict they will pick but they will tend to pick the side that creates the biggest headache for trans-national cooperation. Putin wants Western Europe divided, both as payback and strategically and the alt-right follows suit. Everybody loses except chaos-fascism.

(15) BLATANT LIVING. Ethan Mills of Examined Worlds is ready to lament “The Death of Subtlety?” (if the answer turns out to be yes.)

The problem with our civilization is the death of subtlety.  Or – scratch that.  One of many problems with a lot of the culture of the United States in 2017 is that there is less subtlety than there maybe should be.

I continue to have – albeit with somewhat diminished enthusiasm as of late – hope that subtle questioning is on the whole a better method than bludgeoning people with the truth….

(16) IN ITS DNA. The Hugo Award Book Club argues that science fiction is, in some ways, a “more political form of literature” than other genres: “The Political Power Of Science Fiction”.

…You cannot write about imaginary futures and different worlds without showing how their societies are different than our own; how they are better and how they are worse. In this sense, as others have observed, science fiction is a medium of utopias and dystopias. And the determination of what makes a society dystopic or utopic is inherently about political values.

If you believe that all humans are really created equal, your utopia likely won’t include a caste system. If you believe that humans have a right to privacy, a government surveillance state will be depicted as a dystopia. If you believe that the world needs racial purity and genetically superior heroes to save us from corruption, you might write a fantasy about a man of high Númenórean blood who is destined to reclaim the Throne of Gondor.

These are all political beliefs.

Practical politics is about changing the world. Science fiction is about exploring worlds that have been changed. The two are intertwined.

This is what the Futurians and their critics at the first Worldcon all understood: By imagining utopias and dystopias, science fiction helps create blueprints that guide us towards, or away from, potential futures….

(17) TV TRIBUTE. Inverse has been eavesdropping: “Elon Musk Named ‘Moon Base Alpha’ After Grooviest Sci-Fi Show Ever”.

SpaceX founder Elon Musk announced Friday that his space exploration plans now include not just Mars but also the moon. Speaking at the International Astronautical Congress in Adelaide, Australia, Musk revealed the company’s planned next-generation rocket will make it possible to build a moon base — and the name he picked is just his latest homage to beloved science fiction, in this case, the British cult classic Space: 1999….

Musk’s proposed name for the base is Moon Base Alpha, which is a reference to the 1970s British cult classic Space: 1999.

(18) THIS JOB IS NOT THAT #@%! EASY. The Arthur C. Clarke Center for Human Imagination shares episode 10 of its podcast Into the Imagination, “Pictures, Pastries, and the Matter of the Universe”.

Physics is cool–and sometimes very hard to understand. …We talk to Duncan Haldane, winner of the 2016 Nobel Prize, about quantum topology and why the Nobel committee brought a bagel, a pretzel, and a bun to the award ceremony to explain his ideas. And with the inimitable Sir Roger Penrose, we explore the visual imagination as it relates to science, the work of artist M.C. Escher, and what it has to do with Penrose’s cosmological theory of the universe.

(19) ESKRIDGE PREMIERE. On October 5, the film OtherLife, written by Clarion Workshop alum Kelley Eskridge, gets its North American premiere at the San Diego Film Festival. In the film, OtherLife is a new drug that creates virtual reality directly in the user’s mind–a technology with miraculous potential applications but also applied to dangerous uses, like imprisoning criminals in virtual cells.

Click this link for time and ticket information.

(20) YOU AIN’T NOTHIN’ BUT A SOUND DOG. Warts and all, “The Voyager Golden Record Finally Finds An Earthly Audience” – from NPR.

Pescovitz approached his former graduate school professor — none other than Ferris, the Golden Record’s original producer — about the project, and Ferris gave his blessing, with one important caveat.

“You can’t release a record without remastering it,” says Ferris. “And you can’t remaster without locating the master.”

That turned out to be a taller order than expected. The original records were mastered in a CBS studio, which was later acquired by Sony — and the master tapes had descended into Sony’s vaults.

Pescovitz enlisted the company’s help in searching for the master tapes; in the meantime, he and Daly got to work acquiring the rights for the music and photographs that comprised the original. They also reached out to surviving musicians whose work had been featured on the record to update incomplete track information.

Finally, Pescovitz and Daly got word that one of Sony’s archivists had found the master tapes.

Pescovitz remembers the moment he, Daly and Ferris traveled to Sony’s Battery Studios in New York City to hear the tapes for the first time.

“They hit play, and the sounds of the Solomon Islands pan pipes and Bach and Chuck Berry and the blues washed over us,” Pescovitz says. “It was a very moving and sublime experience.”

(21) RED NOSES, GREEN LIGHT. Was this campaign meant to coincide with the clown consciousness-raising of Stephen King’s It? Or is it too funny for that to matter? From Adweek — “Audi Sends in the Clowns for This Madcap Ad About How to Avoid Them on the Road”.

A lot of car advertising treats the obstacles that drivers face on the road as literally faceless threats—an avalanche of rocks tumbling across a mountainside road, or a piece of cargo falling blamelessly off a pickup truck in the city.

But let’s face it. The real problem on the roads is the other drivers. Or, if you like, the clowns who share the streets with us…

As simple as it is, the concept also lends itself to brilliant visuals, as the Audi drivers have to deal with all sorts of clowns driving all sorts of clown cars (and buses). It’s all set to a whispering version of Sondheim’s “Send In the Clowns” by Faultline and Lisa Hannigan.

 

[Thanks to JJ, Joe Stech, Chip Hitchcock, Camestros Felapton,  Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Pixel Scroll 8/24/17 Is The Grisly Pixel Scrolling?

(1) THE GREAT UNREAD. James Davis Nicoll fesses up – now you can, too: “Twenty Core Speculative Fiction Works It May Surprise You To Learn I Have Not Yet Read Every True SF Fan Should Have On Their Shelves”. Who knew there were 20 sff books altogether than he hadn’t read, much less ones not by Castalia House authors? Here are a few examples:

  • Re: Colonised Planet 5, Shikasta by Doris Lessing
  • The Grace of Kings by Ken Liu
  • England Swings SF edited by Judith Merril

(2) MOVING DAY. Meanwhile, at another of his platforms, James Davis Nicoll has gone silent while he works on moving that website.

Why was my site down? Because it turns out the soft-on-Nazis fuckwits running DreamHost thought it would be a good idea to host the Daily Stormer. My site will be moving. Until it has been moved, I won’t be updating it; I will go back to posting reviews on DW.

(3) GENRE TENSIONS. Here’s what Teleread’s Paul St. John Mackintosh deemed to be the takeaway from an all-star panel at Helsinki: “Worldcon 75: Horror and the World Fantasy Award”.

[Stephen] Jones pointed to the origins of the WFA Awards and their parent convention, the World Fantasy Convention, during the horror boom of the mid-1970s. The first WFC, held in Providence, RI in 1975, had as its theme “The Lovecraft Circle,” and that Lovecraftian association has persisted ever since, despite the name on the billboard. Jones attributed the perceived bias towards horror at fantasy and other conventions to the view that “the horror guys the people who go to all the fun conventions.” [Ellen] Datlow, conversely, reported that “from the horror people’s point of view, in the past ten years, they always feel there’s a bias towards fantasy.” Her analysis of actual awards and nominations showed no bias either way, and she saw this as “all perception,” depending on which end of the imaginative literature spectrum it’s seen from. [John] Clute described the situation as “pretty deeply confusing altogether,” given that the WFC externally was intended as a fantasy convention, and the final result has become “terminologically inexact,” though Jones pointed out that “the community itself has changed and mutated, as has the genre.”

(4) VOICE OF EXPERIENCE. Simon Owens reveals “What’s behind the meteoric rise of science fiction podcasts?” – and these are just the drama podcasts, never mind all the nonfiction ones…

According to Valenti, a serialized fiction podcast is an inexpensive way for aspiring filmmakers to gain recognition in the industry. “The reason you’re seeing all these shows crop up is because it’s so much less expensive to experiment and prove yourself as a storyteller in this medium, more than any other,” he said. It used to be that Hollywood directors got their foot in the door with short, independent films, but even those kinds of projects require significant resources. “With podcasts, you don’t have to spend any money on locations,” he explained. “You don’t have to spend any money on cameras, hardware, or hiring a cinematographer. And even if you have the footage, and you had a decent camera, which you probably had to rent because they cost thousands of dollars a day, you’re getting someone to color grade everything after it’s over.” Podcasts rarely require anything more than decent mics, actors, and audio mixing technology. And speaking of actors, your average voiceover performer costs much less to hire than a SAG member.

(5) INKY AWARDS. The shortlists for the 2017 Inky Awards were announced August 15 – the Gold Inky for Australia titles, and the Silver Inky for international titles. The award recognises achievement in young adult literature, with nominees and winners selected by voters under the age of 20. Some of these titles are of genre interest. Voting is currently open for the winners. [H/T Earl Grey Editing Services.]

(6) MORE WORLDCON WRITEUPS. The conreports keep on coming.

Kelly Robson: “What it’s like to lose a Hugo Award”

The Campbell was the second-to-last award, and sure, I was disappointed not to win, but not horribly. On a scale of one to ten, it was about a three at the time and now is zero. I’m very happy for Ada. She deserves every success.

However, I did feel foolish for thinking I could win, which was painful but mostly dispersed by morning. Being a finalist is wonderful. Winning would have been amazing, but it does come with a certain amount of pressure. So maybe — just maybe — being a finalist is the best of both worlds. And that lovely pin in the first picture is mine forever.

Ian Sales: “Kiitos, Helsinki”

My second panel of the con was at noon on the Saturday, Mighty space fleets of war. When I’d registered at the con, I’d discovered I was moderating the panel, which I hadn’t known. I checked back over the emails I’d been sent by the con’s programming team. Oops. I was the moderator. The other two panellists were Jack Campbell and Chris Gerrib. As we took our seats on the stage, Mary Robinette Kowal was gathering her stuff from the previous panel. I jokingly asked if she wanted to join our panel. And then asked if she’d moderate it. She said she was happy to moderate if we wanted her to, but we decided to muddle through ourselves. The panel went quite well, I thought. We got a bit of disagreement going – well, me versus the other two, both of whom admitted to having been USN in the past. I got a wave of applause for a crack about Brexit, and we managed to stay on topic – realistic space combat – for the entire time. I’d prepared a bunch of notes, but by fifteen minutes in, I’d used up all my points. In future, I’ll take in paper and pencil so I can jot stuff down as other members of the panel speak.

Marzie: “The Long Overdue WorldCon Recap!”

This was the first WorldCon I’ve attended and while I had voted in previous Hugo Awards, and attended other Cons (for instance NYCC) I was kind of taken aback by how non-commercial WorldCon is. A case is point is that there are no publishers hawking books at WorldCon, which, on the one hand is great because you don’t get tempted to buy a bunch of stuff and spend a fortune shipping it home and on the other hand is bad because if you’ve travelled a long way with a carry-on only bag, you’re probably packing clothes, not books for your favorite author to sign. Some authors take it all in stride, bringing their own small promotional items they can sign (Fran Wilde, Carrie Vaughn) or will happily sign anything that you set in front of them (Max Gladstone kindly signed a WorldCon postcard for my friend and fellow blogger Alex, who couldn’t come to WorldCon because of Fiscal Realities of New Home vs. Sincere Desire. So other than some interesting panels (climate change in science fiction and fantasy, readings by Amal El-Mohtar and Annalee Newitz, while I can say that pigeonholing fantasy genres is not for me!) the author signings and beloved kaffeeklatsches, the latter limited to ten people, are the definitely the most exciting thing about WorldCon.

Ian Moore: “Helsinki Worldcon write-up Part 1: estrangement, We3, crowds”

Tomi Huttunen introduced the concept of Estrangement, which derives from Russian art theorist Viktor Shklovsky who discussed the topic (Ostrananie) in an article in 1917. Huttunen and others on the academic track offered varying definitions of the concept, noting that different people in the past had come at this in a different way. For all that he was someone primarily associated with the avant-garde, Shklovsky’s own definition appeared to imply that all art involved a process of estrangement because of the difference between an actual thing and its artistic representation. Brecht later attempted his own definition, which appeared to be more about uncanny valley or the German concept of the unheimlich, which I found interesting as for all his ground-breaking approach to theatre Brecht had not particularly involved himself in work that strayed into non-realistic territory.

“Helsinki Worldcon write-up Part 2: Saunas, Robert Silverberg & Tanith Lee #Worldcon75”

On Thursday I did not quite get up in time to make it from where I was staying to the convention centre in time for the presentation on Tove Jansson’s illustrations for The Hobbit (which apparently appear only in Scandinavian editions of the book for Tolkien-estate reasons). I did make it to a panel on Bland Protagonists. One of the panelists was Robert Silverberg, a star of Worldcon and a living link to the heroic age of Science Fiction. He is a great raconteur and such an entertaining panelist that I wonder whether people do not want to appear on panels with him for fear of being overshadowed.

“Helsinki Worldcon write-up Part 3: Moomins, Clipping #Worldcon75”

After the Tanith Lee discussion there were a lot of potentially interesting things happening but we felt that we had to go to a session on the Moomins (entitled Moomins!). As you know, these are character that appeared in books written and illustrated by Tove Jansson of Finland. They started life in books and then progressed to comics and subsequently to a succession of animated TV series. If you’ve never heard of them, the Moomins are vaguely hippopotamus shaped creatures that live in a house in Moominvalley and have a variety of strange friends and adopted family members. Moomin stories are pretty cute but also deal with subjects a bit darker and more existential than is normally expected in children’s books.

(7) ROBOCRIMEVICTIM. It is a lawless country out there: “Popular Robots are Dangerously Easy to Hack, Cybersecurity Firm Says”.

The Seattle-based cybersecurity firm found major security flaws in industrial models sold by Universal Robots, a division of U.S. technology company Teradyne Inc. It also cited issues with consumer robots Pepper and NAO, which are manufactured by Japan’s Softbank Group Corp., and the Alpha 1 and Alpha 2 made by China-based UBTech Robotics.

These vulnerabilities could allow the robots to be turned into surveillance devices, surreptitiously spying on their owners, or let them to be hijacked and used to physically harm people or damage property, the researchers wrote in a report released Tuesday.

(8) TODAY’S DAY

Pluto Demoted Day

Many of us are fascinated by outer space and its many mysteries. Our own solar system went through a change in classification on 2006, when Pluto was demoted from a planet to a dwarf planet. Pluto Demoted Day now takes place every year to mark that very occasion. While sad for fans of the former ninth planet of the solar system, Pluto Demoted Day is an important day for our scientific history and is important to remember.

(9) TODAY IN HISTORY

  • August 24, 1966 Fantastic Voyage premiered theatrically on this day.

(10) TODAY’S BIRTHDAY BOY

  • Born August 24, 1951 – Orson Scott Card

(11) COMIC SECTION. Finnish comic  Fingerpori has a joke about the George R.R. Martin signing at W75. Tehri says it translates something like this (with the third frame being a sight gag):

First panel: (The guy’s name is Heimo Vesa) “What’s going on?”

“George R.R. Martin’s signing queue.”

Middle panel: “Well, I must experience this”.

(As in once in a lifetime thing.)

And Mike Kennedy says today’s Dilbert Classic confirms that publishers exist in order to stomp on potential author’s dreams.

(12) SHE HAS A LITTLE LIST. Kayleigh Donaldson asks “Did This Book Buy Its Way Onto The New York Times Bestseller List?” at Pajiba.

Nowadays, you can make the bestseller list with about 5,000 sales. That’s not the heights of publishing’s heyday but it’s still harder to get than you’d think. Some publishers spend thousands of dollars on advertising and blogger outreach to get that number. Everyone’s looking for the next big thing and that costs a lot of cash. For the past 25 weeks, that big book in the YA world has been The Hate U Give by Angie Thomas, a searing politically charged drama about a young black girl who sees a police officer kill her friend, and the fallout it causes in her community. Through publisher buzz and exceedingly strong word of mouth, the novel has stormed to the forefront of the YA world and found thousands of fans, with a film on the way. Knocking that from the top of the NYT YA list would be a major deal, and this week it’s going to happen. But something’s not right.

Handbook For Mortals by Lani Sarem is the debut novel from the publishing arm of website GeekNation. The site announced this news only last week, through a press release that can be read on places like The Hollywood Reporter, not a site known for extensive YA coverage. Sarem has an IMDb page with some very minor acting roles, several of which are uncredited, but details on the book are scanter to find. Googling it leads to several other books with the same title, but most of the coverage for it is press release based. There’s little real excitement or details on it coming from the YA blogging world, which is a mighty community who are not quiet about the things they’re passionate about (believe me, first hand experience here).

YA writer and publisher Phil Stamper raised the alarm bells on this novel’s sudden success through a series of tweets, noting GeekNation’s own low traffic, the inability to even buy it on Amazon or Barnes & Noble, and its out-of-nowhere relevance…

(13) AMAZONIAN BOGOSITY. While reporters are dissecting the bestseller list, Camestros Felapton turns his attention to Amazon and the subject of “Spotting Fakery?”

One thing new to me from those articles was this site: http://fakespot.com/about It claims to be a site that will analyse reviews on sites like Amazon and Yelp and then rate the reviews in terms of how “fake” they seem to be. The mechanism looks at reviewers and review content and looks for relations with other reviews, and also rates reviewers who only ever give positive reviews lower. Now, I don’t know if their methods are sound or reliable, so take the rest of this with a pinch of salt for the time being.

Time to plug some things into their machine but what! Steve J No-Relation Wright has very bravely volunteered to start reading Vox Day’s epic fantasy book because it was available for $0 ( https://stevejwright.wordpress.com/2017/08/23/a-throne-of-bones-by-vox-day-preamble-on-managing-expectations/ ) and so why not see what Fakespot has to say about “Throne of Bones” http://fakespot.com/product/a-throne-of-bones-arts-of-dark-and-light

(14) WORLD DOESN’T END, FILM AT ELEVEN. Kristine Kathryn Rusch got a column out of the eclipse – “Eclipse Expectations”.

The idea for the post? Much of what occurred around the eclipse in my small town happens in publishing all the time. Let me lay out my thinking.

First, what happened in Lincoln City this weekend:

Damn near nothing. Yeah, I was surprised. Yeah, we all were surprised.

Because for the past 18 months, all we heard about the eclipse was what a mini-disaster it would be for our small town. We expected 100,000 visitors minimum. Hotel rooms were booked more than a year in advance—all of them. Which, the planners told us, meant that we would have at least that many people camping roadside as well.

The airlines had to add extra flights into Portland (the nearest major airport). One million additional people were flooding into Oregon for the five days around the eclipse. Rental cars were booked months in advance. (One woman found an available car for Thursday only and the rental car company had slapped a one-day rate on the car of $850. Yeah, no.)

The state, local, and regional governments were planning for disaster. We were warned that electricity might go down, especially if the temperature in the valley (away from us, but near the big power grids) soared over 100 degrees Fahrenheit (37.7 Celsius). Our internet connection would probably go down, they said. (Great, we said. Our business is on the internet. Phooey!) Our cell phones would definitely go down.

The state called out the National Guard, expecting all the trouble you get when you cram too many people in a small space. The hospitals staffed up. We were told that traffic would be in gridlock for four days, so plan travel accordingly. Dean and I own three retail stores in the area, so we spent weeks discussing scheduling—who could walk to work, who couldn’t, who might stay overnight if need be. Right now, as I write this, Dean is working our new bookstore, because the bookstore employees live 6 miles away, and couldn’t walk if there was gridlock. The schedule was set in stone; no gridlock, but Dean was scheduled, not the usual employee, so Dean is guarding the fort (so to speak).

(15) MAKING BOOKINGS. Website Focus on Travel News has made note of the Dublin win: “Dublin to host the 77th Annual World Science Fiction Convention”.

The successful Dublin bid was led by James Bacon, with support and guidance from the bid committee, Fáilte Ireland, Dublin Convention Bureau (DCB) and The CCD. Dublin was confirmed as the 2019 location by site selection voters at Worldcon 75 in Helsinki where 1,227 votes were received, of which Dublin won 1,160 votes.

“It’s fantastic that we had such a large turnout, indicating strong support for the bid,” said James Bacon, Dublin 2019 chair. “Voting is a vital part of the process so twelve hundred votes is a great endorsement and I’m very pleased it’s a new record for an uncontested bid. Given New Orleans and Nice have declared for 2023 and Perth and Seattle for 2025, that we remained unopposed is indicative of the enthusiasm, strategic determination and commitment from all involved with the bid. It’s absolutely magnificent to be able to say we are bringing the Worldcon to Ireland and we cannot wait now for 2019.”

(16) HELP IS COMING. Drones at serious work: “Tanzania Gears Up To Become A Nation Of Medical Drones”

Entries like these popped up as Keller Rinaudo browsed a database of health emergencies during a 2014 visit to Tanzania. It was “a lightbulb moment,” says the CEO and co-founder of the California drone startup Zipline.

Rinaudo was visiting a scientist at Ifakara Health Institute who had created the database to track nationwide medical emergencies. Using cellphones, health workers would send a text message whenever a patient needed blood or other critical supplies. Trouble is, while the system collected real-time information about dying patients, the east African country’s rough terrain and poor supply chain often kept them from getting timely help. “We were essentially looking at a database of death,” Rinaudo says.

That Tanzania trip motivated his company to spend the next three years building what they envisioned as “the other half of that system — where you know a patient is having a medical emergency and can immediately send the product needed to save that person’s life,” Rinaudo says.

(17) ROBOPRIEST. St Aquin? Not yet: “Robot priest: the future of funerals?” BBC video at the link.

Developers in Japan are offering a robot “priest” to conduct Buddhist funeral rites complete with chanted sutras and drum tapping – all at a fraction of the cost of a human.

It is the latest use of Softbank’s humanoid robot Pepper.

(18) UNDERSEA DRIVING. Call these “tunnel pipe-dreams”: “The Channel tunnel that was never built”.

The Channel Tunnel linking Britain and France holds the record for the longest undersea tunnel in the world – 50km (31 miles) long. More than 20 years after its opening, it carries more than 10 million passengers a year – and more than 1.6 million lorries – via its rail-based shuttle service.

What many people don’t know, however, is that when owner Eurotunnel won the contract to build its undersea connection, the firm was obliged to come up with plans for a second Channel Tunnel… by the year 2000. Although those plans were published the same year, the tunnel still has not gone ahead.

The second ‘Chunnel’ isn’t the only underwater tunnel to remain a possibility. For centuries, there have been discussions about other potential tunnelling projects around the British Isles, too. These include a link between the island of Orkney and the Scottish mainland, a tunnel between the Republic of Ireland and Wales and one between Northern Ireland and Scotland.

[Thanks to JJ, James Davis Nicoll, Hampus Eckerman, Cat Eldridge, lauowolf, Chip Hitchcock, John King Tarpinian, Mike Kennedy, and Robot Archie for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]

Pixel Scroll 6/14/17 Will the Pixel Be Unbroken

As I was about to say yesterday, before I was interrupted…

(1) THE SOUND OF MONEY. Kristine Kathryn Rusch pointed her readers to bestselling writer Michael J. Sullivan’s a post on Reddit titled “Why Del Rey and I Will Be Parting Ways” and gave a complimentary analysis on the way Sullivan handled his audiobook rights.

Here, I want to applaud Michael and his wife Robin for their negotiating skills and for their attitude.

To summarize the highlights of the blog about Del Rey, for those of you who haven’t jumped over to read it, Michael and Robin learned from their first major contract with a traditional publisher to retain audio rights. Michael and Robin didn’t do so on that first big contract, and then the audio rights sold for $400,000, of which Michael and Robin saw only $200,000 (subsidiary rights in a standard publishing contract are split 50/50 with a publisher).

So — and here’s a nice bit of brilliance — Michael and Robin didn’t want to lose audio rights again. When the time to negotiate a new Del Rey contract came around, Michael and Robin had already sold audio rights to those books, taking those rights off the table entirely.

They thought through what they wanted, and rather than argue over the rights, or get the print publisher to bump an advance, or go through all of the little tricks that people on the other side of the table do when negotiating, Michael and Robin were proactive. They made sure they got what they wanted with audio first.

And there’s a lot more good information in Rusch’s post.

(2) THE FLUID PAST. Guy Gavriel Kay tweeted a link to this article, one in which he is cited and discussed. “‘Facts are not truth’: Hilary Mantel goes on the record about historical fiction”.

In Mantel’s view, the past is not something we passively consume, either, but that which we actively “create” in each act of remembrance. That’s not to say, of course, that Mantel is arguing that there are no historical “facts” or that the past didn’t happen. Rather, she reminds us that the evidence we use to give narrative shape to the past is “always partial” , and often “incomplete” . “Facts are not truth” , Mantel argues, but “the record of what’s left on the record.” It is up to the living to interpret, or, indeed, misinterpret, those accounts.

In this respect the writer of historical fiction is not working in direct opposition to the professional historian: both must think creatively about what remains, deploying — especially when faced with gaps and silences in the archive — “selection, elision, artful arrangement” , literary manoeuvres more closely associated with novelist Philippa Gregory than with [John] Guy the historian. However, exceptional examples from both fields should, claims Mantel, be “self-questioning” and always willing to undermine their own claims to authenticity.

(3) WEBCOMICS AT LOC. The Library of Congress now has a webcomics archive, collecting 39 strips including the multi-Hugo winning Girl Genius.

This collection focuses on comics created specifically for the web and supplements the Library of Congress’ extensive holdings in both comic books, graphic novels, and original comic art. Webcomics are an increasingly popular format utilized by contemporary creators in the field and often includes material by artists not available elsewhere. Webcomics selected for this collection include award-winning comics (Eisner Awards, Harvey Awards, Eagle Awards, and Shuster Awards) as well as webcomics that have significance in the field due to longevity, reputation, and subject matter. This collection includes work by artists and subjects not traditionally represented in mainstream comics, including women artists and characters, artists and characters of color, LGBTQ+ artists and characters, as well as subjects such as politics, health and human sexuality, and autobiography. The content of these websites is captured as it was originally produced and may include content that is not suitable for all ages.

(4) EARLY DAYS. Kalimac reminisces about “ Dark Carnival” bookstore.

But I remember Dark Carnival from its earliest days. It was the first sf specialty store in the Bay Area, long before Borderlands or Future Fantasy and even a bit before The Other Change of Hobbit or Fantasy Etc. (Of these, only Borderlands is still with us, and it had a scare not long ago.) I found it down on the south stretch of Telegraph, the first of its three locations, when I returned to UC in the fall of 1976. It was very small then, mostly a large semicircle of paperbacks, but there wasn’t a lot to stock in those days. Jack Rems, owner ever since, was usually there, as was his first clerk, a young woman named Lisa Goldstein, who’d occasionally mention she was working on a novel. It was published several years later and led her on the path to becoming the renowned fantasy author she is today, but then she was a bookstore clerk. D. and I would hang out down there and indulge in a lot of chatter with Jack and Lisa, but we’d also buy books.

(5) LA’S SHINING WEST TRIBUTE. NOTE: WE MISSED THIS ONE. On Thursday Los Angeles city officials will turn on the Bat-SIgnal.

Los Angeles Mayor Eric Garcetti will light the Bat-Signal over Los Angeles in a special ceremony honoring the late Adam West, who starred in the 60s Batman TV series as the Caped Crusader himself.

The ceremony will be conducted on Thursday, June 15 at 7:30 p.m. PST at Los Angeles City Hall. Garcetti will be joined by unnamed special guests for the tribute, along with Los Angeles Police Department Chief Charlie Beck.

Once lit, the Bat-Signal will be projected on Los Angeles City Hall for an undisclosed period of time.

(6) TRACING BATMAN’S BAT BUCKS. In “How Does Batman make All His Money?” on looper.com, Chris Sims looks at the roots of the Wayne fortune, including how Bruce Wayne’s wealth began with Revolutionary War hero “Mad Anthony” Wayne and how Thomas Wayne’s marriage to Martha Kane united a financial empire with one based on chemicals.

All of this still leaves the question of where Batman gets his fortune in the world of Gotham City, but if you’ve read enough comics, it shouldn’t come as a surprise that Bruce Wayne’s infinite pile of money has an origin story just like everything else. The short version? The Waynes have always been rich.

As it turns out, they’re about as old as Old Money gets in America, with a merchant fortune that came over from Europe in colonial times, growing as Gotham City expanded to form the cornerstone of an industrial empire. In 2011’s Batman: Gates of Gotham, Scott Snyder, Kyle Higgins, and Trevor McCarthy put the spotlight on Alan Wayne, a turn-of-the-century ancestor for Batman who helped to shape the city itself by funding the design and construction of bridges, tunnels, and key buildings — including Wayne Tower.

(7) ALT REVIEWING. Jon Mollison reviewed Sarah A. Hoyt’s story “Freeman’s Stand” in Rocket’s Red Glare for the Castalia House blog. He has a particular view of immigrants, as reflected in this excerpt —

I didn’t recognize the tonally inconsistent version of America presented. Perhaps the good old USA had fallen so long ago that the Sons of Liberty had cobbled together an approximation through scraps of history and lost lore. If so, this was never presented, and so instead of enjoying the action, I found myself wondering where this weird America came from.

Normally, I’d be loathe to resort to the petty tactic of mentioning the “About The Author” section of a collection, but in this case it provides an important clue towards understanding why Freeman’s Stand feels like such an alien version of America. The very first thing mentioned in Hoyt’s bio is that she was born and raised in Portugal. That’s the lead-off. It’s important that you know Hoyt is Portuguese before all else. And it’s only now, after the story is concluded, that the pieces fall into place. This is a story of “Nation of Immigrants” America written by an author with a very different perspective of America than one held by a reader born and bred within her borders. That is the source of the disconnect, and I found myself wishing that I’d known from the outset that Molly’s story was that an American outsider fighting for an outsider’s vision of America. It would have resolved a number of discordant passages within the tale.

This prompted Greg Hullender to observe, “Although Sarah Hoyt imagines herself to be a fellow-traveler, given her involvement with the Sad Puppies, it’s pretty clear from this post on the Castalia House Blog that, as an immigrant from Portugal, she can never be a “real American.” Not in any sense the alt-right recognizes, anyway.”

(8) WALKING DEAD. Carl Slaughter would like to tell you about it:

The Walking Dead is a tale of sheriff Rick Grimes and his small band of survivors as they’re transformed from coddled complainers into battle tested, zombie murdering badasses. The zombie subgenre has a rich history of social commentary. Whether they be the slow walking, brain craving type or of the fast running, shrieking persuasion, the figure of the zombie has been a metaphor for all sorts of things that keep us up at night. Zombies have represented everything from mindless consumers under Capitalism in Dawn of the Dead, to fears about public health crisis in 28 Days Later, immigration in World War Z, or mega corporations in Resident Evil. And then there’s the fact that zombies originated in Haiti, where many argue it was a metaphor for slavery. Zombies are projections of our own societal fears. The Walking Dead isn’t quite any of these. Instead, The Walking Dead explores a multitude of issues, like politics, psychology, and our relationship to death. Also, the joys of cosplay. The Walking Dead is, above all else, a show about philosophical bounderies. And three in particular: (1) What constitutes life (2) What constitutes living (3) What constitutes being human.

For homework, Carl recommends The Philosophy of The Walking Dead — Wisecrack Edition.

[Thanks to JJ, Martin Morse Wooster, Stephen Burridge, Tom Galloway, John King Tarpinian, Gregory N. Hullender, and Dann for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]