Pixel Scroll 2/27/24 It’s Scrolls And Pixels I Recall, I Really Don’t Know Files At All

(1) BEN YALOW OFF LA IN 2026 BID. LA in 2026 Worldcon bid chair Joyce Lloyd told File 770 today, “I can confirm that Ben Yalow is no longer a member of the bid committee.”

Craig Miller, a director of the nonprofit, also said in a comment here that Yalow has resigned from SCIFI, Inc., the parent organization to the L.A. in 2026 Bid. And that Yalow is not going to be on the L.A. 2026 Worldcon Committee.

(2) SOUND OFF. Kristine Kathryn Rusch reacts to “Findaway And Corporate Rights Grabs” on Patreon.

…Does that mean that after next week, you will find my work on Findaway? Um, no. You will not. As a friend of mine said, they’ve shown their true colors. Musicians have had trouble with Spotify for years and these are Spotify-inspired changes.

Spotify bought Findaway in 2022, paying about $123 million dollars. At the time, Spotify CEO, Daniel Ek, told investors that he was “confident that audiobooks will deliver the kind of earnings that  investors are looking for, with profit margins north of 40 percent.”

Over the past 18 months or so, Spotify has tinkered with Findaway in a variety of ways, mostly to do with the way that they’re paying content providers. Then this new TOS rights grab, which is not unexpected. In fact, it’s right on time….

(3) VERSUS INJUSTICE. Reckoning publisher Michael J. DeLuca reacts to the 2023 Hugo disaster, then goes beyond, in his post “On Ongoing Prejudice in the SFF Community and What Is to Be Done”. (Or go straight to DeLuca’s “original, uncut and expletive-laden version” here: “Do the Right Thing: A Hugo Rant”  at The Mossy Skull.)

….We perceive the dangerous potential, as daily worse things seem to come out about the behavior of a Hugo admin committee responsible for hurting so many great authors and the entire fandom of China—not to mention individual humans in their immediate vicinity—of writing them off as irrevocably evil outliers and therefore not representative of problems in our field. We don’t want this latest crisis to overshadow the previous, ongoing crisis or the one before that. That the Hugo committee has provided a scapegoat to whom consequences can be applied cannot be allowed to obscure the fact that, for one glaring example, the insidious shutting-out of Palestinian voices is still going on. There are so many compounded crises, anyone can be forgiven for not addressing every one all the time loud enough so nobody else forgets. Individually, we must choose one injustice at a time to address, with our voices, our donations, our votes, because otherwise we’ll all implode from the pressure. But we can’t let the latest injustice blot out the rest.

How do individual people get to act this terribly? They get encouraged. If they’re entitled white men, that encouragement need amount to nothing more than looking the other way. How do individual people get encouraged to be better? By positive peer pressure. By example.

The antidote to bureaucratic power-clutching and uninterrogated fascist creep, like the problem, is manifold. We need juried awards with juries of accountable, well-intentioned people empaneled by accountable, well-intentioned people. The Ignyte awards are one such. So are the Shirleys. Support them, care about them, pay attention to who wins. Our fellow Detroit-based indie press Atthis Arts bent over backwards this past year rescuing an anthology of Ukrainian SFF, Embroidered Worlds, from the slag heap. Pay attention to what they’re doing. Lift them up. We need magazines like Strange Horizons (who published a Palestinian special issue in 2020), FiyahClarkesworld (who have long been in the vanguard of championing translated work and translators), Omenana, and khōréō (their year 4 fundraiser ends 2/29). We need magazines whose editors and staff are actively listening to, seeking out, boosting, celebrating, paying—and translating, paying, and celebrating translators of—Chinese, Taiwanese, Palestinian, Yemeni, Ukrainian, Russian, Israeli, Indigenous, Aboriginal, Congolese, Nigerian, disabled, neurodivergent, queer, and trans voices. Do we in that litany miss anybody currently getting oppressed and shut out? Undoubtedly. This work is unending. We choose to keep at it.

The Hugo admins aren’t the only ones failing at this. The PEN Awards have recently been actively lifting up pro-genocide voices and suppressing Palestinian voices. A story we published, “All We Have Left Is Ourselves” by Oyedotun Damilola Muees, won a PEN Award for emerging writers in 2021. How can the administrators of an award designed specifically to remedy the way the publishing establishment has systematically ignored marginalized voices side with imperialism? There’s an open letter calling the PEN organization to task for this. Reckoning is among those who have signed it….

(4) ROMANTASY. Vox explores “How Sarah J. Maas became romantasy’s reigning queen”.

… Within the stories themselves, Maas’s worldbuilding is full of hat tips to her predecessors. In A Court of Thorn and Roses, the faerie land is called Prythian, a nod to Lloyd Alexander’s Chronicles of Prydain. In Prythian, faeries use a form of teleportation called “winnowing,” and their explanation of it will be familiar to anyone who loved Madeleine L’Engle’s A Wrinkle in Time. “Think of it as … two different points on a piece of cloth,” Maas writes (very much her ellipses). “Winnowing … it’s like folding that cloth so the two spots align.” If you’ve read the classics of YA fantasy before, you’ll recognize the sampling and remixing she is doing here.

Part of the pleasure of reading Maas is seeing these familiar YA fantasy references lie cheek by jowl with the tropes of romance novels. In A Court of Mist and Fury, the second volume of the series, two lovers who have not yet admitted their feelings for each other find themselves forced by cruel circumstance to fake date. Later, they end up at an inn with only one bed to spare, not once but twice. Across ACOTAR, Maas’s protagonist, Feyre, is torn between two boys. One is blond and sunny; one is dark-haired and brooding; both are impossibly beautiful, rich, and powerful; both begin as Feyre’s enemies….

(5) CHESTBURSTERS, MUPPETS, AND A BLACK HOLE, OH MY! Hugo Book Club Blog calls 1980 “The Ascendancy of Science Fiction Cinema (Hugo Cinema 1980)”.

In each year from 1970 to 1975, fewer than five of the top-30 movies (which could only be seen in cinemas at that time) could even remotely be considered genre works. By 1979, just two years after Star Wars, most of the top grossing movies were science fiction.

When the Hugo Award for Best Dramatic Presentation began in 1958, there had been concerns raised about whether or not there could be sufficient SFF movies worthy of consideration. Several times between 1958 and 1978, fans voted to present no award because they were dissatisfied with the cinematic fare on offer. That would never happen again.

After decades as a marginal cinematic genre, science fiction was in its ascendancy.

Most of the movies on the 1980 Best Dramatic Presentation Hugo have withstood the test of time: The Muppet MovieTime After TimeStar Trek The Motion Picture, and Alien remain well-loved today. Only Disney’s The Black Hole stands out as being one we thought was unworthy of Hugo Awards consideration … and even it has some charm to it….

(6) GODZILLA MINUS ONE LIVE REVIEW. Artist Bob Eggleton and Erin Underwood will review Godzilla Minus One live on YouTube on February 29 at 1:30 p.m. Eastern. (YouTube link.)

Join a special live movie review on YouTube of Godzilla Minus One with award winning science fiction artist Bob Eggleton, whose past work on Godzilla imagery has earned him love from fans around the world. Godzilla Minus One is the newest Japanese remake of the iconic monster who has captured our hearts ever since its original release in 1954. The newest film in the Godzilla genre features post war Japan when the country is still trying to recover, and “a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb.”

Bob Eggleton: Instagram: https://www.instagram.com/bobeggleton; Bob Eggleton has won 9 Hugo Awards, and various other important awards for his art over the last 30 years of his career. He is a fan of Godzilla and worked as a creative consultant on the American remake. While in Japan he appeared as an extra in one of the more recent films. Bob has designed concepts for Star Trek, Jimmy Neutron Boy Genius (2001) and The Ant Bully (2006) as well as created art for various publishers, magazines, book covers and media projects. His passion is with classic masters of art such as JMW Turner, John Martin and the Romantic movement. Bob has always been fascinated with ‘scale’ as a philosophy in the painted image, whether it be the vastness of outer space, or the size of a kaiju, H P Lovecraft denizen, or a dragon viewed from a human perspective.

Erin Underwood: YouTube: www.youtube.com/@ErinUnderwood; Erin Underwood is a movie reviewer on YouTube. She’s also a science fiction and fantasy conrunner, fan, author, and editor who loves dissecting stories and talking about films, TV, and books. However, in the daylight hours, she designs and produces emerging technology conferences for MIT Technology Review, where she tells the story of how new technologies are being used and how they are likely to impact our world.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 27, 1940 Howard Hesseman. (Died 2022.) So yes, I’m doing Howard Hesseman so I can mention how much I liked him as Dr. Johnny Fever on WKRP in Cincinnati. Hesseman prepared for the role by actually DJing at KMPX-FM in San Francisco for several months. 

In interviews, the producers of the show said that persona was largely developed by him and the following opening words of him on the first show are all his doing. 

All right, Cincinnati, it is time for this town to get down! You’ve got Johnny—Doctor Johnny Fever, and I am burnin’ up in here! Whoa! Whoo! We all in critical condition, babies, but you can tell me where it hurts, because I got the healing prescription here from the big ‘KRP musical medicine cabinet. Now I am talking about your 50,000 watt intensive care unit… 

Now let’s talk about his genre roles. 

He was Fred in Tarantulas: The Deadly Cargo, a television horror film that has no rating on Rotten Tomatoes, but one person there says the only interesting thing was the real tarantulas. 

Howard Hesseman in 2014.

No, Clue, one of my all-time favorite films cannot be stretched to be considered genre, but I’m including it here because he, though uncredited, had the juicy role of The Chief. 

He was in the wonderful Flight of the Navigator as Dr. Louis Farsday, and then there’s the amusing thing Amazon Women on the Moon where he’s Rupert King in the “Titan Man” segment. 

He was Dr. Berg in the excellent Martian Child which based the David Gerrold’s Hugo Award winning novelette, not the novel based off it. 

Yes, he was in both Halloween II as Uncle Meat and Bigfoot as Mayor Tommy Gillis, neither career highlights by any measure.

I see he showed up on one of my favorite series, The Ray Bradbury Theatre, playing a character named Bayes: in “Downwind from Gettysburg”.

Around the that time, he  went elsewhere to the new Outer Limits to be Dr. Emory Taylor in “Music of the Spheres”. 

I’m off to watch the pilot now…

(8) COMICS SECTION.

(9) NO SFF IN DICK TRACY RETURN. In “Dick Tracy Writers Tease the Legendary Detective’s Return” at CBR.com, Alex Segura and Michael Moreci celebrate Dick Tracy’s return. No fancy wrist-radio, though.

When does your series take place? What made you choose this era as a setting?

Moreci: We’re very specific in the time we’re setting this — our story takes place in 1947, so it’s just after World War II. Again, there’s a definite, clear reason for that, rooted in Tracy’s character and the mood we’re trying to set.

Segura: This is Dick Tracy: Year One, basically.

(10) CHARITY BEGINS AT HOME. In a manner of speaking… The Library Foundation of Los Angeles invites you to “The Stay Home and Read a Book Ball”, 36th edition, on Sunday, March 3 at 12:00 a.m. – “Wherever you are!”

While you’re celebrating, take a moment to support the Library Foundation of Los Angeles by donating what you would have spent on a night out.

Share photos of your literary festivities on our Facebook event pageInstagram, or Twitter and tell us what you’ll be reading. Tag us at @LibraryFoundLA and use hashtag #StayHomeandRead to let others know how you are celebrating!

(11) THE ROBOT YOU NEED? The “Lost In Space Electronic Lights & Sounds B9 Robot Golden Boy Edition” is offered by Diamond Select Toys on Amazon.

  • Eyes light up and sensors blink, Chest blinks when B-9 talks
  • Head bubble manually raises and lowers, Arms extend and collapse
  • Claws open and close
  • Wheels allow B-9 to roll
  • B-9 Says the following phrases, including dialogue from “Cave of the Wizards”: “Watch it, I do not like grubby finger stains on my new suit of gold.” “From now on I’d appreciate it if you’d call be Golden Boy” “In my opinion, it is not Professor Robinson who needs psychiatric treatment, it is his doctor.” “I forgot, you are brave, handsome Dr. Smith.” and more!

(12) SIDEWAYS ON LUNA. [Item by Steven French.] I wonder if one of the engineers went home before the launch thinking “I’m sure I’ve forgotten something”! “Odysseus craft’s moon mission to be cut short after sideways landing” in the Guardian.

….On Friday, Intuitive Machines had disclosed that the laser range finders – designed to feed altitude and forward-velocity readings to Odysseus’ autonomous navigation system – were inoperable because company engineers neglected to unlock the lasers’ safety switch before launch on 15 February. The safety lock, akin to a firearm’s safety switch, can only be disabled by hand….

(13) VIDEO OF THE DAY. Introduction from Deadline: “’The Watchers’ Trailer Sees Dakota Fanning Stalked Through Irish Forest”. Comes to theaters June 7.

Warner Bros on Tuesday unveiled the first trailer for The Watchers, the anticipated supernatural thriller marking the feature debut of writer-director Ishana Night Shyamalan, with Dakota Fanning (The Equalizer 3) in the lead.

Set up at New Line following a multi-studio bidding war, this film from the daughter of M. Night Shyamlan is based on the 2021 gothic horror novel by A.M. Shine. Pic tells the story of Mina (Fanning), a 28-year-old artist who gets stranded in an expansive, untouched forest in western Ireland. When Mina finds shelter, she unknowingly becomes trapped alongside three strangers that are watched and stalked by mysterious creatures each night….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Kathy Sullivan, Andrew (not Werdna), Olav Rokne, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Lis Carey Review: Snipers

Snipers by Kristine Kathryn Rusch (WMG Publishing, 2013)

Review by Lis Carey: In the winter of 1913, Vienna Police Detective Johann Runge investigates the murders of two men in a cafe–Lev Bronstein and Viktor Adler. It’s puzzling enough to start with, but it’s soon followed by more sniper killings. Soon five men are dead, some famous, some unknown–at least in 1913.

In Vienna in 2005, bestselling crime writer Sofie Branstadter is researching what she intends to be the definitive book on the still unsolved Carnival Sniper killings. As she does her research, we gradually realize that Sofie isn’t living in the same timeline we are. This timeline had The Great War, lasting ten years, and no Second World War. The League of Nations survived, and international politics is quite different. What happened?

We follow Johann Runge’s 1913 investigation, and Sofie Branstadter’s 2005 research–and the sniper himself. Runge is an early advocate of what’s now considered just good crime scene management, and annoys his fellow police immensely. Both he and Branstadter discover evidence that makes no sense. A deceptively lightweight plastic gun; bullets with a tungsten core and a strangely tough, thin, plastic coating. An item that the sniper calls a handheld. An even stranger sphere, that Runge suspects is a weapon of some kind, but can’t identify. Branstadter, working with a civilian crime lab, learns that it’s radioactive, but still doesn’t immediately realize what it is. The different history had an impact on the direction of physics and weapons research.

The question of course is, what is the sniper’s motive? We know, from the sections told from his viewpoint, that he has a mission, but we only begin to suspect what it really is when learn who is less obvious targets are.

Along the way, we also learn how very personal the research for this particular book is for Sofie Branstadter.

Interesting story, interesting characters, interesting complexities. Snipers kept me completely absorbed.

Pixel Scroll 12/6/23 For The Scroll Is Hollow And I’ve Touched A Pixel

(1) END OF AN ERA. Kristine Kathryn Rusch signed off her influential weekly business blog on November 22. “Business Musings: All Good Things”.

…I wasn’t that desparate in 2009 and I’m certainly not that desperate now. As I noted in some recent blogs, my books are all in print. The books of my traditional friends? Not in print at all. Or if they are in print, my friends aren’t making a dime off of them.

It’s discouraging, but as I’ve seen over the past few years, people have dug in. It doesn’t matter that traditional writers now have to get a “real” job to make a living. Or that the changes in indie have made it possible for those of us who understand business to make a good living while writing what we love.

We’ve changed.

The world has changed.

And honestly, I’m not that interested in writing about the publishing industry weekly. There is no publishing industry anymore. There are different aspects of book publishing, all of which fascinate me, and none of which make me want to pontificate for a few thousand words every single week.

Then there’s my writing itself. In the spring, I made a list of the books clamoring to get out of my brain. The series that need finishing right now, the standalones I’ve been dying to write, the books I’ve intended to write since the turn of the century if not longer, as well as the short stories that rise to the top of my to-do list because I read an inspiring article or saw an amazing play.

I will have time to write all of that if I double down on my fiction writing. Or triple down. When I write fiction, I write a minimum of 1,000 new words per hour. The blog takes a minimum of 10 hours per week from idea to page, including the audio (which is maybe 20 minutes of that 10 hours). I love the audio. It’s fun.

The blog, not so much.

In fact it had become such a drag that I put it off until the last minute, and then have to give up even more fiction writing time to get it down.

And while the blog makes me more money per month than someone would earn making minimum wage (not counting all the nonfiction books I get out of it or the other perks), I could make more money if I write three novellas a year, whether I sell them to traditional markets or not.

The blog is self-sustaining financially, but it’s actively costing me money. My earnings as a fiction writer have gone up dramatically in the past fourteen years….

… Thirty dollars per hour writing a blog post that has little resale value or $1000 per hour writing stories that can sell for decades. It’s really a no brainer….

… Except…I do like noting things about the publishing industry, from time to time. Some things catch my attention and I want to discuss them. I will do that on my Patreon page, which I am not shutting down.    

I’ll be doing mostly short posts pointing out an article that writers might want to pay attention to, or commenting on some major change. I’m not going to do a long essay, unless I feel inspired….

(2) BUMPER CROP. Slashfilm reveals “Syfy Spent Thousands On Leonard Nimoy And William Shatner Star Trek Ads You Probably Missed”.

…Barry Schulman had been with the Sci-Fi Channel since its start, and he remembers the glory days in detail. He was interviewed for the indispensable book “The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams,” edited by Mark A. Altman and Edward Gross, and he remembered the production of what was to be one of the more ambitious advertising tie-ins the network could have possibly received. It seems that the Sci-Fi Channel wrote and paid for a series of extended “Star Trek”-inspired interview-style infomercials to be hosted by Leonard Nimoy and William Shatner — Spock and Kirk themselves! — to run after individual episodes. 

Sadly, due to poor ratings, the ads were only sparsely seen….

Of course, programming “Star Trek” presented a technical problem. In the late 1960s, when the hour-long “Star Trek” originally aired on NBC, the broadcast ad breaks only totaled about 10 minutes, leaving 50 minutes of show. By the early 1990s, ad time had grown to 16 minutes, leaving only 44 minutes of show. That would mean any new broadcast of “Star Trek” would, by advertisers’ decree, need to be shaved down by six minutes. 

Shulman’s solution was to expand the “Star Trek” time slot from a 60-minute span to a 90-minute span, including all 50 minutes of “Trek” as well as whole ad breaks. He’d then pad out the remainder of the 90-minute slot with Shatner/Nimoy intro/outro segments. Brilliant….

… The good news is that you can actually watch all of these bumpers with Shatner and Nimoy on YouTube.

Here’s the video for the original Star Trek pilot, “The Cage”.

(3) FANAC.ORG ZOOM. The next Fan History Zoom session is scheduled for Saturday, December 9 at 2:00 p.m. Eastern. If you would like to join, drop a note to [email protected].

APAS EVERYWHERE – Fred Lerner, Christina Lake, Amy Thomson and Tom Whitmore.

Since the first FAPA mailing in 1937, APAs have been a part of fannish life. There are topic specific apas, local apas, general interest apas, convention committee apas, letter substitutes and doubtless many more. Our panelists, all long time APA members, talk about their experiences with APA life: Why did you join the APA(s)? Did you APA live up to your expectations and why? Tell us about the APAs you’ve been part of, and tell us what makes them unique. (You can tell us about APAs you weren’t part of too!) Talk about the way the members of the APA related to each other, and the nature of that community. Compare the experience of an online community like LiveJournal or Facebook with your APA experience. The Cult was called the “13 Nastiest Bastards in Fandom”. Was it? What feels different about womens’ APAs? Are APAs now obsolete? Would you join a new APA today?

Future Zoom History sessions: 

  • January 20, 2024 – 2PM EST, 11AM PST and 7PM London GMT – An Interview with Joe Green, fan, s-f writer, NASA spokesman and educator.
  • February 17, 2024 – 7PM EST, 11 AM Feb 18 Melbourne AEDT – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
  • March 16, 2024 – 3PM EDT, 2PM CDT, 7PM London (GMT) – The Women Fen Don’t See – Claire Brialey, Kate Heffner, and Leah Zeldes Smith

(4) THE DOG IN THE NIGHT. “Arthur Conan Doyle secretly resented his Sherlock Holmes creation, says historian” reports the Guardian.

Arthur Conan Doyle secretly hated his creation Sherlock Holmes and blamed the cerebral detective character for denying him recognition as the author of highbrow historical fiction, according to the historian Lucy Worsley.

Doyle was catapulted from “obscurity to worldwide fame” after his crime stories began appearing in a magazine in 1891, Worsley writes in the Radio Times. Eleven years later he was awarded a knighthood.

Yet “beneath the surface he was a discontented man”, according to Worsley….

(5) MAJOR SFF EVENTS IN EUROPE IN 2024. [Item by Dave Lally.] The year 2024 has a number of major SF+F events, in Europe, approaching (and all dates given herein are inclusive).  And this info is primarily for those from outside the area (and I trust this data is of help).

Here is major SF+F event No 1 (and in the English Midlands of the UK):

EASTERCON 2024 — Fri 29 March – Mon 1 April we have, in the UK,  Eastercon / “Levitation” (the UK’s annual National SF Con:  Telford, just north of Birmingham).  

[And NOTA BENE, post Eastercon on Thu 4 April, there is the very long standing “One Tun” Central London SF fen meeting (Asimov came in 1974). Upstairs (private) bar 1800-> closing. THE BISHOPS FINGER (pub), London EC1A 9JR (for internet maps). Real craft ale/hot food. Order both on Ground floor. Food delivered later up to you. Nearest Tube: Barbican. Nearest Rail : Farringdon. Nearest Elizabeth Line (esp from Heathrow) : Farringdon ( /// Barbican  exit!!/// ). All  welcome: whether local-to-London or non locals just passing thru!! ]  

Nearest UK Rail Station to 2024 Eastercon : Telford {UK Rail Station code:  TFC}. There are Express InterCity trains from London Euston (if first visiting there, pre-Eastercon) but one should then change trains at Birmingham International { Station code: BHI } NOT Birmingham New St (and see below why, esp re TfW trains). 


Nearest Airport : Birmingham UK [ IATA code : BHX ],  then take the free air-rail shuttle from that Airport, to the local, next door train Station : Birmingham International (as above). There, catch a north-bound train to Telford. 

[If esp travelling from the States, it might be useful to fly to Shannon or to Dublin and then transfer onto a more local flight to BHX. Why? Cos on the return journey from either of those 2 Irish airports (and thanks to JFK +60 years ago), one pre-clears US formalities at those departure locations (the only two so far in Europe, which have them) and then one leaves one’s US airport as a standard, domestic passenger!] 


Especially useful, re UK train travel from { BHI } above,  is the long-distance train (run by Transport for Wales: TfW) which always starts from that Rail Station (usual final destination: ABERYSTWYTH, in mid-Wales). So seats to Telford are usually plentily available thereon, at that Station. Other northbound trains from { BHI } may only go to nearby Birmingham New St (in that City’s central area) or onto Wolverhampton, where one may otherwise then have to change trains anyway. And those other trains may get heavily used by Birmingham commuters, who may block seats for longer-journey-travelling passengers. 

And UK rail data (times, fares etc) are available on: nationalrail(dot)co(dot)uk.  The “green” way to travel..!!

[By the way, that TfW train eventually goes, on splitting much further up the line,  past Portmeirion (!), tho that famous SF (Prisoner) site is much, much further away in North West Wales (oh and see LocationCon data I will provide later, re the proposed visit  –on Tue 6 August– to that venue, pre- and on the way to, Glasgow Worldcon 2024).] 

Eastercon 2024’s website :  Levitation 2024 — The 2024 British National Science Fiction Convention.

( And, as always,  non-UK fen are very welcome indeed at all SF+F events in Europe, incl the UK’s annual NatSFCon- Eastercon..)

(6) LIKE SAND THROUGH AN HOURGLASS. Inverse is warming up the audience for the release of the next Dune movie on March 1, 2024. “’Dune 2’s First 10 Minutes Restores a Classic Scene From The Book — With a Twist”. Spoilers at the link.

When Dune: Part One hit in 2021, fans immediately noticed one change from both the original 1965 novel and the 1984 feature film. Instead of an opening narration from Princess Irulan, Dune: Part One began with a voiceover from Chani (Zendaya). This inversion smartly centered the story of Dune: Part One from the perspective of the Fremen, at least partially. And now, with Dune: Part Two hitting in 2024, the opening of the film will honor the opening of the original book. But this time, the content of the narration will be decidedly different.

Minor spoilers ahead for the first 10 minutes of Dune: Part Two.

At CCXP 2023 in São Paulo, Brazil, on December 3, 2023, during a Dune: Part Two panel, audiences were treated to several preview scenes, including the first 10 minutes of the movie. Back in 2021, the first 10 minutes of Part One were also teased in special screenings, so this kind of preview seems to now be a tradition ahead of the launch of a new Dune movie.

(7) MISSING A NUMBER. Guardian critic Peter Bradshaw was there: “The Moonwalkers: A Journey With Tom Hanks review – a gobsmackingly huge space spectacle”.

Tom Hanks is the narrator and co-writer of this colossal and immersive multimedia family entertainment event or next-level school trip, about Nasa’s historic Apollo moon landings and the planned new Artemis missions. It’s taking place at Lightroom, the innovative new digital art performance venue at London’s Kings Cross – recently the site of Bigger And Closer, an immersive show about David Hockney.

With the audience gathered in the darkened arena-type area, seated on little upholstered double-stools dotted about, Tom Hanks’s likably folksy and nerdily enthusiastic voiceover booms out telling us that this floor space is the size of Mission Control, Houston. Soon, gobsmackingly huge photo images of the moon’s surface and our own planet Earth are flashed up around the walls, also great film footage of the astronauts bouncing and floating, and all with the cathedral vastness and crystal clarity that they have probably always deserved but never before got from TV screens or even movie screens….

… But the strangest omission is the lack of any mention of Apollo 13, the near-disaster rescued with magnificent ingenuity and resourcefulness by the astronauts and ground crews, which Tom Hanks himself almost single-handedly turned into a key moment of American history with his performance as astronaut Jim Lovell in Ron Howard’s film.

Apollo 13 is, after all, why Tom Hanks is narrating this….

(8) NORMAN LEAR (1922-2023). The resume of TV’s Norman Lear even included a few items of genre interest. “Norman Lear, Whose Comedies Changed the Face of TV, Is Dead at 101” in the New York Times.

Norman Lear, the television writer and producer who introduced political and social commentary into situation comedy with “All in the Family” and other shows, proving that it was possible to be topical as well as funny while attracting millions of viewers, died on Tuesday at his home in Los Angeles. He was 101.

In 2003, he helped write a few episodes of “South Park,” the taboo-breaking animated series that was the “All in the Family” of its day. (The show’s creators, Matt Stone and Trey Parker, have said that their bile-spewing character Eric Cartman is partly based on Archie Bunker.)

Mr. Lear turned his attention back to movies in 1982, when he, Mr. Yorkin and Jerry Perenchio bought Avco Embassy Pictures. The newly renamed Embassy Communications released films, including … the acclaimed mock documentary “This Is Spinal Tap” (1984), directed by the “All in the Family” alumnus Rob Reiner.

In 1985… Mr. Lear founded Act III Communications, named to signify the third act of his life. Act III’s most notable productions were two other Rob Reiner films, “Stand by Me” (1986) and “The Princess Bride” (1987)….

(9) MEMORY LANE.

[Written by Cat Eldridge.]

1975 –Joe Haldeman’s The Forever War. Anyone here who has not read Joe Haldeman’s The Forever War should now leave. Really should as I’m going to discuss it.

It was published by St. Martin’s Press forty-eight years ago with the cover illustration not being credited by ISFFB. 

It would win a Hugo at MidAmeriCon, plus a Nebula and a Ditmar, and be nominated for a Prometheus Award. 

Haldeman said in a Guardian review of 2011 that “It’s about Vietnam, because that was the war the author was in”.  

It was sixteen years after Starship Troopers came out and I thought that Haldeman said it was written as a reaction to that novel but the Guardian quote contradicts that. The reviewer there thinks that much of the look and feel of the book comes from Heinlein’s novel but I didn’t feel that was true. Do you? 

According to the Authors note to my epub Open Road edition of 2008, “This is the definitive edition of The Forever War.” It looks like a novella titled “You can never go back again” that Bova wouldn’t publish at Analog because he thought it was “too downbeat” and therefore wasn’t in the first edition is now included in the middle section of the novel. 

Now for its excellent Beginning…

‘Tonight we’re going to show you eight silent ways to kill a man.’ The guy who said that was a sergeant who didn’t look five years older than me. So if he’d ever killed a man in combat, silently or otherwise, he’d done it as an infant. 

I already knew eighty ways to kill people, but most of them were pretty noisy. I sat up straight in my chair and assumed a look of polite attention and fell asleep with my eyes open. So did most everybody else. We’d learned that they never scheduled anything important for these after-chop classes. 

The projector woke me up and I sat through a short tape showing the ‘eight silent ways.’ Some of the actors must have been brainwipes, since they were actually killed. After the tape a girl in the front row raised her hand. The sergeant nodded at her and she rose to parade rest. Not bad looking, but kind of chunky about the neck and shoulders. Everybody gets that way after carrying a heavy pack around for a couple of months.

 ‘Sir’—we had to call sergeants ‘sir’ until graduation—‘most of those methods, really, they looked … kind of silly.’

‘For instance?’ ‘Like killing a man with a blow to the kidneys, from an entrenching tool. I mean, when would you actually have only an entrenching tool, and no gun or knife? And why not just bash him over the head with it?’ 

‘He might have a helmet on,’ he said reasonably. 

‘Besides, Taurans probably don’t even have kidneys!’ 

He shrugged. ‘Probably they don’t.’ This was 1997, and nobody had ever seen a Tauran; hadn’t even found any pieces of Taurans bigger than a scorched chromosome. ‘But their body chemistry is similar to ours, and we have to assume they’re similarly complex creatures. They must have weaknesses, vulnerable spots. You have to find out where they are.

‘That’s the important thing.’ He stabbed a finger at the screen. ‘Those eight convicts got caulked for your benefit because you’ve got to find out how to kill Taurans, and be able to do it whether you have a megawatt laser or an emery board.” She sat back down, not looking too convinced.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 6, 1911 Ejler Jakobsson. (Died 1984.) His first publications, edited with his wife, were The Octopus and The Scorpion in 1939 which were definitely of a pulpish nature.

He has responsibility for Astonishing Stories and Super Science Stories briefly before they shut down production due to paper shortages. When Super Science Stories was revived in 1949, Jakobsson was named editor until the magazine again (and finally) ceased publication in 1951.  I’ve never read that magazine. Who here has? 

He was an editor for Graphic Books in the 1950s. Jakobsson returned to editing in 1969, when he took over Galaxy and If, succeeding Frederik Pohl. He worked to make the magazines more up to date according to SFE with the help of Judy-Lynn del Rey and Lester del Rey. He left the magazines in 1974 and was succeeded by Jim Baen.

SFE says that “During Jakobsson’s editorship the following anthologies were published (his name did not appear on their title pages): The Best from Galaxy Vol I (anth 1972) edited by The Editors of Galaxy Magazine; The Best from If (anth 1973) edited anonymously; The Best from Galaxy Vol II (anth 1974) edited by The Editors of Galaxy Magazine; and The Best from If Vol II (anth 1974) edited by The Editors of If Magazine.” None of these are currently in-print. 

He also wrote a handful of short fiction according to ISFDB, all with Edith Jakobsson. The titles, such as “Corpses on Parades”, “Coming of The Unborn Things” and “Satan’s Toy Monsters”, suggest they were horror writers. These were never gathered into a collection. 

(11) COMICS SECTION.

(12) FAN MAIL FOR FLASH GORDON. “1980’s FLASH GORDON: Movie of the (Wonderfully) Impossible!” at 13th Dimension.

…It’s a famous story by now—one of the great What If?s in all of pop culture—that in the early 1970s, George Lucas tried to buy the rights to Flash Gordon. His failure to do so led (indirectly) to the creation of Star Wars, and popular entertainment would never be the same. De Laurentiis had first wanted Federico Fellini(!) to direct, then moved onto Nicolas Roeg(!!), finally settling on journeyman director Mike Hodges and screenwriter Lorenzo Semple Jr. (who, besides helping develop the Batman TV series, wrote the 1976 King Kong remake for De Laurentiis). With a budget of $27 million (around $100 million today), De Laurentiis was, as usual, going big.

He’s a miracle!

After a magnificently exciting opening credits scene (scored to Queens’ iconic, propulsive theme music, and peppered with art from the comic strip), we jump right to the action—by the 20-minute mark we’re already on Mongo.

Every sci-fi/fantasy film post-Star Wars bears its influence, visually and tonally. But De Laurentiis’ personality was still so big and forceful that Flash Gordon hits a sweet spot between what a big budget, modern sci-fi movie was supposed to feel like in 1980, and the more idiosyncratic, phantasmagorical, Pop Art feel of the 1960s. Almost everything in Flash Gordon is a practical effect—the retro-futuristic spaceships and weaponry, the Art Deco sets, and the costumes that look mighty uncomfortable for the actors to wear….

(13) SUBMISSION WINDOW. Chris Barkley wanted to make sure I didn’t miss “The Magazine of Horror” by Oghenechovwe Donald Ekpeki, published in 2020 by Apex Magazine. I’m glad he sent the link.

… PS: as an aside, I was wondering and didn’t want to add something so silly to the main body of my cover letter. It’s silly really. The worries of a newbie writer. I heard that your magazine is the greatest horror magazine and will only publish the greatest horror story at a time, and in the lifetime of the published writer, will publish no other story, until the accepted writer expires. Also, that should a story be accepted, the current story is deleted and the displaced writer dies. What is worse, I heard that all those rejected by your magazine also die. This is of course all just silly rumours. I notice that your magazine only has one story on it, despite its ridiculously high pay rate of a hundred thousand dollars per story…

(14) DAY AND NIGHT, YOU ARE THE ONE. “Chronobiologist and Nobel Laureate in Medicine Michael Rosbash: ‘Lack of sunlight during the day is worse than electric lighting at night’” in El País USA Edition.

Q. One of the things that flies and privileged people have in common is napping and sleeping at night. What is the biological purpose of sleep and of these intermediate pauses during the day?

A. We do not know. Memories are consolidated during sleep and neuronal morphology is modified during sleep. All that happens, but I do not think that is the major purpose of sleep. We do not know what fly and human sleep, for example, have in common. My guess is that it is related to metabolism, such as recharging ATP [adenosine triphosphate, a key energy molecule in cells]. The brain is the largest consumer of ATP; perhaps there is a metabolic need for recharging….

(15) ALL GLORY IS FLEETING. The New York Times tells how “George Santos Uses Cameo Videos to Make, of All Things, an Honest Buck”. (You can view his Cameo videos here: George Santos.) (Though it’s possible Bowen Yang is an even better Santos, as proven by his imitation in Saturday Night Live’s “George Santos Expelled Cold Open” last weekend.)

…Three days after George Santos was expelled from the House of Representatives, he sat in front of a camera to address the American people.

Well, a few American people. The ones willing to pay Mr. Santos — the former congressman who stands accused on federal fraud charges of stealing money from campaign donors for personal expenses — hundreds of dollars a pop on the video app Cameo.

“Hey, Sarah,” Mr. Santos said in one video. “Sometimes work sucks. I mean, let’s talk about bad days, huh? Last Friday wasn’t so great for me, either.”

It was a rare moment of truth for Mr. Santos, who lied to voters and his colleagues about where he went to high school, going to college, being a volleyball star, working on Wall Street, having Jewish ancestry and family ties to the Holocaust and the Sept. 11 attacks, among other things.

There was a time when Mr. Santos expressed regret for some of those falsehoods. His videos on Cameo suggest that time has passed.

“Hey, Harper! I love that you are such a dedicated student at N.Y.U.,” Mr. Santos says in one, before pausing, smirking and chuckling. “You know,” he adds, cocking his eyebrows: “My … not-so-real M.B.A.”

(16) VIDEO OF THE DAY. I don’t think dogs are rules lawyers by nature the way Ryan George makes them out to be in “When Dogs See A Christmas Tree”, but that’s where the humor comes from in this video. Tell the internet to go fetch it for you.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 9/7/23 Like Pixels Through The Hourglass, So Are The Scrolls Of Our Lives

(1) NECESSITY IS THE MOTHER OF INVENTION – AND UNOFFICIAL HUGO FANZINE AND FAN WRITER PACKETS. There is less than one month until the Hugo Awards voting deadline and yet the Hugo Voter Packet is still missing the content for the Fanzine and Fan Writer categories without any explanation or progress. Chinese fans are taking their own initiative to make them available.  

Two days ago Arthur Liu (“Heaven Dule”) posted a compilation of fan Hugo finalist packet material currently accessible from public links: “Worldcon Special | Hugo Award Fan Magazine & Fan Author Vote Reading Pack”. He says in his introduction [machine translated from Chinese to English]:

On August 2023, 8, the Hugo Awards Voting Reading Pack (Issue 17) was released, which did not include voting references for the three categories of Best Fan Magazine, Best Fan Author and Best Dramatic Performance. As of September 9, less than a full month before the voting deadline, there is no follow-up announcement. In this connection, we have compiled a list of public reading reference materials for voters to compile the Best Fan Magazine and Fan Author Winners. Let the official belong to the official, and the fans to the fans.

Note: that intro was also quoted in a Weibo post by Kehuan Guang Nian/SF Light Year, who occasionally comments on File 770 under a handle. He has over a third of a million followers, so the concerns being voiced by some people in China are being widely heard.

Ersatz Culture has updated their own comprehensive index to 2023 Hugo Award Voter Packet Contents. (The direct link to the Fanzine and Fan Writer categories is here.)  Here is a screencap from that website.

(2) JOURNEY PLANET VOTER PACKET CONTENTS. Journey Planet has taken their own steps to remedy the Hugo Voter Packet’s failure (so far) to distribute their  material, which is now available at this website

(3) CHENGDU WORLDCON VENUE UPDATE. The Chengdu urban blogger skyxiang1991 posted some photos from the convention center construction, which have been tweeted by Ersatz Culture.

(4) YOU CONTROL THE VERTICAL. Ursula Vernon is running a choose-your-own-adventure game on Tumblr: “The Book Of The Gear”, with audience polls used to pick which alternative is pursued.

Long, long ago, before Twitter descended into its end-stage hellscape, I ran a few iterations of a weird little choose-your-own-adventure game there, where I used the poll functions to offer options as we traversed a strange concrete labyrinth. I’d like to do that again. But as the shortest poll I can run is one day, this is more like a play-by-mail than a real-time on-the-fly. Fewer choices, but hey, you do get much longer descriptions!…

Here’s an excerpt from the first installment.

Let’s begin, shall we?

You, friend, are the latest graduate of the Wentworth School Of Exploration and Adventure (Goooo Fighting Codfish!) the second-best explorer’s school in the city. You left behind your grandmother’s cabbage farm in pursuit of higher, better, possibly more fatal things.

It was at Wentworth that you first came across a reference to the works of Eland the Younger, that wandering naturalist, historian…okay, occasionally out-and-out liar…and his great fragmentary work, the Book of the Gear. It detailed his descent into a great clockwork labyrinth, filled with strange creatures and stone gears. Even for Eland, it’s a bit weird. Most scholars dismiss it outright as a fabrication, and the few professors who would talk to you about it strongly suggested that it was dangerous and you should ignore any rumors about its location and do something else. (Possibly on one of their projects! For course credit, obviously, not money.)

You didn’t listen….

(5) FRANK TALK ABOUT A TOXIC HISTORY. Kristine Kathryn Rusch doesn’t just talk about the latest F&SF kerfuffle, but surveys decades of issues in “Business Musings: My Magazine. My Voice. My Rules”.

…I have been quite reluctant to weigh in on the F&SF mess for personal reasons. I believe that rescinding that contract was the absolute right thing to do, and I will get to that in a moment.

But let me say this first:

I try very hard not to discuss The Magazine of Fantasy & Science Fiction. I think Sheree Renée Thomas is a fantastic editor. She’s done a spectacular job at F&SF. I think she’s managed to honor the magazine’s traditions and bring it solidly into the 21st century.

I wish she had a better boss. But I have remained mostly quiet about Gordon Van Gelder. The transition between my editorship and his was ugly, with him sending a form letter to everyone with a story in inventory, telling them that the editing on their stories was poor and the stories needed to be re-edited. That was but one thing that he did when he came on board. The microaggressions continued for decades, including leaving me out of as much of the history of the magazine as possible (including the Wikipedia page, except as a name, until people complained).

The behind-the-scenes stuff got so ugly that a friend of mine, a big-name corporate lawyer, wanted to take my case for free because he said it was a textbook case of tortious interference. I did not let my friend or, later, another lawyer who offered, take the case because I was not going to edit any longer. I didn’t need editing work. If I had, I would have had to take them up on going to court.

But I was no longer interested in editing. I was more concerned with my fiction career. If Gordon and his friends managed to destroy my reputation under the Rusch name, I could—and did—write under pen names. I didn’t want to spend time in court, even though a few other lawyers (and one appellate court judge) who learned the story agreed that the case was a slam dunk.

But let’s just say that I have very little good to say about Gordon, and the lack of respect he showed, not just me, but most women in his orbit….

…Sheree has to walk a tight line between her boss and her own voice. She’s been doing so for three years now. But this conflict spilled into the open, and Gordon, acting in a typically insensitive manner (at best), left her out to dry for nearly six weeks.

That’s the problem here.

Not rescinding the acceptance.

No magazine should ever be forced to buy something from anyone they find abhorrent. Or from anyone who espouses different views than the magazine itself.

Every magazine has a voice and a perspective. Sheree’s assignment is to maintain the voice of a seventy-three year-old magazine while making that magazine relevant to 2023. She has brought in new voices while keeping some of the old ones. She has maintained the reading experience for long-time subscribers and has managed to bring in new ones along the way.

She’s doing an amazing job.

It’s a balancing act that all editors face….

(6) IN THE TRENCHES. And if you can take it, here’s some more publishing truth. On the Publishing Rodeo Podcast, Sunyi Dean and Scott Drakeford interview Kameron Hurley: “Why Don’t We Just Quit?”. Transcript at the link.

…Kameron
I couldn’t quit my job. There was no way that that was going to happen. We actually got married because his health insurance is this is before Obamacare. His health insurance was going to went out. We were going to be screwed. He was like, I’m going to die. For me, I needed to realize, I wanted to be transparent that just because someone seems to be successful, quote-unquote, there are some years I’ll make $5,000 writing that year, right? With patron now, I make much more, but that’s because of patron. I make way more than I do in book advances every year, let me tell you, especially because I’m way behind this current book. Because let me tell you, you get behind because of a pandemic or something like that. You don’t get paid until you send them the rest of the book. So you’re just sitting there going, Crap, I need to finish a book or I’m not going to get paid. So it’s understanding the way that those economics actually work. And just because someone has written a seminal novel or has written 25 novels does not mean that they’re not waking up at 06:00 a.m. And going to be a marketing strategist and getting yelled at by clients all day.

Kameron
That’s what I did today. So it’s understanding that there’s a lot more going on the background than a lot of people will present. And I think that it gives, especially newer writers, this really warped view of what success means, of what that trajectory is. Martha Wells was putting out book after book after book since I was a teenager. And not really like it was… She was just this reliable, wonderful storyteller and nothing broke out until Murderbot. And she even said at one point, she’s just like, I didn’t realize it until I looked up one day that my career was almost over. And she ended up signing with one of the publishers that I did that went bankrupt, just how I met her. But I think that people forget that sometimes you can go, Victoria Schwab talks about this. She refers to what? Eleven books were midlist books that was out of print within two years, her first book. And I like those stories because they are much more typical of the actual experience that the vast majority of writers have….

 (7) BOUCHERCON COVID INFECTION REPORT. Lee Goldberg has been tracking Covid infection reports among people who attended last weekend’s Bouchercon. “My informal tally is up to 20 #Bouchercon2023 attendees announcing their infection on Twitter. I wouldn’t be surprised if the actual total of infected attendees is at least 3 times as many…”

(8) THE WRONG KIND OF GREEN. [Item by Bruce D. Arthurs.] Lauren Panepinto’s essay, “The Envy of Non-Creatives” on Muddy Colors addresses an important aspect of AI art generation and why some people are in favor of it.

…. Some of you will read this and say, duh, I have experienced this first hand. It’s very common for artists and authors to lose friends when they make the jump to “going pro” and finding success. I work with so many authors, and it’s a given that when you publish your first book you lose a good number of friends. And it’s almost always the friends who also wanted to become an author. It’s because those friends were fine encouraging you when you were all amateurs together…but if you put the work in and level up, then it can be a harsh wake-up call to the folks in your life who haven’t put the same work and time into their own dreams. And many of hem would rather project that self-hatred onto someone else. I know many professional artists have experienced this as well. If you haven’t experienced this, then I think it is still important to think about. It’s been disheartening to see how many non-artists have leaped to defend the AI platforms, and I struggled to understand why. Put aside the businesses who want to save money — I’m talking about individuals who have nothing to gain financially from these platforms. It’s also something important to keep in mind when people try to convince us of that pesky myth that an artist must starve, must suffer, must be partially insane to make good art. That that’s the price we pay for creativity. It’s not true. Yes, there can be a correlation between mental illness and creativity (I’ve written on that before) but it’s not a causation. There’s deeper meaning there and it’s important for us as artists to see that clearly, not fall into the self-defeating traps society can often set for us….

(9) IT’S GREAT TO BEAT YOUR FEET. Cory Doctorow, in a New York Times opinion piece, says “Burning Man Is Always a Challenge, but Burners Like Me Know This Time Is Different”.

… Obviously, the weather at the ending was also one for the history books — for very different reasons. Not only did we get more heavy rains, compounding rarity upon rarity, but they arrived at the worst possible time, near the end of the event, when everyone’s supplies of food, water and fuel were low.

The storm turned the playa’s microscopic dust into a bedeviling clay that mired everything in clinging mud. Just walking was a challenge: The mud stuck to your shoes and turned your feet into tragicomic irregular spheres that grew heavier with each step. Worse, all this movement churned up the playa, marring the surface and creating pockmarks that retained water, slowing the drying out and stranding attendees for longer.

Though such rainstorms are all but unheard-of, harsh weather at Burning Man is absolutely normal. I’ve been caught in at least one white-out dust storm every year. This is how the playa teaches patience. Whatever pleasurable thing you find yourself doing is every bit as fun as the thing you were planning to do, so enjoy it.

This is how the playa teaches solidarity. The ultrafine dust infiltrates every bearing of every machine. The gusting winds blow over shelters and tear reinforced grommets. Your goggles break and the blowing, burning dust gets into your eyes. You help your neighbors. Your neighbors help you. The “radical self-reliance” of Burning Man isn’t the final word — it is counterpart to the event’s “radical inclusion.”…

(10) GOOGLE TWEAKS POLITICAL AD RULES. BBC News reports a new policy: “Google: Political adverts must disclose use of AI”.

Google will soon require that political ads on its platforms let people know when images and audio have been created using artificial intelligence (AI).

The rules have been created as a response to the “growing prevalence of tools that produce synthetic content”, a Google spokesperson told the BBC.

The change is scheduled for November, about a year ahead of the next US presidential election.

There are fears AI will supercharge disinformation around the campaigns.

Google’s existing ad policies already ban manipulating digital media to deceive or mislead people about politics, social issues, or matters of public concern.

But this update will require election-related ads to “prominently disclose” if they contain “synthetic content” that depicts real or realistic-looking people or events.

Google suggested labels such as “this image does not depict real events” or “this video content was synthetically generated” will work as flags….

(11) POPULAR MARYLAND SFF CON HOTEL CLOSING. [Item by Dale Arnold.] The Delta Hunt Valley Hotel (Formerly the Hunt Valley Inn) which was the location of many past Balticons, once a World Fantasy Con, and present convention hotel for the SF genre media cons Shoreleave, Farpoint and Mid-Atlantic Nostalgia Convention will be closing permanently at the end of October 2023. Once upon a time the Hunt Valley Inn was considered the best hotel for SF cons in the area with a sea of free parking that the fans loved. Unfortunately, that sea of free parking on 29 acres in a desirable spot right off an interstate interchange proved so attractive that a development group bought the hotel in 2018 and although they were guarded about future plans it is now confirmed they have created a plan for mixed use office, retail etc. and will now demolish the hotel and rebuild. Many fans noticed the hotel was not being invested in since 2018, but we all hoped the grand old facility would bounce back, but alas it is not to be. 

(12) IT’S A THEORY. Electoral-vote.com took note of a sff reference in coverage of Texas Attorney General Ken Paxton’s impeachment trial:

…state senator Angela Paxton, Ken Paxton’s wife, whom he cheated on, and is required to attend the proceedings by the state constitution, showed up in a red dress. I’ll suggest that this is not to show support for Republicans, but rather a reference to the Wheel of Time‘s Red Aja, the notoriously misandrist faction, and whose TV series just launched its second season. She’s out for blood.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 7, 1795 John William Polidori. His most remembered work was “The Vampyre”, the first modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story was his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
  • Born September 7, 1921 Donald William Heiney. Under the pseudonym of MacDonald Harris, which he used for all of his fiction, wrote one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects.  (Died 1993.)
  • Born September 7, 1924 Gerry de la Ree. He published fanzines such as Sun Spots which ran for 29 issues from the Thirties through the Forties, and as editor, he published such work as The Book of Virgil FinlayA Hannes Bok Sketchbook, and Clark Ashton Smith – Artist. He was inducted into the First Fandom Hall of Fame. (Died 1993.)
  • Born September 7, 1955 Mira Furlan. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least## briefly in Marc Zicree’s Space Command. She died of the West Nile virus. Damn. (Died 2021.)
  • Born September 7, 1956 Mark Dawidziak, 67. A Kolchak: Night Stalker fan of the first degree. He has written The Night Stalker Companion: A 30th Anniversary Tribute, Kolchak: The Night Stalker ChroniclesKolchak: The Night Stalker Casebook and The Kolchak Papers: Grave Secret. And more additional works than I care to note here. To my knowledge, he’s not written a word about the rebooted Night Stalker series. Proving he’s a man of discriminating taste. 
  • Born September 7, 1961 Susan Palwick,  62. She won the Rhysling Award for “The Neighbor’s Wife,” the Crawford Award for best first novel with Her Flying in Place, and the Alex Award for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. She was one of the editors of New York Review of Science Fiction which was nominated for the Best Semiprozine Hugo at Noreascon 3. 
  • Born September 7, 1960 Christopher Villiers, 63. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
  • Born September 7, 1973 Alex Kurtzman, 50. Ok, a number of sites claim he single-handedly destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. And I’m fascinated that he was Executive Producer on Hercules: The Legendary Journeys and Xena: Warrior Princess!

(14) COMICS SECTION.

  • Thatababy gets a media tie-in gift that even surprises Mom.

(15) MARVEL AT NY COMIC CON. “Marvel Announces 2023 New York Comic Con Panel Line-Up”. See details at the link.

This October, Marvel is returning to New York Comic Con with a line-up of fan-favorite panels, can’t-miss activations, exciting announcements, New York Comic Con convention-exclusive merchandise, all-star talent signings, and countless fan experiences at the Marvel booth from Thursday, October 12 through Sunday, October 15.

Marvel will be on the ground to host the exciting events in the Marvel Booth and fans at home can experience it all by watching the exclusive livestream broadcast hosted by Ryan Penagos, Josh Saleh, Langston Belton, Ray Lowe, and Mikey Trujillo. Fans can stay up to date on the biggest stories and breaking news by tuning in on Marvel.comYouTubeX (formerly Twitter)Facebook and Twitch….

(16) ALIEN BREAKTHROUGH. The Guardian profiles “Jewelle Gomez: the Black lesbian writer who changed vampire fiction – and the world”.

Ridley Scott’s Alien holds a special place in the heart of Jewelle Gomez, but not simply because Sigourney Weaver’s Ellen Ripley was just her type. “If you were going to come out, that was the movie to come out to,” she says with a chuckle over video call from her home office in San Francisco. The year was 1979, Gomez was 31, and her mother, Dolores, and grandmother, Lydia, were in New York City for a visit when they went to see the sci-fi horror at a cinema near Times Square. “We were in the bathroom after and my mother started reading graffiti on the bathroom stall,” Gomez says. “My mother says: ‘Oh, here’s one. It says Dykes unite!’ And I was like, should I speak? Should I not speak? What do I say?” Her grandmother didn’t give her a chance to answer: “She says: ‘Oh, that’s nothing. Jewelle has an ink stamp on her desk at home and it says Lesbian money!’ All three of us cracked up and I breathed a sigh of relief. It was lovely.”

(17) FRESH INTERPRETATION OF DRACULA. “New blood: Scotland to stage all-woman and non-binary Dracula play” – the Guardian has the story.

The first major staging of Dracula with an all-woman and non-binary cast aims to “reclaim and subvert” gothic tropes of fragile and corruptible females by retelling the genre classic through the eyes of Mina Murray.

In Bram Stoker’s 1897 novel, Murray’s fiance, the solicitor Jonathan Harker, clumsily embroils Mina and her friend Lucy in Dracula’s bloodlust when he travels to Transylvania to assist the count in a property purchase. However, the new National Theatre of Scotland production puts Mina at the centre of the action.

Set in a psychiatric hospital in Aberdeenshire in 1897, Dracula: Mina’s Reckoning is a unique Scottish adaptation that tells the familiar story through her eyes, assisted by an ensemble of asylum inmates led by a non-binary Renfield, the Count’s devoted servant.

“The novel is wonderful,” says director Sally Cookson, Olivier award-winner and associate artist at Bristol Old Vic. “But I was always very aware of how the male characters had all the power.”

Bram Stoker hinted at Mina’s fascination with the New Woman, the feminist ideal of independence embodied in the suffragette movement, Cookson explains, “but he never really allows her to become one; she’s not allowed to join in the vampire hunt, he continually locks her up for her own safety, and then tidily marries her off [to Harker] at the end of the story”.

“What would happen if Mina’s ambition was not to get married and have children?”…

(18) FREDDIE MERCURY AUCTION. [Item by Lis Riba.] This week, Sotheby’s is auctioning off Freddie Mercury’s estate. In addition to his music memorabilia, wardrobe, and truly gorgeous works art and furniture, I noticed several lots the File 770 readership might find interesting.

(19) AT HOME IN A TESSERACT. Did we cover this in 2021? Well, let’s link to it again just in case: “Jonathan Lethem on Robert Heinlein and Other Influences” in the New Yorker.

…The story’s protagonist, Mull, has found himself living in a once spectacular tesseract house—an architect’s grandiose solution to L.A.’s housing crisis—which has collapsed yet is still habitable. The structure keeps shifting and Mull struggles to find his way around. A corridor he used one day may have vanished the next. When did you first imagine this building? Do you see it as a three-dimensional space in your mind’s eye? Do you know it better than Mull? Or as well as Mull?

The idea of a tesseract as building comes from Robert Heinlein’s famous 1941 short story, “—And He Built a Crooked House—” (an influence my story wears on the sleeve of its title). It was one of my favorite stories growing up, and, for a lot of readers my age, it might be as responsible for the introduction of the idea of a tesseract as Madeleine L’Engle’s “A Wrinkle in Time.” It’s also an L.A. story, and Heinlein was a resident when he wrote it. The house in the story is across the street from his own address, if I’m remembering right.

That people in Los Angeles live outside right now, in tents and under overpasses, is such a cruel and overwhelming reality that it may be atrocious to make reference to it in passing (though it probably isn’t better to leave it unmentioned at all, which is what happens constantly). I’ll try saying simply that I sometimes find it easiest to let certain realities express themselves in my thinking when I give them a surreal or allegorical expression. I grew up reading Stanisław Lem and the Brothers Strugatsky, and also Kafka and Anna Kavan and Kōbō Abe, so I may be predisposed to place the severest subjects into this kind of indeterminate fictional space….

(20) ALL STACKED UP AND NOWHERE TO GO. [Item by Mike Kennedy.] After their April “rapid, unplanned disassembly,“ SpaceX is ready for its next Starship launch attempt. The vehicle is stacked on top of one of their super heavy boosters, and they’re raring to roar. There’s one teeny tiny problem. The FAA has not given permission for another attempt nor publicly said when it might. Could Elon Musk be suffering from failure to launch? “Starship is stacked and ready to make its second launch attempt” at Ars Technica.

…”The SpaceX Starship mishap investigation remains open,” the agency stated. “The FAA will not authorize another Starship launch until SpaceX implements the corrective actions identified during the mishap investigation and demonstrates compliance with all the regulatory requirements of the license modification process.”…

(21) VIDEO OF THE DAY. Marc Scott Zicree invites everyone to enjoy video of the “Space Command Creature Test”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Ersatz Culture, Lis Riba, Bruce D. Arthurs, Dale Arnold, Kathy Sullivan, Steven French, Michael J. “Orange Mike” Lowrey, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Lis Carey Review: Unity Con

Spade is determined to stay far away from Unity Con, a convention run by people he loathes, who have no conrunning experience, whom he is convinced will make a disaster for all of fandom if well-known conrunners are seen to be involved. Then he gets a call from Paladin, telling him about a disaster that’s going to damage fandom anyway, unless she and Spade can prevent it. And Spade can’t say no to Paladin.

Unity Con (A Spade/Paladin Conundrum), by Kristine Kathryn Rusch
WMG Publishing, November 2021

Review by Lis Carey: Spade is in Garland, TX, hanging out with people he likes instead of going to Unity Con, a convention he has sworn not to attend, because it’s been organized by a group, or rather two groups, of people at the heart of a major brouhaha around the Hugo Awards a few years ago. They’ve now decided to start a new convention, uniting fandom — and they’re all sf pros, not the fans these two groups look down on as mere amateurs. It isn’t just that Spade doesn’t like most of these people. It’s that he sees a disaster that could create problems for all convention-running fandom if they have anything to do with it.

Spade is staying away. Far away.

Then he gets a call from Paladin, who is at Unity Con.

There’s been a murder.

One of the major organizers of the con, a man Spade met and immediately clashed with years ago when the organizer was a young man just entering fandom, is dead. Paladin has only just managed to secure the scene and get the police called, and this is really important, because in addition to the man being dead, the funds raised to pay the property where they’re holding the con has vanished out of the account. This isn’t just a murder. It’s a murder, and embezzlement that could wreck organized fandom for years to come. It’s Spade’s worst nightmare, and he wants to stay far away from it. And Paladin is asking him to come. He can’t say no to Paladin.

He’s also by far the best forensic accountant in fandom.

Coincidentally, Unity Con is held at the ranch where Justice Antonin Scalia previously died. There’s a short-lived attempt to cover up the death at Unity Con the same way Scalia’s death avoided a real investigation. Spade is soon at the ranch uncovering alarming secrets, and becoming more and more convinced he was right about what a terrible idea Unity Con was.

It’s a fun story, although, like Spade, I wouldn’t have wanted to attend Unity Con.

I received this novelette as a gift.

Pixel Scroll 4/19/23 Tick, Tock, Said The Pixel, Just Keep Scrolling

(1) F&SF. The Magazine of Fantasy & Science Fiction’s May-June 2023 cover art is by Maurizio Manzieri.

(2) INTERNATIONAL BOOKER PRIZE. The International Booker Prize 2023 Shortlist of 6 works was released on April 18. The one longlisted item of genre interest has survived to make the shortlist, Cheon Myeong-Kwan’s Whale. The winner will be announced May 23. Publishing Perspectives breaks down the amount of the prize.

…The focus of this Booker is translation, and its £50,000 prize (US$60,734) is to be split into £25,000 (US$30,367) for the author and £25,000 for the translator—or divided equally between multiple translators. There also is a purse of £5,000 (US$6,072) for each of the shortlisted titles: £2,500 (US$3,036) for the author and £2,500 for the translator or, again, divided equally between multiple translators….

(3) DIGGING OUT FROM THE MUDSLIDE. Yesterday Larry Correia posted “A Letter To Epic Fantasy Readers: I Know Rothfuss And Martin Hurt You, But It’s Time To Get Over It And Move On” [Internet Archive], a cruel rant blaming a couple of well-known fantasy writers for allegedly crushing the nascent careers of other fantasy novelists by failing to finish their series and creating reader resistance to new writers’ series. (Then, finding he had mud left over, he deposited some on a third author who has an unfinished sf series.)

Today Mark Lawrence decided a few things needed to be said in response in a blog post, “Faith and blame”, which concludes:

…In short: 

i) Authors who delay a book in a series, be it for 10 years, or 50, or forever, are not lazy sacks of shit.

ii) The high profile authors who have delayed may be cited in some cases as a reason for readers not picking up a newly published book 1 — but I feel the reasons behind that reluctance are far deeper and considerably wider than two or three writers, however well known. Some portion of the reason (I do not say blame) may reside with them, but I think this would be happening even if book 3, 4, & 6 had turned up a year or two after their predecessors.

iii) It’s easy to give the reason for this problem a face – someone to call an apathetic sack of shit. It’s human nature to want a simple answer and a person to blame. But it’s more complicated than that.

Readers – have faith in your writers, that faith will be overwhelmingly rewarded. And when it’s not – the only thing that author has done is disappointed you, not tanked the entire publishing industry.

(4) DON’T LOOK FOR THIS BOOK ON THE RIVER. “Lydia Davis refuses to sell her next book on Amazon” – the author explains why to the Guardian.

Prize-winning author Lydia Davis’ new collection of short stories will not be sold on Amazon, with the author saying she does not “believe corporations should have as much control over our lives as they do”.

Our Strangers will be published by Canongate on 5 October, and is the seventh collection of fiction from Davis, who won the Man Booker international prize in 2013, when the award chose a winner based on a body of work, rather than a single book.

Due to be published just before Bookshop Day on 7 October, Our Strangers will only be sold in physical bookshops, Bookshop.org and selected online independent retailers.

Davis said: “We value small businesses, yet we give too much of our business to the large and the powerful – and often, increasingly, we have hardly any choice.

“I am all the more pleased, now, that Canongate, with its long history of independence and its high standards, will be publishing Our Strangers and doing so in a way that puts my book on the shelves of booksellers who are so much more likely to care about it.”…

(5) GROWING PROSPECT OF WRITERS STRIKE. Leaders of the Writers Guild of America secured a strong showing of support from members. “Writers strike looms after members vote to shut down film and TV production” reports CNN Business.

…The vote announced Monday afternoon showed 97.9% of participating union members voting to approve a potential strike.

If a strike happens, it would be the first in the industry since 2007, and it would bring production on many shows and films to a halt. The 2007 strike lasted 100 days.

The Writers Guild of America, the union that represents the writers, says it needs to make substantial changes to the way that writers are compensated because of the shift to streaming services from traditional films and cable and broadcast networks….

(6) AFRICANFUTURISM. Nnedi Okorafor did her own cover reveal yesterday. Preorder here.

(7) PICARD. NPR’s “Pop Culture Happy Hour” panelists respond as “’Picard’ boldly goes into the history books”. Beware spoilers.

[ERIC] DEGGANS: Well, you know, I wrote a review before the show debuted. I love, love, love this. And the reason I love this is because I’ve always felt that Paramount Plus’ new “Trek” series have erred by being so careful about trying to blaze their own path and tone down the references to past “Trek” stuff. And I understand that, especially with “Discovery,” the very first series to step out, they wanted to blaze a new trail. But there is a reason why this franchise has survived for nearly 60 years.

To have – especially “Star Trek: Picard,” in its first two seasons, really suffered from not being willing to look back and acknowledge the reason why people love Jean-Luc Picard in the first place. So it is just so great to see this series emerge as this love letter to not just “The Next Generation” but all those Trek series that kind of debuted in that 1990s, early 2000s era. So “The Next Generation,” “Deep Space Nine,” “Voyager” – there’s all kinds of Easter eggs and references that, if you don’t know the shows, you don’t need to worry about. But if you do know the shows, it is just so much fun and so much extra pleasure to watch this unfold.

(8) GET READY FOR “MRS. DAVIS”. “Mrs. Davis Co-Creator Tara Hernandez On Crafting Peacock’s Wild New Sci-Fi Series” at Slashfilm.

One might not imagine that one of the writers of “The Big Bang Theory” and “Young Sheldon” would be behind one of 2023’s most anticipated, high-concept sci-fi shows, but that’s exactly the situation we find ourselves in. Hailing from Tara Hernandez, “Mrs. Davis” debuts on Peacock later this month, with Damon Lindelof, of “Lost” and “The Leftovers” fame, serving as co-creator on the series alongside her….

I’ve not seen a ton of the show, admittedly, but this feels like the kind of thing where, especially because I know Damon got into some of this with “Lost” years ago where they just were chasing their tails, so how long would you ideally see this going? Is this a one season show? Is it a four season show? Do you have a rough idea of where you guys would like it to go?

Yeah, I think we really, and just my personal tastes, I really love a great season of television. I love a story that’s introduced. I love a nice conclusion on it. I think we had to know where we were ending up. We pitched the show, when we pitched it, it was very important to have the landing place.

That is nice to hear.

Yes. It has a landing place. We had to know what the North Star was, especially in a show that can feel like, “Is this going to go off the rails? Are they just going to be chasing their tails?” Just my personal preference about storytelling, whether that comes from really loving feature films or just loving a hero’s journey that’s a really closed-loop narrative, I think the world of “Mrs. Davis” is such that it has legs, but I think it is a great eight episodes. If that’s what it is, it’s just a really nice story. And people will be satisfied.

(9) GET YOUR RED HOT CAT BOOKS. Kristine Kathryn Rusch has curated The 2023 Cattitude Bundle for StoryBundle and it’s available for the next three weeks.

My cats have gotten out of control. During the lockdown, I promoted a series of projects using my co-workers as a hook. The only co-workers I had at the time were the the cats who boss me around: The Mighty Cheeps, and his buddy Gavin, a.k.a The Boys.

I’d post a picture of them on Facebook, write a funny or wry bit about their terrible office behavior, and end with a bit of promotion.

Little did I realize that the demand for the antics of the staff at Promotion Central would become the highlight of my Facebook page. I’ve learned if I don’t include a photo of the Boys, or our new(ish) third cat, Angel, no one reads the posts. Those cats are more popular than I am.

It shouldn’t surprise me. Cats and the internet go together like chocolate and peanut butter. You can live with either one, but once someone combined them, well, there’s no separating them. Ever.

Of course, we’re going to take advantage of that. Cats and the internet becomes cats in ebooks. Since cats in books have always gone hand in glove (have you ever met a bookstore dog?), it seems only natural to put cat books into a StoryBundle.

The best thing about cat books? It’s easy to find good ones because all of the best writers live with cats…. 

Here’s the deal:

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in .epub format—WORLDWIDE.

  • Too Big to Miss by Sue Ann Jaffarian
  • Familiarity – A Winston & Ruby Collection by Kristine Kathryn Rusch
  • A Cat of a Different Color by Kristine Kathryn Rusch and Dean Wesley Smith
  • October Snow by Bonnie Elizabeth

If you pay at least the bonus price of just $20, you get all four of the regular books, plus six more books for a total of 10!

  • The Captain’s Cat by Stefon Mears (StoryBundle Exclusive)
  • Haunted Witch by T. Thorn Coyle
  • The Intergalactic Veterinarian of the Year! by Ron Collins & Jeff Collins (StoryBundle Exclusive)
  • Death by Polka by Robert Jeschonek
  • Single Witch’s Survival Guide by Mindy Klasky
  • Road of No Return by Annie Reed (StoryBundle Exclusive)

(10) NEVER GIVE UP, NEVER SURRENDER. “Oh please, no.  Just no. And you may quote me,” says Cat Eldridge. The Hollywood Reporter says “Galaxy Quest TV Series in the Works at Paramount+”. The article also chronicles several failed attempts to adapt it for TV in the previous decade.

Galaxy Quest is going from a fictional series to an actual TV series. 

Paramount+ is teaming with its studio counterpart, Paramount Television Studios, for a live-action adaptation of the 1999 cult favorite sci-fi spoof. Sources say the project is in the early development stages and a search is underway for a writer to pair with Mark Johnson, the Breaking Bad alum who exec produced the film and is returning for the scripted update. Johnson and his Gran Via Productions banner are the only execs currently attached to the project….

Ars Technica’s Jennifer Ouelette also has doubts that this is a good idea: “That Galaxy Quest TV series might finally be happening and we have mixed feelings”.

… Honestly, I have mixed feelings about a spinoff series from one of my all-time favorite movies. On the one hand, I love and cherish every character and every line of dialogue in Galaxy Quest. On the other, how do you improve on perfection? As Enrico Colantoni, who played Thermion leader Mathesar, told io9 in 2014, “To make something up, just because we love those characters, and turn it into a sequel—then it becomes the awful sequel.”…

(11) MEMORY LANE.

2015[Compiled by Cat Eldridge.]

I’m trying to remember what the first work of Holly Black’s that I read, so I went to ISFDB and researched her work. It appears it’s Tithe: A Modern Faerie Tale which I read some twenty years ago. Fascinating novel. 

 Now, without doing the no-no of spoilers, The Darkest Part of The Forest is the work of a much more mature writer. Her grasp of what makes a character worth our time to be invested in is really improved a lot as has her ability to actually write an interesting story. 

The Darkest Part of The Forest was published by Little, Brown eight years ago. It was nominated for a Mythopoeic Fantasy Award for Adult Literature. 

The Darkest Part of The Forest is, I think, deliciously dark as you can see in The Beginning which you can read here. Beware apparently young boys with pointed ears in glass coffins… 

Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin. It rested right on the ground, and in it slept a boy with horns on his head and ears as pointed as knives. 

As far as Hazel Evans knew, from what her parents said to her and from what their parents said to them, he’d always been there. And no matter what anyone did, he never, ever woke up. 

He didn’t wake up during the long summers, when Hazel and her brother, Ben, stretched out on the full length of the coffin, staring down through the crystalline panes, fogging them up with their breath, and scheming glorious schemes. He didn’t wake up when tourists came to gape or debunkers came to swear he wasn’t real. He didn’t wake up on autumn weekends, when girls danced right on top of him, gyrating to the tinny sounds coming from nearby iPod speakers, didn’t notice when Leonie Wallace lifted her beer high over her head, as if she were saluting the whole haunted forest. He didn’t so much as stir when Ben’s best friend, Jack Gordon, wrote IN CASE OF EMERGENCY, BREAK GLASS in Sharpie along one side—or when Lloyd Lindblad took a sledgehammer and actually tried. No matter how many parties had been held around the horned boy—generations of parties, so that the grass sparkled with decades of broken bottles in green and amber, so that the bushes shone with crushed aluminum cans in silver and gold and rust—and no matter what happened at those parties, nothing could wake the boy inside the glass coffin. 

When they were little, Ben and Hazel made him flower crowns and told him stories about how they would rescue him. Back then, they were going to save everyone who needed saving in Fairfold. Once Hazel got older, though, she mostly visited the coffin only at night, in crowds, but she still felt something tighten in her chest when she looked down at the boy’s strange and beautiful face.

She hadn’t saved him, and she hadn’t saved Fairfold, either. “Hey, Hazel,” Leonie called, dancing to one side to make room in case Hazel wanted to join her atop the horned boy’s casket. Doris Alvaro was already up there, still in her cheerleader outfit from the game their school lost earlier that night, shining chestnut ponytail whipping through the air. They both looked flushed with alcohol and good cheer.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 19, 1907 Alan Wheatley. Best remembered for being the Sheriff of Nottingham in The Adventures of Robin Hood, with Richard Greene playing Robin Hood. In 1951, he had played Sherlock Holmes in the first TV series about him, but no recordings of it are known to exist. And he was in Two First Doctor stories as Temmosus, “The Escape” and “The Ambush” where he was the person killed on screen by Daleks. (Died 1991.)
  • Born April 19, 1925 Hugh O’Brian. He was Harry Chamberlain in Rocketship X-M. (It was nominated in the 1951 Retro Hugo Awards given at The Millennium Philcon but lost out to Destination Moon.) He would later play Hugh Lockwood in Probe, not the Asimov Probe, the pilot for the sf TV series Search. His only other genre appearance I think was playing five different roles on Fantasy Island. Though I’m absolutely sure I’ll be corrected if I’m wrong (smile). (Died 2016.)
  • Born April 19, 1935 Herman Zimmerman, 88. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, in that era he worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler. 
  • Born April 19, 1936 Tom Purdom, 87. There’s very little on him on the web, so I’ll let Michael Swanwick speak for him in the introduction to his Lovers & Fighters, Starships & Dragons collection: “How highly do I regard Tom’s fiction?  So highly that I wrote the introduction to the collection — and I hate writing introductions.  They’re a lot of work.  But these stories deserve enormous praise, so I was glad to do it.”  He’s written five novels and has either one or two collections of his stories. He’s deeply stocked at the usual digital suspects. 
  • Born April 19, 1946 Tim Curry, 77. Dr. Frank-N-Furter in The Rocky Horror Picture Show, of course, but it’s not his first genre appearance. He’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, a most excellent genre film, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island, in Rosencrantz and Guildenstern Are Dead as The Player, Gomez Addams in Addams Family Reunion, and Trymon in TV’s Terry Pratchett’s The Colour of Darkness. And others too numerous to list.
  • Born April 19, 1952 Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series, a most excellent affair. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
  • Born April 19, 1967 Steven H Silver, 56. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine seven times. In 1995 he founded the Sidewise Award for Alternate History and has served as a judge ever since. He has published the fanzine, Argentus, edited several issues of the Hugo-nominated Journey Planet. His debut novel After Hastings came out in 2020.
  • Born April 19, 1978 K. Tempest Bradford, 45. She was a non-fiction and managing editor with Fantasy Magazine for several years, and has edited fiction for Fortean BureauPeridot Books and Sybil’s Garage. She’s written a lot of short fiction and her first YA novel, Ruby Finley vs. the Interstellar Invasion. She was a finalist for three Ignyte Awards, the Ember Award for unsung contributions to genre, and twice for the Community Award for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre. With Nisi Shawl and Cynthia Ward she shared a 2020 Locus Special Award to Writing the Other for Inclusivity and Representation Education.

(13) COMICS SECTION.

The future used to be better.

The future before.

The future now.

(14) BIG GREEN NUMBERS. Book Riot wants to discuss “The Bestselling Comics of All Time” – however, they don’t want the answer to be too easy.

But what is the bestselling comic of all time? Well, that depends on how you define comic.

Are we talking about single issues, or “floppies?” And if so, are we talking about the sales of one issue, or the series as a whole? Does that include collected editions and reprints? How do you account for changes in the retail market, from newsstands to specialty shops to digital, and the different reporting (or lack thereof) of each? How do you take into account the cultural changes since the ’40s, when over 90% of children read comics, compared to today’s globalized, media-saturated world? Should you account for the differences in population between America (331.9 million potential readers) versus Japan (125.7 million) versus, say, Finland (5.5 million)? Isn’t it apples and oranges to compare One Piece to X-Men to Peanuts, anyway?…

When it comes to the best selling single issue, the list begins at number five –

5. BATMAN: THE 10 CENT ADVENTURE BY GREG RUCKA AND RICK BURCHETT (MARCH 2002)

Most of the comics on this list are stunts of some sort, and selling a comic for literally just a dime in 2002 absolutely qualifies (most comics were $2.25 then). It’s actually a good story, kicking off the excellent Bruce Wayne: Murderer? plot line, but it was that nostalgic price point that sold 702,126 copies.

(15) BROWSING FOR DOLLARS. Untapped New York ranks the “10 Most Surprising Finds at the New York International Antiquarian Book Fair”. The treasures include Billie Holiday’s bar tab, and something a bit closer to being of genre interest —

9. A 17th-Century Celestial Atlas

Along with books, maps are a popular item to find at the antiquarian book fair. The book featured above is one of the most sought-after celestial atlases in existence. Produced by Dutch cartographer Andreas Cellarius in 1661, Harmonia Macrocosmica is priced at a whopping $395,000.

Considered Cellarius’s magnum opus, this map was made to illustrate competing theories of celestial mechanics, or how the solar system worked. The universe’s heavenly bodies are depicted in vibrant colors throughout 29 extremely detailed, hand-colored, double-page engraved plates in the book. The images take theories put forth by great thinkers and scientists like Ptolemy, Tycho Brahe, Nicolaus Copernicus, as well as lesser-known figures such as Aratus of Soli, and present them in an accessible way through images.

(16) BOOKSTORE SLEEPOVER. Zoos and museums have hosted them – now a downtown LA bookstore: “I spent the night at the Last Bookstore. Things got spooky” in the LA Times. The owner tried to make it a bit of a paranormal experience.

…Soon enough, Powell was recalling the spookiest things he’d seen in his years at the store. He described coworkers who’d heard or glimpsed figures moving around the corners, and instances where people watched books fly off shelves for seemingly no reason.

“That corner is where books fall off sometimes, in sci-fi, for some reason,” he said.

As we passed the portal, a hidden nook where my partner and I had signed up to sleep, we realized it was both secluded in the back corner of the store with books on U.S. history and located closest to the “haunted” shelves that books fall off of. We quickly decided we wouldn’t be sleeping there….

(17) THE MUSIC OF THE NIGHT. [Item by Mike Kennedy.] Deep in a disused mind in Sardinia, scientists are assembling an experiment to find out just how much nothing weighs. Using an exquisitely sensitive balance beam and interferometric techniques cribbed from gravity wave detectors, they plan to switch on and off the Casimir effect using small temperature variations and measure the resulting change in the number of virtual particles that can exist between metal plates. If all goes well, they will have established a tight constraint on the energy of the vacuum. “How Much Does ‘Nothing’ Weigh?” at Scientific American.

It does something to you when you drive in here for the first time,” Enrico Calloni says as our car bumps down into the tunnel of a mine on the Italian island of Sardinia. After the intense heat aboveground, the contrast is stark. Within seconds, damp, cool air enters the car as it makes its way into the depths. “I hope you’re not claustrophobic.” This narrow tunnel, which leads us in almost complete darkness to a depth of 110 meters underground, isn’t for everyone. But it’s the ideal site for the project we are about to see—the Archimedes experiment, named after a phenomenon first described by the ancient Greek scientist, which aims to weigh “nothing.”…

…Geologically, Sardinia is one of the quietest places in Europe. The island, along with its neighbor Corsica, is located on a particularly secure block of Earth’s crust that is among the most stable areas of the Mediterranean, with very few earthquakes in its entire recorded history and only one (offshore) event that ever reached the relatively mild category of magnitude 5. Physicists chose this geologically uneventful place because the Archimedes experiment requires extreme isolation from the outside environment. It involves a high-precision experimental setup designed to investigate the worst theoretical prediction in the history of physics—the amount of energy in the empty space that fills the universe….

… Researchers can calculate the energy of the vacuum in two ways. From a cosmological perspective, they can use Albert Einstein’s equations of general relativity to calculate how much energy is needed to explain the fact that the universe is expanding at an accelerated rate. They can also work from the bottom up, using quantum field theory to predict the value based on the masses of all the “virtual particles” that can briefly arise and then disappear in “empty” space (more on this later). These two methods produce numbers that differ by more than 120 orders of magnitude (1 followed by 120 zeros). It’s an embarrassingly absurd discrepancy that has important implications for our understanding of the expansion of the universe—and even its ultimate fate. To figure out where the error lies, scientists are hauling a two-meter-tall cylindrical vacuum chamber and other equipment down into an old Sardinian mine where they will attempt to create their own vacuum and weigh the nothing inside….

(18) NOBODY SURVIVES THE FLAME TRENCH. [Item by Mike Kennedy.]On this past Monday’s The Late Show with Stephen Colbert, Josh Groban talked about his visit to NASA, where, among other things, he received a tour of the “flame trench.”

Fellow space enthusiasts Stephen Colbert and Josh Groban geek out over the details of Groban’s trip to NASA’s Artemis mission launch pad. Check out Groban’s latest role as the lead in “Sweeney Todd,” playing now at Broadway’s Lunt-Fontanne Theatre.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, JJ, Gordon Van Gelder, Rich Lynch, Lise Andreasen, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/17/23 Cordwainer Angry Bird

(1) REALLY LISTENING. Charlie Jane Anders considers “What the Universal Translator Tells Us About Exploring Other Cultures” in her latest Happy Dancing newsletter.

… But at the same time, the notion of instantaneous, flawless translation feels very aspirational. In order to get better at writing Elza, a Brazilian travesti, in my young adult Unstoppable trilogy, I learned to speak and write Portuguese pretty fluently, and it was a huge struggle….

…This experience left me feeling as though it’s a lot easier to convince yourself that you understand everything that people are saying than it is to actually understand. Come to think of it, that’s kind of true even if everyone is speaking English.

And this led me to thinking that the trope of the universal translator is fundamentally about wishing that understanding other cultures would be simple, and that we didn’t have to work so hard. That we could go on endless voyages and encounter colorful people, and never have to worry about embarrassing gaffes where we announce that we are jelly donuts. (Though apparently, that’s a myth.) In other words, more boldly going, less patiently learning….

On Sunday, Anders will be at the L.A. Times Book Festival.

(2) CSSF BOOK CLUB. The Gunn Center for the Study of Science Fiction has announced their April Virtual Book Club Event. Register here.

 In honor of April being National Poetry Month, the Center has chosen Kien Lam’s Extinction Theory. Extinction Theory is a collection of pseudoscience poems that try to provide rationales for some of life’s most salient mysteries.Where is God? What does it mean to belong? Who killed the dinosaurs? Kien Lam creates new worlds with new rules to better answer these perennial questions. His poetry is that of discovery, of looking at the world as if for the first time. Lam exposes the transitory and transcendent nature of things and how we find meaning. Readers from all backgrounds are welcome and even if you only read one or a few of the poems in this collection, feel free to log in! Poetry can be intimidating, but our book club is a safe space to explore theories, ideas and texts. Feel free to stop by and be part of the conversation!

If you would like to join us Friday April 28, 2023, at noon (Central Time) for our virtual meeting, register here. A flyer is attached, feel free to share with your friends, students, colleagues, and on social media. 

(3) A DRAMATIC ARGUMENT. [Item by SF Concatenation’s Jonathan Cowie.]  “Word Scrubs” aired on BBC Radio 4 this weekend, a SFnal story that concerns a future debate as to the re-writing of novels to “modernize” them for the new, present-day readership. Rather topical.

Word Scrubs

Mitch and Meg, siblings in their 30s, are the great great nephew and niece, and literary executors, of Peggy Stanhope (1889-1959), a prolific and profitable writer of books for children and young adults from a very different era.

Beloved by generations of children around the world, White Star (1943), winner of the Carnegie Medal, is the story of a snowy horse, owned by a young woman, who frightens away the evil stallion Black Boy from a village. Because of its time of publication, White Star was seen by some teachers and preachers as a patriotic allegory of Allied superiority to the Nazis, although Stanhope, denied this.

In 2023, a Hollywood streamer wants to adapt the book as a film, but, as a condition, wishes to change the title and some of the plot and language.

The meetings between the siblings and the publishers are intercut with Home Service readings from Stanhope’s work, and interviews with their author on Desert Island Discs, in a drama that takes its inspiration from the current debate over whether classic texts should be rewritten for contemporary re-publication.

(4) HWA LIBRARIANS’ DAY. The Horror Writers Association has released the program for the Librarian’s Day at StokerCon 2023. Admission for the June 16 event at Sheraton Pittsburgh Hotel at Station Square is available for $85 by May 15 or as a $35 to add-on Librarians’ Day to StokerCon 2023 registration.



8:30-9: Check-in

9 – 9:50 a.m.: Buzzing About Horror Books, Moderated by Emily Vinci: Join members of the HWA’s Library Advisory Council as they share the buzz about a slew of exciting new and upcoming horror titles. Come for the booktalks; stay for the free books and swag!

10 – 10:50 a.m.: How to Feature Horror at Your Library, Moderated by Konrad Stump: Hear librarians from across the country share their experiences featuring horror at their libraries, from book discussions to writing groups to author events and more.

11 – 11:50 a.m.: Why I Love Horror, Moderated by Lila Denning : Join some of StokerCon 2023’s Guests of Honor for a lively discussion about why readers of all ages enjoy a good scare, from fictional frights to all-too-true terrors. Appearances by: Cynthia Pelayo, Alma Katsu, Daniel Kraus, Owl Goingback, Jewelle Gomez

Noon – 1:20 p.m.: LUNCH
Grab a plate of delicious food and join your fellow attendees and presenters in casual conversation. 

1:30 – 2:20 p.m.: Brains! Brains! Brainstorming Ways to Engage Your Community: Join HWA Library Advisory Council members in small group discussions to meet some of your fellow librarians, share experiences, and gather ideas for how to engage your community with the horror community

2:30 – 3:30 p.m.: The Rising Popularity of Extreme and Erotic Horror, Moderated by Ben Rubin. Extreme horror is no longer lurking on the fringes of the genre. Some of the best selling and most critically acclaimed Horror authors today inflict their scares through this lens. It’s a subgenre libraries MUST carry on their shelves. It even has its own award. Appearances by Splatterpunk Award founders Brian Keene and Guest of Honor, Wrath James White, along with Eric LaRocca, V. Castro, Wesley Southard, and Hailey Piper.

3:30 – 4:20 p.m.: Summer Scares: A Thrilling Summer Reading Program, Moderated by Becky Spratford: Join Summer Scares current and past selected authors, spokespeople, and partners to learn more about the HWA’s popular summer reading program, how to get involved, and how to use Summer Scares resources to better serve your patrons. Appearances by Daniel Kraus, Stephanie from Books in the Freezer, and more.

(5) RACHEL POLLACK TRIBUTE. Christopher Priest’s “Rachel Pollack obituary” appeared in the Guardian.

The transgender pioneer Rachel Pollack, who has died aged 77 of cancer, was for many people known best as a novelist and short-story writer, winning readers and awards in many countries. She wrote in the idiom of serious fantasy, using the metaphors of numinous images to tackle concerns and events in the real world. Much of her work could be thought of as magic realism.

For Pollack, fantasy enabled her to address the matters that most affected her, including the nature and meaning of gender. She also wrote several scripts for American comics – notably one called Doom Patrol (1993-95), which featured a trans woman superhero, and often included such non-generic subjects as menstruation.

Her early novels were more or less traditional science fiction, although the third, Unquenchable Fire (1988), had several striking features. Set in an alternative US, it proposed the notion that shamanism was a workable system and mode of existence. The central character, involuntarily pregnant, discovers that her unborn child is destined for shamanism, which she obdurately fights against. Unquenchable Fire won the Arthur C Clarke award in 1989….

(6) IF SO, RAISE YOUR TENTACLE. BBC’s CrowdScience asks “Is there anyone out there?”

What are the actual chances of finding alien life? The idea of meeting an extra-terrestrial has ignited imaginations for hundreds of years, and it’s also inspired real science: the Search for Extra-Terrestrial Intelligence – or SETI – is an organisation that brings together researchers across the world in pursuit of distant life forms. This same dream is on the mind of listener Andrew in Yorkshire, who has been looking into the sheer size of the universe, and wants to know: how many stars are there in existence, how many planets, and how many planets that could harbour life? 

CrowdScience presenter Marnie Chesterton sets off on a space odyssey to answer these questions. She starts at Jodrell Bank Observatory in Cheshire, where University of Manchester astrophysicist Eamonn Kerins tells her the number of stars in the universe, and explains the Drake Equation – the mathematical formula that underpins SETI’s work. It’s a series of seven numbers that combine to give you the probability of making contact with an alien civilisation. The next step after stars is the number of planets; Michelle Kunimoto of MIT, who works on NASA’s TESS mission, explains the transit technique for finding distant worlds. Supposedly anyone can learn to use this technique, so Michelle puts Marnie to a test of her planet-hunting prowess. 

Distant planets are a huge leap forward – but not all of them will be hospitable to life. Eamonn breaks down how scientists define a habitable planet, as well as how to determine habitability using telescope observations. Marnie speaks to Mary Angelie Alagao from the National Astronomical Research Institute of Thailand about a cutting-edge piece of optical kit designed to block out the light from stars so you can take direct images of the planets next to them. Finally, it’s time to put everything together and get some actual numbers for listener Andrew – as well ask how long it could take to find proof of alien life. Try out Marnie’s planet-hunting test for yourself in the gallery below: https://www.bbc.co.uk/programmes/p0fghj2l

(7) AI IS TWEETING OUR DOOM. In “AI Tasked With ‘Destroying Humanity’ Now ‘Working on Control Over Humanity Through Manipulation’” Vice shows things are moving right along – wasn’t it just last month AI was “only” trying to destroy us?

…An anonymous programmer modified the open-source app, Auto-GPT, to create their version called ChaosGPT. The user gave it the goals of destroying humanity, establishing global dominance, causing chaos and destruction, and controlling humanity through manipulation. ChaosGPT is also run in “continuous mode,” which means that it won’t stop until it achieves its goals.  

There is now a second video of ChaosGPT, following up on its initial video posted last Wednesday, titled “ChaosGPT: Hidden Message.” The video states that ChaosGPT is now prioritizing its objectives based on its current resources, with its “thoughts” being: “I believe that the best course of action for me right now would be to prioritize the goals that are more achievable. Therefore, I will start working on control over humanity through manipulation.”… 

(8) SIMULTANEOUS TIMES. Space Cowboy Books has released Simultaneous Times episode 62 with Addison Smith & Moh Afdhaal. The stories featured in this episode are:

  • “Containment” by Addison Smith; with music by Patrick Urn, and
  • “Unauthorized Personnel on the Bridge” by Moh Afdhaal; with music by Phog Masheeen

Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.

(9) MEMORY LANE.

1997[Compiled by Cat Eldridge.]

Our Beginning this Scroll comes from the very first story of the Spade/Paladin stories, “Stomping Mad: A Spade Conundrum”. It was first published in Martin Greenberg and Mark Resnik’s Return of the Dinosaurs anthology twenty-six years ago. It got reprinted in Rusch’s Five Diverse Detectives, a wonderful collection of her efforts in that area of the genre. 

You know the author, Kristine Kathryn Rusch, from her most excellent Diving Universe. She’s won one Hugo so far for the “Millennium Babies” novellette at Millennium Philcon

I delight in fantasy detectives but this isn’t one at all as Spade exists very much in the real world of fandom with the mysteries he solves taking places at Cons  All of the tales, including eventual novel, Ten Little Fen, are told in the first person singular by Spade. They are well told tales with a character in Spade that is easy to believe in. And he’s quite a sympathetic character as well.

The latest is “Unity Con: A Spade/Paladin Conundrum” which came out two years ago, and it’s available from the usual suspects.

She called herself the Martha Stewart of Science Fiction, and she looked the part: Homecoming-queen pretty with a touch of maliciousness behind the eyes, a fakely tolerant acceptance of everyone fannish, and an ability to throw the best room party at any given Worldcon in any given year. 

So when a body was found in her party suite, the case came to me. Folks in fandom call me the Sam Spade of Science Fiction, but I’m actually more like the Nero Wolfe: a man who prefers good food and good conversation, a man who is huge, both in his appetite and in the ecphis education. I don’t go out much, except to science fiction conventions (a world in and of themselves) and to dinner with the rare comrade. I surround myself with books, computers, and televisions. I do not have orchids or an Archie Goodwin, but I do possess a sharp eye for detail and a critical understanding of the dark side of human nature. 

I have, in the past, solved over a dozen cases, ranging from finding the source of a doomsday virus that threatened to shut down the world’s largest fan database to discovering who had stolen the Best Artist Hugo two hours before the award ceremony. My reputation had grown during the last British Fantasy Convention when I—an American—worked with Scotland Yard to recover a diamond worth £ 1,000,000 that a Big Name Fan had forgotten to put in the hotel’s safe. But I had never faced a more convoluted criminal mind until that Friday afternoon at the First Annual Jurassic Parkathon, a media convention held in Anaheim.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 17, 1910 Everett Cole. His first sf story, “Philosophical Corps” was published in Astounding in 1951. His fix-up of that story and two others, were published as The Philosophical Corps, was published by Gnome Press in 1962. A second novel, The Best Made Plans, was serialized in Astounding in 1959 but never published in book form. (Died 2001.)
  • Born April 17, 1923 Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing wise, his best-known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey.  I find it interesting wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There’re are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.)
  • Born April 17, 1923 T. Bruce Yerke. He was active member of the Los Angeles Science Fantasy Society, serving as its secretary for many years, and is credited with getting Bradbury involved with the group. Myrtle R. Douglas, Forrest Ackerman and he edited Imagination!, the Retro Hugo Award-winning fanzine. (Died 1998.)
  • Born April 17, 1942 David Bradley, 81. It’s his Doctor Who work that garners him a birthday honor.  He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as actor who was the First Doctor that makes him really worth noting. He portrayed William Hartnell in An Adventure in Space and Time, then played the role of the First Doctor again in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories.  He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain
  • Born April 17, 1948 Peter Fehervari, 75. Ok, I’ll admit I’m including him because he’s written a number of novels set in the Warhammer Universe and I’ve never read anything set there. Who here has read the fiction set there? I’ve spotted a noir series set there. Really I have. Is it worth reading, and if so, is there a good starting point?
  • Born April 17, 1959 Sean Bean, 64. His role that garners him the most recognition is his performance as Ned Stark in Game of Thrones, but he’s been in our area of interest a long time.  His first genre role was in GoldenEye as the the antagonist of Bond, Alec Trevelyan (Janus).  Next he shows up as Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark high purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of the The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playing Mitch Henderson.
  • Born April 17, 1973 Cavan Scott, 50. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) Which brings me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of  Dr. Who (including the subgenre of Professor Bernice Summerfield), Blake’s 7, Judge Dredd, Skylanders Universe, The Tomorrow People, Star Wars and Warhammer Universe. Judge Dredd?  Novels? 

(11) COMICS SECTION.

  • Tom Gauld keeps knocking ‘em dead.

(12) LEARNEDLEAGUE. [Item by David Goldfarb.] In 2013, a LearnedLeague player wrote (in LL parlance, “smithed”) a quiz about time travel. You can find it here. In his last question, he used the conceit that the question itself had been sent to him from himself ten years in the future.

Well, here it is ten years later….and we have a second One-Day Special quiz: Time Travel 2, The Prequel! In which we discover that the paradoxes nest even deeper than was initially apparent.

This was a tough one, with a focus on somewhat obscure streaming television. Of course, from a regular LearnedLeague player perspective, there was a focus on somewhat obscure written science fiction. I got six questions right, but because the written SF questions played hard and I knew them, I scored in the 81st percentile.

(13) TROPES REMADE. Roger Luckhurst considers a nonfiction essay collection in “Science Fiction as Mode of Action: On MIT Press’s “Uneven Futures’” at LA Review of Books.

… Many of the roughly 40 essayists (including the book’s editors Ida Yoshinaga, Sean Guynes, and Gerry Canavan) refer to the lockdown conditions in which they wrote their contributions through the first year of the COVID-19 pandemic. No wonder so many of them dream of action: SF as an active doing, a form of activism, rather than as a passive body of texts consumed in quarantined isolation, behind shuttered doors, away from the emptied-out public sphere…

…The task the editors gave their contributors was to “choose an SF text you love and explore how it helps us think of ways to live in, survive, and grow beyond the inequalities and injustices of our times.” They want to convey that the genre across its now myriad forms has the potential to be a kind of toolkit not just for imagining utopian alternatives but also for implementing them, however incompletely and precariously, in the fissures of the dystopian now. This gives each chapter its slightly awkward titling: the name of the text, and its active or activist possibility (“Affective Praxis,” “Deimperializing Empire,” “Inhabiting Hostile Futures,” “Black Lives Matter SF,” and so on)….

(14) SPACE FOR CHOCOLATE. Dreams of Space takes a look at “The Conquest of Space (1962?)” – not the similiarly-titled Willy Ley book, but a Nestle’s chocolate promotion. Images at the link.

I last blogged about this book in 2015 so it is time for a revisit. I got a second copy that has a couple of things I had not seen before. The Conquest of Space is a 1962 (?) Australian stamp album. It is intended for children to collect paper stamps they get in Nestle chocolate bars and then they could send away for this album. 

John Gunn. The Conquest of Space. Sidney : The Nestle Company (Australia) Ltd. 55 pp. 1962?

One of my favorite features is the certificate in the front. You also got a “Nestle’s Space Club” pin which this copy still had in the book…. 

(15) HATCHLING. George R.R. Martin tells the title of a new Game of Thrones spinoff in “A Knight and a Squire” at Not A Blog. And it damn well won’t be Dunk & Egg.

…The working title will be A KNIGHT OF THE SEVEN KINGDOMS: THE HEDGE KNIGHT.  Whether that will be the final title, I can’t say for sure… beyond saying that no, it won’t be called TALES OF DUNK & EGG or THE ADVENTURES OF DUNK & EGG or DUNK & EGG or anything along those lines.   I love Dunk and I love Egg, and I know that fans refer to my novellas as “the Dunk & Egg stories,” sure, but there are millions of people out there who do not know the stories and the title needs to intrigue them too.   If you don’t know the characters, DUNK & EGG sounds like a sitcom.  LAVERNE & SHIRLEY.   ABBOTT & COSTELLO.   BEAVIS & BUTTHEAD.    So, no.   We want “knight” in the title.  Knighthood and chivalry are central to the themes of these stories….

(16) PRIZE WINNER REVEALED AS AI IMAGE. “Photographer admits prize-winning image was AI-generated” says the Guardian.

A photographer is refusing a prestigious award after admitting to being a “cheeky monkey” and generating the prize-winning image using artificial intelligence.

The German artist Boris Eldagsen revealed on his website that he was not accepting the prize for the creative open category, which he won at last week’s Sony world photography awards.

The winning photograph depicted two women from different generations in black and white.

In a statement on his website, Eldagsen, who studied photography and visual arts at the Art Academy of Mainz, conceptual art and intermedia at the Academy of Fine Arts in Prague, and fine art at the Sarojini Naidu School of Arts and Communication in Hyderabad, said he “applied as a cheeky monkey” to find out if competitions would be prepared for AI images to enter. “They are not,” he added.

“We, the photo world, need an open discussion,” said Eldagsen. “A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter – or would this be a mistake?

“With my refusal of the award I hope to speed up this debate.”…

(17) THAT’S MEOW. “Cats Recognize Their Own Names—Even If They Choose to Ignore Them” reports Scientific American.

…Atsuko Saito, a behavioral scientist now at Sophia University in Tokyo, has shown that cats can recognize their owner’s voice. In another study, which involved 78 cats from Japanese households and a “cat café,” she homed in on responses to their names.

Saito and her colleagues first had owners repeatedly say four words that sounded similar to their cats’ names until the animals habituated to those words and stopped responding. Next the owners said the actual names, and the researchers looked at whether individual cats (when living among other cats) appeared able to distinguish their monikers. The cats had more pronounced responses to their own names—meowing or moving their ears, heads or tails—than to similar words or other cats’ names, according to the study, which was published in April 2019 in Scientific Reports….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, David Goldfarb, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/5/23 He Said, “First!” And Exited Stage Left To A Swirl Of Scrolling Pixels

(1) TOLKIEN SOCIETY AWARDS NEWS. The Tolkien Society invites the public to submit nominations for The Tolkien Society Awards 2023 through February 26. Membership is not required to participate in the first round. Once the shortlist is compiled, however, only members will be eligible to vote on the winners, who will be announced April 1.

(2) WHAT HAS IT GOT IN ITS GARBAGE TRUCKS? “Refuse firm Lord of the Bins ordered to change its name by Tolkien franchise” reports the Guardian.

A refuse firm in Brighton called Lord of the Bins has been ordered by lawyers to change its name after being accused of breaching trademark laws.

The two-man waste collection business was contacted by Middle-earth Enterprises, which owns the worldwide rights to The Hobbit and the Lord of the Rings trilogy.

Nick Lockwood and Dan Walker run the company, which collects household, building and office waste across East Sussex and West Sussex.

The pair said they have been issued with a cease and desist notice after it was claimed they were in breach of the well-known franchise’s trademarks.

As well as changing the firm’s name and website, they have been forced to ditch their company slogan – “One ring to remove it all”.

(3) TWEET DECAY. Ursula Vernon speaks for many in a remark that went viral on Twitter.

(4) CHEESE PLEASE. In “An AI app walks into a writers room” Charles Stross passes along ChatGPT’s answer to an inventive question.

Question to ChatGPT: What is the plot of the unpublished script Charles Stross wrote for Wallace and Grommit?

(5) GUNN CSSF BOOK CLUB. The Gunn Center for the Study of SF’s (CSSF) monthly virtual book club has chosen for the month of February to read Akwaeke Emezi’s YA novel, Pet

Set in the utopian town of Lucille, Emezi’s novel portrays a society that has taught children that monsters and evil no longer exist. Jam, the protagonist, soon questions the beliefs of her society when she is faced with a real monster, who is nothing like the stories she has heard. Winner of the Stonewall Book Award for LGBTQ+ writing in 2020, Pet contemplates the classic societal conception of good versus evil. 

Readers are invited to join the virtual event on Friday, February 24 at Noon (Central). Register here.  

(6) FREE READ. Sunday Morning Transport offers Yoon Ha Lee’s “The Ethnomusicology of the Last Dreadnought” as an encouragement to subscribe.

It is not true that space is silent.

The darkness between stars is full of threnodies and threadbare laments, concertos and cantatas, the names of the dead and the wars that they’ve fed. Few people are unmoved by the strenuous harmonies and the strange hymns. Fewer people still understand their significance, the decayed etymologies and deprecated tongues….

(7) TRIBUTE TO A CRITIC. The Strange Horizons – 30 January 2023 issue is devoted to the late Maureen Kincaid Speller. (Via Ansible.)

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much. In the couple of months that followed, we made grand plans for future projects, and even started a podcast.

The criticism special was also the last major project the three of us worked on together, before Maureen’s cancer diagnosis. We lost her in September.

We’d already been toying with the idea of doing another criticism special in 2023; when the subject of a tribute issue to Maureen was broached, the only way we could envision it was through the critical work that she loved.…

(8) MEMORY LANE.

2014 [Compiled by Cat Eldridge.]

So let’s talk about Kristine Kathryn Rusch’s Spade/Paladin Conundrums which got their start in the “Stomping Mad” story.

I’m very fond of our community and equally fond of mysteries as y’all well know by now. So you will not find it at all surprising that I really love these stories. They’ve got a perfect central character as you’ll see below, a great setting as they’re all set at various Cons and the stories are all fascinating. What’s not to like? 

Rusch for a long time only did short stories set here,  really great ones, a fair number of them, mostly collected in Early Conundrums, and those exist in a stellar audio version which is narrated by Rish Outfield, but two years ago Ten Little Fen: A Spade/Paladin Conundrum came out. It’s a superb mystery and a even better look at Con culture. 

Here’s the Beginning of the series in that story. 

SHE CALLED HERSELF the Martha Stewart of Science Fiction, and she looked the part: Homecoming-queen pretty with a touch of maliciousness behind the eyes, a fakely tolerant acceptance of everyone fannish, and an ability to throw the best room party at any given Worldcon in any given year.

So when a body was found in her party suite, the case came to me. Folks in fandom call me the Sam Spade of Science Fiction, but I’m actually more like the Nero Wolfe: a man who prefers good food and good conversation, a man who is huge, both in his appetite and in his education. I don’t go out much, except to science fiction conventions (a world in and of themselves) and to dinner with the rare comrade. I surround myself with books, computers, and televisions. I do not have orchids or an Archie Goodwin, but I do possess a sharp eye for detail and a critical understanding of the dark side of human nature.

I have, in the past, solved over a dozen cases, ranging from finding the source of a doomsday virus that threatened to shut down the world’s largest fan database to discovering who had stolen “the Best Artist Hugo two hours before the award ceremony. My reputation had grown during the last British Fantasy Convention when I—an American—worked with Scotland Yard to recover a diamond worth £1,000,000 that a Big Name Fan had forgotten to put in the hotel’s safe.

But I had never faced a more convoluted criminal mind until that Friday afternoon at the First Annual Jurassic Parkathon, a media convention held in Anaheim.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance.  After that early Thirties film, he shows up (bad pun I know) in The Invisible ManThe Black CatBride of FrankensteinAli Baba Goes to TownThe Three Musketeers and The Hound of the Baskervilles. Look, that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight ZoneThe MunstersLost in SpaceNight Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1919 Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. (Died 2006.)
  • Born February 5, 1922 Peter Leslie. Writer in a number of media franchises including The AvengersThe New Avengers (and yes they are different franchises), The Man from U.N.C.L.E.The Girl from U.N.C.L.E. and The Invaders. ISFDB also lists has writing in the Father Hayes series but I don’t recognize that series. (Died 2007.)
  • Born February 5, 1924 Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1934 Malcolm Willits, 89. Author of The Wonderful Edison Time Machine: A Celebration of Life and Shakespeare’s Cat: A Play in Three Acts which he filmed as Shakespeare’s Cat. He also co-edited Destiny, an early Fifties fanzine with Jim Bradley.
  • Born February 5, 1940 H.R. Giger. Conceptual designer in whole or part for Aliens, Alien³Species and Alien: Resurrection to name a few films he’s been involved in. Did you know there are two Giger Bars designed by him, both in Switzerland? And yes they’re really weird. (Died 2014.)
  • Born February 5, 1941 Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage thirty years ago which I never heard of. He also created the Castle series with Nathan Fillion of Firefly fame and was one of the actual players at the poker games on the series. View one of them here. (Died 2010.)
  • Born February 5, 1964 Laura  Linney, 59. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.

(10) COMICS SECTION.

  • Tom Gauld passes along advice about what women writers need.

(11) WAKANDA WORD STUDY. Dictionary.com has a rather interesting article about “The Names Of Black Panther & Wakanda: Their Meaning & Significance”. (Spoiler warning.)

Comic book creators and filmmakers pick some superhero names just because they sound cool. Other names, though, are chosen for their deep connection with a character or setting. Many of the names from Wakanda, the home of Black Panther, are especially rich in symbolism and significance.

Join us as we answer these questions and more:

  • Is there a real Wakanda that inspired the name of the technologically advanced supercountry?
  • What is Black Panther’s real name?
  • What does Namor’s name mean?

(12) BEST DRESSED. The New York Times reviews “A Murder Mystery With Clothes to Die For”.

“The Traitors,” a new reality game show, hinges on startling revelations. In episodes of the series, which is framed as a whodunit, cast members are regularly “murdered” (kicked off). Others are “banished” (also kicked off). But some of the most astonishing reveals have nothing to do with the plot — and everything to do with what outfit the show’s host, the actor Alan Cumming, will appear in next.

There are pink plaid suits. Herringbone tweed capes. Sleek little kilts. “Perhaps, rather alarmingly,” Mr. Cumming said, “the vast majority of the clothes were mine.”…

(13) CARROLL AT NYRSF. A video of Jonathan Carroll’s NYRSF Reading has been posted.

(14) VIDEO OF THE DAY. Matt Mitchell plays all the parts in “When ‘The Balloon’ Comes South”.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Steven French, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

Lis Carey Review: Ten Little Fen

Spade, a Microsoft millionaire who didn’t lose his millions, is an sf fan, a SMoF (Secret Master of Fandom), who helps fan-run conventions function smoothly. Usually that means helping out in his main area of expertise—how to run a non-profit, fan-run convention operation without getting into either financial or tax difficulties. This time he’s agreed to step in as program director of SierraCon, held at a fairly isolated hotel in the Sierra Nevada mountains, on the California/Nevada border. Soon he finds himself and the whole convention snowed in, while one by one, prominent attendees are having terrible “accidents.” Fortunately, Paladin, and their joint ward, Casper, are also there. They’ve dealt with dangerous crises at cons before. But can they solve this one before one of them falls victim?

Ten Little Fen: A Spade/Paladin Conundrum, by Kristine Kathryn Rusch
WMG Publishing, November 2021

By Lis Carey: Spade, SMoF (Secret Master of Fandom), forensic accountant, and amateur detective for sf conventions when necessary, is program director of SierraCon, an sf convention held at a relatively isolated hotel in the Sierra Nevada Mountains, just barely on the California side of the California/Nevada state line. Oh, and this convention is in November. He’s filling in for the original program director, who is recovering from chemotherapy for cancer, and not able to do the job. He’s not fond of either mountains, or snow, but once the convention starts, no one really has to go out, and the locals say the snowstorms are overblown and don’t generally create real problems. Getting ready of the official start of the convention, Spade ignores the weather.

That’s a mistake. As the official start of the convention approaches, a major blizzard closes in, flights are canceled, both attendees and guests cancel, and Spade has to remind the hotel’s general manager of the unusual terms of their contract regarding cancellations. At least their Writer Guest of Honor arrived early, and the “Usual Set,” a group of New York-based writers and editors who travel a lot, show up unexpectedly, just before that becomes impossible, and can be used to fill program holes created by the cancellations. Except, of course, Spade’s troubles haven’t even started. That happens during dinner that night, when one well-known fan nearly chokes to death, is saved by fandom’s other traveling detective, Paladin, performing the Heimlich maneuver, and subsequently proves to have been poisoned. 

The tiny, plastic number 1 in his food, which caused him to choke, may actually have saved his life, but he’s still really sick from the poison. Spade, Paladin, and their young ward, Casper, do not yet suspect that the tiny, plastic number 1 is the first real sign of what they’re up against. The basic outline of what they’re up against can be found in an Agatha Christie book whose third and so far final title, after the first two titles offended even the less sensitive racial sensitivities of an earlier age, is …And Then There Were None.

Even with the cancellations, they’ve got a few hundred people on site.

It’s soon very clear that the would-be killer isn’t stupid, and is intimately familiar with fandom. This isn’t an outsider. Spade, Paladin, Casper because they can’t leave her unattended while they investigate, the writer Guest of Honor, Horatio Dunnett (who may strike some as remarkably similar to George RR Martin), and a few other convention members and the occasional member of the hotel staff, are rushing to find a wannabe killer before anyone is actually killed. And they can’t call in the police, because the storm has snowed in the hotel and anything that might be considered nearby. The police can’t get them. They’re lucky they have doctors and nurses attending the convention, or they’d have no knowledgeable care for the injured as the murder attempts mount.

Finding the perpetrator is going to take Spade’s deep knowledge of fandom and ability to dig out long-buried information as long as it’s buried in digital form, and Paladin’s quick thinking and fast reflexes.

It’s a clever mystery, a lot of fun, and satisfies at least a bit of that urge to attend a convention that’s been frustrated since early 2020.

Recommended.

I received this book as a gift.

Lis Carey Review: The Early Conundrums: A Spade/Paladin Collection

Spade is a SMoF, a “Secret Master of Fandom.” He travels the country helping fan-run conventions run successfully. Mostly that’s in his area of expertise, staying out of financial and tax trouble. Sometimes, something more obviously dangerous comes up. For instance, an unexpected dead body. In the first of these five adventures, Spade is on his own in solving the case while preventing a PR disaster for the convention. In the second, he meets Paladin. She’s somewhat of a rogue detective, also very much a part of fandom.  They do not mesh easily at first. Or ever, really, but they do tackle cases together, pooling their skills.

The Early Conundrums: A Spade/Paladin Collection (A Spade/Paladin Conundrum), by Kristine Kathryn Rusch

WMG Publishing, Inc., June 2012

Review by Lis Carey: Spade is a SMoF, a Secret Master of Fandom, i.e., one of the people who travel the country helping fan-run science fiction conventions operate successfully. He’s mainly the guy who understands the finance side of running a non-profit, fan-run convention, but every so often, a puzzle or problem comes up, that Spade is able to solve quickly and quietly, avoiding trouble for the con. That’s where he got the nickname, Spade, although in build, personality, and wealth, he’s more of a Nero Wolfe than a Sam Spade.

Paladin is short, smart, pixie-ish in build, with elf-like, slightly pointed ears–and by her own description a bulldozer in her approach to problems, rather than someone with any finesse. Like Spade, she solves mysteries and problems in science fiction fandom. Unlike Spade, though she’s very much a real fan like he is, she’s also earning her living doing this. Both she and Spade want to keep sf cons as safe as possible; Paladin does this by targeting those who would prey on the children and young teens in fandom.

This book includes five adventures, the first one Spade’s alone, and the other four the two of them teaming up for tasks that require both their skillsets.

Rusch captures the experience of working on an sf convention, even while including far more exiting and alarming events than I’ve ever actually encountered. (Of course, I’m a very local conrunner, and have mostly pulled back from major con jobs in the last several years. So there may be a lot I don’t know about…)

These stories are interesting, fun, and very satisfying. Recommended.

I bought this book.