Pixel Scroll 11/26 The Strange High Pixels on the Blog

(1) TRADITIONAL THANKS. Joe Vasicek’s “Giving Thanks” at One Thousand and One Parsecs is one of the best posts I saw that combined an sf theme with a serious reflection on the holiday.

So in the spirit of that first Thanksgiving feast, here are the things that I am especially thankful for this year:

  • I am thankful for my near and extended family. Tolstoy was wrong when he said that all happy families are alike: every family has their own quirks, even the ones that hold together. I wouldn’t give up my family’s quirks for anything.
  • I am thankful to live in a free country, where my rights to life, liberty, and property are respected and honored. I am also thankful for the brave men and women of our armed forces who sacrifice so much to keep it free.
  • I am thankful for the opportunity to pursue a career as an author, and for the flexibility and control that indie publishing provides. I have no one but myself to blame for my failures, but my successes are all my own. Even after four years, it’s still exhilarating.
  • I am thankful for my readers, who have made and continue to make this publishing journey possible. I am thankful for all that they do that supports me, from buying and reading my books to sharing with friends, posting reviews, sending me fan mail, and connecting in a hundred other little ways that together make this whole thing worthwhile. Seriously, you guys are awesome. The only thing I could ask is to have more of you!

(2) AMAZING THANKS. Steve Davidson sends holiday wishes to all in a post at Amazing Stories.

Whether you occupy the North American continent or not, and whether you celebrate “Thanksgiving Day” or not, I would like to take this opportunity on behalf of myself and all of the supporters, contributors, members and passersby at Amazing Stories to wish you a few moments of happy reflection on this day.

I urge you to take a moment to think back over the year and remember the people and happenings you’re thankful for this year.

I’m thankful for my wife and her support, and of the support and well-wishes I receive from our extended family….

(3) CONTRARY THANKS. David Brin ends his post “Cool science stuff… and more reasons to be thankful” at Contrary Brin with minor key gratitude.

Okay!  That great big pile of cool items ought to keep you busy, clicking and skimming while groaning and loosening your belts on Thanksgiving (my favorite holiday)… or else however you folks elsewhere around the world celebrate Thursday.  (Ah… Thursday!)

Don’t let grouches undermine our confidence.  Star Trek awaits.  Do thrive and persevere.

(4) DAUGHTERS. Three writers who love their daughters for exactly who they are:

(5) PREMIERE CONTEST. Omaze.com’s new charity fundraiser offers a chance to “Win a Trip to the Premiere of Star Wars: The Force Awakens”. Deadline to enter is December 4 at 11:59 PST. The winner will be announced December 5.

Charity:

Africa Cancer Foundation; Arts in the Armed Forces (AITAF); Barnardos UK; Central London Samaritans; Damilola Taylor Trust; fStop Warrior Project; Feeding America; Make-A-Wish; Malala Fund; PACER: Children’s Mental Health and Emotional or Behavioral Disorders Project; Phab; St. Francis Hospice, Raheny; The Circle; UNICEF; Union of Concerned Scientists (“Charity”)

Prize Provider:

Walt Disney Studios Motion Pictures (“Prize Provider”)

Details:

This experience includes attending the red carpet premiere of Star Wars: The Force Awakens (“Picture”) in either Los Angeles or London. The attendance by any specific cast member, filmmakers, or such other talent from the Picture during the Premiere is not guaranteed and shall be subject to such talent’s availability and Sponsor’s and/or Prize Providers’ sole discretion. Neither Sponsor nor Prize Providers guarantee any type of meeting or photo opportunity with any specific cast member or talent from the Picture during the trip.

(6) CAPALDI IN AUCKLAND. “’Dr Who’ arrives to soothe pain” in the New Zealand Herald.

SPOILER WARNING. MAYBE.

Peter Capaldi

Peter Capaldi

Though Peter Capaldi, who plays the 12th incarnation of the sci-fi character hinted that, as it has been for more than 50 years, things in the show aren’t always clear-cut.

“My message for them would be life is tough,” Capaldi joked to The Herald about fans upset by Clara’s passing, sounding not unlike his second most-famous character, harsh spin-doctor Malcolm Tucker from political comedy The Thick of It.

“But Doctor Who is never quite what it seems. We haven’t told a lie. The story is the story but the Doctor is not going to rest. He is not going to accept that that is the last time he will be see Clara.”

(7) DAVID TENNANT. Io9 points to“David Tennant Celebrates 100 Years of General Relativity in This Clever Animation”, a YouTube video.

(8) Today In History

  • November 26, 1922 — In Egypt’s Valley of the Kings, British archaeologists Howard Carter and George Carnarvon became the first humans to enter King Tutankhamen’s treasure-laden tomb in more than 3,000 years.

(9) Today’s Birthday Boy

  • Born November 26, 1919Frederik Pohl. Pohl himself had started out in sf as a teenaged fan – not without controversy, for he was one of the six Futurians who were thrown out of the First Worldcon in 1939. The scales of justice would balance later when he was named guest of honor at the 1972 Worldcon, L.A.Con I.

(10) Leah Schnelbach’s “Frederik Pohl Made Doing Literally Everything Look Easy” at Tor.com is an entertaining overview of one of the field’s great figure. One paragraph may need a small fix.

Agent. Frederik Pohl attempted a career as a specialist science fiction literary agent, at a time when that wasn’t really a thing that existed. By the early 1950s he had a large number of clients, but he finally decided to close the agency to focus on editorial work. He was the only editor Isaac Asimov ever had.

Perhaps she meant “only agent”? Asimov’s work went under the hand of lots of other editors, according to the Internet Science Fiction Database.

(11) WRITER DISCIPLINE. Marc Aplin tells “How Writing Is A Lot Like Fighting – Part 1: Introduction” at Fantasy Faction.

The key to both statements is that the speaker’s practice/training has given them a degree of confidence that allows them to enter into a familiar situation (whether opening a word document or stepping into a ring/cage) and allowing their instincts to take over. It is important that you understand here that this isn’t simply ‘willingness’ to do their chosen activity (although that will be the first step), this is instead such a strong grasp of fundamentals that the person can switch their conscious mind off (i.e. ‘enter the zone’).

(12) CELTIC EXHIBIT. “British Museum Explores Celtic Identity” by Sean McLachlan at Black Gate.

For many of us, the Celts are an enduring fascination. Their art, their mysterious culture, and the perception that so many of us are descended from them makes the Celts one of the most popular ancient societies. So it’s surprising that the British Museum hasn’t had a major Celtic exhibition for forty years.

That’s changed with Celts: Art and Identity, a huge collection of artifacts from across the Celtic world and many works of art from the modern Celtic Revival. The exhibition is at pains to make clear that the name ‘Celts’ doesn’t refer to a single people who can be traced through time, and it has been appropriated over the last 300 years to reflect modern identities in Britain, Ireland, and elsewhere. “Celtic” is an artistic and cultural term, not a racial one.

The first thing visitors see is a quote by some guy named J.R.R. Tolkien, who wrote in 1963, “To many, perhaps most people. . .’Celtic’ of any sort is. . .a magic bag into which anything may be put, and out of which almost anything may come. . .anything is possible in the fabulous Celtic twilight.”

(13) HUMBLE BUNDLE. The Science Fiction and Fantasy Writers of America announced that the newest  Book Bundle will be supporting SFWA’s Givers Fund.

Pay what you want for Obsession: Tales of Irresistible Desire, One-Eyed Jack (Elizabeth Bear), Digital Domains: A Decade of Science Fiction and Fantasy, and Word Puppets (Mary Robinette Kowal).

Pay more than the average price to also receive Mermaids and Other Mysteries of the Deep, The Year’s Best Science & Fantasy Novellas: 2015, The Year’s Best Dark Fantasy & Horror: 2015, New Cthulhu 2: More Recent Weird, and Witches: Wicked, Wild & Wonderful.

Pay $15 or more for all of that plus Ad Astra: The 50th Anniversary SFWA Cookbook, The Year’s Best Science Fiction & Fantasy: 2015, and Warrior Women.

Choose the price. Together, these books ordinarily go for up to $86. Here at Humble Bundle, though, you name the price! …

Support charity. Choose where the money goes — between the developers and three charitable causes (Comic Book Legal Defense Fund, Worldbuilders, or the Science Fiction & Fantasy Writers of America–Giver’s Fund).

The bundle will be available til December 9.

(14) LETSON REVIEW. At Locus Online, Russell Letson begins his review of Greg Bear’s Killing Titan with an admission:

I should probably cop to this: I’m fascinated by military history, but I’ve never been much taken by what I think of as genre military SF, by which I mean adventure stories set in the military establishment and emphasizing weaponry, com­radeship, chains of command, career progress, and (of course) combat. As much as I enjoyed and understood Starship Troopers and The Forever War, I have found the run of routine combat or military-life series, well, routine and no match for the best of their historical-setting cousins (C.S. Forester, Bernard Cornwell, Pat­rick O’Brian, George MacDonald Fraser).

Nevertheless, it’s a positive review of Bear’s novel.

[Thanks to John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Greg.]

Pixel Scroll 11/12 Vampire Elf-eared Zombie Shape-Shifting Warriors Of Gor

(1) An Al Hirschfeld signed lithograph of the Star Trek: The Next Generation crew is for sale by the Baltimore Science Fiction Society.

non-glare-pic-hirsh COMP

This a signed limited edition (127 of 375) print originally owned by science fiction fan legend Marty Gear. The lithograph shows the cast of the Star Trek the Next Generation TV Series and was commissioned by cast member Brent Spiner (Commander Data) with many given to the cast and crew of the show during the show’s original run as gifts…. This hand signed numbered print was dry mounted and framed by Marty Gear in a silver frame with glass and was bequeathed to BSFS in Marty’s will. It is in perfect condition. We are offering this item for $1,495.00 plus tax and shipping.

(2) “(Almost) Every SFF Adaptation Coming to Television and Movie Theaters!” compiled by Natalie Zutter at Tor.com.

Thanks to Game of Thrones and Marvel’s Cinematic Universe, we’ve entered a golden age of sci-fi and fantasy properties being developed for film and television. It seems that nearly every network and studio has snatched up the rights to old and new classics, with a bevy of projects in production or premiering in the coming months. We’ve compiled a master list of every SFF adaptation currently in the works, from American Gods to Y: The Last Man. And surprising no one, prolific writers Neil Gaiman and John Scalzi each have a number of projects in varying stages of development.

(3) The fourth installment of Superversive Blog’s interview with Ruth Johnston, author of Re-modeling the Mind: Personality in Balance, is titled “Culture War Post 4: The War Over Archetypes!”

L. Jagi Lamplighter poses the questions in this series described as “Speculative Fiction meets Jung.”

Q: So the group that is interested in exploring gender roles and seeing them as less restrictive probably loves books like Ancillary Justice or Left Hand of Darkness, which do just that. In fact, it was probably a major factor in Ancillary Justice winning the Hugo in 2014.

A: If there’s one thing the two sides in the Hugo controversy agree on, it’s that the most important thing about Ancillary Justice is not the story itself but the way it used pronouns to obscure gender. Everyone is “she” until the narrator has a reason to identify male or female. It’s explained in the story as just part of the narrator’s native language which, like Chinese and Turkish, doesn’t specify gender in a normal sentence. The narrator, writing in English, is forced to make gender choices in every sentence, so instead just uses “she” for everyone. But I had to read some of the story to understand the thing about language, because when people talk about Ancillary Justice, they elevate the single pronoun to such importance that it’s like the story was really just about obscuring gender. If they liked the story, it’s because at last we’re disrupting mental assumptions that gender will always be visible. If they didn’t like the story, it’s because obscuring gender became more important than whatever was happening.

So that’s a great example of the wider culture battle interfering in science fiction and crowning a winner in what might otherwise just be a dispute about literary taste. Once it’s connected to the wider question of how we, in real life, see men and women, then it’s about life and death, good and evil. It’s like they’re saying, “If you don’t like this story, maybe it’s because you want to suppress the “‘other’.” Those who didn’t like the story respond in defensiveness: “well maybe if you like the story, it’s because you care more about message! You just want to disrupt society.” Now it’s no longer about literary taste, it’s about hurting people or destroying the culture, and things “just got real,” as they say. There are pre-existing political sides to take, and these sides are ready to swing into action even if they don’t care about science fiction or fantasy.

(4) From a website devoted to Joyce Carol Oates — “Into the Void: Lovecraft and the World Fantasy Award”.

Joyce Carol Oates’s short story “Fossil-Figures” from the collection The Corn Maiden and Other Nightmares won a World Fantasy Award in 2011. Her story collection Haunted: Tales of the Grotesque was a finalist for the collection award in 1995. The award itself is a bust of H.P. Lovecraft.

At the link is a Twitter conversation about the news that the Lovecraft statue will no longer be used for the award.

(5) The publisher of Castalia House, Vox Day, would like everyone to know the firm is doing well.

Two _1

Two simultaneous #1 bestsellers isn’t bad, especially when you only publish one book each month.

It’s also worth noting that in the Military Strategy category, Castalia House currently publishes five of the top 40 bestsellers.

(6) Kate Paulk, never known for her economy of prose, could have distilled today’s Mad Genius Club post into this sentence:

And yet, when I pointed out that our dear anti-Puppy friends were behaving like the Nazis did, complete with examples and quotes, I was horrible, just absolutely horrible.

(7) But this is a strange field. John Scalzi wrote a post reassuring the original Sad Puppy, Larry Correia, that when it comes to book tour audiences, “Size Matters Not”.

I’ve been actively touring novels since 2007, when Tor put me on tour for The Last Colony. Since that time, across several tours, I’d say my largest tour event had several hundred people at it, and my smallest event had… three. Yes, three. I was at the time a New York Times best selling, award-winning author, and yet three people showed up to a tour event of mine. And they were lovely people! And we had a fine time of it, the three of them and I. But still: Three.

Because sometimes that happens. And it happens to every writer. Ask nearly any writer who has done an event, and they will tell you a tale of at least one of their events populated by crickets and nothing else. Yes, even the best sellers. And here’s the thing about that: Even with the best sellers, it’s an event often in the not-too-recent past. Every time you do an event, you roll the dice. Sometimes you win and get a lot of people showing up. Sometimes you lose and you spend an awkward hour talking to the embarrassed bookstore staff. Either way, you deal with it, and then it’s off to the next one.

Also, tangentially: the dude on Twitter trying to plink one off of Larry because of the size of his event crowd? Kind of a dick. …

And then those seven or eight or forty or however many people will go home feeling valued by Larry, and they’ll keep buying his books and keep recommending them to friends and others. Because that’s the point and that’s how it’s done. The value of doing a book event is not only about who is in the crowd that day. It’s the knock-on effect from there — building relationships with fans and booksellers, and benefiting when they talk you up to friends and customers and so on….

(8) It really must be National Pat Your Puppy Day, because George R.R. Martin claimed to have found a silver lining in the Hugo disaster:

Last time I talked about some possible nominees for Dramatic Presentation, Long Form. This time I want to focus on Dramatic Presentation, Short Form. In other words, best television episode. (No, not officially, but that’s what it usually comes down to, and let’s ignore the silliness of nominating an Easter Egg or an acceptance speech from the previous year’s Hugos).

I was no fan of the efforts of Puppies to game the Hugo Awards last year. I don’t think I have been shy in my opinions on that subject. But I will give the Puppies this much — their efforts did break the decade-long hold that Dr. Who fandom had on the nominations in this category. I have no problem with episodes of DR. WHO being nominated, and indeed winning, mind you… and the Doctor has won plenty of times in this category over the past decade… but when four of the six finalists are from the same category, that strikes me as way unbalanced and, well, greedy. The Doctor’s fans love their show, I know, but there is a LOT of great SF and fantasy on the tube right now. Nominate DR. WHO, by all means… but leave some room for someone else, please.

(9) Even S. T. Joshi got some love today — in Black Gate’s post “New Treasures: The Madness of Cthulhu, Volume Two, edited by S.T. Joshi”.

The reason his stock is still flying high is because Black Gate’s review of Volume 1 is quoted on the back cover…

G. Winston Hyatt wrote:

Lovecraft’s At the Mountains of Madness serves as the inspiration for many of the authors in The Madness of Cthulhu… it’s masterful in concept and at times in execution. A fusion of Antarctic adventure, science fiction, and early-modern horror, it not only offers chilling passages with an escalating sense of dread and isolation, but also constructs a world horrifying in its implications about mankind…

The second volume contains 14 brand new stories inspired by Lovecraft’s At the Mountains of Madness.

(10) As SF Site News explains, “In 2014, SFWA developed an accessibility checklist for its internal events, such as the Nebula Award Weekend or the New York Reception. SFWA has now elected to make the checklist public and available to other events which may desire to have some guidelines.”

“Accessibility Checklist for SFWA Spaces” is now posted at the SFWA Blog.

The SFWA Accessibility Checklist is provided for the use of conventions and other gatherings who want to ensure that their event is fully accessible by all attendees.

The checklist was assembled by Matthew Johnson, Teresa Frohock, Peggy Rae Sapienza, Tanya Washburn, and Bill Thomasson.

(11) RedWombat in a comment on File 770.

Let us go then, me and you,
When the awards are nearly due,
Like shoggoths dissected upon a table;
Let us go, through eldritch winding blogs,
Muttering and wordy slogs,
Of those upset in one-line tweets
And those who pound the well-worn beats:
“PC censorship!”–a tedious argument
Of insidious intent
To lead you to an overwhelming question….
Oh, do not ask, “What the hell is that?”
You behold the bust of Lovecraft.

In the room the fans go fore and aft,
Talking of H. Phillip Lovecraft.

(12) Glenn Fleishman visited Amazon’s new brick-and-mortar bookstore in Seattle to shoot some photos – and in the process caught a labeling error in the sf section where Neil Gaiman’s American Gods is listed as the 2015 Hugo Award winner. (It won in 2002.)

Amazon FleishmanAmerican Gods Fleishman

Pixel Scroll 10/14 The pixel will see you now…

(1) What could be more appropriate to continue a discussion launched in yesterday’s Scroll than Jurassic Park: High Heels Edition! Thanks to Cathy for dropping this into the comments.

(2) “Emperor Palpatine and Sauron in the Afterlife” by Steve Ogden. Here is the first frame of the comic —

Sauron COMP

This crazy comic sprung from a Twitter conversation I was having with Scott King. He said he was considering writing an essay, the events of Star Wars as seen from Emperor Palpatine’s point of view. I said it would be a terrible idea, but really funny, to have a conversation in the afterlife between two dead bad guys, sort of swapping horror stories about how badly everything went for them at the hands of the Good Guys. Scott admitted it was both terrible and funny, and why don’t I go write it then. So I did, and here you have it.

(3) That was a strange experience – reading Alexandra Erin’s “Millennial Pledge: Trouble Edition”, which translates “Trouble in River City” into a bullet-pointed blog post.

(4) Recommended: Ty Templeton’s comic ”What if Bob Kane has created Bat-Man without Bill Finger?”

(5) Most of “The 20 Biggest Bombshells J.K. Rowling’s Dropped Since ‘Harry Potter’ Ended” are less cheerful than —

chocolate frogs COMP

Chocolate Frogs

Harry, Ron and Hermione all wound up with their own chocolate frog cards, which Ron reported as his “finest hour.”

Harry’s card says that he is “the first and only known wizard to survive the Killing Curse, most famous for the defeat of the most dangerous dark wizard of all time, Lord Voldemort.”

Ron’s card gives him credit for “destroying the Horcruxes and subsequent defeat of Voldemort and revolutionizing the Ministry of Magic.”

On hers, Hermione gets credit for being “the brightest witch of her age” and that she “eradicated pro-pureblood laws” and campaigned for “the rights of non human beings such as house-elves.”

(6) Remember the Star Wars blooper reported by Screen Rant that I posted here the other day? Io9 checked with Mark Hamill who says it never happened.

Instead of calling Carrie Fisher’s name out, Hamill insists that he started to say “There she is!”—dialogue provided in ADR that was cut short by Leia and Luke’s embrace.

(7) “Make Sure to Check Your Camera Settings” — a funny Flash reference at Cheezburger.

(8) Today In History –

(9) John ONeill profiled The Complete Short Fiction of Clifford D. Simak, Volumes 1-3 at Black Gate.

The lack of a complete collection of Clifford D. Simak’s short stories has been keenly felt among many old-school fans. So as you can imagine, I was delighted to discover that Open Road Media has undertaken the first comprehensive collection of all of Simak’s short stories — including his science fiction, fantasy, and western fiction. The first three books, I Am Crying All Inside, The Big Front Yard, and The Ghost of a Model T, go on sale later this month.

All three, like all six volumes announced so far, are edited by David W. Wixon, the Executor of Simak’s Literary Estate. Wixon, a close friend of Simak, contributes an introduction to each volume, and short intros to each story, providing a little background on its publishing history and other interesting tidbits.

As a special treat the first volume, I Am Crying All Inside, includes the never-before-published “I Had No Head and My Eyes Were Floating Way Up in the Air,” originally written in 1973 for Harlan Ellison’s famously unpublished anthology Last Dangerous Visions, and finally pried out of Ellison’s unrelenting grip after 42 very long years.

(10) Margaret Hamilton’s pioneering work on NASA computers is covered by Wired in “Her code got humans on the moon – and invented software itself”.

Then, as now, “the guys” dominated tech and engineering. Like female coders in today’s diversity-challenged tech industry, Hamilton was an outlier. It might surprise today’s software makers that one of the founding fathers of their boys’ club was, in fact, a mother—and that should give them pause as they consider why the gender inequality of the Mad Men era persists to this day.

As Hamilton’s career got under way, the software world was on the verge of a giant leap, thanks to the Apollo program launched by John F. Kennedy in 1961. At the MIT Instrumentation Lab where Hamilton worked, she and her colleagues were inventing core ideas in computer programming as they wrote the code for the world’s first portable computer. She became an expert in systems programming and won important technical arguments. “When I first got into it, nobody knew what it was that we were doing. It was like the Wild West. There was no course in it. They didn’t teach it,” Hamilton says.

She’s an unsung heroine of Apollo 8, because she got them home after a fatal input error in the spacecraft somebody at NASA insisted would never happen.

(11) Scientists measured the erosion of terrestrial river rocks to deduce — “Pebbles on Mars Shaped by Ancient Long-Gone Rivers Dozens of Miles Long”.

Using publicly available images of the rounded pebbles on Mars from the Curiosity rover mission, the scientists calculated that those rocks had lost about 20 percent of their volume. When they factored in the reduced Martian gravity, which is only about 40 percent of Earth’s, they estimated that the pebbles had traveled about 30 miles (50 km) from their source, perhaps from the northern rim of Gale Crater.

(12) NASA’s Hubble Space Telescope has been used to produced new maps of Jupiter – the first in a series of annual portraits of the solar system’s outer planets.

New imagery from NASA’s Hubble Space Telescope is revealing details never before seen on Jupiter. High-resolution maps and spinning globes (rendered in the 4k Ultra HD format) are the first products to come from a program to study the solar system’s outer planets each year using Hubble. The observations are designed to capture a broad range of features, including winds, clouds, storms and atmospheric chemistry. These annual studies will help current and future scientists see how such giant worlds change over time.

 

(13) Well, this is bizarre, but extremely well-edited (NSFW) humor video, a mashup of Hitchcock’s movies with Jimmy Stewart and Kubrick’s sf/horror movies.

(14) Free Nick Mamatas!

No, no, you don’t need to bail him out — just read his story free on the Glittership webpage (or listen to it on the podcast) — Episode #18 — “Eureka!” by Nick Mamatas.

Adam hadn’t worn the crushed velvet blouse in his hands for a long time. It was from his goth phase, twenty pounds and twenty years prior. He shuddered at the thought of it distending around his spare tire these days, but he couldn’t bring himself to put it in the box he’d set aside for Out of the Closet either. And not only because it would be embarrassing if anyone saw it.

There were memories in the wrinkles of the velvet—well, not memories exactly. Half-memories, images and glimpses and smells. Two decades of gimlets and bad decisions and a few teeth and a trio of cross-country moves. What was the place? It was Huggy Bear’s on Thursdays, when they played disco for a majority black clientele, but on most nights it was just The Bank. A real bank, in the sepia-toned days when great-grandma worked in an Orchard Street sweatshop, a goth/darkwave club now….

(15) Kameron Hurley interviewed at SFFWorld:

With The Mirror Empire, you’ve challenged many genre assumptions/expectations/tropes, most notably genre roles and expectations.  What other genre expectations did you seek to challenge but instead readers accepted easily?

So far readers have pretty much balked at everything I thought they would, though I admit I’ve been surprised at the reactions to Anavha, which were far more perplexed and passionate than I anticipated. It seemed like a fairly straightforward plotline to me, but putting characters with unexpected genders into those roles surprised people. I think it really made them think hard about reading abusive relationships like that in other books.

(16) Steve Davidson, taking as his sample the recommendations made so far at Sad Puppies 4, theorizes quite reasonably that works available for free are more likely to be recommended for awards. By implication, he wonders what will happen to authors who like to get paid.

I do believe that there is a distinct trend represented:  freely available, easily accessible works may very well swamp the nominations – if those works are given a little initial traction by readers, like including them on a recommendation list, because (I belabor), the fewer “objections” you place between a consumer and a potentially desirable product, the more likely they are to “buy”.  In other words, “click here and invest a few minutes” is far more attractive than “click here, pull out your credit card, wait for delivery, invest a few minutes”.

(17) Brandon Kempner latest survey “Hugo/Nebula Contenders and Popularity, October 2015” for Chaos Horizons. I’m late picking this up, and as Kempner notes in the post, Leckie’s book was still on the way when he wrote it.

Last year, I tried to track Goodreads stats a measure of popularity. This year, I’m tracking both Amazon and Goodreads.

I’ve been disappointed in both of those measures; neither seems particularly accurate or consistent, and they don’t seem to predict the eventual Hugo/Nebula winner at all. What is useful about them, though, is getting at least an early picture of what is popular and what is not. I do believe there is a minimum popularity cut off, where if you fall below a certain level (1000-2000 Goodreads votes), you don’t have much of a shot at winning a Hugo or Nebula. This also allows good comparisons between books that are similar to each other. If you think Uprooted and Sorcerer to the Crown are both contenders as “experimental”-ish fantasy books, one of those (Uprooted) is 10 times more popular than the other. If you had to pick between one of them being nominated, go with Novik.

(18) Dawn Witzke, in “Taking Sides” , says George R.R. Martin has convinced her to pick a side.

[GRRM] I have no objection to someone starting a people’s choice award for SF. Hell, I might even win it, since I have the sort of mass following that tends to dominate such awards. But it would not be as meaningful to me as winning a Hugo.

[Nitzke] There is no need to start a people’s choice award for SFF, one already exists. You may have heard of it, it’s called the Hugo Awards. And, I believe you might have won one of those once. After reading Game of Thrones, I can say it was definitely worthy of Hugo. (Trust me, that’s not a good thing.)

I do want to thank you, Mr. Martin. Without your rich elitist bullshit, I might have continued to sit on the sidelines again this year. Instead, I will be forking over the cash for a membership, because those of us who can’t afford to blow money on cons are just as much true fans as those who can. So you can go stuff it in your asterisk.

(19) Not everyone is tired of the subject —

https://twitter.com/horriblychris/status/654462570842091520

(20) Talk about a really sad puppy – William Shatner:

William Shatner is exploring strange new worlds in trash-talking his former “Star Trek” co-star George Takei.

Shatner, who played Captain James T. Kirk on the iconic sci-fi series, lashed out at Takei in an interview with Australia’s news.com.au published Monday.

“He is a very disturbed individual, the truth of the matter is,” Shatner said of Takei, who played Hikaru Sulu on the series and subsequent movie franchise. “I don’t know him. I haven’t seen him in 25 years, I don’t know what he is up to. It is not a question that has any meaning to me. It is like asking about George Foreman or something.”

And when asked about director J.J. Abrams, who is currently filming Star Trek Beyond, he told the Australian press:

“No matter what plans I make it is J.J. Abrams who makes the plans and no I don’t think he is planning anything with me,” Shatner said. “I would love to. In one year it will be our 50th anniversary and that is incredible.”

(21) “California nixes warrantless search of digital data”

In what’s being called a landmark victory for digital privacy, California police will no longer be able to get their hands on user data without first getting a warrant from a judge.

Governor Jerry Brown on Thursday signed the California Electronic Communications Privacy Act (CalECPA), SB 178, which requires state law enforcement to get a warrant before they can access electronic information about who we are, where we go, who we know, and what we do.

US privacy rights groups have long been concerned that law enforcement hasn’t considered it necessary to get a search warrant before they can search messages, email, photos and other digital data stored on mobile phones or company servers.

States such as California, tired of waiting around for Congress to update 29-year-old federal electronic privacy statutes, are taking reform into their own hands.

(22) H.G. Wells took a shot at foretelling the future — “A Peek Ahead” at Futility Closet tells you how well he scored.

Readers of the London Evening Standard saw a startling headline on Nov. 10, 1971: “The Prophecy H.G. Wells Made About Tonight’s Standard.” Wells had published a story in 1932 in which a man unaccountably receives a copy of the newspaper from 40 years in the future. “He found himself surveying a real evening newspaper,” Wells wrote, “which was dealing so far as he could see at the first onset, with the affairs of another world.”

Most of “The Queer Story of Brownlow’s Newspaper” is devoted to Wells’ prophecies regarding world events in 1971, and most of these, unfortunately, are misses. Newspapers today are printed in color and the Soviet Union has fallen, but geothermal energy has not replaced the age of combustion, body clothing has not (quite) been reduced to a minimum, finance and nationalism still thrive, gorillas are not extinct, the human birthrate has not dropped to “seven in the thousand,” and there are no plans to add a 13th month to the year.

(23) Here’s a massive cosplay photo gallery from New York Comic Con. (Activate by clicking on arrows in upper right corner of image displayed for Slideshow #1 and Slideshow #2.)

Look for an amazing Raiden, an outstanding Mr. Freeze, a spot-on Nosferatu, and a glorious Muto from Godzilla. Spider-Woman, Hawkgirl, Princess Amidala, Mystique, gender-swapped Booster Gold, Ratchet, Venom… the list goes on and on! Take a look at the slideshows below and share your favorites in the comments!

(24) The sf magazine market contraction predicted by Neil Clarke is not far off, but L. Jagi Lamplighter doesn’t want it to begin with Sci Phi Journal, so she is making an appeal for donations.

Jagi, here.  I learned this morning that Sci Phi Journal needs help.

For those who don’t know it, Sci Phi Journal offers science fiction stories that have a philosophy to them. It is one of the few periodicals offering a place to the kind of stories that Sad Puppies stood for…in fact, it was on the Hugo ballot this year, as was one of the stories that appeared in it (“On A Spiritual Plain” by Lou Antonelli).

Sci Phi offers a venue for the very kinds of stories that we all want to read but seldom get to see. It features some of the best new authors, like Josh Young and Brian Niemeyer, and a number of others. Both John and I have had stories appear in its pages.

It would be a real shame if it folded!

What can you all do to help?

If you should feel moved to make a donation, you can do so here. (The donate button is on the right. You may need to page down.)

(25) Monty Python’s Terry Gilliam will appear at Live Talks Los Angeles on October 19, 2015 at the Alex Theatre. It’s the launch event for Gilliam’s memoir. He gave an interview to a local paper to promote the appearance.

Terry Gilliam

What led you to write the book?

It really was supposed to be a book about just my art — whatever my art is — starting with childhood cartoons. My daughter Holly assembled a chronology of the work I’ve done. I would sit with a microphone and talk about it. Somewhere along the line, the publisher says “Oh, God, this is better as an autobiography.” It ended up being that, even though it’s a very incomplete one. I refer to it as my “Grand Theft Autobiography.” It’s a high-speed chase, crashing around the place, a lot of bodies left all over the place. It’s not the great summation of my life in the last hours of my life.

What was your reaction when you started digging into the art you had made?

I was surprised because I don’t linger in the past. Things I’d done over the years had been filed away. Holly had been archiving and dredging this stuff out. The other day I found something and I thought, “God, I can’t believe I could draw that well 20 years ago!” I can’t draw that well anymore.

(26) A Back To The Future prediction still has an opportunity to come true.

At one moment in the 1989 film a billboard reveals the Chicago Cubs have won the 2015 World Series, the joke being that the Cubs hadn’t won the baseball World Series since 1908 and likely never would do.

“A hundred-to-one shot,” the charity fundraiser jokes with Marty, “I wish I could go back to the beginning of the season and put some money on the Cubs!”

But now it’s looking like the Chicago team could actually win the 2015 World Series.

The Chicago Cubs beat the St. Louis Cardinals this week to proceed to the National League Championship Series (NLCS) and will face the New York Mets or LA Dodgers on Saturday for the chance to play in the coveted World Series. Think of it as a sort of regional semi-final for the biggest game of the baseball season.

The film’s writer Bob Gale said he chose the Cubs as the winning 2015 team as a joke, saying: “Being a baseball fan, I thought, ‘OK, let’s come up with one of the most unlikely scenarios we can think of’.”

The Dodgers, if they advance, will have to start the back end of their rotation which would really boost the Cubs’ chances. No time-traveling DeLorean will be swooping in from 1963 delivering Koufax and Drysdale to save LA.

(27) A high-tech prank — Real Mjolnir (Electromagnet, Fingerprint Scanner)

A replica of Mjolnir (Thor’s Hammer) from The Avengers that’s pretty much unliftable unless you’ve got my fingerprints!

 

[Thanks to Cathy, David K.M. Klaus, Will R.,and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 10/9 Pixellary Mercy

(1) While I missed the story when this was done for the 70th anniversary of The Wizard of Oz movie, the image is still good for a laugh.

Super-sized version of the infamous Witch’s legs, complete with sparkling red ruby slippers, replicating an iconic scene from the movie ‘The Wizard of OZ’ in central London on December 1, 2009. As part of the Wizard of Oz Christmas season at Harrods.

Harrods_2

(2) “The Last Voyage of the Starship Enterprise” is one of the iconic skits from Saturday Night Live’s first season in 1976. A.V. Club writer Phil Dyess-Nugent discussed it in a 2013 retrospective:

The acknowledged sketch-comedy masterpiece in these episodes is “The Last Voyage Of The Starship Enterprise,” a marvelously detailed Star Trek parody with a very fan-geek sensibility—which is a surprise coming from the writer, O’Donoghue, who you might not think of as the kind of person who would declare fealty to a cult sci-fi TV show. Maybe that, too, is in indication of how much the world has changed. Here’s another: The network suit played by Gould who appears on the deck of the Enterprise to explain the show’s cancellation has nothing to say about demographics or desirable marketing niches, but simply “low Nielsen ratings.” Chevy Chase’s Mr. Spock explains to his captain that Nielsen ratings “were a primitive system of estimating television viewers, once used in the mid-twentieth century.”

Watch it free on Hulu.

John_Belushi,_SNL_Vulcan_salute

(3) Another Lovecraft-inspired brew from Naragansett Beer will be released at a party October 10 in Providence, RI.

Back from the dead just in time for the spookiest month of the year, our beloved Bock has morphed into the Reanimator Helles Lager. At 6.5% ABV and 35 IBUs, we’ve reanimated our classic Bock by dry-hopping it with Czech Saaz to boost its hop presence with a sophisticated and spicy twist. You won’t want to miss this Lovecraft inspired brew and you can be one of the first try it on Saturday, October 10th at the Columbus Theatre! The party starts at 8PM and a special screening of Re-animator starts at 9PM to celebrate the film’s 30th Anniversary and the release of our latest beer!

lovecraft-reanimator-release

(4) Charles Stross is worried that low Earth orbit will eventually become as trash-strewn as an LA freeway onramp, which will make it nearly impossible to use it for satellites and navigation.

Here’s a technological question with philosophical side-effects that’s been bugging me for the past few days …

Today, the commercial exploitation of outer space appears to be a growth area. Barely a week goes by without a satellite launch somewhere on the planet. SpaceX has a gigantic order book and a contract to ferry astronauts to the ISS, probably starting in 2018; United Launch Alliance have a similar manned space taxi under development, and there are multiple competing projects under way to fill low earth orbit with constellations of hundreds of small data relay satellites to bring internet connectivity to the entire planet. For the first time since the 1960s it’s beginning to look as if human activity beyond low earth orbit is a distinct possibility within the next decade.

But there’s a fly in the ointment.

Kessler Syndrome, or collisional cascading, is a nightmare scenario for space activity. Proposed by NASA scientist Donald Kessler in 1978, it proposes that at a certain critical density, orbiting debris shed by satellites and launch vehicles will begin to impact on and shatter other satellites, producing a cascade of more debris, so that the probability of any given satellite being hit rises, leading to a chain reaction that effectively renders access to low earth orbit unacceptably hazardous…..

(5) In the meantime, space exploration continues unimpeded by junk in the sky, as they will be happy to explain tomorrow at JPL’s annual Open House.

Saturday, October 10 and Sunday, October 11, 2015

9:00 a.m. – 4:00 p.m.

No tickets or reservations required

NASA’s Jet Propulsion Laboratory, Pasadena, California, invites the public to its annual Open House on October 10-11,2015. The event is free of charge and takes visitors on a “ride” through the wonders of space. Highlights include a life-size model of Mars Science Laboratory, demonstrations from numerous space missions, JPL’s machine shop, where robotic spacecraft parts are built, and the Microdevices Lab, where engineers and scientists use tiny technology to revolutionize space exploration.

 

oh2

(6) The work of composer John Williams is synonymous with science fiction media. He will be honored with the AFI Life Achievement Award on June 9, 2016. Williams is the 44th winner, but the first composer to receive the award.

John Williams’ storied career as the composer behind many of the greatest American films and television series of all time boasts over 150 credits across seven decades. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your-seat Jaws (1975) motif to the emotional swell of E.T. The Extra-Terrestrial (1982) and the haunting elegies of Schindler’s List (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium. Three of Williams’ scores landed on AFI’s 100 Years of Film Scores — a list of the 25 greatest American film scores of all time — including the unforgettable Star Wars (1977) soundtrack, at number one. With five Academy Award wins and 49 nominations in total, Williams holds the record for the most Oscar nominations of any living person.

Besides Star Wars, he’s written themes for TV’s The Time Tunnel, Lost In Space, Land of the Giants, and movies like Close Encounters of the Third Kind and Superman.

(7) Lela E. Buis tries to fathom what kept Michael A. Burstein from winning any of the Hugos he’s been nominated for

More today on Michael A. Burstein, who’s been nominated 10 times for a Hugo but never won. Just achieving the nomination shows he was a very popular author during these years. His nominations include the short story category, which requires at least 5% of the cast nominations in order to appear on the ballot. So what’s the problem? What was he missing that would have put him over the top?

(8) The third installment of Superversive Blog’s interview with Ruth Johnston, author of Re-modeling the Mind: Personality in Balance, is titled “If You Had Introverted Intuition, My Dinosaur”.

L. Jagi Lamplighter poses the questions in this series described as “Speculative Fiction meets Jung.” Rachel Swirsky’s now-famous story is the subject of analysis this time.

[Ruth Johnson] A: I think this story is a wonderful example of the hardest to explain, most mysterious mental function we can observe in personality: Introverted Intuition. Both kinds of Intuition are involved in a search for meaning, but Introverted Intuition is particularly intent on finding cloaked, disguised, suppressed truth.

I think that’s what this story is about. Of course, it isn’t really a story; it’s a scene that poses questions about meaning. There isn’t any movement in plot, rather the motion consists of a gradual revealing of the speaker’s state of mind. The scene: A woman sits by a hospital bed, where her fiancé, an archeologist, is in a coma. He was beaten by five drunken men for unknown reasons. The only dinosaur in the story is in her imagination, of course, as she envisions what would have been different if he had been even a small carnivore. The title poses the question: what if, instead of being who you are, you had been something else?

I think the key to the story is that she feels a small Tyrannosaurus Rex would have been a truer form for the soul of the man she loves. It would reveal his true nature, whereas his powerless natural appearance forms a kind of mask that makes him look like he ought to be a victim. The exercise in imagining is pointless if being a dinosaur wasn’t somehow a truer truth than the natural one; otherwise we could ask what if he were a Mack truck or an onion. By emphasizing that the dinosaur would be the same size as the human, she is making it clear that she sees the transformation as revelation, not random change. “If you actually looked like your true inner nature, my love, then people would see that you are strong and this would be a deterrent to getting hurt.”

When you posit that the appearance of a human being might be a disguise, a false archetype that covers truth, you are deep into Introverted Intuition’s territory.

(8) Disney and Lucasfilm will hold a massive world premiere for Star Wars: The Force Awakens in Los Angeles on Dec. 14, The Hollywood Reporter has learned. A premiere in London immediately follows.

(9) See the trading card with the most explicit Star Wars photo of all time.

The final chapter in the story of the biggest boner in Topps’ history.

The year was 1977 and the U.S. was caught in the throes of a pop culture phenomenon unlike anything it had seen before, all because of a little movie called Star Wars. The Topps Company, known for making pocket-sized stacks of popular baseball players since the 1930s, lucked out when Kenner’s subsidiary Donruss passed on the Star Wars license. What followed was one of the most successful series of trading cards ever created.

Five sets of cards and stickers were produced over the course of two years. In a time before the Wookiepedia, these were one of the few ways to get in-depth information about the beloved soon-to-be franchise. But the original editor of those cards, Gary Gerani, and his team made one small mistake that will go down in history.

(10) Today in History

Is the anniversary literally today? I don’t know, but Prague’s astronomical clock is 605 years old, and Google has marked the occasion today, October 9, with a Google Doodle.

The ornate clock, known as the Orloj, is one of Prague’s most recognised touristic spectacles, and is located in the Old Town Square in the centre of the city. Its hourly shows draw curious visitors from all over the world, where 12 apostles emerge from two windows to nod at the crowds below.

 

https://instagram.com/p/8GZCYnGeVg/

(11) Creature Features presents The Monster Squad on October 11:

1PM – Sun Oct 11, 2015

$15 – $65 – The Theatre at Ace Hotel, Los Angeles

Tickets on sale now

Creature Features haunts The Theatre at Ace Hotel with this special cast & crew reunion screening of THE MONSTER SQUAD, the epic 1987 smackdown between an intrepid band of middle schoolers and five of horrordom’s most fearsome beasties, led by Count Dracula himself!

This spook-tacular matinee showing will include two panel discussions before and after the film, hosted by Eric “Quint” Vespe of Aint It Cool News. Guests include: actors Andre Gower, Ryan Lambert, Ashley Bank and Stephen Macht, make-up FX artists Alec Gillis and Tom Woodruff, and composer Bruce Broughton, who will be on hand to premiere the brand new deluxe CD release of his score to the film, courtesy of La-La Land Records.

 

Monster Squad

(12) This brings back memories. The cartoon commercial for Bonomo Turkish Taffy

(13) A Gamera remake is on the way. There was a trailer shown at this weekend’s New York Comic Con.

(14) I know that people who live in glass houses shouldn’t throw stones, so I will remain silent about “The Competitive World of AOL Disc Collecting”.

The discs came like a swarm of locusts, burrowing into post boxes and sliding through mail slots. They popped out of cereal boxes and appeared on meal trays during airline flights. They fell out of magazines and Happy Meals. They were stocked at the checkout counters of Best Buy, near the popcorn at Blockbuster, on bookshelves at Barnes & Noble. The ubiquity of AOL discs—those free marketing materials sent by American Online in the 90s to entice people to sign up for internet service—could be likened to world domination….

Of the bunch, Sloan Cline is arguably the most prolific collector. By her estimates, she has over 4,000 unique AOL discs stored in the basement of her home in Kansas. Every CD in her collection is different: There are discs in every color, ones in plastic cases or shrink-wrap packaging, ones promising various hours on the free trial. Versions one through three came on floppy disk, and some of the early ones came in metal tins—Sloan Cline has those kinds, too. There were also branded AOL discs, like her prized Marvel Spider-Man disc, and foreign AOL discs, which she got from her friends in Canada and Argentina.

(15) The National Toy Hall of Fame in Rochester, NY has announced the shortlist for 2015 induction. The selection will be revealed November 5. The Hall of Fame typically inducts three toys each year, with last year’s honors going to miniature green army men, the Rubik’s Cube and bubbles.

The 2015 finalists are: American Girl dolls, Teenage Mutant Ninja Turtles, spinning tops, Twister, Wiffle Ball, Battleship, puppets, Jenga, coloring books, Playmobil, Super Soaker and scooters.

The National Hall of Fame said the toys are judged based on icon status, longevity, discovery and innovation.

 

National-Toy-Hall-of-Fame-announces-2015-finalists

(16) Today’s Birthday Boys

Born 1950 – David Brin

Born 1954 — Scott Bakula, famed for Quantum Leap and as Captain Jonathan Archer on Enterprise.

Born 1964 – Guillermo del Toro, acclaimed movie director.

(17) Guillermo del Toro talked about his second house/man cave which is filled with all sorts of horror movie memorabilia on Jimmy Kimmel Live.

And he graciously worked the crowd outside.

[Thanks to Iphinome, Will R., Andrew Porter, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Sylvia Sotomayor.]

Pixel Scroll 9/23 Pixel Exigente!

(1) Today in History —

1846 – Eighth planet discovered — “German astronomer Johann Gottfriend Galle discovers the planet Neptune at the Berlin Observatory”.

Neptune, generally the eighth planet from the sun, was postulated by the French astronomer Urbain-Jean-Joseph Le Verrier, who calculated the approximate location of the planet by studying gravity-induced disturbances in the motions of Uranus. On September 23, 1846, Le Verrier informed Galle of his findings, and the same night Galle and his assistant Heinrich Louis d’Arrest identified Neptune at their observatory in Berlin. Noting its movement relative to background stars over 24 hours confirmed that it was a planet.

(2) A judge checked in with the Salt Lake Comic Con and San Diego Comic Con folks this week, who assured him they are working on a settlement:

Settlement talks are under way between San Diego Comic-Con and Salt Lake Comic Con over the use of the words “comic con,” FOX 13 is told.

Lawyers for both conventions met with a federal judge in San Diego on Tuesday to update the status of the lawsuit. Salt Lake Comic Con co-founder Bryan Brandenburg said both sides were working to reach an agreement.

“The judge wanted us to check in to see if progress had been made in the settlement. We reported the parties are still working out an agreement, but that we haven’t reached settlement, at least not yet,” he told FOX 13.

Brandenburg would not reveal any details about a possible settlement. The judge scheduled another hearing next month.

(3) Forbes writer Scott Mendelson theorizes a trailer will help draw people to theaters when The Martian opens this weekend in “’X-Men: Apocalypse’ Trailer Is Hyping ‘The Martian’”

If the rumor mill is to be believed, and in this case it makes sense, 20th Century Fox will be debuting the first much-anticipated teaser for X-Men: Apocalypse over the next week alongside the theatrical debut of Ridley Scott’s The Martian….

Back in the old days, you attached an important trailer to a big movie so that lots of people would see that big movie. Or at least you attached the trailer for your next big movie before your current big movie. That of course still happens, was we’ve seen from Universal/Comcast Corp. all summer long (Furious 7 trailers Straight Outta Compton or Fifty Shades of Grey trailers Crimson Peak)….

But here is a situation where the presence of a trailer for an upcoming blockbuster acts as major marketing not just for the movie in question but for the current (and arguably less commercial by default) release. At this point, a X-Men trailer helps The Martain more than it helps X-Men: Apocalypse. None of this is problematic in any real way, it just amused me.

(4) SF Signal’s new “MIND MELD: The Translated Books and Why We Love Them”, curated by James Aquilone, discusses the favorite translated sf of Aidan Doyle, Justin Howe (10badhabits.com), Tiemen Zwaan , Rachel S. Cordasco (facebook.com/bookishlywitty), Anatoly Belilovsky (http://loldoc.net), Sylvia Spruck Wrigley, Amy Sisson, and Matthew Johnson (www.irregularverbs.ca).

(5) I tend to be interested in what Mad Genius Club columnists say specifically about the craft of writing,such as Sarah A. Hoyt’s advice about revisions.

[First of eight points.]

1- when polishing a story limit yourself to three passes: sense, wording and typos.  Chances are if you go on (and boy, could you go on) you’ll take all the flavor and individuality out of the piece.  Flavor and individuality is why we read your story, rather than someone else’s.  Yes, I know it’s not perfect. Let it go.  No story is ever perfect.

(6) In her post “Harassment: What do we do?” dated August 20, Lydy Nickerson took Sasquan’s recent experience as a starting point to analyze the handling of harassment at conventions.

The thing that’s most recently caught my attention has been Lou Antonelli and Sasquan. For those of you who haven’t been making a hobby of the Great Puppygate Train Wreck, the extremely short version is that some guy, in this case Lou Antonelli, sent a letter to the Spokane police alleging that David Gerrold, one of the GoH for Sasquan, was dangerously mentally unbalanced and might incite violence. He then bragged about it on a podcast. There was a round of shock, awe, and horror; an apology to Gerrold from Antonelli; and other things. Sasquan was notified, as is proper. David Gerrold accepted Lou Antonelli’s apology. Sasquan issued a statement saying, very roughly, that Antonelli had violated the Code of Conduct, but for Reasons, including a request from Gerrold, they’ve decided not to ban him.

So, then there’s a bunch of Monday morning quarterbacking from just about everybody. Which is fine by me, I like detailed analysis, outrage, and train wrecks. But I’m paying special attention, because on a much smaller scale, this could be me. A lot of people were very upset, and there were two things that caught my eye. The first was a demand for consistent application of the rules, and the second was for transparency. There’s a lot of variation on those two themes, but those were the two I am currently noodling on. Consistent application was often equated with zero tolerance.

So, let’s start with the actual, root problem. People who feel vulnerable to harassment at science fiction conventions do not trust those conventions to fairly and justly administer the rules. I cannot come close to doing justice to how very reasonable it is for them to feel that way. That distrust? We’ve built it, brick and mortar, over years. It’s not just well deserved, it’s hugely massively utterly deserved. Harassment policies have been non-existent, or poorly explained or hugely badly enforced. We have multiple known cases of people being allowed to fuck up because they were well connected, or because the concom didn’t want to be arsed, or because concoms just didn’t think there was a problem….

(7) Paul Weimer on “Orwellian unpersoning on the Sad/Rabid Puppies Part” at Blog, Jvstin Style.

You know, its rich that Sad Rabid Puppies would go so far as to unperson someone they accused of being a “Social Justice Warrior”

http://leogrin.com/CimmerianBlog/your-cimmerian-bloggers/ http://www.scifiwright.com/2015/09/leo-grin-grins-when-he-slays/

Sure, freedom of association and all that…but this looks awfully…Orwellian?

The actual thing that caused this seems to be that one of the former bloggers said something bad about someone and their association with super genius Theodore Beale.

(8) John Scalzi in “eBook Sales and Author Incomes and All That Jazz” at Whatever.

I’ve noted before that I think in general there are three kinds of authors: Dinosaurs, mammals and cockroaches, where the dinosaurs are authors tied to an existing publishing model and are threatened when it is diminished or goes away, mammals are the authors who rise to success with a new publishing model (but who then risk becoming dinosaurs at a later date), and cockroaches are the authors who survive regardless of era, because they adapt to how the market is, rather than how they want it to be. Right now, I think publishing might be top-heavy with dinosaurs, and we’re seeing that reflected in that Author’s Guild survey.

What we’re missing — or at least what I haven’t seen — is reliable data showing that the mammals — indie/self-publishing folks, in this case — are doing any better on average. If these writers are doing significantly better on average, then that would be huge. It’s worth knowing.

(9) Deborah J. Ross in “Gossip and Controversy”

I have refrained from any commentary on the Hugo Awards and all the events that led up to them. This does not mean I have not had opinions. Excuse me, Opinions. Only that I saw no point in adding gasoline to the burgeoning wildfires. Now various voices are urging everyone to play nice, to not harbor grudges. To get on with the business of writing (and reading) the best stories we can. Here’s a post I composed a few years ago on the subject of gossip. I should add that I am not entirely innocent, and I have been on the receiving end of some vile accusations, as have folks I care about. It is helpful to me to consider my own behavior (both passing on gossip and being appalled by it) in a larger — and hopefully, more compassionate — context:…

A huge piece of the problem, in my experience, is that we are inundated with role models of gossipers. We are told overtly and covertly that it is not only acceptable but enjoyable to speak ill of others and to relish their misfortune. If they have no discernible misfortune to begin with, well then we will create some! If media portray the pain of those who are gossiped about, it is often to glorify retaliation in kind. Almost never are we taught what to do when we speak badly. Saying “I’m sorry,” or “Shake hands and make up,” (as we’re forced to do as small children) does not make amends.

Certainly, we must begin by looking fearlessly at what we have done or said (or left undone and unsaid), but we must also be willing to accept that there is no justification for our behavior. It doesn’t matter if what we said was true or not if it harmed someone. It doesn’t matter if we were hurting or grieving or too Hungry-Angry-Lonely-Tired.

What we have done does not make us unworthy, unlovable, inadequate, or anything except wrong. Good people can be wrong. Good people, when wrong, strive to make things right.

(10) Ruth A. Johnston, author of Re-Modeling the Mind: Personality in Balance, was interviewed by L. Jagi Lamplighter at Superversive SF about the psychology of science fiction. In “The SF Culture War Posts – Part Two” Johnston applies her theory to characters in John C. Wright’s Night Land stories.

Part Two of our multi-part look at the psychology of Science Fiction, as explained by Ruth Johnston, author of Re-Modeling the Mind, a new book that takes a fresh look at Jung’s work on personalities…

Q: Let’s talk about the ideas you share in your new book. What light can they shed either on the original Night Lands or on John and his version?

Science fiction fans are usually personalities in which Intuition is a very strong part, often the strongest and most dominant. When it’s Extroverted, the universe seems full of possibilities waiting to be connected. Under every rock or behind every star could be a great invention or cure. When it’s Introverted, the personality usually has an innate feeling of knowing the truth of the world, so that exploring ideas is a matter of looking inward, following an inborn map of meaning. It’s also a bit more pessimistic and idealistic: under every rock there might be a rattlesnake, not a cure for cancer. But the rocks do need to be turned over, because it’s terribly important to find truth and roll away anything that covers and hides.

William Hope Hodgson’s original story seems full of Extroverted Intuition to me. Technology keeps mankind alive and there’s no real downside. His dark world is filled with evil spirits and creatures, but mankind’s ability to solve problems keeps one step ahead so that they can build a good way of life. The optimism of his Intuition feels so powerful in the story that I believe he probably had this kind of Intuition in his personality. It creates a sort of worldview.

I think this is some of what charmed John when he read the 1912 novel, and because I know John from college, I can say without guessing that he has that kind of Intuition. In his mind, the world is full of dots to be connected, and we’ve barely begun to connect them all.

Now the other half of the polarity I’m calling A is Introverted Sensing, which can show up as an intense idealism about human social roles. In fantasy and science fiction, it comes out in taking fairy-tale roles like king and knight very seriously. It also believes strongly in archetypal images like mother and father, male and female. When someone with A writes SFF stories, the setting and events can become wild and even chaotic, but the human roles never move much from archetypes. We see this clearly in both Night Land versions, the original and John’s. Anyone walking in the Night Land is going to be surprised by whatever comes next, whether it’s a fire pit, a dangerous creature, an oddly detached spirit, a living stone monument, or a cluster of blind worms. The stories depend strongly on human thought, activity, and roles to give them structure: like putting a snail into its shell. Human roles are stable, not flexible and random like the setting and ideas….

(11) Vivienne Raper asks “Do the Hugo Awards have a short fiction problem?” at Futures Less Traveled

At least one person complained that the Sad/Rabid Puppy nominees kept award-worthy short stories off the 2015 Hugo ballot… So I was curious. Was this true? Were these stories better than the stuff I’d read? An experiment was in order. I’ve now read the nominees on io9’s Puppy-free ballot. Here’s how I’d have voted.

#1 WINNERWhen it Ends, He Catches Her, Eugie Foster

When It Ends, He Catches Her has a tale behind it, and it’s the saddest in the Hugos. The day after Daily Science Fiction published the story, Eugie Foster died. It was her last chance to win the award.

There is no doubt – to me – that When It Ends, He Catches Her should have won Best Short Story. It is a story I wish I could have written. That – to me – is the purpose of the Hugos, to showcase work that I know I can’t… Perhaps can never write.

But don’t stop there – Vivienne ranks No Award in second place, then goes on to discuss several proposed runners-up.

(12) Prometheus and Alien sequels are expected.

Ridley Scott set tongues wagging the other day by suggesting he might make as many as three more Prometheus sequels before tying it up with the Alien franchise, reports Comicbook.com.

Scott has promised that Prometheus 2 will answer many of the questions left open in the 2012 film. However, Scott has told German website FilmFutter (via bloody-disgusting) that he won’t show how the Prometheus franchise connects to Alien in the next film. He’s saving that reveal for … Prometheus 4?!

“It won’t be in the next one. It will be in the one after this one or maybe even a fourth film before we get back into the Alien franchise…,” explained Scott. “The whole point of it is to explain the Alien franchise and to explain the how and why of the creation of the Alien itself. I always thought of the Alien as kind of a piece of bacterial warfare. I always thought that that original ship, which I call the Croissant, was a battleship, holding these biomechanoid creatures that were all about destruction.”

Jon Spaihts’ original script for Prometheus was a direct prequel to Alien. In it, David (Michael Fassbender) the android comes across and revives the Space Jockey (also referred to as The Pilot) who was last seen as a fossil in the 1979 film. We would’ve seen how The Pilot ended up dead on LV-426 from a Chestburster, but that storyline was jettisoned during extensive rewrites. Instead, Scott chose to have David and the rest of the crew end up on a whole other moon and come upon the Last Engineer.

Prometheus 2 will begin filming in February of 2016.

“Maybe the next Alien will burst out halfway through the third Prometheus sequel??” joked Will R.

Earlier than that, figuratively speaking, There is an Alien sequel aiming for release in 2017.

Director Neill Blomkamp got media attention last February when he released concept art images from a new Alien movie he was working on, reportedly without authorization from any studio.

Variety reports separately that Blomkamp has a deal with 20th Century Fox to direct the movie, which will be a different project altogether to Fox’s Prometheus sequel with Ridley Scott. According to The Wrap, the untitled Blomkamp movie will be produced by Scott and take place after the events of Prometheus 2.

And he generated some more word-of-mouth for the project in July by repeating the stunt. First Showing then recapped what it knew about the prospective movie.

We don’t know too much about Blomkamp’s new Alien movie yet, however we’ll recap what we do know. Between this concept art and the last piece, it definitely looks like Sigourney Weaver will be back as Ripley. A few months ago, Blomkamp explained that “She knows about it, and part of it was just inspired by speaking to her on set when we were filming Chappie, and getting her thoughts on Alien and what she thought of the movies that came after Aliens and what she felt about Ripley and what was incomplete for her about Ripley. There was so much fuel in what she was telling me.” Fellow filmmaker Ridley Scott is also producing this new Alien, so he is directly involved in it and working with Blomkamp. The film is currently aiming for release in 2017, so stay tuned for any more updates.

 

A photo posted by Brownsnout (@neillblomkamp) on

[Thanks to Will R., L. Jagi Lamplighter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day James H. Burns.]

Pixel Scroll 9/11 ETA: The Scrollers Support Me in Email

(1) James H. Burns recalls the effects of 9/11 on Broadway in “Delphinus, in the Northern Sky” (posted in 2012).

It’s eleven years later, and we’re still here. Still able to perform, or write, or otherwise create, or, also wonderful, to be able to embrace those passions.

I was just thinking of the guts it took for the actors who resumed their places on the stage so soon after that day in September.

Remember the courage it took, for some of us, just to walk down the street. And these folks were resuming one of the toughest challenges, in the arts.

(2) Melbourne has a website that maps every one of its city trees. Citizens can report a particular tree’s condition and get the city to attend to it. The website has a button “Email this tree,” short for “Email the city about this tree.”

Except, as fans will do, many take the label literally, and email the tree about life, the universe, and everything.

People around the world have been e-mailing trees in Melbourne to confess their love.

As part of the Urban Forest Strategy — implemented to combat the steady decline of trees following a 13 year drought — the city assigned all of the Melbourne’s 77000 trees individual emails.

The idea was residents could use these emails to report trees that had been vandalised or were in a severe state of decline.

Only, people decided to make another use for the email and began writing love letters to their favourite trees….

Weeping Myrtle, Tree ID 1494392

Hello Weeping Myrtle,

I’m sitting inside near you and I noticed on the urban tree map you don’t have many friends nearby. I think that’s sad so I want you to know I’m thinking of you.

I also want to thank you for providing oxygen for us to breath in the hustle and bustle of the city.

Best Regards,

N …

Variegated Elm, Tree ID 1033102

Dear Elm, I was delighted to find you alive and flourishing, because a lot of your family used to live in the UK, but they all caught a terrible infection and died.

Do be very careful, and if you notice any unfamiliar insects e-mail an arboriculturist at once.

I miss your characteristic silhouettes and beautifully shaped branches — used to be one of the glories of the English landscape — more than I can say.

Melbourne must be a beautiful city.

Sincere good wishes

D

The Urban Forest Strategy will see 3000 new trees planted in Melbourne each year and since its implementation in 2012, 12000 new trees have been added to the city’s urban landscape.

(3) Step inside Crew Dragon, SpaceX’s next-generation spacecraft designed to carry humans to the International Space Station and other destinations.

(4) Major league baseball’s Pittsburgh Pirates welcomed back devoted Batman fan A.J. Burnett by sending up the Bat-Signal.

(5) Need a little adventure in your life? Tor.com is seeking an in-house publicity coordinator.

This person will work with publicity and editorial departments and contacts throughout all of genre publishing, developing plans for comprehensive book coverage on Tor.com and assisting with publisher and author outreach. They will also be responsible for encouraging and moderating conversation between readers on the site and on social media.

This is a full-time position working in our New York office. Ideally, we are looking for a candidate with at least 2 years of publishing experience, who is outgoing, extremely organized, and detail-oriented. Applicants should be both highly enthusiastic and knowledgeable about science fiction and fantasy across a range of media….

(6) Did I forget to mention – issue 24 of Hugo-winning fanzine Journey Planet, the Richard III theme issue, is available online. This issue contains a series of articles by Steven H Silver, Joan Szechtman, Chuck Serface,  K.A. Laity,  Ruth Pe Palileo and  Pixie P.as welll as pieces by editors James Bacon and Chris Garcia. The cover, some interior and technical art work was provided by Autun Purser, a full-time deep sea ecologist, who has created a series of travel posters, advertising travel to destinations from unusual fiction – the “Fantastic Travel Destinations.”

Bosworth_JP _cover_issue24 COMP

(7) Kevin Standlee shares several examples that show why Hugo Administrators aren’t activists.

  1. 1989 and A Brief History of Time (Scroll down and click “further detail” for a bit more information.) In 1989, Stephen Hawking’s A Brief History of Time had sufficient nominations to make the final ballot. The Administrator ruled it ineligible, as the definition of Best Non-Fiction Book (the title of the category now known as Best Related Work) at that time said that the book had to be about “science fiction, fantasy, or fandom,” and thus the Administrator ruled that science books weren’t eligible. This decision was controversial. There were attempted changes to the WSFS Constitution that year that were eventually rejected, IMO mainly because nobody could agree on a consistent proposal. It took several years of argument, but eventually the 1996 WSFS Business Meeting passed (and the 1997 meeting ratified) the change of the category from “Best Non-Fiction Book” to “Best Related Book,” thus:

Any work whose subject is related to the field of science fiction, fantasy, or fandom, appearing for the first time in book form during the previous calendar year, and which is either non-fiction or, if fictional, is noteworthy primarily for aspects other than the fictional text.

Note that ABHOT would have been eligible under this wording.

(8) Naturellement !

(9) These Black Mouse Printing Titanium Steel His and Hers Band Couple Rings are cute as the dickens and go for only $59.

Black Mouse rings

(10) Cat Valente in a comment on Jay Maynard’s award proposal at Black Gate

…Because it’s simply not right to say a good story has no message. Story and message are not separable, hostile camps demanding loyalty only to one or the other. A good story has themes. A good story is about something. A good story is not only about things that happen one after the other, but about why they happen, and how, and to whom, and how all those things interconnect. And all that can happen WITH ray guns and explosions and buxom princesses. It happens literally all the time. One does not kick the other out of bed for eating crackers.

The author always, ALWAYS, communicates their own culture and experience through their fiction. There is no writing without that cultural electricity animating it. It’s not good or bad. It just is. We cannot help it, we are human. To say that Ancillary Justice is message fiction and undeserving but Time Enough for Love is not is to say that some of those communicated experiences are good and should be promulgated and some are worthless and should be cast aside. And I don’t think there’s anything in the world that should be cast aside and never written about.

However, no one, not even the terrible, no good, very bad SJWs, has ever said that the best stories are ones where the “message” overrides the good story. Everyone wants a good story. Everyone wants to sink into a novel and get totally wrapped up in the tale. There is no need to split into camps on this topic because there is literally no argument. Everyone wants the same thing.

The difference lies in the fact that for some people, a story that communicates an experience that they are unfamiliar with, whether a gendered one, or racial, or sexual, or even literary, jars them out of the story and makes it harder to get wrapped up in it. I can even use my powers of empathy to understand that, because it jars me out of a story when I come across a message about how shitty and/or unnecessary women are, because I am a woman and I like to not feel like I am shitty and unnecessary. But unfortunately, for some people, me just writing a story that draws on my life experience IS political, because my experience isn’t theirs, and the central presence of women in a story is, for them, a political act….

(11) Ruth A. Johnston, author of Re-Modeling the Mind: Personality in Balance, was interviewed by L. Jagi Lamplighter at Superversive SF about her interpretation of the Hugo kerfuffle. It’s part of a series – later installments will apply her theory to characters in John C. Wright’s Night Land stories, and “If You Were A Dinosaur, My Love” as well as the larger Hugo/culture war picture.

Part One:  What Forces Drive the SciFi Culture Wars?

Q: In the Afterword to your new book, you suggest that ideas about personality might help us understand “culture wars” by showing how the sides just see the world differently.  What do you mean by “personality-based worldviews”? 

A: The thesis of Re-Modeling the Mind is that our brains can’t process all of the information that comes at us constantly, so each brain organizes itself around more limited options, depending on the neural strengths it already has. When we talk about “personality” we mean these limitations and abilities, which are usually clearly visible when we watch each other. We know ourselves this way, too. We know there are things we simply can’t take in, or if we can take in the facts, we can’t manage them to make decisions. There are things we pay close attention to, and other things we just can’t be bothered with. Personality is this very real neural patterning that filters the world so that it’s manageable.

But this means that our personalities also limit and even blind us to things other people can perceive and manage. We’re all in the same physical world, in the sense that we agree on where the objects are, so that we can avoid running into them. But at a more complex level, we really don’t all live in the same world. Our personalities can have such root-level different views of the world that we can barely have conversations. This is what I’d call a personality-based worldview.

I’m not a science-fiction reader, and I’d never heard of the Hugos until this year. But watching the ferocity of the battles made me feel convinced that at least some of this culture war is provoked by a clash of personality-based worldviews. In other words, probably the leaders and many supporters of each faction share some personality traits so that they all “live” in a similar world. In each faction’s “world,” its values are not only sensible but the only possible ones. Or if not the only possible ones, the only morally right or safe ones. This is why it’s so hard to have a conversation. It’s self-evident to each faction that its values are right, and the arguments offered by the other faction hold no water in their worldview. A lot of people on both sides feel that if So and So wins a prize, moral right or wrong will be rewarded.

(12) David Gerrold on Facebook is working out his own communication theory to explain “the recent squabble in SF fandom.”

…We now live in a world of self-organizing subcultures. Some of them are positive — organizing around the desire to address various challenges. Some of the clusters are negative, organizing around cult-like behaviors. Some are in the business of disseminating valuable information — some are in the business of misinformation and propaganda.

There’s a psychological phenomenon about new media — we give it gravitas. The first decade of any medium is the decade of education and assimilation. ie. We have to learn how to filter the information, we have to learn how to recognize that it is not an access to truth, merely one more way to be massaged. Example: The 1938 Orson Wells “War of the World” broadcast and panic. That happened while radio was still in its infancy for most listeners.

The internet is experiencing a prolonged childhood — most of us are still somewhere on the learning curve. We still trust too much of what we’re seeing on our computer screens, because we haven’t learned how to distrust it yet.

That’s the context in which we’re all operating. We’re being assaulted by an avalanche of data — we have to figure out how to mine it for actual information.

We have built the kind of technology that gives every person on the planet access to vast libraries of information and the ability to communicate with people all over the globe. But even if we’ve built a global village, we haven’t yet learned how to live in it. We’ve brought our prejudices and our beliefs and our parochial world-views.

Here, on this continent, we’ve built a cultural monomyth that carries within it the seeds of our own destruction — the mythic hero. We believe in John Wayne, the strong man who comes to rescue us. It’s a variation on the Christ myth. Or Superman. Or Batman. We’re incapable of being responsible, we need a daddy figure to sort things out for us. (The savage deconstruction of this monomyth is a movie called “High Noon.” It’s worth a look.)

Belief in superheros is an adolescent fantasy — it’s a way of abnegating personal responsibility. Whatever is wrong with the world, the Justice League, the Avengers, SHIELD will fix it.

The counterpoint is that whatever is wrong with the world — it’s not us. It’s THRUSH or SPECTRE or HYDRA or some other unnamed conspiracy. It’s always a conspiracy. …

(13) Steve Davidson has an advanced scouting report on next year’s Retro Hugos, which will be voted by members of MidAmeriCon II for eligible work from 1940.

But when it comes to the editor’s categories, we’re going to be restricted to one, that for Short Form.

Of course Campbell is the natural choice here, but take a minute to consider everyone who is eligible:

Mary Gnaedinger – Famous Fantastic Mysteries, Fantastic Novels (reprints)

Raymond A. Palmer – Amazing Stories, Amazing Stories Quarterly (reprint), Fantastic Adventures

Mort Weisinger – Captain Future, Startling Stories, Thrilling Wonder Stories

Frederik Pohl – Astonishing, Super Science Stories

F. Orlin Tremaine – Comet

Charles D. Hornig – Future Fiction, Science Fiction, Science Fiction Quarterly

Martin Goodman – Marvel Tales/Marvel Stories

Malcolm Reiss  -Planet Stories

John W. Campbell Jr. – Astounding Science Fiction, Unknown

Farnsworth Wright – Weird Tales

None of the other editors had anything approaching the budget that Campbell had, yet Pohl, Hornig and Weisinger managed to put together some very fine issues from time to time (often relying on friends for copy at cut-rates), while Malcolm Reiss practically gave birth to the sword and planet sub-genre (not to mention introducing us all to Leigh Brackett!) with Planet Stories and several of the other magazines had a material impact on the field – if only by keeping certain authors and artists barely fed.

[Thanks to Mark (wait, not that one, the other one), L. Jagi Lamplighter, Martin Morse Wooster, and John King Tarpinian. Title credit to File 770 contributing editor of the day Brian Z.]

Puppies In Perpetual Motion

(1) We begin with some choice misinformation from Charlotte Eyre’s “Five ‘no awards’ given at Hugos” on The Bookseller.

The groups [Sad Puppies and Rabid Puppies] had allegedly paid for fans to go to WorldCon to have influence over the final winners, an accusation which lead authors Marko Kloos and Annie Bellet to withdraw from the awards, despite their work being nominated.

That’s a very confused accusation, to such a degree it has to be classified as a fabrication by Eyre. The Kloos and Bellet withdrawals, of course, happened back in April. The voting for the Hugos was over two weeks before the convention, and could not even potentially be influenced by someone’s physical presence at the convention.

(2) Lou Antonelli on Facebook

Some people have said I’m mad because David Gerrold snubbed me at Sasquan. That’s not true – I’m not mad that he snubbed me, because he didn’t.

He did offer to buy me a beer, but that I guess was little more than a rhetorical flourish. I’m sure he was very busy. It think it would have made a great photo, the pair of us quaffing brews – it might have even helped show some kind of reconciliation was possible. A missed opportunity, perhaps?

Bumping into him in the hallway outside an elevator, I absent-mindedly and rather spontaneously went to shake his hand. He refused, saying “I may have accepted your apology, but I haven’t forgiven you.” Realizing my faux pas, I turned tail and took off.

That’s not a snub, that’s him exercising his personal rights. He doesn’t have to be nice to me, and he wasn’t rude, just firm. I may have other complaints about how some things were done, but a beer and handshake weren’t two of them.

(3) L. Jagi Lamplighter in a comment on “Smeagol Neilson Hayden”

Folks,

First, I think John has made it sound a bit worse than it was…but this is not his fault. I did not repeat to him all of what PNH said because I did not him to get upset during the reception. (I was afraid he would be very angry if he knew someone had sworn at his wife.)

Mr, Nielsen Hayden did shout, swear, and stomp off…but he was shouting and swearing at/about John, not at me personally and, actually, as far as swearing, he just used the phrase “tell him to shovel it up his…” You can figure out the rest.

This may not seem like swearing to many of you…many folks speak that way normally. But I do not. Nor do people normally speak that way to me.

My first thought after he stormed off was; isn’t it interesting that he yelled at the one person in the room whose only reaction is going to be to pray for him.

I was not the least upset…but I did think it ironic that, of everyone present, I was the person who got shouted at. But I suspect Mr. Nielsen Hayden knows nothing about me personally, has never read my blog, and is unaware of the irony.

(4) C. Joshua Villines – “My Thoughts On An Award I Shall Never Win”

I’m not sure how any of this helps the industry or the genre. Just because my side “won” doesn’t mean that I can’t appreciate the value of thoughtfully-articulated voices presenting a loyal dissent. If, no matter what the other side says, we cannot listen to what they have to say because of all of the ways in which they are “obviously” wrong, how will we ever hear the things that they have to say that are right? How can we move forward in a way that makes speculative fiction fandom, and SF publishing, as broadly representative of the interests of readers and the politics of writers as possible?

Step one, I think, is moving away from slates and treating the Hugos as a battleground. Perhaps this is easy for me to say, since I know I will never win one, but I think it is abundantly clear that this conflict did not change anyone’s mind, did not broaden the tent of SF at all, and did not establish a framework for dialogue. The agenda of the Sad Puppies is a minority one. The more actively and forcefully they push it, the more aggressively their peers and the genre’s fans will push back. The slate-stacking strategy failed everyone.

What might help is establishing open and honest conversations – with clear rules against strawmen and ad hominem attacks – around the three Puppy concerns I placed in bullets, above. The conversation around popular pulp versus literary art has a long history in speculative fiction, and it is no more likely to be resolved in SF than it is in cinema or television or general literature. That doesn’t mean we should stop talking about it. Should we give equal weight to David Gemmell, Jack McDevitt, Mary Robinette Kowal, and Gene Wolfe? I dearly love them all, but is the writing of one inherently superior to the others because of popularity, or accessibility, or literary sophistication?

We should also look at the books we read and tell others to read.  Are there litmus tests? I know I have several. I don’t recommend books, even by authors I love, even by ones who are friends, if they contain graphic rape. Lev Grossman is a kind man with a style that makes me weep with envy, but I won’t go near The Magician King. On the other hand, despite my socialist politics, I still recommend Modesitt’s Recluce books, even though I think he’s trying to subtly convert me to capitalism. Surely most of us have litmus tests of one kind or another. Let’s be honest about them, and let our colleagues tell us what we’re missing out on as a result.

Let’s also put some thought into the value, and peril, of novelty. Speculative fiction thrives on pushing, challenging, and redrawing boundaries. It is the genre of limitless horizons, of finding new questions, of challenging old answers. Consequently, I think we should recognize that sometimes it is worth celebrating when someone does something new, and does it well. Ann Leckie’s treatment of gender drove me nuts in Ancillary Justice, but I loved the questions it raised for me when I thought about why it drove me nuts. In addition, she told a darn fine story, and told it well. There is enormous value in introducing a new idea in a way that gets people talking and asking questions. We should not lose site of that. But writing is also a discipline that is inherently conscious of history and tradition, and doubly so in a genre that explicitly builds on ancient, mythic structures. There are people reading speculative fiction who lead deeply conventional lives, and who love how those old stories reinforce their conventionality. Do they deserve a voice as well? At what point does our love of ingenuity silence them? Is it better to innovate, or to excel in craft? Are they mutually exclusive goals?

(5) Chris M. Barkley on Facebook

I was required to atternd the Hugo Ceremony Rehersal in the afternoon. Rajnar Vajra had asked me to accept for him if his novelette, The Triple Sun, was honored.Our masters of ceremonies, GoH David Gerrold, Tananarive Due and the ceremony staff put us through our paces, showing us how to carry the Hugo Award, hitting our marks on stage and what to expect as the show progressed. I found out a few hours later that someone STOLE the practice Hugo! WUT????? I hope it’s recovered, sooner or later. VERY BAD things should happen to that thief!

Chris’ post is an installment of his an extensive report about his Worldcon adventures.

(6) Lou Antonelli on This Way To Texas – “Back from Sasquan”

The usual suspects proved Larry Correia right as he claimed they were a tight inbred little social clique, by the way they reacted to the Sad Puppies. George R.R. Martin’s private invite-only “real” post-Hugo reception at an expensive rented historic mansion certainly clinched that. They proved Vox Day right when they nuked five of the most important Hugo categories rather than let “the wrong kind of people” win them. He said they’d do that all along, destroying the credibility of the award, and they did. They proved Lou J Berger wrong as he handed his “We are all fans” ribbons at Sasquan. No, we’re obviously not, and the people who cheered for No Awards at the Hugo ceremony proved that. I threw Berger’s ribbon in the trash as I left the hotel, along with all the others and my badge. No reason to bring home bad memories. Yes, you literary snobs, you got what you wanted. Happy now? Feel better? Wonderful.

(7) Darrell Schweitzer on Facebook

So now the Puppies are roadkill. I have to admit I predicted this, several times, right here on FB. The reason for their defeat is not, I think, politics at all, but the same reason that the Scientologist effort failed once they got Hubbard’s BLACK GENESIS on the ballot in 1987. This forced people to read it, after which there was no hope of winning. BLACK GENESIS finished sixth in a field of five, lower than No Award, which came in 5th. Sheer awfulness proved its undoing. I think that is what happened to the Puppy slate. It was clear from the Philadelphia SF Society Hugo Predictions panel (which was a No Award sweep) that fans who knew nothing about the controversy just found the material just outrageously bad. (The PSFS novel choice was THE GOBLIN EMPEROR, which I suspect will prove to have finished 2nd or 3rd.)

(8) NPR – “’Sad Puppies’ Fail To Stuff Ballot Box At Hugo Awards”

AUDIE CORNISH, HOST:

There was no love for puppies at this weekend’s Hugo Awards. The sad puppies are a group who say the fan-chosen science fiction and fantasy awards have become too liberal and inclusive, so they nominated their own slate of candidates. And as NPR’s Petra Mayer reports, Hugo voters had other ideas.

PETRA MAYER, BYLINE: Over the past few years, more Hugo awards have been going to women and writers of color. The sad puppies – mostly white, mostly male – came together as a backlash. Right now it’s relatively easy to get a work on the Hugo ballot, so the puppy slate pretty much took over this year, causing months of controversy. But when it came time to hand out the iconic silver rocket ship trophies on Saturday night, Hugo voters chose to give no award in five puppy-packed categories, including best novella and best short story.

The night’s big winner was Chinese author Liu Cixin, whose book “The Three Body Problem” was the first work in translation to win the Hugo for best novel. Award organizers have now approved a rules change aimed at making it harder to nominate slates, though, it won’t take effect for two years. Petra Mayer, NPR News.

(10) Nathaniel Givens on Difficult Run – “Lots of Hugo Losers”

And yet the Sad Puppy / Rabid Puppy tactics obviously were a mistake. First, as I said, there’s the immense problem with The Three-Body Problem not even making the ballot. Sure, taste is subjective, but this book was really, really good. More importantly, however, it’s a book that was originally published in China in 2008. You want real intellectual diversity? Well there you go: a book that is literally off the American socio-political map. Additionally, the Sad Puppies again and again defended many of their choices (like Kevin J. Anderson’s The Dark Between the Stars) by referring to the author rather than the work. Best novel is an award for best novel. It’s not some kind of lifetime achievement award. So the repeated references to Anderson’s contribution to the genre (he’s written over 100 books) were not only irrelevant, but a real give-away that the Sad Puppies 3 slate had basically no serious thought behind it. It was just a haphazard collection of books a few of the Sad Puppies folks had happened to read last year, without sufficient regard for quality of the individual works.

As a result, the anti-puppies movement was able to easily cast the Sad and Rabid Puppies as invaders who had come to ruin the Hugos. Their hysterical accusations that the Puppies were Nazi’s were silly, but their accusation that the Puppies were ruining the awards had real validity. Sad Puppy opponents insisted that the only solution was for fandom to rise up in righteous wrath and repudiate the incursion by voting “No Award” above any and all Sad / Rabid Puppy nominations.4 This surge was quite strong. Nobody knew how strong until the votes were announced this past weekend, but–according to some preliminary analysis at Chaos Horizon–the breakdown of the record-breaking 6,000 voters went as follows:

  • Core Rabid Puppies: 550-525
  • Core Sad Puppies: 500-400
  • Absolute No Awarders: 2500
  • Primarily No Awarders But Considered a Puppy Pick: 1000
  • That sums up to 4600 hundred voters. We had 5950, so I thin the remaining 1400 or so were the true “Neutrals” or the “voted some Puppies but not all.”

(11) Matthew Bowman on Novel Ninja – “The Hugos, Now With No Mask to Hide Behind”

My take away, thus far, is pretty simple. The Puppies absolutely have a legitimate grievance, and the vile slander that came out vindicates them. Furthermore, the “No Award” campaign clearly crossed a line from a legitimate attempt to punish the bad tactics of the Puppies to a witch hunt when, for example, it No Awarded the Editor categories.

Thousands of people gathered for the convention, far more than normal; tens of thousands have been paying attention, for the first time in the Award’s history. They’ve all seen this play out. It’s made mainstream media outlets. It’s been trending on Twitter and other social sites. More and more people have found out about it.

This year’s Sad Puppies campaign was about bringing more attention to the Hugo Awards. It has succeeded precisely because the other side — which I have taken to calling the Leucrottas, after a mythical animal that hunts humans and dogs, solitary because even fellow leucrottas can’t stand their own company — have crowed to the world about how nasty the Puppies are. And so the world has seen the ugliness of the Leucrottas.

In the interest of protecting women and minorities, they have hurt them. In the interest of increasing diversity, they have clung to exclusivity.  To protect against invaders, they have destroyed their prize. To proclaim their enemies are racists and hate children, they have embraced racists and support pedophiles. All in the name of fiction; but only the fiction they approve of.

(12) Tom Knighton – “My Thoughts on the Hugo Awards”

The award ceremony itself…hoooooooooo boy.

Look, I joke on religions all the time.  Yes, including my own.  In fact, I’d share a Presbyterian joke, but none have made it out of all the relevant committees just yet.

However, the people who opposed the Puppies are the ones who scream about intolerance.  We’re allegedly so intolerant, yet who made the joke about Hare Krishnas?  Now, I’m not saying I was personally offended, because I wasn’t.  What I was is better described as “baffled”.

You see, I’m baffled by the people who would eviscerate me for a Muslim joke–the same people who objected to a proposed host from last year who might have told a fat joke–and yet are silent on a Hare Krishna joke on the Hugo stage.  What I hate more than anything is hypocrisy, and that’s what I see right now from these people.

(13) Tom Knighton – “From Me to Patrick Nielsen Hayden”

It’s simple.  John C. Wright wasn’t hiding from anyone.  He was there, he was visible.  PNH could have sought him out to have his words directly with John.  PNH is one of Tor’s editors, for crying out loud.  John, as is his wife, are Tor authors.  I find it hard to believe that if he had words to say to John, he couldn’t find a way to contact him and say them.

He didn’t.

Instead, he does it when Jagi offers an olive branch?

Look, I’m not saying he had to accept it.  He didn’t.  But lashing out at the spouse of the man you have an issue with?  Pathetic.

Had he said, “I’m sorry, but your husband has said some things that i simply can’t find it in myself to forgive,” I’d understand. Oh how I’d understand.  I think all of us who fought on the side of the Puppies understands it.  We’ve been called some horrible things too.

But that’s not what he did.  He yelled and cursed at a woman who offered remarkable little of the critical dialog that John did, or Larry did, or Brad did, or even I did.

I’m not saying that he has to forgive or forget.  I’m saying that he at least needs to be a man about it.  Say it to John, or even say it publicly, but don’t take it out on a Tor author who was trying to be a professional and bury the hatchet who isn’t responsible for any of it.

(14) Laughing Wolf on Blackfive“The 2015 Hugo Awards: Some Thoughts”

As I said, the response and results were not unexpected.  I honestly thought No Award would take at least two more slots than it did.

Where I’m not sparking is with how things were handled.  First, there was the biased and childish panel that preceded the Hugos.  Second, was the awards ceremony itself.  That one or more Hugo nominees walked out early (along with other professionals) says it all.  The deliberate and willful disrespect, and bias, shown says it all for me.

So, for me, it’s on.  For those of you ignorant enough to buy into the Social Justice Bullies lie that the Puppies were all angry white men, I simply point out that the Puppies were far more diverse than those that opposed them.  For a group of “neo-nazis” as an employee of Tor books called them (us, honestly), there sure are a lot of mutts in the group, and a lot females too.  In fact, one author attacked in this manner actually fought real neo-nazis and injustice, and has the wounds to show it.  Another author also schooled the idiots with the real deal.  I further note that only one, repeat ONE, reporter writing on the subject of the Puppies had the courage and integrity to actually interview the wonderful Sarah A. Hoyt, who is not a white male.  That Larry Correia is far more a mutt than I am, and hardly a lily-white male (unlike most of those attacking him).  That strawman Larry is not just a jerk, but an asshole and I want at least ten of the ribbons saying he is a jerk.  I could go on, but it is easy to pick apart the slanders, libels, and lies heaped upon them, Brad Torgersen, and others — for those with interest in the truth that is.

The blatant disrespect and insult offered to Toni last night is the final straw.  You attacked a friend.

So, I’m in on Sad Puppies 4.  If you want to destroy WorldCon and the Hugo awards, you will have your chance and you will own the results.  My hope, faint though it is, remains to make the awards truly relevant again as a means of promoting good writing, editing, and other efforts regardless of the message.

(15) Jay Maynard on Black Gate – “Dear Conservatives: Don’t Let the Door Hit You On the Way Out”

No more. It’s clear to me that a conservative cannot be accepted as an SF fan. One must kowtow to the leftist gods of diversity for its own sake and tolerance for only the approved subjects and equality of outcome, or else one is not a true SF fan. An author must be some oppressed minority to be considered worthy, and old white men need not apply.

Diversity? Great, as long as we all think in lockstep. Bring up diversity of thought and you’re immediately accused of only wanting to read stuff written by old white men.

I’m other things besides an SF fan. I’m a pilot, and a ham radio operator, and a computer geek, and more besides. I’d long thought that Worldcon was to SF fans what EAA’s Airventure at Oskhosh is to aviation geeks, and what the Dayton Hamvention is to hams: the premiere event of its fandom, to which any devotee should endeavor to go at least once in their life.

But I see no reason, now, to expend any effort at all to go to a Worldcon where those like me are plainly unwelcome. Oh, they’d happily take my money, but I’ve already had the experience of paying to go to a con where I was quickly made unwelcome — and that one didn’t require much in the way of travel. Paying a kilobuck to be miserable for a weekend is an experience I’d just as soon pass up.

Go ahead, fans. Hate Vox Day all you want. I am as repulsed by his misogynistic writings as you are (I’m not convinced he’s not simply trolling; to me, though, that is no excuse, as I consider trolls to be the scourge of the Internet). Don’t conflate me or the other Sad Puppies with him.

I am a conservative, and proud of it, but I also agree with the Left on subjects they hold near and dear to their hearts. As one example: I’m pro-choice. We’re not all monolithic in our beliefs.

But we’re all being treated that way, and repudiated by polite fannish society. The works we like are being held up as examples of our favorite writers’ inferiority and wrongthink to boot. “Your Taste Sucks”!

(16) Solarbird on Crime and the Forces of Evil – “and there was NO AWARDing”

Those of us who have been calling for a NO AWARD vote above any slate nominee for the Hugo have, I am told, won. We have doubled the number of NO AWARDs given throughout the previous history of the awards, and blocked the meaningful slate candidates pretty much in their entirety. We are being congratulated, and for that, I thank you.

But I cannot consider this winning. I consider it… oh, let’s call it the least bad possible disaster given the position in which their machinations put us. That’s important. It shows that the large influx of supporting members who voted were not a Puppy rush. It shows that World Science Fiction Society fandom cares about the Hugo awards quite a bit, in fact, and thank you very much. It shows that gaming the system and violating decades of voting tradition will not be rewarded. Well done, fandom.

But it is not a “win.” It is not even a victory, because it does not end anything.

(17) Frank Wu on Amazing Stories – “An Olive Branch for the Puppies”

I may not agree with everything you think but I’m big enough to let you say them. I’m not afraid of words. Science fiction should be a big enough tent for everyone.

What I am opposed to, is block voting. This is considered rude and will get you no-awarded every time.

My proposal?

What if you Puppies gave up block voting in exchange for Non-Puppies seriously considering your work for recommendation lists?

I’m defining block voting as the presentation of a finished slate, with the call or command for others to vote the slate, perhaps even without reading the pieces, for lols or to advance an agenda.

A recommendation list – and I’ve done this and been on them – is an acknowledgement that there are thousands of stories published every year, but, hey, look, I found a couple I loved. Maybe you’d like them, too, and if so feel free to nominate them. If not, whatever. One year I told everyone over and over how awesome Greg Van Eekhout’s story “In the Late December” was. Not because Greg asked me to, not because of his politics (which I know nothing about), but because I really loved that story. A recommendation list is a suggestion, not a command.

So, Puppies, my offer is this. If you send me some of your best 2015 publications – email them at [email protected] – I promise to read them and evaluate them on their merits. Regardless of your politics or anything else you may have said in any other venue. And if I like it (which is more likely if it has robots, spaceships, or aliens), I will add it to my recommendation list.

(18) Craig Engler’s eyewitness report of the Hugo Award ceremony — “I was there to witness the Hugo Awards (not) burn and here is what I saw”

In an especially smart (and kind) move, Gerrold asked the audience to applaud not for each individual nominee but for all the nominees in the category as a whole after all the names were read. That helped ensure no single nominee was ever booed despite the animosity of the voting process. The only time someone did let out a  boo…during a No Award result…Gerrold politely asked them not to and it didn’t happen again.

Gerrold also took on the burden of announcing the categories with No Award himself instead of having a special presenter on stage to do it. The five times no award was given, Gerrold handled it expeditiously and with no fanfare so the audience (and the nervous nominees in attendance) could move past the moment quickly. This helped focus the night on the 11 winners and not on the controversy.

For its part the audience was in tearing high spirits, applauding and cheering, laughing at the jokes and fun little skits (including having an award announced by a Dalek), focusing on the positives and spending little time on anything negative. Since there were still a lot of awards that were handed out, the night didn’t seem particularly shortened or bereft. Indeed, by the end it was full of such acceptance and good cheer that it was hard not to leave with a smile and a feeling of good will.

So, far from being “nuked,” these Hugos turned into the biggest, most well attended and most fun awards in history. They not only brought new attendees into the fold but also enticed lapsed people like me back to come together in a fantastic night of celebration. While it was unfortunate that some categories had no winner, it wasn’t catastrophic. Indeed it was fandom’s way of saying, this award has merit and needs to be earned and will never simply be given out to a slate because some people got together and mustered a certain number of voters. And if at times that means an award won’t be given in a category, that’s okay. The integrity and spirit of the Hugos is more important than that. We are not burning a village to save it, we’re simply inviting more people to the village and celebrating.

(19) Amanda S. Green – “Who should we be worried about impressing?”

To me, the only ones I need to be impressing are the readers. As I said earlier, it is clear from looking at the different genre and sub-genre lists on Amazon and elsewhere that there are more readers out there who want entertaining books than there are those who want books that put message first and story comes somewhere below that. No, I’m not saying there shouldn’t be a message in fiction. Let me repeat that for those who tend to skim until insulted: It is fine to have a message in your fiction as long as you remember that your message won’t be heard if you don’t write a story that entertains and holds the readers’ interest.

So quit whinging and whining over the decline of the field. Quit whinging and whining over the decline of literary numbers. Instead, ask yourself why? Do a bit of market analysis and realize that readers — just like folks who go to the movies — want to be entertained. That is what I strive to do. That is what so many other authors strive to do. So, to all the fans, thank you for your support. To the Fans and authors who want to keep their little cliques, go ahead. Keep doing what you’re doing. I’m not going to try to convince you to do otherwise. For me, I’m going to do my best to remember that it is the fans who really count.

(20) Andrew Trembley on Facebook

Comedy gold seen elsewhere: “RequiresHoyt”

(21) Alexandra Erin on Quietly Thinking Aloud – “Unfortunately for your side George R.R. Martin was caught”

I tell you, it has been seriously amusing to watch the narrative take shape around this.

Background: George R. R. Martin has been attending WorldCon since 1971, I believe when he was up for a Campbell (new writer award). He did not win, but as no more than six people are considered finalists for this honor each year and each writer has at most two years of eligibility, he recognizes this as such a signal honor that he lists it on his website alongside his awards and other honors.

(Contrast this with Larry Correia, who seems to feel like his own Campbell nomination constituted a contract that was broken when he didn’t win it.)

A few years after that, Martin, being a frequent flyer on the Hugo ballot, instituted what he called the Losers’ Party, for all the nominees who don’t win. There are alcohol, and ribbons. It sounds like a lot of fun, and of course, it’s all in good spirit… it is an honor to be nominated, and the Losers’ Party just reinforces what rarefied air one breathes in making it to the ballot.

This year, Mr. Martin decided to hand out his own award, which he calls the Alfies, after Alfred Bester (the author, not the Babylon 5 character named after the author).

He apparently made them out of hood ornaments, which award trophies are often mockingly compared to. That right there should tell you how serious this business was.

Now, Mr. Martin is not the president of science fiction and fantasy. He does not occupy a position of leadership or authority with WorldCon. He is not affiliated with the Hugos except insofar as they are occasionally affiliated with him. This party that he instituted is a Hugo tradition, but it’s not a Hugo institution. In short, the party is no more an official ceremony than a guy who looks like Drunk Scary Santa Claus is an official presenter, which he is no more than the hood ornaments he’s passing out are official trophies.

George R. R. Martin, in his private capacity as an individual human being, thought he would have some fun and recognize some individuals he thought could use some recognition/a laugh.

And a few Puppies “caught him” doing it, and immediately started casting around for “evidence” and wringing their hands with glee over the thought that they’d found proof that the Hugo award ceremony was a scam, that the fix was in, that the real awards were being handed out by Drunk Scary Santa Claus to the people ordained by the hive mind…

It’s funny, but you know, this is the difference between the Sad Puppies and everybody else.

(22) George R.R. Martin on Not A Blog – “Hugo Aftermath”

Then I hit a bump. Two bumps, in fact. Both editing categories went to No Award.

I had picked Mike Resnick in Short Form and Toni Weisskopf in Long Form, and indeed, each of them finished above all the other nominees in the first round of voting… but well behind No Award. This was a crushing defeat for the slates, and a big victory for the Puppy-Free ballot of Deirdre Moen. Honestly? I hated this. In my judgment the voters threw the babies out with bathwater in these two categories. Long Form had three nominees who are more than worthy of a Hugo (and one, Jim Minz, who will be in a few more years), and Short Form had some good candidates too. They were on the slates, yes, but some of them were put on there without their knowledge and consent. A victory by Resnick, Sowards, Gilbert, or Weisskopf would have done credit to the rocket, regardless of how they got on the ballot. (All four of these editors would almost certainly have been nominated anyway, even if there had been no slates).

((Some are saying that voting No Award over these editors was an insult to them. Maybe so, I can’t argue with that. But it should be added that there was a far far worse insult in putting them on the ballot with Vox Day, who was the fifth nominee in both categories. Even putting aside his bigotry and racism, Beale’s credential as an editor are laughable. Yet hundreds of Puppies chose to nominate him rather than, oh, Liz Gorinsky or Anne Lesley Groell or Beth Meacham (in Long Form) or Gardner Dozois or Ellen Datlow or John Joseph Adams (in Short Form). To pass over actual working editors of considerable accomplishment in order to nominate someone purely to ‘stick it to the SJWs’ strikes me as proof positive that the Rabid Puppies at least were more interested in saying ‘fuck you’ to fandom than in rewarding good work)).

(23) Otaku-Kun on Habibane.info – “Hugo Awards 2015 – the aftermath”

Make no mistake, EPH or not, it is still perfectly possible for Vox Day and whoever else to interfere with the results next year. There’s nothing I see in EPH that can forestall another wave of Noah Wards, since ultimately the outcomes are still gameable due to the small numbers involved. The time of hiding in the Shire is over – the world beyond has taken notice, and the stakes are higher.

What are the solutions?

For one thing, the Hugos were given a gift in terms of mass media coverage this year. From Wired to WaPo, Puppygate was media catnip as a proxy in the culture wars. This means that there are several dozen journalists who are now experts on Hugo arcana and who are an audience that can and should be cultivated. More importantly, all of their readers are now marginally aware of what the Hugos are, and the involvement of luminaries like GRRM also helps raise that awareness above background noise. Press releases to these journalists and direct advertising in their publications will maintain the interest.

Also, what about more aggressive marketing to Communities of Geekdom? For example, Comic-Con (and it’s satellites around the country, like Chicago’s version last weekend). AMAs on Reddit? A pitch to the writers at Big Bang Theory? How about a big party somewhere, a mass book signing of Hugo nominees?

(24) Brad R. Torgersen – “Emmanuel Goldstein is leaving the building”

4) The media — and the counter-media — see you as fodder for advancing their narratives. I’ve been talking to reporters and media people of various types for seven months. I was only ever interesting to anybody because I could help them tell the story they wanted to tell. Not the story I wanted to tell. The story I wanted to tell usually wound up on the cutting room floor. Now, in some cases — especially with the conservative counter-media — I didn’t mind too much. I agreed with what they were saying in most instances, and I was thankful for the coverage that helped me more than it hurt me. Because the negative coverage was plentiful, and too often I found myself offering the opposition-friendly press a pint of myself, for them to merely use a few drops; and then only if they felt it spun the way they wanted it too. Which was always against me and what I was fighting for….

12) You can’t control the fact that you have enemies, you can only try to make sure that they are the right enemies for the right reasons. I remember when my wife came home, bewildered, that afternoon when she first realized just how bad the opponents on campus had gotten. She couldn’t understand it. She wasn’t a threat to them at all. Or so she thought. But it didn’t matter how much she tried to mend fences or make offerings of olive branches, the enemy hated her guts. All she could do was push forward and focus on why she’d gotten into student office to begin with, and she succeeded handsomely. I do hope that of the committed enemies I’ve made — the men and women who now make it their business to spite me personally — that the dividing line between them and me, is values. It’s pretty evident that a wide gulf seperates me from the opposition; on perceived objectives. There was an Honest Opposition, because not everyone on the opposition side became an actual enemy. Only some did. And of those who did, I think it’s because my values so utterly clashed with the values of my enemies (and vice versa) that the matter was irreconcilable.

(25) Ann Leckie – “2015 Hugos”

I’ll start here: Thanks so very much to all the people I ran into over the weekend who either told me they were rooting for Ancillary Sword, or told me they were sorry it didn’t win. I love you all.

But the fact is, it never was going to win. If it seemed even briefly as though it might this year, it was because of this year’s…unusual aspects. Had the final ballot been what it ought to have been, I think ideas about AS winning would have been pretty easily dismissable. I find this pretty ironic, actually.

I knew from the start that a lot of voters were going to be thinking that I already got mine last year. And you know what? They’re right. Last year, my book did not just win a couple of awards. It stomped all over Award City making Godzilla roars as bullets bounced off its chest. That’s enough Win to last me for quite a while, and I am entirely happy to see other books and other writers get the acclaim and attention they deserve. The nomination was my win–I knew that going in, and was perfectly happy with that.

So I went to the Hugos as a nominee, with all the validation that brings, but also without any nervousness or suspense, so I could actually enjoy all of that validation. And it was awesome.

Yeah, there were some skunks at that picnic. The voters gave their very clear opinion of those skunks. And Mithras willing, E Pluribus Hugo will pass for the second time next year and in 2017 we’ll be back to ballots that are full of works the voters love. That will doubtless include some skunk favorites, but that’s as it should be. I just don’t think anyone should be able to make the Hugo ballot nothing but their own choices.

(26) Mike Selinker on Schrödinger’s Blog – “A Game Designer Tries to Fix the Hugo Awards”

Although I found the factual premises to be pretty thoroughly wrong, reading the author’s analytical process was entertaining.

[Second of five points.]

2. Don’t pay people to do things you don’t want them to do.

The above rule was coined by legendary game designer Jonathan Tweet, and I teach it to all my collaborators. At heart it requires you to look at what your game’s economy does and whether you want it to do that.

You might say, “The Hugo Awards doesn’t pay anyone!” And, Mr. Strawman, you’d be wrong. The Hugo Award has a value. Heck, even a Hugo nomination has a value. The ability to say “My Hugo-nominated novel…” is a real thing of worth. Ask anyone who has one.

So what’s the value of a Hugo nomination? I can’t say. But let me ask it like this: If I gave you a onetime chance to pay $2000 so that you could say you were a Hugo nominee, would you do it? And what if you could crowdsource the $2000? What if a mere donation to your GoFundMe of $40 could allow a friend of yours to say she helped you achieve your dreams?

And then, after all that, what if I told you that doing this can get a whole lot more of your friends nominations for no additional cost? Would you do it then?

And even if you wouldn’t do that, do you know someone who would?

Well, this analysis on the Amazing Stories site says it would work.

If it’s accurate (and I am not inside-baseball enough to know), then the problem of inequity is simply defined: the Hugo Awards are worth more to people who don’t have them than the price of acquiring them. For the price of $1600, you can suborn enough votes—in this case, 40 of them—to get a short story nomination; for a mere $6000, you can suborn the 150 votes to get a novel nomination. And once you have enough to get a novel nomination, you can get all the nominations you want.

So to solve your inequity problem, you should do one of three things:

  1. Lower the value of a Hugo nomination so that no one wants it that much
  2. Raise the price of buying a Hugo nomination so that no one can afford to game the system
  3. Be more equitable in your nominations

(27) Alison Herman on Flavorwire – “How This Year’s Hugo Awards Turned Into a Battle Over Race, Gender and the Soul of Fandom”

Blogger Chaos Horizon matched up the votes with Beale’s recommendations to arrive at his estimate that the Rabid Puppies made up about 10% of the final Hugo vote at slightly more than 500 members, with the Sad Puppies making up another 10%. During the nomination stage, those numbers were enough to guarantee five categories’ worth of all-Puppy nominees — in Best Novella, Best Short Story, Best Related Work, Best Editor for Short Form, and Best Editor for Long Form — and, according to iO9’s detailed analysis, greatly alter the makeup of the Hugo ballot.

But the Hugos ultimately didn’t go in the Puppies’ favor. In between the nomination announcement and WorldCon itself, the convention experienced a massive spike in membership. Over 11,000 people bought memberships, an all-time high, and nearly 6,000 people voted — 65% more than ever before, according to Wallace. Until this weekend’s award ceremonies, however, it wasn’t clear whether the new voters were heeding the Puppies’ rallying cry or reacting against it.

The numbers clearly indicate that most voters fell into the latter camp. Every single one of the all-Puppy awards resulted in a No Award vote; Chaos Horizon estimates that a full 2500 voters, nearly half the total voting pool, voted “No Award” across all of these categories on principle. Another 1000 voted “No Award” in at least some categories, indicating they were sympathetic to the anti-Puppy coalition and creating a consensus that dwarfed the Puppies’ vocal minority.

(28) Lou J. Berger on Facebook

WE are all Science Fiction.

When the fans who love the more popular Science Fictional stories abandoned WorldCon for other venues, those left behind became, by default, more literary. Literary fiction talks mostly about the human condition and is skewed to internal conflicts. Don’t get me wrong, we’ve handed out awards to many a square-jawed hero blasting bug-eyed monsters, but the overall trend has been left-leaning.

There’s nothing wrong with that, say the Puppies, until somebody notices that the Hugo awards are still labeled as the “best” of Science Fiction. And that’s when hackles raised.

We are a small community, even so, and our numbers, overall, aren’t huge. Who is to say that literary, left-leaning fiction is the “best?” Just because it USED to be the venue for handing out Hugo Awards, does it still mean that WorldCons are the measuring sticks for what is the “best” in all of SFdom? Even with it being so huge nowadays?

Our community is reeling, and it began when the Puppy movement started (rightfully) questioning the claim that Hugos represented the “best” of Science Fiction. It went off the rails when they pointed accusatory fingers and called the good people who have been attending, running, volunteering for, nominating and awarding Hugos “SJWs” and made it sound dirty.

What’s wrong with allowing others to love a type of Science Fiction not exactly like the Science Fiction you happen to love?

NOT A GODDAMN THING!

And that’s where we are, today. We have two large factions of angry people who both love Science Fiction and who both are passionate, and who both want to find satisfaction.

The mistake is assuming that we have to denigrate or push down the “other” side in order to “win” our side.

(29) David Gerrold on Facebook

Oh, one more thing. About those asterisks? Those asterisks raised almost 2700 dollars for Sir Terry Pratchett’s favorite charity, The Orangutan Foundation. Money will be delivered this week. Pictures will be posted.

(30) Steve Leigh – “Without an Obelix”

One item that bothered me about the Hugo Award ceremony was the use of the “asterisk” plaques. While I’m not at all sympathetic to the tactics of the Puppies (of either variety), the asterisks symbolize a slap in the face of every person who was nominated for a Hugo this year, puppy-nominated or not. I read the pre-Hugo comments by various bloggers about how if anyone won a Hugo this year, it should be considered as “with an asterisk” — as in, not deserved because the competition this year was changed and diluted by the packing of the nominations by the puppies.

To some degree, and in some categories, works and people who might have otherwise been on the ballot were indeed missing, but there were also deserving works and people nominated. I defy anyone to argue that Sheila Gilbert (who has been on the final Hugo ballot for three years running now in the Long Form Editor Category) doesn’t have the credentials to deserve her place there. She’s just one example… and not the only one.

For the convention to commission the asterisk plaques, and then to announce during the ceremony that they were going to be distributed to all the nominees this year is a blatant insult to every single nominee, with the sub-text being “Hey, if you were nominated, you didn’t deserve your nomination, and if you managed to win, well, your Hugo doesn’t mean anything.”

In my opinion, the creation and use of the asterisk plaques were entirely abusive and absolutely not in the spirit of the fandom that I love and consider myself part of. Shame on whomever decided that was a good idea, and those who supported it.

(31) William M. Briggs – “Social Justice Warriors! Marvel Announces New Movie At #HugoAwards”

Marvel’s new Social Justice Warriors! preview took the Hugo Awards by storm. And so did the team itself, who shocked and gratified attendees by using their mutant powers on the award ceremony itself.

Rather than hand out five major awards, which might have gone to authors who produced works of readability and quality, the social justice warriors of the Social Justice Squad slithered into action and, in an exquisitely staged show, mock-battled the Forces of Intolerance and squashed the awards.

The team snatched the best novella, best short story and three others out of the hands of judges mere seconds before they were given to deserving writers instead of favored minorities. The heroic team immediately called a press conference at which they shouted in unison, “Diversity!” And then they vanished!

Hugo Award judges who helped organize the faux-battle were quoted as saying, “This is good for speculative fiction. Our awards were in danger of being known for merit. With the help of the Social Justice Squad, everybody now knows our real purpose is inclusion and equality.”

(32) Vox Day on Vox Popoli – “What will Vox do?”

But in the interest of further demoralizing the already-retreating enemy, I’m not reluctant to reveal one of the new weapons in our arsenal. That’s right. The Evil Legion of Evil is training a corps of Amphibious Assault Otters. Armed with acid-filled squirt guns and supported by a crack squad of Attack Manatees, they will emerge from the rivers and literally melt the faces of the SJWs attempting to burn bridges as they continue to retreat. Good day, sir! I said good day!

https://twitter.com/BankaiGuy/status/636146451131858944

A Whippet of Earthflea 6/18

aka “The Brand and Bark Concerto”

In today’s roundup are Larry Correia, Cedar Sanderson, solarbird, Jim C. Hines, Stefan Raets, Patri Friedman, Allan Thomas, Steven Saus, Amanda S. Green, Sarah A. Hoyt, L. Jagi Lamplighter Wright, Mike Flynn, Tim Atkinson, Lis Carey, Melina D, and Joe Sherry. (Title credit goes to File 770 contributing editors of the day JJ and RedWombat, and Anna Nimmhaus.)

Larry Correia on Monster Hunter Nation

“Sad Puppies are not calling for any boycotts” – June 18

I’m seeing this narrative pop up that Sad Puppies is calling for a boycott of Tor, but that is simply not true. Speaking as the guy who started the Sad Puppies campaign, I’m not calling for a boycott of anything. I’m not asking anyone to do anything. As far as I’m concerned this mess is between Tor and its customers. I’ve said very little about it so far, but I’ve been clear about that much.

The Sad Puppies Campaign is NOT calling for any boycotts.

[Continues with a discussion of recent history, and outlines Peter Grant’s background.]

After being a soldier, Peter hung up his guns and became a man of God. SJWs are saying that he’s a homophobe because he agreed with Sad Puppies, while in real life he volunteered at a colony for homosexuals who had been forsaken by African society, dying of AIDS. When I first met him, Peter was a prison chaplain, trying to help the fallen and broken, and victims of things you can’t even imagine. Basically, he’s an honorable man who puts his money where his mouth is, and now he’s offended.

Peter asked for a retraction from the Tor editor who flippantly dismissed thousands of fans as unrepentant racist neo-nazis. I don’t believe he’s calling for anything beyond that.

Again, this is between Tor and its readers who feel insulted, not the Sad Puppies campaign or the people who ran it. Yes, those Venn diagrams overlap, but sorry, you can’t blame this one on me. Many normal fans agreed with what Sad Puppies was trying to do, and shockingly enough, they eventually got sick and tired of employees of one of their favorite publishing houses calling them names. I’m not calling for anything, though I can certainly understand why some people are.

If any individual who felt insulted is satisfied with Tom Doherty’s statement saying that his employees don’t speak for his company, good for you. If any individual is unsatisfied and demands further action, that’s also up to you. I’m not going to tell anybody what to think.

For the other side who are saying that Gallo is the real victim here, and she was only speaking truth to power… Yeah, you guys run with that. Anybody with two brain cells to rub together can see she her comments were nonsense. The only thing she is a victim of is arrogance.

To the SJWs saying Tom Doherty is a hateful misogynist because he isn’t letting his employees libel people on the clock anymore? Double down. There might be some people left out there who haven’t realized I was right about you yet.

To the Tor authors I’m seeing post about this, the Sad Puppies campaign is not calling for a boycott. If you are upset why people are angry take it up with your art director about why she’s insulting your customers.

To the Sad Puppies supporters, do what you think is right. All I’m asking is that whatever you do, try to be as civil as possible in your disagreements. Stick with the facts. We’ve got the moral high ground, and the great moderate middle of this debate has seen we’ve been telling the truth all along.

 

Cedar Sanderson in a comment on Monster Hunter Nation – June 17

I have blogged extensively on this, in part because Peter Grant, who I am honored to call a friend, asked me to weigh in as a businesswoman. I have not been calling for a boycott or even a dismissal of Irene Gallo. It is simply a horrible example of unprofessional behavior, and an opportunity for Tor to show that they do respect their customers and vendors even though there is a lot of evidence that certain personnel do not.

 

solarbird on crime and the forces of evil

“this is just pathetic: puppy boycott, ahoy” – June 18

Anyway, the demands are ludicrous, but to summarise:

  • Tor must publicly apologize for writings by Patrick Nielsen Hayden, Teresa Nielsen Hayden, Moshe Feder, Irene Gallo, and John Scalzi that “demonize, denigrate, slander and lie about the ‘Puppies’ campaigns”
  • Tor must “publicly reprimand those individuals for stepping over the line”
  • Tor must “publicly indicate that it is putting in place policies to prevent any recurrence of such issues.”

See, this is exactly what you get when you hang one of your own out to dry for making personal comments on their own Facebook page like Tor did. You get escalation. So I’m honestly having a hard time feeling sorry for Tor Books here; it was as predictable a piece of politics as one can imagine. And I’m not just saying that in retrospect; I said so at the time.

Now mind you, this “boycott” is pretty must sad-trumpet amateur hour for several reasons, not the least is probable inability to make visible economic impact. As Vox himself admitted, he hasn’t bought anything from Tor in years, and I doubt all that many of the others who are going to sign on to this thing have either. A few, sure, absolutely – with the hilarious side-effect that means the writers they might be able to hurt are the ones on their side.

 

 

https://twitter.com/sraets/status/611547350243217408

 

Patri Friedman

[Seasteader, son of David, grandson of Milton…]

“Being intolerant of people you don’t like because they’re intolerant” – June 18

So, there is some kerfluffle about Tor books, because one of their employees (Irene Gallo) said on her personal Facebook page that the sad puppies (conservatives fighting a culture war to make SF less SJW-influenced) were racist, homophobic, neo-nazis. Sad puppy supporters like SF author Peter Grant, who has literally exchanged gunfire with neo-nazis in South Africa were understandably outraged at this characterization. And (not so understandably, to me) calling for firing/resignation/public abasement of these employees. Which is where I have a problem. This sounds a lot like:

“Your business must publicly apologize for the hateful speech of your employee which has offended a small minority of listeners by publicly abasing yourselves, and promising not to do it again. This will show the world that hate cannot be tolerated; the strong cannot abuse the weak; and (incidentally) that our tribe is powerful and can grind your tribe under our boot if you dare offend us.”

Which is what anti-SJWers complain about the left doing. Sorry guys, but it’s bad when SJWs do it; and it’s bad when anti-SJWs do it, because, well, it’s bad. As I’ve previously posted, ideological diversity is important, and ideological intolerance is the enemy of ideological diversity and the progress that comes from having many opinions and beliefs working in parallel. Making people suffer professionally for their personal political opinions is stellar example of harmful ideological intolerance.

 

Allan Thomas on LewRockwell.com

“The High Church of Science Fiction and Tor” – June 19

I had heard, from several reliable sources, that it was next to impossible for a libertarian science fiction writer to break into the field.  I absolutely refused to pretend to be non-libertarian just to get published, and so I followed Larry Correia’s Sad Puppies campaign with interest.  Brad Torgerson and Vox Day were able to gather a core following of 360 voters and completely sweep the Hugo award nominations.  Yes, it only took 360 science fiction fans to completely overwhelm the existing system.

The fallout from that event still has not settled, and the awards won’t even be announced until August.  But the reaction makes it obvious that there is a sizable percentage of science fiction fandom that is “not satisfied with the products and services being offered.” Entrepreneurs have a name for this situation–”market opportunity.”

However, to date, it appears that only Castallia House is focused on providing science fiction for this segment of the market; they have even signed a new deal with legendary writer Jerry Pournelle.

For their part, Tor Books seems content to continue to ignore this dissatisfied segment of science fiction fandom.  And, in fact, Tor employees are content to insult them.

 

Steven Saus on ideatrash

“The Topical Changes In Science Fiction And Fantasy Has Nothing To Do WIth Sad Or Rabid Puppies” – June 18

The change in science fiction and fantasy over the last sixty years little to do with politics, and a lot more to do (ironically) with technology.

The current state of sf (science fiction) and f (fantasy) has a small vocal portion of its readership bemoaning the loss of “traditional” science fiction and fantasy. An oft-repeated quote is paraphrased as “Back in the day, when you bought a book with an astronaut on the cover, you knew what you were getting.”

The historical accuracy of this impression, like much nostalgia, is debatable. But more importantly, it is irrelevant.

To understand why, we must look to the Ferris Wheel….

 

Amanda S. Green on Nocturnal Lives

“Time to take a deep breath, stop and think” – June 18

… I’m going to part with one last comment. When I was growing up, I loved SF/F because there was a place for everyone, at least that is the way it seemed. Looking at it now, it feels like a house divided where those on the inside are doing their best to bar the door to everyone else, including a large faction of the reading public. That has got to stop and now.

 

L. Jagi Lamplighter Wright interviews Mike Flynn on Superversive SF

”Interview with Hugo Nominated Author: Mike Flynn!” – June 18

7) How did you come up with the idea for your current nominated story?

A supporting character in Up Jim River had a backstory in which he had journeyed across the face of his home world before making contact with an interstellar trade ship. That gave me the notion of telling his story. The idea is that as he travels east he encounters progressively more technologically advanced cultures. “In the Stone House” was the second of these stories and was originally was the first half of a longer story the second half of which (“Against the Green”) appeared in the succeeding issue of ANALOG.

 

Sarah A. Hoyt on According To Hoyt

“Of Pigs, Fights and Life” – June 18

When I said that I couldn’t mention the letters “H-u-g- and o” in the same paragraph without getting linked, I was right.  Or I might not mention the Hugos at all, or only in passing on the last paragraph.  But if the post supports the narrative the puppy-kickers are building, sure as shooting it will get linked.  Like my post about a new Golden Age, which got linked because in their blinkered little minds we’re calling for pulp.  (Sometimes one wonders about the minds that build this narrative.  You are aware someone who grew up on pulp would be 100, right?  You are aware that Heinlein not only wasn’t pulp, but was in many ways the anti-pulp.  I mean, I read Burroughs, but mostly Tarzan, and it wasn’t my favorite.  I read him because grandad had him, so I read him by 5 or 6.  Books were expensive and we had those. But his technique was outdated by then.)

But it supported the narrative, so it got linked.  The same way that its subsequent “Oh, for the love of frack, no one wants pulp” follow up wasn’t.  The same way my friend Sanford’s post over at Otherwhere Gazette, exploding their nonsense wasn’t.  The same way my post pointing out that I felt they were linking me to homophobia and how stupid this was wasn’t.

Oh, it’s very carefully done.  There is an image being built, and he links to those posts that support it.  Then when caught it’s not his fault and he can’t control his commenters, and he can’t see everything.

And, as I said, I have been conversant with these techniques since dealing with the cobbler’s son next door, while growing up.  (Weirdly he didn’t become a communist politician, and has instead racked up several jail terms.)

So Mike Glyer is smarter than the average bear, and much better at Alinsky techniques, and I’m an idiot to fall for them and come out swinging, which meant I had a spanking coming.

 

Tim Atkinson on Magpie Moth

“Kevin J Anderson’s The Dark Between The Stars: control, not mastery” – June 18

I also hadn’t realised – according to Wikipedia – that KJA has written more than 50 best-sellers. It’s easy to be sniffy about writers who tend to work in already established universes, but you don’t keep getting those gigs unless you are good at what you do.

So, before I talk you through The Dark Between The Stars, it’s hats off to an author doing very well for himself at the commercial end of the market.

Dark is more of what Anderson does – space opera on an epic scale – only in a sandbox of his own devising to play in. And what an elaborate, detailed, techno-baroque sandbox it is too, taking in psychic empires, gas giant mining, insectoid robot, gestalt forests, plague collectors and colours from out of spaaaaaaaaaace.

This world-bling – to borrow a phrase from China Mieville – is one of two main admirable qualities the novel has, the other being the plotting. Anderson juggles a huge cast and multiple plot-lines without breaking a sweat, like the hugely experienced pro he is.

But I’m essentially praising Dark as a feat of literary engineering rather than as a novel. These are virtues of control rather than mastery. The array of characters I found unengaging and rather one-dimensional, the action curiously flat. And the sheer size of the book and number of stories spreads Anderson too thinly, so that no single thread truly breathes in its own right.

 

Lis Carey on Lis Carey’s Library

“The Deaths of Tao (The Lives of Tao #2), by Wesley Chu” – June 18

Wesley Chu is a nominee for the 2015 John W. Campbell Award for Best New Writer.

…All in all, I nearly bounced off this book.

And then, thirty or forty pages in, the characters started to matter to me, and their problems became interesting, and a bit further in, I stopped caring that this is a story type I normally find really dumb and annoying. What can you do? I kept reading. Best New Writer? That seems a fair conclusion, even with the slates this year having possibly kept other good candidates off the ballot….

 

Melina D on Subversive Reader

“Hugos 2015 Reading: Novellas” – June 18

[Reviews all five nominated novellas.]

So today I got the Hugo Packet and decided I would start to read some of the fiction. I haven’t completely decided how I’m going to arrange my votes around the slate, but I was curious about why certain fiction was chosen to be part of the Sad/Rabid Puppy slate. I gave myself permission to give up on short fiction after at least 6 pages if I wanted to. But when I began reading the novellas, I started to get angry. Really bloody angry. So, of course, I decided to blog about them.

The novella category is one of those which was completely stacked by the puppies. I was expecting fiction which wasn’t my usual cup of tea, but still well written examples of fiction I might not usually choose to read. But, honestly, the writing was shit. I’m going to go into more detail on each of the novellas, but 4 out of the 5 of them shouldn’t have been published with such low quality of writing. The 5th was competent – which was a relief – but nowhere near award nomination quality….

 

Joe Sherry on Adventures In Reading

“Thoughts on the Hugo Award Nominees: Novelette” – June 18

The best of the bunch here is Rajnar Vajra’s “The Triple Sun: A Golden Age Tale”, though I’m really not sure what the “Golden Age” part of it is all about. Is it a suggestion that the story harkens back to the golden age of science fiction or is it part of a larger Golden Age milieu that Vajra is working in. If the second, I can’t find any other Golden Age tales. Regardless, “The Triple Sun” is a story with some space exploration, adventure, sass, and all in all good fun.

My Vote

1. The Triple Sun: A Golden Age Tale
2. Ashes to Ashes, Dust to Dust, Earth to Alluvium
3. Championship B’Tok
4. The Day the World Turned Upside Down
5. No Award
6. The Journeyman: In the Stone House

The Day the World Turned Pupside Down 6/15

aka The Fall of the Doghouse of Usher

Today in the roundup: Andrew Hickey, The G, Brad R. Torgersen, Dave Freer, Chris Van Trump, Cedar Sanderson, L. Jagi Lamplighter, Joe Vasicek, Peter Grant, Amanda S. Green, Keri Sperring, Natalie Luhrs, Maureen Eichner, Paul Weimer, Michael A. Rothman, RedWombat, Camestros Felapton, Spacefaring Kitten, Lis Carey, Steve Davidson and cryptic others. (Title credit goes to File 770 contributing editors of the day Kary English and rcade.)

Andrew Hickey on Sci-Ence! Justice Leak!

“What Political Campaigners Can Learn From The Sad & Rabid Puppies” – June 15

But at the point where you try to drag in the US-centric “culture war”, and argue for the right-wing side of it, you lose not only the “SJWs”, but basically anyone in the Western world outside the USA, because even the most barking right-winger in the UK would be considered a leftist by US culture war standards, and the UK is right-wing compared to most of the rest of the West.

Then there’s the claim that the Puppies’ work is the best of what’s out there — on a purely aesthetic ground, that claim is a nonsense, and I get very annoyed at people pushing clearly sub-par work.

So even if the Puppies hadn’t made an actual enemy of me by including among their membership white supremacist homophobes who advocate rape and murder, I would wish them to fail purely because of their promotion of poor work and their culture war agenda.

But then there are other people — right-wing Republicans who like the stories — who are also voting “No Award” above the Puppies because they’re angry that those works got on the ballot thanks to voting slates, which are against the spirit of the awards and break the unspoken agreement among fandom not to do that kind of thing.

I have to say that personally, that bit doesn’t annoy me too much. I mean, it annoys me a bit, because it’s cheating, but if they’d cheated and got a *really great* bunch of stories on there, I’d have had a sneaking admiration for it. I’d not have approved, mind, but I’d not have been that angry.

 

The G on nerds of a feather, flock together

“Final Words on #Hugowank” – June 15

  1. Isolate and address the legitimate grievances

The sad version claims its campaign is really about sticking up for fun and/or commercial and/or pulpy and/or conservative and/or apolitical science fiction and fantasy against the onslaught of intellectual snobs and/or “social justice warriors” who have forced works of high-minded and/or message-driven and/or progressive literature on the unsuspecting masses of fandom.

Despite finding the majority of victimization claims empirically bogus, I do have some sympathy for the base-claim that popular genre is often crowded out by a specific style of literary-minded SF/F. But in short fiction, where voting pools are small and its likely that writers, editors and slush readers represent a disproportionate slice of the electorate. And it’s not the result of conspiracy but an institutional effect—a self-replicating mechanism that structures the field. Jonathan McCalmont explains how that works in these (one, two, three) articles.

For the record, I see no evidence of this in the best novel category. In fact, I see the opposite—voters rewarding novels that are, on the surface, light and breezy, but have some deeper messages if you bother to look for them. However, it’s not necessary to do that if you just want fun and adventure—sort of like Firefly. (Actually a lot like Firefly, come to think of it.) Plus several Hugo winners, Redshirts and Among Others in particular, are aimed directly at so-called trufans: Redshirts is a Star Trek parody and the protagonist of Among Others is literally a trufan. These are genuinely popular books, and if being a fan is a major part of your life, then there’s an even stronger chance you’ll connect with them. But New Yorker material they are not.

What’s more, even if certain kinds of short fiction enjoy institutional advantages at the moment, pulpy SF/F has not been shut out. Brandon Sanderson, for example, won Best Novella in 2013 for the popular and commercial The Emperor’s Soul. And though I understand Charles Stross is, for some, a demon whose recent Hugo successes haunt dreams and stalk imaginations, 2014 Novella winner “Equoid” (on Tor dot com) is actually super pulpy.

 

Brad R. Torgersen

“Picture of a TOR buyer” – June 15

It would be a damned shame if someone thought I was just malware.

Don’t you think?

 

Dave Freer on Mad Genius Club

“The plucky ‘bots” – June 15

Now according to semi-reliable sources (Publishers Weekly, drawing data from Bookscan) the pie got smaller. This of course is traditional publishing’s pie (which is historically almost the entire Hugo pie too.) (my apologies for not having the 2014 figures – my internet is being really slow and buggy. I’ve seen them, but couldn’t find them. It’s no change.) It’s shrinking year on year with less readers, less sales, and at this rate, will be a slightly smaller problem than the argument about the last slice of Pavlova at the Flinders Island Country Women’s Association tea in ten years’ time (Okay that’s a pretty serious dispute, but it’s got maybe 12 women eyeing it. Still, it’s only just thermonuclear, and not planet-busting)

Part of the reason the puppy kickers have been so particularly unpleasant, vicious and ready for ad hominem and attacks on the livelihood and reputation of anyone even vaguely associated with the Puppies has been because of that shrinking. Those are their pieces of pie, and they want to keep them, and as much as possible of what is left.

In a way, of course, that true in the award situation. There are a fixed number of final nominees, and only one winner in each category.

 

Chris Van Trump on Shambling Towards Bethlehem

“Sadder Puppies” – June 15

I suppose the most tragic thing to me, in the ongoing Saga of the Sad Puppies, is that the people opposed to said Puppies seem to be going out of their way to prove a lot of the accusations that led to the creation of the Puppies in the first place.  Because the inevitable response, once you filter out the snark and hyperbole, is as follows:

“There is no conspiracy, no liberal cabal stopping conservative authors from winning, so stop trying to take our award away from us.”

“Us”, of course, is just code for “people who think like me”.

It’s disheartening to see established, award-winning authors decrying anyone who doesn’t agree with them as “no true fan”.  And Worldcon isn’t even in Scotland this year…

 

Cedar Sanderson

“Letter-Writing Campaign” – June 15

And speaking of black holes, I was annoyed to discover that Tor Books, on which I blogged at length last week, has apparently decided that the customers who are contacting them to complain about the way Irene Gallo treated them are not real. I wish I were joking. I am being told that they have decided the response is disproportionate, and therefore all the emails they are getting are from ‘bots. Whether this is all of Tor (which I doubt) or a small cadre (likely the same ones who have been so vocally critical in the past of their ‘wrongfans’) doesn’t really matter. This is completely unacceptable. I am angry and abandoning a vendor who has messed up a small (relatively) order. How do you think that I and others are reacting when complaints of being called racist, misogynist, homophobic, our work being ‘bad to reprehensible’ and worst of all to those of us who know history, lumped with neo-Nazis? Those complaints are being ignored, maybe deleted, and I will not put up with it, for one.

I strongly urge my readers to join me in making our voices heard. I am not calling for a  boycott, or firings, I simply want to have a conversation and have my concerns acknowledged. I do not want to be brushed aside and ignored as though I were a meaningless part of this. I’ve bought few Tor books in the last few years because I haven’t cared for most of the authors they support. But I have bought some, and furthermore, am one of those libeled as having ‘bad to reprehensible’ work.

I am also a businesswoman, and this unprofessional behavior is inexcusable. Allowing their employees to post things like the screencap below, which appeared on a Monday afternoon, meaning it was almost certainly made during work time, on a work computer… that is beyond the pale, as many people have found in the past. Unless, evidently, you work for Tor or MacMillan. If then, apparently you can call your customers names with impunity.

 

L. Jagi Lamplighter on Welcome To Arhyalon

“I Am Not A Robot! I Am A Free Fan!” – June 15

[The author requested that I run this disclaimer ahead of any excerpt.]

[L. Jagi Lamplighter: “I would not want someone to think I am trying to make things worse between Tor and their readers! I just thought that harmony could not be restored if folks at Tor mistakenly thought the letters from readers were from a bot. (I know they are legit, because I know some of these folks. They’ve been writing to John to explain why they feel they can’t buy his books.)”]

Many of these readers are people I know, people I interact with online, or fans of John’s who have written us thoughtful letters explaining why they regretfully feel they must stop buying Tor book, despite their desire to keep reading John’s latest series.

I was thus appalled to see posts suggesting that the emails to Tor—many of which, I am led to understand, are arriving with photos of the reader’s Tor book collections, in some cases, collections worth thousands of dollars—were not legitimate but were sent from automated bots.

Tor Folks:  You may disagree with the Sad/Rabid Puppies, or feel loyalty to your co-workers—but please! Don’t insult our readers by claiming they don’t exist!

Readers:  I realize that, in the age of electronics,this is an unprecedented request, but: if you have a strong opinion that you wish to be heard, it might help if you committed it to physical paper—perhaps along with a printout of your photo of your Tor book collection—and snail mailed it to Tor and Macmillan.

Also, feel free to send me your photo of your Tor books. I will post any photos or links I receive on my website, so everyone can see that you are a real person with real books.

[Photos posted here — I Am Not A Robot! I Am A Free Fan!]

 

Joe Vasicek on One Thousand and One Parsecs

“I AM A REAL PERSON” – June 15

In my first email, I stated that I could not in good conscience continue to support your organization by submitting my stories for publication at Tor.com. The events of the last seven days have made me reluctant to buy Tor books as well. In the coming months, I hope that we can move past this controversy so that we can get back to reading, writing, and publishing stories that we all love, without concern for politics. However, until the corporate culture at Tor has changed to be more inclusive of readers and writers like me, I do not see how that is possible.

 

Peter Grant on Bayou Renaissance Man

“’Can you hear us now?’ Another open letter to Tor and Macmillan” – June 15

A heartfelt “Thank you!!!” to everyone who responded to requests to e-mail Tor and Macmillan about the situation there.  I’ll leave the co-ordinator of the campaign to announce the totals, but they appear to be well into four figures as of the time of writing.  I wonder if Tor and Macmillan will now accept that we aren’t bots and we aren’t just a few malcontents? We are, in fact, a growing wave of SF/F fans who are threatening to abandon them altogether.  If they haven’t yet got that message, they’ll probably never understand it without more direct action.

(By the way, I can only describe as ‘catastrophic’ the performance of whoever’s responsible for customer relations at Tor and/or Macmillan.  There’s been an absolutely inexplicable, deafening silence from both companies in response to e-mails and other communications – not even so much as an acknowledgment of receipt.  When I was a manager and, later, a director, if I’d had a customer relations person who performed so abysmally, they’d have been fired the moment I found out about it.  “Do not pass ‘GO’, do not collect $200, and by all means let the door hit you in the ass on the way out!”  This is simply ridiculous.  Oh, well . . . if they want to play the clam, I think we have every right to assume that both companies are standing behind the unconscionable words and attitudes of the Tor personnel we’ve named.  We’re therefore free to take our response to the next – and only logical – level.)

 

Amanda S. Green on Nocturnal Lives

“Vacation’s over” – June 15

Then there is the mischaracterization being tossed around by some that SP3 stands for no message in our fiction. That is, as I said, a mischaracterization. What we want is for story to be the driving force. Yes, you can have a message but don’t hit the reader over the head with it because, whether you want to admit it or not, it will turn most folks off it they think they are being lectured to.

 

Kari Sperring

“Red Writer: I stand with Irene Gallo” – June 15

Mr Beale believes in freedom only for himself and those who agree with him. He believes he has the right to police the words and lives of everyone else and punish or destroy them if they offend. He is the perfect robber capitalist, dreaming of a world in which the rich — and he is very very rich — control everything, from resources and awards to bodies and thoughts of those who he considers his inferiors. He’s trying that today with TOR books.

And this red writer is standing here in his way. The US culture war does not belong in our genre, which is global and not the property of any one interest group or political belief. Do I want right-wing books and writers in my genre? Yes, I do. Writing belongs to us all. Do I want *only* right wing books and *only* white, straight, American male writers? No, because that is counter not only to the roots of sff — which lie in the work of writers of all races, ethnicities, genders, sexualities, and political views — but to my personal principles, which believe in inclusion and support for the many rather than privilege for the (predictable straight white male) few.

I stand with Irene Gallo.

Or, and if you want to go and denounce me and my books as communist, feel free. I’m not ashamed of my politics.

 

Natalie Luhrs on Pretty Terrible

“I am a real person and I stand with Irene Gallp” – June 15

In response to these rank pieces of bullshit (and this one, too), I have just emailed the following individuals at Tor Books and Macmillan in solidarity with Irene Gallo:…

 

Paul Weimer on Blog, Jvstin Style

“I am a real person, too and I do not Support Theodore Beale” – June 15

You know what? I’m a real person too. I’m a real person who thinks that the shit that Theodore Beale has pulled in the community has helped inflame tensions and increase divides in the SFF community. I’m a real person who reads what Beale writes on his blog and sees that if Irene is wrong in calling Rabid Puppies Neonazis, its a pretty thin wedge….

 

Maureen Eichner on By Signing Light

“A letter to Tor and MacMillan” – June 15

I’ve spent much of the last week appalled and upset by this message from Tom Doherty, the head of Tor Books. I’m not going into the backstory or ramifications in this post, but suffice it to say that once again, it has made me feel that being a female SFF fan, writer, or editor means fighting for your place forever. It means your boss choosing to give words of support to a noxious racist rather than to you.

 

Michael A. Rothman in a comment on Facebook – June 15

[Rothman outs himself as a troll.]

The Chesley Awards…..

Anyone want to take bets on Irene Gallo taking the prize for a variety of reasons that will remain nameless?

Larry? Brad? Mike?

 

Brad R. Torgersen in a comment on File 770 – June 15

Aaron: has it ever occurred to you that for me, the front man of SP3, to begin playing favorites — ergo, singling out specific works for praise — I’d be doing a disservice to the whole slate? Like every other year at the Hugos, not every work on the list will be to all tastes. I am only disappointed in everyone who claims “The Hugos should be a celebration of quality and excellence!” in one breath, then shout, “Everyone on the Puppy list sucks, their work sucks, and I will Noah Ward the lot of them; sight-unseen!”

 

Red Wombat in a comment on File 770 – June 15

I would like to ask our person asking us to go easy on Brad, in turn, if he can understand how some of us who went from “Which one’s Brad?” to being told that our much cherished awards were an affirmative action movement, and we weren’t REALLY creating anything worthwhile, it was all our glittery hoo-has and correct social justicey-ness, might take offense.

From my point of view, Torgersen went from a name on the Campbell ballot to a dude who had just insulted something I poured a decade of my life into.

Can you at least reach across the aisle to understand why I would not feel he’s a nice sweet boy after that? Why I started out feeling that he’d built a campaign on the back of insulting me, and everyone a little like me?

He could apologize. I’d probably accept it–I’m basically a marshmallow. But please understand that some of us walked in to find that we were being insulted when we’d never spoken a word to Brad before.

 

Spacefaring Kitten on Spacefaring Extradimensional Happy Kittens

“The Blending Puppies” – June 15

There was supposed to be a difference between the two puppy breeds. Rabid Puppies were supposed to be the foam-mouthed extremists who want to destroy the Hugos and wreak maximum havoc, while their sad cousins are — despite buying into some objectionable ideas —  actual SFF fans. Or that’s what I thought. I’m not sure you can make the distinction anymore.

Sad Puppy figures Brad Torgersen, Cedar Sanderson and Peter Grant, among others, have decided to join the professional troll Vox Day on his crazy crusade against Tor books. They’re all supporting a GamerGate-inspired mailbox-stuffing campaign that tries to get a person who is working for an SFF publisher (and who they don’t like) fired.

 

https://twitter.com/jsuttonmorse/status/610525288133332992

 

Camestros Felapton

“The Aslan, the warlock and the cupboard: more on One Bright Star” – June 14

What are we to conclude? The simplest answer is that Tybalt is an allegorical mess and the reason for that is Wright really didn’t know what he was doing. I’m happy to believe that Wright’s claims about what he intended are correct but all we can conclude from that is what was obvious from the beginning: One Bright Start To Guide Them is not well written nor well edited and the potentially interesting ideas are mainly happenstance.

 

Tony on Geeky Library

The Dark Between The Stars”  – June 15

Rating (5 stars)

The author’s writing style is engaging and dramatic without being overly narrative. While it took me a little work to get started, once I was reading it, I couldn’t put the book down. Written in the same format as A Song of Ice and Fire, the story follows multiple characters, sometimes briefly, as events unfold. Historical events are introduced and explained without making you feel like an idiot for not reading the Seven Suns saga, and plotlines are left unresolved where necessary to carry into rest of the trilogy.

 

Lis Carey on Lis Carey’s Library

“Hill 142, by Jason Cordova” – June 15

Jason Cordova is a 2015 nominee for the John W. Campbell Memorial Award for Best New Writer.

This is a single, small battle of World War One, with the Germans equipped with giant, venomous spiders as cavalry mounts, and the Americans equipped with giant (2000-pound) lion as mounts. There’s no explanation of why or how, other than a reference to a breeding program for the lions in Texas, There’s also no indication of how this affects the war, other than sending the surviving soldiers home with more fantastical stories to tell. So what’s the point? I have no idea.

Not recommended.

 

Font Folly

“Hugo Ballot Reviews: Novella” – June 15

[Preceded by reviews of nominated novellas.]

* The Sad/Rabid Puppies object to this characterization. They were just recommending entire slates, they say. Nothing they did was against the rules, they say. Which is exactly what cheats, grifters, and confidence men say when they are caught exploiting a system. Voting an entire slate clearly violates the spirit of the awards, which is supposed to be voting for the works you personally thought were the best of the year. Recruiting mens rights activists and Gamergators who aren’t regular readers of SF to vote these slates in order to stick it to the Social Justice Warriors pushes it even further into the dirty deed category.

 

 

Steve Davidson on Amazing Stories

“Fandom Enters The McCarthy Era” – June 15

Corrected text from the Wikipedia entry on Senator Joseph McCarthy S. R. Puppies:

Beginning in 1950 2013, McCarthy S.R. Puppies became the most visible public face of a period in which Cold War Hugo Award tensions fueled fears of widespread Communist SJW subversion. He was They were noted for making claims that there were large numbers of Communists and Soviet spies and sympathizers SJW and Liberal Fans inside the United States federal government SF/F publishing industry and elsewhere. Ultimately, his their tactics and inability to substantiate his their claims led him them to be censured by the United States Senate Fandom.

The term McCarthyism Puppyism, coined in 1950 2015 in reference to McCarthy’s S.R. Puppies’ practices, was soon applied to similar anti-communist SJW activities. Today the term is used more generally in reference to demagogic, reckless, and unsubstantiated accusations, as well as public attacks on the character or patriotism of political opponents….

The Puppies Who Walked Into Walls 6/4

aka The Genre That Day Stood Still

In the roundup today: Craig R., L. Jagi Lamplighter Wright, Sanford Begley, George R.R. Martin, Sarah A. Hoyt, Brad K. Horner, Lis Carey, Patrick May, William Reichard, Fred Kiesche and mysterious others. (Title credit belongs to File 770 contributing editors of the day Daniel Dern and Glenn Hauman.)

Craig R. on Boston Progressive

“’Just this one teensy, tiny little change…’” – June 4

One of the great divides in SF/F right now is between groups of readers that want to claim SF and Fantasy as purely descriptive entertainment, the epitome of escape literature, just living in shared authorial moments of the storyteller entertaining us at the fair, or in the tavern, with no other motive express, implied or accepted. You pays your pennies on the drumhead for the entertainment and that’s all you want to see and hear.

On the other side of the table or those who say that all stories have some ulterior external dimension, some subtext,  some “message.”  There is no choice, there is always subtext, whether the author means for inclusion or not.  It is inevitable.

In the Interests Of Full Disclosure, I will tell you that I belong in the second camp: not from any skill at analysis, nor any training in critical literature theory, just cause it seems like the way things are.

From my viewpoint, the very act of reaching for the ability to entertain, or the ability to make any kind of contact with the intended audience requires an assumption of commonality of fundamental background points.

L. Jagi Lamplighter Wright interview for Superversive SF

“Interview with Hugo Nominee: Arlan Andrews, Sr.!” – June 4

1) All the Sad Puppies selections came from a list of stories that fans felt were their favorites from 2014. What about your story do you think brought it to the attention of whomever suggested it?

Presumably, because they liked the setting, the characters, and the story of my novella, “Flow.” “Flow” was the sequel to 2013’s “Thaw,” (the cover for which won the Analog Reader’s Award for Best Cover of 2013).  The whole series of stories takes place after the next Ice Age (a politically incorrect supposition in itself), and the protagonist, Rist, is himself quite politically incorrect, though dark-skinned; he is a diminutive, sexist smartass (as are most males in the primitive society in which he was raised) and his mouth gets him literally into deep shit.  The story, actually a vignette, ends in a (literal) cliff-hanger that will be followed by “Fall,” where Rist descends into yet another kind of society existing some 30,000 years from now.  It will likely be called non-PC as well, though I have to remind people that authors are not necessarily the same as their characters.

 

Alex on Ada’s Technical Books and Cafe

“Madeline Ashby: Fiction Writer and Futurist” – June 4

One particularly poignant statement we both picked up on was made in the context of the controversy surrounding the 2015 Hugo Awards. Madeline [Ashby] said that we all have a tendency to “presume people think like (we) do, but generally, they don’t.” Though perhaps a bit of an obvious statement, I think it is equally powerful. Whether positively or negatively, humans must regularly navigate the disparity between our processes of thinking. Imbuing your actions with a recognition of difference may be a way to bridge gaps between people approaching a conflict in different ways, or at least a way to mitigate frustration when questionable (or outright despicable) decisions are made.

 

Alanaburke.com

“Local editor earns prestigious science fiction/fantasy award nomination – Ottawaherald.com” – June 4

“I was quite stunned and surprised [when I first heard] frankly due to the fact that I’ve just been executing this for concerning 6 years and I’ve just got four anthologies under my belt,” Schmidt said. “I’m relatively new, so to me it seemed earlier in my job compared to I would certainly have actually expected for something adore that to happen. I was thrilled and humbled at the exact same time that people believe I’m great enough to receive a nomination due to the fact that it is a fairly prestigious award. There was a great deal of excitement and happiness mixed in there as well.”

That happiness will certainly travel along with Schmidt to Spokane, Washington, where the awards will certainly be presented Aug. 22 at the 73rd Globe Science Fiction Convention. The Hugo Awards, named after pioneering science fiction magazine “Incredible Stories” founder Hugo Gernsback, are provided annually for the very best science fiction and fantasy functions of the previous year, according to a news release.

 

Sanford Begley on The Otherwhere Gazette

“The Puppies need to thank these recruiters”

The Sad Puppies really do need to thank some people who are not of their number. I’ve been watching this fiasco as someone who is in sympathy with the SP movement without being one myself. The truth for the rank and file SP members is basically that they were informed that they could vote on the Hugos and actually get books they liked on the ballot. From the point of view of the rank and file Puppies this was information on how-to and some recommendations they could follow, but were not required to. Most of the rank and file used some of the suggestions and substituted others as they saw fit. Admittedly this did cause those who did not have enough recommendations in their own reading to use the list as a source for filling out the rest of the nominations. After all, they knew a bit about Brad Torgerson and Larry Correia and could rely on them to suggest good books. Which they could then read in the voter packet and vote upon.

[This author needs to correct a tendency to misspell everybody’s name – “Brad Torgerson,” “Teresa Nielson Hayden,” “Patrick Hayden Nielson,” “Betsy Wolheim,” “N.K. Jemison.” I leave aside one other that was clearly intentional, but always remember, intentional misspellings are meaningless when true errors abound.]

 

George R.R. Martin on Not A Blog

“Catching Up” – June 4

— Conquest was cool. The KC fen throw a great con. And I was heartened by all the people who came up to thank me for my posts about the Hugos. Even in the nation’s heartland, it seems, there is considerable fannish anger about the Sad and Rabid Puppies pooping on our awards,

— Yes, Puppygate has continued, though I’ve been too busy to post about it. The Sad Puppies continue to be clueless, moving their goalposts almost daily. The Rabid Puppies continue to be venomous. Lots of other people are reading the Hugo nominees and reviewing the finalists. That’s what I am doing myself, though I am way behind in my reading,

 

Sarah A. Hoyt

“The Condescension of the Elites” – June 4

In fact, if one wades into the Sad Puppy mess (here, wear galoshes. You’ll need it) the side that says things like “You’re not true fans” or “your tastes are just low” or “your writing is bad” or “Our opinion of what is good IS the maker of what is good” or “you’ll never work in this town again” or “for daring talk against us, you’ll never win a Hugo” is not the Puppy supporters.

This is because the “power” at least if understood as traditional publishing power, in this field is NOT from puppy supporters. The people opposing the puppies (not their lickspittles running around blogs shouting the crumbs that fall from their masters’ tables) are powers in the field: well established editors with power of the purse; writers who get publicity campaigns and push and huge advances; critics who have for years been reviewing the “well regarded” stuff and establishing a taste that is Marxism with a mix of glitterati, or in other words, positional good leftism.

You’d think that people who have been extensively indoctrinated in Marxism would understand the difference between “establishment power” and “economic power” and the revolutionaries who come in saying “But you’ve been going wrong by alienating the reading public; we don’t give a hot damn what your political opinions are, but you need to tell stories people want to read, and if you don’t people should be able to participate in the intervention to make you see why your print runs keep falling.”

I.e. they would understand that they are in fact on the side that is being condescending by virtue of having all the power in the field, including power of the purse.

 

Brad K. Horner

“Flight of the Kikayon: A Sci-Fi Novelette by Kary English” – June 4

My rating: 4 of 5 stars

This is a crisp and gloriously clear adventure story of a woman trying to escape her abusive husband with the help of her clone. I was touched. It really had heart.

Of course, the planet where she eventually wound up, swiss family robinson style, had one hell of a fascinating sea monster in it, so that’s a huge plus.

The story made me think about love and children, but not exclusively, and not oppressively. It was warming, not frantic, and I really enjoyed the ride. Crisp and gloriously clear sums it up very nicely, from writing, to imagery, to themes. Nothing was out of place and it felt inevitable. Which is very strange, considering that she wound up stranded and losing everything. Who am I to argue about the vagaries of fate or authorship?

I read this in preparation for the Campbell nomination of 2015, and I’m proud to say I read it, regardless. It shines.

 

Lis Carey on Lis Carey’s Library

“The Sci Phi Show, presented by Jason Rennie” – June 3

The Sci Phi Show discusses major philosophers and schools of philosophy illuminated in science fiction, fairly broadly defined. In the sample episode, it’s Nietzsche and the movie The Dark Knight. It’s an intelligent, thoughtful discussion, with good production values, accompanied by odd, distracting sound effects. There’s also opening and closing theme music that tries hard to give me a headache.

 

Patrick May

“2015 Hugo Award Novella Category” – June 4

[Each nominee is analyzed, then this conclusion — ]

My Hugo ballot for this category is:

  1. Flow
  2. Big Boys Don’t Cry
  3. The Plural of Helen of Troy
  4. No Award
  5. One Bright Start to Guide Them
  6. Pale Realms of Shade

Aside from the first two, the entries in this category are disappointing. There were far better novellas published in 2014 in Analog and Asimov’s alone. “Big Boys Don’t Cry”, while not as good as “Flow”, is certainly no worse than some nominees and winners in the past. I’m leaving “The Plural of Helen of Troy” slightly above No Award solely because Wright plays with (and occasionally loses to) some classic science fiction concepts. Overall it’s not really Hugo worthy, though.

 

William Reichard

“Apres Hugo” – June 4

After a lively day of schussing down the slippery slopes of unwinnable arguments, you’re pleasantly stupefied. Now you just want to relax and kick back, are we right?

That’s why when you get back to the toasty comfort of your own ideological hearth, you should reach for Hubik.

Hubik has everything a tired mind craves: a refreshing illusion of efficacy, a promise of persistent meaning, and a soothing anesthetic effect that will help you drift off to an untroubled sleep. Just spray a little around your armchair, and presto! The perfect ending to another day of lovely mountain sport.…

 

https://twitter.com/ShiftlessBum/status/606575118580482048

 

https://twitter.com/FredKiesche/status/606530903175778306