Costumers’ Life Achievement Award to Kathy Sanders

By John Hertz: Among our astounding developments – our amazing, stellar, thrilling, wonderful developments – is the Masquerade at science fiction conventions.  Once a dress-up party as the name suggests, pioneered by Forry Ackerman and no less than Jack Speer, by the 1960s it had come to its present form, an on-stage competition with lights, sound, judges, outdrawing anything except Hugo Night at the Worldcon.  Marvels appear.  Jokes.  It’s been called a cross between kabuki and Little Theater.

Fans and pros have been involved, and of course some people are both.  Larry Niven wrote the script for “One Night at the Draco Tavern” with himself as a helpless man who never quite understood what was going on, and included it in a 2006 collection.  Mike Resnick has been very fine as costumer and as a Master of Ceremonies.  Karen Anderson at Nolacon II the 46th Worldcon was given a costuming Life Achievement Award.  That was the predecessor of the current (since 1990) award given by the International Costumers Guild at Costume-Con.

With the widening appeal of SF, our general-interest Worldcon and its local and regional kin like Westercon, Boskone, Archon, spawned special-interest conventions.  Filksinging, our home-made music, got filkers’ cons.  Gamers’ cons.  Fanziners’ cons. Costume-Con XXIII (15-18 May, Charleston, South Carolina) gave the 2015 Life Achievement Award to Kathy Sanders.

First as Kathy Bushman, then as Kathy Sanders, she was for decades a compelling vibrant force in Masquerades, including Worldcon Masquerades, working alone, in groups — sometimes large groups.  She understood beauty, drama, strangeness, and time.

She co-chaired Costume-Con IV and XIV.  I judged for her when she was Masquerade Director at L.A.con III the 54th Worldcon.

The Masquerade is ephemeral.  Video records are difficult.  Some photographers have learned to make good stills of Masquerade entries.  Run-time footage showing the actual events of the stage, particularly alas for the great decades of the Sixties, Seventies, and Eighties, even into the Nineties — not great because they’re past, just great — is scanty and often rough.  The ICG Archive much to its credit did manage a Sanders posting for YouTube. It’s worth your while.

So is the list of Life Achievement winners.  You can get it elsewhere, but I give it to you here — in chronological order.  These names are worth recognizing, men and women who have enriched us, in this artform we seem to have invented.


Marjii Ellers
Marty Gear
Bjo & John Trimble
Peggy Kennedy
Janet Wilson Anderson
Karen Dick
Byron Connell
Jacqueline Ward
Gary Anderson
Carl Mami


Sandy & Pierre Pettinger
Animal X
Adrian Butterfield & Victoria Ridenour
Pat Kennedy
Ricky Dick
Cat Devereaux
Barb Schofield
Kevin Roche
Betsy Marks Delaney


Dana & Bruce McDermott
Nora & Bruce Mai
Jill Eastlake
Penny Lipman
Tina Connell
Dawn McKechnie
Ann Catelli
Kathy Bushman Sanders


Bob Null (1938-2010)

Bob Null at Conozoic, the 1989 Westercon. Photo by Galen Tripp.

One of the most popular and hardworking active members of the Los Angeles Science Fantasy Society, Bob Null, passed away June 23 after a long fight against cancer.  He was 72.

Bob first walked into the club in 1979 and over the decades served 20 terms as the club’s vice-president – no sinecure, but a demanding job with responsibilities like opening and closing the clubhouse at all kinds of hours several days each week, and shepherding a myriad of club property.

Bob served many terms on the LASFS Board of Directors, too, and made himself indispensable to local conventions, such as the club’s annual Loscon. His mastery of logistics was universally acknowledged. Everyone referred to his assignment as “the Bob Null position.”

One of my memories about him is that when we introduced the L.A.con III staff during the general committee meeting, with lots of out-of-towners present, Bob Null got the biggest round of applause. His work was respected by fans everywhere.

The folks at the annual Doctor Who convention, Gallifrey One, went into detail about his contributions:

[Bob] has been an important part of Gallifrey One since our foundation. Bob made certain our supply truck was ordered, supervised its loading and unloading, and provided material management throughout the convention. He purchased supplies for the Con Suite, organized our office equipment, supervised the loading and unloading of our TARDIS, and verified the usability of equipment such as our art show displays and main stage pipe & drape.

LASFS has a tradition of honoring all donors of a certain amount as Patron Saints, a list which naturally includes Bob. Of course in his case, besides being celebrated at the 19th meeting of each year, he’ll be remembered every time a truckload of equipment is sent off to a con and anyone works on the club archives– in fact, just about every time the key turns in the clubhouse lock.

Takumi Shibano (1927-2010)

Rick Sneary, Roy Tackett, Takumi and Sachiko Shibano at the 1968 Worldcon, BayCon.

Rick Sneary, Roy Tackett, Takumi and Sachiko Shibano at the 1968 Worldcon, BayCon.

Takumi Shibano died January 16 at 8:06 p.m. (JST). The reported cause of death was pneumonia.

His life spanned the founding of Japanese fandom to the announcement of the Nippon 2017 bid. He was a guest of honor at two Worldcons, L.A.con III and Nippon 2007.

Japanese author Tetsu Yano, who Gene Van Troyer called Japan’s Robert Heinlein, said he could hardly imagine what would have become of SF in Japan if Takumi Shibano had not existed: “Thanks to his fanzine Uchuujin, we had a network that allowed us to meet, and I feel blessed that Shibano-san was here to create it. All of Japanese science fiction and fandom was born as a result.”

Takumi, born in 1927, was the son of a Japanese Army officer. Following his father’s postings, Takumi attended schools in Taiwan, Tokyo and Manchuria. Upon finishing high school in 1945 he was drafted into the Physico-Chemical Research Association. There he learned the essentials of modern physics. After the end of WWII, Takumi attended the Tokyo Institute of Technology, graduating in 1950.

That same year he sold his first story, which appeared under the name “Kozumi Rei” (a wordplay on “cosmic ray”). He would later use that pen name as a novelist and translator of science fiction stories.

Takumi taught math for 26 years at Tokyo Municipal Koyamadai high school, from 1951 until 1977 when chronic asthma led him to quit teaching and become a full-time writer and translator. Among the works he translated into Japanese are Clarke’s short story “The Sentinel” and Larry Niven’s Ringworld and “Inconstant Moon.”

A colleague, veteran translator Hisashi Asakura, paid this compliment to his work in 1996: “Takumi Shibano has such a fundamental grasp of science that he understands the nature of the ideas that the writers have. If he has the slightest question about anything, he pursues the answer with total dedication, writing letters of talking directly with the authors. He’s peerless — a real role model for translators and authors.”

Takumi and Sachiko Takahashi married in 1954. They had two daughters, Miho and Minae.

Takumi’s fascination with SF first drew him to join the UFOs Flying in Japan’s Skies Research Group in 1956. As he explained in a quote run in the Nippon 2007 Souvenir Book, “It wasn’t that I was so enamored of UFO research, but that I was interested in those basic, fantastical science ideas, so I wanted to do SF.” The group was as close as he could get, but that would soon change.

At one of the meetings he threw out the idea of doing an extra issue of the group’s publication solely devoted to SF. Several members responded so enthusiastically they launched the first issue of Uchuujin (“space dust”) in May 1957. Uchuujin’s first issues were handwritten on mimeograph stencils, but it transformed into a typset publication by 1960. In later years, the zine’s best stories would be collected in five professionally published volumes.

Production of the magazine soon led to in-person discussion and the formation of Kagaku Sosaku (variously translated as Science Fiction Club or Science Creation Club), led by Tetsu Yano.

Takumi chaired four of the first six Japanese national science fiction conventions. He also helped establish the Federation of SF Fangroups of Japan in 1965 and served as chairman from 1966 until 1970.

He wrote several original juvenile science fiction novels, all published in Japan under his pen name Rei Kozumi: Superhuman ‘Plus X’ (1969), Operation Moonjet (1969), and Revolt in North Pole City (1977). He was also the principal author of The World of Popular Literature (1978), a nonfiction work.

Takumi was effectively introduced to American fans through the pages of Roy Tackett’s fanzine Dynatron. People became eager to meet him in person. LA’s bid committee for the 1968 Worldcon simultaneously ran a fan fund to bring Takumi Shibano to the Worldcon. Only the fan fund succeeded, consequently Shibano-san attended BayCon, the Worldcon in Berkeley, California.

He and Sachiko attended many more Worldcons through the years. At Denvention 2 in 1981 they appeared on stage during the Hugo Awards for the first time to present Seiun Awards to the Western sf writers whose translated works had won. (The winners are chosen by the Japanese national convention.)  It became a Hugo night tradition for the Shibanos or other Japanese pros to appear in ceremonial robes and recognize the winners.

Takumi won World SF’s President’s Award in 1984 and its Karel Award in 1991. He received a Special Committee Award from ConFrancisco, the 1993 Worldcon. And he was the winner of the E. E. Evans Big Heart Award in 1987.

Takumi, through his love of science fiction, achieved a rare bridging of cultures. He was a gracious man who warmly responded to anyone’s welcome and questions. Like Ackerman, to whom he is invariably compared, he was one of fandom’s early organizers who became an international ambassador of science fiction.

[Thanks to Atsushi Morioka, John Hertz, Glenn Glazer, Craig Miller and Peggy Rae Sapienza for the story.]

Update 01/18/2010: Adopted correction by John Hertz — the proper order of Takumi’s pen name is “Kozumi Rei.” Then, based on Petrea Mitchell’s suggestion (and a consultation with John) altered the spelling of the fanzine title to ‘Uchuujin,’ as the most accurate translation within the power of my limited coding skills….