Dan Simmons’ Facebook comment mocking teenaged environmental activist Greta Thunberg, who recently spoke at the U.N., is now removed, however, screencaps were shared and many sff writers and fans have tweeted their dismay.
Simmons is a World Horror Grandmaster and past winner of the Hugo
(for Hyperion), World Fantasy Award, Bram Stoker Award, British Fantasy
Award and Theodore Sturgeon Memorial Award.
Robin Johnson (the game
developer, not the Australian fan)
@midnight_pals Dan Simmons: I have a story about something VERY scary King: Go on Simmons: It's utterly terrifying King: Ok, whenever you're ready Simmons: For the approval of the Midnight Society, I call this story Simmons: The Tiny Autistic Girl Lovecraft: AAAAAAAAAAHH
Very sad to see Dan Simmons comments on Greta Thunberg on Facebook. But not for Greta, who's clearly a powerhouse, but for a 71 year old white man who can't see that maybe we should listen to youth when it comes to saving the planet and wants to call her 'bratty'.
— Sarah Pinborough (is working but will be back) (@SarahPinborough) September 25, 2019
So disappointed by Dan Simmons (author of The Terror, etc.) & his long-winded rant against Greta Thunberg. If you're a successful 71-year-old man who is so threatened by a 16-year-old girl on the spectrum that you publicly bash her, then the problem is clearly with you, not her. https://t.co/gtPKQvlvba
Oh, Dan Simmons jumped the shark with me with the Islamophobia that came out nowhere in OLYMPOS, plus a "thought experiment" on his blog that really went into the Eurabia stupidity.
I published his early work and considered him a friend-I spent time with him and his family in the 80s/90s. Lost touch mostly but in the last few years had heard he'd turned right, into someone I wouldn't recognize.
Writers applying for SFWA membership qualify on the basis of the per-word rate on the date of contract. For example, short fiction sold before September 1, 2019 at six cents per word continue to qualify a writer for SFWA membership, etc.
This change to the SFWA pro rate is the result of market analyses conducted by SFWA Board members, along with a review of the effects of inflation on author compensation. The SFWA pro rate was last changed in 2014, rising from five to six cents per word, and from three to five cents per word in 2004.
(2) AURORA VOTING DEADLINE. Canadian Science Fiction and Fantasy Association members have
until September 14 to vote in the Aurora
Awards.
You must be logged in to the website with an active CSFFA membership in order to download the voter’s packages or to vote.
Vote results will be announced at Can-Con October 18 – 20, 2019 in Ottawa (http://can-con.org/) and will be available on the website soon after.
More than 10,000 fans cast ballots for Dragon Award winners, selected from among 91 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming, and tabletop gaming.
Margaret Atwood and Salman Rushdie are among the six authors shortlisted for this year’s Booker Prize.
Atwood is in contention again with The Testaments, her eagerly awaited follow-up to The Handmaid’s Tale, while Sir Salman makes the cut with Quichotte.
Bernardine Evaristo, Chigozie Obioma, Elif Shafak and US author Lucy Ellmann are also up for the prize.
Both Atwood and Rushdie have won the coveted prize before, in 2000 and 1981 respectively.
Atwood also made the shortlist with The Handmaid’s Tale in 1986….
The winner, whittled down from 151 submissions and a longlist of 13, will be announced on 14 October.
(5) KGB. The Fantastic
Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present
Sarah Beth Durst & Sarah Pinsker on Wednesday, September 18, 2019, 7 p.m. at the KGB Bar.
Sarah Beth Durst
Sarah Beth Durst is the author of nineteen fantasy books for adults, teens, and kids, including The Queens of Renthia series, Drink Slay Love, and The Girl Who Could Not Dream. She won an ALA Alex Award and a Mythopoeic Fantasy Award and has been a finalist for SFWA’s Andre Norton Award three times. She hopes to one day have her own telepathic dragon.
Sarah Pinsker
Sarah Pinsker is the author of over fifty stories as well as the collection Sooner or Later Everything Falls Into the Sea and the novel A Song For A New Day, both out in 2019. Her fiction has won the Nebula and Sturgeon awards, and been a finalist for the Hugo, Eugie Foster, Locus, and World Fantasy Awards.
The address of the KGB Bar is 85 East 4th Street (just off 2nd Ave, upstairs), New
York, NY.
(6) YOU COULD LOOK IT UP. Kenneth R. Johnson says he has “posted a mildly updated version of one of
my on-line indexes” — “FANTASY
GOTHICS”, subtitled, “A comprehensive bibliography of modern Gothics
with genuine fantasy elements.”
About forty years ago I visited a fellow Science Fiction collector who introduced me to the concept of collecting “on the fringes.” I thought I was fairly knowledgeable about the Science Fiction and Fantasy books that had been in published in paperback, but when I examined his collection I saw a large number of books that I had not known about because they had not been marketed as Fantasy. I was especially drawn to the books that had been issued in other genres, such as Mysteries and Romances.
I was particularly struck by the large number of Gothics that were spread throughout his collection. I began looking for these particular crossovers in my visits to second-hand bookstores. Within a few years I had amassed a couple hundred books, but by the early 1980s the Gothic craze had waned and most publishers had dropped the category. The existing books gradually disappeared from the second-hand market. …
Scope of Index
This bibliography is restricted to mass-market paperback books published in the U.S. between the 1960’s and the 1980’s. The deciding factor in whether a book appears here, besides a genuine fantasy element, is how the book was labeled when published. If a particular book had several editions from a given publisher and at least one of them was marketed as a Gothic, then all of that publisher’s editions are listed. Any editions from a publisher who never labeled it as a Gothic are omitted.
(7) BOK WAS ALSO A VERBAL ARTIST. Robert T. Garcia has launched
a Kickstarter appeal to fund publication of “The
Fantastic Fiction of Hannes Bok: Three Fantasies by Bok” with Hannes
Bok’s three published solo novels:
Starstone World, The Sorcerer’s Ship, and Beyond
The Golden Stair (the
unedited version of the novel Blue
Flamingo).
Includes an all-new introduction for this collection by Charles de Lint.
For two years I’ve been working on a project that got more interesting the further I got into it. Hannes Bok was one of the 20th Century’s best sf-fantasy-weird fiction artists. He was a painter with an eye for beautiful colors and flowing compositions in a time when sf art was very literal and staid. His paintings featured stylized figures, colors by Parrish, and a creative imagination that could only be Bok’s. And he could not be confined to one discipline in his creativity, there were paintings and line work, poetry and sculpture, intricate wood carvings and—of special interest here—fantasy novels: The Sorcerer’s Ship, Beyond the Golden Stair and Starstone World.
These aren’t your conventional fantasies, although all the trappings are there. They have a sly humor with plots full of twists and turns, stories which take the reader on strange metaphysical paths, and glorious descriptions that could only come from someone with a painter’s eye. Certainly not the most smoothly told tales, but as Lester Del Rey wrote about Beyond the Golden Stair: “in spite of its faults, it has the sense of enchantment so rarely found in most market fantasy. And since our world needs the glamor at least as much as it ever did, let us lose no chance.”
Here’s your chance to experience that glamor. All three of these books have been out-of-print for at least 48 years. That’s too long. They have been left behind, and should be part of the legacy of Hannes Bok, and part of the discussion of early 20th Century fantastic fiction.
At this writing, Garcia has raised $6,623 of the $11,999 goal.
The reason Romana’s regeneration was so unique is that the new actress, Lalla Ward, had already played a different role on the series. In the Season 16 serial “The Armageddon Factor,” the first Romana (Mary Tamm) and the Doctor encountered a character named Princess Astra, who also happened to have been played by Ward. So, when Ward was later cast as the new version of Romana in Season 17, it required an onscreen explanation.
In the scene, the Doctor is freaked out that Romana suddenly looks like someone they both had recently met. “But you can’t wear that body!” he protests. “You can’t go around wearing copies of bodies!” The newly regenerated Romana insists it didn’t matter. She likes the way Princess Astra looks and says they probably aren’t going back to the princess’s home planet of Atrios anyway.
(9) TODAY IN HISTORY.
September 3, 1953 — The 3-D movie Cat-Women of the Moonpremiered. It starred Marie Windsor and Victor Jory who on a scientific expedition to the Moon encounters a race of cat-women.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1810 — Theodor von Holst. He was the first artist to illustrate Shelley’s Frankenstein; or, The Modern Prometheus in 1831. The interior illustrations consist of a frontispiece and title page engraved illustrations. (Died 1844.)
Born September 3, 1943 — Mick Farren. Punk musician was the singer with the proto-punk band the Deviants who wrote also lyrics for Hawkwind. His most well-known genre work was the The Renquist Quartet about an immortal vampire. (Died 2013.)
Born September 3, 1943 — Valerie Perrine, 76. She has uncredited role as Shady Tree’s sidekick is Diamonds Are Forever in her first film appearance. Her first credited film role is as Montana Wildhack in Sluaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II.
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, Andrew J Offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of AIDS. Well, he died of toxoplasmosis, complicated by AIDS to be precise. (Did 1989.)
Born September 3, 1969 — John Picacio, 50. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Artist in 2012.
Born September 3, 1971 — D. Harlan Wilson, 48. Author of Modern Masters of Science Fiction: J.G. Ballard, Cultographies: They Live (a study of John Carpenter) and Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction. No, I’ve no idea what the last book is about.
Born September 3, 1974 — Clare Kramer, 45. She had the recurring role of Glory, a god from a hell dimension that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
Plus this “Happy Book Birthday” – Congratulations to Ellen
Datlow!
Today is my book birthday–The Best Horror of the Year Volume 11 is out–this makes 32 years of editing a Best of the Year horror anthology. https://t.co/wYPEqtF5Xi
Brewster Rockit treats us to more “famous parting words from defeated aliens.” Ook ook!
Half Full delivers sff’s answer to Fred Astaire and Ginger Rogers.
(12) MOONWALKING. It isn’t easy anywhere to get local
government to fix the streets,
Indian actor Poornachandra Mysore joined artist Baadal Nanjundaswamy to document the conditions of the roads in Bengaluru, India. In a creative way and wearing a spacesuit, the man decided to walk on these crater-like potholes as if he was walking on the moon.
Black Mountain is a crime-horror hybrid that takes the most entertaining elements of both genres and mixes them into something new that pushes the boundaries of contemporary crime fiction. From horror Barron grabs the fear of death, the tensions of knowing there is a killer out there and on the hunt, the gore of mutilated bodies and serrated knives digging into soft flesh. From crime he pulls mobsters, the existence of secrets that, if revealed, would lead to many murders. He also works with a level of violence that is rarely found in crime novels from big publishers.
With those elements on the table, Barron uses his elegant prose as glue. There is brutish behavior, but the words describing it are beautiful, mercilessly obliterating the imagined line between genre and literary fiction on almost every page…
In news to file under “What could possibly go wrong,” two U.S. deterrence experts have penned an article suggesting that it might be time to hand control of the launch button for America’s nuclear weapons over to artificial intelligence. You know, that thing which can mistake a 3D-printed turtle for a rifle!
In an article titled “America Needs a ‘Dead Hand,’” Dr. Adam Lowther and Curtis McGiffin suggest that “an automated strategic response system based on artificial intelligence” may be called for due to the speed with which a nuclear attack could be leveled against the United States. Specifically, they are worried about two weapons — hypersonic glide vehicles and hypersonic cruise missiles — which reduce response times to mere minutes from when an attack is launched until it strikes.
They acknowledge that such a suggestion is likely to “generate comparisons to Dr. Strangelove’s doomsday machine, War Games’ War Operation Plan Response, and The Terminator’s Skynet. But they also argue that “the prophetic imagery of these science fiction films is quickly becoming reality.” As a result of the compressed response time frame from modern weapons of war, the two experts think that an A.I. system “with predetermined response decisions, that detects, decides, and directs strategic forces” could be the way to go.
(15) LEDGE OF TOMORROW. The
Atlantic: “Coming Soon to a Battlefield: Robots That Can Kill”. Tagline:
“Tomorrow’s wars will be faster, more
high-tech, and less human than ever before. Welcome to a new era of
machine-driven warfare.”
Wallops Island—a remote, marshy spit of land along the eastern shore of Virginia, near a famed national refuge for horses—is mostly known as a launch site for government and private rockets. But it also makes for a perfect, quiet spot to test a revolutionary weapons technology.
If a fishing vessel had steamed past the area last October, the crew might have glimpsed half a dozen or so 35-foot-long inflatable boats darting through the shallows, and thought little of it. But if crew members had looked closer, they would have seen that no one was aboard: The engine throttle levers were shifting up and down as if controlled by ghosts. The boats were using high-tech gear to sense their surroundings, communicate with one another, and automatically position themselves so, in theory, .50-caliber machine guns that can be strapped to their bows could fire a steady stream of bullets to protect troops landing on a beach.
Something odd was bubbling beneath the surface of northwest Montana’s Flathead Lake this summer. It wasn’t lake monsters, but submarines. The subs’ pilots were there to help cash-strapped researchers explore the depths of Flathead Lake for free.
It can be hard for research divers to see what’s at the bottom of deep bodies of water like Flathead Lake without special equipment and experience. So, having a couple of submarines around this summer was helpful to the University of Montana’s Flathead Lake Biological Research Station.
…Riders met British Columbia resident Hank Pronk, who was standing on his two-man submarine bobbing on the lake’s crystal-clear surface.
A useful hobby
Pronk and his fellow enthusiasts build their subs mostly by hand. Pronk’s sub, named the Nekton Gamma, is smaller than a compact car; climbing in is a squeeze.
Pro-democracy protesters in Hong Kong have been turning to a new app to communicate – one that does not use the internet and is therefore harder for the Chinese authorities to trace.
Bridgefy is based on Bluetooth and allows protesters to communicate with each other without internet connection.
Downloads are up almost 4,000% in the past two months, according to measurement firm Apptopia.
Texts, email and messaging app WeChat are all monitored by the Chinese state.
Bridgefy uses a mesh network, which links together users’ devices allowing people to chat with others even if they are in a different part of the city, by hopping on other users’ phones until the message reaches the intended person.
The range from phone to phone is within 100m (330ft).
The app was designed by a start-up based in San Francisco and has previously been used in places where wi-fi or traditional networks struggle to work, such as large music or sporting events.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Rich Lynch, Martin
Morse Wooster, Robert T. Garcia, Michael Toman, Chip Hitchcock, Cat Eldridge, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Rob Thornton.]
(1) DEALING WITH DISSATISFIED
CUSTOMERS. Chuck Wendig, who doesn’t want people using social media to
shove their negative reviews of his work in his face – point taken – goes on to
make an unconvincing distinction between customer complaints about his fiction
and everything else: “Hi,
Definitely Don’t Tag Authors In Your Negative Reviews Of Their Books”.
…You might note also that negative reviews are one of the ways we communicate with creators of products and arbiters of service in order to improve the quality of that product or that service — which is true! If someone at American Airlines shits in my bag, I’m gonna say something on Twitter, and I’m going to say it to American Airlines. If the dishwasher I bought was full of ants, you bet I’m going to tag GE in that biz when I go to Twitter. But books are not dishwashers or airlines. You can’t improve what happened. It’s out there. The book exists. You can’t fix it now. And art isn’t a busted on-switch, or a broken door, or a poopy carryon bag, or an ant-filled dishwasher….
(2) THE PERIPHERALS
WHISPERER. Ursula Vernon has many talents – this is another one.
…it was about five minutes from powering on to find a severed print head in its paper tray, but fortunately it realized that.
(3) KGB READINGS. Fantastic Fiction at KGB reading
series hosts Ellen Datlow and Matthew Kressel present Simon Strantzas and Kai
Ashante Wilson on Wednesday, May 15, 7 p.m. at the KGB Bar (85 East 4th Street, NY, just off 2nd
Ave, upstairs.)
Simon Strantzas
Simon Strantzas is the author of five collections of short fiction, including Nothing is Everything (Undertow Publications, 2018), and is editor of the award-winning Aickman’s Heirs and Year’s Best Weird Fiction, Vol. 3. His fiction has appeared in numerous annual best-of anthologies, in venues such as Nightmare, Postscripts, and Cemetery Dance, and has been nominated for both the British Fantasy and Shirley Jackson awards. He lives with his wife in Toronto, Canada.
Kai Ashante Wilson
Kai Ashante Wilson won the Crawford award for best first novel of 2016, and his works have been shortlisted for the Hugo, Nebula, Shirley Jackson, Theodore Sturgeon, Locus, and World Fantasy awards. Most of his stories are available on Tor.com. His novellas The Sorcerer of the Wildeeps and A Taste of Honey may be ordered from local bookstores or online. Kai Ashante Wilson lives in New York City.
I am a fat guy. I will likely always be a fat guy.
Fat Thor is not fat-shaming.
Fat Thor is character humor: the man has given up. Tony Stark went in one direction, the Odinson went in another. He’s a binge-drinking, binge-eating, emotionally fragile shell of himself, and while some of the other characters make unkind (and, dammit, funny) remarks, it is his diminishment and not his enlargement that is the source of the humor.
Sure, bloody explain it to me now.
I don’t know, I don’t understand.
Fvck you, I’m a fat guy. I do know, I do understand. I have been mocked for my weight, sometimes viciously. I know it all.
(I haven’t personally encountered these complaints, I can only assume
there must be some, else why Castro’s post.)
I think I’ve got a bad case of sibling rivalry. When Victoria Silverwolf came onto the Journey, she took on the task of reviewing Fantastic, a magazine that was just pulling itself out of the doldrums. My bailiwick consisted of Analog, Fantasy and Science Fiction, IF, and Galaxy, which constituted The Best that SF had to offer.
Ah for those halcyon days. Now Fantastic is showcasing fabulous Leiber, Moorcock, and Le Guin. Moreover, Vic has added the superlative Worlds of Tomorrow to her beat. What have I got? Analog is drab and dry, Avram Davidson has careened F&SF to the ground, IF is inconsistent, and Galaxy…ah, my poor, once beloved Galaxy…
(6) TERRAIN TERROR. Laird Barron now writes crime
novels set in Alaska. But he used to be a horror writer, and “In Noir,
Geography Is a Character” on CrimeReads, Barron
has anecdotes about Michael Shea and the World Fantasy Convention in San Jose.
…A decade ago, bound for the World Fantasy Convention in San Jose, I stared out the window of a light commercial plane swooping in low over the Central Valley. Low enough I made out details of oak trees covering big hills and the rusty check patterns of the yards of individual homes. Country roads radiated like nerves from a plexus. Cars crawled along those snaking roads through golden dust. The rumpled land subtly descended toward the haze of the Pacific. I realized this was where Michael Shea got his flavor. This “obvious” revelation slapped me in the face.
Michael left us too soon five years later in 2014. His memory looms large in the weird fiction and horror fields as the man who wrote the landmark collection Polyphemus. A deep vein of mystery and noir travels through his work, grounding the fantastical tropes. I’d read him since my latter teens, absorbing the unique cadence of his prose without giving conscious thought to how echoes of the natural world inflected his grimiest urban settings, how the superstructures and sprawl of his version of LA and San Francisco were influenced by the ancient earth they occupy….
(7) TODAY IN HISTORY.
This was a big date in sff history.
May 9, 1973 — Soylent Green premiered.
May 9, 1986 — Short Circuit debuted in theatres.
May 9, 1997 — The Fifth Element arrived in movie houses.
(8) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born May 9, 1860 — J. M. Barrie. Author of Peter Pan, or The Boy Who Wouldn’t Grow Up, which I’ve read a number of times. Of the movie versions, I like Steven Spielberg’s Hook the best. The worst use of the character, well of Wendy to be exact, is in Lost Girls, the sexually explicit graphic novel by Alan Moore and Melinda Gebbie. If you’ve not read it, don’t bother. (Died 1937.)
Born May 9, 1920 — William Tenn was the pen name of Philip Klass. Clute says in ESF that ‘From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.’ That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago — will not read it again so the Suck Fairy may not visit it. Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
Born May 9, 1925 — Kris Ottman Neville. His most famous work, the novella Bettyann, is considered a classic of science fiction by no less than Barry Malzberg. He wrote four novels according to ISFDB over a rather short period of a decade and a number of short story stories over a longer period. (Died 1980.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)
Born May 9, 1951 — Geoff Ryman, 68. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel.
Born May 9, 1979 — Rosario Dawson, 40. First shows as Laura Vasquez in MiB II. Appearances thereafter are myriad with my faves including being the voice of Wonder Women in the DC animated films, Persephone in Percy Jackson & the Olympians: The Lightning Thief and her take as Claire Temple across the entire Netflix Marvel universe.
In 1981, Eastercon was held in Leeds. Four attendees were David Pringle, Simon Ounsley, Alan Dorey (then chairman of the British Science Fiction Association (BSFA)) and Graham James. David Pringle was a co-chairman of the convention and Simon Ounsley was assisting with the finances. The convention made a profit of £1,300, which Simon states was completely unintentional and purely down to cautious budgeting. At Graham James’ suggestion, the committee agreed to use the money to launch an SF magazine. Simon recalls how controversial this decision was at the time, but in any event, the four men teamed up to start a magazine.
At the same time, four friends in London were also trying to get an SF magazine off the ground. They were Malcolm Edwards, who worked for SF publisher Gollancz, and SF critics John Clute, Colin Greenland, and Roz Kaveney. They had asked the BSFA if they would publish the magazine and it had declined. However, Alan made David aware of the London proposal and the two groups got together.
As Simon says, this was an ideal match because the Leeds contingent had the money and the London team had the connections. The name of the magazine was suggested by David. It was an imaginary city in the William S. Burroughs novel Naked Lunch.
Moviegoers across the country were able to see Tolkien ahead of its release this Friday, along with a Q&A moderated by Lord of the Rings super-fan Stephen Colbert, even if they weren’t at the Montclair Film Festival in New Jersey on Tuesday for the first-ever screening of the movie.
The panel, featuring the Fox Searchlight film’s stars Nicholas Hoult and Lily Collins with director Dome Karukoski, was simulcast to select theaters following special screenings. In Montclair, Karukoski revealed what goes into a film like Tolkien, which chronicles the formative years of J.R.R. Tolkien’s life as he forms friendships, goes to war and falls in love….
To close out the Q&A, Colbert praised Karukoski’s efforts and Tolkien itself. “Thank you for the film you created. It reminds me of the power of story, and how it can give us hope,” the late-night host said before citing one of Tolkien’s quotes from The Return of the King: “I will not say: do not weep; for not all tears are an evil.”
Continued Colbert, “I cried many times watching this film, and I want to thank you for those tears of pain and of those tears of joy and thank you for what you have given me of his [Tolkien’s] life and for your beautiful performances.”
Australia’s latest A$50 note comes with a big blunder hidden in the small print – a somewhat embarrassing typo.
The Reserve Bank of Australia (RBA) spelled “responsibility” as “responsibilty” on millions of the new yellow notes.
The RBA confirmed the typo on Thursday and said the error would be fixed in future print runs.
But for now, around 46 million of the new notes are in use across the country.
The bills were released late last year and feature Edith Cowan, the first female member of an Australian parliament.
What looks like a lawn in the background of Ms Cowan’s portrait is in fact rows of text – a quotation from her first speech to parliament.
(13) HEAVY
METAL. Alas behind a paywall at Nature:“Collapsars forming black holes as a major source of
galaxy’s heavy elements” [PDF file]. Here scientists report
simulations that show that collapsar accretion disks (in black hole formation)
yield sufficient heavy elements to explain observed abundances in the Universe.
Although these supernovae are rarer than neutronstar mergers, the larger amount of material ejected per event compensates for the lower rate of occurrence. We calculate that collapsars may supply more than 80 per cent of the r-process heavy element content of the Universe.
…Mort Drucker’s art is exquisite as always, and DeBartolo’s writing is top notch, loaded with puns and hilarious jokes. (Spook: “That’s what your MIND says! What does your HEART say?” Kook: “Pit-a-pat! Pit-a-pat! Pit-a-pat — just like everybody else’s!”) But one of the most interesting things about this parody is the way the story wraps up — the solution is for the Boobyprize to reverse orbit and go back in time. You might recognize this plot device from the first Superman movie. Somehow DeBartolo ripped it off, despite “Star Blecch” coming out 11 years before the film.
(16) IF IT’S GOOD, IT’S A MARVEL. Nerds
of a Feather panelists Adri Joy, Mike N., Phoebe Wagner, and Vance K assemble
for a “Review Roundtable: Avengers: Endgame”.
Today I’ve gathered Brian, Mike, Phoebe and Vance to chat about our Endgame reactions: what made us punch the air in glee and what had us sliding down in our seats in frustration. Needless to say, all the spoilers are ahead and you really shouldn’t be here unless you’ve had a chance to see the movie first.
Adri: So, Endgame! That was fun. Even more fun than I expected after, you know, all the dead people and the feelings about them.
Brian: First impressions are that I thought this was a great conclusion to all of the movies that came before it. The MCU could stop here (it won’t, but it could) and I would be completely satisfied.
Vance: The woman seated next to me — and I’ve never experienced this in a movie theater — started taking deep, centering breaths the moment the lights went down. And I love her for it. Infinity War was a gauntlet for fans, yet she was there opening day for whatever came next, no matter how gutting. Turned out the movie was a lot of fanservice, so she made it through. As did I!
…Once a time window expires, park employees dressed as “Star Wars” characters will politely tell parkgoers that they need to leave the land to make way for new visitors.
Disneyland representatives say they expect that most guests will abide by the courteous directions to move on. But they remain mum about what will happen if guests ignore the requests.
“Four hours is a long time in the land,” said Kris Theiler, vice president of the Disneyland Park. “Most guests are going to find that they’re ready to roll after four hours.”
[Thanks to Greg Hullender, JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Michael Toman, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) TRAINING WHEELS. Travel from Chicago to next year’s San Jose Worldcon as part of Traincon 4. The organizers now have a FaceBook page. Here’s the URL.
Janice Murphy forwarded the basic info posted by Bill Thomasson, saying the cost is around $400 one way.
We’ll be taking sleeper cars as a group To Worldcon 76 From Chicago’s Union Station. We’ll be riding Amtrak to San Jose and back via the Chief, the Zephyr and the Coastal, but that means we have to reserve roomettes as a group for the discount, and we have to do it before November 21 — THIS year. Roomettes have two beds, two person occupancy. A note on the down payment from Bill:
“I am asking everybody who signs up to pay me the basic fare up front. For the outbound trip that is $214.20 for adults and $202.30 for seniors (62+). For the return trip, it is $171 for adults and $161.50 for seniors. As previously mentioned, Amtrak’s roomette prices go up as you add more rooms, so the average price — which is what Traincon members will be asked to pay — will depend on the number we ultimately take. This won’t be known until the final payment is made, so I won’t be asking for roomette payment until then.”
Janice Murphy adds this pitch:
True, you could fly for less BUT — ALL meals are included with the fare, plus Amtrak has a VERY liberal luggage policy. No need to mail those signed books home from the Convention. You can take an empty suitcase out and bring it back filled with memories.
Frankly, this is about as close as some of us are going to get to traveling cross-continent on a train, and I’m not going to miss it.
We’ve got enough folks going out to make the sleeper reservations, though there is room for more so we are encouraging folks to get on board. We definitely need more folks to take the trains back to Chicago in order to meet the minimum 15 bodies.
…So the thing is, if you would like to take advantage of the fact that you can have a couple of large bags to haul stuff back from the Con, just taking the trip back would be a hell of a lot of fun.
And without an atmosphere on the Moon to keep the dust in check, it gets everywhere. So a key piece of Chandrayaan-2’s mission is to study the force that moves the dust around, an envelope of highly charged particles circling the Moon’s surface. Other tasks include taking the Moon’s temperature near its poles. The mission is also developing a new way to land more softly on the Moon’s surface. The entire project is supposed to cost just $93 million. Yes, with an M.
everything is forced in a story because they’re not magic
stories are not a natural state and so nothing occurs naturally within them, nor can they “call for” anything
inclusivity is part of good storytelling
not being inclusive is also a political choice
This person deleted his tweet and went on to clarify that he in fact totally supported a pairing like, say, Finn/Poe, but he wanted it to have a purpose in the story and not simply be included for political purposes. Abstractly, what he’s saying is, he’s not a bigot, not a homophobe, he just cares about storytelling. Which is fine, in theory, and I’m not suggesting this person is worthy of excoriation. I’m sure he means well. But I think it’s really worth shining a big, bright-ass light on this, because I think there’s a soft, unacknowledged prejudice at work.
It assumes that there exists a default in storytelling — and that default is one way, and not the other. The default is straight relationships, or cisgendered characters, or able-bodied white dudes, or whatever. One of the criticisms Aftermath received was this very special kind of softball phobia, right? “I don’t mind LGBT characters, but these were forced into the narrative for a political agenda,” assuming that the characters are somehow not characters at all, but rather protest signs or billboards advertising THE WONDERS OF GAYNESS or THE FABULOSITY OF THE NON-BINARY SPACE PIRATE LIFE. The complaint then becomes that these characters are political levers, identified as such because their natures (be it LGBT characters like Sinjir Rath Velus and Eleodie Maracavanya, or a character of color like Admiral Rae Sloane, or women characters like Norra Wexley and Jas Emari) do not somehow factor into the plot. Like, Sinjir’s homosexuality is not a plot point. He doesn’t shoot gayness out of his eyes to blow up the Third Death Star, oh no, he’s only there as a commercial for GAY PEOPLE EXISTING.
Indiana University will launch its highly anticipated new website, Orson Welles on the Air: Radio Recordings and Scripts, 1938-1946, on Thursday evening, October 26, at https://orsonwelles.indiana.edu/
The university is very excited to finally be sharing the new audio files with the world, said Erika Dowell, Associate Director & Curator of Modern Books and Manuscripts at Lilly Library.
Mike Casey, the university’s director of technical operations for the Media Digitization and Preservation Initiative, has said the grant would be used toward the preservation of 324 master sound recordings in the form of lacquer discs and about 100 accompanying paper scripts. The script pages show tangible evidence of Welles’ creative process in their dramatic deletions and seemingly last-minute rewrites.
Some people think themes of science don’t go well with poetry, but you’ve written several books demonstrating a tremendous intersection between these and the imagination, including Sublime Planet, Repulsion Thrust, and Quark Soup. How do you explain your approach to poetics to others surprised at these possibilities?
I’ve always been poetically charged by science – even as a child (and I’m afraid I spent rather too much time in the Haydn Planetarium). It’s probably as much due to my lack of mathematical capability as to anything else. I’m able, for example, to look at a formula – let’s say Euler’s Prime, and see the visual beauty without having a clue how it’s applied or what might be created from it. I can read about the collision of two neutron stars (!), and feel like something is opening up in me – a sense of possibilities and ways of seeing and perceiving and exploring both human emotion and the broadest picture of what we’re all made of, without being able to map the process in any experimental sense. So it’s possible that my poetry is a kind of limitation spurred by not quite understanding. That said, I do feel that all science is spurred on by not quite understanding and that many hypotheses have their basis in poetic wonderment. I wrote about 10 poems through my reading of A Brief History of Time. I usually get at least one poem from each issue of New Scientist. I mean, and again, this is partly just my ignorance and playing with the semantics rather than accurate meanings of words, but how exciting and visceral is the idea of quarks having “flavours” (just one example).
(6) REDROBE. Sci-Fi Design would love to sell you one of these “Star Trek TNG Robes”. Are people brave enough to order the red ones?)
Step out of the shower and into the future when you wear this Star Trek TNG Robe. That way you can go straight from the shower and onto the bridge and not look too out of place. You can choose Blue (Science), Gold (Operations), or Red (Command). These robes are super soft and comfy and no worries, they are Starfleet regulation, I’m sure.
(7) LEACH OBIT. Rosemary Leach (1935-2017): British actress; died 21 October, aged 81. Genre appearances include Worlds Beyond (one episode, 1987), The Tomorrow People (five episodes, 1995), Chiller (one episode, 1995), Frighteners (one episode, 1997), Afterlife (one episode, 2005), The Great Ghost Rescue (2011), May I Kill U? (2012). Received the 1983 ‘best actress’ Olivier Award for her performance in ’84 Charing Cross Road’.
(8) COMICS SECTION
JJ finds that ancient puns are the best ones.
Cartoon update: Rocky Horus Picture Scroll. Better title & I woke up with the solution of fixing the lyric heiroglyhps to fit better. Enjoy! pic.twitter.com/wLCX7JKw9u
As detailed in a paper published today in ACS Nano, Don Ingber and Charles Reilly, the founding director and a staff microbiologist at the Wyss Institute, respectively, teamed up to create a scientific animated short film called The Beginning. The film details the journey of a sperm cell to an egg, framed as a parody of Star Wars. While this might sound like the recipe for a trying-too-hard-to-connect-to-the-kids cutaway in a middle school sex education video, it actually led to a scientific discovery. In this case, it showed how energy is distributed through a sperm cell at the molecular level to propel the cell toward an egg.
(10) ALL GLORY IS FLEETING. Editors at Vox Day’s Infogalactic are continually at work reshaping the mirrored Wikipedia content – or making up for its absence. For example, Wikipedia has no article about Jon Del Arroz, but Infogalactic does. The only flaw is that the article’s link to JDA’s entry on the Internet Speculative Fiction Database takes you to John C. Wright’s entry instead.
Zeppelins flew so much lower than modern planes do that they did not have the same cold, dry, pressurized cabin air that dulls taste and smell today. Airship food would therefore have been much more flavorful than what we eat aloft today — even if the menu didn’t include fattened duckling with champagne cabbage. No expense was spared. In The Great Dirigibles: Their Triumphs and Disasters, John Toland describes the Hindenburg’s larder: turkeys, live lobsters, gallons of ice-cream, crates of all kinds of fruits, cases of American whiskey, and hundreds of bottles of German beer. The Graf Zeppelin allowed for 7.5 pounds of victuals per passenger, per day, whether fresh or in specially prepared cans, with labels hand-affixed by the chef’s sister.
A graphene-based tattoo that could function as a wearable electronic device to monitor health has been developed at the University of Texas.
Gold is often used in electronic components, but graphene is more conductive, can be hundreds of times thinner and allows the tattoo to wrinkle naturally with skin.
It is hoped that as the cost of graphene falls, such tattoos will become affordable for medical use.
A team of researchers at Cambridge may have found a safer way to extract rare earth elements (REEs) – the vital material in our smartphones – that could end up saving the planet.
When you think about where your smartphone comes from, the first thing that comes to mind is normally the shop that you bought it from, the stranger who sold it to you online, or maybe even the lovingly wrapped present you received from a doting relative last year.
But in tech terms, that’s the equivalent of thinking that you came into the world because a stork flew to your parents’ house and delivered you straight to their door. The reality is a lot more complicated.
The truth is that the fundamental material your smartphone is made of probably came from one mine in China. The Bayan Obo mine produces more than 95% of the world’s rare earth elements; the uniquely multivalent metals that make your phone ‘smart’. Lanthanum, for example, gives smartphone screens their smoothness and colour pop; neodymium’s super-high magnetism puts microphones, speakers and vibration units all in the palm of our hands. But to have such a luxury has come at a heavy environmental cost.
Most of all, though, Tyson is done — completely and utterly done — messing around when it comes to people who don’t take science seriously.
There are solutions. Take climate change, for instance. We could fight climate change with a carbon tax, or increased regulations, or more nuclear power plants, or solar energy plants. Heck, we could do all of the above! But nooooo, instead we have a Congress that literally throws snowballs around.
You can just hear in his voice how sick and tired he is of it.
“Every minute one is in denial, you are delaying the political solution that should have been established years ago,” says Tyson.
Every October, blogs near and far give the horror genre a bit of extra love, and that’s fantastic—but one can get the impression the genre suffered an unceremonious death two decades back as one list after another trots out the same (undeniably worthy) names. Sure, Stoker, Shelly, Shirley Jackson, and Lovecraft’s books are considered classics for a reason. And no, you can never go wrong with Peter Straub’s Ghost Story, or William Peter Blatty’s The Exorcist, or Stephen King’s [insert ’80s King novel here].
But as times change, so too do the things that unsettle us. Horror is all about readers taking an unflinching look into a dark reflection of the world around them. These 10 contemporary horror novels offer a great introduction to a genre that’s never truly left us—and find more terrifying reads on our list of 2016’s best horror novels.
First on their list —
Occultation, by Laird Barron Technically, Occultation is not a novel, but a short story collection. Before you head for the hills, know that this is widely considered one of the best horror collections since Clive Barker’s Books of Blood. Barron is a modern master of the New Weird genre and plays with the best bits of Lovecraft’s mythos: dark, cosmic forces punching their way into our reality and reminding humans just how puny they are. An Alaskan native, Barron infuses many of his stories—like the award-winning “Mysterium Tremendum”—with wilderness settings that host profound dangers, bone-deep isolation, and an inevitable violence that blots out even the smallest spark of certainty or hope. It’s heady, horrible, and a voice that’s oft-imitated by less skilled storytellers.
(17) BACK SO SOON? The Beyond Official Trailer. The movie is coming January 9, 2018.
Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts – modified with advanced robotics, through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.
And then along comes something unheralded, under-the-radar, and authentically strange, like the Canadian movie Radius. Suddenly the audience is on a fast-paced trip into the unknown, with no idea where this premise could possibly lead. And Radius, the latest collaboration between married writer-director team Caroline Labrèche and Steeve Léonard, does start with an unbeatable premise that feels like a solid Stephen King horror story. A man wakes up in a wrecked truck and goes looking for help. His memory is completely gone. He can’t even remember his name. And slowly, he starts to realize that anything that comes within a certain radius of him — animals or people — instantly drops dead….
Radius will have a limited theatrical release on November 9th, and will appear on VOD services and Netflix on the same day.
How do you get 18- to 24-year-olds to put their phones down while driving? Maybe not with the supernatural. But who doesn’t love cats and music?
For the Department of Transport, London agency AMV BBDO created “Pink Kittens.” Directed by We Are From LA, it feels more like a pop-oriented lifestyle shoot than a public service announcement.
At its start, a busy city scene scrolls by from a driver’s perspective (assuming you’re looking out your side window … which, incidentally, is another thing you shouldn’t really be doing).
Then comes the question: Did you see the pink kitten? Look again.
(20) FLEET SCHOOL SERIES. Orson Scott Card returns to the Enderverse in his new Fleet School series. The first book, Children of the Fleet, came out October 10.
Children of the Fleet is a new angle on Card’s bestselling series, telling the story of the Fleet in space, parallel to the story on Earth told in the Ender’s Shadow series.
Ender Wiggin won the Third Formic war, ending the alien threat to Earth. Afterwards, all the terraformed Formic worlds were open to settlement by humans, and the International Fleet became the arm of the Ministry of Colonization, run by Hirum Graff. MinCol now runs Fleet School on the old Battle School station, and still recruits very smart kids to train as leaders of colony ships, and colonies.
Dabeet Ochoa is a very smart kid. Top of his class in every school. But he doesn’t think he has a chance at Fleet School, because he has no connections to the Fleet. That he knows of. At least until the day that Colonel Graff arrives at his school for an interview.
(21) THE MAITRE’D RECOMMENDS. This year’s Hugo Administrator Nicholas Whyte feels enough time has passed that it’s safe for him to tell us where he ranked “The 2017 Hugo Best Novel finalists” on his own ballot. Hmmm. So he voted the winner in practically last place? Talk about marching to the beat of a different drummer! However, there certainly wasn’t anything wrong with his first-place choice —
My first vote went very clearly to All the Birds in the Sky, by Charlie Jane Anders. Second paragraph of third chapter:
The first week of school, Patricia smuggled an oak leaf in her skirt pocket—the nearest thing she had to a talisman, which she touched until it broke into crumbs. All through Math and English, her two classes with views of the east, she watched the stub of forest. And wished she could escape there and go fulfill her destiny as a witch, instead of sitting and memorizing old speeches by Rutherford B. Hayes. Her skin crawled under her brand-new training bra, stiff sweater, and school jumper, while around her kids texted and chattered: Is Casey Hamilton going to ask Traci Burt out? Who tried what over the summer? Patricia rocked her chair up and down, up and down, until it struck the floor with a clang that startled everyone at her group table.
I really loved this from the first chapter on, a sort of Jo Walton / Neil Gaiman mashup which really worked for me. It was the first of the Hugo finalists that I got (I was given an ARC in late 2015) but in fact the last that I read. Interestingly it has by far the most owners on both Goodreads and LibraryThing, but also the lowest ratings on both. It missed winning the award by 43 votes, the second closest of any result on the night, and won second place.
[Thanks to John King Tarpinian, JJ, Steve Green, Martin Morse Wooster, Janice Murphy, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson, who will be along shortly to explain it.]
By Mark L. Blackman: On the evening of Wednesday, September 21 – the last day of summer – the monthly Fantastic Fiction Readings Series hosted readings by authors Laird Barron and Alyssa Wong at its venue, the Red Room at the KGB Bar in Manhattan’s East Village. Up a steep flight of stairs to the 2nd-floor, the Bar is made further distinctive by its red walls and Soviet era-themed décor. “It’s one of the truly great venues to read at,” said Barron. The Series, running since the late ’90s, reliably offers stellar lineups, often pairing established authors and up-and-coming newcomers, and readings are always free. (The Bar is a cordial and hospitable host, and the Series’ presenters duly exhort the audience to express gratitude by buying something to drink.)
As traditional, as the room filled, co-host Ellen Datlow swirled through the crowd, taking photos. (They may be seen on the Series website, http://www.kgbfantasticfiction.org/.)
Series co-host Matthew Kressel welcomed the capacity crowd, and reported on upcoming events in the Series. Next month’s readers, on October 19th, are Jack Ketchum and Caitlìn R. Kiernan. Reading on November 16th will be John Langan (who was in attendance) and Kressel himself; on December 21st, Livia Llewellyn and Sarah Pinsker; and on January 18, 2017, Holly Black and Fran Wilde. Concluding, he introduced the evening’s first reader.
Alyssa Wong’s story, “Hungry Daughters of Starving Mothers,” won the 2015 Nebula Award for Best Short Story, and her work has been shortlisted for the Pushcart Prize, the Bram Stoker Award, the Locus Award, and the Shirley Jackson Award. The story that she read, “The Clamor of Bones,” was set in San Francisco’s Chinatown. A “dead-talker,” tasked by the underworld to look for a missing 9-year-old girl, consults the finger bone of a corrupt detective whom she had killed, chopped up and dumped into the Bay. It seems that he had been retrieved and magically reanimated (though missing bits, rotting and tending to ruin carpets), and been the last one seen with the girl. Oddly, he seems reluctant to cooperate with his murderer. Despite its essential ickiness, the story’s macabre humor had the audience laughing.
After a break, Datlow introduced the second reader of the night. Hailing from Alaska (where he raced the Iditarod three times during the early 1990s, and against whose backdrop many of his stories are set), Laird Barron is the author of X’s for Eyes, The Imago Sequence, The Beautiful Thing That Awaits Us All, and the forthcoming (in two weeks) Swift to Chase. The story that he shared, “The Cyclotron,” appeared in a Canadian anthology riffing on “a famous franchise character” (hint: his first name is James and there are references to “Double-O” and the British Secret Service), so, for predictable reasons, “may never be reprinted in my lifetime.” Written in the second-person, the story presents the world-saving agent, past retirement and ill, through his memories of car chases, pointless shootouts, “sequences of horror,” death traps, assassination attempts, and seduction of and betrayal by women (he has had “extensive serious difficulties with women”), under the shadow (or should that be spectre?) of the black-clad Dr. Hemlock. Recognition of the familiar, hackneyed tropes and their flippant treatment provided chuckles. (As far as we know, though, no one in the Bar ordered vodka martinis shaken, not stirred.)
Copies of Barron’s X’s for Eyes andThe Imago Sequence were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn and Jersey City, while, at the front of the room, Wong had copies of a short horror comic.
Laird Barron is a three-time winner of the Shirley Jackson Award. Earlier this year he won a Bram Stoker Award for Superior Achievement in Fiction Collection with The Beautiful Thing That Awaits Us All and Other Stories.
Co-editor Justin Steele says –
Barron’s fiction has long been an inspiration to his peers. The interwoven stories and novels create a rich tapestry of noir-infused cosmic horror. This mythology makes for an excellent backdrop for the weird tales within.
Lockhart and Steele allowed Barron’s fans, colleagues and friends a unique opportunity to play in what Publishers Weekly calls Barron’s “worm-riddled literary playground.”
Table of Contents
Introduction: Of Whisky and Doppelgängers – Justin Steele
The Harrow – Gemma Files
Pale Apostle – Jesse Bullington and J. T. Glover
Walpurgisnacht – Orrin Grey
Learn to Kill – Michael Cisco
Good Lord, Show Me the Way – Molly Tanzer
Snake Wine – Jeffrey Thomas
Love Songs from the Hydrogen Jukebox – T.E. Grau
The Old Pageant – Richard Gavin
Notes for “The Barn in the Wild” – Paul Tremblay
Firedancing – Michael Griffin
The Golden Stars at Night – Allyson Bird
The Last Crossroads on a Calendar of Yesterdays – Joseph S. Pulver, Sr.
The Woman in the Wood – Daniel Mills
Brushdogs – Stephen Graham Jones
Ymir – John Langan
Of a Thousand Cuts – Cody Goodfellow
Tenebrionidae – Scott Nicolay and Jesse James Douthit-Nicolay
Afterword – Ross E. Lockhart
On July 15, Word Horde will commemorate the book’s official release with a virtual toast to Old Leech himself via social media, where all are encouraged to share their thoughts about the anthology and its inspiration, Laird Barron, using the hashtag #TCoOL.
