By Mark L. Blackman: On the night of Wednesday, October 21, the Fantastic Fiction at KGB reading series in a pre-Halloween event featured horror writers Joe Hill and Laird Barron. In its new normal (or abnormal), with the Series’ longtime venue, the KGB Bar in Manhattan’s East Village shut down due to the pandemic (though it’s starting to reopen with limited capacity), for the eighth time, the presentation was livestreamed on YouTube. (Hill called the Bar “one of my New York City happy places.” Missing the full KGB Bar experience, I considered climbing several flights of stairs before logging on.)
As the evening began, Hill and Barron schmoozed with co-hosts Ellen Datlow (who has been hosting these readings for 20 years) and Matthew Kressel about everything from what they were and weren’t drinking (Madeira is too sweet), masks and pizza breath, candied bacon (a mix of sweet and savory), and that no one liked getting apples or food trick or treating. Kressel relayed that the evening was sponsored by Tor’s Nightfire line (and not by Jeffrey Toobin), then introduced the first reader.
Laird Barron is the author of several books, including The Beautiful Thing That Awaits Us All, Swift to Chase and Worse Angels., and short fiction that has appeared in many magazines and anthologies, “stories about the evil that men do.” He spent his early years in Alaska and currently resides in the Rondout Valley in upstate New York. His reading selection was “Lorn,” a work in progress set in the wilderness around a dying town (“Lorn” is all that remained on its sign), which he began with a caution that it was “R-rated” and included animal violence. “Animals can be murderers,” he said, and related a true story about a Husky serial killer that had slaughtered sled dogs. Two brothers, Paul and Casey Arnaz, are recruited by an old buddy to hunt a predator killing the area’s pets; it could be a late eccentric’s menagerie on the loose or “local yokels who’ve gone back to the old ways.”
During a break, Hill was asked about the TARDIS behind him. He and his family were huge fans of David Tennant’s stint as the Doctor, and he even (with help from Neil Gaiman) pitched stories to Doctor Who; but they don’t, never have and never will accept scripts written by Americans. Datlow segued into his introduction.
Joe Hill (yes, I saw Joe Hill last night) is the author of Full Throttle, Strange Weather, The Fireman, NOS4A2, Heart-Shaped Box and Horns, the short story collection 20th Century Ghosts, and the comics and graphic novels Locke & Key, Basketful of Heads and Plunge.(the latter under his Hill House Comics imprint with DC, ). Much of his work has been adapted or is in development for film and TV. He is, incidentally, the son of Stephen and Tabitha King, and, he joked, his wife “collects writers’ tears.”
He read from “Faun,” a short story in Full Throttle. A very wealthy young man is invited to a presentation in Boston about joining a curated hunt in Maine. For a quarter of a million dollars he can go through a little door and stalk a faun (a variety of satyr, a goatman with hooves and horns). (Hill got to do a Maine accent and a sort of Mickey Mouse voice.) The story alludes to Bradbury’s “A Sound of Distant Thunder,” but, as Hill revealed during the Q&A that followed, was also inspired by Lewis’s The Chronicles of Narnia; however, instead of decent English children going through a wardrobe, here a spoiled young man is the traveler. Imagine running hunts, he said, into Middle Earth or Narnia, he said.
The Q&A and discussion that followed was far-ranging. The X-Files, Hill thought, was better as a romance (will they or won’t they) than as horror (the monster of the week). Is it easier to write horror when the world feels like a horror story? Barron said that he’s as isolated as when he lived in the woods. Hill said that when he writes, he’s buried in the mechanics of each paragraph, and described himself as “a wicked overwriter” (“Faun” should have been shorter, had “fewer words”). What he writes, he felt, “isn’t scary;” other people’s stories scare him.
Some horror stories, Hill continued, are “like comfort food;” Barron also finds horror “comforting” – “there’s a filter.” In some horror stories (and movies), observed Datlow (who’s edited more than a few horror anthologies), the good are saved and evil punished, though not always. Said Hill, if you make sacrifices, the worst things in the world can be driven back. Horror reminds us of our shared humanity. “Good horror is about empathy, not sadism” (“torture porn”).
The conversation shifted, appropriately, to horror movie viewing for Halloween. Barron said that a favorite was John Carpenter’s The Thing, also Hawks’ and Campbell’s short story “Who Goes There?” Datlow cited Personal Shopper, Get Out and Hereditary. Hill quipped that his horror viewing was the next night’s Presidential Debate. The Swedish film Sauna and Let the Right One In were also mentioned.
Favorite villain? Hannibal Lecter was shared, though Barron liked Nicholson’s. Hill said that he wants heroes to root for, but then cited Walter White and Bruce the Shark from Jaws, who’s “the perfect menace.” Barron observed that Jaws is, in essence, “a slasher film.” The shark is a shark; she isn’t evil. This reminded Datlow of Peter Watts’ “The Things,” The Thing from the Thing’s point of view.
Datlow concluded by announcing upcoming readers:
November 18: William Gibson and Cat Rambo
December 16: Priya Sharma and Justin Key
January 20, 2021: Lauren Beukes and Usman T. Malik
February 17: Kathleen Jennings and Shveta Thakrar
All dates are the third Wednesday of the month. The new setup allows readers from all over the world, noted Datlow, though time zones do limit things.
Within an hour of hearing that she had won the Arthur C. Clarke Award, a top honor given to science fiction published in the UK, Namwali Serpell also heard the news that the police officers who killed Breonna Taylor would not be charged for her murder.
“I received these two pieces of news about being a black woman in 2020 and it felt like a kind of whiplash, but it’s a feeling I’ve grown used to,” she told the BBC. “So I’ve been trying to figure out how to acknowledge both the honor that this award grants to my novel and the feeling that the political revolution I’m describing in the novel is yet to come.”
She decided to donate her prize money, £2,020.00, to the Louisville Community Bail Fund, with the goal of helping those who have been detained while protesting Breonna Taylor’s death….
…I tried to find a replacement for a show I’d outgrown. I wanted to find representation, something that could comfort and validate me as I move through a world that doesn’t accommodate me. I couldn’t find anything that reflected my real experience.
What I found instead was horror and fantasy.
Instead of real-world dramas like Switched at Birth, I started watching darker fare like Hannibal and Teen Wolf. Even though I couldn’t relate specifically to lycanthropy or hyper-empathy that borders on telepathy, I related with the emotional arcs these shows presented; both shows follow their protagonist trying to find their place in a world that either persecuted them or paid them little attention. I found myself rapt at the way they presented identity and community. Both Hannibal’s blood-soaked surrealism and Teen Wolf’s paranormal fantasy hit harder—and felt more relevant to my experience—than any realistic portrayal of deafness I found.
(3) RHIANNA ON RADIO. Today’s BBC Radio 4 Women’s Hour has an interview with Rhianna Pratchett, the fantasy games designer and author, about her work, her latest book and includes a bit on her life with dad.. Rhianna’s interview is about 35 minutes in. The program can be downloaded as an .mp3
(4) KGB. The Fantastic Fiction at KGB readings on October 21 with Joe Hill and Laird Barron will be livestreamed on YouTube at 7 p.m. Eastern. Link forthcoming.
Joe Hill
Joe Hill is the #1 New York Times bestselling author of Full Throttle, Strange Weather, and The Fireman, among others. Much of his work has been adapted or is in development for film and TV. His third novel NOS4A2 was the basis for the AMC program of the same name, while his comic Locke & Key — co-created with artist Gabriel Rodriguez — is now a hit series for Netflix. The fall sees the release of five graphic novels under his Hill House Comics imprint with DC, including his own Basketful of Heads and Plunge.
Laird Barron
Laird Barron spent his early years in Alaska. He is the author of several books, including The Beautiful Thing That Awaits Us All, Swift to Chase, and Worse Angels. His work has also appeared in many magazines and anthologies. Barron currently resides in the Rondout Valley writing stories about the evil that men do.
(5) SNOWBALL EFFECT. A lesson in keeping the work working for you, “The Big Idea: Jane Yolen” at Whatever.
… And sometimes magic happens. A poem turns into a picture book. A short story turns into a novel. A novel or a picture book turn into films or tv shows. The magic is not the turning, it is in the money! As my late agent said, “It can’t be reprinted unless it’s printed.” Which made me understand why sometimes you can sell an 8-line poem for a hundred dollars and someone pays $10,000 to reprint it. This actually happened to me. Once. But once is enough for a story and a moral lesson.
But if you write a lot of short stuff…it can become BIG. And what was a small idea (a scary story in Asimov’s magazine, another two or three in various Datlow anthologies, or Greenberg anthologies, or…And suddenly you have a Big Idea—a collection.
…Unofficial and incomplete texts are nothing new to readers of Franz Kafka; the problems of textual authority haunt nearly all his work. Kafka’s aesthetic practice cultivates a resistance to finality and what Judith Butler calls a “poetics of non-arrival.” The bulk of the literary output he left to posterity, as Michael Hofmann notes, “ends” rather than “finishes.” More crucially, all of Kafka’s novels, and a considerable haul of his short stories, beast fables, and aphorisms, owe their existence to Max Brod’s refusal to honor his best friend’s wish and burn all the manuscripts in his possession (unlike Kafka’s last lover Dora Dymant, who destroyed those in her keeping). The material in The Lost Writings is no more fringe or “lost” than any other unfinished text like The Castle, The Trial, Amerika, “The Great Wall of China,” “Investigations of a Dog,” or “The Burrow,” since Kafka’s publication history has been determined by the accidents of editorial preferences and decisions over the last century.
Regardless, Kafka, along with his editorial and translational collaborators, is one of our most prolific contemporary writers…
The only thing better than reading C.S. Lewis’s novels would be listening to Lewis himself read from his novels. It is now possible to hear Lewis reading from both Perelandra (1943) and That Hideous Strength (1945). Additionally, Lewis fans can listen to him reading the famous opening section of Chaucer’s Canterbury Tales in resonant Middle English.
The Marion E. Wade Center, in partnership with the Rabbit Room, is releasing all three segments of “The Lost Lewis Tapes” to the public. Excerpts of the tapes, along with in-depth analysis of the Ransom trilogy, are available for free on the Wade Center Podcast. All three segments (45-minutes in total) are now available in the Rabbit Room store.
These tracks were first recorded at Lewis’s home, the Kilns, in August 1960. After Joy Davidman Lewis passed away in July 1960, her former husband, Bill Gresham, traveled to Oxford to see his two sons, David, 16, and Douglas, 14, as well as to meet Lewis face to face. Gresham brought a portable tape recorder with him and apparently asked Lewis if he would do some readings….
October 1920 — The Belgian detective Hercule Poirot first appeared in Agatha Christie’s first novel, The Mysterious Affair at Styles, which was published by John Lane in hardback though the first true publication was as a weekly serial in The Times which included the maps of the house and other illustrations included in the book. This novel would be one of the first ten books published by Penguin Books when it began publishing in 1935. If you need a genre connection, David Suchet who played the most popular Poirot showed up in the Twelfth Doctor story, “The Landlord”, and Agatha Christie herself is portrayed in the Tenth Doctor story, “The Unicorn and The Wasp”.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 2, 1885 – Ruth Bryan Owen. Pioneer filmmaker, first woman U.S. ambassador (to Denmark; appointed by F.D. Roosevelt). Collected Scandinavian fairy tales, The Castle in the Silver Wood. Many adventures at home and abroad. Wikipedia entry here. (Died 1954) [JH]
Born October 2, 1906 – Willy Ley. Early student of rocket science. Gifted author of science-fact articles, two Hugos for them. Fled Nazi Germany 1935. Rockets (1944); The Conquest of Space (1949, with Chesley Bonestell). Science column in Galaxy 1951-1969. Rockets, Missiles, and Space Travel (1957). Regular participant at SF cons; sole Guest of Honor at Philcon II the 11th Worldcon. One novel; four shorter stories under another name. Much more in and out of our field. (Died 1969) [JH]
Born October 2, 1909 – Alex Raymond. Outstanding pro artist for us with Flash Gordon. After combat service in the U.S. Marines, drew the also excellent Rip Kirby (detective fiction; won a Reuben). Eisner Hall of Fame, Soc. Illustrators Hall of Fame. (Died 1956) [JH]
Born October 2, 1911 — Jack Finney. Author of many novels but only a limited number of genre, to wit The Body Snatchers, Time and Again and From Time to Time. He would publish About Time, a short story collection which hah the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. (Died 1995.) (CE)
Born October 2, 1944 — Vernor Vinge, 76. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the last eighteen years’ worth of his work remain uncollected as far as I can tell. (CE)
Born October 2, 1947 – Ann Broomhead, F.N., 73. Chaired two Boskones (22 & 51), co-chaired two (12 & 33). Edited Reynolds, Deep Navigation. Co-edited (with Tim Szczesuil) Bellairs, Magic Mirrors; Dozois and others, Strange Days; Stross, Scratch Monkey. Fellow of NESFA (New England SF Ass’n; service award). [JH]
Born October 2, 1948 — Avery Brooks, 71. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even genre adjacent. He retired from video after DS9 but is an active tenured theater professor at Rutgers. (CE)
Born October 2, 1968 – Range Murata, 52.Animé, manga, video games. Seiun for Best Artist of the Year, 2006. Character designer on Last Exile, see here. A 2015 interview (in English) here. [JH]
Born October 2, 1953 — Walter Jon Williams, 67. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m am surprised how few Awards that he’s won, just three with two Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”. (CE)
Born October 2, 1972 — Graham Sleight, 48. He’s The Managing Editor of the third edition of the Encyclopedia of Science Fiction which won the Hugo for Best Related Work at Chicon 7. He’s also a critic whose work can be found in Locus, Strange Horizons, The New York Review Of Science Fiction, and Vector. And he’s a Whovian who edited The Unsilent Library, a book of writings about the Russell Davies era of the show, and The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who. (CE)
Born October 2, 1974 — Michelle Krusiec, 46. She was the eighteen-year-old Molly O’Brien in DS9’s “Time’s Orphan’s”. She had a recurring role as Nadine Park on the fourth season of Fringe, and appeared as Wu Mei on Community which we’ve agreed is almost genre, if not genre. She showed up on Supergirl as Natalie Hawkings in “Parasite Lost”. (CE)
Born October 2, 1981 – Leah Wilson, 39. Currently Editor-in-Chief for BenBella Books’ Smart Pop. Here is an interview about Through the Wardrobe (i.e. C.S. Lewis’ Narnia) from Ben Bella’s Teen Libris. Here is Boarding the “Enterprise”. [JH]
And xkcd has a brilliant chart comparing the effectiveness of various masks.
(12) QUINO MOURNED. Harrison Smith in the Washington Post has an obituary for Argentinian cartoonist Quino, who died on September 30 at age 88. Quino’s strip “Mafalda,” which ran between 1964-1973, was a strip in the Peanuts style with sharp criticism of poverty, injustice, and political repression.
…When Mafalda spots workmen trying to locate a gas leaks, she asks: “Are you searching for our national roots?” In another sequence, Mafalda’s pet turtle is revealed to have an unusual name, Bureaucracy. When a friend asks why she gave it that name, Mafalda replies that she needs to come back the next day for more information. She can’t say exactly when.
“In Argentina I had to censor myself, because when I started to draw in Buenos Aires they clearly told me ‘no military, no religion, no sex,’ ” Quino once said, according to the Agence France-Presse. “And then I talked about all that, but in another way.”
(13) KEEPING TRACK. The Digital Antiquarian revisits the triumph of Chris Sawyer’s Transport Tycoon. (I sure spent plenty of hours playing it.)
…So, while he was waiting for his better-known colleagues to send him the next chunks of their own games for conversion to MS-DOS, Sawyer began to tinker. By the time Elite II was wrapping up, he had an ugly but working demo of an enhanced version of Railroad Tycoon which did indeed shift the viewpoint from vertically overhead to isometric. “I decided to devote all my time to the game for a few months and see what developed,” he says. He convinced a talented free-lance artist named Simon Foster, who was already an established name in commercial graphics but was looking to break into games, to provide illustrations, even as he made the bold decision to step up to cutting-edge SVGA graphics, at more than twice the resolution of standard VGA. At the end of that few months, he was more convinced than ever that he had a winner on his hands: “Even people who didn’t normally play computer games would sit for hours on end, totally engrossed in building railway lines, routing trains, and making as much profit as possible.” He soon made his train simulator into an all-encompassing transportation simulator, adding trucks and buses, ships and ferries, airplanes and even helicopters.
(14) CHILD SIGHTING. Michael Clair, in “Baby Yoda is a Braves fan” on mlb.com, says that Baby Yoda made an appearance in Atlanta during the Red-Braves playoff series, accompanied by Braves mascot Blooper cosplaying as “The Mandabloopian.”
…Matte paintings are everywhere in movies. Picture the vast, secret government warehouse that closes Raiders of the Lost Ark (1981), or the image of the Statue of Liberty, half-buried in sand at the end of Planet of the Apes (1968). Or the view of London and the River Thames that unfolds behind Mary Poppins as she rises, umbrella in hand.
This detailed portrayal of ancient Rome, used in Stanley Kubrick’s Spartacus (1960), was painted with oils on glass by Peter Ellenshaw. Using Ellenshaw’s painting, the director framed groups of actors moving about the faux Roman city, which includes details of the Parthenon, Temple of Athena, and other well-known buildings. Black blobs on the painting indicate where the director inserted these actions into his film.
…Ellenshaw’s son, Harrison, who enjoyed his own career as a matte painter, estimates the Spartacus piece took his father eight to ten hours, spread over several weeks. “He would work on more than one at a time,” he remembers. “The schedule was based on making the deadline for the final negative cut in time to make enough prints for the film’s release.”
Now more than 60 years old, Ellenshaw’s Spartacus painting needed some conservation before going on display. Before replacing a yellowing varnish layer with a new, UV-protecting one, Kathryn Harada, an L.A.-based paintings conservator, worked to repair cracks in the glass and paint. When conservators discovered that Ellenshaw himself had retouched the painting, years ago, they chose to preserve his efforts….
…Just a couple days ago, Jeff Goldblum promised that he’d recreate one of his scenes from “Jurassic Park” if 1,000 people would “register to vote, or check your registration status, or request a mail-in ballot.” On Friday, his character, Dr. Ian Malcolm, was back.
“That was fast!” Goldblum wrote on Instagram, posting a video recreating his famous “chaos theory” scene from the 1993 movie. In the original moment, he dropped water gently on Laura Dern’s hand. In the recreation, he’s got a different scene partner.
(18) VIDEO OF THE DAY. “William Shatner feat. Pat Travers ‘I Put A Spell On You'” on YouTube is an animated film by Balazs Grof of a track from Shat’s new blues album featuring Shatner’s take on the classic Screamin’ Jay Hawkins song.
[Thanks to John King Tarpinian, Dann, Martin Morse Wooster, Mike Kennedy, Michael Toman, JJ, John Hertz, Cat Eldridge, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
(1) ON YOUR MARX. If this Scroll is posted in time, you can make it to Mark Evanier’s livestream Newsfromme.tv Conversations with Steve Stoliar, starting tonight at 7 p.m. Pacific:
In addition to being a comedy writer and voice actor, Steve Stoliar had the unique experience of being Groucho Marx’s personal assistant/secretary during the last years of that great comedian’s life. Mark Evanier talks with him about Groucho, the controversial Erin Fleming and all things Marxian except Karl.
(2) ROWLING’S NEXT. Mackenzie Nichols, in the Variety story, “J.K. Rowling Announces New Children’s Book ‘The Ickabog’” says that Rowling has announced the publication of The Ickabog, which is not part of the Harry Potter universe but is meant for 7-9 olds. She intends to post a chapter every day at theickabog.com until July 10 and promises that profits from the book will aid COVID-19 relief.
Unlike her spinoff stories “Fantastic Beasts and Where To Find Them” or “Quidditch Through the Ages,” “The Ickabog” has no relation to the “Harry Potter” series. And while plot details about “The Ickabog” were scarce, the author said its thematic elements are timeless.
“‘The Ickabog’ is a story about truth and the abuse of power,” Rowling said. “To forestall one obvious question: the idea came to me well over a decade ago, so it isn’t intended to be read as a response to anything that’s happening in the world right now. The themes are timeless and could apply to any era or any country.”
I had the idea for TheIckabog a long time ago and read it to my two younger children chapter by chapter each night while I was working on it. However, when the time came to publish it, I decided to put out a book for adults instead, which is how The Ickabog ended up in the attic. I became busy with other things, and even though I loved the story, over the years I came to think of it as something that was just for my own children.
Then this lockdown happened. It’s been very hard on children, in particular, so I brought The Ickabog down from the attic, read it for the first time in years, rewrote bits of it and then read it to my children again. They told me to put back in some bits they’d liked when they were little, and here we are!
The most exciting part, for me, at least, is that I’d like you to illustrate The Ickabog for me. Every day, I’ll be making suggestions for what you might like to draw. You can enter the official competition being run by my publishers, for the chance to have your artwork included in a printed version of the book due out later this year. I’ll be giving suggestions as to what to draw as we go along, but you should let your imagination run wild.
Naomi Kritzer was 4 when she discovered science fiction through the first “Star Wars” film.
“I was grabbed by John Williams’ music, the lightsabers, the magic of The Force. It all appealed to me and sold me on science fiction,” Kritzer recalls.
Now, 43 years later, The Force is with this St. Paul author. Her genre-jumping young adult novel “Catfishing on CatNet, ” about teenagers who befriend a sentient artificial intelligence who lives in the internet, is scooping up major honors. It’s based on her award-winning, 2015 short story “Cat Pictures Please.”
Last month Kritzer collected two prestigious awards in three days. She won a Minnesota Book Award on April 28, and on April 30 she won a Mystery Writers of America Edgar Award. In early May her book was a Silver Winner in the Nautilus Book Awards, which focus on books striving to make a better world….
(4) IRRESISTIBLE ALICE BOOK. [Item by Daniel Dern.] While I’m not a compleatist Carroll/Alice collector, seeing this in the Bud’s Art Books mailer I got today caught my eye.
(Yes, I know there’s a Carroll society. I’m about to join. And I’ll write an item RSN/PDQ, including a nod to an SFnal connection. But this is semi-news.)
I noticed in the new Bud’s Art Books (although I still think of them as Bud Plant) mini-catalog that came in today’s (snail) mail that there’s a new (not yet out) book — here’s info.
“Lewis Carroll’s Alice was first published in 1865 and has never been out of print, translated into 170 languages. But why does it have such enduring and universal appeal, for both adults and children? This book explores the global impact of Alice in art, design, and performance from the 19th century to today. Starting with the Victorian literary and social context in which this story was created, it shows the ways it’s been reimagined and reinterpreted by each new generation, from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s 2010 interpretation.”
Bud’s listing says $50 (plus shipping), “Due July” but when I placed my order (after hesitating a modest 20 seconds), it said “This product is not available in the requested quantity. 1 of the items will be backordered.”
I included a note in my order asking whether that reflected it being not out yet, or whether they already had more orders than they anticipated copies to fulfill existing orders.
“Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Annie Leibovitz for over 150 years.
Lewis Carroll’s Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?
This book explores the global impact of Alice in Wonderland across art, design and performance from the nineteenth century to today. It shows how Alice has been re-imagined and reinterpreted by each new generation: from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s latest interpretation.
This beautiful, playful publication also includes specially commissioned interactive illustrations by award-winning artist Kristjana S. Williams, as well as quotes from an array of cultural creators from Stephen Fry to Tim Walker, Ralph Steadman to Little Simz about the profound influence of Alice on their work.”
Whether this book is basically redundant to my modest collection of Aliceiana, I’ll find out.
(5) ALASKAN CONFIDENTIAL. In “Noir Fiction: When The Real Is Too Raw” on CrimeReads, Laird Barron, who writes horror and crime fiction, discusses the colorful people who visited his parents when he lived in Alaska and how he used these people as materials for his crime novels.
…A colorful ex-con named Tommy operated within those precincts. Tommy did time at the Goose Creek Penitentiary; warrants dogged him. He allegedly peddled coke for some bigger fish in Anchorage. Tommy drove a wired-together Datsun, or a motorcycle for the three months a man could do so without freezing his family jewels off. His favorite pastime included getting drunk at the lodge and harassing townies who alighted for weekend flings. He hated “the man.” To demonstrate his disdain, he’d snip pocket change in half with pliers….
Did you find taking that break from Frontlines beneficial? What did you take from that break that you were able to apply to the series?
It was immensely beneficial, even if I did get some flak from a few readers for daring to start another series when they were waiting for more Frontlines. But I really needed a bit of mental distance from that universe to come up with more stories worth telling. As long as it takes a few days to read what takes a few months to write, readers will want more books as quickly as possible.
(7) ART CRITICS STAND BY. Mark Lawrence (per his tradition) has followed the Self-Published Fantasy Blog-Off book competition by announckng the “SPFBO 6 Cover Contest”. The finalists have been picked by the bloggers. Not all the entries are in yet. When they are, the public will be invited to vote on the winner. Says Lawrence:
The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.
(8) GOLDEN AGE SF ARTIST. Doug Ellis offers a catalog of art from the estate of artist Hubert Rogers, items now available for sale.
When John W. Campbell, the legendary editor of Astounding Science Fiction, looked for an artist to give expression to the groundbreaking fiction he was running during what is now known as science fiction’s Golden Age, he selected veteran pulp illustrator Hubert Rogers. For nearly 15 years (with a break during the war years, when he returned to his native Canada and contributed art for the war effort), Rogers was Astounding’s primary cover artist and a prolific interior artist, contributing distinctive art imbued with a touch of class, distinguishing Astounding from its fellow pulp competitors.
Unlike many science fiction artists, Rogers received much of his original art back from the publisher. This has been held by the Rogers family for the past 80 years, with only occasional pieces being offered in the market. Rogers’ daughter, Liz, has now decided to make available to collectors nearly all of the remaining art in their collection, which is listed in this catalog. This is truly a unique opportunity to acquire vintage science fiction art from the estate of the artist.
But Rogers didn’t only create classic science fiction art. His pulp art also included covers for the hero pulps, and two of his covers for Street & Smith’s The Wizard (a companion title to Astounding) can be found here for sale as well.
And you can download high res images of all the art in a zip file here.
This example of Rogers’ art is a scan from the magazine cover — the original for sale is much more brightly colored.
(9) TODAY IN HISTORY.
May 26, 1995 — Johnny Mnemonic premiered. Based on the William Gibson short story of the same name, it was directed by Robert Longo in his directorial debut. It starred Keanu Reeves, Takeshi Kitan, Henry Rollins, Ice-T, Dina Meyer and Dolph Lundgren. Despite the story itself being well received and even being nominated for a Nebula Award, the response among critics to the film was overwhelmingly negative. It currently holds a 31% rating on Rotten Tomatoes among audience reviewers. It is available to watch here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 26, 1840 – Frederick Walker. Painter, pen & ink illustrator, wood engraver, watercolors. Renowned in his day. Social Realist; see here, here. Incorporated fantasy, see here (Spirit Painting), here. (Died 1875) [JH]
Born May 26, 1865 — Robert Chambers. His most-remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft’s included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.) (CE)
Born May 26, 1867 – André Devambez. Painter, illustrator, engraver, printmaker. Contributed to Le Figaro Illustré, Le Rire, L’Illustration. Look at The Only Bird that Flies Above the Clouds, here, factual but fantastic; imagine seeing it in 1910. Here is an illustration for Noëlle Roger’s cataclysmic The New Deluge (1922). Here is an oil Leprechauns in an Undergrowth. (Died 1944) [JH]
Born May 26, 1903 — Harry Steeger. He co-founded Popular Publications in 1930, one of the major publishers of pulp magazines, with former classmate Harold S. Goldsmith. They published The Spider which he created, and with Horror Stories and Terror Tales, he started the “Shudder Pulp” genre. So lacking in taste were these pulps, even a jaded public eventually rejected them. (Died 1990.) (CE)
Born May 26, 1913 — Peter Cushing. Best-known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.) (CE)
Born May 26, 1913 – Joan Jefferson Farjeon. Scenic designer, illustrated published versions of plays she’d done, also fairy tales. See here (a frog footman), here (a tiger lily), here. From a 1951 stage production, here is a moment in Beauty and the Beast. (Died 2006) [JH]
Born May 26, 1921 — Mordecai Roshwald. He’s best-known for Level 7. (Read the expanded 2004 edition as it has his SF framing narrative.) He is also the author of A Small Armageddon, and a nonfiction work, Dreams and Nightmares: Science and Technology in Myth and Fiction. (Died 2015.) (CE)
Born May 26, 1923 — Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in a recurring role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. He narrates at least some of the GoT audiobooks. (Died 2017.) (CE)
Born May 26, 1925 – Howard DeVore. Began collecting, 1936. Michigan Science Fantasy Society, 1948 (Hal Shapiro said it was the Michigan Instigators of Science Fantasy for Intellectual Thinkers Society, i.e. MISFITS). Leading dealer in SF books, paraphernalia; known as Big-Hearted Howard, a compliment-complaint-compliment; called himself “a huckster, 1st class”. Active in Nat’l Fantasy Fan Fed’n; Neffy Award. Also Fantasy Amateur Press Ass’n (FAPA), Spectator Am. Pr. Soc. (SAPS). Said a Worldcon would be in Detroit over his dead body; was dragged across the stage; became Publicity head for Detention the 17th Worldcon. With Donald Franson The Hugo, Nebula, and World Fantasy Awards (through 3rd ed’n 1998). Named Fan Guest of Honor for 64th Worldcon, but died before the con. His beanie had a full-size airplane propeller. (Died 2005) [JH]
Born May 26, 1933 – Yôji Kondô. Ph.D. in astrophysics. Aikido (7th degree black belt) and judo (6th degree). Senior positions at NASA, Medal for Exceptional Scientific Achievement; two hundred scientific papers; for more on that work, see here. SF as Eric Kotani; six novels, most with J.M. Roberts; two shorter stories; edited Requiem tribute to Heinlein; non-fiction Interstellar Travel & Multi-Generation Space Ships with F. Bruhweiler, J. Moore, C. Sheffield; essays, mostly co-authored, in SF Age and Analog. Heinlein Award. Writers of the Future judge. Obituary by OGH here. (Died 2017) [JH]
Born May 26, 1938 – Lyudmila Petrushevskaya. Author (including plays and screenwriting), singer, painter, animator. Russian Booker Prize, Pushkin Prize, World Fantasy Award. Twenty short stories in our field, most recently in The Paris Review. [JH]
Born May 26, 1946 – Mike Horvat. Printer by trade. Co-founder of Slanapa (the Slanderous Amateur Press Ass’n). Donated his fanzine collection to U. Iowa, see here. Active in apas outside our field, a decades-longer tradition; founded the American Private Press Ass’n, was its Librarian until 2005. Also amateur radio, postage stamps. [JH]
Born May 26, 1954 – Lisbeth Zwerger. Children’s book illustrator. Hans Christian Andersen and Silver Brush awards; Grand Prize from German Academy for Children’s & Youth Literature. Thirty books, most of them fantasy; see here (Swan Lake), here (the Mad Tea Party), here. [JH]
(12) FROM THE CIRCULAR FILE. Paul Levitz recalls the days when comics scripts were tossed in the trash after the project was over in “Artifacts”.
…Notwithstanding this, I saved a bunch of scripts from the trash for my own eduction. I’d pick out one each from the writers whose work I respected, or maybe a particularly interesting tale to study. I was limited to the scripts that passed through Joe Orlando’s editorial office–as his assistant I could take what I wanted of those, but it would have been de trop to raid Julie Schwartz’s garbage down the hall (assuming he hadn’t poured his yankee bean soup remains from lunch all over it, anyway). I learned what I could from them, then filed them away somewhere at home….
ON MARCH 15, THE DAY before South Africans were plunged into a lockdown which prohibited sales of alcohol, cigarettes, and takeout food, lines outside liquor stores spilled into the streets. One bottle store owner told me he did a month’s trade in a day.
Three weeks later, when President Cyril Ramaphosa made it clear the booze ban wouldn’t be lifted anytime soon, South Africans started to get desperate. Bottle store break-ins and drone-assisted drink deliveries made the news across the country. Then came the tenfold leap in pineapple sales: from 10,000 a day to nearly 100,000.
Thirsty South Africans have turned to making their own beer out of pineapples. In normal times, you can get sloshed on pineapple beer at the Big Pineapple, a 56-foot fiberglass construction in subtropical Bathurst. But these are not normal times. Luckily, pineapple beer—which is technically more of a wine or cider, as there’s no boiling involved—is easy to make, and can even be quite pleasant to drink.
(14) HELLO? ANYONE OUT THERE?[Item by Mike Kennedy.] Popular Mechanics takes a popsci look at a new analysis of the development intelligent life. “This Math Formula Has Determined the Odds of Aliens Existing” In a recent paper (Proceedings of the National Academy of Sciences, 18 May 2020), astronomer David Kipping uses Bayesian analysis to ponder the probabilities of intelligent life developing here or elsewhere. The paper’s statement of significance reads:
Does life’s early emergence mean that it would reappear quickly if we were to rerun Earth’s clock? If the timescale for intelligence evolution is very slow, then a quick start to life is actually necessary for our existence—and thus does not necessarily mean it is a generally quick process. Employing objective Bayesianism and a uniform-rate process assumption, we use just the chronology of life’s appearance in the fossil record, that of ourselves, and Earth’s habitability window to infer the true underlying rates accounting for this subtle selection effect. Our results find betting odds of >3:1 that abiogenesis is indeed a rapid process versus a slow and rare scenario, but 3:2 odds that intelligence may be rare.
Popular Mechanics sums up the paper with a single quote:
“Overall, our work supports an optimistic outlook for future searches for biosignatures,” the paper explains.
Properly disinfecting public spaces can help stop the spread of coronavirus, but cleaning crews are often not properly trained how to do so. Also, if the workers don’t wear personal protective equipment, they are at risk for infection.
David Tennant and Tom Baker are uniting to battle the Daleks in an upcoming Doctor Who audio-drama. The longest-running sci-fi TV series in the world, Doctor Who has become a cult classic. Regeneration is the secret to the show’s success. Doctor Who can reinvent itself periodically, recasting its star and allowing a new showrunner to take it in entirely new directions.
Every now and again, though, two or more incarnations of the Doctor come together in a fan-pleasing adventure in which they battle against iconic foes….
The plot is –
The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.
Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only, he’s already there several lives earlier, so when dimension barriers break down, his past and present collide.
And when the Daleks invade and commandeer the Cathedral, two Doctors must unite to stop them – or face extermination twice over!
(17) OTHER PEOPLE STARED, AS IF WE WERE BOTH QUITE INSANE. This is wild! The “augmented reality” bus stop window.
[Thanks to Mlex, Michael Toman, N., Andrew Porter, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Nina Shepardson, Chip Hitchcock, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day, the man who does for Scroll titles what Escher did for architecture, Daniel Dern.]
Additional writers, interns and staffers have opened up about
their experiences with ChiZine
Publications, the Canadian horror publisher run by Sandra Kasturi and Brett
Savory. At the same time, there has been some pushback from people in
the field, of whom Stephen Jones (editor) may be the best known.
Earlier summaries of CZP news can be found in these posts:
ChiZine WERE one of the Ontario Arts Council Recommender Grants for Writers recommending publishers. They’re off the site.
Which means the OAC PULLED them after the news of what they’ve been doing broke
Beverly Bambury shared more about CZP’s “culture of intimidation and silence.” Thread starts here.
"You will meet amazing people and you will work with amazing books, but the chances of paid work are slim. So if that happens awesome, but don't hang around waiting if a good opportunity comes up elsewhere."
She told me not to badmouth he press to interns, writing "…you had told them that CZP doesn't keep anyone on, and that interns come and go. This makes interns feel like they're not valued and that we're some kind of factory…"
The other is noting the pattern of those continued, dangled promises of paid work with ChiZine to these unpaid interns, most of them basically kids who were new not just to the industry but to work and to adult life. They didn't have the context and Sandra didn't want them to.
Former CZP intern Feli Law spoke in a Facebook
post about low pay and no pay, and the unexpected responsibilities dumped on
them, concluding —
…When I finally left CZP, I quit publishing because I was so bitter over what happened and how toxic it all was. I hated the snobbery of publishers and writers, and it ruined my perception of the publishing world.
My story isn’t even the worst one, but it’s my story.
Jeff VanderMeer found that his assistance in negotiating a ChiZine
writer’s contract went for nought, as he
detailed on Facebook:
I just learned today about another horror story. I acted as the agent to an agentless writer for their first book, from ChiZine. It was a breathtakingly predatory contract. I deleted all of that language and replaced it with reasonable terms. What happened next I didn’t know in its entirety until today, but basically Brett and Sandra waited until this author was in the room with them and them browbeat, cajoled, and pressured the author to sign the original contract. I don’t blame the author, who thought it was their own big break and had no experience. But I do blame ChiZine for being predatory.
As I’ve said elsewhere, my initial instinct when the first stories about ChiZine Publications began to come out was to reserve judgement until I’d heard what all parties had had to say and seen the evidence. I knew people who were close to ChiZine who couldn’t believe that what had been described had happened. I don’t believe in trial-by-mob.
But more and more stories came out, from more and more people. Appalling stories, and often appallingly consistent in the conduct they alleged. Consistent and convincing, not only to me but to those same people who were closer to ChiZine than I.
I’m getting in touch with my agent re reverting the rights to And Cannot Come Again, but this might not be a practicable move at my end as I’ll have to return the advance – which, given my current financial position, is something I can’t really do right now.
In the meantime – and it utterly chokes me to say this of a collection I am so proud of and that has been so beautifully put together – I can only ask people NOT to purchase And Cannot Come Again from ChiZine.
Despite the number and gravity of the experiences people have
shared, there has been some backlash and scoffing in social media. Perhaps the
most widely-known figure warning off ChiZine critics has been Stephen Jones
(editor).
Stephen Jones (editor) basically excoriated everybody complaining and/or reporting about the Chizine debacle. After 200+ comments he deleted the whole thing.
Some who wrote comments say Jones also blocked everyone who
commented.
However, Axel Hassen Taiari preserved screencaps of the Jones post before it was removed, which are presented in a thread that starts here.
Axel Hassen Taiari’s own response includes —
There are a million ways to start a discussion about the ChiZine stuff. The post made by Jones is definitely not it. You don't dismiss/condescend to/threaten a whole bunch of people who shared personal and often horrifying experiences and then ask for a debate.
ME: "I've spent a week researching all the facts on this ChiZine mess, conducting interviews with all willing parties, parsing the truth from hyperbole, and have nothing more to be added to next Thursday's responsible, sober broadcast."
Readings from Amazing Stories, originally scheduled to take place at The Round Venue in Toronto on November 20th in conjunction with The Chiaroscuro Reading Series has been relocated to the Bakka Phoenix bookstore, also in Toronto.
Earlier this week a decision was made to host the event independently from its association with the ChiZine Reading series – Chiaroscuro – given the issues currently involving the small press publisher. In all sincerity we hope that ChiZine Publications and its authors are able to work through their difficulties and find solutions aceptable to all involved.
… The event, hosted by Ira Nayman, Editor-in-Chief of Amazing Stories, will commence at 5 pm on Wednesday, November 20th, and will feature readings from Jen Frankel, Paul Levinson, Shirley Meier, Lena Ng and Liz Westbrook-Trenholm (all of whom have had stories published in Amazing Stories over the past year), as well as musical performances by Kari Maaren and Paul Levinson.
With the Amazing reading now being hosted independently, a GoFundMe appeal has been launched to raise $700 so Bakka can meet the commitments for the event: “Amazing Stories – Amazing Writers”.
The creators and writers behind AMAZING STORIES have suddenly had to change venues for their thrilling reading night on Wednesday, November 20th! While Bakka-Phoenix Books is proud to jump in and supply a space and equipment and snacks, we don’t have the budget to pay the authors and musician appearing so we’re asking our AS fans and wider community if you can pitch in. Writers who create, well, amazing stories deserve to be paid!
Dan Simmons’ Facebook comment mocking teenaged environmental activist Greta Thunberg, who recently spoke at the U.N., is now removed, however, screencaps were shared and many sff writers and fans have tweeted their dismay.
Simmons is a World Horror Grandmaster and past winner of the Hugo
(for Hyperion), World Fantasy Award, Bram Stoker Award, British Fantasy
Award and Theodore Sturgeon Memorial Award.
Robin Johnson (the game
developer, not the Australian fan)
@midnight_pals Dan Simmons: I have a story about something VERY scary King: Go on Simmons: It's utterly terrifying King: Ok, whenever you're ready Simmons: For the approval of the Midnight Society, I call this story Simmons: The Tiny Autistic Girl Lovecraft: AAAAAAAAAAHH
Very sad to see Dan Simmons comments on Greta Thunberg on Facebook. But not for Greta, who's clearly a powerhouse, but for a 71 year old white man who can't see that maybe we should listen to youth when it comes to saving the planet and wants to call her 'bratty'.
— Sarah Pinborough (is working but will be back) (@SarahPinborough) September 25, 2019
So disappointed by Dan Simmons (author of The Terror, etc.) & his long-winded rant against Greta Thunberg. If you're a successful 71-year-old man who is so threatened by a 16-year-old girl on the spectrum that you publicly bash her, then the problem is clearly with you, not her. https://t.co/gtPKQvlvba
Oh, Dan Simmons jumped the shark with me with the Islamophobia that came out nowhere in OLYMPOS, plus a "thought experiment" on his blog that really went into the Eurabia stupidity.
I published his early work and considered him a friend-I spent time with him and his family in the 80s/90s. Lost touch mostly but in the last few years had heard he'd turned right, into someone I wouldn't recognize.
Writers applying for SFWA membership qualify on the basis of the per-word rate on the date of contract. For example, short fiction sold before September 1, 2019 at six cents per word continue to qualify a writer for SFWA membership, etc.
This change to the SFWA pro rate is the result of market analyses conducted by SFWA Board members, along with a review of the effects of inflation on author compensation. The SFWA pro rate was last changed in 2014, rising from five to six cents per word, and from three to five cents per word in 2004.
(2) AURORA VOTING DEADLINE. Canadian Science Fiction and Fantasy Association members have
until September 14 to vote in the Aurora
Awards.
You must be logged in to the website with an active CSFFA membership in order to download the voter’s packages or to vote.
Vote results will be announced at Can-Con October 18 – 20, 2019 in Ottawa (http://can-con.org/) and will be available on the website soon after.
More than 10,000 fans cast ballots for Dragon Award winners, selected from among 91 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming, and tabletop gaming.
Margaret Atwood and Salman Rushdie are among the six authors shortlisted for this year’s Booker Prize.
Atwood is in contention again with The Testaments, her eagerly awaited follow-up to The Handmaid’s Tale, while Sir Salman makes the cut with Quichotte.
Bernardine Evaristo, Chigozie Obioma, Elif Shafak and US author Lucy Ellmann are also up for the prize.
Both Atwood and Rushdie have won the coveted prize before, in 2000 and 1981 respectively.
Atwood also made the shortlist with The Handmaid’s Tale in 1986….
The winner, whittled down from 151 submissions and a longlist of 13, will be announced on 14 October.
(5) KGB. The Fantastic
Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present
Sarah Beth Durst & Sarah Pinsker on Wednesday, September 18, 2019, 7 p.m. at the KGB Bar.
Sarah Beth Durst
Sarah Beth Durst is the author of nineteen fantasy books for adults, teens, and kids, including The Queens of Renthia series, Drink Slay Love, and The Girl Who Could Not Dream. She won an ALA Alex Award and a Mythopoeic Fantasy Award and has been a finalist for SFWA’s Andre Norton Award three times. She hopes to one day have her own telepathic dragon.
Sarah Pinsker
Sarah Pinsker is the author of over fifty stories as well as the collection Sooner or Later Everything Falls Into the Sea and the novel A Song For A New Day, both out in 2019. Her fiction has won the Nebula and Sturgeon awards, and been a finalist for the Hugo, Eugie Foster, Locus, and World Fantasy Awards.
The address of the KGB Bar is 85 East 4th Street (just off 2nd Ave, upstairs), New
York, NY.
(6) YOU COULD LOOK IT UP. Kenneth R. Johnson says he has “posted a mildly updated version of one of
my on-line indexes” — “FANTASY
GOTHICS”, subtitled, “A comprehensive bibliography of modern Gothics
with genuine fantasy elements.”
About forty years ago I visited a fellow Science Fiction collector who introduced me to the concept of collecting “on the fringes.” I thought I was fairly knowledgeable about the Science Fiction and Fantasy books that had been in published in paperback, but when I examined his collection I saw a large number of books that I had not known about because they had not been marketed as Fantasy. I was especially drawn to the books that had been issued in other genres, such as Mysteries and Romances.
I was particularly struck by the large number of Gothics that were spread throughout his collection. I began looking for these particular crossovers in my visits to second-hand bookstores. Within a few years I had amassed a couple hundred books, but by the early 1980s the Gothic craze had waned and most publishers had dropped the category. The existing books gradually disappeared from the second-hand market. …
Scope of Index
This bibliography is restricted to mass-market paperback books published in the U.S. between the 1960’s and the 1980’s. The deciding factor in whether a book appears here, besides a genuine fantasy element, is how the book was labeled when published. If a particular book had several editions from a given publisher and at least one of them was marketed as a Gothic, then all of that publisher’s editions are listed. Any editions from a publisher who never labeled it as a Gothic are omitted.
(7) BOK WAS ALSO A VERBAL ARTIST. Robert T. Garcia has launched
a Kickstarter appeal to fund publication of “The
Fantastic Fiction of Hannes Bok: Three Fantasies by Bok” with Hannes
Bok’s three published solo novels:
Starstone World, The Sorcerer’s Ship, and Beyond
The Golden Stair (the
unedited version of the novel Blue
Flamingo).
Includes an all-new introduction for this collection by Charles de Lint.
For two years I’ve been working on a project that got more interesting the further I got into it. Hannes Bok was one of the 20th Century’s best sf-fantasy-weird fiction artists. He was a painter with an eye for beautiful colors and flowing compositions in a time when sf art was very literal and staid. His paintings featured stylized figures, colors by Parrish, and a creative imagination that could only be Bok’s. And he could not be confined to one discipline in his creativity, there were paintings and line work, poetry and sculpture, intricate wood carvings and—of special interest here—fantasy novels: The Sorcerer’s Ship, Beyond the Golden Stair and Starstone World.
These aren’t your conventional fantasies, although all the trappings are there. They have a sly humor with plots full of twists and turns, stories which take the reader on strange metaphysical paths, and glorious descriptions that could only come from someone with a painter’s eye. Certainly not the most smoothly told tales, but as Lester Del Rey wrote about Beyond the Golden Stair: “in spite of its faults, it has the sense of enchantment so rarely found in most market fantasy. And since our world needs the glamor at least as much as it ever did, let us lose no chance.”
Here’s your chance to experience that glamor. All three of these books have been out-of-print for at least 48 years. That’s too long. They have been left behind, and should be part of the legacy of Hannes Bok, and part of the discussion of early 20th Century fantastic fiction.
At this writing, Garcia has raised $6,623 of the $11,999 goal.
The reason Romana’s regeneration was so unique is that the new actress, Lalla Ward, had already played a different role on the series. In the Season 16 serial “The Armageddon Factor,” the first Romana (Mary Tamm) and the Doctor encountered a character named Princess Astra, who also happened to have been played by Ward. So, when Ward was later cast as the new version of Romana in Season 17, it required an onscreen explanation.
In the scene, the Doctor is freaked out that Romana suddenly looks like someone they both had recently met. “But you can’t wear that body!” he protests. “You can’t go around wearing copies of bodies!” The newly regenerated Romana insists it didn’t matter. She likes the way Princess Astra looks and says they probably aren’t going back to the princess’s home planet of Atrios anyway.
(9) TODAY IN HISTORY.
September 3, 1953 — The 3-D movie Cat-Women of the Moonpremiered. It starred Marie Windsor and Victor Jory who on a scientific expedition to the Moon encounters a race of cat-women.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1810 — Theodor von Holst. He was the first artist to illustrate Shelley’s Frankenstein; or, The Modern Prometheus in 1831. The interior illustrations consist of a frontispiece and title page engraved illustrations. (Died 1844.)
Born September 3, 1943 — Mick Farren. Punk musician was the singer with the proto-punk band the Deviants who wrote also lyrics for Hawkwind. His most well-known genre work was the The Renquist Quartet about an immortal vampire. (Died 2013.)
Born September 3, 1943 — Valerie Perrine, 76. She has uncredited role as Shady Tree’s sidekick is Diamonds Are Forever in her first film appearance. Her first credited film role is as Montana Wildhack in Sluaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II.
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, Andrew J Offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of AIDS. Well, he died of toxoplasmosis, complicated by AIDS to be precise. (Did 1989.)
Born September 3, 1969 — John Picacio, 50. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Artist in 2012.
Born September 3, 1971 — D. Harlan Wilson, 48. Author of Modern Masters of Science Fiction: J.G. Ballard, Cultographies: They Live (a study of John Carpenter) and Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction. No, I’ve no idea what the last book is about.
Born September 3, 1974 — Clare Kramer, 45. She had the recurring role of Glory, a god from a hell dimension that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
Plus this “Happy Book Birthday” – Congratulations to Ellen
Datlow!
Today is my book birthday–The Best Horror of the Year Volume 11 is out–this makes 32 years of editing a Best of the Year horror anthology. https://t.co/wYPEqtF5Xi
Brewster Rockit treats us to more “famous parting words from defeated aliens.” Ook ook!
Half Full delivers sff’s answer to Fred Astaire and Ginger Rogers.
(12) MOONWALKING. It isn’t easy anywhere to get local
government to fix the streets,
Indian actor Poornachandra Mysore joined artist Baadal Nanjundaswamy to document the conditions of the roads in Bengaluru, India. In a creative way and wearing a spacesuit, the man decided to walk on these crater-like potholes as if he was walking on the moon.
Black Mountain is a crime-horror hybrid that takes the most entertaining elements of both genres and mixes them into something new that pushes the boundaries of contemporary crime fiction. From horror Barron grabs the fear of death, the tensions of knowing there is a killer out there and on the hunt, the gore of mutilated bodies and serrated knives digging into soft flesh. From crime he pulls mobsters, the existence of secrets that, if revealed, would lead to many murders. He also works with a level of violence that is rarely found in crime novels from big publishers.
With those elements on the table, Barron uses his elegant prose as glue. There is brutish behavior, but the words describing it are beautiful, mercilessly obliterating the imagined line between genre and literary fiction on almost every page…
In news to file under “What could possibly go wrong,” two U.S. deterrence experts have penned an article suggesting that it might be time to hand control of the launch button for America’s nuclear weapons over to artificial intelligence. You know, that thing which can mistake a 3D-printed turtle for a rifle!
In an article titled “America Needs a ‘Dead Hand,’” Dr. Adam Lowther and Curtis McGiffin suggest that “an automated strategic response system based on artificial intelligence” may be called for due to the speed with which a nuclear attack could be leveled against the United States. Specifically, they are worried about two weapons — hypersonic glide vehicles and hypersonic cruise missiles — which reduce response times to mere minutes from when an attack is launched until it strikes.
They acknowledge that such a suggestion is likely to “generate comparisons to Dr. Strangelove’s doomsday machine, War Games’ War Operation Plan Response, and The Terminator’s Skynet. But they also argue that “the prophetic imagery of these science fiction films is quickly becoming reality.” As a result of the compressed response time frame from modern weapons of war, the two experts think that an A.I. system “with predetermined response decisions, that detects, decides, and directs strategic forces” could be the way to go.
(15) LEDGE OF TOMORROW. The
Atlantic: “Coming Soon to a Battlefield: Robots That Can Kill”. Tagline:
“Tomorrow’s wars will be faster, more
high-tech, and less human than ever before. Welcome to a new era of
machine-driven warfare.”
Wallops Island—a remote, marshy spit of land along the eastern shore of Virginia, near a famed national refuge for horses—is mostly known as a launch site for government and private rockets. But it also makes for a perfect, quiet spot to test a revolutionary weapons technology.
If a fishing vessel had steamed past the area last October, the crew might have glimpsed half a dozen or so 35-foot-long inflatable boats darting through the shallows, and thought little of it. But if crew members had looked closer, they would have seen that no one was aboard: The engine throttle levers were shifting up and down as if controlled by ghosts. The boats were using high-tech gear to sense their surroundings, communicate with one another, and automatically position themselves so, in theory, .50-caliber machine guns that can be strapped to their bows could fire a steady stream of bullets to protect troops landing on a beach.
Something odd was bubbling beneath the surface of northwest Montana’s Flathead Lake this summer. It wasn’t lake monsters, but submarines. The subs’ pilots were there to help cash-strapped researchers explore the depths of Flathead Lake for free.
It can be hard for research divers to see what’s at the bottom of deep bodies of water like Flathead Lake without special equipment and experience. So, having a couple of submarines around this summer was helpful to the University of Montana’s Flathead Lake Biological Research Station.
…Riders met British Columbia resident Hank Pronk, who was standing on his two-man submarine bobbing on the lake’s crystal-clear surface.
A useful hobby
Pronk and his fellow enthusiasts build their subs mostly by hand. Pronk’s sub, named the Nekton Gamma, is smaller than a compact car; climbing in is a squeeze.
Pro-democracy protesters in Hong Kong have been turning to a new app to communicate – one that does not use the internet and is therefore harder for the Chinese authorities to trace.
Bridgefy is based on Bluetooth and allows protesters to communicate with each other without internet connection.
Downloads are up almost 4,000% in the past two months, according to measurement firm Apptopia.
Texts, email and messaging app WeChat are all monitored by the Chinese state.
Bridgefy uses a mesh network, which links together users’ devices allowing people to chat with others even if they are in a different part of the city, by hopping on other users’ phones until the message reaches the intended person.
The range from phone to phone is within 100m (330ft).
The app was designed by a start-up based in San Francisco and has previously been used in places where wi-fi or traditional networks struggle to work, such as large music or sporting events.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Rich Lynch, Martin
Morse Wooster, Robert T. Garcia, Michael Toman, Chip Hitchcock, Cat Eldridge, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Rob Thornton.]
(1) DEALING WITH DISSATISFIED
CUSTOMERS. Chuck Wendig, who doesn’t want people using social media to
shove their negative reviews of his work in his face – point taken – goes on to
make an unconvincing distinction between customer complaints about his fiction
and everything else: “Hi,
Definitely Don’t Tag Authors In Your Negative Reviews Of Their Books”.
…You might note also that negative reviews are one of the ways we communicate with creators of products and arbiters of service in order to improve the quality of that product or that service — which is true! If someone at American Airlines shits in my bag, I’m gonna say something on Twitter, and I’m going to say it to American Airlines. If the dishwasher I bought was full of ants, you bet I’m going to tag GE in that biz when I go to Twitter. But books are not dishwashers or airlines. You can’t improve what happened. It’s out there. The book exists. You can’t fix it now. And art isn’t a busted on-switch, or a broken door, or a poopy carryon bag, or an ant-filled dishwasher….
(2) THE PERIPHERALS
WHISPERER. Ursula Vernon has many talents – this is another one.
…it was about five minutes from powering on to find a severed print head in its paper tray, but fortunately it realized that.
(3) KGB READINGS. Fantastic Fiction at KGB reading
series hosts Ellen Datlow and Matthew Kressel present Simon Strantzas and Kai
Ashante Wilson on Wednesday, May 15, 7 p.m. at the KGB Bar (85 East 4th Street, NY, just off 2nd
Ave, upstairs.)
Simon Strantzas
Simon Strantzas is the author of five collections of short fiction, including Nothing is Everything (Undertow Publications, 2018), and is editor of the award-winning Aickman’s Heirs and Year’s Best Weird Fiction, Vol. 3. His fiction has appeared in numerous annual best-of anthologies, in venues such as Nightmare, Postscripts, and Cemetery Dance, and has been nominated for both the British Fantasy and Shirley Jackson awards. He lives with his wife in Toronto, Canada.
Kai Ashante Wilson
Kai Ashante Wilson won the Crawford award for best first novel of 2016, and his works have been shortlisted for the Hugo, Nebula, Shirley Jackson, Theodore Sturgeon, Locus, and World Fantasy awards. Most of his stories are available on Tor.com. His novellas The Sorcerer of the Wildeeps and A Taste of Honey may be ordered from local bookstores or online. Kai Ashante Wilson lives in New York City.
I am a fat guy. I will likely always be a fat guy.
Fat Thor is not fat-shaming.
Fat Thor is character humor: the man has given up. Tony Stark went in one direction, the Odinson went in another. He’s a binge-drinking, binge-eating, emotionally fragile shell of himself, and while some of the other characters make unkind (and, dammit, funny) remarks, it is his diminishment and not his enlargement that is the source of the humor.
Sure, bloody explain it to me now.
I don’t know, I don’t understand.
Fvck you, I’m a fat guy. I do know, I do understand. I have been mocked for my weight, sometimes viciously. I know it all.
(I haven’t personally encountered these complaints, I can only assume
there must be some, else why Castro’s post.)
I think I’ve got a bad case of sibling rivalry. When Victoria Silverwolf came onto the Journey, she took on the task of reviewing Fantastic, a magazine that was just pulling itself out of the doldrums. My bailiwick consisted of Analog, Fantasy and Science Fiction, IF, and Galaxy, which constituted The Best that SF had to offer.
Ah for those halcyon days. Now Fantastic is showcasing fabulous Leiber, Moorcock, and Le Guin. Moreover, Vic has added the superlative Worlds of Tomorrow to her beat. What have I got? Analog is drab and dry, Avram Davidson has careened F&SF to the ground, IF is inconsistent, and Galaxy…ah, my poor, once beloved Galaxy…
(6) TERRAIN TERROR. Laird Barron now writes crime
novels set in Alaska. But he used to be a horror writer, and “In Noir,
Geography Is a Character” on CrimeReads, Barron
has anecdotes about Michael Shea and the World Fantasy Convention in San Jose.
…A decade ago, bound for the World Fantasy Convention in San Jose, I stared out the window of a light commercial plane swooping in low over the Central Valley. Low enough I made out details of oak trees covering big hills and the rusty check patterns of the yards of individual homes. Country roads radiated like nerves from a plexus. Cars crawled along those snaking roads through golden dust. The rumpled land subtly descended toward the haze of the Pacific. I realized this was where Michael Shea got his flavor. This “obvious” revelation slapped me in the face.
Michael left us too soon five years later in 2014. His memory looms large in the weird fiction and horror fields as the man who wrote the landmark collection Polyphemus. A deep vein of mystery and noir travels through his work, grounding the fantastical tropes. I’d read him since my latter teens, absorbing the unique cadence of his prose without giving conscious thought to how echoes of the natural world inflected his grimiest urban settings, how the superstructures and sprawl of his version of LA and San Francisco were influenced by the ancient earth they occupy….
(7) TODAY IN HISTORY.
This was a big date in sff history.
May 9, 1973 — Soylent Green premiered.
May 9, 1986 — Short Circuit debuted in theatres.
May 9, 1997 — The Fifth Element arrived in movie houses.
(8) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born May 9, 1860 — J. M. Barrie. Author of Peter Pan, or The Boy Who Wouldn’t Grow Up, which I’ve read a number of times. Of the movie versions, I like Steven Spielberg’s Hook the best. The worst use of the character, well of Wendy to be exact, is in Lost Girls, the sexually explicit graphic novel by Alan Moore and Melinda Gebbie. If you’ve not read it, don’t bother. (Died 1937.)
Born May 9, 1920 — William Tenn was the pen name of Philip Klass. Clute says in ESF that ‘From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.’ That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. (Died 2010.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago — will not read it again so the Suck Fairy may not visit it. Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. Heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
Born May 9, 1925 — Kris Ottman Neville. His most famous work, the novella Bettyann, is considered a classic of science fiction by no less than Barry Malzberg. He wrote four novels according to ISFDB over a rather short period of a decade and a number of short story stories over a longer period. (Died 1980.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. Oh and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)
Born May 9, 1951 — Geoff Ryman, 68. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel.
Born May 9, 1979 — Rosario Dawson, 40. First shows as Laura Vasquez in MiB II. Appearances thereafter are myriad with my faves including being the voice of Wonder Women in the DC animated films, Persephone in Percy Jackson & the Olympians: The Lightning Thief and her take as Claire Temple across the entire Netflix Marvel universe.
In 1981, Eastercon was held in Leeds. Four attendees were David Pringle, Simon Ounsley, Alan Dorey (then chairman of the British Science Fiction Association (BSFA)) and Graham James. David Pringle was a co-chairman of the convention and Simon Ounsley was assisting with the finances. The convention made a profit of £1,300, which Simon states was completely unintentional and purely down to cautious budgeting. At Graham James’ suggestion, the committee agreed to use the money to launch an SF magazine. Simon recalls how controversial this decision was at the time, but in any event, the four men teamed up to start a magazine.
At the same time, four friends in London were also trying to get an SF magazine off the ground. They were Malcolm Edwards, who worked for SF publisher Gollancz, and SF critics John Clute, Colin Greenland, and Roz Kaveney. They had asked the BSFA if they would publish the magazine and it had declined. However, Alan made David aware of the London proposal and the two groups got together.
As Simon says, this was an ideal match because the Leeds contingent had the money and the London team had the connections. The name of the magazine was suggested by David. It was an imaginary city in the William S. Burroughs novel Naked Lunch.
Moviegoers across the country were able to see Tolkien ahead of its release this Friday, along with a Q&A moderated by Lord of the Rings super-fan Stephen Colbert, even if they weren’t at the Montclair Film Festival in New Jersey on Tuesday for the first-ever screening of the movie.
The panel, featuring the Fox Searchlight film’s stars Nicholas Hoult and Lily Collins with director Dome Karukoski, was simulcast to select theaters following special screenings. In Montclair, Karukoski revealed what goes into a film like Tolkien, which chronicles the formative years of J.R.R. Tolkien’s life as he forms friendships, goes to war and falls in love….
To close out the Q&A, Colbert praised Karukoski’s efforts and Tolkien itself. “Thank you for the film you created. It reminds me of the power of story, and how it can give us hope,” the late-night host said before citing one of Tolkien’s quotes from The Return of the King: “I will not say: do not weep; for not all tears are an evil.”
Continued Colbert, “I cried many times watching this film, and I want to thank you for those tears of pain and of those tears of joy and thank you for what you have given me of his [Tolkien’s] life and for your beautiful performances.”
Australia’s latest A$50 note comes with a big blunder hidden in the small print – a somewhat embarrassing typo.
The Reserve Bank of Australia (RBA) spelled “responsibility” as “responsibilty” on millions of the new yellow notes.
The RBA confirmed the typo on Thursday and said the error would be fixed in future print runs.
But for now, around 46 million of the new notes are in use across the country.
The bills were released late last year and feature Edith Cowan, the first female member of an Australian parliament.
What looks like a lawn in the background of Ms Cowan’s portrait is in fact rows of text – a quotation from her first speech to parliament.
(13) HEAVY
METAL. Alas behind a paywall at Nature:“Collapsars forming black holes as a major source of
galaxy’s heavy elements” [PDF file]. Here scientists report
simulations that show that collapsar accretion disks (in black hole formation)
yield sufficient heavy elements to explain observed abundances in the Universe.
Although these supernovae are rarer than neutronstar mergers, the larger amount of material ejected per event compensates for the lower rate of occurrence. We calculate that collapsars may supply more than 80 per cent of the r-process heavy element content of the Universe.
…Mort Drucker’s art is exquisite as always, and DeBartolo’s writing is top notch, loaded with puns and hilarious jokes. (Spook: “That’s what your MIND says! What does your HEART say?” Kook: “Pit-a-pat! Pit-a-pat! Pit-a-pat — just like everybody else’s!”) But one of the most interesting things about this parody is the way the story wraps up — the solution is for the Boobyprize to reverse orbit and go back in time. You might recognize this plot device from the first Superman movie. Somehow DeBartolo ripped it off, despite “Star Blecch” coming out 11 years before the film.
(16) IF IT’S GOOD, IT’S A MARVEL. Nerds
of a Feather panelists Adri Joy, Mike N., Phoebe Wagner, and Vance K assemble
for a “Review Roundtable: Avengers: Endgame”.
Today I’ve gathered Brian, Mike, Phoebe and Vance to chat about our Endgame reactions: what made us punch the air in glee and what had us sliding down in our seats in frustration. Needless to say, all the spoilers are ahead and you really shouldn’t be here unless you’ve had a chance to see the movie first.
Adri: So, Endgame! That was fun. Even more fun than I expected after, you know, all the dead people and the feelings about them.
Brian: First impressions are that I thought this was a great conclusion to all of the movies that came before it. The MCU could stop here (it won’t, but it could) and I would be completely satisfied.
Vance: The woman seated next to me — and I’ve never experienced this in a movie theater — started taking deep, centering breaths the moment the lights went down. And I love her for it. Infinity War was a gauntlet for fans, yet she was there opening day for whatever came next, no matter how gutting. Turned out the movie was a lot of fanservice, so she made it through. As did I!
…Once a time window expires, park employees dressed as “Star Wars” characters will politely tell parkgoers that they need to leave the land to make way for new visitors.
Disneyland representatives say they expect that most guests will abide by the courteous directions to move on. But they remain mum about what will happen if guests ignore the requests.
“Four hours is a long time in the land,” said Kris Theiler, vice president of the Disneyland Park. “Most guests are going to find that they’re ready to roll after four hours.”
[Thanks to Greg Hullender, JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Michael Toman, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) TRAINING WHEELS. Travel from Chicago to next year’s San Jose Worldcon as part of Traincon 4. The organizers now have a FaceBook page. Here’s the URL.
Janice Murphy forwarded the basic info posted by Bill Thomasson, saying the cost is around $400 one way.
We’ll be taking sleeper cars as a group To Worldcon 76 From Chicago’s Union Station. We’ll be riding Amtrak to San Jose and back via the Chief, the Zephyr and the Coastal, but that means we have to reserve roomettes as a group for the discount, and we have to do it before November 21 — THIS year. Roomettes have two beds, two person occupancy. A note on the down payment from Bill:
“I am asking everybody who signs up to pay me the basic fare up front. For the outbound trip that is $214.20 for adults and $202.30 for seniors (62+). For the return trip, it is $171 for adults and $161.50 for seniors. As previously mentioned, Amtrak’s roomette prices go up as you add more rooms, so the average price — which is what Traincon members will be asked to pay — will depend on the number we ultimately take. This won’t be known until the final payment is made, so I won’t be asking for roomette payment until then.”
Janice Murphy adds this pitch:
True, you could fly for less BUT — ALL meals are included with the fare, plus Amtrak has a VERY liberal luggage policy. No need to mail those signed books home from the Convention. You can take an empty suitcase out and bring it back filled with memories.
Frankly, this is about as close as some of us are going to get to traveling cross-continent on a train, and I’m not going to miss it.
We’ve got enough folks going out to make the sleeper reservations, though there is room for more so we are encouraging folks to get on board. We definitely need more folks to take the trains back to Chicago in order to meet the minimum 15 bodies.
…So the thing is, if you would like to take advantage of the fact that you can have a couple of large bags to haul stuff back from the Con, just taking the trip back would be a hell of a lot of fun.
And without an atmosphere on the Moon to keep the dust in check, it gets everywhere. So a key piece of Chandrayaan-2’s mission is to study the force that moves the dust around, an envelope of highly charged particles circling the Moon’s surface. Other tasks include taking the Moon’s temperature near its poles. The mission is also developing a new way to land more softly on the Moon’s surface. The entire project is supposed to cost just $93 million. Yes, with an M.
everything is forced in a story because they’re not magic
stories are not a natural state and so nothing occurs naturally within them, nor can they “call for” anything
inclusivity is part of good storytelling
not being inclusive is also a political choice
This person deleted his tweet and went on to clarify that he in fact totally supported a pairing like, say, Finn/Poe, but he wanted it to have a purpose in the story and not simply be included for political purposes. Abstractly, what he’s saying is, he’s not a bigot, not a homophobe, he just cares about storytelling. Which is fine, in theory, and I’m not suggesting this person is worthy of excoriation. I’m sure he means well. But I think it’s really worth shining a big, bright-ass light on this, because I think there’s a soft, unacknowledged prejudice at work.
It assumes that there exists a default in storytelling — and that default is one way, and not the other. The default is straight relationships, or cisgendered characters, or able-bodied white dudes, or whatever. One of the criticisms Aftermath received was this very special kind of softball phobia, right? “I don’t mind LGBT characters, but these were forced into the narrative for a political agenda,” assuming that the characters are somehow not characters at all, but rather protest signs or billboards advertising THE WONDERS OF GAYNESS or THE FABULOSITY OF THE NON-BINARY SPACE PIRATE LIFE. The complaint then becomes that these characters are political levers, identified as such because their natures (be it LGBT characters like Sinjir Rath Velus and Eleodie Maracavanya, or a character of color like Admiral Rae Sloane, or women characters like Norra Wexley and Jas Emari) do not somehow factor into the plot. Like, Sinjir’s homosexuality is not a plot point. He doesn’t shoot gayness out of his eyes to blow up the Third Death Star, oh no, he’s only there as a commercial for GAY PEOPLE EXISTING.
Indiana University will launch its highly anticipated new website, Orson Welles on the Air: Radio Recordings and Scripts, 1938-1946, on Thursday evening, October 26, at https://orsonwelles.indiana.edu/
The university is very excited to finally be sharing the new audio files with the world, said Erika Dowell, Associate Director & Curator of Modern Books and Manuscripts at Lilly Library.
Mike Casey, the university’s director of technical operations for the Media Digitization and Preservation Initiative, has said the grant would be used toward the preservation of 324 master sound recordings in the form of lacquer discs and about 100 accompanying paper scripts. The script pages show tangible evidence of Welles’ creative process in their dramatic deletions and seemingly last-minute rewrites.
Some people think themes of science don’t go well with poetry, but you’ve written several books demonstrating a tremendous intersection between these and the imagination, including Sublime Planet, Repulsion Thrust, and Quark Soup. How do you explain your approach to poetics to others surprised at these possibilities?
I’ve always been poetically charged by science – even as a child (and I’m afraid I spent rather too much time in the Haydn Planetarium). It’s probably as much due to my lack of mathematical capability as to anything else. I’m able, for example, to look at a formula – let’s say Euler’s Prime, and see the visual beauty without having a clue how it’s applied or what might be created from it. I can read about the collision of two neutron stars (!), and feel like something is opening up in me – a sense of possibilities and ways of seeing and perceiving and exploring both human emotion and the broadest picture of what we’re all made of, without being able to map the process in any experimental sense. So it’s possible that my poetry is a kind of limitation spurred by not quite understanding. That said, I do feel that all science is spurred on by not quite understanding and that many hypotheses have their basis in poetic wonderment. I wrote about 10 poems through my reading of A Brief History of Time. I usually get at least one poem from each issue of New Scientist. I mean, and again, this is partly just my ignorance and playing with the semantics rather than accurate meanings of words, but how exciting and visceral is the idea of quarks having “flavours” (just one example).
(6) REDROBE. Sci-Fi Design would love to sell you one of these “Star Trek TNG Robes”. Are people brave enough to order the red ones?)
Step out of the shower and into the future when you wear this Star Trek TNG Robe. That way you can go straight from the shower and onto the bridge and not look too out of place. You can choose Blue (Science), Gold (Operations), or Red (Command). These robes are super soft and comfy and no worries, they are Starfleet regulation, I’m sure.
(7) LEACH OBIT. Rosemary Leach (1935-2017): British actress; died 21 October, aged 81. Genre appearances include Worlds Beyond (one episode, 1987), The Tomorrow People (five episodes, 1995), Chiller (one episode, 1995), Frighteners (one episode, 1997), Afterlife (one episode, 2005), The Great Ghost Rescue (2011), May I Kill U? (2012). Received the 1983 ‘best actress’ Olivier Award for her performance in ’84 Charing Cross Road’.
(8) COMICS SECTION
JJ finds that ancient puns are the best ones.
Cartoon update: Rocky Horus Picture Scroll. Better title & I woke up with the solution of fixing the lyric heiroglyhps to fit better. Enjoy! pic.twitter.com/wLCX7JKw9u
As detailed in a paper published today in ACS Nano, Don Ingber and Charles Reilly, the founding director and a staff microbiologist at the Wyss Institute, respectively, teamed up to create a scientific animated short film called The Beginning. The film details the journey of a sperm cell to an egg, framed as a parody of Star Wars. While this might sound like the recipe for a trying-too-hard-to-connect-to-the-kids cutaway in a middle school sex education video, it actually led to a scientific discovery. In this case, it showed how energy is distributed through a sperm cell at the molecular level to propel the cell toward an egg.
(10) ALL GLORY IS FLEETING. Editors at Vox Day’s Infogalactic are continually at work reshaping the mirrored Wikipedia content – or making up for its absence. For example, Wikipedia has no article about Jon Del Arroz, but Infogalactic does. The only flaw is that the article’s link to JDA’s entry on the Internet Speculative Fiction Database takes you to John C. Wright’s entry instead.
Zeppelins flew so much lower than modern planes do that they did not have the same cold, dry, pressurized cabin air that dulls taste and smell today. Airship food would therefore have been much more flavorful than what we eat aloft today — even if the menu didn’t include fattened duckling with champagne cabbage. No expense was spared. In The Great Dirigibles: Their Triumphs and Disasters, John Toland describes the Hindenburg’s larder: turkeys, live lobsters, gallons of ice-cream, crates of all kinds of fruits, cases of American whiskey, and hundreds of bottles of German beer. The Graf Zeppelin allowed for 7.5 pounds of victuals per passenger, per day, whether fresh or in specially prepared cans, with labels hand-affixed by the chef’s sister.
A graphene-based tattoo that could function as a wearable electronic device to monitor health has been developed at the University of Texas.
Gold is often used in electronic components, but graphene is more conductive, can be hundreds of times thinner and allows the tattoo to wrinkle naturally with skin.
It is hoped that as the cost of graphene falls, such tattoos will become affordable for medical use.
A team of researchers at Cambridge may have found a safer way to extract rare earth elements (REEs) – the vital material in our smartphones – that could end up saving the planet.
When you think about where your smartphone comes from, the first thing that comes to mind is normally the shop that you bought it from, the stranger who sold it to you online, or maybe even the lovingly wrapped present you received from a doting relative last year.
But in tech terms, that’s the equivalent of thinking that you came into the world because a stork flew to your parents’ house and delivered you straight to their door. The reality is a lot more complicated.
The truth is that the fundamental material your smartphone is made of probably came from one mine in China. The Bayan Obo mine produces more than 95% of the world’s rare earth elements; the uniquely multivalent metals that make your phone ‘smart’. Lanthanum, for example, gives smartphone screens their smoothness and colour pop; neodymium’s super-high magnetism puts microphones, speakers and vibration units all in the palm of our hands. But to have such a luxury has come at a heavy environmental cost.
Most of all, though, Tyson is done — completely and utterly done — messing around when it comes to people who don’t take science seriously.
There are solutions. Take climate change, for instance. We could fight climate change with a carbon tax, or increased regulations, or more nuclear power plants, or solar energy plants. Heck, we could do all of the above! But nooooo, instead we have a Congress that literally throws snowballs around.
You can just hear in his voice how sick and tired he is of it.
“Every minute one is in denial, you are delaying the political solution that should have been established years ago,” says Tyson.
Every October, blogs near and far give the horror genre a bit of extra love, and that’s fantastic—but one can get the impression the genre suffered an unceremonious death two decades back as one list after another trots out the same (undeniably worthy) names. Sure, Stoker, Shelly, Shirley Jackson, and Lovecraft’s books are considered classics for a reason. And no, you can never go wrong with Peter Straub’s Ghost Story, or William Peter Blatty’s The Exorcist, or Stephen King’s [insert ’80s King novel here].
But as times change, so too do the things that unsettle us. Horror is all about readers taking an unflinching look into a dark reflection of the world around them. These 10 contemporary horror novels offer a great introduction to a genre that’s never truly left us—and find more terrifying reads on our list of 2016’s best horror novels.
First on their list —
Occultation, by Laird Barron Technically, Occultation is not a novel, but a short story collection. Before you head for the hills, know that this is widely considered one of the best horror collections since Clive Barker’s Books of Blood. Barron is a modern master of the New Weird genre and plays with the best bits of Lovecraft’s mythos: dark, cosmic forces punching their way into our reality and reminding humans just how puny they are. An Alaskan native, Barron infuses many of his stories—like the award-winning “Mysterium Tremendum”—with wilderness settings that host profound dangers, bone-deep isolation, and an inevitable violence that blots out even the smallest spark of certainty or hope. It’s heady, horrible, and a voice that’s oft-imitated by less skilled storytellers.
(17) BACK SO SOON? The Beyond Official Trailer. The movie is coming January 9, 2018.
Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts – modified with advanced robotics, through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.
And then along comes something unheralded, under-the-radar, and authentically strange, like the Canadian movie Radius. Suddenly the audience is on a fast-paced trip into the unknown, with no idea where this premise could possibly lead. And Radius, the latest collaboration between married writer-director team Caroline Labrèche and Steeve Léonard, does start with an unbeatable premise that feels like a solid Stephen King horror story. A man wakes up in a wrecked truck and goes looking for help. His memory is completely gone. He can’t even remember his name. And slowly, he starts to realize that anything that comes within a certain radius of him — animals or people — instantly drops dead….
Radius will have a limited theatrical release on November 9th, and will appear on VOD services and Netflix on the same day.
How do you get 18- to 24-year-olds to put their phones down while driving? Maybe not with the supernatural. But who doesn’t love cats and music?
For the Department of Transport, London agency AMV BBDO created “Pink Kittens.” Directed by We Are From LA, it feels more like a pop-oriented lifestyle shoot than a public service announcement.
At its start, a busy city scene scrolls by from a driver’s perspective (assuming you’re looking out your side window … which, incidentally, is another thing you shouldn’t really be doing).
Then comes the question: Did you see the pink kitten? Look again.
(20) FLEET SCHOOL SERIES. Orson Scott Card returns to the Enderverse in his new Fleet School series. The first book, Children of the Fleet, came out October 10.
Children of the Fleet is a new angle on Card’s bestselling series, telling the story of the Fleet in space, parallel to the story on Earth told in the Ender’s Shadow series.
Ender Wiggin won the Third Formic war, ending the alien threat to Earth. Afterwards, all the terraformed Formic worlds were open to settlement by humans, and the International Fleet became the arm of the Ministry of Colonization, run by Hirum Graff. MinCol now runs Fleet School on the old Battle School station, and still recruits very smart kids to train as leaders of colony ships, and colonies.
Dabeet Ochoa is a very smart kid. Top of his class in every school. But he doesn’t think he has a chance at Fleet School, because he has no connections to the Fleet. That he knows of. At least until the day that Colonel Graff arrives at his school for an interview.
(21) THE MAITRE’D RECOMMENDS. This year’s Hugo Administrator Nicholas Whyte feels enough time has passed that it’s safe for him to tell us where he ranked “The 2017 Hugo Best Novel finalists” on his own ballot. Hmmm. So he voted the winner in practically last place? Talk about marching to the beat of a different drummer! However, there certainly wasn’t anything wrong with his first-place choice —
My first vote went very clearly to All the Birds in the Sky, by Charlie Jane Anders. Second paragraph of third chapter:
The first week of school, Patricia smuggled an oak leaf in her skirt pocket—the nearest thing she had to a talisman, which she touched until it broke into crumbs. All through Math and English, her two classes with views of the east, she watched the stub of forest. And wished she could escape there and go fulfill her destiny as a witch, instead of sitting and memorizing old speeches by Rutherford B. Hayes. Her skin crawled under her brand-new training bra, stiff sweater, and school jumper, while around her kids texted and chattered: Is Casey Hamilton going to ask Traci Burt out? Who tried what over the summer? Patricia rocked her chair up and down, up and down, until it struck the floor with a clang that startled everyone at her group table.
I really loved this from the first chapter on, a sort of Jo Walton / Neil Gaiman mashup which really worked for me. It was the first of the Hugo finalists that I got (I was given an ARC in late 2015) but in fact the last that I read. Interestingly it has by far the most owners on both Goodreads and LibraryThing, but also the lowest ratings on both. It missed winning the award by 43 votes, the second closest of any result on the night, and won second place.
[Thanks to John King Tarpinian, JJ, Steve Green, Martin Morse Wooster, Janice Murphy, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson, who will be along shortly to explain it.]
By Mark L. Blackman: On the evening of Wednesday, September 21 – the last day of summer – the monthly Fantastic Fiction Readings Series hosted readings by authors Laird Barron and Alyssa Wong at its venue, the Red Room at the KGB Bar in Manhattan’s East Village. Up a steep flight of stairs to the 2nd-floor, the Bar is made further distinctive by its red walls and Soviet era-themed décor. “It’s one of the truly great venues to read at,” said Barron. The Series, running since the late ’90s, reliably offers stellar lineups, often pairing established authors and up-and-coming newcomers, and readings are always free. (The Bar is a cordial and hospitable host, and the Series’ presenters duly exhort the audience to express gratitude by buying something to drink.)
As traditional, as the room filled, co-host Ellen Datlow swirled through the crowd, taking photos. (They may be seen on the Series website, http://www.kgbfantasticfiction.org/.)
Series co-host Matthew Kressel welcomed the capacity crowd, and reported on upcoming events in the Series. Next month’s readers, on October 19th, are Jack Ketchum and Caitlìn R. Kiernan. Reading on November 16th will be John Langan (who was in attendance) and Kressel himself; on December 21st, Livia Llewellyn and Sarah Pinsker; and on January 18, 2017, Holly Black and Fran Wilde. Concluding, he introduced the evening’s first reader.
Alyssa Wong’s story, “Hungry Daughters of Starving Mothers,” won the 2015 Nebula Award for Best Short Story, and her work has been shortlisted for the Pushcart Prize, the Bram Stoker Award, the Locus Award, and the Shirley Jackson Award. The story that she read, “The Clamor of Bones,” was set in San Francisco’s Chinatown. A “dead-talker,” tasked by the underworld to look for a missing 9-year-old girl, consults the finger bone of a corrupt detective whom she had killed, chopped up and dumped into the Bay. It seems that he had been retrieved and magically reanimated (though missing bits, rotting and tending to ruin carpets), and been the last one seen with the girl. Oddly, he seems reluctant to cooperate with his murderer. Despite its essential ickiness, the story’s macabre humor had the audience laughing.
After a break, Datlow introduced the second reader of the night. Hailing from Alaska (where he raced the Iditarod three times during the early 1990s, and against whose backdrop many of his stories are set), Laird Barron is the author of X’s for Eyes, The Imago Sequence, The Beautiful Thing That Awaits Us All, and the forthcoming (in two weeks) Swift to Chase. The story that he shared, “The Cyclotron,” appeared in a Canadian anthology riffing on “a famous franchise character” (hint: his first name is James and there are references to “Double-O” and the British Secret Service), so, for predictable reasons, “may never be reprinted in my lifetime.” Written in the second-person, the story presents the world-saving agent, past retirement and ill, through his memories of car chases, pointless shootouts, “sequences of horror,” death traps, assassination attempts, and seduction of and betrayal by women (he has had “extensive serious difficulties with women”), under the shadow (or should that be spectre?) of the black-clad Dr. Hemlock. Recognition of the familiar, hackneyed tropes and their flippant treatment provided chuckles. (As far as we know, though, no one in the Bar ordered vodka martinis shaken, not stirred.)
Copies of Barron’s X’s for Eyes andThe Imago Sequence were for sale at the back of the room from the Word Bookstores of Greenpoint, Brooklyn and Jersey City, while, at the front of the room, Wong had copies of a short horror comic.
Laird Barron is a three-time winner of the Shirley Jackson Award. Earlier this year he won a Bram Stoker Award for Superior Achievement in Fiction Collection with The Beautiful Thing That Awaits Us All and Other Stories.
Co-editor Justin Steele says –
Barron’s fiction has long been an inspiration to his peers. The interwoven stories and novels create a rich tapestry of noir-infused cosmic horror. This mythology makes for an excellent backdrop for the weird tales within.
Lockhart and Steele allowed Barron’s fans, colleagues and friends a unique opportunity to play in what Publishers Weekly calls Barron’s “worm-riddled literary playground.”
Table of Contents
Introduction: Of Whisky and Doppelgängers – Justin Steele
The Harrow – Gemma Files
Pale Apostle – Jesse Bullington and J. T. Glover
Walpurgisnacht – Orrin Grey
Learn to Kill – Michael Cisco
Good Lord, Show Me the Way – Molly Tanzer
Snake Wine – Jeffrey Thomas
Love Songs from the Hydrogen Jukebox – T.E. Grau
The Old Pageant – Richard Gavin
Notes for “The Barn in the Wild” – Paul Tremblay
Firedancing – Michael Griffin
The Golden Stars at Night – Allyson Bird
The Last Crossroads on a Calendar of Yesterdays – Joseph S. Pulver, Sr.
The Woman in the Wood – Daniel Mills
Brushdogs – Stephen Graham Jones
Ymir – John Langan
Of a Thousand Cuts – Cody Goodfellow
Tenebrionidae – Scott Nicolay and Jesse James Douthit-Nicolay
Afterword – Ross E. Lockhart
On July 15, Word Horde will commemorate the book’s official release with a virtual toast to Old Leech himself via social media, where all are encouraged to share their thoughts about the anthology and its inspiration, Laird Barron, using the hashtag #TCoOL.
