There you can see Fox’s comment that I wouldn’t post here, rehearsing falsehoods, dodging significant questions, and working in some juvenile namecalling. He insists I should not have denied him the chance to defend himself at File 770. “I take the freedom of speech very seriously,” says Fox. He takes it very seriously — on other people’s blogs. Richard Fox doesn’t allow comments on his own blog.
Linking is not piracy. Fox’s deceptions start right in his
title. File 770 never hosted a copy of Fox’s story “Going Dark.” We
included a link to the Google Drive file, after seeing the URL on SFWA’s
public-facing Nebula Reading List.
How links are chosen. File
770 runs features like JJ’s “Where To Find The 2018 Nebula Finalists For Free
Online” as a reader
service, impartially listing all the works available. We aren’t going to have
people coming back to ask “Why didn’t you link to Richard Fox’s story on the
Many online magazines post fiction free online, asking for subscriptions or Kickstarter support. That’s their business model. Many self-published authors post sample stories to publicize their work, another traditional marketing strategy.
Likewise, to attract attention to members’ work from all quarters,
SFWA changed the Nebula Reading List to a public facing part of its site in
2015 (see the press
release). It’s been public for four years. Whatever is linked to from there
is visible to the public. That ranges from links to Amazon sales pages to links
of the full text of works, as determined by the SFWA member involved.
How links get on the Nebula Reading List. SFWA has
two ways for members to share work, as their FAQ explains.
Reading List. This is visible to the public. Members must be logged into the
SFWA discussion boards to add new entries to the list.
Members may also make work available in the SFWA Fiction section of
the Discussion Boards. This is accessible only to members who are logged in
to the Discussion Boards.
I asked Kate
Baker, SFWA’s Executive Director, how this works and was told —
A member or the author themselves can create a listing on both the public/private reading lists. This does not fall under SFWA Webmaster or the Nebula Award Commissioner’s duties.
The person who created it would not have the ability to remove it.
What was on the SFWA site was also just a link — they did not
host the file. They had no control over the files of “Going Dark” on the Google
However, the page listing the links could only be removed with
When this year’s Nebula Awards were getting attention, I shared my short story GOING DARK with the password protected site that was only for Science Fiction Writers of America. Sharing this was only for their consideration, and never for the general public as I had the story in an anthology that was for sale.
I deleted the post after the Nebulas, but I put on several different versions.
Where did the links on the public Nebula Reading List come from?
Somewhere in this milieu, a Google drive file of the story was created and made available for outside of the password protected site….
At Camestros Felapton’s post “Larry Correia Endorses Richard Fox’s Piracy Claims”, Fox has by now made over 40 comments and given a convincing impression that he doesn’t know how the internet works. How can anyone rely on his notion of what happened or might have happened when he can’t assess the most basic facts?
You know who agreed with my position that linking to the story was piracy? Glyer’s ISP. Are you more experienced with that realm of internet management?
That is a complete misrepresentation of the law. If you fill out
your DMCA takedown notice correctly, and the ISP you send that to sees they are
hosting the targeted content, they are obligated to take it down and notify the
customer of his rights, which includes the right to file a DMCA counter notice.
The ISP is not the arbiter of the charge. They simply comply with the DMCA
statute to avoid forfeiting the safe harbor they receive for obeying it.
I filed a DMCA counter notice, starting the clock running that
gave Fox up to 14 days to file “an action seeking a court order to
restrain the subscriber from engaging in infringing activity relating to the
material on the service provider’s system or network.”
He didn’t follow through with any legal action because his
takedown notice was a prank, and one he could do for free. My post went back
And it’s actually Fox who could be subject for damages under 17 U.S. 512(f) for his knowing misrepresentation that my link was infringing his copyright.
I’m ruler, said Yertle, of all that I see. Richard
Fox reasons, “It’s fairly evident
that I am the copyright holder of that story and if I say a link to something
is pirated…it really shouldn’t be much of a discussion.”
So then, should I have taken the action Richard Fox requested
anyway? I almost did. Then after I got a few more emails from him that amounted
to “Yes you #!@%! pirate stop stealing from me oh and by the way let me repeat
a few choice insults Larry Correia wrote about you, too” he convinced me it was
a better idea to keep enjoying my legal right to post a link to something on
If you want a result, you ask like
a human being. If you want a kerfuffle, you make false charges, namecall, and rope
in renowned internet liars to echo your story – and the people who love that
kind of thing will love Richard Fox.
Meanwhile, back at the ranch. You know who else must have thought that Google Drive link was a valid public copy of Fox’s “Going Dark”? The SFWA Webmaster. Every work that made the 2018 Nebula Awards ballot got a dedicated page on the SFWA site. And it’s still online, still displays the same Google Drive link (though broken now) used in JJ’s post. (Just in case the original disappears five minutes after my post goes online, here’s a copy at the Internet Archive). A screenshot taken today shows the meta data about the link. (Click on the image for a larger version.)
Fans usually have to pay writers to make up stories about them – lots
of sf/fantasy authors have raised money for
charities by auctioning off the privilege of being Tuckerized in their
fiction. But this summer Richard Fox, Larry
Corriea, and Jon Del Arroz decided to write a pirate fantasy about me for free.
And being them, it was scurrilous.
Larry and JDA you know. Who’s Richard Fox? He’s the author of a large number of MilSF novels, however, in 2018 he also had a short story, “Going Dark” in Ellen Campbell’s Backblast Area Clear anthology. An author page was created on the SFWA site making the story available to the public while it was being promoted for consideration for the 2018 Nebula Awards. That must have worked: “Going Dark” was a finalist. (Click on screencaps for larger images.)
Jonathan Brazee also put “Going Dark” on the list of 26 works he circulated to the 20BooksTo50K writers group, calling on the group’s SFWA members to nominate them for the Nebula. Maybe that helped even more. Five of those works made the final ballot, including Fox’s “Going Dark.” The apprehension that this was the product of slate voting triggered an uproar among some SFWA members, Brazee apologized and SFWA issued a statement.
The Google Drive URL copied into JJ’s post was this one:
And that was that.
Until the middle of August when Richard Fox tried to add these
comments on JJ’s post.
I thought What the hell is that about? because – we weren’t hosting a copy of the story, we were pointing to the same link as the recommendation post on SFWA’s site. Please note: on that SFWA page it states “Links are added by members and not endorsed by SFWA.” Which SFWA member do you suppose put his story there? Fox’s email address was in the comment, so I reminded him of these facts but said I would take down the link anyway:
The file is not hosted by me. I have removed the link because I have no interest in publicizing someone who would make such an unfounded accusation.
That wasn’t enough for Fox, who replied:
You put the link up to a pirated copy. Asshole.
We continued our increasingly unpleasant exchange with Fox addressing me by Larry Correia’s pet nickname for me, and insisting that I was pirating his work and stealing from him (by pointing to a file linked on a SFWA page that he created to promote his work?), and waving threats of legal action. I hadn’t done anything wrong in the first place and I wasn’t going to be pushed around. I put the link back up.
By then I’d discovered I wasn’t even the first person Fox had harassed with claims that the very same file was pirated. He’d done it before in February, making the accusation in comments to Camestros Felapton’s blog. At the time JJ told him exactly where the link came from. The file itself was a double-spaced manuscript in PDF form that only Fox or his editor would be likely to have. How could Fox pretend not to know this?
And also yesterday I heard from a different author how China Mike put up a pirate link to one of this author’s stories, and when that author contacted Glyer demanding it to be taken down, Glyer got all self-righteous and started bitching about civility again. Sure. He’s stealing from you, but how rude of you to be upset that you caught him stealing from you.
My name was smeared all over both posts but strangely, JDA and Larry never refer to author Fox by name or specify that his Nebula-nominated story is the pirated work. Why? Because anyone could have spent five minutes with Google, found the SFWA page and the story link, and seen for themselves the claim was a lie.
Richard Fox remained determined to harass me for pointing to his story and found that so long as he was willing to lie under penalty of perjury he could submit a DMCA takedown notice to my ISP and get them to shut down the page. So he did. I was informed by my ISP:
We have received a formal DMCA (Digital Millennium Copyright Act) notice regarding allegedly infringing content hosted on your site. The specific content in question is as follows:
Specifically, the following section and links:
“Going Dark” by Richard Fox (Backblast Area Clear) (PDF) (audio version)”
The party making the complaint,
Richard Fox claims under penalty of perjury to be or represent the copyright owner ofthis content. Pursuant to 17 U.S.C. § 512(c), we have removed access to the content in question by setting its post status to draft….
JJ’s post was taken down and kept on ice until I filed my DMCA
counter notice and the time expired for Fox to tell them he’d filed suit
against me. He never did, and I put the post back online last weekend.
While I was waiting, I wrote a complaint to SFWA about the harassing conduct of member Richard Fox, who is damaging me by telling people I host a pirated copy of his story, by threatening a lawsuit (which is what a DMCA takedown notice does), and whose unethical behavior is bringing SFWA into disrepute by implying his material is illegally hosted in the organization’s public online spaces. They are considering the issue. (They promptly removed SFWA’s “Going Dark” page, showing how easily SFWA member Fox might have arranged for that himself, if he’d wanted to. The Wayback Machine has an archive snapshot of how the page used to look.)
For JDA it was just another day spent dishing out harassment. Correia doesn’t have the integrity to apologize for his role in spreading these false charges. As for Richard Fox?
Brian Niemeier recently pointed out, “Building a following by stirring up drama is the Dark Side
of author branding. It’s quick & easy, but once it becomes your brand,
rebranding takes heroic effort. You pretty much have to start again from square
Having chosen to imitate a couple of poor role models, it’s back to square one for Richard Fox.
(Spelling of name may not be correct – it was not shown on screen.) The Hank Reinhardt Georgia Fandom Award is presented for outstanding contributions to the genre by a Georgia writer, artist, or fan.
THE JULIE AWARD
In 1998, Dragon Con established the Julie Award presented annually in tribute to the legendary Julie Schwartz. The Julie Award is bestowed for universal achievement spanning multiple genres, selected each year by our esteemed panel of industry professionals.
Thanks to Red Panda Fraction and Ray Radlein for livetweeting the
(1) DUBLIN 2019 PARAPHERNALIA. A Filers shows what she
received upon checking in at the Worldcon:
(2) DUELING SFF. Crooked Timber takes Fred Hoyle’s
Ride” as the jumping-off point for a discussion of modern Ireland.
…Hoyle was really responding to the Christian apologist C.S. Lewis, who regularly denounced Hoyle as a secular atheist on radio and had written his own science fiction novel, That Hideous Strength, a decade before. The villain of Lewis’s book was a sinister institute called NICE, which Satanic aliens wanted to impose contraception, lesbianism, secularism and surrealist art on an unsuspecting Britain. Lewis wanted to preserve old Britain against the filthy tide of modernity.
Hoyle riposted with a novel where rational and benevolently ruthless aliens used an organization called ICE to pull the priest ridden republic next door into the technological age. His satirical portrait of Ireland told British readers that the world was being transformed around them, and that even their most backwards seeming neighbor would outstrip them if they didn’t embrace modernity.
The irony of history is that Hoyle’s parody is now the truth….
(3) THEY’RE SMOKIN’. NASA’s Universe Unplugged teaches
about exoplanets with the help of a couple of familiar actors: “The
Habitable Zone: Scorched Earth Enigma”. If you like it, there are several
previous installments in the series.
This new episode follows explorers Cas Anvar & Cara Gee (“The Expanse”) into a planetary danger zone in their quest for another Earth. Can their computer (Parry Shen of “General Hospital”) save them from a nasty fate?
AiPT!: Gwen has really blown up in the time since you have started writing her, too, with Into The Spider-Verse‘s massive success and Oscar win. Did you see the movie? Did it impact how you felt about the character or how you might approach her at all?
McGuire: I hadn’t seen the movie when I got the job, and I chose not to after I got the job, because that’s a different version of Gwen. I didn’t want her seeping in where she didn’t belong. But wow, is it nice seeing all the cosplayers. I keep wanting to tell them “You’re dressed as my girl!” and have to hold myself back from getting creepy.
AiPT!: What do you think sets Gwen apart from Peter or Miles or any of the other Spiders?
McGuire: Death loves Gwen Stacy. She lacks the “with great power…” motivator; hers is “only the right hands.” She has a calling, but it’s not the same as the calling most of the others have shared. She’s also better on the drums than they are.
More than a million fingerprints and other sensitive data have been exposed online by a biometric security firm, researchers say.
Researchers working with cyber-security firm VPNMentor say they accessed data from a security tool called Biostar 2.
It is used by thousands of companies worldwide, including the UK’s Metropolitan Police, to control access to specific parts of secure facilities.
Suprema, the firm that offers Biostar 2, said it was addressing the issue.
“If there has been any definite threat on our products and/or services, we will take immediate actions and make appropriate announcements to protect our customers’ valuable businesses and assets,” a company spokesman told the Guardian.
According to VPNMentor, the exposed data, discovered on 5 August, was made private on 13 August.
Taking place during the events of The Last Jedi, and leading up to The Rise of Skywalker, Season 2 finds our Resistance characters still on the run from the First Order, much like their movie counterparts. But now Supreme Leader Kylo Ren is seemingly taking a hands-on approach in their capture. […]
Check out the new trailer below for a preview of what’s to come:
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 14, 1910 — Herta Herzog. At the Radio Project, she was part of the team of that conducted the groundbreaking research on Orson Welles’ 1938 broadcast of The War of the Worlds in the study The Invasion from Mars. The Radio Research Project was founded in 1937 as a social research project and funded by the Rockefeller Foundation to look into the effects of mass media on society. (Died 2010.)
Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
Born August 14, 1940 — Alexei Panshin, 79. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis.
Born August 14, 1953 — James Roy Horner. Composer, conductor and orchestrator of film scores whose work on Star Trek II: The Wrath of Khan is what he’s best remembered for. He also worked on Avatar, Alien, Field of Dreams and Cocoon. (Died 2015.)
Born August 14, 1962 — Tim Earls, 57. Set designer who stated out at Babylonian Productions on Babylon 5 and Crusade. Later worked on the Voyager seriesandBrannon Braga’s short-lived Threshold series as well. Designed sets for the Serenity film, and worked on Terminator 3: Rise of the Machines.
Born August 14, 1965 — Brannon Braga, 54. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes than anyone else has with one hundred and nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Hugo Award for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville.
Born August 14, 1966 — Halle Berry, 53. Her first genre was Sharon Stone in The Flintstones followed by being Storm in the X- Men franchiseand Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as the deservedly much maligned lead in Catwoman. She has myriad roles in Cloud Atlas.
(9) JUST WONDERING. The tour of Christ Church Cathedral left
certain questions unanswered:
Automattic, the company behind the longstanding blog platform WordPress, just bought Tumblr from Verizon for a pittance — leaving many of the quirky, beloved social network’s users wondering what comes next.
Axios reported that Automattic purchased Tumblr, which launched in 2007, for “well below” $20 million; Axios business editor Dan Primack added in a tweet that the sale price was in fact below $3 million, and Recode’s Peter Kafka tells Vox that sources say the actual figure is closer to $2 million. That’s a very long way down from Yahoo’s infamous $1.1 billion purchase of the website in 2013. (Verizon subsumed Tumblr when it acquired Yahoo in 2017.)
… At the time that the Yahoo purchase of Tumblr from its CEO and founder David Karp was completed, it was clear that the ancient internet company was looking for something to revitalize it. Cue a community awash in GIFs, memes, fandom, and all other manners of contemporary online culture — a seemingly perfect answer to Yahoo’s question of how to combat its near-irrelevance. But reports soon began to emerge that Tumblr was floundering financially, as Yahoo tried and failed to wrangle the freewheeling blogging platform into a profitable, advertising-friendly brand….
(12) MONSTROUS ISSUES. A Noise Within theater in
Pasadena, CA is producing Nick Dear’s adaptation of Mary Shelley’s Frankenstein.
Dissect the story of Frankensteinwith director Michael Michetti, as well as Michael Manuel (The Creature) and Kasey Mahaffy (Victor Frankenstein), as they talk about the characters of Mary Shelley’s most famous novel.
“The Creature represents anyone who feels like they have been disenfranchised… It’s a really compelling human story that people connect to in a way that is surprising to them.”
(13) THE FAILURE MODE OF CLEVER. Facebook gave Larry Correia a 24-hour time-out. Larry wants you to know how silly it was.
My 24 hour Facebook ban is over. Luckily Big Brother was there to protect us from such dangerous violations of community standards as pretending to be one imaginary country while talking trash about another completely imaginary country….
Long before cats ruled the internet, marketing student Walter Chandoha became a pioneer of feline photography. Not only did Chandoha’s images appear on over 300 magazine covers and thousands of adverts, he elevated feline portraiture to an art form.
In New York in 1949 young marketing student Walter Chandoha found a stray kitten in the snow. Tucking the cat into his coat, he brought it home to his wife. The cat’s wild antics earned it the name Loco, and Chandoha, who had been a combat photographer during the Second World War, began to take pictures of his new subject.
Rather than get a job in marketing Chandoha turned to freelance photography. He considered cats ideal subjects because they were “just naturally expressive”. His images of cats appeared on advertisements, greetings cards, jigsaw puzzles, T-shirts, posters, calendars and pet food packages. They even featured on the giant 18×60-foot Kodak Colorama display in New York’s Grand Central Terminal.
His images combine a genuine affection for the animals with flawless technique. They range from colour studio photography to black and white street photography, images from vintage cat shows and tender pictures of his children with cats.
He published several books, including Walter Chandoha’s Book of Kittens and Cats (1963) and the seminal text How to Shoot and Sell Animal Photos (1986). Before his death in January 2019 at the age of 98, Chandoha had been working on a retrospective book of 300 of his cat photographs.
“The FAA is aware of the recalled batteries that are used in some Apple MacBook Pro laptops. In early July, we alerted airlines about the recall, and we informed the public,” the FAA said in an emailed statement.
“We issued reminders to continue to follow instructions about recalls outlined in the 2016 FAA Safety Alert for Operators (SAFO) 16011, and provided information provided to the public on FAA’s Packsafe website: https://www.faa.gov/hazmat/packsafe/,” it added.
Apple announced in June “a voluntary recall of a limited number of older generation 15-inch MacBook Pro units which contain a battery that may overheat and pose a safety risk.”
Even in the Arctic, microscopic particles of plastic are falling out of the sky with snow, a study has found.
The scientists said they were shocked by the sheer number of particles they found: more than 10,000 of them per litre in the Arctic.
It means that even there, people are likely to be breathing in microplastics from the air – though the health implications remain unclear.
The region is often seen as one of the world’s last pristine environments.
A German-Swiss team of researchers has published the work in the journal Science Advances.
The scientists also found rubber particles and fibres in the snow
(18) VIDEO OF THE DAY. “Date With Duke –1947” on Vimeo is a George Pal Puppetoon, restored by the UCLA Film and Television Archive, featuring Duke Ellington performing the “Perfume Suite.”
[Thanks to Hampus Eckerman, Mike Kennedy, Martin Morse Wooster,
JJ, Eric Wong, John King Tarpinian, Cat Eldridge, Rich Lynch, Chip Hitchcock, Alan
Baumler, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Andrew.]
…Instead I ask why fantasy and sci-fi writers seem so much more intimately connected to their fans than writers of other genres do.
“Science fiction, for much of its history – and this goes back to before I was born – was not considered reputable,” says Martin. “It was seen as cheap gutter entertainment. I was a bright kid, but even I had teachers say to me, ‘Why do you read that science-fiction stuff? Why don’t you read real literature?’ You got that kind of snobbism.
“So the early science-fiction fans, in the 1930s and 1940s and early 1950s, felt that very much, and they gathered together, and it was sort of an ‘us against the world’ thing. ‘We know this is great stuff, and you on the outside might make fun of us, and mock us, but we’ll band together.’ And the writers started coming to the conventions, and many writers came out of fandom; they started out as fans.”
Where does he think that patronising attitude to genre fiction comes from? “You can go back to the literary quarrel between Henry James and Robert Louis Stevenson, ” he says, “and that’s really where you see a split between high literature and popular literature. Before that it was just literature.
…“But essentially, in the opinion of most university lecturers for 100 years, James won that argument, and literature had to be about something serious and real life, and if it was about pirates or space travel or dragons or monsters then it was something for children.” He laughs. “That’s all changed. Now science fiction, far from being this little persecuted genre that it was in the 1950s, has conquered the world.”
…Tolkien scholar Tom Shippey, who is supervising the show’s development, told German fansite Deutsche Tolkien that the estate has refused to allow the series to be set during any period other than the Second Age of Middle-earth. This means Amazon’s adaptation will not cross over at all with events from the Third Age, which were dramatised in Peter Jackson’s Oscar-winning trilogy and sees hobbit Frodo Baggins destroy the One Ring.
Spanning 3,441 years, the Second Age begins after the banishment of the dark lord Morgoth and ends with the first demise of Sauron, Morgoth’s servant and the primary villain in The Lord of the Rings, at the hands of an alliance of elves and men.
Shippey said that Amazon “has a relatively free hand” to add details since Tolkien did not flesh out every detail of the Second Age in his appendices or Unfinished Tales, a collection of stories published posthumously in 1980. But Shippey called it “a bit of a minefield – you have to tread very carefully”, saying that “the Tolkien estate will insist that the main shape of the Second Age is not altered. Sauron invades Eriador, is forced back by a Númenórean expedition, is returns to Númenor. There he corrupts the Númenóreans and seduces them to break the ban of the Valar. All this, the course of history, must remain the same…
Robert Jackson Bennett has a wicked sense of humor. His 2013 novel American Elsewhere trained a satirical eye on small-town America even as it straddled the boundaries of science fiction and horror. Yet with his latest work, a novella called Vigilance, the Austin-based author and two-time winner of the Shirley Jackson Award tackles one of the most deadly serious — and sadly relevant — topics of all: mass shootings. As in American Elsewhere, there’s both science fiction and horror in Vigilance. There’s also that wicked Bennett sense of humor. He spares no disturbing absurdity or twinge of cognitive dissonance in his examination of gun mania and the new normal of everyday massacres in America.
Make no mistake: For all its satire of government, entertainment, society, and violence, Vigilance is a sobering read. It takes place just a few years in our future, in a United States that’s simultaneously unrecognizable and chillingly familiar. Texas is in flames. The governor of Iowa is an open white supremacist. Warfare has become almost entirely remote, done with robots and drones, so that the bloodlust and sense of martial duty fostered in people by American society — as well as the noble, heroic ideal of the valiant solder — has nowhere to be vented or expressed. And the younger, more liberal generation has almost entirely fled the United States for other nations with stricter gun control, leaving the older, more gun-favoring population behind.
What that population has done is blood-curdling. John McDean is a producer for a popular television show called Vigilance, in which mass shootings are broadcast for public consumption to those who wish “to witness violence and fear, but always from safe refuge.” His target demographic is the American pistol-owner. As McDean coldly, cruelly calculates, “Pistols are for killing people. Pistols are for urban environments. Pistols are for defense.” They are the perfect choice of what McDean calls his Ideal Person, “isolated within a huge suburban house, wary and suspicious of the outside world, listening to the beautiful woman on the television warn them of horrors and depravity in the lands beyond the borders, of corruption creeping into our cities.”
In June this year, 1964, my family and I took a three week vacation to the island nation of Japan. Though I have been many times before, this was the first time I felt changed as a person after coming home. Perhaps it was the fact that I was finally old enough to appreciate the world around me; or perhaps it was because we’d chosen to stay in a new place: Hiroshima was still under construction, but I could tell it was going to become a beautiful city, despite the air of tragedy. Regardless, I saw Japan in a new light, and it has brought me to see the world in a new light as well.
It was 35 years ago today that Dr. B. Banzai, while conducting a supersonic test of his remarkable Jet Car, breached the dimensional barrier with his experimental Oscillation Overthruster and made contact with the 8th dimension. Congratulations to Dr. Banzai, as well as to the filmmaking team that documented this extraordinary event.
August 10, 2004 — Donald Duck received a star on the Hollywood Walk of Fame.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 10, 1896 — John Gloag. His first SF novel, Tomorrow’s Yesterday, depicts a race of cat people from the distant future observing human society. It was one of five SF novels and a double handful of short stories he wrote in the Thirties and Forties. Only A Short Dictionary of Furniture, one of his non-fiction efforts, is available digitally. (Died 1981.)
Born August 10, 1902 — Curt Siodmak. He is known for his work in genre films for The Wolf Man and Donovan’s Brain, the latter from his own novel. ISFDB notes the latter was part of his Dr. Patrick Cory series, and he wrote quite a few other genre novels as well. Donovan’s Brain and a very few other works are available in digital form. (Died 2000.)
Born August 10, 1903 — Ward Moore. Author of Bring the Jubilee which everyone knows and several novels more that I’m fairly sure almost no one knows. More interestingly to me was that he was a keen writer of recipes as ISFDB documents four of his appeared in Anne McCaffrey’s Cooking Out of This World. Kidneys anyone? Or tripe anyone? (Died 1978.)
Born August 10, 1931 — Alexis A. Gilliland, 88. He won the John W. Campbell Award for Best New Writer in 1982, edging out Brin and Swanwick for the honor. Gilliland also won four Hugo Awards for Best Fan Artist in the early Eighties and won the Tucker Award for Excellence in Partying in the late Eighties. What the Hell is that? He’s got two series, Rosinante and Wizenbeak, neither of which I’ve read.
Born August 10, 1939 — Kate O’Mara. Her films included two Hammer Horror films, The Vampire Lovers and The Horror of Frankenstein. She also appeared on Doctor Who as The Rani during the Era of The Seventh Doctor in a recurring role. She reposted that role in the charity special, Doctor Who: Dimensions in Time. (Died 2014.)
Born August 10, 1952 — David C. Smith, 67. He is best known for his fantasy novels, particularly those co-authored with Richard L. Tierney, featuring characters created by Robert E. Howard, most notably the six novels which involved Red Sonja. Those novels are available on iBooks but not on Kindle.
Born August 10, 1955 — Eddie Campbell, 64. Best known as the illustrator and publisher of From Hell (written by Alan Moore), and Bacchus, a series about the few Greek gods who have made to our time. Though not genre, I highly recommend The Black Diamond Detective Agency which he did. It’s adaptation of an as-yet unmade screenplay by C. Gaby Mitchell.
Born August 10, 1965 — Claudia Christian, 54. Best known role is Commander Susan Ivanova on Babylon 5, but she has done other genre roles such as being Brenda Lee Van Buren in The Hidden, Katherine Shelley in Lancelot: Guardian of Time, Quinn in Arena, Lucy in The Haunting of Hell House and Kate Dematti in Meteor Apocalypse. She’s had one-offs on Space Rangers, Highlander, Quantum Leap, Relic Hunter and Grimm. She’s Captain Belinda Blowhard on StarHyke, a six episode SF comic series shot in ‘05 you can see on Amazon Prime.
(8) HELP PICK THE EXPANSE TOYS. Bonnie McDaniel alerts
Filers to Amazon’s page where you can vote on toys
and dolls to be included with their upcoming box set of The Expanse. “Needless to say, I
voted for the swearing Avasarala doll.”
Some of you wanted a statue of Madam Secretary; others wanted this to be much more “playful.” We’re going to start with the idea of a highly decorated doll. We’ll dress her in her red tunic and include all the proper accessories. We’ll put her in a whimsical toy box for display. And, most importantly, she’ll come with attitude. Press her back and hear her favorite adult-rated sayings. Approx. 12” high.
(9) TUNE INTO SFF. BBC Radio 4’s Stillicide is a futuristic mini-series. Each episode is only 15 minutes and
will be on i-player for a month.
Cynan Jones’ electrifying series set in the very near future – a future a little, but not quite like our own.
Water is commodified and the Water Train that feeds the city is increasingly at risk of sabotage. And now icebergs are set to be towed to a huge ice dock outside the capital city – a huge megalopolis that is draining the country of its resources.
Against this, a lone marksman stands out in the field. His job is to protect the Water Train…
From one of the most celebrated writers of his generation, Stillicide is a moving story of love and loss and the will to survive, and a powerful glimpse of the tangible future.
…Never mind them. Rangers 3-5 were the real lunar probes, even including giant balsawood pimples on the end, which housed seismometers that could survive impact with the Moon. It was more important than ever that we know what the lunar surface was like now that President Kennedy had announced that we would, as a nation, put a man on the Moon and bring him safely back to Earth before the decade was out.
Easier said than done. Ranger 3, launched in January 1962, missed the Moon. Moreover, it sailed past while facing the wrong way. The probe took no useful pictures, and a failure of the onboard computer prevented the acquisition of sky science data….
WATCHERS. On the National Public Radio website, Annalisa Quinn reviews
a new novel, The Turn of the Key (Ruth Ware), that
updates Henry James’s The Turn of the Screw for the
current digital and surveillance age. (“We’re
All Haunted In ‘The Turn Of The Key'”)
In Henry James’s ambiguous, paranoid novella The Turn of the Screw (1898), a governess is left in charge of two children in an isolated Essex country house. Over time, she becomes convinced the children are communing with the ghosts of former servants, who appear to them, at first at a distance and then ever closer, threatening to lead them to damnation. By the end, a child is dead, but we still don’t know: Were the ghosts real, or were they in the governess’s head?
With The Turn of the Key, Ruth Ware (The Woman in Cabin 10) offers a clever and elegant update to James’s story, one with less ambiguity but its own eerie potency. Rowan Caine accepts a nannying job at a gorgeous house in the Scottish Highlands, wired with a smart home app called, horribly, “Happy,” that lets its owners surveil every room in the house from afar, control the lights, heat, and locks — and even talk through speakers in the walls.
…On a couple of occasions, we had face time with Epstein, who seemed, to me, an eccentric and possibly brilliant financier with weird ideas about economics–but hell, he was paying all the bills, so we were polite. One of our observations about his entourage was they consisted mostly of attractive young women in their twenties or early thirties, at most, brought over from his private island near St. John, where it seemed they staffed his house. We had been dangled the possibility of being taken out to that island to see the sights, but most of us did not get that opportunity.
The women, by my instincts, were of a uniform and somewhat inaccessible temper, and I got the impression that Epstein was their lord and master, and they did not range far in their daily lives. But they were all adults.
At one point during the conference, with Epstein in the room, some imp of perverse in me made an analogy (I cannot remember my exact point, or the reason for the analogy) to Dracula coming down out of his castle to ravage the young women of the village. That put an end — though not abruptly — to our face time with Epstein, and the conference ended on schedule. We had a great time with Marvin and his wife, Gloria, loved the islands and towns, and never heard from Epstein or his people again. No further conferences were arranged, at least with me involved….
Few things are as debated at the moment in America as Immigration, and while there are a myriad of opinions about how we should handle it, I don’t think anyone expected Superman to jump into the fray. That’s exactly what DC did though when Superman got a Twitter account, and the hero didn’t waste any time establishing who he is and what he’s always been about. DC shared a video featuring a classic Superman PSA from 1960 titled Lend A Friendly Hand, which put a spotlight on two children looking down on another child because he is a refugee, and Superman breaks down what’s wrong with their thinking.
(16) VIDEO OF THE DAY. “Meow Wolf–Awakening Creativity for the Masses” on Vimeo is
an interview with Meow Wolf CEO Vince Kadlubek where he talks about Meow Wolf’s
nethods of creating art and how they can inspire creativity ine everyone who
experiences a Meow Wolf production.
[Thanks to Cat Eldridge, Chip Hitchcock, JJ, Cliff Ramshaw, Martin
Morse Wooster, John King Tarpinian, SF Concatenation’s Jonathan Cowie, James
Bacon, James Davis Nicoll, Bonnie McDaniel, Mike Kennedy, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Ingvar.]
Baen Books announced
the winner of the 2019 Baen Fantasy Adventure Award at Spikecon in Layton, Utah
on July 6.
“Treason Properly” by J.J. Cragun
“In the House of Rain and Gale” by Joelle Douthit
“In the City of Dreadful Joy” by Misha Burnett
The winners, chosen from among the top ten finalists
announced last month, were selected by Baen editorial staff. The awards were
presented by bestselling Baen author Larry Correia in a ceremony at Spikecon, home
to this year’s Westercon, NASFic, 1632 Minicon and Manticon.
Started in 2014, this is the sixth annual Baen Fantasy
Adventure Award. Baen presents this award “to honor stories that best exemplify
the spirit of adventure, imagination, and great storytelling in a work of short
fiction containing an element of the fantastic, whether epic fantasy, heroic
fantasy, sword and sorcery, or contemporary fantasy.”
While the stories are judged anonymously — and stories were submitted by authors from all around the globe — as fate would have it, the Grand Prize Winner, J.J. Cragun resides in Morgan, Utah, which neighbors Spikecon’s host city of Layton, Utah.
On hand to emcee the Baen festivities, Baen Executive
Editor Jim Minz said, “Fantasy has inspired and entertained humanity since
before the written word, and our earliest known sagas are filled with rousing
adventures and fantastical creatures. We’re honored to continue that
The winner receives an award trophy, a prize box
filled with Baen merchandise, and paid professional rates for first publication
rights. “Treason Properly” by J.J. Cragun will be featured on Baen.com
main webpage from September 15 through October 15, and will be available at the
Baen Free Library after that.
Editor’s note: Although I have been at this computer all day it’s included writing other posts, so a lot of good links will need to be carried over til tomorrow!
(1) AGAIN PLEASE. According to The
Hollywood Reporter, a sequel to the Emily Blunt-Tom Cruise movie Edge of Tomorrow is happening. Original director Doug
Liman and both stars are returning for the second movie:
Edge of Tomorrow was based on the Hiroshi Sakurazaka manga All You Need Is Kill, and somewhat controversially, was rebranded as its tagline Live. Die. Repeat. on home entertainment. The film was not considered a runaway hit commercially, making $370 million globally on a $178 budget, but it was a success with critics and has grown in popularity over the years on home entertainment. Liman, Cruise and Blunt continue to get asked about sequel possibilities in interviews, and have all spoken publicly about their interest in returning.
(2) VOTE FOR BOTH. Catherynne Valente tweeted extensively about the indie/trad worlds today. Not in a thread, here are some of the things she said —
(3) DIALOGUE. Yudhanjaya Wijeratne and Annie Bellet exchanged tweets today. (Unfortunately, in cases like this WordPress reproduces pairs of tweets, leading to unintended repetition of the message replied to.)
Please imagine that you are a newer writer from Sri Lanka, a brown man from a small island country with a *tiny* publishing industry, a man who has recently been notified that you’ve received a Nebula nomination. You are, of course, over the moon with excitement. You are perhaps scrambling to figure out if there’s any way you can afford the exorbitant cost of a ticket to get to the Nebulas from Sri Lanka (keeping in mind exchange rates as well, which makes said ticket cost ten times as it much as it would for an American traveling to Sri Lanka). It’s going to be hard, but still, overall, you’re so very happy. It is wonderful news, that the largely American-dominated SF/F publishing scene might actually be open to someone like you.
Then some random white lady (random as far as you know, because you aren’t actually up on the minutiae and history of a particular award in another country halfway across the world) starts yelling on Twitter about the nominations, and specifically, about the fact that you and a few other people got nominated…
…Some people in the field have been sharply critical of one of the nominated authors being what they see as condescending in his response to Bellet. Maybe he was, maybe he wasn’t. But he definitely wasn’t swearing back at her — he was, in my opinion, incredibly restrained, considering the flood of vituperative abuse Bellet was hurling at him, at the other nominees, and at the people who nominated them.
Now look. Bellet went through a very rough time, and it’s perhaps understandable that she might come out swinging, and swearing. I’m not going to condemn her for that, necessarily, though I think she misread the situation to some extent. Marko Kloos went through a similarly rough decision then, and he deserves slack on this too.
But EVERYBODY else? They could take the time to read and research a little before leaping in on her side against someone they knew nothing about. Is this what we are in the field? A mob that will leap to the defense of one of our own, regardless of the rightness of her cause?
I don’t actually think Bellet meant to be racist — she didn’t single out the Sri Lankan writer. But it is easy to see how it looked that way to people on the other side of the planet.
There are a host of Sri Lankan writers now wondering if THIS is what science fiction publishing is in America. There are already some of them convinced that this was a racist attack against a brown-skinned writer. They are wondering if the field really is as racist as it seems.
Many of them believe this is emblematic of a field and an industry that WE ALL KNOW still has incredibly large disparities in who gets to get published. No matter how loudly we shout #weneeddiversebooks and talk about supporting #ownvoices. I have spent several HOURS in the last few days talking them down, and I cannot blame them for leaping to that conclusion when they are met with such violent language, and such immediate closing of ranks.
Mary Anne, I have a lot of sympathy for the Sri Lankan writer (not sure why we’re not mentioning his name, but I’ll adhere to your convention here). That said, in the scenario you’re asking me to imagine, I would not have rolled in the way he did. Upon seeing an established writer showing every sign of being really pissed off about some past incident — she mentions the Puppies, etc. — I would be diplomatic and at least try to figure out why she’s so upset before immediately leaping to the conclusion that it’s specifically about me. This guy wasn’t diplomatic. He was condescending and there’s no maybe about it. (Among other things, he called her a petulant child for being angry, which feels to me like a one-two combo of tone policing and chauvanism, because I don’t often hear men getting called children just for dropping f-bombs.) I think it’s a misread of the situation to say that Bellet was yelling *at him,* at least initially. It seemed clear enough to me that she was angry with whoever had created and pushed the slate. She never said anything different.
Now granted, I might be more sympathetic to her because my first reaction to finding out about the whole thing was a lot of swearing on Twitter, too! But after reading your post, I’m left trying to figure out what you’re advocating, here, as a better way to have handled it. Are you asking for people still smarting from a recent past incident to not express anger about a fresh trigger? That feels like a lot to ask. For people angry about group wrongdoing to not single out the writers of color? She didn’t, as you note; things only got ugly after he got snitty with her, to start. For people angry about group wrongdoing to consider how it feels to be a newbie caught up in the mess? There’s no one who would understand that better than Bellet and Kloos, and I read their initial anger as anger *on behalf of* the newbies, not *at* them.
I am 100% supportive of more writers of color coming into this field! More writers from other countries, esp SE Asia! All in. But this guy jumped into what was essentially an ongoing conversation about the past few years’ worth of stuff, and reacted as if it was about him, personally. That’s not a misread on Bellet and Kloos’ parts.
Personally, I think this whole business is the result of a culture clash: anything-goes indie writers versus a (indie and tradpub) community that at least *thinks* of itself as merit-focused. The anything-goes writers really should’ve done some field research before they jumped in and tried to plant a flag on merit-focused ground; this mess is the result. I think this writer’s interaction with Bellet is a microcosmic example of the overall problem.
(5) TODAY IN HISTORY
March 1, 1856 — Charles Dodgson chooses his pseudonym-Lewis Carroll.
(6) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 1, 1938 — Michael Kurland, 81. His The Unicorn Girl was the middle volume of the Greenwich Village trilogy by three different authors, the other two being Chester Anderson and T.A. Waters. Kurland has also written genre novels including Ten Little Wizards and A Study in Sorcery, set in the world of Garrett’s Lord Darcy. His other genre novels are Ten Years to Doomsday (written with Chester Anderson), Tomorrow Knight, Pluribus and Perchance.
Born March 1, 1941 — Martin Greenberg. Founder of Gnome Press who’s not to be confused with Martin H Greenberg. Not on Asimov’s list of favorite people despite being the first publisher of the Foundation series. Not paying authors is a bad idea. (Died 2011.)
Born March 1, 1950 — David Pringle, 69. Pringle served as the editor of Foundation during the Eighties which In turned spawned Interzone durning that time. The Glasgow Worldcon committee gave Pringle a Special Award for his work on Interzone. With Malcolm Edwards and Ian Watson, he also edited Foundation: The Review of Science Fiction from the late late Seventies through the mid Eighties. Besides his various guides to the genre such as The Ultimate Encyclopedia of Fantasy, I see early on that he did a lot of work on J.G. Ballard such as Earth Is the Alien Planet: J. G. Ballard’s Four-Dimensional Nightmare and J. G. Ballard: A Primary and Secondary Bibliography. I also note that he’s not published anything listed on ISFDB in the field of late. Any idea why?
Born March 1, 1952 — Steven Barnes,67. Co-writer with Niven of the Dream Park series. I read the first two when they came out thirty years ago, not bad at all. Their Heorot series isn’t bad either. I’ve not read him on his own so cannot say how he is as a solo writer. I see he’s git a spot of series writing having done work for The Outer Limits, Andromeda and Stargate SG-1.
Born March 1, 1956 — Tim Daly, 63. He voiced Superman and his alter ego Clark Kent in Superman: The Animated Series, plus Superman: Brainiac Attacks, Superman/Batman: Public Enemies, Superman / Batman: Apocalypse and Justice League: Doom. He has appeared in Dr. Jekyll and Ms. Hyde, After Darkness, Made in Heaven and Alfred Hitchcock Presents.
“If it proves to be what they say it is, it is a once-in-a-generation — or several generations — find,” said Michael Witmore, director of the Folger Shakespeare Library in Washington.
The findings were made by Dennis McCarthy and June Schlueter, who describe them in a book to be published next week by the academic press D. S. Brewer and the British Library. The authors are not suggesting that Shakespeare plagiarized but rather that he read and was inspired by a manuscript titled “A Brief Discourse of Rebellion and Rebels,” written in the late 1500s by George North, a minor figure in the court of Queen Elizabeth, who served as an ambassador to Sweden.
(8) PICKING A RESPONSE.
Hillary Monahan discusses a now-commonplace social media dilemma. Thread starts
(9) ANOTHER THING LARRY
CORREIA IS SENSITIVE TO. Larry Correia read that Kosoko Jackson pulled his
book and issued an apology for having offended people (see details in the Reason.com
article linked by yesterday’s Scroll). Jackson’s work as a sensitivity reader seems
to have inspired Corriea’s Monster Hunter
Nation response — “’Sensitivity
Readers’ Are Bullshit, and You Are A Sucker If You Believe Them” [Internet
Archive link]. Of course, Correia thinks the very idea of sensitivity is
bullshit, and you’d be mistaken if you thought this was supposed to be a
defense of Jackson.
…Note, these Sensitivity Readers are always the typical progressive buzzword vultures, looking for racist/sexist/homophobic microaggressions, because it’s pretty obvious to anyone who has ever read a book from mainstream publishing that they don’t give a shit about offending any other group… Or even getting their basic facts right about anybody who isn’t Team Blue.
Seriously, I specifically set MHI in Alabama because of how sick and tired I was of how southerners are always portrayed as ignorant redneck hicks in most fiction. And I’m a westerner (though I lived there long enough Alabamans adopted me). Where are the “Sensitivity Readers” for combat vets? Where are the “Sensitivity Readers” for Christians? Or gun-nuts? (holy shit, these people are bad at writing action scenes, so they really could use that one)
(11) WHERE TO GET YOUR CLICKS.
Juan Sanmiguel asked:
It means that after reading my latest post a Filer hasn’t completely given up hope that somebody will come along and write something interesting!
(12) HE SHRIEKED. Andrew
Porter tuned into tonight’s Jeopardy! and
Answer: This Edith Hull bestseller about forbidden love in the desert became a 1921 film starring Rudolph Valentino.
Wrong question: “What is ‘The Thief of Baghdad’?”
JJ, Carl Slaughter, Andrew Porter, John King Tarpinian, Mike Kennedy, Martin
Morse Wooster, Chip Hitchcock, Mary Anne Mohanraj, Rob Thornton, and Cat
Eldridge for some of these stories. Title credit goes to File 770 contributing
editor of the day Andrew.]
In a stunning decision that could have widespread repercussions in the TV industry, Fox has been hit with a $178.7-million judgment in its profit participation dispute with the team behind the hit series “Bones.”
The ruling, which was decided in arbitration, excoriated senior Fox executives and criticized the studio and network for its conduct. The decision has also rattled other studios, including the highest echelons of the Walt Disney Co., which is bringing aboard some of the same executives in its $71 billion acquisition of Fox.
Hulu is also at the center of the storm, with accusations that Fox withheld revenues from “Bones” when the series became available for streaming on the digital platform. Fox owns a 30% stake in Hulu, along with other major studios.
… “The Arbitrator is convinced that perjury was committed by the Fox witnesses,” the ruling stated. “Accordingly, if perjury is not reprehensible then reprehensibility has taken on a new meaning.”
Despite some bumps, it’s obvious that Patreon’s subcription model for crowdfunding is a success, to the tune of $500 million in creat or payouts in 2019. With that kind of money floating around, it’s no wonder that some other giant entities – including YouTube and Facebook – want to tap into the cash stream and launch their own subcription models to support creators.
Facebook’s version, “Fan Subscriptions,” rolled out last year in a very private test, offering to charge fans $4.99 a month for access to exclusive content by their favorite creators.
The program just expanded to offer its services to more content creators. And as Tech Crunch reports, reading the terms reveals, to the surprise of no one, that they are vastly less favorable to content creators than Patreon.
The Tech Crunch article
Facebook will drive a hard bargain with influencers and artists judging by the terms of service for the social network’s Patreon-like Fan Subscriptions feature that lets people pay a monthly fee for access to a creator’s exclusive content. The policy document attained by TechCrunch shows Facebook plans to take up to a 30 percent cut of subscription revenue minus fees, compared to 5 percent by Patreon, 30 percent by YouTube, which covers fees and 50 percent by Twitch.
Facebook also reserves the right to offer free trials to subscriptions that won’t compensate creators. And Facebook demands a “non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use” creators’ content and “This license survives even if you stop using Fan Subscriptions.”
(3) NUMBER NINE. [Item by Greg Hullender.] Mike Brown just presented a paper with new results that significantly narrow down the parameters for a hypothetical Planet Nine beyond Neptune. He wrote a few blog posts about it, the most useful of which is probably this one: “version 2.X”.
The upshot is that this should make it easier to find,
but it also seems more likely than ever that it’s really out there. Looking at
that projected orbit, it’s way, way beyond Neptune. And, yes, it’s
massive enough to have “cleared its orbit,” so it’s still a planet, even by the
In principle, there is so much more that I would like to say, but at this point I think it’s becoming progressively clearer that my coffee supply ran out a couple paragraphs ago, and in an effort to prevent further degradation of the text, I will get straight to the final point: if Planet Nine is smaller, does that mean it’s harder to find with a telescope? Counterintuitively, it’s the opposite. The smaller distance from the sun more than makes up for the diminished surface area. Indeed, if we make naive baseline assumptions about P9’s albedo and adopt the interpolated exoplanet mass-radius relation to estimate P9’s size, Planet Nine turns out to be about one magnitude brighter than we previously thought. Annoyingly, though, the aphelion is very close to (in?) the galactic plane, where confusion due to background stars can readily impede detection. Still, unless we are unlucky and P9 is unexpectedly small and/or dark, it should be within the reach of LSST and comparable telescopes like Subaru. The good news is that in the case of Planet Nine hypothesis, time truly will tell.
Speaking with Entertainment Weekly, Martin revealed that series showrunners David Benioff and D.B. Weiss asked him to travel all the way from his house in New Mexico to Ireland to film a cameo in one of the final season eight episodes, which, he says, he was “tempted to do.” Unfortunately, he’s a little too busy working on The Winds Of Winter, the next novel in the A Song Of Ice And Fire series–or so he says.
Anyway, if everyone wants this badly enough they can find a studio with a green screen in New Mexico, have Martin perform his bit, and fill in the rest with CGI.
This one has a great range of stuff in it, with some terrific indie and small press reads. One book I am particularly pleased to have there is K.C. Ball’s collection, which I edited. K.C. was a dear friend whose passing I wrote about here.
For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.
Snapshots from a Black Hole and
Other Oddities by K.C.
Sunspot Jungle by Bill Campbell
Elysium by Jennifer Marie Brissett
Queen of Roses by Elizabeth McCoy
If you pay at least the bonus price of just $15, you get all four of the regular books, plus SIX more!
Albatross by R.A. MacAvoy and Nancy L.
Cat Pictures Please and Other
Stories by Naomi Kritzer
Reprising their highly praised performances from the Almeida run are Oliver Alvin-Wilson, Adrianna Bertola and Neil Haigh, who will be joined for the West End premiere by Alisha Bailey, Natasha J Barnes, Nicholas Karimi, Dan Crossley, Dyfan Dwyfor, Lauren O’Neill and Matthew Steer.
Glenn Close. This is why some people who can reasonably expect a win still dress simply rather than go for something Fashiony; there’s no shame in seeming surprised you won, but the biggest shared glance-and-nod on this entire red carpet was Glenn Close dressing like the Oscar she was here to collect, and of course she was, because she had it in the bag, because she’d spent the entire red-carpet season in toned-down suits and gowns that looked extremely Career Oscar and reserved and dignified while she collected awards, and she threw it all out the window at the very last turn for this cape with four million beads (four MILLION beads!) to show up and get her statue, and then she didn’t get it.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 27, 1934 — Van Williams. He teamed for one season with the late Bruce Lee as his partner Kato on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.)
Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)
Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it. Writer of several impressive genre novels including Breakthrough and Replay which I’ve encountered and Into the Deep and Elise which are listed in ISFDB but which I’m not familiar with. (Died 2003.)
Born February 27, 1957 — Timothy Spall, 62. Before his more famous roles, he started off in late Sixties horror film Demon Dream as Peck Much later he’ll appear as Rosencrantz In Hamlet. And then we came to him as Mr. Poe in Lemony Snicket’s A Series of Unfortunate Events which I’ve yet to see. And of course he’s Peter Pettigrew, nicknamed Wormtail, in the Harry Potter franchise. And yes, he’s done much, much more than that for genre roles, so do feel free to chastize me for not listing what you think is his best role.
Born February 27, 1960 — Jeff Smith, 59. Creator and illustrator of Bone, the now complete series that he readily admits has “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil.
Born February 27, 1962 — Adam Baldwin, 57. Genre roles include Firefly and its continuation in Serenity as Jayne Cobb. Colonel John Casey in Chuck, Independence Day as Major Mitchell and Mike Slattery in The Last Ship. He’s also done voice work such as Hal Jordan and Jonah Hex on Justice League Unlimited, and Metamorpho on Beware the Batman.
Born February 27, 1964 — John Pyper-Ferguson, 55. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser. And though he has an extensive one-off career in genre series, his occurrence as a repeated cast member is not uncommon, ie. he’s Agent Bernard Fainon the new Night Stalker for some episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship asTex Nolan.
Born February 27, 1966 — Peter Swirski, 53. He’s a academic specialist on the late SF writer and philosopher Stanis?aw Lem. As such, he’s written the usual treatises on him with such titles as Stanislaw Lem: Philosopher of the Future, Lemography: Stanislaw Lem in the Eyes of the World and From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution.
(9) COMICS SECTION.
Monty & Doc visit the past to find out how the Egyptian pyramids were constructed only to be surprised…
…but Monty still needs to be careful with his eggplant emoji; the Pharaoh might get the wrong idea.
(10) MAINTAIN AN EVEN STRAIN. Another dead author gets
his name on a book above the title, though at least they acknowledge he didn’t
write it (AP News: “Sequel to Michael Crichton’s ‘Andromeda Strain’ due in
fall”). An authorized sequel to The Andromeda Strain—The
Andromeda Evolution by Daniel H. Wilson—is due for a November 12
release by HarperCollins.
Its publication marks the 50th anniversary of “The Andromeda Strain,” Crichton’s techno-thriller about scientists fighting a lethal extraterrestrial microorganism. Released when Crichton was just 27, it was later adapted into a feature film and television miniseries, with Ridley Scott among the producers.
“It’s exciting to be shining a spotlight on the world that Michael so brilliantly created and to collaborate with Daniel Wilson,” [his widow,] Sherri Crichton[,] said in a statement. “This novel is for Crichton fans; it’s a celebration of Michael’s universe and a way to introduce him to new generations, and to those discovering his worlds for the first time.”
[…] “As a lifelong fan of Michael Crichton, it’s been an unbelievable honor to revisit the iconic world that he created and to continue this adventure,” Wilson said in a statement.
It lasts around 23 minutes and feels “like going over Niagara Falls in a barrel, on fire, then crashing really hard.”
That’s how retired Nasa astronaut Ron Garan describes the return from space, strapped into the tight confines of a Soyuz capsule plummeting through the atmosphere back to Earth. The touchdown, slowed by a parachute and – at the very end – six small rockets, is called “soft,” but in reality it’s extremely rough.
We’ve all seen the scenes once the capsule has landed – astronauts and cosmonauts being carried away from Soyuz and carefully lowered into chairs. This is not a precaution; people returning from space literally cannot walk. The reason, however, is not the rough re-entry, but the fact that while in space, they have kind of lost their legs – albeit temporarily.
(12) DON’T YOU WANT SHORT FICTION TO LOVE: Continuing to read with cupidity, Jason once again points to some February fiction he enjoyed including a possibly odd combination of horror and a Valentine’s Day tale in “Month in Review: February 2019”.
Counting a few stories from the late-breaking Tor.com Short Fiction and the last BCS and Terraform stories from January, February produced 48 stories of 210K words. It also produced the odd results of two recommended dark fantasy/horror stories with no SF or general fantasy and five otherwise noted SF stories with no fantasy (though one could easily be considered yet another sort of dark fantasy/horror). Three of the five come from my two February Tangent reviews of Constellary Tales and InterGalactic Medicine Show, which have some oddness of their own. The former was born recently and I reviewed the second issue. The latter contained the surprising announcement of its death in the editorial. So the gods of short fiction giveth and taketh away.
(13) MORE ON NEBULAS. J.A. Sutherland shines light on sff’s major awards and their different goals. Thread starts here.
Efforts to cast the kerfuffle over the 20BooksTo50K Nebula list as
tradpub vs. indie civil war are tripped up by some of the facts.
It has come to our attention that one of our books, THE CONTINUUM by Wendy Nikel, was included in the 20booksto50K “slate” Nebula recommendation list. Neither the author nor anyone involved with World Weaver Press was aware of this list until yesterday, nor do we endorse it. While we would be thrilled to see this novella nominated for any of the major SFF awards, it needs to be nominated on its own merits, not as some sort of statement regarding “indie” vs. “trad pub.” Besides, we are actually a traditional publisher. Just a small one.
As for the whole “indie versus traditional” rhetoric, honestly, that debate is so 2012. The stigma against self-publishing has long since evaporated. Can’t we move on and accept that indies, traditionally published authors and hybrids are all part of the same genre? The Nebulas aren’t hostile to indie works – the 2014 Best Novel finalist The Red: First Light by Linda Nagata was self-published, at a time when SFWA wasn’t even open to indie writers yet. The Hugos aren’t hostile to indie works – the novelette “In Sea-Salt Tears” by Seanan McGuire in 2013 was the first self-published finalist and there have been several since.
Besides, most people were initially willing to give 20Booksto50K the benefit of a doubt. The reaction was mostly along the lines of, “Well, they’re new and don’t know the culture and etiquette. They’ll learn and maybe some of the stories are good.” But the huffy responses from some 20Booksto50K Nebula finalists and other members of the group (Lawsuits? Really?) have destroyed a lot of good will, not just towards this group, but also towards indie writers in general. And I really doubt that was the intent.
(14) IF THIS GOES ON. Bernard
Lee’s cover art for Parvus Press’ forthcoming collection of original science
fiction, IF THIS GOES ON: A Science
Fiction Look at the Politics of Our Future, has been accepted into the
exhibitions for both the Society of Illustrators East and West annual exhibitions.
Bernard is a California artist and illustrator and painted this cover as oil on canvas. It pictures the Lincoln Memorial lost to the waters of the Chesapeake following rampant, unchecked global warming. Underwater flora rise ominously behind the statue of the Great Emancipator and sandbar sharks, native to the Chesapeake, have taken residence inside the Memorial’s remains.
Said Colin Coyle, Publisher at Parvus Press, “It was nearly impossible to provide clear direction for the cover of a collection this diverse. But Bernard Lee rose to the challenge and produced a beautiful work of art that’s really a stand-alone contribution to the collection in its own right.”
The Society of Illustrators Exhibition in New York runs through March 9, 2019 as part of “Illustration 61” at the Society of Illustrations Museum in New York, located on 128 East 63rd Street. “Illustration West 57”, the annual exhibition of the Society of Illustrators of Los Angeles will be exhibiting the artwork in March. IF THIS
GOES ON releases on March 5.
(15) NETFLIX. The OA Part II airs March 22.
No one survives alone.
(16) OPEN THE BOOK BOMB BAY DOORS. Following last week’s avalnche of posts by romance writers calling foul on people’s unscrupulous exploitation of Amazon’s business model comes one from Larry Correia defending himself for doing something no one has complained about: “A Note About Book Bombs” [Internet Archive link.] Isn’t there’s a Bible verse “The wicked flee where no man pursueth”?
A Book Bomb is when you get as many people as possible to buy a specific book on a specific day, with the goal of pushing it as high up in the sales rankings as possible on Amazon, with the goal of getting it onto some bestseller lists, so that more new eyeballs see it. This is a great way to expose an author to new readers.
Lots of people do this, but the ones we do here on Monster Hunter Nation tend to work better than average….
I’ve had bitter cranks whine about how this is “gaming the system” because apparently authors are supposed to sit quietly while tastemakers and critics decide what should be popular. No thanks. I’ll game that system then, and appointed myself a tastemaking critic. But a BB ain’t cheating because these are all legit sales using actual money, being purchased by actual human beings, who will hopefully enjoy the book enough to leave a review and purchase the author’s other books….
An altruistic effort to share his platform – what’s to complain about that?
Sir Philip Pullman’s second instalment in his Book of Dust series, where he returns to the world of His Dark Materials, will be released in October.
Heroine Lyra Silvertongue is back as an adult in The Secret Commonwealth.
Lyra was a baby in the first book in the Book of Dust trilogy, La Belle Sauvage, which was critically acclaimed when it was released in 2017.
The new book is set 20 years after that, and seven years after the end of the His Dark Materials series.
Sir Philip’s publishers have released an extract from the start of the new book which sees Lyra at odds with her daemon Pantalaimon after they unwittingly witness a murder.
The book sees Lyra, now an independent young woman, “forced to navigate a complex and dangerous new world as she searches for an elusive town said to be haunted by daemons.”
Jason, Chip Hitchcock, JJ, John King Tarpinian, Martin Morse Wooster, Cat
Eldridge, Mike Kennedy, Carl Slaughter, Cat Rambo, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Daniel
The Game Manufacturers Association announced it will not renew Executive Director John Ward’s contract. An August 24 press release says:
The Board of Directors of the Game Manufacturers Association (GAMA) has passed a motion electing not to renew the current employment contract of its Executive Director, John Ward.
John Ward has served GAMA in the Executive Director role for ten years. He led the organization through a difficult time by building its annual events — the Origins Game Fair and GAMA Trade Show — and retiring its debt. The Board thanks John for his service and wishes him the best in his future endeavors.
This is a non-renewal, not an immediate termination, and Ward will be around to assist the transition to new leadership:
…An Executive Director job description and call for applicants will be posted on the gama.org website when the board is ready to consider applicants. The board encourages all enthusiastic, qualified candidates to apply. The board also thanks the outgoing Executive Director for agreeing to help during the transition period.
…Shortly after publicizing that Correia had been added to the lineup, John Ward, the event’s Executive Director, received so many negative social media comments (on Twitter, particularly) that he announced Correia’s invitation has been rescinded….
This elicited an enormous negative reaction among Correia fans on social media, including people who might otherwise have approved anyone with the kind of background Ward brought to the job. A press release about his hiring in 2009 stated:
…Professionally, Ward has extensive experience in the military and in state government. Ward is a retired Army officer with over 23 years of combined service in the military police and engineer corps. His military experience has provided him opportunities to deploy to Europe, Central America, Korea, and the Persian Gulf for the first Gulf War.
Ward also has over 20 years of government service in the criminal justice field, most recently in the juvenile system as the state of Ohio’s Bureau Chief of Parole and then Bureau Chief of Community Facilities….
The Correia matter was just one of the challenges Ward faced this year. Harassment allegations by one participant against another about an experience during the Origins Game Fair received wide coverage. Polygon’s story covered responses from the accused, and by Origins’ administering body, GAMA: “Accusations of sexual harassment rock the board gaming community”.
GAMA’s official statement said in part:
As we demonstrated earlier this year, we take harassment very seriously and are committed to providing a safe, welcoming and fun environment for everyone at the show.
This serious allegation has not been taken lightly. We are committed to handling this in a thorough and professional manner. We are interviewing all parties involved and gathering statements from witnesses who viewed the incident firsthand. We owe all parties involved a fair process to gather the facts and discern as much as possible those confirmed elements before we act. The ramifications of an unjustified response are simply irreplaceably damaging….
A Google search did not find any more news about how the harassment allegations are being handled.