Tag Archives: Leah Schnelbach

Pixel Scroll 1/1/20 Old Pixel’s File Of Practical Scrolls

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(1) AFTER QUARTER CENTURY, GOMOLL STEPS DOWN. The Otherwise Award announced yesterday: “Jeanne Gomoll Retires from Motherboard”.

Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.

Jeanne writes:

Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.

I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.

The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.

(2) THIS IS HORROR. Public nominations are being accepted through January 8 for the This Is Horror Awards.

The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.

Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.

We invite you to include one sentence as to why each nomination is award-worthy.

(3) DEEP STATE. Jason Sanford has been posting interviews he conducted with sff magazine editors in conjunction with his fantastic report #SFF2020: The State of Genre Magazines.

Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?

Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage.  That’s double what our annual budget is to pay for the stories we publish.  To cover that, our monthly donations through Patreon would have to increase by 7000%….

Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?

LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….

Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?

Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.

Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?

Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….

(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended another week —

(5) MORE ON MILAN. The Guardian’s coverage of the RWA/Courtney Milan controversy, “A romance novelist spoke out about racism. An uproar ensued”, starts with the now-familiar origin story, then adds dimension with background history like this:

HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.

There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.

The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.

(6) ARRAKIS AGAIN. Just before the calendar clicked over to 1965, Galactic Journey’s Gideon Marcus forced himself to read the first installment of the Dune World sequel: “[December 31, 1964] Lost in the Desert (January 1965 Analog)”.  

The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?

And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.

But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.

(7) RINGS TWICE. Tor.com reprints “A Weapon With a Will of Its Own: How Tolkien Wrote the One Ring as a Character”, Megan N. Fontenot’s engrossing manuscript study about how Bilbo’s trinket became the key to the LOTR trilogy.

In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).

It would have been the master.

From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.

But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…

(8) JANUARY 2. Get ready – tomorrow is “National Science Fiction Day”. It must be legit – “National Science Fiction Day is recognized by the Hallmark Channel and the Scholastic Corporation.”

National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction. 

The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov.  An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.

(9) TODAY IN HISTORY

  • January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally.  He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
  • Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
  • Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
  • Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally.  (Died 1967.)
  • Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read.  With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
  • Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it? 
  • Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
  • Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read  of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me. 
  • Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent. 

(11) COMICS SECTION.

(12) DODGED THE BULLET. [Item by Mike Kennedy.] In an alternate universe, it seems that original director Harold Ramis would’ve made a very different Galaxy Quest. From ComicBookResources.com: “Galaxy Quest: Tim Allen Equates Harold Ramis’ Version to Spaceballs”.

Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.

[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”

[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”

(13) JUST CHUCK IT. Is this April 1 or January 1? Today Tor.com posted Leah Schnelbach’s “Excellent Writing Advice from Erotica Author Chuck Tingle”.

…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.

Asked about a typical writing day, Tingle replies:

yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.

OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….

(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press releases I got today…

Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices

…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.

GuRu is the first company to crack the code on totally untethered, over-the-air charging.

Even discounting remote mal-hackers, this sounds like a recipe for either a droll TV episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated pets and sleeping people, etc.)

(15) MIXED BAG. [Item by Chip Hitchcock.] I expect everybody will find something interesting or strange in the BBC’s “Alternative end-of-the-year awards”

Animal rescue of the year

Winner

Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.

…Runner-up (2)

In this case, the animals were the rescuers rather than the rescued (sort of).

Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.

And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.

(16) MAKING TRACKS. “SpaceX satellites spotted over Derbyshire” – BBC has photo and short video.

Stargazers across Derbyshire were startled when they saw what appeared to be a new “constellation” in the night sky.

The near-perfect line was in fact formed by the Starlink, satellites launched by Elon Musk’s SpaceX company earlier this year.

They were spotted across Derbyshire and the Peak District.

Tom Sparrow, an amateur photographer, said the satellites were “quite a spectacle”.

The Bradford University archaeology researcher caught the orbital pass by chance on a time-lapse video in the Peak District.

(17) BEYOND BINARY. The Hollywood Reporter’s Robyn Bahr, in “Critic’s Notebook: Baby Yoda, ‘The Dark Crystal’ and the Need for Puppetry in the Age of CGI “, cheers on non-digital effects.

As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”

Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.

And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.

The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….

(18) PERRY MASON. My fellow geezers may enjoy this quick quiz.

[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 12/19/19 A Rising Scroll Files All Pixels

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(1) RINGING UP FANDOM. io9’s Katharine Trendacostasays this was “The Decade Fandom Went Corporate”. Quite a bit to think about here.

In the last twenty years, fandom and mass culture have basically merged. Fans and fandom spent the 2000s fighting for legitimacy and proving their combined worth. And corporations? Well, they spent the 2010s learning how to co-opt fandom to silence critics, manipulate press, and make even more money.

For decades and decades, fandom wasn’t something you talked about. Not really. Fanfic, fanart, and cosplay—those were things shared at conventions and in zines and, later, in usenet groups. Even the outwardly facing form of fandom—the manboy fan with his collectibles and endless trivia debates—was usually presented as something to be ashamed of.

… Transformative fandom’s road was much rockier. The split between curatorial and transformative fandom—with one more accepted than the other—has been historically viewed as gendered. Transformative fandom is where fans don’t just consume the media, they make it their own. This is where you get cosplay, fan films, and so on. Transformative fandom got you in trouble. Being threatened with legal action for writing fanfic was a very real danger.

I’d argue that transformative fandom calls to marginalized groups in general because it is the realm of people who see something compelling in a piece of media and then reinterpret it in a new way, to make it easier to identify with. Hollywood—and comics, and book writers, and so on—has been so white, so straight, and so male for so long. Transformative fandom lets people participate in mainstream culture and still get to see themselves in it.

… In the same way people these days use things like GoFundMe to raise money for basic necessities, fanwork creators have started taking commissions for their work. This is another expression of the hellscape of 2019, where people can’t afford rent, food, or healthcare and are mobilizing their skills and their communities to survive. This is depressing but understandable. There is also the rise of sites Redbubble (founded 2006) and Etsy (founded in 2006), where fans can sell their work to other fans. Where selling any of this thing in any sort of public forum used to be terrifying, it’s now fairly normal.

There are legal concerns, of course. It’s just that, these days, between the work of groups like OTW and the Electronic Frontier Foundations (which, full disclosure, I work at), there’s more understanding and legal precedent showing that fanworks are transformative and not copyright infringement. Creators and companies also have figured out that this kind of fan creation is the result of a love for their show, movie, etc. and that going after fans—in the way Anne Rice was famous for—can only serve to alienate your base….

(2) FOUR ON THE FLOOR. Tor.com’s Leah Schnelbach, Christina Orlando, Natalie Zutter and Renata Sweeney dialogue about “2010-2019: A Decade of Change in Science Fiction & Fantasy”. About halfway through the conversation they get into —

SELF-REFLEXIVE NERDERY

Zutter: The other 2012 book I wanted to mention was Redshirts by John Scalzi. I feel like it tapped into this era of self-reflexive, meta sci-fi. Riffing on Star Trek, in sort of the Galaxy Quest realm.

Orlando: I was going to bring up Space Opera by Cat Valente, that element of taking the trope and just running with it, even to the extent of calling the book “space opera”. It’s a commentary on tropey stuff, where I think for a long time tropes were something to be avoided, but we see more and more, especially from people who came up through fanfiction, the love of tropes, and the idea of leaning into “there’s only one bed” or those kinds of things, cause it’s the stuff that we find comforting. It does get tongue-in-cheek, and creates layers of commentary on genre itself—

Zutter: This shared language.

Sweeney: The previous year’s Ready Player One was sort of nerd nostalgia, so it’s Redshirts-adjacent. Armada and Ready Player One are steeped in nostalgia in a way that I don’t think Redshirts is, in that self-referential, “This is a joke that you only get if you understand nerd culture” way….

(3) TIME RUNS OUT. The trailer for Christopher Nolan’s TENET.

(4) HAMMERING ON HIS TYPEWRITER. This column by Galactic Journey’s Victoria Silverwolf includes a capsule description of an author I found very entertaining when I originally discovered sff: “[December 19, 1964] December Galactoscope #2”.

The Anvil Chorus

Christopher Anvil is the pseudonym of Harry C. Crosby, who published a couple of stories under his real name in the early 1950’s. After remaining silent for a few years, he came back with a bang in the late 1950’s, and has since given readers about fifty tales under his new name. His work most often appears in Astounding/Analog.

A typical Anvil yarn is a lightly comic tale about clever humans defeating technologically advanced but naive aliens. Perhaps his best-known story is Pandora’s Planet (Astounding, September 1956), the first of a series of humorous accounts of the misadventures of lion-like aliens trying to deal with the chaos caused by those unpredictable humans.

(5) KGB. Ellen Datlow has posted her photos from “Fantastic Fiction at KGB December 2019”.

Paul Tremblay (R) read a powerful excerpt from his next novel coming out next year and Nathan Ballingrud (L) read from a story he just finished writing a few days ago.

Nathan Ballingrud and Paul Tremblay 1

(6) STAR WARS: A NEW HOPI DESIGN. “‘The Force Is With Our People’ Connects Indigenous Culture To A Galaxy Far Away”.

Artist Duane Koyawena is piloting a custom R2D2 unit in front of the Museum of Northern Arizona in Flagstaff, Ariz. It’s life-size and has all the signature bleeps and squawks of the original. But its appearance has a unique Southwestern spin.

“When I was thinking about it, I was like … wouldn’t it be cool to see an R2 that’s decked out [and] looks actually like a pottery?” he says. “So along with that comes the designs, and so the tans and the reddish burn marks from when they fire their pottery.”

At first glance the traditional Hopi maroon-and-tan patterns are a surprising look for the famous droid. But Koyawena says it makes total sense for R2.

“A lot of elders, or our uncles or friends, always tell us in ceremony or something going on ‘nahongvitah,’ which means to give it your all, or just to be strong and to persevere. So, I feel like the Hopi R2 kind of fits in that same line,” he says.

Koyawena is one of 25 artists from more than a dozen Southwestern tribes taking part in the art exhibit “The Force Is With Our People.” The pieces reflect Star Wars themes, such as endurance and rebellion, that have resonated powerfully with the franchise’s devotees for decades. As it turns out though, Star Wars also speaks strongly to the historical experiences of many in the Southwest’s Indigenous communities.

“I think there’s clearly some parallels … between Native stories — things like the Hero Twins, [a] very prominent story in Navajo culture — parallels between that and Star Wars, of course Luke and Leia being basically Hero Twins in that story,” says Museum of Northern Arizona curator and ethnographer Tony Thibodeau.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 19, 1902 — Sir Ralph Richardson. God in Time Bandits but also Earl of Greystoke in Greystoke: The Legend of Tarzan, Lord of the Apes and Chief Rabbit In Watership Down. Also, the Head Librarian in Rollerball which I’ll admit I’ve never seen. And a caterpillar in Alice’s Adventures in Wonderland. And Satan in the Tales from the Crypt film. Oh, my he had an interesting genre film career! (Died 1983.)
  • Born December 19, 1922 — Harry Warner Jr. Fan historian and legendary letterhack. Dubbed The Hermit of Hagerstown, he did nearly all his fanac on paper. He’s known now for the many LOCs he wrote and his two books on fanhistory, All Our Yesterdays, (1969), and A Wealth of Fable which won a Hugo in 1993 for Best Related Book. (Died 2003.)
  • Born December 19, 1952 — Linda Woolverton, 67. She’s the first woman to have written a Disney animated feature, Beauty and the Beast, which was the first animated film ever to be nominated for Best Picture at the Academy Awards. She also co-wrote The Lion King screenplay (along with Irene Mecchi and Jonathan Roberts).
  • Born December 19, 1960 — Dave Hutchinson, 59. Best known for his Fractured Europe series. Great reading! I’ve listened to the first two and will be  listening to the third after the first of the year. He’s got a lot of other genre fiction as well but I’ve not delved into that yet.
  • Born December 19, 1961 — Matthew Waterhouse, 58. He’s best known as Adric, companion to the Fourth and Fifth Doctors. He was the youngest actor in that role at the time. And yes, he too shows up in The Five(ish) Doctors Reboot.
  • Born December 19, 1969 — Kristy Swanson, 50. Her first starring genre  film role was in Wes Craven’s Deadly Friend, but no doubt her best known genre role was as the original Buffy. She also shows up in Alfred Hitchcock Presents, The Phantom, Highway to Hell , Not Quite Human and The Black Hole. For the record, I really, really like her version of Buffy the Vampire Slayer! 
  • Born December 19, 1972 — Alyssa Milano, 47. Phoebe Halliwell in the long running original Charmed series. Other genre appearances include on Outer Limits, the second Fantasy Island series, Embrace of the Vampire, Double Dragon, the Young Justice animated series as the voice of Poison Ivy and more voice work in DC’s The Spectre excellent animated short as a spoiled rich young thing with a murderous vent.
  • Born December 19, 1975 — Brandon Sanderson, 44. Best known for the Mistborn series. He is also known for finishing Robert Jordan’s The Wheel of Time. OK I’m going to freely admit I’ve not read either of this series. Opinions please. 
  • Born December 19, 1979 — Robin Sloan, 40. Author of Mr. Penumbra’s 24-Hour Bookstore which definitely has fantasy elements in it and is a damn fine read. His second novel which he sent me to me consider reviewing, Sourdough or, Lois and Her Adventures in the Underground Market, is also probably genre adjacent but is also weirdly about food as well. And he’s a really nice person as well. 
  • Born December 19, 1980 — Jake Gyllenhaal, 39. The lead in Donnie Darko, a strange film indeed; he’s also to be seen as Sam Hall in The Day After Tomorrow, a splendid SF disaster film. Of course, he was Mysterio in Spider-Man: Far From Home.

(8) COMICS SECTION.

  • There is no excuse for the awful joke in this Frank and Ernest except that it requires familiarity with star names. Well, one of them, anyway. One more fact I can’t say I had no use for once I graduated.

(9) LET THE BARISTA WIN. “You Can Order A Chewbacca Frappuccino From Starbucks And It’s Out Of This World” — Delish told us how to find it.

To get this chocolatey treat, you’re going to start by ordering a Mocha Cookie Crumble Frappuccino, but ask your barista to add caramel drizzle in the cup. Top that with whipped cream and cookie crumbles and you’ve got yourself a delicious treat.

(10) WAKANDA DELISTED. “US officials remove Black Panther’s Wakanda from list of trading partners” reports The Guardian. Is it an administration attempt to divert attention from the impeachment proceedings? For a change, no.

Trade talks between Captain America and Black Panther didn’t quite pan out, it seems. Wakanda, the fictional home of the Marvel superhero, is no longer listed as a free trade partner of the US.

Until Wednesday, the made-up east African country was listed on the drop-down menu for the agriculture department’s foreign agricultural service’s tariff tracker along with Colombia, Costa Rica, Dominican Republic, El Salvador, Guatemala, Honduras, Nicaragua, Panama and Peru.

The department (USDA) said the comic book country was added to its systems while it conducted testing.

“Over the past few weeks, the foreign agricultural service staff who maintain the tariff tracker have been using test files to ensure that the system is running properly,” Mike Illenberg, a USDA spokesman, told NBC. “The Wakanda information should have been removed after testing and has now been taken down.”

(11) CRUSHED. Claxton’s Twitter thread is filled with expressions of disillusionment by one-time fans of Rowling, Orson Scott Card, MZB, even Ray Bradbury.

(12) BUMP AND GRIND. Nature says “‘Marsquakes’ reveal red planet’s hidden geology”.

Since arriving on Mars just over a year ago, InSight has detected 322 marsquakes. They are the first quakes ever detected on Mars, and the first on any body other than Earth or the Moon. Scientists aim to use them to probe the Martian interior, including deciphering the planet’s guts into layers of crust, mantle, and core.

Currently the marsquakes are coming fast and furious. From its landing site near the Martian equator, NASA’s InSight mission is detecting about two quakes per day — and the rate is going up.

(13) THEY KNOW WHERE THE BODIES ARE. From Nature: “A statistical solution to the chaotic, non-hierarchical three-body problem”. Cixin Liu might worry…

The three-body problem is arguably the oldest open question in astrophysics and has resisted a general analytic solution for centuries. Various implementations of perturbation theory provide solutions in portions of parameter space, but only where hierarchies of masses or separations exist….

(14) AURAL HISTORY. “‘Star Wars,’ The Trilogy That NPR Turned Into Radio Drama”.

The ninth episode of Star Wars blasts into theaters this weekend, more than 40 years since the release of George Lucas’ original hit movie. Back then, NPR got in on Star Wars saga action, creating a radio drama of that original episode.

In 1981, George Lucas sold the radio rights for $1, and the network partnered with the University of Southern California theater program to produce it. The production was an overwhelming success, and NPR went on to do radio versions of all the movies in the original trilogy.

This week, the latest installment in the Star Wars film saga is posting record numbers around the world. In 1981, NPR hoped the interstellar fable would do the same for its audience numbers. That’s right: Some of you may have forgotten (and some might not even know) that the network created three radio dramas based on George Lucas’ original three movies.

NPR figured it could maybe get more listeners by reviving the radio drama, which had been out of fashion for some 30 years. So the network called Richard Toscan, then-head of the theater program at the University of Southern California. He remembers asking a colleague for advice on what story to dramatize: “There’s this long pause, and he says, ‘Create a scandal.’ “

Toscan was at a loss. Then he mentioned the problem to a student. “And he said, ‘Oh, why don’t you do Star Wars?’ ” Toscan recalls. “There was the scandal.”

(15) HARRY MINION? HARRY MOLESWORTH? NPR’s Juanita Giles has an alternative: “Don’t Like Harry Potter? Come To The ‘Dork’ Side”

…Not to tell you how old I am, but Harry Potter first made his appearance when I was already an adult, so it wasn’t as if I were devastated that my kids poo-pooed books that were formative for me, but I did worry that it might be difficult to find chapter books that caught their interest. Harry Potter’s success has spawned almost an entirely new genre, and sometimes it seems there’s not a chapter book that doesn’t involve magic or spells or curses in some way. I had almost zero experience with this, as popular chapter books for girls when I was a kid involved babysitters, teenagers with terrible diseases, or Elizabeth and Jessica Wakefield.

But durn it, I couldn’t give up. How could my kids have a fulfilling childhood if Harry Potter didn’t ever factor in? Would it even be possible? I wasn’t convinced it was, so I set out on a mission to prepare them for their reintroduction to Harry Potter, and I ended up somewhere else entirely.

Enter the Dork Lord, son of the Dark Lord, and heir to the throne of the Grim World.

…My son keeps a basket on the end of his bed filled with whatever books with which he is currently obsessed: Wings of Fire, Calvin and Hobbes, Dog Man, Klawde, and always a Star Wars book or two. So, what did I do, sneak that I am? I shoved Confessions of a Dork Lord right into his basket when he wasn’t looking.

Cut to the next morning: “Mom, this kid is called ‘the Dork Lord,’ can you believe it? And get this — his favorite spell is the ‘Fart Revealer,’ and he can’t even do that right!”

If there were ever a sure way to grab a nine-year-old’s attention, flatulence would be it.

(16) SHIVER ME TIMBERS. BBC finds “World’s oldest fossil trees uncovered in New York”.

The earliest fossilised trees, dating back 386 million years, have been found at an abandoned quarry in New York.

Scientists believe the forest they belonged to was so vast it originally stretched beyond Pennsylvania.

This discovery in Cairo, New York, is thought to be two or three million years older than what was previously the world’s oldest forest at Gilboa, also in New York State.

The findings throw new light on the evolution of trees.

What did they find?

It was more than 10 years ago that experts from Cardiff University, UK, Binghamton University in the US and the New York State Museum began looking at the site in the foothills of the Catskill Mountains in the Hudson Valley.

Since then, they have mapped over 3,000 square metres of the forest and concluded the forest was home to at least two types of trees: Cladoxylopsids and Archaeopteris.

…Researchers say they also discovered very long, woody roots that transformed the way plants and soils gather water.

“It’s a very ancient forest from the beginnings of the time where the planet was turning green and forests were becoming a normal part of the Earth’s system,” said Dr Berry.

(17) HOLDOUTS. BBC discusses the evidence:“Homo erectus: Ancient humans survived longer than we thought”

An ancient relative of modern humans survived into comparatively recent times in South East Asia, a new study has revealed.

Homo erectus evolved around two million years ago, and was the first known human species to walk fully upright.

New dating evidence shows that it survived until just over 100,000 years ago on the Indonesian island of Java – long after it had vanished elsewhere.

This means it was still around when our own species was walking the Earth.

Details of the result are described in the journal Nature.

In the 1930s, 12 Homo erectus skull caps and two lower leg bones were found in a bone bed 20m above the Solo River at Ngandong in central Java.

In subsequent decades, researchers have attempted to date the fossils. But this proved difficult because the surrounding geology is complex and details of the original excavations became confused.

…Now, researchers led by Prof Russell Ciochon of the University of Iowa in Iowa City opened up new excavations on the terraces beside the Solo River, reanalysing the site and its surroundings.

They have provided what they describe as a definitive age for the bone bed of between 117,000 and 108,000 years old. This represents the most recent known record of Homo erectus anywhere in the world.

“I don’t know what you could date at the site to give you more precise dates than what we’ve been able to produce,” Prof Ciochon told BBC News.

(18) VIDEO OF THE DAY. “Use Cups” on Vimeo is a message from Adult Swim explaining what bad things will happen to you if you don’t use cups!

[Thanks to JJ, John King Tarpinian, N., Ellen Datlow, James Davis Nicoll, Andrew Porter, Cat Eldridge, Martin Morse Wooster, Olav Rokne, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, Daniel Dern, Hampus Eckerman, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 12/25/18 The Little Pixel Boy

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If you made it all the way through the season without hearing that tune, well, oops!

(1) SIX-PACK. Tor.com’s Leah Schnelbach invites you to “Have Yourself a Cosmic Little Christmas with 6 Intergalactic Holiday Specials”.

Lots of shows decide they need a little Christmas come December, but they’re not quite sure how to do it. Do you talk about the big Jesus-shaped elephant in the room? Do you just focus on Santa? Do you, I don’t know, cast Juliana Hatfield as an angel or make miracles happen on Walker, Texas Ranger?

This late-December urge becomes extra fun when sci-fi shows try it—they don’t usually want to deal with the religious aspect of Christmas, but they still have to find a way to explain Santa and presents (and maybe just a dash of Christianity) to aliens who are already confused enough just trying to deal with humans. So most of them fall back on humans teaching aliens about “goodwill” or “being kind to others.” This leads to some amazing moments, as we’ll see.

(2) WHITE CHRISTMAS ON A RED PLANET? Inverse speculates “Why There Could Be Snow on Mars This Christmas”.  

Mars is clearly cold enough for snow. It has ice — the amount of which has varied significantly over time. When its axis is tilted at only a small angle relative to its orbit, its surface is ice-free except for the polar caps. This is the situation today, when its axial tilt is 25 degrees (similar to Earth’s 23-degree axial tilt). However, possibly because Mars lacks a large moon to stabilize its spin, there have been times when its spin axis was tipped over by up to 60 degrees — allowing the polar ice caps to spread, maybe even to the extent that there was abundant ice near the equator.

(3) HUNG BY THE HELICOPTER WITH CARE. There is, of course, a wide variety of Christmas season movie marathon fare – having almost nothing to do with Christmas — from the Harry Potter and Lord of the Rings movies to Ocean’s Eleven and its sequels (which we George Clayton Johnson fans heartily recommend). Many prefer Die Hard, but I only just discovered that someone has turned the story into an illustrated book, and that book has been given the read-aloud video treatment: “Die Hard Christmas Book with Voice Actor Steve Blum – Presented by Sideshow & Insight Editions”

(4) THE ENVELOPE PLEASE. John Scalzi nominates —

(5) ANOTHER ONE YULE LIKE. [Item by Mike Kennedy.] For all of you who just can’t get enough of the Yuletide “classic” I Want a Hippopotamus for Christmas, look to the skies. NASA’s Jet Propulsion Laboratory tells us (“Holiday Asteroid Imaged with NASA Radar”) that a mile-long hippo passed Earth just 3 days before Christmas.

The December 2018 close approach by the large, near-Earth asteroid 2003 SD220 has provided astronomers an outstanding opportunity to obtain detailed radar images of the surface and shape of the object and to improve the understanding of its orbit.

The asteroid will fly safely past Earth on Saturday, Dec. 22, at a distance of about 1.8 million miles (2.9 million kilometers). This will be the asteroid’s closest approach in more than 400 years and the closest until 2070, when the asteroid will safely approach Earth slightly closer.

The radar images reveal an asteroid with a length of at least one mile (1.6 kilometers) and a shape similar to that of the exposed portion of a hippopotamus wading in a river. They were obtained Dec. 15-17 by coordinating the observations with NASA’s 230-foot (70-meter) antenna at the Goldstone Deep Space Communications Complex in California, the National Science Foundation’s 330-foot (100-meter) Green Bank Telescope in West Virginia and the Arecibo Observatory’s 1,000-foot (305-meter) antenna in Puerto Rico. 

(6) CHRISTMAS CRIMESTOPPER.  In the days before Steve Fjeldsted became the Director of Library, Arts & Culture for the City of South Pasadena, and patron of things Bradburyesque, he was a county librarian in Northern California, an experience that furnished him with this unforgettable story: “Mrs. Santa vs. the Snake”.

Camille hadn’t noticed anything dangerous and counted out change into the hand of the customer paying for a lost book. While rushing out the door, I said I’d be right back. Moments later I had breathlessly arrived at the front counter at the Police Station. A detective was summoned and Sergeant Salvador nodded knowingly to my retelling of the threatening event at the library and the man I first encountered while driving to work that morning.

…“That’s Snake!” Officer Salazar exclaimed, “And he’s a violent bank robber who was recently released.”

… When I glanced toward the library entrance, I could see Snake slither inside the front door until he stood motionless in side the entryway with his head tilted down. Seconds later, right behind him entered Millie, a volunteer who was dressed up in her Mrs. Santa Claus costume. Each year she donned her festive homemade outfit to read holiday stories to kids in the Children’s Room….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 25, 1924 – Rod Serling. Best remembered for The Twilight Zone and Night Gallery with the former winning an impressive three Hugos. He’s also the screenwriter or a co-screenwriter for Seven Days in May, a very scary film indeed, as well as The New People series, The Strange Case of Dr. Jekyll and Mr. Hyde, A Town Has Turned to Dust, UFOs: Past, Present, and Future and Planet of the Apes. (Died 1975.)
  • Born December 25, 1928 – Dick Miller, 90. He’s appeared in over a hundred films including every film directed by Dante. You’ve seen him in both Gremlins, The Little Shop of Horrors, Terminator, The Howling, Small Soldiers, Twilight Zone: The Movie, Amazon Women on the Moon, Batman: Mask of the Phantasm where he voiced the gravelly voiced Chuckie Sol and Oberon in an “The Ties That Bind” episode of Justice League Unlimited. 
  • Born December 25, 1952 – CCH Pounder, 66. She’s had one very juicy voice role running through the DC Universe from since Justice League Unlimited in 2006. If you’ve not heard her do this role, it worth seeing the animated Assault on Arkham Asylum which is far superior to the live action Suicide Squad film to hear her character. She also had an recurring role as Mrs. Irene Frederic on Warehouse 13 as well. She’s also been in X-Files, Quantum Leap, White Dwarf (horrid series), Gargoyles, Millennium, House of Frankenstein, Outer Limits, W.I.T.C.H. and The Lion Guard. Film wise, she shows up in Robocop 3, Tales from the Crypt presents Demon Knight, Aladdin and the King of Thieves, Face/Off, NetForce, The Mortal Instruments: City of Bones and several of the forthcoming Avatar films.

(8) COMING ATTRACTIONS. Petrea Mitchell administers the “Winter 2019 Anime Preview” at Amazing Stories.  First on the list:

Bermuda Triangle ~Colorful Pastrale~

The premise: Mermaids have everyday problems.

Derivative factor: Spinoff vaguely related to videogame

The buzz: Mermaids are cool, but everyone hates the art for one reason or another.

Premiere: January 12

(9) SPACECRIME. Investigators say it was an inside job reports the AP: “Russia: Hole drilled from inside International Space Station capsule”.

A Russian cosmonaut who explored a mysterious hole in a capsule docked to the International Space Station said Monday that the opening was drilled from inside the spacecraft and Russian law enforcement agencies are investigating what caused it.

Sergei Prokopyev said investigators were looking at samples he and crewmate Oleg Kononenko collected during a Dec. 12 spacewalk. Prokopyev and two other astronauts returned to Earth last week from a 197-day space station mission.

(10) TROPE-A-DOPE. In “Tradition”, Mad Genius Club’s Dave Freer uses the holiday to warn everyone who doesn’t plan to spend the coming year writing what he likes:

So here is my short Christmas Eve point: ignoring traditions may get you a lump of coal in your stocking and rotten sales to boot. Using them to add to your work, to build on – whether we’re talking the traditional (and very popular) tropes – be it a fantasy collect-the-tokens, or Bug-Eyed Monsters invading Earth remains more popular than following new attempts at ‘traditions’ (like yet another Handmaiden’s Tail clone) that are not popular. Using the language and style of the genre at least won’t lose you the established readers…

(11) PULP FRICTION. No matter what kind of story you’re telling, here’s some news published writers hated to hear: “Bottleneck at Printers Has Derailed Some Holiday Book Sales”. The New York Times has the story.

Several of this year’s most critically acclaimed novels, including Lisa Halliday’s “Asymmetry,” Richard Powers’s “The Overstory” and Rebecca Makkai’s “The Great Believers,” were listed as out of stock on Amazon the week before Christmas after inventory ran low because publishers could not to reprint copies quickly enough. Best-selling and critically lauded nonfiction titles like David W. Blight’s biography of Frederick Douglass, Samin Nosrat’s cookbook “Salt, Fat, Acid, Heat” and Ben Reiter’s “Astroball” were also unavailable on Amazon, with some titles showing shipping dates of two to four weeks from now.

The industrywide paper jam has been building for months — a result of shrinking and consolidation among printing companies, the collapse of one of the major printers this summer, global paper shortages and a tightening job market that’s made it difficult for printers to hire additional seasonal workers. But it has become increasingly acute and visible at the industry’s peak sales season, when consumers are shopping for must-read titles to give as gifts, and finding that Amazon’s virtual shelves are bare.

(12) POMPEII DISCOVERY. BBC reports about a “Pompeii horse found still wearing harness”.

The remains of a horse still in its harness have been discovered at a villa outside the walls of Pompeii, in what archaeologists are hailing as a find of “rare importance”.

The horse was saddled up and ready to go, possibly to help rescue Pompeians fleeing the AD79 eruption of Mount Vesuvius that buried the town in ashes.

It was found with the remains of other horses at the Villa of the Mysteries.

The villa belonged to a Roman general or high-ranking military magistrate.

Archaeologists at the luxurious Villa of Mysteries (Villa dei Misteri) overlooking the sea have already found wine presses, ovens and extraordinary frescoes.

(13) WILD ASS CHASE. It could result in “Bringing ‘Asia’s zebras’ back to the steppe”.

“Do you see them?” the radio crackled in the old Russian 4×4.

The driver tried to steer away from pits and ravines that he could barely see in the dark. The lights of another car flashed in the distance. After a prolonged silence came the answer. “No.”

The two drivers navigating around a national park in the dead of the night are Kazakh rangers trying to capture Asiatic wild ass, known locally as kulans.

It is a part of the operation to reintroduce these animals to the steppes of central Kazakhstan, where they disappeared a century ago.

Kulans are the zebras of Asia. They used to roam on a massive territory stretching from Syria to Mongolia but today their populations are fragmented and vulnerable. Kulans in Central Asia are in particular danger.

(14) GRIM REAPER’S STOCKING STUFFER. Here is Jordan Peele’s gift for all: “‘Us’ trailer: Gory first trailer for new Jordan Peele film drops on Christmas Day”.

First things first, Happy Christmas! And if you haven’t unwrapped your surprise present from Get Out director Jordan Peele yet, you can watch the trailer for his new film Us below.

The timing of the trailer drop was very much planned by Peele. “The trailer going out on Christmas day is very exciting to me,” the director says. “Because, as families are gathered around the fireplace to celebrate the holidays, hopefully they can look on their phone, see this trailer and I’ll scare the pants off them.”

(15) TOP 10 GAMING CONTROVERSIES OF THE YEAR. And if you’re looking for a few more kerfuffles to tide you over til 2019, try these —  

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Redheadedfemme.]

Pixel Scroll 6/13/18 But File’s Just A Pixel And Pixels Weren’t Meant To Last

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(1) WW 1984. Director Patty Jenkins and Gal Gadot tweeted today about Wonder Woman 2 — now called Wonder Woman 1984.  Jenkins’ tweet shows that Chris Pine is in the movie even though his character, Steve Trevor, was killed at the end of Wonder Woman.

(2) YOON HA LEE ON TOUR. The 1000 Year Plan is today’s stop on the “Revenant Gun Blog Tour – A Q&A with Yoon Ha Lee”.

In nearly two decades of publishing short fiction, you’ve built so many different universes and mythologies where we are only offered a glimpse of what seems like a much richer context. Most of these stories are one-offs; what was it about the Hexarchate concept that compelled you grow it into a larger epic? Have you entertained the idea of expanding on any of your other stories?

I’d been wanting to write a novel for a while, but my first substantive attempt, which I (affectionately?) call the Millstone Fantasy Novel, was ten years in the making and turned out to be fatally flawed, so I trunked it. I love space opera, though, everything from Simon R. Green’s Deathstalker books to Lois McMaster Bujold’s Vorkosigan Saga to Jack Campbell’s Black Jack Geary books, and I wanted to try my hand at it. Even then, Ninefox Gambit was originally going to be a one-off. When I came to the end, however, I realized that I had more to say about the setting and more ideas for plot. I suppose part of it’s laziness as well–having generated all those setting details, it seemed a shame not to get some more use out of them!

I’ve occasionally thought about revisiting a few of my past stories, but most of them feel complete in themselves. Especially at shorter lengths, I’m really more focused on the idea than building an elaborate world that can be explored again and again. I’m probably more likely to do something new and different to keep myself entertained.

(3) IT’S IMPOSSIBLE. In “Timothy and Babies”, Camestros Felapton and Timothy the Talking Cat get into a big brawl over terminology despite never once using the word “decimate.”

Dramatic Personae:

  • Camestros Felapton – raconteur and bon-vivant
  • Timothy the Talking Cat – a rat-auteur and bomb-savant
  • Mrs Brigsly – an inhabitant of Bortsworth and carekeeper of a baby
  • A baby – a baby of unknown provenance in the care of Mr Brisgly

[Timothy] I had to look up ‘bon-vivant’ and the dictionary did not say ‘binges on Netflix and chocolate hob-nobs’
[Camestros] It is more of an attitude than a strictly prescribed lifestyle.
[Timothy] and I’m the one who tells anecdotes in a ‘skilful or amusing way’
[Camestros]…well…
[Timothy] It cleary says “OR”!
[Camestros] Let’s change the subject shall we? I’m already on the sixth line of dialogue, I’m not going back and changing the list of characters now.

(4) QUESTION AUTHORITY. Rachel Swirsky speaks up: “In Defense of ‘Slice of Life’ Stories”.

Many poems attempt to communicate an impression or an emotion. A poem about nature might not be intended to communicate “here is an intellectual idea about nature,” but instead “this is what it looked like through my eyes” and “this is how it felt.” Fine art landscapes can be like that, too. They depict a place at a time, both transient, through the eye of the painter (where the eye of the painter may figure more or less into the image, depending on whether it’s a realistic painting, etc).

What this makes me wonder is–why are we so dismissive of this in fiction? Plots are excellent; ideas are excellent. But what’s so wrong with a slice of life, that we refer to it with distaste? Why can’t fiction be about rendering transient, momentary emotions? Why do we demand they always be in the context of a plot?

(5) A GOOD EXAMPLE. Tor.com’s Leah Schnelbach tells “How Ann Leckie’s Ancillary Justice Avoids the Dreaded Infodump”.

…In the interest of slaying this monster, I’m going to walk you through the opening pages of Ann Leckie’s Hugo Award-winning Ancillary Justice—which gives the reader the perfect amount of info, without becoming too dumpy.

Think of this like going on a date, or grabbing coffee with a new friend—you give a few details, sure, but you don’t narrate a bullet list of your whole life. When you’re writing, you’re on a date with your reader. Ideally, your story will charm them enough that they lose track of time and hang out with you until you both suddenly realize that the restaurant has closed, all the other diners have left, and an annoyed busboy has to unlock the front door to let you out.

To get a feel for how to include lots of worldbuilding without killing your story’s momentum, let’s look at an example of a great opening. The first four pages of Ancillary Justice introduce us to a mysterious narrator, a harsh world, and two different conflicts right away, all while seeding in enough questions about the book’s world to keep us turning pages. You can read the first chapter over on NPR; below, I’ll pull the text apart (roughly half of NPR’s excerpt) paragraph by paragraph and unpack how and why it works.

(6) STAN LEE NEWS. The Hollywood Reporter says “Stan Lee Granted Restraining Order Against Business Manager, LAPD Investigating Claims of Elder Abuse”.

The move comes two days after Keya Morgan was arrested on suspicion of filing a false report to police.

Stan Lee on Wednesday filed for a restraining order against the man he said last week was the only person who was handling his affairs and business, Keya Morgan, a Los Angeles Superior Court media relations rep confirmed to The Hollywood Reporter.

Lee was granted a temporary restraining order against Morgan, authorities told THR. The request for a permanent order is 43 pages long. A court date to decide that request is set for July 6.

The restraining order request was filed two days after Morgan was arrested on suspicion of filing a false report to police. Morgan was released from jail on $20,000 bail.

The LAPD is investigating reports of elder abuse against Lee. The investigation began in February, but only became public knowledge Wednesday.

(7) WELDON ON INCREDIBLES 2. NPR’s Glen Weldon says: “Retrofuturistic ‘The Incredibles 2’ Is More Retro Than Futuristic”.

Brad Bird’s virtuosic 2004 animated movie The Incredibles is the best superhero film that has ever been made and is likely the best superhero film that ever will be made.

This is a fact — a cold, hard one. The massive, resolute, essential truth of this fact is abiding and irresistible and immovable; it possesses its own magnetic field, its own solar day….

The villain — a mysterious masked figure known as the Screenslaver, who uses television to control the minds of hapless citizens (and heroes) — arrives with a villainous manifesto, albeit a slightly muddier one than that of the first film’s nemesis. And that same conceptual muddiness, a byproduct of the sequel’s need to expand on and complicate the world of the first film, seeps slowly into the entire film.

(8) KNOCK IT OFF. Another response to abusive Star Wars fans — “John Boyega tells Star Wars fans to stop harassing cast”.

Star Wars actor John Boyega has urged fans of the franchise to stop harassing the cast on social media.

His comments came after two co-stars, Daisy Ridley and Kelly Marie Tran, quit Instagram after receiving online abuse.

The actor, who plays Finn, tweeted: “If you don’t like Star Wars or the characters, understand that there are decisions makers [sic] and harassing the actors/actresses will do nothing.”

(9) TODAY IN HISTORY

  • June 13, 1953 — The Beast From 20,000 Fathoms was released theatrically.

(10) TODAY’S BIRTHDAYS

  • Born June 13 – Malcolm McDowell, 75. Alex in A Clockwork Orange of course but King Arthur in Arthur the King, Dr. Miles Langford in Class of 1999, Soran in Star Trek: Generations, Arcady Duvall in the Jonah Hex episode of Batman: The Animated Series, Mr. Roarke, The Host, in the second Fantasy Island series, and far, far took many other roles to note here.
  • Born June 13 – Tim Allen, 65. Galaxy Quest’s Jason Nesmith and Toy Story’s Buzz Lightyear.
  • Born June 13 – Ally Sheedy, 56. In X-Men: Apocalypse  Scott’s Teacher as Scott’s Teacher.
  • Born June 13 – Chris Evans, 37. Various Marvel films including of course The Avengers and Thor.
  • Born June 13 – Aaron Taylor-Johnson, 28. In Avengers: Age of Ultron  as Pietro Maximoff / Quicksilver,

(11) COMICS SECTION.

(12) PURE IMAGINATION. The Washington Post’s John Kelly asks “Are cartoon characters on lottery scratch-off tickets a way to lure young gamblers?”. The journalist investigates the Willy Wonka Golden Tickets currently being sold by the Maryland Lottery, and is told by Maryland Lottery and Gaming Control Agency director Gordon Medenica that they aren’t trying to get kids hooked on lottery tickets because Willy Wonka “has almost zero resonance with children today.”

To put it another way: Are colorful, cartoonish Racing Presidents and Willy Wonka scratchers the alcopops and fruit-flavored vape pens of the lottery world?

I contacted the two lottery agencies and they said no. Oh, good, okay then. .?.?.

But, you know, let’s explore this a little more.

Gordon Medenica, director of the Maryland Lottery and Gaming Control Agency, said he was actually a little reticent when first approached by the company that created the Willy Wonka scratch-off, Scientific Games of Las Vegas.

“Frankly, we avoided it for some period of time,” he said. “My concern was still mainly just a personal thing: Isn’t this a children’s brand? Shouldn’t we be avoiding something like this?”

What changed Medenica’s mind were assurances from Scientific Games that Willy Wonka was no longer a children’s character. Many casinos, they reminded him, have Willy Wonka-branded slot machines.

“The adults who play the games have a fond memory of that movie, but in fact it has almost zero resonance with children today, oddly enough,” Medenica said.

(13) MOAT NOT INCLUDED. One of Mike Kennedy’s local news feeds (WAFF TV) alerted him to the availability of some prime unreal estate: “You can own this castle in Georgia for less than $1 million”.

Kennedy says there is a Zillow listing for the residence in question:

This 57,000 sq.ft. castle is in Menio GA — that’s near the state line with Alabama but not terribly near any sizable city. By road, it’s about 100 miles NW of Atlanta, about 50 miles SSW of Chattanooga TN, and a little over 100 miles NE of Birmingham AL. From my home (Huntsville AL), I’d have to travel over 80 miles EbS — part of it through some seriously back-country roads across the Cumberland Plateau.

The owner has dropped the asking price from $1,500,000 to a mere $999,999 (it’s been on Zillow for over 1000 days, after all). Earlier in the decade it was listed for as much as $5,9000,000. It has 30 bedrooms; 15 bathrooms; and sits on almost 250 acres.

Only 18,000 sq.ft. of the 57,000 sq.ft. floor space is finished, but Zillow says materials are on site to finish out most of the rest. Only some of the exterior stonework is installed. Think of it as your own little fixer upper. (You should be handy with a backhoe if you want to extend the ceremonial water feature in front to a full moat.)

(14) NO FALL OF MOONDUST. Figuratively speaking, this genie is still in the bottle. Now, who gets to keep the bottle? Yahoo! News has the story — “Woman Says Neil Armstrong Gave Her A Vial Of Moon Dust, Sues NASA To Keep It”.

A Tennessee woman is proactively suing NASA to keep what she says is a vial of moon dust gifted from astronaut Neil Armstrong.

Laura Cicco said Armstrong was a family friend, and that her mother gave her a tube of priceless lunar particles when she was 10, along with a note that read: “To Laura Ann Murray — Best of Luck — Neil Armstrong Apollo 11

Cicco told The Washington Post she kept Armstrong’s autograph in her bedroom but didn’t see the dust until she was going through her parents’ possessions five years ago.

NASA has not confiscated the vial, but Cicco says she doesn’t want the space agency to take it, so she filed a lawsuit on Wednesday to proactively assert her rights.

It might seem strange to sue at this point, but proactive law maintains that in some cases, such as those involving trademarks, contracts, and potential disputes, it is easier, cheaper and faster to address problems before they happen instead of reacting to them.

(15) BLOWN UP, SIR. Strange Angel premieres tomorrow, and I don’t remember linking to it before.

Watch the official trailer for Strange Angel, premiering June 14th, exclusively on CBS All Access. Strange Angel, a drama series created by Mark Heyman (Black Swan, The Skeleton Twins) and based on George Pendle’s book of the same name, is inspired by the real life story of Jack Parsons and explores the dramatic intersection between genius and madness, science, and science fiction.

 

(16) NOT EXACTLY AMAZING. After you read Galactic Journey’s review, you probably won’t jump into your time machine to look for a 1963 newsstand where you can buy this issue: “[June 13, 1963] THUD (the July 1963 Amazing)”.

Jack Sharkey’s serialized novella The Programmed People, which concludes in this July 1963 Amazing, describes a tight arc from mediocre to appalling and lands with a thud….

(17) BRADBURY CALLING. This is from a column by Nilanjana Roy called “When Books Are Burned” in the Financial Times (behind a paywall).

Fahrenheit 451 began in 1951 as a novella called The Fireman. Bradbury set down 25,000 words in nine days, renting a desk in the typing room in the basement of the UCLA library.  He wrote to a fan in 2006, ‘How could I have written so many words so quickly?  It was because of the library.  All of my friends, all of my loved ones, were on the shelve above and shouted, yelled, and shrieked at me to be creative…You can imagine how exciting it was to do a book about book burning in the very presence of hundreds of my beloveds on the shelves…’

…What he (Bradbury) anticipated, even in the pre-Internet, pre-Twitter, pre-WhatsApp 1950s, was the time we’ve reached–an age of manic consumption of a constant stream of often useless information.  For Bradbury, what was terrifying was not just the burning of books, it was the way in which people were prepared to turn against those who refused to sup at the same shallow pools, to persecute those who step away from the stream.

Re-reading Fahrenheit 451 decades after I’d first read it as a teenager, I heard Bradbury’s plea far more clearly.  In a world gone mad from too much junk, don’t forget reading, or books, or the necessaity of slow conversations and contemplative silence in a time of howling mobs and incessant noise.

(18) GENRE INTEREST LIBERALLY CONSTRUED. Hey, is this an appropriate headline, or what? USA Today reports that a “Kickstarter aims to make Ruth Bader Ginsburg into action figure”.

If you’ve ever wanted an action figure of Supreme Court Justice Ruth Bader Ginsburg, your chance is coming.

FCTRY, a product incubator, kicked off a crowd fundraiser on Tuesday to raise the money to create an action figure of the 85-year-old associate justice.

It gave itself 35 days to raise its $15,000 goal on Kickstarter. As of Tuesday evening, just hours after launch, the company had raised more than $67,000.

(19) DUMBO TRAILER. Now out –  the teaser trailer for Tim Burton’s all-new live-action Dumbo, coming to theatres March 2019.

From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.

 

(20) VIDEO OF THE DAY. Fish With Legs is a Screen Australia cartoon on Vimeo, directed by Dave Carter, about what happened when all the fish in Australia suddenly sprouted legs!

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Andrew Porter, Mike Kennedy, Martin Morse Wooster, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/28/17 No File For You Till You Scroll All Your Pixels

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(1) THANKED AND EXCUSED. Mattie Brahan, in a non-public post, said her husband, Darrell Schweitzer, was told he won’t be needed as a Readercon 28 program participant –a piece of news Barry Longyear exaggerated in his public post as “banning”.

Readercon has been banning (“disinviting”) former guests from being guests, Darrell Schweitzer being the most recent about whom I’ve heard. I originally thought it was for political reasons (I was part of the Northern Maine Rebellion), but apparently the reason was age, experience, having been around for too long. It’s sort of like having an AA meeting and forbidding the attendance of anyone who has more than one year of sobriety….

Is it really because Schweitzer is too old? There are any number of men and women listed as part of the forthcoming Readercon program who are not young.

(2) THE FOREVER QUEUE. Io9 reports yesterday at Disneyland “Lines Snaked Through Entire Park for Disney’s Guardians of the Galaxy Ride Debut”.

Looks like the hype was real. Disney’s ride for Marvel’s Guardians of the Galaxy — Mission: Breakout! opened at Disney’s California Adventure on Saturday… and the effects could literally be felt everywhere in the park.

The Pandora section of Disney’s Animal Kingdom also opened in Florida over the weekend. It took fans about two hours just to get into the Pandora park, and ride lines were averaging about three to four hours for rides. Hell, some people reporting three-hour lines to get into the damn gift shops. Insane amount of standing and slowly walking aside, fans seemed happy with both Mission: Breakout! and Pandora.

(3) OPEN CASTING. Yes, this needs to happen. Emily Asher-Perrin and Leah Schnelbach team up to answer “Who Could Play This Merry Fellow? Dreamcasting Tom Bombadil” at Tor.com.

Emily pointed out that there should have been a DVD extra of Bombadil material, and then, naturally, that led to a dreamcasting of Bombadil. We gave ourselves a few restrictions–these had to be people who would have fit the role in 1999-ish, when they would have been hired for The Fellowship of the Ring, and all of the actors have been cast on the assumption that supermodel Claudia Schiffer is playing Goldberry…

(4) NEGATORY, GOOD BUDDY. As for my own attempt to cast the next Doctor Who — “Would Hayley Atwell Take The Role Of Doctor Who? Here’s What She Says”.

Hayley Atwell is frequent on fan’s most wanted lists, and while Atwell would likely kill it in the role, what does she actually think of all this? She wants that particular role to go to someone else.

I don’t want to play it. No. It’s just not my thing, but I really respect it. I’m a big fan of Phoebe Waller-Bridge, though. She plays the lead in Fleabag. There were talks of her being the next Doctor, and she’s so funny and eccentric and unique; she’d be great. I can’t really see anyone other than her playing it.

Appearing at Heroes and Villains Fanfest in London (via Geekfeed), Hayley Atwell made it quite clear that she doesn’t want to be the next Doctor.

(5) WHAT YOU MISSED. Chaz Boston Baden reports on his party at this weekend’s BayCon:

“A Bear’s Picnic” closed at 3:30 am, when the last four people left. As far as I know, no noise complaints were received about out party, even when Diane Osborne started singing about her rooster being dead….

Curious as to what song that might be I Googled “lyrics dead rooster” –you’d be surprised how many songs feature them.

(6) BODY WORK. Camestros Felapton went to the movies. He has posted the autopsy —“Review: Alien Covenant”.

…Covenant and its predecessor Prometheus are both variations on the theme of the original Alien. The same elements have to appear (some of which are shared with Aliens films), the horseshoe ship and the undiscovered planet and the body horror. The tone is serious and visuals are striking.

Covenant’s cast is sufficiently good and the dialogue strong enough that while the characterisation is not deep there is at least a sense of these people having some depth of character –it’s just that we don’t get to see it before they variously die horribly. Looking back at the original film, I suppose the same could have been said of it –even Ripley….

(7) FAN FILM. The Verge says “This Harry Potter prequel fan film looks even better than Fantastic Beasts” –and they’re right, it’s pretty slick.

The story follows a witch named Grisha Mac Laggen (heir to Griffindor and original character to this film), who suspects trouble when Hepzibah Smith, a descendant of the Hufflepuff family, was found murdered. The case goes cold, but Laggen suspects that there’s some sort of dark magic at play, and she believes that former Hogwarts student and future dark wizard Tom Marvolo Riddle is involved somehow. Visually, the teaser looks stunning, with visual effects and production design that feel like they fit alongside that of the official Harry Potter films.

 

(8) TODAY IN HISTORY

(9) A BIT OF FAME. Contributor Francis Hamit’s letter to the editors of TIME Magazine got a mention:

May 25, 2017

HACKING U.S. DEMOCRACY

Massimo Calabresi’s May 29 story about Russia’s use of social media to influence Americans was a reminder to be “wary of the source of that liked/upvoted social post,” wrote Sanjeev Verma of Sunnyvale, Calif. However, as Francis Hamit of Sherman Oaks, Calif., pointed out, foreign attempts to sway American politics aren’t necessarily new. “It’s just that we are finally paying attention,” he noted.

Hamit adds, “What TIME used was the tag line of a longer letter about Soviet €˜active measures’ during the Vietnam War.”

(10) SHAZAM. Adweek tells about a recent public service campaign: “Shazam Suddenly Started Forgetting Song Titles to Highlight a Little-Known Fact About Alzheimer’s”.

We’re naturally inclined to attribute human characteristics to the apps that continuously follow us around, which is part of why Siri is so amusing and Alexa so charmingly useful. But for Alzheimer’s Research U.K., agency Innocean Worldwide U.K. brought a horribly human attribute to Shazam–the ability to forget…

 

The purpose of the campaign was to tell young people that Alzheimer’s disease doesn’t just concern seniors; it can affect people as young as 40 years old. Over 40,000 people under 65 are living with dementia in the U.K. alone.

The effort ran through the month of April in the U.K. In mere hours, the agency says, “The Day Shazam Forgot” yielded 2,018,206 impressions, with 5,096 visitors visiting the Alzheimer’s Research U.K. donation page. (Hopefully they remembered their credit card information.)

(11) HUGO SHORTS. Camestros Felapton continues sharing his ballot, and the reasons therefore: “Hugo 2017: Short Story”.

  1. “Seasons of Glass and Iron” Amal El-Mohtar It had a tough job against strong competition but I do think this one stood out. The story takes two elements from lesser-known fairy tales: a woman who has to live on top of a glass mountain and a woman who has to walk the earth in iron shoes until their soles are worn away. El-Mohtar captures the atmosphere of the stories but also turns them to her own purposes.

(12) HUGO LONGS. Ethan Anderton’s Twitter robots made me look, but it was later pointed out to me that the material had been thieved from Mark Kaedrin, so here’s the direct link to Mark — “Hugo Awards: The Dark Forest and Death’s End”.

Those ideas that evoke the fabled SF goal of Sense of Wonder are what make these books work. The more sociological and philosophical aspects of the story are a little less focused and successful, leading to some inconsistency in terms of characters and pacing that perhaps make the series too long and pull the books down a peg or two. I suspect some things are lost in translation here, but this is not meant as a slight on Ken Liu (who translated the first and third books in the series), just an acknowledgement that translations naturally produce, for example, awkward dialog and pacing. I’ll put this on me too, as reading a book from another culture always presents challenges that I’ll readily admit I’m not always equal to. However, most of my complaints are far outweighed by what this series gets right, and this will rank high on my Hugo ballot, though I don’t know that it will unseat my current frontrunner (which remains Ninefox Gambit).

(13) THE DAMN DOGS DON’T LIKE IT. WIRED ponders “Why Are Colleges So Hostile to Fantasy Writers?”

For decades aspiring fantasy writers have been subjected to dismissive behavior from college professors who disparage genre literature, even though such professors often admit they’ve never actually read any fantasy or science fiction. This sort of hostility is unfortunately alive and well today, as college freshman Alina Sichevaya can attest.

“I’d heard everyone else’s horror stories, because occasionally this comes up on Twitter, and people will talk about their college experience,” Sichevaya says in Episode 257 of the Geek’s Guide to the Galaxy podcast. “But I definitely wasn’t expecting such a strong response from my professor about genre fiction.”

Sichevaya says she attempted to defend fantasy, and to recommend high-quality examples to her professor, but she’s not optimistic it’ll do much good.

(14) HOW TO LOSE THE SALE. Stay away from these if you want to sell to Dave — “Dave Farland’s 10 Points to Avoid in Writing Short Fiction” at Writers of the Future.

…Seriously, though, I sometimes wish that I could explain to a young writer why I’m passing on a story. So I’m going to talk about it here.

Here are ten reasons why I reject stories quickly–usually within the first page:

  1. The story is unintelligible.Very often I’ll get submissions that just don’t make sense. Often, these seem to be non-English speakers who are way off in both the meaning of words, their context, or in their syntax, but more often it’s just clumsiness. I’ve seen college presidents who couldn’t write. But this lack of care is on a gradient scale, from “I can’t figure out what this is about” to “I don’t want to bother trying to figure this out” to “there are minor problems in this story.” For example, yesterday a promising story called a dungeon the “tombs.” Was it a mistake, or a metaphor? I don’t think it was a metaphor. The author had made too many other errors where the “almost correct” word was used.
  2. The story is unbelievable. “Johnny Verve was the smartest kid on earth, and he was only six. He was strongest one, and the most handsome, too. But the coolest part was when he found out he had magical powers!” At that point, I’m gone, and not just because there were four uses of “was” in three sentences…

(15) TROLLING. Squawks over women-only screenings of Wonder Woman in Texas.

Now unimpressed men are lambasting the idea on Facebook, claiming they are being discriminated against.

“Great, let us know when you have guys-only screenings of Thor, Spider-Man, Star Wars, etc. Let’s see you walk the walk now that you set this precedence [sic],” one man wrote.

“Very sorry if you feel excluded,” came the reply on the [Alamo DraftHouse] cinema’s official account.

(16) ALL WOUND UP. Picture of cyclones on Jupiter’s south pole: “Juno Spacecraft Reveals Spectacular Cyclones At Jupiter’s Poles”.

NASA’s Juno spacecraft has spotted giant cyclones swirling at Jupiter’s north and south poles.

That’s just one of the unexpected and puzzling findings being reported by the Juno science team.

Juno arrived at Jupiter last summer. It’s the first spacecraft to get a close-up look at the planet’s poles. It’s in an orbit that takes it skimming close to the cloud tops of the gas giant once every 53 days.

(17) HOW TO TALK TO FILM CRITICS AT MOVIES. The BBC trashes the movie of Gaiman’s “How to Talk to Girls at Parties”: “This is one of the worst films ever made”.

It may seem harsh to say that How to Talk to Girls at Parties is one of the worst films ever made, given that it isn’t a cynical studio blockbuster, but an indie passion project with a budget that wouldn’t pay for the Botox on most Hollywood productions. But this shambolic punks-meet-aliens rom-com is directed by John Cameron Mitchell, the acclaimed auteur behind Hedwig and the Angry Inch. It’s also adapted from a short story by Neil Gaiman, it has costumes by the triple-Oscar-winning Sandy Powell, and it features Nicole Kidman and Elle Fanning. If nothing else, then, it should seem vaguely professional. Instead, it’s like a shoddy school play put on by a drama teacher who thinks he’s cool for liking the Sex Pistols.

(18) MONSTROUS HIT. Carl Slaughter notes: “The Munsters wasn’t just a horror sitcom. It was a cultural phenomenon. After only 2 seasons and 70 episodes, it was buried by another cultural phenomenon: Batman.”

[Thanks to Mark-kitteh, Mark Kaedrin, Chip Hitchcock, Francis Hamit, Carl Slaughter, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 2/2/17 If You Give A Kzin A Kazoo…

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(1) LOOKING FOR SHADOWS. Leah Schnelbach’s “Groundhog Day Breaks the Rules of Every Genre” is a masterpiece about one of my favorite movies. (It first appeared on Tor.com in 2014.)

Groundhog Day succeeds as a film because of the way it plays with, subverts, and outright mocks the tropes of each of the genres it flirts with. While some people would call it a time travel movie, or a movie about small town America, or the most spiritual film of all time, or a rom-com, it is by breaking the rules of each of those types of films that it ultimately transcends genre entirely.

(2) SHARKNADO 5. Not sure why Syfy and studio The Asylum picked Groundhog Day to announce there will be a fifth Sharknado movie, unless it’s to wink at the fact they’re doing the same thing over and over again:

The original 2013 “Sharknado” introduced the concept of a shark-laden twister via one bearing down on Los Angeles. In “Sharknado 2: The Second One,” New York City was the target of the disaster, and in “Sharknado 3: Oh Hell No!” a mega-sharknado made its way down the East Coast from Washington, D.C. to Florida. In the most recent installment, the very-close-to-copyright-infringement-titled “Sharknado: The 4th Awakens,” the shark-infested storms went national. The film ended with the Eiffel Tower ripping away from Paris and crashing down on Niagara Falls, setting the stage for the fifth edition of America’s answer to the sprawling sagas of the ancient world.

In “Sharknado 5,” with much of North America lying in ruins, the rest of the world braces for a global sharknado. Fin Shepard (Ziering) and his family must put a stop to this disaster before Earth is obliterated.

(3) TODAY’S SCROLL TITLE. On the other hand, Daniel Dern hopes you will add iterations of your own to his faux children’s book for Filers.

If You Give A Kzin A Kazoo…

whose text perhaps goes…

… he’ll <blatt> and leap.

If a Kzin <blatt>s and leaps,
he’ll rip you from gehenna to duodenum. [1]

If a Kzin rips you from gehenna to duodenum,
well, that’s the end of the story as far as you’re concerned,
unless you’ve got either an autodoc [2] nearby, or have Wolverine-class mutant healing factor.

[1] per Don Marquis, Archie & Mehitabel — Mehitabel on Marriage, IIRC.

[2] and health care insurance that will cover you 🙁

Probably if you put all that in, Filers will contribute a few dozen more verses.

(4) BOMBS AWAY. Before telling the “Five Things I Learned Writing Exo”, Fonda Lee confesses that Exo began life as a failed NanNoWriMo novel. (A guest post at Terrible Minds.)

This is how it went: I wrote 35,000 words by November 20th or so, and stalled out. It wasn’t working. At all. I read the manuscript from the beginning and hated all of it with the nauseous loathing that writers feel when looking at their own disgusting word messes. I had a shiny story idea in my head but it was emerging as dog vomit. So I quit. I failed NaNoWriMo hard.

I trashed everything I’d written and started again. I wrote a new draft over several months, and then rewrote 50% of that one. And did it again. After the book sold, I did another major revision with my editor. I was relieved and excited by how it was getter better and better, but part of me was also surprised and disheartened. I mean, Zeroboxer was picking up accolades and awards, and whoa, I got to go to the Nebula Awards as a finalist and dance on stage, so why the hell was it so hard to write another book?! This whole writing thing ought to be easier now, right?

Wrong. In talking (griping, whining, crying) to wiser authors, I learned there was wide agreement that the second book is often a complete bitch to write. A very loud voice in your head is telling you that because you’re now a Published Author, you should be writing better and faster, plus doing author promotion stuff with an effortless grin.

(5) REMEMBERING PAN. J. M. Barrie was one of several authors who put science-related observation into fantasies. The BBC tells you about it: “What Peter Pan teaches us about memory and consciousness”.

In this way, the stories appear to follow a tradition of great cross-pollination between the arts and the sciences – particularly in children’s literature. Charles Kingsley’s The Water-Babies was written, in part, as a response to Darwin’s theory of evolution, while Alice’s Adventures in Wonderland were a playful exploration of mathematics and logic. Even some of Hans Christian Andersen’s tales were inspired by new scientific and technological developments – such as the invention of the home microscope.

(6) A LARGER-THAN-EXPECTED COLLISION. The Large Hadron Collider didn’t end the world, as some cranks feared, but it did end this creature: “World’s Most Destructive Stone Marten Goes On Display In The Netherlands”

On Nov. 20, 2016, the animal hopped over a fence at the $7 billion Large Hadron Collider in Switzerland, touched a transformer and was electrocuted by 18,000 volts.

The marten died instantly. The collider, which accelerates particles to near the speed of light to study the fiery origins of the universe, lost power and shut down.

“There must have been a big flame,” said Kees Moeliker, the director of the Natural History Museum in Rotterdam and the man behind its Dead Animal Tales exhibit, where the preserved marten is now displayed.

“It was scorched. When you’re not really careful with candles and your hair, like that,” he explained. “Every hair of this creature was kind of burned and the whiskers, they were burned to the bare minimum and especially the feet, the legs, they were cooked. They were darker, like roasted.”

“It really had a bad, bad encounter with this electricity.”

Chip Hitchcock adds, “Marten furs were once sufficiently tradable that Croatia’s currency, the kuna, takes its name from the Croatian word for the beast.“

(7) YOUNG PEOPLE READ OLD SFF. James Davis Nicoll turns the panel loose on Roger Zelazny’s “A Rose for Ecclesiastes”.

I selected 1963’s A Rose for Ecclesiastes for a few reasons. The least important is because I only recently read it myself (the story kept coming up in the context of a grand review project of mine and I got tired of admitting over and over again that I had not read it.). Another is its historical significance: this is one of the last SF stories written before space probes showed us what Mars was really like. The final reason is this story was nominated for a Hugo and I am hopeful that the virtues the readers saw a half century ago are still there.

Let’s find out!

(8) THE FOUNDER. Selected writings by Hugo Gernsback have been compiled in The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction, edited by Grant Wythoff. The book was published in November by the University of Minnesota Press.

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies.

…The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

Bruce Sterling gives the book a powerful endorsement:

Grant Wythoff’s splendid work of scholarship dispels the dank, historic mists of a literary subculture with starkly factual archival research. An amazing vista of electronic media struggle is revealed here, every bit as colorful and cranky as Hugo Gernsback’s pulp magazines—even the illustrations and footnotes are fascinating. I’m truly grateful for this work and will never think of American science fiction in the same way again.

(9) SARAH PRINCE. The family obituary for Sarah Prince, who died last month, appeared in the Plattsburgh (NY) Press-Republican.

Sarah Symonds Prince (born July 11, 1954) died unexpectedly of congestive heart failure in late January in her Keene Valley home. A long time resident and well-loved community member, she was active in the Keene Valley Congregational Church choir and hand bell choir, the town community garden program; she was a former member of the Keene Valley Volunteer Fire Department.

Sarah was an avid photographer and a ceramic artist, and a freelance graphic designer. She was an influential member of the science fiction fan community and publisher (in the 1980s/90s) of her own fanzine. Sarah enjoyed going to interesting places whether around the corner or halfway around the world. She loved the many dogs and cats that were constant companions in her life.

Born in Salem, Mass., Sarah was the third child of David Chandler Prince Jr. and Augusta Alger Prince. She grew up in Cincinnati, Ohio, where she graduated from Walnut Hills High School. Sarah’s love of Keene Valley, N.Y., follows family ties that date back four generations as regular summer visitors.

Sarah graduated from the Ohio State University with a BFA degree. She trained in print layout and typesetting and worked in typesetting, layout and graphic arts for several publications, including Adirondack Life from 1990-93, a job which brought her to live full-time in Keene Valley. A deep curiosity about technology and a sustainable world led Sarah to Clinton Community College to study computer technology and earn an Environmental Science AA degree in May 2016.

Sarah lived with disability from mental illness and substance abuse for many years. She worked to raise awareness and understanding of the challenges faced by herself and others. She positively touched many who were also struggling.

Sarah is survived by her mother, Augusta Prince of Hanover, N.H.; four siblings, Timothy Prince, Catharine Roth, Charlotte Hitchcock, and Virginia Prince; seven nieces and nephews; and six grand nieces and nephews.

Donations in her memory can be made to North Country SPCA or the Keene Valley Library. Arrangements have been entrusted to Heald Funeral Home, 7521 Court Street, Plattsburgh, N.Y. To light a memorial candle or leave an online condolence please visit http://www.healdfuneralhomeinc.com

(10) TODAY IN HISTORY

  • February 2, 1882 – James Joyce is born .

And that reminds John King Tarpinian of a story:

Sylvia Beach, owner of the bookstore Shakespeare and Co. in Paris, published the novel herself in 1922, but it was banned in the United Kingdom and in the United States until 1933.  Every July Ray Bradbury and his family would vacation in France.  Ray would always visit Shakespeare and Company.  The bookshop would make sure they had a book that Ray wanted, such as first editions of Jules Verne.

(11) CREEPTASTIC. Dread Central reports “Zak Bagan’s Haunted Museum to feature ‘one of the most dangerous paranormal possessions in the world’” — Peggy the Doll.

Excited about visiting Zak Bagans’ Haunted Museum when it opens? Of course you are! This latest story though… this latest addition to Zak’s house of madness? Well, it’s going to be up to you whether or not you take your chances and take a look.

Zak has just informed us exclusively that he’s now in possession of the infamous “Peggy the Doll,” which he obtained from its previous owner, Jayne Harris from England. Featured on an episode of his series “Deadly Possessions,” Peggy is not for the faint of heart. It’s said you can be affected by Peggy by just looking at her… in person or in photos. As a result “Deadly Possessions” aired the episode with a disclaimer for viewers: a first for both the show and the paranormal in general.

(12) BUNK. Jason Sanford muses about “An alternate history of alternative histories”:

Ironically, the last book my grandfather read was edited by Poul Anderson, one of our genre’s early authors of alternate histories. Anderson’s Time Patrol stories, where valiant time travelers ensure history stays on its “correct” timeline, are an integral and fun part of SF’s long tradition of time travel fiction focused on keeping history pure. He also wrote a famous series of alternate history fantasies called Operation Chaos, originally published by The Magazine of Fantasy and Science Fiction in the 1950s. In these stories World War II was fought between completely different countries with magical creatures such as werewolves and witches.

Of course, Anderson’s stories of time travelers keeping the timeline pure and correct seem a little simplistic today, just as historical narratives today are far more complex than they were decades ago. I think this is partly because most historians now recognize how imprecisely history is recorded. History as it is written can even be called the original version of the alternate history genre, where the story we’re told deviates from what really happened.

After all, history is written by the victors, as the cliche states. Which means much of what happened in the past is left out or altered before history is recorded. And even the victors don’t name all the victors and don’t celebrate all their victories and deeds.

Theodore Sturgeon famously said that “ninety percent of everything is crap.” This applies equally to history as we know it — including the history of the alternate history genre.

(13) WHITE FLIGHT. Andrew Russell and Lee Vinsel, in “Whitey on Mars”, ask if Elon Musk’s Martian proposals are part of a dream by rich and powerful people to further isolate themselves from the masses. (The title references Gil Scott-Heron’s 1970 “Whitey on the Moon.”)

Musk insists that humans in fact ‘need’ to go to Mars. The Mars mission, he argues, is the best way for humanity to become what he calls a ‘space-faring civilisation and a multi-planetary species’. This otherworldly venture, he says, is necessary to mitigate the ‘existential threat’ from artificial intelligence (AI) that might wipe out human life on Earth. Musk’s existential concerns, and his look to other worlds for solutions, are not unique among the elite of the technology world. Others have expressed what might best be understood as a quasi-philosophical paranoia that our Universe is really just a simulation inside a giant computer.

Musk himself has fallen under the sway of the Oxford philosopher Nick Bostrom, who put forward the simulation theory in 2003. Bostrom has also argued that addressing ‘existential risks’ such as AI should be a global priority. The idea that Google’s CEO Larry Page might create artificially intelligent robots that will destroy humanity reportedly keeps Musk up at night. ‘I’m really worried about this,’ Musk told his biographer. ‘He could produce something evil by accident.’

These subjects could provide some teachable moments in certain kinds of philosophy classes. They are, obviously, compelling plot devices for Hollywood movies. They do not, however, bear any relationship to the kinds of existential risks that humans face now, or have ever faced, at least so far in history. But Musk has no connection to ordinary people and ordinary lives. For his 30th birthday, Musk rented an English castle, where he and 20 guests played hide-and-seek until 6am the following day. Compare this situation with the stories recounted in Matthew Desmond’s book Evicted (2016), where an entire housing industry has arisen in the US to profit from the poverty of some families, who often move from home to home with little hope of ever catching up, let alone getting ahead.

(14) COMIC SECTION. Martin Morse Wooster says, “I think today’s Prickly City expresses the dreams of many Filers.”

(15) ANOTHER COUNTRY HEARD FROM. When the next Doctor Who is chosen, one party thinks someone besides a human deserves consideration: “New Doctor Who should be a Dalek, say Daleks”, at The Daily Mash.

The Skaro natives have petitioned the BBC for ‘better representation’ from a show which has historically ‘erased and demonised’ their proud race.

The Supreme Dalek said: “It’s not the 1960s anymore. These narratives about heroic Gallifreyans saving humanoids from extermination are outdated and offensive.

“My son is an eight-year-old New Paradigm Dalek and his eyestalk droops whenever he turns on his favourite show to see that yet again, the Daleks are the baddies.…

(16) WHEN ROBOTS LAY DOWN ON THE JOB. Fynbospress told Mad Genius Club readers about running into a wall while using Word:

Interesting quirk I learned recently on MS Word. Say you have a MilSF novel, and you haven’t added the last names, planets, etc. to the customized dictionary (So they all show as a spelling error). As you’re reading through, it pops up a window saying “there are too many spelling errors in this document to show.” And promptly cuts out the red spelling and blue grammar lines.

(17) INFERNO. JJ says, quite rightly, this photo of the West Kamokuna Skylight in Hawaii resembles sculpture of bodies being sucked into hell.

If lava has the right viscosity, it can travel across a landscape via channels. The lava either forms the channels itself or uses a preexisting one. Along the same vein, lava tubes are essentially channels that reside underground and also allow lava to move quickly. Tubes form one of two ways. A lava channel can form an arc above it that chills and crystallizes, or an insulated pahoehoe flow can have lava still running through it while outer layers freeze. Lava tubes, by their nature, are buried. However, skylights form when the lava tube collapses in a specific area and allow one to see the flow inside the tube. Tubes can collapse completely and become channels, drain out, or get blocked up.

(18) FROM BC TO DC. CinemaBlend thinks the critical success of the DC Extended Universe hinges on the forthcoming Wonder Woman movie.

While Batman v Superman: Dawn Of Justice struggled to please critics, most agreed that Gal Gadot’s performance as Wonder Woman was one of its few shining lights. It’s hoped that the opportunity to explore the character even more, as well as take a peak at her origin story, will help to propel the DC Extended Universe forward, especially considering all of its recent troubles regarding both its releases and the films it has in development.

 

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💛 💛 💛 #wonderwoman @WonderWomanFilm

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(19) I’M OUT. It may look like a chocolate chip thumbscrew, but it’s Dunking Buddy!

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What if there was an easier, cleaner, more enjoyable way to enjoy dunking cookies in milk. Well the world is finally in luck, and based on the response so far, it couldn’t have come sooner! Two cookie dunking lovers, like so many others out there, took it upon themselves and created a cookie dunking device that does just that!

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Moshe Feder, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

 

Pixel Scroll 1/6/17 It Scrolls! It Pixels! It Makes Julienne Files!

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(1) GALAKTIKA UP TO ITS OLD TRICKS. Bence Pintér of Mandiner.sci-fi checked with the authors of translated short stories in the latest issue of Galaktika, the Hungarian prozine caught publishing overseas authors without payment. Pinter discovered —

They [Galaktika] went on with publishing short stories without the authors’ permission, in this case the victims were Indra Das and Colin P. Davies. Davies knew nothing about this translation; but they asked Das for permission, but never got back to him with contract or the royalty. He did not know his story was published. Here is my article in Hungarian.

(2) CINEMA DENIERS. New Statesman’s Amelia Tait, in “The Movie That Doesn’t Exist and the Redditors Who Think It Does”, reports there is an intense discussion on Reddit about people who say that they saw a movie called Shazaam in the mid-1990s with Sinbad as a genie, even though there is no evidence that this movie was ever made and Sinbad himself tweeted that “only people who were kids in the mid-90s” claim to have seen it.  Tait says these redditors are probably mis-remembering Kazaam, a movie with Shaquille O’Neal as a genie from the mid-1990s.

“I remember thinking Shaq’s Kazaam was a rip-off or a revamp of a failed first run, like how the 1991 film Buffy the Vampire Slayer bombed but the late Nineties TV reboot was a sensation,” says Meredith, who is one of many who claim to remember both Shazaam and Kazaam. Don remembers ordering two copies of the former and only one of the latter for the store, while Carl says: “I am one of several people who specifically never saw Kazaam because it looked ridiculous to rip off Shazaam just a few years after it had been released.” When Carl first realised there was no evidence of the Sinbad movie existing, he texted his sister to ask if she remembered the film.

“Her response [was] ‘Of course.’ I told her, ‘Try and look it up, it doesn’t exist’. She tried and texted back with only: ‘What was it called?’ – there was never a question of if it existed, only not remembering the title.”

(3) ALL HE’S CRACKED UP TO BE. Another work of art from “Hugo Nominated Author” Chuck Tingle.

(4) THE NEXT STEP. “Where do you get your ideas,” is an oft-mocked interview question, but how one writer develops his ideas is captured in Joshua Rothman’s profile “Ted Chiang’s soulful Science Fiction” in The New Yorker.

Chiang’s stories conjure a celestial feeling of atemporality. “Hell Is the Absence of God” is set in a version of the present in which Old Testament religion is tangible, rather than imaginary: Hell is visible through cracks in the ground, angels appear amid lightning storms, and the souls of the good are plainly visible as they ascend to Heaven. Neil, the protagonist, had a wife who was killed during an angelic visitation—a curtain of flame surrounding the angel Nathanael shattered a café window, showering her with glass. (Other, luckier bystanders were cured of cancer or inspired by God’s love.) Attending a support group for people who have lost loved ones in similar circumstances, he finds that, although they are all angry at God, some still yearn to love him so that they can join their dead spouses and children in Heaven. To write this retelling of the Book of Job, in which one might predict an angel’s movements using a kind of meteorology, Chiang immersed himself in the literature of angels and the problem of innocent suffering; he read C. S. Lewis and the evangelical author Joni Eareckson Tada. Since the story was published, in 2001, readers have argued about the meaning of Chiang’s vision of a world without faith, in which the certain and proven existence of God is troubling, rather than reassuring.

(5) BIG RAY GUN. The UK Ministry of Defence has awarded a ?30M contract to produce a prototype laser weapon.

The aim is to see whether “directed energy” technology could benefit the armed forces, and is to culminate in a demonstration of the system in 2019.

The contract was picked up by a consortium of European defence firms.

The prototype will be assessed on how it picks up and tracks targets at different distances and in varied weather conditions over land and water.

(6) CHOW DOWN. Episode 26 of Scott Edelman’s Eating the Fantastic podcast brings Edelman together with James Morrow at an Uzbek restaurant.

James Morrow

James Morrow

We discussed his first novel (written when he was only seven years old!), why he feels more connected to the fiction of Arthur C. Clarke than that of Robert Heinlein and Isaac Asimov, his many paths not taken, including that of filmmaker, the ethical conundrum which occurred after Kurt Vonnegut, Jr. autographed a book “for Jim Morrow, who writes just like me,” how Charles Darwin “confiscated our passports,” and much more.

Edelman has launched an Eating the Fantastic Patreon.

In order to make Eating the Fantastic even better, I’d like to pick up the pace, post episodes more often than biweekly, make day trips to capture writers whom I never get a chance to see on the con circuit, and maybe even upgrade to more advanced recording equipment.

(7) AUTOGRAPH THE PETITION. Brad Johnson of Covina, CA has started a Change.org petition calling for California lawmakers to repeal the troublesome new standards for dealers in autographed items.

Nearly everyone in California is impacted by AB 1570, California’s new autograph bill, because it affects everyone with a signed item in their possession, whether it’s a painting passed down through generations, an autographed baseball, or a treasured book obtained at an author’s book signing. Under the new law, when a California consumer sells an autographed item worth $5 or more, the consumer’s name and address must be included on a Certificate of Authenticity. This requirement applies to anyone reselling the item as authentic, be it a bookseller, auction house, comic book dealer, antiques dealer, autograph dealer, art dealer, an estate sales company, or even a charity.

AB 1570 is fatally flawed and must be repealed with immediate effect. It is rife with unintended consequences that harm both consumers and small businesses. It has been condemned by newspaper editorial boards and the American Civil Liberties Union.

“This bill never should have passed. The Legislature must fix or repeal it immediately when it resumes business.” – Los Angeles Times Editorial Board

(8) THERE IS A SILVER BULLET FOR THIS PROBLEM. Kate Beckinsale, star of Underworld: Blood Wars, joins Stephen Colbert to deliver an important werewolf-related public service announcement.

(9) A STRANGE DEVICE. Seattle’s Museum of Popular Culture hosts “The Art of Rube Goldberg” beginning February 11.

stamp_usps_rube_goldberg

From self-opening umbrellas to automated back scratchers, if you can dream it, Rube Goldberg invented it.

For more than 70 years, cartoonist Rube Goldberg drew unique worlds filled with inventive technology and political commentary. Equal parts clever satirist and zany designer, the Pulitzer Prizing-winning artist is best known for his invention drawings—complex chain-reaction machines designed to perform simple tasks.

From iconic board games like Mouse Trap to thrilling music videos such as OK Go’s “This Too Shall Pass,” Goldberg has influenced some of the most indelible moments in pop culture. His name is so synonymous with his creations that it was added to the Merriam-Webster Dictionary as an adjective that describes the act of complicating a simple task. The tireless creator is thought to have drawn 50,000 cartoons over his long career.

Today, Goldberg’s ideas live on through the Rube Goldberg Machine Contest. This annual international competition challenges teams of students to compete in building the most elaborate Rube Goldberg Machine.

The Art of Rube Goldberg is the first comprehensive retrospective of Goldberg’s 72-year career since 1970. With more than 90 objects on display ranging from original drawings and animations to 3D puzzles, these incredible artifacts are paired with MoPOP’s signature interactive style to bring Goldberg’s imagination to life.

(10) EIGHTIES VERTLIEB. Matt Suzaka at Chuck Norris Ate My Baby rediscovered an old video of Steve Vertlieb being interviewed on Philadelphia TV:

While wandering the crowded halls of YouTube recently, I came across this enjoyable Halloween special that aired sometime in the early 1980s (maybe ‘81 or ‘82). The show in question, People Are Talking, was hosted by Richard Bey, and this particular episode features a genuinely interesting interview with film journalist and historian Steve Vertlieb.

One thing that I enjoy about this special, specifically the interview with Vertlieb, is the fact that horror films aren’t being chastised, something of which was very common for this type of show during the time period. Instead, this interview and the special as a whole is more of a celebration of what makes horror enjoyable for people of all ages. There is some discussion about how horror evolves to reflect modern society as well as how horror films can be a positive escape for some people.

 

(11) SPECIAL SNOWFLAKES. Anthony Herrera Designs has many patterns for science fictional paper snowflakes. The link takes you to the 2016 Star Wars set, and on the same page are links to Guardians of the Galaxy, Frozen, and Harry Potter designs.

New characters! New vehicles! 50% more beards! It’s time for Rogue One: A Star Wars Story. These characters look just awesome and they make great snowflakes too. Here is the Star Wars snowflake collection for 2016. Featuring Rogue One characters and a few additional ones I just needed to throw in there. Download, cut and decorate with these snowflakes and most of all REBEL! This is an rebellion isn’t it? Unless your office coworkers will be annoyed. In that case be cool. Don’t be that guy.  As always I recommend using scissors, a sharp x-acto knife and patience. Have fun!

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(11) THE SHAPE OF SHADES TO COME. Several File 770 readers have said they will be chasing the eclipse next summer. Here’s the latest information on where it can be viewed — “NASA Moon Data Provides More Accurate 2017 Eclipse Path”.

On Monday, Aug. 21, 2017, millions in the U.S. will have their eyes to the sky as they witness a total solar eclipse. The moon’s shadow will race across the United States, from Oregon to South Carolina. The path of this shadow, also known as the path of totality, is where observers will see the moon completely cover the sun. And thanks to elevation data of the moon from NASA’s Lunar Reconnaissance Orbiter, or LRO, coupled with detailed NASA topography data of Earth, we have the most accurate maps of the path of totality for any eclipse to date.

 

(12) MOON PICTURE. Annalee Newitz at Ars Technica says “Hidden Figures is the perfect space race movie”. Does the review live up to the wordplay of the headline? You decide!

Hidden Figures is the perfect title for this film, based on Margot Lee Shetterly’s exhaustively researched book of the same name. It deals with an aspect of spaceflight that is generally ignored, namely all the calculations that allow us to shoot objects into orbit and bring them back again. But it’s also about the people who are typically offscreen in sweeping tales of the white men who ran the space race. What Hidden Figures reveals, for the first time in Hollywood history, is that John Glenn would never have made it to space without the brilliant mathematical insights of a black woman named Katherine Johnson (played with what can only be called regal geekiness by Taraji Henson from Empire and Person of Interest).

Johnson was part of a group of “colored computers” at Langley Research Center in Atlanta, black women mathematicians who were segregated into their own number-crunching group. They worked on NASA’s Project Mercury and Apollo 11, and Johnson was just one of several women in the group whose careers made history.

Though Johnson is the main character, we also follow the stories of her friends as Langley pushes its engineers to catch up to the Soviets in the space race. Mary Jackson (a terrific Janelle Monae) wants to become an engineer, and eventually gets a special court order so she can attend classes at an all-white school. Dorothy Vaughan (Octavia Spencer) becomes the first African-American woman to lead a department at the space agency, by teaching herself FORTRAN and learning to program Langley’s new IBM mainframe. One of my favorite scenes is when Vaughan debugs the computer for a bunch of white guys who have no idea what’s going on. As they splutter in confusion, she pats the giant, humming mainframe and says, “Good girl.”

(13) OCTAVIA BUTLER’S KINDRED NOW GRAPHIC NOVEL. Via Tor.com’s Leah Schnelbach we learn:

If you’re in New York City on January 13th and 14th, illustrator and Visual Studies professor John Jennings will be debuting the graphic novel adaptation of Octavia E. Butler’s Kindred at the 2017 Black Comic Fest at the Schomburg Center for Research in Black Culture! Jennings collaborated with writer Damian Duffy on the project, and you can read a preview here.

(14) SHINING GEEKS. Also at Tor.com is Schnelbach’s post “Adam Savage Tours a Weta Workshop Sculptor’s Mini Labyrinth Maze!”

Is there anything more joyful than watching someone explain their passion to an appreciative audience? In the video below, Johnny Fraser-Allen walks Adam Savage through his gorgeously detailed model of the Labyrinth from, er, Labyrinth. Fraser-Allen began work at Weta Workshop straight out of high school, after being inspired to go into film by repeated viewing of Labyrinth and The Dark Crystal. Now he’s been commissioned by River Horse Games to create figures and illustrations for their Labyrinth tabletop game, and he gleefully shares his work with fellow maze-enthusiast Adam Savage, whose model of The Shining‘s iconic hedge maze is currently touring the country with the Stanley Kubrick Exhibition.

See her post for the Youtube video about the Labyrinth maze.

Meantime, here’s another video about Savage’s own Overlook Hotel Maze. The video is cued to when it’s all complete for about an 8-minute run, but people who want all the details on how it was designed and built can watch from the very beginning (24:21 total).

(15) PROFESSIONAL ADVICE. Alex Acks tweets

(16) AWESOMENESS. Patrick Wynne, renowned mythopoeic artist, was thrilled with a gift he received from Carl F. Hostetter, one of his colleagues in the Elvish Linguistic Fellowship. It’s amazing what happens when your friends really know you.

I think I might just have gotten my favorite Procasmas present EVER—a huge fleece throw with the infamous friendship portrait of Amy Farrah Fowler and Penny from “The Big Bang Theory”! Thank you, Carl F. Hostetter, it’s wonderful!

wynne-friendship-potrait

(17) INTERPLANETARY LOVE. The Space Between Us trailer #3 is out.

[Thanks to Chip Hitchcock, Martin Morse Wooster, JJ, Mark-kitteh, Soon Lee, Michael J. Walsh, Steve Vertlieb, Andrew Porter. and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Dawn Incognito.]

Pixel Scroll 12/28/16 Scrolling By Words On A Snowy Evening

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(1) THEY LOOK ALIKE, THEY CAW ALIKE. …You could lose your mind! In “A Tale of Two Covers: Alan Baxter’s Crow Shine and Sarah Remy’s The Bone Cave”, Black Gate’s John O’Neill comments on the remarkably similar cover art on two disparate novels published within a month of each other.

(2) SOMETIMES A CIGAR IS NOT A CIGAR. Maya Kaathryn Bonhoff deconstructs another cover trend at Book View Café: “There’s a Bimbo on the Cover Verse 4: Rocket Power”.

This is the fourth verse of the song “There’s a Bimbo on the Cover of the Book.” If you’re collecting the lyric and singing along, it’s sung to the tune of (TTTO) “She’ll Be Comin’ Around the Mountain When She Comes.”

There’s a rocket on the cover of the book.
There’s a rocket on the cover of the book.
It’s a phallic and a stout one, but my novel was without one.
There’s a rocket on the cover of my book.

In this case, the lyric really doesn’t do justice to the …er… attributes of the rocket in question, which is from the cover of BVC author Deborah Ross’ print novel Jaydium (under her Deborah Wheeler nom de plume).

As it happens, I’ve read Jaydium and, while there is a rocket involved briefly in the story (my recollection is that it is part of a flashback), the scene shown on the cover does not actually appear as such in the novel.

(3) SOCIAL MEDIA MOURNING. Ann Leckie shares some wisdom in her post “On Mourning”.

It gets weird, with public figures. These are people that might be very, very important to us, might have formed our childhoods, given us inspiration, been constant companions in one way or another, and yet we’ve never met them, and they never had any idea that we existed. It’s not the same as a close loved one dying. But it’s not nothing. And what do you do, when someone not exactly family dies, but you had some sort of relationship with them? Well, if you were in the same town you’d put on nice clothes and comb your hair and go to the funeral parlor and tell the family how sorry you were, how important the deceased was to you, maybe tell them about some time they really helped you out. And then you move aside for the next person, maybe talk with some folks, and go home. Maybe you send flowers, that will sit there in the funeral home and in the church as a conspicuously visible token of your tie to the deceased, or their family, or a particular member of that family.

We aren’t any of us going to Carrie Fisher’s wake. Her family doesn’t want to slog through thousands of cards or letters, and there’s no mortuary large enough to hold the flowers we might all send. But we can blog or tweet. And yes, it’s performative. Like all funeral customs and public mourning it’s performative. It’s meant to send a message. “I am a member of this community, and this person was important to us. This community recognizes their loss. This community wants the deceased’s family to know how important this person was to us, and how sorry we are to hear they’ve left us.” And maybe her family doesn’t see most of it, but they likely know it’s there. I suspect that, like “I’m sorry” at the funeral home, it helps.

(4) LIFE IMITATES ART. John King Tarpinian saw this cartoon and admitted, “I do this all the time. I have the CD set, the DVD set, and the Blu-ray set of Twilight Zone, yet I watch the marathon on the Syfy channel.”

(5) GROSS NEWS. Natalie Rohamed, in a piece called “Scarlett Johansson is the highest-grossing actor of 2016” on Forbes.com, says that Scarlett Johansson with $1.2 billion in film grosses this year edged out Chris Evans and Robert Downey Jr., each of which had $1.15 billion. All of the top ten actors starred in superhero movies.

Scarlett Johansson has had a good year at the box office. Between a top role as the Black Widow in blockbuster hit Captain America: Civil War, which grossed over $1.15 billion worldwide, plus an ensemble part in the much less commercial Hail, Caesar!, Johansson is 2016’s top-grossing actor, bringing in $1.2 billion at global ticketing booths.

Martin Morse Wooster, who sent the link, comments: “I once read a profile of Robert Downey Jr. in Esquire where I learned that if you really want to irritate the guy, asking him, ‘You’ve created two billion-dollar franchises in Sherlock Holmes and Iron Man.  How does it feel?’ will do it.”

(6) THE ROBOTIC HORROR. BBC mix of blue-skying, looking-with-alarm, and data on “The rise of the robots?”

“Your bones will turn to sand. And upon that sand a new God will walk.” Dolores in the latest sci-fi TV blockbuster, Westworld.

It may not quite be that bad. But a wall won’t keep them out, a new work permit scheme won’t stop their freedom of movement.

The rise of the robots could be next year’s big story. Ever since the Luddites smashed their first loom, mechanisation has been putting people out of work. But the process is speeding up, accelerating all the time and the next wave could be crashing down, near you, soon.

(7) UPDATE: DEBBIE REYNOLDS OBIT. The mother of Carrie Fisher, Debbie Reynolds, passed away today.

Her death was reported shortly after the Scroll was posted with news that she had been hospitalized —

Debbie Reynolds, one of Hollywood’s biggest stars in the 1950s and 1960s, was taken to a Los Angeles hospital on Wednesday, one day after her daughter Carrie Fisher died, the Los Angeles Times reported.

Reynolds, 84, complained of breathing problems, an unidentified source told The Times.

This might fall within the sphere of science fiction news not only because of the Fisher connection, but because Reynolds’ signature film Singin’ in the Rain was regarded as science fiction by at least one authority. Patton Oswalt told the story to io9 —

And I love the part about what happens to human beings. Ray Bradbury pointed out that Star Wars is not science fiction, it’s an adventure story set in space. Singing in the Rain is a science fiction film, because you have the world as it is, then sound is introduced. What happens to people now that this new thing is there? That’s all science fiction is.

(8) TWO WASHINGTON POST TRIBUTES. Michael Cavna, in “As iconic Princess Leia, Carrie Fisher was a life force to be reckoned with”, looks at how Carrie Fisher “long had a love/hate role with the Princess Leia role,” and how her “joy and swagger” at the part was combined with a fear that if she screwed up she would be replaced by Jodie Foster or the many other women George Lucas rejected in favor of her.

When first casting his “Star Wars” films, creator-director Lucas seriously considered such other budding teenage talents as Jodie Foster and Terri Nunn. Yet Carrie Fisher, still barely an adult at the time, had a silly, fun-loving presence that melded well with future co-stars Mark Hamill and Harrison Ford during auditions. She also had a precocious sense of self — a quick mind and a feisty steeliness of spine. In short, Fisher reminded Lucas of his own younger sister.

Alexandra Petri, in “Carrie Fisher: So long, Princess, and thanks”, says that “Until Carrie Fisher, ‘princesses’ was a dirty word” and how “a lot of what I learned about how to be a person in the world came from Princess Leia.”

(9) SURVIVED BY. CinemaBlend reports “Carrie Fisher’s Dog Gary Has Already Found A New Home”.

Carrie Fisher’s adorable French Bulldog Gary could often be seen at his owner’s side during interviews and other events. So it’s no surprise that fans of the Star Wars star were concerned about Gary’s wellbeing in the aftermath of Fisher’s death. Rest assured, Gary has already secured a new home.

TMZ reports that the 4-year-old Gary will be in the care of Carrie Fisher’s daughter Billie Lourd….

(10) TODAY IN HISTORY

  • December 28, 1865 — French film pioneers Auguste and Louis Lumiere showed the first commercial motion pictures at a Paris cafe.

(11) TODAY’S BIRTHDAY GIRL

  • Born December 28, 1932 – Nichelle Nichols

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(12) TODAY’S BIRTHDAY BOY

  • Born December 28, 1922 – Stan Lee

(13) THE SECOND IS NO. Thomas Vinciguerra confides to readers of the Columbia Journalism Review, “Want me to write for free? I’ve got two one-syllable words for you”.

An ostensibly professional journalist this spring told me he was on the prowl for freelance editors for his new investigative website. Intrigued, I eventually broached the question of payment.

He responded by rattling on about the great people who worked for him, how they came from all walks of life, that inevitably his site would grow, and that at some point he might possibly—no promises, I had to understand—be able to toss me a few coins.

After silently fuming for a few days, I politely told him that this was simply not viable. In retrospect, I should have responded with two one-syllable words.

The long-chronicled decline of print has gored many a writer and editor. It’s hardly a secret that magazines and newspapers are now leaning mercilessly on their dwindling staffs, unable to pay outsiders as much as they once did or take them on at all. Fair enough; as Hyman Roth stammered in The Godfather, Part II, “This is the business we’ve chosen.”

But there is something fundamentally obscene about expecting anyone to work gratis. And that applies even to us ink-stained wretches.

The fiction writer Harlan Ellison—a master of what our mutual friend (and science-fiction writer) David Gerrold calls “the literature of amazement”—once tore into the idea of giving away your words for nothing. “I get so angry about this because you’re undercut by all the amateurs,” he explodes. “It’s the amateurs who make it tough for the professionals.”

(14) DEITIES IN SF. Leah Schnelbach’s fine post for Tor.com – “19 SFF Stories That Take a Positive View of Religion” — rounds up an uncommon set of stories.

Of all the genres, science fiction and fantasy are the ones where humans can tackle their deepest societal problems and thought experiments. Because of this, it’s a natural place for people to explore ideas about religion, faith, and the meaning of life…

Religion can also be an emotional and contentious topic for people. For people who choose to leave a religious tradition, science and science fiction can become the home they didn’t find in a church or temple, and can also provide a way to critique the life they left. For others, the flexibility of the genre allows them to express their faith, or their questions about their faith, in deeper ways than any other medium would allow.

I thought it would be interesting to look at some examples of books and short stories that have tackled religious questions in respectful and positive ways. While these stories sometimes go to uncomfortable places, they each take faith seriously, and would be worthy additions to the TBR stacks of believers and non-believers alike…..

Lord of Light by Roger Zelazny

Roger Zelazny’s Lord of Light is set in the far future, where colonists from “vanished Urath,” or Earth, have set up shop on a planet full of understandably hostile indigenous people. In order to survive, they use their ships tech to mutate themselves and eventually to MacGyver a type of reincarnation by repeatedly transferring their souls into new bodies. They use this tech against the planet’s native population, setting themselves up as a pantheon of “Hindu” gods, and instituting an ironclad caste system. Obviously, they have to keep the tech out of the wrong hands in order to stay at the top of society… which is where Sam comes in. Originally named Mahasamatman, he prefers to go by just Sam, but before that he was Siddhartha. The Buddha. And now he’s decided to ally with the pantheon of the native people, reincarnate repeatedly, and generally go full trickster god to make sure everyone has access to technology, and end the tyranny of the caste system once and for all.

(15) BOX SCORE. John Scalzi draws back the curtain on “2016 Top 10 Whatever Posts + Social Media Stats”.

Time for my annual nerdery about the most visited posts here, and the state of my social media presence. Ready? Sure you are, that’s why you’re here! This and cat pictures.

First, here are the top ten posts on Whatever f0r 2016, ranked by visits. Posts with asterisks were originally posted in years other than 2016….

Atop the charts is “The Cinemax Theory of Racism”.

(16) CLOUDS OF WITNESS. History’s post  “Human Computers: The Women of NASA” includes a group photo from 1953.

Graduating in 1953 with a degree in chemical engineering from University of California, Los Angeles, Janez Lawson had the grades, degree and intelligence to get any job she wanted. The problem? Her race and gender. She responded to a JPL job ad for “Computers Wanted” that specified “no degree necessary,” which she recognized as code for “women can apply.” While it would not be an engineering position, it would put her in a lab. Macie Roberts and Helen Ling were already working at JPL, actively recruiting young women to compute data and Lawson fit the bill. Lawson was the first African American to work in a technical position in the JPL lab. Taking advantage of the IBM computers at their disposal, and her supervisor’s encouragement to continue her education, Lawson was one of two people sent to a special IBM training school to learn how to operate and program the computers.

(17) REWARDING DIVERSITY. Slate says the British Academy of Film and Television Arts is adding a diversity requirement to its award rules. Note that this only applies to the BAFTAs for Outstanding British Film, and Outstanding Debut by a British Writer, Director, or Producer — “Starting in 2019, if Your Film Isn’t Diverse, It Won’t Be Eligible for a BAFTA Award”.

In an incredibly bold move, the British Academy of Film and Television Arts announced last week that, beginning in 2019, works that do not demonstrate inclusivity in their production practices will no longer be eligible for the Outstanding British Film or Outstanding Debut by a British Writer, Director, or Producer awards at the annual BAFTAs, often considered the U.K. equivalent of the Oscars.* Eligible projects must showcase this in two of the following ways, as the BBC reported: On-screen characters and themes, senior roles and crew, industry training and career progression, and audience access and appeal to underrepresented audiences. BAFTA will also remove the requirement that newly admitted voters be recommended by two existing members.

(18) EYES YES, CHICKEN FEET, NO. Another BBC story —  “Why I want my home to watch me”.

As I step into the hallway in Simon Daykin’s New Forest home, his smartwatch goes into overdrive.

He is receiving messages from the house itself, warning him there is somebody inside it doesn’t recognise.

“As you come in, you’ve already been spotted by some of our tech,” he says.

“There are cameras in the burglar alarm sensors, and a facial recognition system in the house.

“If it’s someone it ‘knows’, it will tell me. If it’s someone it doesn’t know, it will tell me.”

He selects one of the CCTV images he has received and adds my name to it. That seems to satisfy the house – for now.

(19) TZ ON METV. Get a list of “8 books any fan of ‘The Twilight Zone’ should read” from MeTV.

3. Richard Matheson – ‘Nightmare At 20,000 Feet: Horror Stories By Richard Matheson’

In his introduction, Stephen King describes Matheson’s influence on the horror genre in the 1950s as “a bolt of pure ozone lightning.” The master also confesses that without Matheson, he “wouldn’t be around.” This modern collection largely draws from the 1950s, with some 1960s shorts thrown in as well, keeping it contemporary with Twilight Zone. Matheson was the mind behind other classic episodes like “Third from the Sun,” “Nick of Time,” “The Invaders,” “Night Call” and more.

John King Tarpinian says, “They left out Fancies and Goodnights by John Collier, which is the book that Ray Bradbury gave to Rod Serling as TZ was being formulated.”

(20) BEHIND THE IMAGINARY SCENES. ScienceFiction.com recommends — “Unleashing The Power: Check Out Video From ‘Science Of The MCU’ Event!’”

Recently, the Science and Entertainment Exchange, along with Marvel Studios and The Great Company put on a truly amazing event called the ‘The Science of the Marvel Cinematic Universe’ which highlighted how some of the more fantastic elements of the MCU could actually work. At the events, real scientists discussed how some of the pseudoscience and superpowers of the MCU could potentially work, and how close we are to accomplishing some of the scientific discoveries fictional characters in the MCU have made…

 

[Thanks to JJ, Andrew Porter, Martin Morse Wooster, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]

Pixel Scroll 11/3/16 A Pixel Full of Sound And Fury, Scrolling Nothing

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(1) CODES OF CONDUCT. Dave McCarty and Helen Montgomery share thoughts about administering Codes of Conduct (CoC) in “The Shield or the Weapon” at Copious Free Time. These excerpts encompass some of their more challenging points, but only a reading of the post can do justice to all the nuances they bring out.

DAVE McCARTY: …As another example, there was a time a few years ago where Bob(2) brought a new CoC for their convention to a fairly public convention runner forum (presumably for review and input).  As with most CoCs, there was a lot there that was good but at least a few people had some push back on some of the policies.  One of the pieces of feedback about one or two specific policies was that they were worded in a way that made them overly broad…almost everyone attending Bob(3)con would be in violation of these sections of the CoC.

In response to the feedback, Bob(2) stated that they didn’t believe these parts of the CoC were problematic since the organizers knew who they would enforce them against.

Selective enforcement is *absolutely* a weapon and it’s a heinous one.  It’s one of the larger issues disenfranchised groups have in regular life…it’s one of the preferred tools of racism and sexism and I would *bet* almost any other “ism” folks can throw at me.

If we are going into something with the thought of “how do we safeguard our member’s enjoyment”, I find it exceedingly unlikely that we ever work our way to policies designed to be used against *specific* people or even *narrow* groups.

This is the soul of the issue on CoC issues for me.  Are we trying to protect or are we trying to remove.  Is this about preventing harm or seeking retribution?…

HELEN MONTGOMERY: …About 10 years ago I was involved in writing the CoC for Bob(6)con.  The group decided early on that we didn’t want just an anti-harassment policy, because there were a lot of other behaviors that can make a convention less safe and less fun.  So we went with the broader CoC.  The intent is a shield – here’s how to act and not act so that everyone has a good time.  It’s a much longer version of Wheaton’s Law – don’t be a dick.  We went in with the assumption that most of our attendees didn’t want to violate Wheaton’s Law.  We incorporated what attendees should do if there are problems, starting with “try talking to them if you feel comfortable doing so” and we listed that consequences of violating the CoC included but were not limited to X, Y, and Z.  We recognized that behaviors and circumstances are made up of shades of gray, and we gave ourselves flexibility to work with that reality.

Fast forward to a recent Bob(6)con.  There’s a guy, Bob(7), who has become well-known in the larger community as being someone who has sexually harassed women.  At least one convention has banned him, albeit with much Sturm und Drang in the process.  He then shows up on our membership list.  He’s never been accused of causing any problems at Bob(6)con.  What’s a con to do?

As luck would have it, I was Board President at the time.  (Pardon me whilst I wipe away the sarcasm that just dripped from that sentence.)  There was much internal discussion, and ultimately we stood by what has been our stance from the beginning with our CoC – we do not pre-emptively ban people from Bob(6)con….

(2) LIST KICKER. Looking over “The Ars Technica science fiction bucket list – 42 movies every geek must see” I came away convinced the list could have been a lot shorter – they may be good, but are Enemy Mine and WALL*E indispensable viewing? — and yet it does bring to people’s attention previously unsuspected gems:

Primer (2004)

Shot on the cheap in and around Austin, this 2004 film about a pair of engineers who accidentally discover time travel in their garage is not easy to follow the first time you see it. The characters mumble dialog into their chests just like how real humans talk, the narrators telling the story might be lying, and the same events are shown from multiple points of view—we’re never sure what’s really real. But the joy, they say, is in the journey, and trying to piece together exactly what the hell happens in this story of unexplained paradoxes is part of the fun. Primer is that rare kind of film that not only benefits from repeat viewings but also manages to show you something new every time you watch it.

(3) UNPLANNED OBSOLESCENCE. John Scalzi was spun off onto an alternate timeline last night. Did you notice? — “The Cubs, the 108-Year-Long Streak, and Old Man’s War”.

This year, as the Chicago Cubs came closer and closer to winning a World Series, people wondered what that might mean for the Old Man’s War series of books. After all, in several places I had people in the books discussing the Chicago Cubs and their inability to win a World Series, and in The Human Division, it’s actually a plot point. So what happens to those books, now that the Cubs, after 108 years, have won a World Series?….

Now the Old Man’s War books suffer from the same problem as all the science fiction stories before 1969 that named a first man on the moon, or the ones that imagined canals on Mars. The real world caught up to them and passed them by, waving as it did so.

And that’s okay. This is the risk you take when you put a plot point in your books that’s contingent on the real world….

(4) TRUNK STORIES. James Davis Nicoll at Young People Read Old SFF unleashed his test audience on Fritz Leiber’s “A Pail of Air” this time.

(…)”So right then and there,” Pa went on, (…) “I told myself that I was going on as if we had all eternity ahead of us. I’d have children and teach them all I could. I’d get them to read books. I’d plan for the future, try to enlarge and seal the Nest. I’d do what I could to keep everything beautiful and growing. I’d keep alive my feeling of wonder even at the cold and the dark and the distant stars.”

But will this resonate with younger people? Let’s find out!

The responses as a whole are some of the best Nicoll has received to date.

(5) RODDENBERRY. Gene Roddenberry will be inducted into the New Mexico Museum of Space History’s International Space Hall of Fame on November 12.

“Mr. Roddenberry was chosen because of his vision of what space exploration could, be his commitment to promoting the future of space exploration and his work that inspired people worldwide to believe in the reality of the “final frontier”,” said museum executive director Christopher Orwoll, adding that, “Roddenberry’s leadership brought to the forefront social, political and cultural issues that impacted the world then and continue to do so now.”

The Museum’s new exhibit will showcase Roddenberry’s vision.

The introductory panels for the exhibit highlight Roddenberry himself, his history as a filmmaker and the legacy of his Star Trek series, which celebrates its 50th anniversary this year. Exhibit cases throughout the gallery document just how widespread the Star Trek phenomenon has become. Collectibles of just about every kind are represented, from Barbies to stuffed bears to pizza cutters, and everything in between. The series, although relatively short-lived in the beginning, touched on many social and moral issues particularly how women were viewed. One exhibit case is dedicated to “The Women of Star Trek”. Another pays homage to the various “Starships of Star Trek” and a third features photos, videos and other images from the series.

But the smallest exhibit cases may be the ones that hold the real treasures, straight from the vault of the Smithsonian. The Star Trek episode The Trouble With Tribbles, written by David Gerrold who will be a special guest on opening night, revolves around furry little critters that multiply at an incredible rate and who also have a serious dislike for Klingons. Although the Starship Enterprise was overrun by tribbles at the time, only a very few remain in existence today. The tribble visitors will admire inside its eight inch case was actually used in that episode and is on loan to the museum from the Smithsonian.

The champion of the original Star Trek postage stamp will attend the induction.

In 1985, Kraft started and led a thirteen year campaign to have Star Trek emblazoned on a stamp. His efforts, and those of his Star Trek Stamp Committee, paid off in 1999 when the stamp was created as part of the Post Office’s “Celebrate the Century” series of commemorative stamps.

This year, the U.S. Postal Service issued four commemorative Star Trek stamps celebrating the 50th anniversary of the famous television show which first aired on September 8, 1966. It didn’t take an act of Congress or over a dozen years of letter writing and campaigning, or, as Kraft might say, even a letter from God. The original 1999 stamp campaign and the amazing effort that went into it, is documented by Kraft in his book, Maybe We Need A Letter From God.

(6) MY BAD. Ken Liu noticed more people are buying his anthology than The Complete Works of Confucius.

(7) WHO REY! Amanda Hess’ “How Female Fans Made Star Wars Their Own” in the New York Times talks about how lots of female Star Wars fans are excited by Rogue One because it’s about a woman leading a bunch of men around and that there are now more women in Star Wars than “Leia, Leia, Leia and Rey, Rey, Rey.”

The dominant cultural image of a “Star Wars” fan may be a lightsaber-wielding fanboy, but women have always been essential creators in the fan universe. They started early fan clubs and mailed out fanzines like Skywalker and Moonbeam, packed with fiction, essays and art. In 1982, Pat Nussman published an essay in the zine Alderaan that described a female fandom so rich and vast that she was prompted to ask, “Where are the men?” She continued, “Male names are rare in columns or fanzine order lists, male faces scarce at media conventions, and the number of men writing or drawing or editing in media fandom so minimal as to be practically nonexistent.”

(8) IN PLAIN SIGHT. Via Galleycat and Leah Schnelbach at Tor.com I learned —

Emma Watson has been participating in the Books On The Underground movement. According to The Telegraph, the actress and founder of the Our Shared Shelf book club, dropped off copies of Dr. Maya Angelou’s Mom & Me & Mom all around the London Tube.

Here’s more from the BBC:

“The star left the novels as part of the Books On The Underground movement which sees ‘book fairies’ leave their favourite reads for people to enjoy. Watson left about 100 books with some including a hand-written note….Books on the Underground started in 2012 and leave about 150 books in stations across London each week.”

(9) BENEDICTION. Doctor Strange extended movie clip.

(10) NOTHING FAZES NEW YORKERS. The PrankvsPrank YouTube crew sent a man dressed as Marvel’s Silver Surfer on a motorized surfboard through the streets of New York City.

[The video] showed Jesse Wellens donning the elaborate costume, featuring comic book-style paint and metallic silver shoes, as he glided about Manhattan.

Wellens turned several heads and received audible cheers as he rode his motorized silver surfboard through traffic and down a nearby boardwalk.

He even drew attention from police officers and a hot dog vendor who stopped to pose for a picture with him.

 

[Thanks to John King Tarpinian, Martin Morse Wooster,. and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Aziz Poonawalla.]

Pixel Scroll 10/7/16 You Keep Using That Pixel. I Do Not Thing It Scrolls How You Think It Does

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.(1) NEW YORK COMIC CON. Tor.com’s Leah Schnelbach says fans packed the room to hear “You Can be Mythic!” Ta-Nehisi Coates, Steven Orlando, and Tee ‘Vixen’ Franklin Discuss Race, Sexuality, and Representation in Comics.

Gray kicked off by asking Coates about the reception of the Midnight Angels—Aneka and Ayo, two Dora Milaje warriors who have left their traditional roles and become fugitives together. While the crowd cheered at their mention, Coates self-deprecatingly joked, “If you see people on the internet who love it, you can’t tell if it’s the same 20 people.”

On why he was drawn to these characters, Coates said: “Many of the male figures in T’challa’s life had been killed. So the only people who were left in his life were women, like the Dora Milaje, and their story was told through his eyes. I was interested in what the perspective might be of a person who’d given up their entire life to protect one man—I mean, they address that man as “Beloved.” What about their love for themselves? What about their love for each other? Now that the social contract in Wakanda is fraying, what will happen to those feelings?” Coates further talked about Ayo and Aneka becoming lovers, and said “I think if you check yourself, you can open yourself to everybody’s worldview. You don’t have insert Black people, you don’t have to insert queer people, insert women—they’re already all around you.”

(2) TURNOVER AT WORLDCON 75. Dave Weingart is no longer running Music programming for Worldcon 75 for reasons he discusses at length at his LiveJournal.

(3) NORSTRILIAN VOICE. Walter Jon Williams expresses appreciation for “The What-He-Did: The Poetic Science Fiction of Cordwainer Smith” at Tor.com.

She got the which of the what-she-did,
Hid the bell with a blot, she did,
But she fell in love with a hominid.
Where is the which of the what-she-did?

This cryptic verse opens “The Ballad of Lost C’mell,” by Cordwainer Smith, and may serve as emblematic both of some of the author’s persistent themes and his own rich and distinct strangeness. Smith was one of the Great Peculiars of science fiction, producing strong, intricate, highly-wrought, highly weird stories that will never be mistaken for the works of anyone else. No one else had a mind like Smith.

(4) BBC4 ART CONTEST. Get your crayons ready — “Competition – Draw Neil Gaiman’s Stardust for Radio 4”.

BBC4 will be coming out with a radio adaptation of Neil Gaiman’s Stardust in December. In conjunction with that, there’s a drawing contest open to 1) 16-and-unders, and 2) 17-and-olders. Winning images will be used as episode images. Deadline October 26th. More details here: Stardust – Competition – Draw Neil Gaiman’s Stardust for Radio 4 – BBC Radio 4

(5) NBA SHORTLIST. The finalists for the National Book Awards have been announced. One of them is one genre interest – Colson Whitehead’s The Underground Railway. The winners will be announced November 16.

(6) IT GETS VERSE. Yesterday was National Poetry Day, prompting ULTRAGOTHA to revisit January’s epic post “Filers Destroy Poetry”.

(7) LAST HURRAH FOR PROF. X? CinemaBlend thinks this is the end, my friend – “New Wolverine 3 Image Reveals A Shocking Look At Professor X”.

Ever since it was announced that Patrick Stewart would be part of the last Wolverine film we’ve wondered exactly what his role would be. While the image doesn’t give us any hints toward answering that question, it does make us wonder if Hugh Jackman won’t be the only one saying goodbye to his famous role when the movie is over. With the Professor X role apparently in the capable hands of James McAvoy within the current X-Men timeline, there’s no specific need for Patrick Stewart going forward, and if Professor X were to pass away by the end of this movie, we wouldn’t be shocked.

(8) AUTHOR DISAVOWS GHOSTS IN POPULAR CULTURE. Richard Bleiler says to take his name off —

Some time ago I contributed essays to a work entitled “Ghosts in Popular Culture and Legend,” ed. by June Pulliam and Anthony J. Fonseca (ABC-Clio, 2016).

When I received my copy I discovered that my encyclopedic contributions were rewritten, egregiously so. Paragraphs and sentences were rearranged and dropped, continuity was disrupted and destroyed, and — worst of all — sentences that I did not write were added without attribution. At no time was I asked if these changes were acceptable. Likewise, at no time was I given any indication that there were any issues with my contributions or asked if I could revise them.

I do not believe that I am being overly sensitive. I am used to being edited, but what was done to my contributions to Ghosts in Popular Culture and Legend is beyond the pale. It is completely unacceptable.

I am therefore taking the (for me) unique step of disavowing the contributions in Ghosts in Popular Culture and Legend that were published under my name. They do not represent my scholarship; they should not have my name attached to them. I have thus asked ABC-Clio:

1. Not to use my name in any advertisements for Ghosts in Popular Culture and Legend;

2. To remove my name from any additional printings of Ghosts in Popular Culture and Legend;

3. To remove my name from all electronic editions of Ghosts in Popular Culture and Legend.

(9) THE MIGHTY KIRK. Matt Melia answers the question “Just How Heroic Is Star Trek’s ‘I Don’t Like to Lose’ James T. Kirk?” for PopMatters.

For this writer, Captain James T. Kirk, of the USS Enterprise, has always been the most iconic and quintessential of television heroes and furthermore, possibly the most recognisable and identifiable as such. From a casual perspective, Jim Kirk embodies the most normative of heroic values: bravery, romance, adventure, leadership, nobility, instinctiveness as well as a penchant for recklessness (in the Season 1 episode “The Corbomite Maneuvre” he is also shown to be something of a gambler, bluffing of the alien, Balok, that the Enterprise is loaded with the non-existent substance Corbomite). But how may we further understand and define “heroism” and unpack it in televisual terms? How does Star Trek, as a cultural text, frame and interrogate the problematic and often contradictory concept of heroism, filtering its inquisitions through the character of Captain Kirk?

(10) FANTASTIC FICTION AT KGB. At the next installment of the New York-based reading series, hosts Ellen Datlow and Matthew Kressel present: Jack Ketchum & Caitlín R. Kiernan, October 19th. Starts 7 p.m. at the KGB Bar.

(11) WEEPING DEVILS. Joch McArthur delivers a rant about SF and “being political”.

… Or to clarify, to all the straight white cis dudes bitching and moaning about the blackness of Luke Cage or the PTSD discussion in Jessica Jones or Evan Rachel Wood talking about feminist aspects of Westworld or Wonder Woman’s queerness or any of the other white tears hot topics of the year that are constantly blowing up my social media feed (“why do they have to make everything political!!! It’s just a tv show!!!!!!!” *straight white cis male tears here*)

(12) HISTORIC COMICS APA SIGNING OFF. Capa-alpha, the oldest comics-fandom APA, started in October 1964, will close with its December mailing, #626. Fred Patten has the details.

CAPA-alpha, known as K-a for short, was one of the influences behind the startup of comics fandom in the early 1960s.  It’s been going for 52 years.  Some of the leading names in the comics industry began as comics fans in K-a.

Paper APAs are considered dinosaurs today, but the immediate cause of the APA’s cancellation is its long-running Central Mailer, Douglas Jones, having a foot amputated due to advancing diabetes.  Jones cannot continue as Central Mailer, and none of the current members (23, with a waiting list of 7) feel that they can replace him.

(13) STICK YOUR FOOT IN IT. Dangerous Minds knows where you can find Cthulhu Approved High-Heeled Tentacle Shoes.

chtulhu-high-heel

Totally insane-looking—and probably not practicable footwear—tentacle high-heeled shoes made by fashion designer, costume designer and shoe designer Kermit Tesoro. I can’t imagine walking in these. Hell, I can’t even walk in heels to begin with!

I just checked out Kermit Tesoro’s Facebook page to see if he had any other equally freaky high-heeled designs and it looks like he’s also got a Venus flytrap shoe.

[Thanks to Elusis, Fred Patten, Andrew Porter, Bruce D. Arthurs, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jameson Quinn.]