Pixel Scroll 11/17/18 You Can Hear The Pixels Scroll One Hundred Files

(1) THE NEXT DAY. That’s got to smart. No sooner did Arisia announce its move to the Boston Park than the strike that forced the change came to an end. Boston’s CBS affiliate reports “Marriott Hotel Workers In Boston Reach Deal To End Strike”.

The union representing them, Unite Here Local 26, confirmed Saturday they “reached a tentative agreement” on a new contract. A few hours later, a ratification vote at Hynes Convention Center officially ended the strike.

“We can confirm we have a tentative agreement. We look forward to welcoming our associates back to work,” a Marriott International spokesperson said in an e-mail.

(2) WFC 2019 FALLOUT. Adam-Troy Castro is arguing that critics of Robert Silverberg, in trouble for his disdainful remark about N.K. Jemisin’s Hugo acceptance speech, should pull their punches:

This is how much a racially charged statement can affect status: the World Fantasy Convention is making public apologies for, among other things, inviting Robert Silverberg. Close to seventy years a fixture of the field, hundreds of novels and nonfiction books and short stories, an influence and footprint that cannot be denied; really, a giant, or the word “giant” doesn’t mean anything and never has. (DYING INSIDE, alone.) And now he’s in danger of having this become his entire legacy in eyes of the next generation, and…damn.

I understand why people are mad at him. I really do. I believe they should be. I am, whether you believe me or not….

… I have given the only reply that makes sense to me: that someday, your splendid, woke, brilliantly sensitive perfect generation will have this happen to you too. The attitudes you think natural will seem neanderthalic to those who come after you. The icons of your current cultural starscape will someday be torn down, for missteps or beliefs central to their work. Maybe it should happen, but when it does happen, it will hurt and you will protest and you will be condemned for any affection you still possess for those figures.

However, in Marta Randall’s comment there (screencapped by rcade), she casts doubt on this being a one-time lapse.

(3) NOT SO BAD. Today’s the 40th anniversary of the airing of one of TV’s negative icons – but The Hollywood Reporter had nice things to say about it at the time: “‘The Star Wars Holiday Special’: THR’s 1978 Review”.

If the prospect of a two-hour Star Wars Holiday Special conjured up visions of “May the force be with you” repeated ad nauseam in your head, this show on CBS was a welcome surprise….

For the most part the special was [an] inventive diversion that stood on its own merits.

(4) INFO DUMPSTER FIRE. Slate’s Dan Kois isn’t nearly as forgiving of this movie’s flaws s other critics: “The New Fantastic Beasts Is So Bad It Actually Makes the Other Books and Movies Worse”.

…Instead of building upon the story, characters, and conflicts that Fantastic Beasts torturously established, The Crimes of Grindelwald layers on further exposition and introduces yet more new characters. Even a character I thought was safely dead is once again alive! Remember poor Credence (Ezra Miller), the moody teen who sometimes turns into a screaming cloud of smoke? I swear he got disintegrated in the New York City subway at the end of the previous movie, but now here he is moping around Paris rooftops, trying to find his mom. In my opinion he should chill out; he’s got cheekbones to die for and a hot girlfriend who’s also a huge snake, which seems like a scenario out of any goth teen’s dreams….

(5) NO WRITER, NO SERIES. Funny how that works. Knock-on effects of Chuck Wendig’s exit from Marvel are still happening. Gizmodo’s io9 says that “Marvel Comics Scraps New Darth Vader Series After Chuck Wendig’s Controversial Exit”.

Almost a month and a half after it was first announced at New York Comic-Con, Marvel has pulled the plug on its latest Star Wars miniseries, Shadow of Vader, bringing an awkward end to the saga the publisher created by booting writer Chuck Wendig from the book in the first place.

Wendig made waves last month when he explained in a lengthy series of tweets that he had been fired from the Shadow of Vader title—at that point mere days after the series had been publicly unveiled—with the writer pinning the reasoning as allegedly down to an editor citing Wendig’s coarse language on social media, combined with the writer’s discussion of U.S. politics online. When initially asked, a Marvel Comics representative would not confirm why Wendig was suddenly off the book. It was the latest in a line of recent incidents in the pop culture space over hollow calls for civil discourse in the wake of targeted campaigns of harassment.

(6) IN TIMES TO COME. Congratulations to WIndycon 2019’s guests!

Windycon 46 will be held November 15-17 in Westin Lombard, IL. The guests are:

Author GoH: Elizabeth Moon
Artist GoH: Mitchell Bentley
Fan GoH: Chris Barkley
Toastmistress: Lee Martindale

Next year’s theme is “Space Opera”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 17, 1915 – Raymond F. Jones, Writer who is best remembered for his novel This Island Earth, which was made into a movie which was then skewered in Mystery Science Theatre 3000: The Movie. However, he produced a significant number of science fiction novels and short stories which were published in magazines such as Thrilling Wonder Stories, Astounding Stories, and Galaxy, including “Rat Race” and “Correspondence Course”, which respectively earned Hugo and Retro Hugo nominations. (Died 1994.)
  • Born November 17, 1925 – Rock Hudson, Oscar-nominated Actor whose best-known genre role was in The Martian Chronicles miniseries; he also played the President in the alt-history miniseries World War III. Other roles included The Golden Blade, based on a One Thousand and One Nights folktale; Embryo, about artificial gestational chambers in a much less benign scenario than Bujold’s; and Seconds, about transplanting the minds of wealthy elderly people into fresh young bodies. (Died 1985.)
  • Born November 17, 1931 – Dennis McHaney, Writer and Critic. Pulp writers in particular seem to attract scholars, both amateur and professional. Robert E. Howard was not an exception. So I give you this individual who, between 1974 and 2008, published The Howard Review and The Robert E. Howard Newsletter. Oh, but that was hardly all he did, as he created reference works such as The Fiction of Robert E. Howard – A Pocket Checklist, Robert E. Howard in Oriental Stories, Magic Carpet and The Souk, and The Fiction of Robert E. Howard: A Quick Reference Guide. A listing of his essays and other works would take an entire page. It has intriguing entries such as Frazetta Trading Cards, The Short, Sweet Life and Slow Agonizing Death of a Fan’s Magazine, and The Films of Steve Reeves. Fascinating… (Died 2011.)
  • Born November 17, 1944 – Danny DeVito, 74, Oscar-nominated Actor, Director, and Producer whose best-known genre role was as The Penguin in Batman Returns (for which he received a Saturn nomination), but he also had roles in Matilda (which he directed, and which was based on the Roald Dahl novel of the same name), Mars Attacks!, Men in Black, Big Fish, Junior, and the black comedy cult film Death to Smoochy, about an anthropomorphic character actor, which JJ thought was hilarious. He provided the voice for the credential detective Whiskers in Last Action Hero, as well as for characters in Look Who’s Talking Now, Space Jam, the My Little Pony movie, Hercules, The Lorax, Animal Crackers, and the forthcoming Dumbo.
  • Born November 17, 1966 – Ed Brubaker, 52, Writer and Artist of comic boooks and graphic novels. Sandman Presents: Dead Boy Detectives, I’d consider his first genre work. Later work for DC and Marvel included The Authority, Batman, Captain America, Daredevil, Catwoman, and The Uncanny X-Men. If I may single out but one series, it’d be the one he did with writer Greg Rucka which was Gotham Central. It’s Gotham largely without Batman, but with the villains, so the Gotham Police Department has to deal with them by themselves; grim and well done. In 2016, he joined the writing staff for the Saturn-winning Westworld series, where he co-wrote the episode “Dissonance Theory” with Jonathan Nolan. He’s had numerous nominations and wins for Harvey and Eisner Awards, as well as a Stoker nomination for Superior Achievement in a Graphic Novel.
  • Born November 17, 1971 – David Ramsey, 47, Actor and Martial Artist, who is best known for his role in the the Arrowverse (Flash, Arrow and Legends of Tomorrow) as John Diggle/Spartan, but he also had roles in The Nutty Professor and the pandemic film Fatal Contact, and has appeared in episodes of Ghost Whisperer, Space: Above and Beyond, Journeyman, and Charmed.
  • Born November 17, 1978 – Tom Ellis, 40, Actor from Wales who is currently playing Lucifer Morningstar in the Lucifer TV series based on the character from Neil Gaiman’s The Sandman. It’s quite good. He’s also had roles in Doctor Who, Once Upon a Time, Messiah, The Strain, and Merlin.
  • Born November 17, 1978 – Rachel McAdams, 40, Oscar-nominated Actor from Canada who played the titular character in the The Time Traveler’s Wife, a film based on the Clarke- and Campbell-nominated novel of the same name, which she followed up genre-wise by earning Saturn nominations for playing Irene Adler in Guy Ritchie’s Sherlock Holmes films and the terrorists’ target in the creepy Red Eye. She also had lead roles in Dr. Strange, Midnight in Paris, and another time-travel movie, About Time. Her sole series work is apparently in an episode of Earth: Final Conflict, and she had a voice role as The Mother in an animated version of The Little Prince.
  • Born November 17, 1983 – Christopher Paolini, 35, Writer known for the Inheritance Cycle, which consists of the books Eragon, Eldest, Brisingr, and Inheritance, the first of which was made into a Saturn-nominated film and a videogame of the same name. In December of this year, The Fork, the Witch, and the Worm, the first book in a series called Tales of Alagaësia, will be published.

(8) BY BIRTHDAY CANDLELIGHT. Rich Horton, in “Birthday Review: Stories of Raymond F. Jones”, gives reasons that name should not be forgotten.

Raymond F. Jones would have been 103 today. He’s not much remembered these days, but he was an interesting writer of the Golden Age of Science Fiction. His career continued into the 1970s — his last story appeared in Ted White’s Fantastic in 1978.  In his memory I’ve compiled this set of reviews of his stories, that I wrote based on reading several old magazines in my collection.

(9) TRIMBLES TAKE THE HIGH ROAD. Bjo and John Trimble responded on Facebook to Steve Davidson withdrawing Amazing Stories sponsorship of their GoH expenses at the 2019 NASFiC after they decided to continue as Arisia 2019 GoHs.

This is Steve Davidson’s reaction to our decision to attend Arisia. He makes some assumptions that we don’t agree with, but we’re not about to get into a “he said” “they said” conversation here. Suffice it to say that we feel strongly that Arisia is making an attempt to deal with their former transgressions, including offering space at the 2019 con to discuss this with people willing to do so. We look forward to that meeting. It may be a worthwhile contribution to something that has not yet been openly addressed in fandom.

(10) JOURNEY PLANET CALLING. Chuck Serface says the Journey Planet theme issue he’s working on is  looking for contributors:

A reminder to all that Christopher J Garcia and I are co-editing an issue of Journey Planet dedicated to Silicon Valley. We’re looking for articles, creative writing, and art based on anything related to this part of the world — technology, history, the arts, cultures, peoples, politics, stories, poetry, whatever strikes your interest. Our deadline for submissions is December 10, 2018, and we’ll get the issue out before the end of the calendar year. Send your entries to ceserface@gmail.com!

(11) ACE SEXTET. That’s what you get when Galactic Journey reviews three fresh-off-the-shelf (in 1963) Ace Doubles. In the first book, Leigh Brackett is on one side, and on the other –

Legend of Lost Earth, by G. McDonald Wallis

It’s common practice in SFF for women to initialize their first names (or flat-out take on male pseudonyms).  I have been told vociferously by one of my readers that this practice has nothing to do with any bias against women in the genre; nevertheless, it is puzzling that men don’t seem to do it.  In any event, the “G.” stands for Geraldine, and this is her second Ace Double, the first being The Light of Lilith, which I have not read.

(12) SUBSTANDARD COMPENSATION FOR SUBWAY ARTISTS. The ghost of Harlan Ellison was invoked by Toronto columnist Cliff Goldstein in “Drawing the line on a sketchy TTC ad campaign”.

I was on the subway recently, enjoying some of the lovely art created by local artists as part of the TTC’s Sketching The Line campaign. Curious to find out if the artists were paid for their contributions, I submitted a query through the artintransit.ca website listed on the posters and got a timely answer from Antonina MacDonald, sponsorships and events specialist for Pattison, the outdoor advertising giant.

“They are not compensated… in the form of money. It [compensation] is provided in the form of exposure on our subways and buses.”

This was not the answer I had expected from Canada’s largest outdoor advertising company that’s part of an international corporation with 39,000 employees worldwide and annual sales that have grown to $8.4 billion annually.

…One of my favourite authors, Harlan Ellison, said it best in the documentary Dreams With Sharp Teeth: there is no value in publicity for starving artists.

(13) WRITE MYSELF A LETTER. Cool idea — “Shrinking Swiss glacier hosts world’s largest postcard”.

Laid out on the shrinking Aletsch Glacier, this huge mosaic is actually made from 125,000 drawings and messages about climate change.

They measure 2,500 sq m (26,910 sq ft), and were created by children from all over the world.

“WE ARE THE FUTURE GIVE US A CHANCE,” urged one poster, standing out against the snow.

Seen from above, the whole picture read: “STOP GLOBAL WARMING #1.5 DEGREES C”

(14) HWA YA. The Horror Writers Association announced the Table of Contents for its next anthology for young readers, New Scary Stories to Tell in the Dark edited by Jonathan Maberry

Contents:
1. “The Funeral Portrait” by Laurent Linn
2. “The Carved Bear” by Brendan Reichs
3. “Don’t You See the Cat?” by Gaby Triana
4. “The Golden Peacock” by Alethea Kontis
5. “Strange Music” by Joanna Parypinski
6. “Copy and Paste Kill” by Barry Lyga
7. “The House on the Hill” by Micol Ostow
8. “Jingle Jangle: by Kim Ventrella
9. “The Knock-Knock Man” by Brenna Yovanoff
10. “The Weeping Woman” by Courtney Alameda
11. “The Neighbor” by Amy Lukavics
12. “Tag, You’re It” by Nancy Lambert
13. “The Painted Skin” by Jamie Ford
14. “Lost to the World” by John Dixon
15. “The Bargain” by Aric Cushing
16. “Lint Trap” by Jonathan Auxier
17. “Cries of the Cat” by Josh Malerman
18. “The Open Window” by Christopher Golden
19. “The Skelly Horse by Trisha Wooldridge
20. “The Umbrella Man by Gary N. Braunbeck
21. “The Green Grabber” by D.J. MacHale
22. “Brain Spiders” by Luis Alberto Urrea and Rosario Urrea
23. “Hachishakusama” by Catherine Jordan
24. “Light as a Feather, Stiff as a Board” by Margaret Stohl
25. “In Stitches” by Michael Northrop
26. “The Bottle Tree” by Kami Garcia
27. “The Ghost in Sam’s Closet: by R. L. Stine
28. “Rap Tap” by Sherrilyn Kenyon
29. “The Garage” by Tananarive Due
30. “Don’t Go into the Pumpkin Patch at Night” by Sheri White
31. “Pretty Girls Make Graves” by Tonya Hurley
32. “Whistle Past the Graveyard” by Zac Brewer
33. Title TBD by James A. Moore
34. “Mud” by Linda Addison
35. “The Tall Ones” by Madeleine Roux

(15) CALLING SANTA. Congratulations to Juniper Books for finding a way to make Harry Potter even more expensive to buy! These Harry Potter Sets in a luxurious traveling case sell for $275.

(16) A KIND OF SHREK QUILT. [Item by Mike Kennedy.] Movie remakes, right? Gotta love ‘em, right? (Or maybe I was looking for a different word.) Well, apparently someone loves them; about 200 someones in the case of Shrek Retold—a retelling of the first movie by a large group of artists, each using her or his own style. The Verge ( “Over 200 artists got together to remake Shrek”) has the story and the Retold trailer. The release is coming 29 November on on the 3GI website.

The internet’s favorite ogre may already be headed for another Hollywood-backed installment, but fans of the fantasy parody aren’t waiting around for its release. Instead, hundreds of artists have collaborated on their own scene-by-scene retelling of the first Shrek movie. Produced by Wisconsin comedy group 3GI, each artist brings their own style into the mix, meaning there’s everything from live-action bits to CGI and pixel art thrown into the same film. The project looks absurd in the best possible way, like a viral eBaum’s World video for 2018.

(17) HISTORIC PARK MAKES RECOVERY PLAN. These sets were on National Park land, and new ones may take their place: “Paramount Ranch, Western Town, will rise from the Woolsey fire’s ashes, officials vow”Daily News has the story.

Friday’s media event also announced the launch of The Paramount Project to rebuild the ranch’s Western Town. The 24-month projected rebuilding effort is organized by the Park Service’s nonprofit partner the Santa Monica Mountains Fund. You can get more information on the Project and contribute at www.samofund.org/2018/11/15/the-paramount-project/.

“This was a very emotional, iconic place, it captured history of the area and of Los Angeles,” Fund board president Sara Horner noted. “It’s globally significant, it is locally significant and culturally significant.

“Park Services, as you can imagine, is reeling from the losses,” she added. “So they will put together an assessment of their losses, and then we will refine the direction of the plan in place – which will probably change. But there is a plan of what we would like and a schedule for how it will get built, and the Santa Monica Mountains Fund will spearhead the fundraising for that.”

Horner said several movie studios have already called the fund inquiring about how they can help. Her organization is also planning meetings with location managers and other industry professionals to do informal surveys of what they would like to see in the rebuilt Western Town. Due to rigorous Park Service guidelines on what can and cannot be built on their land, she can’t say exactly, but Horner expects a combination of the setting looking somewhat like it did before the fire and new facilities to help the film industry to be up two years from now

LAist has a gallery of photos of the fire damage.

Today, the National Parks Service gave LAist a tour of the ranch post-fire. Little except smoldering piles of wood and cleared land remained of what was once a backdrop to legendary TV shows like The Cisco Kid and Dr. Quinn, Medicine Woman.

[Thanks to Cat Eldridge, rcade, Chip Hitchcock, Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]

Lee Martindale on Writing, Advocacy, and Service

Lee Martindale

Lee Martindale. (Photo via Keith West and Adventures Fantastic.)

After 20 years on the forefront of the size positive movement, Lee Martindale stepped back to concentrate on science fiction. After 16 years serving in a variety of leadership capacities with the SFWA, she is again stepping back to concentrate on writing, editing, and publishing.

CARL SLAUGHTER: Such a Pretty Face is an anthology of size positive stories.  How did you find so many authors with stories on this theme?

LEE MARTINDALE: The old-fashioned way – by announcing a reading period, putting out guidelines well in advance of the reading period, and giving consideration to any story received that met the guidelines. I already knew that people were writing, reading, and enjoying stories with lead characters on the upper end of the size diversity spectrum. I’d been publishing stories like that in Rump Parliament Magazine for nearly a decade prior to the anthology, and selling a few of my own – “Neighborhood Watch” in Marion Zimmer Bradley’s Fantasy Magazine, “Combat Shopping” in Esther Friesner’s Turn The Other Chick come to mind. Where there’s a market and a clear set of guidelines for what the editor does and does not want to see, good writers will hit the mark.

CS: The Ladies of Trade Town includes werewolves, vampires, cyborgs, robots, steampunk, space opera, time travel, alternate history, among others.  The main characters are all prostitutes.  How integral and how explicit is the sex in the stories?

LM: The short answer to both is “It isn’t.” The longer answer is that the guidelines for Trade Town started with two givens: that, when it came to what was being bought and sold, sex wasn’t even close to the top of the list, and that readers likely already knew the mechanics. I asked for stories that concentrated on what else was being offered, who was doing the offering, and why.

CS: What was the criteria for selection in Bard’s Road?

LM: Bard’s Road, being a collection of my own work, began with stories that had sold over the years, most of which were long out-of-print. Four of them, my first story sale to Marion Zimmer Bradley’s Snows of Darkover anthology, and three pieces for Selina Rosen’s Bubbas of the Apocalype anthology series, two co-written with Bradley H. Sinor, were left out due to their shared-world settings. Instead, I included four unpublished stories that fit into existing story cycles.

CS: What’s your involvement in the size positive movement?

PBTP_FrontCoverLM: Between the early 1980s and 2002, I was heavily involved in size issues activism, particularly advocating for an end to prejudice in the health care and insurance industries, and adding “weight or size” to existing anti-discrimination law. In 1992, I began editing and publishing Rump Parliament Magazine as a teaching tool and gathering place for activists, a dissemination point for news and calls to action, and a staging platform for various projects. I also did keynote speeches and workshops, served as the U.S. Coordinator for the first five years of International No Diet Day, and frequently provided comment to various media outlets on size-related news stories. A few years ago, I published a compilation of my editorials, essays, and articles from Rump Parliament under the title Prejudice By The Pound. It was sadly surprising just how many of them were relevant all these years later.

I still advocate for size issues, do the occasional presentation or speaking engagement, but since 2002, my time and energies have been largely centered on making a living as an SF&F writer, anthologist, and publisher.

CS: What exactly is a SFWA ombudsman and what does that role involve?

LM: An ombudsman is a members’ advocate. SFWA’s ombudsman is an alternative channel for communicating member concerns to the Board of Directors, registering complaints, and seeking resolution of issues involving the organization or individual members. The role involves discretion, mediation skills, the ability to maintain neutrality, and the ability to function independently of the President and Board. If necessary, it involves the ability to guide the President and Board to reasoned consideration to a particular member concern or issue.

CS: Same question for director at large.

LM: Of the nine elected members of the SFWA Board of Directors, there are five directors-at-large  specifically tasked by the Bylaws with “facilitating communications and representing concerns of the membership to the Board.” They’re the members’ representatives during discussions and Board votes. Other duties include serving as Board liaisons to committees and various projects as assigned by the President.

CS: When the SFWA’s grievance committee hears a case, who has a grievance with whom and how is it resolved.

LM: I’d love to answer that one, but what happens in the Grievance Committee stays in the Grievance Committee.

Contraflow_Martindale

CS: What’s your involvement with the bylaws committee?

LM: Until the reorganization, SFWA operated under a set of bylaws that were convoluted, contradictory, open to creative interpretation, and nearly impossible to change. During six years in the early 2000s, I chaired a committee involved with trying to fix them, with limited success. I’m happy to say that the bylaws that went into effect with the organization incorporated a number of the changes we tried to make.

CS: Same question for the election committee.

LM: I served three years on the Election Committee chaired by Greg Feeley.

CS: What’s on the horizon for the SFWA?

LM: Not a clue. What I *hope* is that it learns to value and utilize the powerful combination of experience and enthusiasm at its disposal.

CS: What’s on the horizon for Lee Martindale?

LM: After sixteen years of serving SFWA in various nuts-and-bolts volunteer capacities, including the last six years as a member of the Board of Directors, it’s time for a short break. My plans for the newly-liberated free time involve much more writing, including tackling a novel. I have a couple of anthology projects in mind, as well. And there’s this to-be-read stack that’s been growing steadily over the years…

Pixel Scroll 11/13 Life During Scrolltime

(1) James H. Burns shares his personal vision of a recent TV debut:

There is much that is wonderful, and also much that is silly, about the new Supergirl TV series.But Melissa Benoist, and so many of the cast, are simply so winning, it just more often than not, is utterly charming, For someone raised with the whole Superman mythos, particularly the Kryptonian elements introduced by DC Comics editor Mort Weisinger, there was actually something quite moving about many of the moments in the first Supergirl episode. (We all, after all, ultimately have our lost Kryptons…) But one surprise, and a small spoiler for those who have not yet seen the CBS series’ debut episode. Towards the finale, Kata receives a present from her cousin, Superman…  In my mind’s eye, remarkably, I did not see any of the recent Kal-Els, but George Reeves, preparing the small package. Reeves, of course, was television’s Superman of the 1950s, and forever, really… And it’s fascinating to think how these two characters have finally been reunited, across the decades.

(2) Lenika Cruz’ article in The Atlantic about the World Fantasy Award, “’Political Correctness’ Won’t Ruin H.P. Lovecraft’s Legacy”, argues that the changing the award trophy signals that the genre is able to be inclusive to writers of color.

Starting next year, the World Fantasy Award trophy will no longer be modeled after the massively influential horror-fiction writer H.P. Lovecraft.

The convention organizers didn’t offer a reason for the change, nor did they name a replacement, but the decision is notable nonetheless. Lovecraft’s rise to fame happened largely after his death, but as he received more attention, so too did his racist and xenophobic beliefs. His disassociation from the WFC after 40 years feels in line with a growing inclusiveness in the science-fiction and fantasy community of women and people of color. The author Daniel José Older, who started a petition last year to replace Lovecraft with Octavia Butler, praised the decision. “Writers of color have always had to struggle with the question of how to love a genre that seems so intent on proving it doesn’t love us back,” he said. “We raised our voices collectively, en masse, and the World Fantasy folks heard us.”

Not everyone agreed with this sentiment. In a letter to the co-chair of the WFC board, the Lovecraft biographer and author S.T. Joshi called the decision “a craven yielding to the worst sort of political correctness.”

(3) At Black Gate, Jackson Kuhl puts Lovecraft in his idea of the proper context, in “S. T. Joshi Is Mad As Hell”.

Debate over Lovecraft’s racism — and let’s face it, he was a racist, and even if it blunted in his later years, he was never going to join the ACLU — generally falls into two camps: that he and his views were products of his times; or that his beliefs were particularly venomous even for the era. As usual with truth, I think it’s somewhere in the middle. Lovecraft was a naive shut-in, his head a Gordian knot of neuroses. No one will argue that Lovecraft was a well-adjusted individual; from sex to seafood, a psychiatrist would have worn out an IKEA’s worth of sofas itemizing a complete list of the man’s phobias. I contend those same anxieties are precisely what make Lovecraft’s writing so much fun. If his racism was more vile than that of his neighbors and contemporaries, then it originated in that same pool of existential paranoia from which only madmen sip. It was part and parcel with his oversensitivity to smells, his finicky eating habits, and all the rest. H.P. Lovecraft may have been a genius. He was also crazy.

Having said that, I often worry that scolding Lovecraft too harshly is to rub Vaseline on the lens through which we view early 20th-century America. For this country, those first three decades were a period of peak racism in a Himalayan history. The 1896 Plessy v. Ferguson decision, by which SCOTUS granted the South carte blanche to do their worst, was the tamping of the soil upon Reconstruction’s grave; and 1915 saw the rebirth of the Klan, though this time with a more anti-Catholic, anti-immigrant bent, attracting millions of members in the 1920s. The nativism of the 19th century — which shows no signs of abating in 2015 — came to full bloom, with passage of the 18th Amendment and the Volstead Act (which was intended in large part to circumscribe Irish, Italian, and other immigrants) being its greatest successes. Somebody at this year’s NecronomiCon described Lovecraft as the last of the Victorian gentleman scientists, a man who had the leisure time to read journals and magazines about science and new discoveries and contemplate their repercussions. Alas, this was also a high time of pseudoscience, of theories about genetic memory and phrenology and racial traits; they are recurring topics in letters between Lovecraft and Robert E. Howard, both of whom read widely on the subjects and included them in their stories. To say Lovecraft lived in racist times and channeled them through his writing is not to apologize for him so much as it is to confront our not-very-distant past.

(4) Lee Martindale, SFWA Director-at-Large, should have been credited for assembling the SFWA Accessibility Guidelines in yesterday’s post here at File 770. Today the SFWA Blog ran Martindale’s history of the guidelines, “Back Story: The Accessibility Guidelines Checklist”.

When I was elected to SFWA’s Board of Directors in 2010, I brought with me the desire to see the organization move toward greater accessibility at SFWA-sponsored events, particularly the Nebula Awards weekend. That desire stemmed from my own experiences at SF conventions, particularly the Nebula Weekends I’d attended. But it was largely prompted by how ashamed I was of SFWA that, at the Nebula Weekend at which she was named Grand Master, the only way Anne McCaffrey could get to spaces in which she was being celebrated involved going through a very busy kitchen and up a service elevator.

I’m proud to have been involved in the work that resulted in SFWA’s Accessibility Guidelines Checklist and a member of the Board of Directors that approved it, in January 2014, for use at SFWA-sponsored events. And I’m delighted that SFWA is sharing it at http://www.sfwa.org/accessibility-checklist-for-sfwa-spaces/

(5) British Fantasy Award winner Juliet McKenna has a guest post on Sean Williams’ blog.

I see variations on the writing process as a spectrum, with Outline Writers at one end and Discovery Writers* at the other. I’m definitely way over there at the Outline end. I’ll know the beginning, the middle and the end of a story before I begin to write it, and a whole lot more besides. I’ll have notebooks full of background on people and places and all sorts of aspects of the world that I’m writing about. (I’ve learned a wonderful acronym for these vital scene-setting elements from a panel at Fantasycon 2015, thanks to Karina Coldrick. PESTLE: Political. Economic. Social. Technological. Legal. Environmental. Isn’t that great?)

(6) Today’s Birthday Boy and Girl

  • Born November 13, 1850Robert Louis Stevenson, author of Treasure Island and Doctor Jekyll and Mr. Hyde.
  • Born November 13, 1955 – Whoopi Goldberg. From the Wikipedia: “According to an anecdote told by Nichelle Nichols in the documentary film Trekkies (1997), a young Goldberg was watching Star Trek, and upon seeing Nichols’ character Uhura, exclaimed, ‘Momma! There’s a black lady on TV and she ain’t no maid!’ This spawned lifelong fandom of Star Trek for Goldberg, who would eventually ask for and receive a recurring guest-starring role on Star Trek: The Next Generation (as Ten Forward’s Guinan.)”

(7) Brandon Kempner originally stated that Chaos Horizon’s mission is “predicting the Hugo and Nebula Awards for Best Novel by using statistical and data mining techniques.” How does he square that with his unsupported comment about Ann Leckie’s work in “Final 2015 SFF Awards Meta-List”?

So how did 2015 turn out? There wasn’t a single dominant book, as was the case with Ancillary Justice in 2014 (7 nominations, 4 wins, with 2 additional nominations and wins in “First Novel” categories). This year, Cixin Liu did the best with 5 nominations, but he managed only 1 win. I suspect that if The Three-Body Problem came out earlier in the year (it was published in November), it would have done a little better. Leckie won twice for Ancillary Sword, and she was the only author to win two awards. Those wins, depending on how cynical you are, could be chalked up to last year’s success of Ancillary Justice.

(8) Morgan Holmes, in “Primary Research” at Castalia House blog, starts with a good anecdote about L. Sprague De Camp, but the best part is about researching Donald Wandrei.

Second story: I was going through the listing of the Donald Wandrei items in possession of the Minnesota Historical Society. Donald Wandrei was a member of the Lovecraft circle and pulp magazine writer. One could describe a good portion of his fiction as a logical continuation of H. G. Wells’ short stories though with a Lovecraftian cosmic inclination to them. Wandrei also wrote a number of detective stories that read like Lovecraft writing for Black Mask magazine.

Going through a list of letters, one popped up that grabbed my attention. A letter from Robert E. Howard to Donald Wandrei. No one knew of this before I found it. Another case of primary research.

This past week, I remembered looking into a Wandrei story in Robert H. Barlow’s small press zine Leaves. I remember reading that Wandrei has fiction in the first issue. I found a table of contents of Leaves, Summer 1937 and “A Legend of Yesterday” did not register with me.

I contacted Dwayne Olson who is the Donald Wandrei expert on this to see if this story had been reprinted under a different name. Dwayne got back to me and this story had gotten past him for the Fedogan & Bremer collections. He did not know the story existed. So, we have another case of depending on work done before.

Take home point: Thoroughly research your subject. Go back to primary sources. Don’t depend that someone before has done the ground work.

(9) At Amazing Stories, MD Jackson discusses the “Science Fiction and Fantasy Spoken Word Recordings” from Caedmon Records.

This was back in the days of the vinyl record, of course and it was always a special, almost magical thing to have and to listen to one of these recordings. To hear the author of a famous work reading selected passages aloud was thrilling. Most particularly if it was J.R.R. Tolkien.

J.R.R. Tolkien Reads and Sings his The Hobbit and The Fellowship of the Ring was a record released by Caedmon in 1975. It was taken from a reel to reel recording made in Tolkien’s study in 1952. One side was a recording of Tolkien reading the chapter Riddles in the Dark from The Hobbit. The other side featured poems and songs from The Fellowship of the Ring.

I had the recording as a teen and it was absolutely marvelous to hear the words from The Hobbit read by the author himself. His “Gollum” voice was hysterical and the songs –yes, songs – Tolkien actually sings some of his poetry to old tunes. He even reads some Elvish poetry!

The recordings can be found today fairly easily on Youtube if one is so inclined to look.

[Thanks to David K.M. Klaus, Dana Sterling, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]