Pixel Scroll 9/2/18 Elvish Has Left The Building

(1) DECOPUNK CITATION. Language Log quotes Cat Valente today in “Decopunk and other quasicompositional compounds”.

Complex lexical items generally have analogical historico-semantic accretions similar to those in the X-punk domain. This includes phrases like red tide, solar energy, or historical fiction,  as well as compounds like jumpsuitski lift, or break room. In the other direction, proper names are far from being semantically arbitrary in practice — to quote from a Decopunk work, Catherynne Valente’s Radiance

(2) THE MATTER OF ENGLAND. One people, divided by a common tongue…

https://medesha.tumblr.com/post/131750372841/altarandwitchinghour-kingfucko-gollyplot

(3) PETER CAPALDI, VENTRILOQUIST. This caught my eye –

(4) AND THEN, AT DRAGON CON. Remember what they said about “Inconceivable”?

(5) THE MEANING OF IT ALL. Bow Tie Writer asked an array of fans at Worldcon 76 to answer his question. I recognized Judy Bemis, Kevin Standlee, and Michelle Pincus among them.

Worldcon 2018 was held in San Jose August 15th – 20th. I went around and I asked people one simple question: What does Worldcon mean to you. This video is my homage to fandom, to internet friends, and to all the good people who come together to celebrate the things we love.

 

(6) RSR’S WORLDCON REPORT. At Rocket Stack Rank, Greg Hullender has an interesting set of “WorldCon 76 Takeaways” (including coverage of the Filer meetups).

…The audience for this panel had lots of people with many decades of experience with fanzines, so we had a lively but always cordial discussion. I was pleased to learn that even the folks who’d done fanzines back in the days of mimeograph machines all seemed to agree that online publications were definitely the future, particularly in terms of their ability to immediately involve fans via comments that don’t need to wait a month or more for publication. They worried that blogs in particular lack some of the feel of a fanzine, which has an arrangement of related stories. (At RSR, we’ll think about how a content-management system might capture that for an online publication.)

I was very pleased when someone in the audience told me that Rocket Stack Rank fit into a long tradition of “Review Fanzines,” of which Tangent is another surviving example. That made me feel a lot less like an impostor….

(7) TRUESDALE’S WORLDCON 76 PHOTO GALLERY. Dave Truesdale’s Worldcon 76 report for Tangent, “Photos from Worldcon 76, the 76th World Science Fiction Convention”, begins with coverage of Saturday’s alt-right demonstration, and ends by explaining what a raw deal he got when his 2016 Worldcon membership was revoked. In between there are a quite a few fine author photos. Here are the captions from one set —

Below Left: Lezli Robyn, helping out at the Galaxy’s Edge dealer’s table. Below Right: Galaxy’s Edge Publisher Shahid Mahmud. Both Lezli and Shahid are two of the most delightful people I’ve met in a long time. Shahid’s enthusiasm and love of SF is infectious. We talked for quite some time about this and that, and his intelligence and sense of humor shone through everything. I can’t imagine anyone not liking Shahid once they’ve met him.

(8) PROMETHEUS SPEECH. The Libertarian Futurist Society presented the Prometheus Awards at Worldcon 76. The author of the Prometheus Award-winning novel, Travis Corcoran, was unable to attend, so his acceptance speech for Powers of the Earth was read by Chris Hibbert. Its message is conveyed with classic libertarian subtlety.

…Since the first Worldcon in 1939 science fiction has been a libertarian territory under attack from authoritarians. Futurian Donald Wollheim was a communist, and argued that all of science fiction “should actively work for the realization of the . . . world-state as the only . . . justification for their activities”.

Wollheim failed with his takeover in 1939—he was physically removed from Worldcon—but he started a Gramscian long march through the institutions, and it worked. In the current year conventions, editors, and publishing houses are all cordy-cepted. The sociopaths have pushed the geeks out and have taken over the cultural territory.

“You made this? <pause> I made this.”

When the state tries to take your home, they come with guns, and you have to fight them with guns, if at all.

When a subculture tries to take your home, they come with snark and shame and entryism . . . and you fight them by making better art….

(9) DIRT FARMING. James Davis Nicoll has a long fannish exploration of “Science Fiction’s Trouble with Terraforming” at Tor.com.

Terraforming is, of course, the hypothesized art of converting an uninhabitable rock into a habitable world. Jack Williamson coined the term in his Seetee-related short story, “Collision Orbit”, published under the pen name Will Stewart in the July, 1942 issue of Astounding Magazine. While Williamson invokes non-existent super-science in order to make the task seem doable, he probably felt confident that terraforming would someday make sense. In the short run, we have seen humans shaping the Earth. In the long run—well, Earth was once an anoxic wasteland. Eons of life shaped it into a habitable planet. Williamson suspected that humans could imitate that process elsewhere…and make it happen in centuries rather than eons. Perhaps in even less time!

(10) AUGUSTULUS: With the help of a belated July issue, Jason has compiled a diminutive list of notable reading in Summation: August at Featured Futures:

This month has been doubly strange. Despite reading 42 stories of about 201K words from the August magazines, I’m in the unprecedented and unpleasant position of only being able to note one story (and that’s not even fully recommended). Counting a late July story and things for a couple of Tangent reviews, I read 59 stories of about 324K words this month and can at least add two recs and another honorable mention, all from the July/August Black Static, but only one of those is even speculative with the other two being straight horror.

(11) GIDDINGS OBIT. Sff writer and critic Joseph “Joe” Giddings passed away from ALS at the age of 45 on August 16. He was born April 6, 1973. His criticism appeared in Bull Spec and Tangent Online (among others). His fiction appeared in Mystic Signals and Dark Stars (more information in his entry at Internet Science Fiction Database.) Giddings blogged at “The Clockwork Pen”.

Joseph Giddings

(12) TODAY’S MEMORIAL DAYS

[Compiled by Cat Eldridge. Who looked at the wrong ISFDB page today — but waste not, want not!]

  • Died September 2, 1973. J.R.R. Tolkien. It’d be extremely silly of me to list what he’s done given what the group knows, so instead I’ll ask instead what’s your favourite work by him. Mine’s still The Hobbit, a book I delight in re-reading in the Autumn as I think of him as being of that season.
  • Died September 2, 2000 – Curt Siodmak. He is known for his work in the horror and science fiction film genres, with such films as The Wolf Man and Donovan’s Brain with the latter being adapted from his novel of the same name. Siodmak is credited with creating the legend that only silver can kill a werewolf. He also wrote the screenplays for include Earth vs. the Flying Saucers, I Walked With a Zombie and The Beast With Five Fingers.
  • Died September 2, 2013 – Frederik Pohl. Obviously needs no introduction here. His first published was a 1937 poem “Elegy to a Dead Satellite: Luna”. Noted work include the Heechee series whose first novel, Gateway, was the winner of the Campbell Memorial, Hugo, Locus SF, and Nebula Awards, Man Plus , and The Space Merchants with Cyril M. Kornbluth. I won’t say that any of the short story collections thrill me but Platinum Pohl is a decent collection. 

(13) COMICS SECTION.

(14) HOGWARTS EXPRESS. More “Back to Hogwarts” hype: “Eddie Redmayne and Jude Law were at Kings Cross for the Hogwarts Express”.

As every good Harry Potter fan knows, the Hogwarts Express departs from Kings Cross station, London, platform nine and three-quarters at 11.30am on September 1. This year Professor Dumbledore and Newt Scamander themselves, aka Hollywood stars Jude Law and Eddie Redmayne, were there to kick off the new year.

(15) AND WHILE WE’RE HOGWARTING. Gwynne Watkins, in the Yahoo! Entertainment story “A ‘Harry Potter’ neophyte watches all 8 movies for the first time: Here’s what happened”  says that “my cred as a film nerd and a nerd nerd has been threatened by a shameful omission”– she had never seen a Harry Potter movie (not literally – she’d seen the first one in its initial theatrical release.)  So she decided to watch them all over a 24-hour binge. Some notes are better than others. Is Harry Potter and the Order of the Phoenix really about the problems of standardized testing? On the other hand, she had an interesting response to this 20-years-after rewatch of the very first movie —

What surprised me most on my second viewing of Sorcerer’s Stone was how much I loved Emma Watson’s Hermione. The first time around, I remember thinking that her show-offish, know-it-all nature was borderline unbearable. Now I love how unapologetic she is about her intelligence, how confidently she wields it in a room full of boys. (Seriously, where are the Hogwarts girls? Hermione needs some female friends!) Maybe as a girl who grew up downplaying her intelligence, Hermione made me uncomfortable in some primal, fourth-grade part of my subconscious. If that’s true, it only makes me more grateful that my daughter will grow up in a post-Hermione world.

(16) THE HORROR. From Agouti (@bitterkarella) comes news of the horror genre’s Midnight Society of writers. Dean Koontz, HP Lovecraft, Clive Barker, Edward Lee, Stephen King, and Edgar Allen Poe trade inspirations for their next novels. The thread starts here.

(17) NED KELLY AWARDS. My internet wanderings brought me the results of the Australian Crime Writers Association’s 2018 Ned Kelly Awards, and far be it from me to turn down literary award news…

2018 Ned Kelly Awards

Best Crime

  • Crossing the Lines by Sulari Gentill

Best First Crime

  • The Dark Lake by Sarah Bailey

Best True Crime

  • Unmaking A Murder: The Mysterious Death of Anna Jane Cheney by Graham Archer

(18) NGAIO MARSH. Likewise, I learned the 2018 Ngaio Marsh Awards for the “very best in Kiwi Crime” were recently presented in New Zealand.

Best Crime Novel

  • Marlborough Man by Alan Carter (Fremantle Press)

Best First Novel

  • All Our Secrets by Jennifer Lane (Rosa Mira Books)

(19) RENAME THAT TUNE. The IAU will probably decide that Hubble needs to share credit – The Conversation has the story: “Game-changing resolution: whose name on the laws of physics for an expanding universe?”

Astronomers are engaged in a lively debate over plans to rename one of the laws of physics.

It emerged overnight at the 30th Meeting of the International Astronomical Union (IAU), in Vienna, where members of the general assembly considered a resolution on amending the name of the Hubble Law to the Hubble-Lemaître Law.

The resolution aims to credit the work of the Belgian astronomer Georges Lemaître and his contribution – along with the American astronomer Edwin Hubble – to our understanding of the expansion of the universe.

While most (but not all) members at the meeting were in favour of the resolution, a decision allowed all members of the International Astronomical Union a chance to vote. Subsequently, voting was downgraded to a straw vote and the resolution will formally be voted on by an electronic vote at a later date.

(20) BEWARE BENNU. The NASA mission to visit and sample Bennu — a “potentially hazardous asteroid” — has entered a new phase (“NASA’s OSIRIS-REx Begins Asteroid Operations Campaign”). The spacecraft has begun approach operations:

After an almost two-year journey, NASA’s asteroid sampling spacecraft, OSIRIS-REx, caught its first glimpse of asteroid Bennu last week and began the final approach toward its target. Kicking off the mission’s asteroid operations campaign on Aug. 17, the spacecraft’s PolyCam camera obtained the image from a distance of 1.4 million miles (2.2 million km).

…The spacecraft has traveled approximately 1.1 billion miles (1.8 billion km) since its Sept. 8, 2016, launch and is scheduled to arrive at Bennu on Dec. 3.

…During the mission’s approach phase, OSIRIS-REx will:

  • regularly observe the area around the asteroid to search for dust plumes and natural satellites, and study Bennu’s light and spectral properties;
  • execute a series of four asteroid approach maneuvers, beginning on Oct. 1, slowing the spacecraft to match Bennu’s orbit around the Sun;
  • jettison the protective cover of the spacecraft’s sampling arm in mid-October and subsequently extend and image the arm for the first time in flight; and
  • use OCAMS to reveal the asteroid’s overall shape in late-October and begin detecting Bennu’s surface features in mid-November.

Ultimately, the craft will map the asteroid, then perform a sampling “touch-and-go” maneuver. The sample will be dropped off at Earth in a Sample Return Capsule in September 2023. OSIRIS-REx itself will end up in a solar orbit.

(21) LOX WARNING. It used to be a thing — and may still be in some fannish circles — to whip up fresh ice cream at room parties using liquid nitrogen. The US Food and Drug administration has issued a safety alert about the danger of drinks and food prepared with LN2 at the point of sale (CNN: “FDA issues warning about liquid nitrogen on food”):

“The FDA has become aware of severe — and in some cases, life-threatening — injuries, such as damage to skin and internal organs caused by liquid nitrogen still present in the food or drink,” the FDA said in issuing its safety alert. “Injuries have occurred from handling or eating products prepared by adding liquid nitrogen immediately before consumption, even after the liquid nitrogen has fully evaporated due to the extremely low temperature of the food.”

In its warning, the FDA said inhaling the vapor “released by a food or drink prepared by adding liquid nitrogen immediately before consumption may also cause breathing difficulty, especially among individuals with asthma.”

…The FDA did not say how many reports of injuries it has received or provide details on life-threatening cases.

(22) MOON WALKER. The BBC’s Nicholas Barber gives “Five Stars for First Man”

The life story of Neil Armstrong, the first person to walk on the moon, is so full of astounding courage, tragedy and triumph that it is just begging for an old-school Hollywood biopic, with all the inspiring speeches, swelling orchestras and grand themes that the genre entails. First Man is not that biopic.

Directed by Damien Chazelle (La La Land) and scripted by Josh Singer (Spotlight), the film is an understated, economical drama which, like a rocket that has to escape from the Earth’s gravity, jettisons absolutely everything it doesn’t need. Dialogue is kept to a minimum. Exposition is edited out. Extraneous characters are stripped away to the point that you see almost nothing of Buzz Aldrin (Corey Stoll), who moonwalked with Armstrong, and even less of Mike Collins (Lukas Haas), who piloted the orbiting craft. You don’t hear about Armstrong’s Korean War heroics, for that matter, and the space-race politics that were behind Nasa’s Apollo programme remain in the background. And yet, as restrained as First Man is, this riveting, exhaustively researched and utterly believable film manages to shake you, take your breath away and even pull a few tears from your eyes.

(23) SCREEN PLAY. “Movie Madness: Why Chinese cinemas are empty but full”. Speculators think buying seats (to fake up hits, to push stock prices) is cheaper than making good movies.

For a country which will soon assume the mantle of the world’s largest cinema audience, China comes out with a surprising number of big budget B-grade flops.

Some blame this on censorship, others on a lack of creativity but there are also those who see a more sinister force at work, which has nothing to do with film-making.

It also has nothing to do with selling tickets: at least not real ones.

Some investors are apparently financially backing movies with the sole goal of boosting their stock price that can shift on the perception of a movie’s performance, irrespective of its true popularity.

(24) VIDEO OF THE DAY. “The Bridge Tongues” on YouTube is a look back at our times from the 25th century, where no one argues with each other and everyone lives in their own digital bubble.

[Thanks to JJ, Mark Hepworth, John King Tarpinian, Samuel Montgomery-Blinn, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gregory Benford, Martin Morse Wooster, Bill Burns, Dann, James Davis Nicoll, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

2018 Prometheus Award Winners

The Libertarian Futurist Society has announced the 2018 Prometheus Award winners for Best Novel and the Prometheus Hall of Fame – Best Classic Fiction.

Best Novel

  • The Powers of the Earth, by Travis Corcoran

The Powers of the Earth (Morlock Publishing), the first volume in The Aristillus Series, is set in a near-future ungoverned lunar settlement, developed while Earth leaders ignored and denied its existence. The settlement struggles to retain its independence from Earth’s invading force in Corcoran’s panoramic story about people carrying on their lives in liberty. Corcoran’s novel is both a tribute to Robert Heinlein’s classic The Moon is a Harsh Mistress, and a re-examination of its assumptions about how such a lunar colony would function, and what kinds of people would live there.

Other Best Novel finalists:

  • Drug Lord: High Ground by Doug Casey and John Hunt (High Ground Books);
  • Torchship, Torchship Pilot, and Torchship Captain, by Karl Gallagher (Kelt Haven Press);
  • Darkship Revenge, by Sarah Hoyt (Baen Books);
  • The Corporation Wars: Emergence by Ken MacLeod (Orbit); and
  • Artemis, by Andy Weir (Crown Books).

Prometheus Hall of Fame – Best Classic Fiction. 

  • With Folded Hands …” by Grand Master Jack Williamson (1947 short story)

Williamson (1908-2006) was the second writer after Robert Heinlein to be named Grand Master of Science Fiction (in 1976) by the Science Fiction Writers of America. His novelette “With Folded Hands …”, inspired by Williamson’s lifelong distrust of “benevolent” but intrusive paternalism and published in 1947 in Astounding, launched his Humanoids Series (including the 1949 novel The Humanoids and the 1980 sequel The Humanoid Touch) which explored the disastrous and authoritarian implications of powerful new technology (robots with an imperative to control and protect humans) to undermine individual liberty and moral autonomy.

Other Hall of Fame finalists:

  • “Starfog,” a short story (1967) by Poul Anderson;
  • “As Easy as A.B.C.,” a short story (1912) by Rudyard Kipling;
  • The Island Worlds, a novel (1986) by Eric Kotani and John Maddox Roberts; and
  • “Conquest by Default,” a short story (1968) by Vernor Vinge.

The annual Prometheus Hall of Fame award is open to works published or broadcast at least five years ago in any narrative or dramatic form, including novels, stories, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse.

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

The Prometheus Awards include a gold coin and plaque for the winners – with a one-ounce gold prize for Best Novel and smaller gold coins for the Prometheus Hall of Fame and the occasional Prometheus Special awards.

For close to four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor cooperation over coercion, expose the abuses and excesses of government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, mutual respect, and civilization itself.

The LFS will hold this year’s Prometheus Awards ceremony at 4 p.m. Friday, August 17, in the San Jose McEnery Convention Center during San Jose Worldcon 76.

2018 Prometheus Award Best Novel Finalists

The Libertarian Futurist Society has announced six finalists for the Best Novel category of the 2018 Prometheus Awards, presented annually at the World Science Fiction Convention.

  • Drug Lord: High Ground by Doug Casey and John Hunt (High Ground Books) – The near-future adventure thriller offers an unconventional hero challenging the government’s War on Drugs by promoting a new rationality/lucidity drug that lets people see through deception, fake news and government propaganda – thereby posing a dire and unforgiveable threat to politicians, bureaucrats and the very foundations of corruption and unjust power. (Note: Drug Lord, Volume 2 in the co-authors’ projected seven-part High Ground series, is the sequel to Speculator, nominated the previous year for the Prometheus Award.)
  • The Powers of the Earth, by Travis Corcoran (Morlock Publishing) – A near-future ungoverned lunar settlement, developed while Earth leaders ignored and denied its existence, struggles to retain its independence from Earth’s meddling bureaucracy in this panoramic story about people carrying on their lives in liberty. (Note: This finalist is the first volume of The Aristillus Series; the sequel Causes of Separation will be published in May 2018.)
  • Torchship, Torchship Pilot and Torchship Captain, by Karl Gallagher (Kelt Haven Press) – The space-opera – tightly written and plotted enough to count as one three-part novel –follows the adventures and intrigues of a smart but secretive woman who signs on as pilot of a free-enterprising interstellar freighter and becomes a player in humanity’s survival in a dangerous region of space with conflicting planetary governments and solar-system-devouring artificial intelligences that threaten the divided human colony worlds.
  • Darkship Revenge, by Sarah Hoyt (Baen Books) – This rapid-paced adventure dramatizes the heroism of an angry mother who risks herself, her child and kidnapped husband to fight a bio-engineered plague, genetically modified tyrants, and a fearful slavery centuries from now on and around Earth. (Note: This book is the latest in the Darkship series, which began with the 2011 Prometheus winner Darkship Thieves and continued with Darkship Renegades, a 2013 Prometheus finalist, and A Few Good Men, a 2014 Prometheus finalist.)
  • The Corporation Wars: Emergence by Ken MacLeod (Orbit) – In the suspenseful but humor-laced conclusion to The Corporation Wars trilogy, MacLeod weaves a cyberpunk-style AI-versus-human space opera that explores the foundations of self-awareness, autonomy, rights and liberties as newly sentient “freebots” battle for colonial-planet survival in a multi-sided interstellar 32nd-century war against threats in the real and virtual worlds from different factions of uploaded humans and rogue robots. (Note: The Corporation Wars: Dissidence and The Corporation Wars: Insurgence were 2017 Best Novel finalists.)
  • Artemis, by Andy Weir (Crown Books) – In this second novel by the bestselling author of The Martian, Weir offers a noir adventure and near-future heist thriller set on humanity’s first and only lunar colony, a market-oriented city in which a poverty-stricken but resourceful young smuggler must use her guts and skills to survive and thrive while discovering a dark conspiracy that threatens the colony’s freedom and future.

Thirteen 2017 novels were nominated by LFS members for this year’s award. (Note: Under a recently adopted new LFS award-eligibility rule, similar to one recently added for the Worldcon’s Hugo Awards, two or more novels can be nominated together as basically one novel if the judges determine that the books are so tightly linked and plotted, with continuing characters and a unifying conflict and theme, that they can be best read as one work.)

The other 2017 nominees, alphabetized by author: Walkaway, by Cory Doctorow (Tor Books), The Alexander Inheritance by Eric Flint, Gorg Huff and Paula Goodlett (Baen Books), Luna: Wolf Moon: A Novel by Ian McDonald (Tor), Autonomous, by Annalee Newitz (Tor), The Braintrust, by Marc Stiegler (LMBPN Publishing), Change Agent, by Daniel Suarez (Dutton, a Penguin Random House imprint) and The Genius Plague, by David Walton (Pyr Books)

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently in sf.

Presented annually since 1982 at the World Science Fiction Convention, the Prometheus Awards include a gold coin and plaque for the winners – with a one-ounce gold prize for Best Novel and smaller gold coins for the Prometheus Hall of Fame (for Best Classic Fiction in all written and broadcast/on-screen mediums) and the occasional Prometheus Special awards.

The Prometheus Award finalists for Best Novel are selected by a 10-person judging committee, and the winners are chosen by vote of “LFS upper-level members.”

The LFS says these are the kinds of work recognized by the Prometheus Award –

For close to four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor cooperation over coercion, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for peace, prosperity, progress, justice, tolerance, mutual respect and civilization itself.

For a full list of past Prometheus Award winners in all categories, visit www.lfs.org.

[Based on a press release.]

2018 Prometheus Hall of Fame Award Finalists

The Libertarian Futurist Society has selected five finalists for their 2018 Hall of Fame Award.

  • “As Easy as A.B.C.,” a short story by Rudyard Kipling (first published 1912 in London Magazine)
    — In the second of his “airship utopia” stories, an unpopular minority in a future society calls for the revival of democracy, and a largely hands-off world government is called in to protect them from mob violence.
  • “With Folded Hands . . .,” a short story by Jack Williamson (first published 1947 in Astounding Science Fiction)
    — A cautionary tale of a future society under the control of entirely benevolent AIs.
  • “Starfog,” a short story by Poul Anderson (first published 1967 in Analog)
    — An agent of a mutual aid association spanning many solar systems seeks a way to carry out a large-scale project without taxation or central planning.
  • “Conquest by Default,” a short story by Vernor Vinge (first published 1968 in Analog)
    — Vernor Vinge’s first exploration of the possible form of an anarchistically organized society, set on a post-nuclear war Earth visited by an alien culture.
  • The Island Worlds, a novel by Eric Kotani and John Maddox Roberts (first published 1986 by Baen Books)
    — A libertarian independence movement in the asteroids struggles against domination by an Earth-based bureaucracy — and its own disagreements over strategies for attaining freedom.

In addition to these nominees, the Hall of Fame Committee considered six other works: “ILU-486,” by Amanda Ching; That Hideous Strength, by C.S. Lewis; 2112, by Rush; A Time of Changes, by Robert Silverberg; “Harrison Bergeron,” by Kurt Vonnegut; and The Once and Future King and The Book of Merlyn, by T.H. White, as a combined nomination.

The final vote will take place in mid-2018. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention.

Nominations for the 2019 Hall of Fame Award can be submitted to committee chair William H. Stoddard (halloffame@lfs.org) at any time. All LFS members are eligible to nominate. Nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related genres.

The Libertarian Futurist Society also presents the annual Prometheus Award and welcomes new members who are interested in science fiction and the future of freedom. More information is available at our website, www.lfs.org.

LFS Special Award for Freefall, A Webcomic

The Libertarian Futurist Society has announced it will give a Special Prometheus Award to the first chapter of Freefall, a webcomic by Mark Stanley.

Freefall is set on a planet in another solar system, Jean, colonized by a small number of human beings and a large number of robots. Its main characters are a squidlike intelligent alien, Sam Starfall; a robot, Helix; and a genetically enhanced humanoid wolf, Florence Ambrose. The strip is largely humorous, but a major storyline has explored the rights and legal status of created beings.

The first installment appeared on March 30, 1998. Installment 2835, on July 11, 2016, announced the completion of the first chapter, making it eligible for nomination as a completed work. (An index of all episodes can be found at http://freefall.purrsia.com/fcdex.htm.)

In addition to the annual Prometheus Awards for Best Novel and Hall of Fame (Best Classic Fiction), the Libertarian Futurist Society gives a Special Award when an outstanding work with pro-freedom themes appears in a different form or medium.

Freefall, chapter one, is the first Webcomic to be honored, and the third graphic narrative work (following The Probability Broach in 2005 and Alex + Ada in 2016).

Mark Stanley will receive a plaque commemorating the award and a gold coin, “a symbol of free minds and free markets.”

Pixel Scroll 5/11/17 I Got Two Pixels When I Scrolled The Bones

(1) THE ROARING 20. James Davis Nicoll continues his series of “core” lists with “Twenty Core Trader Speculative Fiction Works Every True SF Fan Should Have On Their Shelves”.

(2) PRIME TIME LE GUIN. Rare video of Ursula K. LeGuin’s Guest of Honor Speech at Aussiecon (1975) has been uploaded to YouTube by Fanac.org.

AussieCon, the 33rd Worldcon, was held in Melbourne, Australia in 1975. Guest of Honor Ursula K. Le Guin gave an insightful and entertaining speech about the state of science fiction, and her part in it. There’s a real sense of community evident here, as well as a delightful sense of humor (look for the propeller beanie). Le Guin’s comments on the place of women in the field are particularly interesting. The bearded gentleman who introduces her is Robin Johnson, chairman of Aussiecon. Thanks to S.C.I.F.I. for digitizing, and to Elayne Pelz for providing us the footage.

 

(3) I FOUGHT THE LAW. Litigation begins: “Bookseller Suing California Over ‘Autograph Law'”. {Publishers Weekly has the story.

Last year, the California legislature broadened a set of civil code regulations focused on autographed collectibles to include “all autographed items” with a value over $5. Assembly Bill 1570 requires anyone selling autographed books to provide an extremely detailed “certificate of authenticity” with each book, describing the book, identifying the signer, noting witnesses of the book signing, insurance information, and other details. Per the new law, booksellers must keep the certificates for seven years or risk substantial damages, court fees, and a civil penalty if the autographed book gets questioned in court.

These new regulations took effect in January, prompting protests from around the state—including a Change.org petition with over 1,700 signatures urging the state legislature to repeal the bill. Petrocelli’s suit marks the first time a California bookseller has challenged the law in court.

The Pacific Legal Foundation, a non-profit law firm defending “private property rights, individual liberty, free enterprise, [and] limited government,” mounted Petrocelli’s lawsuit free of charge, as it does for all its clients. “We spoke to booksellers up and down the coast,” said Anastasia Boden, one of the PLF attorneys representing Book Passage in the suit. “But Bill was the only one so far brave enough to join a constitutional lawsuit and act as a civil rights plaintiff.”

The lawsuit argues that common bookstore practices like guest author lectures and book signings “are fundamental to First Amendment freedoms.” By that argument, the regulations Assembly Bil 1570 places on booksellers violates a basic freedom accorded to all Americans by the Constitution.

According to the lawsuit, the new paperwork and penalties “significantly burdened and seriously threatened” Petrocelli’s efforts to sell books autographed by their authors. Book Passage hosts around 700 author events every year, as well as a “Signed First Editions Club” for dedicated members. These programs, under the new law, would generate thousands of pages of paperwork, as well as the potential for massive liabilities.

(4) POPCORN V. PROTEIN BARS. Yahoo! Beauty finds “Wonder Woman Fans Angry Over ‘ThinkThin’ Movie Promotion Deal”.

Wonder Woman is viewed as a strong and fearless female character in popular culture — and one would think that the production company about to debut a major feature film based on the character would align its marketing tools with the same profile.

Instead, Warner Bros. has partnered with the protein-focused nutrition company ThinkThin to promote the upcoming flick, and it’s causing quite a stir, as many users believe it sends the wrong message.

“We wanted to celebrate a hero film featuring a woman in the leading role,” Michele Kessler, the president of ThinkThin, said in a press release on the partnership. “We love that Wonder Woman has super strength, and we’re proud to offer delicious products that give women the everyday strength they need to power through their day.”

But despite ThinkThin’s belief that its variety of protein smoothie mixes and bars are fit for powerful women — the primary target the upcoming film is celebrating — fans still have a lot to say about the partnership. Many believe teaming up with the company sends the wrong message from the film.

There have proven to be two sides to the controversy — as this pair of tweets shows:

(5) OPEN DOORS. Bryan Thao Worra, President of the Science Fiction Poetry Association, told Specpo readers — “’Science Fiction is for Everyone’ Panel at LA Harbor College a success”.

On April 25th, the Cultural Equity Workgroup invited five science fiction authors and fans to LA Harbor College to discuss the subject “Science Fiction Is For Everyone,” for a room that was at times standing room only.

Held in Tech 110, I was presenting with Stephanie Brown, Michael Paul Gonzalez, Jaymee Goh, Gregg Castro and Steven Barnes. It was a great line-up with some touching comments that drew on diverse fields of knowledge and experience, from the work and influence of Nnedi Okorafor and Octavia Butler, to the way readers and writers have been brought into the world of science fiction not only in the US but around the world. There was a strong highlight on the appeal of steampunk and afrofuturism.

During my portion of the panel, I focused on a discussion of the Science Fiction and Fantasy Poetry Association, and had the honor of previous SFPA president Deborah Kolodji in attendance as well as fellow SFPA member and community builder Denise Dumars facilitating the conversation. Overall, our audience was very engaged with our varied approaches to the speculative arts. I demonstrated that speculative poetry draws on a very extensive tradition back to the very roots of poetry itself. The work of Edgar Allan Poe was cited as one of the key efforts to develop a distinctive American voice in poetry that was distinct from what was found in Europe at the time.

(6) PROMETHEUS ONLINE. The Libertarian Futurist Society has launched a new blog devoted to science fiction, Prometheus Blog which replaces the society newsletter.

The new blog complements our main mission of awarding annual literary awards, the Prometheus Award and the Prometheus Hall of Fame Award, along with periodic special awards and Hall of Fame awards for notable authors.

..We will be offering news about our organization’s awards and actions, and we’ll be publishing reviews of science fiction books and other artistic works of genre interest, and essays on science fiction.

The blog’s introductory post is “Freedom in the Future Tense: A Political History of SF” by Eric S. Raymond, author of The Cathedral and the Bazaar and a longtime SF fan.

One: people whose basic political philosophy is flatly incompatible with libertarianism will continue to find the SF mainstream an uncomfortable place to be. Therefore, sporadic ideological revolts against the Campbellian model of SF will continue, probably about the established rate of one per decade. The Futurians, the New Wave, the cyberpunks, and “Radical Hard SF” were not the end of that story, because the larger political questions that motivated those insurrections are not yet resolved.

Two: all these revolts will fail in pretty much the same way. The genre will absorb or routinize their literary features and discard their political agendas. And SF will continue to puzzle observers who mistake its anti-political DNA for conservatism while missing its underlying radicalism.

And the blog’s coming attractions:

In the next few weeks, we will publish book reviews of all of the current nominees for the 2017 Prometheus Award. A survey of the works of Jack Vance will soon by published. Many other articles are in the pipeline.

(9) STATION INFESTATION. Here’s a rare opportunity to watch a monster movie within a stone’s throw of the locale they terrorized — “Off-Ramp Recommendation: Scientists needed! Giant ants invade Union Station Friday night!”

Let’s face it. Ants are nobody’s favorite. They ruin summer picnics, sneak under the door to steal your crumbs, and are… HUGE?! In 1954 sci-fi film “Them!” ants are gigantic, radioactive, flesh-eating, and coming directly for you!

Friday night, as part of the Metro Art series, Union Station is screening the second film in its “Sci-Fi at Union Station” series. It’s the 1954 sci-fi classic “Them!” LA Times entertainment reporter and classic Hollywood expert Susan King will provide a background on the film and its historical significance to both the sci-fi genre and LA.

Director Gordon Douglas helped created the nuclear monster genre with “Them!” and due to its campy horror, the movie has become a cult-classic. “Them!” follows the creation and subsequent terror of carnivorous insects and their pursuit of film stars James Whitmore, Edmund Gwenn, and Joan Weldon. The film culminates in a battle scene set in our very own city, featuring shots of beautiful Union Station, LA’s neighborhoods, and storm drains.

And if that’s not enough – young Leonard Nimoy appears in the film (in a very minor role)!

(10) MORE FROM WJW. Flyover Fandom has Part 2 of its interview with Walter Jon Williams.

DAF: The Praxis is a very stratified society. What did you look at for inspiration, because at times you will have Peers engaged in almost comedy of manners escapades. At other times they engage in white collar crime. What did you pull from?

WJW: There are almost too many to mention. But certainly the books reflect class and class resentment in the 19th century British empire. Which became more class-based as the century went on, but in addition to the diehard imperialists out to conquer the world, they also produced Bertie Wooster and Oscar Wilde.

The social setting is based on Republican Rome, as that experience came down through Spain and the colonial experience in New Mexico where I live. There are certain practices common in Rome that are still common in New Mexico, such as the patron-client relationship exercised by the leading Spanish families and their descendants.

The underground movements of World War II are another great inspiration. At one point Sula is leading the an underground movement against an occupying army, and I gave her an alias taken from a real-life French resistance heroine, Lucie Aubrac.

(11) TODAY’S DAY

Twilight Zone Day

The Twilight Zone was created by acclaimed television producer Rod Serling in 1959, with the first episode premiering on October 2nd. At the time of its release, it was vastly different from anything else on TV, and it struggled a bit to carve out a niche for itself at the very beginning. In fact, Serling himself, though respected and adored by many, was famous for being one of Hollywood’s most controversial characters and was often call the “angry young man” of Hollywood for his numerous clashes with television executives and sponsors over issues such as censorship, racism, and war. However, his show soon gained a large, devoted audience. Terry Turner of the Chicago Daily News gave it a rave review, saying, “Twilight Zone is about the only show on the air that I actually look forward to seeing. It’s the one series that I will let interfere with other plans.” The Twilight Zone ran for five seasons on CBS from 1959 to 1964.

(12) EXOPLANET STUDY. James Davis Nicoll calls this “more evidence we live in a Hal Clement universe” — “Primitive atmosphere discovered around ‘Warm Neptune'”.

A pioneering new study uncovering the ‘primitive atmosphere’ surrounding a distant world could provide a pivotal breakthrough in the search to how planets form and develop in far-flung galaxies.

A team of international researchers, co-lead by Hannah Wakeford from NASA and Professor David Sing from the University of Exeter, has carried out one of the most detailed studies to date of a ‘Warm Neptune’ – a planet that is similar in size to our own Neptune, but which orbits its sun more closely.

The study revealed that the exoplanet – found around 430 light years from Earth – has an atmosphere that composed almost entirely of hydrogen and helium, with a relatively cloudless sky.

This primitive atmosphere suggests the planet most likely formed closer to its host star or later in its solar system development, or both, compared to the Ice Giants Neptune or Uranus.

Crucially, the discovery could also have wide implications for how scientists think about the birth and development of planetary systems in distant galaxies.

(13) CRY ME A RIVER. Break out your tissues – ScreenRant is ready to show you “Doctor Who: 15 Most Heartbreaking Moments”. (Boo Who!)

  1. River is saved in The Library

Entire books could be written on The Doctor and River Song and how their relationship is a mess of mixed up timelines. The Doctor’s first moment with her is River’s last with him and wrapping your head around that is a sadder thing than most. As the audience, our relationship with their story begins from The Doctor’s perspective and it’s not until later seasons do we realize just how lovely it really is.

River’s first appearance coincides with her death and it’s tough for us to watch, let alone for The Doctor to experience. She knows his true name, has his screwdriver, and is aware of every moment of their future together but–for the sake of spoilers–knows she can’t divulge too much.

In her dying moments, she talks about her last night with him and how beautiful it was before saying goodbye to the man she’s loved for years, knowing that he’s only just met her.

In a final and also first act of love–The Doctor realizes his future self had a plan and is able to restore River’s mind (saved in the sonic screwdriver) to a computer where she can, in a way, live on for eternity.

(14) MY VOTE. Is it too late to pick Hayley Atwell as the next Doctor Who? ScreenRant sells the idea.

If the series does decide to go for a female Doctor in season eleven, we’re looking pointedly in the direction of Marvel star Hayley Atwell. The British actress shot to fame as Peggy Carter in Captain America: The First Avenger, a role that eventually led to her own spin-off series, Marvel’s Agent Carter. Agent Carter was cancelled after two seasons, to the disappointment of its huge fan base, and Atwell went on to work on Conviction, which was cancelled after only a single season. Although we would have loved to see Atwell find success with the show, this leaves her in need of a new project – and what better than Doctor Who?

Atwell has everything that we are looking for in a new Doctor. She’s British, which is something of a requirement (it’s easier to envision a female Doctor than an American one, for most fans!), and she’s very used to dealing with a major role in a huge franchise, thanks to Marvel. Her role as Agent Carter also proved her ability to work with a sci-fi/fantasy role, and to get physical with a part. Peggy Carter is not afraid to do things her own way, or to get her hands dirty; and while the doctor isn’t as violent as Peggy has been, he certainly does his fair share of physical adventuring. She’s got a genius for comedy, which is a vital part of the show, and she’s mature enough and experienced enough to handle a character as complicated as the Doctor. She’s also much younger than Capaldi – and we’ve seen from past Doctors that the current fandom seems to connect more with younger regenerations. Although longtime fans loved Capaldi’s take on the character, there is no denying that some viewers did find him less appealing than the more boyishly charming Smith and David Tennant.

In addition to all of this, Atwell herself has said that she would like to take on the role. In a Twitter Q&A, the actress said “I’d like to BE Doctor Who”, setting the fandom alight when it happened in 2015. At the time, she was busy with Agent Carter, but now that she’s looking for a new project, we would be surprised if she doesn’t throw her hat in the ring with the BBC. Having a longtime fan join the franchise is always a good thing, as it means that the new star is approaching the role with an in-depth understanding of who, exactly, the Doctor really is.

(15) SCI-FI ORIGINS. This is as exciting as paleontologists finding a record-setting homonid fossil. Yesterday in comments, Bill pointed to a 2014 post by Fred Shapiro claiming an earlier origin for the term “sci-fi” than previously known:

There has been a fair amount of attention given to the question of what is the earliest use of the term “sci-fi.”  The OED’s first use is dated 1955.  The OED web site of science fiction citations has a December 1954 usage by Forrest J. Ackerman, who is often said to be the coiner.  A supposed usage by Robert A. Heinlein in 1949 has been shown to be erroneous.  The term looks very much like a Varietyism, and in fact I have now found an earlier occurrence in Variety:

1954 _Variety_ 17 Feb. 38 (ProQuest)  New Telepix Shows … The commercial possibilities are there as well since “Junior Science,” aside from its positive qualities, is a rewarding change of pace from the more thunderous sci-fi and spaceship packages.

(16) GRAPHIC STORY. Deadline: Hollywood displays the new SyFy logo.

For the first time since the NBCUniversal cable network changed its name from Sci Fi to Syfy in 2009, it is changing its logo, introducing a new identity brand refresh ahead of the channel’s 25th anniversary in September.

(17) SYFY REBOOT. io9 says the logo is a minor change in comparison to what will be happening to Syfy programming: “Syfy’s Plan to Save Itself: Harry Potter, Comic Books, and George R.R. Martin”.

Of course, all of that is window dressing compared what Syfy will actually put up on screens. McCumber said the goal was to go back to high-end, scripted television, with four focuses: space and scifi, fantasy, paranormal and supernatural, and superheroes and comics.

The Expanse and The Magicians are clearly the network’s flagship returning shows, mentioned many times and with pictures all over the presentations. For new projects, it was announced Tuesday night that Happy!, the adaptation of a Grant Morrison comic starring Christopher Meloni that was announced last year, will get a full season. Similarly, the Superman prequel Krypton has a full series order.

The only new project announced was the development of George R.R. Martin’s Nightflyers, a scifi-horror novella he wrote in 1980, which was actually adapted into a movie in 1987.

(18) NEW GRRM TV PROJECT. The Hollywood Reporter says “George R.R. Martin Novella ‘Nightflyers’ Headed for TV on Syfy”.

The ‘Game of Thrones’ creator is teaming with writer Jeff Buhler to develop the drama for the small screen.

Game of Thrones creator George R.R. Martin is expanding his TV footprint.

The author and exec producer of HBO’s fantasy drama is teaming with Syfy to adapt his 1980 novella Nightflyers for the small screen, The Hollywood Reporter has learned.

Set in the future on the eve of Earth’s destruction, a crew of explorers journey on the most advanced ship in the galaxy, The Nightflyer, to intercept a mysterious alien spacecraft that might hold the key to their survival. As the crew nears their destination, they discover that the ship’s artificial intelligence and never-seen captain may be steering them into deadly and unspeakable horrors deep in the dark reaches of space.

(19) DIDN’T KNOW ABOUT THIS. The editor of Rabid Puppy Hugo nominee Cirsova apparently is getting it from both sides.

Here’s an example from “his side.”

And I guess this is what provoked Cirsova’s comment. (Waves hello!)

(20) NODDING OFF. Did any SF writers think getting a good night’s sleep in space would be this difficult? “The quest to help astronauts sleep better”.

But getting a good night’s sleep in space is not easy. There are no beds or pillows – astronauts sleep strapped to the wall in sleeping bags. And that’s not all. “There’re probably several reasons they don’t sleep properly,” says Elmenhorst. “Isolation, a sunrise every 90 minutes and [with the ventilation system] it’s quite noisy in the ISS.” Often, astronauts have to work shifts to monitor experiments or capture visiting supply ships.

To investigate how this lack of sleep affects astronauts’ performance, Elmenhorst’s team has been subjecting groups of paid volunteers to sleep deprivation experiments. “We want to show how sleep loss affects cognitive function,” she says, “and how some people cope better than others.”

(21) SEE-THRU. “Scientists 3D-print transparent glass” – a video report. Chip Hitchcock sent the link with a comment, “It will be interesting to see whether they ever make their goal of printing photographic lenses, which would require very fine control.”

(22) BUDDHISM AND SCIENCE. How did the religion gain its reputation for being less incompatible with science than many others? At NPR: “Buddhism, Science And The Western World”.

Of course, by its very nature religion, all religions, are changed by their encounters with new cultures. This is particularly true of Buddhism and its steady march eastward from its birth in India 2,500 years ago. Religions always have a way of outgrowing their own scriptural and ritual basis, while simultaneously holding on to them. As author Karen Armstrong has shown, practitioners in any age are always selecting out those parts of their religions that are meaningful to them while ignoring the parts that seem dated. She called the process “creative misreading.”

[Robert] Sharf has no problem with the creative misreading that allows Buddhist Modernism to share space with scientific worldviews. “My concern,” he told Tricycle, “is not with the selectivity of those who read Buddhism as a rationalist and scientific religion — it is perfectly understandable given the world in which we live. It is really not a question of misreading. It is a question of what gets lost in the process.”

(23) SITH REALITY. Cédric Delsaux has put an interesting spin on Star Wars by incorporating its imagery into real photos.

“Over the years, many artists have interpreted Star Wars in ways that extend well beyond anything we saw in the films. One of the most unique and intriguing interpretations that I have seen is in the work of Cedric Delsaux, who has cleverly integrated Star Wars characters and vehicles into stark urban, industrial – but unmistakably earthbound – environments. As novel and disruptive as his images are, they are also completely plausible.”

George Lucas

(24) WRITE A BIG CHECK. An early visualization of the idea for Disneyland will be auctioned soon, and it won’t go cheap — “Original Disneyland concept art shows park origins, growth”.

Tomorrowland was originally going to be called World of Tomorrow. Frontierland was Frontier Country. Lilliputian Land never became a reality at Disneyland. And no one could have foreseen a “Star Wars” land opening in 2019.

Walt Disney spent a marathon weekend in 1953 brainstorming ideas for the new family amusement park he envisioned called Disneyland. There would be a train station and an old-fashioned Main Street square. The park would have a princess castle and a pirate ship, maybe even a rocket. Disney wanted to get investors on board, so he described the various elements he imagined to artist Herb Ryman, who translated them into a hand-drawn map — Disneyland’s first.

That original concept art could fetch as much as $1 million when it goes up for auction next month, auctioneer Mike Van Eaton said.

(25) ANIMATION ROUNDUP. Financial Times writer James Mottram, in “Are animation movies growing up?”, gives an overview of current arthouse animation projects, including Tehran Taboo, Your Name, and the Oscar-nominated film which is My Life As A Zucchini in the US and My Life As A Courgette in the Uk.  He includes an interview with Michael Dudok de Wit, director of the Oscar-nomnated, Studio Ghibli-backedThe Red Turtle. (The link is to the Google cache file, which worked for me – I hope it will work for you!)

[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, James Davis Nicoll, rcade, Eli, Bill, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]

2017 Prometheus Hall of Fame Finalists

libertycoinThe Libertarian Futurist Society has chosen six finalists for the 2017 Hall of Fame Award, given in recognition of a classic work of science fiction or fantasy with libertarian themes. This year’s finalists are:

  • “As Easy as A.B.C.,” by Rudyard Kipling (first published 1912 in London Magazine), the second of his “airship utopia” stories, portrays a crisis in a twenty-first century society where an unpopular minority calls for the revival of democracy, and a largely hands-off world government is forced to step in and protect them.
  • “Conquest by Default,” by Vernor Vinge (first published 1968 in Analog) is his first exploration of the idea of anarchism, in which a stateless alien society visits an Earth recovering from nuclear war. The story combines a novel approach to the problem of avoiding the decay of anarchy into government with an evocation of the tragic impact of cultural change.
  • “Coventry,” by Robert A. Heinlein (first published 1940 in Astounding Science Fiction) envisions the Covenant, a social compact under which breaking the law, as such, cannot be punished unless actual harm to someone has been demonstrated. The story contrasts that society with a lawless “anarchy” into which those who break the covenant are sent.
  • “Harrison Bergeron,” by Kurt Vonnegut (first published 1971 in The Magazine of Fantasy and Science Fiction), satirizes the idea of radical egalitarianism with a portrayal of a society where all talented people are compulsorily brought down to average — until one gifted youth rebels against the system.
  • “Starfog,” by Poul Anderson (first published 1967 in Analog) envisions a widespread interstellar society millennia after the fall of a Galactic Empire, unified by the Commonality, a mutual aid organization. The story explores methods of carrying out large-scale projects through voluntary cooperation and market incentives under conditions where central control is unworkable.
  • “With Folded Hands …” by Jack Williamson (first published 1947 in Astounding Science Fiction), uses science fiction to satirize the modern “nanny state” and explore an ethical theme: the peril of unrestricted authority, even (or especially) when it is used totally altruistically to take care of those subjected to it.

In addition to the six finalists, the Hall of Fame Committee considered eight other works: “The End of the Line,” by James H. Schmitz; “The Exit Door Leads In,” by Philip K. Dick; The Handmaid’s Tale, by Margaret Atwood; The Island Worlds, by Eric Kotani and John Maddox Roberts; Lord of the Flies, by William Golding; Manna, by Lee Correy; “The Ones Who Walk Away from Omelas,” by Ursula Le Guin; and A Time of Changes, by Robert Silverberg.

The Prometheus Awards, in the words of the LFS, recognize “outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for civilization, cooperation, peace, prosperity, progress and justice.”

The final vote by LFS members will take place in mid-2017. The Prometheus Hall of Fame award will be presented at a major science fiction convention.

L. Neil Smith To Receive LFS Award at MileHiCon

L. Neil Smith

L. Neil Smith

In January, L. Neil Smith was announced as the next recipient of a Special Prometheus Award for Lifetime Achievement Award from the Libertarian Futurist Society. The organization will present it to him at MileHiCon in Denver.

Smith will be presented with the Prometheus award, a gold coin mounted on a plaque, at 7 p.m. Friday October 28, during the opening night of the convention

Smith is the fourth author history to receive the LFS’ Lifetime Achievement Award. The previous recipients were Poul Anderson (2001), Vernor Vinge (2014) and F. Paul Wilson (2015).

Including their Lifetime Achievement awards, Anderson, Vinge, Wilson and now Smith have all been recognized five times with various Prometheus Awards. (The only author to receive more awards from the LFS was Robert Heinlein (1907-1988), with a grand total of six.)

Smith is the creator of the Prometheus Award, presenting it in 1979 to Wheels Within Wheels by F. Paul Wilson. In order to transform the one-time award into an annual program, the Libertarian Futurist Society was organized by Grossberg and other fans in 1982 to take over and sustain the awards program. Since the initial award to Wilson, Smith has not played a role in the LFS. Visit lfs.org to see a comprehensive list of Prometheus Award recipients and for more information about the Libertarian Futurist Society.

2016 Prometheus Novel and Hall of Fame Winners

The Libertarian Futurist Society has announced the Best Novel and Hall of Fame winners of the 36th annual Prometheus Awards.

PROMETHEUS BEST NOVEL

  • Seveneves by Neal Stephenson

PROMETHEUS HAL OF FAME

  • Courtship Rite by Donald M. Kingsbury

A Special Award will also be presented, as announced earlier, to Alex + Ada, a graphic novel by Jonathan Luna and Sarah Vaughn (Image Comics) that dramatizes conflict over the rights of artificial intelligences and explores the nature of personhood.

The awards will be presented during MidAmeriCon II, August 17-21 in Kansas City, Missouri.

The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established in 1979. Presented annually since 1982 at the World Science Fiction Convention, the awards includes a gold coin and plaque for the winners.

For more than three decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between liberty and power, expose the abuses and excesses of coercive government, critique or satirize authoritarian ideas, or champion individual rights and freedoms as the mutually respectful foundation for civilization, cooperation, peace, prosperity, progress and justice.

For a full list of past Prometheus Award winners in all categories, visit www.lfs.org.

The full press release follows the jump.

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Special Prometheus Award for “Alex + Ada”

The Libertarian Futurist Society has given a Special Award to Alex + Ada, a graphic novel by Jonathan Luna and Sarah Vaughn.

Alex + Ada was published by Image Comics. The collected edition appeared in three volumes from July 29, 2014 to August 25, 2015.

The LFS’ award citation explains —

Set in a near future United States, Alex + Ada explores the social and political impact of the creation of artificial intelligences through the personal story of a young man, Alex, who receives an android companion as a gift from his wealthy grandmother. He faces a series of increasingly challenging moral choices about his relationship with the android, which he names Ada. As the story progresses, Alex, Ada, and other characters are caught up in a moral panic over androids that inspires repressive legislation and outbreaks of mob violence—and are tested by how they respond.

Luna and Vaughn’s treatment of artificial intelligence and virtual reality is sophisticated and technologically plausible. They tie the ethical question of which beings have rights to deeper philosophical issues of the nature of conscious experience and selfhood. And in the end, they hold up personal integrity in the face of a repressive society as an example worth following. Their story gives us a look at issues that a future world might have to address.

The award ceremony will take place at MidAmeriCon II in Kansas City, at a time to be announced. The award includes a gold coin and plaque for the winners. Also to be presented are the annual Best Novel and Hall of Fame Awards, finalists for which were previously announced.

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