Nancy Kress is the multiple-award winner of science fiction and the occasional fantasy. Her most recent works are the stand-alone novella Sea Change, about the genetic engineering of crops, and the space-opera The Eleventh Gate. Based in Seattle with, Nancy divides her time between writing and trying to train a very stubborn Chihuahua puppy.
Kim Stanley Robinson
Kim Stanley Robinson is a multi-award winner of science fiction probably best known for his Mars trilogy. His most recent novels are Red Moon and The Ministryfor the Future. He lives in Davis, California.
… The reporter also reached out to me while researching this article, because there’s been a lot of internet chatter about my involvement. I shared what I could with her (off the record), and since she let me know that she was in direct contact with Ms. Fall, I took the opportunity to send a private apology at that time. I had hesitated to do so publicly before this because I didn’t know if it would just bring more unwanted attention to Ms. Fall — but since we’re talking about all of this again, now seems like a good time….
Jemisin recaps in some detail what she was trying to say and what went wrong, followed by this short summary:
…I am deeply sorry that I contributed to Ms. Fall’s distress, and that I was not as thoughtful as I should have been in my response. Let me also apologize specifically to my trans and NB readers, some of whom caught flak because I RTed them, and others who may have been hurt or confused by what I said. I just should’ve done a better job of it.
By now I hope it’s clear that I never wanted to hurt Ms. Fall and was trying to offer support….
…Now a new FX TV series based on the franchise is in the works from Fargo showrunner Noah Hawley—who says it’s about time for the facehuggers and xenomorphs to sink their claws into the white-collar executives who have been responsible for sending so many employees to their doom.
In a conversation about the symbolism of season four of Fargo, Hawley also offered an update on the Alien series, as well as his new novel, Anthem. The show, however, will have to wait a little while, since the crush of new productions after the pandemic has consumed all of Hollywood’s resources. How appropriate….
…Vanity Fair:What’s next for you? Is there a season five in the works forFargo?
Noah Hawley: Yeah, I think so. I don’t have it yet. I have pieces that will have to survive. They’re not connected. I think it would be good to create an ending, and deliberately come to something, knowing it’s the last one and see how one might wrap up this anthology. What’s next for me, it looks like, is [an] Alien series for FX, taking on that franchise and those amazing films by Ridley Scott and James Cameron and David Fincher. Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting.
(4) SPEED READING. Cat Rambo will be part of the July 2 First Friday Quick Read Zoom event. It’s free – register at the link.
Join us for a lunchtime tasting menu of science fiction, fantasy, and horror stories written by women and non-binary authors. We’ll feature 6 authors who will each have 8 minutes to tempt and tantalizing you with their reading. Our readings are like Forrest Gump’s box of chocolates – you never know what you’ll get!
(5) RADIO PLAY WINS KURD LAßWITZ AWARD. The radio play jury of Kurd Laßwitz Award has finished voting reports award trustee Udo Klotz. The winner is Der zweite Schlaf by Heinz Sommer.
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw.
Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction.
The fourth and final installment of the Rebuild of Evangelion. Misato and her anti-Nerv group Wille arrive in Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of Nerv Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei wander around Japan.
(8) MARS IN CULTURE. “Exploring the Red Planet through History and Culture” with Nick Smith (past President of LASFS) will be hosted by the Pasadena Museum of History. This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. Sign up for email notification here.
The planet Mars has long been connected to humankind through religions, literature, and science. Join Nick Smith, guest curator of PMH’s 2018 exhibition Dreaming the Universe, to explore our fascination with Earth’s neighboring planet, and discover some of the many ways Mars is part of our culture.
This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. An email with the link to the presentation will be sent to all of our email subscribers on Thursday, July 22.
*Pre-recorded presentation from Spring ArtNight 2021.
…The ULS has acquired the papers of Linda D. Addison, the most decorated horror poet today with a total of six Bram Stoker literary awards. Addison became the first African American writer to win a Stoker in 2001 for her collection, Consumed, Reduced to Beautiful Grey Ashes and has also received the Lifetime Achievement (2018) and Mentor of the Year (2016) Awards from the Horror Writers Association as well as the title Grand Master from the Science Fiction and Fantasy Poetry Association (2020). Her poetry explores themes of race, gender, loss, struggle, hope, and the resiliency of humanity through a lyrical style that employs both traditional horror tropes of the supernatural as well as stark realism. Her archive will include drafts and manuscripts of her poetry as well as ephemera such as convention programs and awards which help demonstrate her impact on the genre. On her hopes that her archive will inspire others, she says:
“Having my writing journey from journals, through edits to final versions, become part of the University of Pittsburgh Horror Studies Collection is a dream, I never imagined, come true! To think that others, studying my process, could find value and inspiration will allow my work to safely exist past the length of my life, is an incredible blessing.”
The ULS has also acquired the papers of Kathe Koja, who is a true iconoclast whose works push boundaries, expand our conceptions of horror, and prove that horror is indeed a true literary genre. Her first novel, The Cipher (1991), won both a Bram Stoker Award and Locus Award and solidified her impact as a force within new horror. She employs a striking and unique prose style to explore themes of alienation and social isolation as well as transcendence, often through art. Her collection will include drafts, manuscripts, and notes from her novels and short stories. On her decision to establish her archive at the University of Pittsburgh, Koja said:
“A book is its writing as well as its words: the thoughts and notes and drafts and edits (and edits, and edits) that comprise the final text. To have all that making made available for scholars, readers, and fans of horror literature is a real boon, and I’m beyond delighted that my own horror novels will now be available this way.”
Lastly, the ULS has acquired the archives of the Horror Writers Association (HWA), the premiere professional organization for writers working in the genre. This collection, established by current HWA President John Palisano with support from former President Lisa Morton, documents the history of the organization through its newsletters, convention booklets and programs, and other published materials. Collectively, these materials illustrate the work of the HWA, as well as the community it has built. The HWA has been the main space for writers working within the genre to collect and collaborate since the late 1980s and has issued the Bram Stoker literary awards since 1987 at yearly conventions, such as the World Horror Convention and, since 2016, StokerCon.
(10) HUGO NOMINEE IS PLEASED. Best Professional Artist Hugo finalist Maurizio Manzieri tweeted –
(11) MEMORY LANE.
2003 – Eighteen years ago, Iain M. Banks’ only non-fiction book was published. It was Raw Spirit: In Search of The Perfect Dram. Of course he published it as Iain Banks as only his SF was under published under Iain M. Banks. It was his tour of the small whisky distilleries of Scotland in the small red sports coupe that he’d bought with the advance from the publisher who’d underwrote the entire affair on the word of Banks that it was a Great Idea. And being Banks about the Iraq War as well. As he says in his introduction, “After doing extensive research, I can definitely tell you that single malt whiskies are good to drink”. If you want to know more about this book, we reviewed it here at Green Man Review. And yes, it is available from the usual suspects.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 1, 1891 — Otis Adelbert Kline. Early pulp writer and and literary agent whose great claim to fame was a possibly apocryphal feud with fellow author Edgar Rice Burroughs, in which he supposedly raised the latter’s anger by producing close imitations of Burroughs’s Mars novels. Wollheim and Moskowitz believed in it having happened, Lupoff did not. (Died 1945.)
Born July 1, 1934 — Jean Marsh, 87. She was married to Jon Pertwee but it was before either involved in Dr. Who. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly Stranger Dark Places, Return to Oz, Willow as Queen Bavmorda and The Changeling. (CE)
Born July 1, 1935 — David Prowse. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he played that role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (Died 2020.)
Born July 1, 1952 — Dan Aykroyd, 69. Though best known as Dr. Raymond Stantz in the original Ghostbusters films (which he wrote with Harold Ramis), he actually shows up a year earlier in his first genre role in Twilight Zone: The Movie as Passenger / Ambulance Driver. He’s reprising his role in the recent Ghostbusters 2020.
Celebrated July 1, 1955 — Robbie the Robot. On this date in 1955, Robby the Robot was born. Or more properly constructed. Or so claims the studio, Metro-Goldwyn-Mayer, that would release Forbidden Planet, where he had his first screen appearance, on March 3, 1956 when the movie had its US premiere. He would go on to be in a number of series including Lost in Space twice plus on The Addams Family, The Man from U.N.C.L.E. twice, Twilight Zone (five appearances , mostly as toys) and Holmes & Yo-Yo to name but a few of his other appearances. His latest appearance was on The Big Bang Theory with other movie props in “The Misinterpretation Agitation” episode. He had a memorable appearance on The New Adventures of Wonder Woman where he was the Master of Ceremonies at one of our SF Cons!
Born July 1, 1962 — Andre Braugher, 59. He’s the voice of Darkseid in Superman/Batman: Apocalypse which is why he makes the Birthday list. If there’s ever proof that a great voice actor can make an animated role, this is it. It’s also a superb film. His other major genre role is as General George W. Mancheck in The Andromeda Strain series that originally aired on A&E.
Born July 1, 1964 — Charles Coleman Finlay, 57. The Traitor to the Crown series is his best known work. His first story, “Footnotes”, was published in The Magazine of Fantasy and Science Fiction where many of his stories have since been published. Six years the editor of The Magazine of Fantasy and Science Fiction, ending in February of this year.
Born July 1, 1981 — Genevieve Valentine, 40. Author of the superb Persona novel and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She scripted a run of Xena: Warrior Princess, and scripted Batman & Robin Eternal as well.
(14) HUGOS FROM THE HAGUE. Fanac.org now hosts a video of the ConFiction (1990) Worldcon Hugo Ceremony.
This video, captured with a hand held camera, covers the Hugo Awards, as well as the Campbell Award for New Writers, and the fannish Big Heart and First Fandom awards. Many awards were accepted by designees for the recipients, and we see Anne McCaffrey and Jack Chalker among those accepting for others. There’s a bit of humor from Dave Langford, and appearances by the American Ambassador to the Netherlands, C. Howard Wilkins. The World Science Fiction Society Banner, first hung at NyCon II in 1956, makes its appearance, and the video ends with the traditional view of all the recipients on stage. The video was recorded by John Cramer, provided by Tom Whitmore and used with the permission of Kees van Toorn, Chairman of ConFiction.
Star Trek star William Shatner has taken to Twitter to trade blows with journalists who called him out for hosting a new show on the Kremlin’s notorious state-funded network, RT.
Earlier this week, the 90-year-old Canadian actor—known for taking on the legendary role Captain James Kirk in the Star Treksaga—announced he would be hosting a new general talk show on the American branch of RT called “I Don’t Understand,” where he’ll be posing questions to guests on a variety topics. The show is set to debut later this month.
Alexey Kovalev, an investigative editor for Meduza—one of the most popular independent Russian-language news outlets—had some choice words for Shatner on his work with the network.
“Quick reminder about [RT’s] views and editorial policies @WilliamShatner is now endorsing (whether he wants to or not),” he tweeted on Thursday, linking to a thread that ends with “Don’t go on RT, unless you are okay with sharing a mic with some of the most vile racist degenerates out there. It’s not a legitimate media platform. It has no redeeming qualities. And if no other platform will have you, then you really shouldn’t have *any* platform.”
Those comments seem to have hit a nerve with Shatner, who wrote back, “Perhaps instead of rebuking me with facts that have zero influence on my show, a better use of your time would be to move? It seems that you being in Moscow means you are directly supporting the very regime you are berating me about. #hypocrite.”…
(16) POE’S SCIENCE REPORTING. Daniel Engber reviews John Tesch’s Poe biography The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Sciencein “Edgar Allan Poe’s Other Obsession” at The Atlantic.
…By 1840, Poe was working at a men’s magazine, where he launched a feature called “A Chapter on Science and Art,” consisting of the sorts of squibs on innovation later found in Popular Mechanics. (“A gentleman of Liverpool announces that he has invented a new engine,” one entry started.) With this column, Tresch suggests, “Poe made himself one of America’s first science reporters.” He also made himself one of America’s first popular skeptics—a puzzle master and a debunker, in the vein of Martin Gardner. Poe wrote a column on riddles and enigmas, and he made a gleeful habit of exposing pseudoscience quacks….
…Rembrandt Films had purchased film rights to produce a film by 1967, but a Hollywood feature-length deal fell apart. According to the Wikipedia page, the film was produced cheaply and quickly–Mythmoot lore places it at 7-10 days–and premiered on the last day that the contract, paying people to see the film. Having fulfilled the contract, they were able to return rights to Tolkien, opening possibilities for future adaptations, including the 1977 animation (which I call “the cute Hobbit” in my mind), and the trilogy epic of the fairy tale in the early 2010s by Peter Jackson, which some may have heard about….
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Shao Ping, N., Tom Becker, Daniel Dern, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]
Linda Addison, the Horror Writers Association Diversity Grant Chair, and authors Michelle Renee Lanei, Steven Van Patten, L Marie Wood, Marc Abbott, and Sumiko Saulson, on the Social Media Team for the Horror Writers Association.
(Linda Addison) On behalf of the Horror Writers Association we’d like to congratulate all African Americans on the progress recently made towards making Juneteenth a federally recognized Black Liberation Holiday.
(Nikki Woolfolk) On Tuesday, the Senate unanimously passed a resolution establishing June 19 as Juneteenth, a National Black Independence Day, a US holiday. The House voted 415-14 to make Juneteenth a national holiday commemorating the emancipation of African Americans from slavery in the United States.
(Sumiko Saulson) After this it was sent before President Joe Biden, who approved it on June 17, 2021 making it the first new National Holiday in the United States of America since Martin Luther King Day was established as a Federal Holiday in 1983.
(Steven Van Patten) Juneteenth, an abbreviation of the words June and Nineteenth, commemorates the anniversary of June 19, 1865. That day, Union Army General Gordon Granger arrived in Galveston, Texas, and informed African Americans there that the Civil War had ended and they were free at last.
(Ace Antonio Hall) Because the United States was still in the middle of the Civil War when President Abraham Lincoln issued the Emancipation Proclamation on January 1, 1863, many of those it intended to free remained enslaved for another two and a half years.
(L Marie Wood) For this reason, Juneteenth has long been recognized as Black Independence Day across the nation. It was first celebrated the following year as Jubilee Day in the State of Texas, where it has been a state holiday since 1979.
(Nicole Givens Kurtz) From Toni Morrison’s Beloved to Justina Ireland’s Dread Nation, the phantoms of our shared history under slavery and its legacy haunt many African American ghost stories and tales of terror.
(Michelle Renee Lane) Slavery has left its mark on our psyche as a people. We write scary stories about it because vampires, ghosts, werewolves and skeletons are never quite as horrifying as the lived experiences of African Americans under slavery.
(Marc Abbott) Commemorating Juneteenth as a national holiday is a step towards ensuring that we never forget those dark days, never repeat them, and that we as a people, and as a nation can truly heal.
Written/Edited by Sumiko Saulson (6/18/2021) for the Horror Writers Association
Filmmakers from Zimbabwe, Uganda, South Africa, Nigeria, Kenya, and Egypt bring unique animation to Disney+ with Kizazi Moto: Generation Fire, a 10-part collection of original films that will premiere on the streaming service next year. Peter Ramsey, co-director of Spider-Man: Into the Spider-Verse, serves as executive producer for the anthology, which is comprised of sci-fi and fantasy stories set in a futuristic Africa.
Disney has announced full details for Kizazi Moto: Generation Fire, a 10-part series of animated films that hope to take viewers “on a wildly entertaining ride into Africa’s future.” The films are inspired by Africa’s histories and cultures, and promise “action-packed sci-fi and fantasy stories present bold visions of advanced technology, aliens, spirits and monsters imagined from uniquely African perspectives.”
(3) PASSING ALONG WISDOM. The autobiography of Hidden Figures’ Katherine Johnson – My Remarkable Journey: A Memoir – was released May 25, and is reviewed by Ainissa Ramirez in Nature: “Katherine Johnson’s Bold Trajectory”.
When Star Trek first aired in the 1960s, communications officer Uhura (Nichelle Nichols) seemed to be the only Black woman affiliated with space travel. Little did society know that, as mathematicians, Black women such as Katherine Johnson actually made space flight possible. Johnson, who was highlighted in the 2016 Hugo Award winning movie Hidden Figures, died last year, aged 101. She left readers a gift – her autobiography…
She entitles her chapters with life lessons — ‘Education Matters’, ‘Ask Brave Questions’, ‘Shoot for the Moon’. Johnson recognizes that she is a role model, and that few women and people of colour see their reflections in the sciences. I felt like I was sitting at the knee of a griot — a historian and storyteller — gaining years of insight into how to use idle times to prepare, to keep moving forwards when life hurts…
…Sitting alone in a room and making stuff up should be fun. What else would it be? No one is going to come and hurt you if you write something that doesn’t work for every reader on the planet (a silly goal on its face.) No one is going to die at your hands (besides characters) if you mess something up.
And best of all, no one cares. You are free to sit in that room and make up whatever you want. No one cares.
When you should start thinking about the product is after your write the last line of the story or book AND NOT ONE MOMENT BEFORE.
But if you start caring too much about the product WHILE WRITING, or even thinking about the product, your process becomes no fun and just stops.
SO HOW DOES A WRITER SLIP INTO PRODUCT FOCUSED WHILE WRITING?
Let me list a bunch of ways, and I know I will miss a bunch of major ways. Add them in the comments if you want.
1… Need to make money quickly. It is the “quickly” that is the killer. Your writing, over time, will make you more money than you can imagine if you keep it fun and keep learning. But if you focus on the writing needing to make a lot of money quickly, it will not. If you need extra money, get a part-time day job and take the pressure off the writing.
2… Writing for other people. Setting deadlines for others puts all the focus on the end product. Deadlines for some can be a motivating thing. They often are for me, but I never attach people to that deadline, or do I ever care what any reader, fan, or critic will think. (Anyone who has watched this blog over time knows how often I have failed on deadlines. If the motivation works for a project, great, if not, great….
THANK HEAVENS I never paid attention or cared about how a book or a series was selling. I never cared that the books weren’t selling for years. My measuring stick was the fun in the writing. And if WMG had done that promotion on book three instead of book #9, it would have failed. The fact that I had nine books in the series done gave readers who liked the book something to buy next. (You know, magic bakery thinking.)
So that is a personal story of me practicing what I preached in last night’s blog.
Sizes available in x-small to x-large, and I see they are even on sale today (6/18).
(6) SPACE: THE FINAL FRONTIER. Best Fan Writer Hugo nominee Alasdair Stuart opines:
But what prompted him to say so today? It was Adri Joy’s tweet objecting to DisCon III’s efforts to manage space limitations at the Hugo finalist reception and of near-the-stage seating for the ceremony, as documented in this excerpt from the committee’s message:
(7) PANDEMIC HELPS NESFA PRESS SALES. Tim Szczesuil told the May 9 meeting of the New England Science Fiction Association that their book firm’s sales “have been up substantially over the last year; from the beginning of the pandemic. This is probably due to people having more time to read.” Not including ebooks, here are NESFA Press’ total books sold for recent years:
2017 — 2948
2018 — 3282
2019 — 2595
2020 — 3599
2021 — 1486
(8) MEDIA BIRTHDAY.
June 19, 2013 — On this date in 2013, Dark Horse Comics published the hardcover of Star Wars: Legacy, John Ostrander’s look into the future of the Skywalker family about 100 years after the time of Luke Skywalker, Princess Leia, and Han Solo. I’m not sure it’s considered canon, but it’s awesome none-the-less.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 19, 1911 — Jesse Francis McComas. He was the co-founding editor, with Anthony Boucher, of The Magazine of Fantasy & Science Fiction. With Boucher, he edited a series of Best from F&SF anthologies. He wrote several stories on his own in the Fifties using both his own name and the pen name Webb Marlowe. He was nominated for Retro Hugo for Best Editor. (Died 1978.)
Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as Bradbury, Bester, Bloch, Weinbaum, and Lovecraft which including some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two tv horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then comes the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films at their very best. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known in his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd.: Stories of Science and Fantasy. Neither’s available from the usual suspects though Cora can read him in German. (Died 2005.)
Born June 19, 1947 — Salman Rushdie, 74. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her Feet, Grimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
Born June 19, 1953 — Virginia Hey, 68. Best remembered for her role as Pa’u Zotoh Zhaan in the fantastic Farscape series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of the KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film. No, I’ve not seen it.
Born June 19, 1957 — Jean Rabe, 64. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.
Born June 19, 1978 — Zoe Saldana, born with the lovely birth name of Zoë Yadira Saldaña Nazario, age 43. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series, and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film though I’m far less impressed with the second film by far.
(10) COMICS SECTION.
The Far Side is there when UFO’s are finally (almost) documented!
Even though we’re on opposite coasts of the United States, we ordered takeout sushi to nibble as we pretended we lived in a timeline of our own choosing.
Meg Elison is the author of The Road to Nowhere trilogy, which consists of The Book of the Unnamed Midwife (which won the 2014 Philip K. Dick Award), The Book of Etta (nominated for both the Philip K. Dick and James Tiptree awards ), and The Book of Flora. Her novelette “The Pill” made the final ballots this year of both the Nebula and Hugo Awards. She’s been published in McSweeney’s, Shimmer, Fantasy and Science Fiction, Catapult, Terraform, and many other venues. PM Press recently published the book Big Girl — where “The Pill” first appeared — as a volume in its famed Outspoken Authors series.
We discussed her pre-pandemic prediction for the kind of year 2020 was then shaping up to be, how reading Terry Bisson’s “They’re Made Out of Meat” changed her life, using tabletop RPGs to deal with the powerlessness felt during recent times, the way rereading taught her to be a writer, our dual fascination with diaries, when she realized her first novel was actually the start of a trilogy (and the songs which helped her better understand each installment), why she followed that post-apocalyptic trilogy with a contemporary YA novel, and much more.
(12) HORROR WEBINAR SERIES. Skeleton Hour is a new monthly horror literature webinar series presented as a Horror Writers Association event in collaboration with The Last Bookstore in Los Angeles. Each panel is an hour long and brings together 3-5 authors to discuss a specific topic in horror with a moderator guiding the discussion. Panels will take place on Zoom, with the audience able to ask questions in the chat window.
…Starting with the writing style which I immediately fell into and just soaked up because it was everything I wanted, over the characters who not only show Linus that they are deserving of love, no matter how monstrous they may look, but who also totally carved out a spot in my heart, over the world building which reveals itself more and more over the course of the book, to the absolute delight of the found family and the real connections between them. I honestly can’t think of any comparison that would do this book justice. A warm blanket, a much-needed hug, someone holding your hand when you thought you were all alone – it’s kind of like all of those but none of them tell you all that the book is….
(14) EXCESSIVE TWINKLING? [Item by SF Concatenation’s Jonathan Cowie.] Betelgeuse’s recent behavior has puzzled astronomers. But, as reported in this week’s Nature, they now think there is an explanation.
The red supergiant star is very noticeable in our night sky. For starters, it’s a BIG star 900 times the size of the Sun and if it were our Sun its surface would almost touch Jupiter and it would certainly encompass all the inner Solar system planets. It is also only 724 light years away. As such it is one of the few stars discernible through a telescope as a disc.
The puzzling mystery was that back early in 2020 it began dimming and by mid-February it had become just 35% of its normal brightness. Its southern half was especially dim.
Two theories abounded as to why this happened. First, red giants do see some variation in temperature. Could it be that convection cell change in its southern half could the star to cool?
Secondly, could there have been a cloud of dust temporarily obscuring our view of the star?
Now an international collaboration, led by European astronomers think they have the answer and that this involves both theories in a connected way.
They think the change in convection not only resulted in cooling but also allowed the star to eject a small amount of mass. As this drifted away – towards us in the line of sight – it cooled and condensed out as dust obscuring the star. Mystery solved.
…In the new spot, ‘Transmission from the future’, Katy Perry and Orlando Bloom are reimagined as elderly folks in a post-apocalyptic setting where they are in hiding from a surveillance state. From the belly of a bunker in the year 2055, they transmit a PSA into the past – Americans’ screens in 2021 are interrupted by the bedraggled couple, who urge viewers to take action to protect democracy. “You are our only hope,” the elderly Bloom rasps. “The America you know doesn’t exist in our future. Democracy is dead.” Perry interjects, saying, “It started when voter suppression ran wild all over America. The voting rights bills died in the Senate. Polling places closed. We lost our right to vote.” The stars implore Americans to call their senators and voice their support for the For the People Act….
[Thanks to Martin Morse Wooster, JJ, Michael Toman, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)
(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to “Spend Memorial Day weekend at the Concourse Hotel”.
As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021
… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….
(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.
… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.
When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.
Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….
…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)
It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.
As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.
This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.
All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.
… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.
Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…
…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”
I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.
The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safe. WSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….
… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….
… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….
… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.
In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.
The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”
The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the newpublisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.
…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.
But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…
(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New Suns, Everfair, Stories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.
From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.
… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.
(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.
The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.
The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.
Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.
(9) MEMORY LANE.
On a day in 1986 Star Trek IV: The Voyage Home premiered. It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 10, 1936 – David Hardy, age 85. Astronomical and SF artist. European Vice President of the Int’l Ass’n of Astronomical Artists. Artbooks e.g. Visions of Space; Hardyware; 50 Years in Space: what we thought then, what we know now. Two hundred fifty covers, a hundred interiors. Here is the Jun 74 Amazing. Here is King David’s Spaceship. Here is Understanding Space and Time (note that the piano is a Bösendorfer). Here is the Apr 2010 Analog. [JH]
Born April 10, 1940 — Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better? He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE)
Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016). Four hundred twenty covers, two hundred interiors. Three Hugos. Twelve BSFA (British SF Ass’n) Awards. Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here. Artbooks e.g. Lightship; Transluminal; The Art of Jim Burns. Each in The Durdane Trilogy used a segment of this, e.g. The Asutra. Here is Interzone 11. Here is the Jul 94 Asimov’s. Here is The Wanderer. Here is Dozois’ 34th Year’s Best Science Fiction. Here is Dark Angels Rising. [JH]
Born April 10, 1951 – Ross Pavlac. Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon. Fan Guest of Honor at Torque 2. Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apaMyriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called. Chaired Windycon XXIV from his deathbed. See these appreciations. (Died 1997) [JH]
Born April 10, 1953 — David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And yes, he has won other Hugos, too numerous to recount here. (CE)
Born April 10, 1955 — Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
Born April 10, 1957 — John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE)
Born April 10, 1959 – Ruth Lichtwardt, age 62. Hugo Adm’r for Anticipation the 67th Worldcon. Chaired MidAmeriCon II the 74th; her reflections as Chair here. Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference. Co-chaired ConQuest 49. Drinks Guinness. [JH]
Born April 10, 1975 – Merrie Haskell, age 46. Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313. Interviewed in Lightspeed. Schneider Book Award. “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome…. I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?” [JH]
Born April 10, 1978 — Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum Thief, The Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating. (CE)
Born April 10, 1984 – Rachel Carter, age 37. Three novels for us. Nonfiction in e.g. The New Republic. Teaches fiction-writing, also a freelance editor. [JH]
Born April 10, 1992 — Daisy Ridley, 29. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)
…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.
However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.
We may be approaching that point.
One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….
(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.
2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama. Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us. ALSO!!!! It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit. Really excited about this one.
Hamit says: “This was a very positive experience for me. Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show. Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far. Each is an hour long and they usually do two part, one hour each, in depth discussions. I was on as a topic expert on SIGINT.”
One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.
And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.
Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…
A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].
NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.
They docked at the station after a two-orbit journey that lasted just over three hours.
It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.
By today’s standards, Pongdoesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…
The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)
In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)
(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.
[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]
The weight of every known meteorite is less than the world’s annual output of gold, and this sale offers spectacular examples for every collector, available at estimates ranging from hundreds to hundreds of thousands of dollars. The sale will offer 72 of the 75 lots at no reserve, with estimates starting at $250….
There are a dozen offerings of the Moon and the planet Mars and another dozen from some of the most famous museums in the world — as well as meteorites containing gems from outer space.
As the United States Space Force has been debated and ultimately stood up, it has often been linked with various science fiction undertakings, most prominently, Star Trek. For the most part, the science fiction connections are not new in the history of space and can be beneficial. Yet being compared to science fiction also presents challenges for the Space Force. This article begins by analyzing both qualitative and quantitative evidence of a science fiction-Space Force link, and finds that this link has been prevalent over the past several years. The space domain is susceptible to science fiction-based influences because of the unknowns that remain with space-based operations. This is even more true with respect to the public’s view of the Space Force. Thus, the leaders of the Space Force are forced to address the cognitive dissonance between what the public expects and what the Space Force can actually achieve in the near- to mid-term. Space Force leaders should therefore focus on “de-science fictionalizing” to draw a distinction between imagined futures and strategic challenges of today….
(3) A COMPLEX STEW OF FEELS. Jeannette Ng shares a whole chain of thoughts set off by watching Wandavision. Thread starts here.
CA What inspires you to write poetry and why speculative poetry? (What themes do you explore or do they always change?)
LDA: I am a big daydreamer from when I was a young child and those daydreams were always speculative, things like cats with wings. I was totally into the early fables with animals that talked and walked. I’ve always wondered What if? in the realm of Speculative-ness. Although I write fiction too, poetry is my first voice. I hear poetry inside all the time.
Everything inspires me to write, my reactions to the world around me and inside me. I’m not sure I can look at my work and say what themes they explore, since I write organically, without a lot of planning, unless I’m writing to a theme for a project. I would say the themes change, depending on what touches my heart and soul. Perhaps this is a question better answered by my readers.
(5) HOW CAN YOU RESIST? Ann Leckie has something to share:
(6) A FANNISH CENTENNIAL. First Fandom Experience celebrates the hundredth anniversary tomorrow of the birth of John V. Baltadonis (1921-1998) in “JVB 100”. Lots of his early fanzine art, and work he did when he got really good later on. A leading Philadelphia fan who attended the claimed First Convention held in his hometown in 1936, and traveled to New York for the first Worldcon in 1939, Baltadonis was elected to the First Fandom Hall of Fame in 1998.
…If you talk to Levine long enough, soon you realize it’s not necessarily the comics he treasures the most. Anyone with money can buy comics, he notes. It’s the weird stuff that he covets, like a collection of 1990s-era Fruit Roll-Ups boxes that he’s only seen go up for auction once or twice and finally snagged. There’s still one, featuring the villain the Rhino, that he doesn’t own, and it eats him up inside because he’s seen an advertisement for it and knows it exists. (“I’d pay $10,000 for it, because in 35 years I’ve never seen it [at auction],” says Levine.)
These are his holy grails.
Among the other rarities: storyboards for James Cameron’s aborted Spider-Man movie; a never-sold, Spider-Man themed Camel Cigarette pack; and a letter Ditko wrote a fan in which the notoriously grumpy artist tells the recipient what he really thinks.
…He was cast as Tarzan, Lord of the Jungle, in three films: Tarzan and the Valley of Gold (1966), Tarzan and the Great River (1967), and Tarzan and the Jungle Boy (1968).
His run as the jungle lord ended after being bitten by a chimpanzee while filming.
Henry segued into another franchise in 1977, playing Junior, the son of Jackie Gleason’s Sheriff Buford T. Justice, in Smokey and the Bandit. He reprised the role in the film’s 1981 and 1983 sequels.
Among Henry’s other film roles were appearances in Skyjacked (1972), Soylent Green (1973) and The Longest Yard (1974). His TV credits included roles on M*A*S*H, General Hospital and Fantasy Island….
(9) MEMORY LANE.
1981 — Thirty years ago at Denventon Two, Gordon R. Dickson had the ever so rare accomplishment of winning two Hugos at a single Con, first for the Best Novella for “Lost Dorsai” which been published in Destinies v2 #1 Feb/Mar 1980, second for Best Novelette for “The Cloak and the Staff” which had been published in Analog in August of 1980. Other than an earlier short story Hugo for “ Soldier, Ask Not”, these are the only Hugos that he won.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 6, 1850 – Elizabeth Champney. Three novels for us; a hundred all told, also shorter stories, essays, poems, travel. A Vassar woman; see here. From In the Sky-Garden, here is her husband James Champney’s title page; here is “A Ride on the Rocket-Star”. (Died 1922) [JH]
Born February 6, 1922 — Patrick Macnee. He was best known as the secret agent John Steed in The Avengers, a role he reprised in the New Avengers. Avoid the putrid Avengers film which he is not in at peril of your soul. He made his genre debut as Young Jacob Marley in Scrooge. He then starred as Derek Longbow in Incense for the Damned (also released as Bloodsuckers, Freedom Seeker Incense for the Damned and Bloodsuckers, Freedom Seeker and Doctors Wear Scarlet). Next up is an uncredited role voicing Imperious Leader on the original Battlestar Galactica. He played Captain John Good R.N. in King Solomon’s Treasure based rather loosely on the H. Rider Haggard source material. What else? Let’s see… he shows up in The Howling as Dr. George Waggner, as Dr. stark in a film as alternative title is, I kid you not, Naked Space and Spaceship. It’s a parody apparently of Alien. Next up for him is another toff named Sir Wilfred in Waxwork and its sequel. Yes, he wears a suit rather nicely. At least being Professor Plocostomos in Lobster Man from Mars is an open farce. Yes, let me note that he had a voice only role in the absolutely awful remake of The Avengers as Invisible Jones, a Ministry Agent. I do hope they paid him well. His last film work was genre as well, The Low Budget Time Machine, in which he started as Dr. Bernard. (Died 2015.) (CE)
Born February 6, 1924 — Sonya Dorman. Her best-known work of SF is “When I Was Miss Dow” which received an Otherwise retrospective award nomination. She also appeared in Dangerous Visions with the “Go, Go, Go, Said the Bird” story. Poem “Corruption of Metals” won a Rhysling Award. (Died 2005.) (CE)
Born February 6, 1932 — Rip Torn. First genre work that comes to mind is of course RoboCop 3 and his Men in Black films. His first dip into our world comes as Dr. Nathan Bryce In The Man Who Fell to Earth. Yeah that film. Actually if you count Alfred Hitchcock Presents, he’s been a member of our community since his Twenties. He also shows up on The Man from U.N.C.L.E. as well. (Died 2019.) (CE)
Born February 6, 1947 – Eric Flint, age 74. Auto, oil, and steel worker, glassblower, longshoreman, machinist, meatpacker, truck driver, and trade-union activist, with a master’s degree in History from Univ. Cal. Los Angeles, he’s the publisher of Ring of Fire Press (first virtual RoFcon, 8-11 Oct 20) and the Grantville Gazette; fourscore novels, threescore shorter stories, many with co-authors; anthologies. He edited the 2002 editions of Garrett’s Lord Darcy stories and Laumer’s Retief stories; wrote an appreciation of Tom Kidd for the 2018 World Fantasy Convention. [JH]
Born February 6, 1948 — Larry Todd, 73. Writer and cartoonist, best known for the decidedly adult Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science Fiction, Amazing Science Fiction and Imagination were three of his venues. He also did some writing for If. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet. (CE)
Born February 6, 1950 – Michele Lundgren, age 71. Known to us as the wife of Detroit graphic artist Carl Lundgren (four Chesleys including Artistic Achievement), she has been doing artwork of her own as a photographer; two books, The Photographic Eye and Side Streets. [JH]
Born February 6, 1958 – Marc Schirmeister, age 63. To borrow a line from Robert Silverberg about someone else, we’re all unique here but some of us are more unique than others. Schirm has quietly – no – unobtrusively – no – well, idiosyncratically drawn Schirmish creatures for Alexiad, Amra, Asimov’s, Banana Wings, Chunga, Fantasy Book, File 770, Flag, New Toy, the Noreascon 4 Program Book (62nd Worldcon), Riverside Quarterly, Vanamonde. Artist Guest of Honor at Westercon 63. Rotsler Award. Did the Five of Wands for Bruce Pelz’ Fantasy Showcase Tarot Deck – all the images and BP’s introduction here (PDF). [JH]
Born February 6, 1959 – Curt Phillips, age 62. Corflu 50 Fan Fund delegate to Corflu 26 (fanziners’ convention; corflu = mimeograph correction fluid). TAFF (Trans-Atlantic Fan Fund) delegate to Loncon 3 the 72nd Worldcon; report here. Interviewed Alexis Gilliland for SF Review. Co-ordinated celebrations of Bob Madle’s 100th birthday. Often seen in Banana Wings, Chunga, File 770, Flag, Raucous Caucus – the usual suspects. [JH]
Born February 6, 1974 — Rajan Khanna, 47. To quote his website, he’s “an author, reviewer, podcaster, musician, and narrator.” His three novels are from Pyr Books, all set in a fantastic universe of airships and steampunk, are Falling Sky, Rising Tide and Raining Fire. The audiobooks are first rate. (CE)
Born February 6, 1977 — Karin Tidbeck, 44. Their first work in English, Jagannath, a short story collection, made the shortlist for the Otherwise Award and was nominated for the World Fantasy Award. The short story “Augusta Prima”, originally written by her in Swedish, was translated into English by them which won them a Science Fiction & Fantasy Translation Award in the Short Form category. Their next novel The Memory Theater is forthcoming this month. (CE)
Born February 6, 1990 – Isamu Fukui, age 31. (Personal name first, U.S. style.) Three novels, the first written when he was 15, much made of it and him; the others a prequel and a sequel. See here. [JH]
(11) COMICS SECTION.
What do we call this, a Bayeaux Tapestry for Star Trek?
Like so many others, we at the IAMTW watched—horrified, heartbroken, and furious—as the tumultuous events transpired in the Spring and Summer of 2020 in the U.S.. The IAMTW added its voice of support to those fighting for better conditions, for justice, and for more equal opportunities for everyone. We didn’t want to just speak up, however. We wanted to actually do something, no matter how small, to contribute to a solution. To that end…writers write. What could be more perfect than doing what we love to do, to help others and give readers something they’ll enjoy? While the social upheaval in the U.S. provided the impetus for this anthology, we realize that marginalization and prejudice are a worldwide problem. One of the best means of combating the disparities is education. Therefore all the proceeds from this book will go to the World Literacy Foundation (https://worldliteracyfoundation.org/) which promotes literacy worldwide with a focus on helping those who are underprivileged.
… This dazzling collection of uplifting and curious tales will take you through the centuries and from the depths of the ocean to the stars. You’ll discover well-known, beloved characters in new settings and circumstances. Penned by some of the finest writers working in tie-in fiction today.
Sherlock Holmes, John Carter of Mars, Hopalong Cassidy, Mulan, Dracula, Mina Harker, the Three Musketeers, Cyrano de Bergerac, Baron Munchausen, and Frankenstein’s Creature are a scattering of the literary souls that populate these pages. And cats. There are more than a few cats.
Mr. Dark is not only the ringmaster of the carnival but a member of the freakshow as well. His oddity? He is the Illustrated Man, The tattoos over his body shift, change, and alter. This is an impressive visual effect, but it’s also familiar to anyone exposed to Bradbury’s books.
Ray Bradbury’s short story collection, The Illustrated Man, is connected through an encounter with the titular Illustrated Man, whose ever-changing tattoos tell the stories in the book. The character is an aimless wanderer who tells the protagonist he was once a member of a carnival freakshow. Sounding familiar? Perhaps this was the true fate of Mr. Dark after the carnivals destruction? Who knows…
It’s not unusual for artificial intelligence developers to take inspiration from the human brain when designing their algorithms or the circuitry they run on, but now a project is taking that biological inspiration a step further.
Scientists from England’s Aston University are physically integrating human brain stem cells into AI microchips, according to a university press release. The goal, the scientists say, is to push the boundaries of what AI can do by borrowing some of the human brain’s processing capabilities.
The project, dubbed Neu-ChiP, sounds like the beginning of a sci-fi B movie where all-powerful AI runs amok. Typically, projects like this in the field of neuromorphic or brain-inspired computing focus on making AI algorithms more efficient, but Neu-ChiP aims to make them more powerful, too.
“Our aim is to harness the unrivaled computing power of the human brain to dramatically increase the ability of computers to help us solve complex problems,” Aston University mathematician David Saad said in the release. “We believe this project has the potential to break through current limitations of processing power and energy consumption to bring about a paradigm shift in machine learning technology.”
SpaceX launched 60 more Starlink internet satellites to orbit this morning (Feb. 4) on a mission that notched a booster-reusability milestone for the company.
A two-stage Falcon 9 rocket topped with the 60 broadband spacecraft lifted off from Space Launch Complex 40 here at Cape Canaveral Space Force Station today at 1:19 a.m. EST (0619 GMT).
Approximately nine minutes later, the rocket’s first stage returned to Earth, landing smoothly on one of SpaceX’s drone ships in the Atlantic Ocean. The massive ship, “Of Course I Still Love You,” is one of two SpaceX vessels that catch falling boosters and return them to port.
It was the fifth launch for this Falcon 9 first stage, which last flew just 27 days ago — the quickest turnaround between missions for any SpaceX booster….
(17) WORLD OF TOMORROW. Next week’s Kickstarter might be a way to get a copy into your hands.
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Superman Returns/The Science of Superman” on YouTube is a documentary that I believe was originally a bonus feature on the Superman Returns DVD that looks at whether Superman’s powers are scientifically plausible. For example: if Superman has heat vision, what’s the heat source? Does his X-ray vision deal in any way with how X-rays actually act in the real world? And, a question that entertained our parents when they were kids: if he’s invulnerable, how does he get a haircut?
Scientists including University of California (Irvine) physicist Michael Dennin and Chapman University biologist Frank Frisch explain the scientifc howlers. For example, remember in Superman: The Movie when Lois Lane falls off a skyscraper and Superman flies up to catch her? Dennin notes that Lois is falling at terminal velocity and if caught by a super-fast Superman Lois’s body would have 1000 times the impact than if Superman had stayed on the ground and caught her. Even more implausible is the scene where Superman turns back time because, unfortunately, no one has found a way to reverse time.
I thought this was worth an hour.
[Thanks to Cat Eldridge, JJ, Bill, Mike Kennedy, N., Dann, Andrew Porter, John King Tarpinian, John Hertz, Martin Morse Wooster, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
Science Fiction & Fantasy Poetry Association (SFPA) members have honored Linda Addison as their 2020 Grand Master.
Addison accepted the award saying:
I’m speechless and overwhelmed with joy to be selected as the 2020 SFPA Grandmaster! I didn’t dare dream about this happening, because the other three candidates are so extremely talented and I personally love their work. All my gratitude to the Science Fiction & Fantasy Poetry Association officers and membership for this incredible honor.
Linda Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, and How To Recognize A Demon Has Become Your Friend.
She previously received the Horror Writers Association Lifetime Achievement Award, and is the first African-American recipient of the HWA Bram Stoker Award®. Addison is co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African-American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019.
Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA.
She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona.
Voting continues as Science Fiction & Fantasy Poetry Association (SFPA) members decide who will be honored as Grand Master this year. Four candidates are under consideration: Linda Addison, F.J. Bergmann, Geoffrey A. Landis, and John Grey. SFPA members have until December 1 to cast their ballots.
Linda D. Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, & How To Recognize A Demon Has Become Your Friend, and a recipient of the HWA Lifetime Achievement Award. She is the first African-American recipient of the HWA Bram Stoker Award®, co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African- American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019. Her work has made frequent appearances over the years on the honorable mention list for Year’s Best anthology. She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona. Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA. For further information please see Linda’s website.
F. J. Bergmann
F. J. Bergmann has a distinguished body of speculative poetry from the last 20 years, winning the Rhysling (Short and Long), the Elgin Chapbook (twice), the SFPA Poetry Contest (several), and other contests. Her service to SFPA includes editing Star*Line, designing publications, and serving as webmaster and VP. Nor is her service to poetry limited to the SFPA.
Geoffrey A. Landis
Geoffrey A. Landis has had a strong body of work published over the last thirty-plus years, noted by his winning the Rhysling Long twice, the Asimov’s Reader’s Award for best poem four times, and the Dwarf Stars Award. In addition to his excellence in writing poetry, he has contributed to the SFPA by editing Eye to the Telescope and co-editing the 2012 Dwarf Stars anthology. He is active in the Cleveland poetry community, and for many years has run the Clevelandpoetics blog, which distributes news and information about poetry in the Cleveland area; he has also been active in the Ohio Poetry Day celebrations. He has published two collections of poetry, Iron Angels (Van Zeno, 2009) and The Book of Whimsy (Night Ballet, 2015). For more for more about Geoffrey visit his website.
John Grey is Australian-born, U.S. resident, poet, short story writer, musician and playwright. He has had over 16,000 poems published throughout the world in magazines as diverse as Christian Science Monitor, Relix, Poetry East, Agni, Rhino, Rattle, Poet Lore and JAMA as well as numerous anthologies and books, including his latest, Leaves On Pages. A good percentage of those poems have been in genre magazines, (both sci-fi and horror, with the occasional fantasy) having grown up devouring the classic horror writers such as Blackwood, James, Bierce, Poe, etc. Publications in this field include work in Weird Tales, Space & Time, Dreams and Nightmares, The Pedestal, The Magazine Of Speculative Poetry, The Fifth Di, Leading Edge, Andromeda Spaceways, Not One Of Us, Strange Horizons, Chrome Baby and many many many more. Winner of the Rhysling Award (Short) in 1998. Was theater critic and poetry columnist for a local Providence, RI, weekly arts magazine and has had plays produced off-off Broadway and in Los Angeles.
(1) CHERRYH NOW CANCER FREE. C.J. Cherryh updated fans about her battle with colon cancer in a public Facebook post yesterday.
Long story in short, I’ve had cancer. I don’t, now, and scans show I’m well and truly rid of it. Found out in February, had surgery (colon cancer), started chemo in March, and thanks to a really great medical staff and good insurance, I finished chemo successfully, had a raft of scans and another round with my excellent GI doc, and am now clean and clear—not to be cavalier about it all. Chemo is rough. It’s done a number on general strength and it does age you a bit. Or more than a bit. So I know I’ve been in a fight and I look older than I did before this started, but I refuse to settle down and act older. I’ll be exercising to get my strength back.
I owe an immense amount to Jane, who’s had to do everything from cat box to general cookery and bottlewashing and all this with the handicap of Covid restrictions, while she’s had her own issue with a ferociously painful hip problem. I’d have been in a heckuva mess without her taking care of me.
Kudos to local friends who have brought us stuff and fixed stuff that was broken. Without you, we couldn’t have kept isolation and safety. One of us exposed is both of us in danger.
So Jane and I both had a forced hiatus from writing, and everything is about 8 months behind. Our publisher has been enormously understanding. We are officially getting back to work. We had the next Alliance book 3/4 finished when this happened, and we will likely be working together, too, on the next Foreigner book, just to get our heads firmly back in the game. So we’ll be late, but we do have a hall pass.
I kept this illness under wraps because there’s nothing anybody not in reach could do, and I had no ready answers to give anybody. But the outcome is the very best. And I would urge anybody out there to go get that postponed colonoscopy. This kind can be dealt with and prevented during a colonoscopy, so go do that, eh? I was lucky. Real lucky. A clinic NP, one of my regular docs and another NP combined saw my shortness of breath as, yep, something that had to be seen to….
… Though I watched “Raised by Wolves” to escape—tearing through the first five episodes in a single weekend—it threw my terrestrial problems into stark relief. I find the show transporting, corny, and unexpectedly relatable. As I watch, I can’t stop thinking about how much better a job the androids are doing than my husband and I and our own machines. “Mother is killing it,” I whispered admiringly during one episode, my fretful firstborn grinding her teeth in her bunk bed upstairs. Never mind that almost all the original children perished, that they eat fungus and sinister spuds and sleep under burlap. Never mind that Mother murders a lot of humans in Episode 1. It doesn’t matter. Mother and Father are there for the kids, and, in their android way, for each other….
…No, really. That’s it. That’s the whole story. This is the first Doctor Who story to be a single episode long. Not only that, it’s the first one in which neither the Doctor nor his companions make an appearance. I suppose he got his day off after all!
And to top it all off, this is the only episode so far in which the baddies win…
(4) HORROR U. The Horror Writers Association’s Horror University workshops, formerly only accessible in-person at StokerCon, are available online this fall at $50 for non-members and $40 for members per session. Coming up on the calendar:
2020 October 19 — Writing and Selling Short Stories
The short story market has never been healthier, and it can not only build your career and increase your professional income, it can also help you stretch as a writer. Short stories offer more creative opportunities than any other form of writing. We’ll discuss the short story structure, tips on finding killer opening hooks and powerful endings, strategies for finding paying markets, and much more. Recording? No
Instructor: Jonathan Maberry
2020 October 26 — Poetry Forms Workshop for All Writers
Not just for poets: a workshop to play with the different poetry forms to use less words to say more; heighten readers’ emotional reaction, clarify your style/voice and handle writing blocks. We will explore several poetry shapes and their rules to understand how they are created. Time will be available for attendees to practice writing, including creating writing “seeds.” Recording? Yes
Instructor: Linda D. Addison
2020 November 2 — The History of Ghosts
Are you ready to write a ghost story, but wish you knew a little more about the history of your spectral protagonist? Lisa Morton, author of the acclaimed Ghosts: A Haunted History and Calling the Spirits: A History of Seances is here to help, with a one-hour illustrated presentation that looks at the classical history of ghosts, ghosts in the Middle Ages, paranormal beliefs around the world, and modern hauntings. You’ll hear some chilling real-life ghost stories, and probably learn a few new things about these visitors from beyond. Recording? Yes
Instructor: Lisa Morton
2020 November 9 — Done to Death
With novels on the bestseller lists and movies winning Academy Awards, the horror genre is hotter than ever. But if you want your fiction to stand out from the pack, you need to do more than offer readers retreads of well-worn stories of monsters, ghosts, and demons. You need to write horror that’s original and captivating – horror only you can write. This workshop will teach you how to avoid clichés when writing horror and dark fantasy and create stories that are fresh and exciting. Recording? Yes
… It would be wrong to say that The Trial is “really” about antisemitism, as if the work’s many other theological and political dimensions were unreal. But it was his experience of being a modern European Jew at a time of profound Jewish crisis that gave Kafka such an immediate experience of the alienation and isolation, the helplessness and guilt, that would become central to the experience of so many people in the 20th century. Jewishness, he suggests, is not a unique fate but an extreme one, which equips the writer — at least, when the writer is Kafka — to see truths too terrible for most people to recognize until it is too late.
Onyebuchi’s first book for adults is about police brutality, being Black in the United States, and family. It begins with the 1992 L.A. Riots (which give the book part of its title), but it doesn’t stop there. Instead, it plows right past us into a near-future alternate reality. With its multifaceted exploration of incarceration and systemic racism, it couldn’t be more timely. It’s a beautiful and powerful book that uses sci-fi to address the very dystopian elements of today’s sociopolitical landscape. You should read it. Now.
…Roanhorse has created an epic adventure [Black Sun (Gallery/Saga), the first book in the Between Earth and Sky trilogy] exploring the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in the most original series debut of the decade. Roanhorse will be joined in conversation by Tochi Onyebuchi, author of Riot Baby and War Girls.
(8) JANET FREER OBIT. Janet Freer, a literary agent for leading New Wave sf writers and others, has died at the age of 89. Her daughter wrote in The Guardian:
…Janet began work as a commercial artist before starting her publishing career in London around 1962. She spent several years in the sales department at Panther Books and then joined Scott Meredith Literary Agency for a short while before setting up her own agency. Janet Freer Literary Agency specialised in SF/fantasy and represented new-wave SF writers such as Michael Moorcock, Harlan Ellison, Christopher Priest and Thomas M Disch, and others associated with the SF magazine New Worlds in the60s.
In the early 70s, Janet joined Michael Bakewell and Diana Tyler at MBA Literary Agents. She represented an impressive list of authors during that time, including Anne McCaffrey, Anne Perry and Ursula K Le Guin for the UK market.
(9) MEDIA ANNIVERSARY.
Sixteen years ago, Kage Baker’s “The Empress of Mars” novella won the Theodore Sturgeon Award and was nominated for the Hugo Award for Best Novella (Vernor Vinge‘s “The Cookie Monster“ would win) as well as the Nebula Award for Best Novella which was won by Eleanor Arnason’s “The Potter of Bones”. It was first published in the July 2003 issue of Asimov’s Science Fiction. It would be expanded into a novel five years later. You can hear Kage reading it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 11, 1782 – Steen Blicher. Pioneer of the novella in Danish; “the first of Danish literature’s great storytellers … one of [its] few tragic poets” (Baggesen, Blicher’s Short Stories, 1965) (in Danish). “The Rector of Veilbye” (1829, English 1907, named to the Cultural Canon of Denmark 2006) has implied supernatural elements, see here. (Died 1848) [JH]
Born October 11, 1922 – Garry Edmondson. A dozen novels for us, as many shorter stories. Also Westerns. Wrote under several names besides his own José Mario Garry Ordoñez Edmondson y Cotton. A Marine in World War II. Spoke six languages. Gardner Dozois called The Ship That Sailed the Time-Stream a classic. (Died 1995) [JH]
Born October 11, 1940 — Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.) (CE)
Born October 11, 1944 – Julek Heller, 76. Eighty covers, fifty interiors. Here is The Titus Books. Here is a Robinson Crusoe. Here is a Sleeping Beauty piano picture-book. Here is an Enchanted Horse. Here is an interior for Jack and the Beanstalk. [JH]
Born October 11, 1945 – Gay Haldeman, 75. Master’s degrees in Spanish Literature and in Linguistics. Taught thirty years at the Mass. Inst. Tech. Writing Center. Toastmaster at ConFusion 1981 (“Nine Billion Names of ConFusion”), 1992 (“Hardwired ConFusion”). Guest of Honor (with husband Joe) at e.g. Finncon 2007, ICON 43. Skylark award. Big Heart, our highest service award. Here she is on a panel at the 60th Worldcon looking back at the 26th. [JH]
Born October 11, 1949 — Sharman DiVono, 71. She was the primary writer of the Star Trek comic strip from a year in the early Eighties. She’s written a number of other strips such as Pebbles and Bamm-Bamm The Man from Planet X and Tarzan. She has written for three animated series — G.I. Joe, Bill & Ted’s Excellent Adventures and Star Wars: Droids. She’s written one genre novel, Blood Moon. (CE)
Born October 11, 1960 — Nicola Bryant, 60. Well-known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course, she’s done Big Finish Doctor Who audio dramas. (CE)
Born October 11, 1965 — Sean Patrick Flanery, 55. I think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. He appeared as Jake Greyman in Demon Hunter, a low budget horror film, and as John in The Evil Within. (CE)
Born October 11, 1972 — Claudia Black, 48. Best remembered for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in the Containment series. (CE)
Born October 11, 1972 – Nir Yaniv, 48. Author, editor, musician, filmmaker. Founded the Webzine for the Israeli Society for Science Fiction & Fantasy. A novel, ten shorter stories. See this Strange Horizons interview with him about The Universe in a Pita. [JH]
Born October 11, 1976 — Emily Deschanel, 43. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. (CE)
Born October 11, 1984 – Jaymin Eve, 36. Eight novels with Leia Stone (Anarchy a USA Today Best Seller), five and a novella with Jane Washington, a score solo, in nine universes. Paranormal fantasy. More outside our field. “I grew up in a little country town [in Australia], and the library was my favorite place in the world.” [JH]
(12) MAGNIFICENT SEVEN. So we expect, when Shift, the new UK anthology comic, is launched in newsagents and comic shops around the UK on October 29.
Featuring the best in independent creator owned stories from new talent and seasoned veterans (including Jim Krueger, Brian Haberlin, Steve Yeowell, Simon Furman, Scott Morse and many more) – there’s something for everyone with a a diverse array of exciting and thought-provoking stories
Seven stories, ongoing titles, creator interviews, articles and more..
Foot Soldiers – Jim Krueger (Earth X, Justice, Marvels X), Steve Yeowell (Zenith, The Invisibles, Sinister Dexter)
To The Death – Simon Furman, Geoff Senior. Acclaimed Transformers creative team, and creators of Marvel’s Death’s Head
Kora – Chris Geary (Ace’s Weekly)
Soulwind – Scott Morse (Littlegreyman, Elektra: Glimpse and Echo, Catwoman, Sam and Twitch)
Shifter – Brian Haberlin (Witchblade, Aria), Brian Holguin (Spawn), Skip Brittenham, Geirrod van Dyke, Kunrong Yap
Tiny Acts of Violence – Martin Stiff (The Absence)
Hungerville – Warwick Fraser-Coombe (The Shadow Constabulary, Interzone)
(13) D&D LIGHT OF OTHER DAYS. The Believer has posted on its site “Destroy All Monsters” by Paul La Farge, first published in 2006, which combines a history of Dungeons and Dragons with a report on the 2005 Gen Con and an interview with D&D co-creator E. Gary Gygax.
…The appeal of D&D is superficially not very different from the appeal of reading. You start outside something (Middle Earth; Dickens’s London; the fascinating world of mosses and lichens), and you go in, bit by bit. You forget where you are, what time it is, and what you were doing. Along the way, you may have occasion to think, to doubt, or even to learn. Then you come back; your work has piled up; it’s past your bedtime; people may wonder what you have been doing.
Once you set foot inside the cave, however, you see very quickly that D&D is quite different from a book, or movie, or soap opera. For one thing, there are a lot more rules….
(14) A SHORT HISTORY. In “The Hugo ceremony 2020, notes”, Lise Andreasen has extracted the chronology of what happened during this year’s virtual ceremony. Use it the next time you need to find something in the 3-1/2 hour Hugo video.
(16) BLOCH RADIO SERIES. Now back in circulation at Audiophile Archive, two episodes ofRobert Bloch’s Stay Tuned For Terror radio drama series.
As a huge fan of old time radio and Robert Bloch, this series has been my white whale for years. 39 fifteen-minute episodes, all adapted by Bloch himself from his own short stories? Sounds amazing — but unfortunately there’s been no episodes in circulation — until now! Huge thanks to OTR collector/historian David Lennick who discovered two episodes on a disc he got decades ago and was generous enough to send me the programs in WAV.
…Bloch prepared 39 short stories with accompanying radioplay scripts, Johnny Neblett formed his first production company to produce it, and Bloch’s friend Howard Keegan–director of many of the Lights Out productions–signed on to direct the program. Neblett and Berle Adams persuaded Weird Tales Magazine to provide a tie-in to the magazine and promoted the new program as Weird Tales’ Stay Tuned for Terror, so as to leverage Bloch’s considerable fame and popular success with that print publication.
With corrections in a comment by reseacher Karl Schadow:
Enthusiasts of both Robert Bloch and radio horror programs are elated by the posting of this audio, the quality of which is superb. However, the history of this series as presented above contains some factual inaccuracies. For example, individual episodes were recorded at station WBBM and not WMAQ. This is important as producer Johnnie Neblett had established a rapport with WBBM via his first series So The Story Goes which had been broadcast by that station since 1943, the year Neblett Radio Productions was founded. Thus, his firm had been in existence two years prior to the recording and subsequent release of Stay Tuned for Terror.
There was no conspiracy regarding the Wisconsin newspaper radio logs of Stay Tuned for Terror. The series was recorded during the early months of 1945 and released late in the spring of that same year. The newspapers accurately printed details provided to them by Chicago station WMAQ which broadcast the program for thirteen weeks.
Despite the death of Johnnie Neblett in September of 1946, Stay Tuned for Terror continued to be distributed throughout the remainder of the 1940s and into the 1950s by various firms headed by James Doolittle (Craig Dennis), Berle Adams and Rush Hughes. Neblett had sold out his share of the enterprise to James Doolittle in October of 1945….
(18) VIDEO OF THE WEEK. “The Joker: Put On A Happy Face” on YouTube is a 2020 documentary that includes interviews with four actors who played the Joker (Jack Nicholson, Mark Hamill Jared Leto, and Joaquin Phoenix) and many writers of Joker scripts, including the Joker’s co-creator, Jerry Robinson, Frank Miller, and Denny O’Neil.
[Thanks to JJ, Martin Morse Wooster, Lise Andreasen, Cat Eldridge, Mike Kennedy, Andrew Porter, John King Tarpinian, John Hertz, Karl Schadow, Todd Mason, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]
(1) CAN VIRTUAL CONS BE MADE BETTER? In “What Lessons Can Future Conventions Learn From Virtual San Diego Comic-Con?”, Io9 staffers Beth Elderkin, Jill Pantozzi, Cheryl Eddy, James Whitbrook, Charles Pulliam-Moore, and Germain Lussier assess what didn’t work about SDCC 2020, “from a lack of support for the artists and vendors who would usually be on the show floor, to the lack of fan involvement, to how to create a sense of energy that the convention’s swath of ‘family Zoom call’ style pre-recorded panels were lacking.”
(2) LOVECRAFT COUNTRY. HBO showed its Lovecraft Country trailer to San Diego Comic-Con’s @Home audience.
People might not be able to flock to San Diego Comic Con this year in person, but the virtual convention, Comic-Con@Home, has been running all weekend, with countless panels, sneak peeks, and teasers and trailers for upcoming TV shows—but not many films, because let’s be honest: it’s not looking so good for major theatrical film releases in the fall. On Thursday alone, we got the full trailer for Bill and Ted Face the Music, a teaser for the Simon Pegg/Nick Frost horror comedy Truth Seekers, and the first trailer for S2 of HBO’s His Dark Materials. Rather than continue to cover each individually, we decided to compile the remaining trailers of interest into a single roundup post.
(4) A CAUTIONARY TALE. Linda D. Addison offers her experience with Covid-19 as a warning in this public Facebook post.
I’m sharing what my life has been like since June 8 because I’ve seen too many people not taking Covid-19 serious. This virus is real. If sharing this wakes even one person up, it’s worth it.
I’ve been as safe as possible, going to the supermarket every two weeks for supplies, wearing a mask, sanitizing everything, however, 7 weeks ago I got very sick for 9 days with symptoms of mild coronavirus, talked to my doctor and stayed in self isolation for more than 2 weeks. I was fortunate that my temp never went high enough or my breathing bad enough that I had to go to the hospital. Since then, I’ve lived with continued cough, fatigue, shortness of breath (using inhaler from doctor helps).
This is happening to many people in recovery (look up Covid Long Haulers). So I’m sleeping a lot, healing will come, but this is so new there’s not much the medical field can do at this point. I’m ok. My friend, Jill, lives around the corner and has been helping by dropping off stuff.
PLEASE, wear a mask (if not for yourself, for anyone who crosses your path)!
…The wait for more Avatar has become something of a running joke, so much so that a Twitter thread I started when it was already a running jokeis now well into its sixth year. The first sequel was originally announced almost a decade ago, in October 2010, with a projected release date of December 2014. Since then, its opening date has, at regular intervals, been moved back one year at a time — except once, in 2017, when it moved back two years. But the film has also morphed from a two-sequel series into a four-sequel series, with a lingering sense that the mountain was being made bigger as a way of justifying the length of the climb.
(6) MEDIA BIRTHDAY.
July 27, 1997 — Stargate SG-1 premiered on Showtime where it would run for its first five seasons. The show which was created by Brad Wright and Jonathan Glassner. It’s based rather loosely off the Stargate film. The initial core cast was Richard Dean Anderson, Michael Shanks, Amanda Tapping and Christopher Judge. It would run for a decade with the last five years being on Sci Fi. Two spinoff series, Stargate Atlantis which would run five seasons, and Stargate Universe which would last two seasons. Audience reviewers at Rotten Tomatoes currently give it a stellar 91% rating. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 27, 1870 – Hilaire Belloc. Orator, poet,correspondent,sailor, satirist, soldier, activist. Cautionary Tales for Children includes “Jim, who ran away from his nurse, and was eaten by a lion” and “Rebecca, who slammed doors for fun and perished miserably”; 1907 readers would quickly recognize the parody. A hundred fifty books; we can claim half a dozen novels (illustrated by G.K.Chesterton!), as many shorter stories. (Died 1953) [JH]
Born July 27, 1874 — Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940. The serials themselves were Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.) (CE)
Born July 27, 1891 – Ruth Plumly Thompson. Following Frank Baum’s death, she wrote two dozen Oz books. Three other novels, six dozen shorter stories, ten dozen poems. Also wrote for The Smart Set, The Saturday Evening Post, Ladies Home Journal, Jack and Jill. Many regard her as a worthy successor. (Died 1976) [JH]
Born July 27, 1908 – W.I. Van der Poel, Jr. Art director for Galaxy 1950-1960. A score of covers – but not, it seems, appearing there. He is however on this famous 1952 Emshwiller cover – see the key here. Look at The Unpleasant Profession of Jonathan Hoag. (Died 1987) [JH]
Born July 27, 1927 – Mel Hunter. A hundred book and magazine covers, eight dozen interiors. Here is the May 53 Galaxy. Here is The End of Eternity. Here is Double Star – the Great Lorenzo at right. Here is the Jun 58 If. Here is the Mar 61 F & SF. (Died 2004) [JH]
Born July 27, 1938 — Gary Gygax. Game designer and author best-known for co-creating Dungeons & Dragons with Dave Arneson. In addition to the almost-beyond-counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.) (CE)
Born July 27, 1939 — Sydney J. van Scyoc, 81. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format. (CE)
Born July 27, 1948 — Juliet Marillier, 72. She’s a New Zealand born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
Born July 27, 1949 – Cora Lee Healy, 71. Fanartist, has done some pro work. Here is a cover for Algol. Here is “Starward”. Here is another astronomical. She has been in Energumen and Granfalloon; she did the Ace of Cups in the Fantasy Showcase Tarot Deck (see this review by a Tarot collector; although the reviewer says the Deck is out of print; copies can still be obtained; if all else fails, ask me, John Hertz, 236 S. Coronado St., No. 409, Los Angeles, CA 90057). [JH]
Born July 27, 1950 — Simon Jones, 70. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well. (CE)
Born July 27, 1952 – Bud Webster. Our Gracious Host has done better than I could. (Died 2016) [JH]
Born July 27, 1958 – Kate Elliott, 62. Two dozen novels (some under another name), a dozen shorter stories; interviewed in Apex, Lightspeed, Locus, Mindsparks. “The Sword of Heaven [in two parts, An Earthly Crown and His Conquering Sword] I call my Mozart novel because of the speed it flowed out of me…. my Beethoven novel The Law of Becoming was like hacking through the jungle into unknown country…. Being a parent has made me a better writer.” Unconquerable Sun just released this month. Mills College woman. [JH]
Born July 27, 1968 — Farah Mendlesohn, 52. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein which is up for a Hugo next week. Her work Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. (CE)
Born July 27, 1979 – Alvaro Zinos-Amaro, 41. Three dozen short stories; poems; essays, reviews, interviews, in Analog, Clarkesworld, Foundation, NY Review of SF, Strange Horizons. Anthology (with Robert Silverberg), When the Blue Shift Comes. Traveler of Worlds, conversations with Silverberg. Good moderator of the Asimov centenary panel at Loscon 46.
Born July 27, 1984 – Hao Jingfang, Ph.D., 36. Vagabonds just appeared in English and Spanish this year. A score of shorter stories; Best-Novelette Hugo for “Folding Beijing”, first won by a Chinese woman. Translated into English, French, German, Italian, Japanese, Korean, Polish, Russian, Spanish. Interviewed in Lightspeed, Monde chinois (in French). [JH]
“We wanted to tap into the zany energy of the 1940s stuff,” added supervising producer Alex Kirwan. “That was our favorite era of the shorts and we just wanted more of that. We didn’t want to set out to reinvent it and we didn’t want to set out to put new sensibilities on it … What we love about the shorts is that they’re wonderful slapstick humor and we just wanted to get back to [that] and be really true to the way they paired the characters and the way they built comedy dynamics.”
(10) WATCH ALEX ROSS AT WORK. Over the last two months, Marvel has revealed 28 “Timeless” variant covers created by Alex Ross, which will begin to hit local comic shops in September. See Ross craft his iconic painted covers, and see how his timeless imagery was made into a magnificent mural in Marvel’s NYC offices in this video.
Daredevil actor Peter Shinkoda says his storyline was cut after a Marvel executive said “nobody cares about” Asian characters.
Shinkoda played Nobu in the Marvel Netflix series, which was cancelled at the end of 2018.
But he says his character’s “back story was dropped” on orders from former Marvel Television head Jeph Loeb.
“I’m kind of reluctant to say this, but… I’m going to take this moment,” Shinkoda said during a virtual talk.
“Jeph Loeb told the writers’ room not to write for Nobu and Gao – and this was reiterated many times by many of the writers and show runners – that nobody cares about Chinese people and Asian people,” he alleged.
The Canadian actor, who was taking part in a #SaveDaredevil roundtable discussion with actors from the show, said a storyline about Nobu’s journey to America ended up being dropped.
A small chunk of Mars will be heading home when the US space agency launches its latest rover mission on Thursday.
Nasa’s Perseverance robot will carry with it a meteorite that originated on the Red Planet and which, until now, has been lodged in the collection of London’s Natural History Museum (NHM).
The rock’s known properties will act as a calibration target to benchmark the workings of a rover instrument.
It will give added confidence to any discoveries the robot might make.
This will be particularly important if Perseverance stumbles across something that hints at the presence of past life on the planet – one of the mission’s great quests.
“This little rock’s got quite a life story,” explained Prof Caroline Smith, head of Earth sciences collections at the NHM and a member of the Perseverance science team.
“It formed about 450 million years ago, got blasted off Mars by an asteroid or comet roughly 600,000-700,000 years ago, and then landed on Earth; we don’t know precisely when but perhaps 1,000 years ago. And now it’s going back to Mars,” she told BBC News.
It’s not uncommon for lottery winners to want to avoid the spotlight, right? But showing up dressed as Darth Vader to collect your check is a new one. It happened in a galaxy not so far away, in May Pen, Jamaica, when a man claimed his $95 million prize in a dark lord of the Sith costume.
(15) VIDEO OF THE DAY. In “The Lord of the Rings: The Fellowship of the Ring Pitch Meeting” on ScreenRant, Ryan George explains that Saruman is spinning Gandalf around, he “forces Gandalf to learn breakdancing against his will.”
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, John Hertz, Michael Toman, Mike Kennedy, Martin Morse Wooster, Mlex, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]