Pixel Scroll 2/1/24 Scroll Pixel Like Fritos, Scroll Pixel Like Tab And Mountain Dew

(1) 2024 HUGO VOTING STALLED. The Glasgow 2024 Worldcon paused Hugo nomination voting on January 28, announcing in social media, “We are aware of an issue with nominations. We have taken that system offline as a precaution.” Their January 30 update said, “We committed to update you on the temporary pause of Hugo Award nominations. Our UK software provider is still working on a solution. We will provide you with our next status update no later than the 6th February.” At this time they do not expect to extend the nomination voting deadline.

(2) NEW STAR IN THE FIRMAMENT. Margaret Atwood appears as a guest star on the CBC series Murdoch Mysteries this coming Monday, February 5. She plays Loren Quinnell, Amateur Ornithologist. “Her and her feathered friends help crack the case…”

(3) NEW CLARION WEST SCHOLARSHIPS. The Salam Award and Clarion West Week One Instructor Usman T. Malik (CW ‘14) have offered two new scholarships for 2024 Students: “The Salam Award and the Malik Family Sponsor Scholarships for Pakistani and Palestinian Students”.

The Salam Award Scholarship: For the year 2024, The Salam Award has agreed to sponsor a student of Pakistani origin, whether a Pakistani resident of any ethnicity, or a Pakistani-origin student anywhere in the world up to USD $1,000. 

The Malik Sharif-Fehmida Anwar Scholarship: Usman T. Malik and his parents Malik Tanveer Ali and Shabnam Tanveer Malik have offered an annual travel scholarship to help fund travel up to USD $2,500 for a student of Palestinian-origin. The applicant should be Palestinian Arab-Muslim or Arab-Christian from Gaza, West Bank, or Golan Heights, or may be Palestinian diaspora located anywhere in the world. 

Through the generosity of our donors, Clarion West provides a number of scholarships for writers every year. Approximately 60-90% of our Six-Week Workshop participants receive full and partial-tuition scholarships. You must indicate your need for financial aid when you apply to the six-week workshop. Your application is reviewed without regard to your financial aid request.

You can learn more about scholarships for the Six-Week Workshop here

(4) WHAT WE DON’T TALK ABOUT. RedWombat took inspiration from the continuing Hugo controversy to pen these lyrics, shared in ha comment on File 770 today.

This only works if you pronounce it “Wisfuss,” but…

We don’t talk about WSFS, no no no
We don’t talk about WSFS

But!

It was Hugo nom day
(It was Hugo nom day)
We were running numbers
and there wasn’t much good to be found
Standlee stops by with a glint in his eye
(Trademark!)
You filking this thing or am I?
(Sorry, sorry, please go on)

Standlee says, “we can’t enforce…”
(Why did he say it?)
The lawyers are aghast, of course
(That’s not how you play it)
And MPC did not endorse
(Had to resign but nevermind…)

We don’t talk about WSFS, no no no
We don’t talk about WSFS

Hey, grew to live in fear of what the lawyers might find next
Feeling like the whole organization’s been hexed
I associate it with the sight of scathing posts
(Tsk tsk tsk)
It’s a heavy job sieving through this murk
Implicit contract no longer seems to work
Can’t rely on the Old SMOFs Network
Who’s gonna do the work?

M-P-C, taken aback
People still mad about the AO3 attack
How can you enforce this implicit contract?
Yeah, the lawyers scream and break into teams
(Hey)
We don’t talk about WSFS, no no no
We don’t talk about WSFS

We never should have asked about WSFS, no no no
Why did we talk about WSFS?

(I put that song in my head for the next year doing this, so if you’re going to complain, believe me, I have already been punished.)

(5) WRITERS AT GEN CON. The 2024 Gen Con Writers’ Symposium guests will include Linda D. Addison, Mikki Kendall, and quite a few featured speakers who are sff authors. Gen Con 2024 will be held August 1-4 in Indianapolis, Indiana.

The Gen Con Writers’ Symposium is a semi-independent event hosted by Gen Con and intended for both new and experienced writers of speculative fiction. All registration is handled through the Gen Con website.

(6) WHO ELSE HAD A STAKE IN DRACULA? Bobby Derie tells readers that H. P. Lovecraft claimed his friend Edith Miniter was offered the chance to revise Bram Stoker’s Dracula. What do we know about this claim? Find out! “Lovecraft, Miniter, Stoker: the Dracula Revision” at Deep Cuts in a Lovecraftian Vein.

In The Essential Dracula (1979), Bram Stoker scholars Raymond T. McNally and Radu Florescu revealed a letter (H. P. Lovecraft to R. H. Barlow, 10 Dec 1932) that had been drawn to their attention by horror anthologist and scholar Les Daniels, where H. P. Lovecraft claimed that an old woman he knew had turned down the chance to revise Stoker’s Dracula. The letter had not been published before this. Although Lovecraft’s claim had been made in print as early as 1938, and a letter with the anecdote was published in the first volume of Lovecraft’s Selected Letters from Arkham House in 1965, this seems to be the first time the Stoker scholar community became generally aware of the claim. The authors were intrigued by the possibilities…

(7) LDV NEWS. J. Michael Straczynski shared that Blackstone Indie has unveiled a webpage for The Last Dangerous Visions. It does not take preorders yet.

In 1973, celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed.

Now, six years after Ellison’s passing, science fiction’s most famous unpublished book is here. And with it, the heartbreaking true story of the troubled genius behind it.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including: David Brin, Max Brooks, James S. A. Corey, Dan Simmons, Cory Doctorow, and Adrian Tchaikovsky, among others.

With an introduction and exegesis by J. Michael Straczynski, and a story introduction by Ellison himself, The Last Dangerous Visions is an extraordinary addition to an incredible literary legacy.

(8) ANOTHER ENTRY FOR THE CAPTAIN’S LOG. The Visual Effects Society will honor Actor-Producer-Director William Shatner as the recipient of the VES Award for Creative Excellence in recognition of his valuable contributions to visual arts and filmed entertainment at its annual ceremony on February 21. “William Shatner Named as Recipient of the VES Award for Creative Excellence”.

(9) ST:TNG GETTING SATURN HONORS. “The Cast Of ‘Star Trek: The Next Generation’ To Receive Special Lifetime Achievement Saturn Award” at TrekMovie.com.

…The cast of Star Trek: The Next Generation will receive The Lifetime Achievement Award at the 51st Annual Saturn Awards, being held in Los Angeles this Sunday. For 2024 the Academy is doing something different for the TNG cast with this award. A statement from the Academy to TrekMovie explains:

“The Lifetime Achievement Award is usually presented to an individual for their contributions to genre entertainment. Top luminaries like Stan Lee and Leonard Nimoy, Mr. Spock himself, have received this top honor. It’s not new, but we extended this award to cover the entire cast of Star Trek: The Next Generation, due to its continued influence on the face of general television. It was originally doomed to failure since it was following in the footsteps of the original Star Trek, yet it carved its own identity, and its diverse cast was light years ahead of its time!”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 1, 1954 Bill Mumy, 70. Bill Mumy is best remembered of course for being on Lost in Space for three seasons (“Danger, Will Robinson, Danger!”) though he has a much more extensive performance resume.

At the rather tender age of seven, he makes his genre acting debut on The Twilight Zone as Billy Bayles in “Long Distance Call”.  He’d appear in two Twilight Zone episodes, “It’s A Good Life” as Anthony Fremont, a child with godlike powers and finally as the young Pip Phillips in “In Praise of Pip”.

He’d show up much later on in Twilight Zone: The Movie in one of the segments, not unsurprisingly a remake of “It’s A Good Life” which here is listed as being from a screenplay by Richard Matheson. Here he’s Tim. Whoever that is. 

He’d be on the reboot of the Twilight Zone in “It’s Still A Good Life” as the Adult Anthony Fremont.

Photo of Billy Mumy in 2013
Billy Mumy in 2013. Photo by Gage Skidmore.

He next had three appearances on Alfred Hitchcock Presents, none genre. His next genre outing would be playing two different characters on BewitchedI Dream of Jeannie and the Munsters followed.

Then of course was the eighty-three episode, three season run on Lost in Space. He’d be eleven years old when it started. I know I’ve seen all of it at least once. No idea how the Suck Fairy would treat it nearly this long on, but I really liked it when I saw it at the time. 

Remember the 1990 Captain America? If you don’t, you’re not alone. In this WW II version, he plays a young boy, Tom Kimball, who photographs Captain America over the Capital building kicking a missile off after batting Red Skull so crashes in Alaska, burying itself and Steve Rogers under the ice. 12%, repeat 12%, is the rating audience reviewers gave it on Rotten Tomatoes. 

He showed up once in the first iteration of a Flash series, and then has three appearances as Tommy Puck in the Nineties Superboy series. The first I saw and quite like, the latter not a single episode have I encountered. 

The next thing that is quite worthy of note is his stellar role on Babylon 5 as Mimbari warrior monk, I think that’s the proper term,  Lennier. Of one hundred and ten episodes, he was in all but two. That’s right, just two. Or at least credited as being so. What an amazing role that was. I’ve watch this series including the six films at least twice straight through. No Suck Fairy dares comes near it. 

The last thing of note, and I’m not seen the series, was him playing Dr. Zachary Smith on the reboot of the Lost in Space series that came out just a few years ago for two episodes. Please, please don’t ask who he’s playing as my continuous headache got even worse when I tried to figure out who he really was. Really I did. What they with that series was a crime. 

(11) PUTTING THE BITE ON TOURISTS. [Item by Steven French.] If you’re ever in Doylestown, Pennsylvania, Atlas Obscura recommends a visit to “Vampa: Vampire & Paranormal Museum”.

TUCKED AWAY IN THE SAME building as an antiques store in a small Pensylvania town lies a shockingly large collection of antique vampire-killing sets.

Covering the walls are the standard tools of the vampire hunter: the stake, the crucifix, the holy water bottle. But the stakes are far more than pointy, wooden sticks. Believed to date back centuries, all the weapons have been beautifully decorated with a variety of religious and allegorical carvings. They are spectacular objets d’art from every corner of the world, including several personal collections from actors who played Dracula in films. One wooden “traveling vampire hunter kit,” from around 1870 was owned by actor Carlos Villarias, who portrayed the famous count in a Spanish language Dracula….

(12) EARTH FARTS? Space reports that the “Mystery of Siberia’s giant exploding craters may finally be solved”.

The craters are unique to Russia’s northern Yamal and Gydan peninsulas and are not known to exist elsewhere in the Arctic, suggesting the key to this puzzle lies in the landscape, according to a preprint paper published Jan. 12 to the EarthArXiv database.

Researchers have proposed several explanations for the gaping holes over the years, ranging from meteor impacts to natural-gas explosions. One theory suggests the craters formed in the place of historic lakes that once bubbled with natural gas rising from the permafrost below. These lakes may have dried up, exposing the ground beneath to freezing temperatures that sealed the vents through which gas escaped. The resulting buildup of gas in the permafrost may eventually have been released through explosions that created the giant craters.

… But the historic-lake model fails to account for the fact that these “giant escape craters” (GECs) are found in a variety of geological settings across the peninsulas, not all of which were once covered by lakes, according to the new preprint, which has not been peer reviewed….

… Permafrost on the Yamal and Gydan peninsulas varies widely in its thickness, ranging from a few hundred feet to 1,600 feet (500 m). The soil likely froze solid more than 40,000 years ago, imprisoning ancient marine sediments rich in methane that gradually transformed into vast natural gas reserves. These reserves produce heat that melts the permafrost from below, leaving pockets of gas at its base.

Permafrost in Russia and elsewhere is also thawing at the surface due to climate change. In places where it is already thin on the Yamal and Gydan peninsulas, melting from both ends and the pressure from the gas may eventually cause the remaining permafrost to collapse, triggering an explosion.

This “champagne effect” would explain the presence of smaller craters around the eight giant craters, as huge chunks of ice propelled out by the explosions may have severely dented the ground, according to the preprint….

(13) HUNT TO EXTINCTION. The stories you hear from Brian Keene.

(14) NEW HEADSHOT. Scott Lynch introduced his new photo with a wry comment.

(15) COMING ATTRACTIONS. The “Next on Netflix 2024: The Series & Films Preview” sizzle reel includes clips from Bridgerton, Squid Game, Umbrella Academy and Rebel Moon.

(16) OCTOTHORPE. John Coxon, Alison Scott and Liz Batty respond to a letter of comment from Tobes Valois in episode 102 of the Octothorpe podcast, “I fully comprehend the mysteries”.  

Octothorpe 102 is here! We discuss the Hugo Awards debacle in some depth and SOLVE ALL THE ISSUES (no, really) but we book-end it with letters of comment and picks for those who need a bit of respite. Artwork by Alison Scott. Listen here!  

Alt text: Scooby, Velma and Daphne unmask the panda from last week’s cover art, and the person wearing the panda suit looks a lot like Dave McCarty. They say “It was old Mister McCarty all along!” and he says “And I would have gotten away with it too if it hadn’t been for you meddling Hugo finalists!” He is tied up with rope. The words “Octothorpe! 102” appear at the top of the image.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/29/23 Swamp Thing! You Make My Scroll Sing

(1) LINDA ADDISON ON HALLOWEEN. The Horror Writers Association blog continues its October theme: “Halloween Haunts: All The Treats! by Linda D. Addison”.

Halloween has been one of my favorite holidays my whole life. As a child the idea of dressing up that one day and going house to house to collect candy was magical. Back then, no one worried about being poisoned or razors in fruit. I felt stronger and magical in costume then in regular clothes. The thin awkward kid who read books all the time and didn’t talk much could become a powerful witch, one of my favorite costumes, and no doubt the easiest for my mother to create, since there were nine of us….

(2)  CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]  So, when I emailed Mike yesterday’s update, I told him that that would be the last of the big daily updates, and anything in the future would just be ad hoc submissions.  Unfortunately the real-world had other ideas.

Con reports: Jiang Bo, SF Light Year and Nicholas Whyte

This pair of Chinese reports posted to Weibo are coming from different perspectives; one from a Hugo finalist in the Best Short Story, the other from a high profile fan.

Jiang Bo

This one is a bit awkward to report on, as whilst it was published on Weibo, the latter sections are only visible to logged in users, and creating a Weibo account – from the UK at least – is a Kafkaesque nightmare of “you need to verify via a code sent by SMS/sorry, we can’t send you an SMS, try again tomorrow/rinse and repeat”.  Fortunately a kind person on Twitter was able to provide me with the full text; I’ll see if there’s some way of getting the full text available more easily.

In terms of events at the con, he mostly writes about “businessy” and writerly stuff, which he seems to have enjoyed.  The selected extracts below are about more humdrum stuff, but which I think Filers would maybe relate to more.  In the interests of full transparency, it seems that these aspects were less enjoyable for him, and it would not be an unreasonable accusation to say I’m giving a negative spin on his overall experience.  

(Via Google Translate, with minor manual edits.)

It was only when I landed that I learned some big news: the hotel I was staying at, the Wyndham Hotel, was far away from the venue, and the organizer had arranged a shuttle bus to solve the transportation problem. As a rule of thumb, the hotel is usually next to the venue, and you can enter the venue just a short walk away. The shuttle bus takes about thirty minutes to get to the venue, and it leaves on time. This poses a challenge to the conference schedule, and is also the reason why I will be quite tired in the next few days – I have to catch the early morning bus to the conference venue every day…

The name of the venue is Nebula, and the largest hall inside is called Hugo. If you add some text to it, wouldn’t it mean that Nebula is greater than Hugo? I wonder if Americans will quarrel about this. However, a Chinese venue is too far away and the sound cannot be transmitted even if there is a noise…

There was an episode where I went back and forth for fifteen minutes just to find the Hall of Mars. This venue is very unique. The halls on the second floor are basically isolated from each other. They are small halls. You must find the correct elevator to go up. When you first arrive, it’s easy to get confused…

Speaking of eating, there are no restaurants around the huge Xingyun Hall. There is only one storefront on the first floor, which houses three or four fast food restaurants, including Subway, McDonald’s and Pizza Hut. If everyone wants to solve the problem of eating in the venue, they can only find these three or four restaurants. There are so many people there, it’s almost like a restaurant in Disneyland. It’s hard to find tables and chairs, so just find a place to eat…

“Hanging by a Thread” [aka “On the Razor’s Edge”] won the Galaxy Award for Best Short Story, which was a surprise. On returning to the hotel, I was interviewed by a Chengdu TV station for almost an hour, and it was almost midnight. Then I chatted with the producer Lao Wu about creative matters, and it was already 1 a.m. when we finished talking. It felt good to chat with Lao Wu and talk about pure creation. It’s just that the schedule of the World Science Fiction Convention is too tight. If we don’t seize this time, we may not have the chance to have a good chat…

In order to get to the venue before 10 a.m., I took the 9 a.m. bus. The opening hours of science fiction convention venues are actually 9:30, so there will generally be fewer people attending the 9:30 morning session. In fact, at 10 a.m., there were still very few people, especially on weekdays. So the audience at our panel seemed very minimal, especially since it was located in the road show area, a corner that is difficult for tourists to reach. We started with the same number of people on stage and off stage. Fortunately, as time went by, the number of listeners gradually increased, and finally it was like a decent press conference…

After the press conference, I started thinking about eating again. The afternoon activity was at the Sheraton Hotel. After looking at my guest card, I had a bold idea, why not try the Sheraton?

The Sheraton Hotel is right next to the venue and can be reached on foot in about fifteen minutes. The Sheraton housed VVIPs, who are some important international friends and more important domestic guests. Although you needed to show your room card to eat at the Sheraton, what if you only needed to show your card during the conference?

I contacted the contact person and they replied that I could only have lunch at the hotel where I am staying. But I still set foot on the road to the Sheraton Hotel with hope…

The smooth lines of the Nebula Pavilion are natural, and equally smooth are the queues waiting for autograph signings. That’s right, this afternoon happened to be Liu’s autograph signing. The signing line stretched from the third floor to the first floor, and then meandered along the lakeside. I was shocked when I saw such a long line, and quickly took out my mobile phone to take pictures… I was both admiring and envious at the same time: I wish I could have such a long signing queue one day!…

Something strange also happened at SF Night [a reception jointly organized by Science Fiction World and Saifan Space]. The security of this science fiction conference was extremely strict. Xia Jia and several other authors were stopped outside.  Even organizers like Sun Yueraz were stopped from entering again after leaving. I met Xia Jia when I went out after the event. He was sitting at a table outside the security gate, looking relaxed and comfortable, chatting with others. Some things are changing, and some things remain unchanged…

The signing event went much better than expected. For at least an hour, there was a steady stream of people coming to get my signature. This is the power of the World Science Fiction Convention. It gathered a large number of people and brought some traffic to us authors. One of the fans took out the journal where I first published my novel, the April 2003 issue of The End Game, which had a photo of me on it. Compared to that time, my hair volume is a bit anxious. After all, people only have so many good days, and youth never comes back once it’s gone…

[Extracts from the acceptance speech he prepared] Thank you to all readers who voted for me and for recognizing this work.

Thank you to all readers who voted for the Hugo Awards. Anyone who is willing to spend money to vote is true love. Your support is the driving force behind this award continuing to this day….

The last thing I want to thank is this great era. In the past few decades, China has developed from an agricultural country to an industrial country, and has continuously made progress in economy and science and technology. This great process must be reflected in the writer’s thinking. Without this era and the Chinese Space Station, stories like “Hanging by a Thread” would not have been possible.

As for me, I would like to quote Mr. Carl Sagan’s epitaph to illustrate, “He never grew up, but he never stopped growing.” I hope that I can continue to grow in science fiction. Share this with everyone.

Thank you everyone, thank you to everyone who loves Chinese science fiction.[end of his acceptance speech].

Finally, the lottery was drawn, and the pie did not fall on my head. When my boots hit the ground, I felt calm. This is probably the closest I’ve ever been to a Hugo Award. If I miss it, I won’t get it again. Life always has its ups and downs. But after all, I never had the chance to say this. Writing it down is also a kind of record and will not be forgotten.

After the awards ceremony, there was a reception on Hugo night. It was held on the large terrace of the Nebula Pavilion, and you needed a ticket to enter, have a drink and chat. Generally speaking, I still chat to people I know. The organizer also arranged some programs. Many foreign friends gathered to watch, but domestic people seemed not very interested.

I came out before the reception ended and happened to meet [SF World editor, Hugo Editor finalist, concom member] Yao Haijun. I took his car back to the hotel and enjoyed the VVIP red flag car treatment…

I felt very sleepy after the conference. For the two days after I came back, I felt like I couldn’t wake up every day. Maybe I had a dream. Dreams are easy to be forgotten, so I have to fix them with words. This is probably the only thing that short-lived humans can struggle with in the face of the infinite world. 

SF Light Year

SF Light Year (aka 科幻光年/Kehuan Guang Nian aka Adaoli) is an influential Chinese fan, with 370k followers on Weibo.  He has been mentioned in several earlier Chengdu updates, and has commented here a few times.  Disclosure: he was also my co-conspirator in a plan to exchange fanzines and signed books between the UK and China, in order to give them as surprise gifts to some Hugo finalists, a couple of whom went on to win in their categories.  I also get namechecked in the second of the three parts of this report posted to Weibo.  As such, I’m not an impartial reporter of his comments.  Note also that Mike and File 770 also gets briefly mentioned in the first part.

Part 1Part 2Part 3

Note: Because these three posts are so long, the “Translate content” links that appear at the bottom of posts timed out for me.  I ended up having to copypaste the text into Google Translate.  I did ask him if I could upload the translated text (e.g. to Pastebin or similar) for everyone’s convenience, but didn’t get a reply due to it being night in China when I asked that question.  

The following excerpts are via Google Translate, with minor manual edits.

(from first post)

Every time I attend various science fiction conferences and meet authors and fantasy fans, I am always happy and excited. What gives me good memories of the Chengdu World Science Fiction Conference is not the gorgeous venue but every sincere science fiction fan and person who laughed, cried, got angry, and was moved. I will remember every moment in my heart. But this long article is dedicated to recording my disappointment with the Chengdu World Science Fiction Conference, as a small supplement to a grand narrative, because it is important to us science fiction fans, to our science fiction community, and to our internal and external science fiction. Communication can have far-reaching consequences. I’d love to be that little kid who calls out that the Emperor has no clothes.

After the successful bid to host the Chengdu World Science Fiction Conference in 2021, the organizing committee promised that fantasy travelers will “enter as VIP guests, enjoy VIP treatment, and all tickets to the conference will be free of charge.” The actual situation of the conference is that these so-called VIP guests (who are also members of WSFS) are different from the guests separately invited by the organizing committee. They did not automatically receive the right to participate in the opening and closing ceremonies and the Hugo Award ceremony… Those who purchased event tickets (non-members) also needed to participate in the lottery for access to one of the three ceremonies. Some fellow WSFS members were not even able to get admission to any of the ceremonies…

On the other hand, public news shows that as early as April 2022, an internal meeting in Pidu District arranged the event planning plan for the 81st World Science Fiction Convention in that district. Real estate developers also used the venue of the Pidu District convention as a selling point to make plans for nearby properties. [Real estate developer] Vanke also once put up a big sign announcing the countdown to the World Science Fiction Conference at the sales office, but it was later removed at the request of the organizing committee. In the tug-of-war of the balance of forces among all parties, the interests of this group of college student application groups were the first to be sacrificed.

Because he had been tracking the venue confirmation and conference information posted on Weibo from very early on, which revealed the venue change to Pidu District before the official announcement, Yao Chi [from the con team, I think this is the same person as Joe Yao] once contacted me and asked me to remove the relevant article. My response was that if Pidu District took down their announcements, I would also take down my posts on Weibo…

(from second post)

… Wu Miao mentioned that his book signing was actually a mess: although the book sold well in the two days, part way through, the con removed copies of his book, and the readers who went in the afternoon were all empty-handed and could not buy the book.  I took four customers everywhere to look for books, but none of the exhibition staff had any explanation or follow-up. His autograph signing was arranged for the first two days (non-weekends) when there were few people. The on-site booth was borrowed from Booker Bookstore because the conditions of the venue were very poor… His publisher also stated that the conference did not consider the interests of exhibitors and “there will be no next time.” Similar lack of coordination occurred repeatedly. Several guests told me that they were suddenly informed that there was a signing, or that there was a time conflict between the signing and the panel schedule. The book sales were located on the first floor, but the book signings were on the third floor. It was very inconvenient for readers to buy books and sign books, and the process of selecting and finding books was very unfriendly.

On October 14, 2023 in our online science fiction group, a hearing-impaired person attending the conference, who has a disability certificate, told us about the accessibility request email she sent to the conference.  She had asked what kind of help will be provided to the hearing-disabled people if they need it, and what materials should be applied and prepared for in advance.  Her email was returned undelivered… We found that the contact address given on the official website was wrong.  However [after this was pointed out on Weibo and the address got promptly fixed] our disabled member sent another email to the correct address, but there was no reply or official contact instructions until the end of the conference.  For such an important communication channel, it seemed that the accessibility service department was just a fiction, which is disappointing especially when the organizing committee clearly knew from reading Weibo that someone had applied for accessibility services. Fortunately, she was always accompanied by enthusiastic fans during the conference.

The lack of communication was also reflected in the coordination of volunteers. The organizing committee announced the recruitment of volunteers through different processes more than once. I submitted forms and emails twice, stating that my specialty was Japanese and that I could be a volunteer, but there was no response to any emails from the beginning to the end. Many times in various groups, I encountered netizens complaining and asking me about the same situation. Later, I learned that the government had arranged a bidding process for volunteer service projects [1], and the volunteers and training procedures were determined through other methods. However, all offline applications were not responded to and followed up, which is indeed inappropriate…

Many Hugo Award finalists, including those from China, were told they would stay at the Sheraton [close to the venue], but were eventually downgraded to Wyndham [much further away]. In terms of differential treatment, I would like to mention that Ling Shizhen, who was also a Hugo Award finalist for the Zero Gravity fanzine, was not initially given permission to attend the opening and closing ceremonies or the Hugo Award Ceremony. (His badge only had the number 3/5, which was the minimum permission for all invited guests, only allowing entry to the Science Fiction Museum and the Sheraton hotel). He was very angry about this. After contacting the organizing committee, he had to travel back and forth between the con venue and the hotel to coordinate, until finally he was allowed to enter the ceremony hall, and eventually went on stage to receive the Hugo Award.

(from third post)

On the opening day of the conference on October 18, 2023, we passed by the venue and found that the newly established “food truck area” at the Nebula Campground (renovated from dozens of buses) at the Science Museum and Sheraton Road was blocked off. and not open to the public. The news circulating in our group was that “the food in the food trucks was not classy and would affect the image” and therefore it was cancelled….

Regarding the sudden need to control the number of attendees at the reception held at the Sheraton during the conference, which resulted in a large number of invited domestic and foreign guests being unable to enter, breaking up unhappy or even causing disputes, we will not discuss this for the time being….

Enthusiastic netizens have compiled a complete breakdown of the amount related to the venue construction, tens of millions related to conference preparation and venue.  For example, the winning bid amount for the Hugo Trophy, just for the design was as high as 570 thousand yuan [approximately $80,000 USD]…

Basically, this World Science Fiction Convention was held in a situation that was both open and closed, rich and barren. If you were interviewing foreign guests, especially several World Science Fiction Convention officials or important guests – the venue has a distinction between VVIP and VIP arrangements for volunteers – there were elaborate arrangements for the support of various celebrities, free travel, meals and accommodation for two people, and special personnel to coordinate and arrange access, and enjoy exquisite meals. [Regular] Guests who have participated in dozens of conferences never enjoyed such support, even though participating in the Chengdu World Science Fiction Conference would be their highlight moment. According to Nnedi Okorafor herself, “I was treated like a queen.”… 

On the other hand, I came into contact with front-line staff from the exhibition organizers who were exhausted due to internal friction in coordination and communication, relevant leaders who frankly said they no longer wanted to bid for the World Science Fiction Convention, guests who canceled their panels because they were angry that the promised venue control would not cooperate, as well as guests who continued to attend the convention…

 In every sense of the word, this is an unforgettable World Science Fiction Convention. This was the first time it was held in China. I don’t know if there will be a second time.

[1] This might explain a Xiaohongshu post I saw yesterday, which was a group selfie of some volunteers, who were all employees of (IIRC) a construction company.  At the time I just assumed it was a group of colleagues who’d decided to do a good deed, but now I wonder if there was more to it.

Nicholas Whyte

His post about the Doctor Who panel was covered in Friday’s Scroll, but he has also posted about a visit to a panda research centrethe panels he was on, and the events he attended  and his various experiences.

Still waiting on the Hugo Statistics report

A week ago today, there was an indication that the statistics might be published on the Friday just gone.  That hasn’t happened, and as far as I know, there has been no further status update.

I think lots of us are very interested in finding out where certain books that seemed like dead certs – or as close as you can get to it in the Hugos – ended up in the nominations.

(3) CHEERS FOR FEARS.  “Shock of the new: Jordan Peele, Mariana Enríquez and more on the horror fiction renaissance” in the Guardian.

…Now horror is emphatically back, and it is no longer a dirty word. Publishing imprints such as Titan and Nightfire are devoted almost entirely to the genre, small presses are helping to introduce new names, and a thriving online community of readers, writers, critics and commentators champion literature’s most sinister impulses.

Such insatiable appetite is forcing change. From the Argentinian new wave to British neo-folk, from the Asian-inflected horror of authors such as Chinese-Canadian writer Ai Jiang to the African heritage of British-Nigerian Nuzo Onoh, writers across the world are pushing outwards, creating space for new perspectives. Horror is rapidly evolving from what was once a white, male and highly Anglocentric genre into something more diverse and much more reactive.

A new US book is testament to this progress. Out There Screaming: An Anthology of New Black Horroris edited by film director Jordan Peele, who made Us and the electrifying Oscar-winner Get Out. Peele writes in his introduction: “I view horror as catharsis through entertainment. It’s a way to work through your deepest pain and fear.” But, he suggests, that isn’t possible for Black people “without the stories being told in the first place”.

For Peele, this collection, compiled with co-editor John Joseph Adams, was a chance to commission “the very best Black authors in fiction,” he tells me over email. “I hoped that, when prompted to create a personalised nightmare, their ‘monsters’ might be representative of some previously unnamed truths. What you get are stories that feel like they couldn’t or wouldn’t have been told a few years ago.”

NK Jemisin’s contribution examines police brutality through surrealistic body horror, while Tananarive Due imagines a moment from the civil rights movement that reads like an unearthed piece of folk history. But it’s interesting how many of the tales in Out There Screamingeschew overtly racialised horror – in particular, the tight focus on trauma that has long been a thorny issue in the Black horror community….

(4) WHY JEMINSIN CONTRIBUTED. “For N.K. Jemisin, Reality Inspired Horror Fiction” – the New York Times has the details.  

Nineteen writers contributed to the story collection, including N.K. JemisinLesley Nneka ArimahTochi Onyebuchi and Tananarive Due. Initially Jemisin declined to participate, although she was pleased to be approached. “I like writing stories, but I’m very slow to write them and I don’t do well with commissions,” Jemisin said in a phone interview. “I don’t have any interest in writing to order, basically. I said, if something inspires me, sure, I’m on it, but otherwise don’t count on anything.”

Jemisin had a change of heart on a vacation in the Outer Banks: “Next door to us was a family of cops, apparently, who hung a thin blue line flag and partied all weekend and made a great deal of noise, knowing full well nobody was going to call the cops on them.”

She went on, “Nothing overt happened. We were fine. But we were on this trip with some teenagers and we told them, ‘Do not go out by yourselves because this doesn’t feel like a safe place to be a bunch of young Black folks.’”

Instead of going to the beach, Jemisin started writing “Reckless Eyeballing,” the story that now opens “Out There Screaming.” It’s about Carl Billings, a Black highway patrol officer with a habit of “roughing up” people he pulls over — a broken arm here, a baton to the teeth there. His white supervisor is on to him, and then a video of one of his traffic stops goes viral. But worst of all is Carl’s unsettling vision of oncoming headlights as eyeballs, blinking and veined, watching. He can’t get away from them…

(5) HARVEY Q&A. “Samantha Harvey: ‘I like Alien as much as anybody else. But I see this novel as space pastoral’” in the Guardian.

…How come you initially lost your nerve?
We’re in an age of first-person veracity. By some bizarre spasm of fate, I’m doing a radio interview next month alongside Tim Peake. I’m filled with anxiety: why would anyone care what some woman in Wiltshire has to say about what it might be like to be in space, when she’s sitting alongside Tim Peake? Maybe the answer is that there’s somewhere the imagination can go that experience can’t. Nasa’s website has hundreds of fascinating but quite humdrum journals that astronauts have written while in space. I was thinking, there’s a gap here – a sort of metaphysical gap, a magical experience that isn’t being documented the way I’d like to document it.

Did you want to write against more plot-driven space narratives?
I like Alien as much as anybody else. I never saw this novel as being against sci-fi, but I didn’t see it as having an awful lot in relation to it either. I thought of it as space pastoral – a kind of nature writing about the beauty of space, with a slightly nostalgic sense of what’s disappearing. Not just on Earth, but also the ISS itself, this really quite retro piece of kit which is going to be deorbited after 23 years of rattling around at 17,500 miles an hour….

(6) LOWER DECKS. “Mike McMahan Talks ‘Star Trek: Lower Decks’ Season 4” with Animation World Network’s Dan Sarto.

…DS: Right. Let’s talk a little bit about the Strange New Worlds crossover episode. You teased it when we spoke last August. It was a fantastic episode.

MM: Thank you.

DS: The animation held its own against a well-designed visual effects-driven show. It did both worlds proud. It fit. It wasn’t too gaggy, but it was funny. I was really impressed because I had no idea what to expect. And of course, Commander Riker [Jonathan Frakes] directed it. So, tell me about your involvement. And how tough was it to pull that off?

MM: Strange New Worlds allowed me to get to somewhere where it was a little funnier than they’re used to and a little more strange new worlds than I’m used to. I was a tool that they were using. So, they used me on multiple script passes in the edit, helping conceive of the episode and all that stuff, but I can’t take any credit for that. It really was an amazing thing that they wanted to do because it was so different. And they’re only in their second season. I don’t think I would’ve had the balls to do that on a second-season show. But what it really came down to is we all had a blast, and that really comes through when you watch the episode.

And I could have made that a feature-length episode and added way more Orion pirates and all sorts of stuff. But at the end of the day, what it really highlighted was character, and I think that was really smart, that Tawny and Jack are fucking amazing. But you know who else is? Everybody on Strange New Worlds. So, getting to see them all mixed together the whole episode, it’s just such a party. It’s just such a Star Trek party that, if you’re watching this era, that is a crazy encapsulation of what makes you feel good. It’s like what you like about Trek….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 29, 1906 Fredric Brown. Author of Martians, Go Home which would be made into a movie of the same name. He received compensation and credit from NBC as their Trek episode “Arena” had more than a passing similarity to his novelette which was nominated for Retro Hugo at CoNZealand. Interestingly, a whole lot of his Edgar Award-winning mysteries are being released on the usual suspects in December. (Died 1972.)
  • Born October 29, 1935 Shelia Finch, 88. She is best remembered for her stories about the Guild of Xenolinguists which aptly enough are collected in The Guild of Xenolinguists story collection. She first used it her 1986 Triad novel. The term would later be used to describe the character Uhura in the rebooted Trek film. Her Reading the Bones novel, part of the Guild of Xenolinguists series would win a Nebula. 
  • Born October 29, 1938 Ralph Bakshi, 85. Started as low-level worker at Terrytoons, studio of characters such as Heckle and Jeckle and Mighty Mouse which I adore. His first major break would be on CBS as creative director of Mighty Mouse and the Mighty Heroes. Fast forwarding to Fritz the Cat which may or may not be genre but it’s got a foul-mouthed talking cat when should make it genre, yes? Genre wise, I’d say Wizards which features voice work by Mark Hamill and whose final name was Wizards so it wouldn’t be confused with you know what film. It was nominated for a Hugo at IguanaCon II when Star Wars won. Next up was The Lord of the Rings, a very odd affair. That was followed by Fire and Ice, a collaboration with Frank Frazetta. Then came what I considered his finest work, the Mighty Mouse: The New Adventures series!  Then there’s Cool World
  •  Born October 29, 1941 Hal W. Hall, 82. Bibliographer responsible for the Science Fiction Book Review Index (1970 – 1985) and the Science Fiction Research Index (1981 – 1922). He also did a number of reviews including three of H. Beam Piper’s Fuzzy books showing he had excellent taste in fiction.
  •  Born October 29, 1954 Paul Di Filippo, 69. Ciphers: a post-Shannon rock-n-roll mystery was his first work. He is, I’d say, an acquired taste. I like him. I’d suggest first reading you don’t know him should be The Steampunk Trilogy and go from there.  His “A Year in the Linear City” novella was nominated at Torcon 3 for Best Novella, and won the 2003 World Fantasy Award and the 2003 Theodore Sturgeon Award. Oh, and he’s one of our stellar reviewers having reviewed at one time or another for Asimov’s Science FictionThe Magazine of Fantasy and Science FictionScience Fiction EyeThe New York Review of Science FictionInterzoneNova Express and Science Fiction Weekly
  •  Born October 29, 1954 Kathleen O’Neal Gear, 69. Archaeologist and writer. I highly recommend the three Anasazi Mysteries that she co-wrote with W. Michael Gear. She’s a historian of note so she’s done a lot of interesting work in that area such as Viking Warrior Women: Did ‘Shieldmaidens’ like Lagertha Really Exist?  And should you decide you want to keep buffalo, she’s the expert on doing so. Really. Truly, she is.
  • Born October 29, 1971 Anna Dale, 52. Scottish writer whom many reviewers have dubbed “the next JK Rowling” who’s best known for her Whispering to Witches children’s novel. It was based on her masters dissertation in children’s writing. She has written two more novels of a similar ilk, Spellbound and Magical Mischief

(8) COMICS SECTION.

  • The Flying McCoys explains why a Charles Schulz tradition came to an end.
  • Tom Gauld shares the cauldron ingredient list.

(9) REFLECTS A CHANGING MARKET. LAist brings the bad news that “Two Of LA’s Oldest Comic Stores Are Closing Down”.

Not even a superhero could save two of Los Angeles’s oldest comic book stores.

Torrance’s Geoffrey’s Comics and Hi De-Ho Comics in Santa Monica are closing at the end of the year.

Owner Geoffrey Patterson II said that ever since the pandemic, many comic book fans moved from purchasing their comics in person to online. For his stores, that meant losing half of his customer base and more than half of the profits.

But the pandemic was just the last straw.

“It’s also just as it has become mainstream, that other places are now selling comic books that weren’t selling them before,” he said, citing big retailers like Target. “It went from being only in comic book stores to everywhere. So the customers now have 100 choices for where they pick up a comic book story, and that just kept shrinking and shrinking our customer base.”…

(10) DOING HARD TIME. He’s rocky, just not the one that first comes to mind.Animation World Network reviews “‘Curses!’ Blends Horror, Comedy, and Action with a Dad Turned to Stone”

Premiering today, Friday, October 27, Curses!, from DreamWorks Animation, hits Apple TV+ just in time for Halloween. In the all-new animated, spooky adventure-comedy series for kids, when a generations-long family curse turns Alex Vanderhouven to stone, it’s up to his two children, Pandora and Russ, and his wife Sky, to return artifacts stolen by their ancestors to their rightful homes to finally lift the curse for good….

Curses! began as a collaboration between creators Jim Cooper and Jeff Dixon. The two had never written together before; they met when their children started school together, and after dropping them off, they’d walk home and discuss their writing careers. “Jeff was mostly in horror, and I was mostly in family animation,” Cooper shares. “Sometime over the years, we thought, ‘Hey, it would be cool to combine the two.’ We hit upon the idea of Curses! after discussing what we call my ‘family curse.’ That got us thinking about other family curses and their causes, and things just sort of went from there.”

“It started with Coop telling me the story of his ‘family curse,’ Dixon adds. “He told me that all the men on one side of his family died young, generation after generation. After he showed me a photo of his grandfather as a baby holding an actual human skull, we started thinking, ‘Holy hell, that skull must somehow be the origin of the curse!’ Then our imaginations started spinning out of control thinking about curses and what happens to later generations when a family line is cursed because of something their ancestors did, to no fault of their own. And it only grew from there.”…

(11) JUST DUCKY. Heritage Auctions’ November 16 – 19 Comics & Comic Art Signature® Auction has rafts of collectible art.  This piece is particularly interesting – and is already bid up to $26,000.

 Carl Barks Luck of the North Donald Duck Painting Original Art (1973). Though this rollicking scene is based on one of the “Good Duck Artist’s” most famous yarns, this is the only painted version of it that he ever did. Carl Barks based this colorful calamity on his 1949 Donald Duck adventure from Four Color #256. This mirthful masterwork was published on Page 169 (as color plate 49) of The Fine Art of Walt Disney’s Donald Duck, where Barks noted: “In that northern lights effect at the top, I found pictures of the northern lights in some National Geographics and I kind of stole some. I find water very difficult to paint. It’s hard work, but I worked at this until I got it to look halfway authentic. I generally just plunged right in on an idea whether I was going to have trouble or not. I’d start out with a simple idea, and keep on elaborating on it until I had a real complex thing going.”

(12) VAMPIRE HUNTER D. The Animation Explorations Podcast has dropped the first episode of their second year. For the spooky season they take a look at the 1985 adaptation of Hideyuki Kikuchi’s first novel in “Vampire Hunter D (1985)” series. 

(13) THE LIGHTS IN THE SKY.  “‘Call me chief priestess for the moon goddess’: space scientist Dr Maggie Aderin-Pocock” tells the Guardian.

Call me chief priestess for the moon goddess,” says Dr Maggie Aderin-Pocock when I ask whether she prefers to be known as an astronomer, physicist or space scientist. She is, after all, entitled to all of them because before presenting The Sky at Night on the BBC she trained as a physicist, then an engineer and is now the nation’s go-to woman for all things space. But it seems that she really has her eye on the job of a 4,300-year-old Sumerian religious leader.

“I was giving a talk in the Scottish parliament,” she explains when we meet at a photographer’s studio hidden in a blink-and-you’ll-miss-it alleyway in east London, “and I mentioned En Hedu’anna, the first female scientist who was known as chief priestess for the moon goddess of the city of Ur [in ancient Mesopotamia].” After the talk, the chair suggested they vote to bestow on Aderin-Pocock the title of chief priestess for the moon goddess of the city of Edinburgh. “That’s what I would like on my business card,” she says with a delighted clap of the hands and the kind of irresistible enthusiasm that viewers of The Sky at Night will be familiar with.

Forgotten or uncredited scientists, such as En Hedu’anna, feature prominently in Aderin-Pocock’s new book, The Art of Stargazing, a practical guide to identifying and understanding the 88 constellations…

…[Why] is outdated ancient science from long-dead civilisations still important? “When I grew up, there were many kids who looked at science and thought: ‘Well, someone like me doesn’t do that because it’s not my culture, it’s not for me – I don’t have a history of this.’ Diversity is about bringing different ideas and people into science because if it’s all just done by the European white guys, we get a very blinkered view of the world. That’s why access to the history of astronomy is important for everyone.’…

 [Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, Alexander Case, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/6/23 Pixels Bright Red And Bouncing High As A Scroll Will Allow

(1) PALLET JACKED. “Gen Con Card Heist: $300K Worth of Cards Stolen From Show Floor”Gizmodo has the story.

…Per Indianapolis’ WRTV, the tabletop game convention had over $300,000 worth of cards stolen from the show floor. Dicebreaker reported that the theft occurred on Wednesday, August 2 as vendors were setting up for the event at the Indiana Convention Center. Police in the area claim the thieves used a pallet jack to remove a pallet of cards, which allowed them to blend in since everyone was moving product around the convention floor that day. Dicebreaker further noted that the theft was pulled off with two thieves. At time of writing, it’s unknown which specific cards were stolen, and what company (or companies) they belonged to…

More details and security cam images of the suspects at WRTV’s post “Over $300K worth of gaming cards stolen from Gen Con during setup”.

(2) MISSING FROM MOPOP. Deadline explains why “JK Rowling Airbrushed From Pop Culture Museum’s Harry Potter Display”.

A US museum has removed all trace of Harry Potter creator JK Rowling from its exhibition celebrating the schoolboy wizard and his friends.

The Museum of Pop Culture in Seattle had previously published a blog explaining its decision to airbrush Rowling from its display, due to her “super hateful and divisive” views.

Project manager Chris Moore, who is transgender, wrote in the piece:

“There’s a certain cold, heartless, joy-sucking entity in the world of Harry Potter and, this time, it is not actually a Dementor….”

The Deadline article is sourced in “She-Who-Must-Not-Be-Named”, a May 2023 blog post by Chris Moore, MoPOP’s Exhibitions Project Manager.

We would love to go with the internet’s theory that these books were actually written without an author, but this certain person is a bit too vocal with her super hateful and divisive views to be ignored. Yes, we’re talking about J.K. Rowling, and no, we don’t like that we’re giving her more publicity, so that’s the last you’ll see of her name in this post. We’ll just stick with You-Know-Who because they’re close enough in character….

And what is MoPOP doing? If you’ve visited the museum recently, you will have seen artifacts from the Harry Potter films in Fantasy: Worlds of Myth and Magic gallery and her likeness in the Science Fiction and Fantasy Hall of Fame. They’re there and trying to dance around it would make me look like a bigger hypocrite. But here’s the deal… it’s complicated. Long conversations are being had and a lot of considerations around what to do with problematic people and content because instances like this are going to keep happening. I’m privileged to get to work with our Curatorial team and see the decision-making processes there, so let me give you a little bit of insight into what these are like after someone outs themself as holding terrible ideologies….

… As for the Science Fiction and Fantasy Hall of Fame, this list of inductees has a long history that didn’t start with MoPOP, EMP Museum, or even the Experience Music Project. It was founded in 1996 at the Gunn Center for the Study of Science Fiction and came to MoPOP in 2004. The inductees are specifically chosen by public voting. You-Know-Who was inducted into the Hall of Fame in 2018 before she became the face of trans-exclusionary radical feminism (TERF). If you keep looking in there, you’ll see other figures with questionable if not downright disturbing pasts. But what does that mean? Are MoPOP’s hands tied on something that is in our building? Again, it’s complicated. For the time being, the Curators decided to remove any of her artifacts from this gallery to reduce her impact. It’s not a perfect solution, but it’s what we were able to do in the short-term while determining long-term practices. As we’ve continued to learn and grow, they’re planning on continuing to add context to creators and content through our blog and possibly in-gallery QR codes….

(3) SEVENTIES GENRE ART. [Item by Ben Bird Person.] Jared Pechaček will talk with 70’s Sci-Fi Art curator Adam Rowe about his new book Worlds Beyond Time: Sci-Fi Art of the 1970s. It’ll be streamed live on Zoom at 12 PM EST/3 PM PST on Tuesday, August 8th. Register here.

A visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art

Third Place Books welcomes local author Adam Rowe—senior writer at Tech.co and curator of the popular, multi-platform 70s Sci-Fi Art feed @70sscifi—for a presentation of his latest book, Worlds Beyond Time: Sci-Fi Art of the 1970s. Visit the store to see this stunning art-object for yourself! Rowe will be joined in conversation by local artist and writer Jared Pechaček. 

This event will be broadcast live on Zoom. Registering will provide you with a unique access link in an email. During the event, you can ask questions using the Q&A feature, or chat with fellow attendees. A recording of the event will be made available and emailed to all who register.

This author talk is free! You can sustain our author series by purchasing a copy of the featured book.

(4) PREEMPTIVE BOOK DUMPING. “Bookstores’ donations from teachers rise amid Florida book bans” reports WESH in Orlando.

Some used bookstores are seeing a rush of donations from teachers because those teachers are worried about book bans.

A stack of books sat in front of “Best Used Books” in Longwood on Thursday.

Crystal Bryant says the shelves are filling up more quickly this summer.

“Every author that you could possibly think of,” Bryant said.

Teachers are donating thousands more books than usual because they’re concerned about banned books.

“Those teachers are literally coming back every day, bringing boxes of stuff that they can’t they can’t use in their classrooms, which is sad,” Bryant said.

Bryant’s family has owned the shop for nearly 30 years.

And she says this year, they’ve gotten three times the amount of book dropoffs.

“Just a lot of stuff coming in,” Bryant said.

And we’re just like, we will take it because we don’t discriminate whatsoever.

“You’re seeing a lot of teachers saying, ‘I’m just not going to take the chance and I’m going to get rid of the classroom libraries,'” Andrew Spar said.

Spar is the president of Florida’s largest teachers’ union….

(5) THE ROARING TWENTIES OF BOOK SALES. The Guardian brings word: “‘I can’t stress how much BookTok sells’: teen literary influencers swaying publishers”.

The famous Waterstones in London’s Piccadilly is a modernist/art deco building. It started life as a menswear store and has the feel of that sort of traditional shop that is fast disappearing. But this bookshop, like many others, is enjoying a very modern sales boost from social media.

Groups of teenage girls regularly gather here to buy new books and meet new friends, both discovered on the social media app TikTok. Recommendations by influencers for authors and novels on BookTok – a community of users who are passionate about books and make videos recommending titles – can send sales into the stratosphere.

But while very much an online phenomenon, BookTok is having a material impact on the high street, with TikTok now pushing people to buy their books from bricks-and-mortar booksellers through a partnership with bookshop.org, which allows people to buy online and support independent bookshops at the same time.

Last year, Waterstones Piccadilly hosted a BookTok festival. One sales assistant told the Observer: “I can’t stress how much BookTok sells books. It’s driven huge sales of YA [young adult] and romance books, including titles such as The Song of Achilles by Madeline Miller and authors such as Colleen Hoover.

“The demographic is almost exclusively teenage girls, but the power it has is huge. We have a ‘BookTok recommended’ table – and you can tell which books are trending by the speed at which they sell.”…

(6) JETSON LORE. Back with another MeTV quiz – “How well do you know Elroy Jetson?” I only got 8 out of 10. “Only” because I’m convinced I knew the hardest ones, and one of my misses wasn’t really a question about the show itself.

“His boy, Elroy!”

Meet the boy of the future, Elroy Jetson! He’s got all the gadgets you could shake a stick at. But even though he’s living in a sci-fi world, Elroy Jetson is still relatable enough that any kid could see themselves reflected in his astronaut helmet. 

How well do you recall this techno-lad? Was Elroy your favorite, or were you tuning in for Astro? Who here wanted to be Elroy? Let us know what you think in the comments section below!

(7) SNUFF FICTION. The August entry in Future Tense Fiction’s monthly series is “No Regrets” by Carter Scholz, a “short story about geoengineering, billionaire hubris, and ‘altruistic’ narcissism.”

After the regrettable incidents on the island (the old island), the Doctor kept a low profile. Many thought he was dead. There was safety in that once. Now the greater safety is in being known.

What plans he had, back in the day! World domination! If only … but no, this is just the sort of negative spiral his therapist has warned him about. He has remade himself as an altruist, a philanthropist, and he means for his efforts to have maximum impact.

His therapist calls it “harm reduction,” a transition from the “malignant” narcissism of his past to the “altruistic” narcissism of the present. And it’s true he has changed: In times past, even referring to his narcissism might have earned the therapist a trip to the guano workings. But he is no longer that malevolent man. He’s even developed a sense of humor. He collects mad doctor jokes. He has a T-shirt that reads I’M NOT MAD I’M JUST GETTING EVEN….

The response essay, “Why we’re unprepared to confront the threat of extinction” is by Tyler Austin Harper, an “expert in philosophy and existential risk.”

One of Friedrich Nietzsche’s great early essays opens with a strange, science fictional vignette. Set on a melancholy little planet where “clever beasts invented knowing,” the philosopher’s parable recounts the rise, reign, and ultimate extinction of this sapient species, whose career is described as only a “minute” in the history of the universe. “After nature had drawn a few breaths, the star cooled and congealed, and the clever beasts had to die,” Nietzsche writes.

Nietzsche’s grift soon becomes transparent, of course: We are the “clever beasts” in the story, and the point of the parable is to force the reader to imagine our species from a God’s-eye view, to expose “how miserable, how shadowy and transient, how aimless and arbitrary the human intellect looks within nature.” The parable concludes on a nakedly nihilistic note: “When it is all over with the human intellect, nothing will have happened,” Nietzsche observes. “For this intellect has no additional mission which would lead it beyond human life.”

Understandably, most readers focus on the wildly pessimistic penultimate sentence, where Nietzsche announces humanity’s cosmic insignificance. However, it is the last sentence, which expressly explains why nothing will have happened, that holds the key to the parable’s meaning. For Nietzsche, the extinction of the “clever beasts” is meaningless not because their existence is intrinsically worthless, but because they fail to pursue any “mission” that would give their collective existence purpose. They do not set themselves a goal as a species….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 6, 1874 Charles Fort. Writer and researcher who specialized in anomalous phenomena. The term fortean is sometimes used to characterize such phenomena. No, not genre as such, but certainly an influence on many a writer. The Dover publication, The Complete Books of Charles Fort, that collects together The Book of The Damned Lo!Wild Talents and New Lands has a foreword by Damon Knight. When it was originally published as The Books of Charles Fort L. Sprague de Camp reviewed it in Astounding Science-Fiction in the August 1941 issue. (Died 1932.)
  • Born August 6, 1877 John Ulrich Giesy. He was one of the early writers in the Sword and Planet genre, with his Jason Croft series. He collaborated with Junius B. Smith on many of his stories though not these which others would call them scientific romances. He wrote a large number of stories featuring the occult detective Abdul Omar aka Semi-Dual and those were written with Smith. (Died 1947.)
  • Born August 6, 1926 Janet Asimov. Author of some half dozen novels and a fair amount of short fiction on her own, mostly as J.O. Jeppson; co-author with Isaac of the Norby Chronicles. Her Notes for a Memoir: On Isaac Asimov, Life, and Writing, came out thirteen years ago. (Died 2019.)
  • Born August 6, 1934 Piers Anthony, 89. Ok I’ll admit that I’m not at all familiar with him as comic fantasy isn’t my usual go-to reading though I’ve some of the Xanth series a long time ago. I know he’s popular so I’m going to ask y’all which of his novels would be a great introduction to him. Go ahead and tell which novels I should read. 
  • Born August 6, 1956 Ian R. MacLeod, 67. Another author I need to read more of. I’ve read the first two in what’s called the Aether Universe series, The Light Ages and The House of Storms, but there are other novels I’m intrigued by, including Song of Time and The Great Wheel. He’s won some impressive Awards including three Sidewise Awards for The Summer Isles (short and long forms) and for Wake Up and Dream novel. He also won a World Fantasy Award for “The Chop Shop” short story. 
  • Born August 6, 1972 Paolo Bacigalupi, 51. I remember the book group I was part of some years ago having a spirited debate over The Windup Girl (which won a Hugo at Aussiecon 4 and a Nebula as well) over the believability of the central character. I think he did a better job with characters in his next novels, Ship Breaker and The Drowned Cities, but he’s really not about characters anyways. 

(9) COMICS SECTION.

  • Bizarro reveals the post-apocalyptic cat world.
  • Herman shows another law enforcement-vs.-flying saucer encounter with a surprise ending.
  • Brewster Rockit thinks he’s surprising a colleague with his discovery of another way to read text.
  • Tom Gauld on classic novels improved by AI:

(10) THE MAN FROM UNCLE WITH THE GOLDEN GUN IN THE HIGH CASTLE. On the official blog of artist J.J. Lendle, The Poster Project, is an amazing gallery of tributes to current movies and shows on posters done in myriad styles drawn from the decades of Hollywood history. Here’s a very recent example.

(11) FREE READ. Sunday Morning Transport’s editors hope their free August story, Eugenia Triantafyllou‘s “Always Be Returning,” will “transport all our readers to mythical and strikingly heartfelt shores.” “Always Be Returning”. To receive new posts and support our authors’ work, consider becoming a free or paid subscriber.

(12) HE DIDN’T TAKE HIS SHOT. “Star Trek’s new musical episode happened because of Lin-Manuel Miranda” at The Digital Fix.

… It was initially going to be Star Trek Picard that was possibly going to have a musical episode. Executive producer of both Picard and Strange New Worlds Akiva Goldsman says that another exec-producer, Michael Chabon knows Lin-Manuel Miranda. “We were like, ‘Call him! call him!’” but “[Lin-Manuel] didn’t call him back. And that was the end of that musical. But it did seem like such a good idea. As soon as Henry and I got together to make [Strange New Worlds], I kept peppering him with, ‘We should do a musical,’ and Henry, of course, had done musicals before.”…

(13) 10,000 MILES I ROAMED, JUST TO MAKE THIS DOCK MY HOME. Most of these new-species-named-for-something-genre are pointlessly precious, but I admit this one made me laugh: “New Fish Species Named After The Lord of the Rings” at Comicbook.com.

The world of The Lord of the Rings has inspired countless adaptations and fan works — and now, it has officially influenced the world of fish. According to a new study in the Ichthyology & Herpetology journal, scientists have discovered a brand-new species of suckermouth catfish along West Africa’s Niger River, which shares some similarities with the franchise’s fictional Hobbits. In particular, the fish are seen as “diminutive travelers” who were separated a great distance from their fellow catfish, much like the Hobbits are in J.R.R. Tolkien’s stories. As a result, the brown and white fish has now officially been named Chiloglanis frodobagginsi, a reference to protagonist Frodo Baggins… 

(14) VIDEO OF BACK IN THE DAY. Brian Keene joins three more living legends — Ellen Datlow, Linda Addison, and Steve Rasnic Tem — for “Back in the Day (part 2)”.

Brian Keene speaks with panelists about what has changed in publishing and horror fiction over the years… and what hasn’t

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Steven French, Ben Bird Person, Kathy Sullivan, Peer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Horror Writers Association 2022 Election Results

The Horror Writers Association (HWA) held its annual election in September for the offices of President, Secretary, and to fill three open Trustee positions. The winners are:

  • President: John Edward Lawson
  • Secretary: Becky Spratford
  • Trustees: Linda Addison, James Chambers, and Ellen Datlow.

Lawson, who succeeded John Palisano as President, and Spratford ran unopposed.  

The elected officers shall hold their respective offices for terms of two years, beginning on October 31 at midnight.

The members of the HWA Election Committee were Lisa Marie Wood, Rhonda Jackson Joseph, and Nicole Kurtz; Ballot Master: Angel Leigh McCoy; Verifiers: Lila Denning and Shawnna Deresch; and administrator: Brad Hodson.

Pixel Scroll 2/21/22 And The Scrolls That Mother Gives You Don’t Have Any Pixels At All

(1) WAVE FUNCTION. Jim Benford was interviewed in a double-segment of 60 Minutes about the “Havana Syndrome” that is sickening State Department staffers around the world. He was interviewed as an expert on microwaves and as the author of High Power Microwaves, a copy of which was shown on screen. He was asked if the syndrome could be caused by a microwave weapon. Here’s an excerpt from the transcript.

James Benford: I think the best explanation, the most plausible, is that it’s a high-power microwave weapon.

James Benford is a physicist and leading authority on microwaves. He was not part of the government studies, but he co-wrote the book on microwave transmission. These are portable microwave transmitters of the kind that could damage the tissues of the brain.

James Benford: There are many kinds, and they can go anywhere in size from a suitcase all the way up to a large tractor trailer unit. And the bigger the device, the longer the range. 

Scott Pelley: This would be able to transmit its microwave energy through the wall of a van, the wall of a home, something like that?

James Benford: Vans have windows, microwaves go through glass. They go through brick. They go through practically everything.

The technology, Benford told us, has been studied more than 50 years.

James Benford: It’s been developed widely in, perhaps, a dozen countries. The primary countries are the United States, Russia and China.

(2) VALE LOVECRAFT. From Joseph T. Major’s latest Alexiad I learned: “H. P. Lovecraft has stunned the world by announcing that this summer will see the end of his regular advice videos, ‘Ask Lovecraft’, on YouTube. How blasphemeously rugose and squamous! …Leeman Kessler, the real voice of Ask Lovecraft, has a second child and regular responsibilities as Mayor of Gambier, Ohio. After ten years, this additional activity has become more than he can handle. We will miss Ask Lovecraft.”

The latest video assures listeners things will wind down gradually —

And we’re not ending right away. Have no fear, we’re going to take things to the middle of the year so that we are right on our 10th anniversary. Until that time we will continue to answer your questions, dispense wisdom and offer up all the jackanapes you’ve come to expect.

(3) IT’S THE ECONOMY. Author Kyle Galindez asks “Why can’t Hollywood sci-fi and fantasy imagine alternatives to capitalism or feudalism?” at Salon.

… As a fantasy author myself, I’m intrigued as to how writers’ imagination hit a wall when imagining political alternatives. I am reminded of the oft-quoted remark from literary theorist Frederic Jameson, who quipped that it is easier to imagine the end of the world than it is to imagine the end of capitalism. Accordingly, the authors who are adept at imagining the end of capitalism are, more often than not, at the fringes….

(4) BY CROM, NOW THIS IS A MIGHTY ORGAN. [Item by Daniel Dern.] Found in my library’s sale pile, and purchased for a buck, because it didn’t occur to me to first check Hoopla, YouTube, etc:

Basil Poledouris’ soundtrack for the Conan The Barbarian movie, transcribed for organ, performed by Phillipp Pelster (on Amazon).

As opposed to the actual soundtrack: “Conan The Barbarian (Original Motion Picture Soundtrack)” (via Hoopla).

Here’s one of several tracks, via YouTube:

Here it is being played on piano

And here’s a live orchestra performance (not just the organ):

By Crom’s Cavitous Teeth, I wouldst happily sell my copye for that dollar plus shipping (media mail even), elstwhyse I mayeth slip the foul thing back into the library’s for-sale box.

(5) MOCCA. The Society of Illustrators released the visuals for the 2022 MoCCA Arts Festival to be held April 2-3 in New York.

Featuring work by over 500 creators, the weekend will also include live lectures, panels, and artist signings! In one of the first independent comics festivals of the season, this year’s Fest will truly be a momentous occasion with many happy reunions for the community!

To help announce and promote this year’s Fest, the Society asked creator Yadi Liu, previous MoCCA Arts Fest exhibitor and Award of Excellence gallery artist, to create a colorful, celebratory image. Liu’s art will grace the cover of the Souvenir Journal and will feature prominently on all advertising and promotional materials, as well as a selection of merchandise available to purchase at the SI Booth. “Yadi’s art really captures our excitement for the return of the Fest. After several years of challenges and disappointments, we are so happy to welcome everyone back!” said Executive Director Anelle Miller.

In addition to Liu’s art, the Society has also asked several notable artists to create work for the show. Natalie Andrewson’s whimsical creatures will be displayed on the badges, and Patrick McDonnell’s quirky MUTTS characters will be featured as spot illustrations found throughout the Fest. These featured artists will be attending the Fest, and their schedules and table locations will be released as the date approaches. 

(6) BLACK HISTORY MONTH CONTINUES. The Horror Writers Association blog continues its “Black Heritage HWA interview series” –

How have you seen the horror genre change over the years? And how do you think it will continue to evolve?

For sure in the 50 years that I’ve been writing I see changes. Per diversity: In the beginning there were so few Blacks (and others) in genre writing. Since then it has increased in horror and science fiction and fantasy, which is good. The birth of black publishers and self-publishing has created an outlet for Other authors to offer their work to readers, in addition to the traditional publishers. We need this expanding to include more Others to continue. There are many different kinds of stories to be told and and creators to be seen. A big part of making this happen is for the publishing field to increase awareness and be willing to work at including other voices and realize that decision makers need to include Others.

Who are some African diaspora horror authors you recommend our audience check out?

The incredibly talented Chesya Burke is a writer who first came to my attention when I was putting together 60 Black Women in Horror. Valjeanne Jeffers and Crystal Connor are two writers who have impressed me with their short story work. I love L.A. Banks’ highly entertaining Vampire Huntress series. I love anthologies that give the reader a sampling of various African Diaspora horror writers, and Sycorax’s Daughers, edited by Linda Addison, Kinitra Brooks, and Susanna Morris and Dark Matter edited by Sheree Renee Thomas are two I recommend.

What was it about the horror genre that drew you to it?

I was drawn to horror because I needed it. I needed the distraction, the escape. The truth is, I was sort of an outcast and a latch-key kid until high school, where I would settle into just being awkward. I’m the quintessential late bloomer. With that, all that we now label ‘nerd stuff’ drew my attention and helped keep my little mind off some of the more challenging aspects of my life. Because of my strange interests, the other kids didn’t get me, and to be fair, I may have handled it badly. To give you a sense of how early my problems started, the first fight I ever had in school was over a Planet of The Apes action figure which I mistakenly brought to school only to have someone try to steal it. That was second grade.

As far as horror was concerned, everything I was exposed to became part of this rich fantasy world I developed in my head. At any given moment my imagination let me either hunt Dracula or be just like them. Naturally, this was balanced out with fantasies about being Batman or Spider-Man but as I approached my teens, these fantasies became an addiction. I think that’s possible; being addicted to your own imagination. And mine is a beast. It’s been fed some of the best horror books and movies. There’s also been a lot of cross pollination within genres, like drama and comedy. That’s why there are certain things I cannot stop doing, like inserting humor into some of my work, or creating these dialogues that could easily be inserted into a family drama, if not for the fact it’s a vampire and a werewolf having the argument.

(7) THE FIRST DAY OF THE WEEK. The New York Times asked “How Marlon James, Novelist, Spends His Sundays”.

ON CALL When I come back here, I usually have to deal with people who don’t respect the sanctity of my Sunday, like the production team for this TV show I’m working on called “Get Millie Black,” a detective show set in the U.K. and Jamaica. It’s produced by HBO and hopefully will be out around this time in 2023. When you’re a writer, there’s no days off….

(8) WORLD VIDEO GAME HOF NOMINATIONS. You have until February 28 to submit a recommendation for the 2022 World Video Game Hall of Fame sponsored by The Strong National Museum of Play.

Do you have a favorite video game that deserves to join icons such as Pong, Pac-ManSuper Mario Bros., TetrisThe Legend of Zelda, and The Oregon Trail in The Strong’s World Video Game Hall of Fame? Video game lovers everywhere are urged to submit nominations for induction onlineSubmissions for nominations must be made by Monday, February 28, 2022. Finalists will be announced in March, 2022, and inductees will be revealed at a special ceremony at The Strong museum on May 5, 2022.

The World Video Game Hall of Fame at The Strong was established in 2015 to recognize individual electronic games of all types—arcade, console, computer, handheld, and mobile—that meet the following criteria: icon-status, the game is widely recognized and remembered; longevity, the game is more than a passing fad and has enjoyed popularity over time; geographical reach, the game meets the above criteria across international boundaries; and influence, the game has exerted significant influence on the design and development of other games, on other forms of entertainment, or on popular culture and society in general.

(9) WADE IN. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna writes about “Homer At the Bat,” a classic episode of The Simpsons that first aired in February 1992 and was one of the first episodes to feature multiple celebrities in one episode.  Cavna reports the episode is packed with baseball lore (if you know who Cap Anson was, this is a show for you) and he interviews Wade Boggs, who says at autograph shows “I feel like I’m at a Comic-Con” because he has as many fans asking him to sign stills from The Simpsons as he does photos of him in a Red Sox, Yankees, or Devil Rays uniform. “’Homer at the Bat’ at 30: The ‘Simpsons’ baseball episode that pushed the show’s boundaries”.

…As Major League Baseball endures a lockout and faces a possible delay to this season, it’s an apt occasion to remember another time when ballplayers and management didn’t see eye to eye. Enter Homer, Mr. Burns and themighty lineup of imported pro ringers.

“Homer at the Bat,” which featured the voices of nine active major leaguers andmade its debutFeb. 20, 1992,was more than a quirky one-off in celebrity stunt casting. The 17th episode of Season 3 emboldened the minds behind “The Simpsons” to push the boundaries of what an animated half-hour series could do and show.

And from a ratings standpoint, it was a bellwether for the surging show: “Homer at the Bat” marked the first time that a new “Simpsons” episode beat an original episode of “The Cosby Show,” long an NBC juggernaut; on that prime-time Thursday night, “Simpsons” softball also topped CBS’s Winter Olympics coverage from Albertville, France….

(10) MEMORY LANE.

1967 [Item by Cat Eldridge] Fifty-five years ago, Raquel Welch starred in One Million Years B.C. which was financed by Hammer Film Productions and Seven Arts. It was a remake of One Million B.C., a film made twenty-seven years earlier. The original film was also known as Cave Man, Man and His Mate and Tumak. That film was produced by Hal Roach and D. W. Griffith who I know you’ll recognize. 

 It was directed by Don Chaffey from the screenplay by Michael Carreras which in turn was based off the screenplay for the first film written by Mickell Novack, George Baker and Joseph Frickert. 

The primary cast was Raquel Welch as Loana and John Richardson as Tumak with rest of the cast being Percy Herbert as Sakana, Robert Brown as Akhoba, Martine Beswick as Nupondi  and Jean Wladon as Ahot. 

Ray Harryhausen animated all of the dinosaur attacks using stop-motion animation techniques, and also coordinated all of the live action creatures used from turtles to crickets and iguanas. 

So what was the reception for it? Most critics liked it. The Monthly Film Bulletin said that while it was “Very easy to dismiss the film as a silly spectacle; but Hammer production finesse is much in evidence and Don Chaffey has done a competent job of direction. And it is all hugely enjoyable.” And TV Guide said “While far from being one of Harryhausen’s best films (the quality of which had little to do with his abilities), the movie has superb effects that are worth a look for his fans.”

It cost just two point five million to make and made four point five million, a solid profit at the time.

Audience reviewers at Rotten Tomatoes give it a really poor thirty-six percent rating which I admit surprised me.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 21, 1912 Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing StoriesAstoundingThe Magazine of Fantasy and Science FictionMarvel TalesSuper Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing beginning initially for Astounding Science Fiction and later for its successor, Analog. The 1963 Worldcon presented him with a special committee award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
  • Born February 21, 1914 H.L. Gold. Editor of Galaxy from 1951 to 1960 and If from 1959 to 1961. Before that, from 1939-41 he was an assistant editor on Captain FutureStartling Stories and Thrilling Wonder Stories. He also was a writer working for DC in the early Forties on BatmanBoy Commandos, Superboy, Superman and Wonder Woman. In the Thirties, he wrote two novels, A Matter of Form and None But Lucifer, the latter with L. Sprague de Camp. And he wrote a double handful of short fiction. Philcon II awarded him, along with John W. Campbell, Jr. for Astounding Science Fiction, the Hugo for Best Professional Editor for his work on Galaxy. (Died 1996.)
  • Born February 21, 1935 Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart.  A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
  • Born February 21, 1937 Gary Lockwood, 85. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot, Mission ImpossibleNight GallerySix Million Dollar Man and MacGyver.
  • Born February 21, 1946 Anthony Daniels, 76. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it? 
  • Born February 21, 1946 Alan Rickman. I’ll single him out for his role in the beloved Galaxy Quest as Dr. Lazarus but he’s got an extensive acting resume in our community. Of course he played Professor Severus Snape in the Potter franchise, and his first genre role was in the Robin Hood: Prince of Thieves as the Sheriff of Nottingham. He voiced Marvin the Paranoid Android in The Hitchhiker’s Guide to the Galaxy, a role worthy of an Academy Award. Voicing Absolem in Alice Through the Looking Glass was his final role. (Died 2016.)
  • Born February 21, 1950 Larry Drake. I know him best as the over the top Robert G. Durant in the Darkman franchise. His other genre roles are largely in series one offs such as several appearances on Tales from the Crypt, an appearance on The Outer Limits and even an episode of Star Trek: Voyager. (Died 2016.)
  • Born February 21, 1961 David D. Levine, 61. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear thisaway. He has the Adventures of Arabella Ashby series which currently is four novels strong. To date, he has had one collection titled Space Magic.

(12) COMICS SECTION.

  • Bizarro with Batman and Robin – took me a moment to get it!
  • It’s The Argyle Sweater, but this one would be just as at home in Bizarro or The Far Side.
  • Dinosaur Comics’ creator tells the audience, “What this comic assumes is that the ninth and current Secretary-General of the United Nations, António Guterres, the former Prime Minister of Portugal, knows who Spider-Man is. I believe this to be an extremely fair assumption.”
  • Tom Gauld in the Guardian:

(13) EASTER EGGS. Each week Dan Piraro, the creator of the Bizarro newspaper comic, posts his Sunday comic, then a short essay. In “Pie Eyed” he explains all the extras in yesterday’s comic. There are plenty!

…Anyway, I’m fascinated by background jokes and hidden images. I’m saying all this because the Sunday cartoon above is a prime example of my obsession. There are so many background gags in this one it almost overwhelms the main joke. I’m aware of that but I can’t stop myself.

I’ve included Bunny’s Pie Repair as a business in the background of cartoons on city streets a bunch of times, but I think this one is the most elaborate version I’ve done. Here’s an enlargement for your convenience….

(14) ARCHIE’S NOTES. Bob Byrne turns another calendar page at West 35th Street: “Nero Wolfe’s Brownstone: Stay at Home – Day 37” at Black Gate.

So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-six. Here is thirty seven (April 27). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Thirty Seven – 2020 Stay at Home

I was looking through some old notebooks today and came across this gem from a case I never finished writing up. There have been times when I think Inspector Cramer really did want to lock me up forever, and this was one of them…

(15) ONCE AND FUTURE AILUROPHILES. Mark Twain House & Museum will host a free virtual event “A Cat’s Tale: Dr. Paul Koudounaris and Baba the Cat on the History of Cats in America” on Thursday, February 24 at 7:00 p.m. Eastern. Register here.

The Mark Twain House & Museum is delighted to welcome fellow feline enthusiast, historian, and author Paul Koudounaris – a man who might just love cats as much as Mark Twain did.

Paul will discuss the history of America’s felines and their oft neglected contributions. Presented with a slideshow of historical images, the talk will take the audience on a wild and harrowing journey to reclaim the prodigious achievements of some of our nation’s greatest cats. Learn about cats in wartime and their role in the Wild West. Hear the extraordinary stories of cats like Clementine Jones, who traveled 1600 miles to find her family in a home and city she had never before been in. Or Pooli, a World War II US Navy cat who is the most decorated military animal in American history. Or Kiddo the flying cat, the world’s first celebrity feline. Or the amazing Colonel, the greatest (and highest ranking!) cat in US Army history.

(16) KEEP CALM.

Twitter would not give me the blue check, so I can assure everyone that standards are being upheld.

(17) COULD IT BE…CTHULHU? “Galaxy’s Centre Hosts Hundreds Of Strange Tendrils” reports Nature.

The Galaxy’s population of mysterious filaments that emit bright radio waves is at least ten times larger than scientists realised

Radio astronomer Farhad Yusef-Zadeh co-discovered the first of these filaments in the 1980s.  The structures consist of electrons travelling at nearly the speed of light, on trajectories that spiral around magnetic-field lines. Now, Yusef-Zadeh, who is based at Northwestern University in Evanston, Illinois, and his collaborators have used MeerKAT, an array of 64 antennas in South Africa’s Northern Cape region, to take a series of 20 shots of the Milky Way’s central region, an effort that took some 200 hours.

The resulting composite image reveals a number of striking features, including expanding shock waves generated by supernovae, or exploding stars, and almost 1,000 filaments. The filaments’ spectral features suggest that their origin is not related to supernovae.

One possible explanation is that they originated from past cycles of activity of Sagittarius A*, the supermassive black hole at the Galaxy’s centre. Mysteriously, some of the filaments seem to be clustered together and evenly spaced, like the teeth of a comb.

(18) WALLY FUNK AND INGENUITY AWARDED. The National Air and Space Museum’s 2022 Michael Collins Trophy has been awarded to Wally Funk and the Mars Ingenuity Helicopter Team.

Wally Funk will receive the 2022 Michael Collins Trophy for Lifetime Achievement. Funk embodies the adage of “never give up on your dreams.” Since her first flying lesson in 1948 at age 9 and enrollment in flight school at 16, Funk knew that she wanted to fly, despite societal biases against women in aviation. After earning multiple certificates and ratings, she set her sights even higher in the sky—space. She was one of the top-performing participants in the Lovelace Woman in Space Program and dedicated decades of her life to flight instruction and safety, having logged over 19,600 hours of flight time, while never abandoning her dream of going to space. In 2021, that dream came true when she launched on the first crewed suborbital mission of Blue Origin’s New Shepard capsule.

MiMi Aung and the Mars Helicopter Ingenuity Team will receive the 2022 Michael Collins Trophy for Current Achievement. In April 2021, a small robotic helicopter achieved the first powered flight on another planet. Delivered to the surface of Mars by the rover Perseverance, Ingenuity was a technology demonstration aboard the Mars 2020 mission and successfully proved that flight was possible on the Red Planet. It is also now serving as a helpful tool to aid rover exploration of Mars. Ingenuity completed increasingly challenging flights and scouted areas for the Perseverance rover’s upcoming treks. Ingenuity’s “Wright brothers moment” captured the attention of the public back on planet Earth and inspired everyone to imagine what could be next in planetary exploration.

Congratulations to these two worthy recipients! They will be honored at an event at the end of March. The event is sponsored by Atlas Air Worldwide, BAE Systems, Booz Allen Hamilton, The Claude Moore Charitable Foundation, Jacobs, Leidos, National Air Traffic Controllers Association, Pratt & Whitney, Sierra Nevada Corporation, and Thales.

(19) FLAME ON. [Item by Martin Morse Wooster.] This remake of Stephen King’s Firestarter is coming in May and has a kid “who can unleash a nuclear explosion simply by using the powers of her mind.”  Gosh wow!

(20) VIDEO OF THE DAY. This video, which dropped yesterday, has Ryan George playing an apprentice ghost who’s having a hard time learning not to haunt people: “Ghosts Are Bad At Revenge”.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 2/5/22 You Can Go Scroll At Home Tonight If You Can Get Up And File Away

(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present N.K. Jemisin and Brooke Bolander in a virtual event on Wednesday, February 16, 2022, 7:00 p.m. Eastern. The readings will be held live on YouTube — link to come.

  • N.K. Jemisin
The City We Became by N.K. Jemisin, art by Lauren Panepinto
The City We Became by N.K. Jemisin, art by Lauren Panepinto

N. K. Jemisin is a New York Times-bestselling author of speculative fiction short stories and novels. In 2018, she became the first author to win three Best Novel Hugos in a row, for the Broken Earth trilogy, currently in film development. She has also won a Nebula Award, two Locus Awards, and is a recipient of the MacArthur “Genius” Fellowship.

  • Brooke Bolander

Brooke Bolander’s fiction has won the Nebula and Locus awards and been shortlisted for the Hugo, Shirley Jackson, Theodore Sturgeon, World Fantasy, and British Fantasy. Her work has been featured on Tor.com and in LightspeedStrange Horizons, Uncanny, and The New York Times, among other venues. She currently resides in New York City.

(2) TITLES TO RETURN TO. A Guardian “Books” interview with David Mitchell includes a shout out to Ursula K. Le Guin, among others: “David Mitchell: ‘If I need cheering up, Jamie Oliver’s recipes usually help’”.

The book that changed me as a teenager
EB White’s Charlotte’s Web gave me the uncomfortable idea that the contents of my bacon sarnie had wanted to be alive as much as I did. Anne Frank’s Diary and Richard Wright’s Native Son gave me a sense of proportion regarding my own problems and injustices….

The book I reread
The Left Hand of Darkness by Ursula K Le Guin, once a decade. It’s trippy, human, mind-expanding, curious, feels more prescient by the year and has one of my favourite lines from anything: “The King was pregnant.” The book is a chance to catch up with my past and future selves and see how we’re getting on.

(3) A BURNING SENSATION. The TV show has been a boon to Irish tourism, however, this place won’t be a destination anymore: “Winterfell set from Game of Thrones set on fire” reports Winteriscoming.net.

Game of Thrones was one of the most elaborately produced shows in television history, meaning it had a lot of really big, really impressive sets. Winterfell, King’s Landing, Meereen…this show took us to some spectacular places, and the crew deserves plaudits for their fine work.

It must be hard for some of those crew members to watch their work get torched. But according to the Belfast Telegraph, that’s what happened earlier this week. Per the Northern Ireland Fire and Rescue Service, it was a “controlled burn,” meaning this wasn’t a grease fire that got out of hand or anything; they meant to do this, although we’re not sure entirely why. They may just be getting rid of a set that’s no longer needed in the area, or it could be part of another production; there are other movies and TV shows that might need a burning castle….

(4) BLACK HISTORY MONTH. The Horror Writers Association blog is running a “Black Heritage HWA interview series” – here’s a quote from the introduction by Linda Addison.

… This country is built by a wide variety of people from different cultures, and just as horror fiction has many sub-genres, Black horror writers are not defined by one type of writing. From gothic through paranormal, supernatural, weird and so on, Black writers are creating work in wide-ranging areas.

Black horror is growing in every category of writing: novels, short/long fiction, non-fiction, as well as graphic novels, screenplays, poetry collections, and podcasts. Publishing through traditional and Black-owned publishing companies, along with self-publishing presents authors with several venues to offer their work to the public.

Horror writing allows readers to experience the rush of fear, the thrill of danger in the safety of their homes or theaters. Black Americans have historic and current experiences with real-life horror that can flavor our work. A society can only benefit by exposure to different voices and stories….

And here are links to the interviews presented so far —

Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?

Yes, I do. I’m from a majority Black community (New Orleans), so to write in a realistic way, I portray those characters and I portray them with as much humanity and complexity as I can.

What was it about the horror genre that drew you to it?

I have always loved horror, ever since I was very young. I think one of the attractions is that in real life, the monsters we encounter have almost unlimited power over us and seem invincible. But what horror teaches us is that there is usually a rule or legend… a silver bullet, a wooden stake, salt, water, a talisman… a method that a normal person can employ to vanquish the monstrous entities in our midst. Through knowledge and courage we become giant slayers.

How have you seen the horror genre change over the years? And how do you think it will continue to evolve?

Horror changes as we change, so yes, absolutely. In the twenty…-ok we don’t really need to calculate just how long it’s been, do we? Since I have been writing, I have seen smartphones be created and apps take over the world. I have seen electric cars on the road and school being conducted online. The world has advanced and horror has done so as well, using the technology of the day to add to the stories that are told. I think that will continue – we’ll figure out a way to make something brand new sinister… I’m sure someone is already thinking of something amazing for that self-driving car already!

And to the Black writers out there who are just getting started, what advice would you give them?

To the Black writers out there getting started, write the themes you’re passionate about in your horror. Build on them. Terrify people with the unfamiliar and stay true to the craft. Listen to that writers voice inside and tell the story you want to tell.

(5) HWA PUBLISHERS COUNCIL. The Horror Writers Association has assembled a group to facilitate communication between horror authors and publishers: “Horror Writers Association Announces Inaugural Publishers Council”.

In an effort to build stronger relationships between the Horror Writers Association (HWA) and horror publishers, editors, and industry professionals, the HWA announced the launch the first ever HWA Publishers Council. This council will be comprised of an elected cohort of individuals who represent a diverse spectrum of genres and outlets across the publishing industry—from traditional small and mid-size presses, niche publishers, and indie micro-presses to magazines and other horror publishing industry professionals.

The inaugural council will be overseen by HWA President John Palisano and co-chaired by HWA Board of Trustees Treasurer Maxwell Gold and Black Spot Books Founder and President Lindy Ryan. Seated on the inaugural council are Jennifer Barnes (Raw Dog Screaming Press), Michael Bailey (Written Backwards), Don D’Auria (Flame Tree Press), Kevin Lucia (Cemetery Dance), Wendy Wagner (Nightmare Magazine), Romie Stott (Strange Horizons), and Jonathan Maberry (Weird Tales). Cohort members will serve one year.

Says co-chair Maxwell Gold, “My hope is that with the Publishers Council, the Horror Writers Association will be able to create not only resources for writers, but also more transparent understanding and education into how publishing works.”…

(6) UP TO THE HILT IN SUSPENSE. “Amazon Releases ‘Lord of the Rings’ TV Show Character Photos With One Thing Missing”. Yahoo! Entertainment has collected all the Instagram photos.

You gotta hand it to Amazon Studios, they know how to tease a TV show.

The company released the first character photos from its highly anticipated The Lord of the Rings: The Rings of Power TV series.

There’s just one catch: There are no heads.

The photos (below) show the hands and midsections of characters from the show. Character and actor names are also not being released.

These hands-of-the-king may seem frustrating to some, but the goal is to fuel fandom speculation about who is who — as well as draw attention to the intricate costume, prop and accessory work. Indeed, there are a lot of hints and details packed into each shot.

Here’s one example:

(7) I SOLUTE. Harry Potter is third of three detectives mentioned in this piece about YA mysteries: “Sleuth Youths” at CrimeReads.

…Harry Potter is the embodiment of that classical trope of mystery detectives, the outsider. Not only does Harry have a mystery to solve, but he is learning all about his new world at the same time that we are….

(8) MOON WOMAN. Ann Holmes discovers “The Radical Woman Behind ‘Goodnight Moon’” in The New Yorker.

Bruce Handy, in his 2017 book about children’s literature, “Wild Things,” confesses that he always imagined the writer Margaret Wise Brown to be a dowdy old lady “with an ample lap”—just like the matronly bunny from her classic story “Goodnight Moon,” who whispers “hush” as evening darkens a “great green room.” In fact, Brown was a seductive iconoclast with a Katharine Hepburn mane and a compulsion for ignoring the rules. Anointed by Life in 1946 as the “World’s Most Prolific Picture-Book Writer,” she burned through her money as quickly as she earned it, travelling to Europe on ocean liners and spending entire advances on Chrysler convertibles. Her friends called her “mercurial” and “mystical.” Though many of her picture books were populated with cute animals, she wore wolfskin jackets, had a fetish for fur, and hunted rabbits on weekends. Her romances were volatile: she was engaged to two men but never married, and she had a decade-long affair with a woman. At the age of forty-two, she died suddenly, in the South of France, after a clot cut off the blood supply to her brain….

(9) MEMORY LANE.

1962 [Item by Cat Eldridge] Sixty years ago at Chicon III where Earl Kemp was the Chair,  Wilson Tucker was Toastmaster and Theodore Sturgeon was the Guest of Honor, Robert A. Heinlein’s Stranger in a Strange Land won the Hugo for Best Novel. It had been published the previous year by G. P. Putnam’s Sons. 

Other nominated works that year were Dark Universe by Daniel F. Galouye, Sense of Obligation (also called Planet of the Damned) by Harry Harrison, The Fisherman (also known as Time Is the Simplest Thing) by Clifford D. Simak and Second Ending by James White.  

It was his third Hugo in six years after Double Star at NyCon II and Starship Troopers at Pittcon. He’d win his fourth and final Hugo for The Moon is a Harsh Mistress at NyCon 3 in five years.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance.  After that early Thirties film, he shows up (bad pun I know) in The Invisible ManThe Black CatBride of FrankensteinAli Baba Goes to TownThe Three Musketeers and The Hound of the Baskervilles. Look, that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight ZoneThe MunstersLost in SpaceNight Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1919 Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s in Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island which though I suspect it’s not a record is still impressive. (Died 2006.)
  • Born February 5, 1924 Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale which has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1941 Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage which I never heard of. He also created the Castle series with Nathan Fillion of Firefly fame and was one of the actual players at the poker games on the series. View one of them here. (Died 2010.)
  • Born February 5, 1961 Bruce Timm, 61. He did layout at Filmation on the likes of of Flash Gordon and He-Man and the Masters of the Universe. Sought work at DC and Marvel without success before being hired at Warner Brothers where his first show was Tiny Toons before he and his partner on that series created Batman: The Animated Series. That in turned spawned more series by him — Superman: The Animated SeriesBatman BeyondStatic ShockJustice League in several series and Green Lantern: The Animated Series. Certainly not all of them but that’s the ones I remember seeing and enjoying. His first love is comics. He and writer Paul Dini won the Eisner Award for Best Single Story for Batman Adventures: Mad Love in the early Nineties and he’s kept his hand in the business ever since. Harley Quinn by the way is his creation. He’s a voice actor in the DC Universe voicing many characters ranging from the leader of a Jokerz gang in a Batman Beyond episode to playing The Riddler in Batman: Under the Red Hood
  • Born February 5, 1964 Laura Linney, 58. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on ever so excellent Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows
  • Born February 5, 1974 Rod Roddenberry, 48. Son of those parents. Currently Executive Producer on DiscoveryPicardLower Decks and the forthcoming Strange New Worlds. His very first job in the Trek franchise was as Production Assistant on Next Gen. Interestingly his Wiki page says he was a Consulting Producer on the fanfic video Star Trek: New Voyages. 

(11) COMICS SECTION.

(12) NAMING CONVENTIONS. If Harlan Ellison’s story had been titled “Drifts Off the Isle of Langerhans,” a couple of these would have been the right choice to clear them. “’Betty Whiteout,’ ‘Ctrl Salt Delete’ top winners in MnDOT Name-a-Snowplow contest” reports MPR News. [Via Paul Weimer.]

“Betty Whiteout” is the runaway winner in this winter’s Minnesota Department of Transportation Name-A-Snowplow contest.

The name honoring Hollywood icon Betty White, who died Dec. 31 at age 99, received 40,024 online votes in the results announced Thursday.

Coming in second with 21,372 votes was “Ctrl Salt Delete,” followed by “The Big Leplowski” (17,478), “Plowasaurus Rex” (13,209) and “Scoop Dogg” (13,144).

“Blizzard of Oz” (12,742), “No More Mr. Ice Guy” (11,198) and “Edward Blizzardhands” (10,664) rounded out the top eight.

…Last winter’s winners were “Plowy McPlowFace,” “Ope, Just Gonna Plow Right Past Ya,” “Duck Duck Orange Truck,” “Plow Bunyan,” “Snowbi Wan Kenobi,” “F. Salt Fitzgerald,” “Darth Blader” and “The Truck Formerly Known As Plow.”

Two of this winter’s winners — “Blizzard of Oz” and “Edward Blizzardhands” — had been among the names that fell short in voting last winter….

(13) CRITICAL ROLE THEORY. Slate discovers that a popular show on Amazon Prime is D&D-derived. “The Legend of Vox Machina on Amazon Prime: The story behind Critical Role landing its own cartoon.”

There’s a new show on Amazon Prime, and boy, does it come with a lot of backstory.

No, it’s not the Lord of the Rings show, which Amazon has already thrown a ton of money at—that’s not out until later this year. This one is animated, and at first blush, it may just seem like any old cartoon about magic and action and dragons. But The Legend of Vox Machina, a fun, raunchy fantasy series with new episodes out every Friday, has already taken the internet by storm. That’s because it started out as a long-running Dungeons & Dragons game, called Critical Role—which just so happens to be one of the most successful web series in history.

…Beginning like most D&D games—with a group of friends, some creative ideas, and a whole lot of dice—Critical Role is a story set in the fantasy world of Exandria, created by game master and renowned voice actor Matthew Mercer. Mercer and his friends started livestreaming themselves playing the game for an audience in 2015, when the story was already underway.

The internet quickly fell in love with the story and its colorful characters via these streams, which aired weekly on Twitch and YouTube. The story of the Vox Machina campaign in particular—the first D&D game played together by the Critical Role cast—followed this ragtag team on their adventures, which involved them growing from self-interested mercenaries searching for a big payout to saving their realm from otherworldly dangers, with plenty of other high-stakes subplots along the way. The campaign streamed (almost) every Thursday night for over two years as our brave heroes fought dragons, demons, and would-be gods. With each episode usually running between three and four hours, the first campaign ended with more than 400 hours of wacky, intense, and above all impeccably narrated gameplay to watch.

The primary cast included Grog Strongjaw (played by Travis Willingham), Pike Trickfoot (Ashley Johnson), twins Vex’ahlia and Vax’ildan (Laura Bailey and Liam O’Brien), Keyleth (Marisha Ray), Scanlan Shorthalt (Sam Riegel), and Percival de Rolo (Taliesin Jaffe).

Even after the story of Vox Machina came to a close, Critical Role just kept on rolling. A second campaign ran for three additional years, clocking in at over 500 hours, and Campaign 3 kicked off in October 2021. Each campaign features a new story, new characters, and a different setting within the world of Exandria, and the cast continues to stream all of it for its ever-growing fan base. All told, that’s 1,000 hours of content—and counting.

(14) HEAVY DUTY. Science and Nature says “World’s Second Largest Meteorite Discovered in Argentina”.

A 30,800-kilogram meteorite has been unearthed in Argentina, and experts have declared it to be one of the largest meteorites ever found on Earth.

The discovery, made on the border of Chaco, about 1,078 km (670 miles) northwest of the Buenos Aires, has been attributed to a meteor shower that hit the region more than 4,000 years ago. Weighing in at more than 30 tons, the find has been controversially named the second largest meteorite on Earth, but until further tests are completed, it’s too soon to give away that title just yet.

The undisputed king of Earth-based meteorites is a 66-ton whopper called Hoba, excavated in Namibia nearly a century ago. While the Hoba meteorite has been fully uncovered from its resting place in the Otjozondjupa Region of Namibia, due to its size, it has never been removed.

It’s thought to have slammed into Earth some 80,000 years ago, and its age has been estimated to be between 190 million and 410 million years. The rival contender for the second spot is El Chaco – a 37-ton meteorite discovered in the same Argentinian field as this new find.

Now experts will need to perform additional weigh-ins to see if this new Argentinian meteorite, called Gancedo, can beat that and secure the title below Hoba.

“While we hoped for weights above what had been registered, we did not expect it to exceed 30 tons,” Mario Vesconi, president of the Astronomy Association of Chaco, told the Xinhua news agency over the weekend. “[T]he size and weight surprised us.”…

(15) WHEELS WITHIN WHEELS. Keeper of the Jewel: Highcliff Guardians Series Book One begins a new series by fantasy author and podcaster, Richard H. Stephens.

Something evil lurks beneath the palace.

A phantasm from a darker past makes its presence known to Khae Wys, Queen of the Elves.

Braving the perils of a haunted tower, the queen seeks the counsel of the mysterious Fae, for only they can predict what is to come. A future that doesn’t bode well for her only living child.

In a desperate attempt to save the heir to the Willow Throne, Princess Ouderling is exiled to the only place capable of protecting her. Highcliff, the home of the coveted Crystal Cavern and the dragons that watch over it.

The Duke of Grim, however, has other plans for the princess.

Featured at the Amazon.com Kindle Store and the Amazon.ca: Kindle Store.

Stephens says, “Halfway through book three of the Soul Forge Saga, Into the Madness, (aptly named), one of my main characters did something so uncalled for that it opened the floodgates to the potential for a 20-30 book series. A storyline so involved with lore and magic that it will span many centuries. Who knew the addition of a dragon would become an all-consuming desire to write an in-depth back story? Thus, the Legends of the Lurker was born.”

(16) COMING ATTRACTIONS. On March 9, Marvel Comics will release Captain Carter #1.

Captain Carter, the fan-favorite character recently featured in Marvel Studios’ What If reports for duty in her very own comic series next month. Prolific creator Jamie McKelvie uses his acclaimed talents to bring this Marvel super hero to the forefront of Marvel Comics canon, writing the series and designing the character’s brand-new look. McKelvie will be joined by rising star artist Marika Cresta, known for her recent work on Star Wars: Doctor Aphra. The five-issue limited series will introduce this World War II hero in an adventure that will find Peggy Carter as a woman out of time, facing the reappearance of an old foe in modern day and deciding what she stands for as the wielder of the shield.

 “There’s a whole load of story meat in the premise that interests me,” McKelvie told Syfy Wire. “It’s almost 80 years since the end of World War II. That’s a big difference to the 20 years Steve Rogers was in the ice in the original comics timeline. It’s a huge gap, and so much has changed since then. Even the decade since MCU Cap woke up has seen a lot of big shifts in the world. So that’s immediately exciting to me –– how do you deal with waking up in such a radically different world, with every anchor in your life long gone?”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Steven French, Andrew Porter, Michael Toman, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

2021 Rhysling Award Winners

Linda D. Addison and Jenny Blackford are the winners of the 2021 Rhysling Awards presented by the Science Fiction and Fantasy Poetry Association (SFPA).

The winners were chosen by SFPA members, with 115 votes cast.

SHORT POEM

Winner: “Summer Time(lessness)” by Linda D. Addison, Star*Line 43.4

Second Place: “Why did white people conquer the world for spices and then never use them?” by R. Thursday, Drunk Monkeys (November 16)

Third Place: “Darning” by Sandra J. Lindow, Asimov’s Science Fiction (May/Jun)

LONG POEM

Winner: “Eleven Exhibits in a Better Natural History Museum, London” by Jenny Blackford, Strange Horizons (14 Sept.)

Second Place: “A Song from Bedlam” by Nike Sulway, Liminality 23

Third Place: “Devilish Incarnations” by Bruce Boston, Star*Line 43.1

The 2021 Rhysling Anthology edited by Alessandro Manzetti, with book design by F. J. Bergmann and cover image by Adrian Borda, can be purchased at the SFPA site.

Pixel Scroll 7/1/21 Scrolling By 40 Specially Trained Ecuadorian Mountain Pixels

(1) KGB IN TIMES TO COME. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Nancy Kress and Kim Stanley Robinson in a YouTube livestream event on Wednesday, July 21 at 7 p.m. EDT. Link to follow. 

  • Nancy Kress

Nancy Kress is the multiple-award winner of science fiction and the occasional fantasy.  Her most recent works are the stand-alone novella Sea Change, about the genetic engineering of crops, and the space-opera The Eleventh Gate. Based in Seattle with, Nancy divides her time between writing and trying to train a very stubborn Chihuahua puppy.

  • Kim Stanley Robinson

Kim Stanley Robinson is a multi-award winner of science fiction probably best known for his Mars trilogy. His most recent novels are Red Moon and The Ministry for the Future. He lives in Davis, California.

(2) JEMISIN’S STATEMENT. Following publication of the Vox article “How Twitter Can Ruin A Life”, based on an interview with Isabel Fall, author of “I Sexually Identify as an Attack Helicopter,” some of N. K. Jemisin’s tweets about the topic from 2020 (see the Wikipedia) have been criticized. Today Jemisin posted an explanatory “Statement on Isabel Fall comments” at her blog.

… The reporter also reached out to me while researching this article, because there’s been a lot of internet chatter about my involvement. I shared what I could with her (off the record), and since she let me know that she was in direct contact with Ms. Fall, I took the opportunity to send a private apology at that time. I had hesitated to do so publicly before this because I didn’t know if it would just bring more unwanted attention to Ms. Fall — but since we’re talking about all of this again, now seems like a good time….

Jemisin recaps in some detail what she was trying to say and what went wrong, followed by this short summary:

…I am deeply sorry that I contributed to Ms. Fall’s distress, and that I was not as thoughtful as I should have been in my response. Let me also apologize specifically to my trans and NB readers, some of whom caught flak because I RTed them, and others who may have been hurt or confused by what I said. I just should’ve done a better job of it.

By now I hope it’s clear that I never wanted to hurt Ms. Fall and was trying to offer support…. 

(3) ALIEN COMING TO TV. Vanity Fair interviews the showrunner: “New ‘Alien’ TV Series Will Be Class Warfare With Xenomorphs”.

…Now a new FX TV series based on the franchise is in the works from Fargo showrunner Noah Hawley—who says it’s about time for the facehuggers and xenomorphs to sink their claws into the white-collar executives who have been responsible for sending so many employees to their doom. 

In a conversation about the symbolism of season four of Fargo, Hawley also offered an update on the Alien series, as well as his new novel, Anthem. The show, however, will have to wait a little while, since the crush of new productions after the pandemic has consumed all of Hollywood’s resources. How appropriate….

Vanity Fair: What’s next for you? Is there a season five in the works for Fargo?

Noah Hawley: Yeah, I think so. I don’t have it yet. I have pieces that will have to survive. They’re not connected. I think it would be good to create an ending, and deliberately come to something, knowing it’s the last one and see how one might wrap up this anthology. What’s next for me, it looks like, is [an] Alien series for FX, taking on that franchise and those amazing films by Ridley Scott and James Cameron and David Fincher. Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting.

(4) SPEED READING. Cat Rambo will be part of the July 2 First Friday Quick Read Zoom event. It’s free – register at the link.

Join us for a lunchtime tasting menu of science fiction, fantasy, and horror stories written by women and non-binary authors. We’ll feature 6 authors who will each have 8 minutes to tempt and tantalizing you with their reading. Our readings are like Forrest Gump’s box of chocolates – you never know what you’ll get!

(5) RADIO PLAY WINS KURD LAßWITZ AWARD. The radio play jury of Kurd Laßwitz Award has finished voting reports award trustee Udo Klotz. The winner is Der zweite Schlaf by Heinz Sommer.

  • Best German SF Radio Play First Broadcast In 2020

 (6) SFF AFTER MAO. There is a new book on Chinese sff in the 70s and 80s that readers might be interested in: Hua Li’s Chinese Science Fiction during the Post-Mao Cultural Thaw, from University of Toronto Press.

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw.

Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction.

(7) TIME LIMIT. A trailer has dropped for the fourth and final installment of the Rebuild of EvangelionEvangelion: 3.0+1.01 Thrice Upon A Time.

The fourth and final installment of the Rebuild of Evangelion. Misato and her anti-Nerv group Wille arrive in Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of Nerv Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei wander around Japan.

(8) MARS IN CULTURE. “Exploring the Red Planet through History and Culture” with Nick Smith (past President of LASFS) will be hosted by the Pasadena Museum of History. This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. Sign up for email notification here.

The planet Mars has long been connected to humankind through religions, literature, and science. Join Nick Smith, guest curator of PMH’s 2018 exhibition Dreaming the Universe, to explore our fascination with Earth’s neighboring planet, and discover some of the many ways Mars is part of our culture. 

This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. An email with the link to the presentation will be sent to all of our email subscribers on Thursday, July 22.

*Pre-recorded presentation from Spring ArtNight 2021.

(9) RESOURCES FOR HORROR FICTION SCHOLARSHIP. The University of Pittsburgh library system announced the acquisition of the papers of Linda Addison, Kathe Koja, and the archives of the Horror Writers Association: “University of Pittsburgh Library System Acquires Additional Archives for its Horror Studies Collection”/

…The ULS has acquired the papers of Linda D. Addison, the most decorated horror poet today with a total of six Bram Stoker literary awards. Addison became the first African American writer to win a Stoker in 2001 for her collection, Consumed, Reduced to Beautiful Grey Ashes and has also received the Lifetime Achievement (2018) and Mentor of the Year (2016) Awards from the Horror Writers Association as well as the title Grand Master from the Science Fiction and Fantasy Poetry Association (2020). Her poetry explores themes of race, gender, loss, struggle, hope, and the resiliency of humanity through a lyrical style that employs both traditional horror tropes of the supernatural as well as stark realism. Her archive will include drafts and manuscripts of her poetry as well as ephemera such as convention programs and awards which help demonstrate her impact on the genre. On her hopes that her archive will inspire others, she says:

“Having my writing journey from journals, through edits to final versions, become part of the University of Pittsburgh Horror Studies Collection is a dream, I never imagined, come true! To think that others, studying my process, could find value and inspiration will allow my work to safely exist past the length of my life, is an incredible blessing.”

The ULS has also acquired the papers of Kathe Koja, who is a true iconoclast whose works push boundaries, expand our conceptions of horror, and prove that horror is indeed a true literary genre. Her first novel, The Cipher (1991), won both a Bram Stoker Award and Locus Award and solidified her impact as a force within new horror. She employs a striking and unique prose style to explore themes of alienation and social isolation as well as transcendence, often through art. Her collection will include drafts, manuscripts, and notes from her novels and short stories. On her decision to establish her archive at the University of Pittsburgh, Koja said:

“A book is its writing as well as its words: the thoughts and notes and drafts and edits (and edits, and edits) that comprise the final text. To have all that making made available for scholars, readers, and fans of horror literature is a real boon, and I’m beyond delighted that my own horror novels will now be available this way.”

Lastly, the ULS has acquired the archives of the Horror Writers Association (HWA), the premiere professional organization for writers working in the genre.  This collection, established by current HWA President John Palisano with support from former President Lisa Morton, documents the history of the organization through its newsletters, convention booklets and programs, and other published materials. Collectively, these materials illustrate the work of the HWA, as well as the community it has built. The HWA has been the main space for writers working within the genre to collect and collaborate since the late 1980s and has issued the Bram Stoker literary awards since 1987 at yearly conventions, such as the World Horror Convention and, since 2016, StokerCon.

(10) HUGO NOMINEE IS PLEASED. Best Professional Artist Hugo finalist Maurizio Manzieri tweeted –

(11) MEMORY LANE.

2003 – Eighteen years ago, Iain M. Banks’ only non-fiction book was published. It was Raw Spirit: In Search of The Perfect Dram. Of course he published it as Iain Banks as only his SF was under published under Iain M. Banks. It was his tour of the small whisky distilleries of Scotland in the small red sports coupe that he’d bought with the advance from the publisher who’d underwrote the entire affair on the word of Banks that it was a Great Idea. And being Banks about the Iraq War as well.  As he says in his introduction, “After doing extensive research, I can definitely tell you that single malt whiskies are good to drink”.  If you want to know more about this book, we reviewed it here at Green Man Review. And yes, it is available from the usual suspects. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 1, 1891 — Otis Adelbert Kline. Early pulp writer and and literary agent whose great claim to fame was a possibly apocryphal feud with fellow author Edgar Rice Burroughs, in which he supposedly raised the latter’s anger by producing close imitations of Burroughs’s Mars novels. Wollheim and Moskowitz believed in it having happened, Lupoff did not. (Died 1945.)
  • Born July 1, 1934 — Jean  Marsh, 87. She was married to Jon Pertwee but it was before either involved in Dr. Who. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly Stranger Dark PlacesReturn to OzWillow as Queen Bavmorda and The Changeling. (CE)
  • Born July 1, 1935 — David Prowse. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been  a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he played that role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (Died 2020.)
  • Born July 1, 1952 — Dan Aykroyd, 69. Though best known as Dr. Raymond Stantz in the original Ghostbusters films (which he wrote with Harold Ramis), he actually shows up a year earlier in his first genre role in Twilight Zone: The Movie as Passenger / Ambulance Driver. He’s reprising his role in the recent Ghostbusters 2020
  • Celebrated July 1, 1955 — Robbie the Robot. On this date in 1955, Robby the Robot was born. Or more properly constructed. Or so claims the studio, Metro-Goldwyn-Mayer, that would release Forbidden Planet, where he had his first screen appearance, on March 3, 1956 when the movie had its US premiere. He would go on to be in a number of  series including Lost in Space twice plus on The Addams FamilyThe Man from U.N.C.L.E. twice,  Twilight Zone (five appearances , mostly as toys) and Holmes & Yo-Yo to name but a few of his other  appearances. His latest appearance was on The Big Bang Theory with other movie props in “The Misinterpretation Agitation” episode. He had a memorable appearance on The New Adventures of Wonder Woman where he was the Master of Ceremonies at one of our SF Cons!  
  • Born July 1, 1962 — Andre Braugher, 59. He’s the voice of Darkseid in Superman/Batman: Apocalypse which is why he makes the Birthday list. If there’s ever proof that a great voice actor can make an animated role, this is it. It’s also a superb film. His other major genre role is as General George W. Mancheck in The Andromeda Strain series that originally aired on A&E. 
  • Born July 1, 1964 — Charles Coleman Finlay, 57. The Traitor to the Crown series is his best known work. His first story, “Footnotes”, was published in The Magazine of Fantasy and Science Fiction where many of his stories have since been published. Six years the editor of The Magazine of Fantasy and Science Fiction, ending in February of this year.
  • Born July 1, 1981 — Genevieve Valentine, 40. Author of the superb  Persona novel and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She scripted a run of Xena: Warrior Princess, and scripted Batman & Robin Eternal as well. 

(13) COMICS SECTION.

(14) HUGOS FROM THE HAGUE. Fanac.org now hosts a video of the ConFiction (1990) Worldcon Hugo Ceremony.  

This video, captured with a hand held camera, covers the Hugo Awards, as well as the Campbell Award for New Writers, and the fannish Big Heart and First Fandom awards. Many awards were accepted by designees for the recipients, and we see Anne McCaffrey and Jack Chalker among those accepting for others. There’s a bit of humor from Dave Langford, and appearances by the American Ambassador to the Netherlands, C. Howard Wilkins. The World Science Fiction Society Banner, first hung at NyCon II in 1956, makes its appearance, and the video ends with the traditional view of all the recipients on stage. The video was recorded by John Cramer, provided by Tom Whitmore and used with the permission of Kees van Toorn, Chairman of ConFiction.

(15) SHAT TRADES SMACK. Shat gets into trouble by being a host on Russian propaganda network RT.“Star Trek Icon William Shatner Spars With Journalists About His New Show on Kremlin TV” says The Daily Beast.

Star Trek star William Shatner has taken to Twitter to trade blows with journalists who called him out for hosting a new show on the Kremlin’s notorious state-funded network, RT.

Earlier this week, the 90-year-old Canadian actor—known for taking on the legendary role Captain James Kirk in the Star Trek saga—announced he would be hosting a new general talk show on the American branch of RT called “I Don’t Understand,” where he’ll be posing questions to guests on a variety topics. The show is set to debut later this month.

Alexey Kovalev, an investigative editor for Meduza—one of the most popular independent Russian-language news outlets—had some choice words for Shatner on his work with the network.

“Quick reminder about [RT’s] views and editorial policies @WilliamShatner is now endorsing (whether he wants to or not),” he tweeted on Thursday, linking to a thread that ends with “Don’t go on RT, unless you are okay with sharing a mic with some of the most vile racist degenerates out there. It’s not a legitimate media platform. It has no redeeming qualities. And if no other platform will have you, then you really shouldn’t have *any* platform.”

Those comments seem to have hit a nerve with Shatner, who wrote back, “Perhaps instead of rebuking me with facts that have zero influence on my show, a better use of your time would be to move? It seems that you being in Moscow means you are directly supporting the very regime you are berating me about. #hypocrite.”…

(16) POE’S SCIENCE REPORTING. Daniel Engber reviews John Tesch’s Poe biography The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science in “Edgar Allan Poe’s Other Obsession” at The Atlantic.

…By 1840, Poe was working at a men’s magazine, where he launched a feature called “A Chapter on Science and Art,” consisting of the sorts of squibs on innovation later found in Popular Mechanics. (“A gentleman of Liverpool announces that he has invented a new engine,” one entry started.) With this column, Tresch suggests, “Poe made himself one of America’s first science reporters.” He also made himself one of America’s first popular skeptics—a puzzle master and a debunker, in the vein of Martin Gardner. Poe wrote a column on riddles and enigmas, and he made a gleeful habit of exposing pseudoscience quacks….

(17) RAILGUN R.I.P. The idea got a lot of media attention, however, they’re going another direction: “Navy ditches futuristic railgun, eyes hypersonic missiles” reports the AP.

The U.S. Navy pulled the plug, for now, on a futuristic weapon that fires projectiles at up to seven times the speed of sound using electricity.

The Navy spent more than a decade developing the electromagnetic railgun and once considered putting them on the stealthy new Zumwalt-class destroyers built at Maine’s Bath Iron Works.

But the Defense Department is turning its attention to hypersonic missiles to keep up with China and Russia, and the Navy cut funding for railgun research from its latest budget proposal.

“The railgun is, for the moment, dead,” said Matthew Caris, a defense analyst at Avascent Group, a consulting firm.

(18) PUNCH, BROTHERS, PUNCH WITH CARE. At the link, another fabulous Middle-Earth transit map, from 2018 – “One does not simply walk into Mordor” by artist Christian Tate.

Middle Earth map commissioned for Empire Magazine plotting the journeys of Tolkien’s key characters through Peter Jackson’s six films of The Hobbit and Lord of the Rings trilogies.

(19) A REALLY SHORT HOBBIT. Brenton Dickieson introduces readers to “The First Animated Hobbit, and Other Notes of Tolkienish Nonsense” at A Pilgrim in Narnia. The film runs about 11 minutes.

…Rembrandt Films had purchased film rights to produce a film by 1967, but a Hollywood feature-length deal fell apart. According to the Wikipedia page, the film was produced cheaply and quickly–Mythmoot lore places it at 7-10 days–and premiered on the last day that the contract, paying people to see the film. Having fulfilled the contract, they were able to return rights to Tolkien, opening possibilities for future adaptations, including the 1977 animation (which I call “the cute Hobbit” in my mind), and the trilogy epic of the fairy tale in the early 2010s by Peter Jackson, which some may have heard about….

(20) VIDEO OF THE DAY. The HISHE series says this is “How Godzilla vs Kong Should Have Ended”.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Shao Ping, N., Tom Becker, Daniel Dern, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/19/21 Oilcan — Did You Say Something? – Oilcan — He Said, “Pixel Scroll!”

(1) JUNETEENTH PSA FROM HWA. Today’s holiday is explained by members of the Horror Writers Association in this video. (See transcript below.) — “Juneteenth: An Emancipation Celebration”.

Linda Addison, the Horror Writers Association Diversity Grant Chair, and authors Michelle Renee Lanei, Steven Van Patten, L Marie Wood, Marc Abbott, and Sumiko Saulson, on the Social Media Team for the Horror Writers Association.

(Linda Addison) On behalf of the Horror Writers Association we’d like to congratulate all African Americans on the progress recently made towards making Juneteenth a federally recognized Black Liberation Holiday.

(Nikki Woolfolk) On Tuesday, the Senate unanimously passed a resolution establishing June 19 as Juneteenth, a National Black Independence Day, a US holiday. The House voted 415-14 to make Juneteenth a national holiday commemorating the emancipation of African Americans from slavery in the United States.

(Sumiko Saulson) After this it was sent before President Joe Biden, who approved it on June 17, 2021 making it the first new National Holiday in the United States of America since Martin Luther King Day was established as a Federal Holiday in 1983.

(Steven Van Patten) Juneteenth, an abbreviation of the words June and Nineteenth, commemorates the anniversary of June 19, 1865. That day, Union Army General Gordon Granger arrived in Galveston, Texas, and informed African Americans there that the Civil War had ended and they were free at last.

(Ace Antonio Hall) Because the United States was still in the middle of the Civil War when President Abraham Lincoln issued the Emancipation Proclamation on January 1, 1863, many of those it intended to free remained enslaved for another two and a half years.

(L Marie Wood) For this reason, Juneteenth has long been recognized as Black Independence Day across the nation. It was first celebrated the following year as Jubilee Day in the State of Texas, where it has been a state holiday since 1979.

(Nicole Givens Kurtz) From Toni Morrison’s Beloved to Justina Ireland’s Dread Nation, the phantoms of our shared history under slavery and its legacy haunt many African American ghost stories and tales of terror.

(Michelle Renee Lane) Slavery has left its mark on our psyche as a people. We write scary stories about it because vampires, ghosts, werewolves and skeletons are never quite as horrifying as the lived experiences of African Americans under slavery.

(Marc Abbott) Commemorating Juneteenth as a national holiday is a step towards ensuring that we never forget those dark days, never repeat them, and that we as a people, and as a nation can truly heal.

Written/Edited by Sumiko Saulson (6/18/2021) for the Horror Writers Association

(2) AFRICAN SCI-FI. “Animated Anthology ‘Kizazi Moto: Generation Fire’ Brings African Sci-Fi to Disney+”/Film has the story.

Filmmakers from Zimbabwe, Uganda, South Africa, Nigeria, Kenya, and Egypt bring unique animation to Disney+ with Kizazi Moto: Generation Fire, a 10-part collection of original films that will premiere on the streaming service next year. Peter Ramsey, co-director of Spider-Man: Into the Spider-Verse, serves as executive producer for the anthology, which is comprised of sci-fi and fantasy stories set in a futuristic Africa.

Disney has announced full details for Kizazi Moto: Generation Fire, a 10-part series of animated films that hope to take viewers “on a wildly entertaining ride into Africa’s future.” The films are inspired by Africa’s histories and cultures, and promise “action-packed sci-fi and fantasy stories present bold visions of advanced technology, aliens, spirits and monsters imagined from uniquely African perspectives.” 

(3) PASSING ALONG WISDOM. The autobiography of Hidden Figures’ Katherine Johnson – My Remarkable Journey: A Memoir – was released May 25, and is reviewed by Ainissa Ramirez in Nature: “Katherine Johnson’s Bold Trajectory”.

When Star Trek first aired in the 1960s, communications officer Uhura (Nichelle Nichols) seemed to be the only Black woman affiliated with space travel. Little did society know that, as mathematicians, Black women such as Katherine Johnson actually made space flight possible. Johnson, who was highlighted in the 2016 Hugo Award winning movie Hidden Figures, died last year, aged 101. She left readers a gift – her autobiography…  

She entitles her chapters with life lessons — ‘Education Matters’, ‘Ask Brave Questions’, ‘Shoot for the Moon’. Johnson recognizes that she is a role model, and that few women and people of colour see their reflections in the sciences. I felt like I was sitting at the knee of a griot — a historian and storyteller — gaining years of insight into how to use idle times to prepare, to keep moving forwards when life hurts…

(4) FUN VS. CREATING INVENTORY. Dean Wesley Smith says avoid these “Deadly Problems For Writers…”

…Sitting alone in a room and making stuff up should be fun. What else would it be? No one is going to come and hurt you if you write something that doesn’t work for every reader on the planet (a silly goal on its face.) No one is going to die at your hands (besides characters) if you mess something up.

And best of all, no one cares. You are free to sit in that room and make up whatever you want. No one cares.

When you should start thinking about the product is after your write the last line of the story or book AND NOT ONE MOMENT BEFORE.

But if you start caring too much about the product WHILE WRITING, or even thinking about the product, your process becomes no fun and just stops.

SO HOW DOES A WRITER SLIP INTO PRODUCT FOCUSED WHILE WRITING?

Let me list a bunch of ways, and I know I will miss a bunch of major ways. Add them in the comments if you want.

1… Need to make money quickly. It is the “quickly” that is the killer. Your writing, over time, will make you more money than you can imagine if you keep it fun and keep learning. But if you focus on the writing needing to make a lot of money quickly, it will not. If you need extra money, get a part-time day job and take the pressure off the writing.

2… Writing for other people. Setting deadlines for others puts all the focus on the end product. Deadlines for some can be a motivating thing. They often are for me, but I never attach people to that deadline, or do I ever care what any reader, fan, or critic will think. (Anyone who has watched this blog over time knows how often I have failed on deadlines. If the motivation works for a project, great, if not, great….

And Smith supplements the list with a long story about taking his own advice in “Following Up on Yesterday’s Post…”

THANK HEAVENS I never paid attention or cared about how a book or a series was selling. I never cared that the books weren’t selling for years. My measuring stick was the fun in the writing. And if WMG had done that promotion on book three instead of book #9, it would have failed. The fact that I had nine books in the series done gave readers who liked the book something to buy next.  (You know, magic bakery thinking.)

So that is a personal story of me practicing what I preached in last night’s blog.

(5) VORKOSIGAN COVER POSTER. Lois McMaster Bujold told her Goodreads followers about a “Vorkosigan e-covers poster still for sale”.

A tidy display of all of artist Ron Miller’s Vorkosigan e-covers, as seen in the background of my new PR photo. Because it’s not like you can place ebooks face-out on your bookshelves…

May still be purchased here:

https://society6.com/product/the-vork…

Sizes available in x-small to x-large, and I see they are even on sale today (6/18).

(6) SPACE: THE FINAL FRONTIER. Best Fan Writer Hugo nominee Alasdair Stuart opines:

But what prompted him to say so today? It was Adri Joy’s tweet objecting to DisCon III’s efforts to manage space limitations at the Hugo finalist reception and of near-the-stage seating for the ceremony, as documented in this excerpt from the committee’s message:   

(7) PANDEMIC HELPS NESFA PRESS SALES. Tim Szczesuil told the May 9 meeting of the New England Science Fiction Association that their book firm’s sales “have been up substantially over the last year; from the beginning of the pandemic. This is probably due to people having more time to read.” Not including ebooks, here are NESFA Press’ total books sold for recent years:

  • 2017 — 2948
  • 2018 — 3282
  • 2019 — 2595
  • 2020 — 3599
  • 2021 — 1486

(8) MEDIA BIRTHDAY.

  • June 19, 2013 — On this date in 2013, Dark Horse Comics published the hardcover of Star Wars: Legacy, John Ostrander’s look into the future of the Skywalker family about 100 years after the time of Luke Skywalker, Princess Leia, and Han Solo. I’m not sure it’s considered canon, but it’s awesome none-the-less. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 19, 1911 — Jesse Francis McComas. He was the co-founding editor, with Anthony Boucher, of The Magazine of Fantasy & Science Fiction. With Boucher, he edited a series of Best from F&SF anthologies.  He wrote several stories on his own in the Fifties using both his own name and the pen name Webb Marlowe. He was nominated for Retro Hugo for Best Editor. (Died 1978.)
  • Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as  Bradbury, Bester,  Bloch, Weinbaum, and Lovecraft which including some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
  • Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two tv horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then comes the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films at their very best. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
  • Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known in his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd.: Stories of Science and Fantasy. Neither’s available from the usual suspects though Cora can read him in German. (Died 2005.)
  • Born June 19, 1947 — Salman Rushdie, 74. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her FeetGrimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
  • Born June 19, 1953 — Virginia Hey, 68. Best remembered for her role as Pa’u Zotoh Zhaan in the fantastic Farscape series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of the KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film. No, I’ve not seen it.
  • Born June 19, 1957 — Jean Rabe, 64. She’s a genre author and editor who has worked on the DragonlanceForgotten RealmsRogue Angel and BattleTech series, as well as many others. Ok I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer. 
  • Born June 19, 1978 — Zoe Saldana, born with the lovely birth name of Zoë Yadira Saldaña Nazario, age 43. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series, and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film though I’m far less impressed with the second film by far.

(10) COMICS SECTION.

(11) EATING THE FANTASTIC. Scott Edelman invites listeners to share sushi with Philip K. Dick Award-winning writer Meg Elison on episode 147 of the Eating the Fantastic podcast.

Meg Elison

Even though we’re on opposite coasts of the United States, we ordered takeout sushi to nibble as we pretended we lived in a timeline of our own choosing.

Meg Elison is the author of The Road to Nowhere trilogy, which consists of The Book of the Unnamed Midwife (which won the 2014 Philip K. Dick Award), The Book of Etta (nominated for both the Philip K. Dick and James Tiptree awards ), and The Book of Flora. Her novelette “The Pill” made the final ballots this year of both the Nebula and Hugo Awards. She’s been published in McSweeney’sShimmerFantasy and Science FictionCatapultTerraform, and many other venues. PM Press recently published the book Big Girl — where “The Pill” first appeared — as a volume in its famed Outspoken Authors series.

We discussed her pre-pandemic prediction for the kind of year 2020 was then shaping up to be, how reading Terry Bisson’s “They’re Made Out of Meat” changed her life, using tabletop RPGs to deal with the powerlessness felt during recent times, the way rereading taught her to be a writer, our dual fascination with diaries, when she realized her first novel was actually the start of a trilogy (and the songs which helped her better understand each installment), why she followed that post-apocalyptic trilogy with a contemporary YA novel, and much more.

(12) HORROR WEBINAR SERIES. Skeleton Hour is a new monthly horror literature webinar series presented as a Horror Writers Association event in collaboration with The Last Bookstore in Los Angeles. Each panel is an hour long and brings together 3-5 authors to discuss a specific topic in horror with a moderator guiding the discussion. Panels will take place on Zoom, with the audience able to ask questions in the chat window. 

The last Skeleton Hour “Writing Horror in a Post Covid World” — featured Richard Thomas (moderator), Sarah Langan, Usman T. Malik, Josh Malerman, A.C. Wise, and Lucy A. Snyder.  

(13) COZY SFF? “A Book Like A Warm Hug: T.J. Klune – The House In The Cerulean Sea – a review by Dina at SFF Book Review.

…Starting with the writing style which I immediately fell into and just soaked up because it was everything I wanted, over the characters who not only show Linus that they are deserving of love, no matter how monstrous they may look, but who also totally carved out a spot in my heart, over the world building which reveals itself more and more over the course of the book, to the absolute delight of the found family and the real connections between them. I honestly can’t think of any comparison that would do this book justice. A warm blanket, a much-needed hug, someone holding your hand when you thought you were all alone – it’s kind of like all of those but none of them tell you all that the book is….

(14) EXCESSIVE TWINKLING? [Item by SF Concatenation’s Jonathan Cowie.] Betelgeuse’s recent behavior has puzzled astronomers. But, as reported in this week’s Nature, they now think there is an explanation.

The red supergiant star is very noticeable in our night sky. For starters, it’s a BIG star 900 times the size of the Sun and if it were our Sun its surface would almost touch Jupiter and it would certainly encompass all the inner Solar system planets. It is also only 724 light years away. As such it is one of the few stars discernible through a telescope as a disc.

The puzzling mystery was that back early in 2020 it began dimming and by mid-February it had become just 35% of its normal brightness. Its southern half was especially dim.

Two theories abounded as to why this happened. First, red giants do see some variation in temperature. Could it be that convection cell change in its southern half could the star to cool?

Secondly, could there have been a cloud of dust temporarily obscuring our view of the star?

Now an international collaboration, led by European astronomers think they have the answer and that this involves both theories in a connected way.

They think the change in convection not only resulted in cooling but also allowed the star to eject a small amount of mass. As this drifted away – towards us in the line of sight – it cooled and condensed out as dust obscuring the star. Mystery solved.

  • Review article at Nature.
  • Primary research paper here.

[Note: We looked at this topic a few days ago, but Jonathan’s write-up is so much better!]

(15) VIDEO OF THE DAY. The Drum spotlights a video in which “Orlando Bloom & Katy Perry caution against voter suppression in transmission from future”.

…In the new spot, ‘Transmission from the future’, Katy Perry and Orlando Bloom are reimagined as elderly folks in a post-apocalyptic setting where they are in hiding from a surveillance state. From the belly of a bunker in the year 2055, they transmit a PSA into the past – Americans’ screens in 2021 are interrupted by the bedraggled couple, who urge viewers to take action to protect democracy. “You are our only hope,” the elderly Bloom rasps. “The America you know doesn’t exist in our future. Democracy is dead.” Perry interjects, saying, “It started when voter suppression ran wild all over America. The voting rights bills died in the Senate. Polling places closed. We lost our right to vote.” The stars implore Americans to call their senators and voice their support for the For the People Act….

[Thanks to Martin Morse Wooster, JJ, Michael Toman, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]

Pixel Scroll 4/10/21 Scrollier Than Thou

(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)

(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to  “Spend Memorial Day weekend at the Concourse Hotel”.

As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021

… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….

(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.

… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.

When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.

Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….

…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)

It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.

As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.

This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.

All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.

… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.

Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…

(4) INSIDE BASEBALL. Kevin Standlee views with alarm: “DisCon III Moves to December — and Ignores the WSFS Constitution”.

…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”

I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.

The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safeWSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….

… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….

(5) READ ALL ABOUT IT. The New York Times takes readers “Inside the Fight for the Future of The Wall Street Journal”, in the process showing what journalists believe is the way to attract today’s audience.

… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….

… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.

In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.

The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”

The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the new publisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.

…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.

But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…

(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New SunsEverfairStories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.

From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.

(7) AUTHOR’S LIBRARY GOING UNDER THE HAMMER. “L’Engle Library up for auction to benefit three organizations” announces the Madeleine L’Engle website. The books will be sold in lots on April 8, 13, 20, 22, and 27, but bidding opens early.

… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.

(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.

The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.

The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.

Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.

(9) MEMORY LANE.

  • On a day in 1986 Star Trek IV: The Voyage Home premiered.  It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and  fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 10, 1936 – David Hardy, age 85.  Astronomical and SF artist.  European Vice President of the Int’l Ass’n of Astronomical Artists.  Artbooks e.g. Visions of SpaceHardyware50 Years in Space: what we thought then, what we know now.  Two hundred fifty covers, a hundred interiors.  Here is the Jun 74 Amazing.  Here is King David’s Spaceship.  Here is Understanding Space and Time (note that the piano is a Bösendorfer).  Here is the Apr 2010 Analog.  [JH]
  • Born April 10, 1940 Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better?  He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE) 
  • Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016).  Four hundred twenty covers, two hundred interiors.  Three Hugos.  Twelve BSFA (British SF Ass’n) Awards.  Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here.  Artbooks e.g. LightshipTransluminalThe Art of Jim Burns.  Each in The Durdane Trilogy used a segment of this, e.g. The Asutra.  Here is Interzone 11.  Here is the Jul 94 Asimov’s.  Here is The Wanderer.  Here is Dozois’ 34th Year’s Best Science Fiction.  Here is Dark Angels Rising.  [JH]
  • Born April 10, 1951 – Ross Pavlac.  Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon.  Fan Guest of Honor at Torque 2.  Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apa Myriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called.  Chaired Windycon XXIV from his deathbed.  See these appreciations.  (Died 1997) [JH]
  • Born April 10, 1953 David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”.  And yes, he has won other Hugos, too numerous to recount here. (CE) 
  • Born April 10, 1955 Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
  • Born April 10, 1957 John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing.  I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE) 
  • Born April 10, 1959 – Ruth Lichtwardt, age 62.  Hugo Adm’r for Anticipation the 67th Worldcon.  Chaired MidAmeriCon II the 74th; her reflections as Chair here.  Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference.  Co-chaired ConQuest 49.  Drinks Guinness.  [JH]
  • Born April 10, 1975 – Merrie Haskell, age 46.  Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313.  Interviewed in Lightspeed.  Schneider Book Award.  “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome….  I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?”  [JH]
  • Born April 10, 1978 Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum ThiefThe Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating.  (CE) 
  • Born April 10, 1984 – Rachel Carter, age 37.  Three novels for us.  Nonfiction in e.g. The New Republic.  Teaches fiction-writing, also a freelance editor.  [JH]
  • Born April 10, 1992 Daisy Ridley, 29. Obviously she played the role of Rey in The Force AwakensThe Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)

(11) THE GREAT (PRICE) LEAP FORWARD. “Comics are only getting more expensive. How high is too high?” asks Mike Avila at SYFY Wire.

…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.

However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.

We may be approaching that point.

One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….

(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.

(13) TRADECRAFT. Francis Hamit was a guest on the Spies Like Us podcast to discuss “Pine Gap (2018) Part One”. (The trailer for the Netflix series is at the link: Pine Gap: Season 1).

2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama.  Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us.  ALSO!!!!  It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit.  Really excited about this one.

Hamit says: “This was a very positive experience for me.  Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show.  Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far.  Each is an hour long and they usually do two part, one hour each, in depth discussions.  I was on as a topic expert on SIGINT.”

(14) AMONG THE NEVERS. The New York Times’ Mark Hale tells why he found it hard to get into the show: “Review: ‘The Nevers,’ From HBO and (Formerly) Joss Whedon”.

One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.

And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.

Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…

(15) WHAT’S UP, DOCK. AP News is there when “American, Russians dock at International Space Station”.

A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].

NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.

They docked at the station after a two-orbit journey that lasted just over three hours.

It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.

(16) KING PONG. SYFY Wire tells how “Elon Musk’s Neuralink gets monkey to play Pong with its mind”. (The video is here.) “The darn monkey probably gets higher scores than I ever did,” says John King Tarpinian.

By today’s standards, Pong doesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…

The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)

In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)

(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.

[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]