Pixel Scroll 7/29/18 Winter Comes To Pixels, As Well As To Scrolls.

(1) BRONYCON TO END. Next year’s BronyCon is the last, it was announced at this weekend’s event in Baltimore.

BronyCon is the world’s largest family-friendly convention for and by fans of the animated TV series My Little Pony: Friendship is Magic.

(2) HELP HUGO AND CAMPBELL FINALISTS ATTEND WORLDCON. Mary Robinette Kowal is running a GoFundMe appeal to help get more award finalists to Worldcon 76.

Kowal says, “We’ve managed to get six finalists to the Hugos who otherwise would not have been able to attend.”

At this writing, “Worldcon Finalist Assistance” has raised $2,335 of its $10,000 goal.

Earlier this year we raised money to bring one of our Campbell Nominees to the Hugos and were met with astounding support! Now, we want to offer that same opportunity to the other WorldCon Awards Finalists so that they can participate in the celebration of their work.

Much like the previous fundraiser, we want to raise money for:

    • Plane tickets
    • Hotel stays
    • WorldCon memberships
    • Per diem
    • Ceremony attire rental
  • Other potential costs, based on individual needs

Thankfully, we have a strong community that is dedicated to celebrating authors, their work, and these awards. We want to hear from the folks we’re voting for, and they should be able to attend their own party!

What happens if we raise more?

That money will go towards an ongoing  fund dedicated to defraying the costs for future WorldCon Finalists.

(3) RINGBEARERS. David Doering is ecstatic, because of the LTUE connection:

BIG, BIG News here for Utah–INCREDIBLE NEWS in fact! Our own LTUE alumnus JD Payne and his writing cohort Patrick McKay will pen Amazon’s new The Lord of the Rings series. WOW! Those who met him last year know he’s one of the most approachable people and an inspired writer.

Deadline has the story: “‘The Lord Of the Rings’ Hires Writers JD Payne & Patrick McKay As Amazon Series Moves To Next Development Phase – TCA”.

As Amazon Studios head Jennifer Salke previously has suggested, creating the big-scope fantasy drama will involve a writers room. Payne and McKay were selected from a shortlist of scribes considered for the job, most of them from features, in the talent search, overseen by Amazon’s head of genre Sharon Tal Yguado.

Payne and McKay are rising feature writers who recently worked on Star Trek 4 for producer J.J. Abrams. I hear Abrams was one of a number of high-profile filmmakers and producers who  recommended the duo for the LOTR job.

With the search for lead writers completed, the development of the series is moving to the next stage with the set up of . writers room to collaborate on Payne and McKay’s vision. It is unclear yet — but possible — that any of the other writers who made it to the short list for the gig would be invited and that the project would bring in a showrunner.

(4) STEP RIGHT UP. Nicholas Whyte has “Two small Hugo reforms looking for co-sponsors”. Full text at the link.

A couple of minor amendments to the rules that I’d like to put to this year’s WSFS business meeting, but I need at least one co-sponsor. I won’t be there myself, but I think that these are technical and uncontroversial, and encode existing best practice in order to remove ambiguity. Please let me know, in comments here or by other channels, if you are a Worldcon 76 member willing to add your name to the list of sponsors. The deadline is 2 August.

(5) TOY STORY LAND. In the Washington Post, Steve Hendrix visits Toy Story Land at Disney World, which opened in late June, where  Baby Boomer favorites (Etch-a-Sketch, Yahtzee, Barrel of Monkeys) illustrate the rides and you can get snacks in a food station shaped as “Andy’s lunchbox propped open by Andy’s Thermos.” — “Larger-than-life charm at Walt Disney World’s Toy Story Land”.

You only have to go a few steps into Toy Story Land to sense that big thinkers have made huge efforts to make you feel small. The pieces used to assemble this toy-dimensional universe are agreeably supersize, from the Tinker Toy fences the size of satellite dishes and water mains to the life-size (because they’re alive) green army men marching to and fro in this 11-acre Pixarian play yard.

Specifically, it’s a backyard. In Walt Disney World’s newest major addition, which opened in late June at Disney’s Hollywood Studios park in the Florida resort, the Imagineers are trying to place you between the very blades (in this case, soaring shoots of bamboo) of a grassy lot filled with the daily detritus of a child at play.

(6) ABU DHABI DOO! John King Tarpinian says he wants to visit Bedrock — LAist reports “Warner Bros. Just Opened A Billion-Dollar Theme Park! And It’s Air-Conditioned! (But It’s In Abu Dhabi)”.

…It’s part of the United Arab Emirates’ efforts to become a world tourist destination. Abu Dhabi’s Yas Island (yaaaaas!) already features Ferrari World, which includes the world’s fastest rollercoaster, and Waterworld. (No, not that Waterworld.) You also have Dubai as a major travel center, with other local parks including Legoland, IMG Worlds of Adventure, and Motiongate.

Excited yet? Look, you can book a flight here! We’ve seen prices as low as $800 round-trip (though it’ll be around $2,500 if you want to leave, like, NOW).

You enter the park through Warner Bros. Plaza, which features old-school Hollywood style in an art deco setting. Like Disney’s Main Street U.S.A., it’s the portal to the rest of what this park offers. Then you can venture into the bright superhero world of Superman’s Metropolis or the darker realm of Batman’s Gotham City, as well as checking out the other cartoon-themed realms.

 

(7) PRESIDENTIAL MOMENT. Horror Writers Association President Lisa Morton is interviewed by The Witch Haunt.

WH: So many wonderful accomplishments so far! What other career would you have if not writing/publishing?

I actually have another career that I love: I’m a bookseller. I work for a used and rare bookstore, where I get to catalogue some truly magnificent rarities.

WH: How awesome that you get to go through daily life surrounded by stories. Which of your written works are you most proud of?

I think my novel Malediction, which was nominated for the Bram Stoker Award (but lost to Stephen King’s Doctor Sleep).

WH: Malediction, about curses, psychic powers, ghosts and such sounds like my perfect cup of horror. If you could have coffee with any horror author, gone or alive, who would it be?

He’s not primarily a horror author, but I have to say Philip K. Dick.

(8) TODAY IN HISTORY

  • Born July 29, 1958 — The U.S. Congress passes legislation establishing the National Aeronautics and Space Administration (NASA).

  • July 29, 2002 — M. Night Shyamalan premieres SIGNS

(9) COMICS SECTION.

(10) RIVER’S END. Paul Weimer at Nerds of a Feather: “Microreview [book]: The Black God’s Drums by P Djelli Clark”.

The real richness of the novella is it is delight in invention, with an eye for creating a world that is rich for the potential for story and adventure. From the palpable existence of very active orishas, to an alternate history with a Confederacy, Haiti as a Caribbean power, and, naturally, airships, the world that Clark has created is a fascinating one that we only get a small short-novella taste of, but I want to read more of. The vision of New Orleans as a freeport where the Union, the Confederacy, Haiti and other powers all meet and trade, complete with extensive airship facilities is a compelling and fascinating one. There are hints that the world beyond what we see is similarly not the one we know, either, but really, Clark could tell many stories just in the North America and Caribbean around New Orleans. There is just simply a lot of canvas here for the author to unleash her protagonist and other characters upon.

(11) MIXED BAG. Adri Joy finds good and bad in this Fforde outing: Microreview [Book]: Early Riser by Jasper Fforde at Nerds of a Feather.

…while Early Riser is another magnificent entry in Fforde’s bibliography, it didn’t wow me to the same extent as The Eyre Affair or Shades of Grey did; I’m quite happy that it’s intended to be a standalone, and don’t feel a great need to explore any more of this particular world beyond what this volume offers. Everything just feels more constrained than Fforde’s other work, and while part of this is just the claustrophobic hibernal setting, I suspect it’s also just built on a smaller scale. The weird details and tangents are just interesting enough to carry the story they are in, without leaving much additional food for thought. It’s highly obnoxious to judge a work based on the timelines of the author’s unfinished series, but I suspect for a lot of long-time fans, Early Riser might be a mixed experience: great fun, a promising sign of more to come, and yet not quite what we were waiting for. That said, being a standalone at least means it doesn’t end with more tension, wrapping up Charlie’s story and its world-changing implications in a swift but ultimately satisfying conclusion.

(12) WHEN BEST MEANS BEST. Joe Sherry is on his way to a flying finish – “Reading the Hugos: Series” at Nerds of a Feather.

It’s time for another installment of Reading the Hugos and it’s time to either go big or go home. Since I’m already sitting at home while I write this, I think I’m going to go big and cover the abundance of excellence up for Best Series.

There is so much goodness here that it isn’t even fair.

Best Series last year was a trial run, a special one time category (pending the ratification at the WSFS business meeting at last year’s Worldcon) – which makes this the first full year of the category. I’m probably the only person who is going to think of things like this.

If last year was a proof of concept and this year represents the very high bar we should expect from the Best Series quality, we’re looking at one of the strongest categories on the ballot year after year. The series I ranked lowest on my ballot is exceptional. The only challenge here is that there is a lot of reading to do to at least get a brief overview of each series, let alone do a deep dive.

(13) SIODMAK’S BRAIN. Eric Leif Davin’s interview with Curt Siodmak, a chapter in his book Pioneers of Wonder (1999) has been posted at SF Magazines: “From Print to the Screen: A Conversation with Curt Siodmak by Eric Leif Davin”.

Upon graduation from the University of Zurich, Curt joined his brother in Berlin. There, the vagaries of the financial situation made it impossible to pursue his engineering career. Instead, he drifted into his brother’s film circle and wrote scripts for several of Robert’s films. Both brothers fled the Nazis in the early thir­ties and eventually ended up in Hollywood. Curt was quickly given a job writing a sarong picture for Dorothy Lamour and a succession of such assignments followed for the next two decades. A number of his assignments for Universal Pictures— The Wolf Man, House of Frankenstein, Frankenstein Meets the Wolf Man, Son of Dracula, and others—have since become horror classics. This, as he makes clear in the following conver­sation, was entirely accidental. He had no particular affection for or interest in either horror or science fiction—indeed, he never read the stuff. It was merely a job….

I see. Did you always think science fiction was gibberish?

Of course, it was always gibberish. You know, the human mind is so limited. We write about societies on other worlds, and they resemble us so much. You look at the paintings of Brueghel or Bosch10 and all those demons look like men with two eyes and two arms—hard to think of a new shape. The same with societies. You go into outer space and you find fascism or communism or the Roman Empire or feudal Europe. We don’t have much in our brains.
I wrote a few books about space, Skyport and City in the Sky.11 A friend took me to visit engineers at Lockheed because he thought talking with them would help give me ideas. They got their ideas from reading my books!
For instance, instead of launching rockets from the ground to reach orbit, why not have a huge elevator into space, miles high? Launch things from the top and they save so much on fuel!

Didn’t Arthur C. Clarke already write about that in The Fountains of Paradise?12

Who? I don’t know. I never read that.

(14) DRAGONS. Coming to the Worldcon 76 art show.

(15) FAMILY OKAYS CARRIE FISHER APPEARANCE. Members of Carrie Fisher’s family are expressing support for her appearance in the next main-line Star Wars movie (SYFY Wire: ”Carrie Fisher’s brother, Todd, couldn’t be happier for Leia’s return in Star Wars: Episode IX”). It had already been reported that Fisher’s daughter, Billie Lourd, approved the plan to recycle unused footage shot for Episode VII in Episode IX. Now Fisher’s brother, Todd Fisher, has given has given his blessing, also.

“I couldn’t be more personally thrilled and happy that our Carrie will reprise her role as Princess Leia in the new and final Star Wars Episode IX, using previously unreleased footage of her shot for Star Wars: The Force Awakens,” he said. “As we, her family, as well as her extended family of fans around the world so believe, Carrie’s Princess Leia is forever entrenched in the franchise and her indelible presence is fundamental to the film. J.J. Abrams understood Carrie’s iconic role, and he has masterfully re-crafted this final entry to include this unused and very last footage of Carrie ever taken, without resorting to CGI or animatronics. Our family and her fans will look forward with great anticipation for this one! Her force will forever be with us!”

(16) AN ORVILLE TO LOOK FORWARD TO. Two Star Trek: TNG stars will unite on an episode of The Orville, albeit with only one of them in front of the camera (ComicBook.com: “‘Star Trek: The Next Generation’ Alum Marina Sirtis to Guest Star in ‘The Orville’ Season 2“).

It was previously announced that Jonathan Frakes, who played Commander William Riker on Star Trek: The Next Generation and directed several episodes of Star Trek television and two movies, will direct an episode of The Orville Season Two. It seems Frakes is bringing his Imzadi with him, as Marina Sirtis, who played Counselor Deanna Troi on Star Trek: The Next Generation, recently shared a photo of herself with Frakes and [Seth] MacFarlane asking, “Where am I?”

Frakes seemingly confirmed that Sirtis is on The Orville set in the photo by responding to the tweet, saying “Cat’s out of the bag now…”

Trek Movie has since also confirmed that Sirtis will guest star in an episode of The Orville

(17) FALL TV SCHEDULES. Did you know you can find these on the Wikipedia? Grids for the larger networks in each country, except for PBS in the USA.

(18) PLAGUE PRACTICE. The Johns Hopkins Center for Health Security created a simulation of a “moderately contagious and moderately lethal” emergent virus that could decimate the world population—in the literal sense of killing 10% of humans (Business Insider: “Pandemic virus simulation from Johns Hopkins shows our vulnerability”). The “Clade X” simulation concerned a bioengineered virus, but a novel emergent natural virus could have the same effect. The fictional situation is described as killing 150 million in 20 months of simulated time, expected to rise to 900 million eventually if no vaccine could be created. At that 20-month mark of simulated time, researches paused for a real-time day:

On May 15th, when the  “Clade X” simulation  was played out real-time, the people acting out the scenario were the sorts of individuals who’d be responding to this situation in real life. The  players included  former Senate Majority Leader Tom Daschle, Indiana Representative Susan Brooks (R), former CDC Director Julie Gerberding, and others with extensive experience….

“I think we learned that even very knowledgeable, experienced, devoted senior public officials who have lived through many crises still have trouble dealing with something like this,” Dr. Eric Toner, a senior scholar at the Johns Hopkins Center for Global Health Security and the designer of the Clade X simulation, told Business Insider. “And it’s not because they are not good or smart or dedicated, it’s because we don’t have the systems we need to enable the kind of response we’d want to see.”

(19) HEAVENLY ABODES. Business Insider has posted some 1970’s vintage NASA concept drawings for three variants of space habitats, designed to hold between 10,000 and 1,000,000 people each (“NASA once envisioned life after Earth in these fantastical floating cities”). They credit NASA Ames Research Center for the photos, making them public domain and fair game if you want an aspirational image for your computer or smart phone wallpaper. The ships range from a simple toroid to a massive cylinder.

In the 1970s, physicists from Princeton University, the NASA Ames Research Center, and Stanford University created fantastical illustrations of massive orbiting cities for life after Earth. The scientists imagined a worse-case scenario in which our planet would be destroyed, and humankind would move to space.

[Thanks to Cat Eldridge, ULTRAGOTHA, Chip Hitchcock, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, David Doering, Carl Slaughter, Nicholas Whyte, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day vondimpleheimer.]

Pixel Scroll 1/8/18 Calculating Witticisms And Generating Sarcastic Comebacks At The Algorithm Round Table

(1) BRAM STOKER AWARDS. Horror Writers Association President Lisa Morton reminds members they have until January 15 to recommend works for the 2017 Bram Stoker Awards.

– ALL members may recommend works, including Supporting.
– ALL members may recommend works in ALL categories.
– If you’re trying to get your work considered, please review the Bram Stoker Awards etiquette page
– We’ve already seen a few examples of authors whose works appear on the Recommendations page claiming to be “nominated.” Please do NOT refer to your work as “nominated” unless you are listed on the Final Ballot.

The Bram Stoker Awards® Etiquette Rules begin with these general principles, then go into detail.

If there is a single thought to keep in mind here, it is the difference between promoting and soliciting.

Promoting (acceptable) is the business of spreading the word about your work and making sure anyone who wants to can read it.

Soliciting (unacceptable) is the practice of wheeling and dealing, whining and wheedling, in order to get yourself an award that you may not deserve.

Works that are truly worthy of the award tend to rise to the top without help if enough people read them. If you have to go out and beg for recommendations or votes, that says something rather uncomplimentary about both you and the work. So you’re doing yourself a service if you refrain.

(2) THE BDO. James Davis Nicoll provides “A Brief History of the Big Dumb Object Story in Science Fiction” at Tor.com.

I was recently reminded of the golden age of Big Dumb Object stories (hat tip to reviewer Roz Kaveny for coining the phrase). As this is not yet commonly accepted genre shorthand, perhaps a definition is in order.

Contrary to the name, BDOs are not necessarily dumb. In fact, most of them have rather sophisticated infrastructure working away off-stage preventing the story from being a Giant Agglomeration of Useless Scrap story. What they definitely are is large. To be a BDO, the Object needs to be world-sized, at least the volume of a moon and preferably much larger. BDOs are also artificial. Some…well, one that I can think of but probably there are others…skirt the issue by being living artifacts but even there, they exist because some being took steps to bring them into existence.

(3) INTERNET ARCHIVE INFRINGEMENT CHARGED. SFWA’s “Infringement Alert” warns —

The Internet Archive (Archive.org)  is carrying out a very large and growing program of scanning entire books and posting them on the public Internet. It is calling this project “Open Library,” but it is SFWA’s understanding that this is not library lending, but direct infringement of authors’ copyrights. We  suspect that this is the world’s largest ongoing project of unremunerated digital distribution of entire in-copyright books. An extensive, random assortment of books is available for e-lending—that is the “borrowing” of a digital (scanned) copy.  For those books that can be “borrowed,” Open Library allows users to download digital copies in a variety of formats to read using standard e-reader software. As with other e-lending services, the books are DRM-protected, and should become unreadable after the “loan” period. However, an unreadable copy of the book is saved on users’ devices (iPads, e-readers, computers, etc.) and can be made readable by stripping DRM protection. SFWA is still investigating the extent to which these downloadable copies can be pirated. Unlike e-lending from a regular library, Open Library is not serving up licensed, paid-for copies, but their own scans.

The post includes guidance about how writers can deal with infringement issues.

(4) FAWLTY REASONING. Doctor Strangemind’s Kim Huett sent a link to “Jack Vance & Fawlty Towers” with the warning: “I have to admit the logical progression of this installment is a little unexpected. I’m sure you’ll manage though. I have every confidence in you all.” The metaphor addresses William Atheling Jr.’s misguided review of a Jack Vance book, both written in the 1950s.

It’s with Vance’s next point however that we encounter what surely his Basil Fawlty moment. I’m willing to bet the restrained sarcasm Vance employed in order to agree with Atheling that the short stories contained in The Dying Earth collection made for a terrible novel is as nothing to how he felt when he first read Atheling’s complaint. As somebody who has read The Dying Earth collection, albeit many years ago, the thought that anybody could miss the assorted changes in plot, location, and characters is an astounding one. As the author of these assorted stories and thus more intimately involved with then than any reader could be the Atheling complaint was surely a source of intense frustration for Jack Vance. How do you deal with being told you have failed when the basis of the claim is as demonstrably wrong as this? There are things that should not need explanation, that are a chore, an undeserved burden to set right. If it had been me in Vance’s place the sheer frustration of Atheling’s comments would have had me curling up Basil Fawlty style.

(5) YOU’RE GRACE PARK. Io9’s Jill Pantozzi digs into The Magicians new season and asks “Could You Have an Entire Conversation in Pop Culture References? The Magicians Challenges Us All”.

Eliot’s entire conversation with Queen Margo is perfection but hits a high note by kicking things off referencing another Syfy series: Battlestar Galactica. Take a look (unless you want to go into the episode fresh, of course). And don’t worry if you’re not entirely versed in pop culture; there are helpful subtitles to explain some of the references.

 

(6) CALIFORNIA BOOK FAIR. The 51st California International Antiquarian Book Fair will be held on February 9-11, 2018 at the Pasadena Convention Center.

Featuring the collections and rare treasures of over 200 booksellers from over 30 different countries the California International Antiquarian Book Fair is recognized as one of the world’s largest and most prestigious exhibitions of antiquarian books. The California International Antiquarian Book Fair gives visitors the opportunity to see, learn about, and purchase the finest in rare and valuable books, manuscripts, autographs, graphics, photographs, print ephemera, and much more.

(7) FOR THOSE SCORING AT HOME. Rocket Stack Rank’s Greg Hullender reports, “We’ve created the 2018 version of our page that helps people nominate for the Hugo Awards. In addition to our reviews, this incorporates feedback from six other prolific short-fiction reviewers to produce a sorted list of the best-reviewed short SFF of 2017.” — “2018 Hugo Awards”.

New this year: they have highlighted which stories were most recommended in different categories.

Hullender continues: “As in the past, the pages offer nomination help several different ways. The list of stories is helpful for readers looking for stories to read, but it’s also helpful to people who need help remembering the stories they’ve already read. The Campbell page identifies everyone eligible for the Campbell (based only on short stories we reviewed).”

(8) HUT CUISINE. New fiction from Mad Scientist Journal: “Excerpts from the Diary of Theodore Miro, Competitor on CryptoChefs Season 2”. The artwork makes it rather irresistible —

Here’s the opening paragraph:

May 6th

I understand that TV audiences want to see a little more showmanship than I’m used to providing on the line back at Lilette, but this is ridiculous. They trucked in a six-foot tall burlap sack with “HOUSE FEED” painted on the side, and we had to spend two hours getting shots of me and some crew pouring it out onto a giant plate. They kept having to refill the bag between takes, and I had nothing to do but sit around in the freezing-ass Russian afternoon. The only wifi reception out here is a 1980-looking suitcase laptop with one of those inch-thick rubber antennas. I think all it does is let Chaz keep in touch with the producers through some kinda HAM radio satellite or whatever. No apps or anything. I’d tried making small talk with him in between takes, but I think the only thing he’s ever actually read is liner notes from Smash Mouth albums. Album, singular? I don’t even know. He sure would though.

(9) TODAY’S BIRTHDAY BOYS

  • Born January 8, 1862 — Frank Nelson Doubleday (publisher)
  • Born January 8, 1908 — The first Doctor Who. actor William Hartnell
  • Born January 8, 1942 – Stephen Hawking

(10) SEVEN CENTURIES OF CAPTAIN AMERICA. A Marvel comics milestone is approaching —

This spring, OUT OF TIME will culminate with the release of CAPTAIN AMERICA’s milestone 700th issue, concluding the arc in an oversized story from creators Mark Waid and Chris Samnee!

Frozen in time, awakened in a decimated future and once again a man out of his era, there is only one way for Steve Rogers to restore order and rebuild civilization—and that’s to rule it as King Captain America!

“No dream, no hoax, no lie, this IS Cap and this IS happening!” said SVP and Executive Editor Tom Brevoort. “Guest-starring the Thing and the Hulk (or as much as is left of them), it’s a celebration of 700 issues of star-spangled adventure! Plus, Mark Waid delivers an untold tale from Captain America’s past, featuring the classic artwork of Jack Kirby!”

(11) MILES MORALES. In “Jason Reynolds Is Revolutionizing the Art of Writing Characters”, Washington City Paper’s Kayla Randall profiles Jason Randall, an experienced African-American YA author whom Marvel picked to write Miles Morales: Spider-Man, a YA novel which appeared late in 2017.

When Marvel Comics calls, people answer. That seems to be a general rule. But local author Jason Reynolds was hesitant when he got his call. Marvel had plans to publish a young adult novel about Spider-Man, specifically Miles Morales, an immensely popular iteration of the character and the first black boy to don the spider suit in the comics. Reynolds was the author the bosses wanted.

That he would be on Marvel’s radar as it identified authors to write about a black Puerto Rican teenager coming of age in Brooklyn comes as no surprise. The Oxon Hill native, who now lives in Northeast D.C., has written nine books and become widely known over the past few years for writing complex young black characters, mostly boys. His book Ghost was a finalist for the 2016 National Book Award for Young People’s Literature and As Brave As You was a 2017 Coretta Scott King Author Honor Book.

“I’ve written a gazillion books about black boys in Brooklyn, so it was kind of like ‘Look dude, this is your wheelhouse, will you take this on?’” Reynolds says.

His initial answer was “I don’t know.” He was afraid the stranglehold of a corporation with huge intellectual properties to protect and monitor would stifle his writing. Then there was the immense pressure he’d feel to properly represent a beloved superhero in his own words.

(12) SMALL WORLD. Yahoo! shares “A portrait of Earth and the Moon from 3 million miles away”:

Sometimes you need to step back to see the big picture, and if your subjects are 249,000 miles apart, you need to step waaay back. Luckily, the spacecraft OSIRIS-REx is moving rapidly away from us and was recently just in the right position, around 3.1 million miles away, so it trained its MapCam instrument towards its former home and captured this poignant portrait of the Earth and the Moon.

(13) LESSON FROM AN EXPERT. Mad Genius Club’s Dave Freer, in “‘Hold-my-beer’ Precedent”, criticizes practices like —

‘De-platforming’ – Another precedent set and accepted and much beloved by the modern Left – those in power should be able to effectively silence any dissent, and isolate dissenters by denying them a public place – be that a convention, Twitter, or a book for sale to the public. The puppy-kickers and indeed SJW’s believe de-platforming an important and completely justified tool… in their hands. They’re in power and think it a great idea.

I know Dave can speak about de-platforming from experience, having banned me from MGC’s comments section.

And what explosive thing did I say to trigger him? My last comment there responded to their site redesign by asking them to make the bylines larger and more readable. No, no, this wasn’t concern trolling. It just seemed an obvious thing to fix as long as they were doing a makeover anyway.

(14) JON PINOCCHIO. Yesterday he was telling the world File 770 has no readers. In February he tweeted the figure below as a taunt. Which was true? Neither. Isn’t that a surprise. There has never been anything remotely like that number of outbound clicks from here to his site.

(15) JDA’S NEXT CHESSMOVE. Jon Del Arroz has posted “An Open Letter to Worldcon GoH Spider Robinson”.

In an unprecedented move, Worldcon pre-banned me, an action they haven’t taken since 1964 with Walter Breen, a convicted pedophile. Unlike Walter, I’m no criminal, just a family man and professional in the field. I’m an outspoken conservative and Christian, which sets me in the “other, not human” category for some people in science fiction writing, and I’ve been a target of a hate campaign because of my worldviews since coming on the scene. It’s about the opposite of what I imagined a loving, tolerant group would be.

I’ve been given no information to why I’m banned other than I “intend to violate the code of conduct” which I’ve stated several times I don’t. As a popular writer in the field, it seems a move solely based on hate and discrimination of people like me. I wish we could all get along despite differences like in Callahan’s, but it appears some in our world aren’t ready for that.

(16) GAME OVER. John C. Wright begins his January 8 post, “Love Crimes and Hate Crimes”, with this news –

Milo Yiannopoulos’ DANGEROUS website, for reasons, so they reassure me, that are no reflection on my writing, have suspended my column there, temporarily, or so they hope.

(17) INSPIRATION. There was a famous composer who answered the question “Where do you get your inspiration” with the remark, “When the check arrives.” Ridley Scott would like somebody to inspire him that way — “‘Blade Runner 2049’ Sequel: Ridley Scott Already Has Plans for a Third Chapter”.

Director Ridley Scott has an idea for a new “Blade Runner” film and is hoping to get it off the ground. Although he recently vocalized some strong opinions about why the second chapter, “Blade Runner 2049,” underperformed at the box office (“It’s slow. It’s slow. Long. Too long. I would have taken out half an hour,” Scott told Al Arabiya), he seems to be eager to return to the series.

When asked about continuing the saga, Scott told Digital Spy, “I hope so. I think there is another story. I’ve got another one ready to evolve and be developed, so there is certainly one to be done for sure.”

(18) A CHECK OF MONEY. Subterranean Press did inspire Harlan Ellison that way, and he allowed Jason Davise to put together the collection Blood’s A Rover. The Ellison-signed edition is already sold out ($500 a pop). Unsigned copies are available at $40.

Harlan Ellison introduced you to Vic and Blood in 1969’s Nebula Award-winning novella, “A Boy and His Dog.” You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as “a kinky tale of survival.” 1977 and 1980 brought brief reunions in “Eggsucker” and “Run, Spot, Run,” and the promise of another story—and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio—but only audiobooks and comics followed, revisiting the same tales.

Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.

Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author’s files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben’s graphic adaptation, and—for the first time—never-before-published material from the aborted 1977 NBC television series Blood’s a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.

(19) IN HOC. Not genre, but too snarky to ignore — “New Latin State Mottoes for the 21st Century” from McSweeney’s. Examples:

Massachusetts
Tacete, scimus nos asperos esse
“Shut up, we know we are rude”

Ohio
Nostra flumina non iam ardent
“Our rivers no longer catch on fire”

(20) GOOD GOVERNMENT JOB. Seal of approval?: “SpaceX Rocket Launches Secret Government Payload Into Orbit”.

SpaceX’s Falcon 9 rocket successfully launched a top secret U.S. government payload into orbit, while returning its first-stage booster to the ground for reuse.

The Falcon lifted off at 8 p.m. ET Sunday from Cape Canaveral Air Force Station. As the first-stage of the Falcon returned to Earth for an upright landing, the upper stage lofted the mysterious Zuma, presumed to be a spy satellite or military communications satellite, into an undisclosed orbit.

(21) HEAVY METAL. Beating swords into stereos? “Headphones made from recycled firearms”.

Sweden’s Yevo Labs has unveiled a set of wireless headphones that incorporate metal made from seized illegal guns.

The charging case and a band on the headphones themselves are made of a material branded Humanium.

It is created by the Humanium Metal Initiative, also based in Sweden, and used by a number of Scandinavian manufacturers.

One analyst said the idea should help the headphones stand out in a crowded market.

(22) MIRROR, MIRROR. Cora Buhlert evaluates a popular episode of Black Mirror — “‘USS Callister’ and the Successful Mutiny Against Toxic Masculinity”.

…In the end, it turns out that “USS Callister”, the “Star Trek” episode of Black Mirror is only superficially about Star Trek. This shouldn’t really come as a huge surprise, since Black Mirror normally focusses on “five minutes into the future” tech dystopias and not far future space opera. And indeed, my initial reaction to the “USS Callister” scenes in the general season 4 trailer was, “Huh. Now that doesn’t look like Black Mirror at all.”

And indeed it quickly turns out that the scenes in the trailer of a day-glo 1960ish Star Trek type space adventure are just an immersive virtual reality game created by a programmer named Robert Daley, where he can forget his sad everyday existence and instead live in the world of his favourite TV show, a Star Trek clone called “Space Fleet”, as the heroic captain leading an adoring crew to explore the unknown. At first glance, this seems to be harmless enough, though it is notable that the crew of the USS Callister look very much like his co-workers. Things take a turn towards the seriously creepy when Daley steals the coffee cup of a new employee, swabs it for DNA and pushes a sample into a device attached to his computer…

(23) CW SUPERHEROES. The super season returns starting Monday, January 15 on The CW. Very amusing trailer.

[Thanks to JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Horror Writers Association Bans CA Suleiman from StokerCon

Lisa Morton, President of the Horror Writers Association, announced that C.A. Suleiman has been permanently banned from its events, including the organization’s annual StokerCon.

HWA/StokerCon has recently been made aware of a number of incidents that occurred at our previous events involving C.A. Suleiman and female attendees. In accordance with its anti-harassment policy as stated here – http://stokercon2018.org/393-2/ – HWA’s Board of Trustees have permanently banned Mr. Suleiman from attending our future events. We encourage anyone who experiences or witnesses harassment by any person at any of our events to contact us via the above-mentioned web page. We are dedicated to making our StokerCons and other HWA-sponsored events safe and comfortable events for all attendees.

In a related development, Green Ronin Publishing has removed Suleiman from a project he was doing for them, according to a joint statement by Nicole Lindroos, Hal Mangold, and Chris Pramas.

Recently a contractor that we’ve been working with, CA Suleiman, was accused of sexual harassment. We were in the midst of an internal investigation and had decided nothing as yet when this was taken to the court of public opinion. There is a lot we could say about the events of the last few days and the recklessness with which people who have no connection to the incident or even the game industry have acted, and perhaps later we will, but here is the point. Green Ronin is a progressive company, full stop, and loudly so. One need look no further than our games or the causes we support through charitable giving to see that this is so. If someone brings allegations of sexual harassment to our doorstep, you’d better believe we take it seriously. In light of these accusations, we have made some decisions.

CA Suleiman has been working with us on a single project. The Lost Citadel was a Kickstarter we ran earlier this year and we will be publishing it, as we have an obligation to the backers. We will be assigning someone else to oversee the project moving ahead, however, and we will not be working with CA on any future projects.

As a point of clarification, CA was never in charge of the talent search for women and non-binary writers that we ran earlier this year. That was a company effort, spearheaded by co-owner Nicole Lindroos.

The announcement has its own critics, including Hillary Monahan in this Twitter thread:

That last tweet alludes to the publisher’s initial response when the controversy about Suleiman and his role with Green Ronin boiled up during in a discussion of RPG industry sexual harassment in the forums of RPG.net a week ago. At that time, GRP’s Nicole Lindroos wrote a 1200-word defense of Suleiman that concluded:

It is with the full force of that experience and with my very public history of working loudly and fiercely on behalf of women in the business that I have been and will continue to be vocal in my support of CA Suleiman. I do so deliberately and having given the subject the kind of thorough deliberation and research I usually reserve for presidential candidates. You can tell me you don’t like him, that you find him arrogant, ambitious, dismissive, that he’s “an insufferable dick” (as one woman put it to me), that he’s “difficult”. I have known and worked with the man and he has at times been all of those things but that doesn’t make him an abuser, a harasser, a predator, or a threat. He is not.

Yesterday, before the latest post by Green Ronin leadership, Jaym Gates, who manages Nisaba Press for Green Ronin Publishing, made a personal statement of her own about the situation in response to this tweet from Brian Keene:

Gates wrote on Facebook:

I am not an official GR spokesperson, so please remember that I am only speaking on my own behalf, and on the behalf of my role as a contractor for Green Ronin. An official statement is forthcoming there.

My current official statement is below. I am about to log in to a meeting, but I will answer as I can. Please feel free to share, or to come to me with questions. As stated below, I have spent YEARS trying to make this industry better, and I am trying to do my best here in a fast-moving and muddy situation.

***

The first I saw of this issue was on RPGNet, when accusations against Suleiman were made in an effort to deflect attention from a predator being outed in the discussion there. I had been called in to add information about my own harassment from John Morke, and so became privy to the conversation. Holden Shearer has a history of manufacturing claims against Suleiman, from accusing him of writing “noble terrorists” (in a story written by another author with no input from Suleiman, a particularly problematic assertion due to Suleiman being Arab American) to calling him a GamerGater after a Twitter interaction. These accusations seemed to be an attempt to distract those of us who were calling Holden out on his support and shielding of Morke, whom he describes as his best friend and someone he will protect. I am happy to provide those screenshots.

As I have known Suleiman for a while and we have had our differences professionally, I have held him to a high standard, and have seen vast growth and a desire to become a better human. At the time of my initial statement, that was all the information I had. I have not yet had anything but third-hand information regarding the new allegations, and so do not feel I can comment in a fair and honest way. I have spent nearly a decade on the front lines of the industry harassment issues, and am approaching this with all of that awareness and caution.

Additionally, regarding my professional responsibilities, as the editor of Nisaba Press, I handle all of the fiction for Green Ronin, with oversight and direction from the owners. I am the sole point of contact with my authors. As such, Nisaba is not directly relevant to the accusations or resolution, and my personal statements on the subject in no way influence my management of the line. Protection of my authors always has, and always will, come first. I think my track record speaks to that.

A woman who says Suleiman sexually harassed her at StokerCon related her experience in a comment on Gates’ statement.

HWA Celebrates Women in Horror – Part 3

February is Women in Horror Month and every day the Horror Writers Association blog is running a Q&A with an award-winning woman member. Here are the highlights of the third week.

Rain Graves –February 15

Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?

RG: I’ve never been a member of the HWA, so it’s always funny when people try to argue that they play favorites when giving the awards. They argue that people who campaign for the award – sending mass emails to friends and members offering free copies so that people will read it and recommend it for the Stoker – is a soul killing disease that paints the writer into that picture of favorite or pimp, depending on their involvement with the HWA. That hasn’t been my experience in terms of my work. I have never once campaigned. I have never once asked anyone to read it. I just do the work, and put it out there. My publishers offer free downloads or hard copies to reviewers. I think Roy may have offered a free download to HWA members when TFE made the final ballot. So I am always surprised to see my name on the preliminary ballot, and final ballot. Definitely surprised to ever win.

Chelsea Quinn Yarbro – February 16

Chelsea Quinn Yarbro. Photo by Charles Lucke.

What advice would you give to new female authors looking to break into horror?

CQY: Don’t put all your eggs in one basket — write in more than one genre. That way, if one market collapses, you have a fall-back position.

Lisa Morton – February 17

Lisa Morton

Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?

LM: I’ve won six times now, in five different categories (twice in Non-fiction, once each in First Novel, Graphic Novel, Long Fiction, and Short Fiction). However, I’m actually proudest of one loss – for my novel Malediction. That novel held significant personal meaning for me, it was a jury selection, and it lost out to Stephen King’s Doctor Sleep – overall it felt like the biggest win!

I have to confess that I’m disappointed I couldn’t put my last non-fiction book Ghosts: A Haunted History in the running for the award, but when I took over as HWA’s President in 2014 I removed all my solo works from consideration as long as I’m in office.

Allyson Bird – February 18

Allyson Bird with daughter Sarah.

Do you think women in horror face more difficulties than their male peers?

AB: Yes. I’ve had much support from some great male writers but there are always a few who will try to bring you down if you do something they don’t agree with. That time I outed the fascist/racist David A. Riley caused me some problems. A few writers tried to cause trouble for me but it backfired on them. Speaking up is important as America faces the terrible years ahead with Trump dedicated to dividing the country. If you see hatred and racism, inequality regarding LGBTQ and women’s rights, discrimination against any minority ….SPEAK OUT…if you don’t who will? My advice to women is do what your conscience tells you to do. Write what you want to write not what you think others might want to read. If you ask yourself how will this affect your career….that is the wrong question to ask. Whether it is fiction or fact write it and those who are meant to be with you will support you.

Yvonne Navarro – February 19

Yvonne Navarro

What advice would you give to new female authors looking to break into horror?

YN: I said it up there. Write like a writer. Don’t write like a woman, don’t write like a man. Write like a writer, like you. Write the absolute best that you can. And what I tell every writer trying to break into any genre: Read your stuff aloud, like you were an actor on the stage. If you’re self-conscious, then do it when no one else is home or lock the door. That’s the way you’ll get around your brain telling your eyes everything is good. That’s how you’ll find the weird wording, bad punctuation, too-long sentences, misspellings. Reading aloud is golden.

Lucy Taylor – February 20

Lucy Taylor

About winning the award – how surprised were you? Did winning pay off in any interesting ways?

LT: Good question. I wasn’t totally surprised, because I remember having a conversation with Harlan Ellison in which he ‘strongly’ advised me not to miss the World Horror Convention that year, so I admit I had my hopes up. Also very exciting was the fact that Joyce Carol Oates won a Stoker that year in the Best Novel category for ZOMBIE, so it was wonderful meeting her as well as Harlan Ellison.

Nancy Holder – February 21

 

Nancy Holder. Photo by John Urbancik.

What new works from you can we look forward to in the future?

NH: I’m finishing the novelization of the new Wonder Woman film—very excited about that!—and co-writing a new Buffy Encyclopedia to celebrate the 20th anniversary. My co-contributor is my original Buffy editor, Lisa Clancy, so that’s a dream come true. I’m working on a Gothic project I am super excited about but I can’t talk about it much right now. I’m also working on some short stories.

Lucy A. Snyder – February 22

Lucy A. Snyder

Do you think women in horror face more difficulties than their male peers?

SL: I do, but these problems are not by any stretch limited to the horror field. While there are sub-genres of horror that employ tropes that are outright misogynistic (using rape as titillation, for instance) as a working professional writer, what I mostly see is an extension of the garden-variety bias you find everywhere. Namely, the perception that women’s work is going to be less vital, less edgy, less interesting than men’s work. And #notallmen, of course; some of my most loyal fans are male readers. But the general trend for a long time has been that female fiction writers are less likely to be published outside of romance, and when they are published, their books are less likely to be reviewed or noticed. Strange Horizons and Vida have gathered statistics on all this.

But a bigger problem for all women artists is being able to preserve their time and energy to get their creative work done. In most communities and families, women are still expected to be the ones who largely take care of the kids, do the cooking, do the cleaning, care for aging parents and sick relatives. Women are still expected to put their husbands’ career aspirations and children’s needs first. The result is that women are often left with less time and energy and support for their writing.

Even just getting ready in the morning — women are expected to sink more time and energy into our appearances, and we are criticized more harshly for looking unkempt or sloppy. I try to be as low-maintenance as I can, but I’m sure I spend a solid half-hour more per day on grooming and dressing than my husband does. That works out to over 180 hours per year! Most women spend a whole lot more time there than I do; I don’t even wear makeup every day. It’s very hard for us to set that time sink aside because we’ll be penalized socially and professionally for it.

More men are pitching in on childcare and household chores than they did in past decades, but the cultural conditioning men and women both receive make it harder for women to preserve the time and energy they need to develop careers as writers and artists. It’s getting better, but there’s still a long way to go.

Donna K. Fitch – February 23

Do you think women in horror face more difficulties than their male peers?

DKF: HWA is making great strides in changing the opportunities of women in horror, and I hope a question like this will be outmoded soon. I feel that women writing in horror were seen in the past as “writing outside their genre.” HWA’s scholarships and the amazing Seers’ Table column are encouraging a new generation of women as they see the possibilities.

P.D. Cacek – February 24

P.D. Cacek

Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?

PDC: I won a Bram Stoker in 1996 for my short story, Metalica: a “touching” story about a woman and her speculum. Yes, you read correctly: speculum. Now, in case you’re not sure what a speculum is, let me explain that it is a medical tool designed to investigate body orifices, most commonly gynecological orifices. I have often described it as a cross between salad tongs and the Jaws of Life. Talk about horror, right?

So, if you ask about inspiration, I guess you can say that I had personal knowledge of the subject matter—but certainly not as well as my character had. And that’s where the horror came in. I took a common, if not pleasant experience may be, and twisted it out of all proportions.

Pun intended, if you read the story.

For me, that’s the secret of horror: take reality and give it a twist.

That’s what I did with Metalica and it apparently worked better than I expected. I was asked by Jeff Gelb (one of the editors for FEAR THE FEVER—The Hot Blood Series, where the story was published) if I could use my gender specific real name.

It seemed that the one of the editors for Pocket Books (a woman editor, I might add) was worried that the story might offend women readers if they thought a man wrote it. I’ve always thought that it was the story that mattered, not really the writer, so I agreed and you’ll notice that that byline reads Patricia D. Cacek.

My dear friend and mentor, Edward Bryant (who just passed) told me I should never have given in, but it seemed like a small concession to me at the time and still does. As I said before, it’s the story that matters.

Elizabeth Monteleone – February 25

Elizabeth Monteleone

Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?

EM: I feel like I cheated a little. I had as a co-editor the BRILLIANT Thomas F. Monteleone. Thank goodness he saw talent in me. Having been a life-long reader, and lover of books (I wish I could remember who said this but it applies to me “I’m a literary whore, I’ll read anyone.”) I started reading the slush pile and the stories I sent on to Tom seem to have impressed him because he told me I had an unerring instinct for what comprised a good story. High praise indeed!

Winning gave me a confidence I didn’t know I lacked when it came to validating my ability to recognize good writing.

Pixel Scroll 1/11/17 Ask Not What Your Pixel Can Scroll For You; Ask What You Can Scroll For Your Pixel

(1) 21ST CENTURY AIRPORT SECURITY. The Atlantic gives you an overview of the preparations, including a pair of anti-terrorism officials on-staff, at an airport with twice the police force of Pasadena — “Inside LAX’s New Anti-Terrorism Intelligence Unit”.

Today’s threats, whether terrorist or merely criminal, are increasingly networked and dispersed; it only makes sense that an institution’s response to them must take a similar form. It might sound like science fiction, but, in 20 years’ time, it could very well be that LAX has a stronger international-intelligence game than many U.S. allies. LAX field agents could be embedded overseas, cultivating informants, sussing out impending threats. It will be an era of infrastructural intelligence, when airfields, bridges, ports, and tunnels have, in effect, their own internal versions of the CIA—and LAX will be there first.

…[Stacey] Peel currently works in central London, where she is head of the “strategic aviation security” team at engineering super-firm Arup. She explained that every airport can be thought of as a miniature version of the city that hosts it. An airport thus concentrates, in one vulnerable place, many of the very things a terrorist is most likely to target. “The economic impact, the media imagery, the public anxiety, the mass casualties, the cultural symbolism,” Peel pointed out. “The aviation industry ticks all of those boxes.” Attack LAX and you symbolically attack the entirety of L.A., not to mention the nerve center of Western entertainment. It’s an infrastructural voodoo doll…

(2) OVER THE AIR. Bill Campbell of Rosarium Publishing was a guest today of Georgia Public Radio program On Second Thought, speaking about “The Women Who Pioneered Sci-Fi”. You can listen to the segment at the link.

A problem with some fantasy fiction narratives is the misogynistic treatment of female characters. The sci-fi world may still be very much dominated by men behind the scenes, but that doesn’t mean there haven’t been female trailblazers. A new book explores some of those unsung heroines. It’s called “Sisters of Tomorrow: The First Women of Science Fiction.” We talked with the author, Georgia Tech professor Lisa Yaszek. We also spoke with Bill Campbell of Rosarium Publishing, which focuses on bringing more diversity to science fiction.

(3) TINY DANCER. Two-time Nebula winner Catherine Asaro is profiled in the Washingtonian: “She’s a Harvard PhD and Author of 26 Novels. She’ll Also Get Your Kids to Like Math”.

Washington’s suburbs are rich with overachieving kids and anxious parents, ambitious college goals and lengthy extracurricular commitments—and of course, supplementary-education programs and afterschool tutors. You can sign your kid up for soccer instruction by a women’s Premier League coach or for Lego robotics taught by engineering grad students. But even in this hothouse environment, Catherine Asaro stands out.

If math were a sport, she’d be its Morgan Wootten. For more than a decade, the brightest STEM (science, technology, engineering, and math) prodigies in the area have taken classes from her in cinder-block-lined community rooms or cluttered spaces in her home. Her students have qualified for the USA Mathematical Olympiad and, in 2014, placed first and second at the University of Maryland High School Math Contest. In 2015, her team was named top program in the country by the Perennial Math Tournament. An entire wall in her living room is filled with trophies from MathCounts competitions. Asaro’s students have earned scholarships to the University of Maryland and attend places such as Stanford and MIT….

Asaro looks more like my image of a science-fiction writer than a math tutor—lots of rhinestones on her jeans and long-sleeved T-shirt; flowy dark hair; and a purring, confident voice that recalls another of her gigs: singing with a jazz band. On a living-room wall hangs a photo of her father, Frank Asaro, a Berkeley nuclear chemist who discovered the iridium anomaly that led to the asteroid theory of dinosaur extinction. Naturally, he also played classical piano. Asaro says that, like her dad, she started out more interested in music than in science, deciding to become a ballet dancer after seeing Swan Lake.

(4) PANELISTS FOR HELSINKI. The Worldcon 75 online signup for people wanting to be on the program is working again. The form will close on March 30th and Worldcon 75 will get back to everybody during March/April.

(5) WESTON SCHOLARSHIP. Steve Cooper announced there is a new Pete Weston Memorial Scholarship available to help fund someone attending Conrunner in the UK.

We were all saddened to hear of the death of Pete Weston last week. In his memory an anonymous donor is offering a scholarship to Conrunner to celebrate Pete’s contribution to convention running.

The scholarship will cover two nights accommodation and membership of Conrunner. It is open to anyone to apply – but if this is your first Conrunner – you will be given priority in the selection.

Please message me if you are interested or email me at con-runner@virginmedia.com

(6) ERIC FLINT UPDATE. The doctor had an encouraging word for Eric Flint.

I have some further news. My cancer has been further diagnosed as large diffuse B-Cell lymphona. That’s the most common type of cancer among adults, mostly hits older folks around 70 (my age) — my doctor calls it “the old fart’s disease” — and is about as white bread as lymphonas come. It responds very well to chemo, too.

So, it looks as if my luck is still holding out (allowing for “I’ve got cancer” values of luck.)

(7) BEWARE! Camestros Felapton understandably set his blog on autopilot and left town just before the unveiling of his new serial:

In the interim, starting Thursday morning Australian time will be the TWENTY-TWO PART serialisation of the annotated version of the early example of British genre fiction BEWARE THE CAT!

Each post has an introductory chatty bit which contains my mangled understanding of Tudor history, reformation theology and cat psychology, followed by a hefty chunk of my edited-for-readability-and-spelling version of Beware the Cat.

To cram it all in there will actually be several posts per day – so the blog will actually be busier than when I’m actually running it.

beware the annotated cat

Indeed and verily, the first installment is now online.

I have written for your mastership’s pleasure one of the stories which Mr. Streamer told last Christmas – which you so would have heard reported by Mr Ferrers himself. Although I am unable to tell it as pleasantly as he could, I have nearly used both the order and words of him that spoke them. I doubt not that he and Mr. Willet shall in the reading think they hear Mr Streamer speak, and he himself shall doubt whether he speaks.

(8) REMEMBERING METROPOLIS. Den of Geek! writer Jim Knipfel discusses “Metropolis at 90: The Enduring Legacy of a Pop Modernist Dystopia”.

In an interview with Peter Bogdanovich shortly before his death in 1976, Fritz Lang said of Metropolis, “You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that’s a fairy tale – definitely. But I was very interested in machines. Anyway, I didn’t like the picture – thought it was silly and stupid – then, when I saw the astronauts: what else are they but part of a machine? It’s very hard to talk about pictures—should I say now that I like Metropolis because something I have seen in my imagination comes true, when I detested it after it was finished?”

(9) MAKING A POINT. Sarah A. Hoyt, in “Sad Puppies, Gate Keeping, And We DID Build this”,  says what happened yesterday was not gate keeping, it was brand protecting. Which it was. But there’s a lot of haystack to go through before you get to the needle.

Even before I got to that post, and later in the other post that made me almost berserk again (I don’t think I’ve done this twice in one day since my teens) a friend had commented on how he gave the wrong impression and he should stop it already.  Later on there were also posts on a bizarre theme, one of which (the comments) is what caused the second berserk attack.

The theme was like this: Sad Puppies said they were against gate keepers, but now they’re trying to be gatekeepers.

There are so many missteps in that statement it’s hard to unpack.  First of all, no, Sad Puppies wasn’t against gatekeepers.  Sad Puppies was against the secret maneuvering that went on behind the awards.  (BTW it was never really a secret. When I was coming in, my mentors told me it was all log rolling and I had to roll the logs.)  And which people denied until they stopped denying it, in favor of shrieking at us to get off their lawns, and making up horrible lies about us.  (Unless, of course, you believe I’m a Mormon male.)

Second, in what way were we trying to be gatekeepers when we told an unauthorized person to stop pretending he was leading SP 5?

We were as much gatekeepers as, say, Baen would be when it told you you couldn’t call your indie publisher Baen Books For Real.  It might or might not violate a trademark (fairly sure it would) but more than that it’s false advertising and it violates the right of people to what they have built.

(10) TIL WE HAVE FACEBOOK. Author S.M. Stirling is not a Twitter user.

With every passing day, I become more convinced I did the right thing by not opening a Twitter account. It’s the Promised Land of aggressive stupidity, and makes otherwise smart and civilized people aggressively stupid. The world would be a better place if it didn’t exist.

(11) THIS JUST IN. Ansible Links reports —

Ansible Editions offers a free Then sample download in a naked attempt to influence BSFA shortlist voting and Hugo nominations

Looks like an obvious attempt to influence the Best Related Works category. Or blatant. Possibly both.

(12) DID ANYONE READ THE DRAGON AWARD WINNER? Doris V. Sutherland, in “Brian Niemeier: The Man Who Would Be (Stephen) King”, disputed that Niemeier’s Souldancer was among the most popular horror novels of 2016, but agreed he’s been successful at branding his work.

The rise of Kindle direct publishing has opened doors for an array of new writers, but it has also confronted them with a big question: how, in lieu of backing from a professional publisher, does you promote a novel?

…Search the space opera category in Amazon’s Kindle department, and I suspect that you will find numerous other indie books that are of equal or superior quality to Niemeier’s novels. Many of those have vanished into obscurity; and this would likely have been the fate of Souldancer, had its author kept his opinions to himself. Instead, by latching onto the Puppy/Superversive movement, he has picked up a loyal following; not a large following, as we have established, but one that has still managed to build him a sturdy echo chamber.

I would rather not write any further posts about Niemeier, as I do not want this to turn into the Doris vs. Brian blog, but I do find all of this an interesting case study in regards to indie publishing. The Puppies have evolved from a campaign centred around bagging an award for a specific author (that is, Larry Correia) into a brand that has granted new authors a platform – Niemeier and Finn being amongst them.

(13) CHUCK. Try and think of any other person people might try to vote a Hugo simply because they promised to show up at the award ceremony.

(14) EVERY DAY IS HALLOWEEN. That’s the name of Lisa Morton’s newsletter – you can subscribe through her blog. Morton, HWA President, recently told her newsletter readers —

Ellen Datlow and I have now finished up the editing on Hallows’ Eve, the next official HWA anthology. I’m ridiculously happy with the range and quality of the stories we’ve assembled. Here’s hoping we’ll have a cover reveal soon!

The HWA blog has released a list of the contributors:

The sixteen authors included are: Kelley Armstrong, Pat Cadigan, Elise Forier Edie, Brian Evenson, Jeffrey Ford, Eric J. Guignard, Stephen Graham Jones, Kate Jonez, Paul Kane, John Langan, John R. Little, Jonathan Maberry, Seanan McGuire, S. P. Miskowski, Garth Nix, and Joanna Parypinski.

(15) TIME TO REFUEL. Here is Fan-O-Rama: A Futurama Fan Film.

[Thanks to David K.M. Klaus, Steven H Silver, edd, JJ, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]

Pixel Scroll 1/8/17 There Is No Joy In Pixelville – Mighty Casey Has Scrolled Out

(1) MOORCOCK REMEMBERS CLARKE, In New Statesman Michael Moorcock writes a wide-ranging memoir of Arthur C. Clarke which the publication rather myopically captions “’Close to tears, he left at the intermission’: how Stanley Kubrick upset Arthur C Clarke” – although, of course, that is one of Moorcock’s anecdotes.

Based primarily on his short story “The Sentinel”, together with other published fact and fiction, the film was very much a joint effort, although Arthur was overly modest about his contribution. For his part, Kubrick seemed unable to come up with an ending that suited him. When I visited the set, the film was already about two years behind schedule and well over budget. I saw several alternative finale scenes constructed that were later abandoned. In one version, the monolith turned out to be some kind of alien spaceship. I also knew something that I don’t think Arthur ever did: Kubrick was at some point dissatisfied with the collaboration, approaching other writers (including J G Ballard and myself) to work on the film. He knew neither Ballard nor me personally. We refused for several reasons. I felt it would be disloyal to accept.

I guessed the problem was a difference in personality….

Without consulting or confronting his co-creator, Kubrick cut a huge amount of Arthur’s voice-over explanation during the final edit. This decision probably contributed significantly to the film’s success but Arthur was unprepared for it. When he addressed MGM executives at a dinner in his honour before the premiere, he spoke warmly of Kubrick, declaring that there had been no serious disagreements between them in all the years they had worked together, but he had yet to see the final cut.

My own guess at the time was that Kubrick wasn’t at ease with any proposed resolution but had nothing better to offer in place of his co-writer’s “Star Child” ending. We know now that the long final sequence, offered without explanation, was probably what helped turn the film into the success it became, but the rather unresponsive expressions on the faces of the MGM executives whom Arthur had addressed in his speech showed that they were by no means convinced they had a winner….

As it turned out, Arthur did not get to see the completed film until the US private premiere. He was shocked by the transformation. Almost every element of explanation had been removed. Reams of voice-over narration had been cut. Far from being a pseudo-documentary, the film was now elusive, ambiguous and thoroughly unclear.

Close to tears, he left at the intermission, having watched an 11-minute sequence in which an astronaut did nothing but jog around the centrifuge in a scene intended to show the boredom of space travel. This scene was considerably cut in the version put out on general release

(2) CONGRATULATIONS! Pat Cadigan marks her ”Two-year Chemo-versary”.

Last year at this time, I was so…moved by the fact that I was going to live that it was a few weeks before I could think straight enough to get any work done. I think I was more affected by the news that I was going to live than I was by the news that I had terminal cancer. Even now––I mean, I’m getting things done but every so often I still have a sudden moment of clarity, of being surprised by joy.

(3) AWARD PICKERS. Horror Writers Association President Lisa Morton has named the members of HWA’s 2016 Lifetime Achievement Award Committee:

Ramsey Campbell

Erinn Kemper

Monica Kuebler

John Little (chair)

Joseph Nassise

The Committee will immediately begin discussions to determine 2016’s recipient(s).

(4) OLDER VISITS THE BAY AREA. Daniel Jose Older will do a reading and signing at the main San Francisco Public Library on January 24.

Author, Daniel Jose Older, will read from his second book, entitled Shadowshaper, about a young Afro-Latina girl named Sierra who discovers her family’s history of supernatural powers and her ability to interact with the spirit world.

(5) FINAL RESTING PLACE. I might not do it. You might not do it. All that matters is – WWCD? “Carrie Fisher’s ashes carried in Prozac-shaped urn”.

Carrie Fisher has been laid to rest alongside her mother Debbie Reynolds at a private service where her ashes were carried in an urn in the form of an outsize Prozac pill.

The US actress, best known for her role as Princess Leia in the Star Wars films, was frequently open about her experience of mental health issues.

“I felt it was where she would want to be,” her brother Todd Fisher said.

Following the joint funeral service at Forest Lawn Memorial Park in Hollywood Hills, Los Angeles, Todd Fisher said the giant pill in the shape of the anti-depressant drug was chosen as the urn for his sister’s ashes because it was one of Carrie’s “favourite possessions”.

(6) IN TIMES TO COME. Entertainment Weekly writer Rachel DeSantis says these are the most anticipated movies of 2017:

Star Wars: Episode VIII, Blade Runner 2049, and Alien: Covenant topped Rotten Tomatoes’ survey of the most anticipated movies of the year.

Star Wars fans got an extra dose of the galaxy far, far away in 2016’s most anticipated movie, Rogue One, which has brought in more than $800 million at the worldwide box office following its Dec. 16 release. Episode VIII will serve as the follow-up to 2015’s smash hit Star Wars: The Force Awakens. That film will pick up where The Force Awakens left off and features Daisy Ridley, Mark Hamill, John Boyega, Oscar Isaac, Adam Driver, Gwendoline Christie, Lupita Nyong’o, Domhnall Gleeson, Andy Serkis, and the late Carrie Fisher, who completed filming before she died last month.

(7) TODAY IN HISTORY

  • January 8, 1958 — Teenage Monster, aka Meteor Monster, opens in theaters.

(8) TODAY’S BIRTHDAY BOYS

  • January 8, 1935 – Elvis Presley
  • January 8, 1942 – Stephen Hawking. A thought for the day: “Intelligence is the ability to adapt to change. ” — Stephen Hawking

(9) HOW DO YOU KNOW IF YOU’VE MADE IT? W.E.B. Griffin gave a tagline to characters in his series The Corps: “The true test of another man’s intelligence is how much he agrees with you.”  When I read Brad R. Torgersen’s “What is ‘legitimate’ in the 21st century publishing environment?” I thought his answers were very intelligent…. Everyone would like Scalzi-size or even Milo-size book contracts, but that’s not a requirement of success.

My suggestion is to wholly ignore outside factors, and consider your specific situation alone. How much income — directly from prose writing — would it take to pay a single bill? How about several bills? The monthly rent, lease, or mortgage? Pay off the car loan? Wipe out college debt? Pay for a home remodel? Buy a new home entirely? These are scalable, individual goals which are within your individual grasp to quantify, and they don’t place you in competition with your peers. You are never keeping up with the Joneses, to use an old phrase. Your success is not determined by matching or “beating” anyone else in the business. It’s wholly dependent on how much progress you can make, and in what form, according to financial circumstances which are uniquely your own.

For example, I live in fly-over country. The cost of living, for my specific area of Utah, is rather modest. Especially compared to where I used to live in Seattle, Washington. It won’t take millions of dollars to pay off my home, or my auto loan, or to add a second floor onto my rambler, or to accomplish any other dozen things which I’d like to accomplish with my writing income. Better yet, these things can be accomplished without having to look at either Larry Correia to my northeast, or Brandon Sanderson to the south. I don’t have to “catch up” to feel like I am winning at the game of life. I am alone, on my own chess board, and I define my own conditions for victory. They can be reasonable. More importantly, they can be reachable. And I know for a fact that Larry, or Brandon, or any four dozen other successful Utah authors — we’ve got a lot of them out here — will understand completely. Because they’re all doing the same thing, too.

And so can you.

Once more, for emphasis: production, followed by readership, followed by income….

(10) SUCCESS BY ANYONE’S MEASURE. Adam Poots has a load of money he can to make the next edition of his game: “Board game raises over $10 million, becomes one of the most successful Kickstarter campaigns ever”.

The crowdfunding campaign for Kingdom Death: Monster 1.5 launched strong on Black Friday, the day after Thanksgiving. It set Kickstarter records by raising its first million in only 19 minutes , faster than any project ever before on the popular crowdfunding platform.

Currently, with more than $10 million raised and a bit over a day left in the campaign, the game is thefifth most funded project ever to run on Kickstarter. The other top ten highest earning products include Pebble smartwatches, the “coolest cooler,” a deluxe travel jacket and a tiny desk toy called a Fidget Cube.

New York City-based game designer and founder of Kingdom Death Adam Poots is, unsurprisingly, excited. …

Just don’t plan on playing it very soon. “Poots expects to be able to deliver all elements of the game by December 2020.”

(11) TRIBUTE ANTHOLOGY. If, on the other hand, you don’t need to get paid for your writing…. Zoetic Press is seeking fiction and nonfiction submissions for an anthology memorializing dead cultural icons.

We invite writers to eulogize the fallen icons who have profoundly shaped your relationship to yourself and your place in the world. We are more interested pieces which memorialize public figures who have recently passed, but all in memoriams submitted will be given equal attention.

We regret that we cannot consider In Memoriam pieces for Dearly Beloved which are not about public figures. We cannot consider pieces about family members, pets, friends, or figures that are not public for Dearly Beloved– this anthology is a memorial for the artists and public personalities that shape each of us differently.

(12) WE’RE A LITTLE LATE. From October, Alison Flood of The Guardian reports: “Stephen King pens children’s picture book about train that comes alive”.

Charlie the Choo-Choo, written under the pseudonym Beryl Evans, steams out out of the pages of King’s Dark Tower fantasy series and into bookshops – with a warning for Thomas fans

“As he looked down at the cover, Jake found that he did not trust the smile on Charlie the Choo-Choo’s face. You look happy, but I think that’s just the mask you wear, he thought. I don’t think you’re happy at all. And I don’t think Charlie’s your real name, either.”

Now, King has written a real-life version of Charlie the Choo-Choo: out on 22 November from Simon & Schuster, under the pseudonym Beryl Evans, and illustrated by Ned Dameron.

(13) THE COMIC SECTION. John King Tarpinian notes that online comic Brevity has a very amusing Star Trek reference today.

Meanwhile, Martin Morse Wooster points out that the latest installment of Pearls Before Swine might be seen as complementary to John Scalzi’s 10-point advice post linked in yesterdays Scroll.

(14) ANIMAL CINEMATOGRAPHY. In the Washington Post, Michael Cavna looks at how Illumination Entertainment’s fomula of talking animals and many, many jokes has proven highly profitable, leading to the green-lighting of Despicable Me 3, The Secret Life of Pets 2, and Dr. Seuss’ The Grinch.

Before 2016, Illumination had scored a modest hit with 2011’s “Hop” and, a year later, did well with “Dr. Seuss’ “The Lorax.” But the studio had a single go-to franchise: 2010’s “Despicable Me” grossed $543 million globally — just about equal to Illumination’s total reported production budget to date — and spawned the monster hits “Despicable Me 2? in 2013 ($970.8 million worldwide) and 2015’s “Minions” ($1.159 billion). Add in the sales of all cute yellow Minion merchandising, and Illumination had one property it could bank on. (“Despicable Me 3? is set to land this June.)

But “Despicable Me” writers Ken Daurio and Cinco Paul then brought their deft skills with spinning family-friendly adventures to “The Secret Life of Pets,” which grossed more than $875 million worldwide last year — making it the highest-grossing non-Disney film in 2016 (no small feat).

(15) GRANDMASTER INTERVIEWS PAST MASTER. A rare interview with Rod Serling (The Twilight Zone, Night Gallery) at the Center for the Study of Science Fiction at the University of Kansas, conducted by James Gunn in 1970.

[Thanks to John King Tarpinian, Martin Morse Wooster, Michael J. Walsh, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Pixel Scroll 10/6/16 Have Fun Storming The Pixels!

(1) MCCARTY REMEMBERS HARRISON. Dave McCarty pays tribute to his friend Howard Harrison, who passed away October 5, by retelling the experience of running the 1999 Capricon.

…I asked what if we weren’t actually throwing *Capricon*?  What if instead, we were holding the annual meeting of the International Order of Villains?  We treat the whole convention like it is some *other* event?  Tracy asked me why that would be and then I hit her with the nefarious money plan.  You see, if it’s a conference like that, when folks sign up, they would tell the convention organizers which kind of villain they were…be it henchmen, lackey, minion, mad scientist, Igor, etc.  We could badge each of those groups differently so you’d know who was who.  The kicker was that you could also choose to register as an Evil Overlord, but this would be a premium membership for which you would need to pay more money.  If you wanted to be an Evil Overlord, you had to pay.  We could work out getting them some tokens and souvenirs for it, but as long as we only spent a couple bucks on that, we were still helping the convention.  The idea excited me and it excited Tracy, so we shared it with a few other folks and it universally got folks excited and worked up….

From that point on we were in a world we’d never anticipated.  We got no small number of people to pay us extra money to be an Evil Overlord and boy howdy did that help us, but holy hell did it make for a convention that’s hard to forget.  See, quite a number of the Evil Overlords were going around the convention recruiting minions, henchmen, and lackeys to their cause.  Even more brilliantly, Howard Harrison was spending almost all of the time he wasn’t in the filk room going around and organizing the Union of Minions, Henchmen, and Lackeys Local 302.  When I asked him why, he told me (in his best Chicago Superfan imitation) “You see, I know that I am going to die in a fiery explosion, or be thrown into a volcano, or just act as fodder for my bosses escape.  I need to know what’s going to happen for my family!“.  These conversations and all the recruiting brought me to freaking tears.  Our whole convention was a LARP and almost everyone was playing and nobody was having a bad time or feeling pressured to participate.  Howard even invented the UMHL salute.  Take your right hand and make a tight thumbs-up, then flip it upside down (thumbs down).  Now, place  your knuckles against your temple in salute fashion.  There you go, union salute!  Howard then took his unionized brothers and sisters and started approaching the Evil Overlords to inquire about benefits and insurance and post-death family care to get his folks the best deal he could….

…At the time, I told him how brilliant he was…but over the years, his playfulness that weekend grew to mean a lot more to me and I don’t think I ever really got to tell him what that grew into for me.  I’m sad that I can’t do that with him now, but I *can* share this story with all of you so that you know what a special guy he was.

(2) MAGIC IN SNORE-TH AMERICA. If you bet against J.K. Rowling writing magical history that’s as dusty and dull as regular history is reputed to be – you lost. New at Pottermore, “The Magical Congress of the United States of America (MACUSA)”.

The Magical Congress of the United States of America, known to American witches and wizards by the abbreviation MACUSA (commonly pronounced as: Mah – cooz – ah) was created in 1693, following the introduction of the International Statute of Wizarding Secrecy. Wizards worldwide had reached a tipping point, suspecting that they could lead freer and happier lives if they built an underground community that offered its own support and had its own structures. This feeling was particularly strong in America, due to the recent Salem Witch Trials.

MACUSA was modeled on the Wizards’ Council of Great Britain, which predated the Ministry of Magic. Representatives from magical communities all over North America were elected to MACUSA to create laws that both policed and protected American wizardkind…

 

(3) SURVIVING HOSTILITY. Angelica Jade Bastién, in an article for New Republic, says “For Women of Color, the Price of Fandom Can Be Too High”.

I’m open to criticism and discussing my writing with those who respectfully don’t agree with my opinion, but in covering comic properties, I’ve dealt with everything from people accusing me of not reading comics as if I had no idea what I was talking about to being told I was race baiting by acknowledging certain issues in the film. The worst were the very pointed attacks calling me an “idiot” or a “bitch” and far worse epithets from people I blocked. I won’t even go into the Reddit threads about my article that I was once tauntingly sent screenshots of. It’s something I’ve grown almost numb to as a critic. But what was more interesting to me was the level of hurt coming from these men and their routine way of doubting my comic knowledge—a dynamic other female journalists get time and time again.

I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous.

I have been reading comics obsessively since I was about ten years old. I can probably quote from John Ostrander’s original Suicide Squad run in my sleep, I’ve watched all of the Star Trek series more times than I can count, and I often whip out Klingon when I’m nervous. But I’ve found that the love and knowledge I have on these subjects never seems to be good enough for the people who grow furious at a black woman writing about these properties. White male fans often don’t want to face how their beloved properties often have troubling racial and gender politics.  (Just peruse the comments on my review of X-Men: Apocalypse for RogerEbert.com: “The author feels like the X-Men series in general has failed its female characters—ignoring the fact that Mystique is elevated to a leadership and relevance level well above the source material.” Many didn’t want to face a critique coming from a woman, and a fan, who knows them better than they do.) You can only delete emails and block people on Twitter for so long until you feel burnt out. The reason why we don’t see more black women writing about these subjects with such visibility isn’t because we haven’t been interested in them, it’s that publications rarely give us the opportunity, and when we do write, we often find ourselves facing personal scrutiny that has little to do with the actual writing. At times, I’ve been left to wonder, why do I love these stories so much when they rarely care about people who look like me?

(4) HOLD ON TO THE LIGHT. At Magical Words, “100+ Sci-Fi & Fantasy Authors Blog About Suicide, Depression, PTSD—a #HoldOnToTheLight Update by Gail Z. Martin” includes links to the first 40 posts authors have written around the theme.

More than 100 authors are now part of the #HoldOnToTheLight conversation! Our authors span the globe, from the US to the UK to Canada, Australia and New Zealand. Even more exciting is that as the campaign picks up traction and visibility, more authors want to join, meaning a growing, vibrant dialog about mental wellness and coping with mental illness.

#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

(5) MUSEUM OF SF KICKSTARTER FOR A WOMEN IN SF ANTHOLOGY. The Museum of Science Fiction has opened a Kickstarter appeal to fund Catalysts, Explorers & Secret Keepers, a “take-home exhibit” featuring short science fiction works by and about the women of the genre.

This anthology will showcase how they—as readers, as writers, and as characters—have engaged with and influenced science fiction for more than a century….

The cover of Catalysts, Explorers, & Secret Keepers will feature original artwork by the Hugo winning artist Julie Dillon. Award-winning authors Eleanor Arnason, Catherine Asaro, N.K. Jemisin, Nancy Kress, Naomi Kritzer, Karen Lord, Seanan McGuire, Sarah Pinsker, Kiini IburaSalaam, Carrie Vaughn, Jane Yolen, and Sarah Zettel have already agreed to contribute work to the exhibit.

Upon reaching the minimum funding target, the Museum will open submissions until December 1, 2016. The public will be able to submit original work that fits the take-home exhibit’s theme. Authors of original fiction published in Catalysts, Explorers, & Secret Keepers will receive the SFWA-standard pro-rate ofUS $0.06 per word, while authors of solicited reprints will receive US $0.03 per word. All authors featured in this exhibit will be invited to discuss their work as presenters and panelists in 2017 at Escape Velocity, the Museum of Science Fiction’s annual celebration of all things science fiction.

The appeal has raised $6,068 of its $8,500 goal with 26 days to go.

(6) TOR.COM REOPENING FOR NOVELLAS. Tor.com publishing will take unsolicited novella submissions for three months beginning October 12.

Lee Harris and Carl Engle-Laird will be reading and evaluating original novellas submitted by hopeful authors to http://submissions.tor.com/tornovellas/. You can find full guidelines here, and we highly recommend you read the guidelines before submitting. We will be open for three months, beginning on October 12th around 9:00 AM EDT (UTC-4:00) and ending on January 12th around 9:00 AM EST (UTC-5:00). We may extend this period depending on how many submissions we receive over the course of the open period.

(7) TAKE US TO YOUR CHIEF. From CBC Radio, “Drew Hayden Taylor on why we need Indigenous science fiction”.

Science fiction is meant to take us to places we’ve never been — this is what writer Drew Hayden Taylor is aiming to do with his new collection of short stories, Take Us to Your Chief.

Taylor’s new book filters famous sci-fi tropes such as aliens, time travel and government spying through the lens and perspective of Indigenous people. For him, he is simply taking these familiar stories and putting “some hot sauce on them.”   …

“I pictured myself as a 12-year-old kid back on the reserve, reading science fiction or reading books and not seeing our experiences in this book,” he explains. “I was just taking certain touchstones that we were all familiar with and then using them to take them out of the reserve environment into the larger sci-fi environment, and giving it that sort of resonance.”

(8) POSTSCRIPT TO NATIONAL FINISH-YOUR-BOOK DAY. Camestros Felapton reports there was  third sf novel finished yesterday – Timothy the Talking Cat’s The Confusing Walrus. According to Camestros,

I’ve read his ‘manuscript’ and it says “Copy whatever John Scalzi has written but use find/replace on the words ‘space’, ‘galaxy’, ‘star’ and ‘planet’ with the word ‘walrus’”

confusingwalrus-min

(9) INTERVIEW WITHOUT A VAMPIRE. Masters of Horror held a get-acquainted session with Horror Writers of America President Lisa Morton.

Interview With Lisa Morton By David Kempf

When did you first become interested in writing?

I’ve been writing almost as long as I’ve been reading – my first poem was published when I was 5! – but I didn’t seriously consider making a living out of it until I saw The Exorcist at the age of 15. Seeing the astonishing impact that film had on audiences during its initial release made me realize I wanted to do that, too.

How did you make this a full time job?

Well, it’s not my full time job now. I tried that for a while, back when I was making a fair amount of money as a screenwriter, and it didn’t work for me at all. I know most writers dream of being able to leave their day job and pursue writing all the time, but for me it was too isolating. Plus, I really love being a bookseller.

How did you become President of the Horror Writers Association?

By attrition, sadly. I was serving as Vice President when the President, Rocky Wood, passed away. Before that I’d held a variety of positions within the organization. I do find it satisfying to work with other writers and promote a genre that I love….

(10) NEXT BLADE RUNNER. The Verge reports “The Blade Runner sequel is officially titled Blade Runner 2049”.

(11) BROOKS ON WILDER AND FRANKENSTEIN. Mel Brooks got emotional before a screening last night.

Mel Brooks introduced one of the funniest movies ever made, Young Frankenstein, on Wednesday night. But the director couldn’t hold back tears.

Brooks paid homage to Gene Wilder, the star and co-writer of his 1974 classic comedy, before showing Young Frankenstein on the 20th Century Fox lot.

The live event was beamed to theaters around the country and turned into a tribute to Wilder, who died Aug. 29 at age 83. An encore presentation with Brooks’ introduction will screen in theaters Oct. 18.

“I get just a little overcome,” said Brooks, 90, from the stage, dabbing his eyes as he discussed Wilder. “I’ve had a few great memories in my life. But, honestly, I think making Young Frankenstein is my best year.”

(12) SWEET SWILL. ‘Tis the season for Deadworld Zombie Soda! (Turn the sound down when you click on this site.) The sodas come in 12 flavors, with label art created by comic book artists based on the characters and events that take place in Deadworld comic book universe.

  • ORANGE  – Orange Roamer
  • CHERRY COLA – Goon Biters
  • BLACK CHERRY – Royal Rotter
  • CREAM SODA – Brain Sap
  • COTTON CANDY – Zeek Cocktail
  • VANILLA CREAM SODA – Geek Juice
  • GRAPE – Grisly Swill
  • VANILLA ROOT BEER – Slow Decay
  • STRAWBERRY – Rot Berry
  • ROOT BEER – Twilight Shuffler
  • GREEN APPLE – Morbid Mix
  • GINGER ALE – Graveyard Delight

Untitled

Deadworld is the award winning, long running cult hit comic book series published by Caliber Comics that first exploded on the comic scene in 1986. With over 1 million copies in print and over 100 comics & graphic novels released to date, Deadworld is not your typical “zombie comic book or story”.

A supernatural plague has been unleashed on the world. The dead return to walk the earth…but this is no standard zombie story.  The dead are just foot soldiers for those who have crossed the ‘Gateway’ from another dimension. There are leader zombies who are intelligent, sadistic, and in addition to having a hankering for flesh, enjoy the tortuous ordeals they put the surviving humans through.

(13) EERIE OUTFITTER. Tim Burton’s costume designer Colleen Atwood interviewed by NPR (with comments on Miss Peregrine’s…):

From Hannibal Lecter’s mask to Edward Scissorhands’, well, scissor hands, Oscar-winning costumer Colleen Atwood has pretty much designed it all.

Working steadily since the 1980s, she’s dressed characters from the past and the future — the Middle Ages for Into the Woods, the Civil War for Little Women all the way to Gattaca and the 2001 Planet of the Apes. Her latest movie, Miss Peregrine’s Home for Peculiar Children, is her eleventh with Tim Burton. It travels back in time to Wales during World War II….

(14) SLOW DOWN, YOU MOVE TOO FAST. The BBC sums up interstellar travel:

Science fiction writers and moviemakers have shown us countless visions of humanity spread out across the Universe, so you might be forgiven for thinking that we’ve already got this in the bag. Unfortunately, we still have more than a few technical limitations to overcome – like the laws of physics as we understand them – before we can start colonising new worlds beyond our Solar System and galaxy.

That said, several privately funded or volunteer initiatives such as the Tau Zero Foundation, Project Icarus and Breakthrough Starshot have emerged in recent years, each hoping to bring us a little bit closer to reaching across the cosmos. The discovery in August of an Earth-sized planet orbiting our nearest star has also raised fresh hopes about visiting an alien world.

Interstellar spacecraft will be one of the topics discussed at BBC Future’s World-Changing Ideas Summit in Sydney in November. Is travelling to other galaxies possible? And if so, what kinds of spacecraft might we need to achieve it? Read on to get up to (warp) speed: …

(15) TREK BEYOND BLOOPERS. CinemaBlend has the story and the video — “Chris Pine Does His Best Shatner Impression In Hysterical Star Trek Beyond Gag Reel”.

As professional as the actors all are on the set of a Star Trek movie, the final cut of the film adds effects and music to the experience which help transport you to the fictional world. Without that, you’re just a guy standing on a set spouting Star Trek gibberish. This becomes all the more clear when an actor trips over their lines, and suddenly everybody remembers that they’re acting again. The best part, though, is when Chris Pine calls for “Full impulse, Mr. Suliu” and John Cho stops to say that he sounds like he’s doing a William Shatner impression. Pine does add a bit of a classic Shatner pause to the line, so it does sound a bit like him to us. As much as we love William Shatner, we hope this doesn’t become a habit.

(16) THAT’S APPERTAINMENT. IanP unleashed this instant classic in a comment on File 770 today.

With apologies to Paul Weller

A pixeled car and a screaming siren
A shuggoth trail and ripped up books
A walrus wailing and stray pup howling
The place of fifths and tea drinking

That’s appertainment, that’s appertainment

A file of scrolls and a rumble of boots
A wretched hive and a bracket ‘head cloth
Ink splattered walls and the award of a rocket
Time machine appears and spews out pizza

That’s appertainment, that’s appertainment.

[Thanks to John King Tarpinian, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

Riley Off HWA Award Jury

Horror Writers of America President Lisa Morton announced on HWA’s Facebook page that David A. Riley is now off the award jury he’d been appointed to.

In regards to the situation involving David Riley, who announced on his blog that he would be serving on the Anthology jury: We’ve reached out to Mr. Riley, and both Mr. Riley and the HWA have agreed that it’s in the best interest of all for him to step down. Mr. Riley will be replaced on the jury immediately by Nicole Cushing. The HWA thanks Nicole for stepping up, and we would also like to thank everyone who has shared their opinion on this matter.

HWA on Bram Stoker Award Jury Controversy

Horror Writers of America President Lisa Morton responded on Facebook to the public controversy about a Bram Stoker Award jury member’s political views.

I have asked both HWA’s Board of Trustees and the chair of our Diverse Works Inclusion Committee to advise on a recent situation surrounding a member who is serving on a Bram Stoker Award jury who holds certain political views. After considerable discussion and research, here is the official response:

The HWA does not support discrimination of any kind, including discrimination based on political views. Not only is this form of discrimination specifically illegal in a number of U.S. states, HWA’s Board of Trustees also does not believe it’s in keeping with our principle of supporting and practicing freedom of expression. In specific regard to HWA’s Bram Stoker Award juries, the HWA will certainly act if/when a juror’s personal views have a provable impact/bias against a writer or his/her works.

Thank you to everyone who has voiced concern over this issue, especially those who have taken the time to contact me privately.

David A. Riley announced on his blog last week that he had joined the Bram Stoker Award Jury for anthologies. Some colleagues took issue, asserting Riley is a white supremacist who was once part of the UK’s National Front.

The HWA appointment became news at a point when questions were already being asked of Riley due to his involvement in the relaunch of Weirdbook. Riley reportedly answered in a no-longer-available Facebook thread. The davidandrewrileyisafascist Tumblr hosts a screeshot of the comment, which says in part:

I think I need to put the record straight. Yes, I was in the National Front for ten year from 1973 to the middle of 1983. During that time I never regarded the party as fascist, though it did have minority elements within it that undoubtedly were. …I have never regarded myself as a fascist, and certainly not a nazi. The term ‘white supremacist’ is one I don’t recognise and certainly repudiate. If you saw me associating with my ethnically diverse neighbours in Bulgaria you would not level that at me then. I know this will not convince some people, and, quite honestly, I accept that….

The relationship between Riley’s past political views and organizing activity, and his current views, and whether he should be serving on a HWA awards jury, are now subjects of intense discussion. HWA President Morton’s statement indicates no action will be taken unless “a juror’s personal views have a provable impact/bias against a writer or his/her works.”

Paul St. John Mackintosh’s take on Riley is less negative than most — “The other current genre controversy: The David A. Riley Feud” at TeleRead.

I chose some words carefully there because, as may be obvious, I think the most charitable interpretation that can be put on this is that Riley must have been exceptionally naive to conclude that the NF wasn’t racist or fascistic in its tendencies from the start. I certainly had no such illusions growing up in the UK in the 1970s. Even if there was definite infiltration by more extreme neo-Nazis during the 1970s, the party was founded with the aid of such delightful people as the Racial Preservation Society to oppose immigration and multiculturalism in Britain.

That said, Riley left the NF and is no longer associated with it – to my knowledge at least – or to any active right-wing group, and again, as far as I know, doesn’t project significantly racist views in his current work, even to whatever degree H.P. Lovecraft did in his. (Although for some possible past concerns, see here.) Quite a few significant writers of impeccable left-wing pedigree, including Samuel R. Delany and Charles Stross, are still his friends on Facebook. Maybe they’ll change their minds now, but we’ll see. I’m one too, for now, partly to keep track of what’s going on, but also because after what happened, I feel like making a stand on the issue of personal conscience here….

Plus, if Riley can’t turn around and repent his past follies, what hope is there for any of us? Maybe he hasn’t – but quite enough people seem to have concluded that once a fascist always a fascist, and damned him eternally. And Riley’s verdict on his own past may have been less than 100 percent convincing, but others obviously didn’t wait to read that before condemning him. And for opponents of virulent racism and poisonous attitudes, there are enough all-too-live and current targets to go after, without dredging up moribund and past ones.

Nick Mamatas classifies Riley as a fascist and contends he should be removed from the awards jury.

Some notes on the recent drama in the Horror Writers Association (of which I am no longer a member) and their appointment of fascist David A Riley to the award jury. This is a public post. My FB is not normally public….

1a. Liberals confuse this idea with a broader idea that unpleasant people are unpleasant and thus should be excluded from pleasant activities. This is the core of the slippery slope arguments around no-platforming. If the answer to “Where does it end?” isn’t “Where it begins; with fascism”, the argument to no-platform will never be consistently won, especially in groups like HWA, which have intrinsic and correct allegiances to freedom of expression and diversity of thought. The sad fact of this political juncture is that neither the mainstream liberal or conservative factions are interested in free expression—only the smarter elements of the far left and the less stupid bits of the libertarian right are. Fascism is a particular and singular exception, and even then, the state should not be involved in limiting speech—it’s up to activists to militantly defend creative milieux against fascism….

3. What’s the harm? Editors and publishers submit work to the jury. One need not be HWA members to submit work. I’ve submitted stories by Japanese authors, and my Japanese anthologies as a whole, in past years. Why would I do that if I know that one of the members considers Asians to be necessarily inferior? I was also published in an anthology called CALEDONIA DREAMIN’ with a theme of celebrating the Scots language, a few years ago—why submit work from that book to a juror who belongs to a group that believes that Scottish independence is a trick by EU “string-pullers” and “traitors” in Westminster, and that the Scots language is illegitimate? Fascists make bad jury members for reasons that should be obvious to anyone who ever noticed names like, oh, “Klein” on their bookshelves.

(Mamatas also feels people who quote his post should oblige by plugging his book The Last Weekend: A Novel of Zombies, Booze, and Power Tools.)

Many writers have commented on Lisa Morton’s open Facebook thread. Usman Tanveer Malik and Kate Jonez thoughtfully expressed divergent viewpoints.

Usman Tanveer Malik:

The HWA is a supposedly professional For Writers entity, correct? How can an organization that professes non-discrimination ascertain that a person with a history of fascism will not be biased when it comes to making selections from works of potential merit? Like Nick Mamatas points out, why should I as a writer or editor submit my work to a jury that has doubled down on including and retaining a known white supremacist–esp. when any psychologist will tell you bias and human error creep into every operative system? The bigger the bias, the more unstable the operation and the more suspect the results. Moreover, by excusing the past history of a supremacist/fascist and allowing them a position of power, the message we’re sending is quite clear: we the organization are condoning such behavior and actors of such behavior.

Kate Jonez:

I am just a member so my opinion is just that. I am on the diversity committee and have volunteered for other jobs in the HWA I encourage others to join and work for what you think the organization should be. I would very much like to see a documented racist removed from the jury. I just don’t see how to do it.

Free speech is tricky territory. It always has been. To believe in it, a person has to hear a lot of crap that he or she would rather not. As a private organization the HWA could remove any member or juror they choose. As an HWA member I would very much like that all racists be out of the organization. I’d really like them to be removed from the US… the world.

Like many other organizations the HWA has chosen to support free speech. This forces them to accept situations that many members would prefer not to accept. The HWA can and has removed jurors who can be documented as instigating violence or making threats, but vetting jurors’ political background is outside the scope of a writers’ organization. Who else should be removed? Should the HWA remove people who’ve spoken out against Syrian refugees, anyone who has a negative position on Affirmative Action, anyone been accused or convicted of domestic violence, anyone who has voted against gay marriage? I personally would be happy never to hear opinions from people holding these views. I don’t think people who think this way are capable of making informed decisions any more that white supremacist/fascists are. I believe many HWA members feel the same way. Unfortunately, that’s not how free speech works. How do you get rid of abhorrent ideas and maintain intellectual freedom? I truly would like an answer to this.

Horror Writers Association Announces Two Awards

The Horror Writers Association (HWA) has announced the recipients of this year’s Specialty Press Award and Richard Laymon President’s Award.

The Specialty Press Award winner is Borderlands Press.

Since its founding in 1990 by Elizabeth and Tom Monteleone, Borderlands Press has published more than 100 titles by the most revered and successful writers in the genres of horror, dark fantasy, and suspense, including Ray Bradbury, Clive Barker, Wes Craven, Neil Gaiman, Stephen King, Dan Simmons, and Peter Straub.

In addition to its publishing activities, the press has sponsored and conducted the Borderlands Press Writers Boot Camp for twelve consecutive years. Held at Towson University’s Conference Center, the Boot Camp has provided instruction and guidance to more than 200 attendees—of whom more than 70% have gone on to see their subsequent work published professionally.

The annual Specialty Press Award recognizes a publisher outside the mainstream New York City publishing community that specializes in dark-themed fiction. The winner is determined by a majority vote of the HWA Board.

The Richard Laymon President’s Award winners are Patrick Freivald and Andrew Wolter, moderators of HWA’s Facebook group.

“Our Facebook group is one of the most trafficked parts of HWA’s online presence,” said HWA’s President Lisa Morton. “Keeping it focused and tidy is a difficult, time-consuming job. Patrick and Andrew put many hours every week into it, reviewing every post to make sure our rules are followed. They do so with good humor and thoughtful discussion, and HWA is lucky to have them.”

Patrick Freivald is an author, high school teacher, and beekeeper. He lives in Western New York with his beautiful wife, two birds, three dogs, too many cats, and several million stinging insects. He is the author of Twice Shy, Bram Stoker Award®-nominated Special Dead, Blood List (with his twin brother Phil), Bram Stoker Award®-nominated Jade Sky, and the sequel Black Tide, as well as the novella Love Bites, a growing legion of short stories, and the Jade Sky graphic novella (with Joe McKinney) for Dark Discoveries magazine.

Seattle resident, Andrew Wolter is the author of the books Seasons in His Abyss, Much of Madness, More of Sin, and Nightfall. He has published over three dozen short stories that have appeared both online and in print anthologies including Raw: Brutality as Art, Enter at Your Own Risk: Fires and Phantoms, and Anthology: Year Three, Distant Dying Ember. An advocate for LGBT rights, Andrew also freelances as a contributing columnist for a nationwide LGBT publication. Under the pseudonym Tristan Wilde, Andrew publishes homoerotic mystery novels.

The award is named in honor of Richard Laymon, who died in 2000 while serving as the HWA’s president. It is given by the HWA’s sitting president to a volunteer who has served in an especially exemplary manner and has shown extraordinary dedication to the organization.

Both awards will be presented at HWA’s inaugural StokerCon in Las Vegas, NV, during the Bram Stoker Awards® ceremony on May 14.