Ed Kramer, who earlier this year took a plea bargain on charges of computer trespass and testified against his former co-defendant, Gwinnett County Superior Court Judge Kathryn Schrader, has sued one of the judge’s electoral challengers over a campaign flyer labeling him a “convicted sex offender.”
Eliminated judicial candidate Christa Kirk is the defendant in Kramer’s suit. Her campaign distributed a flyer showing photos of Kramer and Schrader under a heading of “Indicted,” and said Schrader’s case involves “a convicted sex offender.”
Kramer’s lawsuit contends this is a libel because when he was in court on three counts of child molestation in 2013 he entered an Alford plea — which allowed him to maintain his innocence while accepting guilt for the charges. And as Law.com explains in “Gwinnett Judge Races Sparks Libel Lawsuit by Incumbent’s Former Co-Defendant”, if the sentence is completed with no further offenses, no conviction is entered on the defendant’s record. “[Kramer], who has always maintained his innocence, was sentenced under this First Offender statute in 2013 and has been, and is still, serving a First Offender sentence,” his lawsuit says. “Consequently, [he] is not ‘convicted’ and has never been ‘convicted’.”
Kramer is, however, listed as a “sexually dangerous predator” in the Georgia Bureau of Investigation Sexual Offender Registry.
The lawsuit argues that the flyer harmed Kramer in the following ways:
While [Kramer] has suffered economic loss in the form of missed business opportunities and has been exposed to public hatred, contempt and ridicule, he has also suffered grave prejudice in a jurisdiction where he has pending criminal matters that may go to trial.
This act by Defendants was not only a violation of civil rights, defamatory, and libelous, it was a highly unethical act in the pursuit of a seat on the Gwinnett County Superior Court bench.
The suit asks for an order “enjoining defendants from making defamatory and libelous statements against [Kramer] and to redress the defamatory and libelous statement already made, including the disclosure of any and all parties who received the defamatory and libelous statement.”
The suit also seeks unspecified monetary and punitive damages.
Kramer is a co-founder of Dragon Con, but has not been a co-owner since 2013.
On Monday a panel of Ninth Circuit Court of Appeals judges heard oral arguments in Dr. Seuss Enterprises’ suit to stop ComicMix’s Oh, The Places You’ll Boldly Go! project.
Dr. Seuss Enterprises (DSE) claims the crowdfunded book, featuring the writing of David Gerrold and the art of Ty Templeton, infringes their copyright and trademark for Dr. Seuss’ Oh the Places You’ll Go! Previous District Court rulings had disposed of DSE’s trademark violation claims and copyright infringement claims, the latter decision now under appeal to the Ninth Circuit.
Courthouse News, in “Seuss-Star Trek Copyright Battleship Makes Landing at Ninth Circuit”, reports attorney Stanley Panikowski, representing Dr. Seuss Enterprises, said the Trek mashup would damage the demand for the Seuss original by competing with it in the graduation gift market. The mashup’s effect upon the potential market for or value of the copyrighted work is one of the four factors to be considered by the courts in evaluating fair use of copyrighted maerial.
Panikowski said via videoconference Monday… “‘Boldly’ has the same purpose, the same target audience, the same intended sales channels, and even the same substantive message as ‘Go.’ ‘Boldly is just a Star Trek-flavored clone of ‘Go,’” he added.
The Seuss classic reportedly “shoots to The New York Times’ bestsellers list” every May, purchased as a gift for graduates embarking on their careers.
If there’s reason to believe the Ninth Circuit is primed to reverse the decision and revive this mashup case, it comes from a point pushed by appellate judge Milan Smith. Several times during oral arguments, he stressed that the burden of showing a fair use is on the defendant. Meaning, it is ComicMix’s burden to show there isn’t market damage from Boldly rather than DSE’s burden to show there is the potential for market damage. Booth asserted the burden should be on the plaintiff, but in response to a question from Smith, the attorney admitted there’s no precedent of burden shifting when the judge rules the work is transformative.
Courthouse News reported another judge’s questions indicated skepticism that the mashup satisfies the copyright law’s requirements for protection as a transformative work.
When U.S. Circuit Judge M. Margaret McKeown, a Bill Clinton appointee, noted there is no bright-line rule for the court to determine if a work complies with the transformative use provision allowable by the Copyright Act, Panikowski said the work was not transformative because it did not criticize or comment on the substance and style of the Dr. Seuss original.
ComicMix attorney Dan Booth disagreed.
“‘Oh, the Places You’ll Boldly Go’ is a creative expressive work that poses no cognizable harm to Dr. Seuss Enterprises,” Booth said.
“Fair use matters to artists and the public because it gives them breathing room to create,” he added.
But McKeown countered that argument, saying: “I’m having a hard time understanding your argument that this is a parody.”
Booth said because “Oh, the Places You’ll Go” is a book heavy on illustrations, rather than text, the parody of the Star Trek mash-up “is much more implicit through the illustration than the text.”
He also argued there is a “different undercurrent” of “Oh, the Places You’ll Boldly Go,” in which its parody is in “constantly pointing out the individualistic and narcissistic character of ‘Oh, the Places You’ll Go.’”
“It’s a universalist theme as opposed to aspiring for the goals of one individual. Star Trek and ‘Boldly’ take on a different approach and shoot for a different ideal, an ideal of universalism, of group support, of communion rather than individuality,” Booth added.
McKeown appeared unconvinced, calling Booth’s argument an “after-the-fact justification” as to why ComicMix chose to parody Dr. Seuss.
She also poked holes in Sammartino’s finding the Star Trek parody was transformative under the Copyright Act.
“The district court’s opinion on fair use is if you take an existing expression and intersperse it with some new expression that all of a sudden you have a transformative work,” McKeown said.
“It would seem to me to sink the whole notion of copyright protection and almost everything would be fair use,” she added.
According to The Hollywood Reporter’s Eriq Gardner, this case “marks the first time that an appeals court has grappled with the genre of mashups.”
An attempt to place mashups on par with parody in terms of copyright law didn’t sit well with Ninth Circuit Judge M. Margaret McKeown.
“The district court seemed to take the position that if you take existing expression and then you interspersed it with new expression, you have a transformative work,” she commented. “That is a definition of transformative use that I haven’t seen before. It would seem to sting the notion of copyright protection, and almost everything would be a fair use.”
Indie author John Van Stry has won his copyright infringement lawsuit against former Pirate Party of Canada leader Travis McCrea, whose Ebook.Bike platform offered free downloads of many writers’ work including a dozen novels by Van Stry.
“The lawsuit is over, and we won” Van Stry announced April 20 on his Patreon page. Judge Bryson of the U.S. District Court for the Eastern District of Texas ruled that Ebook.Bike’s McCrea willfully infringed 12 of Van Stry’s copyrighted works, and awarded Van Stry $9,000 in statutory damages. McCrea was permanently enjoined from “copying, reproducing, or distributing, either directly or vicariously, plaintiff’s copyrighted works” without authorization. McCrea also was ordered to pay Van Stry $3,605 as a sanction for failing to comply with his discovery obligations, and to pay Van Stry’s costs and attorney’s fees.
John Van Stry took up the basically thankless and highly expensive fight against this scofflaw when no law enforcement or author organization would put an end to McCrea’s activities — which had been going on for years.
A Vancouver man who led the now-defunct Pirate Party of Canada is being accused by authors around the world of giving their ebooks away for free on a website that boasts everything from Michelle Obama’s bestseller to hundreds of indie books from small publishers.
…McCrea was the leader of the Pirate Party of Canada, which supported net neutrality, open government and intellectual-property reform and participated in multiple federal elections between 2010 and 2015. McCrea himself ran for MP in the riding of Vancouver Centre in 2011.
He said he currently operates the Canadian website of the Idaho-based Kopimist Church and that according to his Kopimist beliefs, “all information should be shared.” The website calls copying information a holy act.
As many of you are aware, the pirate website “Ebook.bike” is back online, hosting thousands of books for illegal download. A number of authors have sent takedown notices to the website using its DMCA form. But as far as we know, its DMCA compliance is deliberate subterfuge as its DMCA form often doesn’t work; and even when it does and the books are taken down, other users almost immediately re-upload infringing copies.
…Until Congress closes this loophole in the law that allows websites like Ebook.bike to thrive, we have to band together and take action. For a start, authors have to collectively send a message to Google to delist links to the site’s illegal downloads from search results. There’s no reason why a site that traffics in stolen books should be so easily accessible. If enough authors send Google a takedown notice, it will be compelled to take action against Ebook.bike.
The Authors Guild’s choice of tactics showed it was powerless to directly counter Travis McCrea’s activities despite his flagrant history of digital piracy.
McCrea gained notoriety as a leader of the Pirate Party of Canada which had, as a key tenet of its platform, to “decriminalize non-commercial file sharing.” TorrentFreak reported in 2011 “As part of the ‘war for digital sovereignty,’ as McCrea describes it, he has launched Tormovies, a site dedicated to providing movie torrents. A look at the site’s front page reveals that all the latest Hollywood blockbusters are showcased.” McCrea claimed that his media piracy “isn’t theft,” and stated that he would continue his piracy downloading until the media is offered to him at what he considers a fair and accessible price.
Another of McCrea’s piracy sites traded college textbooks. According to the complaint filed in Van Stry’s lawsuit:
In a May 3, 2013 interview, Mr. McCrea admitted that he ran http://librarypirate.me (“LibraryPirate”), a website that brazenly traded pirated textbooks. Mr. McCrea’s LibraryPirate instructed students on how to make digital scans of their textbooks and post the pirated scans to the site he ran for “free downloading,” boasting he made 1,700 pirated textbooks available by August 2011, and made money by advertising on his LibraryPirate website to the people drawn to his illegally available works.
January 2013, Mr. McCrea setup his tuebl.ca website. T.U.E.B.L. stands for “The Ultimate Electronic Book Library.” Mr. McCrea solicited individuals who had digital copies of books in the popular ePub format, typically used on e-readers, such as Kindles, to upload their books on tuble.ca and to tuebl.com, the latter of which would redirected to tuble.ca (collectively “tuebl”), after which he would then make copies of the books available to any and all.
Numbers posted on that site said it contained 32,000 books by 13,000 authors, and their books had been downloaded over 9.5 million times.
About December 2015, McCrea began redirecting users from his tuebl.ca website to the Ebook.Bike website.
McCrea also registered “The Kopimist Church of Idaho Inc.” as a Religious Non-Profit Corporation with the state of Idaho August 20, 2012, later adopting the title of “Chief Missionary and Outreach Officer and Director.” He referred to himself as “reverend” and was on record as having said that “giving away other people’s intellectual property” is his “religious vocation.”
LITIGATION BEGINS. McCrea dared anyone to sue him in a TorrentFreak interview in March 2019:
“While we stay committed to following all US copyright laws and ensuring we maintain our DMCA compliance, I would like to reiterate that I am a Canadian and my focus is on upholding the laws of my country. It just has always been that the DMCA provides the best framework for how to handle copyright complaints,” he said.
“I use the DMCA because it offers the best framework, not because I feel I’m obligated to. If they feel I’m liable, come sue me.”
A week later, Van Stry did.
John Van Stry had strong motives for taking up the fight: “[McCrea] was making money off of the stolen work of me and other authors, and bragging about it… He never complied with any take-down requests. Oh, I know he claimed he did, and I was told by one author that any books taken down (in the few instances he appeared to do that) were back up again in days. He was destroying the retirement of many authors, who rely on the royalties they get from their backlogs to pay their bills. This is a real thing! People were being financially hurt! This wasn’t some small pirate site that maybe a couple of dozen people go to. The site was getting over a million hits per month, by his own account. Millions of books were being downloaded. Books are not like songs where you listen to them again and again. You read a book once, that’s it. People who steal books don’t come back and buy them later. Claiming that they do is a myth.”
Van Stry also feared repercussions against his legitimate sales: “I was worried that Amazon might pull my books and punish me, for them being on his website. After all, [McCrea] was claiming he had permission for them to be there. Other authors were highly concerned with this as well.” And not only were Van Stry’s sales being hurt, “He was impacting my sales ranking and my marketing. The secondary impact of this theft is a lot harder to estimate, but it was there, and I felt it. Again, other authors felt it too.”
In anticipation of a lawsuit, McCrea started a GoFundMe appeal to finance his defense. The Digital Reader’s Nate Hoffelder fact-checked some of McCrea’s claims there in a March 28, 2019 article:
McCrea has launched a GoFundMe campaign to raise a defense fund. He lies multiple times in the brief description.
“Let me be clear: At no point have I uploaded content I didn’t own to Ebook Bike,” he writes “and I have always ensured that copyrighted material wouldn’t be uploaded (using the same methods and techniques used by YouTube, Facebook, and others).”
That is an utter falsehood; I just (in the past couple minutes) downloaded A Memory Called Empire and Mike Resnick’s Soothsayer. Both books were complete (and both are in copyright, obviously).
JURISIDICTION. Van Stry hired professional lawyers to litigate his case. McCrea defended himself, pro se. McCrea blew off discovery, making the minimum responses needed to keep the case going while Van Stry’s legal bills bled him financially.
Although the defendant was in Canada, the Federal District Court in Van Stry’s home state of Texas accepted the lawyers’ arguments that it had jurisdiction:
Court has subject matter jurisdiction at least under 28 U.S.C. §§ 1331 and 1338(a), the first providing for federal questions and the latter providing that “[t]he district courts shall have original jurisdiction of any civil action arising under any Act of Congress relating to . . . copyrights . . .”
Van Stry’s attorneys also argued the court had jurisdiction over McCrea and another co-defendant (the ISP) because through the internet they were offering the copyrighted works in Texas:
Mr. McCrea advertises, distributes, and imports via Mr. McCrea’s eBook.Bike website (see below for description) and allows for and does reproduce the copyrighted Works (also described below) in copies without permission or license into Texas and this district.
In addition, they pointed out an established principle about suits against non-U.S. residents:
For all venue purposes, a defendant who is not a resident of the United States may be sued in any district…
THE DECISION. Initially, Van Stry asked for statutory damages of $15,000 per book, and a permanent injunction to prevent further infringement of his copyrighted books. He also asked for an award of costs and attorney’s fees.
While McCrea sandbagged the discovery process, the judge prodded the parties to settle. But as Van Stry wrote when the decision came out this week —
…[For] all of those saying I should have settled out of court? We tried. Three times. The first time? Mr. McCrea sent US the settlement offer. One that was a hell of a lot better than what he was hit with today. He asked us to write it up for him (because of course he didn’t have a lawyer – right). So I paid my attorney’s to write it up exactly like he sent it to us.
And he never signed it.
Twice more we sent it to him, at the judge’s (subtle) urging. He didn’t respond to the first of those and was a bit rude on the last time.
As the prospect of a trial grew nearer, the judge also told the parties – who by then were willing to have him to render summary judgment on the record already before him – that the certain way to avoid the possibility of a jury trial was for Van Stry to ratchet down his request for damages.
“[I] note that the right to a jury trial on the issue of statutory damages does not apply when the plaintiff seeks an award limited to the statutorily guaranteed minimum amount…
“In light of Mr. Van Stry’s acknowledgement that damages in this case are likely to be illusory, he may wish to limit his request for statutory damages to the statutory minimum award of $750 per work —an amount that Mr. McCrea has already agreed would be appropriate. In that event, a jury trial on damages would not be necessary.
“Mr. Van Stry may, if he chooses, make the request to limit the award of statutory damages in the alternative. The request, that is, would only control in the event that Mr. McCrea does not waive his right to a jury trial.”
Van Stry took the hint and adjusted his damage claim downward. A dozen books at $750 apiece – thus in the final verdict, the court’s damage award of $9,000.
The court also sanctioned McCrea for his non-cooperation in the discovery phase, and granted Van Stry costs and attorney’s fees:
Mr. McCrea’s positions in this case have been distinctly lacking in both legal and factual support, and Mr. Van Stry has prevailed on all his claims. Moreover, Mr. McCrea’s lack of diligence in this case and his conduct during discovery have unnecessarily extended the proceedings and have driven up the costs of the litigation for Mr. Van Stry. And Mr. McCrea’s actions resulting in this lawsuit were willful, not innocent. Indeed, Mr. McCrea has said that he did “not care if the website was illegal and would do it either way.”
…Considerations of compensation and deterrence also favor an award of attorney’s fees. Mr. Van Stry has experienced significant and sometimes unnecessary litigation expenses in maintaining this lawsuit… Awarding fees in a clear-cut case such as this one does not give rise to any countervailing interests, such as the risk of discouraging others to build on an author’s work.
THE JUDGE’S REVIEW OF THE DEFENSE. The court opinion deconstructs McCrea’s defense, which rested on (1) denying anyone had downloaded copyrighted work from his site, (2) that he was entitled to the safe harbor protections of the Digital Millennium Copyright Act, and (3) he was exercising his religious freedom.
McCrea hamstrung his first two arguments by failing to answer allegations in discovery – as a result, things alleged by the plaintiff ended up being treated as admissions by the defendant — treated as fact for purposes of the case.
Mr. McCrea denied any wrongdoing because there was no evidence, according to Mr. McCrea, that there had been any downloads of copyrighted material. Id. at 3. At the same time, Mr. McCrea said that he was “practising [his] religion by helping authors connect with their readers.” Id. at 2. Mr. McCrea also claimed that his actions were protected by the safe harbor provision of the Digital Millennium Copyright Act. And, in the event of liability, Mr. McCrea disputed Mr. Van Stry’s contention as to the appropriate amount to be awarded in damages. Id. at 1–2.
… Beyond the fact Mr. Van Stry’s prima facie case of willful copyright infringement is established as a result of the Court’s sanctions order, Mr. McCrea’s challenge to liability on the merits is not supported. He contends that summary judgment should not be granted because the plaintiff “has no evidence that any of their work was actually available on the website” and no evidence that the books were “downloaded from the site.” Dkt. No. 54, at 3. Mr. Van Stry replies that Mr. McCrea admitted (by failing to respond to requests for admission) that all twelve copyrighted books at issue in this litigation available for distribution on Mr. McCrea’s website and that they were distributed into the United States. Dkt. No. 59, at 3. Mr. Van Stry’s counsel also submitted an affidavit stating that as part of his pre-suit investigation, he downloaded all twelve books from Mr. McCrea’s website. Id.
DCMA. The DMCA grants internet service providers a safe harbor against liability for copyright infringement by works available on their websites if they adhere to several requirements. One of them is to have a designated agent to receive takedown notices, and the contact information must be on the ISP’s website, and provided to the Copyright Office.
Mr. McCrea does not dispute that he did not designate an agent with the Copyright Office. See generally Dkt. No. 54. To the contrary, Mr. McCrea previously admitted that he had no designated agent by failing to respond to a request for admission directed to that very issue.
Therefore, the court rejected McCrea’s safe harbor affirmative defense.
RELIGIOUS EXEMPTION. McCrea had told the court that his “religion should be protected by the 1993 Protecting Religious Freedom Act,” and that he is “practising my religion by helping authors connect with their readers.” Also, “[i]t is the position of the Kopimist Church that copying is a holy act, to share files is a holy act, to share knowledge is a supremely holy act.”
The court ruled that McCrea’s reliance on the RFRA was misplaced, because it does not apply when the “government,” as defined by RFRA, is not a party to the action.
Besides, said the court, copyright law was not really an obstacle to this claimed religious practice:
… Mr. McCrea certainly could have approached Mr. Van Stry to obtain a license to copy, make available, and distribute Mr. Van Stry’s copyrighted works, if that was how Mr. McCrea chose to help connect Mr. Van Stry with his readers. Mr. McCrea’s conclusory assertion that licensing would be “impractical” does not alter the analysis.
FURTHER THOUGHTS. Why did McCrea do it? What were McCrea’s motives for running Ebook.bike [Internet Archive link] and his other sites?
Van Stry told his Patreon readers, “He was stealing my work, and the work of other authors to make money, lots of money, with which he bought two airplanes and lived a pretty good life.”
Van Stry’s lawyers pointed to McCrea’s claims on his Kopimist Church site that he received enough donations to buy a private plane, and photos in which he “projects a life of luxury, including yacht trips in the English Bay of Vancouver and horse riding.” It suited their purpose to take these statements at face value.
On the other hand, there was no charge to download the books. Was there advertising on the Ebook.Bike site? — the Internet Archive snapshots I reviewed didn’t show any, although I just looked at the front page, which presumably would get the most hits. Did he get something in exchange for recommending the ebook-reading programs linked from his site? Was there user information collected at some step in this process which could be turned to commercial gain? Are there other ways to profit from a pirate site?
The inference that someone would only go to such effort for money is understandable, but users of social media have also witnessed people expend a great deal of energy in return for a sense of power, or to enjoy widespread public attention. Maybe McCrea made a lot of money. He definitely seemed to enjoy taunting the victims and critics of his filesharing sites.
LEGAL BILLS. Meanwhile, John Van Stry has shouldered heavy legal bills. Will he recover any of it through the court’s awards? That’s a good question.
At least he’s received some support from his “Bring ebook.bike to Justice” GoFundMe, where with the help of 397 donors he’s raised $31,547 of his $70,000 goal.
Mr. McCrea survived only because lawsuits are expensive. He knew this, hence his challenge ‘just sue me!’ He knew most authors can’t afford it. Well unfortunately for him, I could. I saw authors whom I’m a long time fan of complaining about the damage, I saw reflected in my own sales damage. I’ve been very successful as an author, I’m very thankful to all my fans, and all of the authors who have gone before me.
So I saw this as an opportunity to pay them back, to give something back to the writing community. To take down someone who was stealing, who was profiting from that theft. Someone who was so self-entitled that he was laughing at the rest of us and just challenging us to sue him while bragging about the money he was making.
Understand that I did NOT want to do this. But if not me, then who? If not now, then when? Sometimes, you just have to stand up for what is right. This lawsuit hurt me, considerably, and not just because of the money that came out of my pocket. Rarely did a day go by that I wasn’t thinking about it, and rarely did a week go by when I wasn’t having to deal with my attorneys. But it wasn’t just about me, it never was.
He has also made available for download three documents in which Judge Bryson explained his rulings:
These documents are all a matter of public record.
(1) COMING TO ANOTHER PLANET NEAR YOU. Science News posted
the winning name in NASA’s contest to name the new Mars rover.
Meet Perseverance, NASA’s next ambassador to the Red Planet.
The Mars rover’s new name was announced March 5, after a six-month “Name the Rover” competition that drew more than 28,000 entries from students in kindergarten through high school. Students were asked to make their name suggestions in essays.
The winning entry came from 7th grader Alex Mather, who became interested in becoming a NASA engineer after he attended the space agency’s Space Camp at age 11.
Although New Zealand has not been affected by Covid-19 to the extent of the rest of the world, our government and the NZ Ministry of Health have extensive civil defence plans. We are monitoring the situation and will be prepared for what the future brings.
As usual, we strongly advise all members purchase their own comprehensive travel insurance for any foreign travel, including cancellation insurance. If you have already purchased insurance for your journey to New Zealand, we recommend that you check the full terms with your insurance provider.
We are in touch with the Ministry of Health as well as with our venue planning managers. We want everyone to have a safe and healthy convention, and we will be following best practices.
Emerald City Comic Con organizers Reedpop announced a refund option on Wednesday for fans who choose not to attend this year’s four-day pop-culture celebration, still scheduled for March 12-15 at the Washington State Convention Center, due to coronavirus concerns. The decision was made public shortly before city and county officials announced they were advising community groups against holding gatherings that would draw more than 10 people.
Organizers acknowledged that not everybody would agree with the decision, but “we feel we owe it to the customer to grant you the personal choice whether or not to attend,” they said in a statement.
Book Expo officials are moving to get in front of community concerns about COVID-19, following the London Book Fair’s reluctant cancellation of their show. (Both shows are part of Reed Exhibitions.) Event director Jenny Martin writes in a statement, “The effect of the COVID-19 virus on the publishing business and our people is significant and difficult to navigate. Many industry events outside of the United States, have had to make difficult decisions about proceeding with their events. We understand the impact that has on the publishing industry and we want to be proactive and transparent about BookExpo.”
For now: “BookExpo & BookCon will proceed as planned May 27-31. We do not anticipate any changes or delays to our event. Our mission is to serve our customers as best we can, and we plan to provide a place for you to conduct business in these difficult times…. We will continue to be take necessary precautions to facilitate an environment for the entire community to unite, make meaningful new connections, and discover new titles.”
In “The Visual History of Science Fiction Fandom — Volume One: The 1930s,” David and Daniel Ritter — a father-and-son team — show us, through words and pictures, how a passion for science fiction evolved into a way of life for young people who couldn’t get enough of that crazy Buck Rogers stuff. The result is a sumptuous scrapbook of photographs, magazine covers, artwork and hundreds of articles, letters and typescripts, everything beautifully held together by the Ritters’ concise but enthralling text. The physical book is expensive but, given the amount of material in it and the high quality of the printing, one doubts that First Fandom Experience is doing more than breaking even. Happily, there is a less costly digital version available for e-readers.
In the days prior to the Internet, some fans who wrote in zines (or contributed to other fanworks) used their real names as opposed to a fan name. The expectation at that time was that fanworks would remain within the fairly closed community of fandom. With respect to this different environment and in order to protect the identity of fans, Fanlore created a policy stating that fanwork authors credited in zines and other fannish publications prior to 1995 should be identified with a first name and last initial (e.g. Mary R. as opposed to Mary Richards).
However, as time went by, it became apparent that a great deal of zine content containing fans’ full names and/or preferred names had already been online for many years, and on many established websites. Additionally, many fans writing prior to 1995 used “real” sounding pseudonyms that did not need to be abbreviated. The policy of abbreviating fans’ last names has also caused a great deal of confusion over fan authors who share a first name and last initial. Different early print communities (such as science fiction zines) would often use a first initial and last full name to attribute authors, adding to the confusion.
Because of this, the Fanlore Committee has decided to bring the Pre-1995 Fan Name Use policy in line with the wider Fanlore policy on Identity Protection. Author names on fanworks made prior to 1995 will be recorded on Fanlore as they appeared at the time, but if the fan in question wishes to protect their identity, the Fanlore Committee will replace their name with a first name and last initial (e.g. Mary R.), with initials only (e.g. M.R.), or with a pseudonym of the fan’s choice (e.g. Unnamed Fan X). We are happy to work with fans to find an arrangement that they are comfortable with and that sufficiently protects their identity.
Writing in second person—forgoing I or she/he/they of other perspectives in favor of that intensely-close, under-your-skin you—can, ironically, be rather alienating. Often it feels too intimate for the reader, or it distracts them from the story unfolding with questions of who is actually telling it. But when a writer commits to telling a story to you, about you, through you, the result can often be masterful—an extra layer of magic surrounding a sci-fi/fantasy/speculative tale and embedding the reader in the protagonist’s journey more intensely than even the most self-reflective first or closest-third could achieve….
(7) MCLAUGHLIN OBIT. Comics artist Frank McLaughlin (1935-2020)
died March 4.
His earliest work was for Charlton, and he became the company’s art director in
the Sixties. worked throughout the
Charlton line, including on the superhero titles Blue Beetle, Captain
Atom, and Son of Vulcan, the adventure comic The
Fightin’ 5, the
supernatural/science-fiction anthologies Strange
Suspense Stories and Mysteries of Unexplored Worlds, and the espionage comic Sarge Steel,
In the Seventies he settled into a career as an inker, working
for both Marvel (on Captain Marvel, Captain America and The
Defenders before becoming primarily a DC inker. He became the regular
series inker for Justice League of America, some Batman stories in Detective
Comics, and Green Lantern.
In the 1980s McLaughlin was regular inker on penciler Carmine
Infantino’s The Flash, Gene Colan’s Wonder Woman, and Dan Jurgens’
Green Arrow, among other assignments.
His books include How
to Draw Those Bodacious Bad Babes of Comics (2000)
and How to Draw Monsters for Comics (2001), both with Mike Gold.
(8) WISE OBIT. Writer David Wise (1955-2020) died March 3.
A graduate of the Clarion Writers Workshop (one of his stories was
published in the third Clarion anthology from NAL), he was well-known in the
animation field, writing episodes
for television series like Star Trek: The Animated Series, the 1984 Transformers
cartoon and the 1987
Teenage Mutant Ninja Turtles cartoon, among dozens of other shows. He’s survived by his wife Audry Taylor.
(9) TODAY IN HISTORY.
March 5, 1943 — The Ape Man premiered. It originally known as The Gorilla Strikes. It was directed by William Beaudine and starred Bela Lugosi and Louise Currie. It was promoted as a sequel to Return of the Ape Man but it wasn’t. Critics at the time generally liked it, but that not true of the audience at Rotten Tomatoes which gives it a 12% rating. See it here.
March 5, 1980 — The Beyond Westworld series debuted on CBS. It starred Jim McMullan, James Wainwright and Connie Sellecca. It was based on the film but ignored the sequel. It lasted a mere eight episodes. We cannot show you an episode as that’s behind a paywall.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 5, 1853 — Howard Pyle. Author of The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire commonly known as The Merry Adventures of Robin Hood which is in print one hundred and twenty-five years later. He also did a four-volume work on King Arthur. (Died 1911.)
Born March 5, 1920 — Virginia Christine. Likely best remembered as Wilma Lentz in Invasion of the Body Snatchers, but she’s been in a number of other genre films including The Mummy’s Curse, Billy the Kid Versus Dracula, Women in the Night, plus appearances on The Adventures of Superman, Alfred Hitchcock Presents, Science Fiction Theatre and The Twilight Zone. She was The Boss on The Time Guardian (Died 1996.)
Born March 5, 1936 — Dean Stockwell, 84. You’ll no doubt best remember him as Al the hologram on Quantum Leap. He had one-offs on Mission Impossible, The Night Gallery, A Twist in The Tale, Orson Welles’ Great Mysteries and The Twilght Zone.
Born March 5, 1942 — Mike Resnick. Damn, losing him hurts. It’s worth noting that he’s has been nominated for 37 Hugo Awards which is a record for writers and won five times. Somewhat ironically nothing I’ve really enjoyed by him has won those Hugos. The novels making my list are his John Justin Mallory detective novels, The Red Tape War (with Jack L. Chalker & George Alec Effinger), and, yes it’s not genre, Cat on a Cold Tin Roof. (Died 2020.)
Born March 5, 1952 — Margaret Astrid Lindholm Ogden, 68. She’s better known by her pen names of Robin Hobb and Megan Lindholm. I’m reasonably sure the first thing I read and enjoyed by her was Wizard of the Pigeons, but The Gypsy with Steven Brust was equally enjoyable and had the added bonus of a Boiled in Lead soundtrack. What’s she done recently that I should think of reading?
Born March 5, 1955 — Penn Jillette, 65. Performed on Babylon 5 in the episode scripted by Neil Gaiman titled “Day of The Dead” as part of Penn & Teller who portrayed comedians Rebo and Zooty. It’s one of my favorite episodes of the series. Also, he had a recurring role on Sabrina the Teenage Witch as Drell, the head of the Witches’ Council. He’s been in Fantasia 2000, Toy Story, Futurama: Into the Wild Green Yonder, Sharknado 3: Oh Hell No!, Lois & Clark: The New Adventures of Superman, VR.5, Space Ghost Coast to Coast and most recently Black Mirror.
Born March 5, 1971 — David J. Williams, 49. British author that I confess I hadn’t heard of but now I’m intrigued by in Jack Campbell called his debut novel, The Mirrored Heavens, “a 21st century Neuromancer”. He’s written the Autumn Rain trilogy of which this novel is the first book, and Transformers: Retribution in that franchise.
Born March 5, 1974 — Matt Lucas, 46. He played Nardole, a cyborg, who was a companion to the Twelfth Doctor. He is the only regular companion introduced under Steven Moffat to have never died on screen. He provided the voice of Sparx on Astro Boy, and was Tweedledee and Tweedledum in Alice through the Looking Glass.
Born March 5, 1986 — Sarah J. Maas, 34. Author of the Throne of Glass series wherein Cinderella is a stone cold assassin. If you’re so inclined, there’s A Court of Thorns and Roses Coloring Book. Really. Truly.
(11) COMICS SECTION.
Half Full shows us a vampire’s favorite fruit. Of course it is.
Nevertheless She Persisted: Flash Fiction Project features Charlie
Jane Anders, Brooke Bolander, Amal El-Mohtar, Maria Dahvana Headley, Kameron
Hurley, Seanan McGuire, Nisi Shawl, Catherynne M. Valente, Carrie Vaughn, Jo
Walton, and Alyssa Wong.
March 8th is International Women’s Day, which the United Nations describes as “when women are recognized for their achievements without regard to divisions, whether national, ethnic, linguistic, cultural, economic or political.” More than celebratory, International Women’s Day is aspirational, striving toward a more gender-inclusive world. Speculative fiction has had an impact in fostering this egalitarian dream through creative expression and critique. After all, science fiction in particular was born with Mary Shelley’s Frankenstein, written in the “Year without a Summer” while tumultuous storms raged over Lake Geneva. This dream was the utopia penned by Muslim feminist Rokeya Sakhawat Hussain in her 1905 story “Sultana’s Dream”, and the same year Charlotte Perkins Gilman published Herland in Forerunner magazine. In the decades since, women have provided some of the most crucial and insightful voices in our community.
They Launch An Attack On A Creator – Mike MIller did this to me last week making a hate youtube stream ranting about me for an hour like a nutjob and riling up his dwindling audience against me.
They Launch A New Book – Within 24 hours of the clickbait attack on youtube of me, Miller launched his new kickstarter.
Repeat as necessary.
What do they say – “Great fleas have little fleas upon their backs
to bite ’em, And little fleas have lesser fleas, and so ad infinitum.”
(14) JDA’S WORLDCON SUIT. Meanwhile, there are signs that Jon Del Arroz’ defamation suit against Worldcon 76 might get a trial date later this year. The case was reassigned to another judge on February 14, and on February 18 the new judge issued a Minute Order indicating a trial setting conferencewill happen on July 14. The court website explains this is where “The judge sets a trial date for sometime in the next 90 days. Bring your calendar so you can tell the judge when you are available. After you get trial date, get ready to go to trial on that date.”
(15) TONIGHT’S JEOPARDY! Andrew
Porter watched Jeopardy! contestants swing and miss on this one –
Final Jeopardy: British Novels
Answer: A laboratory known as the house of pain is on Noble’s Isle, the title setting of this novel.
Wrong questions: “What is Frankenstein?”
“What is ?” (nothing)
“What is Shudder Island?”
Correct question, which none of the contestants got: “What is The Island of Doctor Moreau?”
As South Korea battles a snowballing number of Covid-19 cases, the government is letting people know if they were in the vicinity of a patient. But the volume of information has led to some awkward moments and now there is as much fear of social stigma as of illness, as Hyung Eun Kim of BBC News Korean reports.
As I sit at home, my phone beeps alarmingly with emergency alerts.
“A 43-year-old man, resident of Nowon district, tested positive for coronavirus,” it says.
“He was at his work in Mapo district attending a sexual harassment class. He contracted the virus from the instructor of the class.”
A series of alerts then chronicle where the men had been, including a bar in the area until 11:03 at night.
These alerts arrive all day, every day, telling you where an infected person has been – and when. You can also look up the information on the Ministry of Health and Welfare website.
No names or addresses are given, but some people are still managing to connect the dots and identify people. The public has even decided two of the infected were having an affair.
And, even if patients are not outright identified, they’re facing judgement – or ridicule – online.
When you search online for a virus patient’s case number, related queries include “personal details”, “face”, “photo”, “family” – or even “adultery”.
Some online users are commenting that “I had no idea so many people go to love motels” – the by-the-hour hotels popular with couples.
They are also joking that people cheating on their spouses are known to be keeping a low profile these days.
The annual Ted (Technology, Entertainment and Design) conference will not go ahead as planned, amid growing concerns about coronavirus.
Instead, attendees are being asked to vote on whether to postpone the Vancouver-based event until July or hold a virtual one.
A decision will be made next week.
Ted curator Chris Anderson said: “We are not cancelling. We have two compelling options for how to outwit this virus”.
In an email to attendees, he said: “As you know, the Covid-19 virus is spreading around the world, causing many challenges.
“We’ve heard from many of you asking whether we intend to press ahead with Ted 2020 – and the consensus of expert advice is that it would indeed be unwise to press ahead with the event in its current form in April.”
A UK company says it’s building a constellation of satellites to gather ultra-high definition (UHD) video of Earth’s surface.
London-based Sen hopes to have the first microwave oven-sized spacecraft in orbit by the middle of next year.
The idea is to provide real-time, or at least very timely, video of events unfolding on the planet, such as natural disasters.
Sen already has some UHD cameras in orbit, hosted on a Russian satellite.
These are primarily for inspection purposes, but they’re also steerable to look down and so give a sense of what the company’s future “EarthTV” concept might look like.
“Each of the satellites will have four cameras to put imagery into context, because that’s sort of the way the human brain works,” explained Charles Black, founder and CEO of Sen.
“So there’ll be wide-angle imagery, from about 250m a pixel to give that country-wide view, all the way down to our highest-resolution imager which is a small telescope that will be able to do 1.5m per pixel,” he told BBC News.
…”We actually compress the high-definition video onboard satellite, which means we can stream it back to the ground and don’t need a huge amount of bandwidth.
“We’re actually using the same algorithm as Netflix to do the compression. Because we do all that in space, we can get back really high-definition videos just using flight-proven X-band transmitter.”
“No Woman Born” is a novelette by C.L. Moore, which was first published in the December 1944 issue of Astounding Science Fiction and is therefore eligible for the 1945 Retro Hugos. The magazine version may be found online here.
There’s not much I can tell you about Devs. I can’t disclose, for instance, the precise nature of the show’s namesake, the top-secret research division of a Silicon Valley tech company named Amaya. I can’t reveal what Amaya’s gnomic founder, Forest (Nick Offerman), plans to do with Devs once its quantum computing system is perfected, nor the theoretical breakthroughs that lead to its perfection later in the limited series’ eight-episode season. I also can’t say why Devs was commissioned and paid for by FX but is available exclusively on Hulu in the latest wrinkle of the ongoing Disney-Fox merger, though that has more to do with reasons of personal comprehension than spoiler-dictated secrecy.
(21) VIDEO OF THE DAY. “Exploring the Surreal With Peter Capaldi” on YouTube is an introduction to surrealism, written by Jessica Lack, as part of the Tate Museum’s “Unlock Art” series. And hey, it’s Peter Capaldi!
[Thanks to Meredith, John King
Tarpinian, Mike Kennedy, Andrew Porter, Cat Eldridge, Chip Hitchcock, Martin
Morse Wooster, Cat Eldridge, N., Daniel Dern, and Michael Toman for some of
these stories. Title credit goes to File 770 contributing editor of the day Elton
… Audible sources confirmed to PW that the company currently has no plan to move forward with the Captions program beyond its limited pilot with public domain works for students. Further, Audible officials said the company has in fact decided not to include any copyrighted works in the Captions program without securing permission, regardless of whether or not the parties are AAP members—though the company was careful to stress that they’ve not formalized that decision with any party outside of this litigation.
(4) SFWA READINGS. There will be two chances to hear Jasmine Gower, Corry L. Lee, and Carolyn O’Doherty read
from their work when the Pacific Northwest’s SFWA Reading series visits Seattle
and Portland in April. Full details at the links.
The Pacific Northwest is home to a Tardis-Full of Science Fiction and Fantasy writers, a fact celebrated every quarter with the Pacific Northwest Reading Series. These free quarterly events provide the Northwest Science Fiction and Fantasy community a chance to gather, network and enjoy readings from local and visiting authors in Portland and Seattle.
(5) PRESSED DOWN AND OVERFLOWING. In The Full Lid – 7th February 2020, Alasdair Stuart dives into Starfleet’s long dark night of
the soul on Picard in “Admiral Clancy Regrets.” He takes a look at the
first part of Big Finish’s relaunch of Adam Adamant and he talks PodUK
and The Tundra Project. He also signal boosts colleague Jason Pitre’s new RPG Palanquin, season 3 of the new radio adventures
of Dan Dare and Sandra Odell’s Oddfellow Creations.
Adam Adamant Lives! Again!
Regular readers of The Lid will know my fondness for audio drama in all it’s forms and TV drama in all its oddest forms. It’s a surprise then to admit this is my first exposure to legendarily odd short-run series Adam Adamant. However, this is by far the best possible introduction to the show.
Written by Guy Adams, it’s a whip-smart, fiercely clever and deeply kind modification of the original idea. Adam is an Edwardian adventurer, who finds himself in ’60s London. Confused and traumatized, he falls under the care of Georgina Jones, a doctor and private detective. Played with clenched teeth aplomb and Paul Darrow’ian elegance by Blake Ritson, Adam is a surprisingly convivial, and on occasion cheerfully violent man. He lived to protect the country in the past and does so again now. Just… on more of a level playing field than he ever thought…
(6) THE WILD WILD CHILD. Stoney Emshwiller told
Facebook readers about a childhood experience inspired by trying to imitate
I was a big fan of The Wild Wild West as a kid and thought it was super cool James West had a fancy rig which would launch a derringer from his sleeve into his hand. So at about 11-ish years old, I went up into my dad’s well-stocked attic workshop and crafted one for myself.
Not having a derringer, I used the only “weapon” around, which was an X-Acto knife. The final result was impressive, involving an elastic band, a trigger device, a holder for the X-Acto knife, and a rail-like track for it to slide along which I’d carefully fashioned of sheet metal. It worked like a charm: when I straightened my arm, the blade would shoot from my sleeve into my hand.
Worked great until the second try, when I forgot to bend back my wrist. The blade rocketed out and imbedded itself into the palm of my hand.
I still have the scar today. Oops.
(7) BEAN OBIT. Actor Orson Bean died February 7 when struck and killed by a car and fell, only to be hit by a second car.
He was 91. SYFY Wire says fans will remember him as the voice
of two Hobbits — he voiced both Bilbo and Frodo Baggins in the Rankin/Bass animated TV
Return of the King
in the late 1970s. The complete soundtrack of the former is available on YouTube.
Bean appeared in a number of films,
including Being John Malkovich and Miracle
on 34th Street (1959 TV movie). He made hundreds of appearances on TV game
shows and talk shows. The New York Times once described him —
“Mr. Bean’s face comes wrapped with a sly grin, somewhat like the expression of a child when sneaking his hand into the cookie jar,” The New York Times noted in a review of his 1954 variety show, “The Blue Angel.” It said he showed “a quality of being likable even when his jokes fall flat.”
In 1964 he co-founded the Sons of
the Desert, an organization dedicated to comedians Stan Laurel and Oliver
Hardy, with chapters around the world.
(8) CONWAY OBIT. Kevin Conway
of a heart attack February 5 at the age of 77. His
first major film role was as Roland Weary in Slaughterhouse-Five (1972). On TV he guest starred as
a clone of Kahless the Unforgettable in Star Trek: The Next Generation.
His best-known film role probably
was Sgt. Buster Kilrain in the 1994 movie Gettysburg.
(9) TODAY IN HISTORY.
February 9, 1994 — Cyborg Cop was released on VHS. (Cyborg Cop II was released in selected theaters on this date.) It was directed by Sam Firstenberg and written by Greg Latter. It starred David Bradley, John Rhys-Davies, Todd Jensena and Alonna Shaw. Rufus Swart was the Cyborg. As you might expect, it was not well received. Halliwell’s Film Guide said it had “a violent, cliché-ridden plot.” Reviewers at Rotten Tomatoes currently give it a 20% rating. You can watch it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 9, 1935 — R. L. Fanthorpe, 85. I’ve never heard of him before stumbling upon him on ISFDB but I’m including him as he was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of small rural library. He’d be perfect for Kindle Unlimited I’d say.
Born February 9, 1936 — Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream. Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James). Then he’s Ecto in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
Born February 9, 1940 — David Webb Peoples, 80. Screenwriter of Blade Runner, Ladyhawke, Leviathan, and Twelve Monkeys which is not a full listing. He’s also been writing for the Twelve Monkeys series .
Born February 9, 1942 — Marianna Hill, 78. Doctor Helen Noel in the excellent “Dagger of The Mind” episode of the original Trek. (This episode introduces the Vulcan mind meld.) she also had roles on Outer Limits (in the Eando Binder’s “I Robot“ story which predates Asimov’s story of that name), Batman (twice as Cleo Patrick), I-Spy, The Wild Wild West, Mission: Impossible and Kung Fu (ok the last one has to be least genre adjacent).
Born February 9, 1951 — Justin Gustainis, 69. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series?
Born February 9, 1956 — Timothy Truman, 64. Writer and artist best known in my opinion for his work on Grimjack (with John Ostrander), Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, Volume 1 and 2. For the Hex work, I’d say Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve overlooked…
Born February 9, 1960 — Laura Frankos, 60. Wife of Harry Turtledove. She’s written a baker’s dozen of genre short stories. She’s more known for her Broadway history column “The Great White Wayback Machine” and has also published one mystery novel, Saint Oswald’s Niche. Her Broadway Quiz Book is available on all digital platforms.
When Hurricanes Katrina and Rita swept through Louisiana in 2005, cities like Houston, Dallas, and Baton Rouge took in hundreds of thousands of displaced residents—many of whom eventually stayed in those cities a year later. Where evacuees have moved since hasn’t been closely tracked, but data from those initial relocations are helping researchers predict how sea level rise might drive migration patterns in the future.
Climate experts expect some 13 million coastal residents in the U.S. to be displaced by the end of this century. A new PLOS One study gives some indication of where climate migrants might go.
“A lot of cities not at risk of sea of level rise will experience the effect of it,”says Bistra Dilkina, a computer scientist at the University of Southern California, who led the study. “This will require an adjustment in terms of the [increased] demand on the cities’ infrastructure.”
Dilkina and her team used migration data from the Internal Revenue Service to analyze how people moved across the U.S. between 2004 and 2014. Movement from seven Katrina and Rita-affected counties to unaffected counties between 2005 and 2006 was categorized as climate-driven migration. Researchers then combined that analysis with National Oceanic and Atmospheric Administration (NOAA) projections on the effects of sea level rise on coastal counties, and trained a machine-learning model to predict where coastal populations will move when forced to leave their homes—and how that, in turn, affects the migration of non-coastal residents.
(12) ON TO 4D. Something else
that increasingly features in SF novels was covered in a recent Nature — “The New 3D Printing”, Research advances are changing the
image of a once-niche technology, including…
The field’s future could also lie in ‘4D printing’ — 3D-printed objects that also have the ability to perform some mechanical action, akin to artificial muscles. Often, these incorporate shape-memory polymers, materials that can react to changes in their environment such as heat or moisture
…Writers from Pliny the Elder to Herodotus raved about the qualities of Judean dates, including their long shelf-life, which allowed them to be transported far and wide. “Herod even used to present them to the emperor in Rome every year,” said Sallon.
But the plants suffered under centuries of unrest; by the 19th century the plantations had disappeared.
Writing in the journal Science Advances, Sallon and colleagues report how they planted 32 Judean date palm seeds retrieved from a variety of archaeological sites across the Judean desert. These include Masada and caves at Qumran – shelters best known for concealing the Dead Sea scrolls but which were also used by refugees in ancient times.
“I spent hours and hours in the archaeology department picking through the best seeds,” said Sallon. “A lot of them had holes in where insects had bored through or [they had] fallen apart, but some were really pristine and I picked the very best ones.”
Six of the seeds sprouted. The team radiocarbon-dated fragments of the shells left after germination to reveal that Hannah and Adam date to somewhere between the first and fourth centuries BC. Judith and Boaz were dated to a 200-year period from the mid-second century BC, and Uriel and Jonah were dated to somewhere between the first and second centuries AD….
Though no expert coder, a government concentrator uses bots to show an agency its website vulnerability.
Max Weiss ’20 never intended to hack the government. His discovery of how easy it is to do — outlined in a new paper he authored — came of the best of intentions.
Weiss, a government concentrator from Cincinnati, was doing advocacy work for state expansion and defense of Medicaid last summer, a project that combined his interests in public policy and health care. While studying the ways in which various advocacy groups can influence pending legislation, he learned how valuable such groups find the federal government’s comment period, when members of the public are invited to weigh in on new or pending legislation via online forms. He realized how easy it would be to manipulate the results using bots — computer programs that generate automated responses — to flood the sites with fake responses for or against any proposal.
The 21-year-old detailed his findings in a recent Technology Science piece, “Deepfake Bot Submissions to Federal Public Comment Websites Cannot Be Distinguished from Human Submissions.”
“We were spending a lot of time and energy getting high-quality comments from constituents,” said Weiss. “I wanted to make sure these federal agencies understood the potential consequences of their policies, and I had the idea that I could use a bot and submit a lot of fake comments.”
He paused, recognizing that corrupting the process was fraught: “This would be bad for democracy.”
But the Leverett House resident couldn’t shake the idea, and he began to research the feasibility of such a scheme. Turns out submission is easy to automate. Federal agencies have some leeway to discount comments that are obviously duplicated or irrelevant. But the typical technological defenses against attack, including CAPTCHAS, anomaly detection, and outside verification — all of which are integrated into online activity from banking to email log-in — were pretty much absent.
…Moving from a smaller film to a superhero franchise can feel like a mammoth leap, Yan says, but she was inspired by such auteurs as Taika Waititi, who migrated from small comedies to the Marvel tentpole “Thor: Ragnarok,” then back to the humbly budgeted 2019 Oscar nominee “Jojo Rabbit.” And whether Yan is working on a small or large scale, there are consistent traits that attract her to a project.
(16) THE ROVE BOAT. “Star Wars: Galactic Starcruiser Coming
to Walt Disney World” on YouTube is Disney’s official announcement of
the Star Wars-themed hotel designed to look like a starship which is opening at
Walt Disney World next year.
Reservations will open later this year for Star Wars: Galactic Starcruiser, which debuts in 2021 at Walt Disney World Resort in Florida. This new two-day and two-night vacation is an all-immersive experience that will take you to a galaxy far, far away in a way that only Disney could create.
(17) VIDEO OF THE DAY. Former NASA engineer Mark Rober now
makes a living as a YouTube inventor. Here he unveils the ultimate
deterrent to Amazon package thieves — “Porch Pirate vs. Glitter Bomb Trap 2.0.” 15 minutes long… but priceless.
[Thanks to JJ, Martin Morse Wooster, Andrew Porter, John King
Tarpinian, Chip Hitchcock, Contrarius, Cat Eldridge, Alan Baumler, SF
Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories.
Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) FACEBOOK FLIES OFF THE HANDLE. Canadian sff author Daniel
Arenson somehow ran
afoul of Facebook’s moderators by sharing images commemorating the
Holocaust on his author page. The problem was unresolved for several days, and
even now Arenson is concerned that he will be banned, as he explained in a post
on his personal FB page. (As of this writing, the commemorative posts can be
seen on Daniel Arenson’s
An update on my Facebook trouble… I might be banned entirely from the site. If I disappear, I want you to know why.
A few days ago, on my Author Page (separate from this account, which is my personal account) I shared a post that commemorated the Holocaust. It was a project created by a Jewish artist, and included some images of Holocaust victims. Facebook removed the photos, claiming they feature “nudity or sexual activity.”
This seemed to be the work of a bot. I figured it was just a bug in the algorithm. So I applied for a human to review this case, and to potentially restore the photos. A human took a look, told me the memorial photos (created by a Jewish artist) are “hate speech,” and that I’m banned from using Facebook for 24 hours.
Three days went by, and my Author Page was still in “Facebook jail.” Meanwhile, Facebook charged my credit card $1,100 for running ads using that page. The same page I’m locked out of.
I contacted Facebook support, and I finally got a hold of a human. I asked why I was banned, and how long the ban would last. They simply threatened to extend the ban. From their tone, it sounded like they might hit me with even more bans, maybe affecting my personal account (this one) too.
They did not provide reasons why this is happening. I explained that the photos were created by a Jewish artist, who wanted to commemorate the Holocaust. Facebook support staff simply threatened further bans against my account(s).
Today, even on my personal account, I’ve had some trouble accessing the website. Maybe it’s just a Facebook-wide issue, though, and unrelated to my troubles.
If I disappear entirely, this is why. I shared photos by a Jewish artist who wanted to commemorate the Holocaust. Since then, Facebook has been smacking my accounts around, and every time I contact them, it gets worse.
(2) VETERAN OF TM BATTLE SPEAKS OUT. Tara Crescent, after
seeing news about Christine
Feehan’s effort to trademark “Dark” for a series of fiction works, wrote how
burdensome it was for her last year to fight someone else’s attempt to
trademark “Cocky.” Thread starts here.
‘Mystery Science Theater 3000’ has once again been cancelled. This time by Netflix and right before the show’s anniversary. The series debuted on Thanksgiving in 1988 and would later grow into a yearly marathon. This year, you can still binge on this fan-favorite event but with the sad news that new episodes will not be on the horizon on Netflix.
You can read the entire order here, but it boils down to Mignogna being required to pay almost $250k to the defendants. While this is significantly less than the amounts asked for by the defendants (which was a sum roughly around $800k), it’s still a significant chunk of change. Mignogna’s representatives already attempted to file an appeal prematurely, and it is highly likely that they will attempt to do so again. If Mignogna’s potential appeal fails, he will be required to pay significantly more to the defendants as well.
Disability rights advocates have filed a class-action lawsuit arguing that the brand new Hunters Point Library in Queens prevents people with mobility issues from “full and equal access” to the branch.
The lawsuit, filed in Brooklyn federal court by the Center for Independence of the Disabled New York (CIDNY), argues that the Steven Holl Architects-designed library violates the Americans with Disabilities Act (ADA). After two decades of planning, the $41 million branch opened in Long Island City this September to glowing architectural reviews, but soon came under fire because sections of the library are inaccessible to wheelchair users and others with limited mobility.
Disability Rights Advocates is handling the lawsuit on behalf of the plaintiffs and claims that “inaccessible features pervade” the new branch, and calls out three levels with bookshelves, a reading and small-group space in a children’s section, and a rooftop terrace for featuring accessibility barriers that prevent “full and equal enjoyment” of the library.
“Heralded as a ‘stunning architectural marvel’ and a ‘beacon of learning, literacy and culture,’ the newly-built Hunters Point Library was designed and built with a total disregard for adults and children with mobility disabilities and in flagrant contempt of the legal requirements of the Americans with Disabilities Act,” the 21-page complaint states.
(6) THE DEAR DEPARTED. There will be a special party at
this weekend’s Loscon in Los Angeles –
(7) TODAY IN HISTORY.
November 27, 1981 — Frankenstein Island preimired. Starring John Carradine and Cameron Mitchell, it’s more or less a remake of Teenage Zombies. It was co-produced, written, directed and edited by Jerry Warren who did the latter film as well. The fifteen hundred who have collectively rated it at Rotten Tomatoes give a vote of just seven.
November 27, 2002 — The animated Treasure Planet premiered. It is at least the second telling of Stevenson’s Treasure Island in an SF film setting as there’s an 1987 Italian L’isola del tesoro (Treasure Island in Outer Space) series. It went on to be one of the costly box office failures ever as production costs alone were nearly one hundred and fifty million dollars. While it bombed at the theater, it has an impressive 71% rating at Rotten Tomatoes.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 27, 1907 — L. Sprague de Camp. The Tales from Gavagan’s Bar he wrote with Fletcher Pratt are my favorite works by him. Best novel by him? I’d say that’s Lest Darkness Fall. (Died 2000.)
Born November 27, 1935 — Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series. Wiki weirdly has her producing an episode of Doctor Who called “A Happy Ending” in 2006 which doesn’t exist. (Died 2007.)
Born November 27, 1942 — Jimi Hendrix. I wouldn’t be including him but the Encyclopedia of Science Fiction has a long and persuasive essay on him actually being influenced by SF. It has comments such as “for example the title of his second single, ‘Purple Haze’ (1967), though taken by many to encode a reference to drugs, is actually from Philip José Farmer’s novel Night of Light…” That essay is here. (Died 1970.)
Born November 27, 1940 — Bruce Lee. His only genre role was as Kato in The Green Hornet which to my utter surprise lasted for just twenty-six episodes between 1966 and 1967. He also appeared on Batman in three episodes, “The Spell of Tut”, “Batman’s Satisfaction”, and “A Piece of The Action”. (Died 1973.)
Born November 27, 1951 — Melinda M. Snodgrass, 68. She wrote several episodes of Next Gen while serving as the story editor during its second and third seasons. She also wrote scripts for Sliders, Strange Luck, Beyond Reality, Odyssey 5, Outer Limits and SeaQuest DSV. She’s a co-editor of and frequent story contributor to George R. R. Martin’s Wild Cards series.
Born November 27, 1964 — Rebecca Ferratti, 55. Did you know some of the Gor novels were made into films? Well they were. This actress played Takena, the co-lead, in the ones that were made, Gor and The Outlaw of Gor. They may or may not have been the worst films she was in during her film career…
Born November 27, 1974 — Jennifer O’Dell, 45. Her only meaningful role to date, genre or otherwise, has been that of Veronica on Sir Arthur Conan Doyle’s The Lost World. She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield but nothing major to date.
Born November 27, 1974 — Alec Newman, 45. He played Paul Atreides on the Dune and Children of Dune series. He was Barnabas Collins in the Dark Shadows film, and he had the recurring role of Malik on Enterprise. He was Drogyn, Keeper of the Deeper Well, and an eternally young warrior of good on Angel.
(9) COMICS SECTION.
Bizarro realized which profession would know how to get the most passengers in a small spacecraft.
Ms. Mackie received rave reviews from fans – and critics across the globe – playing the down-to-earth Bill, the series’ first openly gay companion character, including her tour-de-force performances later in the season during the two-part finale and the subsequent Christmas special, both hers and Capaldi’s final adventure “Twice Upon a Time.”
(11) RAPPIN’ REY. On the Tonight Show, Daisy Ridley
performed a rap recapping the first eight episodes that make up Star Wars’
trilogy of trilogies. Full lyrics on YouTube here.
Woodtech on Triana Boulevard makes tap handles for local breweries in addition to specialty items for defense companies, wine crates, puzzles, wooden boxes, business signs, trays with old maps of Huntsville, cornhole-game boards and more.
Another beer-space Huntsville-local connection is the Straight
to Ale craft brewery, makers of Monkeynaut Pale Ale, which was inspired by Miss Baker, who lived out
her life at the local U.S. Space and Rocket Center.
Miss Baker (1957-1984) was a squirrel monkey who in 1959 became, along with rhesus macaque Miss Able, one of the first two animals launched into space by the United States and safely returned.
A turkey may be so prepared and preserved that, according to Artephius’s Key of Wisdom, “an ingenious Man may raise the fine Shape of a Homunculus out of its Ashes at his Pleasure, so he may, without any criminal Necromancy raise the Shape of any dead Ancestor for study and labor.”
(18) VIDEO OF THE DAY. Well, it’s
a commercial. But it’s a cute commercial.
This holiday, follow the magical story of Lucy, a curious 6-year-old with a few questions for her reindeer friends. With the help of her mom’s Surface and Microsoft Translator, she finally gets her chance to ask the most important questions of the season. Microsoft technology empowers and connects everyone on the planet…well, almost everyone.
[Thanks to John King Tarpinian, JJ, Bill, Chip Hitchcock, Cat
Eldridge, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Kip
…Somehow, fans in the audience, most of whom who could never have even read my review, likewise foaming at the mouth, got it into their ignorant peabrain heads that STATE OF THE ART was defending this evil racist facisist who had polluted the vital bodily fluids of science fiction before I was even born. After all, it is well known that Norman Spinrad is an old white male, needing only to be dead to complete their social fascist hat trick.
It got picked up on Twitter, which is really fake news, as even Donald Trump knows, I got trolled, or rather the magazine did. And it just so happened that Penny Press, which publishes both Analog and Asimov’,s also financially supported the Campbell award, which is now going to be called something else, ala the other Campbell award, and academic award for the year’s best novel.
As William Burroughs put it, enough to make an ambulance attendant puke.
That’s the bad news. The good news is that there were enough people who understood the freedom of the press to get STATE OF THE ART back on the Asimov’s website. And I’m not dead yet, sorry about that, stay tuned, motherfuckers.
Then, in a comment, Spinrad lit into Jeannette Ng and jumped onto
the Campbell-couldn’t-have-been-a-fascist train.
(2) THEORY AND PRACTICE. Ann Leckie commented on the recurring effort to place sf and fantasy in opposition. Thread starts here.
Subterranean Press announced that Hugo Award-winning editor Navah Wolfe will be acquiring and editing a number of novellas for the publisher to be released in 2021 and beyond.
“I’ve admired the work Subterranean Press has been doing for years, so it’s an honor to get to work with them to publish original fiction,” said Wolfe. “I’m really looking forward to publishing great novellas in Subterranean’s famously gorgeous editions.”
Managing editor and Chief Operating Officer Yanni Kuznia expressed excitement about this new editorial partnership. “Navah is one of the most exciting editors currently active in genre fiction, and I’m thrilled Subterranean has the opportunity to work directly with her.”
Wolfe parted ways with Saga Press a few weeks ago when they eliminated her position.
(5) IN OP-EDS TO COME. “We Shouldn’t Bother the Feral Scooters of Central
Park” is the latest in the New York Times Op-Eds From the Future series. Author
Janelle Shaneis an optics research scientist and the
author of You Look Like a Thing and I Love You: How Artificial Intelligence
Works and Why It’s Making the World a Weirder Place. Contributors to this
series Op-Eds that they imagine might be read 10, 50 or even 200 years
We’ve been safely coexisting with the feral self-driving scooters for over a decade. They’re part of the cityscape now, the last remnants of the scooter craze of 2021, sky-blue scooters that cruise the streets in solitude or cluster around their charging stations on the edge of Central Park, rippling their rainbow LEDs and beeping occasionally.
The New York City Department of Parks and Recreation recently announced a plan to lease the scooter charging spaces to vendors and is calling the feral scooters a menace. It’s true that the scooters have developed survival strategies that may not always prioritize the safety of their riders. But as a behavioral ecologist, I’m convinced that humans and scooters can adapt to each other and that removing the feral scooters from Central Park would be a mistake.
The feral scooters don’t want to harm humans — they’re not nearly intelligent enough to have such a goal (based on the specs I could find, their raw computing power is somewhere around the level of an earthworm’s). They are just another form of life trying to survive, and yet they aren’t life as we know it — they’re something much weirder and less understood. It would be a shame to let a brand-new form of life go extinct.
November 4, 1977 — The Incredible Hulk series premiered on CBS. Starring starred Bill Bixby as Dr. David Bruce Banner and Lou Ferrigno as the Hulk, it would run for five seasons and an additional five tv films. It was followed by The Incredible Hulk Returnsfilmwhich was intended to lead to a new series but that never happened.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 4, 1912 — Wendayne Ackerman. Wife of Forrest J Ackerman in the Forties. After eight years of marriage, she and FJA divorced but remained friends and companions. Later she translated the German language Perry Rhodan books he acquired. In addition, he says that she coined the “sci-fi” term that he’s credited with being responsible for. (Died 1990.)
Born November 4, 1918 — Art Carney. Yet another performer on The Star Wars Holiday Special, he playedTrader Saun Dann. Genre wise, he’s otherwise fairly light, showing in Ravagers, a post-nuclear holocaust film, Firestarter, The Muppets Take Manhattan, The Night They Saved Christmas and Last Action Hero. (Died 2003.)
Born November 4, 1930 — Kate Reid. Dr. Ruth Leavitt on The Andromeda Strain. Several years later, she’d be sort of typecast as Dr. Jessica Morgan, Director McNaughton Labs in Plague. Death Ship in which she plays Sylvia Morgan only sounds like typecasting. And I think her last genre appearance was on Friday the 13th: The Series as Lila Lita in the “Femme Fatale” episode. (Died 1993.)
Born November 4, 1950 — Markie Post, 69. Her main genre role was voicing June Darby in the Transformers Prime series but she’s had a decent number of genre one-offs including The Incredible Hulk, Buck Rogers in the 25th Century, The Greatest American Hero, Fantasy Island, VR.5 and Ghost Whisperer.
Born November 4, 1953 — Kara Dalkey, 66. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of Sagamore, Steel Rose, Little Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Tiptree Awards.
Born November 4, 1953 — Stephen Jones, 66. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies quoted sometime ago. The Mammoth Book of Best New Horror accounts for seventeen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated History, Basil Copper: A Life in Books and H. P. Lovecraft in Britain. He also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere.
Born November 4, 1955 — Lani Tupu, 64. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and Gordon Standish in Robotropolis. He also roles in Tales of the South Seas, Time Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly, he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format sometime in the past year.
Born November 4, 1960 — John Vickery, 59. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there. His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”. He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode.
Darnell “SuperChef” Ferguson finds himself is a trademark cook-off with DC Comics over the name of his new restaurants chain, “Superhero Chefs”.
Darnell “SuperChef” Ferguson is known for winning the “Ultimate Thanksgiving Challenge” hosted on The Food Network and has also appeared on The “TODAY” Show, “The Rachael Ray Show,” and a whole bunch of other shows. Ferguson opened up three restaurants in Alabama, Georgia, and Kentucky called “Superhero Chefs” and using the above logo. Ferguson filed the trademark in his own name and not a company that owns the restaurants, not a smart move because Superman and company came a knockin’….
…Simon & Schuster CEO Carolyn Reidy, during a discussion of the company’s second-quarter results, pointed to generating interest in midlist books as one of the biggest challenges facing all publishers.
Though the hits-driven nature of publishing has not changed in recent years, the nature of those hits has. Due to a number of coalescing factors—including a shrinking physical retail market and an increase in competing entertainment driven by the proliferation of streaming TV platforms—book publishing has watched as a handful of megaselling titles have begun to command an ever-larger share of its sales.
According to NPD BookScan, which tracks an estimated 80% of unit sales of print books, sales of the 100 bestselling adult titles increased 23% in 2018 compared to 2017. All other titles ranked below that top tier either fell or remained flat. On a 52-week rolling basis through Oct. 5, 2019, the sales of the top 100 books rose another 6% over the comparable 52-week period ending in 2018, while, again, all other sales levels either fared worse or stayed flat. Taken together, sales of the 100 bestselling print books rose nearly 30% over a period of about two years, while books that ranked between 101 and 10,000 saw their total print unit sales fall 16%. Books that ranked below 10,000 remained flat in the period.
I fell in love with Adrian Tchaikovsky’s space opera novel Children of Time, a phenomenal story about uplifted spiders deep in space. His next is a novella that’s a return to usual territory for him: fantasy. Made Things is set in Fountains Parish, a rough neighborhood where crime is rampant. Coppelia is a thief who has some extra help: some puppet-like “friends” that she’s made. They don’t entirely trust her, but they have a relationship that works. But a new discovery changes her entire world, and they all must reexamine how they understood the world, and save their city from disaster. Civilian Reader says that it’s an “excellent short fantasy novella, one that introduces us to a new world, with interesting magic and politics.”
(14) LAND OF THE MIDNIGHT STUN. Vanity Fair’s Mark Seal offers his version of an Icelandic saga: “The Big Bitcoin Heist” – a crime where you can’t “follow the money.”
…While he was sleeping, someone had broken into the data center and stolen 550 Bitcoin computers, along with motherboards, graphics cards, and power accessories—a haul worth $500,000 for the hardware alone. It was the fifth cryptocurrency data center in Iceland to be hit in two months. The total take: $2 million in tech gear.
But the true value of the computers was far greater. If the thieves knew how to operate them, the machines could be used to mine Bitcoins—an operation that would churn out a continuous stream of virtual money for the burglars, all of it encrypted and completely untraceable. The criminals weren’t robbing banks, or even Fort Knox. They were stealing the digital presses used to print money in the age of cryptocurrency.
In the spot by AMV BBDO, Carey is seen belting out the timeless classic amid a stereotypical Christmas setting but things go off script when the star becomes embroiled in a tug of war with a hungry elf for the last bag of Walkers Pigs in Blankets on set.
What was it like for a young actor in his first movie to be on the set with big stars?
RW: There’s a deleted scene with me and Tony Shalhoub in the engine room, and I knew the lines coming in, but it was my first movie. I had done a couple little things on camera before, but seeing all of those stars—Sigourney Weaver from Alien; Tim Allen, who was huge at the time; Alan Rickman, Sam Rockwell, all of them—they were all standing behind me and I was so intimidated I couldn’t remember my lines. Maybe the first and last time I would do that.
And a really complex line like, “The iron capacitor and the valence protector don’t synchronize when rerouting the surveillance monitors,” or whatever I’m saying, I just couldn’t for the life of me get my lines out. It was humiliating. I kept fumbling. And I really was a theater actor, so I prided myself on knowing my lines and being able to come in and deliver. But I was sweating I was so nervous. And if you see it, if you watch the scene, you can kind of see on my face that I’m pretty intimidated and overwhelmed there. Watch it for the sheer terror on my face. Probably it fit the character.
[Thanks to Xtifr, Cat Eldridge, Chip Hitchcock, JJ, John King
Tarpinian, Martin Morse Wooster, Mike Kennedy, Andrew Liptak, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Daniel Dern.]
…This sorry mess started in January, as Mignogna’s most recent film, Dragon Ball Super: Broly, soared to box office records. Its release also set off another round of allegations on social media about the 57-year-old actor’s aggressive kisses, hugs and unwanted sexual advances.
Mignogna repeatedly has denied all allegations of inappropriate actions, although he acknowledged in a June 26 deposition that people have commented negatively for years about his behavior.
As a columnist who writes regularly about these issues, I became interested in this case because of the voice actor’s decision to go on the offensive — digging in and fighting back against what he and his devoted fans have labeled lies, exaggerations and ploys for attention.
… The voice actor’s legal fight is apparently backed by a GoFundMe war chest, which has reached almost $250,000 since Minnesota lawyer Nick Rekieta opened it in February.
But even that large a sum may not cover all the plaintiff’s costs. Next up for the court is to sort out attorney’s fees — which could total up to half a million dollars given the multiple defendants and their legal representation — and mandatory sanctions.
Mignogna has provided the English-language voice for hundreds of animated shows, films and games created in Japan. He’s long been among the most popular actors at conventions across the nation that allow fans of the genre to meet their heroes.
His lawsuit named Funimation, voice actors Jamie Marchi and Monica Rial, and Rial’s fiancé, Ron Toye. The lawsuit painted the company and three individuals as a band of conspirators leading the charge to ruin Mignogna’s career. In response, those accused have maintained that the legal action is aimed at unjustly silencing them
Marchi, Rial and Toye were among the scores of anime talent and fans who, beginning early this year, tweeted critically about the actor’s behavior. Rial alleged that Mignogna grabbed her in a hotel room and forcibly kissed her without her consent at an anime convention in 2007. Marchi accused him of violently pulling her hair in a tense office encounter….
…the defendants challenged the suit under Texas’s Anti-SLAPP law (the TCPA), and a hearing was held on the matter about a month ago.
At that hearing, Judge John Chupp dismissed the case against Jamie Marchi entirely, along with most claims against the other defendants. A week and a half after that, Judge Chupp ordered both parties to attempt mediation to attempt to settle any remaining issues.
As that settlement resulted in an impasse, Judge Chupp has now issued his ruling on the TCPA motions. In it he has dismissed all remaining claims against the defendants under the TCPA. You can read the full dismissal here.
(2) “FORCEFUL” COOKWARE. How can we live without the ”Han
Solo in Carbonite Signature Roaster”?
What is your favorite winner of the Hugo award for best novel? Why?
Participants include Charlie Jane
Anders, Casey Blair, Cheryl Morgan, Elizabeth Bear, Michael J. Martinez, Beth
Cato, Marguerite Kenner, Sara Megibow, and Jaime Lee Moyer.
Marguerite Kenner picked this book —
My favorite best novel Hugo winner is from 1982 — ‘Downbelow Station‘ by C. J. Cherryh. I still own my first copy of it, a dog-eared, well-loved paperback. Captain Signy Mallory was the first ‘unlikable woman’ protagonist I remember resonating with, and I think I still know all the words to the filk song…
…In the first place, why do we need to know the origin of the Joker? For all his iterations through film, television and comics, what bearing does who he is and where he came from matter in the slightest? He is a villain for the sake of being a villain, which is a luxury most people writing fiction aren’t allowed, despite it being allowed in real life 2019. It works for the Joker precisely because he is The Joker – insane, given to sadistic whimsy, crafting ornate plans while simultaneously not having one at all. He works because he doesn’t have an origin. His adversary, Better Elon Musk, is all backstory. Rooted in his childhood trauma, he puts on a mask to keep it all out. Joker is what he is, unapologetically, always in pursuit of his mercurial goals, but doing what it takes to achieve them – Bats will give up his to protect a life, never willing to make the sacrifices truly needed.
In short, Joker works narratively because he is the perfect antagonist for Batman…
The figure is above the $10 million in previews that was earned a year ago by “Venom,” which posted an $80 million opening weekend — both records for October. It’s the biggest preview number since “The Lion King” pulled in $23 million in July and portends a potential record opening. “Joker” has been forecast for a similarly massive debut in the $80 million to $95 million range from 4,374 North American theaters for Warner Bros.
[…] “Joker” premiered on Aug. 31 at the Venice Film Festival, where it won the Golden Lion, the festival’s highest prize. The pic polarized critics — while Phoenix’s performance has been lauded, the comic-book adaptation’s dark tone and handling of violence have generated a divisive response. “Joker” currently has a 69% score from critics on Rotten Tomatoes.
In the comics and cartoons — and on film, as played by Jack Nicholson, Heath Ledger and (checks notes) Jared Leto — the Joker, Batman’s archenemy, is an agent of chaos.
…One of the many things Christopher Nolan’s The Dark Knight got right about the character is that we only think we want to know who he is and where he came from. The Joker works best, most purely, when unencumbered by the humdrum of the everyday. His motivations must and should remain mysterious, unknowable.
Director Todd Phillips’ new film seeks to strip all mystery from the character and make his motivations very knowable. And in that much at least, he succeeds.
…Certainly, Joker is tense, grimy and claustrophobic, and Phoenix’s performance is a big swing, and a risky one — the kind of big, risky swing that Oscar voters historically eat up with a big ol’ spoon.
But the film so desperately strives to reject comic book trappings — so aches to be seen as edgy, provocative, serious, adult — that it simply apes the tone, style and content of other, better, edgier and more provocative films like Taxi Driver and The King of Comedy and Fight Club.
(8) MELODIOUS REFERENCES. Fanac.org has posted
video of filksinger Julia Ecklar’s 1989 concert at Tropicon.
Julia Ecklar was the special filk guest at Tropicon 8, held in Dania, Florida, in 1989. This recording captures her concert at the convention, and includes 10 songs (of which Julia wrote four). The last song is beautifully signed by Linda Melnick. In the 1980s and early 1990s, Julia was a sought-after filk performer at science-fiction conventions worldwide. As a published author, her skill with words is very evident in the songs she writes. Filk songs are often strong on narrative, and you’ll notice that a number of these are about science fiction novels that were popular at the time. If you’ve read the books, the impact of the songs is increased, but they are enjoyable even if you haven’t. Can you identify the novels? Because Tropicon didn’t officially sponsor filk guests, the local community raised money to bring in one filk guest for each Tropicon. Concerts like this were held as a benefit for those who had donated.
(9) CARROLL OBIT. Famed TV actress Diahann Carroll died October 4
at the age of 84. The two genre roles in her resume were The Man in the Moon, a
musical fantasy from 1960 which features Andy Williams as an actual Man in
the Moon who visits Earth and meets up with an array of human talent, including
Carroll as a singer, and The Star Wars Holiday Special where she played Mermeia
Zaslove began his career in 1942 as an “office boy” at Leon Schlesinger’s Studios, and then went on to work on many UPA shorts and series, including Gerald McBoing-Boing and Mr. Magoo. During the 1960s and ‘70s, he worked as an animator on TV and feature projects such as Popeye the Sailor, Fractured Fairy Tales, Roger Ramjet, The Famous Adventures of Mr. Magoo, The Gumby Show, A Charlie Brown Christmas, The Phantom Tollbooth, A Chipmunk Christmas, Tom Thumb, The Night Before Christmas and Stanley the Ugly Duckling.
…He was nominated for Emmys for his work on DuckTales, Smurfs, Chip ‘n Dale Rescue Rangers, Darkwing Duck and the Aladdin TV series.
(11) TODAY IN HISTORY.
October 4, 1972 — Night of the Lepus starring Janet Leigh appeared on movie screens. This horror film is based upon the science fiction novel The Year of the Angry Rabbit by Russell Braddon. It scores 27% at Rotten Tomatoes.
October 4, 1985 — The Misfits Of Science series debuted. starring Dean Paul Martin and Courteney Cox, it would last just sixteen episodes before be canceled due to low ratings.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 4, 1860 — Sidney Edward Paget. British illustrator of the Victorian era, he’s definitely known for his illustrations that accompanied Arthur Conan Doyle’s Sherlock Holmes stories in The Strand. He also illustrated Arthur Morrison’s Martin Hewitt, Investigator, a series of short stories featuring the protagonist, Martin Hewitt, and written down by his good friend, the journalist Brett. These came out after Holmes was killed off, like many similar series. (Died 1908.)
Born October 4, 1904 — Earl Binder. Under the pen name of Eando Binder, he and his brother Otto published SF stories. One series was about a robot named Adam Link. The first such story, published in 1939, is titled “I, Robot”. A collection by Asimov called I, Robot would be published in 1950. The name was selected by the publisher, despite Asimov’s wishes. As Eando Binder, they wrote three SF novels — Enslaved Brains, Dawn to Dusk and Lords of Creation. There’s lots of Eando Binder available on iBooks and Kindle. (Died 1966.)
Born October 4, 1923 — Charlton Heston. Without doubt, best known for playing astronaut George Taylor in the Planet of the Apes. He retuned to the role Beneath the Planet of the Apes. He’s also Neville in The Omega Man. By the way, once at the LA Music Center he played Sherlock Holmes in The Crucifer of Blood, opposite Richard Johnson as Dr. Watson. His IMDB credits show him as being on SeaQuest DSV in the “Abalon” episode. (Died 2008.)
Born October 4, 1928 — Alvin Toffler. Author of Future Shock and a number of other works that almost no one will recall now. John Brunner named a most excellent novel, The Shockwave Rider, after the premise of Future Shock. (Died 2016.)
Born October 4, 1929 — Scotty Beckett. He costarred on Rocky Jones, Space Ranger which ran for thirty- four episodes from February to November 1954, lasting only two seasons. Because it was recorded on film rather than being broadcast live, it has survived. You can the first episode of the series here.
Born October 4, 1932 — Ann Thwaite, 87. Author of AA Milne: His Life which won the Whitbread Biography of the Year, as well as The Brilliant Career of Winnie-the Pooh, a scrapbook offshoot of the Milne biography. (And yes, Pooh is genre.) In 2017 she updated her 1990 biography of A.A Milne to coincide with Goodbye Christopher Robin for which she was a consultant.
Born October 4, 1941 — Anne Rice, 78. She‘s best known for The Vampire Chronicles. Confession time: I’ve not read them. So how are they? Same goes for Lives of the Mayfair Witches series which I’ve been told is excellent. It’s just that she’s too damn popular and I really don’t do popular all that well.
Born October 4, 1946 — Susan Sarandon, 73. She make Birthday Honors just for being Janet Weiss in The Rocky Horror Picture Show, but she’s also been in Enchanted as Queen Narissa, The Witches of Eastwick as Jane Spofford, The Lovely Bones as Grandma Lynn and The Hunger as Sarah Roberts. An impressive genre list indeed!
Born October 4, 1956 — Christoph Waltz, 63. He portrayed James Bond’s nemesis Ernst Stavro Blofeld in Spectre , he is set to reprise the role in No Time to Die. Genre wise, he also portrayed Qohen Leth in The Zero Theorem,Benjamin Chudnofsky in The Green Hornet (I lasted ten minutes before giving up), Cardinal Richelieu in The Three Musketeers, himself in Muppets Most Wanted, Léon Rom in The Legend of Tarzan and Dr. Dyson Ido in Alita: Battle Angel.
Born October 4, 1975 — Saladin Ahmed, 44. Hi Throne of the Crescent Moon was nominated for the Hugo Award for Best Novel and did win the Locus Award for Best First Novel. He has also written in Kamala Khan (The Magnificent Ms. Marvel), Black Bolt, Exiles and the Miles Morales (Spider-Man) series, all on Marvel Comics. Oddly only his Marvel is available on iBooks and Kindle.
I thought I’d post the individual questions+answers here in the blog first–which gives a chance to get more feedback–and then migrate them to their own page once the series is finished. If you have a general-interest question about the series that you think might not occur to me, let me know in the comments! Or if you want more details or further explanation on a topic.
… This treasure trove of secrets, presented in a generously illustrated hardbound volume, is like a gateway into science fiction’s inner sanctum. Though it may seem squarely aimed at science fiction fans, the fact that SF so pervades our culture makes it an attractive coffee table book for anyone. Everyone will find something to relate to here, whether it’s reading about a favorite author, like Philip K. Dick or Angela Carter; or about the rock band The Who and their never-fully-materialized concept album follow-up to Tommy called Lifehouse, set in a near future where reality is experienced through a worldwide network called The Grid. The topics are simply too attractive for even the casual science fiction fan to ignore…
To celebrate the lead-up to Episode IX: The Rise of Skywalker, today we’re all about exploring the next major novel in the Star Wars Expanded Universe: Star Wars: Resistance Reborn, written by Hugo and Nebula-winner Rebecca Roanhorse.
Set in-between the shocking climax of The Last Jedi—which saw the Resistance against Kylo Ren and the ruthless First Order nearly collapse, costing the life of an iconic character—and the opening scenes of the new film, Resistance Reborn serves as “Episode 8.5” (VIII.V?) of the saga, introducing crucial new characters and setting the stage for the a climactic clash more than four decades in the making.
Lucy in the Sky is an ideal vehicle for Natalie Portman, cast as an astronaut who finds outer space thrilling and life back on earth somewhat less so. Affecting a Southern accent and sporting a short haircut, she creates a character who is thoroughly relatable, at first. We understand her exhilaration during a spacewalk and her dissatisfaction at home, despite the fact that she has a loving husband (Dan Stevens), a salty grandmother (Ellen Burstyn) and congenial colleagues. As it unfolds, however, the story takes this character to extremes.
…Seanan McGuire uses the Mira Grant pen name to write stories with a somewhat darker tone, but Spindrift House shares one major commonality with some of her best work as McGuire. As in the Wayward Children series, the theme of “found family” plays a major role here. Harlowe and her friends understand each other’s quirks, help each other through difficulties both major and minor, and generally act as siblings to each other.
Martin Scorsese, one of cinema’s most venerated current directors, has decried superhero movies – the dominant force in today’s industry. The director of films such as Taxi Driver, Raging Bull and Goodfellas told Empire magazine that his attempts to get up to speed with contemporary superhero films had failed.
“I tried, you know?” the director said when asked if he had seen Marvel’s movies. “But that’s not cinema.”
In the name of the moon, I will protect you… from unwanted pregnancy and STDs! Japan’s Ministry of Health, Labor and Welfare has partnered with Naoko Takeuchi to distribute free Sailor Moon condoms! These condoms, which come in cute heart-shaped wrappers, will be distributed for free at STD/STI prevention events throughout October. The first takes place tomorrow, October 5 in Fukuoka, with another taking place in Hiroshima, on Monday, October 14 in Hiroshima.
[Thanks to John King Tarpinian, JJ, Mike Kennedy, Todd Mason, Olav
Rokne, Martin Morse Wooster, Eric Franklin, Chip Hitchcock, Michael Toman, Cat Eldridge,
Daniel Dern, StephenfromOttawa, and Andrew Porter for some of these stories.
Title credit belongs to File 770 contributing editor of the day Joel Zakem.]
There you can see Fox’s comment that I wouldn’t post here, rehearsing falsehoods, dodging significant questions, and working in some juvenile namecalling. He insists I should not have denied him the chance to defend himself at File 770. “I take the freedom of speech very seriously,” says Fox. He takes it very seriously — on other people’s blogs. Richard Fox doesn’t allow comments on his own blog.
Linking is not piracy. Fox’s deceptions start right in his
title. File 770 never hosted a copy of Fox’s story “Going Dark.” We
included a link to the Google Drive file, after seeing the URL on SFWA’s
public-facing Nebula Reading List.
How links are chosen. File
770 runs features like JJ’s “Where To Find The 2018 Nebula Finalists For Free
Online” as a reader
service, impartially listing all the works available. We aren’t going to have
people coming back to ask “Why didn’t you link to Richard Fox’s story on the
Many online magazines post fiction free online, asking for subscriptions or Kickstarter support. That’s their business model. Many self-published authors post sample stories to publicize their work, another traditional marketing strategy.
Likewise, to attract attention to members’ work from all quarters,
SFWA changed the Nebula Reading List to a public facing part of its site in
2015 (see the press
release). It’s been public for four years. Whatever is linked to from there
is visible to the public. That ranges from links to Amazon sales pages to links
of the full text of works, as determined by the SFWA member involved.
How links get on the Nebula Reading List. SFWA has
two ways for members to share work, as their FAQ explains.
Reading List. This is visible to the public. Members must be logged into the
SFWA discussion boards to add new entries to the list.
Members may also make work available in the SFWA Fiction section of
the Discussion Boards. This is accessible only to members who are logged in
to the Discussion Boards.
I asked Kate
Baker, SFWA’s Executive Director, how this works and was told —
A member or the author themselves can create a listing on both the public/private reading lists. This does not fall under SFWA Webmaster or the Nebula Award Commissioner’s duties.
The person who created it would not have the ability to remove it.
What was on the SFWA site was also just a link — they did not
host the file. They had no control over the files of “Going Dark” on the Google
However, the page listing the links could only be removed with
When this year’s Nebula Awards were getting attention, I shared my short story GOING DARK with the password protected site that was only for Science Fiction Writers of America. Sharing this was only for their consideration, and never for the general public as I had the story in an anthology that was for sale.
I deleted the post after the Nebulas, but I put on several different versions.
Where did the links on the public Nebula Reading List come from?
Somewhere in this milieu, a Google drive file of the story was created and made available for outside of the password protected site….
At Camestros Felapton’s post “Larry Correia Endorses Richard Fox’s Piracy Claims”, Fox has by now made over 40 comments and given a convincing impression that he doesn’t know how the internet works. How can anyone rely on his notion of what happened or might have happened when he can’t assess the most basic facts?
You know who agreed with my position that linking to the story was piracy? Glyer’s ISP. Are you more experienced with that realm of internet management?
That is a complete misrepresentation of the law. If you fill out
your DMCA takedown notice correctly, and the ISP you send that to sees they are
hosting the targeted content, they are obligated to take it down and notify the
customer of his rights, which includes the right to file a DMCA counter notice.
The ISP is not the arbiter of the charge. They simply comply with the DMCA
statute to avoid forfeiting the safe harbor they receive for obeying it.
I filed a DMCA counter notice, starting the clock running that
gave Fox up to 14 days to file “an action seeking a court order to
restrain the subscriber from engaging in infringing activity relating to the
material on the service provider’s system or network.”
He didn’t follow through with any legal action because his
takedown notice was a prank, and one he could do for free. My post went back
And it’s actually Fox who could be subject for damages under 17 U.S. 512(f) for his knowing misrepresentation that my link was infringing his copyright.
I’m ruler, said Yertle, of all that I see. Richard
Fox reasons, “It’s fairly evident
that I am the copyright holder of that story and if I say a link to something
is pirated…it really shouldn’t be much of a discussion.”
So then, should I have taken the action Richard Fox requested
anyway? I almost did. Then after I got a few more emails from him that amounted
to “Yes you #!@%! pirate stop stealing from me oh and by the way let me repeat
a few choice insults Larry Correia wrote about you, too” he convinced me it was
a better idea to keep enjoying my legal right to post a link to something on
If you want a result, you ask like
a human being. If you want a kerfuffle, you make false charges, namecall, and rope
in renowned internet liars to echo your story – and the people who love that
kind of thing will love Richard Fox.
Meanwhile, back at the ranch. You know who else must have thought that Google Drive link was a valid public copy of Fox’s “Going Dark”? The SFWA Webmaster. Every work that made the 2018 Nebula Awards ballot got a dedicated page on the SFWA site. And it’s still online, still displays the same Google Drive link (though broken now) used in JJ’s post. (Just in case the original disappears five minutes after my post goes online, here’s a copy at the Internet Archive). A screenshot taken today shows the meta data about the link. (Click on the image for a larger version.)
Earlier this year, I had just finished with the “Snowfall” writers’ room for the season when I took a similar job on a different show at a different network. I’d been in the new room for a few weeks when I got the call from Human Resources. A pleasant-sounding young man said, “Mr. Mosley, it has been reported that you used the N-word in the writers’ room.”
I replied, “I am the N-word in the writers’ room.”
He said, very nicely, that I could not use that word except in a script. I could write it but I could not say it. Me. A man whose people in America have been, among other things, slandered by many words. But I could no longer use that particular word to describe the environs of my experience.
…I do not believe that it should be the object of our political culture to silence those things said that make some people uncomfortable. Of course I’m not talking about verbal attacks or harassment. But if I have an opinion, a history, a word that explains better than anything how I feel, then I also have the right to express that feeling or that word without the threat of losing my job. And furthermore, I do not believe that it is the province of H.R. to make the decision to keep my accusers’ identities secret. If I’ve said or done something bad enough to cause people to fear me, they should call the police.
My answer to H.R. was to resign and move on. I was in a writers’ room trying to be creative while at the same time being surveilled by unknown critics who would snitch on me to a disembodied voice over the phone. My every word would be scrutinized. Sooner or later I’d be fired or worse — silenced….
The Hollywood Reporter solicited CBS’ take on Mosley’s
CBS TV Studios responded to Mosley’s op-ed on Friday in a statement provided to The Hollywood Reporter: “We have the greatest admiration for Mr. Mosley’s writing talents and were excited to have him join Star Trek: Discovery. While we cannot comment on the specifics of confidential employee matters, we are committed to supporting a workplace where employees feel free to express concerns and where they feel comfortable performing their best work. We wish Mr. Mosley much continued success.”
The nation’s Chandrayaan-2 moon orbiter dropped a lander called Vikram toward the lunar surface Friday afternoon. Everything went well for a while, but mission controllers lost contact with Vikram when the craft was just 1.3 miles (2.1 kilometers) above the gray dirt.
As of this writing, the Indian Space Research Organisation (ISRO) had still not officially declared Vikram lost; the latest ISRO update stated that descent data are still being analyzed. But Modi’s comments strongly suggest that Vikram and Pragyan, the rover that was supposed to deploy from the lander, are dead.
…Indeed, India plans to develop a Chandrayaan-3 moon mission in the coming years, and the nation also intends to put humans on the lunar surface at some point. ISRO is working to send a second orbiter to Mars in the mid-2020s as well. (The nation’s first Red Planet probe, Mangalyaan, has been studying Mars from orbit since September 2014.)
And there’s still the other half of Chandrayaan-2 to consider. The mission’s orbiter, which arrived at the moon last month, is scheduled to operate for at least a year. The spacecraft is using eight science instruments to study the moon in a variety of ways — creating detailed maps of the lunar surface, for example, and gauging the presence and abundance of water ice, especially in the south polar region.
…Atwood says it just seemed like the time for a sequel. “People had been asking me to write a sequel for a long time, and I always said no, because I thought they meant the continuation of the story of Offred which I couldn’t do,” she says. “But then I thought, what if somebody else were telling the story? And what if it were 15 or 16 years later? And it was also time, because for a while we thought we were moving away from The Handmaid’s Tale. And then we turned around and started going back toward it, ominously close in many parts of the world. And I felt it was possibly time to revisit the question of, how do regimes like Gilead end? Because we know from The Handmaid’s Tale that it did end.”
A year after their viral Harry Potter dance routine, the students of Arizona’s Walden Grove high school are at it again with some incredible Avengers-themed homecoming choreography. The talented PAC dance team put their own twist on Marvel’s Cinematic Universe and brought the beloved superheroes back to life — with some badass moves.
…In 2016, a bust of HP Lovecraft was removed as the trophy for the World Fantasy Award, but the change had caused so much debate that a new trophy — a twisted tree girdling a full moon — wasn’t released till the next year. Last year, after the death of Harlan Ellison, obituaries from grieving fans were mixed with accounts of his serial sexual harassments, including of women author peers. Two months later, NK Jemisin made history by winning her third consecutive Hugo Award for the best novel. Veteran author Robert Silverberg denounced her acceptance speech as “graceless and vulgar” for having passionately spoken against the obstacles faced by black women writers in SFF, again to the thundering applause of the auditorium in San Jose, which I was present to witness. Jemisin’s speech was in more than one way a precursor to Ng’s.
The change in our genre is a reflection of the change that’s happening in the world. As a genre, SFF is fairly new — barely a century old — and, while science fiction in particular (less so fantasy and horror) has always worn a progressive veneer, the stories of progress have always belonged to a small, privileged group of people. But SFF is also a hugely popular and consumer-facing genre, which means trends are driven by those who consume the stories. Changes in SFF are a direct result of the changing reader and buyer demographic, which no longer simply constitutes white men in the West….
Half a century onwards, the rumor that Walt Disney’s body was put in cryonic storage remains one of the most enduring legends about the entertainment giant.
(7) LYNLEY OBIT. Actress Carol Lynley died September 3 of a heart attack reports the New York Times.
She was 77. Her genre appearances included The Man From U.N.C.L.E., Night
Gallery, and Tales of the Unexpected, She was in the feature films Beware!
The Blob and Future Cop, and the TV movies that gave rise to series Kolchak:
The Night Stalker and Fantasy Island.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 7, 1795 — John William Polidori. His most remembered work was “The Vampyre”, the first published modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story is his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
Born September 7, 1937 — John Phillip Law. He’s probably best remembered as the blind angel Pygar in the cult film Barbarella which featured Jane Fonda in that bikini. He shows up in Tarzan, the Ape Man as Harry Holt, and he’s in a South African SF film, Space Mutiny, as Flight Commander Elijah Kalgan, that’s set on a generation ship. Look actual SF! (Died 2008.)
Born September 7, 1955 — Mira Furlan, 64. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in Marc Zicree’s Space Command.
Born September 7, 1960 — Christopher Villiers, 59. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
Born September 7, 1966 — Toby Jones, 53. He appeared in “Amy’s Choice”, an Eleventh Doctor story, as the Dream Lord. In Harry Potter and the Chamber of Secrets, he voiced Dobby the house elf. And in
Finding Neverland, Mr. Smee, Captain Hook’s bo’sun. Guess what work that film was based on. Finally I’ll note that he was — using motion capture — Aristides Silk in The Adventures of Tintin.
Born September 7, 1973 — Alex Kurtzman, 46. Ok, a number of sites claim he destroyed Trek. Why the hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems them for me.
Born September 7, 1974 — Noah Huntley, 45. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (woo, not so great). He’s Gawain in The Mists of Avalon series and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch.
Born September 7, 1993 — Taylor Gray, 26. He’s best known for voicing Ezra Bridger on the animated Star Wars Rebels which I highly recommend if you’re into Star Wars at all as it’s most excellent. He also played Friz Freleng in Walt Before Mickey.
State District Judge John Chupp dismissed a number of the claims by Mignogna’s attorney and promised to rule on the remainder in the next 30 days.
…Friday was a significant milestone in a civil lawsuit brought by local anime voice actor Vic Mignogna against two of his Dallas-area colleagues, the fiance of one of the women, and a company that cut ties with him. Mignogna says their statements about his inappropriate behavior with women amount to an unfair campaign to destroy his career. His accusers say his lawsuit is aimed at silencing them.
After three hours of arguments between a tightly scripted defense team and Mignogna’s astonishingly unorganized — and at times ill-prepared and illogical — attorney, Chupp dismissed a number of the claims and promised to rule on the remainder in the next 30 days.
…January’s record-breaking opening of Broly also set off another round of accusations and stories on social media about the 56-year-old actor’s long-rumored inappropriate behavior with women — which allegedly has included aggressive kisses, hugs and unwanted sexual advances.
Online, thousands of anime fans rushed to pick a side in the warfare hashtagged #kickvic and #IStandWithVic. Mignogna repeatedly, and sometimes in great detail, denied all the allegations.
Amid the outcry, Flower Mound-based Funimation Productions, which dubs and distributes anime shows, including much of the Dragon Ball franchise, announced in February that it had severed ties with Mignogna after an internal investigation.
Mignogna’s lawsuit, filed April 18, alleged defamation, tortious interference, conspiracy and other charges against Funimation, voice actors Jamie Marchi and Monica Rial, and Rial’s fiance, Ron Toye. The lawsuit painted the company and three individuals as a band of conspirators leading the charge to reduce Mignogna to ruins.
Friday the 141st District Court’s gallery was packed with interested parties, and many of them were there to support Rial and Marchi. But Mignogna was nowhere to be found. Perhaps that was for the best, given the often befuddled oral arguments of his Tyler-based attorney, Ty Beard….
And the many worldwide Mignogna fans who have contributed to the massive GoFundMe for his legal fees, a war chest which now stands at more than $242,000, might well have wanted their money back if they had been in the courtroom today.
…At the end of the proceedings — which went an hour longer than the court had allocated — Chupp dismissed all claims against Marchi, all except defamation against Funimation and all except defamation and conspiracy against Rial and Toye.
Those outstanding claims are weighty ones — Funimation, Rial and Toye are still on a sharp hook. I suspect Chupp needed to give more consideration and study to each before making his ruling. Or maybe the amateurish performance of the plaintiff’s legal team had just worn on his last nerve to the point that the extremely patient judge needed a break.
All good things come to an end. Including TV shows. (Except maybe The Simpsons.) But for fans of USA Network’s critically-acclaimed hacker drama Mr. Robot, at least they’ll have a beer to toast when the series premieres its fourth and final season on October 6.
In an official collaboration, USA Network has enlisted New York’s Coney Island Brewery to produce fsociety IPA — a hazy IPA inspired by Mr. Robot. Though the connection between television show and branded beer can often feel tenuous, working with the Coney Island-based brand is actually an inspired choice since the beachy New York City neighborhood serves as a significant setting in the show.
Japanese scientists have identified a new species of dinosaur from a nearly complete skeleton that was the largest ever discovered in the country, measuring eight metres (26 feet) long.
After analysing hundreds of bones dating back 72 million years, the team led by Hokkaido University concluded the skeleton once belonged to a new species of hadrosaurid dinosaur, a herbivorous beast that roamed the Earth in the late Cretaceous period.
A partial tail was first found in northern Japan in 2013 and later excavations revealed the entire skeleton.
The team named the dinosaur “Kamuysaurus japonicus,” which means “Japanese dragon god,” according to a statement issued by the university.
…Earlier this year, I traveled to Seattle to attend PodCon, an annual conference celebrating all things podcasts. While many kinds of podcasts were represented, PodCon has always had a special fondness for audio dramas, or fiction podcasts, and the fervent fandom they inspire. (Have I stayed up until midnight to hear the mind-blowing 50th episode of The Bright Sessions the second it dropped? Maybe! Did I co-create a Facebook group for listeners of I Am In Eskew to trade their nerdy fan theories? Who’s to say? Might I have joined a Discord server just to talk about Debbie’s mysterious notebook in King Falls AM? Yes, I might have. I did.)…
Four months after PodCon 2 came to a close, conference co-founder Hank Green announced that PodCon would not be returning. A variety of financial and logistical challenges had converged to make the event unsustainable, though Green expressed optimism that another conference might develop solutions to the issues they’d found insurmountable. As beloved as many podcasts are, in many ways, the medium is still finding its footing in today’s entertainment landscape. For every My Favorite Murder or Reply All, there’s a multitude of indie podcasts fighting for a wider audience, even as some bask in the glow of a small but fiercely loyal following—a coven of people who’ve found the same secret, whose days all light up when a new episode hits their feed.
…For the past six months, as part of the exhibition As If: Alternative Histories from Then to Now at The Drawing Center, a small art museum in New York City, I have explored illustration, novels, and posters as well as fanzine materials from as far back as the 1940s. Zines were hard for fans to get their hands on, as they were printed and collated in school clubs or at the dining room table, sometimes mailed out to subscribers and contributors one by one. And yet, these publications formed the backbone of what would become modern fan culture, not just a reflection of media but a reimagining of reality.
The cost of a mimeograph machine may have been high, but the cost of not talking to each other was higher — even in some of the most dire moments of the 20th century. The oldest zine included in As If is also the longest running fanzine to remain in distribution in Britain throughout the course of the second World War: Futurian War Digest, or FIDO, which printed from October 1940 until March 1945.
FIDO reviewed science fiction works and reflected on the fragile state of the fan community in the United Kingdom during wartime. The first issue of the zine, which was published and distributed less than a month after the start of the London bombing raids known as The Blitz, made a point of announcing the conscription of fan William F. Temple and the death on active duty of sci-fi enthusiast Edward Wade. These sombre announcements ran alongside musings about John Carter of Mars.
In a time of great uncertainty, publisher J. Michael Rosenblum said in the pages of FIDO that his self-avowed goal was to “a) to give news of and to fandom, b) to keep burning those bright mental constellations possessed by all fans.” The publication was created just as much to be an archive and time capsule as a source of entertainment, news, and distraction. By publishing the fanzine, Rosenblum recorded the history of a subculture of science fiction enthusiasts, and helped to keep a community that was being actively ripped apart together.
… The physical evidence of this transatlantic fan solidarity can be seen in the unusual shape and size of Futurian War Digest Vol. 1 #9, which was printed on four packages of paper donated by U.S. fan Forrest J. Ackerman. Ackerman, who became a pioneer in his own right, helped fund publications and initiatives similar to FIDO in the United States, contributing to Le Zombie fanzine. Le Zombie, which began production in December 1938, likewise included a “War Department” section which organized to provide fanzines to American fans who had enlisted, in order to help them maintain some level of connection and normalcy under the pressures of war.
The first of two podcasts exploring Ray Harryhausen’s unmade films, this episode features interviews with contributors to upcoming Titan Books publication, ‘Harryhausen: The Lost Movies’. The book examines Harryhausen’s unrealised films, including unused ideas, projects he turned down and scenes that ended up on the cutting room floor. This book includes never-been-seen-before artwork, sketches, photos and test footage from the Harryhausen Foundation archives.
(15) FAMILIAR FACE. Hayley Atwood will be in the next Mission:
Impossible film. More details in The
[Thanks to John King Tarpinian, Andrew Porter, BravoLimaPoppa,
Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for
some of these stories. Title credit goes to File 770 contributing editor of the
day Jon Meltzer.]