Pixel Scroll 7/26/18 What Is The Law? Not To Reuse Titles, That Is The Law

(1) GOOD THOUGHTS ON BAD PRACTICES. Kristine Kathryn Rusch comments on historic efforts to game Amazon’s algorithms. “Business Musings: Sometimes I Just React…”

…Back when I started blogging on publishing in 2010 (after writing The Freelancer’s Survival Guide on this site in 2009), I had the lovely experience of being trashed repeatedly by the Kindle Unlimited folks. Only there wasn’t Unlimited—not yet. There was just the Kindle Boards, where writers gathered to talk.

And what they talked about was what professional writers everywhere talk about—how to make money. (We don’t dare discuss craft with each other for fear that we’ll insult our peers. We all have friends who have great writing careers, whom we believe {in our heart of hearts} can’t write their way out of a paper bag. And, we know, that some of our friends think the same thing about us. It’s better to discuss quantifiable things, like money, instead of qualitative things, like craft. {See my post on “Taste” from last week.})

That “how to make money” thing took on a life of its own on the Kindle Boards. It wasn’t about how to improve your storytelling to make money. It wasn’t about those old-fashioned systems like agents or traditional publishers or contracts, although there occasionally was talk like that.

Instead, it was about which subgenres sold, and how many books you had to write and publish each month to stay ahead of the algorithms. It was about writing short so that you had more books published (in the early days) or putting the table of contents at the end so that the algorithm would think someone who clicked there had read the whole book….

(2) RUNNING DARMOK. Whew, people really took off with this meme game….

For example (the second is what I have in mind) —

JJ suggests, “Breq, outside a tavern in snow.”

(3) AT THE CORE. Scientific American tells how “Milky Way’s Black Hole Provides Long-Sought Test of Einstein’s General Relativity”.

Genzel and his colleagues have tracked the journey of this star, known as S2, since the early 1990s. Using telescopes at the European Southern Observatory in Chile, the scientists watch it as it travels in an elliptical orbit around the black hole, which lies 26,000 light-years from Earth in the constellation Sagittarius. With a mass of 4 million times the Sun, the black hole generates the strongest gravitational field in the Milky Way. That makes it an ideal place to hunt for relativistic effects.

On 18 May this year, S2 passed as close as it ever does to the black hole. The researchers pointed instruments including GRAVITY, an instrument called an interferometer that combines light from four 8-meter telescopes and became operational in 2016. “With our measurements the door is wide open to black-hole physics,” says team member Frank Eisenhauer, an astronomer at the Max Planck institute.

GRAVITY measured S2’s movement across the sky; at its fastest, the star whizzed along at more than 7,600 kilometres a second, or nearly 3% the speed of light. Meanwhile, a different instrument studied how fast S2 moved towards and away from Earth as it swung past the black hole. Combining the observations allowed Genzel’s team to detect the star’s gravitational redshift—its light being stretched to longer wavelengths by the black hole’s immense gravitational pull, which is consistent with the predictions of general relativity.

“What we measured cannot be described by Newton any more,” says Odele Straub, an astrophysicist at the Paris Observatory. Future observations of S2 might confirm other Einstein predictions, such as how the spinning black hole drags space-time around with it.

(4) SFWA MENTEE PROGRAM. The deadline to apply is July 31.

(5) UNCANNY KICKSTARTER. Lynne M. Thomas and Michael Damian Thomas have launched a Kickstarter for Year Five of their 2016 and 2017 Hugo Award-winning professional online SF/F magazine: Uncanny Magazine. The funds will cover some of its operational and production costs for the fifth year, with an initial goal of $18,700. plus an added stretch goal of launching a new Uncanny TV video magazine. The Kickstarter runs through August 24: “Uncanny Magazine Year Five: I Want My Uncanny TV!”

For Year Five, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award-winning and nominated authors and bestselling authors including: Ursula Vernon, Mary Robinette Kowal, Kelly Robson, Maurice Broaddus, Fran Wilde, Ellen Klages, Naomi Kritzer, Greg van Eekhout, John Chu, Sarah Pinsker,  Rebecca Roanhorse, and Delilah S. Dawson.  There will also be numerous slots for unsolicited submissions.

Uncanny Magazine Year Five plans to showcase original essays by Mark Oshiro, Zoë Quinn, Alexandra Erin, Tanya DePass, Jim C. Hines, and Diana M. Pho,  plus poetry by Beth Cato, S. Qiouyi Lu, Brandon O’Brien, Cassandra Khaw, Nicasio Reed, and Leah Bobet.

Uncanny Magazine Year Five will also feature cover art by John Picacio and Galen Dara.

This year, Uncanny is back with a new mission for the ranger corps: UNCANNY TV.

Hosted and produced by Michi Trota and Matt Peters, Uncanny TV will be the launch of our community-based vid channel, featuring exclusive geeky content related to Uncanny and the Space Unicorn Ranger Corps community. Matt Peters & Michi Trota will host a short (20-30 min) variety talk show Uncanny Magazine style: highlighting creators in SF/F working in a variety of art forms and projects, focusing on people building and nurturing their communities, particularly highlighting marginalized creators. They’ll talk about topics that can be serious, but the overall tone of the show will be to celebrate the things we enjoy and the people who make our communities good places to be in SF/F.

(6) DOES THIS WORK? Beatrice Verhoeven, in The Wrap’s story “‘Star Wars’ Director Rian Johnson Deletes 20,000 Tweets After James Gunn Firing in ‘Why Not?’ Move”, says that Johnson has deleted all his tweets before January 25 of this year, explaining, “if trolls looking for ammunition is the new normal, this seems like a ‘why not’ move.”

On Tuesday, The Mary Sue tweeted a story that said, “it’s also possible that Disney has issued some sort of directive to their talent about social media post-Gunn situation, suggesting caution or deletion.” In response, Johnson tweeted, “No official directive at all, and I don’t think I’ve ever tweeted anything that bad. But it’s nine years of stuff written largely off the cuff as ephemera, if trolls scrutinizing it for ammunition is the new normal, this seems like a ‘why not?’ move.”

(7) NO BUCKS AND NO BUCK ROGERS. The Hollywood Reporter has the latest about the Buck Rogers rights litigation: “Judge Directs Government Intervention in “Buck Rogers” Bankruptcy”.

The audacious plan to use a bankruptcy court to auction off “Buck Rogers” rights despite lingering ownership challenges appears to have backfired on those ostensibly serving the interests of heirs of John Dille, who published the fictional space hero in magazines in the early-to-mid 20th century. On Wednesday, a Pennsylvania bankruptcy court issued an extraordinary decision that faulted the Dille Family Trust with a number of sins. As a result, the Office of the U.S. Trustee has been directed to appoint a Chapter 11 Trustee in what could ultimately result in a long anticipated film adaptation of Armageddon 2419 A.D., the 1929 novella by Philip Francis Nowlan that introduced the Buck Rogers character.

The background of what happened is detailed much more extensively here, but in November 2017, the Dilles declared bankruptcy in the midst of litigation with Nowlan’s heirs about trademark rights and in the middle of fighting with producer Don Murphy about whether Armageddon 2419 A.D. was in the public domain. Filing for bankruptcy meant a pause on litigation, and the Dilles wanted to liquidate their interests in Buck Rogers rights — whatever those might be — through Heritage Auctions. Since the filing of bankruptcy, Murphy and the Nowlans have pounded the table that this proceeding was all a farce.

Now, U.S. Bankruptcy Judge Jeffery Deller has seen enough.

In a memorandum opinion (read here), he writes that it is undisputed that the Dille Family Trust has no business operations, has no meaningful income, is liquidating as opposed to reorganizing, has incurred administrative expenses with no liquid assets available to satisfy these debts, and has invoked the automatic stay for the primary purpose of avoiding a trial regarding an alleged interest in various intellectual property.

(8) WORLDCON WOES. John Scalzi delivers “A Little More On Recent Worldcon Stuff”.

Also, while I’m on the subject of the Hugo and Worldcon, I see some various turdlings out there are gleeful about the recent dustup re: the Worldcon program. “The SJWs are eating themselves!” is the basic line of the turdlings. In fact, something entirely different happened.

Which was: When the problems cropped up (and they did) and people started to complain (and they did), the Worldcon, within a day, acknowledged that various mistakes had happened and actively moved to correct those mistakes. Not perfectly or instantly, but it still happened.

Which is what you want to happen! In an ideal world, mistakes don’t get made, but we don’t live in an ideal world and none of us is our ideal self. The next best thing is, when mistakes are pointed out, you move to fix them and to learn from them.

The turdlings who are gleeful at the Worldcon’s temporary woes don’t care about anything other than an institution they dislike and tried (or are still trying) to sabotage having a stumble. That’s because they’re basically awful, whiny menchildren. No surprise there.

(9) TAKE ME OUT TO THE BOT GAME. Flippy the Robot, from Miso Robotics, will be “wearing” Dodger blue this summer (Food & Wine: “Flippy the Robot Is the Tater Tot-Making Boyfriend I Deserve”) and manning (robotting?) the fry basket:

In 2017, Miso Robotics introduced the world to Flippy, a jaunty new robot that can make food alongside humans, prepping fried chicken and tater tots and burgers with ease. And this summer, Flippy will be gainfully employed at Dodgers Stadium to make concessions, working the frying station. This follows a successful stint flipping burgers at a Pasadena CaliBurger earlier this year.

“Adapting Flippy into a fryer assistant … has been a great opportunity to demonstrate the scale of Miso’s platform,” Miso Robotics CEO David Zitosaid in a statement. “[T]his technology [is] a win-win — improving working conditions for stadium employees and improving the game experience for fans.” In February, Flippy raised $10 million from investors.

(10) ROBOTS OVER THE MILLENNIA. A Nature open-access PDF article, “Ancient dreams of intelligent machines: 3,000 years of robots”, in which “Stephen Cave and Kanta Dihal revisit the extraordinary history of cultural responses to automata.”

The word ‘robot’ was born in Czech writer Karel ?apek’s 1920 play R.U.R. (Rossum’s Universal Robots). In the very work coining the term, the robots rebel against and destroy their creators. And that narrative of rebellion has proved to be the most potent of all our AI fears, retold repeatedly as technology evolves.

During the cold war space race, the film 2001: A Space Odyssey (1968) gave us HAL 9000, the murderous spaceship supercomputer. With the rise of the Internet, we got Skynet — a defence network that becomes self-aware in the Terminator films (starting in 1984) — and The Matrix (1999), featuring intelligent machines that farm humans whose minds unknowingly inhabit a virtual reality. Now, with AI dominating headlines, we have sophisticated robots again overthrowing their wetware masters, from Ava in the 2015 film Ex Machina to the android amusement-park hosts in the Westworld television series.

The persistent trope of robot revolts reveals the paradox at the heart of our relationship with intelligent machines. We want to create clever tools that can do everything we can do, and more. They will be the perfect oracles, servants, soldiers, even lovers. To fulfil our hopes, they must have attributes such as intellect and agency — minds of their own, superior to ours. But, paradoxically, that is also why we fear HAL and Skynet. The tension lies in our conflicted desire to create beings superhuman in capacity, but subhuman in status.

(11) PETERSEN OBIT. Andrew Petersen, a student I met at Azusa Pacific University’s Yosemite Semester in 2001, has died. One of his ambitions was to captain a Jungle Cruise boat at Disneyland and he not only did that, he went to work at the Park, along the way running the Indiana Jones ride and the Enchanted Tiki Room. What a character he was, what a great guy.

(12) TODAY’S BIRTHDAYS

  • Born July 26, 1894 – Aldous Huxley. Swap two numbers in the year and you have another dystopian author’s book.
  • Born July 26, 1928 – Stanley Kubrick.
  • Born July 26 – Helen Mirren, 73. Genre work includes A Midsummer Night’s Dream, The Fiendish Plot of Dr. Fu Manchu, the classic Twilight Zone, Faerie Tale Theatre and as Deep Thought in The Hitchhiker’s Guide to The Galaxy film.
  • Born July 26 – Sandra Bullock, 54. First genre role was in, I kid you not, Bionic Showdown: The Six Million Dollar Man and the Bionic Woman, also Demolition Man and Gravity to name but two of her other genre appearances.
  • Born July 26 – Jeremy Piven, 53. Jeffrey Tanner in the quickly and mercifully canceled Wisdom of the Crowd series, in Dr. Jekyll and Ms. Hyde, the Hercules animated series, the Cupid series as well and a lot of voice work.
  • Born July 26 – Olivia Williams, 50. Adelle DeWitt in Dollhouse and Emily Burton Silk in Counterpart, also the Jason and the Argonauts series in a recurring role as Hera, yet another Peter Pan  film, and apparently an uncredited appearance in X-Men: The Last Stand.
  • Born July 26 – Kate Beckinsale, 45. Selene in the Underworld film franchise, also Van HelsingAlice Through the Looking Glass, Haunted and a recurring role in the Elder Scrolls Online video game franchise.
  • Born July 26 – Eve Myles, 40. Gwen Cooper in both the Doctor Who and Torchwood series, and voice performer in the Big Finish series of audiobooks including Golden Age, a splendid story involving Torchwood India.

(13) COMICS SECTION.

(14) A CAREER, JUST NOT THE ONE PRESENTED. Her history of crowdsourcing funds, promoting literary events, and tendency to not deliver made the LA Times ask “Who Is Anna March?”

…Anna March whisked in and out, a flash of pink hair in a polka-dot dress. The 2015 party at the Ace’s mezzanine bar, serving free drinks, was packed to overflowing.

March had never published a book but had been quietly working literary Los Angeles’ social media connections for months. A spunky, unapologetic, sex-positive feminist ready to raise hell, she was supportive and flattering. She was also conspicuously generous — concerned about the line of people waiting to get into the party, March asked a pair of new acquaintances if she should give $20 bills to those stuck on the sidewalk. The bill for the night would total more than $22,000.

Why is she doing this? people asked, stealing glances at March.

Some had a larger question:

Who was Anna March?

That was a harder question to answer than you might think. Anna March first appeared around 2011, when she started publishing online. Before that, she was known by different names in different cities. In researching this story, The Times found four: Anna March, Delaney Anderson, Nancy Kruse and Nancy Lott.

In three places — Los Angeles, San Diego and Rehoboth Beach, Del. — March became a part of the literary community. She won over new friends, even accomplished authors but especially writers trying to find a way into that world, with her generosity, her enthusiasm and apparent literary success — only to leave town abruptly…

(15) DOUBLE JEOPARDY. No sooner had Jon Del Arroz started an Indiegogo to fund a comic book project than somebody unveiled a bogus Kickstarter featuring an image of the same character. JDA has gotten the hoax Kickstarter taken down.

Fake fundraiser screencap

JDA knows his audience — his announcement of the real Indiegogo appeal on his blog is sandwiched between a post gloating about Worldcon 76 program travails and another post complaining that Tor Books is attacking him — and the Indiegogo appeal is closing in on its $6,000 goal.

(16) ALAN MOORE. Paste Magazine says these are “The 10 Best Alan Moore Comics of All Time”.

  1. A Small Killing
    Artist: Oscar Zarate
    Publisher: Avatar Press
    Here’s the landmark which stands nearest to Moore. Allow me to explain: I don’t think A Small Killing is the work that means the most to Moore emotionally, or that it shows some never-revealed Rosebud, or that it amounts to autobiography by code. What I mean is that A Small Killing is the work I see as somehow closest to the heart of the creator, the way the Book of Job is central to any exegesis of the Tanakh. A Small Killing is a story that unconsciously comments on Moore’s anxiety. (This is all rabid hearsay, of course, and should not be aired in a legitimate court of law.)

(17) IN UNIFORM. People.com shows how “Natalie Portman Transforms Into NASA Astronaut in Pale Blue Dot. Natalie Portman plays a NASA astronaut in Pale Blue Dot, a fictional story said to be based loosely on the Lisa Nowak -Bill Oefelein-Colleen Shipman “astronaut love triangle” of 2007.

In the early morning hours of that day, Nowak was wearing a black wig and trench coat when she approached Colleen Shipman’s car in the parking lot of Orlando International Airport. She banged on the Shipman’s window and begged for a ride. When Shipman rolled down her window, Nowak sprayed her with pepper spray and tried to get in the car.

Shipman fled the scene, shaken but unhurt. Police arrested Nowak on attempted murder and kidnapping charges.

The resulting case was dubbed the “astronaut love triangle.”

(18) DOOR-TO-DOOR.

(19) ON THE BEACH. “Liquid water ‘lake’ revealed on Mars” — ESA’s Mars orbiter finds something too big (12 miles across) to be just sub-ice meltwater — probably very cold and briny, and a mile under the ice, but definitely a lake.

Marsis wasn’t able to determine how thick the layer of water might be, but the research team estimate that it is a minimum of one metre.

“This really qualifies this as a body of water. A lake, not some kind of meltwater filling some space between rock and ice, as happens in certain glaciers on Earth,” Prof Orosei added.

(20) MARSWARD BOUND. Here’s The First Teaser. The series comes to Hulu September 14.

The First is created by Beau Willimon (House of Cards) and stars Sean Penn. Set in the near future (2030), this groundbreaking story explores the challenges of taking the first steps towards Mars. Viewers will get an intimate look at the dedicated characters trying to reach the unknown while dealing with the psychological and physical toll it takes to achieve the impossible.

 

(21) NOT ALONE. The last man on earth was alone in his room. Suddenly there was a knock at the door. – Oops, sorry, this is not the Fredric Brown story, it’s the I Think We’re Alone Now teaser trailer.

Del (Peter Dinklage) is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself – until he is discovered by Grace (Elle Fanning), an interloper whose history and motives are obscure. Worse yet, she wants to stay.

 

[Thanks to Chip Hitchcock, Joel Zakem, Carl Slaughter, Andrew Porter, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, and John  King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Update on Del Arroz Suit Against Worldcon 76

There are three new filings in the case of “Jonathan Del Arroz vs San Francisco Science Fiction Conventions, Inc. (‘SFSFC’) aka ‘Worldcon76’ David W. Gallaher (2019), President et al.,’” — the first new entries to the court’s online status system since Del Arroz’ attorney filed the complaint on April 16.

The most significant development is a change of venue. Kevin Roche, Chair of Worldcon 76, confirms that both sides have agreed to move the case from San Joaquin County to Santa Clara County.

The three new filings entered on June 27 were:

(1) Payment by SFSFC of the $435.00 court fee required (on first paper filing) by any party to a civil lawsuit seeking over $25,000. This is where SFSFC acknowledges being a defendant and files its response.

(2) Naming of Ann A. P. Nguyen as attorney of record representing SFSFC. Ms. Nguyen appears to be a partner at the law firm of Messner Reeves LLP, which has offices in several cities including San Jose. Her practice has included issues of wrongful discrimination, retaliation, breach of noncompete covenants, misappropriation of trade secret, unfair competition, trademark infringement, fraud, misrepresentation, breach of contract, breach of fiduciary duty, and intentional interference with contractual relations.

(3) “Stipulation to Transfer Venue; [Proposed] Order filed by San Francisco Science Fiction Conventions, Inc.” This is the response motion: a motion to move the case to a different venue, rather than San Joaquin County Superior Court in Stockton.

Jon Del Arroz did not immediately answer a request for comment.

[Thanks to Rick Moen for the story.]

Update 06/29/2018: Corrected name of law firm Nguyen works with.

Oh, The Courtrooms You’ll See, The Judges You’ll Meet


ComicMix’s Glenn Hauman has launched a GoFundMe appeal to help defray the legal expenses incurred defending against Dr. Seuss Enterprises’ suit to stop his project Oh, The Places You’ll Boldly Go!

The book features the writing of David Gerrold and the art of Ty Templeton. Dr. Seuss Enterprises (DSE) filed suit in 2016 claiming the publication infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go! A court ruling in May 2018 disposed of DSE’s trademark claims, but the copyright claims remain to be litigated. And legal help ain’t cheap! As Hauman told me in an email —

I know that you’ve heard, I know that you know,
About “Oh, The Places
You’ll Boldly Go!”
We think it’s fair use
(although maybe we’re biased)
Not just because our
arguments are the slyest.
But we’re fighting a
company with millions of bucks
And we’ve spent most of
ours, which truly just… stinks.

If we lose, then ALL
mashups may go through the thresher
And may be deemed
infringement. (But hey, no pressure.)
The fight’s now upon
us, can’t close the barn door
Lest our loss set a
precedent tough to ignore.
And fair use gets
wrecked in a Weehawken minute
This case is important,
so we have to win it.

And there are many more stanzas in this vein at the GoFundMe page — “Help us produce FAIR USE vs. Seuss!” – which makes it worth reading for its own sake.  The epic ends with this call:

If you care about mashups and value free speech,
If you think free expression’s a value to preach
Then reach in your wallets and give what you will
And help us pay for a quite large legal bill.

Be a copyright fighter! And fight for the right
To research, report, comment, criticize, cite!
Be the fifth factor in our fair use case!
Every dollar contributed buys breathing space!
(Heck, if only this doggerel just made you laugh
Consider donating a buck and a half.)

If you can’t spare some cash, then please spread the word
Get on social media and help us get heard.

Lawsuits are scary and hard to endure,
But if you help us out, then you’re part of the cure.
And for your help countering copyright cranks,
We offer our humble and most grateful thanks.

Pixel Scroll 6/13/18 But File’s Just A Pixel And Pixels Weren’t Meant To Last

(1) WW 1984. Director Patty Jenkins and Gal Gadot tweeted today about Wonder Woman 2 — now called Wonder Woman 1984.  Jenkins’ tweet shows that Chris Pine is in the movie even though his character, Steve Trevor, was killed at the end of Wonder Woman.

(2) YOON HA LEE ON TOUR. The 1000 Year Plan is today’s stop on the “Revenant Gun Blog Tour – A Q&A with Yoon Ha Lee”.

In nearly two decades of publishing short fiction, you’ve built so many different universes and mythologies where we are only offered a glimpse of what seems like a much richer context. Most of these stories are one-offs; what was it about the Hexarchate concept that compelled you grow it into a larger epic? Have you entertained the idea of expanding on any of your other stories?

I’d been wanting to write a novel for a while, but my first substantive attempt, which I (affectionately?) call the Millstone Fantasy Novel, was ten years in the making and turned out to be fatally flawed, so I trunked it. I love space opera, though, everything from Simon R. Green’s Deathstalker books to Lois McMaster Bujold’s Vorkosigan Saga to Jack Campbell’s Black Jack Geary books, and I wanted to try my hand at it. Even then, Ninefox Gambit was originally going to be a one-off. When I came to the end, however, I realized that I had more to say about the setting and more ideas for plot. I suppose part of it’s laziness as well–having generated all those setting details, it seemed a shame not to get some more use out of them!

I’ve occasionally thought about revisiting a few of my past stories, but most of them feel complete in themselves. Especially at shorter lengths, I’m really more focused on the idea than building an elaborate world that can be explored again and again. I’m probably more likely to do something new and different to keep myself entertained.

(3) IT’S IMPOSSIBLE. In “Timothy and Babies”, Camestros Felapton and Timothy the Talking Cat get into a big brawl over terminology despite never once using the word “decimate.”

Dramatic Personae:

  • Camestros Felapton – raconteur and bon-vivant
  • Timothy the Talking Cat – a rat-auteur and bomb-savant
  • Mrs Brigsly – an inhabitant of Bortsworth and carekeeper of a baby
  • A baby – a baby of unknown provenance in the care of Mr Brisgly

[Timothy] I had to look up ‘bon-vivant’ and the dictionary did not say ‘binges on Netflix and chocolate hob-nobs’
[Camestros] It is more of an attitude than a strictly prescribed lifestyle.
[Timothy] and I’m the one who tells anecdotes in a ‘skilful or amusing way’
[Camestros]…well…
[Timothy] It cleary says “OR”!
[Camestros] Let’s change the subject shall we? I’m already on the sixth line of dialogue, I’m not going back and changing the list of characters now.

(4) QUESTION AUTHORITY. Rachel Swirsky speaks up: “In Defense of ‘Slice of Life’ Stories”.

Many poems attempt to communicate an impression or an emotion. A poem about nature might not be intended to communicate “here is an intellectual idea about nature,” but instead “this is what it looked like through my eyes” and “this is how it felt.” Fine art landscapes can be like that, too. They depict a place at a time, both transient, through the eye of the painter (where the eye of the painter may figure more or less into the image, depending on whether it’s a realistic painting, etc).

What this makes me wonder is–why are we so dismissive of this in fiction? Plots are excellent; ideas are excellent. But what’s so wrong with a slice of life, that we refer to it with distaste? Why can’t fiction be about rendering transient, momentary emotions? Why do we demand they always be in the context of a plot?

(5) A GOOD EXAMPLE. Tor.com’s Leah Schnelbach tells “How Ann Leckie’s Ancillary Justice Avoids the Dreaded Infodump”.

…In the interest of slaying this monster, I’m going to walk you through the opening pages of Ann Leckie’s Hugo Award-winning Ancillary Justice—which gives the reader the perfect amount of info, without becoming too dumpy.

Think of this like going on a date, or grabbing coffee with a new friend—you give a few details, sure, but you don’t narrate a bullet list of your whole life. When you’re writing, you’re on a date with your reader. Ideally, your story will charm them enough that they lose track of time and hang out with you until you both suddenly realize that the restaurant has closed, all the other diners have left, and an annoyed busboy has to unlock the front door to let you out.

To get a feel for how to include lots of worldbuilding without killing your story’s momentum, let’s look at an example of a great opening. The first four pages of Ancillary Justice introduce us to a mysterious narrator, a harsh world, and two different conflicts right away, all while seeding in enough questions about the book’s world to keep us turning pages. You can read the first chapter over on NPR; below, I’ll pull the text apart (roughly half of NPR’s excerpt) paragraph by paragraph and unpack how and why it works.

(6) STAN LEE NEWS. The Hollywood Reporter says “Stan Lee Granted Restraining Order Against Business Manager, LAPD Investigating Claims of Elder Abuse”.

The move comes two days after Keya Morgan was arrested on suspicion of filing a false report to police.

Stan Lee on Wednesday filed for a restraining order against the man he said last week was the only person who was handling his affairs and business, Keya Morgan, a Los Angeles Superior Court media relations rep confirmed to The Hollywood Reporter.

Lee was granted a temporary restraining order against Morgan, authorities told THR. The request for a permanent order is 43 pages long. A court date to decide that request is set for July 6.

The restraining order request was filed two days after Morgan was arrested on suspicion of filing a false report to police. Morgan was released from jail on $20,000 bail.

The LAPD is investigating reports of elder abuse against Lee. The investigation began in February, but only became public knowledge Wednesday.

(7) WELDON ON INCREDIBLES 2. NPR’s Glen Weldon says: “Retrofuturistic ‘The Incredibles 2’ Is More Retro Than Futuristic”.

Brad Bird’s virtuosic 2004 animated movie The Incredibles is the best superhero film that has ever been made and is likely the best superhero film that ever will be made.

This is a fact — a cold, hard one. The massive, resolute, essential truth of this fact is abiding and irresistible and immovable; it possesses its own magnetic field, its own solar day….

The villain — a mysterious masked figure known as the Screenslaver, who uses television to control the minds of hapless citizens (and heroes) — arrives with a villainous manifesto, albeit a slightly muddier one than that of the first film’s nemesis. And that same conceptual muddiness, a byproduct of the sequel’s need to expand on and complicate the world of the first film, seeps slowly into the entire film.

(8) KNOCK IT OFF. Another response to abusive Star Wars fans — “John Boyega tells Star Wars fans to stop harassing cast”.

Star Wars actor John Boyega has urged fans of the franchise to stop harassing the cast on social media.

His comments came after two co-stars, Daisy Ridley and Kelly Marie Tran, quit Instagram after receiving online abuse.

The actor, who plays Finn, tweeted: “If you don’t like Star Wars or the characters, understand that there are decisions makers [sic] and harassing the actors/actresses will do nothing.”

(9) TODAY IN HISTORY

  • June 13, 1953The Beast From 20,000 Fathoms was released theatrically.

(10) TODAY’S BIRTHDAYS

  • Born June 13 – Malcolm McDowell, 75. Alex in A Clockwork Orange of course but King Arthur in Arthur the King, Dr. Miles Langford in Class of 1999, Soran in Star Trek: Generations, Arcady Duvall in the Jonah Hex episode of Batman: The Animated Series, Mr. Roarke, The Host, in the second Fantasy Island series, and far, far took many other roles to note here.
  • Born June 13 – Tim Allen, 65. Galaxy Quest’s Jason Nesmith and Toy Story’s Buzz Lightyear.
  • Born June 13 – Ally Sheedy, 56. In X-Men: Apocalypse  Scott’s Teacher as Scott’s Teacher.
  • Born June 13 – Chris Evans, 37. Various Marvel films including of course The Avengers and Thor.
  • Born June 13 – Aaron Taylor-Johnson, 28. In Avengers: Age of Ultron  as Pietro Maximoff / Quicksilver,

(11) COMICS SECTION.

(12) PURE IMAGINATION. The Washington Post’s John Kelly asks “Are cartoon characters on lottery scratch-off tickets a way to lure young gamblers?”. The journalist investigates the Willy Wonka Golden Tickets currently being sold by the Maryland Lottery, and is told by Maryland Lottery and Gaming Control Agency director Gordon Medenica that they aren’t trying to get kids hooked on lottery tickets because Willy Wonka “has almost zero resonance with children today.”

To put it another way: Are colorful, cartoonish Racing Presidents and Willy Wonka scratchers the alcopops and fruit-flavored vape pens of the lottery world?

I contacted the two lottery agencies and they said no. Oh, good, okay then. .?.?.

But, you know, let’s explore this a little more.

Gordon Medenica, director of the Maryland Lottery and Gaming Control Agency, said he was actually a little reticent when first approached by the company that created the Willy Wonka scratch-off, Scientific Games of Las Vegas.

“Frankly, we avoided it for some period of time,” he said. “My concern was still mainly just a personal thing: Isn’t this a children’s brand? Shouldn’t we be avoiding something like this?”

What changed Medenica’s mind were assurances from Scientific Games that Willy Wonka was no longer a children’s character. Many casinos, they reminded him, have Willy Wonka-branded slot machines.

“The adults who play the games have a fond memory of that movie, but in fact it has almost zero resonance with children today, oddly enough,” Medenica said.

(13) MOAT NOT INCLUDED. One of Mike Kennedy’s local news feeds (WAFF TV) alerted him to the availability of some prime unreal estate: “You can own this castle in Georgia for less than $1 million”.

Kennedy says there is a Zillow listing for the residence in question:

This 57,000 sq.ft. castle is in Menio GA — that’s near the state line with Alabama but not terribly near any sizable city. By road, it’s about 100 miles NW of Atlanta, about 50 miles SSW of Chattanooga TN, and a little over 100 miles NE of Birmingham AL. From my home (Huntsville AL), I’d have to travel over 80 miles EbS — part of it through some seriously back-country roads across the Cumberland Plateau.

The owner has dropped the asking price from $1,500,000 to a mere $999,999 (it’s been on Zillow for over 1000 days, after all). Earlier in the decade it was listed for as much as $5,9000,000. It has 30 bedrooms; 15 bathrooms; and sits on almost 250 acres.

Only 18,000 sq.ft. of the 57,000 sq.ft. floor space is finished, but Zillow says materials are on site to finish out most of the rest. Only some of the exterior stonework is installed. Think of it as your own little fixer upper. (You should be handy with a backhoe if you want to extend the ceremonial water feature in front to a full moat.)

(14) NO FALL OF MOONDUST. Figuratively speaking, this genie is still in the bottle. Now, who gets to keep the bottle? Yahoo! News has the story — “Woman Says Neil Armstrong Gave Her A Vial Of Moon Dust, Sues NASA To Keep It”.

A Tennessee woman is proactively suing NASA to keep what she says is a vial of moon dust gifted from astronaut Neil Armstrong.

Laura Cicco said Armstrong was a family friend, and that her mother gave her a tube of priceless lunar particles when she was 10, along with a note that read: “To Laura Ann Murray — Best of Luck — Neil Armstrong Apollo 11

Cicco told The Washington Post she kept Armstrong’s autograph in her bedroom but didn’t see the dust until she was going through her parents’ possessions five years ago.

NASA has not confiscated the vial, but Cicco says she doesn’t want the space agency to take it, so she filed a lawsuit on Wednesday to proactively assert her rights.

It might seem strange to sue at this point, but proactive law maintains that in some cases, such as those involving trademarks, contracts, and potential disputes, it is easier, cheaper and faster to address problems before they happen instead of reacting to them.

(15) BLOWN UP, SIR. Strange Angel premieres tomorrow, and I don’t remember linking to it before.

Watch the official trailer for Strange Angel, premiering June 14th, exclusively on CBS All Access. Strange Angel, a drama series created by Mark Heyman (Black Swan, The Skeleton Twins) and based on George Pendle’s book of the same name, is inspired by the real life story of Jack Parsons and explores the dramatic intersection between genius and madness, science, and science fiction.

 

(16) NOT EXACTLY AMAZING. After you read Galactic Journey’s review, you probably won’t jump into your time machine to look for a 1963 newsstand where you can buy this issue: “[June 13, 1963] THUD (the July 1963 Amazing)”.

Jack Sharkey’s serialized novella The Programmed People, which concludes in this July 1963 Amazing, describes a tight arc from mediocre to appalling and lands with a thud….

(17) BRADBURY CALLING. This is from a column by Nilanjana Roy called “When Books Are Burned” in the Financial Times (behind a paywall).

Fahrenheit 451 began in 1951 as a novella called The Fireman. Bradbury set down 25,000 words in nine days, renting a desk in the typing room in the basement of the UCLA library.  He wrote to a fan in 2006, ‘How could I have written so many words so quickly?  It was because of the library.  All of my friends, all of my loved ones, were on the shelve above and shouted, yelled, and shrieked at me to be creative…You can imagine how exciting it was to do a book about book burning in the very presence of hundreds of my beloveds on the shelves…’

…What he (Bradbury) anticipated, even in the pre-Internet, pre-Twitter, pre-WhatsApp 1950s, was the time we’ve reached–an age of manic consumption of a constant stream of often useless information.  For Bradbury, what was terrifying was not just the burning of books, it was the way in which people were prepared to turn against those who refused to sup at the same shallow pools, to persecute those who step away from the stream.

Re-reading Fahrenheit 451 decades after I’d first read it as a teenager, I heard Bradbury’s plea far more clearly.  In a world gone mad from too much junk, don’t forget reading, or books, or the necessaity of slow conversations and contemplative silence in a time of howling mobs and incessant noise.

(18) GENRE INTEREST LIBERALLY CONSTRUED. Hey, is this an appropriate headline, or what? USA Today reports that a “Kickstarter aims to make Ruth Bader Ginsburg into action figure”.

If you’ve ever wanted an action figure of Supreme Court Justice Ruth Bader Ginsburg, your chance is coming.

FCTRY, a product incubator, kicked off a crowd fundraiser on Tuesday to raise the money to create an action figure of the 85-year-old associate justice.

It gave itself 35 days to raise its $15,000 goal on Kickstarter. As of Tuesday evening, just hours after launch, the company had raised more than $67,000.

(19) DUMBO TRAILER. Now out –  the teaser trailer for Tim Burton’s all-new live-action Dumbo, coming to theatres March 2019.

From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.

 

(20) VIDEO OF THE DAY. Fish With Legs is a Screen Australia cartoon on Vimeo, directed by Dave Carter, about what happened when all the fish in Australia suddenly sprouted legs!

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Andrew Porter, Mike Kennedy, Martin Morse Wooster, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 6/5/18 Scroll Is A Pixel, And I Want My Money Back

Brian Keene. Photo by Scott Edelman.

(1) BRIAN KEENE BURN INJURY. Horror author and podcaster Brian Keene is hospitalized, reports Stephen Kozeniewski, who has started a “Brian Keene Burn Fund” at GoFundMe:

On June 5, 2018, author, podcaster, philanthropist, and father Brian Keene was badly burned in an accident.  At this time he is conscious and in good spirits but has first degree burns on his face and second degree burns on his body.

As a freelance author, Brian does not have health insurance.  We’re not sure at this time how long he’ll be in treatment, or how much the bill will be, but any visit to the hospital is expensive, and will only be compounded by lost wages from not being able to work.

We’re asking the community of writers, horror fans, and just decent human beings in general to chip in a few dollars to help get Brian back on his feet and spending time with his loving girlfriend and sons.  We’d be very grateful for anything you can afford to contribute.

The appeal has raised $14,415 of its $15,000 goal in the first four hours online.

Keene co-hosts of The Horror Show with Brian Keene. Last May, they held that 24-hour telethon and raised roughly $21,000 in support of Scares That Care.

Kozeniewski added in an update, “What we know right now is that the wind shifted while Brian was burning brush.”

(2) ALL YOUR COMIC CONVENTION ARE BELONG TO US. Those lovable knuckleheads who run San Diego Comic-Con International would like a federal judge to award them several million dollars in attorney fees after winning their lawsuit against the Salt Lake Comic Con. Courthouse News has the story: “San Diego Comic-Con: ‘Comic Convention’ Is Ours”.

…U.S. District Judge Anthony Battaglia heard a host of posttrial motions Thursday, including San Diego Comic-Con’s request for over $4.5 million in attorney fees which have already been paid in full.

San Diego Comic-Con attorney Callie Bjurstrom with Pillsbury Law told Battaglia Thursday he should find the case is “exceptional” so that attorney fees and costs can be awarded.

“This was a very expensive case; the reason this case was so expensive was because of defendants and their counsel and the way they litigated this case,” Bjurstrom said.

She pointed out Brandenburg testified at trial he knew about San Diego Comic-Con’s trademarks but still used “Comic Con” to name his Utah convention. Bjurstrom said the Salt Lake owners engaged in a “public intimidation campaign” once San Diego Comic-Con sent them a cease-and-desist letter to stop infringing the trademark and that Salt Lake’s attorneys filed meritless motions, “flip-flopped” on legal theories and violated court orders throughout the three-year litigation.

“If this case isn’t exceptional, I don’t know what is,” Bjurstrom said.

San Diego Comic-Con also asked Battaglia to permanently bar the Salt Lake convention from using its trademarks, arguing its reputation has been irreparably harmed by the confusion to consumers.

During the trial, San Diego Comic-Con presented evidence its attendees had contacted its employees about the Salt Lake convention, believing the two events were associated.

But San Diego Comic-Con’s request went a step further than simply asking Battaglia to enjoin the Salt Lake convention operators from infringing its trademarks: it asked the judge to bar the Salt Lake convention from using the words “comic convention” or phonetic equivalents to “Comic Con” or “comic convention.”

Bjurstrom said the injunction should include any spelling variation on “Comic Con” which is pronounced the same as the San Diego trademark, including spelling it with a “K” or “Kahn.”

“Whether you spell Comic Con with a ‘C’ or a ‘K’, it’s pronounced the same. It is exactly the same when you say it,” Bjurstrom said.

San Diego Comic-Con also asked the judge to order the Salt Lake operators to destroy marketing and advertising materials which make reference to “Comic Con” and to cease operating websites and social media accounts which reference the trademark.

Battaglia took the motions under submission and will issue a written order.

(3) WIKIPEDIA. Juliet McKenna asks “What can SFF fandom do about the inherent bias of Wikipedia?”. The author looked into the question because the Wikipedia entry about her was flagged for deletion, on grounds that she is not sufficiently notable:

It seems Wikipedia is aware of its systemic bias, as detailed in this article. Read this, and related pieces, and I imagine many of you will note, with the weary contempt of familiarity, the repeated insistence that it’s up to women themselves, and other under-represented groups to do all the hard work here. Though I haven’t found anything addressing the issue I raise above, explaining what we’re expected to do when sufficient acceptable citations simply do not exist, and those references that do exist are not deemed acceptable. Absence of evidence is not evidence of absence.

On the plus side, I have learned that there are dedicated groups of female and other special-interest Wikipedians spending considerable time and effort updating and expanding pages, intent on correcting this bias. Mind you, I also learned their work is frequently challenged and even undone by other Wikipedians applying the all too prevalent and far too often white western male logic of ‘not of interest to me personally = not of interest to anyone’. And of course, such challenges can very easily be a thinly veiled cover for actively discriminatory behaviour. Having read the Wikipedia page on handling tendentious editing, I am not in the least reassured that this is in any way satisfactorily addressed.

(4) LUCRATIVE SFF AUCTION. Fine Books & Collections was standing by the cash register: “Sci-fi from the Stanley Simon Estate Breaks Records in Swann Literature Auction”.

Science fiction ruled on May 15 at Swann Galleries’ auction of 19th & 20th Century Literature. Selections from the Estate of Stanley Simon, featuring 84 rare and first editions of cornerstones of the genre, boasted a 98% sell-through rate. All of the offered titles by Isaac Asimov, Ray Bradbury, Philip K. Dick and Stephen King sold, with many achieving auction records.

Leading the pack was a signed first edition of Dick’s dystopian novel The Man in the High Castle, 1962, which was purchased by a collector for $10,400, above a high estimate of $6,000, a record for the work. Another record was achieved by a signed first edition of Ubik, 1969, at $5,500, while the auction debut of the rare galley proofs for Valis, 1981, reached $5,000.

Simon had acquired several uncorrected proofs of important works, none of which had previously appeared at auction. While not strictly science-fiction, material by Stephen King outperformed in this category. The highlight was the presentation copy of an uncorrected proof of The Stand, 1978, which sold to a collector for $9,100. Also available were one of apparently 28 copies of proofs of King’s The Shining, 1977, inscribed, which sold for five times its high estimate for $6,250, and the complete six-volume set of uncorrected proofs of King’s The Green Mile, 1996, exceeded its $1,200 high estimate to sell for $5,200.

Another highlight from the Simon estate was the complete Foundation trilogy, 1951-53, by Isaac Asimov. Together, the three signed first editions achieved an auction record of $9,750. Also by Asimov, a signed first edition of I, Robot, 1950, reached $6,250, above a high estimate of $3,500. Important editions of Ray Bradbury’s magnum opus Fahrenheit 451, 1953, were led by the limited author’s edition personally inscribed to Simon ($7,500). The popular asbestos-bound edition reached $5,200. All six editions offered were purchased….

(5) LE GUIN’S LAST EARTHSEA STORY. The Paris Review has a story by Ursula K. Le Guin. And not just any story, but a final Earthsea tale, written a year before her death. (So I’m guessing it’s the last one.)

He was thinking of Lookfar, abandoned long ago, beached on the sands of Selidor. Little of her would be left by now, a plank or two down in the sand maybe, a bit of driftwood on the western sea. As he drifted near sleep he began to remember sailing that little boat with Vetch, not on the western sea but eastward, past Far Toly, right out of the Archipelago. It was not a clear memory, because his mind had not been clear when he made that voyage, possessed by fear and blind determination, seeing nothing ahead of him but the shadow that had hunted him and that he pursued, the empty sea over which it had fled.

(6) BUMBLEE TRAILER. This movie will be in theaters at Christmas.

Every adventure has a beginning. Watch the official teaser trailer for Bumblebee, starring Hailee Steinfeld and John Cena.

 

(7) TODAY’S BIRTHDAY PRODUCER

  • Born June 5, 1953 – Kathleen Kennedy

(8) IT’S A JUNGLE OUT THERE. Of possible interest to Sarah Gailey fans (because of a hippo reference) is this segment from the June 3 episode of HBO’s Last Week Tonight, on the subject of guardianship for the elderly. The relevant portion starts at about the 13:20 mark. That’s where John Oliver introduces a new PSA on the subject, starring several celebrities – including William Shatner.

(9) DOG DAYS. This perfect poem inspired a thread of deep appreciation for the artist…

(10) DINO APPRECIATION SUMMIT. Chuck Tingle and Jeff Goldblum had an internet encounter —

(11) WALL POLITICS. And they’ll make the schwein pay for it. (Oh, wait, that’s something else….) “Denmark backs fence on German border to keep out wild boar”.

Denmark’s parliament has voted to build a 68-km (42-mile) fence along the border with Germany in a bid to protect the pork industry from the spread of African swine fever.

The vote aimed at keeping out wild boar is controversial for several reasons.

Environmental campaigners doubt it will stop the animals entering Denmark, while others say Germany has no trace of the virus.

Some in Germany have condemned the move as gesture politics.

Work on constructing the fence is unlikely to start until autumn, after an assessment by Denmark’s environmental protection agency.

(12) MORE WALL POLITICS. Security décor from another era: “The 12 best posters from the very odd NSA archive”.

Long before it was at the centre of a huge spying scandal, the US National Security Agency had the communist threat to deal with – and wanted to make sure its staff did not spill secrets.

A vast archive of posters, apparently for display at the spy agency’s offices, has been posted online thanks to a freedom of information request from governmentattic.org.

The website asked for “a digital/electronic copy of the NSA old security posters from the 1950s and 1960s”, although confusingly it also got one featuring John Travolta.

Here are some of our favourites. The full, 139-page document, can be found here.

(13) CASTLE COCKY. More trademark hoo-hah: “Rapunzel, Rapunzel let down your trademark restrictions”.

Rapunzel, the long-haired maiden locked in a tower by an evil witch, has been immortalized in countless bedtime stories and adaptations, from the Brothers Grimm to Disney. There is even a teenage rapper who goes by the name RapUnzel.

Now, a private company wants to lock the princess’s name in a castle fortified by United States trademark law.

But this attempt to register the trademark for the name Rapunzel has unleashed fervent opposition, not from Hasbro or Mattel, but from an impassioned group of Suffolk University Law School professors and students.

(14) DINO DUBIOSITY. The BBC asks “Does Jurassic Park make scientific sense?” Can you guess the answer? I knew you could…

In 1993, Steven Spielberg’s film Jurassic Park defined dinosaurs for an entire generation.

It has been credited with inspiring a new era of palaeontology research.

But how much science was built into Jurassic Park, and do we now know more about its dinosaurs?

As its 25th anniversary approaches, visual effects specialist Phil Tippett and palaeontologist Steve Brusatte look back at the making of the film, and what we’ve learned since.

So, first of all, what did Jurassic Park get wrong? It started off by inheriting some complications from Michael Crichton’s novel, on which the film was based.

“I guess Cretaceous Park never had that same ring to it,” laughs Brusatte.

“Most of the dinosaurs are Cretaceous in age, that’s true.”

(15) SWEET WRITING. Cat Rambo tasted these chocolate bars for Green Man Review: “Chuao Chocolatier’s Chocolate Bars with All the Add-ins”.

Here in America we like our add-ins, ice cream and candy full of other candy, nuts, random sweets, and sometimes savories. Chuao (pronounced Chew-WOW) has a shelf-load of such, chocolate bars with all the goodies, created by Venezuelan chef Michael Antonorsi.

Most of the bars I tried were terrific but some are more successful than others. Idiosyncrasies of taste may make a difference; when I tweeted about the one I really disliked, someone mentioned that was their favorite, and bemoaned not being able to find it. And it’s not entirely fair to stack dark chocolate up against milk, particularly given that my sweet tooth resembles that of a six-year-old’s. Still, I present them in order of how much I liked them, from most to least.

First up, the “Baconluxious”. Described as “delicate maple sweetness, a sprinkle of bonfire smoked sea salt and crispy, uncured bacon in milk chocolate.” This had a nice aroma and when tasted, an immediate smoothness to its mouth feel, followed by a wash of saltiness and not-unpleasant grittiness before the final bacon note, leaving just a few salt crystals to be crunched between the tooth and savored. This was delicious to the point where I thought I would and then did readily pick one of these up again. And probably will again and again….

(16) A BOY AND HIS ROBO DOG. The AXL Official Trailer came out recently.

In the vein of classic ‘80s family movies SHORT CIRCUIT and FLIGHT OF THE NAVIGATOR, A.X.L. is a new adventure about a down-on-his luck teenage bike rider, Miles (Alex Neustaedter), who stumbles upon an advanced, robotic, military dog named A.X.L. Endowed with next-generation artificial intelligence but with the heart of a dog, A.X.L. forms an emotional bond with Miles, much to the chagrin of the rogue military scientists who created A.X.L. and would do anything to retrieve him. Knowing what is at stake if A.X.L. gets captured, Miles teams up with his smart, resourceful crush, Sara (Becky G), to protect his new best friend on a timeless, epic adventure for the whole family.

 

[Thanks to John King Tarpinian, Robin Reid, Cat Eldridge, JJ, Jonathan Cowie, Martin More Wooster, Chip Hitchcock, K.M.  Alexander, Rev. Bob, Dann, Mike Kennedy, Michael D. Toman, Carl Slaughter, Steve Johnson, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]

Pixel Scroll 5/29/18 The Future Is Pixelled, It’s Just Not Evenly Scrolled

(1) HUGO VOTER PACKET. Members can access the 2018 edition: “2018 Hugo Awards Voter Packet Now Available”.

Worldcon 76 has issued the 2018 Hugo Awards Voter Packet, a collection of finalists for the 2018 Hugo Awards made available to members of Worldcon 76 to assist them in making informed decisions when voting on this year’s Hugo Awards. The packet is available for download from the Worldcon 76 Hugo Awards website in the “Hugo Voter Packet” section. Members of Worldcon 76 can sign in using their Hugo Award voting credentials that were sent to them when the final Hugo Award ballot was issued.

Only members of Worldcon 76 can access the 2018 Hugo Award Voter Packet and vote on the 2018 Hugo Awards.

…Worldcon 76 will shortly send an announcement regarding the availability of the Hugo Voter Packet to all members who registered their e-mail address with the convention. This mailing will include a copy of the member’s voting credentials (membership number and voting PIN). Members can request a copy of their credentials using the 2018 Hugo Awards PIN lookup page.

A 1943 Retro-Hugo Voter Packet is in preparation.

(2) “SNAPE” MEMORABILIA TO AUCTION. You Alan Rickman fans should get ready to empty your money belts. Taryn Ryder, in the Yahoo! Entertainment story “Alan Rickman’s frustrations playing Snape in ‘Harry Potter’ revealed in personal letters” says the actor’s archive is about to be auctioned off by Neil Pearson Rare Books for 950,000 pounds, which includes many Harry Potter collectibles, including Rickman’s annotated copies of Potter scripts, as well as scripts for other films and plays Rickman was in, like Die Hard.

Rickman — who died of cancer in 2016  — helmed the role in all eight films from 2001 to 2011.

One letter is from producer David Heyman, who sent Rickman a thank-you note after 2002’s Harry Potter and the Chamber of Secrets. “Thank you for making HP2 a success,” it reads. “I know, at times, you are frustrated but please know that you are an integral part of the films. And you are brilliant.”

 

(3) MORE ON WISCON. From S. Qiouyi Lu. Thread starts here:

(4) CODES OF CONDUCT ELSEWHERE. According to Business Insider, “Programmers are having a huge debate over whether they should be required to behave respectfully to each other”. A lot of the objections are still current events in the Vox Popoli comment section, but not in most parts of fandom.

Last week, a software engineer publicly quit a very popular open-source project, setting off a firestorm of debate within the programming world.

Programmers are arguing about whether they should have to agree to a community code of conduct that requires them to behave respectfully.

They are also arguing about whether programs that aim to increase participation from underrepresented groups are “racism.”

The debate began on Wednesday when a developer named Rafael Avila de Espindola quit the LLVM Compiler Infrastructure Project, to which he had been a major contributor over the past decade.

Avila outlined several of his frustrations with the group but said he quit because it was requiring him to agree to a community code of conduct to attend its conference.

That code of conduct basically says the group is open to people from all walks of life and expects its members to be courteous.

Avila also said he was unhappy that the project had decided to accept an intern from a group called Outreachy, which offers paid internships to women, LGBTQ folks, African-Americans, people with Hispanic or Latin heritage, and those with indigenous American ancestries.

In other words, the internships are for people in underrepresented gender and racial groups in the programming/open-source worlds; white men and Asian men are the two groups best represented in tech, diversity reports have found.

…Despite that kind of rancor, large open-source communities and conferences are increasingly adopting community codes of conduct.

And for good reason — the open-source world has a reputation for aggressive, rude, and intimidating behavior.

In 2013, Linus Torvalds, the creator of Linux and the god of open-source programming, was called out for profanity-laced rants on the Linux email lists, which set the tone for the open-source world.

He and the Linux community did an about-face — sort of — in 2015, telling members that their work would be criticized but asking them to “be excellent to each other” and to feel free to report abuse.

(5) ERASURE FIGHTER. James Davis Nicoll’s personal Episode VII appears on Tor.com — “Fighting Erasure: Women SF Writers of the 1970s, Part VII”.

At this stage of James’ Tour of Disco-Era Women SF Authors, we have reached M. Certain letters are deficient in authors whose surnames begin with that particular letter. Not so M. There is an abundance of authors whose surnames begin with M. Perhaps an excess. In fact, there are more authors named Murphy than the authors I listed whose names begin with I….

Sondra Marshak is best known for her Star Trek-related activity. Star Trek, an American science fiction television show akin to Raumpatrouille—Die phantastischen Abenteuer des Raumschiffes Orion, was cancelled after seventy-nine episodes in the mid-1960s. An anthology of original stories commissioned a decade after a show’s cancellation seems unthinkable and yet in 1976, Marshak and Myrna Culbreath’s co-edited collection, Star Trek: The New Voyages, was published by Bantam Books, soon followed by Star Trek: The New Voyages 2. This suggests that the show’s fandom managed to survive the show’s demise. Perhaps some day there will be a revival of this venerable program—perhaps even a movie!—although I must caution fans against getting their hopes up…

Fans of John Scalzi’s Redshirts may find the New Voyages story “Visit to a Weird Planet Revisited” of interest, as yet another example of science fiction authors independently hitting on very similar ideas.

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Mary Robinette Kowal and Lawrence C. Connolly on Wednesday, June 20, 7 p.m. at the KGB Bar (85 East 4th Street, just off 2nd Ave, upstairs) in New York.

Mary Robinette Kowal

Mary Robinette Kowal is the author of historical fantasy novels: Ghost Talkers, and The Glamourist Histories series and the forthcoming Lady Astronaut duology. She is also a three time Hugo Award winner and a cast member of the podcast Writing Excuses. Her short fiction appears in The Magazine of Fantasy and Science FictionTor.com, and Asimov’s. Mary, a professional puppeteer, lives in Chicago. Visit her online at maryrobinettekowal.com.

Lawrence C. Connolly

Lawrence C. Connolly is one of the writers for the anthology film Nightmare Cinema, premiering next month at the Fantasia Film Festival in Montreal. Produced by Mick Garris, the movie goes into wide release later this year. Connolly’s books include the Stoker finalist Voices (scheduled for re-release this summer), This Way to Egress, and Veins. More at LawrenceCConnolly.com.

(7) FUNDRAISER. Tessa B. Dick is trying to raise $5,000 through YouCaring to “Keep my home”. She’s got $4,205 in contributions as of this writing. Her May 28 update said:

I really need your help, or I am not going to make it. I don’t know how to explain that I can’t sleep because every time I close my eyes, I see that gang banger with a knife to a boy’s throat. I can’t go anywhere because every time I walk out the door, I see his gangster buddies coming after me because my testimony put their buddy in prison. I got crisis counseling and I coped for twelve years, but I can’t cope any more. I went through major forest fires in 2003 and 2008, a severe burn to my foot in 2007, a head injury in 2010, a broken leg in 2012, and more stress than I can describe. I got a settlement for the head injury that didn’t even cover my medical bills, which is why I had to go bankrupt.

I should qualify for disability, based on my severe weight loss alone, but they keep turning me down. My only hope is to get this house in good enough shape to get a reverse mortgage.

(8) GAME MAN. Rich Lynch was tuned into tonight’s Jeopardy! In the category “Award Winning Books” one of the answers was:

(9) TRIVIAL TRIVIA.

Crayola crayons’ distinctive smell — ranked 18th in a list of the 20 most identifiable  smells in a 1982 Yale University study — is largely due to the stearic acid used to make the waxy consistency. Stearic acid is a derivative of beef fat.

Source: Mental Floss

(10) TODAY’S BIRTHDAY

  • Born May 29, 1906 — T.H. White, best known for his Arthurian novels including The Sword in the Stone

(11) COMICS SECTION.

  • JJ finds Tolkien and Middle-Earth deconstructed in Existential Comics’ “Council of Elrond”.
  • John King Tarpinian found one voter’s party preference was not all that surprising in Bizarro.

(12) THE OLD STOMPING GROUNDS. ExCeL, the site of the 2014 London Worldcon (aka Loncon 3), was the host site of MCM Comic Con this past weekend (25–27 May 2018). Newham Recorder has the story: “Superheroes and spandex squeeze into ExCeL for MCM London Comic Con”

Tens of thousands of pop culture buffs took a pilgrimage to the ExCeL this bank holiday weekend for the UK’s largest comic book convention.

…Monolithic entertainment brands seemed keen to continue cashing in on the nerd demographic, wheeling out a long list of stars for the event, including Black Panther’s Letitia Wright, The Defenders’ Rosario Dawson and Khary Payton and Cooper Andrews from zombie series The Walking Dead.

(13) MAINSTREAMING FAN REFERENCES. Karl-Johan Norén found a “Sign that the Hugo awards and sf fandom is, or at least is becoming, mainstream: we are used in a joke but not as the butt of it” in NewsThump’s headline “UK Brexit proposals nominated for Hugo Award in Fantasy category”.

(14) FINGERPRINTS ALL OVER IT. BBC reports “Fortnite sued for ‘copying’ rival game PUBG”.

The makers of Fortnite, one of the world’s most popular video games, have been accused of copying rival title PlayerUnknown’s Battlegrounds (PUBG).

The studio behind PUBG has asked a court in South Korea to determine whether Epic Games copied its intellectual property.

Fortnite and PUBG have both attracted millions of gamers with their huge “last player standing” online battles.

Epic Games has not yet commented on the lawsuit.

PUBG was first released in March 2017. It was inspired by the Japanese thriller film Battle Royale, in which a group of students is forced to fight to the death by the government.

In PUBG, up to 100 players parachute on to an island, search for weapons and kill one another until only one player remains.

Fortnite was first released in July 2017 but its Battle Royale mode was not added until September 2017.

(15) WARPED TRUTH. The Defense Intelligence Agency (DIA) recently released a 2010 study document entitled “Warp Drive, Dark Energy, and the Manipulation of Extra Dimensions” [PDF file]. The report was originally marked Unclassified, but For Official Use Only (U/FOUO) and was publicly posted by (among others) by KLAS-TV, the Las Vegas NBC affiliate (“I-Team: Documents prove secret UFO study based in Nevada”).

So, does the document provide a roadmap to a working warp drive engine? Probably not, according to at least one physicist. Quoting a Science Alert article “The US Military Has Released a Mysterious Report on ‘Warp Drives’. Here’s What Physicists Think About It”:

The authors suggest we may not be too far away from cracking the mysteries of higher, unseen dimensions and negative or “dark energy,” a repulsive force that physicists believe is pushing the universe apart at ever-faster speeds.

“Control of this higher dimensional space may b? ? source of technological control ?v?r the dark energy density and could ultimately play ? role in the development of exotic propulsion technologies; specifically, ? warp drive,” the report says, adding: “Trips to the planets within our own solar system would take hours rather than years, and journeys to local star system would be measured in weeks rather than hundreds of thousands of years.”

However, Sean Carroll, a theoretical physicist at Caltech who studies and follows the topics covered by the report, had a lot of cold water to pour on the report’s optimism.

“It’s bits and pieces of theoretical physics dressed up as if it has something to do with potentially real-world applications, which it doesn’t,” Carroll said.

“This is not crackpot. This is not the Maharishi saying we’re going to use spirit energy to fly off the ground – this is real physics. But this is not something that’s going to connect with engineering anytime soon, probably anytime ever.”

(16) THE VASTY FIELDS OF GALLIFREY. Io9’s James Whitbrook advises everyone about “The Best Stories to Watch During Twitch’s Absurdly Ginormous Classic Doctor Who Marathon”.

Today, Twitch begins a seven-week endurance run/celebration of all things old-school Doctor Who, live streaming over 500 episodes worth of adventures in Time and Space. Unless you happen to have seven weeks of free time starting imminently (in which case, I envy you), you likely can’t sit down and watch all of it. So here’s a few must-watch storylines to dive in for….

(17) ANOTHER BUYING OPPORTUNITY. From Mental Floss we learn: “An Original Doctor Who TARDIS Is Hitting the Auction Block”.

If you’ve ever wondered if there’s really something to this whole “dimensional transcendentalism” thing, a.k.a. the explanation given as to why Doctor Who’s TARDIS is so tiny on the outside but enormous on the inside, now’s your chance to find out for yourself. A TARDIS created for Peter Cushing for the 1965 film Dr. Who and the Daleks is getting ready to hit the auction block at Ewbank’s as part of its “Entertainment & Memorabilia” auction, which kicks off on May 31.

(18) DIVIDENDS. Absolutely true.

(19) INSTANT CLASSIC. Applause for Matthew Johnson’s latest filk in comments:

Also, for the Nick Lowe/Johnny Cash fans among us:

The beast of squees
Obsessed with old, forgotten Bonds
And whichever one you like
Is one of which he isn’t fond
God help the beast of squees

The beast of squees
Knows more than you on Doctor Who
Which host was better on Blue’s Clues
And in the twinkling of an eye
Might declare a Mary Sue
God help the beast of squees

Sometimes he tries to kid me
That he’s just a normal fan
Or even that he’s run right out of things to pan
I feel pity when I can
For the beast of squees

That everybody knows
They’ve seen him out in fannish clothes
Patently unclear
If it’s A New Hope or New Year
God help
The beast of squees

[Thanks to Mike Kennedy, John King Tarpinian, JJ, Rich Lynch, Cat Eldridge, Bill, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, James Davis Nicoll, Matthew Kressel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

ComicMix Whittles Away Another Leg of Star Trek/Seuss Mashup Lawsuit


Could the day be coming when Dr. Seuss Enterprises doesn’t have a leg left to stand on? In November 2016, during a Kickstarter campaign to fund Oh, The Places You’ll Boldly Go!, featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman, Dr. Seuss Enterprises (DSE) filed suit for damages claiming the project infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go! A new ruling has disposed of the trademark claims.

Although ComicMix suffered a setback in December 2017 when the federal Judge Janis L. Sammartino allowed both the copyright and trademark claims to go forward, on May 21, she applied a recent Ninth Circuit Court of Appeals precedent and granted ComicMix’s motion for judgment on the trademark issues. Only the copyright claims remain to be litigated.

The Hollywood Reporter article “‘Star Trek’/Dr. Seuss Mashup Creator Beats Trademark Claims” briefed the reasons for ComicMix’s latest victory.

At the time, ComicMix also argued that its work merited First Amendment protection under a test established in Rogers v Grimaldi, a 1989 decision that resulted from a lawsuit brought by the actress Ginger Rogers over the Fellini film Ginger and Fred. The test directs judges to examine whether use of a mark has artistic relevance, and if so, whether the work is explicitly misleading. Although ComicMix’s Boldly appeared to Sammartino to meet the criteria for protection, the judge highlighted a footnote in the Rogers decision that provided an exception for “misleading titles that are confusingly similar to other titles.”

…And but, something happened while all this was going down.

Fox Television was caught up in a fight over the title of Empire, its hit show about a feuding music-industry family.  Empire Distribution — a record label and publishing company that has worked with such hip-hop artists as T.I., Snoop Dogg and Kendrick Lamar — had brought its own trademark claims, but Fox prevailed, thanks to the Rogers test. This case went all the way up to the 9th Circuit Court of Appeals, which affirmed Fox’s win.

Soon after Dr. Seuss Enterprises scored its victory in December, ComicMix pointed to the Empire case as having disavowed the Rogers footnote that had created an opening for trademark claims over titles.

Sammartino agrees, writing that the 9th Circuit “applies the Rogers test rather than the likelihood-of-confusion test” and that the 9th Circuit states “that the [Rogers] footnote had only ever been cited once by an appellate court, and even then the Second Circuit had rejected its applicability.”

The parties are now scheduling witness depositions and preparing for the next round of litigation.

Connor Cochran Bankruptcy Update

U.S. Bankruptcy Court has granted the trustee’s motion to convert the Avicenna and Conlan Press bankruptcies from Chapter 11 to Chapter 7, a liquidating bankruptcy. The orders were entered April 30.

Peter S. Beagle sued his former manager Connor Cochran in 2015 for $52 million in damages, disgorgement of illegal gains and restitution, and dissolution of two corporations he co-owns with Cochran, Avicenna Development Corporation, and Conlan Press, Inc. Cochran and his companies filed Chapter 11 bankruptcy on January 4, one day before trial was scheduled to begin in Beagle’s lawsuit against them.

Whether liquidating the corporations’ assets will financially benefit anyone is a question. Several of Cochran’s creditors allege he has converted their assets to his personal use.

However, as reported here in March, the court lifted the automatic stay that took effect when Cochran filed bankruptcy, and allowing Beagle to proceed in California state court against Cochran, Avicenna Development Corporation, and Conlan Press, Inc. and obtain a final judgment.

Then, in April, the court also lifted the stay for Sandbox LLC and Justin Bunnell, investors in The Last Unicorn Tour, allowing them to proceed with state litigation against Avicenna Corporation.

And last month Patrick Lake filed with U.S. Bankruptcy court a “Complaint To Determine Dischargeability of Debt and Related Declaratory Relief” which allowed him to publicly rehearse the grounds for his defamation suit against Cochran. Over the course of several years, Cochran issued updates about his efforts to identify the anonymous source of some allegedly libelous blog posts and tweets, a person he ultimately claimed was Bay Area resident Patrick Lake.

Lake’s statement to the court (see the link below) argues:

…The true facts were that Plaintiff had not forged a contract with Plaintiff; that he does not engage in an “ongoing pattern of deception” in his attorney-client relationships or in his other business relationships; he is not a “stalker” nor “crazed” i.e., mentally unstable, mentally incompetent, or insane; and he was not fired from his employment as an art instructor when he left that employment over five years ago.

…As a proximate result of the defamatory statements of Defendant, Plaintiff has been harmed in that he has suffered past and future loss of income, as well as shame, mortification, emotional distress, public opprobrium, and humiliation, as well as attorneys’ fees incurred to attempt to correct the misleading and false statements of Defendant that have been repeated by others relying on Defendant’s widely published false and defamatory statements. Said damages are in an amount subject to proof at trial.

Lake’s attorney seeks a court ruling that Cochran’s debts to his client are nondischargeable in Cochran’s Chapter 11 proceeding.

Ed Kramer Fights “Sexually Dangerous Predator” Label

Last December the state of Georgia’s Sexual Offender Registration Review Board (SORRB) designated Dragon Con co-founder Ed Kramer a “sexually dangerous predator,” the ranking with the highest perceived risk for recidivism. Georgia law requires “SDPs” to be monitored by GPS for the rest of their lives. Kramer’s attorney has filed a motion contesting the decision.

Kramer pleaded to three counts of child molestation in 2013 as trial was set to begin in Gwinnett County, entering an Alford-type plea as provided under Georgia case law in which he agreed to the conviction even though he still claimed innocence. Kramer agreed to pay damages to the victims and was sentenced to serve a term of confinement at home.

Kramer’s term of house arrest ended within the last year and the ankle monitor he was ordered to wear was removed. However, with the SDP designation, he will have to resume wearing an electronic monitoring system for the rest of his life.

Georgia’s SORRB is required by state law to determine the risk level of sex offenders convicted in the state and places them into one of three categories: Level 1, which indicates a low risk for recidivism; Level 2, which indicates an intermediate risk of recidivism; or Level 3, sexually dangerous predator, which indicates a person’s high probability of reoffending.

Kramer’s lawyer Stephen Reba, in the petition filed January 16, said state law and due process were violated by the SORRB due to the failure of a Gwinnett prosecutor who sits on the Sexual Offender Review Board to recuse himself, because his office was disqualified from Kramer’s pending habeas action.

In 2014, months after entering his Alford plea, Kramer filed a habeas action  arguing that Gwinnett District Attorney Danny Porter improperly influenced the trial judge. Since that made Porter and his office witnesses, the petition said his office was disqualified from involvement in the habeas case, and the office of the state attorney general entered as counsel for the respondent.

The Daily Report Online quoted Kramer’s attorney:

Reba said it appeared clear that having Vandever sit on the panel deciding Kramer’s risk assessment is a constitutional violation.

“Whether it violates [the law’s] statutory authority—we’ll see, but I think the due process violations would be the relevant controlling law,” said Reba. “We have a case where a member of this board is making this decision when they’ve been disqualified from the underlying case.”

(Incidentally, all the Gwinnett County judges recused themselves from the habeas action, which is now assigned to Piedmont Circuit Senior Superior Court Judge Robert Adams and remains pending.)

Kramer’s status as a Sexually Dangerous Predator remains unchanged at this time. In fact, the Gwinnett County Sheriff’s Office added Kramer’s photo to its Facebook album “Sexually Dangerous Predators in Gwinnett” on May 7.

Kramer hasn’t been affiliated with Dragon Con since his partners bought him out in 2013.

Del Arroz Files Suit Against Worldcon 76

Jon Del Arroz filed suit on April 16 against the 2018 Worldcon and other defendants in San Joaquin Superior Court asking damages for claimed violations of his civil rights under California’s Unruh act, and for defamation.

The named defendants are:

San Francisco Science Fiction Conventions, Inc., aka Worldcon 76, David W. Gallagher (2019), President; David W. Clark (2020), Vice President; Lisa Deutsch Harrigan (2020), Treasurer; Kevin Standlee (2018), Sceretary; Sandra Childress (2019); Bruce Farr (2018), Chair; 2018 SMOF Con Committee; Cheryl Morgan (2020); Kevin Roche (2018), Chair; 2018 Worldcon (Worldcon 76) Committee; Cindy Scott (2018); Randy Smith (2019), Chair; New Zealand 2020 Worldcon Agent Committee; Lori Buschbaum; Susie Rodriguez and DOES 1 through 30, inclusive.

Del Arroz is represented by attorney Peter Sean Bradley.

The first 23 paragraphs of the Complaint lay out the history of Del Arroz’ banning by Worldcon 76 from his point of view, and allegations that he was banned because he is a Republican and Trump supporter.

Several of the causes of action quote from Worldcon 76’s announcement banning Del Arroz from the con, which said in part:

We have taken this step because he has made it clear that he fully intends to break our code of conduct. Worldcon 76 strives to be an inclusive place in fandom, as difficult as that can be, and racist and bullying behavior is not acceptable at our Worldcon. This expulsion is one step toward eliminating such behavior and was not taken lightly….

Repeated reference is also made to the committee’s email telling him he would not be allowed to attend, sent by Lori Buschbaum, the Incident Response Team area head. It is quoted in the Complaint as saying:

Jonathan, At this time we are converting your membership to Worldcon 76 to a supporting membership as you will not be permitted to attend the convention. On your personal blog you have made it clear that you are both expecting and planning on engendering a hostile environment which we do not allow, If you are found on the premises of the convention center or any of the official convention hotels you will be removed, Your payment of $50 covers the cost of your supporting membership in its entirety, and you have no balance owing. As a supporting member your nomination and voting rights for the Hugo Awards and site selection are maintained. If you prefer a full refund that can be arranged.

The Complaint outlines five causes of action, and in most cases leaves the requested damages to be determined at trial.

First cause of action: Violation of Civil Code Section 51 (Unruh Act)

28. …Under the Unruh Act, a business establishment may not discriminate against any person based on a personal characteristic representing a trait, condition, decision, or choice fundamental to that person’s identity, beliefs and self-definition as that factor has been applied in previous cases. …The protection of the Unrush Act extends to political affiliation….

30. Mr. Del Arroz was discriminated against in violation of the Unruh Act in that he has been banned from attending Worldcon 76 based upon his political affiliation and political beliefs….

Del Arroz claims lost sales and emotional distress as a result.

Second cause of action: Violation of Civil Code Section 51.5

This is a law against various forms of discrimination on account of characteristics such as “political affiliation.”

The Complaint says:

39. WorldCon 76 is a business establishment in that it holds itself out as open to the public without restriction and is using public facilities and engaging in public commcerce.

40. SFSF discriminated against, boycotted or blacklisted, or refused to contract with or sell to Mr. Del Arroz by refusing to sell him an attending membership because of his political affiliation and political beliefs. Plaintiff is informed and believes that the other named Defendants aided or incited this unlawful conduct.

Third cause of action: Violation of Civil Code Section 51.7

The Complaint alleges violations of the law’s protection against “violence, or intimidation by threat of violence” because of a political affiliation (or other arbitrary discrimination).

The Complaint says:

49. On Tuesday, January 2, 2018 at 5:01 p.m., Mr. Del Arroz received an email from Lori Buschbaum, who identified herself as the “Incident Response Team area head” for Worldcon 76 which stated in relevant part: “If you are found on the premises of the convention center or any of the official convention hotels you will be removed.” This statement constituted intimidation by threat of violence against Mr. Del Arroz because of his political affiliatuion in that Defendants and each of them threatened to have Mr. Del Arroz forced [sic] physically removed against his consent and acquiescence from locations he had a right to be in such as the lobby of a hotel. This threat was understood by Mr. Del Arroz to include violence in that Mr. Del Arroz had advised SFSFC of his concern about physical violence at WorldCon 76 and Mr. Arroz [sic] had been threatened with violence by members of SFSFC and individuals who had said they would be attending WorldCon 76 on social media maintained by SFSFC. At no time had SFSFC advised Mr. Del Arroz that he would be safe at WorldCon 76 and at no time did SFSFC make any effort to stop anyone from expressing a violent animus against Mr. Del Arroz on its social media sites.

Fourth cause of action Violation of Civil Code Section 52.1

After repeating verbatim paragraph 49 above, the Complaint alleges –

59. Mr. Del Arroz was threatened by SFSFC and Lori Buschbaum. Plaintiff is informed and believes that the remaining named Defendants aided or incited this conduct…. Individual Defendants and Does 1 through 30 aided, incited, authorized, ratified or conspired in the said discrimination, blacklisting, boycotting, and refusal to sell or contract with Mr. Arroz [sic] with respect to his purchase of an attending membership.

Fifth cause of action: Defamation.

Citing the January 2 email quoted above the Complaint alleges —

66. …Worldcon 76 never explained to him that anything he planned on doing would constitute a violation of any code of conduct. Mr. Del Arroz is informed and believes and thereon alleges that there is no such code of conduct. Further, Mr. Del Arroz is not a racist. Mr. Del Arroz has often made a point of condemning racism and proudly identifying his Hispanic heritage. Likewise, Mr. Del Arroz is not a bully. The statement that Mr. Del Arroz is a racist bully is false and SFSFC and its representatives knew t was false or made the statement with reckless disregard for the truth or falsity of the charge and with a malicious intent to injure Mr. Del Arroz or his reputation….

Financial damage is also claimed, likewise emotional distress. The Complaint also claims that the defendants —

were aware that they were threatening Mr. Del Arroz with physical violence in order to prevent him from exercising his important civil rights including the right of association and the right to use public property and the right to free and equal treatment by business establishments.

Del Arroz also wants court costs and attorney fees.

Below are copies of the documents filed with the court. The Complaint contains all the allegations and support,. The judge has scheduled the initial case management conference for October 15.

Update 04/16/18: Corrected the info under the Fourth Cause of Action.