Pixel Scroll 8/23/21 Your Scroll, The La Pixela, Is On File

(1) INTERNATIONAL SERIES AWARD TAKING ENTRIES. The Sara Douglass Book Series Award judging panel welcomes entries for the 2021 award. The deadline to enter is September 30. See full guidelines at the link.

  • The third iteration of the Sara is underway in 2021, covering series ending (in original publication anywhere in the world) between January 2018 and December 2020.
  • The current judging year is deliberately excluded. This permits an earlier submissions deadline to allow adequate time for the judges to consider all works entered….

(2) REMEMBERING LOSS. In “The Grief in Memories”, a guest post at Stone Soup, TJ Klune frankly discusses personal experiences with death and grief and how they informed his new novel Under the Whispering Door.

… I know grief. I do. Chances are you do too. If you live long enough to learn what love is, you’ll know loss. Though no two people will grieve the same way, there’s still something universal about it, the way it changes us. It makes us feel like our hearts are being torn from our chests. It makes us furious, ranting and raving at the unfairness of it all. It’s all-consuming, this great thing that wraps itself around us and refuses to let go….

(3) FANAC.ORG. One of the fanzines now available at Fanac.org is a rarity mentioned in Ed Meskys’ obituary a few weeks ago. (“Peggy Rae McKnight (later Sapienza) began publishing Etwas in 1960; ‘We traded fanzines at the time, her Etwas (German for something) for my Niekas (Lithuanian for nothing).’”)

Etwas, Peggy Rae McKnight. Added the full 7 issue run of this early 1960s fanzine by Peggy Rae. Peggy Rae McKnight of course is Peggy Rae McKnight Pavlat Sapienza. Contributors include Harry Warner, Jr., Les Gerber, Ozzie Train, and others. The shorter issues may be more like perzines.

(4) PARTY LIKE IT’S 2010 AGAIN. As part of the Bradbury birthday commemoration, Phil Nichols produced a bonus episode of Bradbury 100 LIVE! In the 90th birthday video clip you can see all kinds of people, like the late George Clayton Johnson, Marc Scott Zicree, and John King Tarpinian (even though he’s trying to be invisible.)

On the eve of Ray Bradbury’s 101st birthday, I ran Bradbury 100 LIVE – a livestream version of my Bradbury 100 podcast. Joing me via Zoom was Steven Paul Leiva: novelist, friend of Ray Bradbury, and former Hollywood animation producer. This live show includes never-before-seen photos and video from Ray’s 90th birthday party, held in Glendale California in 2010. And we talk at length about one of Ray’s “lost” films, Little Nemo In Slumberland. We also discuss legendary animator Chuck Jones, who was a friend of Ray’s, and who was significant to the origin of The Halloween Tree and the abandoned Nemo project.

(5) WELL, EXCUSE MEEE. Despite popular demand, “John Cleese to explore cancel culture in new Channel 4 documentary” reports Radio Times.

British comedy legend John Cleese will be exploring cancel culture in a new documentary series for Channel 4.

The series – which is to be titled John Cleese: Cancel Me – will see the Monty Python and Fawlty Towers star “explore why a new ‘woke’ generation is trying to rewrite the rules on what can and can’t be said”.

Throughout the series, the comedian will talk to a variety of people – including some famous faces who claim to have been ‘cancelled’ and others who have campaigned against comedians and programmes – to ask if it is possible to create comedy without causing offence….

(6) LEGAL MANEUVERING. In the Scarlett Johansson-Disney lawsuit, the latter has filed a motion to send the matter to binding arbitration. “Disney pushes for private arbitration in Scarlett Johansson’s ‘Black Widow’ lawsuit” at USA Today.

Disney has filed a motion to settle a lawsuit brought by “Black Widow” star Scarlett Johansson behind closed doors. 

The motion was filed to Los Angeles Superior Court on Friday afternoon by Disney attorney Daniel Petrocelli. In documents obtained by USA TODAY, Petrocelli argued that the contract between Disney and Periwinkle Entertainment Inc., the company representing Johansson, included an agreement to settle any disputes through “binding arbitration” in New York City. 

Disney’s request for arbitration is the company’s first filing in the case since Johansson filed suit on July 29, alleging her contract with Marvel was breached when “Black Widow” was released on the Disney+ streaming service at the same time as in theaters. 

In Friday’s filing, Disney argued the complaint put forth by Johansson and Periwinkle Entertainment has “no merit.” 

“There is nothing in the Agreement requiring that a ‘wide theatrical release’ also be an ‘exclusive’ theatrical release,” Petrocelli wrote. 

Petrocelli cited box office numbers, noting that the combined opening weekend revenue from ticket sales in theaters and Disney + Premiere Access receipts totaled more than $135 million. That surpassed other Marvel Cinematic Universe films that were released before the pandemic, including “Thor: The Dark World,” “Ant-Man and the Wasp” and “Guardians of the Galaxy,” Petrocelli wrote. 

“Disney is now, predictably, trying to hide its misconduct in a confidential arbitration,” Johansson’s attorney John Berlinski told USA TODAY in a statement. “Why is Disney so afraid of litigating this case in public?”…

(7) THE TIME OF DAY. James Davis Nicoll reaches for the shelf with “Classic SF Featuring Planets With Very Long or Very Short Days” at Tor.com.

…SF authors have noticed this and written books about planets/planetesimals with different day lengths. Consider these five vintage works.

Mission of Gravity by Hal Clement (1953)

61 Cygni’s world Mesklin is sixteen times more massive than Jupiter. A day less than twenty minutes long means that the gravity at the equator is a measly three gravities. Thus, human starfarer Charles Lackland is able to briefly set down near the equator, where he is subjected to extreme discomfort (rather than immediate death). Too bad for Lackland that the object of his quest, a lost probe, is near one of Mesklin’s poles, where gravity is high enough to reduce a human to paste.

Conveniently for Lackland, Mesklin is not only life-bearing—it has natives. Rational self-interest being universal in Clement’s universe, Lackland strikes a deal with local trader Barlennan: retrieve the probe in exchange for services only someone with space flight can provide the trader. What follows is a glorious expedition through conditions quite alien to the human reader….

(8) MEMORY LANE.

  • 1989 – Thirty-two years ago at Noreascon 3 where the Toastmaster was Frederik Pohl, C. J. Cherryh wins the Hugo for Best Novel for Cyteen. It had been published by Warner Books the previous year. Other nominated works that year were Red Prophet by Orson Scott Card, Falling Free by Lois McMaster Bujold, Islands in the Net by Bruce Sterling and Mona Lisa Overdrive by William Gibson.  Andrew Porter’s Science Fiction Chronicle would give it their SF Chronicle Award and Locus would award it their Best SF Novel Award. It was nominated for a BSFA as well. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 23, 1927 Peter Wyngarde. Not one who was a lead actor in any genre series save Department S where he was Jason King but interesting none-the-less. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor, and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
  • Born August 23, 1929 Vera Miles, 92. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve, count ‘em twelve, Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth CenturyFantasy IslandThe Twilight ZoneAlfred Hitchcock PresentsI Spy and The Man from U.N.C.L.E.
  • Born August 23, 1931 Barbara Eden, 90. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors, and she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. She was  Angela Benedict in The Seven Faces of Dr. Lao, the wonderful film version of Charles Finney’s novel, The Circus of Dr. Lao. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch. Her latest genre was just two years ago, Mrs. Claus in My Adventures with Santa. 
  • Born August 23, 1944 Karl Alexander. Author of Time after Time which was filmed as Time after Time as directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. Time after Time was nominated for a Hugo at Noreascon II, the year Alien won. (Died 2015.)
  • Born August 23, 1965 Chris Bachalo, 56, Illustrator well known for his work on DC Comics’ Shade, the Changing Man and Gaiman’s two Death series, Death: The High Cost of Living and Death: The Time of Your Life
  • Born August 23, 1966 Charley Boorman, 55. He played a young Mordred in Excalibur which was directed by his father (and he was joined by his older sister Katrine Boorman who played Ygraine, Mordred’s grandmother) He was Tommy Markham in The Emerald Forest, and had an uncredited role in Alien
  • Born August 23, 1990 Jessica Lee Keller, 31. Lauren, Elise’s Best Friend, in The Adjustment Bureau from Philip K. Dick’s “Adjustment Team” story. She also shows up in LuciferTerror Birds and 12-24

(10) COMICS SECTION.

  • Tom Gauld shows it’s not paranoia, if you’re actually being watched.

(11) OUT OF COSTUME. Comics writer Tom King, while signing at Awesome Con in Washington DC over the weekend, had to deal with a fan who refused to wear a mask. Fascinatingly, the fan was dressed as Rorschach. Thread starts here. The fan was removed by the concom.

(12) WHO IS HOSTING JEOPARDY? “’Jeopardy!’: Mayim Bialik To Step In As Temporary Host Of Syndicated Show After Mike Richards’ Exit”Deadline has the story.

Mayim Bialik, who earlier this month was announced as host of the Jeopardy! primetime and spinoff series, will fill in as host of the mothership syndicated program following the abrupt exit of Mike Richards as host after one day of tapings. (He remains an executive producer of the franchise.)

Bialik, who guest hosted earlier this year in the wake of Alex Trebek’s death, is currently scheduled to tape three weeks of episodes (15 episodes) when production resumes this week. Additional guest hosts will be announced as search for a permanent host of the Sony Pictures Television program resumes.

(13) SCI-FI FOR STRINGS. CBS Sunday Morning did a piece on John Williams, with the news that he is rearranging some of his film scores for violinist Anne-Sophie Mutter.

John Williams is one of America’s most celebrated musical talents – the best-known creator of music for films. He has written the scores for such revered classics as “Jaws,” “Star Wars,” “Superman” and “Schindler’s List.” In a story originally broadcast September 22, 2019, Correspondent Tracy Smith talks with Williams, and with violinist Anne-Sophie Mutter, who collaborated with the composer on an album of works for violin and orchestra adapted from his film scores, “Across the Stars.”

(14) RAIN DANCE. [Item by Mike Kennedy.] The Hollywood Reporter has a delightful story about an encounter (and aftermath) between Malcolm McDowell and Gene Kelly, recounted here on the 99th anniversary of the latter’s birth. Always remember: it’s showbiz, not just show. “Malcolm McDowell Learned 40 Years Later Why Gene Kelly Was Upset With ‘A Clockwork Orange’ Using “Singin’ in the Rain””.

…McDowell’s character sings the iconic 1952 musical number during one of the most disturbing and graphic scenes in the 1971 Kubrick classic. Talking to the same room of fans, McDowell said the song was not in the script, the idea just came to him during a take and Kubrick loved it. “It was just instinctive,” he added.

It would not be until 40 years later when McDowell would learn why Kelly was so mad about the situation.

“I am telling this story to the Academy, and afterward this lady came up and said, ‘I’m Gene’s widow. Gene wasn’t upset with you, Malcolm. He was really upset with Stanley Kubrick because he hadn’t been paid.’ And I went, ‘My God, there’s quite a gang of us who haven’t been paid!’” he said to laughs.

(15) HOOCH TREK. “Star Trek Wines Adds New Alien-Inspired Bottles”Food & Wine admires the designs. (See full details at the Star Trek Wines site.) Click for a larger image.

…Star Trek Wines has just announced the addition of two more bottles to its now six-bottle lineup.

To recap, Star Trek Wines launched with two options — Chateau Picard Cru Bordeaux and United Federation of Planets Old Vine Zinfandel — produced in partnership with Wines That Rock. (If that name sounds familiar, it’s because they also make wines for The Hallmark ChannelNPR, and Downton Abbey, along with their namesake rock band-themed products.) A year later, in 2020, two more wines joined the mix: Klingon Bloodwine and United Federation of Planets Sauvignon Blanc.

Now, it’s 2021, and as any serialized TV show knows, you need fresh content, so say hello to your latest season of Star Trek Wines: United Federation of Planets Special Reserve Andorian Blue Chardonnay (at $50 per bottle) and Cardassian Kanar Red Wine Blend (at $60 per bottle)….

(16) ON THE STAGE. Michael Toman pointed out a couple of the latest sort-of-genre items available from Playscripts.

When a narrator displeased with her part tries to ruin the happy endings of five Grimm’s fairy tales, a talking lobster must save the day. A charming comedy full of enterprising animals and classic storytelling magic.

When Archer finds herself a captive audience for her dad’s latest masterpiece, it seems pretty familiar for a fantasy adventure screenplay at first. Wars, in the stars. Brides, of the princess variety. This story’s got such an incredibly absurd array of heroes, villains, robots, and romances, it’s total chaos. But once Archer gets pulled in to the mashup tale of a princess with a secret agenda and some space wizards destined for greatness, she starts to wonder: Could this be so much chaos it’s actually… genius? With all the special effects achieved by one actor hurling models and puppets, plus a flexible cast, an epic quest can come to any stage in this hilarious satire of beloved fantasy adventures. 

(17) MIMEO MAKERS. In the Forties, when a couple of fans couldn’t afford a mimeograph, they figured out how to DIY – they made one from a paint can. Now that mimeos practically don’t exist anymore, this technique might come in handy again.

Join Olson Graduate Rich Dana and Curator of Science Fiction and Popular Culture Collections Peter Balestrieri as they explore the techniques created by Dale and Anita Tarr back in the 1940s of printing zines with a paint can.

[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Dann, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster  for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]

Pixel Scroll 8/13/21 The Green Hornet + MurderBot = Green Murder Hornet Bots

(1) EATING THE FANTASTIC. Scott Edelman invites listeners to devour donuts with Karen Osborne, Sarah Pinsker, and K. M. Szpara — who all recently had their second novels published — in episode 151 of the Eating the Fantastic podcast.

Karen Osborne, Sarah Pinsker, and K. M. Szpara

What are the joys and challenges of writing and publishing a second book? Writers can take their entire lives to get their first novels published, after which creating another novel in a year — or sometimes less — can be major pressure. After giving everything they had to the first novel — how does a writer decide what’s worth writing next? Do they fear they won’t live up to the promise of their debut, and might disappoint readers? I had a wonderful time listening to this trio of second novelists opening up about their experiences, and I hope you will too.

We chatted while nibbling on takeout from Baltimore’s Zaatar Mediterranean Cuisine, and about two-thirds of the way through, switched up to doughnuts from my favorite such spot in Baltimore — Diablo Doughnuts.

We discussed why “second books are weird,” what (if anything) they learned writing their debuts which made book two easier, why pantsing is a thing of the past, whether book two had them concerned about creating a brand, how writing acknowledgements for second novels can be strange, the way deadlines made taking time off between books impossible, the dangers of being abandoned by debut culture, the fear of fewer pre-publication eyeballs on book two, how the pandemic will affect the creation of future novels, and much more.

(2) WHEN WILL YOU MAKE AN END? You know how cranky some fans get when series remain unfinished for years. James Davis Nicoll promises he can deliver “Five Fully Completed SFF Series” to readers at Tor.com.

I stand second to none in my habit of relentless optimism. Still, I am beginning to suspect that Mr. Dickens is never going to deliver a definitive ending to his otherwise promising The Mystery of Edwin Drood. Admittedly, when one purchases a book all one can legitimately expect is the book in hand. Anticipation of further instalments, no matter how heartfelt, does not constitute a legal contract that binds the author to deliver further instalments.

That said, there are some series whose authors have managed to publish—and finish!—entire series. Here are five recent examples that I would recommend….

(3) HORROR VERSE. Stephanie M. Wytovich, editor of HWA Poetry Showcase, Vol. 8, has announced the volume’s table of contents.

…This year is particularly special for me as it will be my last year editing the showcase. After four wonderful, poetry-filled years, I am thankful to the HWA for trusting me with this project, to John Palisano for supporting and encouraging me, and to David E. Cowen for initially recommending me for this position. It has been a journey and a delight, and I’ve learned so much about the market, the genre, and our fantastic community along the way. Thank you for the scares, the nightmares, and the verses, folks. I hope to return the favor someday (insert evil laugh here).

(4) CENSORSHIP IS A PLAGUE TOO. Publishers Weekly stats show “Censorship on the Rise Worldwide”.

Since the start of the Covid pandemic, there’s been a rise in instances of government censorship of books around the world. In October 2020, the International Publishers Association released a 106-page report, “Freedom to Publish: Challenges, Violations and Countries of Concern,” that outlined 847 instances of censorship in a host of countries, including France, Iran, Serbia, and the United Kingdom, as well as the United States. According to the report, in 55% of those instances, the censorship was undertaken by government authorities. The report is downloadable from the IPA website.

Since that report was issued, efforts to censor books have continued. In July, the Hungarian government imposed an $830 fine on the distributor of the Hungarian translation of Lawrence Schimel’s children’s book What a Family!, citing a law that bans the depiction of homosexuality and gender reassignment in material aimed at minors. The book tells the story of two families with young children—one with two fathers and the other with two mothers.

That incident follows another in Hungary, in October 2020, when a member of parliament put a copy of Meseorszag mindenkie (A Fairy Tale for Everyone), which also features LGBTQ characters, through a shredder. “So the publisher reprinted it as a board book” said Schimel, whose book had the same Hungarian editor.

Schimel, an American living in Madrid, has published dozens of LGBTQ-themed works for children and adults. “It’s important for all families, not just those who are LGBTQ, to see and read these books which show just how normal these families are,” he said. What a Family! is now sold in Hungary with a sticker, warning readers that it depicts families “outside the norm.” It was originally published as two books in Spanish, and Orca Book Publishers is releasing it as two books in the U.S. in September.

Russia led the way in overt European LGBTQ censorship with the passage of its “anti-LGBTQ propaganda” law in 2012. Today, LGBTQ books are routinely suppressed there, and those that make it to market are sold with warning stickers.

“The campaigns by the populist governments in Europe, such as in Hungary and Poland, against the LGBTQ community are in direct violation of the principles of inclusion and the celebration of diversity,” said Michiel Kolman, chair for inclusive publishing at the IPA. He noted that in Poland, several towns have declared themselves LGBTQ-free zones, forcing LGBTQ residents to move, while in Hungary the transgender community was first targeted, and after that the broader LGBTQ community….

(5) THERE’S SOMETHING YOU DON’T HEAR EVERYDAY, EDGAR. Shelf Awareness says Dune’s “Making Of” book will have its own Hans Zimmer score.

The Oscar-winning composer of Dune‘s soundtrack “was so inspired when he looked at the upcoming behind-the-scenes book from Insight Editions, he decided to write some musical accompaniment,” io9 noted. The Art and Soul of Dune by executive producer Tanya Lapointe, which “will be available both in standard and jaw-dropping limited editions,” is going to have a dedicated Zimmer score available to download and stream upon release on October 22, the same date as the film’s debut. 

(6) SWEEPING DISCOVERY REQUEST. Publishers Weekly reports “Internet Archive Seeking 10 Years of Publisher Sales Data for Its Fair Use Defense”. This relates to the lawsuit against the Internet Archive over its program to scan and lend copies of books.

In an August 9 filing, IA attorneys told the court it is seeking monthly sales data for all books in print by the four plaintiff publishers (Hachette, Penguin Random House, HarperCollins, and Wiley) dating back to 2011. But the publishers, IA lawyers told the court, have balked at the sweeping request reportedly countering that the request is well beyond what the case calls for.

In their pre-motion filing, IA lawyers insist the sales data is crucial to its fair use defense.

“Plaintiffs claim that the Internet Archive’s digital library lending has a negative effect on the market for or value of the works. The Internet Archive disagrees, and wishes to bring forward evidence showing that lending had little or no effect on the commercial performance of the books being lent, compared to books that were not lent,” IA lawyers told the court. “Specifically, in order to show that lending had little or no effect on commercial performance, the Internet Archive wishes to compare the commercial performance of books that were available for digital lending with books that were not available for digital lending.”

IA lawyers also attempt to explain the massive, sweeping scope of their request, conceding that they do not need a decade’s worth of monthly sales data for “each and every book” but only for the 127 works included in the suit as well as “one or more” books that could be deemed “comparable” for each the 127 titles under scrutiny. But since the plaintiffs have “declined to identify books they regard as comparable,” IA attorneys claim, they should be compelled to produce data about all books so that the Internet Archive can “identify books it regards as comparable” and the parties can then “debate, on a level playing field, whether such books are or are not comparable.”…

Read the response from the publishers’ lawyers here: “Publishers Blast Internet Archive’s ‘Extraordinary’ Demand for Sales Data”.

(7) MEMORY LANE.

  • 1975 – Forty-six years ago, the first World Fantasy Award for Life Achievement goes to Robert Bloch. (He’d previously won a Hugo at Detention (1959) — where he and Isaac Asimov were toastmasters — for his “Hell-Bound Train” short story.) Nine years later at L.A.con II, He would receive a Special Committee Award for 50 years as an SF professional, and a year after that, he would be voted the First Fandom Hall of Fame Award.
Robert Bloch

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 13, 1895 Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.)
  • Born August 13, 1899 Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part were awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.)
  • Born August 13, 1909 Tristram Coffin, He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.)
  • Born August 13, 1922 Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of GiantsInvadersThe Man from U.N.C.L.E.The Outer Limits and The Sixth Sense. (Died 1974.)
  • Born August 13, 1965 Michael De Luca, 56. Producer, second Suicide Squad film, Childhood’s EndGhost Rider and Ghost Rider: Spirit of Vengeance, Dracula Untold, Lost in SpaceBlade and Blade IIPleasantville and Zathura: A Space Adventure which is not a complete listing. Also writer for an episode of Star Trek: Voyager, the first Dredd film (oh well), the Freddy’s Nightmares series and the Dark Justice series which though not quite genre was rather fun.
  • Born August 13, 1977 Damian O’Hare, 44. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
  • Born August 13, 1982 Sebastian Stan, 39. Bucky Barnes / Winter Soldier in the MCU film franchise; also appeared in Once Upon a Time series, The MartianThe ApparitionAres III, and Kings, a contemporary alternate-history series about a man who rises to become the King of his nation, based on the biblical story of King David.

(9) COMICS SECTION.

(10) LEAVIN’ ON A JET PLANE. Viewers who have been conditioned by all those movies to think Middle-Earth is a neighborhood of New Zealand will see one season of the Amazon’s TV adaptation shot there too – then, goodbye! The Guardian says moving day is coming: “Amazon moves production of Lord of the Rings TV series to UK”.

Amazon has made the surprise decision to move production of its $1bn-plus Lord of the Rings series from New Zealand to the UK, rejecting tens of millions of dollars in incentives to shoot the TV show in the same location as the blockbuster films.

Amazon, which four years ago paid $250m to secure the TV rights to JRR Tolkien’s works after founder Jeff Bezos demanded a Game of Thrones-style hit for its streaming service, chose to film the first series in New Zealand after competitive bids from around the world. Scotland, which narrowly missed out to New Zealand, is considered to be the frontrunner for the new shooting location, although Amazon declined to comment on its plans.

It is understood that the Tolkien estate had been keen for the series to be shot in the UK, the land that inspired JRR Tolkien’s original books, although did not have any right to determine the TV production’s location.

(11) SPECIAL DEFECTS. CinemaBlend will be happy to show you these “13 Crazy Behind-The-Scenes Secrets From Classic Horror Movies”.

…Despite being one of the most influential and successful film genres, horror does not always get the appreciation it deserves, especially when you consider the passion, patience, technical mastery, and even suffering the cast and crew endure for the sake of a good scare. You may never look at some of the best horror movies the same way again after learning these shocking behind-the-scenes facts, starting with a clever trick used in one of history’s most iconic shockers.

George Lucas Got Stuck In The Mechanical Shark From Jaws

Steven Spielberg was also not prepared for the hysteria he would face the set of his breakout horror hit Jaws, which was mostly due to the technical difficulties that their mechanical star frequently suffered. Someone who experienced these flaws first-hand, and terrifyingly so, was George Lucas, who got his head stuck in the shark as the result of a prank gone wrong while was visiting the set. Curious about it inner-workings, the future Star Wars movies creator voluntarily put his head inside the shark when Spielberg and John Milius activated the jaw clamp, only to panic when they became temporarily unable to get Lucas out.

(12) PROZINE IS STILL WITH US. The Interzone #290/291 Double Issue Ebook is now available. Fiction (see ToC at the link) plus columns by Aliya Whiteley and David Langford; guest editorial by Lavie Tidhar; book reviews by Maureen Kincaid Speller, Duncan Lawie, Val Nolan, and several others; film reviews by Nick Lowe.

(13) AM I BLUE? “The Smurfs trailer announces Nickelodeon series release date”SYFY Wire has the story.

Previously announced in 2020, the new series comes from Belgian studio Depuis Audiovisuel. All the Smurfs that folks most likely remember from their childhoods, from Papa Smurf and Brainy to Smurfette and Clumsy, are back. The new addition comes in the form of Willow, who leads a tribe of girl Smurfs. Like most of the network’s cartoons, each episode will come in a pair of 13-minute blocks: the premiere episode, “Smurf-Fu,” will be about Brainy wanting to learn “Smurf-Fu” from Smurfette so he can defend himself, and “Diaper Daddy,” which finds Handy inventing a robot to change Baby Smurf’s diapers so no one else has to. 

(14) LEAPIN’ LIZARDS! “Giant, Dragon-Like, Flying Reptile Fossil Discovered in Australia” says Smithsonian Magazine.

In addition to its school-bus-length wingspan, the creature had a three-foot-long skull with a pointed snout and around 40 sharp teeth. This pterosaur likely lived and hunted for fish near the Eromanga Inland Sea, a large inland sea that once occupied much of eastern Australia during the early Cretaceous period.

“It wasn’t built to eat broccoli,” Richards tells Royce Kurmelovs of the Guardian. “It would have been a fearsome sight.”

Though the fossil was found in northwest Queensland over a decade ago, researchers weren’t able to prove it was a new species until now. There are over 200 species of pterosaur, ranging from the 16-foot-tall Quetzalcoatlus to the sparrow-sized Anurognathus. Unlike the feathered birds they shared the sky with, pterosaurs stayed aloft on membrane wings stretched between their fingers….

(15) THEY MADE HISTORY. Mr. Sci-Fi – Marc Scott Zicree – delivers another lesson in “History of Sci-Fi Movies — The Nineties — Part One!”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In the spoiler-filled “The Suicide Squad:  Pitch Meeting” on Screen Rant, Ryan George says that fans of several popular character actors who appear in The Suicide Squad will be disappointed that they die almost immediately after they’re introduced and that Harley Quinn “is better at hand-to-hand combat that a whole squad of military people.”

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael J. Walsh, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 7/29/21 How Many Hugo Finalists Can Scroll On The Head Of A Pixel

(1) WHO’S NEXT? The Thirteenth Doctor and the showrunner will both be replaced reports Radio Times: “Jodie Whittaker and Chris Chibnall confirmed to leave Doctor Who”.

Jodie Whittaker and Chris Chibnall.

Both star and showrunner will bow out following a six-part series (set to air later in 2021), two specials (already planned for 2022), plus one final feature-length adventure for the Thirteenth Doctor which will also mark the BBC’s centenary next year.

In a statement, Chibnall said: “Jodie and I made a ‘three series and out’ pact with each other at the start of this once-in-a-lifetime blast. So now our shift is done, and we’re handing back the TARDIS keys.

“Jodie’s magnificent, iconic Doctor has exceeded all our high expectations. She’s been the gold standard leading actor, shouldering the responsibility of being the first female Doctor with style, strength, warmth, generosity and humour. She captured the public imagination and continues to inspire adoration around the world, as well as from everyone on the production. I can’t imagine working with a more inspiring Doctor – so I’m not going to!…”

Whittaker, who was cast as the first female incarnation of the Doctor in 2017, said: “In 2017 I opened my glorious gift box of size 13 shoes. I could not have guessed the brilliant adventures, worlds and wonders I was to see in them. My heart is so full of love for this show, for the team who make it, for the fans who watch it and for what it has brought to my life. And I cannot thank Chris enough for entrusting me with his incredible stories.

“We knew that we wanted to ride this wave side by side, and pass on the baton together. So here we are, weeks away from wrapping on the best job I have ever had. I don’t think I’ll ever be able to express what this role has given me. I will carry the Doctor and the lessons I’ve learnt forever.

“I know change can be scary and none of us know what’s out there. That’s why we keep looking. Travel Hopefully. The Universe will surprise you. Constantly.”

A RadioTimes.com poll last year voted Whittaker the show’s second most popular Doctor of all time, behind David Tennant’s Tenth Doctor.

It’s not obvious who the candidates are to take over as showrunner says Radio Times: “Doctor Who’s ‘new generation’ will be announced ‘in due course’”.

…Within the current stable of Who writers, only a handful (including Vinay Patel and Pete McTighe) have written more than one episode, and it’s unclear whether the BBC would look within the current writing staff or elsewhere to find someone to take on the often demanding showrunner job.

In other words, the speculation isn’t just for who could replace Jodie Whittaker any more. Who is the new Chris Chibnall? Taking all bets…

And there’s been an adjustment to the schedule of Doctor Who episodes and specials to accommodate the BBC’s 100th anniversary celebration next year: “Doctor Who series 13 will be six episodes long – with specials in 2022”.

The upcoming thirteenth series of Doctor Who will be six episodes long, the BBC has confirmed.

It was originally announced that there would be eight episodes in the season, but it has now been announced that the main series will consist of just half a dozen episodes, each of which will form part of an ongoing storyline.

In addition, a trilogy of specials will now air in 2022 – one more than had previously been planned, with the first airing on New Year’s Day 2022 and a second following later in spring 2022.

…The third feature-length special, in which the Thirteenth Doctor will regenerate, will then air in autumn 2022, forming part of the BBC’s Centenary celebrations.

(2) COVID POLICIES FOR TWO MEGACONS. PAX West, which is September 3-6 this year, is requiring proof of either vaccination or a negative COVID test for attendance this year — see “Health & Safety Update”.

Throughout the year, the PAX team has been actively working to support a safe environment for our PAX West visitors. We are pleased to announce that, in line with the recommendations of state and local public health authorities, we will be implementing a vaccination or negative COVID-19 test requirement for everyone at PAX West. We appreciate your patience as we worked with our venue and the authorities to create our comprehensive plan….

Dragon Con, which is the same weekend, has promised to set its policy at least 30 days before the con, which means it should be announced by next week.

…As the nation continues to emerge from the pandemic, the rules and expectations are changing fast. We are working closely with the public health officials at the Georgia Department of Public Health, the Fulton County Health Department and the experts hired by our hotels to establish a set of health and safety protocols. We don’t know at this point what these ground rules will look like by Labor Day, but we are committed to communicating them as soon as the plan is finalized and at least 30 days before the convention.

(3) WINDOW ON A CENTURY. Tanner Greer asks what we can learn from the popularity of YA in “Escaping Only So Far” in City Journal.

…Future social historians will not be able to consult an oral tradition of fairy tales in an investigation of the twenty-first century’s “mental ordering,” but they will have an equally vast catalog of fictional narratives at their disposal. For the most popular stories of our own day also tend toward the fantastic. Speculative fiction—fantasy, science fiction, and dystopian prophecies—has captured the imagination of twenty-first-century man. These flights of fancy are the cornerstone of our popular culture; their protagonists are our cultural heroes. They testify to the power of escapism.

Yet like the fairy tales of old, our escapist yarns can escape only so far. Their imagery and plotting are irrevocably tied to our society. Despite their diverse subgenres and distinct audiences, these fictional narratives share a set of attitudes and convictions about the nature of authority, power, and responsibility. They provide a window into the moral economy of the twenty-first century’s overmanaged meritocrats.

The rise of the young-adult novel is the most significant literary event of this century. The significance of the genre—often simply called “YA”—is best appreciated when juxtaposed with general trends in Anglophone reading. In an age that has seen both the average number of books read and the average number of hours spent reading steeply decline, YA readership has exploded, and not just among young adults. In 2012, one marketing firm discovered that slightly more than half of all American YA readers were older than 22. Just under one-third were somewhere between 30 and 44…. 

(4) ALMOST HAD A SHORT LIFE. Gizmodo reports the “Lord of the Rings Studio Wanted Peter Jackson to Kill a Hobbit”.

…Speaking to IGN about their new Lord of the Rings podcast series—called “Friendship Onion”—Dominic Monaghan and Billy Boyd (who played Merry and Pippin) touched upon a time when pressure from executives above the Lord of the Rings production team wanted to amplify the stakes of the series by killing off one of its four smallest stars. Apparently, the tall folk were off-limits, and the stakes of, say, a massive war between the forces of good and evil for the fate of all Middle-earth could only be raised if you found one of the cutest hobbits around and stabbed them to death or something.

“It’s a good job that didn’t happen, because it would have been me,” Monaghan joked to IGN. “It definitely would have. There’s no way they are killing Frodo and Sam, and the only ones that would be left would be Merry and Pippin. They wouldn’t kill Pippin because Pippin has a really strong story with Gandalf. It would have definitely been me.”

(5) HALFLING MYTHCON THIS WEEKEND. The virtual “Halfling” 2021 Mythopoeic Society conference takes place online July 31-August 1. They are offering a special “flat rate” conference membership of $20, whether or not you’re a member of the Mythopoeic Society. 

(6) WATCH THE 2021 NEBULA CEREMONY. SFWA has posted video of The 56th Annual Nebula Awards Ceremony held June 5. (The list of winners is here.)

June 5th, 2021 marked the 56th Annual Nebula Awards Ceremony! Writer and Comedian Aydrea Walden hosted for a second year, and the awards were presented by multiple notable figures in the science fiction and fantasy community!

(7) A HOLLOW VOICE SAYS PUGH. “Scarlett Johansson sues Disney for releasing ‘Black Widow’ in theaters and on Disney+” reports Yahoo! The decision impacted her paycheck.

Scarlett Johansson may have retired as the Avengers’s resident Black Widow and passed the torch to Florence Pugh, but it appears that the actress still has some unfinished business with Marvel Entertainment and its parent company, Walt Disney. As originally reported in the Wall Street Journal, the actress — who played Natasha Romanoff over a 10-year period from 2010’s Iron Man 2 to the Black Widow solo adventure that opened in July after a year-long delay — has filed a breach of contract lawsuit against her former employers.

At issue is the way that Disney ultimately chose to release the movie. Originally scheduled to open exclusively in theaters in May 2020, Black Widow was repeatedly delayed due to the coronavirus pandemic. Eventually, the studio made the decision to pursue a hybrid release, opening the massively-budgeted movie in multiplexes the same day it premiered on the Disney+ streaming as a Premier Access title. (Premier Access films are available to Disney+ subscribers for an extra $29.99 surchage.)

According to the lawsuit that Johansson filed on Thursday in Los Angeles Superior Court, that hybrid release plan breached her original contract with Marvel Entertainment and Disney, which reportedly guaranteed an exclusive theatrical release. Furthermore, her salary for the film would be based largely on how it performed at the box office…. 

(8) TOWARDS CHEAPER FREE SPEECH. At The Dream Foundry, Jean-Paul Garnier offers “Freeware Solutions for Building Your Podcasting Studio”.

Starting your first podcast can be daunting. Perusing microphones and equipment, while fun, can be disheartening as the cost quickly becomes prohibitive. But one need not get discouraged, as it is possible to get started with a very small (or no) budget. Many of the things you will need can be obtained for free and in this article we’ll show you where to find the tools you need. 

When it comes to microphones you can be looking at spending anywhere from 10s of dollars to 1000s, but the cell phone in your pocket already has a pretty decent mic built-in, and it’s good enough to get you started. Most cell phones will also have a built-in recording app, and there are plenty you can download for free. If using these go into the settings and make sure to set the sample rate and bit depth as high as possible.

Once you have made your recording it’s time to edit the recording into the beautiful finished product that will be your podcast. Fortunately from here on out everything you’ll be needing can be downloaded for free, and many of the tools we’ll be discussing are powerful and versatile…. 

(9) A NEBULOUS WINNER. As a byproduct of another author mourning how his name got misspelled in a recent award shortlist announcement I learned that Isaac Asimov famously suffered the same indignity – see the “Isaac Asimov FAQ” at Asimov Online.

Asimov hated it when his name was misspelled in print or mispronounced by others. His desire to have his name spelled correctly even resulted in a 1957 short story, “Spell my Name with an ‘s'”.

(Notable instances of his name being misspelled occurred on the cover of the November 1952 issue of Galaxy, which contained “The Martian Way”, and on his 1976 Nebula Award for “The Bicentennial Man”.)

When in 1940 he wrote a letter to Planet Stories, which printed it and spelled his name “Isaac Asenion”, he quickly fired off an angry letter to them. (His friend Lester Del Rey took great delight in referring to him as “Asenion” for many years afterward. On the other hand, Asimov himself referred to positronic robots with the Three Laws as “Asenion” robots in The Caves of Steel.)

Asimov was quite perturbed when Johnny Carson, host of the Tonight Show, pronounced his first name as I-ZAK, with equal emphasis on both syllables, during an appearance on the television show in New York in 1968.

(10) MEMORY LANE.

  • July 29, 1953 – Sixty-eight years on this date, War of The Worlds premiered in Atlantic City. It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson with narration by Sir Cedric Hardwicke. The Martian war machines were designed by Al Nozaki, and the sizzling sound effect would be used again as the first Trek series phaser sound. (You know what novel it was adapted from.) The film was both a critical and box office success with its earnings making it the top SF film of the year. Weirdly, it would win a Retro Hugo at Noreascon 4 for Best Dramatic Presentation, Short Form due to its running time of 85 minutes (per IMDB). Audience reviewers at Rotten Tomatoes currently give it a seventy-one percent rating.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 29, 1876 Maria Ouspenskaya. In the Forties, she did a run of pulp films, to wit The Wolf ManFrankenstein Meets the Wolf Man and Tarzan and the Amazons. A decade or so earlier, she was in the fantasy film Beyond Tomorrow. (Died 1949.)
  • Born July 29, 1888 Farnsworth Wright. Editor of Weird Tales. He regularly published Smith, Lovecraft and Howard, and even Hamilton. He’s also noteworthy for starting the commercial careers of three noteworthy fantasy artists — Bok, Brundage and Finlay. He’s been nominated for three Retro Hugos to date. (Died 1940.)
  • Born July 29, 1927 Jean E. Karl. She founded Atheneum Children’s Books, and she edited Ursula K Le Guin’s Earthsea sequence and Susan Cooper’s The Dark Is Rising sequence. As an author, she wrote three genre novels, Strange TomorrowBeloved Benjamin Is Waiting and But We Are Not of Earth, and a reasonable amount of short fiction, all of which is In the Clordian Sweep series. Nine of those stories are in The Turning Point collection. (Died 2000.)
  • Born July 29, 1941 David Warner, 80. Being Lysander in that A Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful
  • Born July 29, 1955 Dave Stevens. American illustrator and comics artist. He created The Rocketeer comic book and film character. It’s worth noting that he assisted Russ Manning on the Star Wars newspaper strip and worked on the storyboards for Raiders of the Lost ArkThe Rocketeer film was nominated for a Hugo at MagiCon which was the year Terminator 2: Judgment Day won. (Died 2008.)
  • Born July 29, 1982 Dominic Burgess, 49. His first genre roles are sixteen years back as a cop in Batman Begins, and as Agorax in the Ninth Doctor story, “Bad Wolf”. A decade later, he gets his first recurring role as Ember in The Magicans. He’s had roles in Marvel’s Agents of S.H.I.E.L.D.The LeftoversThe Good PlaceTeen WolfThe FlashSupernaturalAmerican Horror Story: Apocalypse and Picard.

(12) COMICS SECTION.

  • Half Full has one of Charlotte’s forgotten web messages.
  • Crankshaft has a garden so overflowing with zucchini it reminds somebody of a Star Trek reference.

(13) THIS IS HILARIOUS. I had never seen The Core (2003) before today when I flicked on Pluto TV in time to watch the scene where they land the Space Shuttle in the Los Angeles River (!!!) This was hilarious. The best thing since the Galaxy Quest landed in the convention center parking lot.

And it turns out there’s a whole oral history post of filmmakers telling how the scene was created – visual effects, models, water imagery, etc., in “’That will not work, Houston, we got bridges every few 100 yards’” at Befores & Afters. You can watch the scene here:

(14) BUSTED. In the latest Rite Gud podcast Raquel S. Benedict says “Genre Busting Makes Me Feel Good”.

Genre is safe. Genre is comfortable. Genre tells us, as readers, what to expect. As writers, genre gives us guidelines to follow, which can make it a lot easier to plan a story: put the villain monologue here, put the meet cute there, tragically kill the protagonist’s mentor in this part of the story. But do we rely on genre conventions too much? Can genre hold us back? Is genre busting good? In this episode of Rite Gud, we are joined by writer and designer Matt Maxwell.

(15) WELL… In “Playing Favorites With Favorites, or, What We Talk About When We Talk About Our Favorite Books” at Tor.com, Molly Templeton explores the complex experience of trying to answer an icebreaker question.

What’s your favorite book?

Maybe there are people for whom this isn’t a loaded question. I’m not sure I’ve met any of them. “Favorite” is a freeze-up word, a demand impossible to meet. Picking just one? Are you serious? But there are 17 books from just last year that are my favorites!

The thing about this question, though, is that it isn’t entirely about the answer. It’s also about what the answer seems to say—the shorthand inherent in talking about books, and who reads what, and what we get out of and return to in the ones we hold closest to our hearts. If someone tells you their favorite book is The Catcher in the Rye, you are likely to draw some conclusions about them. Same goes for someone who names The Princess Bride, or The Lord of the Rings. But what if they say A Tale for the Time Being or Firebreak or The Summer Prince? Does the answer still mean much if you don’t recognize the book?

(16) YOU’RE HIRED. Gawker is back, as the New York Times notes in “Gawker: The Return”, and which I report here because I love the new editor’s modest resume:

…In her editor’s note on Wednesday, Ms. Finnegan wrote that when approached to lead the site last year, she had said, “Absolutely no way in hell.”

A second approach in January won her over. Ms. Finnegan hired a team of 12, mostly women, including four contributing writers.

“I suppose my selling points as a potential editor in chief of Gawker were that I had previously worked at Gawker and Bustle and was unemployed,” Ms. Finnegan wrote. “I was also willing to do it, which not many people can say.”

(17) MOD ARRIVES AT ISS. [Item by Mike Kennedy.] The Russian module, Nauka, has completed its trip to the International Space Station, though there are still nearly a dozen (previously planned) spacewalks needed to put it into service. You may recall that Nauka initially had problems completing engine burns necessary to match orbits with the ISS. “Russian lab module docks with space station after 8-day trip” at Yahoo!

The 20-metric-ton (22-ton) Nauka module, also called the Multipurpose Laboratory Module, docked with the orbiting outpost in an automatic mode after a long journey and a series of maneuvers. Russia’s space agency, Roscosmos, confirmed the module’s contact with the International Space Station at 13:29 GMT.

The launch of Nauka, which is intended to provide more room for scientific experiments and space for the crew, had been repeatedly delayed because of technical problems. It was initially scheduled to go up in 2007.

In 2013, experts found contamination in its fuel system, resulting in a long and costly replacement. Other Nauka systems also underwent modernization or repairs.

Nauka became the first new module in the Russian segment of the station since 2010. On Monday, one of the older Russian modules, the Pirs spacewalking compartment, undocked from the Space Station to free up room for the new module….

The International Space Station is currently operated by NASA astronauts Mark Vande Hei, Shane Kimbrough and Megan McArthur; Oleg Novitsky and Pyotr Dubrov of Russia’s Roscosmos space corporation; Japan Aerospace Exploration Agency astronaut Akihiko Hoshide and European Space Agency astronaut Thomas Pesquet.

In 1998, Russia launched the station’s first module, Zarya, which was followed in 2000 by another big module, Zvezda, and three smaller modules in the following years. The last of them, Rassvet, arrived at the station in 2010.

(18) CREDIT WHERE DUE. There a whole internet industry devoted to identifying movie continuity and set decoration goofs. But sometimes filmmakers get it right! Yahoo! lists “34 Super Small Details In The ‘Back To The Future’ Trilogy That Are Smarter Than All Of Us”.

13. The clock tower’s damage is consistent.

At the beginning of Back to the Future (1985), there’s no damage on the clocktower ledge. When Marty comes back to 1985 at the end, you can see the damage from when Doc was up there to send him back in 1955. from MovieDetails

14. And it’s still broken in 2015.

In Back To The Future 2, the ledge on the clock tower that Doc broke in Back To The Future is still broken from MovieDetails

15. Oh, and that guy Marty’s talking to? He’s the mechanic in 1955!!!

In Back to the Future Part II (1989), the elderly man raising money to save the clock tower in 2015 (who also inadvertently gives Marty the idea to buy the Sports Almanac) is the mechanic who removed the horse manure from Biff’s car in 1955. from MovieDetails

The mechanic is played by Charles Fleischer, who voices Roger Rabbit. Who Framed Roger Rabbit is another movie directed by Robert Zemeckis.

(19) ASSIMILATE THIS. Nature reports “Massive DNA ‘Borg’ Structures Perplex Scientists”:

The Borg have landed — or, at least, researchers have discovered their counterparts here on Earth. Scientists analysing samples from muddy sites in the western United States have found unusual DNA structures that seem to scavenge and ‘assimilate’ genes from microorganisms in their environment, much like the fictional Borg — aliens in Star Trek that assimilate the knowledge and technology of other species. These extra-long DNA strands join a diverse collection of genetic structures — including circular plasmids — known as extrachromosomal elements (ECEs). Most microbes have one or two chromosomes that encode their genetic blueprint. But they can host, and often share between them, many distinct ECEs. These carry non-essential but useful genes. Borgs are a previously unknown, unique and “absolutely fascinating” type of ECE, says Jill  Banfield, a geomicrobiologist at the University of California, Berkeley. She and her colleagues described the Borgs’ discovery earlier this month. month (B. Al-Shayeb et al. Preprint at bioRxiv https://doi.org/gnsb; 2021).

(20) VIDEO OF THE DAY. In “Loki Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, says there’s at least a half hour of talking in every episode (like the architect scene in The Matrix) and people who think Loki in a multiverse is a spoiler should avoid the subtitle of Doctor Strange 2:  In The Multiverse Of Madness.”

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Petréa Mitchell, Rob Thornton, StephenfromOttawa, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 7/17/21 Part Pixel. Part Scroll. All File 770

(1) DRAGON AWARDS DEADLINE. Red Panda Fraction reminds everyone that July 19 the deadline to nominate for the Dragon Awards. The award has a unique eligibility period – the works must be released between 7/1/2020 and 6/30/2021 – and to help deal with it RPF has created an eligible works spreadsheet compiled by volunteers (inspired by Renay’s Hugo Awards spreadsheet) in a Google Doc located here. Dragon Awards nominations can be submitted here

(2) A TOMORROW WAR MAKEOVER. Camestros Felapton wasn’t content to “Review: The Tomorrow War (Amazon)” – now he’s come up with a plan for “Fixing The Tomorrow WarBEWARE SPOILERS as they say.

Sorry, it’s just that this daft film is bugging me. If you are going to have a time travel plot then do something with it. Terminator 1 and 2 managed to be exciting, daft movies and still have some interesting things to say about determinism and time travel. The Tomorrow War pulled one emotional beat out of the set-up but otherwise the time travel aspect just lead to an absurd situation in which Chris Pratt and only Chris Pratt could work out what to do in the past to help the future. It didn’t help that Pratt is not good at conveying the idea that his character is a particularly insightful thinker….

(3) BIG BUCKS. Somebody got paid: “‘Walking Dead’ Lawsuit Settled For $200M Between Frank Darabont, CAA & AMC” reports Deadline.

Less than a month before The Walking Dead kicks off its 11th and final season, the long and bitter legal war between former showrunner Frank DarabontCAA and AMC is over.

In the dictionary definition of a strategic whimper not a bang, the cabler just filed paperwork with the SEC declaring that they have paid out $200 million to the Shawshank Redemption director and the uberagency to end the dispute.

“The Settlement Agreement provides for a cash payment of $200 million (the “Settlement Payment”) to the plaintiffs and future revenue sharing related to certain future streaming exhibition of The Walking Dead and Fear The Walking Dead,” says the understated filing (read it here).

“With regard to the Settlement Payment, the Company has taken a charge of approximately $143 million in the quarter ended June 30, 2021 in consideration for the extinguishment of Plaintiffs’ rights to any compensation in connection with The Walking Dead and any related programs and the dismissal of the actions with prejudice, which amount is net of
approximately $57 million of ordinary course accrued participations,” the 3-page document continues.

… All of which means almost 10 years since TWD‘s Halloween 2011 premiere under Darabont’s tutorage, this legal saga is done like a walker with a knife through the head.

(4) LEVAR BURTON READS HIS OWN BOOK. Entertainment Weekly invites everyone to “Hear LeVar Burton read his novel Aftermath for the first time”. Audio at the link.

Book aficionado, actor, director, and novelist LeVar Burton is doing something new with one of his old projects.

He’s taking Aftermath, his speculative fiction novel from 1997, and turning it into a new audiobook — and EW has your first listen.

When Burton released the book in the late ’90s, it was set in the future — 2019. It followed a group of people that just might be able to save humanity following catastrophic events, including a destructive earthquake, racial strife (the fictional Black president was assassinated in 2012), and war.

EW’s sneak peek from Aftermath is Burton’s new author’s note, where he comments on some of the themes and offers reflection on recent historical events. Looking back on his novel, Burton said he was “astonished by similarities between” his “timeline and unfolding events.” He also notes he wrote the book as “a cautionary tale.”…

(5) A DIM VIEW. Gavia Baker-Whitelaw critiques the cinematography of Marvel movies in “Why the MCU’s Lighting Sucks—Including ‘Loki’ and ‘Avengers: Endgame’” at Daily Dot.

Marvel Cinematic Universe (MCU) fandom is a fount of strong opinions, some of which I find wholly understandable (Tilda Swinton’s role was a fiasco; Sebastian Stan is an underrated gem) while others are a little more… puzzling. In the latter category, it’s always bizarre to see people praise the MCU’s lighting. Unlike the artistic vigor of the comics, Disney’s Marvel franchise delivers film after film that can best be described as “murky.” And that includes the popular technique of just blasting a scene with a single color.

This week saw the release of Black Widow and the Loki finale, both involving a similarly lackluster lighting strategy. Black Widow‘s final sequence includes flashes of red to break up the grey undertones of a traditional Marvel battle, while Loki concludes in a purple castle—after fighting a purple CGI behemoth in episode 5. In both examples, the result is deceptively monotonous. While Loki‘s purple color scheme is initially eye-catching, the low-contrast lighting makes it hard to make out the characters’ facial expressions. The same goes for many other scenes in the show, as evidenced by this official promo image…

There’s nothing wrong with filming in monochrome, of course. The film industry did it for the first forty years of its existence. But Marvel’s “paint it all purple” (or brown, or red) technique ignores the shadows, reflections, and highlights utilized in traditional black-and-white films. So we’re neither benefiting from evocative lighting choices or from the vibrant color palette in blockbusters like Superman (1978). (For a classic superhero movie that probably would work in black and white, Tim Burton’s Batman is full of stark, noir-style contrasts.)…

(6) GOT TO BE HERE SOMEWHERE. Austin Gilkeson examines “The Fellowship of the Ring and the Memes of Middle-earth” at Tor.com, including a famous one that doesn’t come from Tolkien’s books.

The other day, I opened Facebook and saw a Boromir meme. You know the one. Fingers and thumb forming a circle, golden light about him, the words “One does not simply [something something]” embossed over the image. This one has the Center for Disease Control logo below that, with the PR announcement, “Fully vaccinated people may now simply walk into Mordor.” Below that, Boromir rubs his temple in frustration. Twenty years on from the debut of The Fellowship of the Ring, and that line from Sean Bean’s Boromir, and I think we can safely say that the “One does not simply” meme is, like the Eldar, immortal….

(7) JOE MCKINNEY (1968-2021). Author Joe McKinney, writer of 13 novels in many genres, including horror, ghost stories, virus thrillers, crime and science fiction, died July 13. He was an 8-time Bram Stoker Award nominee, winning twice, for his novel The Flesh Eaters (2012) and his young adult novel Dog Days (2014).

In addition, he was a sergeant with the San Antonio Police Department, Patrol Supervisor, and before that a homicide detective, disaster mitigation specialist, and he’d helped run the city’s 911 Dispatch Center.

The San Antonio Current paid tribute here, and quotes two writers connected with the Horror Writers Association who eulogized McKinney on Facebook.

“I am terribly saddened to hear that a good friend and great writer, Joe McKinney, has passed away suddenly,” horror author and HWA board member JG Faherty posted on Facebook Thursday. “I will miss the chats we used to have every few months. He was always there to help me when I needed some factual assistance with police procedure, or to just bullshit about things.”

On Thursday, horror author Lisa Morton, a six-time Bram Stoker Award winner, posted a Facebook remembrance of McKinney. She met the San Antonio author in 2006 after being asked to write a blurb for Dead City.

“I became both a fan of Joe’s work and a friend,” Morton wrote. “At some point we both wound up serving as HWA officers and trustees, and Joe was always a trusted voice of wisdom. Even after he left office (he served lastly as HWA’s secretary), we stayed in touch, talking about an amazing crime novel he wanted to write, based on some uncomfortable truths he’d learned while serving within the San Antonio Police Department.”

(8) MEMORY LANE.

  • 1996 – Twenty-five years ago the Deadly Games series ended its run on UPN after just one season. So why am I bringing it to your attention? Because Leonard Nimoy was one of the executive producers (along with Jim Charleston, Christopher Hibler and Christian I. Nyby II), along with being a creative consultant and he directed the pilot for the series. He was not one of the creators as that was Paul Bernbaum, S.S. Schweitzer and Anthony Spinner. (Only the latter with work on The Invaders and The Man from U.N.C.LE. had any extensive genre work. Well, and he wrote for The Banana Splits Adventure Hour.)  Its principal cast was James Calvert, Christopher Lloyd, Cynthia Gibb and Stephen T. Kay. The plot? Evil VR characters escape into reality. Really, would I kid you? The network contracted for an initial thirteen episodes and cancelled it before all of them even aired due to really poor ratings. There’s no audience rating at Rotten Tomatoes but the aggregate critical rating there is fifty percent. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 17, 1889 Erle Stanley Gardner. Though best remembered for the Perry Mason detective stories, he did write a handful of SF stories, all of which are collected in The Human Zero: The Science Fiction Stories of Erle Stanley Gardner. It is not available from the usual digital suspects but Amazon has copies of the original hardcover edition at reasonable prices. (Died 1970.)
  • Born July 17, 1954 J. Michael Straczynski, 67. Best known rather obviously for creating and writing most of  Babylon 5 and its all too short-lived sequel Crusade. He’s also responsible for as well as the Jeremiah and Sense8 series. On the comics sides, he’s written The Amazing Spider-Man, Thor and Fantastic Four. Over at DC, he did the Superman: Earth One trilogy of graphic novels, and has also written SupermanWonder Woman, and Before Watchmen titles. I wonder how his Dangerous Visions anthology project is coming along. 
  • Born July 17, 1956 Timothy D. Rose, 65. Puppeteer and actor. He was the Head Operator of Howard the Duck in that film, but also was in The Dark Crystal, Return to EwokReturn of The JediReturn to OzThe Muppet Christmas CarolThe Force Awakens and The Last Jedi. He voiced Admiral Ackbar in the latter two and in The Return of The Jedi as well. 
  • Born July 17, 1965 Alex Winter, 56. Bill in Bill & Ted’s Excellent Adventure and its sequels Bill & Ted’s Bogus Journey and Bill & Ted Face the Music. And though I didn’t realise it, he was Marko in The Lost Boys. He directed two Ben 10 films, Ben 10: Race Against Time and Ben 10: Alien Swarm. He also directed Quantum Is Calling, a short film that has cast members Keanu Reeves, Simon Pegg, John Cho, and Paul Rudd. 
  • Born July 17, 1967 Kelly Robson, 54. She finally has a collection out, nearly five hundred pages of fiction, Alias Space and Other Stories. It’s available at the usual suspects for four dollars and ninety-nine cents. Bliss! It contains “A Human Stain” for which she won a Nebula, and two Aurora winners, “Waters of Versailles” and “Gods, Monsters, and the Lucky Peach”. 
  • Born July 17, 1976 Brian K. Vaughan, 45. Wow. Author of  Ex Machina, Pride of Baghdad, Runaways, Saga (which has won a BFA and a Dragon), Y: The Last Man, and his newest undertaking, Paper Girls. And he’s won a Hugo Award at LoneStarCon 3 for Saga, Volume One. You could spend an entire summer just reading those series. In his spare time, he was a writer, story editor and producer of Lost during seasons three through five, and he was the showrunner and executive producer of the Under the Dome series.
  • Born July 17, 1992 Billie Lourd, 29. Lourd is the only child of actress Carrie Fisher.  She appeared as Lieutenant Connix in the Star Wars sequel trilogy as Lieutenant Kaydel Ko Connix.  She also has been a regular cast member on American Horror Story for the five seasons. 

(10) COMICS SECTION.

  • Prickly City has the passive-aggressive UFO take on Earth people.
  • Lio’s lost pet poster leaves out one important fact.

(11) BIG PRICE TAGS. The New York Times includes photos of several of these unique items in “Toymakers Create Their Dream Projects (but Ask for Money Upfront)”.

… Other collectors are opening their wallets to buy exclusive products like a $575 Transformers action figure from Hasbro, a $350 Star Wars gunship from Lego, a $75 Magic 8 Ball from Mattel and a $250 Bear Walker skateboard from Pokémon.

The strategy is part of an effort by toy companies to form stronger bonds with fans by offering them once-in-a-lifetime toys. Many companies have beefed up their e-commerce presence to sell limited-edition items that are not found at Walmart or Target.

After slipping 4 percent in 2019, U.S. toy sales roared back last year, rising 16 percent to $25.1 billion, according to the NPD Group, a research firm. “2020 was an unprecedented year for the U.S. toy industry,” Juli Lennett, vice president and industry adviser for NPD’s U.S. toy division, said in a statement.

Much of the expansion was driven by pandemic-induced lockdowns that led consumers to shop online for entertainment options. In the first three quarters of 2020, overall online toy sales jumped 75 percent from a year earlier, NPD said.

Taking advantage of the online growth, executives at big toymakers like Hasbro and Mattel are ramping up their efforts to create dream projects. And digital strategies like crowdfunding allow smaller companies to bypass the hurdles of selling a concept to established retailers, which might balk at giving valuable shelf space to a large, expensive toy or an untested product.

(12) SCHMIGADOON. I don’t think I could actually stand to watch this show, but in small doses it’s morbidly fascinating. Consider the Carousel-esque “You Can’t Tame Me” clip. Which can’t be embedded here.

The six-part series follows a couple, played by Cecily Strong and Keegan-Michael Key, who stumble on a magical town that lives in a 1940s musical. From there, the pair have to try and find true love.

(13) DON’T SPARE THE ROD.  “Submitted for your approval, the ten episodes that broke the bank…in the Twilight Zone.”The Richest calls these “The Ten Most Expensive Twilight Zone Episodes”.

8/10 Once Upon A Time, $67,250.76

The expensive budget behind this no-dialogue episode was in part due to the appearance of silent-film star Buster Keaton. The episode was written as an homage to some of Keaton’s most iconic performances and still retains the Twilight Zone’s iconic twist.

Centered around two men who are unhappy with their current existence, a time traveling helmet provides both a glimpse into how true satisfaction comes from acknowledging that the grass on the other side of the fence is not actually greener.

(14) WOMEN IN SPACE. “What does it take to do a spacewalk? Skill, courage, and being able to wear a men’s size medium” says The Conversation.

On June 25, astronauts Shane Kimbrough and Thomas Pesquet successfully completed an almost seven-hour EVA (extravehicular activity, or spacewalk) to install solar panels on the International Space Station. What does it take to don a spacesuit and venture out on such a technical and dangerous mission? Surprisingly, one of the main criteria (besides the years of astronaut training) is body size.

EVA capabilities blossomed during the era of NASA’s space shuttle. Astronauts rode robotic arms, floated tetherless through the void using jetpacks to steer, corralled satellites by hand, and built the International Space Station (ISS). They’ve done it all while wearing spacesuits based on the design first developed for the Apollo missions in the 1960s.

Each suit is a human-shaped spacecraft, featuring a backpack that houses a primary life support system; a layered, pressurised outer garment to protect astronauts from the space environment; and a “long john” undergarment that circulates chilled water via tubes over the body to stop the astronauts getting too hot inside their suit.

When designing these “next-gen” spacesuits in 1974, NASA opted for a modular “tuxedo” approach, in which the various components (upper torso, lower torso, helmet, arms and gloves) could be mixed and matched to fit individual astronauts. The suits came in five sizes, from extra small to extra large, and were based primarily on male body shapes — females were not eligible for NASA’s astronaut program until 1978….

… This means that to be selected for an ISS spacewalk, an astronaut must fit one of the two remaining available sizes: men’s medium, or men’s large. The first all-female EVA, planned for March 2019, had to be postponed because only one medium-sized suit was available. Another medium suit was eventually cobbled together from spares, and astronauts Christina Koch and Jessica Meir successfully performed their groundbreaking spacewalk on October 18 2019.

(15) INCOMING. This dragon-killing movie is coming to Netflix next month: Monster Hunter: Legends of the Guild

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In this video, the Royal Ocean Film Society celebrates the work of director Joe Johnston and his film The Rocketeer, and says Johnston’s films are “cheesy, but the best kind of cheese.”  He notes that Johnston’s films are small, efficient tributes to the American dream, and says that fans of Johnston’s Captain America: The First Avenger will like Johnston’s earlier film.

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Red Panda Fraction, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/27/21 Credentials Of The Pneumo Gnomes

(1) HAVE YE SEEN THE MOVIE? The cetacean film star is hardly ready to retire: Phil Nichols discusses “Moby Dick at Sixty-Five!” at Bradburymedia.

Sixty-five years ago today – 27th June 1956 – John Huston’s film version of Moby Dick was released, with a screenplay co-written by Ray Bradbury. As regular readers of Bradburymedia will be aware, Ray’s experience of working on this film cast a very long shadow.

Bradbury became somewhat obsessive over Herman Melville’s story, and was driven to write his own prose version of Moby Dick in the form of Leviathan ’99, which was initially a radio play, then a stage play and opera, and eventually a novella….

Nichols follows with a roundup of links to his many posts about various connections between Bradbury and the making of Moby Dick.

(2) FANZINE IPA. [Item by Steven Johnson.] Not a fanzine called IPA, or an apa called IPA, but an limited release Pacific Northwest IPA called Fanzine IPA, from Fort George Brewery in Astoria and Great Notion Brewing of Portland, Oregon. Imagine my surprise when my brother pulled out two pint cans of Fanzine IPA, adorned with bizarre comic strip panels. Images of the cans are at the brewery website. (Click for larger images.)

In an ever hazier world, West Coast IPAs have nearly gone the way of the landline and fax machine. As the condensation slowly evaporates from the window of the indie punk bookstore, Fanzine IPA comes into focus – a crisp, clear, West Coast style collaborative presentation from Fort George Brewery and Grains of Wrath Brewery.  Fanzines are deeply rooted in the DIY ethos of the fiercely independent, small run, self-published, xeroxed and stapled testaments to the object of a true fan’s reverence. The Fanzine IPA can features the art of independent folk legend Michael Hurley, who himself is the subject of a Fanzine. A piney bitterness backs up the heavy hop additions, with grapefruit and other citrus notes. Mild sweetness from the malt bill lingers with a taste of orange juice.

(3) WARREN ELLIS COMEBACK QUASHED. The Mary Sue reports “Image Comics Reneges on Warren Ellis Comeback Series”.

One year ago, British comic book writer Warren Ellis (TransmetropolitanGlobal FrequencyRedwas accused by writer Katie West of coercion, manipulation, and sexually predatory behavior on Twitter. West’s tweet was immediately met with responses from dozens of women and non-binary individuals who shared similar experiences with Ellis, establishing what appeared to be a broad pattern of a giant in the comics industry abusing the power he held over fans and followers. Since then, victims of Ellis have formed So Many of Us, a group of over 60 people who accused Ellis of years of grooming and emotional manipulation.

Ellis issued an apology and largely withdrew from public life, but like most canceled men of the Me Too movement, he has resurfaced. News broke that Image Comics would be bringing Ellis back to finish his mid-2000s series Fell with artist Ben Templesmith. Templesmith made the announcement on his Patreon account, where he wrote of Ellis, “I’m glad he’s going to be doing some comics again. I don’t think anyone thought he’d bugger off and work in a shoe factory or anything, … He is after all, one of the most important comics writers of the past few decades. It means a lot to me to finish this thing, finally, so I couldn’t say no. I guess we’ll let the market speak as to how things go.”

Image Comics initially stood by the announcement, saying “Warren Ellis and Ben Templesmith’s Image Comics series Fell will indeed return for its long awaited final story arc in graphic novel format. We will have more details to share about this very soon.”

But as public outrage grew, they backtracked and issued a new statement saying, “This week’s Fell announcement was neither planned, nor vetted, and was in fact, premature, … While finishing Warren Ellis and Ben Templesmith’s Fell is something we’ve been looking forward to for years, Image Comics will not be working with Warren on anything further until he has made amends to the satisfaction of all involved.” I guess the market has spoken….

(4) GAME WRITER SUES FANS FOR LIBEL. Those of you who have been wondering where to apply all of your recently accumulated knowledge about California defamation lawsuits and the state’s anti-SLAPP provisions learned while following JDA’s case can apply it to a new California case.

The attorneys for video game writer Christoper Avellone filed a libel suit against two women for statements they made in social media about what happened at a Dragon Con, of a nature that can be deduced from the denial:

…These false statements are of or about Avellone and are libelous on their face…. The reader would reasonably understand the statements to be about Avellone and to mean that Avellone targeted young women, including women under the age of consent, by forcing them to become intoxicated for the purpose of engaging in non-consensual sexual contact….

A PDF copy of the complaint, which was filed June 16 with the Superior Court of the State of California, County of Los Angeles, can be read here.

D.M. Schmeyer, who identifies himself on Twitter as an attorney, has an extensive critique of the lawsuit in a thread that starts here. The following are a couple examples of his skeptical take on the suit.

(5) MEMORY LANE.

1982 – In 1982 at Chicon IV where Marta Randall was Toastmaster, C. J. Cherryh would win the Best Novel Hugo for Downbelow Station whichwas set in Cherryh’s Alliance–Union universe during the Company Wars period. It was published by Daw the previous year and originally had been called The Company War by the author. Other nominated works were The Claw of the Conciliator by Gene Wolfe, The Many-Colored Land by Julian May and Little, Big by John Crowley. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 27, 1909 — Billy Curtis. You’ll best remember him as the Small Copper-Skinned Ambassador in Trek’s “Journey to Babel” episode. His genre experienced goes all the way back to Wizard of Oz where he was a Munchkin, and later on he’s a mole-man in Superman and The Mole-Men, and later on a midget in The Incredible Shrinking Man. He had lots of one-offs, be it on Batman (twice there), BewitchedGilligan’s IslandPlanet of The Apes or Twilght Zone. (Died 1988.)
  • Born June 27, 1941 — James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. The group that gave out the Prometheus Award certainly thought so with fifteen nominations and two Awards for two novels, The Multiplex Man and Voyage from Yesteryear.  I’m sure that I’ve read at least a few of his novels, most likely Inherit the Stars and The Gentle Giants of Ganymede. A decent amount of his work is available at the usual suspects. (Died 2010.)
  • Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice”. Water Rites and Horizons are the only ones available at the usual suspects. (Died 2018.)
  • Born June 27, 1959 — Stephen Dedman, 62. Australian author who’s the author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it.  He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Kindle has The Art of Arrow-Cutting and a few other titles.
  • Born June 27, 1966 — J. J. Abrams, 55. Let’s see… He directed and produced the rebooted Star TrekStar Wars: The Force Awakens and Star Wars: The Rise of Skywalker (he was a co-writer on the latter two), but I think I will single him out as the executive producer of the Fringe series. And he was an executive produced the Lost series as well. Did you know he was the executive producer of Person of Interest too? 
  • Born June 27, 1972 — Christian Kane, 49. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage ain’t genre, his role as Eliot Spencer there is definitely worth seeing. 
  • Born June 27, 1975 — Tobey Maguire, 46. Spider-Man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one seriously weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film. 
  • Born June 27, 1987 — Ed Westwick, 34. British actor who has roles in the dystopian Children of MenS. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF).

(7) COMICS SECTION.

  • Frank and Ernest would be debating about an Einstein quote if they had someone to take the other side.
  • Off the Mark show the problem with aliens who do look like something humans have seen before.
  • Bizarro drops a frosty gag in the middle of summer.

(8) WILL THIS WORK? “Relativity Space Reveals Fully 3D Printed Reusable Rocket” says Fabbaloo.

…How did Relativity Space achieve this? They built a proprietary metal 3D printing system they call “Stargate” that can, as most 3D printers can do, produce arbitrary objects. The company has used it to produce working Aeon 1 engines for their previous and much smaller rocket, the Terran 1.

The advantage here is that they are literally 3D printing the entire rocket with Stargate. The engines, the fuselage, plumbing and more. This approach allows them to bypass many complications during the build process and subsequent operation: there are far fewer parts to assemble, fewer joints to fail, fewer seams to leak, and so on. The parts are also designed using generative techniques to ensure they are lightweight as possible….

(9) GET JEMISIN’S GREEN LANTERN. (Item by Daniel Dern.) N K Jemisin’s “Far Sector” Green Lantern twelve-issue miniseries from DC Comics is done, and it’s excellent. (Note, Sojourner “Jo” Mullein , Jemisin’s Green Lantern, has just shown up in one of the regular Green Lantern titles.)

Want to get/read it? As always, with comics, there’s a range of ways, depending on where your slider is between Sooner and Frugaler (also paper vs. pixels):

For sale as paper comics. From your local comic shop, or via distant/online sellers. List price $3.99 each, so x12 for the whole run.

In digital form, via ComiXology.com (the engine behind DC and Marvel’s digital sites; owned by Amazon, FYI.)  Hmmm, issues 1-9 are currently on sale from $3.99 each down to $0.99, with 10-12 still $3.99 each, so cheaper than buying the paper comics (assuming they’re still available at list price) — Far Sector (2019-) Digital Comics – Comics by comiXology

Digitally, via DC’s digital streaming site/service DC Universe Infinite — $7.99/month or $74.99/year; free 1-week trial

Good deal for the patient and moderately frugal — like Marvel, new issues don’t get posted here until (at leaat) 6 months after print release date.

So far, the first 9 issues of Far Sector are up here. Wait 3 months, they’ll all be up.

Collected into a book ( = has ISBN, for sale in stores, libraries can/will buy it): Far Sector (9781779512055): Jemisin, N.K., Campbell, Jamal: Books. Not available until October 2021, trade paperback, list $29.99

At that point, for the patient and ultra-frugal, also, a) your library (or library network) can order it for you, b) the digital version will likely be available via Hoopla (hoopladigital.com).

Here’s some review links

(10) A MODERN STONE AGE FAMILY HOME. “Settlement reached in Flintstone House case” – the San Jose Mercury-News says the city and the owner of a house in Hillsborough, California modeled after the Flintstones have finally resolved their litigation.

A menagerie of prehistoric animals now stands guard at the famous Flintstone House, Tuesday, March 13, 2017, in Hillsborough, Calif. Three dinosaurs, a giraffe and a mastadon were added by Florence Fang, the home’s new owner. (Karl Mondon/Bay Area News Group)

After a years-long legal battle, the quirky, colorful prehistoric decor dotting the so-called Flintstone House will be allowed to stay.

According to the Palo Alto Daily Post, Florence Fang and the town of Hillsborough recently settled a 2019 lawsuit stemming from allegations that Fang had failed to get approval to add dinosaurs and a large sign reading “Yabba Dabba Doo,” among other things, to the yard surrounding her whimsical orange and purple home, which is very visible from Interstate 280.

The settlement agreement reportedly says Hillsborough will pay Fang, a retired media mogul whose family used to own the San Francisco Examiner, $125,000 to cover costs associated with the lawsuit and approve permits for the changes made to the home. Fang, who is in her mid-80s, will drop her claims. She has said the city had stymied her initial attempts to get permits, and she suggested that she was discriminated against for being Asian….

(11) MARATHON MAN. Author Miles Cameron has mixed his thoroughly modern career with ancient avocations —

After the longest undergraduate degree on record (1980-87), I joined the United States Navy, where I served as an intelligence officer and as a backseater in S-3 Vikings in the First Gulf War, and then on the ground in Somalia, and elsewhere. After a dozen years of service, I became a full time writer in 2000. I live in Toronto (that’s Ontario, in Canada) with my wife Sarah and our daughter Beatrice, currently age fourteen. I’m a full time novelist, and it is the best job in the world.

I am also a dedicated reenactor; it is like a job, except that in addition to work, you must pay to participate. You can follow some of my recreated projects on the Agora. We are always recruiting, so if you’d like to try the ancient world or the medieval world, follow the link to contact us. Come on. You know you want to.

Below, that’s us, at Marathon in Greece in 2011.

Cameron’s new SF novel Artifact Space was release this month:

Out in the darkness of space, something is targeting the Greatships.

With their vast cargo holds and a crew that could fill a city, the Greatships are the lifeblood of human occupied space, transporting an unimaginable volume – and value – of goods from City, the greatest human orbital, all the way to Tradepoint at the other, to trade for xenoglas with an unknowable alien species.

It has always been Marca Nbaro’s dream to achieve the near-impossible: escape her upbringing and venture into space.

All it took, to make her way onto the crew of the Greatship Athens was thousands of hours in simulators, dedication, and pawning or selling every scrap of her old life in order to forge a new one. But though she’s made her way onboard with faked papers, leaving her old life – and scandals – behind isn’t so easy.

She may have just combined all the dangers of her former life, with all the perils of the new . . .

(12) EEL CHOW CALL. “When an Eel Climbs a Ramp to Eat Squid From a Clamp, That’s a Moray” is the New York Times’ lyrical headline.

Moray eels can hunt on land, and footage from a recent study highlights how they accomplish this feat with a sneaky second set of jaws.

….And morays climbing out of water came as no surprise to some observers. Lana Sinapayen, an artificial life researcher who grew up in the Caribbean island of Martinique, said local fishermen often caught morays by placing squids on the shore and waiting for the eels to arrive. “You only need a solid stick to take your pick,” she wrote in an email. Dr. Sinapayen was not involved in the research but wanted to emphasize that many local people have long known that morays can hunt on land.

[Thanks to JJ, Michael Toman, John King Tarpinian, Hampus Eckerman, Jennifer Hawthorne, Daniel Dern, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Jon Del Arroz’ Attorney Provided His Services Pro Bono

Following the settlement between San Francisco Science Fiction Conventions, Inc. (Worldcon 76) and Jon Del Arroz of his lawsuit against the 2018 Worldcon, Del Arroz’ attorney, Peter Sean Bradley, has announced that he provided his services pro bono.

He filled in more details in this statement to File 770:

I did not charge Mr. Del Arroz anything for my services. There was a contingency fee retainer agreement but I took the case with no expectation of being paid on this case since it was not likely that the defendant had any assets (other than its trademark.) When we ascertained that defendant had not acquired insurance with the usual coverage for defamation, those expectations were confirmed.

Bradley further explained:

The out-of-pocket costs – what are called “costs” by the courts, as opposed to attorney’s fees – include things like filing fees, deposition court reporter transcript fees, in the main. I can’t think of any other costs in this case. Those costs were borne by the client. The $4,000 settlement payment covered these costs.

Bradley also mentioned another of his recent pro bono cases:

Fortunately, as a sole practitioner with approximately 40 years of experience in business litigation and plaintiff’s civil rights litigation, I have the flexibility to take cases that interest me and/or where I think I can help people. 

For example, last year I represented an African-American woman who had been fired from her job with the County of Fresno before the Civil Service Commission on a pro bono basis where the case had indicia of racial discrimination. I was successful in getter her job back for her. My compensation was being able to help a very nice person while fighting racial discrimination during the George Floyd riots. 

It may be surprising to some people who think of lawyers in pejorative terms, but the law is a helping profession, particularly for those of us who represent individuals rather than corporations.

And Bradley included this note about his practice in response to some belittling comments about it on this blog:

This may also come as a shock to your readership but my civil rights practice, including employment discrimination and termination, involves the representation of the disabled, women, racial/ethnic minorities, people on account of sexual orientation/identity, and people who have had their constitutional or civil rights violated. I was amused while I was reading File 770 commenters’ views about my legal ability to receive the Court of Appeal Opinion affirming a $2.6 million jury verdict on behalf of a client in a disability/defamation case. (O’Brien v. CDCR.) It seems that the Court of Appeals had a different evaluation of my legal ability than your readers, and, again, I took satisfaction in helping another very nice person while enjoying the prospects of a substantial fee.

The O’Brien Appeals court decision is online here.

JDA Broadcasts His Settlement Demands

Jon Del Arroz (left), Vox Day (right)

A court-mandated settlement conference for the parties in Jon Del Arroz’ lawsuit against San Francisco Science Fiction Convention Inc. is set for June 9. If the case is not settled, a jury trial will begin June 14.  Del Arroz today publicly shared his settlement demands while talking with Vox Day during The Dankstream #47 “The Dark Lord Strikes Back (with special guest Vox Day!)” on YouTube.

SFSFC, Inc. is the parent corporation of Worldcon 76, held in San Jose. Del Arroz sued SFSFC in 2018 after the Worldcon 76 committee announced he would not be allowed to attend the convention (“Del Arroz Files Suit Against Worldcon 76”. In February 2019, the court tossed four of the five causes of action in Del Arroz’s lawsuit against Worldcon 76’s parent corporation. The case continues on the fifth complaint, defamation. Earlier this month the court rejected Worldcon 76’s motion for summary judgment asking the court to render judgment on the record already submitted, an unsuccessful effort to get the case dismissed without trial.

At the 01:37 mark in the video Del Arroz described his settlement demands:

JDA: …I could care less about trouble with this juncture. So yeah, but I just put in my um… We have to attempt to reconcile and do a settlement with the beautiful Worldcon before we get to trial here. So I just put in my demands this morning and that’s pretty fun. I would definitely accept it if they do this. I have, of course, a monetary reward which I won’t talk more about since they did defame me and cause trouble for me. But the other thing I thought is I would like to be on the board of Worldcon as a diversity and inclusivity officer to make sure this doesn’t happen to other people.

Vox Day: Well, I think that makes sense, you know, I mean they don’t have a Hispanic one, and right, yeah, they probably don’t have an indigenous people’s one, so you know you can let them know that if you’re too much for them that you know you’d be willing to accept me in that role in your style. Extremely generous of you, yeah, you know, so yeah, very nice [Laughter]

JDA: Cool, but that’s ongoing…

The suggestion about “an indigenous people’s one” is presumably in reference to Vox Day’s stated “English, Irish, Mexican, and Native American” ancestry.

[Update 06/01/2021: Corrected to show where Vox Day was speaking.]

Del Arroz Suit Will Go To Trial; Court Rejects Worldcon 76’s Motion for Summary Judgment

Judge Socrates P. Manoukian has denied San Francisco Science Fiction Convention Inc.‘s motion for summary judgment in the defamation lawsuit brought against them by Jon Del Arroz. SFSFC (Worldcon 76) had asked the court to render summary judgment on the record already submitted in hope of getting the case dismissed without trial.

The court’s tentative ruling was posted online this afternoon in advance of the hearing set for May 11. The case will proceed to a jury trial scheduled to start on June 14 unless it is settled beforehand.

SFSFC, Inc. is the parent corporation of Worldcon 76, held in San Jose. Del Arroz sued SFSFC in 2018 after the Worldcon 76 committee announced he would not be allowed to attend the convention (“Del Arroz Files Suit Against Worldcon 76”. In February 2019, the court tossed four of the five causes of action in Del Arroz’s lawsuit against Worldcon 76’s parent corporation. The case continues on the fifth complaint, defamation, which focuses on SFSFC’s statement on social media banning Del Arroz from attending Worldcon 76:

…Thereafter, defendant SFSFC’s official and authorized social media posted on Facebook the following statement about the alleged reason that Plaintiff had been barred from WorldCon76: “Worldcon76 has chosen to reduce [Plaintiff’s] membership from attending to supporting. He will not be allowed to attend the convention in person. [Plaintiff’s] supporting membership preserves his rights to participate in the Hugo Awards nomination and voting process. He was informed of our decision-via email. We have taken this step because he has made it clear that he fully intends to break our code of conduct. We take that seriously. Worldcon76 strives to be an inclusive place in fandom, as difficult as that can be, and racist and bullying behavior is not acceptable at our WorldCon. This expulsion is one step toward eliminating such behavior and was not taken lightly. The senior staff and board are in agreement about the decision and it is final.”

Today’s court ruling addresses five arguments Worldcon 76’s attorney made in moving for summary judgment. Judge Manoukian said that four of the defense’s contentions were not proven, and another would need to be decided by a jury.  

Here are excerpts from the court’s comments on those five points.

  • Non-actionable opinion.

…In looking at the statement by defendant SFSFC at issue, it does not engage in baseless name-calling nor does it simply charge Plaintiff with being racist in some abstract sense. Instead, the average reader would understand Plaintiff has been banned from attendance at WorldCon76 “because [Plaintiff] has made it clear that he fully intends to break our code of conduct” by engaging in “racist and bullying behavior.”

Like in Overhill, defendant SFSFC’s statement accuses Plaintiff of engaging in some actual, concrete, wrongful conduct which led defendant SFSFC to believe Plaintiff would further engage in “racist and bullying behavior.” Whether Plaintiff had done so in the past or was likely to do so in the future must be based on some factual underpinning. As explained in Overhill, “if those [underlying] facts are either incorrect or incomplete, or if [defendant’s] assessment of them is erroneous, the statement may still imply a false assertion of fact.” At the very least, this court is of the opinion that a reasonable fact finder could conclude defendant SFSFC’s statement declares or implies a provably false assertion of fact.

  • Privilege.

As an alternative basis for summary judgment, defendant SFSFC contends its statement was privileged. “If the privilege arises, it is a complete defense.”

… Defendant SFSFC contends its statement was privileged because it was between “interested” parties with a mutual interest in the subject of WorldCon and for the safety of members/ attendees, in particular. Of relevance, defendant SFSFC proffers evidence that it received complaints from people in the science fiction community, including members who planned to attend WorldCon76, who had observed Plaintiff’s behavior and were afraid of confronting such harassing and disruptive conduct at the convention. Due to the ongoing controversy surrounding harassment in the science fiction community and the significant concerns raised by Plaintiff’s activities, the Committee deemed it necessary to make a statement regarding its decision.

 In opposition, Plaintiff proffers evidence which raises a triable issue of material fact with regard to whether the privileged publication was made “to a person interested therein” and/or whether defendant SFSFC lost the privilege by abusing it in sending it to a much wider audience than “interested persons.” Specifically, Plaintiff proffers evidence that WorldCon76’s social media included a website and Facebook page. The readers of WorldCon76’s social media page included people [who] had never heard of [Plaintiff] or who had no concerns about [Plaintiff].

The court concluded this portion with a quote from a precedent case that indicates the issue of privilege is ambiguous enough that it needs to be determined by a jury.

  • Public figure – actual malice.

Defendant SFSFC continues with its motion for summary judgment by arguing that Plaintiff is a public figure or limited purpose public figure and, consequently, must establish actual malice in order to prevail on a claim for defamation.

The court said that it did not find that Del Arroz is an “all purpose public figure” on the evidence presented.

The court also did not find that Del Arroz is a “limited purpose public figure.”

The court is not persuaded that Plaintiff, by thrusting himself into the public eye with regard to a particular controversy (political boycott/ exclusion/ cancel culture), Plaintiff has become a limited purpose public figure with regard to the defamation at issue in this case. Defendant SFSFC apparently suggests that because Plaintiff is, in defendant SFSFC’s assessment, a bad actor or behaves bad with regard to the topic of political boycott/ exclusion/ cancel culture and every topic he discusses, then his private words and acts are fair game in this case because the defamation relates to his bad acting/ bad behavior. If this were to be the case, then Plaintiff would essentially be an all purpose public figure and there would be no meaning to the term “limited purpose” and no need for there to be a nexus to a discrete matter of public controversy.

  • Truth

As a separate basis for summary judgment, defendant SFSFC contends its statement about Plaintiff is true. As noted above, the gist of defendant SFSFC’s statement is that Plaintiff has been banned from attendance at WorldCon76 “because [Plaintiff] has made it clear that he fully intends to break our code of conduct” by engaging in “racist and bullying behavior.” Defendant SFSFC proffers evidence that its code of conduct prohibited harassing behavior and proffers evidence that Plaintiff had previously engaged in harassing behavior online and Plaintiff threatened to wear a body camera into a convention space to film anticipated “hijinx.”

While defendant SFSFC’s argument and evidence addresses the charge that Plaintiff intended to engage in bullying behavior, defendant SFSFC does not address what the court considers to be the primary “sting” of the statement, i.e., that Plaintiff intended to engage in racist behavior. The court does not consider this to be a slight or minor inaccuracy which can be left unjustified.

Consequently, the court is of the opinion that defendant SFSFC has not met its burden of proving the truth, or substantial truth, of the alleged defamatory statement.

  • Libel per se/ Libel per quod.

As a final basis for summary judgment, defendant SFSFC contends the purportedly defamatory statement is libel per quod and, therefore, Plaintiff must prove that he has suffered special damages which he cannot do. Defendant SFSFC cites two examples of libel per se (accusation of crime or being unfit to practice trade, business, or profession) and argues that since neither of those situations exist here, then the alleged defamatory statement must necessarily be libel per quod. The court does not agree with defendant SFSFC’s logic. No extrinsic aid is necessary to perceive an accusation of being racist as tending to injure the subject’s reputation. Consequently, the court need not address whether Plaintiff can or cannot establish that he has suffered special damages…

A copy of the ruling can be downloaded below; the part related to the Del Arroz suit begins on page 21.

Worldcon 76 Files Last Round of Responses to Del Arroz Before Summary Judgment Hearing

Worldcon 76’s attorney has filed replies to the plaintiff’s opposition to her motion for summary judgment in Jon Del Arroz’ defamation suit ahead of the hearing scheduled for May 11. (These answer the plaintiff’s documents discussed in “Del Arroz Response to Worldcon 76 Motion for Summary Judgment in Defamation Suit Now Online” on April 29.)

San Francisco Science Fiction Convention Inc. is the parent corporation of Worldcon 76, held in San Jose. Del Arroz sued SFSFC in 2018 after the Worldcon 76 committee announced he would not be allowed to attend the convention (“Del Arroz Files Suit Against Worldcon 76”; “We have taken this step because he has made it clear that he fully intends to break our code of conduct….”)

In February 2019, the court tossed four of the five causes of action in Del Arroz’s lawsuit against Worldcon 76’s parent corporation. The case continues on the fifth complaint, defamation. 

If Santa Clara (CA) Superior Court Judge Socrates P. Manoukian does not grant the motion for summary judgment, the case is scheduled for a jury trial beginning June 14.

The full set of documents filed in the case can be downloaded free of charge from the Superior Court of CA, County of Santa Clara court’s Case Information Online website – search case number 18-CV-334547.

The statements that begin and end “Defendant San Francisco Science Fiction Conventions, Inc.’s Reply To Plaintiff’s Opposition To Defendant’s Motion For Summary Judgment” summarize why Worldcon 76 urges the court to grant their motion:

INTRODUCTION

The only cause of action that remains in this case is defamation and the only issue remaining is whether or not the Statement made by San Francisco Science Fiction Conventions, Inc. (SFSFC) is defamatory. Plaintiff’s Opposition attempts to muddy up the waters of this straightforward case. Plaintiff would like this Court to adjudicate his claims for discrimination, intimidation or disparate treatment due to his religious and/or political beliefs. But those claims have been dismissed. Plaintiff attempts to inject misleading and irrelevant evidence, taken out of context, to try and show triable issue of fact. This “evidence” does not pertain to the issues at hand. SFSFC made difficult decision, after due diligence, to revoke Plaintiff’s attending membership in order to protect the environment of its convention. Based on Plaintiff’s conduct and reputation online and in the science fiction community, SFSFC believed Plaintiff was going to break its Code of Conduct by wearing bodycam to the Convention, provoking others and causing disturbances. The Statement SFSFC published was true. Because Plaintiff has no competent evidence to show triable issue of fact exists, summary judgment should be granted.

…CONCLUSION Plaintiff’s Opposition has failed to raise any triable issue of material facts to overcome the instant motion for summary judgment. With the trial just over one month away, Plaintiff woefully inadequate Opposition confirms that he is pursuing this lawsuit in bad faith. His remaining claim for defamation lacks merit and his continuing pursuit of this litigation is waste of the court’s precious resources and is the cause of significant distress and substantial expenses to Defendant.

Available at the court webite:

The principal documents filed by Worldcon 76’s attorney on May 6 and available for download at the court’s website are:

1. DEFENDANT SAN FRANCISCO SCIENCE FICTION CONVENTIONS, INC.’S REPLY TO PLAINTIFF’S OPPOSITION TO DEFENDANT’S MOTION FOR SUMMARY JUDGMENT [C.C.P. 437C] (9 pages)

2. DEFENDANT SAN FRANCISCO SCIENCE FICTION CONVENTIONS, INCJs OBJECTION T0 EVIDENCE SUBMITTED BY PLAINTIFF IN HIS OPPOSITION T0 DEFENDANT’S MOTION FOR SUMMARY JUDGMENT [C.C.P. 437C] (10 pages)

3. [PROPOSED] ORDER RE DEFENDANT SAN FRANCISCO SCIENCE FICTION CONVENTIONS, INC.’s OBJECTION TO EVIDENCE SUBMITTED BY PLAINTIFF IN HIS OPPOSITION TO DEFENDANT’S MOTION FOR SUMMARY JUDGMENT [C.C.P. 437C] (13 pages)

4. DEFENDANT’S REPLY TO PLAINTIFF’S RESPONSE TO SEPARATE STATEMENT OF UNDISPUTED MATERIAL FACTS (54 pages)

5. DEFENDANT’S REPLY TO PLAINTIFF’S SEPARATE STATEMENT OF DISPUTED MATERIAL FACTS (18 pages)

6. DEFENDANT’S RESPONSE TO PLAINTIFF’S OBJECTIONS TO MOVANT’S EVIDENCE IN SUPPORT OF MOTION FOR SUMMARY JUDGMENT (25 pages)

Pixel Scroll 5/6/21 One Day, When The Scrolling’ Is Done, We’ll Tick The Box And Go

(1) BEYOND “MY BAD”. In this video Cat Rambo offers pro tips about “How to Screw Up”. Which maybe you thought you already knew how to do, right? That’s probably true. Cat’s advice is really about what to do afterwards.

(2) BONESTELLS SELL IN HERITAGE AUCTION. “Mars Illustration a Top Lot at $2.3-Million Heritage Auction”Fine Books and Collections has the story.

…Just a couple of months after the Perseverance Rover landing on Mars, Chesley Bonestell’s The Exploration of Mars book cover, Winged Rocket Ferry Orbits Mars Prior to Landing after 250-Day Flight, 1956 soared to $87,500, nearly three times its high pre-auction estimate. The offered image appeared on the cover of Wernher von Braun’s iconic book, The Exploration of Mars. The painting illustrates von Braun’s design for the space ship that would allow humans to go where no man had gone before.

A second work by Bonestell, Mars as Seen from the Outer Satellite, Deimos, The Solar System interior book illustration, 1961, brought a winning bid of $41,250.

(3) WOMEN’S PRIZE. [Item by Cora Buhlert.] The shortlist for the 2021 Women’s Prize for Fiction, an important UK literary award, has been announced. Piranesi by Susannah Clarke is one of the finalists. Another finalist is at least borderline SF and yet another is a crime novel: “Women’s prize for fiction shortlist entirely first-time nominees” in the Guardian. The winner will be announced July 7, and receive £30,000. 

The 2021 Women’s prize shortlist

(4) DOCTOR WHO BLOG TOUR. Titan Comics’ Doctor Who: Vol. 1: Alternating Current blog tour will be visiting File 770 on May 24 to share an art preview.

(5) NO STARTING GATE. In “The Art of Worldbuilding In Media Res” on CrimeReads, Nicole Kornher-Stace recommends novels by Lauren Beukes, Hannu Rajanemi, and Stephen Graham Jones for readers who want to start their novels with an action scene without a lot of backstory about how the world you are creating operates.

…Stephen Graham Jones’s The Only Good Indians starts practically in the middle of a parking-lot bar brawl, full of asides about events and characters that will make no sense to you until you get further in, but you’re being reeled into the story one sucker-punch of a sentence at a time. You don’t care that you don’t understand yet. You don’t need to. You’re immersed, and you realize distantly that you have no idea who or what is being referenced in some of these asides, but by that point you’re in it up to the eyeballs, and the only way out is through….

(6) NOT A SILENT MOVIE. A Quiet Place Part II will be in theatres May 28.

Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

(7) THAT’S T-REX SHIRT, NOT T-SHIRT. [Item by Daniel Dern.] From the company that has brought great (but not all still available) planets’n’space designs (see “Shirts Are The Reason for the Season”), a dino-themed  Hawaiian shirt:

I don’t remember my dino chronology to know off-hand whether this is era-ologically inaccurate (were they all contemporaneous and in the Jurassic), but do we care?

I have several High Seas shirts already, they’re well made and worth the price.

I’d sent this to Robert J. Sawyer, since he’s a dinophile (or at least knowledgeable about ’em), for interest, along with my comment that I didn’t know enough to be sure whether the shirt was, chronologically, inaccurate/misleading. Here’s his reply, which he OK’d to use:

Robert J. Sawyer: “Very cool!  They aren’t all contemporaneous, sadly.  Triceratops (lower left) is the very end of the Cretaceous, for instance.  But it’s a great-looking shirt!”

(8) NEW ATTITUDE. Here’s an art piece of Guilala, the kaiju in 1967’s The X From Outer Space — as a muppet. The artist is Melanie Scott/

(9) STRANGER THINGS. In “Stranger Things 4 clip teases Hawkins National Laboratory footage, Eleven clip”, SYFY Wire sets the scene.

Whatever’s happening underground at Hawkins, it definitely looks sinister… but then again, didn’t it always? Netflix is seemingly hinting that new evils are brewing for Stranger Things 4, and they’re unfolding mostly out of sight, inside the secret government lab that formerly served as Eleven’s supernaturally cold childhood home.

(10) LEON OBIT. Talented comics artist John Paul Leon has died of cancer May 1 at the age of 49: “DC Remembers John Paul Leon 1972 – 2021” at the DC blog.

From his time drawing the iconic Milestone Media hero Static Shock while a junior at New York’s School of Visual Arts to his work on the genre-defining Earth X for Marvel in the late 1990s to his recent DC work with writer Kurt Busiek on Batman: Creature of the Night and the upcoming Batman/Catwoman Special, Leon brought his unmistakable take to everything that he touched.

DC executives and talent alike shared their thoughts across social media at the news of his passing. DC publisher and chief creative officer Jim Lee offered high praise for Leon, saying, “One of the greatest artists of our generation, he was also one of the nicest and most talented creators one could be lucky enough to have met.”…

(11) MEMORY LANE.

1971 –Fifty years ago, Mary Stewart won the first Mythopoeic Fantasy Award for The Crystal Cave. The other nominated works were The Marvellous Misadventures of Sebastian by Lloyd Alexander, Deryni Rising by Katherine Kurtz and Nine Princes in Amber by Roger Zelazny. She would later win another Mythopoeic Fantasy Award for The Hollow Hills novel. These would be her only genre awards. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 6, 1915 Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success but he also did for the Federal Theatre Project the 1936 adaptation of Macbeth with an entirely African American cast. That was known as the Voodoo Macbeth which might give you an idea of what he did to it. He would later do a more straightforward film of Macbeth. And of course he made a most excellent radio Shadow as well! (Died 1985.) (CE) 
  • Born May 6, 1923 – Gordon Davies.  Ninety covers for us; some other work e.g. the Eagle Annual.  Here is the Nov 52 Authentic.  Here is Earthlight.  Here is Space Cadet.  Here is C. Brown ed., Alien Worlds.  Here is M. Ashley ed., The History of the SF Magazine pt. 4.  (Died 1994) [JH]
  • Born May 6, 1927 – Gerard Quinn.  Fourscore covers, two hundred eighty interiors.  Here is Gateway to Tomorrow.  Here is Jack of Eagles.  Here is a drawing that appears to have been auctioned at Loncon I the 15th Worldcon.  Here is the Nov 61 New Worlds.  Here is the Apr/May 82 Extro.  Our Gracious Host’s appreciation here.  (Died 2015) [JH]
  • Born May 6, 1946 Nancy Kilpatrick, 75. Fangoria called her “Canada’s answer to Anne Rice”. I do recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection. She’s exceptionally well stocked at the usual suspects. (CE) 
  • Born May 6, 1950 – Craig Strete, age 71.  Six novels, threescore shorter stories for us; eight other novels.  Did this cover for Red Planet Earth 2 while editor.  First place in the 1984 Dramatists Guild – CBS New Plays Program.  Sometimes uses the name Sovereign Falconer; he is Cherokee.  [JH]
  • Born May 6, 1952 Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair on Babylon 5.  Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “ Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. And yes he’s one of many Babylon 5 actors who died well before they should’ve. (Died 2012.) (CE) 
  • Born May 6, 1955 – Barbara McClintock, age 66.  Half a dozen covers for us.  Here is The Red-Eared Ghosts.  Here is a Complete Tales of Uncle Remus (who, I respectfully suggest, deserves study, even with our modern reservations, however late we have been with them, in hand).  Various books and prizes; five NY Times Best Books, two Time Best Books.  Sets and costumes for the Minneapolis Children’s Theatre Twelve Dancing Princesses.  Illustrated for Jim Henson’s Fraggle Rock.  Website.  [JH]
  • Born May 6, 1962 – Kamil Vojnar, age 59.  Threescore covers.  Here is Killing Time.  Here is Flying in Place.  Here is Others of My Kind.  [JH]
  • Born May 6, 1969 Annalee Newitz, 52. They are the winner of a Hugo Award for Best Fancast At Dublin 2019 for “Our Opinions Are Correct”. And their novel Autonomous was a finalist for the Nebula Award for Best Novel, John W. Campbell Memorial Award and the Locus Award for Best First Novel while winning a Lambda Literary Award. They are also the winner of the Theodore Sturgeon Memorial Award for best short science fiction, ”When Robot and Crow Saved East St. Louis”. (CE) 
  • Born May 6, 1983 – Ingrid Jonach, age 38.  One novel for us; three others.  “Once you finally understand that the world is round, there is no way to make it flat again.”  [JH]

(13) COMICS SECTION.

  • xkcd has a bit of a time warp.
  • While Dilbert has (theoretically) found a cure to racism.
  • Danish cartoonist Wulffmorgenthaler’s May 3 has Sauron visiting a construction side. Translation to English: “Hm… Well, I know art deco is beautiful, but we were thinking more like gothic and black for my tower…” Lise Andreasen says, “I love the orc driving The Eye around.)”

(14) HERE’S LOKI AT YOU, KID. SYFY Wire covers an announcement by “Marvel Studios’ Loki”.

Channeling Loki himself, Disney+ decided to pivot without warning by moving the debut of the character’s Marvel Cinematic Universe TV show up two days to Wednesday, June 9. In fact, all episodes of Loki will now premiere on Wednesdays, instead of the usual Friday window that was reserved for WandaVision and The Falcon and the Winter SoldierTom Hiddleston confirmed the news during a special video announcement that begins with an epic display of famous Marvel props: Iron Man’s helmet, Cap’s shield, and, of course, Thor’s hammer.

“Look, I’m sorry to interrupt,” Hiddleston says, abruptly cutting off the noble montage. “It’s just I’ve noticed that in these long superhero montages, Loki tends to get a bit left out, even though, arguably, he’s incredibly heroic himself [as well as] cunning and charming. I could go on, but maybe … why don’t I just prove it to you? Wednesdays are the new Fridays.”

(15) TRAILER ON STEROIDS. Screen Culture shares “DC’s The Batman (2022) Ultimate Trailer”.

Take a look at our ultimate trailer for Matt Reeves’ The Batman (2022), the trailer features footage from ‘The Batman Official Trailer’ as well as from previous Batman films and contains scenes that resonates with the actual plot for ‘The Batman’

(16) COMICS/GAME CROSSOVER.  Here’s a clip promoting Batman’s entry into Fortnite.

Featured in the new Batman/Fortnite: Zero Point comics, Grab the Batman Zero Outfit in the Fortnite Shop now!

(17) A LONG TIME AGO IN A GALAXY NOT SO FAR AWAY. Mike Dunford, a lawyer who does law streams on Twitch called The Questionable Authority, did a lawstream about the time Star Wars tried to sue the original Battlestar Galactica series for copyright infringement. The discussion of the lawsuit itself is here if people are interested. The stfnal part starts 50 minutes in. He created a cool intro to his talk:

(18) SCREENLESS. [Item by David Doering.] The Engineering heroes at my alma mater, BYU, are developing incredible 3D simulations without monitors. Yes, free-floating 3D images of the Enterprise in combat with a Bird of Prey or a light saber battle. Wow. Has to be seen to be believed. “Using lasers to create the displays of science fiction, inspired by Star Wars and Star Trek”.

Inspired by the displays of science fiction like the holodeck from Star Trek and the Princess Leia projector from Star Wars, a BYU electrical and computer engineering team is working to develop screenless volumetric display technologies. Led by Dan Smalley, BYU professor of electical engineering, the team uses laser beams to trap and illuminate a particle and then to move the particle and draw an image in mid-air. “Like a 3D printer for light,” these displays appear as physical objects to the viewer and, unlike a screen-based image, can be seen from any angle. In this demonstration of the technology, the team shows how they’ve created tiny animations of battle explosions and other images created completely with laser light. Smalley also provides an update on new research that shows how to simulate virtual images in a volumetric display (research published in the April 6, 2021 issue of Scientific Reports).

(19) VIDEO OF THE DAY. Cat Rambo has lots of other good advice, in this video about “5 Tips for Story Submissions.”

I’ve talked before about sending out fantasy and science fiction story submissions. Here’s five tips (well, four and a half, really) about what to do once you’ve submitted a story.

[Thanks to Andrew Porter, John King Tarpinian, Cora Buhlert, John Hertz, Dann, Mike Kennedy, JJ, Lise Andreasen, David Doering, Ben Bird Person, Cat Eldridge, Jennifer Hawthorne, Martin Morse Wooster, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]