ComicMix was the winner today when a Federal judge decided the remaining copyright issues in Dr. Seuss Enterprises’ suit to stop the Oh, The Places You’ll Boldly Go! project.
Dr. Seuss Enterprises (DSE) had claimed the crowdfunded book, featuring the writing of David Gerrold and the art of Ty Templeton, infringed their copyright and trademark for Dr. Seuss’ Oh the Places You’ll Go! A court ruling in May 2018 disposed of DSE’s trademark claims, but the copyright claims remained to be litigated.
In granting ComicMix’s motion for summary judgment U.S. District Court Judge Janis Sammartino explained: “Summary judgment is appropriate where the Court is satisfied that there is ‘no genuine dispute as to any material fact and the movant is entitled to judgment as a matter of law.’”
ComicMix argued there was no copyright infringement because Boldly is fair use, and under applicable caselaw “the doctrine of ‘fair use’ shields from infringement particular uses of a copyrighted work.”
Judge Sammartino wrote that Congress set forth four non-exclusive factors for use in evaluating whether a particular use of a copyrighted work is fair:
(1) The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
In an attempt to foreclose a successful fair use defense, Dr. Seuss Enterprises pointed to the Federal Circuit’s 2018 decision in Oracle America, Inc. v. Google. That case deals with copyrighted Java API code and whether Google infringes when it makes its own version intended to allow software programs to communicate with each other. It’s a high-stakes battle that has a good shot of being taken up by the Supreme Court. When it comes to the purpose and character of Boldly, Dr. Seuss analogizesthe book to what Google did with Java.
“The Court does not find Oracle persuasive,” responds the judge, addressing what she sees as the key distinction. “in Oracle, the Defendants copied the 37 SE API packages wholesale, while in Boldly ‘the copied elements are always interspersed with original writing and illustrations that transform Go!’s pages into repurposed, Star-Trek-centric ones.’ Defendants did not copy verbatim text from Go! in writing Boldly, nor did they replicate entire illustrations from Go! Although Defendants certainly borrowed from Go!—at times liberally—the elements borrowed were always adapted or transformed. The Court therefore concludes, as it did previously that Defendants’ work, while commercial, is highly transformative.”
(2) The nature of the copyrighted work;
The judge finds that the factor of the nature of the copyrighted work — Dr. Seuss’ Oh, the Places You’ll Go — slightly favors the plaintiff before addressing the amount and substantiality of the portion used.
(3) The amount and substantiality of the portion
used in relation to the copyrighted work as a whole;
Judge Sammartino said that she considered the situation in the current case to be comparable to a suit about a poster created to advertise Naked Gun 33-1/3: The Final Insult:
Although the Court ultimately concluded that Boldly was not a parody, the Court concludes that this csse is most analogous to the situation in Leibovitz v. Paramount Pictures Corp. In Leibovitz, the defendant was alleged to have infringed a famous photograph of a nude, pregnant Demi Moore that appeared on the cover of the August 1991 issue of Vanity Fair. The photo of Ms. Moore was itself “a well known pose evocative of Botticelli’s Birth of Venus.”
As part of an advertising campaign for an upcoming movie, the defendant commissioned a photographer to take a photo of another nude, pregnant woman in a similar pose, and “[g]reat effort was made to ensure that the photograph resembled in metic ulous detail the one taken [of Ms. Moore] by [the plaintiff],” from the model’s posture to her hand placement to the use of a large ring on the same finger. The defendant’s photograph was then digitally enhanced using a computer to make the skin tone and body shape more closely resemble that of Ms. Moore in the plaintiff’s original photo. Leslie Nielsen’s face was superimposed on the model’s body, “with his jaw and eyes positioned roughly at the same angle as Moore’s, but with her serious look replaced by Nielsen’s mischievous smirk.” The finished poster advertised that the movie was “DUE THIS MARCH.”
The Second Circuit stressed that, “[i]n assessing the amount and substantiality of the portion used, [the court] must focus only on the protected elements of the original.” Consequently, the court reasoned, the plaintiff “is entitled to no protection for the appearance in her photograph of the body of a nude, pregnant female,” but rather only “the particular way the body of Moore is portrayed.”
The court clarified that, “[e]ven though the basic pose of a nude, pregnant body and the position of the hands, if ever protectable, were placed into the public domain by painters and sculptors long before Botticelli, [the plaintiff] is entitled to protection for such artistic elements as the particular lighting, the resulting skin tone of the subject, and the camera angle that she selected.” The court ultimately concluded that the defendant “took more of the [plaintiff’s] photograph than was minimally necessary to conjure it up, but” that there was “little, if any, weight against fair use so long as the first and fourth factors favor the” defendant.
As in Leibovitz, the Court must take care in distinguishing precisely those elements of the Copyrighted Works to which Plaintiff is entitled copyright protection. Examining the cover of each work, for example, Plaintiff may claim copyright protection in the unique, rainbow-colored rings and tower on the cover of Go! Plaintiff, however, cannot claim copyright over any disc-shaped item tilted at a particular angle; to grant Plaintiff such broad protection would foreclose a photographer from taking a photo of the Space Needle just so, a result that is clearly untenable under —and antithetical to—copyright law. But that is essentially what Plaintiff attempts to do here. Instead of replicating Plaintiff’s rainbow-ringed disc, Defendants drew a similarly-shaped but decidedly non-Seussian spacecraft—the USS Enterprise—at the same angle and placed a red-and-pink striped planet where the larger of two background discs appears on the original cover. Boldly’s cover also features a figure whose arms and hands are posed similarly to those of Plaintiff’s narrator and who sports a similar nose and eyes, but Boldly’s narrator has clearly been replaced by Captain Kirk, with his light, combed-over hair and gold shirt with black trim, dark trousers, and boots. Captain Kirk stands on a small moon or asteroid above the Enterprise and, although the movement of the moon evokes the tower or tube pictured on Go! ’s cover, the resemblance is purely geometric.
Finally, instead of a Seussian landscape, Boldly’s cover is appropriately set in space, prominently featuring stars and planets. In short, “portions of the old work are incorporated into the new work but emerge imbued with a different character.”
(4) The effect of the use upon the potential
market for or value of the copyrighted work.
Hollywood Reporter summarized the court’s take on the last
When it comes to Oh, the Places You’ll Boldly Go!, the judge concludes that it isn’t likely usurp its predecessor’s position in the children’s book market because ComicMix has targeted those familiar with both the Seuss and Trek canon with a work that includes some sexual innuendo (hello, Captain Kirk). The derivatives market is called a “closer question,” but the judge notes that Dr. Seuss has “introduced no evidence tending to show that it would lose licensing opportunities or revenues as a result of publication of Boldly or similar works.”
Judge Sammartino, finding this factor did not favor either party, invoked
the Supreme Court’s statement in Fogerty
v. Fantasy Inc. to justify ruling for ComicMix:
The Supreme Court has admonished, “[t]he primary objective of copyright is not to reward the labor of authors, but ‘to promote the Progress of Science and useful Arts.’ To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work.”
The text of today’s decision also revealed ComicMix originally planned to follow up Boldly with two other Suess/Trek mashups, “Picard Hears A Q” and “One Kirk, Two Kirk, Red Shirt, Blue Shirt,” whose fate is now uncertain.
Ed Kramer, Dragon Con co-founder, has been arrested and jailed on a parole violation, accused of taking a picture of a child without the parents’ consent. Some news sources describe the child as a boy, another as a girl.
Kramer was arrested by Lawrenceville Police Department officers on Tuesday, five days after he was accused of taking photos of a boy believed to be seven years old, an incident report said.
According to the report, officers were dispatched to Gwinnett Pulmonary Group after receiving a call that Kramer, after leaving a doctor’s appointment, remained in the check-out area and was watching the boy.
“He was later seen watching the child and holding his cell phone in a manner that suggested that he was photographing (the) child,” the report said. “The complainant stated that she observed the flash of the camera and she stated that (Kramer’s) eyes never left the boy.”
Porter… said he’s not surprised Kramer has been arrested again.
“It’s the case that never ends,” Porter said. “I knew it was never going to end.”
Kramer was sentenced years ago, but Porter has kept the files against Kramer nearby.
In the past, Kramer was sentenced to five years of house arrest on three counts of child molestation. He was released in December.
… Authorities are now trying to revoke his probation and a judge could resentence him on his original conviction. He could face up to 55 years in prison.
Porter said police found several computers and storage devices in Kramer’s Duluth home and are still going through them.
“Any indication there are other instances out there?” Thomas asked Porter.
“There isn’t at this time,” Porter said. “I think once we get into a forensic analysis of the computers and the storage media, there may be something there.”
Kramer will be back in court Thursday as authorities try to quickly schedule a probation revocation hearing to get him moved into state custody.
Kramer’s bond for the most recent charges is set at $22,200. As
of Wednesday afternoon, he remained in jail.
Kramer pleaded to three counts of child molestation in 2013 as
trial was set to begin in Gwinnett County, entering an Alford-type
plea as provided under Georgia case law in which he agreed to the
conviction even though he still claimed innocence. Kramer agreed to pay damages
to the victims and was sentenced to serve a term of confinement at home.
In December 2017 the state of
Georgia’s Sexual Offender Registration Review Board (SORRB) designated Kramer a
“sexually dangerous predator,” the ranking with the highest perceived risk for
recidivism. Georgia law requires “SDPs” to be monitored by GPS for the rest of
Kramer co-founded DragonCon in 1987 but has not been involved in the operation of the convention since 2000 when he was arrested for the alleged molestations. However, he retained part ownership of Dragon Con until July 2013, when he was bought out by the organization, four months prior to his guilty plea.
In today’s hearing on Jonathan Del Arroz v. S.F. Science Fiction Conventions, Inc., Santa Clara County Superior Court Judge Mark H. Pierce issued a tentative ruling tossing four out of the five causes of action in Del Arroz’s lawsuit against Worldcon 76’s parent corporation. A fifth complaint, defamation, remains before the court.
Del Arroz sued SFSFC last April after the Worldcon 76 committee
announced he would not be allowed to attend the convention (“Del
Arroz Files Suit Against Worldcon 76”; “We have taken this step because he has made it
clear that he fully intends to break our code of conduct….”)
The five causes of action asserted in Del Arroz’s complaint were: (1) Violation of California Civ. Code §51 (Unruh Act, claiming discrimination based on “political affiliation and political beliefs”); (2) Violation of Civ. Code §51.5 (also a law against various forms of discrimination); (3) Violation of Civ. Code §51.7, the Bane Civil Rights Act, a law which protects against “violence, or intimidation by threat of violence” because of a political affiliation (or other arbitrary discrimination); (4) Violation of Civ. Code §52.1 (the Ralph Civil Rights Act); and (5) Defamation.
SFSFC’s attorney Ann G. Nguyen filed demurrer motions against the first four causes on October 11. A ‘demurrer’ motion is one objecting to a pleading by the opposite side, claiming opposing counsel’s claimed facts weren’t sufficient to support a cause of action. JDA’s attorney Peter Sean Bradley filed opposition responses with the court earlier this month. (The attorneys previously shared their positions in correspondence.) Nguyen also filed an Anti-SLAPP motion against the fifth cause of action.
The court sustained SFSFC’s four demurrers,
but denied the Anti-SLAPP motion.
The court ruled that in the first
two causes of action Del Arroz had claimed protections that are not part of the
law. About the Unruh Act it said —
Plaintiff has failed to identify any published California decision expressly stating that “political affiliation” is a protected classification for purposes of the Unruh Act and the Court is unaware of any.
…“Political affiliation” is simply not a personal characteristic protected under the Unruh Act.
about Section 51.5 it said –
The claim fails as a matter of law because, as explained above, “political affiliation” is not a “characteristic listed or defined in subdivision (b) or (e) of Section 51.”
The court ruled against JDA’s
third cause of action because there was no threat of violence, the sole support
for which was the committee’s email stating that “If you are found on the
premises of the convention center or any of the official convention hotels you
will be removed.”
The Court concludes that a reasonable person would not have perceived the Jan. 2, 2018 email from Lori Buschbaum as a threat of violence. Leave to amend is DENIED as the defect cannot be cured without contradicting the existing factual allegations that the sole basis for the claim is the January 2, 2018 email from Lori Buschbaum.
Likewise, the court concluded the
fourth cause failed to show any violation of the Ralph Civil Rights Act —
Under no circumstances could this be objectively construed as a threat of violence against a specific person (Plaintiff) made by a person (Lori Buschbaum) with the apparent ability to carry out such a threat.
SFSFC’s Anti-SLAPP motion to strike the fifth cause of action, defamation, was denied by the court. SLAPP refers to a “strategic lawsuit against public participation,” a suit intended to intimidate and silence critics by burdening them with the cost of a legal defense until they abandon their criticism or opposition. California law counters SLAPPs by allowing a defendant to make a special motion to strike a complaint when it arises from conduct that falls within the rights of petition or free speech.
To receive protection under the anti-SLAPP statute, SFSFC had to show that its statement why Del Arroz wouldn’t be allowed to attend the Worldcon was “made in a place open to the public or a public forum in connection with an issue of public interest.” If they satisfied those conditions, then JDA would have to prove there is a probability he would succeed with his defamation claim. However, the court decided that while SFSFC made its statement in a public forum, this was not “an issue of public interest.”
Defendant’s special motion to strike the fifth cause of action for defamation is DENIED for failure to meet the initial burden to establish that Plaintiff’s defamation claim is based on its protected activity. Defendant’s publicly accessible web site and social media sites do constitute “public forums” for purposes of the anti-SLAPP statute.
However Defendant has failed to establish that its statement that Plaintiff had been barred from the convention because of “racist” and “bullying” behavior (and this is the only reasonable interpretation of Defendant’s statement) concerned a matter of public interest.
…Defendant’s evidence (in particular the declarations of Kevin Roche and Charles Serface) fails to establish that its statement regarding Plaintiff was made in the context of an “ongoing controversy, dispute or discussion,” of interest to a definable, measurable portion of the public. At best Defendant’s evidence shows that Plaintiff engaged in online arguments with a handful of identified persons in which he used disparaging insults (but notably not any clearly racist ones). This evidence does not support Defendant’s “public controversy” argument with any actual evidence that any sizable portion of Defendant’s claimed membership of 7,812 persons (let alone the “science fiction community as a whole,” which Defendant fails to even define much less explain how its awareness and engagement could be or were measured) was even aware of Plaintiff’s identity, much less his disagreements with a handful of identified persons or with Defendant as an organization and was engaged in a discussion about the subject before Defendant’s January 4, 2018 announcement that Plaintiff had been banned from attending the convention because “racist and bullying behavior is not acceptable,” clearly referring to some (unidentified) behavior of Plaintiff.
Because the Court finds that Defendant has not met its burden on the first step of the analysis, it is not necessary for the Court to address the second step.
The tentative ruling will dispose of the first four causes of action unless Del Arroz appeals, and the case will continue with just the defamation claim.
Castalia House’s Amazon Kindle Digital Publishing account was restored yesterday within hours after Vox Day told readers it had been taken down (see “Amazon Terminates Vox Day’s Castalia House Account”.) The problems were caused by Castalia’s Collapsing Empire parody Corrosion by “Johan Kalsi” with the look-alike cover, which has brought Day’s business into conflict with Amazon’s rules many times since the book came out in 2017.
Collapsing Empire author John Scalzi seems to have had this news in mind when he tweeted on Thursday —
Although the Amazon account was reopened, Markku Koponen of Finland,
where the Castalia House entity is based, told readers of Vox Day’s blog that the
“Kalsi” book will no longer be sold on Amazon.
But the sales had dropped so low on it (because people seem to connect it only with the Scalzi events, which isn’t really fair. Again, it’s an actual, serious book) that removing that tool from them had more value than having the title there. And it’s still available on our own site, from which we keep 100% of the revenue instead of 70%.
And he said they have asked Audible to take down the audiobook.
Vox Day also contacted File
set the record straight,” saying —
CORROSION by Johan Kalsi was cleared of being “misleading” no less than 7 times by the highest-level managers at KDP. The previous time it was depublished by the Quality Assurance employee, in September 2018, it was republished before we even received the email telling us it had been depublished.
The reason we were given for our account was terminated was a claim of copyright infringement. This claim was incorrect and was subsequently acknowledged to have been incorrect when our account was restored.
What Amazon did yesterday affected more than 60 authors, and any author who was feeling schadenfreude would do well to keep in mind that not every employee at Amazon with access to their account is fully in agreement with them either. We are very far from the first to have our account terminated, even if it was only for 20 hours in our case.
We sold more copies of Corrosion via our direct store yesterday than we had sold in the previous three months on Amazon. We’ve sold even more copies of it today. That is why we decided not to republish it on KDP and why we will remove it from Audible as well. It’s simply not worth the potential conflict.
When one of his fans encouraged him to initiate legal action
against Amazon. Vox Day replied —
No. We’re already in a significant legal battle with Indiegogo. We will not take on any additional conflict unless it is forced on us. Nor are we interested in going to war against our own distribution channel.
(1) MANGA AT THE MUSEUM. The
British Museum will host an exhibit on “Manga”
from May 23-August 26.
Enter a graphic world where art and storytelling collide in the largest exhibition of manga ever to take place outside of Japan.
Manga is a visual narrative art form that has become a multimedia global phenomenon, telling stories with themes from gender to adventure, in real or imagined worlds.
Immersive and playful, the exhibition will explore manga’s global appeal and cultural crossover, showcasing original Japanese manga and its influence across the globe, from anime to ‘cosplay’ dressing up. This influential art form entertains, inspires and challenges – and is brought to life like never before in this ground-breaking exhibition.
Japanese manga artists find inspiration for their work in daily life, the world around them, and also in the ancient past. Many people are familiar with modern manga, but the art form – with its expressive lines and images – is much older than you might think. …Here is a brief history of Japanese manga in 12 works.
“Patrick isn’t playing Captain Jean-Luc Picard this time, he’s done with Starfleet in this show. That’s about the only thing I do know about the show,” he said.
(3) VERDICT COMING FOR
OPPORTUNITY. NASA has received only silence
from Opportunity since contact was lost during a global dust storm on the red
planet last June. The agency may soon decide to move on. The New York Times has the story — “‘This
Could Be the End’ for NASA’s Mars Opportunity Rover”.
…The designers of the spacecraft expected that dust settling out of the Martian air would pile up on the solar panels, and the rovers would soon fail from lack of power. But unexpectedly, gusts of Martian winds have repeatedly provided helpful “cleaning events” that wiped the panels clean and boosted power back up.
In 2009, Spirit became ensnared in a sand trap and stopped communicating in March 2010, unable to survive the Martian winter.
Opportunity continued trundling across the Martian landscape for more than 28 miles. Instead of just 90 Martian days, Opportunity lasted 5,111, if the days are counted up until it sent its last transmission. (A Martin day is about 40 minutes longer than an Earth day.)
This time, the dust may have been too thick to be blown away or something else broke on the rover. John L. Callas, the project manager, conceded that hopes were fading. “We’re now in January getting close to the end of the historic dust cleaning season,” he said.
Cultural critic Mark Dery coined the term “Afrofuturism” in his essay “Black to the Future,”and its meaning has expanded to encompass alternative visions of the future influenced by astral jazz, African-American sci-fi, psychedelic hip-hop, rock, rhythm and blues, and more. This reading is co-sponsored with PEN/Faulkner Foundation as part of its Literary Conversations series and The Library of Congress’s Center for the Book and Poetry and Literature Center.
The reading at the Folger will be preceded by a moderated
conversation with all three writers at the Library of Congress. This event
is free and will take place at 4 p.m. Register here.
(5) FANTASTIC WOMEN. As part of the celebration of Women’s History Month, the PEN/Faulkner Foundation and the National Museum of Women in the Arts will present “Fantastic Women” on March 10 in Washington, DC.
Join us in celebrating the work of Lesley Nneka Arimah, Kelly Link, and Carmen Maria Machado, women writers who all use elements of the fantastic in their work, often in ways that allow them to explore crucial themes (power, sexuality, identity, the body) without the constraints imposed by strict realism. These authors play with the boundaries of time and space through short stories and novels, and use their writing to push back against the traditional boundaries of women’s fiction.
…An eye-opening moment for Kloos came when he attended another science fiction workshop: the Launch Pad Astronomy Workshop, held each year at the University of Wyoming in Laramie. (Disclaimer — I was an attendee in 2014). The week-long boot camp is engineered to impart science fiction writers with a baseline of astronomy and physics knowledge, with the idea that more scientifically accurate works will in turn help provide readers with better science. “That gave me a lot of ideas that I wanted to put into this series,” he says, “and basically created the solar system from scratch.”
The workshop “taught me all the things I did wrong with Frontlines, which was luckily not a whole lot,” Kloos says, “but there are some whoppers in there, like a colony around a star that does not support a habitable zone.”
(7) BLEAK ENOUGH FOR YOU? Behind a paywall at the Financial Times, John Lanchester argues
that Brave New Worlds did a better
job than 1984 in predicting the
One particular area of Huxley’s prescience concerned the importance of data. He saw the information revolution coming–in the form of gigantic card-indexes, but he got the gist. It is amusing to see how many features of Facebook, in particular, are anticipated by Brave New World. Facebook’s mission statement ‘to give people the power to build community and bring the world closer together’ sounds a lot like the new world’s motto ‘Community, Identity, Stability.’ The world in which we ‘haven’t any use for old things’ dovetails with Mark Zuckerberg’s view that ‘young people are just smarter.’ The meeting room whose name is Only Good News–can you guess whether that belongs to Huxley’s world controller, or Sheryl Sandberg? The complete ban on the sight of breast feeding is common to the novel and to the website. The public nature of relationship status, the idea that everything should be shared, and the idea that ‘everyone belongs to everyone else’ are also common themes of the novel and the company–and above all, the idea, perfectly put by Zuckerberg and perfectly exemplifying Huxley’s main theme, that ‘privacy is an outdated norm.’
(8) HAMIT. Francis
Hamit, a longtime contributor here, has a new Patreon
He says, “There is s lot of free stuff in the Public area. Some of it is
even science fiction. Feedback is welcome and the minimum sign-up is
$2.25 a month for those who want to support my efforts.”
Arnold Schwarzenegger and Andy Vajna, the Hollywood producer who died earlier this week, have appeared in a just-released video from the set of the latest movie in the “Terminator” franchise, which shot in Hungary last year.
The behind-the-scenes promotional video, posted online by the Hungarian National Film Fund, sees Schwarzenegger and the movie’s director, Tim Miller (“Deadpool”), sing the praises of Budapest as a location, and Vajna complimenting the “Terminator” franchise. It ends with Schwarzenegger saying, “I’ll be back.”
It was Vajna’s last set visit to one of the international productions filming in Hungary, where he served as the government commissioner for the film industry. With partner Mario Kassar, Vajna founded the indie powerhouse Carolco, which produced blockbusters including “Terminator 2: Judgment Day,” the first three “Rambo” films and “Basic Instinct.” He died Sunday in Budapest after a long illness. He was 74.
(10) AN ANCIENT EASTERCON.
Rob Hansen has added a section about “Bullcon
– the 1963 Eastercon” to his British fanhistory website THEN “featuring
the usual cornucopia of old photos:”
BULLCON the 1963 UK National Science Fiction Convention – the fifth to be run under the aupices of the B.S.F.A. – took place over the weekend of 12th April – 15th April, 1963. It was held at the Bull Hotel in Peterborough (see it today here), as it would also be the following year. Guest of Honour was Bruce Montgomery aka Edmund Crispin. In SKYRACK, Ron Bennett reported that: “this was the best attended British Convention to date, with over 130 avid fans gathering to celebrate the fifth anniversary of the British Science Fiction Association.”
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 26, 1928 – Roger Vadim. Director of Barbarella which was based on the comic series of the same name by Jean-Claude Forest. Need I note that it starred Jane Fonda in the title role? (Died 2000.)
Born January 26, 1928 – Philip Jose Farmer. I know I’ve read at least the first three Riverworld novels (To Your Scattered BodiesGo, The Fabulous Riverboat and The Dark Design) but I’ll be damned if I recognize the latter ones. Great novels those are. And I’ll admit that I’m not familiar at all with the World of Tiers or Dayworld series. Anyone read them? I know, silly question. I do remember his Doc Savage novel Escape from Loki as being a highly entertaining read, and I see he’s done a number of Tarzan novels as well. (Died 2009.)
Born January 26, 1943 – Judy-Lynn Del Rey. Editor at Ballantine Books after first starting at Galaxy Magazine. Dick and Asimov were two of her clients who considered her the best editor they’d worked with. Wife of Lester del Rey. She suffered a brain hemorrhage in October 1985 and died several months later. Though she was awarded a Hugo Award for Best Professional Editor after her death, her widower turned it down on the grounds that it only been awarded because of her death. (Died 1986.)
Born January 26, 1949 – Jonathan Carroll, 70. I think his best work by far is The Crane’s View Trilogy consisting of Kissing the Beehive, The Marriage of Sticks and The Wooden Sea. I know de Lint liked these novels though mainstream critics were less than thrilled. White Apples I thought was a well crafted novel and The Crow’s Dinner is his wide ranging look at life in general, not genre at all but fascinating.
Born January 26, 1979 – Yoon Ha Lee, 40. Best known for his Machineries of Empire space opera novels and his short fiction. Ninefox Gambit, his first novel, received the 2017 Locus Award for Best First Novel. His newest novel, Dragon Pearl, riffs off the fox spirit mythology.
Do you have a writing routine? More or less. I get up, walk my cat (or more accurately, she walks me), maybe work on one of the languages I’m trying to learn (French, German, Welsh, Korean, and Japanese), brew myself a cup of tea, then set up in my study. For a long project like a novel, I usually write in Scrivener, although for a shorter project or to mix things up I sometimes write longhand with fountain pen. When I’m working in Scrivener, it gives me a running wordcount. So every 100 words that I write, I go to my bullet journal and write out the phrase, “100 words down, 1,900 words to f***ing go!” “200 words down, 1,800 words to f***ing go!” It’s kind of aggro but it keeps me going? I generally aim for 2,000 words in a writing day. More than that and my brain seizes up.
(13) ST:D RECAP. Let Camestros
Felapton fill you in on the latest episode of Star Trek: Discovery: “Discovery:
Discovery decides to play it safe with an episode that’s so The Next Generation that it needs Commander Riker to direct it.
The mystery of the red signals leads Discovery to the Beta quadrant via a quick use of the spore drive. There they discover a colony of humans from pre-warp Earth. Meanwhile in orbit, the collapse of a planetary ring of radioactive rocks (just go along with it) imperils not just the lost colony of humans but the away team (Pike, Michael and crew member of the week).
It’s nice enough. There’s a theme of faith versus science with Pike sort of taking one side and Michael the other.
“I think this is very uplifting. We’re all still in this room. There’s still books, people are still reading them,” said Margaret Atwood, author of The Handmaid’s Tale, The Blind Assassin and much more, during the breakfast keynote on the second day of Winter Institute 14 in Albuquerque, N.Mex.
“Part of the uptick of books is that’s one of the places people go when they feel under both political and psychological pressure,” Atwood continued. “It is actually quite helpful to know that other people have been through similar things before, and have come out of them.”
Atwood was in conversation with Erin Morgenstern, author of The Night Circus and the upcoming The Starless Sea, and during a wide-ranging, illuminating and often funny discussion, topics ranged from forthcoming novels to blurring genre lines, early book-signing experiences, and past and present reactions to The Handmaid’s Tale.
On the subject of her new novel, The Testaments—the sequel to The Handmaid’s Tale coming from Nan Talese/Doubleday on September 10—Atwood joked that her publisher would kill her if she said too much, but she did say that it is set 16 years after the events of the previous book and features three narrators. Beyond that, her publisher “would be very cross” with her.
When asked what led her to return to the world of The Handmaid’s Tale more than 30 years later, Atwood replied that there have “always been a lot of questions asked” about the book, like what happens next and what happens to the main character after the end of the novel. She said that she never answered those questions, because she didn’t know. Writing The Testaments, Atwood explained, was “an exploration of the answers” to those many questions
More than a decade ago, Jay Asher’s young adult novel, “Thirteen Reasons Why,” a dark story about a bullied teenager who kills herself, became an unexpected best-seller. Teachers and librarians around the country embraced the novel as a timely and groundbreaking treatment of bullying and teenage suicide, and the novel went on to sell several million copies. A popular Netflix adaptation set off controversy over its depiction of the causes of suicide, but still drew hordes of new readers to the book, and has been renewed for a third season.
Then, last year, Mr. Asher’s career imploded when he was accused of sexual misconduct, and the Society of Children’s Book Writers and Illustrators announced that he had violated the professional organization’s anti-harassment policy. The repercussions were swift: His literary agency dropped him, speaking engagements and book signings evaporated, and some bookstores removed his novels from their shelves.
Now Mr. Asher, who denied the allegations, has filed a lawsuit against the Society of Children’s Book Writers and Illustrators and the group’s executive director, Lin Oliver, claiming that Ms. Oliver and the organization made false and defamatory statements about him that torpedoed his career, and caused financial harm and intentional emotional distress.
(16) ONE SMALL STEP. [Item by Mike Kennedy.] Checkers? Long since mastered. Chess? Mere child’s play. Go?
Can’t you make me work a little?
In London last month, a team from Alphabet’s UK-based artificial intelligence research unit DeepMind quietly laid a new marker in the contest between humans and computers. On Thursday it revealed the achievement in a three-hour YouTube stream, in which aliens and robots fought to the death.
DeepMind’s broadcast showed its artificial intelligence bot, AlphaStar, defeating a professional player at the complex real-time strategy videogame StarCraft II. Humanity’s champion, 25-year-old Grzegorz Komincz of Poland, lost 5-0. The machine-learning-powered software appeared to have discovered strategies unknown to the pros who compete for millions of dollars in prizes offered each year in one of e-sports’ most lucrative games. “It was different from any StarCraft that I have played,” said Komincz, known professionally as MaNa.
[…] Mark Riedl, an associate professor at Georgia Tech, found Thursday’s news exciting but not jaw-dropping. “We were pretty much to a point where it was just a matter of time,” he says. “In a way, beating humans at games has gotten boring.”
The Vision and Scarlet Witch, one of the first series that Marvel Studios will be making for Disney’s streaming service Disney+, has landed a writer and showrunner.
Jac Schaeffer, one of the scribes behind Marvel’s upcoming Captain Marvel movie, has been tapped to run point on the series that will focus on the two characters that are integral members of the Avengers. She will pen the pilot and executive produce, say sources.
Paul Bettany and Elizabeth Olsen are expected to star in the series, reprising the roles they originated on the big screen.
…As The CW’s Roswell, New Mexico is set to premiere, my guess is that audience response to the series’ fitfully immigration-heavy perspective will fall into two camps.
First: “Keep your politics out of my teen-friendly supernatural soaps!” This group of detractors will be frustrated that a series about aliens set in the American Southwest in 2019 would attempt to connect that extreme circumstance to what is actually happening at the border in 2019. Leaving aside that those people may not like or understand science fiction on a very fundamental level, they won’t like Roswell, New Mexico anyway.
Second: “If this is your skid, steer into it!” This’ll be from those who want Roswell, New Mexico to do more with the immigration metaphor or, rather, to approach it better. It’s the thing that makes Roswell, New Mexico relevant as a brand reinvention, so there’s very little purpose in soft-selling it.
It is always an awkward situation when a movie or TV show spells something wrong in the credits. This can be problematic if an actor’s name is spelled wrong, but as for Star Trek, the word “script” was spelled incorrectly for 13 episodes of season 1.
When giving the crew member George A. Rutter his title, the credits credit him as a “Scpipt” Supervisor. This mistake was eventually fixed on the show, but in the ‘60s, it likely would have cost a lot of money to redo the credits to fix one spelling error.
[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Andrew Liptak, Francis Hamit, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Láadan, the conlang in Native Tongue, is distinctive for its feminist philosophy: according to Elgin, it focuses on words that efficiently describe “concepts important to women” and “emotional information.” Importantly, Láadan isn’t meant exclusively for women: rather, it is a language constructed with feminist principles in its marrow. For example, the Láadan word “radíidin” is immediately recognizable as a form of emotional labor, the often invisible work that falls primarily to women…
Science fiction is everywhere in 2018. Not just in the form of our favorite movies, books, or TV shows — but even in the actual technology we use in our daily lives.
But the story of sci-fi goes back decades — long before films like Star Wars or 2001: A Space Odyssey. The 1930s and 40s are known as the Golden Age of science fiction. This era, and the people in it, are the subject of Chicago writer Alec Nevala Lee’s latest book.
It’s called “Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction.”
And what tied all of these men together is the sci-fi magazine called Astounding, which in many ways helped create the genre.
Alec Nevala-Lee joined us from our studios at Northwestern University’s Medill School of Journalism.
There were singalongs, fan meetups and workshops, booths jamming two “marketplace” floors, as well as an avalanche of panels dedicated to such topics as portraying Evan Hansen, 25 years of Disney on Broadway, auditioning, the lives of stage managers, “Harry Potter and the Cursed Child” and “Mean Girls.”
…It wasn’t until after her husband filed for divorce that Sherrilyn Kenyon had her blood, nails and hair tested for toxins. The tests found her body contained high levels of lithium, tin, barium, platinum and thorium, the lawsuit said.
After her husband moved out, Sherrilyn Kenyon’s health began to improve.
The lawsuit said Lawrence Kenyon and Plump, who had taken on a more involved role helping coordinate Sherrilyn Kenyon’s book-related events and appearances, worked together to sabotage her career by disparaging fans and industry professionals. Their actions, she claimed, led to the loss of hundreds of thousands of dollars and several canceled contracts with her publisher.
… Kenyon is suing for several causes of action, including assault by poisoning, concerted action aiding and abetting, intentional interference with business relationships and invasion of privacy.
When it first emerged more than 30 years ago, cyberpunk was hailed as the most exciting science fiction of the ’80s. The subgenre, developed by a handful of younger writers, told stories of the near future, focusing on the collision of youth subcultures, new computer technologies, and global corporate dominance. It was only ever a small part of the total SF field, but cyberpunk received an outsize amount of attention. Since then, its characteristic tropes have become clichés. By 1992, they could be hilariously parodied by Neal Stephenson in Snow Crash (a novel often mistaken as an example of the subgenre it meant to mock). In 1999, the Wachowskis brought cyberpunk to a mass audience with The Matrix.
Meanwhile, myriad new SF subgenres and microgenres have been discovered or invented, each trying to recapture the excitement cyberpunk once generated. The list is long to the point of parody. There’s steampunk, biopunk, nanopunk, stonepunk, clockpunk, rococopunk, raypunk, nowpunk, atompunk, mannerpunk, salvagepunk, Trumppunk, solarpunk, and sharkpunk (no joke!), among others. Most recently, my Twitter feed has been choked with discussions (and mockery) of hopepunk, after Vox published an article in December announcing its arrival. The term, coined by Alexandra Rowland, was meant to describe fiction that resists dystopian pessimism in favor of “DEMANDING a better, kinder world, and truly believing that we can get there if we care about each other as hard as we possibly can, with every drop of power in our little hearts.”
December, Sarah Gailey livetweeted watching Top
Gun for the first time. The thread starts here.
Top Gun is a heartfelt, moving film about one man’s risky dalliance with heterosexuality. Lieutenant Tom “Maverick” Cruise is introduced to the audience as a glistening, patriotic risk-taker. He just wants to be the best Plane Guy he can be. His ambitious Airplane Moves get him all the way to the TOPGUN program, a school for only the coolest plane guys. Everything is going great for Maverick… until the night before classes begin. He arrives at Miramar, where the TOPGUN program is located, as ominous music plays in the background—Maverick, the score informs us, is on the highway to the danger zone.
That very evening, Maverick’s sassy straight friend, Lieutenant j.g. Goose “Goose” Goose, brings him to a straight bar for an evening of exploration. Goose exhorts the tentative Maverick to “have carnal knowledge—of a lady this time—on the premises.”
(8) CANNIZZO OBIT. Dr.
John K Cannizzo, husband of author Catherine Asaro,
died December 30, 2018 at the age of 61. The family obituary is here.
From Catherine Asaro: I was blessed to have John as my husband for thirty-two years. He truly was a gentle giant with an immense heart and inner strength, the love of my life, the finest human I’ve ever known. I thank all of you who have posted your thoughts here; it helps to ease the great loss of his passing….
From the colleagues of Dr. Cannizzo: …John was a member of the Physics Department at the University of Maryland, Baltimore and the Astroparticle Physics Laboratory in the Astrophysics Science Division at NASA Goddard Space Flight Center, having been at Goddard for 25 years. He was a longtime member of the Laser Interferometer Gravitational-Wave Observatory (LIGO) science team and of the Swift gamma-ray burst telescope….
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 15, 1913 – Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, but I’m listing it anyways because I’m impressed it because it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. His first SF role as Lost Horizon though uncredited so I don’t trust Wiki on that. He’s the Pilot Col. Floyd Graham in Rocketship X-M, Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
Born January 15, 1924 – Dennis Lynds. He only wrote two sf novels, probably pulp ones at that, Lukan War and The Planets of Death, but I’m intrigued that he also penned eight titles of The Shadow from 1964 to 1967 under the Shadow’s author by-line of Maxwell Grant. He also, and I count this as genre, under the name of Robert Hart Davis penned a number of Man from U.N.C.L.E. Novella that all ran in The Man from U.N.C.L.E. Magazine. (Died 2005.)
Born January 15, 1935 – Robert Silverberg, 84. I know the first thing I read by him was The Stochastic Man some forty five years ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years. So what should I have read by him that I haven’t?
Born January 15, 1944 – Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if excessive dollop of humor. His best known novels are his Warlock in Spite of Himself series. I wrote one that by its title intrigues me — The Feline Wizard! (Died 2018.)
Born January 15, 1965 – James Nesbitt, 54. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy Tales, The Young Indiana Jones Chronicles, Stan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role.
…The President is one of the major faces of the organization, and should be willing to attend events such as the Nebulas and conventions as well as representing SFWA at the other events they’re present at. (When signing up for conventions, I usually pitch a SFWA meeting and/or “What Can SFWA Do For You?” panel, for example.) As such, they do need to bear in mind that anything they say on social media or in interviews may be taken as having “of SFWA” appended to it, whether or not they want it to. The President carries this more than board members, and needs to remember that the membership may interpret something they say jokingly on Twitter as indicating the overall board’s opinion. Having a disclaimer that your opinions are personal and do not represent the organization on places like social media profiles is vital.
A good President will be familiar with the bylaws and OPPM and work to bulletproof the organization against anyone wishing to do it harm. They must work side-by-side with the board, the Executive Director, the Deputy Executive Director, the financial team, and a slew of volunteers and contractors to make sure that SFWA remains true to its mission while growing and adapting to the evolving and ever-changing publishing landscape.
In order to do that, the President needs to keep an eye on what’s going on–which can be difficult at times, given the volunteer nature of the position and the stressors of life. They need to be available to people who need them or arrange someone to cover them when on vacation. But it’s also usually easy to keep up with things and often just a matter of checking in on the discussion boards and e-mail once or twice a day. I do want to note (from experience) that many e-mails are time sensitive and not paying attention can result in holding things up in a frustrating way for other people….
DURING THE POSTWAR PERIOD, the genres of the fantastic — especially science fiction — have been deeply intertwined with the genres of popular music, especially rock ’n’ roll. Both appeal to youthful audiences, and both make the familiar strange, seeking escape in enchantment and metamorphosis. As Steppenwolf sang in 1968: “Fantasy will set you free […] to the stars away from here.” Two recent books — one a nonfiction survey of 1970s pop music, the other a horror novel about heavy metal — explore this heady intermingling of rock and the fantastic.
As Jason Heller details in his new book Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, the magic carpet rides of the youth counterculture encompassed both the amorphous yearnings of acid rock and the hard-edged visions of science fiction. In Heller’s account, virtually all the major rock icons — from Jimi Hendrix to David Crosby, from Pete Townshend to Ian Curtis — were avid SF fans; not only was their music strongly influenced by Heinlein, Clarke, Ballard, and other authors, but it also amounted to a significant body of popular SF in its own right. As Heller shows, many rock stars were aspiring SF writers, while established authors in the field sometimes wrote lyrics for popular bands, and a few became rockers themselves. British fantasist Michael Moorcock, for example, fronted an outfit called The Deep Fix while also penning songs for — and performing with — the space-rock group Hawkwind (once memorably described, by Motörhead’s Lemmy Kilmister, as “Star Trek with long hair and drugs”).
This program looks at the careers and manifold influence of The Los Angeles Science-Fiction League’s most famous members: Forrest J. Ackerman, the mainspring of the group, who coined the term “Sci-Fi”; Ray Bradbury, renowned author of The Martian Chronicles and Fahrenheit 451; and Ray Harryhausen, master of stop-motion animation. Extended interviews with all three men and the numerous filmmakers, special effects artists, and NASA researchers they have inspired illuminate how so many of their dreams have become reality.
The deadline for Nebula nominations is only one month away. For some shameful reason, “Bubble and Squeak” by Ctein and myself is not on the SFWA recommended reading list.
To make up for that serious lack of attention, once again, I am making the story available for all readers, but especially members of SFWA who might think the story is worth reading and possibly even worthy of award consideration.
Cern has published its ideas for a £20bn successor to the Large Hadron Collider, given the working name of Future Circular Collider (FCC).
The Geneva based particle physics research centre is proposing an accelerator that is almost four times longer and ten times more powerful.
The aim is to have the FCC hunting for new sub-atomic particles by 2050.
Critics say that the money could be better spent on other research areas such as combating climate change.
But Cern’s Director-General, Prof Fabiola Gianotti described the proposal as “a remarkable accomplishment”.
“It shows the tremendous potential of the FCC to improve our knowledge of fundamental physics and to advance many technologies with a broad impact on society,” she said.
(17) VIDEO OF THE DAY. Keiichi
Matsuda’s Merger on Vimeo:
With automation disrupting centuries-old industries, the professional must reshape and expand their service to add value. Failure is a mindset. It is those who empower themselves with technology who will thrive.
Merger is a new film about the future of work, from cult director/designer Keiichi Matsuda (HYPER-REALITY). Set against the backdrop of AI-run corporations, a tele-operator finds herself caught between virtual and physical reality, human and machine. As she fights for her economic survival, she finds herself immersed in the cult of productivity, in search of the ultimate interface. This short film documents her last 4 minutes on earth.
Susan de Guardiola, Colleen McMahon, Michael
J. Walsh, Jim Meadows, Andrew Porter, Chip Hitchcock, Paul DiFilippo, Cat
Rambo, John King Tarpinian, BravoLimaPoppa3, Rich Horton, JJ, Cat Eldridge,
Steve Davidson, Carl Slaughter, Danny Sichel, Mike Kennedy, and Martin Morse
Wooster for some of these stories. Title credit goes to File 770 contributing
editor of the day StephenfromOttawa.]
(1) UK COMICS FANDOM HISTORY RESOURCES. Rob Hansen has added a section to his UK fanhistory website about how SF fandom provided a breeding ground there for comics fandom. “There are photos and, of course, a multitude of links — both in the body of the article and at the end — that may be of interest, as well as a piece by Ron Bennett on sourcing old comics in Singapore back in the day that I don’t think many in our fandom would’ve seen before” — “Comics Fandom: First Stirrings”.
There used to be a saying in science fiction fandom that “it’s a proud and lonely thing to be a fan”, and for those who imagined themselves the only fan in their location it could be lonely indeed. The birth of the first SF fan groups in the 1930s gradually changed that, but what of comics fans? There’s enough of an overlap in interest between the two that SF fandom offered them a home, but it still wasn’t comics fandom.
When the 23 year old Brian Lewis went along to the inaugural meeting of his local group, the Medway Science Fiction Fan Club, on Thursday 28th August 1952 he soon became a valued member, contributing artwork to its clubzine THE MEDWAY JOURNAL. Before the end of the decade he would begin working as a professional comic artist, so had there been a comics fandom in 1952 it’s possible Lewis might have sought that out instead. But it was to be another decade before comics fandom in these islands began slowly stirring to life.
(2) WEIRD CITY TRAILER. A
glimpse of a newly available YouTube Original —
From the mind of Jordan Peele and Charlie Sanders comes WEIRD CITY, a satirical anthology set in the not-too-distant future metropolis of Weird. In this dystopian setting of our show, the middle class has completely vanished dividing Weird City into two sections: Above the Line (The Haves), and Below the Line (The Have Nots). Presiding over the denizens of the city is the strange and mysterious Dr. Negari, who weaves all of our stories together. Each episode is a topic that pertains to present day life in America and the world: social media addiction, online dating, fitness obsession, etc.. WEIRD CITY captures the unease of modern urban living, in a bizarre and peculiar lens.
The blurb for the lead story in the February 1964 Amazing says: “Once every few years a science fiction story comes along which poses—and probes—philosophical questions: for instance: What is life that Man must live it? In a novel rich in incident, fascinating of character, John Brunner questions the essential meaning of life and death and purpose.”
That’s the pitch for Brunner’s 74-page “complete novel” The Bridge to Azrael. The last time we saw such an editorial panegyric, the mountain labored and brought forth—well, not a mouse. A capybara, maybe. Anyway, a modestly capable pulp-inflected novella, Daniel F. Galouye’s Recovery Area, not exactly the promised philosophical masterpiece for the ages. Sort of the same here, but worse: the mountain has labored and brought forth a mess.
I suspect that at some point, we’ll have a meat substitute that has all the values of the real thing. About a generation after that, people will be claiming cows were pets. and a generation after that, there will be debates about what kind of utter monsters meat eaters could possibly have been.
(6) KENYON UPDATE. Sherrilyn
tells readers some of her books have been rescheduled at the same time her 28-year
marriage is ending:
…Due to a number of events that are out of my hands and with the heaviest heart, I have to announce that Tor has decided to move several books this year, including At Death’s Door which will come out in the usual Dark-Hunter slot in September. Delaying the final Deadman’s Cross novel and moving the next Dark-Hunter title to 2020 was not something I wanted or had control over, and I know many fans will be greatly disappointed. Believe me, no one is more disappointed about this than I am, and since honesty, integrity, and transparency run thick in my DNA, I wanted to let all of you know what’s going on since there have been so many false rumors running loose lately. As many of you know, the last several years have been a very challenging and daunting time for me – both emotionally and physically.
There were so many great things that happened last year. We launched two wonderful books – Death Doesn’t Bargain and Stygian – to such great fan reception, making lists and news, and I spent a lot of 2018 on the road visiting with readers at major events and conventions across the U.S. Something I intend to do this year as well, and to go abroad to England, Australia and Portugal.
But it hasn’t all been sunshine and roses as I’m coping with the dissolution of my twenty-eight year marriage to a man I made the mistake of putting through law school by working three jobs so that he wouldn’t have to work any while he studied. A man who is now turning the skills I paid for against me as he ruthlessly lies about me and fights me for *MY* copyrights to characters, series and worlds that I had long before I ever met him (something he has admitted to on record time and again) and to books he knows he never helped to write or plot because he forbid me to even talk about my writing in front of him….
For six decades, NASA has led the peaceful exploration of space, making discoveries about our planet, our solar system, and our universe. From October 2018 through December 2022, NASA will mark the 50th anniversary of the Apollo Program that landed a dozen astronauts on the Moon between July 1969 and December 1972 and NASA’s first crewed mission – Apollo 8 – that circumnavigated the Moon in December 1968.
Adobe is challenging you to imagine the history and future of human exploration in space to celebrate this momentous anniversary and the release of Adobe Dimension 2.1. We’re calling on you to tell the stories of past and future space missions using free 3D assets from the Adobe 3D Stock“NASA: 60th Anniversary 3D Celebration” gallery and Adobe Dimension to compose and render a space-based scene following the challenge theme: From the Moon to Mars—Apollo 50th Anniversary.
Special guest judge former NASA astronaut Nicole Stott, a veteran of four missions to the International Space Station and the astronaut who painted the first watercolor in space, will judge the submissions with the Adobe Dimension team.
Your challenge is to create a visually compelling scene using at least one 3D asset inspired by NASA and optimized for Dimension that celebrates NASA’s ongoing mission to pioneer the future of space exploration, scientific discovery, and aeronautics research. Whether it’s the Apollo moon landings, or future initiatives to the moon and beyond, we want to feel the wonder and pioneering spirit of the astronauts and the vehicles that take them there. You’ll also be required to composite and render your submission using Adobe Dimension 2.1, but any other software (Pixologic ZBrush, Substance Painter, Adobe Photoshop, etc.) can be used to create elements for your scene.
The publisher of the classic “Choose Your Own Adventure” books is suing Netflix, claiming the streaming service infringed on its trademarked format for the new film “Black Mirror: Bandersnatch.”
Chooseco, which was formed in 2004 to re-release several classic titles of “Choose Your Own Adventure” books originally published in the 1980s and 1990s, announced the suit on Friday.
“We have received an unprecedented amount of outreach from people who believed we were associated with the creation of this film, including parents who were concerned that we had aligned the CYOA brand they knew and loved with content that surprised and offended them,” Shannon Gilligan, co-founder and publisher of Chooseco, said in a statement.
The late comics legend’s final animated cameo will be on Marvel’s Avengers: Black Panther’s Quest, airing this Sunday.
When Lee passed in November, we knew that he had some cameos already recorded, and now his final one in the world of animation is preparing to air. According to Marvel.com, he’ll be playing an important but brief role in an episode of the Disney XD Black Panther series. In the episode, titled “T’Chanda”, T’Challa will learn secrets about his grandfather. During that learning experience, Lee will appear in a flashback scene set in the 1940s, where Lee plays an Army General.
OBIT. Worldcon Business Meeting veterans can share a moment of silence
after reading this obituary circulated by the American Institute of
AIP has learned that Henry Martyn Robert III, passed away on Sunday, Dec. 6, 2018, in Maryland. He was 98 years old.
Henry was the grandson of General Henry M. Robert and the senior member of the authorship team for Robert’s Rules of Order Newly Revised (RONR). He began his association with RONR when he assisted his mother, Sarah Corbin Robert, in writing the 1970 edition, the most extensive general revision of Robert’s Rules. He has been actively involved in every edition since that time. His contributions to the parliamentary world are significant, and he will be missed.
(11) TODAY IN HISTORY.
January 12, 1940 – The Invisible Man premiered theatrically.
January 12, 1966 — The Batman television series made its debut.
(12) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 12, 1628 – Charles Perrault. He was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from the much earlier folk tales. The best known of his tales include Le Petit Chaperon Rouge (Little Red Riding Hood), Le Chat Botté (Puss in Boots), Cendrillon (Cinderella), La Belle au bois Dormant (The Sleeping Beauty) and Barbe Bleue (Bluebeard). As such, his stories form many of the roots of fantasy as we do it. (Died 1723.)
Born January 12, 1952 – Walter Mosley, 67. An odd one as I have read his Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four was conceived of and orchestrated by him. Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
Born January 12, 1955 – Rockne O’Bannon, 64. Creator of five genre series in Alien Nation, Cult, Defiance, Farscape and seaQuest. He also help write the Warehouse 13 pilot. He has also written and produced for Constantine, Revolution and V, among many other projects. (I loved Farscape and seaQuest but thought Defiance went bad fast.)
Born January 12, 1957 – John Lasseter, 62. Animator fired from Disney for promoting computer animation who joined Lucasfilm which eventually became Pixar under Steve Jobs. And where he directed Toy Story, A Bug’s Life, Toy Story, Cars and Cars 2. He also Executive Produced Toy Story 3 as well as Zootopia, Finding Dory and Incredibles 2.
Born January 12, 1960 – Oliver Platt, 59. My favorite role by him is Porthos in The Three Musketeers but his first genre role was as Randy Steckle in Flatlineers and he later played Rupert Burns in the Bicentennial Man film on Asimov’s The Positronic Man. He voices Hades in Wonder Woman, not surprising given his deep voice.
Born January 12, 1970 – Kaja Foglio, 49. Writer, artist, and publisher. Foglio co-won the first Hugo Award for Best Graphic Story in 2009 for the absolutely stunning Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones, and co-won two more Hugo Awards the following years. Having won three three years running, they removed themselves from further competition. If you haven’t read them, you’re in for treat as they’re quite amazing. Her husband Phil Foglio and colorist Cheyenne Wright do stunning work.
Non Sequitur illustrates that editors make a whale of a difference.
REFERENCE. The Atlantic’s article
“The Fellowship of the Ring Finders” tells about “A website connects people who have misplaced their
rings with metal detectorists who know where to look.”
Usually, stories of this variety almost always end in tears. Yet these three people found their lost rings, frantically Googling some iteration of I lost my wedding ring and stumbling upon a network of metal detectorists who help people locate their misplaced jewelry. They had found their way to the Ring Finders, a service that pairs these people with one of 430 sleuths stationed around the world.
According to the British insurance company Protect Your Bubble, 11 percent of people have lost their wedding rings in the past five years. Since wedding rings can cost upwards of $6,000, losing them can be especially painful for couples, and yet it also gives detectives adept in the art of finding lost rings a chance to intervene and be the hero.
One of the most controversial moments in New Year’s Day special Resolution was the suspension of UNIT. Was the removal of a major part of Doctor Who a step too far for Chris Chibnall?
Perhaps the most significant scene in Resolution was when the Doctor tried to call her friends at UNIT. Instead of reaching Kate Stewart and an organization that she’s fought alongside with for decades, she was instead forwarded to Polly at the “UK Security Helpline”. This was when the Doctor (and the fans) were given a bit of a shock when Polly informed her:
UNIT operations have been suspended pending review.
That’s right. For the moment, at least, UNIT isn’t around to help the Doctor save the day. The reason? Well, officially, it’s because funding was withdrawn from international partners. The implied reason? Brexit. Brexit killed UNIT, or at the very least, put it into deep sleep. At least, according to Chris Chibnall.
As dinosaurs stomped across ancient Earth more than 200 million years ago, a massive star was entering its death throes. The resulting cosmic explosion was so unusual, it left astronomers scratching their heads when its glow at last reached our planet last June.
Now, the mysterious flash may have an origin story. Based on the latest observations of the strange supernova, nicknamed the Cow, a team of 45 astronomers argues that it may represent the first time humans have captured the exact moment a dying star gave birth to a black hole.
With help from a dead spacecraft [2015 Kepler data], citizen scientists just discovered an alien world that professional astronomers had overlooked.
The newfound exoplanet orbits a small red star 226 light-years away from Earth in the constellation Taurus. Roughly twice as big as Earth, K2-288Bb circles its host star in the so-called habitable zone, where liquid water and possibly life could exist.
[…] Scientists are excited about K2-288Bb not only because of the possibility that it could support life, but also because it’s unlike anything in our solar system: a solitary, midsize planet circling a star that has a nearby stellar companion.
Many Star Trek fans are psyched that Patrick Stewart is returning to the role of Captain Picard for an all-new TV series on CBS All Access. And while story details on the show have been scarce, we do know that it will be about the legendary character exploring the next chapter of his life some 20 years after we last saw him in 2002’s Star Trek: Nemesis.
But a recent interview with Star Trek executive producer Alex Kurtzman has revealed some interesting hints about the Picard show, even while it’s gotten some folks confused about which timeline it takes place in. Let’s nerdsplain this thing!
[…there follows much exposition, concluding with…]
So while the Picard show will take place in the traditional Prime Timeline, the producers have found a clever way to connect it to the events of the modern movies. The series is expected to debut in late 2019.
(21) LITTLEFINGER, DEAD OR
ALIVE? Carl Slaughter says, “Intriguing
theory. Lots of clues.”
JJ, Chip Hitchcock, James Davis Nicoll, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Steven H Silver, and Andrew
Porter for some of these stories, Title credit goes to File 770 contributing
editor of the day Kip Williams.]
(1) REAL LIFE RULES. Aliette de Bodard has come forward with her own rules for writing. Thread starts here.
5. It is not selfish to want to write 6. Try not to postpone the writing to the end of the evening because I will have no energy left then. 7. Sometimes stuff just happens and there's no writing: it's ok. 8. Balls will be dropped. My job is making sure they're not spiky ones
Called Scratchman, the book began life in the 1970s during Baker’s tenure as the beloved Fourth Doctor, when between scenes he kicked around ideas for a new story for the series alongside Ian Marter (who played Harry Sullivan in Doctor Who), later writing them up into a script.
Back in the ‘70s, Tom Baker and Ian Marter—who played the Fourth Doctor’s companion Harry Sullivan—had a truly bonkers idea for a Doctor Who movie. They even wrote a script for it, but it never got made. Now, Baker himself is taking what could’ve been and turning it into a new novel.
The official synopsis of the novel has been made available:
What are you afraid of?
The Doctor, Harry and Sarah Jane Smith arrive at a remote Scottish island, when their holiday is cut short by the appearance of strange creatures – hideous scarecrows, preying on the local population. The islanders are living in fear, and the Doctor vows to save them all. But it doesn’t go to plan – the time travellers have fallen into a trap, and Scratchman is coming for them.
With the fate of the universe hanging in the balance, the Doctor must battle an ancient force from another dimension, one who claims to be the Devil.
Scratchman wants to know what the Doctor is most afraid of. And the Doctor’s worst nightmares are coming out to play…
Is there a book you’re currently itching to re-read?I’ve had a bit of a hankering to re-read K.J. Parker’s Engineer Trilogy recently. Parker is one of my all-time favorite authors. I love his prose, how he plays with words, and how smart his books are. The Engineer Trilogy were my first Parker books I came across, and I fell in love with them. I haven’t read them for some time, but I’ve got an itch for some smart, morally gray characters and he seems to fit the bill.
(4) STRAIGHT FROM WALTER CRONKITE. Yesterday Galactic Journey, which follows the history of the field day-by-day 55 years in the past, reached November 22, 1963 and the assassination of President Kennedy. Its contributors did a series of reaction posts, beginning with “[November 22, 1963] President Kennedy has been assassinated]”.
Fans of ‘Black Mirror‘ now have a new way to enjoy the show with their friends in the form of a board game! The social media nightmare is known as “Nosedive” is now something you can experience first hand with your friends! If you don’t remember the episode off the top of your head it was a satire of social media which had Bryce Dallas Howard as Lacie in the third season premiere episode. The goal of the board game is just like that of the episode, to “get the highest Social Score possible” but here you’ll be competing with 3-6 players.
In the game, you’ll be collecting Lifestyle cards to try and create a perfect life. It isn’t all going to be luck though as your competitors will be rating their experiences in a way that can have an impact on your social score. You’ll also all need to have your smartphones handy in a gameplay element that requires you to download the app to play.
I’ve been taking the time to read reports of how computer and document backups were, or were not, adequate to safeguard important records during and after the fire. Most of the reports are dismal, to say the least. From online conversations and other sources, here are just some of the incidents that have been discussed:
Computer data backed up on thumb drives, stored in a “fireproof” box, were indeed protected from the flames; but the heat inside the box rose so high that the drives simply melted, becoming unusable.
Documents in a similarly “fireproof” file container were charred into unrecognizable black ash, even though the container remained nominally intact.
In many cases, fireproof safes and filing cabinets were badly warped by the heat, rendering them incapable of opening. Many people have not yet been able to return home to see what survived the flames, but some who have claim that they had to use angle grinders with cutting wheels, the “jaws of life“, or other heavy-duty equipment to open them….
Content Warning: This essay tackles multiple texts which conflate sex and gender, and erase trans and intersex people.
Men, eh. What a mess they make. What a bother it is, to have this whole category of people on the planet who march around like they own the place yet mess it up at every opportunity, can’t change a baby, can’t do their own laundry, can’t even get in touch with their own emotions unless it involves some form of anger or violence. What trouble they cause for the rest of us – especially if you fit into that other big category of “women”. Why, wouldn’t it just be better if they weren’t around us any more? Wouldn’t it make our lives, those of us in that other big category of “women”, just so much easier and safer and nicer if we could put that category of “men” to one side, to do whatever it is they are compelled to do without getting in our way. Wouldn’t that be lovely. If only it were possible.
Fear not, beleaguered sufferer of the patriarchy: feminist speculative fiction has got your back. As long as you are from the category of “women”. And were recognised as such when you were born….
(8) TODAY IN HISTORY
November 23, 1963 — Doctor Who first aired on this day.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
November 23, 1887 – Boris Karloff, Actor famous for horror movies, whose real name was William Henry Pratt. His first genre role was when he portrayed Frankenstein’s monster in the 1931 Frankenstein, a part which he played twice more, in Bride of Frankenstein (1935), and Son of Frankenstein (1939). Without listing all of his genre roles, I will single out his superb work as Dr. Fu Manchu in The Mask of Fu Manchu, which benefited from being pre-Hayes-code, and as Baron Victor von Frankenstein in the 1970 Frankenstein, which is terribly campy. His greatest role is no doubt as The Narrator in How the Grinch Stole Christmas – indeed, he received a Grammy Award in the Spoken Word category for the album, which Is the only major performing award of his career! (Died 1969.)
November 23, 1908 – Nelson S. Bond, Writer, Editor, Critic, and Member of First Fandom who also wrote for radio, television, and the stage, but whose published fiction work was mainly in the pulp magazines in the 1930s and 1940s. He’s remembered today mainly for his Lancelot Biggs series and for his Meg the Priestess tales, which introduced one of the first strong female characters in SF back in 1939. As a fan, he attended the very first Worldcon, and he famously advised Isaac Asimov, who kept arguing with fans about his works in the letter columns of magazines, “You’re a writer now, Isaac. Let the readers have their opinions.” He was named a Nebula Author Emeritus by SFWA in 1998. (Died 2006.)
November 23, 1914 – Wilson “Bob” Tucker, Movie Projectionist and Theater Technician, Writer, and Member of First Fandom. He became involved in fandom in 1932, publishing two fanzines: The Planetoid, and, from 1938 to 2001, Le Zombie, which lasted for more than 60 issues over the course of 60+ years, and was later revived as a webzine, and won a Retro Hugo in 2018. (The title came from the fact that, on several occasions, false reports of his death were made). He also won a Hugo and a Retro Hugo as Best Fan Writer. In 1941, Tucker’s first professional short story, “Interstellar Way Station”, was published by Frederik Pohl in the May issue of Super Science Stories. His most productive period for fiction was in the early 1940s and early 1950s, when he published around 20 short works; during the latter part of that period, he also produced several novels. His most well-known novel is considered to be be The Year of the Quiet Sun; it was a finalist for the Hugo and the Nebula Awards, and later received a special retrospective Campbell Memorial Award. From 1955 to 1996, he was responsible for eight separate editions of The Neo-Fan’s Guide To Science Fiction Fandom, which covered the first five decades of fandom and the evolution of fan slang; the eighth and final edition remains in print under the auspices of the Kansas City Science Fiction and Fantasy Society. He was honored with the Edward E. Smith Memorial Award for Imaginative Fiction, two Phoenix Awards, and a special Nebula Author Emeritus Award. He is credited with creating the term “space opera”, and his custom of using the names of friends for minor characters in his fiction led to the term ”Tuckerization”. (And yes, I’ve been been tuckerized: you’ll find a Cat Eldridge, an ethnomusicologist, in Jane Yolen’s The One-Armed Queen, which is the conclusion to her Great Alta Trilogy. I found her a folklore book she wanted, and that was my reward.) (Died 2006.)
November 23, 1916 – Michael Gough, Actor from England who is best known for his roles in Hammer Horror Films from the late 1950s, and for his recurring role as Alfred Pennyworth in all four films of the Tim Burton / Joel Schumacher Batman series from 1989 to 1997. Hammer usually cast him as the evil villain, and I mean EVIL! Not to mention SLIMY, in such films as Horrors of the Black Museum, The Phantom of the Opera, The Corpse, Horror Hospital, and Satan’s Slave. Gough appeared on Doctor Who as the villain in “The Celestial Toymaker” in 1966, and again as Councillor Hedin in “Arc of Infinity” in 1983. In the mid 1960s, he also played Dr. Armstrong in “The Cybernauts” in The Avengers, returning the very next season as the Russian spymaster Nutski in “The Correct Way to Kill”. A favorite of Burton’s, his last roles were in Sleepy Hollow and as character voices in Corpse Bride and Alice in Wonderland. (Died 2011.)
November 23, 1955 – Steven Brust, 63, Writer of Hungarian descent, something that figures into his fiction, which he says is neither fantasy nor SF. He is perhaps best known for his series of novels about the assassin Vlad Taltos, one of a scorned group of humans living on a world called Dragaera. All are great reads. His recent novels also include The Incrementalists and its sequel The Skill of Our Hands, with co-author Skyler White. Both are superb. His finest novel? The Dragearan prequel Brokedown Palace. Oh, just go read it. It’s amazing. And no, I don’t love everything he’s done. I wrote a scathing – scathing! – review of Cowboy Feng’s Space Bar and Grille; he told us at Green Man Review that he might be the only person who liked the novel. Freedom & Necessity, with Emma Bull, is decidedly different but good nonetheless, and his unofficial Firefly novel, My Own Kind of Freedom, stays true to the characters in that series. He’s quite the musician too, with two albums with Cats Laughing, a band that includes Emma Bull, Jane Yolen (lyrics), and others. The band, in turn, shows up in Marvel comics. A Rose For Iconoclastes is his solo album, and he says “The title, for those who don’t know, is a play off the brilliant story by Roger Zelazny, “A Rose For Ecclesiastes,” which you should read if you haven’t yet.” Quoting him again, “Songs From The Gypsy is the recording of a cycle of songs I wrote with ex-Boiled-in-Lead guitarist Adam Stemple, which cycle turned into a novel I wrote with Megan Lindholm, one of my favorite writers.” The album and book are quite amazing!
November 23, 1951 – David Rappaport, Actor from England. I remember him best as Randall, the leader of the gang of comically-inept dwarves in Time Bandits who steal the map to Universe. I’m reasonably sure that it’s the only thing of a genre nature for which he’ll be remembered, having looked up his other works and found them to be decidedly minor in nature. Most of them, such as The Bride, a low-budget horror film, were artistic and commercial disasters. It is said that his death by suicide in 1990 is one of the reasons cited by Gilliam for there not being a sequel to Time Bandits.
November 23, 1966 – Michelle Gomez, 52, Actor from Scotland who is best known to genre fans as Missy, a female version of The Master, on Doctor Who from 2014 to 2017, for which she was nominated for a BAFTA TV Award for Best Supporting Actress. I admit, having grown up with Roger Delgado as The Master, that later performers playing this role took a bit of getting used to, but she made a fine one. Other guest roles were in episodes of Gotham and the short-lived spinoff Highlander: The Raven. She is currently playing a main role as Mary Wardwell in The Chilling Adventures of Sabrina.
November 23, 1967 – Salli Richardson-Whitfield, 51, Actor, Director, and Producer whose best-known genre role is as Dr. Allison Blake on Eureka (which is apparently in syndication now as A Town Called Eureka… H’h?). Her first genre roles were in the fantasy film Prelude to a Kiss and in the “Second Sight” episode of Star Trek: Deep Space Nine, but she also charmingly voiced the main human character on the animated Gargoyles series! Other appearances included parts in episodes of Stargate SG-1, The Pretender, and the short-lived Secret Agent Man. She had a main role as Maggie Baptiste in Stitchers, a series that, against all odds, lasted through three seasons. Her most recent work has included directing episodes of Agents of S.H.I.E.L.D., Luke Cage, and Black Lightning.
November 23, 1970 – Oded Fehr, 48, Actor from Israel whose most well-known genre roles are as the mysterious warrior Ardeth Bay in The Mummy and The Mummy Returns, and as Carlos Oliveira (or his clone) in three of the Resident Evil films: Apocalypse, Extinction, and Retribution. (His Mummy roles no doubt led to his casting in voice roles in Scooby-Doo in Where’s My Mummy? and as The Living Mummy in the animated Ultimate Spider-Man and Hulk and the Agents of S.M.A.S.H.) On Charmed, he played the demon Zankou, the main villain of the show’s seventh season. He’s had an impressively long list of appearances on TV series, including recurring roles on Once Upon A Time, Stitchers, V, and The First, a series about the first mission to Mars, which just premiered in September. He has also voiced characters on numerous other animated features and series.
Today, only elephants, hippos, giraffes and white and black rhinos fall into this category.
But the three-million-year-old human relative “Lucy” (Australopithecus afarensis) shared her East African habitat with three species of giraffe, two species of rhino, a hippo and four elephant-like species.
The results of the analysis showed that over the last seven million years, some 28 lineages of large mammal went extinct in Africa.
Furthermore, the onset of the herbivore decline began roughly 4.6 million years ago, and the rate of decline did not change following the appearance of Homo erectus, one of the earliest human ancestors that could have contributed to the extinctions.
A major feat of interplanetary space travel is about to take place on Monday, November 26. That’s when NASA’s InSight lander is expected to land on Mars and begin its two-year study of our neighboring planet’s core. It will be the first NASA Mars landing since the Curiosity rover touched down in 2012.
The lander is expected to touch Mars around 3 pm Eastern time, and you can watch the live stream in the NASA link below. But because it’s so far away, NASA’s mission scientists at the Jet Propulsion Laboratory in California won’t get to pilot it. Their radio transitions to the lander are delayed by several minutes. Like the Curiosity rover, InSight will have to land itself in only 6.5 minutes.
The live programming from NASA TV will begin at 2 pm Eastern Monday.
(15) VESS AND GAIMAN. Titan Comics has issued Charles Vess’ Book of Ballads and Sagas —
Beautifully illustrated by Charles Vess and featuring adaptations by Neil Gaiman – Vess’ collaborator on the hugely successful Stardust – and a host of famous fantasy writers, this new edition also boasts never-before-seen art and an amazing gallery of sketches!
(16) VIEW FROM THE ISS. [Item by Mike Kennedy.] The European Space Agency has posted a time-lapse video—taken from the ISS—showing a Russian Progress capsule loaded with supplies for the ISS rising above the limb of the Earth as background stars arc behind it. You can even see what appears to be the blazing reentry of one of the rocket stages. (Motherboard: “Watch a Spaceship Leave Earth in Stunning ISS Video”)
This is an especially significant launch since it uses essential the same rocket stack as the crewed Soyuz launch that aborted earlier this year and the Progress launch took off from the Baikonur cosmodrome, also the same as the Soyuz. This, then, would appear to represent concrete progress toward getting a new Soyuz launch off in time to relieve the current ISS crew.
We’re so used to seeing perfectly-rendered CGI depictions of outer space in movies and video games that seeing the real thing can sometimes feel underwhelming. This is not one of those times.
On Thursday, the European Space Agency (ESA) published a video taken from the International Space Station (ISS) by astronaut Alexander Gerst. The video shows time-lapse footage of the Russian Progress MS-10 cargo spacecraft that launched from the Baikonur cosmodrome in Kazakhstan on November 16. The footage is almost unbelievable as it shows the spacecraft, on a resupply mission to the ISS, arcing into orbit. The camera pans slowly and follows the unmanned Russian craft, revealing Earth’s curvature in epic scale.
The Satanic Temple said on Wednesday that it had settled its lawsuit accusing Warner Bros. and Netflix of copying the temple’s goat-headed statue in their new “Sabrina” series.
The lawsuit was “amicably settled,” Lucien Greaves, a co-founder of the temple, wrote in a blog post on the Patheos religion-themed website.
The temple will be acknowledged in the credits for episodes of “The Chilling Adventures of Sabrina” that have already been filmed, Mr. Greaves wrote. The rest of the settlement, including details on what will happen in future episodes of the show, is confidential, according to Bruce Lederman, the temple’s lawyer.
(18) TIME MARCHES BACKWARDS. As a trufannish site we try not to discuss science fiction here but sometimes it creeps in. Like when Camestros Felapton explains that “I thought of a different form of time travel”. It started when he was reading Gregory Benford’s Timescape.
… That message from the future got me thinking. Practically there’s obviously no way to send an electrical signal down a wire into the past (i.e. this I’m engaging with fiction here not an actual proposal). I suppose that information arriving at a destination before it left its starting point violates the speed of light but looked at just in terms of distance traveled over elapsed time it doesn’t….
“Our colleagues and NASA counterparts are not concerned that our HAL might get out of control,” Bonasso told Space.com. “That’s because it can’t do anything it’s not programmed to do.”
In experiments, CASE managed a simulated planetary base for about 4 hours. However, the researchers stressed more work is needed before it can run an actual base.
Moreover, “though CASE is impressive, it’s not the fully realized HAL from ‘2001: A Space Odyssey,’ nor is it Lt. Commander Data from ‘Star Trek: The Next Generation,'” Bonasso said. “Its capability is very narrow, focused on events occurring on a planetary base. While it can keep the life support systems running, it has no idea who won the last presidential election.”
The scientists are now working with what NASA calls analogs — places where volunteers pretend they are living on a distant world. In the long term, the aim is to incorporate CASE into the analogs to see how the software can help improve future space expeditions.
(20) TWO GUYS IN THE CAST. Patrick Stewart makes a great anecdote from the gaffes he committed the first time he met Sting.
Patrick Stewart explains how he really had no idea who Sting was when meeting him on set on David Lynch’s Dune.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Olav Rokne, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
The Official Houdini Seance will be held this year in Baltimore at the Jewish Museum of Maryland. The event will feature talks by Houdini experts and performances by magicians. The museum is currently home to the exhibition Inescapable: The Life and Legacy of Harry Houdini. Note: This event is SOLD OUT.
Although his fame was based on his magic and escapes, he was genre-adjacent:
His movie serial Master Mystery (1919) featured Q the Mechanical Man, one of the first robots on film.
In his film The Man from Beyond (1922), he plays a man frozen in ice in 1820 and revived in 1922.
He had a couple of pieces of fiction published in Weird Tales (ghost-written by H. P. Lovecraft).
(2) WEAR YOUR HALLOWEEN COSTUME TO WORK. This won the Internet today:
According to the Food Network, the machines had their maiden voyage on October 27 in Tarrytown, New York, birthplace of the Legend of Sleepy Hollow, at the town’s big annual Halloween parade. And on Halloween, October 31, Reese’s will set up a Candy Exchange Vending Machine in New York City, so New Yorkers can ditch whatever candy they’re not that into for Reese’s Peanut Butter Cups.
SINCE FEBRUARY, when Disney/Marvel’s smash “Black Panther” first captured not only audience attention but also the cultural zeitgeist, reporters have been asking the question: Which kids are permitted to don the superhero costume from the fictional African nation of Wakanda?
Or as Joshua David Stein wondered in a column at the time for Fatherly: “Should I allow my white son to dress as a black superhero?”
Jen Juneau wrote on People.com this month: “Parents of white children may want to think twice before purchasing a Black Panther Halloween costume this year.” And Steph Montgomery, writing this month for the online publication Romper, said: “I don’t think it’s appropriate for my white children to dress up as main characters T’Challa and Shuri, or the members of Dora Milaje — the badass women special forces of Wakanda.
…But in interviews with The Washington Post, several creators who have helped shape the Black Panther character, along with other prominent authors who have written characters of color, are adamant: Any kid can dress as Black Panther.
“The idea that only black kids would wear Black Panther costumes is insane to me,” said Reg Hudlin, the Oscar-nominated filmmaker who has worked on Wakanda-set projects for both the page and screen, including the animated TV miniseries “Black Panther.” “Why would anyone say that?”
…Ruth E. Carter, the Oscar-nominated costume designer (“Malcolm X,” “Amistad”), created the beautifully intricate attire for Ryan Coogler’s “Black Panther,” drawing inspiration from not only the comics but also from real-world designs in Africa.
She says the point in creating such Afrofuturistic art is to build not barriers but, rather, cultural bridges — and so fans should embrace that the world of Black Panther is “taking its royal place in the vast Comic-Con and cosplayer universe.”
So why are people posing this question over T’Challa now, Carter says rhetorically.
“The only reason we’re asking that question now is because the Black Panther is a black man. And I think that’s what’s wrong with people — that’s what’s wrong with parents,” Carter said. “Because I see kids far and wide embracing the concept of a superhero. I believe they see him as someone who is majestic and powerful and doing good, and has a kingdom and a legacy and is pretty cool. I don’t think they see a black guy — I think they see the image of a superhero,” she added, and “it happens to be the Black Panther just as it happens to be Superman.”
I’m halfway through a plate of soggy risotto, giving my opinion about the Project Approval Framework, when my phone buzzes. I thought I’d muted notifications. I’m tempted to check the alert, but 30 faces are watching me, all Members, some from Zardoz House, the rest from other Houses around Rochester. We’re at a table made from reclaimed wood, which is covered with food and drink. It’s freezing. Everyone’s wearing sweaters, hats, coats, scarves, mittens; I’m in a blue blazer over a T-shirt, jeans, and leather boots. My hair is buzzed into a crew cut, and even though it makes me feel like an ass clown, I’m wearing makeup….
…Many policy advocates and technologists have promoted universal basic income, or UBI, as one way to cope with the specter of joblessness wrought by advances in artificial intelligence. UBI would provide each individual with a no-strings-attached payment each month to cover basic needs and prevent individuals from falling below the poverty line. The benefits of UBI, according to proponents, would include the elimination of poverty, the fairer distribution of technologically generated wealth, and human flourishing. Critics are less sanguine, variously seeing in UBI a Trojan horse for dismantling the welfare state, an ill-considered policy that will sap humans of the self-actualization and pride derived from work, and a wholly inadequate response to the structural problems with late capitalism….
The U.S. cable network describes the show as a “punk rock thriller” inspired by the City Watch subset of Discworld novels. The character-driven series centers on Terry Pratchett’s misfit cops as they fight to save a ramshackle city of normalized wrongness, from both the past and future in a perilous quest.
The Watch features many Discworld creations including City Watch Captain Sam Vimes, the last scion of nobility Lady Sybil Ramkin, the naïve but heroic Carrot Ironfoundersson, the mysterious Angua and the ingenious forensics expert Cheri together with Terry Pratchett’s iconic characterization of Death…
NASA’s elite planet-hunting spacecraft has been declared dead, just a few months shy of its 10th anniversary.
Officials announced the Kepler Space Telescope’s demise Tuesday.
Already well past its expected lifetime, the 9 1/2-year-old Kepler had been running low on fuel for months. Its ability to point at distant stars and identify possible alien worlds worsened dramatically at the beginning of October, but flight controllers still managed to retrieve its latest observations. The telescope has now gone silent, its fuel tank empty.
“Kepler opened the gate for mankind’s exploration of the cosmos,” said retired NASA scientist William Borucki, who led the original Kepler science team.
Kepler discovered 2,681 planets outside our solar system and even more potential candidates.
They were out there on Halloween 1936 to try what few people at the time had tried: lighting a liquid rocket engine. It took them four attempts to get a rocket to fire for a glorious three seconds — though an oxygen hose also broke loose and sent them scampering for safety as it thrashed around.
October 31, 1962 — The First Spaceship On Venus premiered at your local drive-in.
(10) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge and JJ.]
Born October 31, 1923 – Art Saha, Writer, Editor, Conrunner, and Member of First Fandom who is credited with coining the term “Trekkies”. After becoming an editor at DAW books, he edited 8 volumes of The Year’s Best Fantasy, and, with Donald Wollheim, 19 volumes of The Annual World’s Best SF. He also edited the souvenir program book for the 1977 Worldcon and was a co-editor of the fanzine Parnassus. He was president of First Fandom and the NY Science Fiction Society (the Lunarians), chaired a number of Lunacons, and was named to the First Fandom Hall of Fame in 1992.
Born October 31, 1930 – Michael Collins, 88, Astronaut and Test Pilot who was the Command Module pilot for Apollo 11 while Neil Armstrong and Buzz Aldrin descended to become the first astronauts on the moon. He later served as U.S. Assistant Secretary of State for Public Affairs, then went on to be director of the National Air and Space Museum, before becoming undersecretary of the Smithsonian Institution.
Born October 31, 1937 – Jael, 81, Artist, Illustrator, and Fan whose work has appeared in books, magazines, and calendars. She became interested in producing speculative art after attending a symposium on contact with aliens and meeting writers C J Cherryh, Larry Niven, and Jerry Pournelle. In her 50-year career, she has created more than 38,000 paintings and images, many of which are housed in public and private collections. She has received eight Chesley Award nominations, and has been Guest of Honor at numerous conventions.
October 31, 1941 – Dan Alderson, Rocket Scientist and Fan who worked for NASA’s Jet Propulsion Laboratory, where he wrote the navigation software for Voyagers 1 and 2, as well as trajectory monitoring software for low-thrust craft which was used for decades. He was a member of the Los Angeles Science Fantasy Society, an Official Editor of the comic book APA CAPA-alpha, and an early member of gaming fandom. He died of complications of diabetes at the far-too-young age of 47, but has been immortalized as “Dan Forrester” in Niven and Pournelle’s Lucifer’s Hammer.
Born October 31, 1950 – John Franklin Candy, Actor and Comedian from Canada best known in genre circles for playing Barf in Mel Brooks’ Spaceballs, as well as appearing in Frank Oz’s Little Shop of Horrors, Splash, Heavy Metal, Boris and Natasha, and the hilarious alt-history Canadian Bacon (one of JJ’s favorites). He was the narrator of “Blumpoe the Grumpoe Meets Arnold the Cat/Millions of Cats” for Shelley Duvall’s Bedtime Stories. His talents were lost to the world far too early when he passed away in his sleep at the age of 43.
Born October 31, 1959 – Neal Stephenson, 59, Writer and Game Designer who is well known for doorstopper-length, award-nominated science fiction novels, including The Diamond Age, Cryptonomicon, Anathem, the Baroque Cycle trilogy, Snow Crash, and the hotly-debated Seveneves. His works have been translated into numerous languages and have won Hugo, Clarke, Prometheus, Premio Ignotus, Kurd Laßwitz, and Prix Imaginaire Awards. This year he was recognized with the Robert A. Heinlein Award, which recognizes authors who produce exceptional works promoting space exploration.
Born October 31, 1961 – Peter Jackson, 57, Writer, Director, and Producer from New Zealand whose most famous genre works are the spectacular Lord of the Rings and Hobbit movies, as well as The Frighteners, King Kong, The Lovely Bones, and the upcoming Mortal Engines. His use of the NZ-based Weta Workshop for his films has helped turn that firm into a computer graphics and special-effects powerhouse now known for their work on many Hollywood blockbusters.
Born October 31, 1982 – Justin Chatwin, 36, Actor from Canada who was the principal guest star in the rather delightful 2016 Doctor Who Christmas special “The Return of Doctor Mysterio”. He’s also been in War of The Worlds, Dragonball Evolution, and The Invisible; had recurring roles in the Orphan Black and American Gothic series; and appeared in episodes of The Listener, Lost, Smallville, Mysterious Ways, and Night Visions.
Born October 31, 1979 – Erica Cerra, 39, Actor from Canada who is best known for her portrayal of Deputy Jo Lupo on the Eureka series, but has extensive genre credentials which include recurring roles on Battlestar Galactica and The 100, and guest parts in episodes of Supernatural, The 4400, Smallville, The Dead Zone, Warehouse 13, iZombie, Reaper, Dead Like Me, Special Unit 2, and Sanctuary. You get to guess how many were filmed in Vancouver, BC…
Born October 31, 1994 – Letitia Michelle Wright, 24, Guyanese-born British Actor who, in just 8 short years, has built a substantial genre resume including a recurring role in the TV series Humans and guest parts in the Doctor Who episode “Face the Raven” and the Black Mirror episode “Black Museum”, for which she received an Emmy Award nomination. Her genre film credits include a Saturn-nominated role as Shuri in Black Panther (a character which will be the subject of a new comic book series by Hugo winner Nnedi Okorafor), Ready Player One, Avengers: Infinity War, and the upgoming Avengers sequel.
(11) WIMPY BOOK TOUR. Christina Barron in the Washington Post says that Diary of a Wimpy Kid author Jeff Kinney, rather than a traditional book tour, is having “Wimpy Kid Live: The Meltdown Show,” with “costumes, cartooning, and the chance to stump the author on Wimpy Kid trivia: “Jeff Kinney puts on a show to launch new ‘Wimpy Kid’ book”.
Considering “The Meltdown” is Number 13 in the series, you might expect Kinney’s next book to be “Diary of a Weary Writer.” But instead of slowing down, the author is changing up what he does when he meets his many fans. He’s doing a few typical talks and book signings, but Kinney is also putting on a show.
“We thought it would be really fun to change the idea of what a book signing is,” Kinney said in a recent phone conversation.
On Monday, a digital billboard popped up in Garden Grove, California, at an intersection just over four miles away from Disneyland in Anaheim. The billboard, which reads “Save the Galaxy: James Gunn for Vol. 3,” was paid for via a GoFundMe campaign that has raised nearly $5,000 since launching last month. The campaign sprang from the minds of a group of fans who organized online soon after Disney fired Gunn as director of Guardians 3 on July 20, after conservative personalities resurfaced old tweets in which the filmmaker joked about rape and pedophilia.
The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal, has launched a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. The goal is to introduce new authors and help librarians start conversations with readers that will extend beyond the books from each list and promote reading for years to come.
Each year, a special guest author and a committee of four librarians will select 3 recommended fiction titles in each of 3 reading levels (Middle Grade, Teen, and Adult), for a total of 9 Summer Scares selections. The goal of the program is to encourage a national conversation about the entire horror genre, across all age levels, at libraries all over the country and ultimately get more adults, teens, and children interested in reading. Official Summer Scares designated authors will also be available to appear, either virtually or in person, at public and school libraries all over the country, for free.
The committee’s final selections will be announced on February 14— National Library Lover’s Day. Some or all of the authors of those titles will appear on kickoff panels during Librarian’s Day at StokerCon each year.
China isn’t typically known for its science fiction blockbusters, but a new trailer for an upcoming film called The Wandering Earth has all the hallmarks of a big, Hollywood-style genre movie: it features a dramatic story of the Earth in peril, complete with eye-popping scenes of spaceships escaping Earth.
The Wandering Earth is based on a story by Cixin Liu, the author best known for The Three-Body Problem, and, more recently, Ball Lightning. In the original story, scientists discovered that the sun is on the verge of turning into a red giant, and when it does, it’ll expand beyond the orbit of Mars, incinerating all of the solar system’s potentially habitable planets. They concoct a desperate plan to move Earth out of the solar system to a new star, Proxima Centauri.
(15) NOT GOING AT NIGHT. Popular Science raised a cheer because “NASA’s Parker Solar Probe just smashed two all-time records on its way to the sun”. The Parker Solar Probe has broken records as the fastest moving manmade object (relative to the Sun) and the closest manmade object to the Sun. Over a series of orbits, the perihelion will get progressively closer to the Sun, until the PSP dips into the solar corona.
The corona paradoxically burns millions of degrees hotter than the surface of the star itself, despite extending millions of miles into space. NASA expects that Parker will directly sample this unexplored zone on its 22nd orbit, which will take place in about six years.
Until then it will continue to best its own speed and closest approach records, which McDowell says is a fitting update to the largely overlooked legacy of Helios 1 and 2. “The great 1970s space probes, the really ambitious ones, there were three pairs: Viking, Voyager, and Helios. You’ve heard of Viking and Voyager, but you’ve never heard of Helios,” [astrophysicist Jonathon] McDowell says. Its measurements of the solar wind and magnetic field didn’t capture the public’s imagination in the same way as its camera-bearing cousins did, he suggests, but its speed record stood for nearly 42 years nonetheless.
Anna Kendrick is set to star in a new sci-fi thriller from XYZ Films called Stowaway. We’ve never really seen Kendrick in a sci-fi film before, so it’s cool to see her try something new.
Stowaway follows “the crew of a spaceship headed to Mars that discovers an accidental stowaway shortly after takeoff. Too far from Earth to turn back and with resources quickly dwindling, the ship’s medical researcher (Kendrick) emerges as the only dissenting voice against the group consensus that has already decided in favor of a grim outcome.”
Women of the Galaxy, a new art book examining female characters from every corner of the Star Wars universe, is exactly the kind of thing I would have read cover to cover twice in one sitting if you’d given it to me when I was nine.
From Jedi Master Aayla Secura to bounty hunter Zam Wesell, each alphabetical entry features art from a group of 18 women illustrators, as well as an explanation of the character’s history from Nerdist and StarWars.com writer Amy Ratcliffe. And with more than 70 characters in the book, there’s bound to be someone in here you’ve never heard of, but wish you had.
The Jurassic World: Fallen Kingdom campaign to “Save the Dinos” has sparked a $10 million trademark infringement and breach of contract lawsuit against producers.
Frederick Zaccheo of The Dinosaur Project claims filmmakers breached their contract with him by using the slogan on merchandise.
According to the complaint filed Tuesday in New York federal court, lawyers for Universal and Steven Spielberg’s Amblin Entertainment contacted Zaccheo requesting his consent to use his trademarked phrase. They paid him $50,000 for the right to use it in advertising for the film and promised not to use it in connection with clothing or to promote any charity, specifically animal rights, endangered species and environmental causes. They also agreed that the slogan must always be used with Jurassic Park franchise branding.
“In the months leading up to the release of Jurassic World: Fallen Kingdom, Defendants launched a multi-faceted advertising and marketing campaign centered around the theme of saving the fictional dinosaurs on the fictional island from the fictional volcano,” writes attorney Hillel Parness in the complaint. “To that end, Defendants created the ‘Dinosaur Protection Group,’ a fictional organization run by the character of Claire Dearing from the first Jurassic World film and portrayed by Bryce Dallas Howard.”
The campaign included a Dinosaur Protection Group website and social media sites and featured an Adopt-A-Dinosaur contest which offered Save the Dinos merchandise as prizes. (See the complaint below for screenshots.)
(19) ORLY? Camestros Felapton was surprised to hear the founder of Infogalactic touting it as a success: “Voxopedia Again”.
…What had caught my interest was that much of the content was actually about Voxopedia, the vanity Wikipedia project that’s just like Wikipedia but out of date and with nonsense attached. I was curious because manifestly as a project it has failed and clearly at some point it will be abandoned. I had assumed that it had already slipped into a zone of lack-of-interest as newer, shinier projects competed for attention*. But it seems not. rather Vox was holding up Voxopedia as a shining example of how he has all the experience he needs to run a social network.
Now note, currently Voxopedia has about 6-10 active editors or whom only two really are doing any work, two of whom are just feuding conspiracy theories maintaining their own separate (and incompatible) conspiracy pages, one of whom is engaged in a personal campaign to document all things about Englebert Humperdinck (and nothing else) and one of whom is doing nothing but write hate pieces about transgender people….
(20) VIDEO OF THE DAY. In “Halloween: John Locke vs. The Zombies” on YouTube, American Enterprise Institute fellow Jonah Goldberg explains why political philosopher John Locke would support killing zombies during a zombie apocalypse.
[Thanks to Bill, John King Tarpinian, Joey Eschrich, Mike Kennedy, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lise Andreasen.]
Roanhorse’s short story “Welcome to Your Authentic Indian Experience (TM),” which appeared in Apex magazine, won the Nebula Award earlier this year, and was also nominated for this year’s Hugo Award, an amazing feat for a writer’s first published short story. Plus she was also nominated for the John W. Campbell Award for Best New Writer. And the following night after she and I dined, she was the winner in both of those categories. (By the way, she was the first writer since 1980 to win the Hugo Award, the Nebula Award, and the Campbell Award for Best New Writer the same year. It’s only been done once before, by Barry B. Longyear with his novella “Enemy Mine.”)
Roanhorse’s debut novel, Trail of Lightning, was published this summer by Saga Press, about which the New York Times had this to say: “Someone please cancel Supernatural already and give us at least five seasons of this badass indigenous monster-hunter and her silver-tongued sidekick.” It’s the first book is The Sixth World series, and will be followed next year by Storm of Locusts.
We discussed the spark without which her award-winning short story would never have been written, the differing reactions her tale garnered from inside and outside of the Native American community, the compelling reason she chose to write it in the second person, what she learned as a lawyer that helped in writing her first novel, how she upped her game when she decided to be a writer for real, why she fell out of the reading habit and how a Laurel K. Hamilton novel drew her back in, what it was like to hear Levar Burton read her award-winning story, and much more.
…The submission window recently opened for the second year of the Neukom Institute award. Asked how they are approaching the second season, Rockmore responded, “We are not just award judges, we are readers. We can’t wait to read the next crop of speculative fiction that is being submitted for the second Neukom season. We are hoping that we can build on the success of the inaugural year of the Neukom Institute Literary Arts Awards to gather an even stronger and broader collection of submissions for this year. We continue to welcome speculative fiction in all of its many forms and look forward to continuing to bring greater attention to this important genre.”
Eligible books include any works published no earlier than June 1, 2016 or under contract to be published no later than December 31, 2018; the submission deadline for all three awards is December 31. More detailed submission guidelines here. The awards will be announced in spring 2019.
(4) MORE ABOUT EREWHON. The press release from Liz Gorinsky’s new Erewhon Books fills in more details:
Erewhon’s founder, President, and Publisher Liz Gorinsky came to Erewhon after nearly fifteen years at SF&F publisher Tor Books, where she edited a list that included acclaimed and award-winning speculative fiction authors Liu Cixin, Annalee Newitz, Cherie Priest, Nisi Shawl, Catherynne M. Valente, and Jeff VanderMeer. She was part of the team that founded Tor..com and has won multiple prestigious awards for editing, including the Hugo Award for Best Editor, Long Form. Gorinsky remarked, “I started to learn about science fiction and fantasy at Tor Books as an intern, but I’ve loved those genres ever since I started reading. I’ve been honored to publish many beautiful SF&F books that have been bestselling, award-nominated, critically acclaimed (or all three!), and I’m thrilled to carry on my work with the many great authors in this genre and build the special attention and individual approach that a boutique independent publisher can provide.”
The rest of the Erewhon team includes Editorial Assistant Jillian Feinberg and business advisor Peter Burri, who is the co-founder of the successful independent press The Experiment and has twenty-five years of experience in publishing operations and financing. Erewhon also has substantial financial backers who come from families with over fifty years of publishing experience and are committed to the long-term growth of the company.
Erewhon is pleased to have signed on as a distribution client of independent publisher Workman Publishing, which has fine imprints including Algonquin Books and Artisan Books and a select distribution group that includes The Experiment and duopress. Previously, Workman has had very little presence in the speculative fiction world and is excited to be expanding its offerings in that direction. Workman’s Chief Executive Officer Daniel P. Reynolds commented, “It’s exciting to be part of the talented team starting up Erewhon Books. Many years ago, Workman had a bestseller with Good Omens – our first and only SF&F title, so it’s about time we got back into this category. We can’t wait to help Erewhon develop their own list of bestsellers.”
Erewhon opened its New York City office in June 2018 and is starting to build its list with the aim of debuting its first season of new titles in 2020.
(5) ALL BRADBURY ALL THE TIME. Mallory O’Meara, in “10 Great Horror Books for Wimps” on Vulture, selects books for people who think Halloween is a good time to read a horror novel, but would want to read “books that won’t keep you up at night.” Her good taste is evident because one of the books she picks is Something Wicked This Way Comes, and she mentions Bradbury in connection with another choice —
Get in Trouble by Kelly Link
Kelly Link is the literary heir to Ray Bradbury’s short fiction throne, and her latest collection is filled with fantastic, genre-melding tales. These stories incorporate various horror elements, like vampire boyfriends and creepy faeries, but they fascinate instead of scare, making it the perfect book to test the spooky waters with. Also notable: Get in Trouble was a national bestseller and a finalist for the Pulitzer Prize.
(6) USING SFF TO TEACH COMPUTER ETHICS, Teachers at the University of Kentucky and the University of Chicago have been using science fiction to offer students a way to cultivate their capacity for moral imagination. In the recent edition of the Communications of the Association for Computing Machinery, they write: ” Teaching ethics to computer science students is a pressing responsibility for computer science faculty but also a challenge. Using fiction as the basis for an ethics course offers several advantages beyond its immediate appeal.” — “How to Teach Computer Ethics through Science Fiction” at Communications of the ACM.
(7) TODAY’S BIRTHDAYS.
Born October 18, 1924 – Vol Molesworth, Mathematician, Editor, Publisher, and Fan from Australia who led a revival of the Sydney Futurians in 1947, becoming one of the leading Australian fans in the 50s. He played a major role in the three Australian Natcons held in Sydney during the 50s, and founded and operated the Futurian Press. His works include An Outline History of Australian Fandom and A History of Australian Science Fiction Fandom 1935-1963, and the fanzines Luna, Cosmos, and Telefan.
Born October 18, 1944 – Katherine Kurtz, 74, Writer who has published sixteen novels in the Deryni series, which is notable for being one of the first historical fantasy series (as opposed to Tolkien-type high fantasy), has garnered her several Mythopoeic and BFA nominations, and has been a perennial favorite in the Locus Reader’s Choice polls. With Deborah Turner Harris, she has co-written the alternate history Templar Knights series and the Adept urban fantasy series. She has written several standalone novels, of which I strongly recommend both Lammas Night and St. Patrick’s Gargoyle. She also contributed a number of recipes to Serve It Forth: Cooking with Anne McCaffrey which was co-edited by McCaffrey and John Gregory Betancourt (I’m curious – have any Filers seen that work?). She has been Guest of Honor at more than two dozen conventions, including a World Fantasy Convention.
Born October 18, 1946 – Howard Shore, 72, Oscar-winning Composer from Canada who has created the scores for nearly 80 films, many of them genre, including Peter Jackson’s Lord of the Rings trilogy (all of which won Hugo Awards), the Hobbit movies, eXistenZ, Scanners, Videodrome, Dogma, and the Hugo finalists Big and Hugo (which was based on The Invention of Hugo Cabret, about science fiction film pioneer George Méliès and his automata).
Born October 18, 1947 – Joe Morton, 71, Tony- and Emmy-nominated Actor of Stage and Screen, who had a lead role on Eureka and a recurring role on Smallville, as well as guest parts on Mission: Impossible, The X-Files, and Warehouse 13. He starred in the film The Brother from Another Planet and had roles in the Hugo-winning Terminator 2: Judgment Day, Paycheck, The Astronaut’s Wife, What Lies Beneath, Dragonfly, Stealth, The Clairvoyant, Batman vs Superman, and Justice League.
Born October 18, 1950 – Tony Roberts, 68, Artist from England who, from the 60s to the 90s, produced more than 100 SFF book covers as well as numerous interior illustrations, many of them for the first editions of books by well-known authors, including Heinlein, Le Guin, Leiber, Dick, and van Vogt; they were distinctive for their spaceships and futuristic architecture, and many of them are still instantly recognizable to long-time SFF readers. His work yielded a nomination for the British Fantasy Award Best Artist; however, in the mid-90s, he mostly left the field to pursue fine art painting. In 2000, he made international news for suing artist Glenn Brown, who had plagiarized reinterpreted his 1974 cover for Heinlein’s Double Star in a painting which became a finalist for the £20,000 Turner Prize.
Born October 18, 1964 – Charles Stross, 54, Computer Programmer, Writer, and Fan from England who has transplanted himself to Scotland. His longest-running series is The Laundry Files, a sort of Bondian occult pastiche that can only truly be appreciated if read from the beginning. His Halting State and Rule 34 series novels might, I think, be his best work, but The Merchant Princes series got much better when they were released by Tor in their second incarnation. His Heinlein-homage Saturn’s Children novels are a quick, fun read. His works have racked up an impressive array of more than 50 Hugo, Nebula, Campbell, Sturgeon, Tiptree, Sidewise, Prometheus, Skylark, and Kurd Laßwitz Award nominations including 7 wins (his novel Accelerando alone being responsible for 7 of those nominations). He has been Guest of Honor at more than 20 conventions, including a Eurocon.
Born October 18, 1987 – Nicola Posener, 31, Actor from England with an amazingly prolific resume of genre films of which I don’t recognise a one: Lab Rats, House Of Anubis, Dawn Of The Dragonslayer, The Crown And The Dragon, Survivor, Mythica: A Quest For Heroes , Mythica: The Darkspore, Mythica: The Necromancer, Mythica: The Iron Crown, Mythica: The Godslayer and Magellan – which, trust me, is not a complete list.
Born October 18 – Filer NickPheas (who is welcome to provide his own capsule bio if he is so inclined; photos of credentials are also welcome).
Al letson: So how does this book become a bestseller?
Amanda Rob: Well it’s possible that a lot of people are really reading it, and it’s possible that Vox is taking advantage of something that Amazon does which is called micro-categorizing. So right now, one of the issues of Alt-Hero is the number one new release in Superhero Graphic Novels. That’s a pretty small category, but it is number one in that category.
Al letson: Is there a way to game the system?
Amanda Rob: Sure. There’s a way to game the system. You have your fans and followers click on the book. If you have Kindle Unlimited, it’s free.
Chuck Dixon: See, that’s the problem. That’s where the agenda, putting the agenda … I’m not saying you have an agenda. There’s nothing wrong with you wanting to see a character that you can relate to more closely, but, when you put the agenda before the story, that’s where the problem lies because then you come up with uninteresting characters for the sake of diversity.
Al letson: Then, I asked the question that brought me all the way down to Florida. Why work with Vox Day?
Chuck Dixon: Well, there’s … He approached me. I didn’t know much about him, I still don’t know a whole lot about him, but this is the first time in my experience that I’ve gone to work on a job and everybody’s concerned with who is publishing it and their background, their beliefs, and everything else because this guy is … Man, is this guy a lightning rod. I don’t agree with a whole lot of what he says but he was offering me an opportunity to create our own work. He had a funding thing and he had a distribution deal set up. He admitted that he didn’t know what he didn’t know, so he wasn’t telling me what to do, he was asking me what I should do or what would be best for me and all the rest of it.
Offering me an opportunity and didn’t tell me what to write, and still has not told me what to write, so, to me, it was just an opportunity to be free of the kind of constraints that are put on you at the major companies, the political correctness constraints. I wasn’t interested in doing a book that was political. I wasn’t interested in doing a message book.
Al letson: So he’s not asking you to write anything political, but you understand how just working with him is political?
Chuck Dixon: I’ve read the “Alt-Hero” thing and I’ve rejected parts of it I didn’t want to do, that I don’t agree with. I don’t write for that.
I’m sorry to direct Verge readers to a Post Malone song, but the grubby musician has made his latest music video hard to pass up: “Sunflower” is a collaboration with Swae Lee that the pair wrote and recorded to accompany Spider-Man: Into the Spider-Verse, the gorgeous upcoming animated film that follows Miles Morales (and basically every other Spidey that ever existed).
…Spider-Man: Into the Spider-Verse is in theaters on December 14th.
The Army is getting ready to drive into war — in driverless trucks.
Next fall, its “Leader-Follower” technology will enable convoys of autonomous vehicles to follow behind one driven by a human. It’s a direct response to the improvised explosive devices that caused nearly half the casualties in Iraq and Afghanistan.
The military has been trying to bring robots into wars since the 1950s, a long line of technological innovations that began with a bulky roving platform and carried into bomb-defusing robots.
The same basic idea is always at play: “remoting the lethality,” essentially creating a bigger, safer distance between American soldiers and the enemy they are trying to kill.
The satellite would be able to light an area with a diameter of 10 to 80 kilometers, while the precise illumination range can be controlled within a few dozen meters, according to the People’s Daily, which quoted a developer with the Chengdu Aerospace Science and Technology Microelectronics System Research Institute as saying.
…The man-made moon has a highly reflective coating to reflect light from the sun with solar panel-like wings whose angles can be adjusted to realize “precise lighting.” The 14,300-square-meter city of Chengdu would be the primal focus of the light from the man-made moon, and astronomers throughout China and overseas should be able to spot the glowing star at night.
…The idea of an “artificial moon” came from a French artist, who imagined hanging a necklace made of mirrors above the earth, which could reflect sunshine through the streets of Paris all year round.
The anniversary offerings continue with a second special double issue from Beneath Ceaseless Skies. Again, for the sake of my sanity, I’m going to break this out into two parts. The first features a novelette and short story that for me deal very much with narratives and with learning. They both have the feel of engaging with fable, with magic, and with characters learning lessons that they weren’t really expecting to. Whether that lesson is about the nature of growing up or of becoming a better person, in both there’s a focus on people seeking something that will give them power and answers and then, ultimately, wondering if that’s what they really want. Both carry a sense of strangeness and wonder, as well, and are warm and cozy at the same time. Before I give too much away, though, let’s get to the reviews!
That’s according to a new analysis, published Wednesday in the journal Nature by a different team of experts.
This second group examined structures within the rock that were thought in 2016 to have been produced by communities of single-celled microbes that grew up from the bottom of a shallow, salty sea. A three-dimensional look at these structures shows that instead of having a telltale upside-down ice-cream cone shape — the kind produced by microorganisms — they are shaped like a Toblerone candy bar.
“They’re stretched-out ridges that extend deeply into the rock,” said Joel Hurowitz, a geochemist at Stony Brook University in New York and an author of Wednesday’s paper. “That shape is hard to explain as a biological structure and much easier to explain as something that resulted from rocks being squeezed and deformed under tectonic pressures.”
There’s a good reason for that. Farmers grow it mostly for the fluffy white fibers that turn into T-shirts or sheets. Cotton plants do produce seeds, but those seeds are poisonous, at least to humans.
This week, though,the U.S. Department of Agriculture approved a new kind of cotton — one that’s been genetically engineered so that the seeds are safe to eat.
The invention promises to open new markets for cottonseed, and it could give cotton farming a big boost. Because cotton plants are prodigious seed producers: Every pound of cotton fiber, or lint, comes with 1.6 pounds of seed.
“You’re getting more cottonseed than you are lint,” says Greg Holt, who leads research on cotton production and processing at a USDA research station in Lubbock, Texas.
Each seed is the size of a small peanut. In principle, it could be highly nutritious. It contains lots of oil and protein.
Keira Knightley says she has banned her three-year-old daughter from watching Disney films whose portrayal of women she disagrees with.
Edie Knightley Righton is not allowed to watch Cinderella or Little Mermaid.
Knightley told Ellen DeGeneres that 1950’s Cinderella “waits around for a rich guy to rescue her. Don’t! Rescue yourself. Obviously!”
She said of Little Mermaid: “I mean, the songs are great, but do not give your voice up for a man. Hello!”
Presumably on the OK list is the Disney film Knightley is promoting, The Nutcracker and the Four Realms, in which she plays the Sugar Plum Fairy.
(18) VIDEO OF THE DAY. Hedgehog on Vimeo is a short animated film from France about a little boy obsessed by hedgehogs.
[Thanks to Olav Rokne, John King Tarpinian Carl Slaughter, Chip Hitchcock, Cat Eldridge, JJ, Martin Morse Wooster, Mike Kennedy and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel.]