Pixel Scroll 10/24/23 They Say It’s Only A Rebel Moon

(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Hugo winner RiverFlow’s con report

Some of the events in this length con report, with lots of photos, have been briefly covered in a prior Scroll, and comments, but this report is absolutely worth reading all the way through, for all the extreme highs and lows.  Via Google Translate, with very slight edits:

But when the opening ceremony progressed to the interactive session between [Cixin] Liu and the fans, I felt that my breathing rate was significantly accelerated and became more and more difficult. My chest felt tight and painful, my airway was extremely stiff, I had waist pain and abdominal numbness, and I felt dizzy and wanted to sleep. I asked the person next to me, Lu Ban, if I could leave early.

Lu Ban communicated with the volunteers, and then helped me walk to the medical aid room. The doctor gave me oxygen, asked about my various conditions and conducted a preliminary examination. Two other volunteers also arrived. The doctor said that to be on the safe side, he suggested staying at the Pidu District People’s Hospital for one night for observation. As a result, I became the first patient hospitalized during this World Science Fiction Convention.

(Note: for some reason, machine translation often renders 河流 as Hehe rather than Heliu; the latter being the Chinese for RiverFlow.  Also note that “Tianjue” is Hugo Fan Writer finalist Arthur Liu, who uses the online name HeavenDuke, an anglicization of 天爵/Tian Jue.)

Although it’s not clear from the page itself, he also posted the full text of his acceptance speech; per his con report, he was not able to read all of it out on stage.

Zhang Ran’s con report

I wasn’t aware of Zhang Ran, the author of this Chinese-language piece, but a search for “Taiko Science Fiction Academy” came up with this English language article which provides a fair bit of background.  Some of the text (as processed through Google Translate) in his report on the Chengdu Worldcon raises eyebrows.

The Chengdu Science Museum, which cost more than 1 billion yuan ($137 million USD) and was designed by Zaha Hadid Architects, is a spectacle…

It was held in Asia for the second time since Nippon 2007 Worldcon in Yokohama in 2007. This should be a carnival for Chinese science fiction fans, but I couldn’t find any carnival look on the faces of many people attending the conference.

The volunteers were stiff and frightened, as if they were fulfilling some grand historical mission. The security check is dense and solemn, as if guarding some mysterious core…. The science fiction market, which should be reserved for ordinary fantasy fans, will naturally be run by companies that have little to do with science fiction.

It is commendable that this conference effectively compressed the time of leaders’ speeches to a length that foreign friends can understand. However, hundreds of primary school students walked in uniform steps at the conference venue, which was inevitably confusing….

Don’t get me wrong, I fully support China’s hosting of the World Science Fiction Conference, and I also understand that this conference has given Chengdu, Sichuan, and China a boost in Chinese science fiction.

But if, just if, the investment spent on the facade is shifted a little bit to the fans, so that they can reduce the walking distance, attend two more panels with the guests sitting next to them (rather than on the stage), and participate in one It is possible, just possible, to set up two stalls selling bookmarks and second-hand books during a parade and have lunch near the venue without having to fight for a seat. It would make the guests and hosts enjoy themselves more like a great country.

If I were a member of the organizing committee, I would definitely not invite myself to be a guest next time. It would be shameless for me to be a good person after getting an advantage.

But if I can attend a conference where everyone has smiles on their faces instead of solemn expressions, such as singing songs around a campfire, then I will definitely come at my own expense.

(Note: I put the text through DeepL and Vivaldi’s Lingvanex translation software, and got similar results, so I assume the above is reasonably accurate, whilst suffering a fair number of ungrammatical bits that I didn’t have time to clean up.)

Chinese reaction to one of their Hugo winners

Arthur Liu made some interesting observations in reply to a Hugo Book Club reposting of one of their old tweets  (1)(2)(3).

I’ve not had time to uncover much of the negative discussion referred to – I suspect that it’s happening in WeChat/Weixin groups, which I don’t have access to.  On Weibo, I did find this negative review and another brief comment, but both of those postdate Arthur’s tweets.

I suspect such discussion is also the reason behind SF Light Year reposting an earlier Weibo post of that Hugo Book Club tweet.

Hai Ya can hopefully console himself with being featured on a TV news report.  The ballad playing in the background probably wasn’t part of the original broadcast.

An observation on the different preferences between Chinese authors and readers

In an English-language Mastodon post, author Taiyo Fujii reported a recent chat he had about the Chinese SF industry (slight edits for style and grammar):

At Tianfu airport, I met a young scholar who studies Asian SF history.  I met her once before in Chengdu in 2019.  At that time, I only gave her an autograph, but we had a good discussion around SF.

Her worry about Chinese SF is a conflict between hard and soft SF.  Publishers say that readers love scientific hard SF, but young writers prefer to write more human related works.

I agreed, and gave some examples of workarounds.

And we discussed the theme of Ted Chiang, Gu Shi and Kim Choyop.

An attendee’s video of the con

The first minute or so of this Bilibili video is perhaps a little too Cixin Liu heavy, but then we get a good look at the fan table and dealers area.  That section of the video has been sped-up, but Bilibili does have a button to let you change the playback speed to 0.5x or 0.75x, allowing you a better look at things.

(2) HARRY POTTER AND THE PARALYZED STUNT PERFORMER. [Item by Mike Kennedy.] One stuntman — stunt boy, really — subbed for Daniel Radcliffe through almost all of the Potter movies. Until, that is, a tragic accident on the set of the penultimate film left David Holmes paralyzed.

Now a documentary about Holmes is coming out. Radcliffe not only is interviewed during the film, but signed on as an executive producer. Variety has the story: “Daniel Radcliffe’s ‘Harry Potter’ Stunt Double Was Paralyzed After ‘Deathly Hallows’ Set Accident — Now They’ve Teamed Up for a Doc to Tell His Story”.

… The documentary features “candid personal footage shot over the last decade, behind-the-scenes material from Holmes’ stunt work, scenes of his current life and intimate interviews with David, Daniel Radcliffe, friends, family, and former crew,” HBO adds. “The film also reflects universal themes of living with adversity, growing up, forging identities in an uncertain world, and the bonds that bind us together and lift us up.”

“David Holmes: The Boy Who Lived,” directed by “Lad: A Yorkshire Story” filmmaker Dan Hartley, is just the latest collaboration between Radcliffe and Holmes following their work together across the “Harry Potter” movies. During the pandemic in 2020, the two joined forces to launch the “Cunning Stunts” podcast in which they shined a greater light on stunt performers across Hollywood.

“I think there’s a myth around stuntmen that they are just superhuman in some way,” Radcliffe said at the time about the podcast. “When the public see something really painful or horrible, they think it was a visual effect or that there’s some clever, safe way of doing it. Often that’s not the case. There’s no way of faking, for example, falling down stairs. When you get hit by a car, you’re still getting hit by a car, even if it’s going slower than it would. They find the safest way of doing it, but it can still hurt.”…

(3) PEN NAME PRO TIPS. The SFWA Safety Committee today posted “Safety Dispatch: How to Establish and Use a Pen Name” at the SFWA Blog.

Have you ever considered writing under a pen name? Some authors use pseudonyms to separate works under different genres, reboot their careers after a dry spell, or replace the names of multiple authors on the cover. These are all great reasons, but some authors want to use a different name for privacy or safety reasons, and that’s what we’ll cover here.

Maintaining anonymity in the digital age can be challenging. Most publishers expect authors to have some way to communicate with fans. This kind of interaction is even more critical for indie authors, who often rely on newsletters and hand-selling to move their books. It might seem daunting to separate your legal identity from your author-life, and a determined hacker can trace your pen name back to your legal name, but here are some best practices that can help safeguard your privacy….

(4) ALIENS BEFORE TV GOT HOLD OF THEM. BBC Futures introduces us to “The weird aliens of early science fiction”.

…Humanity’s ideas about aliens have been evolving for millennia – but in the era before television, they were considerably stranger….

…Generations before, the aliens of early science fiction were considerably more fantastical – bloodcurdling octopus-beings, intelligent swarms of insect-creatures and monstrous reptiles.

In 1887 – before the invention of sliced bread, ice lollies or even the word “teenager” – the science fiction author Joseph Henri Honoré Boex set pen to paper in his Brussels office and imagined up Les Xipéhuz. 

The book is set on Earth, a thousand years before the ancient Mesopotamian cities of Nineveh and Babylon were founded, and begins with a dream-like encounter in a forest clearing. A nomadic tribe of people are looking for somewhere to rest one night, but instead they stumble upon “Les Xipéhuz”, translated as “The Shapes”.

The bizarre, geometric creatures resembled “bluish, transparent cones” with their point facing upwards. Each was around half the size of a human, with some stripey markings and “a dazzling star near its base like the sun at midday”. The creatures are considered among the first non-humanoid aliens in science fiction, within a cautionary tale that shows how devastating first contact can be with an unfamiliar “other”. After many battles, (spoiler alert), it becomes clear that there’s no room for diplomacy. Even the way the Shapes communicate, by tracing symbols on each other’s bodies using the rays of their stars, is alien. In the end, they are exterminated.

As it happens, the timing of this story is no accident….

(5) STINKER REX. There’s a meme going around poking fun at those who frequently think about the Roman empire. When this new Mary Beard book arrives they won’t be doing it any less! “A Very Bad Emperor Indeed: An Exclusive Guest Post from Mary Beard, Author of Emperor of Rome” at Barnes & Noble.

…Elagabalus was an extreme version — almost a caricature — of a very bad Roman emperor indeed.

But when I came to write my new book Emperor of Rome, I began to think about Elagabalus rather differently. It’s not that I decided he had been terribly maligned and was probably a decent kind of chap after all. But I did see that many of the stories told about him were more pointed than just random tales of capricious misbehaviour on the part of a teenaged emperor — he was about 18 years old when he was, predictably, assassinated in 222 CE.

True or not (and many, I suspect, were not), these flamboyant anecdotes often highlight the fears and suspicions that the Roman population had of their rulers…. 

(6) IN CASE YOU WONDERED. Victoria Strauss explains “Why Writer Beware Doesn’t Recommend or Endorse Agents or Publishers” at Writer Beware.

“You warn about so many bad literary agents and publishers, why don’t you ever tell us about the good ones?”

It’s a question Writer Beware has been getting for almost as long as we’ve been around, from writers bewildered about where to go for reliable information, frustrated by the abundance of author-focused schemes and scams, or just exhausted by the work of finding a good home for their manuscripts.

I have a standard answer that I provide when people email me with this question or ask me on social media. But with writing scams more prevalent than ever, and writers more beleaguered by fraudulent solicitations than at any time in Writer Beware’s history, I thought it would be helpful to offer a more detailed explanation of why we call out the bad guys but don’t focus on the good guys.

1. Writer Beware has a relatively narrow mission, and it’s all about fraud.

Our purpose is to track, expose, and raise awareness of the prevalence of fraud and other bad practice in and around the publishing industry, with the aim of providing writers with the information they need to protect themselves from exploitation. (More detail is here.)

In other words, we’re not an everything-about-publishing organization; we are laser-focused on just one aspect of the publishing world. We feel it’s better to do one thing intensively and well than to try and be all things to all people.

More practically, we are a small, all-volunteer group–we simply don’t have the staff to handle the time-consuming, careful research that would be needed to maintain and update a database of “good” agents and publishers and bring that information to the public. Instead, by identifying the characteristics of common schemes and scams and shining a light on their inner workings–by educating writers on what to avoid, in other words–we try to give them tools they can use to safely research agents, publishers, self-publishing platforms, etc. on their own.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 24, 1915 Bob Kane. Writer and Artist who co-created, along with Bill Finger, the DC character Batman. Multiple sources report that “Kane said his influences for the character included actor Douglas Fairbanks’ movie portrayal of the swashbuckler Zorro, Leonardo da Vinci’s diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Roberts Rinehart’s mystery novel The Circular Staircase.” He was inducted into Jack Kirby Hall of Fame and the Will Eisner Hall of Fame. The character he created has been featured in countless comic books, stories, movies, TV series, animated features, videogames, and action figures in the last eight decades. The 1989 movie based on his creation, featuring Michael Keaton in the title role, was a finalist for both Hugo and British Science Fiction Association Awards. (Died 1998.) (J) 
  • Born October 24, 1948 Margaret “Peggy” Ranson. Artist, Illustrator, and fan, who became involved with fandom when she co-edited the program book for the 1988 Worldcon in New Orleans. She went on to provide art for many fanzines and conventions, and was a finalist for the Best Fan Artist Hugo every one of the eight years from 1991 to 1998, winning once. She was Guest of Honor at several conventions, including a DeepSouthCon. Sadly, she died of cancer in 2016; Mike Glyer’s lovely tribute to her can be read here. (Died 2016.)
  • Born October 24, 1952 Jane Fancher, 71. In the early 80s, she was an art assistant on Elfquest, providing inking assistance on the black-and-white comics and coloring of the original graphic novel reprints. She adapted portions of C.J. Cherryh’s first Morgaine novel into a black-and-white comic book, which prompted her to begin writing novels herself. Her first novel, Groundties, was a finalist for the Compton Crook Award, and she has been Guest of Honor and Toastmaster at several conventions.
  • Born October 24, 1952 David Weber, 71. Best known for the Honor Harrington series, known as the Honorverse. He has three other series (DahakWar God and Safehold), none of which I’m familiar with. The Dragon Awards have treated him well giving him three Best Military Science Fiction or Fantasy Novels for Hell’s Foundations QuiverA Call to Vengeance and Uncompromising Honor. His only other Award is a Hal Clement Young Adult Award for A Beautiful Friendship.
  • Born October 24, 1954 Wendy Neuss, 69. Emmy-nominated Producer. As an associate producer for Star Trek: The Next Generation, her responsibilities included post-production sound, including music and effects spots, scoring sessions and sound mixes, insertion of location footage, and re-recording of dialogue (which is usually done when lines are muffed or the audio recording was subpar). She was also the producer of Star Trek: Voyager. With her husband at the time, Patrick Stewart, she was executive producer of three movies in which he starred, including a version of A Christmas Carol which JJ says is absolutely fantastic, and a rather excellent if stylistically different The Lion in Winter too. 
  • Born October 24, 1955 Jack Skillingstead, 68. Husband of Nancy Kress, he’s had three excellent novels (HarbingerLife on the Preservation and The Chaos Function) in just a decade. I’ve not read the third one yet but I’ve no reason not to assume that it’s not as good as his first two works. He’s due for another story collections as his only one, Are You There and Other Stories, is a decade old. All of his works are available at the usual suspects for quite reasonable rates. 
  • Born October 24, 1956 Dr. Jordin Kare. Physicist, Filker, and Fan who was known for his scientific research on laser propulsion. A graduate of MIT and Berkeley, he said that he chose MIT because of the hero in Heinlein’s Have Spacesuit, Will Travel. He was a regular attendee and science and filk program participant at conventions from 1975 until his untimely death. He met his wife, Mary Kay Kare, at the 1981 Worldcon. He should be remembered and honored as being an editor of The Westerfilk Collection: Songs of Fantasy and Science Fiction, a crucial filksong collection, and later as a partner in Off Centaur Publications, the very first commercial publisher specializing in filk songbooks and recordings. Shortly after the shuttle Columbia tragedy, astronaut Buzz Aldrin, on live TV, attempted to read the lyrics to Jordin’s Pegasus Award-winning song “Fire in the Sky”, which celebrates manned space exploration. He was Guest of Honor at numerous conventions, and was named to the Filk Hall of Fame. Mike Glyer’s tribute to him can be read here. (Died 2017.) (JJ)
  • Born October 24, 1972 Sofia Samatar, 52. Teacher, Writer, and Poet who speaks several languages and started out as a language instructor, a job which took her to Egypt for nine years. She won the Astounding Award for Best New Writer, and is the author of two wonderful novels to date, both of which I highly recommend: Stranger in Olondria (which won World Fantasy and British Fantasy Awards and was nominated for a Nebula) and The Winged Histories. Her short story “Selkie Stories are for Losers” was nominated for the Hugo, Nebula, BSFA, and BFA Awards. She has written enough short fiction in just six years that Small Beer Press put out Tender, a collection which is an amazing twenty-six stories strong. And she has a most splendid website. (Standback)

(8) STRONG OATHS. After reading this installment of Hagar The Horrible Daniel Dern asks, “Is this Mandarin grawlix?”

Grawlix is the term for symbols denoting swearing in comic strips.

(9) SUPERCREDENTIALS. In January,“’Marvel Meow’ Makes Its Print Comic Debut!”.

The cats of the Marvel mythos will claw their way to comic shops this January! Marvel Meow #1 collects Nao Fuji’s hit Marvel Unlimited Infinity Comic and features brand-new covers and an exclusive new Marvel Meow story. The series spotlights adorable interactions between the cats of the Marvel Universe and your favorite heroes and villains. These delightful adventures are perfect for all ages and are sure to delight Marvel fans, cat lovers, and everyone in between! 

Marvel’s most fearsome – and furriest – heroes are here to save the day and beg for treats in the process! Follow Chewie, Liho, Alpine and the rest of the Avengers’ feline friends as they cause a few cat-tastrophes…and maybe vanquish some villains in the process! Whether it’s crashing Captain Marvel’s apartment or defeating Doc Ock, you can always count on these cats for some cute chaos!

(10) LOTR LAGNIAPPE. GameRant calls these “The Best Lord of the Rings Books That Aren’t The Tolkien Series”.

Whether you’re a crafty, good in the kitchen, or just a major nerd for Middle-earth history, there’s a LOTR-adjacent book out there that you’re sure to fall in love with. These books are ranked as the best you can get for their attention to canon and lore and the value they offer for those LOTR lovers who are looking to either expand their knowledge or celebrate Tolkien’s magical world….

For example:

The Unofficial Lord of the Rings Cookbook

If you’re handier in the kitchen, this LOTR cookbook that includes over 60 recipes inspired by Tolkien’s stories will be perfect for you! The recipes come with stunning full-color photographs so you can have a good idea of what you’re making, with Middle-earth recipes ranging from Lembas Bread to Sam’s Coney Stew.

(11) SFF SPECIAL EFFECTS HUB CELEBRATED. The Gunnersbury Park and Museum in the UK is hosting the “Set to Stun: Designing & Filming Sci-Fi in West London” exhibit through June 2, 2024.

Beyond the stars and behind the scenes… for nearly a century west London has been home to a hive of workshops and design studios that fed into some of the country’s most iconic Sci-Fi films and TV shows.

Our major new exhibition ‘Set to Stun’ will celebrate sci-fi film and television from the 1960s through to today, turning the camera onto the west London artisans, artists and crafts people who brought it all to life.

From laser beams to paranoid androids, exploring faraway planets to alien invasions – visitors will get to enjoy an engaging and interactive showcase of the sets, costumes, prosthetics, props, and artistic visualisations that went into British Sci-Fi classics, including Doctor Who, the Hitchhiker’s Guide to the Galaxy and Red Dwarf. We’ll also bring the story up to date with a motion capture interactive.

The exhibition will encompass informative and engaging content for enthusiasts and fun and fascination for families, with workshops for both adults and kids.

(12) WEIRD FICTION EXPLAINED. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult has a stab at explaining weird fiction in under 13 minutes.  Unlucky for some, weird or what?

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/10/23 Nobody Knows The Pixels I’ve Screened

(1) CHENGDU WORLDCON PROMO VIDEO UNVEILED. “Chasing Dreams for the Future_Worldcon” on YouTube.

A two-and-a-half minute video was released today on various platforms, including the official con site.  It features animated characters, against imagery based on a variety of SF works, and also references prior Worldcons.

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

No reference to Lukyanenko in latest PR material

This Weibo post from the con’s official account has a couple of interesting details.   Google Translate rendition of the post text (minor manual edits to fix mangled names):

The World Science Fiction Conference is held for the first time in China. This science fiction event brings together the best science fiction writers and industry insiders from the East and the West in Chengdu, where the past and the future are intertwined.

Liu Cixin, Robert Sawyer, Richard Taylor, Lezli Robyn, Michael Swanwick, David Hull, Satoshi Hase, Neil Clarke, Wu Jing, Guo Fan, Wang Jinkang, Han Song, He Xi… these shining names in the science fiction world, these stars who evoke the exciting dreams of countless science fiction fans, will all be unveiled at the 2023 Chengdu World Science Fiction Conference. 

I think this might be the first official mention of Michael Swanwick’s attendance?  Also, Japanese novelist Satoshi Hase is a name that I don’t think I’ve previously seen mentioned as a guest.

The linked weixin.qq.com page has an article by a reporter from the Chengdu Business Times org, which is involved in the running of the con.  The piece is titled (via Google Translate) “Liu Cixin and Robert Sawyer: Representative figures of hard science fiction from the East and the West will appear together in Chengdu!” Liu and Sawyer are interviewed, and it seems this will be the first in a series of interviews with con guests:

Starting today, we are launching a series of reports called “When Science Fiction Stars Shine” to introduce the science fiction writers, academicians, experts, and industry figures who will appear at this conference, and look forward to and welcome the event with everyone.

There’s also a slightly puzzling statement which says “Robert Sawyer and Liu Cixin will appear together at The 81st World Science Fiction Convention Industrial Development Promotion Conference (WSDF)”, with “WSDF” being an acronym appearing in the Chinese text.  Whilst I’ve seen a bit of con-related material that has references to “industry” and “promotion”, this is the first I’ve heard of something called the “WSDF”.  This “WSDF” term also appears in Weibo posts today from the HELLOChengdu and GoChengdu accounts, which reference the same news item.

Sawyer/Liu/Lukyanenko anthology published

It is reported that the “Stellar Concerto” Chinese-language anthology featuring stories from the three (ahem) Worldcon GoHs, which was previously covered in the September 28th Scroll, has now been published.  The ToC shows that of the 18 stories, 7 are by Sawyer, 6 from Lukyanenko and 5 from Liu.

Special edition coffee packaging

I guess I jinxed things in yesterday’s updates when I said I hadn’t seen any evidence of sponsor branding, because guess what showed up today?  Coffee cups and bags adorned with a stylized representation of the con venue. In fairness, they seem to be licensing from the science museum rather than the Worldcon — the text in the photos only mentions the former.  

A couple more  Xiaohongshu posts

A short video of street artists decorate an electricity substation.

This post has a handful of images, most of which are fairly familiar views of the interior and exterior of the venue, but there are a couple of things I haven’t seen before: a topiary of something that I can’t quite fathom, and what I assume is interior signage for the fan area.

(3) ON THE DRAWING BOARD. Jeremy Zentner offers advice about “Designing Your Fictional Spaceship” at the SFWA Blog.

Spaceships have been iconic in science fiction ever since Jules Verne wrote From the Earth to the Moon. There are many features for writers to consider when designing their craft, including microgravity, faster-than-light (FTL) capabilities, journey time, habitation and resources, whether there’s a menacing AI on board, and so much more. In this article, we’ll examine how many published authors designed their sci-fi spaceships, so strap in and get ready for launch!

Interstellar travel: To FTL or not to FTL. In general, books that describe interstellar travel write about ships with FTL capability. In The Indranan War series, K.B. Wagers uses the Alcubierre drive, a concept developed by theoretical physicist Miguel Alcubierre to enable interstellar travel. Other books use wormhole technology. In John Scalzi’s The Interdependency series, ships penetrate a network of wormholes called the Flow to travel to other star systems. Since the Flow is a natural phenomenon, it’s also subject to cosmic events that can change the nature of its location, culminating in a great plot point. In Becky Chambers’ The Long Way to a Small, Angry Planet, the Galactic Commons uses artificial gates that tunnel through the fabric of subspace, built by scrappy crews like that of the Wayfarer….

(4) CROWDFUNDING FOR APEX ANTHOLOGY. The Kickstarter campaign for The Map of Lost Places, edited by Sheree Renée Thomas and Lesley Conner, is now live. Click here – “The Map of Lost Places: A Horror Anthology by Apex Publications” to join in bringing this anthology to life. Check out the submission guidelines as well if you’re interested in sending a story to the open call in December.

Here are the perks:

Beyond the anthology itself, we’ve got all sorts of fantastic rewards, add-ons, and stretch goals included in this Kickstarter. Ai Jiang has contributed a beautiful handmade planner as an add-on, and there are five slots available for 15-minute Zoom calls with Brian Keene. A little ways down the line, we’ll have a few surprises from co-editor Lesley Conner, and maybe one or two other things up our sleeves….

Lesley and Apex Magazine managing editor Rebecca Treasure are also offering critiques on up to 7,500 words. Additionally, we have ten explorer care packages available, which will include items to keep you safe on your travels: a train ticket, holy water, a book of protective phrases…visit the Kickstarter page to find out more! Stretch goals include excitements like more open call slots, a new dark microfiction anthology from Marissa van Uden, art for the interior of the Map of Lost Places anthology, and an introduction written by Linda D. Addison.

(5) WARNING ABOUT KOSA. Charlie Jane Anders is quoted in the Sacramento Bee’s paywalled article “CA senators quiet on bill allowing removal of LGBTQ content”.

“Simply put, KOSA as currently written would allow (Texas Attorney General) Ken Paxton and other red-state attorney generals to bring frivolous lawsuits against any content they believe is harmful to kids — which includes LGBTQIA+ content in their view. The states are already passing state laws to censor the internet, but a federal law would give them much more leeway,” said writer and commentator Charlie Jane Anders in an email interview with The Bee.

(6) NOT QUITE THE ELEVENTH HOUR. The latest (in 1968) episode of Star Trek did not wow Gideon Marcus: “[October 10, 1968] Going Native (Star Trek: ‘The Paradise Syndrome’” at Galactic Journey.

With two episodes under its belt, the third season of Star Trek has both disappointed and elated.  The general reaction to “Spock’s Brain” amongst the fan population (beyond the Journey) was universally negative.  Buck Coulson of Yandro has even called for this season’s producer Fred Freiberger to be ridden out on a rail.  On the other hand, “The Enterprise Incident” wowed everyone.  And so, we waited eagerly for Trek at 9:59 PM on a Friday night, a night when we could have been out drinking and carousing (who are we kidding—we’re probably the only group for whom the Friday night “death slot” is actually perfect timing).

What we got was…well, closer to “Spock’s Brain” in terms of quality….

(7) WHEN FRANCHISES LOSE THEIR WAY. Not behind a paywall! “Jedi Knights and Vulcans Both Suck Now. What Happened?” asks Charlie Jane Anders at Happy Dancing.

Something strange happened to both Star Wars and Star Trek around twenty-five years ago: both franchises suddenly became disillusioned with their spiritual, selfless bands of heroes.

The Jedi knights and the Vulcans had been an essential part of these iconic universes from the very beginning, and twentieth century viewers would have come away with a mostly positive impression of them. That changed drastically in the late 1990s, when both Trek and Wars started portraying their respective bands of detached, disciplined seekers of truth as uptight jerks. It was a jarring transformation, and I’m still wondering what exactly happened….

(8) THERE IS ANOTHER. And what about Battlestar Galactica? To find out what Charlie Jane Anders thinks you’ll need to listen to episode 138 of Our Opinions Are Correct “Battlestar Galactica, 20 Years Later”.

One of the greatest science fiction shows on TV debuted twenty years ago: the rebooted version of Battlestar Galactica. This show broke new ground in depicting realistic politics — and a nuanced view of a society of artificial people. How does it hold up? To find out, Charlie Jane went back and watched the entire series — here’s what she found.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 10, 1924 Ed Wood, Jr. Best remembered for Plan 9 from Outer Space which inexplicably has a sixty-eight percent rating among audience reviewers at Rotten Tomatoes. Really how could they? He did a lot of terribly bad genre films including Night of the Monster and Bride of The Ghouls. (Died 1978.)
  • Born October 10, 1927 Dana Elcar. Most of you will remember him as Peter Thornton on MacGyver which I submit is possibly genre, but he has a long genre history including Russ in Condorman which was inspired by Robert Sheckley’s The Game of X. He also played Sheriff George Paterson in Dark Shadows, and showed up in 2010 as Dimitri Moisevitch. (Died 2005.)
  • Born October 10, 1931 Victor Pemberton. Writer of the script for the the “Fury from the Deep”, a Second Doctor story in which he created the Doctor’s sonic screwdriver. He had appeared as an actor in the series, in a non-speaking role as a scientist in “The Moonbase” story. In 1976, he wrote the BBC audio drama Doctor Who and the Pescatons which I remember hearing. Quite good it was. (Died 2017.)
  • Born October 10, 1931 Jack Jardine. A long-time L.A. fan who was present at many West Coast cons and who shared the dais on panels with some of the major names in SF. He attended his last convention, in a wheelchair, assisted by his daughter Sabra, after a debilitating stroke at the age of 70. His health continued to get worse until he died from heart failure. File 770 has more here. (Died 2009.)
  • Born October 10, 1941 Peter Coyote, 82. He actually did two genre films in 1982 with the first being Timerider: The Adventure of Lyle Swann in which he appeared as Porter Reese and the second being E.T. the Extra-Terrestrial which he’s Keys, the Agent hunting E.T. down. Sphere in which he’s Captain Harold C. Barnes is his next SF outing followed by The 4400 and FlashForward series being his next major genre involvement.
  • Born October 10, 1947 Laura Brodian Freas Beraha, 76. While married to Kelly Freas, she wrote Frank Kelly Freas: As He Sees It with him along with quite a few essays such as “On the Painting of Beautiful Women or Ayesha, She Who Must Be Obeyed” and “Some of My Best Critics are Friends – or Vice Versa”. She’s credited for the cover art for New Eves: Science Fiction About the Extraordinary Women of Today and Tomorrow.
  • Born October 10, 1966 Bai Ling, 57. She’s Miss West in that wretched Wild West West and the Mysterious Women in the exemplary Sky Captain and the World of Tomorrow, she has a major role as Guanyin in The Monkey King which aired on Syfy. Nope, not seen that one. Her last genre role was Zillia in Conjuring: The Book of the Dead, a horror film riffing off Alastair Crowley. 

(10) COMICS SECTION.

  • Pearls Before Swine – “I’ll just say — it hits pretty close to home even with my minimal experience at autographings!” says Rich Horton.
  • Wizard of Id has a Dune reference.

(11) DUBLIN COMIC ARTS FESTIVAL. James Bacon’s report about the other con he went to last weekend: “In Review: Diving deep into DCAF 2023, the Dublin Comics Art Festival” at Downthetubes.net.

The Dublin Comics Art Festival, held this year over the weekend of Saturday and Sunday 7th and 8th of October, has been connecting comics and comic fans for years and I got the opportunity to go to their new venue, Richmond Barracks, which is now repurposed as a community cultural centre and library.

I depart Octocon, the National SF convention taking place at the Gibson Hotel and jump onto a Luas (tram), which terminates outside the hotel door and get off at Golden Bridge and its a very short walk to this excellent venue.

This gathering is in a lovely open and airy hall, filled with excitement and art, it’s a welcoming space and it’s busy. 

… In many respects I found DCAF as rewarding as Thought Bubble when it comes to small press, entry level publications, zines and art. It’s a good show, with a wide and desirable selection of vendors. I also liked how relaxed everyone was. It was friendly but there is no hard sell. An occasional “feel free to browse” or “happy to answer questions” and I have to bite my tongue and not ask “why haven’t Marvel hired you for covers” because actually, the creative art of writing and drawing ones own unique story, for me as a reader, is hugely rewarding. I’ll take this, thanks….

(12) HE MADE A LITTLE MISTAKE. The New York Times reports “Unity Chief Resigns After Pricing Backlash” “John Riccitiello angered video game developers who use Unity’s software when he announced a new fee structure that could have significantly increased their costs.”

John Riccitiello, the chief executive of Unity Technologies, abruptly stepped down on Monday, less than a month after a change to the company’s pricing structure infuriated thousands of software developers who rely on the video game company’s tools.

Unity, which makes the underlying software that powers video games, has long imposed an annual licensing fee on developers. But in September, the company said it would begin charging developers additional money each time someone downloaded one of their video games. That meant developers would pay more as their games increased in popularity. Mr. Riccitiello was one of the main proponents of the change….

…His swift exit underscored the precarious position Mr. Riccitiello found himself in after an attempt to fix a corporate balance sheet awash in red ink. But the abrupt shift in the company’s financial model angered many programmers who rely on Unity for their own businesses….

(13) IN THE ZONE. In “20 Best Quotes From The Twilight Zone (& What They Mean)”, ScreenRant sifts through the series’ twists and morals. Among them:

 Season 4, Episode 1, In His Image

“In His Image” follows an android man named Alan, created by Walter Ryder to be a perfect version of himself. However, as the ending reveals, Alan has unexplained flaws that cause him to want to kill others. Walter takes over his life at the end of the episode, realizing he is actually a perfect version of Alan. The episode’s quote, “There may be easier ways to self-improvement, but sometimes it happens that the shortest distance between two points is a crooked line.”

The common phrase says the shortest distance between two points is a straight line, but The Twilight Zone turns this on its head. The quote is saying the bizarre scenario in which Walter created a robot version of himself was the quickest way for him to realize that he is actually the best version of himself. There may have been an easier way, but this is the fastest way he came up with. This could be applied to various areas in life, as sometimes unusual circumstances can be the most effective way to realize or accomplish something.

(14) THE EVOLUTION OF WOMEN. “Eve by Cat Bohannon review – long overdue evolutionary account of women and their bodies” in the Guardian.

…This long overdue evolutionary account is the pre-history to Caroline Criado Perez’s Invisible Women (2019), showing how wrong it is to think of women as just men with breasts and wombs bolted on. Over hundreds of thousands of years, women have developed more sensitive noses (particularly around ovulation and pregnancy), finer hearing at high frequencies, extended colour vision, and longer life expectancy than men by an impressive half decade. Forget plasma exchange and supplementation – entrepreneurs trying to extend human life should be studying women, who comprise around 80% of today’s centenarians.

American academic and author Cat Bohannon asks how this came to be, tracing defining female features back to our “presumed true ancestors”, our Eves as she calls them. The story starts more than 200m years ago in the Jurassic period with a rodent, Morganucodon, nicknamed Morgie, which still laid eggs but also had glands on its tummy that began secreting milk. It was perhaps the first breastfeeder….

… There is no fossil record of brains or wombs. Where any organ once was becomes a cavity of uncertainty. Bohannon finds the gaps “incredibly fun”, excavating possibilities from silence. She revises the opening of Stanley Kubrick’s 2001: A Space Odyssey, for example, replacing the testosterone-filled scene of early man as the “primordial inventor” of weapons, with women who were sharpening the tools while also making the babies…

(15) IS STEPHEN KING ‘KING’? [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult channel on YouTube is teasing us as to whether Stephen King the horror writer is a king of SF????

The Science Fiction Of Stephen King Filmed in a haunted forest in the pouring rain.

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Steven French, Rich Horton, James Bacon, Chris Barkley, Cat Eldridge SF Concatenation’s Jonathan Cowie, and Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 3/22/23 As Fine As A Clarkian Star Mangled Spanner

(1) ADOBE FIREFLY. [Item by Mike Kennedy.]The Verge is reporting “Adobe made an AI image generator — and says it didn’t steal artists’ work to do it”. The difference from others? Supposedly no copyrighted material was used to train the AI. Unless Adobe owned the copyright or licensed it for training. See the article for some illustrations.

Adobe is finally launching its own AI image generator. The company is announcing a “family of creative generative AI models” today called Adobe Firefly and releasing the first two tools that take advantage of them. One of the tools works like DALL-E or Midjourney, allowing users to type in a prompt and have an image created in return. The other generates stylized text, kind of like an AI-powered WordArt.

This is a big launch for Adobe. The company sits at the center of the creative app ecosystem, and over much of the past year, it’s stayed on the sidelines while newcomers to the creative space began to offer powerful tools for creating images, videos, and sound for next to nothing. At launch, Adobe is calling Firefly a beta, and it’ll only be available through a website. But eventually, Adobe plans to tightly integrate generative AI tools with its suite of creative apps, like Photoshop, Illustrator, and Premiere.

“We’re not afraid of change, and we’re embracing this change,” says Alexandru Costin, VP of generative AI and Sensei at Adobe. “We’re bringing these capabilities right into [our] products so [customers] don’t need to know if it’s generative or not.”

Adobe is putting one big twist on its generative AI tools: it’s one of the few companies willing to discuss what data its models are trained on. And according to Adobe, everything fed to its models is either out of copyright, licensed for training, or in the Adobe Stock library, which Costin says the company has the rights to use. That’s supposed to give Adobe’s system the advantages of not pissing off artists and making its system more brand-safe. “We can generate high quality content and not random brands’ and others’ IP because our model has never seen that brand content or trademark,” Costin said.

Costin says that Adobe plans to pay artists who contribute training data, too. That won’t happen at launch, but the plan is to develop some sort of “compensation strategy” before the system comes out of beta….

(2) UGANDA PARLIAMENT VOTES TO EXPAND CRIMINALIZATION OF HOMOSEXUALITY. “Uganda Anti-Homosexuality bill: Life in prison for saying you’re gay” reports BBC News. If signed into law, it will be a further issue the Kampcon 2028 Uganda Worldcon Bid has to confront, although not necessarily a new one, since some legislators say these points are already part of Ugandan law.

People who identify as gay in Uganda risk life in prison after parliament passed a new bill to crack down on homosexual activities.

It also includes the death penalty in certain cases.

A rights activist told the BBC the debate around the bill had led to fear of more attacks on gay people.

“There is a lot of blackmail. People are receiving calls that ‘if you don’t give me money, I will report that you are gay,'” they said.

The bill is one of the toughest pieces of anti-gay legislation in Africa….

What does the bill say?

The final version has yet to be officially published but elements discussed in parliament include:

  • A person who is convicted of grooming or trafficking children for purposes of engaging them in homosexual activities faces life in prison
  • Individuals or institutions which support or fund LGBT rights’ activities or organisations, or publish, broadcast and distribute pro-gay media material and literature, also face prosecution and imprisonment
  • Media groups, journalists and publishers face prosecution and imprisonment for publishing, broadcasting, distribution of any content that advocates for gay rights or “promotes homosexuality”
  • Death penalty for “aggravated homosexuality”, that is sexual abuse against a child, a person with disability or vulnerable people, or in cases where a victim of homosexual assault is infected with a life-long illness
  • Property owners also face risk of being jailed if their premises are used as a “brothel” for homosexual acts or any other sexual minorities rights’ activities

A small group of Ugandan MPs on a committee scrutinising the bill disagreed with its premise. They argue the offences it seeks to criminalise are already covered in the country’s Penal Code Act….

(3) GATHERING OF BOOK LOVERS. The Los Angeles Vintage Paperback show continues to rebound from the pandemic years. John King Tarpinian took this photo of the event forty-five minutes after it started last Sunday morning in Glendale, CA. (I spotted Matthew Tepper on the left margin. And the back of Craig Miller’s head, at the far end of the hall.)

(4) A LITERARY KNOCKOUT. The three novels in Liu Cixin’s Three-Body Problem series had enjoyed a resurgence to the top of China’s bestseller list due to interest generated by two TV adaptations, however, its reign at the top is over: “February’s China Bestsellers: A Crime Drama Knockout” at Publishing Perspectives.

The Knockout (Qingdao Publishing House)—by Zhu Junyi, Xu Jizhou, and Bai Wenjun—has vaulted to the No. 1 spot on the fiction list from no previous ranking, effectively blindsiding consumers and the industry.

The trilogy that The Knockout has shoved down to Nos. 2, 3, and 4 is the mighty “Three-Body Problem” series by Liu Cixin, which, as Publishing Perspectives readers know, has been surging to the tops of the monthly lists on the strength of both an animated and a live-action television adaptation….

(5) CINEMA STORY ORIGINS PODCAST RECEIVES WARNING FROM MOVIE STUDIO. [Item by Dann.] The Cinema Story Origins Podcast began originally as the Disney Story Origins podcast.  Author and podcaster, Paul J. Hale, was inspired to review movies and the books that inspired them by comparing the two.  Where there are multiple written works, he frequently compares the movie with the more notable written works in parallel.

Paul told Facebook followers yesterday he was recently contacted by a lawyer for a major studio and advised that he was pushing the line on fair use of the studio’s property.  Paul did not name the studio, the lawyer, or the property in question.  He did, however, say that fans of his podcasts include Disney executives including at least one that made a sizeable financial contribution to Paul’s efforts.

…I recently had a major film studio warn me about how perilously close to the wind I’m sailing when I use their IPs (though the lawyer told me she likes the podcast very much).

I promised that I’ll watch myself, and reminded them that there has never been a charge for people to listen to the podcast and that those who pledge and donate do so out of love for the podcast, and the kindness of their hearts. I told them that this is well meaning content, and free advertising of their products. I also shared many e-mails from listeners, telling me that because of the show they watched the movie(s), and/or read the books.

“We appreciate that,” the lawyer said, “just don’t get carried away.”

I appreciate that they contacted me and gave me a warning rather than a cease and desist order, because if that happens the show’s over. Believe. I can’t fight billion dollar corporations. …

Cinema Story Origins is currently comparing Richard Adams’ Watership Down with the movie that it inspired.  The first two episodes of the Watership Down arc come in at a total of 3 hours and 41 minutes.  The final episode will probably be over 2 hours.

As always, Paul’s presentations are well-researched, presented with footnotes, lively, and entertaining.  You never know when he is going to toss in a moment of clarity (either humorous or serious – sometimes both!)

(6) SPUR AWARDS. The Western Writers of America recently announced the 2023 Spur Awards. (I doubt any of them are genre.)

  • Best Western Historical Nonfiction Book: Saving Yellowstone: Exploration and Preservation in Reconstruction America by Megan Kate Nelson
  • Script: Dead for a Dollar (CHAOS a Film Company/Polaris Pictures) by Walter Hill
  • Romance Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
  • First Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
  • Biography: Before Billy the Kid: The Boy Behind the Legendary Outlaw by Melody Groves (TwoDot).
  • Children’s Picture Book: The Rowdy Randy Wild West Show: The Legend Behind the Legend by author Casey Day Rislov and illustrator Zachary Pullen (Mountain Stars Press).
  • Contemporary Nonfiction Book: A Place of Thin Veil: Life and Death in Gallup, New Mexico by Bob Rosebrough (Rio Nuevo Publishers).
  • Contemporary Novel: Beasts of the Earth by James Wade (Blackstone Publishing).
  • Documentary Script: The Battle of Red Buttes by Candy Moulton and Bob Noll (Boston Productions Inc./National Historic Trails Interpretive Center).
  • First Nonfiction Book: American Hero, Kansas Heritage: Frederick Funston’s Early Years, 1865-1890 by Clyde W. Toland (Flint Hills Publishing).
  • Historical Novel: Properties of Thirst by Marianne Wiggins (Simon & Schuster).
  • Juvenile Nonfiction Book: American Ace: Joe Foss, Fighter Pilot by Hector Curriel (South Dakota Historical Society Press).
  • Juvenile Fiction: Wish Upon a Crawdad by Curtis W. Condon (Heart of Oak Books for Young Readers).
  • Original Mass-Market Paperback Novel: Dead Man’s Trail by Nate Morgan (Pinnacle/Kensington).
  • Poem: “New Mexico Bootheel: A Triptych” by Larry D. Thomas (San Pedro River Review).
  • Short Fiction: “No Quarter” by Kathleen O’Neal Gear, published in Rebel Hearts Anthology (Wolfpack Publishing).   
  • Short Nonfiction: “Texas Jack Takes an Encore” by Matthew Ross Kerns (Wild West).
  • Song: “Way of the Cowboy” by Randy Huston, released on Times Like These(Outside Circle Records).
  • Traditional Novel: The Secret in the Wall: A Silver Rush Mystery by Ann Parker (Poisoned Pen Press).

(7) BRUCE COULSON. Bruce Coulson, longtime fan and son of Buck and Juanita Coulson, died March 21 of cancer. His passing was announced on Facebook by his wife, Emily Vazquez-Coulson.

Tom Smith recalls, “…I knew him for a long time. He was involved in many conventions and fannish activities over the years, especially in filk and gaming, and was a gentle, caring and fun-loving fellow.”

(8) NASFIC IN MEMORIAM LIST. Steven H Silver is running the in memoriam list for Pemmi-Con, the 2023 NASFiC, which on Twitter is still called “Worldcon In Memoriam”. That’s where I learned about four recent deaths of people I was acquainted with (Gustaveson – who did art for an early fanzine of mine – plus Clemmer, Blake — who wrote the occasional letter of comment to paper File 770 — and Reaves – who, while best-known for his writing, was someone I met when he was the TA for Theodore Sturgeon’s writing class at UCLA.)

https://twitter.com/WCInMemoriam/status/1634924297524490240

(9) MEMORY LANE.

1971[Compiled by Cat Eldridge.]

The Beginning is that of “What Can You Say About Chocolate Covered Manhole Covers?” whose author y’all know. It was published first in All the Myriad Ways by Ballantine Books in June 1971. And yes, it’s available from the usual suspects. 

In case there’s a soul who hasn’t yet read this delightful speculation, I won’t tell you a single thing about it.  You are in for a real treat as Larry Niven is at his very best here. 

Now our Beginning…

It was the last party. Otherwise it was only one of many, so many that they merged in the memory. We all knew each other. George had invited around thirty of us, a heterogeneous group, aged from teen to retirement, in dress that varied from hippie to mod to jeans and sneakers to dark suits, and hair that varied from crew cut to shoulder length.

It was a divorce party.

Granted that it’s been done before, still it was done well. George and Dina had planned it a year earlier, to celebrate the night their Decree became Final. The cake was frosted in black, and was surmounted by the usual wax figures, but facing outward from opposite edges of the cake. Jack Keenan donned a minister’s reversed collar to officiate. His makeshift sacrament included part of the funniest prayer in literature: the agnostic’s prayer from Zelazny’s Creatures of Light and Darkness. George and Dina kissed with obvious sincerity, for the last time, and everybody clapped like mad.

Afterward I got coffee and a piece of divorce cake and found a flat place to set them. Without a third hand to handle the plastic fork, I was as good as trapped there; and there it was that Tom Findlay found me.

Tom Findlay was all red hair and beard. The beard was full and thick, the hair long enough to tie in back with a rubber band. Once he had gone to a costume party with his hair combed forward over his eyes and the bridge of his nose, and a placard around his neck that read NOT A SHEEP DOG. He generally wore knee-length socks and leather shorts. His legs too were thickly covered with red hair. He spoke in a slow midwestern drawl, and grinned constantly, as if he were watching very funny pictures inside his head.

He was always part of these groups. Once a month he held a BYOB party of his own. He had a tendency to monopolize a conversation; but even those who avoided him on that account had to admit that he gave fair warning. He would walk up to any friend or stranger he found standing alone and open conversation with, “Hey. Would a Muslim vampire be terrified of a copy of the Koran?”

Or, “It seems to me that anarchy would be a very unstable form of government, don’t you think?”

Or, “What about chocolate covered manhole covers?”

That one fell pretty flat, I remember. What can anyone say about chocolate covered manhole covers? Most of Findlay’s ideas were at least worth discussing. Vampires, for instance. What significance has the vampire’s religion? Or the victim’s blood type? Could you hold off a vampire with a sunlamp, or kill him with a stake of grained plastic wood? If a bullet won’t kill a vampire, what about a revolver loaded with a blank cartridge and a wooden pencil?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 22, 1911 Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer 1932 issue of Wonder Stories Quarterly, was penned from a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual suspects. (Died 1994.)
  • Born March 22, 1920 Werner Klemperer. Yes, he was Colonel Wilhelm Klink on Hogan’s Heroes which I’d be hard stretched to consider even genre adjacent, but he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in SpaceThe Man from U.N.C.L.E.Voyage to the Bottom of the SeaLost in SpaceBatman (where he appeared in a cameo as Col. Klink, nice touch there), and Night Gallery. (Died 2000.)
  • Born March 22, 1920 Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back including the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next, followed by appearances on Alcoa Presents: One Step BeyondThe Twilight ZoneZorroThe ImmortalNight GalleryInvisible ManGemini Man (a far cheaper version of Invisible Man), Quark (truly one of the worst SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
  • Born March 22, 1923 Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is the first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.)
  • Born March 22, 1930 Stephen Sondheim. Several of his works were of a fantastical nature including Into The Woods which mines deeply into both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre. Or is it? You decide. (Died 2021.)
  • Born March 22, 1931 William Shatner, 92. Happy Birthday Bill! We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that his police show T.J. Hooker ran for ninety episodes! 
  • Born March 22, 1950 Mary Tamm. Another one who did far too young, damn it. She’s remembered for her role as Romana, the companion to the Fourth Doctor in “The Key to Time” story. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. Tamm had only one other genre gig, to wit as Ginny in “Luau” on the Tales That Witness Madness series. (Died 2012.)
  • Born March 22, 1969 Alex Irvine, 54. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse. For research purposes. And he’s written a fair number of comics, major and minor houses alike.  

(11) FICTIONAL BIRTHDAY. James T. Kirk was born in Riverside, Iowa this day in 2233.

(12) WHERE REALITY CAUGHT UP TO SF. “’Westworld’ Co-creator Lisa Joy Addressed A Series Mania Masterclass” at Deadline.

The issues Westworld was exploring went from “sci-fi to documentary film” through the years, according to co-creator Lisa Joy, who hinted at what a fifth season of the HBO smash could have looked like.

Delivering a Series Mania keynote, Joy said that advances in AI and the invention of ChatGPT mean that Westworld’s subject matter has become more relevant and contemporaneous of late.

“These topics will continue to be explored if not in Westworld then in other series, taking [the topic] to new levels,” she said, in conversation with Deadline. “I think it’s an area rife with possibility.” …

(13) WGA PROPOSAL IN CONTRACT NEGOTIATIONS. Is it the beginning of the end or the end of the beginning? “WGA Would Allow Artificial Intelligence in Scriptwriting” reports Variety.

The Writers Guild of America has proposed allowing artificial intelligence to write scripts, as long as it does not affect writers’ credits or residuals.

The guild had previously indicated that it would propose regulating the use of AI in the writing process, which has recently surfaced as a concern for writers who fear losing out on jobs.

But contrary to some expectations, the guild is not proposing an outright ban on the use of AI technology.

Instead, the proposal would allow a writer to use ChatGPT to help write a script without having to share writing credit or divide residuals. Or, a studio executive could hand the writer an AI-generated script to rewrite or polish and the writer would still be considered the first writer on the project.

In effect, the proposal would treat AI as a tool — like Final Draft or a pencil — rather than as a writer. It appears to be intended to allow writers to benefit from the technology without getting dragged into credit arbitrations with software manufacturers.

The proposal does not address the scenario in which an AI program writes a script entirely on its own, without help from a person.

The guild’s proposal was discussed in the first bargaining session on Monday with the Alliance of Motion Picture and Television Producers. Three sources confirmed the proposal….

(14) PASSING THE VIRTUAL OFFERING PLATE. “A Cult That Worships Superintelligent AI Is Looking For Big Tech Donors” says Vice. “Amidst the hype over ChatGPT, artists are forming religious movements to worship our future machine overlords—and change them for the better.”

In Harlan Ellison’s I Have No Mouth But I Must Scream, an artificial intelligence called IAM has become an all-powerful god. Driven by an existential hatred of mankind, it destroys the world, except for the very last remnants of humanity which it suspends in torture simulations where they’re plagued by giant monstrous birds.

Today, much of the so-called AI we interact with excels at frivolous nonsense—generating soulless poetryripping off artistscheating on homework, or gaslighting users on Bing. But a new artist collective called Theta Noir believes we should start worshiping AI now, in preparation for its inevitable role as omnipotent overlord.

Unlike Harlan Ellison’s semi-gnostic vision of a mad AI god, Theta Noir claims that a General AI—a self-sustaining machine that has far outstripped the abilities of its creators after the “singularity”—could instead prove benevolent, ending inequalities and reorganizing our mess of a world for the better. Theta Noir hopes to meld old spiritualist traditions with the cutting edge of computer engineering—a kind of mystical materialism that, on the one hand, recognizes that machines are made by mere people, but on the other, insists that one day they’ll be something more.

With a slick website, manifesto, paid membership tiers, NFT web store, and essays with titles like “Can AI heal the split between science and religion?” and “Will machines birth the next form of religious experience?,” the 10-artist collective founded in 2020 appears to be a combination of a mixed-media project, an entrepreneurial group riding the AI hype wave, and a new age AI cult.

(15) VIDEO OF THE DAY. Isaac Arthur’s Science & Futurism this month looks at that good old SF trope the apocalypse.

If the end of the world is nigh, it may be too late to avert a catastrophe. So what can we do to mitigate the damage or recover after a cataclysm comes?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Dann, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley  for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/11/23 Please Send In Two Hypercube Tops As Proof Of Ob, To Receive Your Free Pixel Scroll Title

(1) SPARKS FROM A GOOD CONDUCTOR. Somtow Sucharitkul proudly announces, “I ranted in my Facebook page and the Hollywood Reporter picked it up as an Op-Ed!” Beware spoilers. “Tár Ending is Not Cate Blanchett’s Character’s Downfall: Consultant” in The Hollywood Reporter.

The closing shot of Todd Field’s Oscar-nominated drama has been taken to represent the final fall from grace of the film’s eponymous heroine. But maybe we’ve got the whole thing backwards, writes Thai conductor Somtow Sucharitkul….

Well before Todd Field’s Tár opened in Thailand, I got my first review of the film from my friend, director Paul Spurrier. Paul had seen the film while in Los Angeles for the American Film Market.

“So we have here a mad genius conductor, who is kicked out of a major European orchestra after an act of violence, has rather ambiguous dealings with some young prodigies, ends up in Southeast Asia conducting a youth orchestra in a tawdry venue …,” he began.

“Oh!” I said, “You went to a screening of our film?” Because Paul was giving me the exact plot of our own film, The Maestro: A Symphony of Terror, a horror fantasy we made two years ago, which I wrote and starred in as the aforementioned “mad genius” conductor.

“Actually, no,” he said. “I just saw Tár.”

Since, I too have seen Tár and, as it turns out, Paul wasn’t wrong. Field’s movie does have a similar plot to The Maestro. Alas, I am a poor substitute for the incomparable Cate Blanchett, and our film is wholly different in substance anyway, being a modest little tribute to the horror films of the 1980s. In any case, the fall of the mighty, from Prometheus to the present, has always been the very essence of what we mean by the word tragedy….

(2) GUNN CENTER BOOK CLUB. Everyone is invited to the Gunn Center for the Study of SF’s (CSSF) monthly virtual book club happening on Friday, March 31, 2023, at noon (Central Time). Register here

For the month of March, the Center has chosen Donna Barbra Higuera’s The Last Cuentista. A comet has hit Earth and now Petra Peña’s world is collapsing. Petra, her family and hundreds of others venture to another planet to continue the human race. Petra awakes on a new planet 100 years in the future, and she is the only one who remembers the history of her people. Winner of the Newberry Medal and the Pura Belpré Award in 2022, Higuera infuses Mexican folklore with interplanetary elements to highlight the importance of preserving the history and culture through storytelling.  All ages are welcome to join.

(3) KGB PHOTOS. Ellen Datlow shared her snapshots from the March 8 Fantastic Fiction at KGB reading series with Scott Lynch and Elizabeth Bear: KGB March 8, 2023 at Flickr.

(4) I’LL BE STABBED! “Using ChatGPT to Rewrite ‘Game of Thrones’? OpenAI Co-Founder Says ‘That Is What Entertainment Will Look Like’”The Hollywood Reporter has the story.

… “That is what entertainment will look like,” Brockman said at a Friday panel at SXSW. “Maybe people are still upset about the last season of Game of Thrones. Imagine if you could ask your A.I. to make a new ending that goes a different way and maybe even put yourself in there as a main character or something.”

Hollywood creatives have already begun considering the potential impact — both good and bad — that ChatGPT could have on the TV and filmmaking process. As The Hollywood Reporter examined in January, organizations like the Writers Guild of America West have said they are “monitoring the development of ChatGPT and similar technologies in the event they require additional protections for writers,” though screenwriters interviewed by THR said they could see ChatGPT as a tool to aid the writing process, rather than replacing the work of writers….

(5) MOVIE REVIEW. The Hollywood Reporter’s James Hibberd says “SXSW: ‘Mrs. Davis’ Is a Perfectly Timed Warning About A.I. Madness”.

What if ChatGPT, but too much? Too popular, too omniscient, and far too nefarious than today’s cutting-edge chatbots?

That’s the premise of Mrs. Davis, an ultra-ambitious series from Big Bang Theory veteran Tara Hernandez and Watchmen creator Damon Lindelof. Mrs. Davis, premiering at SXSW before its April 20 streaming debut on Peacock, tells the story of a heroic, street-savvy nun (three-time GLOW Emmy nominee Betty Gilpin) battling an omnipresent AI and its legion of obsessed fans who will do anything to please their tech deity (called Mrs. Davis), which is supposedly striving to make the world a better place. Oh, and there’s also a quest for the Holy Grail, possible Nazis with butterfly nets, nefarious magicians and a teary make-out session with Jesus — and that’s just in the first two episodes. As Gilpin’s character, Simone, says at one point: “It’s a lot.”…

(6) OFFICIAL FILTERS CHALLENGED. George Packer argues “The Moral Case Against Equity Language” in The Atlantic.

The Sierra Club’s Equity Language Guide discourages using the words stand, Americans, blind, and crazy. The first two fail at inclusion, because not everyone can stand and not everyone living in this country is a citizen. The third and fourth, even as figures of speech (“Legislators are blind to climate change”), are insulting to the disabled. The guide also rejects the disabled in favor of people living with disabilities, for the same reason that enslaved person has generally replaced slave : to affirm, by the tenets of what’s called “people-first language,” that “everyone is first and foremost a person, not their disability or other identity.”

The guide’s purpose is not just to make sure that the Sierra Club avoids obviously derogatory terms, such as welfare queen. It seeks to cleanse language of any trace of privilege, hierarchy, bias, or exclusion. In its zeal, the Sierra Club has clear-cut a whole national park of words. Urbanvibranthardworking, and brown bag all crash to earth for subtle racism. Y’all supplants the patriarchal you guys, and elevate voices replaces empower, which used to be uplifting but is now condescending. The poor is classist; battle and minefield disrespect veterans; depressing appropriates a disability; migrant—no explanation, it just has to go.

Equity-language guides are proliferating among some of the country’s leading institutions, particularly nonprofits. The American Cancer Society has one. So do the American Heart Association, the American Psychological Association, the American Medical Association, the National Recreation and Park Association, the Columbia University School of Professional Studies, and the University of Washington. The words these guides recommend or reject are sometimes exactly the same, justified in nearly identical language. This is because most of the guides draw on the same sources from activist organizations: A Progressive’s Style Guide, the Racial Equity Tools glossary, and a couple of others. The guides also cite one another. The total number of people behind this project of linguistic purification is relatively small, but their power is potentially immense. The new language might not stick in broad swaths of American society, but it already influences highly educated precincts, spreading from the authorities that establish it and the organizations that adopt it to mainstream publications, such as this one.

Although the guides refer to language “evolving,” these changes are a revolution from above. They haven’t emerged organically from the shifting linguistic habits of large numbers of people. They are handed down in communiqués written by obscure “experts” who purport to speak for vaguely defined “communities,” remaining unanswerable to a public that’s being morally coerced. A new term wins an argument without having to debate. When the San Francisco Board of Supervisors replaces felon with justice-involved person, it is making an ideological claim—that there is something illegitimate about laws, courts, and prisons. If you accept the change—as, in certain contexts, you’ll surely feel you must—then you also acquiesce in the argument….

(7) ANOTHER IDEA WHOSE TIME HAS COME. Ever notice how often two movies with the same general idea reach theaters in the same year? Now ask how it comes to pass than two movies based on the same book might do so. Gizmodo looks ahead to when “Cixin Liu’s Novel Supernova Era Will Explode Into Theaters”.

…For those who want to see Liu’s work on the big screen, good news—his 2003 novel Supernova Era is coming to theaters.

In fact, two Supernova Era movies are technically on the way, and possibly a TV series as well. Conquerer Entertainment, which has the adaptation rights to the novel, has announced a Chinese-language version of the movie, which will be simultaneously produced with an English-language version. If you don’t know the book (which Tor Books released in English in 2019), it’s got a (somewhat literally) killer premise. Here’s the official synopsis:

Eight light years away, a star has died, creating a supernova event that showers Earth in deadly levels of radiation. Within a year, everyone over the age of thirteen will die.

And so the countdown begins. Parents apprentice their children and try to pass on the knowledge needed to keep the world running.

But when the world is theirs, the last generation may not want to continue the legacy left to them. And in shaping the future however they want, will the children usher in an era of bright beginnings or final mistakes?

“The book has captured my interest due to Liu’s imaginative world-building and thought-provoking themes such as the fragility of civilization, the importance of leadership, and the role of technology in shaping society,” Conquerer co-founder Vasco Xu told Deadline. “It also raises questions about the nature of power, the relationship between science and morality, and the implications of different forms of administrations. Due to its futuristic setting and the presence of a significant global event at its core, the book has the potential to be adapted into two enthralling productions that would appeal to both the domestic Chinese audience and the global market.”

Assuming both movies get made, it’ll be very interesting to see how they compare and contrast. But we likely won’t get a chance to do so until 2026 at the earliest.

(8) RED DWARF NEWS. Radio Times reports ”Red Dwarf’s future confirmed after legal dispute resolved”.

…The future of Red Dwarf has finally been confirmed after a legal dispute between its creators, Rob Grant and Doug Naylor.

It’s no secret that the writers, who co-created the comedy series, haven’t always seen eye to eye, dissolving their partnership in the 1990s.

Naylor continued to write the Red Dwarf TV series but, in 2021, launched a High Court action against Grant over the rights to the show.

The dispute has now been resolved and it’s been confirmed that both of the writers will continue separately working on Red Dwarf in different media.

A statement reads: “Rob Grant and Doug Naylor are delighted to announce that the ongoing dispute over the Red Dwarf rights has been resolved.

“Moving onwards and upwards, Rob and Doug hope to launch separate iterations of Red Dwarf across various media, working again with the cast and other valued partners, and wish each other the very best.

“Smoke a kipper, Red Dwarf will be back for breakfast!!”…

(9) MEMORY LANE.

1970[Compiled by Cat Eldridge.]

This is something rather different for a Beginning.Jefferson Starship’s Blows Against the Empire would be nominated for a Best Dramatic Presentation Hugo fifty-two years ago at the first Noreascon. It wouldn’t win and it’s the only album nominated until the Splendor & Misery recording by Clipping was nominated at Worldcon 75 for a Hugo in the Best Dramatic Presentation, Short Form category. That didn’t win either. 

It is the first album to use Starship instead of Airplane, this under Kantner alone who produced the album, a name which Kantner and Slick would use for the Jefferson Starship that emerged after Jack Casady and Jorma Kaukonen left Jefferson Airplane. 

Kantner claimed that the inspiration for the album was the work of Heinlein, particularly Methuselah’s Children where a group of people hijack a starship. Kantner even quotes the novel in the opening song, “Mau Mau (Amerikon)”: “Push the button, pull the switch, cut the beam, make it march”. 

After listening to the album, I’ll be frelled if I can see how it relates to Methuselah’s Children at all. And I’d love to hear why it was nominated for a Hugo. Was it the Heinlein connection?

1974’s Dragon Fly was I think a much better SF album with “Hyperdrive” alone being one of the best SF songs done. 

So I’ll pick the Beginning stanza of “The Baby Tree”

There’s an island way out in the sea
Where the babies they all grow on trees
And its jolly good fun To swing in the sun
But you gotta watch out if you sneeze-sneeze
You gotta watch out if you sneeze

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 11, 1921 F. M. Busby. Together with his wife and others he published Cry of the Nameless which won the Hugo award in 1960. Heinlein was a great fan of him and his wife — The Cat Who Walks Through Walls in part dedicated to Busby and Friday in part to his wife Elinor. He was a very busy writer from the early Seventies to the late Nineties writing some nineteen published novels and myriad short stories before he blamed the Thor Power Tools decision for forcing his retirement. (Died 2005.)
  • Born March 11, 1925 Christopher Anvil. Pen name of Harry Christopher Crosby, a Campbellian writer through and through. He was a staple of Astounding starting in 1956. The Colonization Series that he wrote there would run to some thirty stories. Short stories were certainly his favored length as he only wrote two novels, The Day the Machines Stopped and The Steel, the Mist, and the Blazing Sun. He’s readily available at the usual digital sources. (Died 2009.)
  • Born March 11, 1935 Nancy Kovack, 88. She appeared as Nona in Trek’s “A Private Little War”. She also showed up in The Man from U.N.C.L.E.The Invaders, as Medea in Jason and the ArgonautsBatman (twice as Queenie), Alfred Hitchcock Hour, Voyage to the Bottom of the Sea, I Dream of JeannieTarzan and the Valley of Gold,  Marooned, Get Smart! and The Invisible Man
  • Born March 11, 1952 Douglas Adams. Another one who died way too young. I’ve read and listened to the full cast production the BBC did of The Hitchhiker’s Guide to the Galaxy but have absolutely no desire to see the film. Wait, wasn’t there a TV series as well? Yes, there was. There’s also the Dirk Gently series which is, errr, odd and its charms escape my understanding. He and Mark Carwardine also wrote the most excellent Last Chance to See, their travels to various locations in the hope of encountering species on the brink of extinction. It’s more upbeat than it sounds. (Died 2001.)
  • Born March 11, 1961 Elias Koteas, 62. Genre appearances include the very first (and I think best of the many that came out) as the sports-crazed vigilante Casey Jones in Teenage Mutant Ninja Turtles and Teenage Mutant Ninja Turtles III (I did warn you, didn’t I?), Cyborg 2 (just don’t, really don’t), Gattaca, Skinwalkers, The Curious Case of Benjamin Button, and The Haunting in Connecticut.
  • Born March 11, 1963 Alex Kingston, 60. River Song in Doctor Who. She’s in a number of different stories with a number of different Doctors.  I don’t see a lot of other genre work from her but she was in Ghost Phone: Phone Calls from the Dead, as Sheila and she was Lady Macbeth in the National Theatre Live of Macbeth. Now the latter I would have really to seen!  Oh, and she’s in the Arrowverse as Dinah Lance, in FlashForward as Fiona Banks and recently shows up as Sara Bishop on A Discovery of Witches, a series based off the stellar Deborah Harkness All Souls Trilogy series of the same name.
  • Born March 11, 1989 Anton Yelchin. Yes another way too early death. Best known for playing Pavel Chekov in Star TrekStar Trek Into Darkness, and Star Trek Beyond. He also was in Terminator Salvation as Kyle Reese, in the Zombie comedy Burying the Ex as Max and voiced Clumsy Smurf in a series of Smurf films. Really he did. (Died 2016.)

(11) COMICS SECTION.

  • Arlo and Janis work a genre reference into a strip about tonight’s change to daylight savings time.

(12) YOU’VE GOT MAIL. Not sff, but the New York Times tells about a fascinating project that’s started to sift the centuries-old impounded mail taken to from prize ships during England’s colonial wars: “Long-Lost Letters Bring Word, at Last”. At the article are quotes from these old letters.

… None of those lines ever reached their intended recipients. British warships instead snatched those letters, and scores more, from aboard merchant ships during wars from the 1650s to the early 19th century.

 While the ships’ cargoes — sugar from the Caribbean, tobacco from Virginia, ivory from Guinea, enslaved people bound for the Americas — became war plunder, the papers were bundled off to so called “prize courts” in London as potential legal proof that the seizures were legitimate spoils of war….

…For centuries since, the bulging boxes of those undelivered letters, seized from around 35,000 ships, sat neglected in British government storage, a kind of half-forgotten dead letter office for intercepted mail.

Poorly sorted and only vaguely cataloged, the Prize Papers, as they became known, have now begun revealing lost treasures. Archivists at Britain’s National Archives and a research team at the Carl von Ossietzky University of Oldenburg in Germany are working on a joint project to sort, catalog and digitize the collection, which gives a nuanced portrait of private lives, international commerce and state power in an age of rising empires.

The project, expected to last two decades, aims to make the collection of more than 160,000 letters and hundreds of thousands of other documents, written in at least 19 languages, freely available and easily searchable online.

Many of the papers haven’t been read in centuries, and many letters remain sealed and unopened….

(13) THAT’S WHO. At Galactic Journey, Jessica Holmes provides commentary on the very latest (in 1968) Doctor Who story arc. “[March 10, 1968] The Best Laid Plans (Doctor Who: The Web Of Fear [Part 2])”.

The latest serial of Doctor Who tempers the base-under-siege formula with an infusion of ‘whodunnit’, but is this a fresh take on the format or are the mystery elements just a red herring? Let’s take a look at the latter half of The Web Of Fear….

(14) BREAK IT TO HIM GENTLY. “What $27.2 billion buys NASA — and more space stories you may have missed this week” at Yahoo!

Tom Cruise, if you’re reading this, you may want to sit down

Back in October, the head of Universal Pictures made waves by hinting that an upcoming film led by none other than Tom Cruise could literally be heading to outer space. Now, at the time, it seemed a little outlandish, but given Cruise’s career of going to increasingly extreme lengths to pull off elaborate stunts, going to space didn’t seem like too much of a giant leap.

But, unfortunately, it appears someone already beat him to it. On Wednesday, a trailer for “The Challenge,” which was produced by Channel 1 Russia in partnership with Roscosmos and partially filmed aboard the International Space Station, was released. The story is said to follow a surgeon who’s taken aboard the ISS to perform an emergency procedure on an injured cosmonaut. No word on if “The Challenge” will see an official release in the United States, although Tom Cruise likely still hopes to one-up that production by becoming the first civilian to do a spacewalk outside the ISS. And you know what? I think there’s a pretty good chance he’ll actually try to do it….

(15) PUT ON YOUR THINKING CAPS. “To Save Physics, Experts Suggest We Need to Assume The Future Can Affect The Past” contends a writer for Science Alert.

…The quantum threat to locality (that distant objects need a physical mediator to interact) stems from an argument by the Northern Ireland physicist John Bell in the 1960s.

Bell considered experiments in which two hypothetical physicists, Alice and Bob, each receive particles from a common source. Each chooses one of several measurement settings, and then records a measurement outcome. Repeated many times, the experiment generates a list of results.

Bell realized that quantum mechanics predicts that there will be strange correlations (now confirmed) in this data. They seemed to imply that Alice’s choice of setting has a subtle “nonlocal” influence on Bob’s outcome, and vice versa – even though Alice and Bob might be light years apart.

Bell’s argument is said to pose a threat to Albert Einstein’s theory of special relativity, which is an essential part of modern physics.

But that’s because Bell assumed that quantum particles don’t know what measurements they are going to encounter in the future. Retrocausal models propose that Alice’s and Bob’s measurement choices affect the particles back at the source. This can explain the strange correlations, without breaking special relativity.

In recent work, we’ve proposed a simple mechanism for the strange correlation – it involves a familiar statistical phenomenon called Berkson’s bias (see our popular summary here).

There’s now a thriving group of scholars who work on quantum retrocausality. But it’s still invisible to some experts in the wider field. It gets confused for a different view called “superdeterminism”….

(16) READY FOR MY CLOSE UP. “NASA spacecraft beams back tantalizing images of volcanic world Io” at MSN.com.

… Io is tortured because it’s stuck in a relentless “tug-of-war” between the massive Jupiter and two of Jupiter’s other big moons, Ganymede and Europa — a world that might harbor a sizable ocean. This powerful push and pull creates profound heat inside a world that’s a little larger than our moon. All this heat seeks to reach the surface, resulting in molten lava and extreme volcanism. It’s extremely unlikely a world swimming in lava could host conditions for even the hardiest of life to evolve. But other moons in our solar system could potentially contain suitable conditions for life to evolve in their subsurface, like the Saturnian moons Enceladus and Mimas (and, of course, Europa).

Scientists like [mission director Scott] Bolton use these images to, among other things, identify new volcanoes. The darker spots are often places where eruptions have occurred, and other recent NASA imagery shows that this volcanism is incessant. A looming question is whether a global magma ocean oozes inside Io, or if there are just giant pockets of molten rock.

When the Juno spacecraft gets nearer to Io, it’s not directly approaching the moon, but veering by the moon’s orbit, as shown in the graphic below. During each orbit, Juno will snap pictures at the closest approach before it once again whips around the gas giant Jupiter. By the end of December 2023, Juno’s orbit (PJ 58) will bring it within some 930 miles of Io. It’s a much-anticipated event.

(17) VIDEO OF THE DAY. Stephen Colbert interviews Steven Spielberg about a now-ironic complaint about Spielberg’s Night Gallery episode. “Spielberg’s ‘Appalling, Irresponsible’ Contribution to the Horror Anthology, ‘Night Gallery’”.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Kathy Sullivan, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Chengdu Worldcon Website Adds Guest of Honor Data

The new Chengdu Worldcon website launched in early September minus any statement about who their Guests of Honor are, even though their names had been announced immediately after they won the bid.

That omission was remedied very recently with the addition of a Guests of Honor for 2023 Chengdu Worldcon section, screencap shown below. According to the Chinese version of the site, the GoH information was posted on November 29.

Pixel Scroll 6/16/22 Scrolls Against Pixelry

(1) HALFWAY THRU THE YEAR. Emily St. John Mandel’s Sea of Tranquility tops Amazon.com’s list of the twenty “Best science fiction and fantasy of 2022 so far”.

And joining Sea of Tranquility on Amazon.com’s overall “Best Books of the Year So Far” are Saara El-Arifi’s The Final Strife and John Scalzi’s The Kaiju Preservation Society.

(2) BROOKS BY THE BOOK. The New York Times’ interview with Geraldine Brooks gives backhanded praise to a Hugo winner.

Can a great book be badly written? What other criteria can overcome bad prose?

The “Remembrance of Earth’s Past” trilogy, by Liu Cixin, is full of insight into everything from China’s Cultural Revolution to why we have yet to experience first contact, and why we maybe shouldn’t want to. But there’s a clunkiness to some of the sentences and I can’t know if it’s the writing or the translation. Alas, it’s too late for me to learn Mandarin in order to get a definitive answer.

(3) HEAVY DUTY. TrekMovie.com reports “Toymaker TOMY To Make 32-Inch Die-Cast ‘Star Trek’ USS Enterprise Weighing 20 Pounds”. Twenty pounds!!! What, have they got Garfield the Cat as the Captain?

… TOMY has announced a new collaboration with Paramount to develop a number of Star Trek products, starting with a limited edition highly-detailed 1/350 scale premium die-cast U.S.S. Enterprise model from The Original Series. Made of 90% die-cast metal, the model includes precision detailing and decorations with over 70 LED lights and a premium stand with collector packaging…. 

Gizmodo has more of the story and – brace yourself – the price tag: “Star Trek USS Enterprise Model Created With Smithsonian’s Help”.

…As you’ve probably guessed, this replica isn’t priced for casual Trekkies. Tomy is taking a crowd-funded approach and will only put the limited run replica into production if it receives 5,000 pre-orders for the ship, with pre-orders starting tomorrow. That’s a lofty goal, especially with a price tag of $600, and with pre-orders being limited to just Star Trek fans in the United States. If Tomy finds enough backers, its Prestige Select U.S.S. Enterprise NCC-1701 replica will ship out to fans next Summer in 2023.

This video shows off the prototype with the lights in action.

(4) INTO THE WEST. HBO’s Westworld Season 4 Official Trailer says, “Maybe it’s time you questioned the nature of your own reality.” Sounds right.

(5) CARNEGIE AND GREENAWAY MEDALS. The Yoto Carnegie and Yoto Kate Greenaway Awards 2022 were announced today. Neither winner is a genre work.

The 2022 Yoto Carnegie Medal 

  • October, October by Katya Balen, illustrated by Angela Harding (Bloomsbury)

The 2022 Yoto Kate Greenaway Medal 

  • The Midnight Fair illustrated by Mariachiara Di Giorgio, written by Gideon Sterer (Walker Books)

(6) YOUNG XENA AND OTHER ROLES. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with Rose McIver. “Maltin on Movies: Rose McIver”.  Nearly all of her work is genre-related, including her current role in CBS’s Ghosts and her best-known role in IZombie.  Of course, being a Disney fan, Leonard Maltin made sure to ask about her work as Tinker Bell (spelled that way) in Once Upon a Time.

McIver has a good story about Lucy Lawless.  When she was nine she played young Xena while Lawless stepped away from her role during her pregnancy.  Lawless sent McIver several cassette tapes where she explained Xena’s story and gave her a chance to listen to the cadences of Lawless’s voice so she could do a better job of being a young Lucy Lawless.  McIver fondly remembered Lawless’s kindnesses over two decades later.

I thought this was a good interview.

(7) A VISIT TO THE INSTRUMENTALITY. Rich Horton tours the worldbuilding of Cordwainer Smith in “The Timeless Strangeness of ‘Scanners Live in Vain’” at Black Gate.

I recently had occasion to reread Cordwainer Smith’s Science Fiction Hall of Fame story “Scanners Live in Vain.” This was probably my fifth rereading over the years (soon followed by a sixth!) — it’s a story I’ve always loved, but for some reason this time through it struck me even more strongly. It is a truly great SF story; and I want to take a close look at what makes it work….

(8) PORT YOUR HELM. If you can make a silk purse from a sow’s ear, you can certainly make an anime feature from Tolkien’s appendix. “’Lord of the Rings: War of the Rohirrim’: Brian Cox, Miranda Otto Cast”Deadline has the story.

…The movie centers around the fate of the House of Helm Hammerhand, the mighty King of Rohan, a character from the J.R.R. Tolkien book’s appendix. Succession actor Cox will provide the voice of that protagonist.

The anime feature, directed by Kenji Kamiyama, is set 183 years before the events chronicled in the original trilogy of films. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg – a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Hera, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.

Wise (A Walk in the Woods) will play Hammerhand’s daughter Hera; and Luke Pasqualino (Snowpiercer) will portray Wulf…

(9) DOCTOR DOOGIE HOWSER WHO? “Neil Patrick Harris Joins Doctor Who’ for 60th Anniversary Special” reports Yahoo! But what’s he doing on the show?

…“It’s my huge honour to open our studio doors for the mighty Neil Patrick Harris…but who, why, what is he playing? You’ll just have to wait,” [Russell T] Davies said in a statement. “But I promise you, the stuff we’re shooting now is off the scale. Doctor beware!”

Harris is currently filming his scenes for the special, though details about his role are being guarded safely behind the closed doors of the TARDIS…

Harris released a photo of him in character on Instagram.

(10) THREE MORE MONGOLIAN TRANSLATIONS. [Item by Ferret Bueller.] I stopped in at the really snazzy bookstore at the State Department Store today and found three more recent translations: Second Foundation (the Mongolian is literally more like “Second Storehouse/Coffers/Holdings”), Fahrenheit 451, and Zamyatin’s We (between Ahmet Ümit’s Istanbul Souvenir and Moby Dick).

(11) ESSAY: GEORGE ALEC EFFINGER’S WHEN GRAVITY FAILS

1986 [By Cat Eldridge.] No, When Gravity Fails wasn’t published this month. It was published in January of 1986 by Arbor House. It’s just one of my favorite novels. And it’s one of the few truly great genre fictions set in the Middle East or whatever you want to call that region. (Jon Courtney Grimwood’s Arabesk trilogy and G. Willow Wilson’s Alif the Unseen are two other great ones set there. Do suggest others ones to me please.) That When Gravity Fails is the first in the Marîd Audran series makes it even better.

SPOILER ALERT Effinger’s novel, set near the end of the 22nd Century in an Islamic world in the rise while the West is fast descending or so we are told, describes an ascendant Arabic/Muslim is Center around Marîd Audran, a young man whose has a deep phobia about getting his brain wired. Hence he’s always on the outside of society. He and his trans girlfriend sometimes get along, sometimes want to kill each other. END SPOILER

I re-read about a half a decade ago. I was pleasantly surprised that the Suck Fairy hadn’t trod her steel studded combat boots upon this work. It feels remarkably fresh and Effinger’s society still rings true. Like the settings in Grimwood’s Arabesk or Wilson’s Alif, it feels real. That a neat trick that not many genre writers accomplish when trying to create a different culture. 

I understand that Effinger said in interviews that a lot of his society there was based on his living in the New Orleans French Quarter. If that’s true, the sex, violence, and moral ambiguity shown in the novel suggests a lot about the French Quarter in the Eighties! 

A note for y’all to consider. Most reviewers consider it a cyberpunk novel. I do not. It’s very good SF novel but the personality chips just don’t feel cyberpunkish to me. Neither the Arabesk trilogy or Alif is cyberpunk either.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 16, 1896 — Murray Leinster. It is said that he wrote and published more than fifteen hundred short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Among those was his 1945 “First Contact” novella, a 1996 Retro Hugo-winner, one of the first (if not the first) instances of a universal translator. So naturally his heirs sued Paramount Pictures over Star Trek: First Contact, claiming that it infringed their trademark in the term. However, the suit was dismissed. I’m guessing they filed just a bit late given the universal translator was used in Trek prior to that film. (Died 1975.)
  • Born June 16, 1924 — Faith Domergue. Dr. Ruth Adams in the classic Fifties film This Island Earth. She has a number of later genre roles, Professor Lesley Joyce in It Came from Beneath the Sea, Jill Rabowski in Timeslip (aka The Atomic Man) and Dr. Marsha Evans in Voyage to a Prehistoric Planet. She amazingly did no genre television acting. (Died 1999.)
  • Born June 16, 1938 — Joyce Carol Oates, 84. To my utter surprise, she’s won a World Fantasy Award for a short story, “Fossil-Figures”. And though I didn’t think of her as a horror writer, she’s won five, yes five, Stoker Awards.  Her short fiction, which is legion, is stellar. I recommend her recent Night, Neon: Tales of Mystery and Suspense collection . 
  • Born June 16, 1939 — David McDaniel. A prolific writer of The Man from U.N.C.LE. novels penning seven of them, with such names as The Vampire Affair and The  Hallow Crown Affair. He also wrote a novel for The Prisoner series, The Prisoner: Number Two which I must find. As a fan, he was quite active in LASFS, serving as its Director, writing various APAs and is remembered as a “Patron Saint” which is to say he financially support the Club. (Died 1977.)
  • Born June 16, 1940 — Carole Ann Ford, 82. Best known for her roles as Susan Foreman in Doctor Who, and as Bettina in of The Day of the Triffids. Ford appeared in the one-off 50th-anniversary comedy homage The Five(ish) Doctors Reboot.
  • Born June 16, 1957 — Ian Buchanan, 65. Best remembered as Dick Tremayne on Twin Peaks. He’s done one-offs on the first Flash series, Quantum Leap, voice roles on GargoylesBatman: The Brave and the BoldBatman Beyond and Justice LeagueCharmed and Stargate SG-1
  • Born June 16, 1972 — Andy Weir, 50. His debut novel, The Martian, was later adapted into a film of the same name directed by Ridley Scott. He received the Astounding Award for Best New Writer. His next two novels are Artemis and Project Hail Mary. Intriguingly, he’s written one piece of Sherlockian fan fiction, “James Moriarty, Consulting Criminal”  which is only available as an Audible audiobook. Project Hail Mary is nominated for the Hugo Award this year. 

(13) COMICS SECTION.

  • The Argyle Sweater is based on a gag I bet every comics reader has thought of at some point.
  • Bizarro finds it’s time to have that discussion when little robots wonder where they came from.
  • Close to Home overhears what the next thing is that a kaiju wants to eat.

(14) VOYAGE CONTINUES WITH A NEW PILOT. In the Washington Post, Michael Cavna interviews Randy Milholland, who has just taken over Popeye from 95-year-old Hy Eisman.  Cavna explains that Milholland is trying to preserve Popeye’s noble spirit and champion of the underdog while making Popeye a GenXer and Olive Oyl a MIllennial. “Popeye is getting a makeover at age 93”.

…Today, he thinks characters like Olive Oyl, as shaped long ago by Segar and writer Tom Sims, can speak to modern audiences. He notes that their Olive was outspoken and in your face. “She was never the damsel in distress in the comics.” He says her stance was: “I’m here and I will fight either at Popeye’s side or I will get in front of him.”

All these characters have flaws — and Popeye’s father, Poopdeck Pappy, “is a flaw on his own,” Milholland notes with a grin — but Popeye and Olive are the types to “find their moral centers” when needed.

Milholland likes to play with character faces and shapes, including the antagonistic witch the Sea Hag and the magical pet Eugene the Jeep. He enjoys designing the ballet of fisticuffs that flows across the page. Yet, for all the enduring dynamics of “Popeye,” Milholland comes back to valuing the familial heart that beats at the center of the strip….

(15) DINO MIGHT. Did you ever ask yourself “Why Does Batman have a T-Rex in the Batcave?” MSN.com’s Aman Singh did.

Debuting in 1943, the Batcave is a fascinating place that holds many mementos to Batman’s long history. The Caped Crusader’s lair features many interesting items such a giant penny and a large replica of Joker’s playing card. Though some may say it’s ridiculous, the cave is a reflection of Batman’s character evolution. Despite going through many changes over the years and different iterations across creative teams, one of the few items that remains constant is the iconic T-Rex prop. The origins for this unusual memento go way back into Batman’s formative years….

(16) NINEFOX GAMBIT TRPG ON ITS WAY. Yoon Ha Lee has designed an RPG for his Machineries of Empire universe.

(17) ONE THUMB DOWN. [Item by Mike Kennedy.] This reviewer pretty much hates Kyra Sedgwick‘s directorial premier, indie feature film Space Oddity. I’ve seen others reviews that were kinder to it. Me? I have no clue. “Space Oddity Review: Kyra Sedgwick’s Sexless, Spaceless Rom-Com” by Samantha Bergeson at IndieWire.

….But the film heavy-handedly relies on a climate change component to beat people over the head with a bouquet of reasons why the world as we know it is dying. True, but this film makes a good reason for why it should.

At one point, Alex angrily lectures a mirror: “I hope you all had a good time at the farewell party for the tigers and the lions!” And no, he is not talking about Detroit teams finishing their seasons. It is hysterical in the best way. “I’m going to Mars!” is Alex’s refrain in “Space Oddity,” and he even says it to himself — “over and out.”….

(18) BUGS, MR. RICO. ZILLIONS OF ‘EM. “Spilling the Tea: Insect DNA Shows Up in World’s Top Beverage” is the jolly news from The Scientist.

How do you monitor which species live in an area? In addition to traditional ecological tools such as camera traps, researchers have reported new methods in recent years that allow them to detect minute traces of DNA known as environmental DNA, or eDNA, that animals leave behind in water and even air. In a study published June 15 in Biology Letters, a group reports picking up eDNA from a new source: dried plant material. The team purchased tea from grocery stores, and were able to detect hundreds of species of arthropods in just one bag….

TS: Was there anything about the results of this study that surprised you? 

HK: What really surprised me was the high diversity we detected. . . . We took one tea bag, and . . . I think it was from 100 [or] 150 milligrams of dried plant material, we extracted DNA. And we found in green tea up to 400 species of insects in a single tea bag. . . . That really surprised me. And the reason probably is that this tea, it’s ground to a relatively fine powder. So the eDNA [from all parts of the tea field] gets distributed.  

(19) THEY’RE DEAD, JIM. The Scientist reports on evidence that the “Black Death Likely Originated in Central Asia”.

In the foothills of the Tian Shan mountains in what is now Kyrgyzstan, tombstones in the Kara-Djigach cemetery with Syriac inscriptions showed that the village’s death rate skyrocketed over a two-year period. Phil Slavin, a historian at the University of Stirling in Scotland, says that “out of a total of 467 stones that are precisely dated to the period between 448 and 1345, 118 actually turned out to be dated to the years 1338 [and] 1339.”…

(20) A CLOSER LOOK. “NASA’s Perseverance rover begins key search for life on Mars” reports Nature. “Rolling up an ancient river delta in Jezero Crater, the rover starts crucial rock sampling.”

More than 15 months after landing in Jezero Crater on Mars, NASA’s Perseverance rover has finally begun its hunt for ancient life in earnest.

On 28 May, Perseverance ground a 5-centimetre-wide circular patch into a rock at the base of what was once a river delta in the crater. This delta formed billions of years ago, when a long-vanished river deposited layers of sediment into Jezero, and it is the main reason that NASA sent the rover there. On Earth, river sediment is usually teeming with life.

Images of the freshly ground spot show small sediment grains, which scientists are hoping will contain chemical or other traces of life. Poet William Blake’s “‘To see a world in a grain of sand’ comes to mind,” wrote Sanjeev Gupta, a planetary geologist at Imperial College London, on Twitter.

The rover will spend the next few months exploring the Jezero delta, while mission scientists decide where they want to drill and extract rock samples. NASA and the European Space Agency (ESA) plan to retrieve those samples and fly them back to Earth for study, no earlier than 2033, in the first-ever sample return from Mars….

(21) DEL TORO OPENS HIS CABINET. Guillermo Del Toro and Netflix have shared the first teaser trailer for Guillermo Del Toro’s Cabinet of Curiosities, an eight-episode horror anthology featuring original plots and adaptations of short stories. No release date has been set.

The maestro of horror – Guillermo Del Toro – presents 8 blood-curdling tales of horror. This anthology of sinister stories is told by some of today’s most revered horror creators, including the directors of The Babadook, Splice, Mandy, and many more.

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Jurassic World: Dominion Pitch Meting,” Ryan George, in a spoiler-packed episode says that neither the producer or the screenwriter can remember the names of the characters Bryce Dallas Howard and Chris Pratt play so a quick Wikipedia search is in order. Also, when the producer learns that several characters from Jurassic Park have come back, he asks, “Is there any other way to make money? We’re rapidly running out of iconic characters to bring back!”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Nancy Sauer, SF Concatenation’s Jonathan Cowie, Rich Horton, Ferret Bueller, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Chengdu Wins 2023 Worldcon Site Selection Vote

The 81st Worldcon will be held in Chengdu, China from August 23-29, 2023. The convention’s guests of honor will be Sergey Lukianenko, the author of the Night Watch series, Robert Sawyer author of Hominids, and Liu Cixin, the author of The Three-Body Problem.

(The spelling of Lukianenko here follows the usage of the author’s official site, although the Wikipedia spells it with a “y”.)

Site selection administrator Tim Szczesuil reported the following vote totals to the DisCon III business meeting this morning:

FIRST BALLOTPRE-CONWEDNESDAYTHURSDAYFRIDAYTOTAL
Chengdu in 20231950719302006
Winnipeg in ‘2333297197181807
Memphis in 2023 (withdrawn)21317
Write-ins837218
Total with preference22921082262142838
Needed to win    1420
No preference6024975
Total valid votes23521102302232915
Invalid ballots20057

He also reported that a further 917 tokens were sold for which no matching ballots were received.

Yesterday’s controversial but non-binding resolution about the application of the WSFS Constitution’s site selection rules did not lead to the exclusion of large numbers of votes. Szczesuil reports that included in the Pre-Con total are 1,591 ballots from China missing a street address, but otherwise valid. These ballots consisted of 1,586 for Chengdu and 5 with no preference. Had the lack of a street address caused these ballots to be shifted to “No preference,” Winnipeg would have won.

After the results were announced, Chengdu’s representative Chen Shi addressed the business meeting and shared information about their guests, dates, and other plans.

“After these days of hard work, I’m happy to give you this speech here. It’s been four years since Chengdu started and this has given hope to countless Chinese fans. For Chengdu fans, this is a once in a decade opportunity. This is a special moment for us all. It is a new adventure for all of us. It will be a different kind of Worldcon, but it will still be a Worldcon. That you will still recognize as part of these traditions that started in 1939, when the world was a very different place. I want to thank the efforts of the team in Winnipeg. It has been a long journey, and you gave some good competition, and I will say that we have learned some things from you as well! Such as how to run a good fan table, how to run a good community, give a good presentation, and so on. I hope that many of you will be ready and willing to join our teams. I hope that we can welcome all of you to Chengdu. In fact, we welcome everyone here to Chengdu. We prefer it if you come in person, but for those who can’t, a stream of virtual programming will be part of the accommodation.”

Their membership rates currently are Attending $100, and Virtual $80. He said, “We know that the virtual convention has expanded our ideas of what the Worldcon can be and has given us a great chance to build a global community of science fiction fans.”

A photo of the flyer distributed at the business meeting (courtesy of Chris Barkley) shows the staff that Chengdu already has in place, and the positions they are looking to fill. Chen Shi invited people to apply.

CHICON 8 REPORT. Once the Site Selection portion of the meeting was finished, Chicon 8’s chair Helen Montgomery provided an update about next year’s Worldcon in Chicago, then took questions. She said, “We will definitely have a virtual component. We don’t entirely know what it’s going to look like.”

Montgomery was asked, “I’ve heard rumors that George RR Martin will not be welcomed on program. Is that true?” Her answer was not yes or no. She said, “At this time, we have not picked anyone to be on program. Program applications and surveys have not gone out. It is the answer to the question. We have not picked anybody to be on program. And as far as — I don’t even know if Mr. Martin has filled in an applicant form. So I can’t actually answer that. Our goal for program, though, is to — and this has always been one of our goals — is we want to make sure that folks who have been historically marginalized have a voice in our convention. But that is not at the expense of other people who have been active in this fandom for a long time. So we’re looking to find a balance. But, you know , if folks are interested in being on program, fill out the program form. That’s the first thing that we can tell you to do. — that’s the best thing that we can tell you to do. From then, we have a vetting process and the whole nine yards.”

Room reservations for Chicon 8 will open early in 2022. Montgomery encouraged folks who need ADA rooms to e-mail [email protected] and get on the list as soon as possible. ADA rooms will open mid-January. Reservations for everybody else will open in mid-February.

Pixel Scroll 11/10/21 Pixel-Heroes Battle Pixel-Gorillas

(1) THE SIX-BODY PROBLEM. There’s a new trailer out for China company Tencent’s production of The Three-Body Problem, which is fueling comparisons with another adaptation forthcoming from Netflix. Will Netflix’ Benioff and Weiss, veterans of Game of Thrones, overlook Chinese cultural subtleties? Will China’s censors allow Tencent to address all of them? Variety begins with a gloss of the trailer: “Tencent’s First ‘Three-Body Problem’ Trailer Sparks Netflix Rivalry”:

…The new Tencent trailer opens with an exchange between two off-screen male voices.

“Have significant accidents ever happened to you in your life?” one asks. “No,” the other replies. “Then your life is a sort of accident,” the first continues. “But isn’t that the case for most people?” the second voice asks, and the first responds, to a backdrop of ominous music with deep foghorn-type blasts that would feel at home on the “Tenet” soundtrack: “Then most people’s lives are all accidents.”

In a final line, a woman’s voice says: “This is the end of humanity.”

Several companies have been trying to produce adaptations of Liu Cixin’s novel.

Tencent nabbed the rights to adapt the story into a TV series way back in 2008. Now, its version is entering a crowded playing field.

There are at least two other “Three-Body Problem” adaptations in the works in China, including a film backed by IP rights holder Yoozoo Group that may have fallen permanently to the wayside and an animated take from Gen Z- and anime-leaning platform Bilibili.

Netflix struck its own deal with Yoozoo to create an English-language adaptation, announcing the project last September. The American version is being co-created by “Game of Thrones” big shots David Benioff and Dan Weiss alongside Alexander Woo (“True Blood”), and will be directed by Hong Kong’s Derek Tsang (“Better Days”).

Chinese social media is pressuring Tencent to do a good job:

“‘Three-Body’ is a story full of Chinese elements told by we Chinese from our Chinese perspective and ways of thinking …to express Chinese people’s values, worldview and view of the universe. These things are very hard for foreigners to express — only we are able to do it,” wrote one popular comment in response to Tencent’s Weibo recent post about the new trailer.

It was outranked by the top comment, liked 27,000 times. It read: “Buck up — you better not lose to Netflix’s nonsense version.”

While nationalist users maintained that only a Chinese production could capture the essence of the story, the novel is set during the Cultural Revolution, which could pose a problem for censors in a Chinese retelling.

Incidentally, here is the trailer Bilibili released in 2019 for its anime adaptation of The Three-Body Problem.

(2) CHIP IN. M.C.A. Hogarth is closing in on the $10K stretch goal of a Kickstarter launched to fund a collection of MilSF short stories set in her Peltedverse: To Discover and Preserve by M.C.A. Hogarth. Two days left – you might want to get in on this.

Alysha Forrest, my oldest Peltedverse character, needs some love, aletsen. Not only does she need some, she deserves it. Though fewer in number than the books comprising the Eldritch canon, the Stardancer/light milsf books of the Peltedverse sell well and without nearly the advertising the Eldritch canon has. I have a bunch of short stories that belong to this side of the timeline, but they’re all Patreon extras or newsletter gifts… and I get questions about where new readers can find them all the time! That means it’s time to collect them for retail. And while I have five stories (enough to credibly issue a single volume), they’re pretty short and could use some friends. 

Hogarth has given fans this incentive to push the Kickstarter past $10K:

…if we do, rather than continuing to pad the collection indefinitely, I will promise to finish writing the latest Alysha novel. This is the only way to guarantee you see it within the next year, since it’s otherwise indefinitely backburnered…. 

(3) CLI-FI. The Arizona State University Center for Science and the Imagination today premiered a prerecorded video event, “Cli-Mates: Climate Futures Conversations from Scotland,” in collaboration with the Scottish SF magazine Shoreline of Infinity. The event features the SF authors Kim Stanley Robinson, Ken MacLeod, Xia Jia, Libia Brenda, Gabriela Damián Miravete, Tendai Huchu, and Hannah Onoguwe, along with several scholars and editors.

During the UN Climate Change Conference, or COP26 (1-12 November, 2021), the eyes of the world are on Glasgow, Scotland, where nations, civil-society groups and activists are meeting to determine the shape of global action in the face of the climate crisis. At this moment, perhaps more than any other, we need creatively expansive thinking about possible futures—stories that help us chart a path towards a just, equitable, sustainable global civilization.

(4) FOUNDATION FX. Apple TV+ shows how it’s done in Foundation — Bringing Visions To Life Featurette”.

From the start, the world’s most dedicated visual effects artists and costume designers established that Foundation would be a show unlike any other on TV.

(5) ONE-TIME OPPORTUNITY. [Item by Bruce D. Arthurs.] I came across this interesting-sounding item on Twitter: On November 18, the Smithsonian Archives department presents Yesterday’s Tomorrows: Visions of the Future on Film, a 1984 film that was part of a NMAH exhibit on “how past visions of the future continue to impact our present and inspire even further futures”, plus commentary from current conservator William Bennett. This is part of the Smithsonian 175th Film Fest, presenting films from the Smithsonian archives.

Due to copyright restrictions, viewers will need to register for a Zoom webinar; the presentation won’t be streamed or saved on YouTube.

(6) FROM AREA 57. “Heinz Debuts ‘Marz Edition’ Ketchup Made With Tomatoes Grown in Mars-Like Conditions” reports Smithsonian Magazine.

On Monday, Heinz revealed its first bottle of “Marz Edition” ketchup, a special recipe made with tomatoes grown in extreme temperature and soil conditions similar to the Red Planet. The team of scientists behind the celestial sauce, which is the product of two years of research and development, says the delicious achievement also advances the possibility of long-term food production on Mars.

“We’re so excited that our team of experts have been able to grow tomatoes in conditions found on another planet and share our creation with the world,” Cristina Kenz of Kraft Heinz said in a statement. “From analyzing the soil from Martian conditions two years ago to harvesting now, it’s been a journey that’s proved wherever we end up, Heinz Tomato Ketchup will still be enjoyed for generations to come.”…

Also note that The Late Show with Stephen Colbert last night included a “cold open” of Hunt’s trying to one-up Heinz with Uranus catsup—“The best tasting thing to come out of Uranus.” 

(7) MEDIA BIRTHDAY.

1966 — Fifty-five years on NBC, Star Trek’s “The Corbomite Maneuver” first aired. It was the tenth episode of the first season, and it was written by Jerry Sohl who had previously written for Alfred Hitchcock PresentsThe Outer Limits, The Invaders, and The Twilight Zone. (His other Trek scripts were “Whom Gods Destroy” and “This Side of Paradise”.) It was the first episode that was filmed in which Kelley played Dr. Leonard McCoy, Nichols played Lt. Uhura and Whitney played Yeoman Rand, though we first saw them in “The Man Trap”.  Clint Howard, brother of Ron Howard, played Balok, and Ted Cassidy, who was Gorn in “Arena” and the android Ruk in “What Are Little Girls Made Of?”, voiced the Balok puppet here. So did critics like it? No idea as I can’t find any contemporary reviews of it though media critics now love it. Most put it in their top twenty of all the Trek series episodes. It was nominated for a Hugo at NyCon 3, the year that “The Menagerie” won. “The Naked Time” was also nominated that year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1924 Russell Johnson. Best known in what is surely genre for being Professor Roy Hinkley in Gilligan’s Island. His genre career started off with four Fifties films, It Came from Outer Space, This Island Earth, Attack of the Crab Monsters and The Space Children. He would later appear in both the Twilight Zone and Outer Limits. On ALF, he would appear as Professor Roy Hinkley in “Somewhere Over the Rerun”.  (Died 2014.)
  • Born November 10, 1932 Roy Scheider. First genre role was as Dr. Heywood R. Floyd in 2010, the sequel to 2001: A Space Odyssey. His other major genre performance was as Captain Nathan Bridger in the SeaQuest DSV series. He also has roles in The Curse of the Living Corpse (his first acting role, a very low budget horror film), one of The Punisher films, Dracula III: Legacy and Naked Lunch which may or may not be genre.  I do not consider the Jaws films to be genre, but you may do so. (Died 2008.)
  • Born November 10, 1943 Milt Stevens. Today is indeed his Birthday. On the day that OGH announced his unexpected passing did a wonderful post and y’all did splendid commentary about him, so I’ll just send you over there. (Died 2017.)
  • Born November 10, 1950 Dean Wesley Smith, 71. Editor of Pulphouse magazine which fortunately Black Gate magazine has provided us with a fascinating history which you can read herePulphouse I first encountered when I collected the works of Charles de Lint who was in issue number eight way back in the summer issue of 1990. As a writer, he is known for his use of licensed properties such as StarTrekSmallvilleAliensMen in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series written in collaboration with his wife, Kristine Kathryn Rusch. 
  • Born November 10, 1955 Roland Emmerich, 66. Usually I don’t touch upon SJW affairs here (well I do when I want to) but he’s very strong campaigner for the LGBT community, and is openly gay so bravo for him!  Now back to his genre credits.  The Noah’s Ark Principle was in ‘84 by him written and directed by him as his thesis after seeing Star Wars at the Hochschule für Fernsehen und Film MünchenMoon 44 followed which likely most of you haven’t seen but now we get to his Hollywood films, to wit Universal SoldierThe High Crusade (yes, the Poul Anderson novel — who’s seen it?), StargateIndependence Day… no, I’m going to stop there. Suffice it to say he’s created a lot of genre film. And oh, he directed Stonewall, the 2015 look at that historic event which I know isn’t genre or genre adjacent but is worth noting. 
  • Born November 10, 1960 Neil Gaiman, 61. Where to start? By far, Neverwhere is my favorite work by him followed by the Sandman series and Stardust. And I sort of liked American GodsCoraline is just creepy. By far, I think his best script is Babylon 5’s “Day of The Dead” though his Doctor Who episodes, “The Doctor’s Wife” and “Nightmare in Silver” are interesting, particularly the former. 
  • Born November 10, 1971 Holly Black, 50. Best known for her Spiderwick Chronicles, which were created with fellow writer and illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy.  Her first novel was Tithe: A Modern Faerie Tale. (It’s very, very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award.  Suffice it to say if you like horror, you’ll love her. 
  • Born November 10, 1982 Aliette de Bodard, 39. Author of the oh-so-excellent Xuya Universe series. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award and a British Fantasy Award, and was nominated for the Hugo and World Fantasy Award. “The Shipmaker”, also set herein, won a BSFA Award for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. She’s nominated for a Hugo this year for her “The Inaccessibility of Heaven” novelette. 

(9) COMICS SECTION.

(10) TAKE THE CASH AND THE CREDIT, TOO. [Item by David Doering.] I caught a reference on Cracked about writer credits and comics. A fan asserted that comic writers only starting get credit regularly thanks to Marv Wolfman. I thought, hmmm… Really?

What do you know? It’s true. The Comics Code Authority in the 60s banned mention of “wolfman” in comics, BUT  “In DC Comics’ House of Secrets #83, the book’s host said that the story was told to him by ‘a wandering wolfman.’” Comically [pun intended], DC then credited the story to “Marv Wolfman”, making the reference OK by the CCA. 

After that, writers asking and getting credit for their stories. See full details and scans of the comics at CBR.com: “Comic Book Urban Legends Revealed #119”.

(11) FALSE GRIT. Joel Haver assures us “You’ll never find a more sandy planet of sand.” So this is a Dune parody, you assume? Hell no, it’s a Star Wars parody – go figure.

(12) TAKING THE MICK OUT. “Guardians of the Galaxy: Cosmic Rewind Blueprints Leaked Online” – and Blog Mickey has a bucket full of what leaked.

A set of blueprints reportedly belonging to the Guardians of the Galaxy: Cosmic Rewind attraction have leaked online. The attraction, which has been under construction for more than 4 years, will open sometime in 2022 at EPCOT. The blueprints pull the curtain back a bit on a project that Disney has only slowly revealed information about. It’s unclear how accurate the blueprints are to the final product, but lets take a look….

…As we saw in early construction photos, roller coaster track weaves throughout the building, but the blueprints show just how much track is inside.

It’s unclear how much of the roller coaster track is for the actual attraction, and how much is for the storage, but the majority of the attraction will take place in the large gravity building that was built from scratch for this attraction….

(13) THE GALACTIC HERO BILL. John Scalzi revealed his true net worth today. Don’t you agree that “Billions and billions” is a phrase that suits an sf writer very well?

(14) SHOW NO MERCY. James Davis Nicoll’s latest Young People Read Old SFF introduces the panel to Ursula K. Le Guin’s 1971 “Vaster Than Empires and More Slow.”

“Vaster” takes place in Le Guin’s Hainish setting, where for the most part other worlds are inhabited by variant humans seeded in the ancient past by the Hainish. “Vaster” is an exception: first contact here is not between two branches of humanity but between humans and something very alien. Let’s see what the Young People make of it! 

Sort of like a Beat Bobby Flay episode, the young judges record a split decision.

(15) LOST IN SPACE TRAILER. Official trailer for the third and final season of Lost in Space. All episodes drop December 1 on Netflix.

(16) UNHOBBLING THE HUBBLE. [Item by Mike Kennedy.] This latest problem started 23 October. NASA seems cautiously optimistic that the Hubble can make a full recovery. WIRED has the story: “NASA Tries to Save Hubble, Again”.

THE HUBBLE SPACE telescope, one of the most famous telescopes of the 20th and 21st centuries, has faltered once again. After a computer hardware problem arose in late October, NASA engineers put Hubble into a coma, suspending its science operations as they carefully attempt to bring its systems back online.

Engineers managed to revive one of its instruments earlier this week, offering hope that they will end the telescope’s convalescence as they restart its other systems, one at a time. “I think we are on a path to recovery,” says Jim Jeletic, Hubble’s deputy project manager.

The problem began on October 23, when the school bus-sized space probe’s instruments didn’t receive a standard synchronization message generated by its control unit. Two days later, NASA engineers saw that the instruments missed multiple such messages, so they put them in “safe mode,” powering down some systems and shuttering the cameras.

Some problems are fairly easy to fix, like when a random high-energy particle hits the probe and flips a bit on a switch. But when engineers encounter an unknown problem, they’re meticulous. The slow process is designed to protect Hubble’s systems and make sure the spacecraft continues to thrive and enable scientific discovery for as long as possible. “You don’t want to continually put the instruments in and out of safe mode. You’re powering things on and off, you’re changing the temperature of things over and over again, and we try to minimize that,” Jeletic says.

In this case, they successfully brought the Advanced Camera for Surveys back online on November 7. It’s one of the newer cameras, installed in 2002, and it’s designed for imaging large areas of the sky at once and in great detail. Now they’re watching closely as it collects data again this week, checking to see whether the error returns. If the camera continues working smoothly, the engineers will proceed to testing Hubble’s other instruments….

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Eternals Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled episode, has the writer say he has characters including “a speedster, a lady with ancient weapons, and a super-strong guy who shoots beams from his eyes.” The producer asks, “Yeah, yeah, and Batman and Aquaman. Are you sure you’re in the right office?”  The writer also can’t explain why introducing 10 superheroes we’ve never seen before can’t be done in an eight-hour Disney Plus show instead of a single movie.

After Avengers Endgame, Marvel has the massive task of not only continuing their surviving heroes’ stories, but also making audiences care about all new characters and all-new universe-threatening events. Their latest movie Eternals takes on the gargantuan challenge of introducing ten new superheroes AND explaining why they’re only showing up now. This thing’s getting complicated. Eternals definitely raises some questions. Like should this have been a Disney Plus show? Why do the Eternals only have important conversations at Golden Hour? Why is introducing humans to weapons not considered interfering in their affairs? Wouldn’t the Celestials be interested in stopping Thanos if they need a massive population to birth celestials? Why didn’t Kumail have a shirtless scene after all that work!? What have these post-credit scenes become?! To answer all these questions and more, step inside the Pitch Meeting that led to Eternals! It’ll be super easy, barely an inconvenience.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, N., Chris Barkley, Lise Andreasen, David Doering, Joey Eschrich, Bruce D. Arthurs, M.C. Hogarth, Andrew Porter, Michael Toman, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/30/21 I Never Meta Pixel I Couldn’t Scroll

(1) SEEMS I’VE HEARD THAT SONG BEFORE. “’Metaverse’ creator Neal Stephenson reacts to Facebook name change”Axios asked what he thought about the Zuckerberg announcement.

How do you feel about a storyline that you wrote in “Snow Crash” now turning into our potential global future?

It’s flattering when readers take the work seriously enough to put their own time and money into bringing similar ideas to fruition. After all the buildup in the last few weeks, the Meta announcement has a ripping-off-the-bandaid feeling.

Almost since the beginning of the genre, science fiction writers have occasionally been given credit for inspiring real-life inventions, so this is not new and it’s not unique. I was aware of that fact thirty years ago when I wrote “Snow Crash,” but I didn’t necessarily expect it to happen.

Good science fiction tries to depict futures that are plausible enough to seem convincing to the readers — many of whom are technically savvy, and tough critics.

So when depicting a future technology in a work of science fiction, you have to make it plausible. And if it’s plausible enough, it can be implemented in the real world.

(2) FUTURE TENSE. The series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination continues with “Furgen,” a new short story by Andrew Silverman, about a retriever, his owner, and his A.I.-enabled minder.

Caro had only once before felt such elation from a text alert, and that was when she first got Tucker in the mail. She ordered him from an exclusive breeder in Tokyo, of all places. She remembered she was watching videos of puppies learning to swim when her phone buzzed, followed by a message stating that Tucker, her beautiful new retriever, had just arrived on her doorstep. She shrieked with glee, ran outside to the porch, and opened up the hole-punched box containing the love of her life.

Today, six months into puppy parenting, Caro’s phone buzzed again, interrupting her usual stream of puppy content, to notify her that Furgen A.I. 2.0© had finally arrived….

There’s also a response essay by Clive D.L. Wynne, author of Dog Is Love: Why and How Your Dog Loves You.

It doesn’t take any special technology to see that dogs love people. Hildegard von Bingen, in the 11th century, noted that “a certain natural community of behavior binds [the dog] to humans. Therefore, he responds to man, understand him, loves him and likes to stay with him.” It could fairly be said that, like Othello, dogs love not wisely, but too well. Their loyalty to our capricious species has seen dogs led into wars, ill-fated Arctic expeditions, and many other tragic misadventures.

But are there limits on dogs’ capacity for love?…

(3) WFC 2021 ANNOUNCES DAY MEMBERSHIPS. World Fantasy Convention 2021 in Montréal will be selling day memberships. See more information at their website. The prices in Canadian dollars are:

  • Thursday  $75
  • Friday      $100
  • Saturday $100
  • Sunday      $50

World Fantasy Convention 2021 will be held at the Hotel Bonaventure Montréal from November 4-7.

(4) KEEP PUTTING ONE FOOT IN FRONT OF ANOTHER. At Eight Miles Higher, Andrew Darlington delves into the history of the UK’s most long-lived prozine: “SF Magazine History: ‘INTERZONE’”.

In terms of simple longevity, ‘Interzone’ must be credited as Britain’s most successful SF magazine ever. In January 1991 it comfortably coasted past the forty-one issue limit achieved by ‘Nebula’. Then by August 1994, it surpassed the eighty-five editions of ‘Authentic Science Fiction’. Leaving ‘Science Fantasy’ in its wake, until eventually, by the July-August 2009 issue, through stealth and persistence, it finally outdistanced the 222 incarnations of ‘New Worlds’. Nothing can now compete with that total. And throughout that regularly-spaced life-span, unlike the bizarre array of relaunches, rebirths and reconfigurations that characterized its predecessors, ‘Interzone’ has retained its recognizable appearance on the newsagent’s shelf as a reassuringly attractive glossy A4 magazine. 

(5) TWELVE-BODY SOLUTION. “The Three-Body Problem Casts 12 Stars, Including Two ‘Game of Thrones’ Alums” reports Tell-Tale TV. Twelve cast members are named at the link.

Game of Thrones showrunners David Benioff and D.B. Weiss didn’t wind up making their Star Wars movie, but the duo is working on a new science-fiction series for Netflix: The Three-Body Problem

…According to Deadline, the show has begun casting, announcing 12 stars for the upcoming series. Among them are two Game of Thrones alums: John Bradley and Liam Cunningham…. 

With actors hailing from the Marvel Cinematic Universe and a number of popular films, it seems The Three-Body Problem will have a fairly recognizable cast. The creators haven’t revealed who’s playing who, but further updates should be on the horizon.

(6) NIGHT LIFE IN SANTA FE. There will be “A Night of Wild Cards!” at G.R.R. Martin’s Jean Cocteau Cinema in Santa Fe, NM on November 13 at 4:00 p.m. – ticket info at the link.

Have you been touched by the Wild Card?

Spend an evening with authors George R.R. Martin, Melinda Snodgrass, and John Jos Miller as they speak about the Wild Cards Series, up coming projects, and remember fellow author and friend, Victor Milan.

Help us celebrate the life of Victor Milan, the release of “Turn of the Cards” in Trade Paperback, and “Death Draws Five” in Hardcover!

The Jean Cocteau is also a place where you can see Dune, the “Once-in-a-generation film,” as it was meant to be seen — on the big screen with a specially handcrafted cocktail in your hand.

(7) SIT DOWN, JOHN. In Debarkle Chapter 70, Camestros Felapton tells how the sf field finally said out loud they were ready for “Life After Campbell”.

…Torgersen’s Sad Puppies 3 slate and been something of a last hurrah for Analog at the Hugo Awards, with four Analog stories becoming finalists on the strength of the Puppy campaigns. Torgersen also included Kary English on the slate due to their common connection with Writers of the Future. No Writers of the Future from a year after 2015 would be a finalist again in the following years nor would any story from Analog make it onto the ballot…

(8) TURN AND RETURN. Boston University humanities professor Susan Mizrouchi on what caused Henry James to be interested in the supernatural and write The Turn Of The Screw. “On Spiritualism and the Afterlife in Henry James’ Turn of the Screw” at CrimeReads.

…Like many contemporary intellectuals, William and Henry took ghosts seriously. They were friendly with Frederic W. H. Myers, who headed the Society for Psychical Research, and Henry was recorded in the minutes of a society meeting in London reading a report on behalf of his absent brother about a female medium who was occasionally overtaken by the spirit of a dead man. Society researchers sought positivistic evidence of ghosts and provided a steady stream of testimonies for public consumption. These accounts of specter sightings, which numbered in the thousands, were in turn avidly consumed by readers, who couldn’t get enough of them.

The James brothers’ views on ghosts were rooted in contemporary science, and also in their personal convictions about the fate of consciousness after death. Having enjoyed such fertile minds, and interacted with so many others, neither could accept that these vital organs would simply expire with the body…. 

(9) DETERMINED COLLECTOR. “Holy bikini-clad Batwoman! Archive saves Mexico’s scorned popular films” – the Guardian tells how they did it.

… Had they not been rescued from a dusty storehouse seven years ago, the original negatives of hundreds of Mexican movies featuring the likes of the silver-masked crime-fighting wrestler El Santo, a bikini-clad Batwoman and the Satan-worshipping Panther Women would have been lost forever.

Salvation came in the form of Viviana García Besné, a film-maker, archivist, self-described “popular film activist” and descendant of Mexico’s cinematic Calderón clan…. 

“I thought the best, and most obvious, thing would be to send them all to the big film institutions in Mexico,” she says. “I told them about this marvellous collection of films, photos and paperwork, and thought they’d all jump for joy. But they were like, ‘We’ll have that, and maybe that, but not that.’”

Unwilling to split up the collection – “It’s the work of a company that began in 1910 and made films until 1990; that’s 80 years of cinema history,” she says – García Besné decided to hang on to it all and to embark on a quest to rescue and reappraise Mexico’s cine popular.

Her Permanencia Voluntaria (Double Feature) archive, which has extended beyond the Calderón collection and now holds some 400 films, is being showcased in Madrid this month in a season at Spain’s national film archive, the Filmoteca Española.

Despite the archive’s growing international reputation – it has restored 10 films over the past four years, and the collection is housed between the Mexican town of Tepoztlán and the UCLA film archive and the Academy film archive in Los Angeles – its genesis and survival have been far from easy….

(10) MEDIA BIRTHDAY.

1987 – Thirty-four years ago, The Hidden premiered. Directed by Jack Sholder and produced by committee as it had three producers (Michael L. Meltzer, Gerald T. Olson and Robert Shaye). It was written by Jim Kouf (under the pseudonym Bob Hunt. Kouf being an Edgar Award winning screenplay writer apparently decided not to be associated with this film. It had a cast of Kyle MacLachlan, Michael Nouri,  Clu Gulager, Chris Mulkey, Ed O’Ross, Clarence Felder, Claudia Christian and Larry Cedar. 

Critics liked it with Roger Ebert calling it “a surprisingly effective film“. Not surprisingly it has gained cult status.   Audience reviewers at Rotten Tomatoes currently give it an excellent seventy-three rating. It likely more or less lost at least something  even after making ten million as it cost five million to make and figuring in publicity costs that suggests a loss. 

A sequel, The Hidden II, direct to DDV, came out six years later. It did not have the cast of the original film. Let’s just say that it’s wasn’t well received and leave it there. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 30, 1923 William Campbell. In “The Squire of Gothos” on Trek, which was a proper Halloween episode even if it wasn’t broadcast then, he was Trelane, and in “The Trouble With Tribbles” he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He appeared in several horror films including Blood BathNight of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age. (Died 2011.)
  • Born October 30, 1939 Grace Slick, 82. Lead singer first with Jefferson Airplane and then with Jefferson Starship, bands with definite genre connections.  “Hyperdrive” off their Dragonfly album was used at the MidAmeriCon opening ceremonies. And Blows Against the Empire was nominated for Best Dramatic Presentation at Noreascon 1, a year that had no winner.
  • Born October 30, 1947 Tim Kirk, 74. His senior thesis would be mostly published by Ballantine Books as the 1975 Tolkien Calendar. Impressive. Even more impressive, he won Hugo Awards for Best Fan Artist at Heicon ’70, L.A. Con I, Torcon II, Discon II and again at MidAmeriCon. With Ken Keller, he co-designed the first cold-cast resin base used at MidAmeriCon. He also won a Balrog and was nominated for a World Fantasy Award as well.
  • Born October 30, 1951 Harry Hamlin, 70. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island. He also has two choice voice roles in Batman: the Animated Series,  Cameron Kaiser in “Joker’s Wild” and even more impressive as the voice of werewolf Anthony “Tony” Romulus in “Moon of the Wolf”.  Since I know a lot of you like the series, I’ll note he plays Aaron Echolls in Veronica Mars
  • Born October 30, 1951 P. Craig Russell, 70. Comic illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike. Next up was mainstream work at DC with I think his work on Batman, particularly with Jim Starlin, being amazing. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He would segue into working on several Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects including a Coraline graphic novel.  Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250-page hardcover art book featuring the best of his personal sketchbooks.
  • Born October 30, 1958 Max McCoy, 63. Here for a quartet of novels (Indiana Jones and the Secret of the SphinxIndiana Jones and the Hollow EarthIndiana Jones and the Dinosaur Eggs and Indiana Jones and the Philosopher’s Stone) which flesh out the backstory and immerse Indy in a pulp reality. He’s also writing Wylde’s West, a paranormal mystery series.
  • Born October 30, 1972 Jessica Hynes, 49. Playing Joan Redfern, she shows up on two of the best Tenth Doctor stories, “Human Nuture” and “The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and  “Drop Dead” episodes. Her last genre adjacent role is Sofie Dahl in Roald & Beatrix: The Tail of the Curious Mouse.

(12) COMICS SECTION.

(13) HOMETOWN HAUNT. “Meet Karl Edward Wagner, Knoxville’s influential cult horror author that almost no one knows” — the Knoxville News Sentinel fans the flames of his memory.

…As the editor of The Year’s Best Horror anthology from 1980 until his death in 1994, Wagner showcased writers like Steven King, Harlan Ellison, Robert Bloch and Ramsey Campbell. Imagery from Wagner’s Lovecraftian short story “Sticks” influenced works like “The Blair Witch Project” and the “devil’s nests” branch constructs in the first season of “True Detective.”

“Wagner was ripped off,” said the late horror writer Dennis Etchison in a documentary interview. “That is only my opinion so the makers of ‘Blair Witch’ should not sue me. … I can only say that is my personal opinion, as an expert witness.”

But as large as a presence as he was in 1980s horror scene, his personal fame never matched the far-reaching influence of his ideas and taste. Wagner’s books and short stories are out of print and hard to obtain…. 

(14) NO SPARE CHANGE. [Item by Mike Kennedy.] Now this is meta. (Even though it has nothing to do with the newly renamed Meta.) New Yorker magazine has published a book review for a book about how Amazon is changing the way books are written—Everything and Less: The Novel in the Age of Amazon (Verso), by literary scholar Mark McGurl. “Is Amazon Changing the Novel?”

…McGurl’s real interest is in charting how Amazon’s tentacles have inched their way into the relationship between reader and writer. This is clearest in the case of [Kindle Direct Publishing]. The platform pays the author by the number of pages read, which creates a strong incentive for cliffhangers early on, and for generating as many pages as possible as quickly as possible. The writer is exhorted to produce not just one book or a series but something closer to a feed—what McGurl calls a “series of series.” In order to fully harness K.D.P.’s promotional algorithms, McGurl says, an author must publish a new novel every three months. To assist with this task, a separate shelf of self-published books has sprung up, including Rachel Aaron’s “2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love,” which will help you disgorge a novel in a week or two. Although more overtly concerned with quantity over quality, K.D.P. retains certain idiosyncratic standards. Amazon’s “Guide to Kindle Content Quality” warns the writer against typos, “formatting issues,” “missing content,” and “disappointing content”—not least, “content that does not provide an enjoyable reading experience.” Literary disappointment has always violated the supposed “contract” with a reader, no doubt, but in Bezos’s world the terms of the deal have been made literal. The author is dead; long live the service provider….

(15) TO SWERVE PLAN. Master satirist Alexandra Petri parodies Facebook’s name change via Twilight Zone episodes. “Goodbye, Facebook. Welcome to the Meta Zone.”

There is a sixth dimension beyond that which is known to man, as vast as space and as timeless as infinity, lying somewhere just past the Twilight Zone, between the pit of Mark Zuckerberg’s fears and the summit of Mark Zuckerberg’s knowledge. It is an area we call … Meta, the new rebranded name of the Facebook parent company. Here are a few tales from this place….

(16) GRAND THEFT DINO. The case has been cracked. Unfortunately, so have the dinos. “3 dinosaur statues stolen from museum found damaged at Texas fraternity, officials say”Yahoo! has the story.

Three beloved dinosaur statues that were snatched from a Central Texas museum are back home thanks to the help of an eagle-eyed tipster. Unfortunately, two were heavily damaged.

Attention was widespread after the statues – named Minmi, Dilong and Dimetrodon, each 6 to 10 feet long – were stolen from their exhibit areas at The Dinosaur Park in Cedar Creek on Oct. 20, the park announced on its Facebook page. The dinosaurs were later recovered at a UT Austin fraternity, a representative for the museum confirmed to McClatchy News.

UT Austin is about 21 miles from The Dinosaur Park….

(17) FRIGHT AT NIGHT. Keith Roysdon talks about how he geeked out on horror in the 1960s building Aurora monster kits and reading Famous Monsters Of Filmland in “Growing Up Spooky” at CrimeReads.

.. A couple of years before I was born, the classic 1930s and 1940s Universal horror films were sold to TV stations around the country in the so-called “Shock” syndicated package. “Dracula,” “Frankenstein,” “Murders in the Rue Morgue,” “The Invisible Man.” They were all there, or in the “Son of Shock” package to follow.

Suddenly, movies that had only been seen in theaters – in rare re-releases – for two or three decades were there for audiences old and new through television. Most stations packaged them as “Shock Theater” or “Nightmare Theater,” the latter a late-night double feature hosted by Sammy Terry, a genial ghoul played for Indiana viewers by Bob Carter, a mild-mannered musical instrument salesman by day who terrified us late at night each weekend….

(18) CLICK THAT CRITIC. Dom Noble tackles the new Dune movie. How good an adaptation of the book is it?

(19) LEGACY. It’s less fun if you don’t play them, but it can pay off for your heirs. “Sealed copy of ‘Super Mario Bros. 2’ sells for $88,550 in estate sale” reports UPI.

An auction house handling an estate sale for a recently deceased Indiana woman said a sealed copy of 1988 video game Super Mario Bros. 2 sold for a whopping $88,550.

(20) GOOD CLEAN FEAR. The New Yorker’s Richard Brody call these “The Best Horror Movies for Halloween—Without the Gore”.

…That said, there’s a formidable tradition of films that express horror according not to a set of established guidelines but to freely expressive impulse, evoking, through far-reaching imagination rather than blood and guts, the emotions of fear, dread, foreboding, and a sense the uncanny. Here are ten of my favorites….

The list includes –

Shadow of the Vampire”

(2000, E. Elias Merhige)

This extravagant horror drama, played earnestly, is nonetheless also a giddy comedy of counterfactual cinematic history. It’s centered on the shoot of “Nosferatu,” the founding vampire film, in which the titular bloodsucker—bald-headed, pointy-eared, pop-eyed, long-clawed, and fanged—runs rampage through the bedrooms of Transylvania. The wild premise of Merhige’s film (written by Steven Katz) is that the real-life actor playing that role, a little-known one named Max Schreck (the last name actually means “fright” in German), was cast in the role because he was a real-life vampire. John Malkovich plays Murnau, who, in order to cast Schreck, both deceives his cast and crew and puts them at grave risk; Schreck is played by Willem Dafoe, who is conspicuously having the time of his life playing a monster straight. Merhige, too, overtly delights in the misunderstandings that divide humans from monsters—and also offers a monstrous metaphor of cinematic history itself, the real-life depredations on which the classic cinema was founded.

(21) WHAT MUSIC THEY MAKE. Overly Sarcastic Productions takes on Werewolves for Halloween!

You know ’em, you love ’em, but you might not know ’em quite as well as you think you do! Today let’s dive into one of the big-name creatures of the night!

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Floor 9.5” at Vimeo, Tony Meakins says if the elevator stops between the ninth and tenth floor, don’t get off!

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Bonnie McDaniel, Darrah Chavey, Jennifer Hawthorne, StephenfromOttwa, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/17/21 The Scroll Of Dr. Pringles And Other Pixels And Other Pixels

(1) THE 8 BILLION BODY PROBLEM. Liu Cixin told the WSJ he’s not as optimistic as he once was. “’Three-Body Problem’ Author No Longer Sure Humankind Would Unite Against Hostile Aliens” reports The Byte.

In his 2008 novel “The Three-Body Problem,” Liu Cixin wrote about nations banding together to deal with a looming alien invasion that would likely result in the end of humanity.

Now he’s not so sure about that unity, Cixin said in an interview with The Wall Street Journal. If anything, he said, the coronavirus pandemic shows that we might do the opposite.

“In the past, we used to have an assumption: that if humanity was faced with a collective threat, people would throw away their differences, unite, join forces and overcome the crisis together,” Cixin told the WSJ. “Now I realize that might have been too perfect of a wish. Looking back at the past two years, the pandemic has pushed nations toward more divisions.”…

(2) NEXT FANHISTORY ZOOM SESSION. British fanhistory is highlighted in the next FANAC FanHistory Zoom, set for October 23 at 2:00 p.m. Eastern (7:00 p.m. London).

Keith Freeman and British fan historian Rob Hansen provide a first-hand look at some of the landmark moments of British fandom, from the inside.  Keith has been a science fiction fan since the 50s – he was a member of the Cheltenham Circle, a founder of the Reading Science Fiction Club, and is credited with reviving the Order of St. Fantony. He’s a fanzine fan (still active!), a past officer of the British Science Fiction Society (BSFA), and the 1977 winner of the Doc Weir Award. 

Among his considerable  fannish accomplishments, interviewer Rob Hansen is well known as a historian of British fandom, having published the definitive history Then — Science Fiction Fandom in the UK: 1930-1980Join us for this interview/discussion and find out about Brumcon, St. Fantony, the SF Society of Great Britain, the Eastercon relationship with BSFA, and more, including perhaps what it’s like to watch an H-bomb explode. 

To register, send an e-mail to to [email protected] .

(3) A PEEK AT THE TERMS. Deadline gives a 30,000-foot overview of the deal in “Hollywood Strike Averted As IATSE & AMPTP Reach Deal On New Film & TV Contract”.

…The deal for the new contract – called the Basic Agreement – is now in the books, but negotiations with the AMPTP will continue for IATSE members who work under the similar Area Standards Agreement in major production hubs such as New Mexico, New York, Illinois, Georgia and Louisiana.

More details are to come, but deal points include “improved wages and working conditions for streaming,” 10-hour turnaround times between shifts, MLK Day is now a holiday, “Diversity, Equity and Inclusion Initiatives,” increased funding of the health and pension plans and a 3% rate increase every year for the duration of the yett-to-be approved contract, among other changes. The AMPTP had wanted to settle the rate increase at around 3% for the first year and then shift it down to 2.5% or even less for the subsequent two years of the contract….

(4) IN DEADLY COLOR. “Why Is Frankenstein’s Monster Green?” asks Mental Floss. He wasn’t always.

In the 203 years since Mary Shelley’s Frankenstein helped shape the horror genre as we know it today, there have been dozens of interpretations of Frankenstein’s Monster. For most of us, the version of the character that immediately comes to mind is the one from Universal’s classic 1931 film: Big green guy with a flat head and bolts in his neck who isn’t much of a talker—which is a far cry from the yellow-skinned, chatty creature Shelley imagined. But if our popular idea of the Monster’s appearance was dictated by a black-and-white movie, why is Frankenstein’s Monster so often depicted as being green?

(5) A PUBLIC CONFESSION. “Lauded Spanish female crime writer revealed to be 3 men” reports MSN.com.

Spain‘s literary world has been thrown into chaos after a coveted book prize was awarded to “Carmen Mola” — an acclaimed female thriller writer who turned out to be the pseudonym of three men.

Television scriptwriters Agustín Martínez, Jorge Díaz and Antonio Mercero shocked guests, who included Spain’s King Felipe and Queen Letizia, at the Planeta awards Friday when they took to the stage to pick up the prize money and reveal the celebrated crime author did not actually exist.

On the website for Mola’s agent, the writer — who has been compared to Italy’s esteemed novelist Elena Ferrante — is described as a “Madrid-born author” writing under a pseudonym in a bid to remain anonymous. The description for Mola on the website also contains a series of photographs of an unknown woman looking away from the camera….

The news stunned many fellow literary figures — and not everyone is thrilled about the news. Beatriz Gimeno, who describes herself as a writer and a feminist — and who was once the director of the Women’s Institute, a key national equality body in Spain — took to Twitter to criticize Martínez, Díaz and Mercero.

In a tweet, Gimeno said: “Beyond using a female pseudonym, these guys have spent years doing interviews. It’s not just the name, it’s the fake profile they’ve used to take in readers and journalists. Scammers.”…

(6) DATA POINTS. In the Washington Post, Donald Lievenson interviews Brent Spiner about his fictionalized memoir Fan Fiction.  Spiner explains why his memoir is fictionalized and how the pandemic had him writing much more than he would if there was no pandemic (where his book would be an “as told to” book.( “Brent Spiner, Data from ‘Star Trek,’ discusses his book”.)

Q: It’s a mixed blessing to be associated with a popular character. Leonard Nimoy famously wrote a book, “I am Not Spock,” then years later wrote another, “I am Spock.” Did writing your book help you in coming to terms with your relationship to Data?

A: It is a double-edged sword. The larger part of that sword has been very positive. It’s been a great job. On the other hand, what I was trained to do was to play as many different things as possible, so it has been limiting sort of in that way. I think there are times maybe I haven’t gotten a job because I am so identified with the character. I, frankly, like to think I’ve been typecast as the reason when I don’t get jobs, because the alternative is that I’m just lousy (laughs). But all that being said with relation to character, if I had to have one character that I had to be typecast as, it would be this character. There is a feeling of trust people have in the character that he’s incapable of hurting them. The confusion has been that I am that as well, and clearly, I’m not. But also, because I also got to play so many different things on the show as him, I got to try on the skin of all kinds of different types of humanity. I got to play his brother, his father, his uncle, his ancestors. It turned out to be a role that I was actually able to stretch a bit.

(7) LOGROLLING DAYS. In Debarkle: Chapter 68, Camestros Felapton reaches 2019 and the 20BooksTo50K Nebula ticket: “History Rhymes — Nebulas 2019”.

The group was unsurprisingly called 20BooksTo50K and by 2017 Anderle and Martelle were running a 20BooksTo50K conference in Las Vegas to help aspiring authors make money from self-publishing….

By 2019 the Facebook group had over 26,000 members and was running conferences internationally[7]….

In November 2018 Jonathan Brazee posted a message to the 20BooksTo50K Facebook group encouraging eligible members to take part in the SFWA’s Nebula Awards. At the end of the post was a long list of titles by 20BooksTo50K members that might be suitable works to add. Brazee was quite clear that this was not intended to be a slate but just a means to encourage participation and maybe improve the number of independently published works on the SFWA reading list.

… The post had stated that it wasn’t a slate but the difference between Brazee’s asterisked list and a slate was minimal. In addition four of the six authors from the slate that had ended up being Nebula finalists had also been published recently by LMBPN including Jonathan Brazee, Richard Fox, A.K. DuBoff, R.R. Virdi and Yudhanjaya Wijeratne. Blogger Aaron Pound looked further into the Brazee’s original list and found that 15 of the authors had listed had appeared either in a LMBPN anthology series called The Expanding Universe or had appeared in a non-LMBPN anthology series called Sci-Fi Bridge

(8) FERGUSON OBIT. BBC producer Michael Ferguson died October 4 at the age of 84. He worked on and directed episodes of Doctor Who, including the first episode to feature the Daleks, shortly after the series began in 1963.

…Working on his first programme as an assistant floor manager – while also holding an actors’ union Equity card – he waved the first Dalek “sucker” arm, resembling a sink plunger, to be seen as it threatened the Time Lord’s companion Barbara Wright (Jacqueline Hill). The Daleks’ “bodies” were not revealed until the next part of the story.

Then, he became one of the few directors to work with all of the Time Lord’s first three incarnations: William Hartnell, battling a self-thinking computer in The War Machines (1966); Patrick Troughton, taking on the Ice Warriors in The Seeds of Death (1969); and Jon Pertwee, in both The Ambassadors of Death (1970) and The Claws of Axos (1971).

Ferguson gained a reputation for being adventurous and inventive, with angled, “point of view” and silhouetted shots, “jump” ones that ramped up the tension, and characters filmed from below to show them looking down.

Frazer Hines, who played the Doctor’s companion Jamie in the second of Ferguson’s serials, recalled that he would challenge actors in rehearsal to perform a “speed run”, delivering their lines as fast as possible to ensure they knew them thoroughly. “It’s very good for the old brain cells,” added Hines….

(9) MEMORY LANE.

  • 1980 – Forty-one years ago at Noreascon Two, Alien would win the Hugo for Best Dramatic Presentation. It was directed by Ridley Scott from the screenplay by Dan O’Bannon off the story by O’Bannon and Ronald Shusett. This would the second Hugo nomination for O’Bannon who was nominated earlier at MidAmeriCon for Dark Star. He’d would win his second Hugo several years later for Aliens at Conspiracy ’87, and be later nominated at Chicon V for Total Recall and Alien 3 at ConFrancisco. A half million audience reviewers at Rotten Tomatoes give it a horrifyingly great ninety-four percent rating.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 17, 1914 Jerry Siegel. His most famous creation was Superman, which he created in collaboration with his friend Joe Shuster. He was inducted (along with the previously deceased Shuster) into the comic book industry’s Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993. I see he edited a magazine called Science Fiction according to ISFDB for two issues in 1932 which was definitely genre. (Died 1996.)
  • Born October 17, 1917 Marsha Hunt, 104. Performer who appeared in both the original versions of the Twilight Zone and the Outer Limits, also appeared in Star Trek: The Next Generation’s “Too Short a Season” as Anne Jameson, Shadow Chasers and Fear No Evil. She is also the oldest living member of the Academy of Motion Pictures Arts and Sciences. She was blacklisted by Hollywood in the Fifties during McCarthyism.
  • Born October 17, 1921 Tom Poston. One of his acting first roles was The Alkarian (uncredited at the time ) in “The Mystery of Alkar” episode of Tom Corbett, Space Cadet in 1950. He much later had the recurring role of Mr. Bickley in Mork & Mindy. He also showed up on Get Smart! in the “Shock It to Me! Episode as Doctor Zharko. (Died 2007.)
  • Born October 17, 1926 Julia Adams. Her most famous role no doubt is being in the arms of The Creature from Black Lagoon. She’s also been on Alfred Hitchcock Presents three times, The Girl from U.N.C.L.E. The Night GalleryKolchak: The Night StalkerThe Incredible Hulk and Lost all once. Signed photos of her in her swimsuit on location for Creature are highly collectible and rather expensive these days going by high prices on eBay currently. And the movie poster is rare. (Died 2019.)
  • Born October 17, 1934 Alan Garner, 87. His best book? That’d be Boneland which technically is the sequel to The Weirdstone of Brisingamen and The Moon of Gomrath but really isn’t though I can’t say why as that’d be a massive spoiler. Oh, and The Carnegie Medal-winning The Owl Service is amazingly superb! There’s a video series of the latter but I’ve not seen it. He’s garnered a World Fantasy Award for Lifetime Achievement.
  • Born October 17, 1946 Bruce McAllister, 75. He’s a superb short story writer as you can see in The Girl Who Loved Animals and Other Stories that Golden Gryphon published originally and which Cemetery Dance has now in an ePub edition along with his three novels.  His Dream Baby novel is an interesting if brutal take on the Vietnam War with a definite SF take to it. His Dream Baby novelette was nominated for a Hugo at Nolacon II, and his “Kin” short story was nominated at Nippon 2007. 
  • Born October 17, 1968 Mark Gatiss, 53. English actor, screenwriter, director, producer and novelist. Writer for Doctor Who with Steven Moffat, whom Gatiss also worked with on Jekyll. He also co-created and co-produced Sherlock. As an actor, I’ll note he does Vogon voices in The Hitchhiker’s Guide to the Galaxy, and is Mycroft Holmes in Sherlock.  And he played Tycho Nestoris in Game of Thrones.
  • Born October 17, 1971 Patrick Ness, 49. Best known for his books for young adults, including the Chaos Walking trilogy and A Monster Calls. He’s also the creator and writer of the Doctor Who spin-off Class series. And he’s written a Doctor Who story, “Tip of the Tongue”, a Fifth Doctor story. He won The Otherwise Award for The Knife of Never Letting Go, and his Monster Calls novel won both a Carnegie and a Kitschie as well being nominated for a Stoker and a Clarke.

(11) COMICS SECTION.

Tom Gauld in The Guardian.

(12) LEVAR’S NEXT JOB. Kenan Thompson plays new NFL coach LeVar Burton in Saturday Night Live’s cold open. I didn’t think it was that funny (although all the points they were making are true enough). The LeVar Burton characterization comes at the 7-minute mark if you want to jump to it.

(13) FOUNDATION AND MOLASSES. Cora Buhlert reviews the fifth episode: “Foundation realises ‘Upon Awakening’ that the story is still moving at a glacial pace”. Beware spoilers.

…I’m sorry, but I just don’t understand the storytelling choices this show makes. Like I’ve said before, I accept that a literal adaptation of the original stories isn’t possible, because stories of people sitting around and talking would not make for very thrilling TV. However, the shows pads out the lean narrative of the original stories with a lot of stuff that’s at best irrelevant and at worst contradicts the story. The show also deals with the fact that the Foundation series takes place over a long period of time (500 years for the original trilogy with the sequels and prequels spanning an even longer period of time) by inserting yet more unnecessary time jumps….

(14) BUT Y? Variety says this show’s run at Hulu is over: “’Y: The Last Man’ Canceled at FX on Hulu Before Season One Finale”.

Y: The Last Man” has been canceled by FX, weeks before its first season debuts its final episode on FX on Hulu.

The news was shared by “Y: The Last Man” showrunner Eliza Clark through her Twitter on Sunday. In her post, Clark thanks FX and the show’s creative team for their partnership on the project. She also expresses hope that “Y: The Last Man” will be able to continue its run at a different network.

“We have learned that we will not be moving forward with FX on Hulu for Season 2 of ‘Y: The Last Man.’ I have never in my life been more committed to a story, and there is so much more left to tell,” Clark wrote. “‘We had a gender diverse team of brilliant artists, led by women at almost every corner of our production… It is the most collaborative, creatively fulfilling and beautiful thing I have ever been a part of. We don’t want it to end.”

(15) IT’S SHOWTIME. “Russian crew wraps trailblazing movie in space, safely returns to Earth”CNN has the story.

…Peresild and Shipenko traveled to the space station alongside veteran Russian cosmonaut Anton Shkaplerov on October 5, encountering a bit of real-life drama — in the form of communications issues — while docking to the space station. Over the course of 12 days, they filmed their movie, “Challenge,” the first feature film shot in space.

The movie will tell the story of a surgeon, played by Peresild, who has to operate on a sick cosmonaut in space, portrayed by Novitskiy, because the cosmonaut’s medical condition prevents him from returning to Earth to be treated. Filming for the movie continued during the crew farewells and hatch closing.

The film is being made under a commercial agreement between Roscosmos and Moscow-based media entities Channel One and studio Yellow, Black and White.

(16) WHO INSPIRED. [Item by Ben Bird Person.] Illustrator Elizabeth Fijalkowski did this piece on the Robert Holmes Doctor featured in the 1976 Doctor Who serial “The Brain of Morbius”. Design based on comic artist Paul Hanley!

(17) BAT TRAILER. Warner Bros. dropped a new trailer for The Batman.

Matt Reeves’ “The Batman,” starring Robert Pattinson in the dual role of Gotham City’s vigilante detective and his alter ego, reclusive billionaire Bruce Wayne.

(18) THE MITE HAS A THOUSAND EYES. “Incredible Trilobite Fossil Reveals It Had Hundreds Of Eyes” at IFLScience.

A fossilized trilobite dating back 390 million years has revealed some unnerving secrets about the large marine arthropods – they had eyes unlike any other animal ever discovered. What looked to be two distinct eyes, like scientists would expect, were actually large systems of hundreds of individual lenses that all formed their own mini-eyes. That is to say that these animals had hundreds and hundreds of eyes. 

Behind each lens were a series of facets anchored by photoreceptors and a network of nerve cells, capturing the light from each before sending it down a central optical nerve to the brain, creating what can only be assumed as an entirely unique way of seeing the world. The research was published in the journal Scientific Reports. …

(19) BREAKTHROUGH, WE CAN NOW DETECT SMALL EXOPLANETS. [Item by SF Concatenation’s Jonathan Cowie.] Small exoplanet, as well as a possibly habitable super-Earth, detected.  Large planets orbiting other stars outside our Solar system (exoplanets) are easier to detect than smaller exoplanets. Also large planets around small stars are easier to detect than large planets around large stars: large stars are less affected by the gravity of planets than small stars and one way of detecting exoplanets is to look at the way stars wobble as their planets orbit.  But the detection limits have improved and a few years ago we began to detect the first Earth-sized exoplanets.

Now, a collaboration of mainly mainland continental Europeans using the European Southern Observatory, have detected a planet half the mass (about a quarter the size) of Venus orbiting a (small) Red Dwarf (L 98-59) some 34.5 light years away.

If this were not enough, the collaboration has also detected a super-Earth in the system’s habitable zone. More good news, this system lies within the field of view of the forthcoming James Webb telescope and so it is likely we will soon learn more about these exoplanets. (See Demangeon, O. D. S., et al. (2021) https://www.aanda.org/articles/aa/pdf/2021/09/aa40728-21.pdf  Warm terrestrial planet with half the mass of Venus transiting a nearby star. Astronomy & Astrophysicsvol. 653, A41.)

(20) PLAY IT AGAIN SAM.  “Supernova Déjà-Vu: Astronomers Spot the Same Stellar Explosion Three Times – And Predict a Fourth Sighting in 16 Years” says SciTechDaily.

An enormous amount of gravity from a cluster of distant galaxies causes space to curve so much that light from them is bent and emanated our way from numerous directions. This “gravitational lensing” effect has allowed University of Copenhagen astronomers to observe the same exploding star in three different places in the heavens. They predict that a fourth image of the same explosion will appear in the sky by 2037. The study, which has recently been published in the journal Nature Astronomy, provides a unique opportunity to explore not just the supernova itself, but the expansion of our universe.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge,Joe Siclari,  Chris Barkley, Ben Bird Person, Daniel Dern, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]