Pixel Scroll 8/11/20 The Pixel Scrolls So Sweetly, It Lists
The Links Completely

(1) LODESTAR MEMENTO. Fran Wilde shows off her Lodestar finalist pin. The Instagram is a video of her unwrapping the box. Below is a screencap of the pin.

(2) CAN’T TELL THE DC FROM THE DOA. A.V. Club reports “DC Comics hit with huge layoffs, DC Universe streaming service could be dead”.

The WarnerMedia branch of Warner Bros. was hit with a ton of layoffs today, and things seem especially dire this evening for the Warner-owned DC Comics. According to The Hollywood Reporter, a number of high-ranking people at DC are now out, including editor-in-chief Bob Harris, several senior VPs, and some editors (including executive editor Mark Doyle, who was in charge of the publisher’s edgy new Black Label graphic novels). Furthermore, THR’s sources say the layoffs have come for “roughly one third” of DC’s entire editorial staff as well as “the majority” of the people working on the DC Universe streaming service, and the DC Direct merchandise brand has been completely shut down after 22 years of selling Batman toys.

The Hollywood Reporter story adds:

…Insiders also say the majority of the staff of the streaming service DC Universe has been laid off, a move that had been widely expected as WarnerMedia shifts its focus to new streaming service HBO Max.

“DC Universe was DOA as soon as the AT&T merger happened,” said one source.

DC Universe launched in May 2018, and is home to live-action series such as Doom PatrolTitans and Stargirl, as well as animated offerings including Young Justice and Harley Quinn. Some of those shows have now started to stream on HBO Max.

Also a victim of the layoffs: DC Direct, the company’s in-house merchandise and collectibles manufacturer….

(3) THE HORROR. Jo Furniss totes up “10 Novels Based On Folk Horror” at CrimeReads.

…I don’t want to give the impression that my American Rose is some kind of bastard love child of Kate Bush and the Blair Witch. But like other suspense writers who dip their nibs into the cursed waters of folk horror, its elements may be sprinkled into a contemporary novel to create an atmosphere of dread.

The resurgence of the genre shows that folk horror is apt for our times. Identities are fluid. No bad deed goes unpunished. The civilized world is only a heartbeat away from primal and uncanny threats.

The genre is also nostalgic for a rural England that is as far from Downtown Abbey as you can get in a four-horse carriage. This England is afeared of change. In times of crisis, we return to the old ways, which offer a reassuring connection to a simple past. But at the cost of old evils. There is a sense that all progress is a chimera, that our modern sophistication is itself a form of naivety.

(4) BLACK UTOPIA. In “Will I Live to See My Utopia?” at Uncanny Magazine, P. Djèlí Clark responds to HBO’s adaptation of Watchmen.

…Before your mind can make sense of it, words in some shade of Watchmen yellow superimpose across the screen: TULSA 1921.

Gotta admit, didn’t see that coming.

Once those two words flashed, what I was looking at resolved into focus. The Tulsa Race Riots of 1921[5]. The Tulsa Massacre. The scene set off a surge on Google[6] as viewers searched for information on the riot—their first time learning about it. Many Black folks, though, didn’t have to go looking. We’d heard some version of this story. I couldn’t even tell you where or when it was passed on to me—one of those bits of common knowledge that travels along Black intra-community networks, written down in our Scriptures on the Sins of White Folk. The story of the all-Black and self-sustaining community that rose up in the middle of Jim Crow. That prospered, with its own businesses and professionals. Black Wall Street, they called it. Even if you didn’t know every detail—like the discrepancies about airplanes dropping dynamite on buildings, or the disputes over mass graves[7]—you had heard something about Tulsa. It was a story of Black excellence, and Black horror. A tragic tale of a lost world like the city of Atlantis, or doomed Krypton—only snuffed out not by natural disaster or hubris, but by the reckless fires of white supremacy.

Still, the cold open of an HBO production was the last place I expected to see this. I’d gone my entire Black life and never seen a single recreation—not once. Our stories didn’t appear in mainstream productions like this. Our histories certainly weren’t centered this way within a major speculative canon. Our perspective wasn’t supposed to fit into stories of superheroes as jaded vigilantes, a physics- bending blue guy, and the greatest hoax ever played on mankind—à la interdimensional psychic squid.

But here we were. This was happening….

(5) ROBOFLOP. [Item by Mike Kennedy.] Robots and disability access clash; everyone loses. TechCrunch’s Haben Girma discusses “The robots occupying our sidewalks” .

The robot, shaped like a large cooler on wheels, zipped along somewhere ahead of me. My left hand clasped the smooth leather harness of my German shepherd guide dog. “Mylo, forward.” The speed of his four short legs complemented the strides of my longer two — call it the six feet fox trot. Together we glided past the competition.

My quarantine buddy stayed behind filming the race. Mylo: 1, Robot: 0.

The Mountain View City Council voted on May 5, 2020 to allow Starship Technologies’ robots on city streets. Founded in 2014, Starship operates no-contact delivery robots in several cities around the world. Customers schedule deliveries of food, groceries or other packages through the Starship app.

My amusement with the little robots shifted to curiosity. Thirty years after the Americans with Disabilities Act of 1990, many tech companies still fail to design for disability. How would the autonomous robots react to disabled pedestrians?

About 10 feet down the sidewalk, I stopped and turned around. Mylo tensed, his alarm crawling up my arm. The white visage of the robot stopped about a foot from his nose.

I hoped the robot would identify a pedestrian and roll away, but it stayed put. Mylo relaxed into a sitting position — guide dog school didn’t teach him about the robot apocalypse. I scratched his ears and he leaned into my hands. The robot was not moved.

(6) MEDIA BIRTHDAY.

August 11, 1955 X Minus One’s “Almost Human” was broadcast for the first time. The screenplay was written as usual by George Lefferts off of Robert Bloch‘s story of the same name first published in Fantastic Adventures, June 1943. (Last collected in The Complete Stories of Robert Bloch, Volume 1: Final Reckonings, 1990.) Bloch’s tale has a petty criminal taking over an android for what he thinks he is suitable training and has the tables turned on him as the android is too human. The cast included Santos Ortega, Joan Allison, Jack Grimes, Guy Repp, Nat Pollen, Joseph Julian and Lin Cook.  You can listen to it here. (CE)

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertx.]

  • Born August 11, 1902 Jack Binder. In Thrilling Wonder Stories in their October 1938 issue they published his article, “If Science Reached the Earth’s Core”, with the first known use of the phrase “zero gravity”.  In the early Forties, he was an artist for Fawcett, Lev Gleason, and Timely Comics.  During these years, he created the Golden Age character Daredevil which is not the Marvel Daredevil though he did work with Stan Lee where they co-created The Destroyer at Timely Comics. (Died 1986.) (CE) 
  • Born August 11, 1923 – Ben P. Indick.  Fanzine Ben’s Beat; letters, reviews, in AndurilBanana WingsThe Baum BugleThe Call of CthulhuChacalThe Frozen FrogThe Metaphysical ReviewNecrofileNyctalopsRiverside QuarterlyRod Serling’s Twilight Zone MagazineStudies in Weird FictionWeird Tales.  Wrote Ray Bradbury, Dramatist and George Alec Effinger; eight short stories; contributed to Hannes Bok studies and flights of angels (1968), Bok (1974).  First Fandom Hall of Fame.  My attempt to recruit him for APA-L produced, briefly, Chez Ondique.  (Died 2009) [JH]
  • Born August 11, 1928 Alan E. Nourse. His connections to other SF writers are fascinating. Heinlein dedicated Farnham’s Freehold to Nourse, and in part dedicated Friday to Nourse’s wife Ann.  His novel The Bladerunner lent its name to the movie but nothing else from it was used in that story. However Blade Runner (a movie) written by, and I kid you not, William S. Burroughs, is based on his novel. Here the term “blade runner” refers to a smuggler of medical supplies, e.g. scalpels. (Died 1992.) (CE) 
  • Born August 11, 1932 Chester  Anderson. His The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Michael Kurland writing the middle book, The Unicorn Girl, and the third volume, The Probability Pad, written by T.A. Waters. I can practically taste the acid from here… The Butterfly Kid is available from all the usual digital suspects. (Died 1991.) (CE) 
  • Born August 11, 1936 – Bruce Pelz, F.N.  An omnifan who did clubs, collecting, cons, costuming, fanhistory, fanzines, filking, gaming, and, as the saying goes, much much more. Co-chaired Westercon 22 and L.A.Con the 30th Worldcon (with Chuck Crayne); founded Loscon and chaired Loscon 10; Fan Guest of Honor at Noreascon Two the 38th Worldcon; founded the History of Worldcons Exhibit; twice earned the LASFS (L.A. Science Fantasy Soc.) Evans-Freehafer Award; was named a Fellow of NESFA (New England SF Soc.; service award); Filk Hall of Fame; invented APA-L, contributed to it, FAPA, SAPS, OMPA, The Cult, and for a while every existing apa; recognized fan and pro art with the Fantasy Showcase Tarot Deck (PDF); gave his collection of fanzines, almost two hundred thousand of them, to U. Cal. Riverside.  He was an Eagle Scout.  Here and here are appreciations by OGH.  (Died 2002) [JH]
  • Born August 11, 1949  – Nate Bucklin, 71.  First Secretary of Minn-stf (or stef, from Hugo Gernsback’s word scientifiction) and thus one of its Floundering_Fathers.  Guest of Honor at Minicon 16 and 43, Windycon 32, DucKon IV.  Five short stories.  Fanzine, Stopthink; editor awhile of Rune; founding member of Minneapa.  Being a filker (see link under Bruce Pelz) he was Guest of Honor at GAFilk Six, and the Interfilk Guest at Contata 5.  Once explained to me “We have half these songs memorized – usually the first half.”  [JH]
  • Born August 11, 1959 Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and he was editor of Night Cry in the mid-Eighties. Kindle has Bone Music and a number of his other novels, iBooks has nothing available. (Died 2014.) (CE)
  • Born August 11, 1961 Susan M. Garrett. She was a well-known and much liked writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms. And no, I had no idea that the latter had a fandom.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. It, like the rest of the Forever Knight novels, is not available in digital form. (Died 2010.) (CE) 
  • Born August 11, 1970 – Elizabeth Kiem, 50.  Four novels for us; collaborated on five books about Balanchine.  Three of those four have the Bolshoi Ballet.  [JH] 
  • Born August 11, 1972 – Danielle Wood, 48.  Tasmanian.  Three novels for us (with Heather Rose); dozens more via thus this site (subscription needed).  Website here.  [JH]
  • Born August 11, 1976 Will Friedle, 44. Largely known as an actor with extensive genre voice work: Terry McGinnis aka the new Batman in Batman Beyond which Warner Animation now calls Batman of the FuturePeter Quill in The Guardians Of The Galaxy, and Kid Flash in Teen Titans Go!  to name but a few of his roles. (CE) 
  • Born August 11, 1989 – Will Wight, 31.  Sixteen novels in three series; fourteen shorter stories, most available only here.  Website here.  Some of you will know why I keep misspelling his misspelling his name (and may even know how to spell Nesselrode).  [JH]

(8) COMICS SECTION.

(9) TOWARDS POGO. Maggie Thompson guides readers through “The Depression Comics Challenge” at SDCC’s Toucan blog.

…Even in high school, Walt Kelly had worked at his local newspaper; after graduation, he even drew that paper a comic strip about the life of P.T. Barnum. While he was also hired for a few freelance assignments while living on the East Coast, he wanted to produce a different sort of comic art. Walt Disney Productions was his goal, he applied to work there, and he was hired.

As he worked for Disney on a variety of projects for the next five and a half years, he became friends with several of his fellow writers and artists. Like many other fledgling creators there, he’d eventually go on to work in the new comic book industry.

But wait. We were wrapping up the 1930s. And the 1940s were just ahead….

(10) CONDEMNED BY THE SCI-FI SCRIBE. In “Awards For Works Should Be Judged By The Work Itself” [Archive Today copy] Richard Paolinelli rolls together the week’s kerfuffles – Hugo toastmaster GRRM mispronouncing names, Jeannette Ng’s Hugo, the Retro-Hugos for Campbell and Lovecraft, and the attack on the concept of an sff canon – into one prodigious blunt and fires it up. Every paragraph is like this:

…And now they want to change the rules for future Retro Hugos it seems. No longer can the best work be nominated, they yowl, but if the creator behind said work does not pass the “Officially Acceptable Wokeness Test” they must be chiseled out of the SF/F historical record forever lest future generations ever hear of their vile “un-woke” creations!

And to make sure we know how unwoke he is, Richard repeatedly misspells N.K. Jemisin’s name, and delivers this bonus blast to John Scalzi’s syndicated movie review column of 30 years ago.

…Even John Scalzi jumped into the fray to declare that we really shouldn’t waste our time on the “old SF/F” stuff and only read the “modern (read: acceptably woke) stuff”.

HISTORICAL NOTE: I had the extreme displeasure of having to read his crap when it shot across the McClatchy Newspaper wire back in the mid-1990s when he was at the Fresno Bee and I worked the copy desk for two days a week at the Modesto Bee (thankfully the other three days I escaped that torture by working in the Sports department.)

When I heard Scalzi had jumped to fiction writing I pitied his poor editor. His stuff at the Bee was always the last we worked on and always need massive reworking to be suitable to run….

(11) DOWN THESE MEAN BOSTON STREETS. Obviously not sff, but I sure have read a hell of a lot of these books. At CrimeReads, Susanna Lee surveys “The World Of Robert B. Parker’s Spenser And The Birth Of The 1970’s Private Detective”. Really, Lee could have been rather more critical and still have been fair to the series.  

…In [The Godwulf Mnuscript], a student member of the anticapitalist committee tells Spenser not to laugh at the group, saying that they are “perfectly serious and perfectly right.” Spenser answers that so is everyone else he knows. In a world that revolves around ideologies and declarations of righteousness, Spenser is glad to meet people who don’t take themselves too seriously. The cast of supporting characters is populated by friends of different genders and colors who operate on principle without saying so, who are more about the walk than the talk. This is part of the hard-boiled principle of understatement; other people’s pain is to be taken seriously, but one’s own is not. But it is also a signal that the hard-boiled is beginning to change his parameters.

(12) AN EX-WIZ OF A WIZ. “Successor To Fill The Shoes Of Retiring New Zealand Wizard” is a short transcript from NPR’s Morning Edition. This is nearly the whole thing:

Ian Brackenbury Channell walks around in black robes and a pointy hat. He’s a tourist attraction, so Christchurch, New Zealand, even pays him. As he steps aside, a successor wizard takes over. Now, you may ask, exactly what magical power does this wizard possess? His answer – every day, the world gets more serious, so fun is the most powerful thing.

(13) NO LONGER AN ENIGMA. “Wartime code breaker helps crack Sheffield birds’ behaviour”.

Scientists have used mathematical equations developed by a wartime code breaker to understand the behaviour of birds.

University of Sheffield researchers used models developed by Alan Turing to study why flocks of long-tailed tits spread out across the countryside.

They found the birds were more likely to stay close to their relatives but avoided larger flocks.

PhD student Natasha Ellison said the maths was essential to the research.

Researchers tracked the birds around Sheffield’s Rivelin Valley, which eventually produced a pattern across the landscape, and they used maths to reveal the behaviours causing these patterns.

The team used equations developed by Mr Turing in the 1950s, who developed them to describe how animals get their spotted and striped patterns.

(14) REVERSE POLARITY. “Stunning ‘reverse waterfall’ filmed near Sydney” is a BBC video.

High winds and torrential rain on the New South Wales south coast in Australia have resulted in a spectacular sight – waterfalls in the Royal National Park being blown in reverse.

(15) WHEN FRUIT COLLIDES. “‘Bullying’ Apple fights couple over pear logo”: BBC’s article includes a picture of the allegedly-infringing graphic.

When Natalie Monson started her food blog 11 years ago, she didn’t expect to end up embroiled in a fight with the world’s most valuable company.

But the US small business owner is now battling Apple for the right to use a pear in the logo on her recipe app.

In a patent filing, Apple said the image was too similar to its own logo and would hurt its brand.

Ms Monson says the tech giant is simply “bullying” and she feels a “moral obligation” to fight back.

More than 43,000 people have already signed the petition she and her husband Russ, owners of the Super Healthy Kids website, created last week to try to pressure the company to back down.

“This is a real world example of a small business being destroyed by a giant monopoly because they don’t have accountability,” Mr Monson told the BBC. “That was so frustrating to us that we thought we had to do something. We can’t just be the next victim on the list.”

Apple did not respond to a request for comment.

(16) A VERY ANTISOCIAL INSECT. Yes, this ant could do anything except bite its way out of a drop of tree resin: “Fossil of fearsome ‘hell ant’ that used tusk-like jaws to hunt its victims discovered in amber” at Yahoo! News.

A 99-million year old fossil of a “hell ant” is giving researchers a glimpse into the behavior of these fearsome ancient insects, a new study reports.

Encased in amber (tree resin), the fossil provides the most vivid picture yet of how hell ants once used their uncanny tusk-like mandibles and diverse horns to successfully hunt down victims for nearly 20 million years, before vanishing from the planet.

“Since the first hell ant was unearthed about a hundred years ago, it’s been a mystery as to why these extinct animals are so distinct from the ants we have today,” said study lead author Phillip Barden of the New Jersey Institute of Technology, in a statement.

(17) WHY IT’S GR8T. In “Honest Trailers:  Avatar–The Last Airbender” on YouTube, the Screen Junkies explain that the anime series Avatar–The Last Airbender is “full of life lessons that will thrill your inner eight-year-old–because it was written for eight year olds.”

[Thanks to John Hertz, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Where To Find The 2020 Hugo Award Finalists For Free Online

By JJ: CoNZealand has announced the 2020 Hugo Award Finalists. Since the Hugo Voter’s packet will take awhile to arrive, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online. Where available in their entirety, works are linked (most of the Novelettes and Short Stories are free, as are the Pro and Fan Artist images, and many of the Semiprozines and Fanzines).

If not available for free, an Amazon link is provided. If a free excerpt is available online, it has been linked.

If I’ve missed an excerpt, or a link doesn’t work, please let me know in the comments, and I’ll get it fixed.

Fair notice: All Amazon links are referrer URLs which benefit fan site Worlds Without End.

2020 HUGO AWARD FINALISTS

Novel

Novella

Novelette

Short Story

Best Series

Best Related Work

Best Graphic Story or Comic

Best Dramatic Presentation, Long Form

Best Dramatic Presentation, Short Form

Best Editor, Short Form

Best Editor, Long Form

Best Professional Artist

Best Semiprozine

  • Beneath Ceaseless Skies, editor Scott H. Andrews
  • Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, audio producers Adam Pracht and Summer Brooks, hosts Tina Connolly and Alasdair Stuart
  • Fireside Magazine, editor Julia Rios, managing editor Elsa Sjunneson, copyeditor Chelle Parker, social coordinator Meg Frank, publisher & art director Pablo Defendini, founding editor Brian White
  • FIYAH Magazine of Black Speculative Fiction, executive editor Troy L. Wiggins, editors Eboni Dunbar, Brent Lambert, L.D. Lewis, Danny Lore, Brandon O’Brien and Kaleb Russell
  • Strange Horizons, edited by Vanessa Rose Phin, Catherine Krahe, AJ Odasso, Dan Hartland, Joyce Chng, Dante Luiz, and the Strange Horizons Staff
  • Uncanny Magazine, editors-in-chief Lynne M. Thomas and Michael Damian Thomas, nonfiction/managing editor Michi Trota, managing editor Chimedum Ohaegbu, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Fantasy Special Issue editors Katharine Duckett, Nicolette Barischoff, and Lisa M. Bradley

Best Fanzine

Best Fancast

Best Fan Writer

Best Fan Artist

Lodestar Award for Best Young Adult Book

Astounding Award for Best New Writer

* [2nd year of eligibility]

Hugo Awards 2020 Finalists

CoNZealand, the 78th World Science Fiction Convention, announced the finalists for the 2020 Hugo Awards today.

As previously reported, CoNZealand received Hugo Awards nominations from 1,584 members.

The webcast announcing the finalists is available for viewing on the CoNZealand YouTube channel.

RELATED: Where To Find The 2020 Hugo Award Finalists For Free Online

2020 HUGO AWARD FINALISTS

Best Novel

  • The City in the Middle of the Night, by Charlie Jane Anders (Tor; Titan)
  • Gideon the Ninth, by Tamsyn Muir (Tor.com Publishing)
  • The Light Brigade, by Kameron Hurley (Saga; Angry Robot UK)
  • A Memory Called Empire, by Arkady Martine (Tor; Tor UK)
  • Middlegame, by Seanan McGuire (Tor.com Publishing)
  • The Ten Thousand Doors of January, by Alix E. Harrow (Redhook; Orbit UK)

Best Novella

  • “Anxiety Is the Dizziness of Freedom”, by Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador))
  • The Deep, by Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga Press/Gallery)
  • The Haunting of Tram Car 015, by P. Djèlí Clark (Tor.com Publishing)
  • In an Absent Dream, by Seanan McGuire (Tor.com Publishing)
  • This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone (Saga Press; Jo Fletcher Books)
  • To Be Taught, If Fortunate, by Becky Chambers (Harper Voyager; Hodder & Stoughton)

Best Novelette

  • “The Archronology of Love”, by Caroline M. Yoachim (Lightspeed, April 2019)
  • “Away With the Wolves”, by Sarah Gailey (Uncanny Magazine: Disabled People Destroy Fantasy Special Issue, September/October 2019)
  • “The Blur in the Corner of Your Eye”, by Sarah Pinsker (Uncanny Magazine, July-August 2019)
  • Emergency Skin, by N.K. Jemisin (Forward Collection (Amazon))
  • “For He Can Creep”, by Siobhan Carroll (Tor.com, 10 July 2019)
  • “Omphalos”, by Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador))

Best Short Story

  • “And Now His Lordship Is Laughing”, by Shiv Ramdas (Strange Horizons, 9 September 2019)
  • “As the Last I May Know”, by S.L. Huang (Tor.com, 23 October 2019)
  • “Blood Is Another Word for Hunger”, by Rivers Solomon (Tor.com, 24 July 2019)
  • “A Catalog of Storms”, by Fran Wilde (Uncanny Magazine, January/February 2019)
  • “Do Not Look Back, My Lion”, by Alix E. Harrow (Beneath Ceaseless Skies, January 2019)
  • “Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”, by Nibedita Sen (Nightmare Magazine, May 2019)

Best Series

  • The Expanse, by James S. A. Corey (Orbit US; Orbit UK)
  • InCryptid, by Seanan McGuire (DAW)
  • Luna, by Ian McDonald (Tor; Gollancz)
  • Planetfall series, by Emma Newman (Ace; Gollancz)
  • Winternight Trilogy, by Katherine Arden (Del Rey; Del Rey UK)
  • The Wormwood Trilogy, by Tade Thompson (Orbit US; Orbit UK)

Best Related Work

  • Becoming Superman: My Journey from Poverty to Hollywood, by J. Michael Straczynski (Harper Voyager US)
  • Joanna Russ, by Gwyneth Jones (University of Illinois Press (Modern Masters of Science Fiction))
  • The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O’Meara (Hanover Square)
  • The Pleasant Profession of Robert A. Heinlein, by Farah Mendlesohn (Unbound)
  • “2019 John W. Campbell Award Acceptance Speech”, by Jeannette Ng
  • Worlds of Ursula K. Le Guin, produced and directed by Arwen Curry

Best Graphic Story or Comic

  • Die, Volume 1: Fantasy Heartbreaker, by Kieron Gillen and Stephanie Hans, letters by Clayton Cowles (Image)
  • LaGuardia, written by Nnedi Okorafor, art by Tana Ford, colours by James Devlin (Berger Books; Dark Horse)
  • Monstress, Volume 4: The Chosen, written by Marjorie Liu, art by Sana Takeda (Image)
  • Mooncakes, by Wendy Xu and Suzanne Walker, letters by Joamette Gil (Oni Press; Lion Forge)
  • Paper Girls, Volume 6, written by Brian K. Vaughan, drawn by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image)
  • The Wicked + The Divine, Volume 9: “Okay”, by Kieron Gillen and Jamie McKelvie, colours by Matt Wilson, letters by Clayton Cowles (Image)

Best Dramatic Presentation, Long Form

  • Avengers: Endgame, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Captain Marvel, screenplay by Anna Boden, Ryan Fleck and Geneva Robertson-Dworet, directed by Anna Boden and Ryan Fleck (Walt Disney Pictures/Marvel Studios/Animal Logic (Australia))
  • Good Omens, written by Neil Gaiman, directed by Douglas Mackinnon (Amazon Studios/BBC Studios/Narrativia/The Blank Corporation)
  • Russian Doll (Season One), created by Natasha Lyonne, Leslye Headland and Amy Poehler, directed by Leslye Headland, Jamie Babbit and Natasha Lyonne (3 Arts Entertainment/Jax Media/Netflix/Paper Kite Productions/Universal Television)
  • Star Wars: The Rise of Skywalker, screenplay by Chris Terrio and J.J. Abrams, directed by J.J. Abrams (Walt Disney Pictures/Lucasfilm/Bad Robot)
  • Us, written and directed by Jordan Peele (Monkeypaw Productions/Universal Pictures)

Best Dramatic Presentation, Short Form

  • The Good Place: “The Answer”, written by Daniel Schofield, directed by Valeria Migliassi Collins (Fremulon/3 Arts Entertainment/Universal Television)
  • The Expanse: “Cibola Burn”, written by Daniel Abraham & Ty Franck and Naren Shankar, directed by Breck Eisner (Amazon Prime Video)
  • Watchmen: “A God Walks into Abar”, written by Jeff Jensen and Damon Lindelof, directed by Nicole Kassell (HBO)
  • The Mandalorian: “Redemption”, written by Jon Favreau, directed by Taika Waititi (Disney+)
  • Doctor Who: “Resolution”, written by Chris Chibnall, directed by Wayne Yip (BBC)
  • Watchmen: “This Extraordinary Being”, written by Damon Lindelof and Cord Jefferson, directed by Stephen Williams (HBO)

Best Editor, Short Form

  • Neil Clarke
  • Ellen Datlow
  • C.C. Finlay
  • Jonathan Strahan
  • Lynne M. Thomas and Michael Damian Thomas
  • Sheila Williams

Best Editor, Long Form

  • Sheila E. Gilbert
  • Brit Hvide
  • Diana M. Pho
  • Devi Pillai
  • Miriam Weinberg
  • Navah Wolfe

Best Professional Artist

  • Tommy Arnold
  • Rovina Cai
  • Galen Dara
  • John Picacio
  • Yuko Shimizu
  • Alyssa Winans

Best Semiprozine

  • Beneath Ceaseless Skies, editor Scott H. Andrews
  • Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, audio producers Adam Pracht and Summer Brooks, hosts Tina Connolly and Alasdair Stuart
  • Fireside Magazine, editor Julia Rios, managing editor Elsa Sjunneson, copyeditor Chelle Parker, social coordinator Meg Frank, publisher & art director Pablo Defendini, founding editor Brian White
  • FIYAH Magazine of Black Speculative Fiction, executive editor Troy L. Wiggins, editors Eboni Dunbar, Brent Lambert, L.D. Lewis, Danny Lore, Brandon O’Brien and Kaleb Russell
  • Strange Horizons, Vanessa Rose Phin, Catherine Krahe, AJ Odasso, Dan Hartland, Joyce Chng, Dante Luiz and the Strange Horizons staff
  • Uncanny Magazine, editors-in-chief Lynne M. Thomas and Michael Damian Thomas, nonfiction/managing editor Michi Trota, managing editor Chimedum Ohaegbu, podcast producers Erika Ensign and Steven Schapansky

Best Fanzine

  • The Book Smugglers, editors Ana Grilo and Thea James
  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus, senior writers Rosemary Benton, Lorelei Marcus and Victoria Silverwolf
  • Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver
  • nerds of a feather, flock together, editors Adri Joy, Joe Sherry, Vance Kotrla, and The G
  • Quick Sip Reviews, editor Charles Payseur
  • The Rec Center, editors Elizabeth Minkel and Gavia Baker-Whitelaw

Best Fancast

  • Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • Claire Rousseau’s YouTube channel, produced & presented by Claire Rousseau
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts, producer Andrew Finch
  • Our Opinions Are Correct, presented by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, presented by Jen Zink and Shaun Duke

Best Fan Writer

  • Cora Buhlert
  • James Davis Nicoll
  • Alasdair Stuart
  • Bogi Takács
  • Paul Weimer
  • Adam Whitehead

Best Fan Artist

  • Iain Clark
  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Elise Matthesen

Lodestar Award for Best Young Adult Book (not a Hugo)

  • Catfishing on CatNet, by Naomi Kritzer (Tor Teen)
  • Deeplight, by Frances Hardinge (Macmillan)
  • Dragon Pearl, by Yoon Ha Lee (Disney/Hyperion)
  • Minor Mage, by T. Kingfisher (Argyll)
  • Riverland, by Fran Wilde (Amulet)
  • The Wicked King, by Holly Black (Little, Brown; Hot Key)

Astounding Award for Best New Writer, sponsored by Dell Magazines (not a Hugo)

  • Sam Hawke (2nd year of eligibility)
  • R.F. Kuang (2nd year of eligibility)
  • Jenn Lyons (1st year of eligibility)
  • Nibedita Sen (2nd year of eligibility)
  • Tasha Suri (2nd year of eligibility)
  • Emily Tesh (1st year of eligibility)

Cats Sleep on SFF: The Cruel Prince

Doug and Mary Piero Carey find they are having to gently break the news about their “staycation” to the family feline

We found Cho Chang, one of our Tonkinese girls, interested in The Cruel Prince, a Lodestar nominee by Holly Black. She is probably wishing we all had plane seats to Dublin. Alas, we do not.  

Cho studies SFF.
Cho turns away from SFF.

Photos of other cats (or whatever you’ve got!) resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com

Pixel Scroll 5/22/19 Post Scroll Propter Scroll

(1) HUGO VOTER PACKET ADDITION. The editors of Uncanny Magazine tweeted –

(2) WINDS (OF WINTER) BENEATH MY WINGS. George R.R. Martin gave a classy response to Air New Zealand’s offer to “help” him finish his next book by flying him to their country — “Thanks, New Zealand”.

…Of course, I was especially moved by your offer to bring me to New Zealand “on us.”  How wonderfully generous.   As it happens, I do have enough money to make it to New Zealand on my own… but there are many American writers, fans, and artists who do not.   If you’d care to fly, say, twenty or thirty or fifty of them to Wellington in place of me, I have no doubt they would instantly accept, and fall in love with Middle Earth.. er, New Zealand… just as I have. 

Of course, GRRM already has plays to go there – he gave a nice shout-out to CoNZealand.

In the summer of 2020, Wellington is hosting the World Science Fiction Convention, the oldest and most important con in the SF/ fantasy calendar, and they’ve asked me to serve as Toastmaster for the Hugo Awards. Writers, fans, and artists from all over the world will be headed down to check out all of your wonders. I hope lots of you Kiwis will join us.

And while he didn’t promise to have the next book done before then, he expressed hope that he will —

As for finishing my book… I fear that New Zealand would distract me entirely too much.   Best leave me here in Westeros for the nonce.   But I tell you this — if I don’t have THE WINDS OF WINTER in hand when I arrive in New Zealand for worldcon, you have here my formal written permission to imprison me in a small cabin on White Island, overlooking that lake of sulfuric acid, until I’m done.   Just so long as the acrid fumes do not screw up my old DOS word processor, I’ll be fine.

(3) FIFTY YEARS ALREADY? “Disneyland Summons a Spirited 50th for the Haunted Mansion” reports NBC Los Angeles. I was in high school when the attraction was about to open, and was one of the winners of the contest held by KFI radio personality Jay Lawrence to pick a group of people who’d be among the first to go through the ride. You entered by writing a very short (100 word?) bit about your family ghost. I made up something about a relative who was a failed baseball player, and decided to end it all by walking into the ocean – because, don’t you know, there are 20,000 leagues under the sea…

(4) HARASSMENT ALLEGATIONS. “AnimeNEXT Staff Launch Investigation Into Sexual Misconduct Allegations Against Former Con Chair”Anime News Network has the story.

Allegations of sexual misconduct against a former member of the board of Atlantic City’s AnimeNEXT convention has led to an ongoing internal investigation. Former con staff member “Anne May” posted her story on Facebook on March 12 where she alleged the board member was “handsy,” made inappropriate comments, and invited her back to his room in 2015. Anime News Network learned via former convention staff members that the allegations were levied against long-time AnimeNEXT staffer Eric Torgersen.

…Staff members that were present at the vote stated that the allegations relayed to them by the President of the Board Robert Rustay were misrepresented as less serious.

“What we were told is that one staff member reported that Eric was chatting with them and asked if they drank and then invited them to his room for drinks. The request made them uncomfortable so they reported it to another member of Corporate HR Carlo Darclin. In actuality it was a number of staff members who were approached in a similar fashion,” former staff member “B” told ANN.

“From my understanding, the decision had been made by the President [Rustay] and Chairman of the Board, who also happened to be Eric’s best friend, to move on from the matter,” they said.

Torgersen would remain on the board of directors and a vote held at the meeting would make him convention chair for AnimeNEXT. Torgersen continued as convention chair for two years following the vote. Darcelin chose to retire from the convention following the 2015 vote.

Former staff member “A” cited Torgersen’s friendships with fellow board members Gregg Turek, Lindsey Schneider, and Andrew Green for his continued involvement with the con despite the allegations.

“The entire board would validate his behavior or simply look the other way because they enjoyed their position of power and didn’t want to ruin it,” “A” said.

(5) SAY CHEESE. The Huntsville, AL Museum of Art has opened their new exhibit: “A New Moon Rises: Views from the Lunar Reconnaissance Orbiter Camera” featuring large-scale, high-resolution photographs of the lunar surface captured over the last decade by the Lunar Reconnaissance Orbiter Camera (LROC).

In celebration of the 50th anniversary of man’s first step on the Moon, see Earth’s only permanent natural satellite like never before. A New Moon Rises is a traveling exhibition from the Smithsonian and features amazing, large-scale, high-resolution photographs of the lunar surface taken over the last decade. Captured by the Lunar Reconnaissance Orbiter Camera (LROC), the images are stunning: from historic Apollo landing sites to towering mountains rising out of the darkness of the lunar poles.

The Moon is not the same place as when astronauts last stepped foot on it. New impact craters are being formed. Volcanic activity, once thought long extinct, may have happened in the recent past. The crust has recently fractured from slow interior cooling and shrinking of the Moon and it may still be shrinking today. The LROC has taken over a million images of the surface and revealed details never before seen. These images are providing answers to long-held questions, and raising new questions about the Moon’s ancient and recent past, as well as its future.

The LROC’s mission was originally conceived to support future human missions to the Moon. After its first 15 months of operation, it began a mission of pure scientific exploration.

(6) TODAY IN HISTORY.

May 22, 2008 Indiana Jones and the Kingdom of the Crystal Skulls set a record for shark leapage.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 22, 1859 Arthur Conan Doyle. I read the Holmes stories a long time ago. My favorite is The Hound of the Baskervilles as it allows him to develop a story at length. Favorite video Holmes? Jeremy Brett.  Looking at ISFDB, I’m see there were more Professor Challenger novels than I realized. And the Brigadier Gerard stories sound suspiciously comical… (Died 1930.)
  • Born May 22, 1901 Ed Earl Repp. His stories appeared in several of the early pulp magazines including Air Wonder Stories, Amazing Stories and Science Wonder Stories. Some were collected in The Radium Pool (just three stories), The Stellar Missiles (another three stories) and Science-Fantasy Quintette (five this time with two by L. Ron Hubbard). He also had one SF novel written in 1941, Rescue from Venus. He turned to writing scripts for Westerns and never wrote any fiction thereafter. (Died 1979.)
  • Born May 22, 1939 Paul Winfield. He’s best remembered as Capt. Terrell in The Wrath of Khan, but he was also in the Next Gen episode “Darmok” as the signature character.  He showed up in Damnation Alley as a character named Keegan and in The Terminator as Lt. Ed Traxler. Oh, and let’s not forget that he was Lucien Celine In The Serpent and the Rainbow which surely is genre. (Died 2004.)
  • Born May 22, 1960 Andrea Thompson, 59. I’ll not mention her memorable scene on Arliss as it’s not genre.  Her noted genre work was as the telepath Talia Winters on Babylon 5. Her first genre role was in Nightmare Weekend which I’ll say was definitely a schlock film. Next up was playing a monster in the short-lived Monsters anthology series. She had an one-off on Quantum Leap before landing the Talia Winters gig. Then came Captain Simian & The Space Monkeys. Really. Truly. Her last genre role to date appears to be in the Heroes: Destiny web series.
  • Born May 22, 1964 Kat Richardson, 55. Her Greywalker series is one of those affairs that I’m pleased to say that I’ve read every novel that was been published. I’ve not read Blood Orbit, the first in her new series, yet. Has anyone here done so?
  • Born May 22, 1968 Karen Lord, 51. She’s a Barbadian writer. Her debut novel, Redemption in Indigo, retells the story “Ansige Karamba the Glutton” from Senegalese folklore; The Best of All Possible Worlds and The Galaxy Game are genre novels as is her edited New Worlds, Old Ways: Speculative Tales from the Caribbean.
  • Born May 22, 1979 Maggie Q, 40. She portrayed Tori Wu in the film adaptation of Veronica Roth’s novel Divergent, a role she reprised in its sequels, Insurgent and Allegiant. She played a female agent in a comedic version of the Jackie Chan fronted Around the World in 80 Days. And she’s in the forthcoming film remake of Fantasy Island. No, I’m not kidding.

(8) GROWING AWARENESS. “13 Reasons Horror Should Put On A Happy Face” is Ace Antonio Hall’s contribution to HWA’s series “Horror & Urban Fantasy Literature’s Effect on Health Awareness” —

…In conclusion, one of my biggest takeaways from researching horror writing for Mental Health Awareness Month was some of the things we shouldn’t do. For example, unless your character is politically incorrect, don’t describe suicide as an “epidemic”, “skyrocketing” or other exaggerated terms. Use words such as “higher rates” or “rising”. Don’t describe suicide as “Without warning” or “inexplicable”. Do convey that the character exhibited warning signs. Don’t refer to suicide as “unsuccessful” or “failed attempt”, or report it as though it was a crime. Do say, “died by suicide” “killed him/herself”, and instead of presenting the act like a crime, write about suicide in your story as a public health issue. Hopefully, as horror authors, we can continue to scare the jeebies out of our readers but at the same time, create a story which accurately exhibits archetypes of mentally ill characters, whether they are mad scientists, psychopathic serial killers or characters with dissociative identity disorders that assume their mother’s personality.

(9) TBR. Andrew Liptak lists “13 new science fiction and fantasy books to check out in late May” at The Verge.

May 15th

Alternis by Maurice Broaddus, Andrea Phillips, Jacqueline Koyanagi, and E.C. Myers

The latest serial from digital publisher Serial Box dropped last week, and it features a great team of writers: Maurice Broaddus, Andrea Phillips, Jacqueline Koyanagi, and E.C. Myers, with Firefly star Summer Glau handling the audiobook narration. In this story, a video game developer learns that the game she’s working on is part of a top-secret government project where countries around the world are competing for real resources.

You can read the first installment for free.

(10) FOLLOW THAT LODESTAR. Bonnie McDaniel has completed her Lodestar YA Award Reviews. Here is her summary. Here are the links to her individual reviews of the finalists:

(11) HUGO NOVELETTES. Standback provides an enthusiastic rundown of the Hugo Best Novelette category: “The Hugo 2019 Best Novelettes are The Best”.

Almost all of these stories are free to read online; and they’re quick and sharp and unusual. If you want the fun and beauty of the Hugos in a nutshell, the Best Novelette category is a damn good place to find it.

(12) HUGO RECOMMENDATIONS WIKI. Standback also announced: “I’m picking up the Hugo Nominee Wiki that Didi Chanoch has been running the last few years — just a simple site for collecting (and keeping track of…) recommendations and notable nominees in the various categories” — Hugo Award Nominees 2020 Wiki

This wiki is a handy place to collect recommendations for 2019 works which are eligible for a Hugo Award in 2020!

If you’re looking for recommendations from last year, the 2019 wiki is right here.

(13) MORE NOVELETTE LOVE. Peter Enyeart’s “2019 Hugo Picks: Novelettes” are also filled with praise.

This is a strong set, perhaps my favorite set of nominees ever. I enjoyed reading all of them, and I’m sad I have to rank any of them lower than #1.

(14) ONE BORN EVERY MINUTE? BBC asks “Would you pay $1m for a laptop full of malware?” (I’m afraid I own one of these already!)

A laptop deliberately infected with six notorious strains of malware, including WannaCry and ILoveYou, is being auctioned in the US as an art project.

At time of writing, the highest bid for the device was $1.1m (£800,000).

…The project is a collaboration between the artist Guo O Dong and a New York cyber-security company called Deep Instinct.

“We came to understand this project as a kind of bestiary, a catalogue of historical threats,” Guo told Vice.

“It’s more exciting to see the beasts in a live environment.”

(15) TODAY’S THING TO WORRY ABOUT. “Female-voice AI reinforces bias, says UN report” – BBC has the story.

AI-powered voice assistants with female voices are perpetuating harmful gender biases, according to a UN study.

These female helpers are portrayed as “obliging and eager to please”, reinforcing the idea that women are “subservient”, it finds.

Particularly worrying, it says, is how they often give “deflecting, lacklustre or apologetic responses” to insults.

The report calls for technology firms to stop making voice assistants female by default.

The study from Unesco (United Nations Educational, Scientific and Cultural Organization) is entitled, I’d blush if I could, which is borrowed from a response from Siri to being called a sexually provocative term.

“Companies like Apple and Amazon, staffed by overwhelmingly male engineering teams, have built AI systems that cause their feminised digital assistants to greet verbal abuse with catch-me-if-you-can flirtation,” the report says.

(16) SUPERBUGS MR. RICO! NPR tells how “Scientists Modify Viruses With CRISPR To Create New Weapon Against Superbugs”.

…”What CRISPR is able to do is something that we’ve not been able to do before. And that is, very selectively modify genes in the viruses to target the bacteria,” Priebe says.

Later this year, Dr. Michael Priebe and his colleagues plan to start infusing cocktails containing billions of bacteriophages genetically modified with CRISPR into patients at six centers around the United States.

“If we’re successful, this revolutionizes the treatment of infections,” he adds. “This can be the game changer that takes us out of this arms race with the resistant bacteria and allows us to use a totally different mechanism to fight the pathogenic bacteria that are infecting us.”

The approach, developed by Locus Biosciences of Morrisville, N.C., involves viruses known as bacteriophages (called phages for short). Phages are the natural enemies of bacteria. They can infect and destroy bacteria by reproducing in large numbers inside them until the microbes literally explode.

(17) WHY A SKYWALKER HAS TRUE GRIT. It may have something to do with the location shooting — “Star Wars: The Rise of Skywalker, The Ultimate Preview” at Vanity Fair.

There’s a desert valley in southern Jordan called Wadi Rum, or sometimes “the Valley of the Moon.” There are stone inscriptions in Wadi Rum that are more than 2,000 years old. Lawrence of Arabia passed through there during the Arab Revolt against the Ottoman Empire. More recently, J. J. Abrams went there to film parts of the latest Star Wars movie, The Rise of Skywalker, because it’s largely uninhabited and starkly beautiful and looks plausibly alien, and one of the things that has always made the Star Wars movies feel so real—as if they had a real life of their own that continues on out beyond the edges of the screen—is the way they’re shot on location, with as few digital effects as possible. George Lucas shot the Tatooine scenes from A New Hope in southern Tunisia. For Skywalker, it’s Wadi Rum.

They don’t do it that way because it’s easy. Abrams and his crew had to build miles of road into the desert. They basically had to set up a small town out there, populated by the cast and extras and crew—the creature-effects department alone had 70 people. The Jordanian military got involved. The Jordanian royal family got involved. There was sand. There were sandstorms, when all you could do was take cover and huddle in your tent and—if you’re John Boyega, who plays the ex-Stormtrooper Finn—listen to reggae.

(18) RESCUED FROM THE CUTTING ROOM FLOOR. Yahoo! Entertainment reveals “Carrie Fisher and Daughter Billie Lourd Will Appear in Scenes Together in New Star Wars Film”.

Fans of Carrie Fisher will be able to see the star live on in Star Wars: The Rise of Skywalker — with her daughter Billie Lourd right beside her.

Director J.J. Abrams told Vanity Fair he used old footage of Fisher for the upcoming Episode IX and had cut Lourd, 26, out of those scenes with her late mother thinking it would be too painful for the young actress to see.

Instead, Lourd asked him to keep their scenes intact….

[Thanks to Standback, Martin Morse Wooster, Mark Hepworth, Marc Criley, JJ, Chip Hitchcock, Errolwi, Cat Eldridge, Mike Kennedy, John King Tarpinian, Andrew Liptak, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

What’s In The 2019 Hugo Voter Packet?

By JJ: On May 11, the 2019 Hugo Awards voter packet became available for download by Attending, Supporting, First Worldcon, Young Adult, and Child members of Dublin 2019. The packet is an electronic collection which helps voters become better informed about the works and creators on the ballot. Works which are included have been made available through the generosity of finalists and their publishers.

The voter packet contains complete texts of many Hugo-nominated works, preview versions of some works, and directions for finding some finalists’ works online. Some novels have been made available through NetGalley, which requires a user account for access (registration is free).

The packet is available for download from the Dublin 2019 website in the Membership section by clicking “Vote for the 2019 Hugo Awards”. You must have a valid Membership login link to download the packet. If you have recently joined Dublin 2019, you will be sent a Membership login link shortly after joining. You can request that your Membership login link be re-sent to you by entering the e-mail address you used when you registered with Dublin 2019 on the Membership page. If you do not receive the e-mail, or your Membership login link fails to authenticate, you can e-mail hugohelp@dublin2019 for assistance.

If you haven’t yet downloaded this year’s Hugo Voter Packet and wish to download only selected parts, or if you’re still trying to decide whether to purchase a membership, a breakdown of its contents is presented below.

The Hugo Voter Packet will be available for download until the voting deadline at 11:59 pm Pacific Daylight Time on Wednesday July 31st, 2019 (7.59 am, Irish time, on 1 August 2019). Voters can make as many changes as they wish to their ballot until the deadline. Changes are automatically saved, and a copy of the voter’s current ballot will be emailed to them 30 minutes after they finish modifying it.

As in previous years, WSFS and Dublin 2019 ask that voters honor publishers’ and creators’ request that they reserve these copies for their personal use only, and that they do not share these works with non-members of Dublin 2019.

Only members of Dublin 2019 can access the 2019 Hugo Award Voter packet and vote on the 2019 Hugo Awards. To become a member of Dublin 2019, see the membership page.

If you don’t have access to the Hugo Voter Packet, here is a list of links to read the 2019 Hugo Finalists which are available for free online. Some detailed discussions of the Finalist works can be found on the 2019 Hugo Award Finalists announcement thread, as well as in other posts on File 770.

Dublin 2019 and WSFS are deeply appreciative of the publishers, authors, artists, editors, and other creators who have generously provided their works to this year’s Hugo Voter Packet, and ask that voters who feel the same way consider posting on social media to thank the publishers, editors, and creators who have participated in the packet.

Read more…

Pixel Scroll 5/10/19 There Have Always Been Starpixelers At Scrolled Comfort Farm

(1) EUROVISION. In “Eurovision 2019 Is Here: Science Fiction Fans, Rejoice!”, Tor.com’s James Davis Nicoll supplies plenty of examples to show that “Although Eurovision itself may not be exactly SF, some of the pieces are definitely science fiction-adjacent. The visuals are often glorious, and the show as a whole is well worth viewing.”

(2) THEY’RE BACK. The Bounding Into Comics Facebook group was restored on May 9. Supposedly they still don’t know why it was shuttered, apart from a notice that they had violated “the Facebook Statement of Rights and Responsibilities.”

…As you can see the last post was our Spider-Man: Far From Home trailer article, which was posted on May 6th.

When we asked for further clarification on why the page was taken down. We did not receive a response.

While it’s still unclear exactly why Facebook took down our page, we are glad that it has been restored. And we are extremely grateful and truly humbled by the fan support we received after the page was taken down.

While we are happy to continue publishing to our Facebook audience. We do plan on continuing to grow our presence on other social media platforms including MeWe and Gab.

(3) LOCUS COLLECTION PRESERVED. Duke University Libraries announced a prized acquisition — “Locus Collection Tracks the Stars and Universe of Sci-Fi”.

The David M. Rubenstein Rare Book & Manuscript Library at Duke University has acquired the archives of the Locus Science Fiction Foundation, publisher of Locus, the preeminent trade magazine for the science fiction and fantasy publishing field.

The massive collection—which arrived in almost a thousand boxes—includes first editions of numerous landmarks of science fiction and fantasy, along with correspondence from some of the genre’s best-known practitioners, including Isaac Asimov, Arthur C. Clarke, Ursula K. Le Guin, Harlan Ellison, Octavia E. Butler, James Tiptree, Jr. (Alice Sheldon), Dean Koontz, Robert A. Heinlein, and hundreds more.

…A tireless advocate for speculative fiction, [founder Charles N.] Brown was also a voluminous correspondent and friend to many of the writers featured in the magazine. Many of them wrote to him over the years to share personal and professional news, or to quibble about inaccuracies and suggest corrections. The letters are often friendly, personal, humorous, and occasionally sassy.

Reacting to a recent issue of Locus that featured one of her short stories, the science fiction writer Octavia E. Butler wrote, “I am Octavia E. Butler in all my stories, novels, and letters. How is it that I’ve lost my E in three places in Locus #292? Three places! You owe me three E’s. That’s a scream, isn’t it?”…

(4) ANOTHER COUNTY HEARD FROM. The New York Times’ Glenn Kenny works hard to resist the movie’s charms in “‘Tolkien’ Review: A Fellowship That Rings Obvious”.

Directed by Dome Karukoski from a script by David Gleeson and Stephen Beresford, this picture about the pre-fame days of the author of “The Hobbit” and “The Lord of the Rings” teems with many on-the-nose moments. And it does so while hewing so strongly to the Distinguished British Biopic ethos (including the “England: Land of Magnificent Sunsets” trope) that it teeters on the edge of genuine obnoxiousness. Surprisingly, the emphatic score by the customarily more nuanced Thomas Newman is one of the prime offenders.

Nevertheless, “Tolkien” manages several scenes of credible emotional delicacy. And it doesn’t shy away from the conspicuously literary, treating the writer’s explorations of Wagner (sparked by his love interest and future wife Edith, played by Lily Collins) and passion for philology (sparked by chats with the intimidating professor Joseph Wright, played by Derek Jacobi) with a commendable amount of detail.

(5) SOMETHING FOR YOUR BRAIN’S POKÉMON CENTER. NPR’s Vincent Acovino calls “‘Pokémon Detective Pikachu’ — Go!”

Have you ever questioned the moral fabric of the Pokémon universe?

Sure you have. For starters: In what kind of world would “Pokémon battles” — in which two humans force two excessively cute creatures to a fight until one of the beasts faints — constitute an acceptable social convention? And isn’t the whole Trainer/Pokémon relationship more than a little … problematic? Who decided that wild Pokémon, who demonstrate a level of intelligence several degrees above that of other animals, should live out their lives under the constant fear of capture and exploitation by humans?

Your enjoyment of Pokémon Detective Pikachu will likely depend on your degree of investment in these sorts of existential questions.The strength of the film lies in the way it playfully undermines the Poké-verse, poking holes in a thing that, when reduced to its essentials, seems just real silly. Much like last year’s Spider-Man: Into The Spider-Verse, Pokémon Detective Pikachu looks itself in the mirror and remarks on what it sees there. And while it doesn’t pull off the trick nearly as well, there’s something admirable about a film that isn’t afraid to have some fun with a property so established — and beloved — by its core audience.

(6) ALL THE BEST: Following Paula Guran’s announcement of the contents of The Year’s Best Dark Fantasy & Horror: 2019, Jason has completed his “Collated Contents of the Year’s Bests (2018 Stories, Links)” over at Featured Futures.

Welcome to the third annual linked collation of annuals or “year’s bests.” As the contents of the Afsharirad, Clarke, Datlow, Guran, Horton, and Strahan science fiction, fantasy, and horror annuals have been announced, they have been combined into one master list with links to the stories which are available online. (The only one not yet integrated is the BASFF, which will likely be announced late in the year.) Hopefully, you’ll enjoy some of them and that will help you decide which annual or annuals, if any, to purchase.

(7) VAMPIRELLA’S PRIEST. Christopher Priest is writing Vampirella comics now. ComicsBeat questioned him about it — “Why Priest Added Vampirella to His Iconic List”

Deanna Destito: Before jumping into this, were you a Vampirella fan? What appealed to you about this project?

Christopher Priest: No, I wouldn’t call myself a Vampirella fan (which is sure to annoy Vampirella fans!), although I was certainly aware of the character. But I’d guess I viewed the property nostalgically. Fondly, for sure, but if I thought of Vampirella at all I thought of her in a kindly past-tense, as an artifact of the 1970s and my misspent youth….

(8) BEHIND THE SCENARIOS. I learned from this interview there’s a book of notes, too! “Getting Transreal: An Interview with Rudy Rucker” at B&N Sci-Fi & Fantasy Blog.

Your companion book, Notes for Million Mile Road Trip, is actually longer than the novel! The idea of following up reading a novel with that kind of metadata is fascinating; can you tell us more about it?

It’s hard to write a novel. It takes a year or maybe two years of tickling the keyboard at your desk or using a laptop in a cafe, and doing that pretty much every day, even on the days when you don’t know what comes next. This is where writing a volume of notes comes in. When I don’t have anything to put into the novel, I write something in the notes. I might analyze the possibilities for the next few scenes. Or craft journal entries about things I saw [that day]. Or describe some the people sitting around me, being careful not to stare at them too hard. Or think about how hopeless it is to try to write another novel, and how I’ve been faking it all along anyhow. The more I complain in my notes, the better I feel. I publish the finished Notes in parallel with with the novel, not that I sell many copies of the notes. Long-term, the notes will be fodder for the locust swarm of devoted Rucker scholars who are due to emerge any time now from their curiously long gestation in the soil.

(9) LORD WINSTON OBIT. Zombie Squad, an international network of dogs and other pets dedicated to protecting society from the walking dead, paid its respects on Saturday to Lord Winston, the indefatigable West Highland terrier who inspired the group’s creation in 2013 and had served as its official leader until his death on 21 April, aged nearly 15. Despite losing the use of his back legs following a series of operations, Lord Winston – via his British owner – posted daily messages and regular videos on Twitter, where prospective new members continue to be welcomed at @ZombieSquadHQ.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 10, 1863 Cornelius Shea. As the authors of SFE put it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive. 
  • Born May 10, 1886 Olaf Stapledon. Member of the Science Fiction and Fantasy Hall of Fame. Star Maker contains the first known description of what are now called Dyson spheres. (Neal Asher currently is making the best use of these in his Polity series.) He wrote about a baker’s dozen novels of which iBooks has pretty much everything available at quite reasonable prices. I know I read and enjoyed Star Maker many years ago but don’t recall what else I read. (Died 1950.)
  • Born May 10, 1895 Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film where the SJW credential was the defendant in a Perry Mason murder case, The Case of Black Cat. (Died 1940)
  • Born May 10, 1899 Fred Astaire. Yes, that actor. He showed up on the original Battlestar Galactica as Chameleon / Captain Dimitri In “The Man with Nine Lives” episode. Stunt casting I assume.  He had only two genre roles as near as I can tell which were voicing The Wasp in the English language adaptation of the Japanese Wasp anime series, and being in a film called Ghost Story. They came nearly twenty years apart and were the last acting roles he did. (Died 1987.)
  • Born May 10, 1935 Terrance Dicks, 84. He had a long association with Doctor Who, working as a writer and also serving as the programme’s script editor from 1968 to 1974. He also wrote many of its scripts including The War Games which ended the Second Doctor’s reign and The Five Doctors, produced for the 20th year celebration of the program. He also wrote novelisation of more than 60 of the Doctor Who shows. Prior to working on this series, he wrote four episodes of The Avengers and after this show he wrote a single episode of Space: 1999 and likewise for Moonbase 3, a very short-lived BBC series. 
  • Born May 10, 1963 Rich Moore, 56. He’s directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he’s has worked on Futurama. Might be stretching the definition of genre (or possibly not), but he did the animation for “Spy vs. Spy” for MADtv. You can see the first one here:
  • Born May 10, 1969 John Scalzi, 50. I’ve enjoyed everything I’ve ever read by him. What would I recommend if you hadn’t read him? The Old Man’s War series certainly as well as the Interdependency series are excellent. I really have mixed feelings about Redshirts in that it’s too jokey.

(11) COMICS SECTION.

(12) MARVEL 1000. Marvel’s celebration of its 80th Anniversary will include a new epic comic book issue to celebrate the legacy of the Marvel Universe: Marvel Comics #1000.

Featuring 80 creative teams with luminaries from both classic and current comic books (and beyond!), this oversized one-shot will be packed with pages spanning across generations of Marvel’s iconic Super Heroes – with cover art from legendary artist Alex Ross!

Among those individuals, some of whom teased the project on social media this week, are long-time Marvel veterans — including Roy Thomas, Peter David, Gerry Conway, and Adam Kubert — and current creators — including Saladin Ahmed, Gail Simone, Chip Zdarsky, and Kris Anka — as well as talents outside of comics, like filmmakers Phil Lord and Christopher Miller, Taboo of the Black Eyed Peas, and basketball legend Kareem Abdul-Jabbar.

(13) THE WORD FROM PORTALES. Locus Online’s “2019 Williamson Lectureship Report” quotes GoH Alex Rivera, criminalist Cordelia Willis (daughter of Connie) and others —

“We’re living in a time of walls,” said filmmaker Alex Rivera when introducing Sleep Dealer at the start of the 43rd Williamson Lectureship April 4-6, 2019 in Portales NM. “It’s a global obsession. How do we tell stories in such a world? In my film, I try to cross the consciousness of walls by looking at them, through them, and beyond them.”

(14) 124C41. Hephzibah Anderson’s profile of John Brunner focuses on his novel Stand on Zanzibar (taking the typical “sci-fi predicted it, gosh!” angle) in today’s BBC Culture post “The 1969 sci-fi that spookily predicted today”.

…Though it divided critics on publication, Zanzibar has come to be regarded as a classic of New Wave sci-fi, better known for its style than its content. This seems a pity. When an excerpt appeared in New Worlds magazine in November 1967, an editorial claimed that it was the first novel in its field to create, in every detail, “a possible society of the future”.

There’s irony in some of what Brunner got wrong. He assumed, for instance, that the US would have at last figured out how to provide adequate, inexpensive medical care for all by 2010. Other inaccuracies are sci-fi staples – guns that fire lightning bolts; deep-sea mining camps; a Moon base. And yet, in ways minor and major, that ‘future society’ nevertheless seems rather familiar today. For example, it features an organisation very similar to the European Union; it casts China as America’s greatest rival; its phones have connections to a Wikipedia-style encyclopaedia; people casually pop Xanax-style ‘tranks’; documents are run off on laser printers; and Detroit has become a shuttered ghost town and incubator of a new kind of music oddly similar to the actual Detroit techno movement of the 1990s.

(15) NEBULA REVIEWS. A full rundown of all the nominees for “The 2018 Nebula Awards” is preceded by an analysis of this year’s kerfuffle at Ohio Needs A Train.

The accusations of slate-building, especially as it’s so close to the Hugos being basically completely turned aside for a couple of years there by slating antics 4, led to tensions running fairly high and people running fairly hot on the issue. The SFWA, for its part, says that it wants to take this sort of thing seriously and is looking into ways to try to keep stuff like this from taking over, without (as of the time of this writing) mentioning what steps it may be taking. I suppose that’s fine, but it’ll be interesting to see if anything is different about the nomination process next year.

(16) LODESTAR REVIEWS. Lodestar Award Finalist Reviews by Sarah Waites at The Illustrated Page.

(17) FANTASY LITERATURE’S NOVELLA HUGO REVIEWS. Despite the name, the Fantasy Literature site reviews science fiction, fantasy, and speculative horror, as well as comics and graphic novels.

Best Novella

(18) WRIGHT OF WAY. Steve J. Wright has completed his Best Novelette Hugo Finalist reviews

Novelette

(19) SPACE PASTA. SYFY Wire reveals “Saturn’s rings are hiding moons shaped like frozen ravioli. Here’s why.”

Even from beyond its cosmic grave, NASA’s Cassini spacecraft continues to amaze us with the things it unearthed during its Saturn flybys — like the moons that have been lurking in its rings for billions of years.

When Cassini ventured as close as it would ever get to Saturn, it imaged the moons (which look like space ravioli) in enough detail to reveal that they were covered in the same stuff as its iconic rings. Some of them were even blasted with icy particles from nearby Enceladus. The posthumous images from Cassini’s flyby have given scientists unprecedented close-ups of these really weird satellites.

(20) CRIMESTOPPER. Keith R.A. DeCandido’s Great Superhero Movie Rewatch reaches the films inspired by Chester Gould’s iconic cop — “’Contact Dick Tracy at once’ — RKO’s Dick Tracy Features” at Tor.com.

While he’s pretty much a pop-culture footnote in the 21st century, Dick Tracy was a household name in the 20th. Created by Chester Gould for the eponymous comic strip in 1931, Dick Tracy saw the hard-boiled detective stop a bunch of over-the-top criminals with cutting-edge technology. Gould foresaw the advent of smart-watches with Tracy’s “two-way wrist radio,” and the character was hugely popular.

It wasn’t long before Tracy was adapted to the big screen, first with movie serials in the 1930s and then four one-hour feature films in the 1940s….

[Thanks to Steve Green, Jason, John King Tarpinian, Mike Kennedy, Carl Slaughter, Andrew Porter, Martin Morse Wooster, JJ, mlex, Cat Eldridge, and Chip Hitchcock for some of these stories, Title credit belongs to File 770 contributing editor of the day Jayn.]

Where To Find The 2019 Hugo Award Finalists For Free Online

By JJ: Dublin 2019 has announced the 2019 Hugo Award Finalists. Since the Hugo Voter’s packet has not yet arrived, if you’d like to get a head start on your reading, you can use this handy guide to find material which is available for free online. Where available in their entirety, works are linked (most of the Novelettes and Short Stories are free, as are the Pro and Fan Artist images, and many of the Semiprozines and Fanzines).

If not available for free, an Amazon link is provided. If a free excerpt is available online, it has been linked. Excerpts are web pages, except where otherwise indicated. Overdrive excerpts are usually longer than web excerpts, and are read by clicking the right side of the page or swiping right-to-left to advance pages.

Fair notice: All Amazon links are referrer URLs which benefit fan site Worlds Without End.

SEE ALSO: Martin Pyne’s post Where To Find the 2019 Hugo Longlist For Free Online.

2019 HUGO AWARD FINALISTS

Best Novel

Best Novella

Best Novelette

Best Short Story

Best Series

Best Related Work

Best Graphic Story

Best Dramatic Presentation, Long Form

Best Dramatic Presentation, Short Form

  • The Expanse: “Abaddon’s Gate” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (trailer)
  • Doctor Who: “Demons of the Punjab” written by Vinay Patel, directed by Jamie Childs (trailer)
  • Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (full video on YouTube & Vimeo)
  • The Good Place: “Janet(s)” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (trailer)
  • The Good Place: “Jeremy Bearimy” written by Megan Amram, directed by Trent O’Donnell (trailer)
  • Doctor Who: “Rosa” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (trailer)

Best Professional Editor, Short Form

Best Professional Editor, Long Form

Best Professional Artist

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
  • FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
  • Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
  • Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

Best Fancast

Best Fan Writer

Best Fan Artist

Best Art Book

John W. Campbell Award for Best New Writer

Lodestar Award for Best Young Adult Book

RELATED: What’s In The 2019 Hugo Voter Packet?

Dublin 2019 Announces Hugo and Retro Hugo Finalists

The finalists for the 2019 Hugo Awards, John W. Campbell Award for Best New Writer, the World Science Fiction Society (WSFS) Award for Best Young Adult Book, and the 1944 Retrospective Hugo Awards were announced April 2 in a live webcast.

There were 1800 valid nominating ballots (1797 electronic and 3 paper) received and counted from the members of the 2018 and 2019 World Science Fiction Conventions for the 2019 Hugo Awards.

For the 1944 Retro Hugo Awards, 217 valid nominating ballots (214 electronic and 3 paper) were received.

The webcast announcing the finalists is available for viewing on the Dublin 2019 YouTube channel.

Dublin 2019 – An Irish Worldcon will take place in and around the Convention Centre Dublin from August 15 to 19. More than 5,600 people have already signed up as members, including more than 4,580 attending members.

Voting on the final ballot will open later this month. Only Dublin 2019 members will be able to vote on the final ballot and choose the winners.

RELATED: Where To Find The 2019 Hugo Award Finalists For Free Online

 

2019 HUGO AWARD FINALISTS

Best Novel

  • The Calculating Stars, by Mary Robinette Kowal (Tor)
  • Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
  • Revenant Gun, by Yoon Ha Lee (Solaris)
  • Space Opera, by Catherynne M. Valente (Saga)
  • Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
  • Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella

  • Artificial Condition, by Martha Wells (Tor.com publishing)
  • Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
  • Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
  • The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
  • Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
  • The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette

  • “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
  • “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
  • “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
  • The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
  • “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
  • “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story

  • “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
  • “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
  • “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
  • “STET,” by Sarah Gailey (Fireside Magazine, October 2018)
  • “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

  • The Centenal Cycle, by Malka Older (Tor)
  • The Laundry Files, by Charles Stross (most recently Tor/Orbit)
  • Machineries of Empire, by Yoon Ha Lee (Solaris)
  • The October Daye Series, by Seanan McGuire (most recently DAW)
  • The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
  • Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work

  • Archive of Our Own, a project of the Organization for Transformative Works
  • Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
  • The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
  • An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
  • www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
  • Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story

  • Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
  • Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
  • On a Sunbeam, by Tillie Walden (First Second)
  • Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
  • Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

  • Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
  • Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
  • A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
  • Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
  • Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

  • The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
  • Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
  • Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
  • The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
  • The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
  • Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Professional Editor, Short Form

  • Neil Clarke
  • Gardner Dozois
  • Lee Harris
  • Julia Rios
  • Lynne M. Thomas and Michael Damian Thomas
  • E. Catherine Tobler

Best Professional Editor, Long Form

  • Sheila E. Gilbert
  • Anne Lesley Groell
  • Beth Meacham
  • Diana Pho
  • Gillian Redfearn
  • Navah Wolfe

Best Professional Artist

  • Galen Dara
  • Jaime Jones
  • Victo Ngai
  • John Picacio
  • Yuko Shimizu
  • Charles Vess

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
  • FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
  • Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
  • Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus
  • Journey Planet, edited by Team Journey Planet
  • Lady Business, editors Ira, Jodie, KJ, Renay & Susan
  • nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
  • Quick Sip Reviews, editor Charles Payseur
  • Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast

  • Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
  • Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
  • Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer

  • Foz Meadows
  • James Davis Nicoll
  • Charles Payseur
  • Elsa Sjunneson-Henry
  • Alasdair Stuart
  • Bogi Takács

Best Fan Artist

  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Likhain (Mia Sereno)
  • Spring Schoenhuth

Best Art Book

  • The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)
  • Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
  • Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
  • Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
  • Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
  • Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

John W. Campbell Award for Best New Writer

  • Katherine Arden (2nd year of eligibility)
  • S.A. Chakraborty (2nd year of eligibility)
  • R.F. Kuang (1st year of eligibility)
  • Jeannette Ng (2nd year of eligibility)
  • Vina Jie-Min Prasad (2nd year of eligibility)
  • Rivers Solomon (2nd year of eligibility)

Lodestar Award for Best Young Adult Book

  • The Belles, by Dhonielle Clayton (Freeform / Gollancz)
  • Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
  • The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
  • Dread Nation, by Justina Ireland (Balzer + Bray)
  • The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
  • Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

1944 RETROSPECTIVE HUGO AWARD FINALISTS

Best Novel

  • Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
  • Earth’s Last Citadel, by C.L. Moore and Henry Kuttner (Argosy, April 1943)
  • Gather, Darkness! by Fritz Leiber, Jr. (Astounding Science-Fiction, May-July 1943)
  • Das Glasperlenspiel [The Glass Bead Game], by Hermann Hesse (Fretz & Wasmuth)
  • Perelandra, by C.S. Lewis (John Lane, The Bodley Head)
  • The Weapon Makers, by A.E. van Vogt (Astounding Science-Fiction, February-April 1943)

Best Novella

  • “Attitude,” by Hal Clement (Astounding Science-Fiction, September 1943)
  • “Clash by Night,” by Lawrence O’Donnell (Henry Kuttner & C.L. Moore) (Astounding Science-Fiction, March 1943)
  • “The Dream-Quest of Unknown Kadath,” by H.P. Lovecraft, (Beyond the Wall of Sleep, Arkham House)
  • The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)
  • The Magic Bed-Knob; or, How to Become a Witch in Ten Easy Lessons, by Mary Norton (Hyperion Press)
  • “We Print the Truth,” by Anthony Boucher (Astounding Science-Fiction, December 1943)

Best Novelette

  • “Citadel of Lost Ships,” by Leigh Brackett (Planet Stories, March 1943)
  • “The Halfling,” by Leigh Brackett (Astonishing Stories, February 1943)
  • “Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)
  • “The Proud Robot,” by Lewis Padgett (Henry Kuttner) (Astounding Science-Fiction, February 1943)
  • “Symbiotica,” by Eric Frank Russell (Astounding Science-Fiction, October 1943)
  • “Thieves’ House,” by Fritz Leiber, Jr (Unknown Worlds, February 1943)

Best Short Story

  • “Death Sentence,” by Isaac Asimov (Astounding Science Fiction, November 1943)
  • “Doorway into Time,” by C.L. Moore (Famous Fantastic Mysteries, September 1943)
  • “Exile,” by Edmond Hamilton (Super Science Stories, May 1943)
  • “King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
  • “Q.U.R.,” by H.H. Holmes (Anthony Boucher) (Astounding Science-Fiction, March 1943)
  • “Yours Truly – Jack the Ripper,” by Robert Bloch (Weird Tales, July 1943)

Best Graphic Story

  • Buck Rogers: Martians Invade Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
  • Flash Gordon: Fiery Desert of Mongo, by Alex Raymond (King Features Syndicate)
  • Garth, by Steve Dowling (Daily Mirror)
  • Plastic Man #1: The Game of Death, by Jack Cole (Vital Publications)
  • Le Secret de la Licorne [The Secret of the Unicorn], by Hergé (Le Soir)
  • Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)

Best Dramatic Presentation, Long Form

  • Batman, written by Victor McLeod, Leslie Swabacker and Harry L. Fraser, directed by Lambert Hillyer (Columbia Pictures)
  • Cabin in the Sky, written by Joseph Schrank, directed by Vincente Minnelli and Busby Berkeley (uncredited) (MGM)
  • A Guy Named Joe, written by Frederick Hazlitt Brennan and Dalton Trumbo, directed by Victor Fleming (MGM)
  • Heaven Can Wait, written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)
  • Münchhausen, written by Erich Kästner and Rudolph Erich Raspe, directed by Josef von Báky (UFA)
  • Phantom of the Opera, written by Eric Taylor, Samuel Hoffenstein and Hans Jacoby, directed by Arthur Lubin (Universal Pictures)

Best Dramatic Presentation, Short Form

  • The Ape Man, written by Barney A. Sarecky, directed by William Beaudine (Banner Productions)
  • Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
  • Der Fuehrer’s Face, story by Joe Grant and Dick Huemer, directed by Jack Kinney (Disney)
  • I Walked With a Zombie, written by Curt Siodmak and Ardel Wray, directed by Jacques Tourneur (RKO Radio Pictures)
  • The Seventh Victim, written by Charles O’Neal and DeWitt Bodeen, directed by Mark Robson (RKO Radio Pictures)
  • Super-Rabbit, written by Tedd Pierce, directed by Charles M. Jones (Warner Bros)

Best Professional Editor, Short Form

  • John W. Campbell
  • Oscar J. Friend
  • Mary Gnaedinger
  • Dorothy McIlwraith
  • Raymond A. Palmer
  • Donald A. Wollheim

Best Professional Artist

  • Hannes Bok
  • Margaret Brundage
  • Virgil Finlay
  • Antoine de Saint-Exupéry
  • J. Allen St. John
  • William Timmins

Best Fanzine

  • Fantasy News, editor William S. Sykora
  • Futurian War Digest, editor J. Michael Rosenblum
  • The Phantagraph, editor Donald A. Wollheim
  • Voice of the Imagi-Nation, editors Jack Erman (Forrest J Ackerman) & Morojo (Myrtle Douglas)
  • YHOS, editor Art Widner
  • Le Zombie, editor Wilson “Bob” Tucker

Best Fan Writer

  • Forrest J. Ackerman
  • Morojo (Myrtle Douglas)
  • Jack Speer
  • Wilson “Bob” Tucker
  • Art Widner
  • Donald A. Wollheim

The Hugo Awards are the premier award in the science fiction genre, honoring science fiction literature and media as well as the genre’s fans. The Awards were first presented at the 1953 World Science Fiction Convention in Philadelphia (Philcon II), and they have continued to honor science fiction and fantasy notables for more than 60 years.

The 1944 Retro Hugo Awards will be presented on Thursday, August 15, the opening night of Dublin 2019. The 2019 Hugo Awards, and the Lodestar and Campbell Awards, will be presented on Sunday, August 18 as part of the main Hugo Awards ceremony.

The 2019 Hugo base will be designed by Dublin artist Jim Fitzpatrick. The 1944 Retro Hugo base will be designed by Eleanor Wheeler, a ceramicist in County Down. The 2019 Lodestar Award will be designed by Sara Felix, the Austin, Texas-based president of the Association of Science Fiction and Fantasy Artists.

More information about the Hugo Awards, including details about how to submit a nominating ballot: https://dublin2019.com/hugo-awards-wsfs/the-hugo-awards/. Any questions about the Hugo Awards process should be directed to hugohelp@dublin2019.com.

More information and membership registration for Dublin 2019 are available at https://dublin2019.com. Follow the convention on Twitter at @dublin2019.

“World Science Fiction Society,” “WSFS,” “World Science Fiction Convention,” “Worldcon,” “NASFiC,” “Hugo Award,” the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society.

Pixel Scroll 8/30/18 I, For One, Welcome My New Cybernetic Pixel Scroll Wrangler

(1) THE (AMERICAN) GODS THEMSELVES. Neil Gaiman pointed to Leslie S. Klinger’s announcement of a planned reference work about “American Gods”.

I’m thrilled to announce that next Fall, William Morrow will publish Annotated American Gods, with my notes based in significant part on Neil’s manuscripts, journals, and research material as well as many other sources, including conversations with Neil and answers to the questions of “Who are all these unidentified gods anyway?”. I believe that this will be a large-trim edition, with the notes on each page in the margins, based on the 10th Anniversary edition text. Among other things, the notes will highlight all of the significant textual changes that were made for that edition. There will be black-and-white images of various people, places, and maybe even gods!

(2) ATTRACTIVE IDEA. You might say the Worldcon’s YA award gets some love from the Word of the Day:

(3) TREK FEATURES IN PRE-EMMY ANNOUNCEMENT. Deadline hails fans with some award news: “‘Star Trek’ Beams Up TV Academy’s 2018 Governors Award”

“Bridge to engineering — what’s that, Scotty?” “Ach, it’s the Governors Award, Captain — comin’ right at us!” “Mister Spock?!” “It seems that Star Trek has been selected to receive that honor from the TV Academy next month, Captain.”

The award to Star Trek recognizes “the visionary science-fiction television franchise and its legacy of boldly propelling science, society and culture where no one has gone before,” as the Academy put it. The honor will be beamed up September 8 during Night 1 of the Creative Arts Emmy Awards.

(4) POETRY CONTEST DEADLINE. 40th Anniversary Science Fiction and Fantasy Poetry Association Speculative Poetry Contest deadline is August 31. Acclaimed Irish poet John W. Sexton is this year’s judge and esteemed Texas poet Holly Lyn Walrath is Chair. You do not have to be a SFPA member to enter poems. Rules at the link.

(5) MORE TO CTHULHU THAN MEETS THE EYE. With HPL’s 128th birthday this month, Bryan Thao Worra takes on the question “How Can Writers of Color Reconcile H. P. Lovecraft’s Influence with His Racist Legacy?” at Twin Cities Geeks.

…When I would read a story like The Shadow over Innsmouth, it felt more relevant to our journey than most of the refugee narratives on the market. Someone arrives in town to discover peculiar folks are nice at first, then turn into monstrous horrors who have bizarre traditions they want the protagonist to partake in? That’s an oversimplification, certainly, but the seeds are there to be sown. It can be sensitive to have a conversation on the real politics that ignited the Laotian Secret War, but a conversation on an alien war between Great Old Ones and Elder Things, with poor humanity caught between mindless horrors duking it out? There’s a tale that could be told, although not without its complications. Are the Great Old Ones NATO or the Warsaw Pact to Lovecraft’s Elder Things and Elder Gods? Lovecraft’s Fungi from Yuggoth appear in The Whisperer in Darkness; there, the reader learns these creatures take the brains of their victims to their distant planet in shiny metal cylinders. Simple science-fiction horror or an interesting metaphor for the cultural brain drain of a country as refugees board the metal cylinders of American planes to escape to safety?

…If I encouraged my community to read only safe, respectable literature touching on Laos, we’d find our people depicted typically as the faceless, coolies, or the enemy. In the works of writers like H. P. Lovecraft, and others, I felt we could at least start to flip the script and assert our true authentic voice from an unexpected direction. When I began writing in earnest, I had a desire to avoid many of the colonial, imperialist, and feudal trappings that disempower us. I saw science fiction, fantasy, and horror as a way to discuss our journeys and to empower ourselves, even as there can be no doubt these genres are filled with any number of paranoid and small-minded figures who may know how to put a sentence together but not necessarily an inclusive core. But like any zone of literature, one works at it.

(6) MORE ON JOHN WARD. Game Manufacturers Association (GAMA) board member Jeff Tidball addresses the question “It Is Wise for GAMA to Seek a New Executive Director”. As Mark Hepworth noted in comments, Tidball very carefully avoids saying why Ward was not kept on. He does say that Ward was appointed ten years ago in very different circumstances:

The GAMA board of directors announced on Friday that it is not renewing the employment agreement of its Executive Director, John Ward. (Read a copy of the press release hosted on this site.) A fair number of members want to know why, and that’s great, because it indicates that GAMA’s members are interested in the governance and management of their trade organization.

The board’s decision arose in a closed meeting of the board, so the details and voting record of individual board members are confidential. The board’s consensus in recent discussion has been that the decisions made by the body are the decisions of the entire body, and so it would be inappropriate to publish a list reciting the votes of each member.

(Side note: This is based on very recent dialogue, the ultimate resolution of which is still pending. The question arose in the first place when a previous board decision led to a board member’s business being threatened. So, if you’ve seen or been part of board meetings in the past where detailed notes and vote-tallies were circulated, that’s why what I’m reporting here may be different from your experience.)

I wasn’t on the GAMA board ten years ago when John Ward was hired as its Executive Director. Many people, some of whom were intimately involved in the hiring process, some of whom were on the board at the time, many of whom were acquainted with the state of GAMA at that time, have assured me that John Ward was the best candidate for the position of ED when GAMA faced existential crises of finances and responsible organization. I believe them.

It’s been suggested that because John was the right person for that job, ten years ago, he must therefore still be the right person for the current job. There’s a logical disconnect there. The right person to turn a company around is not necessarily the right person to envision its future. The right person to fight a war is not necessarily the right person to rebuild the landscape. And so on. The skill sets are different.

Circumstances change, and GAMA’s have changed. The change is largely thanks to John Ward. The board gives him credit for what he’s done and applauds what he’s accomplished. So make no mistake: I thank John Ward for the hard work he’s done for GAMA. At the same time, I believe that a new voice and skill set would be better to lead GAMA for the next ten years.

(7) ALTERNATE NATURAL HISTORY. Ursula Vernon did a bunch of these today. Not in a single thread, so you’ll need to seek them out. Here is the premise and two lovely examples:

(8) BOUNCED OFF THESE BOOKS. Liz Lutgendorff finds most of the books that topped NPR’s poll “shockingly offensive” — “I read the 100 “best” fantasy and sci-fi novels – and they were shockingly offensive”. (The poll was a product of 5,000 nominators and 60,000 voters.) Lutgendorff used this test to help evaluate the list:

The test had three simple questions:

1: Does it have at least two female characters?

2: Is one of them a main character?

3: Do they have an interesting profession/level of skill like male characters?

It was staggering how many didn’t pass. Some failed on point 1….

Many failed on my second criteria, like Out of the Silent Planet or Rendezvous with Rama.

C S Lewis’ Out of the Silent Planet was one of the oldest books on the list, aside from Jules Verne. It’s an early attempt at explaining space flight and encountering an alien race. Most of the plot revolves around the main character, Ransom, trying to understand the aliens before managing to escape back to earth.The most entertaining aspect of the book is the ludicrous physics. There is one woman in the story, who Ransom exchanges about three sentences with before she wanders off. Perhaps you can forgive that on age, the book being from 1938.

The same can’t be said for Rendezvous with Rama, which was written in 1973. It was critically acclaimed and won many of the main science fiction prizes such as the Nebula Award, the British Science Fiction Association Award, the Hugo Award and Locus Award. The story centres around a group of space explorers who have to investigate a mysterious spacecraft that enters the solar system.

While there are more women, almost all are subordinate to the main male lead. There is one female authority figure who is on the Council of Rama (the organisation directing the efforts of investigation), but she doesn’t play a significant role. I also got distracted by the fact that, inexplicably, the male lead sleeps with almost all the women mentioned in the book.

Finally, most would fail on the third part of the test because the women characters were all mothers, nurses or love interests. They were passive characters with little agency or character development, like the women in A Canticle for Leibowitz and Magician. They were scenery, adding a tiny bit of texture to mainly male dominated world….

(9) NELSON OBIT. An opportunity here to take note of her fascinating career — “Miriam Nelson, 98, Golden Age Dancer and Choreographer, Dies” in the New York Times – even if Jerry Lewis provides the unlikely genre connection:

Miriam Nelson, whose seven-decade career as a choreographer and dancer spanned the golden ages of Broadway, Hollywood and television, died on Aug. 12 at her home in Beverly Hills, Calif. She was 98.

Much of Ms. Nelson’s movie work was for nonmusicals. She choreographed the madcap party scene at Holly Golightly’s apartment in “Breakfast at Tiffany’s” (1961), and also appeared in it as the glamorous party guest in gold brocade and pearls who argues with the man wearing a fake eye patch.

Behind the camera, Ms. Nelson taught … Jerry Lewis to hoof it like a space alien in “A Visit to a Small Planet” (1960) and the whole cast of “Cat Ballou” (1965) — led by Jane Fonda, who she said was a balletically trained natural — to execute Old West dances for the hoedown scene.

(10) THE ROADS MUST SCROLL. Today’s trivia –

Moving sidewalks may have been synonymous with airports since the mid-20th century but the technology was known even earlier. A “moving pavement” transported people between exhibits during the Paris Expo in 1900 and science fiction novelist H.G. Wells even mentioned them in his 1899 tale “A Story of the Days to Come.”

Sources: USA TodayA short history of airport moving walkways “ (2016) and QIMoving Walkways”)

(11) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born August 31, 1797 — Mary Shelley. Author of Frankenstein: or, The Modern Prometheus (1818) considered by many to be very first genre novel. Though not appreciated for it until rather recently, she was a rather excellent writer of biographies of notable European men and women.
  • Born August 30 — R. Crumb, 76. Ok, this is a weird associational connection. Back in 1966, The Religious Experience of Philip K. Dick was illustrated by R. Crumb in Weirdo #17. Crumb days text is by Dick. It’s really, really weird. You can find it here.
  • Born August 30, 1955 – Judith Tarr, 63. Perhaps best known for her Avaryan Chronicles series, and myriad other fantasy works. She breeds Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona. Need I note horses figure prominently in her stories?

(12) WORKING FOR LEX. Here’s one of the DC Crossovers that have been discussed in Scrolls — Lex Luthor Porky Pig Special #1 variant,. Became available August 29, according to Graham Crackers Comic Books.

Facing financial and personal ruin, a desperate Porky Pig applies for and gets and entry-level position with LexCorp. Grateful to his new benefactor, Porky becomes Luthor’s most loyal employee and defender. But when a major scandal breaks in the news and Lex is called before a Congressional Committee, guess who is about to be offered up as the sacrificial pig?

(13) ESA ASTRONAUT INTERVIEW. Newsweek interviews European Space Agency astronaut Samantha Cristoforetti about her time after her stay on the ISS and her current role on the Lunar Orbital Platform-Gateway project (“Astronaut Samantha Cristoforetti: NASA Lunar Gateway Is ‘Natural Next Step in Exploration’”).

Astronaut Samantha Cristoforetti is [… the] first Italian woman in space […] the former fighter pilot spent almost 200 days on the International Space Station (ISS) from 2014 to 2015—a record spaceflight for an ESA astronaut.

As well as investigating how fruit flies, flatworms and even human cells behave in space, Cristoforetti gained fame for brewing the first espresso on the ISS….

Q:           What is your role with the Gateway?

A:           I’m a crew representative for the Lunar Orbital Platform-Gateway project. It’s a space station that will be built around the moon in the early 2020s. For human spaceflight, you always want astronauts involved so that they can give a little bit of perspective to the future crew members, users and operators. I’m just starting that, I’m just getting myself into the topic.

(14) INNERSPACE. The Psychedelic Film and Music Festival debuts October 1-7 in New York, and will explore “the medicinal and therapeutic use of psychedelics and investigate the existence of inner worlds through trance music and science fiction, horror, surrealism, fantasy and virtual reality film.”

Simon Boswell will be there —

Renowned film composer and noted psychedelic Simon Boswell will headline a night of music on October 3 at Mercury Lounge on the Lower East Side for a special concert at The Inaugural Psychedelic Film and Music Festival. Performing with his musical group The AND, Boswell will play pieces from his illustrious film composition career in rock, electronica, gothic horror and futuristic styles.

Mr. Boswell is notable for integrating electronic elements with orchestral instruments to create vibrant and atmospheric soundtracks for widely praised cyberpunk, horror and science fiction films including Santa Sangre (1989), Hardware (1990), Dust Devil (1992), Shallow Grave (1994), Hackers (1995) and A Midsummer Night’s Dream (1999). He was nominated for a BAFTA Award for Best Original Television Music for the BBC series The Lakes (1997) and in recent years has composed for several film projects and toured worldwide with The AND, performing live music against video backdrops of remixed content from his impressive film resume.

Tickets available on Ticketfly: https://ticketf.ly/2nyeb1o

(15) IN VINE VERITAS. Someone reading today needs this book – just not sure who it is. Altus Press announces plans for “Tarzan, Conqueror of Mars”. (No indication there is any connection with the series of similarly-themed action figures from days gone by.)

In 2014, Altus launched The Wild Adventures of Tarzan, with Tarzan: Return to Pal-ul-don. Two years later came the monumental King Kong versus Tarzan, a dream project long thought unachievable.

Now, in association with Edgar Rice Burroughs, Inc. and Altus Books, the Wild Adventures announces its most breathtaking project to date.

Tarzan, Conqueror of Mars!

Fans of Edgar Rice Burroughs and his amazing creations have long dreamed of reading a novel in which the Lord of the Jungle visits the Red Planet and encounters John Carter.

In Tarzan, Conqueror of Mars, this finally happens!

When a witch doctor’s sorcery hurls the ape-man’s soul out of his magnificent body, Tarzan discovers himself on a weird, treeless landscape, a dying planet inhabited by creatures unknown to him. Marooned on Mars, Tarzan must learn to survive in an unfamiliar environment. With no hope of rescue, the ape-man begins the arduous journey that takes him from being a friendless stranger on an alien world to his rise as a force to be reckoned with. For on Barsoom—as Martians style their home planet—there exists apes. Great apes of a type not found upon Earth. Hairless giants resembling gorillas, but possessing two sets of arms. Not to mention ferocious lion-like monsters known as banths as well as the elephantine zitidars.  Tarzan will go up against these fearsome creatures, and so begins the perilous march that elevates him from naked and unarmed castaway to the undisputed Ape-lord of Barsoom!

Written by genre giant Will Murray, TarzanConqueror of Mars ultimately brings the famed Lord of the Jungle into open conflict with Edgar Rice Burroughs’ other great hero, John Carter, Warlord of Mars. In the end, which one will be victorious?

(16) DRIZZT IS BACK. R.A. Salvatore’s Timeless, on-sale September 4, marks the return of Drizzt Do’Urden, the legendary dark elf fighter that’s been a mainstay of fantasy books and the successful Forgotten Realms RPG games for over 30 years.

Not only will readers get more of the swashbuckling, sword-and-sorcery action Salvatore is known for; they’ll also get to know more of the characters who dwell in the Forgotten Realms.

Salvatore is unique, because he was one of the originators of modern Epic Fantasy—but he has continued to evolve, and to take on new fans. With TIMELESS, a master of Epic Fantasy is poised to make a huge splash in a beloved genre.

(17) SEND FOR THE MUPPET CORONER. According to Rolling Stone reviewer Peter Travers, “‘The Happytime Murders’ Review: Puppet Raunchfest Is Dead on Arrival”.

A few critics are calling it the worst movie of the year. Unfair! The Happytime Murders, the R-rated look at a serial killer running wild in a puppet-populated L.A., has what it takes to be a contender for worst of the decade. Directed by Brian Henson (son of the late, great Sesame Street and Muppets icon Jim Henson) and starring a painfully stranded Melissa McCarthy, this toxic botch job deserves an early death by box office….

(18) EIGHTIES UNERASED. James Davis Nicoll continues his Tor.com series with “Fighting Erasure: Women SF Writers of the 1980s, Part II”.

Let us journey onward, this time to women who first published speculative fiction in the 1980s whose surnames begin with B….

For example:

Maya Kaathryn Bohnhoff cannot be the sole Bahá’í author/musician active in speculative fiction, but she is the only one I know. Her body of work is small enough—eight books or so—that one could read the entire thing in a week or two. Those who might want just a taste could try The Meri, in which a young woman with great magical potential struggles against a society profoundly suspicious of magic. Alternatively, you could explore her shorter work in the collection Bimbo on the Cover.

(19) EPIC NERD CAMP. Karen Heller’s Washington Post article “‘Growing up, we were the weird ones’: The wizarding, mermaiding, cosplaying haven of Epic Nerd Camp” profiles Epic Nerd Camp,  a summer camp in Starrucca, Pennsylvania where “men in kilts and women withhair stained with all the colors of Disney” can eat bad summer camp food, fight off bugs, and spend their days engaging in LARPing, cosplay, “wandmaking, sword fighting, boffer games, Quidditch, waizarding, chainmaille, escape rooms and FX makeup.”

Heller credits Dr. Seuss with originating the word “nerd” —

Nerds have been with us forever, but the term seems to have been coined by Dr. Seuss, circa 1950. (From “If I Ran the Zoo”: And then, just to show them, I’ll sail to Ka-Troo/And Bring Back an It-Kutch, a Preep, and a Proo,/A Nerkle, a Nerd, and a Seersucker too.) The word gained further popularity on TV’s “Happy Days,” where the Fonz applied it to almost any young person who was not the Fonz. Around the same time, geek — once the name for carnival performers who bit the heads off live chickens — came into its modern interpretation, referring to intense enthusiasts.

(20) THE WALK NESS MONSTER. A sauropod stepped in something, once upon a time: “170-million-year-old dinosaur footprint found in Scotland”.

An extremely rare 170-million-year-old dinosaur footprint has been found in Scotland. Paleontologists, however, are keeping its precise location secret until they can complete their research.

The footprint was discovered earlier this year by Neil Clark, curator of paleontology at the University of Glasgow’s Hunterian Museum. Clark told Fox News that he had just given a talk in Inverness in the Scottish Highlands and decided to “visit the Jurassic rocks” in the area.

“After about a half hour looking, I spotted the footprint and was able to immediately recognize it as the footprint of a sauropod dinosaur,” he told Fox News. “I had to do a double take on the footprint as I couldn’t believe that such an obvious footprint had not been seen previously, considering the number of researchers who visit the coast each year.”

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Andrew Porter, and Mark Hepworth for some of these stories. Title credit goes to File 770 contributing editor of the day Karl-Johan Norén.]