Pixel Scroll 12/11/20 In And Around The Scroll, Pixels Come Out Of The File And They Stand There

(1) HUGO VOTING REQUIREMENT. You can nominate and vote in the 2021 Hugo Awards if you hold a supporting or attending membership in DisCon III by December 31st, 2020. Membership information is here.

(2) AVALANCHE AT THE MOUSE HOUSE. During Disney’s massive investor day presentation on Thursday, innumerable new projects were unveiled (see The Hollywood Reporter’s “Disney+ Plans 10 ‘Star Wars’ and 10 Marvel Series Over Next Few Years” for a bunch of them.)

Shaun Lyon let me run this summary of his notes:

This is a huge list of Star Wars stuff that’s just been announced this afternoon, all coming from Lucasfilm for both Disney films & Disney+:

  • Star Wars: Rogue Squadron, the next film, set for release Christmas 2023, and directed by Patty Jenkins (Wonder Woman); this is probably set during the Rebellion (Jenkins filmed a teaser video about wanting to make the greatest “fighter pilot film” of all time)
  • Untitled Star Wars film reportedly due in sometime around 2025, directed by Taika Waititi (Jojo Rabbit director & Mandalorian VO actor)
  • Andor, the live action series with Diego Luna and Alan Tudyk playing Cassian Andor & K2SO from Rogue One, set before that film; this is filming now and will be the next live action property to be released, sometime in early 2022 after the next season of Mandalorian (the cast features Stellan Skarsgard, Adria Arjona, Fiona Shaw, Denise Gough, Kyle Soller, and Genevieve O’Reilly as Mon Mothma; showrunner is Mandalorian director Deborah Chow)
  • Obi Wan Kenobi, a live action miniseries with Ewan MacGregor (Kenobi) and Hayden Christensen (Vader), set ten years after Revenge of the Sith; this starts filming in the first quarter of 2021. And yes, Obi Wan faced off against Vader again between Sith & A New Hope!
  • Ahsoka, a live action spinoff miniseries featuring Ahsoka Tano from The Clone Wars & Rebels (and played by Rosario Dawson in The Mandalorian); this could potentially be the continuation of the story from the end of Rebels, though not confirmed
  • Rangers of the New Republic, a live action series from Jon Favreau & Dave Filoni, set during the same period as The Mandalorian
  • The Acolyte, a live action series set during the ‘high Republic’ era (the upcoming Star Wars tie-in era, a thousand years before the films) created by Russian Doll co-creator Leslye Headland
  • Lando, a live action miniseries created by Dear White People’s Justin Simien; was announced without a lead actor, but ABC’s Good Morning America on 12/11 stated that Donald Glover was reprising his role as Lando Calrissian
  • The Bad Batch, the previously announced Clone Wars animated spinoff series, currently in production, set after that show with some of the clone troopers from that show who “take on daring mercenary missions as they struggle to stay afloat and find new purpose”
  • Star Wars Visions, an anime-style anthology miniseries with “10 fantastic visions from several of the leading Japanese anime studios”
  • A Droid Story, an animated film: this “epic journey will introduce us to a new hero, guided by legendary duo R2-D2 and C-3PO”
  • Plus the long-teased “Willow” series and another “Indiana Jones” movie.

None of that includes the other properties they announced including all the Marvel stuff and the “Alien” spinoff TV series.

The Marvel Studios segment had its own long list which you can read at Yahoo! – “Marvel drops bombshell announcement of Fantastic Four movie, War Machine and Nick Fury series, and more”.

The price of Disney+ will be going up – the subscriber response so exceeded predictions they figure the traffic will bear a bit more.

Disney also announced that the service’s monthly fee in the US will be going up by $1 in March to $7.99. Strong demand for Disney+ led to the company to boost its long-term subscriber estimates.

(3) LOOK AT LOKI. While we’re on the subject, Disney + dropped a trailer for their new series Loki.

(4) VIEWING WANDA. And there’s a new trailer for Marvel Studios’ WandaVision which starts streaming January 15 on Disney +.

(5) TRUE GRIT. Denis Villeneuve has a statement in Variety, “Dune Director Denis Villeneuve Blasts Warner Bros. Streaming Decision” where he bashed AT&T for its decision to show Warner movies next year in theatres and HBO Max simultaneously.

I learned in the news that Warner Bros. has decided to release “Dune” on HBO Max at the same time as our theatrical release, using prominent images from our movie to promote their streaming service. With this decision AT&T has hijacked one of the most respectable and important studios in film history. There is absolutely no love for cinema, nor for the audience here. It is all about the survival of a telecom mammoth, one that is currently bearing an astronomical debt of more than $150 billion. Therefore, even though “Dune” is about cinema and audiences, AT&T is about its own survival on Wall Street. With HBO Max’s launch a failure thus far, AT&T decided to sacrifice Warner Bros.’ entire 2021 slate in a desperate attempt to grab the audience’s attention.

…“Dune” is by far the best movie I’ve ever made. My team and I devoted more than three years of our lives to make it a unique big screen experience. Our movie’s image and sound were meticulously designed to be seen in theaters.

I’m speaking on my own behalf, though I stand in solidarity with the sixteen other filmmakers who now face the same fate. Please know I am with you and that together we are strong. The artists are the ones who create movies and series.

I strongly believe the future of cinema will be on the big screen, no matter what any Wall Street dilettante says. Since the dawn of time, humans have deeply needed communal storytelling experiences. Cinema on the big screen is more than a business, it is an art form that brings people together, celebrating humanity, enhancing our empathy for one another — it’s one of the very last artistic, in-person collective experiences we share as human beings.

Once the pandemic is over, theaters will be filled again with film lovers.

That is my strong belief.  Not because the movie industry needs it, but because we humans need cinema, as a collective experience….

(6) GHASTLY OVERSIGHT? Alexander Larman, in “A warning to the curious” on The Critic, explains why there is not going to be an adaptation of an M.R. James story and gives background on James and his work.  A link reveals a crowdfunded project to publish a collection of James’s letters.

…Like many great writers of the supernatural, James wrote according to strict rules. He suggested that his technique was a relatively simple one, saying in 1924 that, “Two ingredients most valuable in the concocting of a ghost story are, to me, the atmosphere and the nicely managed crescendo”, and that the reader should be “introduced to the actors in a placid way; let us see them going about their ordinary business, undisturbed by forebodings, pleased with their surroundings; and into this calm environment let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage.”

The spirits were invariably vengeful and terrifying ones (“amiable and helpful apparitions are all very well in fairy tales or in local legends, but I have no use for them in a fictitious ghost story”).

…It is hoped that a crowd-funded collection of James’s lettersCasting the Runes, reaches its target soon and that it will offer greater insight into the strange and brilliant man who wrote some of the most chilling ghost stories in the English language. 

(7) PAY THE ARTIST. At Literary Hub, William Deresiewicz contends “We Need to Treat Artists as Workers, Not Decorations” – a statelier approach to what Harlan Ellison ranted about in “Pay the Writer”.

Art and money: the great taboo. Art, we’ve been taught to believe, has nothing to do with money, must have nothing to do with money, is defiled by contact with money, is degraded by the very thought of money.

Those ideas, articles of faith today, are actually of relatively recent birth. In the Renaissance, when artists were still regarded as artisans, no one thought twice about exchanging art for cash. It was only in modernity that the notion arose that art and commerce were mutually exclusive.

As traditional beliefs broke down across the 18th and 19th centuries, art inherited the role of faith, becoming a kind of secular creed for the progressive classes. Like religion before it, art was now regarded as superior to worldly things, and you cannot serve both God and mammon.

As with art, so with artists, the new priests and prophets. It was modernity that gave us the bohemian, the starving artist, and the solitary genius, images respectively of blissful unconventionality, monkish devotion, and spiritual election. Artistic poverty was seen as glamorous, an outward sign of inner purity.

To these ideas, the 20th century added an overtly political and specifically anti-capitalist dimension. Art did not just stand outside the market; it was meant to oppose it: to join, if not to lead, the social revolution, which first of all would be a revolution of consciousness. To seek acceptance in the market was to be “co-opted”; to chase material rewards, to be a “sellout.”

Such ideas are as fervently held among laypeople as they are among artists—if anything, more so. We don’t want the artists we love to think about money, and we don’t want to think about them thinking about it.

…The number of the people I interviewed told me about having suffered, early on, because they had swallowed the myths about starving artists who never think about money and would rather die than compromise their vision for the suits. And because writers and other artists do create for non-material reasons, I was told by Mark Coker, the founder of the e-book distribution platform Smashwords, “these people are ripe for being exploited.”

That exploitation can take many forms: from outright theft, to self-sabotage, to the monetization of digital content without appropriate compensation, to the underpayment by arts organizations, including nonprofits, of the artists who work for them. But at its root is the perception that artists shouldn’t ask for money in the first place—that, as another of my subjects put it, “art should just be art.”

(8) THREE DAYS AGO’S DAY

December 8 — PRETEND TO BE A TIME TRAVELER DAY. The National Day Calendar offers these suggestions:

HOW TO OBSERVE #PretendToBeATimeTravelerDay

Act like a time traveler.  Choose your time period and decide whether you are traveling to the past or the future. Be overly shocked when someone says, “I’d kill for a double mocha latte right now,” or “That car is the bomb.” Misuse technology. When someone offers you earbuds to listen to a new song, sniff them to see if they smell good.

Do you need inspiration for your time traveling antics? We have 9 Books to Unleash the Time Traveler in You. Some of them are mentioned above, but this list will give you some insight to the stories and help you take the deep dive into the world time traveling for the true enthusiast.

(9) TODAY IN HISTORY.

December 11, 1929  — On this date in 1929, American fandom has its beginnings in New York City with the first meeting of the Scienceers who were the first local sf club in the United States. (Science Correspondence Club in Montgomery, Alabama is claimed by others as starting earlier.) It is worth noting that the first president of that Club was Warren Fitzgerald who was Black, a rarity in the early days of fandom, and they met at his apartment in Harlem. The group formed as a result of their correspondence in Science Wonder Stories which was edited by Hugo Gernsback. Timebinders has a history of that Club here as it appeared in Joe Christoff’s Sphere fanzine. “History of the Scienceers, the First New York City Science Fiction Club, 1929 – by Allen Glasser”.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 11, 1803 – Hector Berlioz. Graduated from medical school but never practiced; instead famed as a composer (and, during his life, conductor); also substantial author of music criticism, theory, memoirs.  Prix de Rome.  Legion of Honor.  Here for the Symphonie fantastiqueDamnation de FaustLe Troyens.  Star-rated Wikipedia entry.  Website.  (Died 1869) [JH]
  • Born December 11, 1904 – Marge.  Although M.H. Buell created Little Lulu, made LL such a national figure that LL was adopted as the Kleenex mascot, and retained artistic control during M’s life, in fairness to John Stanley the fantasy elements of LL, like Witch Hazel and Sammi the Martian, are JS’ work.  Here is M’s cover for King Kojo.  Here is The Wizard of Way-Up.  (Died 1993) [JH]
  • Born December 11, 1921 – Bill Terry.  A dozen covers for Imagination, three hundred interiors for Imagination and Imaginative Tales.  Here is the Jan 52 Imagination.  Here is the Aug 54.  Here is the Aug 55. Here is an interior for “The Voyage of Vanishing Men”.  Here is an interior for “The War of Nerves”.  (Died 1992) [JH]
  • Born December 11, 1922 Maila Nurmi. A Finnish-American actress and television personality who was the campy Fifties title character on Vampira. She hosted her own series, The Vampira Show for a year on KABC-TV and later in Vampira Returns. She’d show up in Plan 9 from Outer Space, and in The Magic Sword as The Hag / Sorceress. She played Vampira once more in the Horror Kung-Fu Theatre series. (Died 2008.) (CE) 
  • Born December 11, 1926 Dick Tufeld. His best known role, or at least best recognized, Is as the voice of the Robot on Lost in Space, a role he reprises for the feature film. The first words heard on Voyage to the Bottom of the Sea are spoken by him: “This is the Seaview, the most extraordinary submarine in all the seven seas.” He’s been the opening announcer on Spider-Man and His Amazing FriendsSpider-WomanThundarr the BarbarianFantastic Four and the Time Tunnel. (Died 2012.) (CE) 
  • Born December 11, 1940 – Fred Patten. This amazing astounding fan had an issue of his zine ¡Rábanos Radiactivos! in every distribution (weekly!) of APA-L from its beginning to APA-L 2280 – more than forty years.  Developing an interest in animé he co-founded the Cartoon Fantasy Organization; he became a scholar of anthropomorphic graphic art.  He edited his local club’s fanzine Shangri L’Affaires when it was a Hugo finalist; chaired Loscon XIV and Westercon 27; was Fan Guest of Honor at DeepSouthCon 9 and Loscon 33 (some use Roman numerals, some don’t).  My appreciation is here.  (Died 2018) [JH]
  • Born December 11, 1957 William Joyce, 62. Author of the YA series Guardians of Childhood which is currently at twelve books and growing. Now I’ve no interest in reading them but Joyce and Guillermo del Toro turned them into in a rather splendid Rise of the Guardians film which I enjoyed quite a bit. The antagonist in it reminds me somewhat of a villain later on In Willingham’s Fables series called Mr. Dark.  Michael Toman in an email says that “I’ve been watching for his books since reading Dinosaur Bob and His Adventures with the Family Lazardo back in 1988.” (CE) 
  • Born December 11, 1959 M. Rickert, 61. Short story writer par excellence. She’s got three collections to date, Map of DreamsHoliday and You Have Never Been Here. I’ve not read her novel The Memory Garden, and would like your opinions on it. She has won two World Fantasy Awards, one for her short story, “Journey Into the Kingdom”, and one for her short story collection, “Map of Dreams”. The Little Witch is the only work available from the usual digital suspects.  (CE) 
  • Born December 11, 1962 Ben Browder, 58. Actor of course best known for his roles as John Crichton in Farscape and Cameron Mitchell in Stargate SG-1.  One of my favorite roles by him was his voicing of Bartholomew Aloysius “Bat” Lash in Justice League Unlimited called “The Once and Future Thing, Part 1”.  He’d have an appearance in the Eleventh Doctor story, “A Town Called Mercy,” a Weird Western of sorts. (CE) 
  • Born December 11, 1965 Sherrilyn Kenyon, 55. Best for her Dark Hunter series which runs to around thirty volumes now. I confess I’ve not read any, so I’m curious as to how they are. Opinions? (Of course you do. Silly me. How could you not have them.)  She’s got The League series as well which appears to be paranormal romance, and a Lords of Avalon series too under the pen name of Kinley MacGregor.  (CE) 
  • Born December 11, 1971 – Laini Taylor, age 49.  Seven novels, five shorter stories.  Printz Honor, Bradshaw Award.  I heard she’d read Leviathan, but it proved not to be Hobbes’, it was Scott Westerfeld’s, so we don’t have that in common after all.  Days of Blood and Starlight was a NY Times Best-Seller.  [JH]
  • Born December 11, 1981 – Natasha Larry, age 39.  Three novels, two shorter stories.  Of herself she says “She has an M.A. in American History, making her a professional cynic…. curses too much….  DC comics fangirl, or fanatic.”  [JH]

(11) COMICS SECTION.

  • Sally Forth has a friend who’s having no luck looking for a portal.

(12) SPOT FINDS A NEW HOME. “Hyundai takes control of Boston Dynamics in $1.1B deal”The Verge has the story.

Hyundai is officially purchasing a controlling stake in robot maker Boston Dynamics from SoftBank in a deal that values the company at $1.1 billion, the company announced today. The deal has been in the works for a while, according to recent a report from Bloomberg, and marks a major step into consumer robotics for Hyundai. Hyundai is taking approximately an 80 percent stake in the company while its previous owner, Softbank, will retain around 20 percent through an affiliate.

… Boston Dynamics started as a spin-off from the Massachusetts Institute of Technology. The company has created robots using DARPA funding, like BigDog, but is best known for the viral fame its robots have found online. Its two main stars have been Atlas, a humanoid bipedal robot that can run and do backflips, and Spot, a smaller quadrupedal “dog” that’s been tested in a variety of scenarios, from sheep herding to assisting health care workers during the pandemic

(13) BATWOMAN CONTINUES. The CW dropped a trailer for Batwoman season 2. Premieres Sunday, January 17.

(14) FIVE BOOKS. Elle collected “Alice Hoffman’s Book Recommendations”. Hoffman’s latest book is Magic Lessons, the prequel to Practical Magic.

…The book that…

…shaped my worldview:

Something Wicked This Way Comes by Ray Bradbury. Every 12- or 13-year-old should read it. It’s magic.

…fills me with hope:

The Midnight Library by Matt Haig. If you think you know what fate has in store for you, read this book.

(15) DEAR SANTA. Helen Thomas dispenses “Tips and Tricks When Writing to St. Nick” illustrated by plenty of classic clippings from the Library of Congress.

How do you get what you want for Christmas? Write a letter to Santa, of course! Combing through “Dear Santa” letters published in historical newspapers, you can glean tips and tricks on how to write a letter of your own.

A close examination of hundreds of “Dear Santa” letters suggests there are several approaches to writing Jolly Old St. Nick:

(16) EVERYBODY NEDS A HOBBY. [Item by Martin Morse Wooster.] A video on YouTube called “Meet The Record Breakers: Rob Hull — Owner of the Largest Collection of Daleks” from the 2012 edition of the Guinness Book Of World Records, is about someone who is officially certified as owning more Daleks than anyone else – 571. There was a reference to this guy in the Financial Times and, as you say, it was news to me!

(17) BE THE MUSIC OF THE SEASON. Jingle Jangle is a holiday-themed fantasy on Netflix. You’re invited to sing along with the cast in this video.

Welcome to the Jingle Jangle Christmas Journey Global Sing Along. The cast, special guests, and fans alike to come together for this truly magical event. Get ready to hear some of your favorite songs like you have never heard them before featuring the stars of the film, some of the best singers on Broadway, choir singers from across the country, Tik Tok stars, and most importantly…YOU!

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Mike Kennedy, John Hertz, Cat Eldridge, Brian Z., Martin Morse Wooster, Daniel Dern, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Pixel Scroll 12/19/18 The Black Hole Singularity’s A Feinman Private Place, But None, I fear, Do From There Escape

(1) DUBLIN 2019 ADDS FACILITIES. Next year’s Worldcon is branching out to accommodate a growing membership: “Dublin 2019 Expands: Announcing Dublin 2019’s New Creative Hub”. Chair James Bacon told fandom:

It is with excitement that I write to share that Dublin 2019 – An Irish Worldcon is expanding.

We have watched as membership increases beyond our expectations, and have been working for some time now on how to ensure we can welcome and accommodate everyone.

We also want to ensure that any expansion works to improve the experience for members who come along, while taking into account that there is not a building directly next to the Convention Centre Dublin that we can expand into.

Eight hundred and fifty meters from the CCD, or just over half a mile, are a number of facilities that we have decided to hire and use at a wonderful location called The Point. Conveniently, there is a Luas stop outside the CCD and one outside our new facilities, with direct tram travel between them. The facilities include hotel function rooms for over 300 people, auditorium space in the Odeon Cinema for 1,000 people, 2,600 sq metres of extra exhibits space, and a number of bars, social spaces, and restaurants, all in one ‘Block’.

The additional space is not only desirable to accommodate our members, but also to accommodate everything we want to celebrate and bring to our members. It allows elements such as our art show to increase their footprint, it allows programme to programme more items for the 800 potential participants who have signed up already, it allows us to include an amazing installation from a featured artists, it will allow us to have more large displays, and it will allow us to increase dealers’ space and our ‘creative alley’.

The new spaces are the Odeon Cinema, The ‘Warehouse’, and the Gibson hotel.

More details at the link.

(2) MAPPING IRELAND’S MT. TSUNDOKU. [Item by Olav Rokne.] The Guardian’s Jack Fennell (@JFennellAuthor), who literally wrote the book on Irish science fiction, shared his list of the “Top 10 Irish science fiction authors”. If you’re looking for some reading to get you in the mood for Dublin 2019, this might be a good place to look. It is surprising to note that he omitted mention of James White’s media tie-in novel for the TV series Earth Final Conflict

9. Sarah Maria Griffin (1988-)

Spare and Found Parts is a homage to Mary Shelley’s Frankenstein, a feminist dissection of creativity and interpersonal relationships, and a dystopian critique of Irish society. Set in a disease-ravaged future Dublin, the story follows Nell Crane, a talented roboticist who decides to construct a companion for herself out of items she salvages from a nearby beach. Griffin refers to herself as a “spec”(speculative) writer, rather than declaring allegiance to any one genre, but her appreciation for sci-fi, horror and fantasy bleeds through all her work.

(3) NO NINE WORLDS IN 2019? Former committee member Steve Lacey casts doubt on the chances of there being a Nine Worlds next year. Thread starts here. (The London convention Nine Worlds announced in August that they are “beginning a process of reconstitution”.)

(4) HELLBOY TRAILER. In theaters April 12, 2019.

(5) UNALLOYED PLEASURE. Steve Carper revisits a comic that fascinated me as a kid in “Elementary, My Dear Metal Men” at Black Gate.

It’s 1962. You are Irwin Donenfeld, executive vice president for DC Comics, the 800-pound gorilla of superhero comics. You are riding high on the Silver Age of comics, having revived superhero comics from their near-death experience at the hands of Fredric Wertham, the New York District Attorney, and Congress itself. A dozen new versions of 1940s legends have poured from your offices since 1956 along with brand-new successes. The secret? Showcase, a comic invented purely to give tryouts to comic concepts and get the fans, the readers, the buyers to write in insisting that one or another of them be given their own titles. The Barry Allen Flash emerged from Showcase #4, The Challengers of the Unknown in #6, Lois Lane in #8, Green Lantern in #22, Aquaman in #30, the Atom in #34.

(6) WHAT HORROR WRITERS EAT. The “Winners of the 2018 Cookbook Contest” have been announced by the Horror Writers Association. They’ll publish the winning recipes and photos in their January newsletter.

1st Place

  • Owl Goingback – Indian Pumpkin Fry Bread

2nd Place – Tie

  • Dan Rabarts – Slow-Cooked Minotaur Shanks
  • Kelly Robinson – Blue Hubbard Squash Tarts & Cemetery Quiche

3rd Place – Tie

  • Frank Coffman – Hungry for man Goulish
  • Bruce Boston – WASP Pizza (with story)

(7) IN TRANSLATION. At Speculative Fiction in Translation, Rachel S. Cordasco is assembling a list of sff in translation due out in 2019.  See the spreadsheet for complete information [Google Docs].

(8) IT CAN GET WORSE. That’s Phoebe Wagner’s takeaway: “Microreview [Book] Ink by Sabrina Vourvoulias”at Nerds of a Feather.

…Ten years ago when Ink first hit shelves, it would have been a difficult read. Now, the images of tattoos, GPS trackers, internment camps, border dumps are all too mainstream. Just like Twitter in the novel, these stories fill my timeline. This past weekend, a brief discussion popped up on my timeline regarding good speculative fiction: it’s not meant to predict the future but warn against a type of future…

(9) WHERE DID UNIONS GO IN SFF? Olav Rokne begins a short series about “Imagining the future of organized labour (part one of two)” at the Hugo Award Book Club.

At their peak in 1954, unions represented almost a third of workers in the United States, and it was easy to take their existence — and their action as a counterbalance to the power of capital — for granted. Even employees in non-union workplaces enjoyed gains because employers had to keep up with union shops to retain and recruit labour.

But despite their prevalence in society, labour unions were largely absent from science fictional narratives during the Golden Age, and their few portrayals in the genre are usually either comedic or antagonistic.

As labour activist and science fiction author Eric Flint pointed out atWorldCon76, the major contributors to the development of science fiction — from the dawn of the Golden Age of Science Fiction through this era of union organizing and stability — were largely drawn from academic circles or the upper middle class. Despite working for a living, these authors and editors did not see themselves as part of the proletariat, and thus based their narratives on assumptions that their privileged working relationships allowed them to hold.

(10) BOWDLERIZING HARLAN. Amazing Stories’ SF Trivia Context #3 poses this question:

True or False:

Harlan Ellison once stated that the “hideous neologism”…”SciFi”…“sounds like grasshoppers f***ing”.

I know the answer – though I’m curious about the attempt to clean up the quote.

(11) TRIVIAL TRIVIA

The late Penny Marshall was the first-ever guest star on The Simpsons.

(12) TODAY IN HISTORY

  • December 19, 1918 — Marylou Tousignant in the Washington Post notes that Robert Ripley started the comic strip that, re-named, became “Ripley’s Believe It or Not!” in December 1918.
  • December 19, 1958 — The first known radio broadcast from outer space was transmitted when President Eisenhower’s recorded voice issued a holiday greeting for the whole world from the Atlas satellite which was launched the previous day.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 19, 1902 Sir Ralph Richardson. God in Time Bandits but also Earl of Greystoke in Greystoke:The Legend of Tarzan, Lord of the Apes and Chief Rabbit In Watership Down. Also the Head Librarian in Rollerball. And a caterpillar in Alice’s Adventures in Wonderland. And Satan in the Tales from the Crypt film. Oh my he had an interesting genre film career! (Died 1983.)
  • Born December 19, 1960 Dave Hutchinson, 58. Best known for his Fractured Europe series which consists of Europe in Autumn, Europe at Midnight, Europe in Winter and Europe at Dawn. Great reading! He’s got a lot of other genre fiction as well but I’ve not delved into that yet.
  • Born December 19, 1969 Kristy Swanson, 49. Her first starring genre film role was in Wes Craven’s Deadly Friend, but no doubt her best known genre role was as the original Buffy. She also shows up in Alfred Hitchcock PresentsThe PhantomNot Quite Human and The Black Hole. For the record, I like her version of Buffy the Vampire Slayer! 
  • Born December 19, 1972 Alyssa Milano, 46. Phoebe Halliwell in the long running Charmed series. Other genre appearances include on Outer Limits, Fantasy Island, Embrace of the VampireDouble Dragon, the Young Justice animated series as the voice of Poison Ivy and more voice work in DC’s The Spectre, an excellent animated short.
  • Born December 19, 1975 Brandon Sanderson, 43.Best known for the Mistborn series . He is also known for finishing Robert Jordan’s The Wheel of Time .OK I’m going to freely admit I’ve not read either of these series. Opinions please. 
  • Born December 19, 1979Robin Sloan, 39. Author of Mr. Penumbra’s 24-Hour Bookstore which definitely has fantasy elements in it  is a damn fine read. His second novel which he sent me to me consider reviewing,  Sourdough or, Lois and Her Adventures in the Underground Market, is also probably genre but is also weirdly about food as well. And he’s a really nice person as well. 
  • Born December 19, 1980 Jake Gyllenhaal, 38. First genre role was the lead in Donnie Darko. Later roles have included The Day After TomorrowPrince of Persia: The Sands of TimeSource Code and the forthcoming Spider-Man: Far From Home

(14) THE SOUND OF M.R. JAMES. SF Concatenation’s Jonathan Cowie recommends these Christmas short audio ghost stories from the BBC and M.R. James (grandmaster of horror). “They are only 14 minutes long and perfect to bring a delightful shiver to the festive season.  Yesterday’s was this one –“

“Casting the Runes” by the master of the ghost story, M.R. James. The tale of a curse passed on by a curiously inscribed slip of paper.

This story inspired the film Night of the Demon (1957). You can hear it online for the next 28 days.

(15) READING BY GASLIGHT.Did somebody hack JDA’s blog? There’s a new post, “On Bullying And ComicsGate” [Internet Archive ink], which begins —

One of my main principles is I’m anti-bullying…. 

(16) SAD PUPPY DNA. Gizmodo says “Don’t Take the DNA Test You’ll Probably Get for Christmas”.

… there’s no guarantee that the results you get back from a DNA-testing company are particularly meaningful or even accurate. Earlier this year, a company called Orig3n, which claims to offer fitness and lifestyle advice based on your genes, failed to note that a sample of submitted DNA actually came from a Labrador retriever.

(17) EXPLAINING THAT FLOPPEROO. Looper would be delighted to have you watch their video explaining why Mortal Engines tanked, although by the time you’ve read the “hook” you may already know all they have to say:

Mortal Engines was a massive flop at the box office. What was the reason that this potential series builder bombed so hard at the box office, really? There’s a lot to unpack with this movie – which potentially just killed a franchise. Despite a $100 million budget, and a marketing budget of more than $120 million, Mortal Engines pulled in a measly $7.5 million domestic in its opening weekend – only good enough for fifth place. What went wrong exactly? Well, we can start by looking at the marketing. Despite a lot of cash and ads, unless you were familiar with the 2001 Philip Reeve book (and books after), the idea of cities on wheels that roll around and gobble up smaller cities sounds… well… silly. The ads didn’t do a very good job explaining what exactly was going on. Another issue was the presentation: Is this a drama? An action movie? Is it a teen drama? If you went with teen drama for Mortal Engines you’d be correct, and we are at a time when teen/young adult dramas are flopping left and right; the timing was rather poor. Then Mortal Engines had the misfortune of opening against Spider-Man: Into The Spider-Verse, and The Mule – which eliminated two major age groups from seeing it. Add in a surprise exclusive showing of Aquaman via Amazon Prime and holdovers like Ralph Breaks The Internet, it’s not a surprise at all that the city on wheels movie never got rolling.

(18) GENIE-US. ScienceFiction.com liberated Entertainment Weekly’s photo gallery so that you can “Get Your First Look At Will Smith And The Cast Of ‘Aladdin’”.

In May of next year, Will Smith is hoping to enchant audiences with his depiction of the Genie in the latest live action remake of a classic Disney animated film, ‘Aladdin’.  This project is directed by Guy Ritchie (‘King Arthur: Legend of the Sword’) and also stars Mena Massoud (‘Tom Clancy’s Jack Ryan’) as Aladdin, Naomi Scott (‘Power Rangers’) as Princess Jasmine, and Marwan Kenzari (‘Murder on the Orient Express’) as the villainous Jafar, as well as Numan Acar, Billy Magnussen, Navid Negahban, and Nasim Pedrad.

To prepare you for your trip to Agrabah, Disney has released a series of first-look photos from the film…

(19) CLEAR ETHER. BBC assures everyone “Nasa’s New Horizons probe on course for historic flyby”.

The American space agency’s New Horizons probe remains on course for its daring flyby of Ultima Thule…

When the mission sweeps past the 30km wide object on New Year’s Day, it will be making the most distant ever visit to a Solar System body – at some 6.5 billion km from Earth.

Mission planners decided at the weekend to forego a possible trajectory change.

It means the probe will get to fly 3,500km from icy Ultima’s surface to take aseries of photos and other data.

There had been some concern that the object might be surrounded by large debris particles which could destroy the probe if it were to run into them. But nothing of the sort has been detected and so a wider, safer pass will not be needed.

(20) WHICH CAME FIRST? Maybe neither the chicken nor the egg – it may have been the feathers: “Pterosaurs: Fur flies over feathery fossils”.

Two exceptionally well preserved fossils give a new picture of the pterosaurs, the flying reptiles that lived at the time of the dinosaurs.

Scientists believe the creatures may have had feathers, and looked something like brown bats with fuzzy wings.

The surprise discovery suggests feathers evolved not in birds, nor dinosaurs, but in more distant times.

Pterosaurs were the closest relatives of dinosaurs, sharing a common ancestor about 250 million years ago.

“We would suggest – tentatively – that it would be worth considering that feathers originated much earlier than we thought,” Prof Mike Benton, from the University of Bristol, told BBC News.

(21) THE CONQUEROR BEFORE WILLIAM. “Hastings dinosaur footprints exposed by cliff erosion”. “Yes, technically the conqueror before William was Claudius,” admits Chip Hitchcock, who sent the link, “but he didn’t land at Hastings.”

Dozens of well-preserved dinosaur footprints from at least 100 million years ago have been uncovered in East Sussex.

At least seven different species were identified by University of Cambridge researchers during the past four winters following coastal erosion along the cliffs near Hastings.

They range in size from less than 2cm to more than 60cm across, and are so well-preserved that even the skin, scales and claws are easily visible.

There are more than 85 markings, all of which date from the early Cretaceous period.

(22) WHAT’S UP, DOCS? The American Chemical Society sent out a story about how “Rabbit gene helps house plant detoxify indoor air.”

A genetically modified houseplant can efficiently remove toxins from the air.

Our homes are supposed to be safe havens from the outside world. However, studies have shown that household air is more polluted than either office or school air, exposing children and home workers to higher levels of carcinogens than the general population. Now, researchers have made a genetically modified houseplant that can efficiently remove at least two toxins from the air. They report their results in ACS’ journal Environmental Science & Technology.

Indoor air often contains volatile organic compounds such as formaldehyde, benzene and chloroform. These toxins come from many sources, including cooking, showering, furniture and smoking. House plants can remove some toxins from the air, but they aren’t very efficient: A homeowner would need more than 20 plants to remove formaldehyde from a typical room, researchers estimate. Stuart Strand and colleagues wondered if introducing a mammalian gene called CYP2E1 to a common houseplant, pothos ivy (Epipremnum aureum), would boost the plant’s detoxifying potential. his gene encodes cytochrome P450 2E1, an enzyme that breaks down a wide range of volatile organic compounds found in the home.

The team introduced rabbit CYP2E1 to the ivy’s genome and injected benzene or chloroform gas into closed vials that contained growing plants. After 3 days, the concentrations of these compounds in the vials had dropped dramatically, and by 8 days, chloroform was barely detectable. In contrast, the compounds’ concentrations in vials containing unmodified ivy or no plants did not change. The researchers estimate that a hypothetical biofilter made of the genetically modified plants would deliver clean air at rates comparable to commercial home particulate filters.

(23) MORE SEASONAL VERSE. Submitted by Anna Nimmhaus, inspired by item 14 in the December 17 Pixel Scroll. (Apologies for the formatting — I have not yet conquered the WordPress 5.0 update of a week ago.)

Pixel scroll, pixel scroll,

Pixels all the way.

Oh, what fun it is to rhyme

With Camestros today.

Scrolling pixels through

With Camestros today,

Internets we view,

Laughing all the way.

Trolls will fail to sting,

Making spirits bright.

Camestros and we shall sing

A scrolling song tonight.

[Thanks to Cat Eldridge, JJ. John King Tarpinian, Chip Hitchcock, Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Daniel Dern, Anna Nimmhaus, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]