George R.R. Martin presented Jane Johnson and Malcolm Edwards with
Alfie Awards for Editing at the Hugo Losers Party last weekend.
Jane Johnson said, “Such a wonderful honour. We editors work in
the shadows, and that’s how it should be, but it’s lovely to receive such
recognition.”
Johnson is the British editor for George R.R. Martin, Robin Hobb,
and Dean Koontz, and was for many years publisher of the works of J.R.R.
Tolkien.
Malcolm Edwards recently left Hachette UK after 43 years at the
company. He will join Welbeck
Publishing in September to serve as publisher of André Deutsch.
Martin created the Alfie Awards in response to the impact of Puppy slating on the Hugo Awards. Named after Alfred Bester, winner of the first Hugo Award ever, Martin gave his awards at his Hugo Losers Parties in 2015 and 2016. The Alfie trophy design is inspired by the 1956 Hugos, which were rocket-shaped Oldsmobile automobile hood ornaments. Each Alfie is an individualized trophy featuring a salvaged and beautifully refinished rocket hood ornament.
Martin didn’t give Alfies in 2017. One Alfie was given in 2018 to John Picacio for the Mexicanx Initiative.
I woke up and it was still true! Last night George RR Martin presented me with a rare and gorgeous Alfie Award for my work in sff. What an honour. Thank you George, and all the wonderful authors I’ve worked with all these years.@GRRMspeaking@HarperVoyagerUK#worldcon#Dublin2019pic.twitter.com/XNsW02q69E
— Jane Johnson ?????????????? (@JaneJohnsonBakr) August 19, 2019
Update 08/20/2019: Added 2018 Alfie, based on correction in comments.
(1) SEND YOUR NAME
TO MARS. NASA’s Mars 2020 Rover is heading to the red planet. Submit your
name by September 30, 2019, and fly along! Full details on the NASA
website. Over five million names have been sent in – two million of them from
Turkey?
Your email is used only to give you “Frequent Flyer” points and to allow you to send your name on future Mars missions.
Orion consultant publisher and Gollancz chair Malcolm Edwards is stepping down from his roles after first joining the SFF imprint 43 years ago.
Hachette UK c.e.o. David Shelley said Edwards, who will work his last day at Orion on 31st May, is a “true publishing legend”.
…Edwards started his publishing career as a sci fi editor at Gollancz in 1976, quickly rising up the ranks to become publishing director. He established a stellar list of authors including Brian Aldiss, Octavia Butler, Arthur C. Clarke, Philip K. Dick, Frank Herbert, Ursula Le Guin and Terry Pratchett. One landmark month in 1984 saw him publish J.G. Ballard’s Empire of the Sun, William Gibson’s Neuromancer and Robert Holdstock’s Mythago Wood.
He went on to join HarperCollins in 1989, becoming fiction publishing director and editing Stephen Baxter, Tom Clancy, Clive Cussler, David Eddings, Alan Furst, James Herbert and Peter Straub. He edited and published both Michael Dobbs’s House of Cards novels and George R.R. Martin’s A Game of Thrones, going on to release Stephen King’s The Green Mile in serial paperback parts.
Edwards moved to Orion in 1998 as manging director of Orion Books before promotion to deputy c.e.o. and publisher in 2003. … In 2015 it was announced he would leave his roles to become chairman of Gollancz and consultant publisher, allowing him to work on “fewer projects closer to his heart”.
It’s easy to see why anthology shows based on short stories are appealing: they don’t represent a whole lot of commitment from viewers, and provide a lot of variety. A science fiction writer’s collection of short stories can provide both: self-contained, bite-sized narratives that can play out in 20-40 minutes. Don’t like one? Skip to the next. With word that Ballingrud’s debut collection is in the works, we had some ideas for other single-author collections that might make for a good anthology series in their own right….
It’s the 40th anniversary of the ground-breaking sci-fi. HR Giger’s nightmarish demon aside, the 1979 film is about a group of interstellar wage slaves doing ordinary, unglamorous jobs, writes Nicholas Barber.
Forty years ago, a little-known director and a little-known cast made a small-scale slasher movie set on a spaceship. It was a masterpiece. Ridley Scott’s Alien would go on to spawn three sequels, two prequels and two Alien v Predator mash-ups, not to mention a slew of comics and video games. But even after all this time, and all those spin-offs, the first film is unique.
A significant factor, naturally, is the title character: the sleekly nightmarish biomechanical demon designed by HR Giger. But another, under-rated, ingredient is everyone in the film who is not an alien. While James Cameron’s sequel revolved around a squad of hard-bitten marines, Scott’s 1979 original features ordinary, unglamorous people doing what are, for them, ordinary, unglamorous jobs. We never hear their full names, and they never talk about their past experiences or their future plans. Nonetheless, we get to know all seven of them, which is one reason why their deaths hit us with the force of a chest-bursting xenomorph….
While The Handmaid’s Tale describes a world that seems more plausible by the day, in Oryx and Crake Atwood spins a genetically-modified circus of current trends taken to their absolute extreme – a “bio-engineered apocalypse,” is how one reviewer put it. A number of television adaptations have been mooted, including a now-defunct HBO project with Darren Aronofsky, but this might be one to place alongside The Stars My Destination in the impossible-to-adapt file. The world of the book is vibrant, surreal and disturbing enough.
(6) TALES OF URSINIA. The Hollywood Reporter’s review (‘The Bears’ Famous Invasion
of Sicily’: Film Review) of the Cannes-screened film The
Bears’ Famous Invasion of Sicily tries to sum it up with a “Bottom
Line” of “A folkloristic work of the imagination for under-14s.” The short official trailer (with English subtitles) would
seem to partly belie that, in that the film could easily appeal to fantasy fans
of any age.
Thematically, the film spins around the eternal clash between humans and other members of the animal kingdom. When the bear cub Tonino is captured by hunters, his father Leonzio, the king of the bears, leads his thousands of brave subjects into the city to search for him, and also to rustle up some food. The encounter between Leonzio’s easy-going bears and the army of the evil Duke who rules the city highlights the naïveté of the bears in thinking they would get a fair shake out of humans.
The story is framed by the wandering storyteller Gedeone (Antonio Albanese in the Italian voice cast) who takes shelter in a big cave one inclement day with his young daughter and assistant, Almerina (Leila Bekhti). They are surprised to wake up a huge old bear (Andrea Camilleri in the Italian version; Jean-Claude Carriere in the French), who listens to their tale about the bears’ invasion of Sicily. The storyteller reappears several times in the film, keeping the tone light.
(7) TODAY IN
HISTORY.
May 26, 1897 – The first sale of Bram Stoker’s Dracula in London.
May 26, 1961 — The Twilight Zone aired “Will The Real Martian Please Stand Up?” One of the lines in this Rod Serling penned script pays homage to his friend, Ray Bradbury. “It’s a regular Ray Bradbury.”
(8) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born May 26, 1865 — Robert W. Chambers. He best known for his book of short stories titled The King in Yellow, published in 1895. I see that it has been described by such illuminaries as Joshi and Klein as a classic in the field of the supernatural. (Died 1933.)
Born May 26, 1913 — Peter Cushing. Best known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.)
Born May 26, 1921 — Mordecai Roshwald. His best known work is Level 7 written in the Fifties. He is also the author of A Small Armageddon and Dreams and Nightmares: Science and Technology in Myth and Fiction. (Died 2015.)
Born May 26, 1923 — James Arness. He appeared in three Fifties SF films, Two Lost Worlds, Them! and The Thing from Another World. The latter is based on the 1938 novella Who Goes There? by John W. Campbell (writing under the pseudonym of Don A. Stuart). The novella would be the basis of John Carpenter’s The Thing thirty years later. (Died 2011.)
Born May 26, 1923 — Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in recurring role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. (Died 2017.)
Born May 26, 1925 — Howard DeVore. He was according to all sources, an expert on pulp magazines who dealt in them and collected them, an APA writer, con-runner and otherwise all-around volunteer in First Fandom. He wrote two fascinating-sounding publications all with Don Franson, A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and A History of the Hugo, Nebula, and International Fantasy Awards. (Died 2005.)
Born May 26, 1964 — Caitlín R. Kiernan, 55. She’s an impressive two-time recipient of both the World Fantasy and Bram Stoker awards. As for novels, I’d single out Low Red Moon, Blood Oranges (writing as Kathleen Tierney) and The Drowning Girl: A Memoiras being particularly worth reading. She also fronted a band, Death’s Little Sister, named for Neil Gaiman’s character, Delirium.
A tank’s mysterious transformation from olive drab to lemon-lime green was solved Wednesday when the sponsor of a Bluefield State College club came forward and said some paint that was ordered turned out to be the wrong color.
Local residents and officials were puzzled Tuesday when Daily Telegraph photographer Eric DiNovo shot a picture of the tank parked near Bowen Field. DiNovo had noticed that the tank had been painted a bright lemon-lime color….
The mystery was solved Wednesday when Jerry Conner, sponsor of the U.S.S. Yeager Chapter of Starfleet International, a science fiction club at Bluefield State, sent a letter to the Daily Telegraph describing how the color change had happened.
Conner said that the U.S.S. Yeager club had been cleaning and painting the M-41 Bulldog tank near the entrance to Lotito Park for about 20 years. The tank needed a new coat of paint, and the club had made plans to get “the proper shade of olive drab for a World War II-period tank.”
“We took a sample of the color to a Bluefield merchant and purchased two gallons which was supposed to match our sample,” Conner said in the letter. “We were worried when we opened the containers and found something nowhere near our sample. ‘Surely it will dry the right color,’ we thought, and proceeded with the prep and painting. Imagine our chagrin when it dried, not green-brown olive, but instead, bright mustard yellow!”
…Rideout said the city obtained a copy of the paint receipt from the local retailer that sold it to the club. On the receipt, the color is called “tank green.”
Many academics and parents have said that Disney princesses are “bad for girls” because they are defined by their appearance – and they often must be rescued by men rather than act on their own (see: Sleeping Beauty and Snow White).
Sociologist Charu Uppal in Sweden has another concern – the fact that many classic Disney princesses are white and Western.
Uppal has been studying the effects of Disney princesses on girls internationally since 2009. In a world where Disney’s TV channels are broadcast in 133 countries, and its films and merchandise pervade even more, she wanted to see how girls of different nationalities perceived the idea of a princess.
…Her latest study, published in March in the journal Social Sciences, analyzed 63 princess drawings from girls in Fiji, India and Sweden. In this sample, nearly every drawing — 61 out of 63 — depicted a light-skinned princess, many of those resembling Disney characters. Fijian girls drew multiple Ariels; Indian girls drew Belles and Sleeping Beauties. Not one girl drew a princess in her country’s traditional garb.
After World War II broke out, 26-year-old Gilbert Seltzer enlisted into the Army.
Soon after, he was told he was being put on a secret mission — and an unconventional one at that.
Seltzer, then an architectural draftsman, was selected to lead a platoon of men within a unit dubbed the “Ghost Army.” Made up mostly of artists, creatives and engineers, the unit would go on to play an instrumental role in securing victory in Europe for the U.S. and its allies.
Their mission was deception. From inflatable tanks, to phony convoys, to scripted conversations in bars intended to spread disinformation, they used any and all possible trick to fool the enemy….
“I drive in the bus lane because I have an electric car. It saves me 30 minutes on every journey to work.”
Dagfinn Hiehe was smiling ear-to-ear as he told me his favourite thing about having an electric car.
…Driving in the bus lane is just one of the incentives the Norwegian government is offering its citizens, in exchange for dumping their petrol or diesel and switching to electric.
Like many big cities, Oslo’s roads are crowded, and saving time on the commute is hugely appealing. Another big benefit is the discount on road tolls, which you are largely exempt from in an electric vehicle.
What would life on Mars look like? NASA thinks it’s getting one step closer to figuring it out. The Agency has awarded a combined $700,000 to the first and second-place teams in its 3D-Printed Habitat Challenge.
Self-described “multi-planetary architectural and technology design agency” AI SpaceFactory, based in New York, took first place with $500,000. A team of professors from Penn State finished in second with $200,000.
AI SpaceFactory beat over 60 other teams in the finale of an ongoing competition that began in 2015. NASA ran the contest in conjunction with Bradley University of Peoria, Illinois, where the final challenges were held.
For the On-Site Habitat Competition, teams had to autonomously print a one-third-scale habitat. This habitat had to be built from recyclables and materials that could be found on deep-space destinations, like the Moon and Mars.
(16) ANOTHER DAY IN COURT. The first one went so well *coff* let’s see how a “Real Lawyer Reacts to Game of Thrones: Trial of Tyrion Lannister.”
Tyrion is put on trial for the murder of Joffrey. Does he get a fair trial?
[Thanks to Cat
Eldridge, Chip Hitchcock, JJ, John King Tarpinian, David Doering, Mike Kennedy,
Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Kip
Williams.]
(1) THE WAY TO LIVE IN FANDOM. In “A few post-Wiscon thoughts on being an ally” Sigrid Ellis covers several topics, and this segment speaks to fans far beyond the environs of WisCon.
Here’s the thing: if the fates are kind, all of us will one day be old in fandom. Two, three, four generations will pile in after us, building on what we have fostered. We, too, will be pushed to the margins and passed by.
Yet my heart and head are with the youth. With the future. I cannot bring myself to condemn change that spreads power among more people. I cannot argue against hearing more people tell their own stories. I cannot stand against representation, inclusion.
And yet, and yet, and yet …
What I want, what a crave, is for people to LISTEN to each other. To empathize. I want the young’ns to thank those who came before for their victories, however incremental. I want the founders and established folks to respect the anger and impatient demands for change. I want the next generation to not throw out everything just because it was done before. I want the previous generation to avoid “because we always do it this way” as a reason.
When I hear some Old Fart say something dismissive and intolerant, I wince. I want to prevent my respected elders from showing their ass in public, I want to cover for them, I want to protect them from being overheard.
When I hear some Young Turk calling to burn it all to the ground and start again, I wince. I want to run interference, I want to soften their demands, I want to compromise and meet them halfway.
….Like a great novel or poem, Star Wars doesn’t tell you what to think. You can understand it in different, even contradictory ways. Here are six of those ways.
Feminism
From the feminist point of view, is Star Wars awful and kind of embarrassing, or actually terrific and inspiring? No one can doubt that “The Force Awakens” strikes a strong blow for sex equality: Rey is the unambiguous hero (the new Luke!), and she gets to kick some Dark Side butt. Just look at the expression on her face when she has a go at Kylo Ren.
By contrast, the original trilogy and the prequels are easily taken as male fantasies about both men and women. The tough guys? The guys. When you feel the Force, you get stronger, and you get to choke people, and you can shoot or kill them, preferably with a lightsaber (which looks, well, more than a little phallic — the longer, the better).
But there’s another view. Leia is the leader of the rebellion. She’s a terrific fighter, and she knows what she’s doing. She’s brave, and she’s tough, and she’s good with a gun. By contrast, the men are a bit clueless. She does wear a skimpy costume, and she gets enslaved, kind of, by Jabba the Hutt. But isn’t everything redeemed, because she gets to strangle her captor with the very chain with which he bound her? Isn’t that the real redemption scene in the series?
(3) SISMAN OBIT. Publisher and novelist Robyn Sisman (1955-2016) died May 20 of cancer reports The Bookseller.
She began her career in publishing at Oxford University Press where she worked her way up to become an editor.
She later became an editorial director at J M Dent and created two publishing imprints – Everyman Fiction, a list of contemporary fiction; and a classic crime line, which included writers such as Nicholas Blake (Cecil Day-Lewis), Margery Allingham, and Kingsley Amis.
Malcolm Edwards believes she commissioned the first Interzone anthology at Dent.
Sisman then joined Hutchinson, part of the Random House group, via a stint at the newly established UK arm of Simon & Schuster.
She oversaw publication of Robert Harris’ wartime novel Fatherland, but also such books as Kim Newman’s The Night Mayor and Brian Stableford’s Empire of Fear brought to her attention by an sf advisor.
Sisman’s career as a writer began with her debut novel, Special Relationship, published in 1995 by Heinemann. She wrote five other romantic comedies, Just Friends (Penguin), Perfect Strangers (Penguin), Weekend in Paris (Penguin), A Hollywood Ending (Orion) and The Perfect Couple? (Orion).
In the direst scenario, Air Force fighters simply won’t survive over enemy territory long enough to make any difference during a major war. In that case, the penetrating counterair system, or PCA, might not be a fighter jet as we currently understand it.
Instead, it could be a radar-evading drone whose main job is to slip undetected into enemy air space and use sophisticated sensors to detect enemy planes—and then pass that targeting data via satellite back to other U.S. forces. “A node in the network,” is how the strategy document describes the penetrating system’s main job.
The Air Force could start work on the penetrating counterair system in 2017, according to the new air-superiority plan. The document proposes that this possible stealth drone could team up with an “arsenal plane”—an old bomber or transport plane modified to carry potentially hundreds of long-range missiles
One segment was about the history of food aboard commercial aircraft, the other about food in space, and each had their humorous moments. As part of one I had to eat some airline peanuts, and unfortunately they had brought the sweet kind that I detest. I managed to fake enjoyment when the camera was on, but must have made an interesting face as soon as it stopped, because the cameraman asked if I was choking. When I told him the situation, he complimented me on my acting, because he had thought I loved peanuts as long as the camera was on. The annoying part? They had to shoot the scene three times, so I ate a whole bag of the nasty things.
On August 22, 2016, in celebration of the ninety-sixth anniversary of the birth of American and Angeleno literary great Ray Bradbury, the Ray Bradbury Read will take place in downtown Los Angeles from twelve noon to three p.m.
The Ray Bradbury Read will feature three hours of short readings from the works of Ray Bradbury; from his short stories, novels, poems, and essays…
The readers of Bradbury’s work will be members of the public selected by the process described below. There will also be guest celebrity readers….
To be considered as a reader you must submit a proposal for a reading of a five-minute-or-under excerpt from one of Bradbury’s many works. The excerpt can come from any of Ray’s published prose and verse writings and should have a central theme, coherence, and completeness about it. More than one excerpt or poem can be read, as long as their reading time does not exceed five minutes. Excerpts from plays and screenplays will not be accepted.
(8) WALK THROUGH MGM. Marc Scott Zicree, Mr. Sci-Fi, visits the former MGM, where Twilight Zone was shot.
(9) DO ANYTHING ELSE IF YOU CAN. William F. Nolan wrote on Facebook:
A major misconception: that all famous, successful writers find it easy to bring in vast amounts of money and have always enjoyed big bucks, right from the start of their fabled careers. Nothing could be farther from the truth. Stephen King had his phone cut off for non-payment and had to use a gas station phone to receive calls while sweating for low pay in an industrial laundry. Ray Bradbury lived on tomato soup for years as his stories were rejected. Charles Beaumont had to hock his typewriter for food. Richard Matheson nearly starved trying to live on random, penny-a-word sales. Just a few examples from many. It takes talent, hard work and a LOT of years to “make it big” as a writer. And most writers never do. A tough game, people. Very, very tough indeed. Write if you must — but ONLY if you must.
In a recent interview with MoviePilot, Bob Gale let his opinion be known about Marvel’s upcoming ‘Doctor Strange’ movie, a film that he is not looking forward to. While you might think “Who the hell is Bob Gale?” and “Why does his opinion matter on this?” let me tell you, I had similar thoughts. I knew he was a writer/producer on the ‘Back to the Future‘ movies back in the 80?s (and has done little else since, except for ‘Back to the Future’ video games and promos, and the ride at Universal Studios), and I thought it was very strange that years later the man would pop up again with comments on a Marvel movie. However, Bob Gale having an opinion on the matter is not as strange as I originally thought, as it turns out that back in the 80s (at the height of his relevancy) the man wrote a screenplay for ‘Doctor Strange,’ which unfortunately never got made. Apparently Bob Gale is a huge ‘Doctor Strange’ fan and an expert on the character, which is why he tried to get his movie made, and also why he feels so strongly about Marvel’s upcoming film featuring the character.
Of course I’d listen to Bob Gale’s opinion. He majored in film at USC. More important, that’s how he happened to take me (a fellow USC student) to the first LASFS event I ever attended, the club’s 1970 anniversary dinner, where Harlan Ellison read aloud “Beast That Shouted Love at the Heart of the World.” He can say anything he likes about Doctor Strange as far as I’m concerned. 😉
Ursa Beta Minor (The Restaurant at the End of the Universe, by Douglas Adams) Introduction: The Pleasure Planet Ursa Beta Minor was designed, manufactured, and terraformed to be the ultimate vacation destination. The planet is comprised completely of warm oceans and thin strips of beach front. It is always Saturday afternoon, and the bars are always open. In fact, as you read this, you’re wondering why anyone would travel to any other single-climate planet, and frankly we have to agree with you.
Where to Go: Aside from the beaches and the bars, there is only one other destination: Light City, the capital city. While in Light City, visit the headquarters of the Hitchhiker’s Guide to the Galaxy, which will be very disappointing, but afterwards you can stroll down Life Boulevard and walk past the shops that literally no one is wealthy enough to afford.
Getting There and Getting Around: You’ll need a ship equipped with some sort of Infinite Improbability Drive, or at least a Bistromatic Drive. Once in orbit, you can only arrive by air, as the owners really want you to see Light City from up there, or else the whole trip is a waste.
(12) APPERTAIN YOURSELF A LIBATION. Stoic Cynic in a comment:
Apropos of nothing in this thread (yet), and with apologies to Johnny Mandel, Mike Altman, the cast of MASH, and various posters toasting world peace:
Through early morning fog I see
Another troll post on the screen
Their words that are meant to rile me
I realize and I can see
That scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
Games of trolls are a loss to play
Not gonna feed it today
That losing card I’ll some day lay
But right now though I have to say
That scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
Their words are time we’ll not see again
It doesn’t hurt when it begins
But engage and get all drawn in
The loss grows stronger, watch it grin
Scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
Sea Lions once demanded me
To answer questions they thought key
Is it to be, or not to be?
And I replied, oh why ask me?
Scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
And you can do the same thing
If you please
[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Stoic Cynic, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
Her relationship with her younger sisters is complicated. They are our biological daughters, and this creates deep and unavoidable conflict for her. No matter how much we reassure her that we love her the same as the younger girls, she tests us.
During the scenes in Supergirl where Alex and Kara explore the painful aspects of their relationship as sisters through adoption, our whole family absorbs every word, every expression, because seeing this dynamic on mainstream television makes our family feel less alone. The fact that both Alex and Kara are kickass, strong, smart, flawed, beautiful women who work hard, cry, laugh, yell, fight, and make mistakes has been an incredible model for all of our girls.
[From Marley’s Welcome.] Welcome to the #1000blackgirlbooks Resource Guide. I started this campaign because I wanted to read more books where black girls are the main characters. With your help we have collected over 4000 books; many of them are have the same title, but we do have lots of unique ones as well. This guide includes 700 of those books and more is coming.
I believe black girl books are really important because when you are young you want to read lots of books, but you especially like to read books with people that look like you. While I have books at home about black girls, the books at school were not diverse. Children do most of their reading in schools or because of schools. Teachers assign books that you must read. If those books are not diverse and do not show different people’s experiences then kids are going to believe that there is only one type of experience that matters. Also, if books are not diverse then kids will not learn about the experiences of other members in their community.
(3) BELGIUM CALLING. Nicholas Whyte checks in from Brussels, in “Losers” at From the Heart of Europe.
I finally made it to the office at 1022, those last two kilometres having taken me 90 minutes to drive, to find most of my colleagues gathered ashen-faced in the lobby, greeting me tearfully – I was the only person who was unaccounted for, due to my phone being out of order – and giving me the headlines of what had happened. It’s nice to feel appreciated, still more so when I logged on and saw many concerned messages from friends and family, and even more so when people responded to my posts confirming that I was safe. One of the great things about the interconnectedness of today’s world is that we can often catch up with our friends quickly – Facebook’s check-in system in particular is a source of reassurance.
The horror has hit very close to home. I have flown out of Brussels airport in the morning five times this year, and was originally due to do so again on Friday to go to Eastercon in Manchester (in fact my plans have changed and I’ll take the Eurostar to London for work tomorrow and travel on up by train). My wife was flew out on Monday for a funeral in England and was due to fly back last night; her flight was cancelled and she will now return by Eurostar this evening. Maelbeek metro station (the four-pointed star on my map) is in the heart of the EU quarter, and I go past it almost every day and through it several times a month; a former colleague was actually on the train that was bombed, but fortunately escaped without injury; another former staffer (from before my time) was in the departure hall of the airport, and is recovering well from minor injuries.
… This happened because they [the terror movement] are losing. Less than a week ago, a major figure in the terror movement was arrested in Brussels; perhaps yesterday was revenge for his arrest, perhaps it was rushed into because they were afraid he would start talking (or knew that he already had). On the ground, their allies and sponsors are losing territory and resources in Syria and Iraq. I wrote a week ago about violence as story-telling, in the Irish context. This is an attempt to write a story about the weakness of our interconnected world, attacking places where people travel and meet, where many nationalities and cultures join together and build together.
It is a narrative that must not and will not win…
(4) MIND MELD. SF Signal’s current Mind Meld, curated by Andrea Johnson, asks —
Q: What non-mainstream Scifi/fantasy Graphic Novels do you recommend?
It’s obvious what’s going on here, right? That’s Hamilton/Breq in the middle, and she’s recruited Agent Carter, Lieutenant Peepsarwat, and Translator Zeiat in her search for the Presger gun. That case Agent Carter is carrying?
Think your DNA is all human? Think again. And a new discovery suggests it’s even less human than scientists previously thought.
Nineteen new pieces of non-human DNA—left by viruses that first infected our ancestors hundreds of thousands of years ago—have just been found, lurking between our own genes.
And one stretch of newfound DNA, found in about 50 of the 2,500 people studied, contains an intact, full genetic recipe for an entire virus, say the scientists who published their findings in the Proceedings of the National Academy of Sciences.
Whether or not it can replicate, or reproduce, it isn’t yet known. But other studies of ancient virus DNA have shown it can affect the humans who carry it.
In addition to finding these new stretches, the scientists also confirmed 17 other pieces of virus DNA found in human genomes by other scientists in recent years…
A new study published today in Nature reports discovery of a rare event—that Earth’s moon slowly moved from its original axis roughly 3 billion years ago.
Planetary scientist Matt Siegler at Southern Methodist University, Dallas, and colleagues made the discovery while examining NASA data known to indicate lunar polar hydrogen. The hydrogen, detected by orbital instruments, is presumed to be in the form of ice hidden from the sun in craters surrounding the moon’s north and south poles. Exposure to direct sunlight causes ice to boil off into space, so this ice—perhaps billions of years old—is a very sensitive marker of the moon’s past orientation….
“The moon has a single region of the crust, a large basaltic plain called Procellarum, where radioactive elements ended up as the moon was forming,” Siegler said. “This radioactive crust acted like an oven broiler heating the mantle below.”
Some of the material melted, forming the dark patches we see at night, which are ancient lava, he said.
“This giant blob of hot mantle was lighter than cold mantle elsewhere,” Siegler said. “This change in mass caused Procellarum—and the whole moon—to move.”
The moon likely relocated its axis starting about 3 billion years ago or more, slowly moving over the course of a billion years, Siegler said, etching a path in its ice.
(8) INDICATION OF TOR. John C. Wright still has one last book on the way from Tor – The Vindication of Man. Rather a dim-looking cover on the preorder page. The release date for the hardcover is November 22.
(9) TODAY’S BIRTHDAY BOY
Born March 23, 1952 — Kim Stanley Robinson. The other great sf writer born in Waukegan!
(10) HE WRITES ABOUT THEY. Although John Scalzi’s post about gender-neutral pronouns is interesting, I found his personal demonstration in the comments even more so:
Also, for the record, my stance on pronouns, as they regard me:
He/him/his: My preferred set. Please use them in all things involving me.
They/them/their: Not my preferred set, but I don’t mind them being used for me.
It/it/its: This is a non-gender construction but generally isn’t used for individual humans (excepting, from time to time, infants), and is mostly used for animals and objects. Please don’t use them for me; if you do I’ll wonder why you are, and also wonder if you see me as an object, which would make me wonder if you’re a sociopath of some sort.
She/her/her: Not my gender! Be aware that in my experience when someone uses these for me, they’re usually trying to insult me in one way or another. So unless you want my default impression of you to be that you’re a sexist twit, please don’t use this set for me.
Other constructions: Really, no. “He” or “They” is fine. Thanks.
(11) DO YOU FEEL LUCKY? Claire Rousseau’s series of tweets ends on a rather optimistic note, considering the 2016 Hugo ballot isn’t out yet.
The Sad Puppies are way less threatening now that we've avoided the nuclear arms race of everyone making slates. (13/?)
And after being selectively quoted by Jim Hines who pretended I was calling anyone not with the puppies worse than those who abetted the holocaust and the holodomor, by cutting out the part where I addressed those who destroy lives and reputations for a plastic rocket, we have at least established what Jim Hines is. He’s not duped by those destroying reputations and lives. He’s one of the principals. I have only one question for him: But for Wales, Jim?
(14) PUPPYING WITHOUT UMLAUTS. Some of Declan Finn’s days are better than others. “The Evil of the Puppy Kickers” at A Pius Geek.
But last time I checked, Vox Day has really never dismissed his enemies as being subhuman. Nor has he suggested murdering any of them. Not even NK Jemisen, who has her own little war with Vox going that stretches back at least two years. He’ll still debate, or reason, or scream right back at her, but he’ll at least reply to whatever is thrown his way.
You may not like what he says, but he at least acknowledges that she’s someone worth having a fight with.
Can’t say that for the Puppy Kickers. They like being the ubermensch of their own little Reich, and it’s getting tiresome, really. The ones who are really in charge rarely, if ever, acknowledge any argument outside of their own little echo chamber.
Did I mention that the MAIN MONSTER HUNTER HIMSELF, LARRY CORREIA, will be joining us on GUN STORIES WITH JOE MANTEGNA this season? The MONSTER HUNTER books are modern classics. I just finished reading SON OF THE BLACK SWORD, the first book in his newest series, and it was excellent.
(16) CROWDFUNDED CON. The Museum of Science Fiction in Washington, DC is running a Kickstarter appeal to fund guests for Escape Velocity, a convention it plans to hold July 1-3. At this writing, people have pledged $14,348 toward the $18,000 goal.
Something special is coming to National Harbor, Maryland – a science fiction convention on a mission. This July 1st to 3rd, the Museum of Science Fiction will be launching ESCAPE VELOCITY, a micro futuristic world’s fair where STEAM (science, technology, engineering, the arts, and mathematics) and science fiction will collide to create a geeky-fun, educational, and above all, fascinating spectacle for kids and adults alike!
A couple of the guests they expect to have are —
Rod Roddenberry, recently announced executive producer for the new Star Trek TV series for 2017 will make a keynote presentation to celebrate Star Trek’s 50th Anniversary and discuss his work with the Roddenberry Foundation.
Adam Nimoy, son of Leonard Nimoy, who played Mr. Spock on Star Trek, is coming to Escape Velocity to discuss his father’s legacy and his new documentary film, For the Love of Spock.
In addition to screening parts of the documentary, Nimoy will join Rod Roddenberry on an Escape Velocity discussion panel moderated by screenwriter and Museum of Science Fiction advisory board member, Morgan Gendel, who wrote the Hugo Award-winning Star Trek: The Next Generation episode, “The Inner Light.” “I’ve known both Adam and Rod for years and it’s fascinating to see how each has found a way to celebrate the work of their famous fathers,” said Gendel. “I expect the panel to be a very insightful look into the lives and legacies of two Trek icons.”
Malcolm Edwards was JG Ballard’s editor for several years and worked with him on Empire of The Sun, among other classics. He should be able to give invaluable insights into Ballard’s working methods and the wonderful books he produced – and so is uniquely placed to talk about this month’s Reading Group choice, High-Rise, not to mention the recently released film.
(18) NOT WORTH THE PAPER THEY’RE NOT WRITTEN ON? Max Florschutz takes a deep dive into the value of ebooks at Unusual Things.
You don’t see articles from music sites talking about how MP3 downloads are worthless and shouldn’t cost more than ten cents. You don’t see game review sites asking how dare Steam or Origin have a digital game on launch day cost the same as its physical compatriots.
So why in the book industry is this such a problem? Why is it that a person will look at a digital MP3 download from their favorite artist and buy it without a second of remorse, but then look at a digital book from their favorite author and send them an angry message about how that ebook shouldn’t be more than a dollar?
I don’t actually have an answer to this question. All I have are theories based on what I’m reading and hearing from other people around the internet. Maybe you’ll agree with some of these, maybe you won’t. But all of these are things I’ve heard expressed in one way or another….
1A- Physical books have physical difficulties that imply value to their purchasers. Yes, this much is true. While the story inside the pages remains the same, the trick with an ebook is that it’s hard to compete with an observation of value when looking at one. A physical book? Well, for one, you can pick it up and feel the weight of it, which, to most people, does imply a value. But you can also flip through it, jostle it, check a few pages, see how long it is.
You know what’s interesting? We can do all these things with an ebook. You can flip through it and read a sample. You can see how many pages there are. You can even check reviews—something you can’t do at a bookstore.
And yet … people don’t value that either. And why? Because it’s easy. It’s fast.
(19) GOTHIC INSPIRATION. Paul Cornell starts watching all the Hammer movies in order: “My Hammer Journey #1”.
The Quatermass Xperiment (1955)
The first thing that strikes one is how much of a Val Guest movie this is, and how much, therefore, as a director, Val Guest establishes the Hammer ethos. Guest’s forte is a kind of poetic modernist postwar British craft, a deceptive air of understated hard work that nevertheless not only gets everything right, but elevates, through the little details, the whole thing into art. (Again, that reminds one of the best years of Hammer all in all.) ….
(20) FURY FURIOUS. This was new to me, although it has been making the rounds for several years…
[Thanks to James H. Burns, DMS, Mark-kitteh, Andrew Porter, Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
