(1) LISTEN UP. Connie Willis proclaimed to Facebook readers “PRIMEVAL IS BACK!!!” (Hey, my ears may be deaf but my eyes aren’t!)
I just saw that the first two seasons of PRIMEVAL, the British science-fiction series, is now available from Britbox, and I thought it was a good time to encourage anybody who hasn’t seen it so far to take a look at it. That is, if there’s anybody left who I haven’t already told they HAVE to watch this series–
I have recommended it so many times that it’s become a standing joke in science fiction circles (I somehow figure out a way to mention it on every single panel) and Locus has forbidden me to mention it at the Locus Awards Banquet. As if that could stop me!
I know it sounds like I’m obsessed with the series, but so was Kit Reed, one of my favorite science-fiction writers of all time (see her brilliant short stories, “The Wait” and “Great escape Tours, Ltd.”) and nearly everybody I’ve ever introduced it to has loved it. (One couple took it on a beach weekend and ended up never going outside the entire time because they were binge-watching.)…
You know anything forbidden by Locus is mandatory here….
… So, basically, the A-team with dinosaurs. So far, it’s completely formula, and you think the hunky guy and the pretty blonde will obviously get together, the geeky nerd will provide the plot explication and comic relief, the professor and the bureaucrat will flirt with each other, etc. but that only lasts for an episode or two, and then things start to get really interesting….
(2) SVENGOOLIE LENDS A HAND. Chicago’s Museum of Broadcast Communications is one of five selected to host a special John Oliver exhibit. Horror-themed TV host Svengoolie told his fans how he helped with the successful pitch to Oliver, and that some of his items will be displayed by the Museum.
Tapped by Emmy-winning writer, comedian and television host John Oliver, the Museum of Broadcast Communications (MBC) announced today it is one of only five museums in the country receiving an art display featured on HBO’s Last Week Tonight with John Oliver. The special exhibit opens Oct. 2 through Oct. 26, 2021. In addition to winning the honor through a national competition, the Museum also receives $10,000 from Last Week Tonight. The MBC’s designated charity, the Greater Chicago Food Depository, also will receive a $10,000 donation.
… The national competition began after Oliver’s 2020 segment about the harsh effects of the global pandemic on small museums. Oliver wanted to help. He called for submissions from museums that wanted to compete for displaying items from his Masterpiece Gallery collection. The Museum responded with a humorous video pitch using the power of broadcast to communicate important stories and influence audiences….
Admission is free, but the Museum has suggested that visitors bring a non-perishable food donation which will go, along with the $10,000 donation, to the Greater Chicago Food depository.
Move over James Bond and John Steed, there is a new dashing science fictional spy on the scene. I am of course referring to the latest hit from the team behind Doctor Who: Adam Adamant Lives!
An old-fashioned Victorian swashbuckling hero, Adam Adamant is frozen by a masked supervillain and buried under London. After being found by a construction crew, he finds himself resurrected in the strange world of London in 1966. Teaming up with a young mod woman named Georgina Jones, they solve unusual crimes such as satanic aristocrats or a soap manufacturer drugging the nation with plastic flowers.
(5) TWO THUMBS UP. A pair of early reviews of Denis Villenueve’s Dune are quite favorable.
Dune reminds us what a Hollywood blockbuster can be. Implicitly, its message written again and again in the sand, Denis Villeneuve’s fantasy epic tells us that big-budget spectaculars don’t have to be dumb or hyperactive, that it’s possible to allow the odd quiet passage amid the explosions. Adapted from Frank Herbert’s 60s opus, Dune is dense, moody and quite often sublime – the missing link bridging the multiplex and the arthouse. Encountering it here was like stumbling across some fabulous lost tribe, or a breakaway branch of America’s founding fathers who laid out the template for a different and better New World.
… Villeneuve’s Dune is the sandworm exploding out from the darkness below. It is a film of such literal and emotional largeness that it overwhelms the senses. If all goes well, it should reinvigorate the book’s legacy in the same way Peter Jackson’s Lord of the Rings trilogy did for JRR Tolkien’s work. Indeed, much like Jackson, Villeneuve has a certain pliancy to his vision that, in this case, has been his saving grace. Arrival and Prisoners, two of his previous films, may have possessed their own distinctive look but, when it came to Blade Runner 2049, his belated sequel to Ridley Scott’s masterpiece, it spoke fluently in the language of what came before….
1942 – Seventy-nine years ago on this date, “The Impatient Patient,” a Warner Bros. Looney Tunes cartoon short featuring Daffy Duck and Dr. Jekyll premiered. The cartoon is set in Jekyll’s mad scientist’s laboratory. It was produced by Leon Schlesinger and directed by Norman McCabe. The story by Don Christensen. It starred Mel Blanc. In 1968, a redrawn color edition would be re-released and in 1992, a computer colorized version came out. Animation fans detest both of these versions. You can watch the original version here as it’s in the public domain.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played a series of androids in I, Mudd, a quite classic Trek episode. Both appeared as police women in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They only acted for three years and every appearance of their total seven appearances by one was with the other. (Alyce died 2005; Rhae died 2009.)
Born September 5, 1939 — Donna Anderson, 82. She was Mary Holmes in On The Beach, based on Neville Shute’s novel. She also appeared in, and I kid you not, Sinderella and the Golden Bra and Werewolves on Wheels. The first is a Sixties skinflick, the second is a Seventies exploitation film. She last shows up in a genre role series in The Incredible Hulk.
Born September 5, 1939 — George Lazenby, 82. He is best remembered for being James Bond in On Her Majesty’s Secret Service. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. (He was also the youngest actor cast as Bond, at age 29, and the only born outside of the British Isles.) Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. He voiced the Royal Flush King in a recurring role in the Batman Beyond series.
Born September 5, 1940 — Raquel Welch, 81. Fantastic Voyage was her first genre film though she made One Million Years B.C. thatwith her leather bikini got her much more notice. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy.
Born September 5, 1951 — Michael Keaton, 70. Beetlejuice, Beetlejuice, Beetlejuice! He also has the title roles of Tim Burton’s Batman and Batman Returns. His most recent role is The Vulture in Spider-Man: Homecoming. He reprises that role as in Marvel’s upcoming Morbius film.
Born September 5, 1959 — Carolyne Larrington, 62. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation.
Born September 5, 1964 — Stephen Greenhorn, 57. Scriptwriter who written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He also wrote Marchlands, a supernatural series whichJodie Whittaker and Alex Kingston appeared in. He also wrote the Mind Shadows strip which was featured on the Who website.
Born September 5, 1973 — Rose McGowan, 48. Best known as Paige Matthews on Charmed. She played two different roles in the Grindhouse franchise, Cherry Darling in Planet Terror and Pam in Death Proof. She was Miss Kitty in Monkeybone, a very weird film indeed.
(9) COMICS SECTION.
Tom Gauld on all the hoops people will be expected to jump through upon the arrival of the next big book.
Written by Mark Buckingham and Toby Litt (Buckingham also served as illustrator), the book follows a pair of deceased boys — Charles Rowland and Edwin Paine — who forego a ticket to the afterlife in order to remain on Earth, solving mysteries via supernatural means. Think Constantine meets The Hardy Boys.
Fans rightfully so give William Shatner props for still working at 90 years old, but that doesn’t mean he’s the only original Star Trek actor still going strong these days. George Takei is 84 years old and is himself still acting. Takei even has a major project coming up with the famed Mel Brooks (who’s 95 years old himself).
The new project is called Blazing Samurai and features a loaded cast. Names like Michael Cera, Samuel L. Jackson, Ricky Gervais, Gabriel Iglesias, Djimon Honsou, and Star Trek: Discovery’s very own Michelle Yeoh. The man himself, Brooks, will also be lending his voice to the animated feature.
The film is based on Brooks’ own Blazing Saddles comedy and will center around Hank, played by Cera, who is a dog that wants to become a samurai. Jackson plays a cat, and Gervais plays the evil villain….
(15) VIDEO OF THE DAY. A visit to Walt Disney’s house, featuring animator Floyd Norman and Disney historian Don Hahn.
From legendary filmmaker Don Hahn and Disney Files Magazine Editor Ryan March comes “Disney Drop-In,” a Disney Vacation Club series of unscripted videos filmed in interesting Disney places with equally interesting Disney people. In this episode, Don Hahn leads Disney Legend Floyd Norman on a tour of Walt Disney’s historic home on Woking Way in Los Angeles, California.
[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Paul Weimer.]
(1) INTERNATIONAL SERIES AWARD TAKING ENTRIES. The Sara Douglass Book Series Award judging panel welcomes entries for the 2021 award. The deadline to enter is September 30. See full guidelines at the link.
The third iteration of the Sara is underway in 2021, covering series ending (in original publication anywhere in the world) between January 2018 and December 2020.
The current judging year is deliberately excluded. This permits an earlier submissions deadline to allow adequate time for the judges to consider all works entered….
(2) REMEMBERING LOSS. In “The Grief in Memories”, a guest post at Stone Soup, TJ Klune frankly discusses personal experiences with death and grief and how they informed his new novel Under the Whispering Door.
… I know grief. I do. Chances are you do too. If you live long enough to learn what love is, you’ll know loss. Though no two people will grieve the same way, there’s still something universal about it, the way it changes us. It makes us feel like our hearts are being torn from our chests. It makes us furious, ranting and raving at the unfairness of it all. It’s all-consuming, this great thing that wraps itself around us and refuses to let go….
(3) FANAC.ORG. One of the fanzines now available at Fanac.org is a rarity mentioned in Ed Meskys’ obituary a few weeks ago. (“Peggy Rae McKnight (later Sapienza) began publishing Etwas in 1960; ‘We traded fanzines at the time, her Etwas (German for something) for my Niekas (Lithuanian for nothing).’”)
Etwas, Peggy Rae McKnight. Added the full 7 issue run of this early 1960s fanzine by Peggy Rae. Peggy Rae McKnight of course is Peggy Rae McKnight Pavlat Sapienza. Contributors include Harry Warner, Jr., Les Gerber, Ozzie Train, and others. The shorter issues may be more like perzines.
(4) PARTY LIKE IT’S 2010 AGAIN. As part of the Bradbury birthday commemoration, Phil Nichols produced a bonus episode of Bradbury 100 LIVE!In the 90th birthday video clip you can see all kinds of people, like the late George Clayton Johnson, Marc Scott Zicree, and John King Tarpinian (even though he’s trying to be invisible.)
On the eve of Ray Bradbury’s 101st birthday, I ran Bradbury 100 LIVE – a livestream version of my Bradbury 100 podcast. Joing me via Zoom was Steven Paul Leiva: novelist, friend of Ray Bradbury, and former Hollywood animation producer. This live show includes never-before-seen photos and video from Ray’s 90th birthday party, held in Glendale California in 2010. And we talk at length about one of Ray’s “lost” films, Little Nemo In Slumberland. We also discuss legendary animator Chuck Jones, who was a friend of Ray’s, and who was significant to the origin of The Halloween Tree and the abandoned Nemo project.
British comedy legend John Cleese will be exploring cancel culture in a new documentary series for Channel 4.
The series – which is to be titled John Cleese: Cancel Me – will see the Monty Python and Fawlty Towers star “explore why a new ‘woke’ generation is trying to rewrite the rules on what can and can’t be said”.
Throughout the series, the comedian will talk to a variety of people – including some famous faces who claim to have been ‘cancelled’ and others who have campaigned against comedians and programmes – to ask if it is possible to create comedy without causing offence….
The motion was filed to Los Angeles Superior Court on Friday afternoon by Disney attorney Daniel Petrocelli. In documents obtained by USA TODAY, Petrocelli argued that the contract between Disney and Periwinkle Entertainment Inc., the company representing Johansson, included an agreement to settle any disputes through “binding arbitration” in New York City.
Disney’s request for arbitration is the company’s first filing in the case since Johansson filed suit on July 29, alleging her contract with Marvel was breached when “Black Widow” was released on the Disney+ streaming service at the same time as in theaters.
In Friday’s filing, Disney argued the complaint put forth by Johansson and Periwinkle Entertainment has “no merit.”
“There is nothing in the Agreement requiring that a ‘wide theatrical release’ also be an ‘exclusive’ theatrical release,” Petrocelli wrote.
Petrocelli cited box office numbers, noting that the combined opening weekend revenue from ticket sales in theaters and Disney + Premiere Access receipts totaled more than $135 million. That surpassed other Marvel Cinematic Universe films that were released before the pandemic, including “Thor: The Dark World,”“Ant-Man and the Wasp” and “Guardians of the Galaxy,” Petrocelli wrote.
“Disney is now, predictably, trying to hide its misconduct in a confidential arbitration,” Johansson’s attorney John Berlinski told USA TODAY in a statement. “Why is Disney so afraid of litigating this case in public?”…
…SF authors have noticed this and written books about planets/planetesimals with different day lengths. Consider these five vintage works.
Mission of Gravity by Hal Clement (1953)
61 Cygni’s world Mesklin is sixteen times more massive than Jupiter. A day less than twenty minutes long means that the gravity at the equator is a measly three gravities. Thus, human starfarer Charles Lackland is able to briefly set down near the equator, where he is subjected to extreme discomfort (rather than immediate death). Too bad for Lackland that the object of his quest, a lost probe, is near one of Mesklin’s poles, where gravity is high enough to reduce a human to paste.
Conveniently for Lackland, Mesklin is not only life-bearing—it has natives. Rational self-interest being universal in Clement’s universe, Lackland strikes a deal with local trader Barlennan: retrieve the probe in exchange for services only someone with space flight can provide the trader. What follows is a glorious expedition through conditions quite alien to the human reader….
(8) MEMORY LANE.
1989 – Thirty-two years ago at Noreascon 3 where the Toastmaster was Frederik Pohl, C. J. Cherryh wins the Hugo for Best Novel for Cyteen. It had been published by Warner Books the previous year. Other nominated works that year were Red Prophet by Orson Scott Card, Falling Free by Lois McMaster Bujold, Islands in the Net by Bruce Sterling and Mona Lisa Overdrive by William Gibson. Andrew Porter’s Science Fiction Chronicle would give it their SF Chronicle Award and Locus would award it their Best SF Novel Award. It was nominated for a BSFA as well.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 23, 1927 — Peter Wyngarde. Not one who was a lead actor in any genre series save Department S where he was Jason King but interesting none-the-less. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor, and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
Born August 23, 1929 — Vera Miles, 92. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve, count ‘em twelve, Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight Zone, Alfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E.
Born August 23, 1931 — Barbara Eden, 90. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors, and she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. She was Angela Benedict in The Seven Faces of Dr. Lao, the wonderful film version of Charles Finney’s novel, The Circus of Dr. Lao. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch. Her latest genre was just two years ago, Mrs. Claus in My Adventures with Santa.
Born August 23, 1944 — Karl Alexander. Author of Time after Time which was filmed as Time after Time as directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. Time after Time was nominated for a Hugo at Noreascon II, the year Alien won. (Died 2015.)
Born August 23, 1965 — Chris Bachalo, 56, Illustrator well known for his work on DC Comics’ Shade, the Changing Man and Gaiman’s two Death series, Death: The High Cost of Living and Death: The Time of Your Life.
Born August 23, 1966 — Charley Boorman, 55. He played a young Mordred in Excalibur which was directed by his father (and he was joined by his older sister Katrine Boorman who played Ygraine, Mordred’s grandmother) He was Tommy Markham in The Emerald Forest, and had an uncredited role in Alien.
Born August 23, 1990 — Jessica Lee Keller, 31. Lauren, Elise’s Best Friend, in The Adjustment Bureau from Philip K. Dick’s “Adjustment Team” story. She also shows up in Lucifer, Terror Birds and 12-24.
(10) COMICS SECTION.
Tom Gauld shows it’s not paranoia, if you’re actually being watched.
(11) OUT OF COSTUME. Comics writer Tom King, while signing at Awesome Con in Washington DC over the weekend, had to deal with a fan who refused to wear a mask. Fascinatingly, the fan was dressed as Rorschach. Thread starts here. The fan was removed by the concom.
…Mayim Bialik, who earlier this month was announced as host of the Jeopardy! primetime and spinoff series, will fill in as host of the mothership syndicated program following the abrupt exit of Mike Richards as host after one day of tapings. (He remains an executive producer of the franchise.)
Bialik, who guest hosted earlier this year in the wake of Alex Trebek’s death, is currently scheduled to tape three weeks of episodes (15 episodes) when production resumes this week. Additional guest hosts will be announced as search for a permanent host of the Sony Pictures Television program resumes.
(13) SCI-FI FOR STRINGS. CBS Sunday Morning did a piece on John Williams, with the news that he is rearranging some of his film scores for violinist Anne-Sophie Mutter.
John Williams is one of America’s most celebrated musical talents – the best-known creator of music for films. He has written the scores for such revered classics as “Jaws,” “Star Wars,” “Superman” and “Schindler’s List.” In a story originally broadcast September 22, 2019, Correspondent Tracy Smith talks with Williams, and with violinist Anne-Sophie Mutter, who collaborated with the composer on an album of works for violin and orchestra adapted from his film scores, “Across the Stars.”
…McDowell’s character sings the iconic 1952 musical number during one of the most disturbing and graphic scenes in the 1971 Kubrick classic. Talking to the same room of fans, McDowell said the song was not in the script, the idea just came to him during a take and Kubrick loved it. “It was just instinctive,” he added.
It would not be until 40 years later when McDowell would learn why Kelly was so mad about the situation.
“I am telling this story to the Academy, and afterward this lady came up and said, ‘I’m Gene’s widow. Gene wasn’t upset with you, Malcolm. He was really upset with Stanley Kubrick because he hadn’t been paid.’ And I went, ‘My God, there’s quite a gang of us who haven’t been paid!’” he said to laughs.
…Star Trek Wines has just announced the addition of two more bottles to its now six-bottle lineup.
To recap, Star Trek Wines launched with two options — Chateau Picard Cru Bordeaux and United Federation of Planets Old Vine Zinfandel — produced in partnership with Wines That Rock. (If that name sounds familiar, it’s because they also make wines for The Hallmark Channel, NPR, and Downton Abbey, along with their namesake rock band-themed products.) A year later, in 2020, two more wines joined the mix: Klingon Bloodwine and United Federation of Planets Sauvignon Blanc.
Now, it’s 2021, and as any serialized TV show knows, you need fresh content, so say hello to your latest season of Star Trek Wines: United Federation of Planets Special Reserve Andorian Blue Chardonnay (at $50 per bottle) and Cardassian Kanar Red Wine Blend (at $60 per bottle)….
(16) ON THE STAGE. Michael Toman pointed out a couple of the latest sort-of-genre items available from Playscripts.
When a narrator displeased with her part tries to ruin the happy endings of five Grimm’s fairy tales, a talking lobster must save the day. A charming comedy full of enterprising animals and classic storytelling magic.
When Archer finds herself a captive audience for her dad’s latest masterpiece, it seems pretty familiar for a fantasy adventure screenplay at first. Wars, in the stars. Brides, of the princess variety. This story’s got such an incredibly absurd array of heroes, villains, robots, and romances, it’s total chaos. But once Archer gets pulled in to the mashup tale of a princess with a secret agenda and some space wizards destined for greatness, she starts to wonder: Could this be so much chaos it’s actually… genius? With all the special effects achieved by one actor hurling models and puppets, plus a flexible cast, an epic quest can come to any stage in this hilarious satire of beloved fantasy adventures.
(17) MIMEO MAKERS. In the Forties, when a couple of fans couldn’t afford a mimeograph, they figured out how to DIY – they made one from a paint can. Now that mimeos practically don’t exist anymore, this technique might come in handy again.
Join Olson Graduate Rich Dana and Curator of Science Fiction and Popular Culture Collections Peter Balestrieri as they explore the techniques created by Dale and Anita Tarr back in the 1940s of printing zines with a paint can.
[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Dann, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]
What are the joys and challenges of writing and publishing a second book? Writers can take their entire lives to get their first novels published, after which creating another novel in a year — or sometimes less — can be major pressure. After giving everything they had to the first novel — how does a writer decide what’s worth writing next? Do they fear they won’t live up to the promise of their debut, and might disappoint readers? I had a wonderful time listening to this trio of second novelists opening up about their experiences, and I hope you will too.
We discussed why “second books are weird,” what (if anything) they learned writing their debuts which made book two easier, why pantsing is a thing of the past, whether book two had them concerned about creating a brand, how writing acknowledgements for second novels can be strange, the way deadlines made taking time off between books impossible, the dangers of being abandoned by debut culture, the fear of fewer pre-publication eyeballs on book two, how the pandemic will affect the creation of future novels, and much more.
(2) WHEN WILL YOU MAKE AN END? You know how cranky some fans get when series remain unfinished for years. James Davis Nicoll promises he can deliver “Five Fully Completed SFF Series” to readers at Tor.com.
I stand second to none in my habit of relentless optimism. Still, I am beginning to suspect that Mr. Dickens is never going to deliver a definitive ending to his otherwise promising The Mystery of Edwin Drood. Admittedly, when one purchases a book all one can legitimately expect is the book in hand. Anticipation of further instalments, no matter how heartfelt, does not constitute a legal contract that binds the author to deliver further instalments.
That said, there are some series whose authors have managed to publish—and finish!—entire series. Here are five recent examples that I would recommend….
…This year is particularly special for me as it will be my last year editing the showcase. After four wonderful, poetry-filled years, I am thankful to the HWA for trusting me with this project, to John Palisano for supporting and encouraging me, and to David E. Cowen for initially recommending me for this position. It has been a journey and a delight, and I’ve learned so much about the market, the genre, and our fantastic community along the way. Thank you for the scares, the nightmares, and the verses, folks. I hope to return the favor someday (insert evil laugh here).
Since the start of the Covid pandemic, there’s been a rise in instances of government censorship of books around the world. In October 2020, the International Publishers Association released a 106-page report, “Freedom to Publish: Challenges, Violations and Countries of Concern,” that outlined 847 instances of censorship in a host of countries, including France, Iran, Serbia, and the United Kingdom, as well as the United States. According to the report, in 55% of those instances, the censorship was undertaken by government authorities. The report is downloadable from the IPA website.
Since that report was issued, efforts to censor books have continued. In July, the Hungarian government imposed an $830 fine on the distributor of the Hungarian translation of Lawrence Schimel’s children’s book What a Family!, citing a law that bans the depiction of homosexuality and gender reassignment in material aimed at minors. The book tells the story of two families with young children—one with two fathers and the other with two mothers.
That incident follows another in Hungary, in October 2020, when a member of parliament put a copy of Meseorszag mindenkie (A Fairy Tale for Everyone), which also features LGBTQ characters, through a shredder. “So the publisher reprinted it as a board book” said Schimel, whose book had the same Hungarian editor.
Schimel, an American living in Madrid, has published dozens of LGBTQ-themed works for children and adults. “It’s important for all families, not just those who are LGBTQ, to see and read these books which show just how normal these families are,” he said. What a Family! is now sold in Hungary with a sticker, warning readers that it depicts families “outside the norm.” It was originally published as two books in Spanish, and Orca Book Publishers is releasing it as two books in the U.S. in September.
Russia led the way in overt European LGBTQ censorship with the passage of its “anti-LGBTQ propaganda” law in 2012. Today, LGBTQ books are routinely suppressed there, and those that make it to market are sold with warning stickers.
“The campaigns by the populist governments in Europe, such as in Hungary and Poland, against the LGBTQ community are in direct violation of the principles of inclusion and the celebration of diversity,” said Michiel Kolman, chair for inclusive publishing at the IPA. He noted that in Poland, several towns have declared themselves LGBTQ-free zones, forcing LGBTQ residents to move, while in Hungary the transgender community was first targeted, and after that the broader LGBTQ community….
The Oscar-winning composer of Dune‘s soundtrack “was so inspired when he looked at the upcoming behind-the-scenes book from Insight Editions, he decided to write some musical accompaniment,” io9 noted. The Art and Soul of Dune by executive producer Tanya Lapointe, which “will be available both in standard and jaw-dropping limited editions,” is going to have a dedicated Zimmer score available to download and stream upon release on October 22, the same date as the film’s debut.
…In an August 9 filing, IA attorneys told the court it is seeking monthly sales data for all books in print by the four plaintiff publishers (Hachette, Penguin Random House, HarperCollins, and Wiley) dating back to 2011. But the publishers, IA lawyers told the court, have balked at the sweeping request reportedly countering that the request is well beyond what the case calls for.
“Plaintiffs claim that the Internet Archive’s digital library lending has a negative effect on the market for or value of the works. The Internet Archive disagrees, and wishes to bring forward evidence showing that lending had little or no effect on the commercial performance of the books being lent, compared to books that were not lent,” IA lawyers told the court. “Specifically, in order to show that lending had little or no effect on commercial performance, the Internet Archive wishes to compare the commercial performance of books that were available for digital lending with books that were not available for digital lending.”
IA lawyers also attempt to explain the massive, sweeping scope of their request, conceding that they do not need a decade’s worth of monthly sales data for “each and every book” but only for the 127 works included in the suit as well as “one or more” books that could be deemed “comparable” for each the 127 titles under scrutiny. But since the plaintiffs have “declined to identify books they regard as comparable,” IA attorneys claim, they should be compelled to produce data about all books so that the Internet Archive can “identify books it regards as comparable” and the parties can then “debate, on a level playing field, whether such books are or are not comparable.”…
1975 – Forty-six years ago, the first World Fantasy Award for Life Achievement goes to Robert Bloch. (He’d previously won a Hugo at Detention (1959) — where he and Isaac Asimov were toastmasters — for his “Hell-Bound Train” short story.) Nine years later at L.A.con II, He would receive a Special Committee Award for 50 years as an SF professional, and a year after that, he would be voted the First Fandom Hall of Fame Award.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part were awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.)
Born August 13, 1909 — Tristram Coffin, He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.)
Born August 13, 1965 — Michael De Luca, 56. Producer, second Suicide Squad film, Childhood’s End, Ghost Rider and Ghost Rider: Spirit of Vengeance, Dracula Untold, Lost in Space, Blade and Blade II, Pleasantville and Zathura: A Space Adventure which is not a complete listing. Also writer for an episode of Star Trek: Voyager, the first Dredd film (oh well), the Freddy’s Nightmares series and the Dark Justice series which though not quite genre was rather fun.
Born August 13, 1977 — Damian O’Hare, 44. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
Born August 13, 1982 — Sebastian Stan, 39. Bucky Barnes / Winter Soldier in the MCU film franchise; also appeared in Once Upon a Time series, The Martian, The Apparition, Ares III, and Kings, a contemporary alternate-history series about a man who rises to become the King of his nation, based on the biblical story of King David.
(10) LEAVIN’ ON A JET PLANE. Viewers who have been conditioned by all those movies to think Middle-Earth is a neighborhood of New Zealand will see one season of the Amazon’s TV adaptation shot there too – then, goodbye! The Guardian says moving day is coming: “Amazon moves production of Lord of the Rings TV series to UK”.
Amazon has made the surprise decision to move production of its $1bn-plus Lord of the Rings series from New Zealand to the UK, rejecting tens of millions of dollars in incentives to shoot the TV show in the same location as the blockbuster films.
Amazon, which four years ago paid $250m to secure the TV rights to JRR Tolkien’s works after founder Jeff Bezos demanded a Game of Thrones-style hit for its streaming service, chose to film the first series in New Zealand after competitive bids from around the world. Scotland, which narrowly missed out to New Zealand, is considered to be the frontrunner for the new shooting location, although Amazon declined to comment on its plans.
It is understood that the Tolkien estate had been keen for the series to be shot in the UK, the land that inspired JRR Tolkien’s original books, although did not have any right to determine the TV production’s location.
…Despite being one of the most influential and successful film genres, horror does not always get the appreciation it deserves, especially when you consider the passion, patience, technical mastery, and even suffering the cast and crew endure for the sake of a good scare. You may never look at some of the best horror movies the same way again after learning these shocking behind-the-scenes facts, starting with a clever trick used in one of history’s most iconic shockers.
George Lucas Got Stuck In The Mechanical Shark From Jaws
Steven Spielberg was also not prepared for the hysteria he would face the set of his breakout horror hit Jaws, which was mostly due to the technical difficulties that their mechanical star frequently suffered. Someone who experienced these flaws first-hand, and terrifyingly so, was George Lucas, who got his head stuck in the shark as the result of a prank gone wrong while was visiting the set. Curious about it inner-workings, the future Star Wars movies creator voluntarily put his head inside the shark when Spielberg and John Milius activated the jaw clamp, only to panic when they became temporarily unable to get Lucas out.
(12) PROZINE IS STILL WITH US. The Interzone #290/291 Double Issue Ebook is now available. Fiction (see ToC at the link) plus columns by Aliya Whiteley and David Langford; guest editorial by Lavie Tidhar; book reviews by Maureen Kincaid Speller, Duncan Lawie, Val Nolan, and several others; film reviews by Nick Lowe.
Previously announced in 2020, the new series comes from Belgian studio Depuis Audiovisuel. All the Smurfs that folks most likely remember from their childhoods, from Papa Smurf and Brainy to Smurfette and Clumsy, are back. The new addition comes in the form of Willow, who leads a tribe of girl Smurfs. Like most of the network’s cartoons, each episode will come in a pair of 13-minute blocks: the premiere episode, “Smurf-Fu,” will be about Brainy wanting to learn “Smurf-Fu” from Smurfette so he can defend himself, and “Diaper Daddy,” which finds Handy inventing a robot to change Baby Smurf’s diapers so no one else has to.
…In addition to its school-bus-length wingspan, the creature had a three-foot-long skull with a pointed snout and around 40 sharp teeth. This pterosaur likely lived and hunted for fish near the Eromanga Inland Sea, a large inland sea that once occupied much of eastern Australia during the early Cretaceous period.
“It wasn’t built to eat broccoli,” Richards tells Royce Kurmelovs of the Guardian. “It would have been a fearsome sight.”
Though the fossil was found in northwest Queensland over a decade ago, researchers weren’t able to prove it was a new species until now. There are over 200 species of pterosaur, ranging from the 16-foot-tall Quetzalcoatlus to the sparrow-sized Anurognathus. Unlike the feathered birds they shared the sky with, pterosaurs stayed aloft on membrane wings stretched between their fingers….
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In the spoiler-filled “The Suicide Squad: Pitch Meeting” on Screen Rant, Ryan George says that fans of several popular character actors who appear in The Suicide Squad will be disappointed that they die almost immediately after they’re introduced and that Harley Quinn “is better at hand-to-hand combat that a whole squad of military people.”
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael J. Walsh, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
(1) OMENANA. The new issue of Omenana Speculative Fiction Magazine is available to read online. The tri-monthly magazine takes submissions from speculative fiction writers from across Africa and the African Diaspora.
Omenana is the Igbo word for divinity – it also loosely translates as “culture” – and embodies our attempt to recover our wildest stories. We are looking for well-written speculative fiction that bridges the gap between past, present and future through imagination and shakes us out of the corner we have pushed ourselves into.
(2) WINNIPEG WORLDCON BID. The Winnipeg in 2023 Worldcon bid will hold a “Question Time” Zoom session on Sunday, July 25, at 1:00pm CDT. The session will also be streamed live on their YouTube channel.
We will start off with standard questions and then take submitted questions. Questions may be submitted via our social media accounts , Discord server and our “Contact Form“. During the session, questions may be submitted through Zoom and YouTube chat. As with all “Question Time”, moderation will be applied.
(3) SUMMIT MEETING. There’s a photo on the Chicago Worldcon Facebook page showing that Chicon 8 Chair, Helen Montgomery, and DisCon III Chair, Mary Robinette Kowal, “met up in DC yesterday for convention strategizing. They have Plans with a capital P for their attendees!”
Sources say that Outlier Society has hired a writer who is currently working on the script, though we were unable to ascertain their identity. Though it was initially unclear whether the Val-Zod project would be a movie or a limited series, sources have since reached out to clarify that as of right now, it is, in fact, being written as a limited series that Jordan will produce and possibly even star in, though he has yet to officially commit on the latter front.
As previously reported, J.J. Abrams and his company Bad Robot are set to produce a Black Superman movie for Warner Bros. that is expected to follow the Kal-El/Clark Kent version of the character. Though Clark Kent is traditionally depicted as white in the DC comics, the character will be played by a Black actor in the Bad Robot movie, which will likely be directed by a Black filmmaker, as Abrams is simply expected to produce. Author and cultural critic Ta-Nehisi Coates is already hard at work on the script for that project.
While Jordan did work with Warner Bros. on developing a Black Superman movie at one point, he recently shot down rumors that he would star in Abrams’ new film, saying “I’m flattered that people have me in that conversation. It’s definitely a compliment, but I’m just watching on this one.”
The question is, why?
A recent editorial penned by Jamie Broadnax for Black Girl Nerds provides some context and prompted Collider to do some digging, as Broadnax’s sources told her that “Jordan has not wanted to engage in conversations about racebending Kal-El for the same reasons many of the fans are pushing back on the current Warner Bros. re-imagined version of Clark Kent, but that he would be interested in engaging on a Black Superman project centering on the Val-Zod storyline.”
(5) CANADIAN SFF HALL OF FAME INDUCTEES. Stan Hyde, the late Monica Hughes, and Jean-Louis Trudel are the 2021 inductees into the Canadian Science Fiction and Fantasy Hall of Fame reports Robert J. Sawyer. He and Carolyn Clink, along with fellow jurors Clint Budd, Marcie Tentchoff, and Chris Sturges, made the selections. Here are excerpts from the citations (full text at the link).
Stan Hyde is an exemplar of passionate, lifelong devotion to SF&F fandom and fan activity, specifically in the areas of club organization, writing, film media, and model kit making, painting, and collecting.
Stan is also noted for the numerous articles he has written for G-Fest, a magazine devoted to the topic of Godzilla, about whom Stan is a world-renowned expert and recognized as such by Toho Studios where he is always welcome. (He visits once every two years on average.)
Monica Hughes (1925-2003), an Officer of the Order of Canada, wrote about 40 books including more than 20 that ISFDB covers as speculative fiction novels. Although she spent a large part of her life writing, she was almost fifty when her first book was published (Gold-Fever Trail: A Klondike Adventure, a Canadian historical novel.) …Invitation to the Game (Toronto: HarperCollins, 1990) won the Hal Clement Award as the year’s best science fiction novel for young adults.
Jean-Louis Trudel holds degrees in physics, astronomy, and the history and philosophy of science. Since 1994, he has authored (alone or in collaboration with Yves Meynard as Laurent McAllister) three science fiction novels published in France, four fiction collections, and twenty-six young adult books published in Canada…. He has received several literary distinctions, including the “Grand Prix de la Science-Fiction et du Fantastique québécois” in 2001 and several Prix Aurora Awards.
Can anyone explain how there’s a hole in the Earth — the kind that supernaturally swallows up hapless Los Angeles residents and spits them out in the frightening primeval past? That’s just the first mystery launching with NBC’sLa Brea, the highly awaited sci-fi series that’s set to make its TV debut this fall….
On the other side of the time warp are Gavin’s wife and son, all while a “disparate group of strangers” work alongside the family’s stranded half to “uncover the mystery of where they are and if there is a way back home,” according to NBC’s earlier series description. Are all these stuck strangers merely the random victims of fate, or might they be connected by something deeper?
Bob Gale is asking fans not to be too hard on Netflix for a censored version of Back to the Future: Part II, which was streaming for a short while.
Fans of the series were irate when they discovered a tiny portion of the 1989 sequel was changed, poorly. It has since been replaced with the standard version. The alteration happened when Marty (Michael J. Fox) finds the Oh La La magazine within the sports almanac dustcover. The moment was cut short, with the cover of the magazine edited out.
Gale, the screenwriter of the beloved trilogy, explained what happened and why it was not Netflix’s fault.
(10) PATRICIA KENNEALY-MORRISON (1946-2021). Author Patricia Kennealy-Morrison died a few days ago reported Liz Williams on Facebook. She wrote eight books and a collection of short stories in her genre series The Keltiad. She also wrote the Rennie Stride mystery series. She was a widely-read rock journalist, and widow of the late Jim Morrison of The Doors.
(11) MEMORY LANE.
2003 – Eighteen years ago at Torcon 3, Neil Gaiman wins a Hugo Novella for Coraline. (Other nominated works were “Bronte’s Egg” by Richard Chwedyk, “Breathmoss” by Ian R. MacLeod, “A Year in the Linear City” by Paul Di Filippo, “The Political Officer” by Charles Coleman Finlay and “In Spirit” by Pat Forde.) It also won a Nebula, a Locus Award for Best Young Adult Book and a BSFA Award for Short Fiction, along with a Stoker for Superior Achievement in a Work for Young Readers. It would become an animated film written and directed by Henry Selick, and both musicals and operas were based off it.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 24, 1878 — Lord Dunsany whose full name and title was a jaw dropping Edward John Moreton Drax Plunkett, 18th Baron of Dunsany. So ISFDB lists him as genre for the Jorkens body of work among works. H’h. Gary Turner, who some of you will recognize from Golden Gryphon Press and elsewhere, reviewed The Collected Jorkens: Volumes One, Two, and Three for Green Man, so I’ve linked to the review here. They also list The King of Elfland’s Daughter which I’m going to link to another review on Green Man as it’s a audio recording with a very special guest appearance by Christopher Lee. (Died 1957.)
Born July 24, 1916 — John D. MacDonald. Though better known for the Travis McGee series which I really like, he wrote three genre novels of which I think the best by far is The Girl, the Gold Watch & Everything. He also wrote some sixty genre short stories, many of them collected in End of The Tiger which is available from the usual digital suspects. (Died 1986.)
Born July 24, 1936 — Mark Goddard, 85. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh and he was an unnamed General in the Lost in Space film.
Born July 24, 1951 — Robert Hood, 70. Australian horror writer who won a William Atheling Jr. Award for Criticism or Review for “Weight of Water: Vengeance from Beyond the Grave?” and another Atheling for “Divided Kingdom: King Kong Versus Godzilla”. The latter is included in David Brin and Leah Wilson’s King Kong Is Back! An Unauthorized Look at One Humongous Ape. He won a Ditmar for his Daikaiju! Giant Monster Tales collection, and an Australian Shadows Award for his Peripheral Visions: The Collected Ghost Stories.
Born July 24, 1951 — Lynda Carter, 70. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer; Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin In Supergirl. She has a mid credit appearance in Wonder Woman 1984 as Asteria.
Born July 24, 1964 — Colleen Doran, 57. Comics artist and writer. The work she’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, the “Troll Bridge” by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, the “Dream Country” and “A Game of You”. She’s tuckerized Into Sandman as the character Thessaly.
Born July 24, 1971 — Patty Jenkins, 50. Director of Wonder Woman and Wonder Woman 1984, she appears in Robert Kirkman’s Secret History of Comics as herself in ‘The Truth About Wonder Woman’ episode. She’s the director and producer of the forthcoming Star Wars film, Rogue Squadron. She’ll also be directing Gal Gadot in Cleopatra.
Born July 24, 1981 — Summer Glau, 40. An impressive run in genre roles as she’s was River Tam in the Firefly series and of course the Serenity film, followed by these performances: Tess Doerner in The 4400, as Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (is this worth seeing seeing?), Skylar Adams in Alphas, and Isabel Rochev who is The Ravager in Arrow. Her latest role is Miss Jones (The Water Wu) on The Wu Assassins series.
(13) COMICS SECTION.
Speed Bump introduces a familiar character whose phone asks a well-known question.
Science Fiction was extraordinarily popular in the 1940s and 1950s — and so were books about U.F.O.s. Coverage of mysterious objects in the night sky was plentiful in The Times, too. On July 6, 1947, the front page featured an article headlined “Flying Saucers Mystify Experts; May Be Prank of Nature.” Two days later, a follow-up appeared, also on the front page, with a more provocative headline: “‘Disks’ Soar Over New York, Now Seen Aloft in All Colors.” It should perhaps come as no surprise that those years saw the Book Review filled with ads looking to sate this interest in the extraterrestrial and dystopian.
(16) LOOKS FAMILIAR. [Item by David Doering.] Surely this design is no accident! Whoever designed this high school in PA deserves a medal. (Or at least a Hugo.) I wonder if the school mascot is the Falcon??
(17) NOLAN APPRECIATION. Mr. Sci-Fi, Marc Scott Zicree, in “Logan’s Run Writer Passes Away”, remembers the help William F. Nolan gave him when Zicree was researching his Twilight Zone book.
…And he was an astonishing man. He was basically — the great thing about Bill Nolan was not only was he very articulate and very enthusiastic but he had kept notes on everything and recordings on everything and so he knew an enormous amount about Charles Beaumont and Ray Bradbury and all of these characters who were central to what i was working on but also central to science fiction…
(18) TALK TO THE DOCTOR. Louis Moorhouse, a blind fan who’s been raising money for Living Paintings, to make a set of Touch to See books about Doctor Who, interviews Tom Baker in this YouTube video.
Blind Doctor Who super fan meets one of his heroes, Tom Baker, thanks to inspirational fundraising campaign. Louis,19, from Bradford, has been blind since he was 18 months old. A few weeks ago, Louis launched a fundraising campaign on Crowd Funder in an attempt to raise £15,000 to make it possible for a charity, Living Paintings, to make a set of Touch to See books which will bring him and other blind and partially sighted people closer to the incredible world of Doctor Who. Having blasted through his first fundraising target Louis is now looking to raise an incredible total £25,000 to support the charity that has helped him since he was two years old. Louis says of his motivation to carry on with the campaign:“Living Paintings has had such a hugely positive impact on my life, from the first time I received a book and found out what Thomas the Tank Engine looks like (until then I had no idea what a train with a face could possibly mean), to helping me learn to read and express myself. I wouldn’t be who I am today without this wonderful charity and I hope people continue to support me on this journey so I can help other children facing the struggles I overcame with their help.” Louis and Living Paintings have been overwhelmed by the support shown by the Doctor Who community and this week he met one of his favourite ever Doctors on Zoom, the wonderful Tom Baker.
(19) MUSIC OF THE SPHERES. This is a NASA video that dropped on July 14 about June flybys of Jupiter and Ganymede.
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Jannie Shea, David K.M. Klaus, David Doering, Michael Toman, John King Tarpinian, Cat Eldridge and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Tom Becker.]
(1) YOU COULD BE HEINLEIN. Once upon a time, in 2011, there was a role playing game called The Big Hoodoo. You might recognize some of the PC’s –
… The Big Hoodoo is Lovecraftian noir in 1950s California with a ripped-from-history plot centered on the explosive death of real-world rocket scientist, science fiction fan, and occultist Jack Parsons in a garage laboratory in 1952. The investigators are iconic figures active in the science fiction scene at the time of Parsons’ death, and their inquiries lead them from the mean streets of Pasadena to the edge of the Mojave Desert and the mountains of southern California as well as the beaches of Los Angeles.
Play sci-fi great Robert Heinlein, his ex-Navy engineer wife Virginia, renowned editor and mystery writer Tony Boucher, or a young Philip K. Dick as they confront the lunatic fringe in La-La Land, and find themselves caught in a charlatan’s web of chicanery, mendacity, and deceit-laced with a strong strand of mythos menace.
The adventure includes brief biographical hooks for the PCs to orient players to their investigators as well as suggestions for alternate and additional investigators. Brief rules for a magic system intended to evoke the Enochian “magick” invented by John Dee and Edward Kelley, adopted by Aleister Crowley, and passed on to Jack Parsons are appended, and are used in the adventure. It can be played as a convention one-shot, or serve as the basis for a slightly longer set of episodes covering two or three evenings of entertainment.…
Ugh, I didn’t run this game, but I’m glad I didn’t. The Keeper had prepared diligently for a Classic Trail of Cthulhu game. We, as players, shifted this scenario to a Pulp mode of play in pretty short order, then ran it off the road into the desert for a third mode of play: Fiasco.
To start our traffic accident, my pre-generated Robert Heinlein P.C. snatched an autographed copy of L. Ron Hubbard’s Dianetics from a fan boy, then smacked him in the face with it, asking, “Why are you with this grifter’s cult, son? Nothing good will come from that snake oil salesman. I’m taking his book away from you. You’ll thank me later.”
From there, we swerved a bit between lanes, then launched off the shoulder of the road into insanity. Heinlein’s wife, also a P.C., engaged in a catfight with Heinlein’s ex-wife, flicking a lit cigarette into her eye to get a brawl at a prominent Satanist’s funeral rolling. Phillip K. Dick, another P.C., knocked back a lady cultist’s hip flask of space mead. He was tripping pretty hard, blowing through stability. The silliness didn’t stop. We piled on the antics like we were playing Fiasco Classic.
After five hours of play, three of the four pre-generated P.C.s died and did not die well. The sole survivor would go on to author a large catalogue of science fiction by way of trying to come to terms with what happened to him.
(2) WITH SIX YOU GET INSIGHT. In “6 Books with Adrian Tchaikovsky” at Nerds of a Feather, the author makes substantial and fascinating comments about a half dozen choices to curator Paul Weimer.
4. How about a book you’ve changed your mind about – either positively or negatively?
Gene Wolfe – The Shadow of the Torturer
So I bounced the hell of this when I was about 15. I saw rave reviews and I went in with great expectations and just could not get any of it. The language was opaque and the plots just seemed to go nowhere and basically just what the hell, man?
Fast forward to now: Wolfe is most definitely one of my all-time favourite authors. I just hit him too young, and with all the wrong expectations. He doesn’t write the sort of straightforward narrative I was anticipating, and there are puzzles within puzzles hidden in the story for the reader to disentangle – to the extent that I’m sure that there’s plenty in Book of the New Sun that I haven’t ever clocked, despite reading it multiple times. But that’s fine, because even those strata that I have exposed tell such a remarkably rich story on multiple levels. There is all the complexity of Severian and his own rather suspect take on events (Wolfe is the master of the unreliable narrator), and there is the incredible world built through Severian’s travels and reminiscences and chance mentions. Then again there’s a profound burden of philosophical speculation woven through the text, much of which I suspect has passed me by.
From a pure worldbuilding perspective, the New Sun books are a real education. Because you can build a world through saying too little and you can build a world through saying too much, and both ways can go wrong. Wolfe somehow manages to do both without it going wrong at all. There is a vast, living, breathing world in those books, seen through Severian’s fleeting attention and obsessions, so that we’re dragged hither and yon by his stream of consciousness. The overall impression, once you settle into the way the story is being told, is of a vastness of creation beyond the details on the page. And because, when Severian does want to give us a deep dive into some small aspect of his world, he really goes deep, the implicit assurance is that the same level of detail is waiting invisibly in absolutely everything else, even those aspects that he gives only the briefest mention of.
(3) DAVIDSON UPDATE. Amazing Stories’ Kermit Woodall gave a progress report about Steve Davidson’s recovery from heart surgery:
Steve is doing well at the hospital, will probably be discharged into a local extended-stay inn until he’s cleared for travel home.
(4) IT’S A FORD. Reviewers ooh-ed and ahhed when they found this book available on Netgalley. Tor Books will release it on September 21.
(5) NATIONAL THEATRE NEWS. [Item by Martin Morse Wooster.] In the May 14 Financial Times, Sarah Hemming discusses After Life, which will open at the National Theatre on June 2. The play is by Jack Thorne, who wrote Harry Potter and the Cursed Child,
If you had to choose just one memory to live with through the whole of eternity, what would you choose? That’s the nigh impossible question posed in After Life, the new play that will reopen London’s National Theatre this summer.
Based on Japanese auteur Hirokazu Kore-ada’s beautiful 1998 film of the same name, After Life is set in a post-life institution, where a group of strangers grapple with this dilemma, sifting through their lives for the moment they want to preserve forever…
…The setting honours the low-key nature of the memories–a moment on a park bench; a cool breeze on a tram journey–and looks like the sort of half-remembered building you visit in dreams. For stage, the creative team has sought to preserve that quality. The play–a co-production with Headlong theatre company–is not a straight adaptation of the film but draws on the teams personal memories and a very British version of humdrum bureaucracy.
… Key to the film’s success was the unforgettable comic voice work delivered by a cast that included Mike Myers as Shrek, Eddie Murphy as Donkey and Cameron Diaz as the princess.
…Casting was still an issue when she [the director] came onboard. Diaz and Murphy were in place, but who would play the title character was up in the air. The former “Saturday Night Live” star Chris Farley was originally cast and had recorded many of his lines when he died at the age of 33 that year.
Jenson said she and her colleagues were big fans of “S.N.L.” and Mike Myers. “It kind of took a little selling to the studio because he was still breaking in, but he wasn’t the huge name that he is now,” she said.
(7) ANOTHER LOOK AT LOKI. Marvel dropped this teaser for Loki today.
The clock is ticking. Marvel Studios’ “Loki” arrives in three weeks with new episodes every Wednesday starting June 9 on Disney+.
The landmark survival horror video game series Resident Evil has shipped over 110 million copies worldwide. Popular characters Leon S. Kennedy and Claire Redfield appear in this CG serialized drama, the first in series history! Don’t miss this new epic entertainment on a scale more spectacular than ever before!
(9) LIVINGSTONE OBIT. Actor and writer Douglas Livingstone died April 19 at the age of 86 reports The Guardian. Their tribute praises his primary genre credit:
His compelling six-part small-screen adaptation of The Day of the Triffids (1981), a rare excursion into sci-fi, remained faithful to John Wyndham’s novel, apart from re-setting the story from the 1950s to the near-future. One critic described it as “the most effective TV realisation of Wyndham’s writing”.
(10) GRODIN EULOGIES. Miss Piggy tweeted an appreciation of Charles Grodin who died yesterday.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 19, 1901 – George Pendray. Early rocketeer; co-founded the American Interplanetary Society (its successor Am. Inst. Aeronautics & Astronautics gives the Pendray Award); invented the time capsule, for the 1939 World’s Fair; coined the word “laundromat”; helped establish Guggenheim Jet Propulsion Center at Cal. Tech., Guggenheim Labs at Princeton Univ., U.S. Nat’l Aeronautics & Space Adm’n. Wrote SF as science editor of Literary Digest, e.g. “A Rescue from Jupiter”. Co-edited The Papers of Robert H. Goddard. (Died 1987) [JH]
Born May 19, 1920 – Walter Popp. Prolific pulp illustrator for e.g. Amazing, Fantastic, Startling, Thrilling; see here. Also Gothic-romance fantasy, see here, some becoming limited-edition prints for fine-art galleries, see here. Outside our field, true-crime and men’s-adventure magazines, paperbacks including Popular Library; toy and sporting-goods manufacturers; greeting cards. (Died 2002) [JH]
Born May 19, 1921 – Pauline Clarke. Children’s fantasy The Twelve and the Genii won the Carnegie Medal and the Kinderbuchpreis. The Pekinese Princess has talking animals and trees. Thirty novels for various readers; Warscape, for adults, “lurches into the future”, says a remarkable 4,300-word Wikipedia entry. (Died 2013) [JH]
Born May 19, 1937 — Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer, then he was Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.) (CE)
Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens, before his retirement from the role. The same year he first did Chewy he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight. (Died 2019.) (CE)
Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of all-time favourite films. Also an uncredited role as Dagoth In Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. (Died 1993.) (CE)
Born May 19, 1948 — Grace Jones, 73. Singer, best known for a song about looking for a parking spot (link here), but also acts. In addition to other genre roles, she was a companion of Conan in Conan the Destroyer and a Bond Girl in View to a Kill. (AB) (Alan Baumler)
Born May 19, 1948 – Paul Williams. Created Crawdaddy! Literary executor of Philip K. Dick, co-founder of PKD Society, biography of PKD Only Apparently Real; worked with David Hartwell on Age of Wonders – also The Int’l Bill of Human Rights; edited vols. 1-12, Complete Works of Theodore Sturgeon; also The 20th Century’s Greatest Hits (including Winnie-the-Pooh; The Little Prince; God Bless You, Mr. Rosewater), four on Bob Dylan, twenty more. (Died 2013) [JH]
Born May 19, 1955 – Elise Primavera, age 66. Author and illustrator of children’s books, some fantasy: The Secret Order of the Gumm Street Girls, Fred & Anthony Meet the Heinie Goblins from the Black Lagoon (as Esile Arevamirp), Marigold Star. Here’s a book cover. [JH]
Born May 19, 1966 — Jodi Picoult, 55. Her Wonder Women work is exemplary (collected in Wonder Woman, Volume 3 and Wonder Woman: Love and Murder). She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. (CE)
Born May 18, 1981 – Kiera Cass, age 40. Seven novels, five shorter stories, many about the Selection in Illéa, which in KC’s fiction was once the United States. Among 100 things she loves: being married; elephants; paper; the sound of water; Japan; dipping her fingers in melted wax; not walking up but looking at a beautiful staircase; small forks; voting; reasons to make wishes. [JH]
Born May 19, 1996 — Sarah Grey, 25. Before DC Universe cast the present Stargirl Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes. The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not see her as Alyssa Drake in The Order but I’ve heard Good Things about that series. (CE)
(12) COMICS SECTION.
Bizarro finds a mundane moment in a fairy tale courtship.
Bliss shows it could matter what lunar explorers don’t find.
(13) AVENGERS SUIT UP. In partnership with Bandai Spirits of Japan, Marvel Comics will release a brand-new Avengers comic series this August: Tech-On Avengers. This collaboration will be a tokusatsu-inspired action-adventure comic series featuring stellar new armor designs for some of Marvel’s most iconic heroes and villains. Tech-On Avengers #1 is out August 11.
When the Red Skull wields a strange new power that strips heroes of their powers and threatens the entire world, the Avengers turn to Tony Stark’s experimental new technology to save us all. Here come the Iron Avengers — TECH ON AVENGERS! Sleek high-tech power suits bristling with energy and amped-up attack power face off against super villains enhanced to match. It’s mechs and mayhem in the Marvel Mighty Manner!
Check out the cover by famous Japanese manga artist Eiichi Shimizu who contributed new character deigns for the series as well some action-packed interior artwork by Chamba.
The two greatest heroes of the DC Universe are coming back to long-form television at last. DC and Warner Bros. Animation, along with HBO Max and Cartoon Network, have announced two brand-new series based on Batman and Superman. And they both have incredible pedigree among their creative teams. A new animated era will soon begin for the Dark Knight and the Man of Steel.
HBO Max and Cartoon Network have greenlit a straight-to-series order for Batman: Caped Crusader. This is an all-new animated series and reimagining of the Batman mythology. It’s told through the visionary lens of executive producers Bruce Timm, J.J. Abrams, and Matt Reeves. The series is jointly produced by Warner Bros. Animation, Bad Robot Productions, and 6th & Idaho….
(15) JUST ONE THING GOT IN THE WAY. Leonard Maltin wrote a tribute to the late actor who recently died at the age of 106: “Remembering Norman Lloyd”.
… He graciously welcomed my daughter Jessie and me into his home in 2018 to record an episode of our podcast. (click HERE to listen.) For Jess and many others her age, his role in Dead Poets Society is the first performance that comes to mind. And while he spoke of possible projects to take on he confessed, “I tell you what blocks me from really finding a property: the ball game every day. The ball game comes on and everything stops. In my ancient age, my trainer says, ‘You’ve got to walk so much every day. You’ve got to do these physical exercises’ and so forth. And I think that’s very good advice… And then the ball game comes on.”
… The other classic Martin touch is to be willing to “blow up Vulcan” and show a ground floor change in the status quo, as Tamsin’s vocal disability leads her to a way to use her voice in a way that is hitherto unknown in this world. If the spread and the use of Tamsin’s clever idea is maybe a little faster than it might be in reality, the power of the story of such a revolutionary change, especially since the consequences and advantages only come to mind with time, feels accurate and right. I suspect that the invention, which delighted me when I realized what Martin was doing (and I desperately do not want to spoil) is going to have permanent and long lasting impacts on her entire world. Martin’s world is not a static one where things remain the same without change for generations–inventions, ideas and the actions of people can and do make a difference and a lasting difference.
The publisher of Richard Montañez’s upcoming memoir, “Flamin’ Hot: The Incredible True Story of One Man’s Rise From Janitor to Top Executive,” is moving ahead with the book after a Los Angeles Times investigation found Montañez was not involved in the creation of Flamin’ Hot Cheetos.
“During his 40+ years at Frito Lay, Richard Montañez repeated the story of his involvement with this product hundreds of times, in speeches, books, and media interviews,” Adrian Zackheim, president and publisher of Portfolio Books, said in a statement Tuesday. “Only now, just as his book is announced, are we suddenly hearing an alternate narrative about the development of this product, which seeks to diminish Richard’s contribution and to question the details of long-ago events.”
Zackheim says the book’s June 15 release date still holds.
“We are proud to stand with our author,” he continued. “Richard Montañez embodies the entrepreneurial spirit; we salute his dedication to inspiring people to own their own stories no matter what their circumstances.”
Parts of the memoir that recount Montañez’s story about inventing the product do not align with the archival record, which indicates that Flamin’ Hot Cheetos had already entered the market and were distributed to stores before the events Montañez describes. Frito-Lay conducted an internal investigation that concluded Montañez was not involved with the 1990 debut of Flamin’ Hot Cheetos.
“None of our records show that Richard was involved in any capacity in the Flamin’ Hot test market,” Frito-Lay wrote in a statement to The Times. “We have interviewed multiple personnel who were involved in the test market, and all of them indicate that Richard was not involved in any capacity in the test market.
“That doesn’t mean we don’t celebrate Richard,” the statement read, “but the facts do not support the urban legend.”
This is my second build from the Mandalorian, which has become one of my favorite bits of Star Wars in a long time. The project is based around figure from the 6 inch scale Black Series line. I used the electronics out of an old Fast Lane quad I had in my parts bin, and some upgraded motors and props. The shell is formed around the pod/egg from the new Mission Fleet line, and everything is packed carefully inside. This build tested my patience, and vision, at times trying to get all the electronics to fit into the tiny shell. I eventually broke out the magnifying gear when it was time to solder up the motors. The completed model weighs less than one ounce and is only about an inch wide!
[Thanks to, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Rob Thornton, James Davis Nicoll, Cat Eldridge, John Hertz, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to contributing editor of the day Daniel Dern.]
(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)
(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to “Spend Memorial Day weekend at the Concourse Hotel”.
As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021
… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….
(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.
… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.
When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.
Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….
…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)
It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.
As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.
This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.
All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.
… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.
Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…
…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”
I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.
The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safe. WSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….
… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….
… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….
… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.
In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.
The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”
The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the newpublisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.
…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.
But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…
(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New Suns, Everfair, Stories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.
From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.
… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.
(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.
The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.
The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.
Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.
(9) MEMORY LANE.
On a day in 1986 Star Trek IV: The Voyage Home premiered. It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 10, 1936 – David Hardy, age 85. Astronomical and SF artist. European Vice President of the Int’l Ass’n of Astronomical Artists. Artbooks e.g. Visions of Space; Hardyware; 50 Years in Space: what we thought then, what we know now. Two hundred fifty covers, a hundred interiors. Here is the Jun 74 Amazing. Here is King David’s Spaceship. Here is Understanding Space and Time (note that the piano is a Bösendorfer). Here is the Apr 2010 Analog. [JH]
Born April 10, 1940 — Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better? He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE)
Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016). Four hundred twenty covers, two hundred interiors. Three Hugos. Twelve BSFA (British SF Ass’n) Awards. Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here. Artbooks e.g. Lightship; Transluminal; The Art of Jim Burns. Each in The Durdane Trilogy used a segment of this, e.g. The Asutra. Here is Interzone 11. Here is the Jul 94 Asimov’s. Here is The Wanderer. Here is Dozois’ 34th Year’s Best Science Fiction. Here is Dark Angels Rising. [JH]
Born April 10, 1951 – Ross Pavlac. Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon. Fan Guest of Honor at Torque 2. Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apaMyriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called. Chaired Windycon XXIV from his deathbed. See these appreciations. (Died 1997) [JH]
Born April 10, 1953 — David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And yes, he has won other Hugos, too numerous to recount here. (CE)
Born April 10, 1955 — Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
Born April 10, 1957 — John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE)
Born April 10, 1959 – Ruth Lichtwardt, age 62. Hugo Adm’r for Anticipation the 67th Worldcon. Chaired MidAmeriCon II the 74th; her reflections as Chair here. Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference. Co-chaired ConQuest 49. Drinks Guinness. [JH]
Born April 10, 1975 – Merrie Haskell, age 46. Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313. Interviewed in Lightspeed. Schneider Book Award. “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome…. I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?” [JH]
Born April 10, 1978 — Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum Thief, The Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating. (CE)
Born April 10, 1984 – Rachel Carter, age 37. Three novels for us. Nonfiction in e.g. The New Republic. Teaches fiction-writing, also a freelance editor. [JH]
Born April 10, 1992 — Daisy Ridley, 29. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)
…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.
However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.
We may be approaching that point.
One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….
(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.
2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama. Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us. ALSO!!!! It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit. Really excited about this one.
Hamit says: “This was a very positive experience for me. Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show. Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far. Each is an hour long and they usually do two part, one hour each, in depth discussions. I was on as a topic expert on SIGINT.”
One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.
And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.
Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…
A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].
NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.
They docked at the station after a two-orbit journey that lasted just over three hours.
It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.
By today’s standards, Pongdoesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…
The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)
In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)
(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.
[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]
(1) A SECOND MEOW. Geoff Carter, in “Inside Meow Wolf’s immersive Omega Mart art installation in Las Vegas” at the Las Vegas Weekly, reports on the second Meow Wolf installation, “Omega Mart,” which opened last month in Las Vegas. It apparently starts as a pretend supermarket and gets much weirder! Their first permanent space, in Santa Fe, is in an old bowling alley purchased for their use by George R.R. Martin.
Omega Mart is Meow Wolf’s second permanent installation—arriving after Santa Fe’s House of Eternal Return—and their second entry into Las Vegas; the group took over the Life Is Beautiful festival’s Art Motel space in 2017. If you were there, you have some idea what Meow Wolf has to offer: laser harps, portals to the unknown, room-size bowls of “ramen.” The collective has a unique talent for producing and soliciting works of maximalist art, collecting them in warehouse-size spaces with innocuous facades and tying all those artworks together through inventive visual segues and mystery-box narrative.
“Our work is for people that don’t necessarily go to art galleries and art museums, who feel like they want to see artwork and have it [as] an important part of their lives, but might feel a little alienated by the art world,” says Corvas Brinkerhoff, Meow Wolf’s executive creative director. “We’re trying to build a bridge to those people and say, look, art is valuable. And all this brilliant work that all these artists are making deserves to have a place where it can be seen, and where the artists can be supported in the process of making it….”
…Brinkerhoff notes that there are several giant stories unfolding within the space, including those of a shadowy corporation (Omega Mart’s parent company “Dramcorp”). Brinkerhoff says it’s “trying to save humanity from itself” by experimenting with what looks like alien technology. A zealous resistance group—shades of Meow Wolf’s beginnings here—is standing against these corporate overlords wielding what little it has.
There are RFID-accessed computer terminals and old-fashioned phones scattered throughout that yield clues to the mystery (Brinkerhoff says the phones mostly deliver recorded messages, though “you also might get a live human”), and videos that advance the story—about three hours’ worth of original footage….
(2) LEARNING FROM PRATCHETT. Ziv Wities’ project “Story Structure Lessons From The Discworld.” is a series of videos aimed at readers and writers, where he talks about “what structure is, how you spot it in what you read and watch, how you choose it and build it up in your own work.” Why Discworld? “The Discworld subseries aren’t just about different characters and different events. They’ve got different structures; they’re each built differently. So Discworld is a single series, but it tells many shapes of stories — which makes it a perfect example to learn structure from.”
Structure is fundamental to fiction. So often, though, we lack basic terms and ideas to talk about story structure. We have trouble getting past basic intuition. What *is* structure? What makes structure “good”? When one story is better-structured than another — what is the actual difference? To answer these questions, we’re using Terry Pratchett’s wonderful Discworld novels. Because one interesting thing about the Discworld is how it’s divided into sub-series — different books following different characters and different story arcs. Throughout these videos, we’ll see that the Discworld sub-series not only follow different characters — they follow different structures. By comparing and contrasting, we’ll understand what those structural differences are — and how to think about story structure in what we read, and in what we write.
(3) GET READY TO HAVE A BLAST. [Item by David K.M. Klaus.] Everybody who registered with TWA and PanAm for moon tickets back in 1969 has another chance. Another eight names will be drawn from a dimensionally transcendental (*) hat for a trip on SpaceX’s mis-named “Starship” (since technically it’s not a starship, but merely a spaceship) and there’s no initial mention of an age/health requirement so maybe even D. D. Harriman could go. Inverse has the story: “SpaceX Moonshot: How to win a seat on Yusaku Maezawa’s trip to the Moon”.
You can’t win if you don’t enter, and even if you wind up like the crews of Shuttle Orbiters Challenger and Columbia, you’ll still be part of Earth history not to be forgotten. You will be remembered.
(*) Doctor Who reference, Tom Baker years
HOW TO APPLY TO GO TO THE MOON
According to the new video, the way to enter into the competition is not as straight-forward as putting your name in the hat, as it were. But it does start that way.
Go to the dearMoon website, the site set up to release new information regarding the project.
There, people are invited to preregister with the mission by giving their name, country of origin, and email.
Entrants are also asked to upload an image of themselves.
Entrants are also asked to select which of Maezawa’s many social profiles they follow, too.
“Everyone who pre-registers will receive an email about the selection process,” the dearMoon site reads. They will also receive a “crew candidate” certificate with their name and picture on it, according to the site.
International Women’s Day to me is a day to celebrate women’s progression politically, socially and economically. It’s also a day for us as a whole to recognise the further improvements needed. Ultimately it’s about the celebration of women.
Doctor Who saw what most people could see, in that it wasn’t an equal playing field. They absolutely took a stand in changing the space to one much more equal by having Jodie as the Doctor. This challenged things that were just a given and showed the audience why we should continually challenge these structures and roles.
From the first meeting I knew the significance of this change to Doctor Who history and knew I wanted to be a part of that change. You could feel the significance and positive energy of what was to come from my first audition with Jodie.
Personally, I love the weight of being a south Asian female companion and do hope young people take inspiration from my role in Doctor Who as I did watching the cast of Goodness Gracious Me.
P. Djèlí Clark, Stephen Llano, and Alan Bond will join Gadi and Karen to discuss the challenges faced by the community when considering problematic authors and how to treat their works.
(6) BEING PROFESSIONAL. [Item by N.] Show creator Owen Dennis offers insights about marketing and how creators have to keep mum about a lot of details regarding the future of their shows/projects in this Twitter thread.
The Compact comprises seven technologically sophisticated species, each shaped by its own evolutionary history. In spite of sometimes profound communication problems, the seven coexist peacefully enough that violence is retail, not wholesale.
At Meetpoint Station, Tully, a hairless primate of a new, unfamiliar species , takes refuge in the hani trading ship Pride of Chanur. For reasons that made sense at the time, Pyanfar Chanur grants the furless, blunt-fingered alien sanctuary. In so doing, she offends the kif Akkhtimakt. In Akkhimakt’s eyes, Pyanfar has stolen Akkhimakt’s property. The kif do not forgive affronts. Pyanfar’s act of mercy makes her ship the target of a kif vendetta.
(8) MEMORY LANE.
1981 — Forty years ago, Unfinished Tales of Númenor and Middle-Earth by J.R.R. Tolkien won the Mythopoetic Fantasy Award. (From 1971 until 1991, they gave but one award for all fantasy literature. Starting in 1992, they expanded to this award into two: one for adult literature and one for children’s literature.) It was published by George Allen & Unwin Publication in 1980. This is yet another collection of tales edited by Christopher Tolkien. It would also win a Balrog Award from the Intentional Fantasy Gamers Society.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 10, 1891 — Sam Jaffe. His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.) (CE)
Born March 10, 1918 — Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed their own and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller”. Having not read these, I’ve no idea what this entails. (Died 1987.) (CE)
Born March 10, 1938 — Marvin Kaye, 83. Formerly the editor of Weird Tales, he has also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He writes the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (CE)
Born March 10, 1958 — Sharon Stone, 63. Damn she’s the same age I am. She’s been in three genre films, her first being the original Total Recall where she played the deservedly ill-fated Lori Quaid. Her next was Sphere where she was cast as Dr. Elizabeth “Beth” Halperin, and last was in, errr, Catwoman where she was Laurel Hedare, an assassin. (CE)
Born March 10, 1977 — Bree Turner, 44. She’s best remembered for her role as Rosalee on Grimm. She also starred in the pilot episode (“Incident On and Off a Mountain Road”) of Masters of Horror. She was in Jekyll + Hyde as Martha Utterson. Confession time: I got through maybe three seasons of Grimm before giving up as it became increasingly silly. (CE)
Born March 10, 1979 — Fonda Lee, 42. Her Jade City novel was a finalist for a Nebula Award for Best Novel and won the World Fantasy Award. It’s sequel, Jade War, was published last year. And her Cross Fire novel was named Best YA Novel at the 2019 Aurora Awards for best Canadian speculative fiction. (CE)
Born March 10, 1913 – Carlos Ochagavia. Three dozen covers, a few interiors. Here is A Scanner Darkly. Here is Universe 8. Here is The Best of Keith Laumer. Here is Dream Park. (Died 2006) [JH]
Born March 10, 1920 – Boris Vian. Author of prose, poetry, plays, music, criticism; actor; translator; inventor, engineer. Active in French jazz, among other things liaison for Miles Davis and Duke Ellington, commenter for Le Jazz Hot, trumpeter at Le Tabou (yes, that’s “The Taboo”); also, it seems, wrote the first French rock ’n’ roll songs. Strange books, e.g. L’ecume des jours variously tr. as Froth on the Daydream, Mood Indigo (twice), Froth on the Daze; half a dozen ours, anyway; fifty shorter stories, still few available in English but «Le bons élèves» appeared 2010 as “Honor Students”. Some fiction attributed to a fictitious Vernon Sullivan whom BV supposedly translated. (Died 1959) [JH]
Born March 10, 1955 – Walter Riess, age 66. Five dozen covers, mostly for Anticipatia (which is SF in Romanian, just as Anticipation was the 67th Worldcon in Montreal). Here is The Einstein Intersection. Here is A Time for Changes. Here is The Demolished Man. Here is the 1999-2000 Anticipatia Almanac. [JH]
Born March 10, 1962 – Amy Casil, age 59. One novel, two dozen shorter stories. Studied at Chapman under James Blaylock. Poem “Joshua Swims in the Ocean of Dreams” in Mythic Delirium. Three terms as SFWA (Science Fiction & Fantasy Writers of America) Treasurer, including while John Scalzi was President and Mary Robinette Kowal was VP, hello, you two – or three: Amy, do you read this? Outside our field, biographies of Buzz Aldrin and John Dewey. Recent collection, The Instrumentality of Women. [JH]
Born March 10, 1972 – Lynette Mejía, age 49. A score of short stories, three dozen poems, recently in Liminality. Interviewed in Redstone. “When I’m not working, I mostly read, think, and talk to trees. Every once in a while, they talk back.” Website – which, possibly because of her Louisiana connections, has a section “lagniappe”. [JH]
Born March 10, 1975 – Claire Merle, age 46. Four novels. Shadow Weaver won a B.R.A.G. (Book Readers Appreciation Group Medallion. Be independent! [JH]
Microsoft has teamed up with chip-maker Pringles for a new flavor of potato chip: Moa Burger. As in the Moa, the flightless bird indigenous to the planet Reach (and also the name of an extinct species of bird here on Earth), from Halo: Reach.
In the Halo fiction, Moa were a source of food on Reach, and were served in wing, nugget, and burger form. Pringles’ new Moa Burger aims to approximate what a quadruple hamburger made of ground space bird, plus cheese, pickles, lettuce, onions, and an unidentified sauce, would taste like. They are artificially flavored, naturally.
For as long as I can remember, American culture has really liked people who have extra on top. Whether it’s Charles Atlas showing off his wedge-shaped physique or Jayne Mansfield letting herself precede herself, we dig an up front kind of person.
So I suppose it’s only natural that this month’s issue of Galaxy put all of the truly great material in the first half (really two thirds) and the rest tapers away to unremarkable mediocrity (though, of course, I’m obligated to remark upon it).
(12) WANDAVISION DEBRIEFINGS. Two semi-dissatisfied customers tell what they think WandaVision’s shortcomings were. NATURALLY THERE ARE SPOILERS.
…It’s impressively weird, in other words, and as if that weirdness weren’t enough, every now and then, strange occurrences interrupt the domestic idyll and gentle comedy. Some of the Westview residents experience alarming fugue states. A voice on the radio urgently calls out to Wanda. Out of place items and people—a colorized helicopter toy; a man in a beekeeper outfit—appear with no explanation. The “show” is interrupted by sinister commercials with obvious relevance to the events of Wanda’s life—a Stark toaster that beeps ominously, like the bomb that took her parents’ lives; Lagos-brand kitchen towels with which to mop up blood-red liquid, a reference to her failure to prevent a Hydra bombing in Captain America: Civil War.
This glut of strange, disparate details is incredibly enticing, inviting audiences to parse references and spot easter eggs….
So. The finale, as a finale, does the things that finales are supposed to do. We wrap up our general story, we send some bad people to their respective fates, and we send some good people on their respective ways, all with a series of lessons seemingly learned. Because of this, I imagine that there are many who are satisfied with the overall experience. Especially as it did not make any egregious surface-level errors that have often plagued other finales (especially those that tend to treat their audience with more hostility). But Wandavision aimed for safety and it delivered on the base promises of the narrative itself. It even delivered on some genuinely nice beats in the process. And so, all seems well.
My personal feelings are little bit different.
Because my experience with the finale was one where I felt like I was constantly rocked back and forth between the positive and negative aspects of certain choices. Because of this, I want to take a different approach and single out the things where I was like “oooh, neat!” along with all the things where I really got tripped up. Because when you really, really look at some of those moments, something more problematic emerges….
(13) DIDN’T SEE THIS COMING. Vox Day’s own Castalia House blog reviewer likewise criticized WandaVision, calling it “acceptably mediocre,” prompting Day to write a dissenting post in which he said that what the other reviewer called shortcomings hadn’t affected his own enjoyment of the series — “In which I disagree” [Internet Archive link].
…While I always hesitate to share an opinion that is massively less-informed than a genuine expert’s perspective, what I think we have here is a distinction between an informed Marvel fan’s perspective and an uninformed non-Marvel non-fan’s perspective on the series. Unlike Dark Herald, I didn’t watch Wanda Vision from the perspective of someone who knew considerably more about the subject than having seen less than half of the MCU movies, most of which had only been viewed in order to learn how to write superhero movie scripts.
And at least from the ignorant, non-Marvel non-fan’s perspective, Wanda Vision was a surprisingly good, surprisingly powerful story about a woman wrestling with horrific grief. The alternative interpretations and possibilities that were not pursued are meaningless to me, because I didn’t know anything about the various historical storylines from the original comics, and therefore the production pyrotechnics with the evolving TV sitcom styles were presented were sufficiently intriguing to hold my interest in that regard.
There was, of course, an amount of the usual Marvel SJW nonsense, but it was minimal by today’s standards and did not conflict with the storytelling….
…In keeping with his usual vibe, Samberg maintained a sense of humor about Colbert showing him up in Tolkien knowledge; likewise, Colbert copped bashfully to his proclivity for long-winded rants when it comes to these stories. All in all, the two comics enjoyed a fun nerd sesh about one of the nerd world’s favorite topics.
(15) JEOPARDY! Genre stumped two contestants again on tonight’s Jeopardy. Andrew Porter shares his notes.
Category: Characters in Children’s Lit.
Answer: When Wendy first meets Peter Pan, he’s flown into her room searching for his lost this.
Wrong questions: What is a thimble?; what is childhood?
Correct question: What is his shadow?
(16) SPACE COMMAND. Showrunner Marc Scott Zicree has made available Space Command Episode One – “Mira Furlan’s Last Great Role” – to YouTube viewers.
Gizmo’s all grown up and still getting into some mischief in Mountain Dew’s new Gremlins commercial featuring the return of our favorite furry friend and star Zach Galligan in the fun new ad.
[Thanks to N., John King Tarpinian, Michael Toman, Andrew Porter, JJ, Cat Eldridge, John Hertz, Mike Kennedy, Ziv Wities, and Martin Morse Wooster for some of these stories. This mashup title credit goes to File 770 contributing editor of the day Daniel Dern.]
The Science Fiction and Fantasy Writers of America have notified members that they will be subject to discipline if they violate a new policy against abuse of the SFWA Member Directory.
Last month, one of our members used the membership directory to send all members of SFWA a promotional email. This was done without SFWA’s consent or prior knowledge. As a result, the Board decided to prioritize an email harvesting policy already in development for the organization.
No one is named in the announcement, however, the timeframe is right for this alert tweeted in June by Natalie Luhrs which many writers remarked on and SFWA responded to. Thread starts here.
The SFWA Member Directory exists as a courtesy to facilitate communication between individual members of SFWA. It is not to be used for marketing or promotional purposes.
SFWA provides a number of opt-in opportunities for promotion, including our Featured Books and Authors Program and the New Release Newsletter page where you can promote new releases. The board encourages members to participate in these approved programs as both readers and writers.
(1) RETRO ROCKET. [Item by Jeffrey Smith] A documentary crew’s attempt to find a 100-year-old rocket: “Space Oddity” in The Washington Post Magazine. This one has special interest for me because this is where I live — not Venus, but Hampden. In fact, I was on Morling Avenue today when I went out to pick up our dinner. I’ve eaten at Holy Frijoles, but not at Rocket to Venus, though it’s been here long enough and we’ve eaten everywhere else, so I don’t know why not.
… Now, three longtime friends living in Baltimore — John Benam, Brian Carey and Geoff Danek — along with a film crew, are trying to fill out the story of Robert Condit and his rocket for a documentary titled “Rocket to Venus.” In January, they retraced Condit’s movements to Miami Beach, where they learned he had taken the rocket after leaving Baltimore. Condit had made international news when he announced that he would launch himself into space from the Florida beach, including a December 1927 mention in The Washington Post under the headline “A Jaunt to Venus.”
“Time and again some hardy soul hoped to reach the stars,” the article read. “Never, so far as is known, has the feat been attempted: but no one had possessed a machine such as Mr. Condit has developed.”
…“It will not be very long until we know just what we have for neighbors,” Condit wrote about space travel in a 1928 lecture discovered by the filmmakers, “and in the course of the next few years, we will probably be doing business with Venus as casually as we now transact our affairs across the ocean or go for an aeroplane ride of a few thousand miles before breakfast.”
Scientists have identified 37 volcanic structures on Venus that appear to have been recently active – and probably still are today – painting the picture of a geologically dynamic planet and not a dormant world as long thought.
The research focused on ring-like structures called coronae, caused by an upwelling of hot rock from deep within the planet’s interior, and provided compelling evidence of widespread recent tectonic and magma activity on Venus’s surface, researchers have said.
Many scientists had long thought that Venus, lacking the plate tectonics that gradually reshape Earth’s surface, was essentially dormant geologically, having been so for the past half billion years.
…The researchers determined the type of geological features that could exist only in a recently active corona – a telltale trench surrounding the structure. Then they scoured radar images of Venus taken by Nasa’s Magellan spacecraft in the 1990s to find coronae that fit the bill. Of 133 coronae examined, 37 appear to have been active in the past 2m to 3m years, a blink of the eye in geological time.
After Anton Chekhov and Arthur Conan Doyle, Tade Thompson is the latest in a long line of medical doctors who have become writers.
Thompson is a full-time hospital psychiatrist, who writes science fiction, fantasy and crime thrillers that have received rave reviews and prizes, but he has no intention of giving up the day job, somehow fitting in everything by writing in the early hours.
A fierce bidding war has finally concluded over the film rights to his Molly Southbourne novellas, a nightmarish psychological story about a girl who, when she bleeds, creates duplicates of herself who want to kill her.
The rights have gone to Complete Fiction, the film company the director Edgar Wright and the producer Nira Park set up with their long-time collaborators the writer-director Joe Cornish and the producer Rachael Prior. They will transform the stories into a multi-season television series in collaboration with Netflix. Thompson is executive producing it and may write an episode or two…
In April last year, at the age of 87, the writer Gene Wolfe died of heart disease in Illinois. For science fiction fans, Wolfe was a cult figure, a modern day savant whose writing only a few could understand, and yet unanimously admired. His books never sold much, and yet he is widely regarded as the greatest American science fiction writer of all time. All his obituaries, while admiring and respectful, had an underlying theme, a question that invariably also followed a huge amount of his literary work. His writing, and its implications, were so challenging and polarising that everyone seemed to question what kind of greatness it was.
The reason to bring up Wolfe is because Marcelo Bielsa is back in business. Talking about Bielsa even more so. The mad stories, legends and myths about this football obsessed, workaholic, crazy, maniacal Argentinian cult figure, spoken about in hushed tones (and loud yells) in football circles across the world, have become mainstream over the past few years….
… Attempting to rework the past, at least on paper, has been the outlet of artists and authors for as long as people have been wishing for different endings. “As If: Alternative Histories From Then to Now,” an exhibition at the Drawing Center, presents eighty-four works from 1888 to the present that “offer examples of how we might reimagine historical narratives in order to contend with the traumas of contemporary life.”
…Among them is Futurian War Digest by J. Michael Rosenblum, a British science fiction zine the conscientious objector made during World War II, featuring spacefaring adventurers, robot love affairs, and more. The police kept an eye on Rosenblum during the war, out of concern that he was “publishing seditious materials and of collecting contraband ink and paper,” the museum wall text explains, but one look at its simple but fanciful black-and-white illustrations, and it’s clear this was simply a creative outlet in the midst of a war.
Also on view is work by Herman Poole Blount, better known as the Jazz musician Sun Ra, one of the pioneers of Afro-futurism. In the late 1930s, Sun Ra experienced a life-altering vision in which he went to Saturn and met aliens, and discovered he was not an Earthling, but actually a citizen of outer-space. Ra’s creation of a new identity allowed him to free himself from societal constraints, or as the exhibition’s free zine puts it: “As an interstellar visitor, Sun Ra wasn’t subject to racial violence–he was someone, from somewhere, else.”
(6) SAXON OBIT. Actor John Saxon, known for his roles in three Nightmare on Elm Street movies and Enter the Dragondied July 25 at the age of 83 reports the Chicago Sun-Times. His horror résumé also includes two films for Roger Corman: Queen of Blood (1966) and Battle Beyond the Stars (1980), playing a tyrannical warlord.
(7) MEDIA BIRTHDAY.
July 26, 1968 — Mission Mars premiered. (Called Murder in the Third Dimension in the U.K.) Directed by Nick Webster, it was produced by Everett Rosenthal from a screenplay by Mike St. Clair with the story being written by Aubrey Wisberg. The cast was Darren McGavin, Nick Adams, George De Vries and Michael DeBeausset. Not a single critic at the time like it with one saying it was just a “conventional monster movie” and another commenting that it was “plodding, dull and amateurish“. There’s no rating at Rotten Tomatoes. (CE)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 26, 1856 – George Bernard Shaw. This great playwright, radical, and wise guy did some SF; Man and Superman, Back to Methuselah, Androcles and the Lion, Too True to Be Good, a few more; two dozen short stories; outside our field, essays, music criticism, plays, preachments. “My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity.” Nobel Prize. (Died 1950) [JH]
Born July 26, 1885 – Paul Bransom. Illustrated The Wind in the Willows, Just-So Stories; comic strip The Latest News from Bugville for The New York Evening Journal. Fifty books of wildlife subjects. Many fine Saturday Evening Post covers. Clinedinst Medal. Here are Ratty and the Wayfarer from Willows, and here is Pan. Here is “The stork was as hungry as when she began” from An Argosy of Fables. Here is Buck leaping in the air from The Call of the Wild. Here is a cover with Joseph Gleeson for Just-So Stories. (Died 1979) [JH]
Born July 26, 1894 – Aldous Huxley. Many know his masterpiece Brave New World, with everything wrong and people made to love it, translated into Bulgarian, Dutch, French, Galician, German, Hungarian, Italian, Japanese, Portuguese, Serbian, Spanish; some, his other SF e.g. After Many a Summer Dies the Swan; his last, Island, with everything right, may be weaker. More novels, essays, short stories, plays and screenplays, poetry, travel. Pacifist and psychedelicist. (Died 1963) [JH]
Born July 26, 1928 — Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just too damn depressing. And I’m not a horror fan as such so I never saw The Shining. Barry Lyndon is great but it’s not genre by any means. (Died 1999.) (CE)
Born July 26, 1929 – Lars-Olov Strandberg. Co-founded SFSF (Scandinavian SF Ass’n); chairman, secretary, or treasurer of its board continuously 1965-2011. Life-long photographer, thus documenting SF cons (see e.g. this fine photo of Kathy & Drew Sanders’ entry in the Masquerade costume competition at Seacon ’79 the 37th Worldcon). Linked Swedish fandom to Denmark, Norway, the United Kingdom. Alvar Appeltofft Award. Fan Guest of Honor at Swecon 2, Interaction the 63rd Worldcon. (Died 2018) [JH]
Born July 26, 1939 – Steve Francis, 81. Some become all-round fans from fanzines; he, from the Dealers’ Room. With wife Sue, mainstays of Rivercon during its twenty-five years; together, Fan Guests of Honor at MidSouthCon 10, Marcon 27, DeepSouthCon 33, Con*Stellation XX. Rebel and Rubble Awards. DUFF (Down Under Fan Fund) delegates. Big Heart, our highest service award. Scheduled to be Fan Guests of Honor at the cancelled 14th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas) this year. [JH]
Born July 26, 1945 — M. John Harrison, 75. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at. He’s not published deep in digital form at this time. (CE)
Born July 26, 1945 — Helen Mirren, 75. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellers’ last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy. (CE)
Born July 26, 1969 — Tim Lebbon, 50. For my money, his best series is The Hidden Cities one he did with Christopher Golden, though his Relics series with protagonist Angela Gough is quite superb as well. He dips into the Hellboy universe with two novels, Unnatural Selection and Fire Wolves, rather capably. (CE)
Born July 26, 1971 – Mary Anne Mohanraj, Ph.D., 49. Co-founded Strange Horizons, editor four years; editor for ten issues of Jaggery. One SF novel, three others; two dozen shorter SF stories of which three in Wild Cards, a dozen others; essays in SH, Fantasy, Uncanny; interviewed in Lightspeed, Locus, Mithila; edited WisCon Chronicles9. Gardener and cook. [JH]
Born July 26, 1978 — Eve Myles, 42. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. (CE)
Born July 26, 1978 – Elizabeth Tudor, 42. Azerbaijani lawyer and SF author. A dozen novels, as many shorter stories. Here is her Authors Guild page. [JH]
Ten years of planning have gone into New Zealand’s first time hosting the World Science Fiction Convention. Several thousand ardent fans, guests and speakers were due to come to Wellington from around the world – about now.
But organiser Lynelle Howells says the show must go on – and it will this Wednesday to Sunday, in the virtual realm – more than 750 planned talks, sessions and workshops will be beamed out around the world online.
“The world science fiction convention is held in a different city every year, so for it to come down to New Zealand is a really big deal; then of course Covid happened. It’s the first time anybody’s tried to run a WorldCon virtually, but needs must,” she says.
In somewhat surprising news, Patrick Rothfuss’s editor Betsy Wollheim has reported that she is yet to read any material from his next novel, The Doors of Stone, the third and concluding volume in The Kingkiller Chronicle, and notes a lack of communication on the book’s progress.
Rothfuss shot to fame with the first book in the trilogy, The Name of the Wind, in 2007. With over 10 million sales, The Name of the Wind became one of the biggest-selling debut fantasy novels of the century. The second book, The Wise Man’s Fear, did as well on release in 2011. Nine years later, the third book remains unpublished.
The Doors of Stone is probably the second-most-eagerly-awaited fantasy novel of the moment, behind only George R.R. Martin’s The Winds of Winter, which it actually exceeds in waiting time (though only by five months). Martin has providedupdates on The Winds of Winter, albeit extremely infrequent ones, but has recently reported much more significant progress being made. Rothfuss, on the other hand, has maintained near constant zero radio silence on the status of book in recent years, despite posting a picture of an apparently semi-complete draft in 2013 that was circulating among his beta readers….
(12) THE GREATEST STAR TREK SERIES YOU’RE NOT WATCHING. So says Space Command creator Marc Zicree.
I’m the author of The Twilight Zone Companion and also a writer for such shows as Star Trek – The Next Generation, Babylon 5, Deep Space Nine, Sliders and many others.
Recently, I’ve been shooting a new show that I wanted to share with you. And if you can share it with your fans, that would be great (and let them know we have a Kickstarter campaign going in order to shoot more).
The show’s cast (with some of their previous genre credits) includes Doug Jones (Star Trek Discovery, Shape of Water); Christina Moses (A Million Little Things); Neil deGrasse Tyson (Cosmos); Mira Furlan (Lost, Babylon 5); Nichelle Nichols (Star Trek); Robert Picardo (Star Trek Voyager, The Orville); Mike Harney (Orange is the New Black, Project Blue Book); Bruce Boxleitner (Supergirl, Babylon 5, Tron); Bill Mumy (Lost In Space, Babylon 5); Ethan McDowell (Doom Patrol); Barbara Bain (Space: 1999, Mission Impossible); Armin Shimerman (Deep Space Nine, Buffy).
The Pilot Episode
The Animatic Prequel — (combining the completed audio play with the work-in-progress graphic novel).
Our Special Two-Part Pandemic Episode
(13) WANDERERS. In Ken Kalfus’ story “In Little America” at N+1 Magazine, Americans become the world’s illegal migrants.
…For ten months or so I belonged to a crew on a container ship flying a flag of convenience. My passport wouldn’t allow me ashore in most ports. The borderless, visa-free ocean was my home.
The American catastrophe had meanwhile entered a new phase that drained the world of any cruel pleasure it had taken in our downfall. Now the overwhelming sentiment was pity. I followed the news with averted eyes….
The first in-person check presented to a lottery winner in Quebec since the start of the COVID-19 pandemic was presented by an official immune to the disease — a human-sized robot.
Loto-Quebec said it employed the use of a robot designed by a student club at the Montreal-based Ecole de Technologie Superieure, in partnership with Centech, to present Guylaine Desjardins with her check for $4.47 million.
[Thanks to Olav Rokne, John Hertz, Andrew Porter, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, JJ, Michael Toman, Steven H Silver, Errolwi, and John King Tarpinian for some of these stories. Ttle credit goes to File 770 contributing editor of the day Camestros Felapton.]
Normally, most people vote for Worldcon site selection on site. Normally, people have the opportunity to hear from the site selection bids in person. But we do not live in normal times, and with all site selection moving to remote this year due to the COVID-19 pandemic CoNZealand arranged a special early question-and-answer panel for the 2022 Worldcon bids about a month before the convention. What follows is a summary of the bid presentations, questions, and answers—while I have tried to stay true to what was said, I do not promise transcription-level accuracy….
Here are a few of the questions and responses:
…Q: Chicon 7 had numerous access issues. How have you fixed them?
Chicago: The hotel took the non-ADA accessible areas out of circulation and put new, accessible function rooms in. The big accessibility chokepoint is getting into the exhibit hall, and we’ll have to work this out. But everything else should be ADA-compliant. Also at least with the Hyatt we know what the likely problem points are and can plan for them. If you had specific pain points at Chicon 7, let us know.
Q: What is the availability of assistance for mobility access, including renting mobies?
Jeddah: A lot of the rooms have workarounds but they’re not officially recognized are fully accessible (about 10% are officially recognized as such). Already working with a few companies for chairs on-site but not sure if they’ll be available to be taken offsite.
Chicago: Will have rental options for mobies, wheelchairs, etc. Guessing that there will be a pre-rental period and then we’ll have extras on site.
Q: What online virtual content do you intend to include?
Chicago: Haven’t totally decided yet, but we expect to have a pretty strong virtual component. In 2012 we had coprogramming with Dragon*Con, so we’re used to doing that kind of virtual thing. So it’s on our radar but we don’t have specifics yet.
Jeddah: Want to broadcast everything live for all the members, with at least audio streaming and hopefully video streaming. Our platform for live interpretation incorporates a live feed for sessions in both languages. Everything will be recorded for all members and stay up for as long as the server does. We also plan on having live feeds for all public spaces (e.g. the art show and dealer’s room) so online attendees can interact with in-person attendees….
Much more at the link.
(2) SPACE COMMAND. There will be a Space Command Convention on the Mr Sci-Fi YouTube channel this Sunday, starting at 10 a.m. Marc Scott Zicree says, “We will have live events all day, including interviews, and the premier of Ripple Effect, Space Command’s special episode, written and filmed during the COVID-19 Pandemic!”
(3) HORROR IN THREE PARTS. [Item by Martin Morse Wooster.] A History of Horror With Mark Gatiss on YouTube is a three-part series on the history of horror films Gatiss did for the BBC in 2010. In the first episode, he looks at silent films and sees such rarities as Lon Chaney Sr.’s makeup kit and the shrine of mementoes kept by Boris Karloff’s daughter. (Did you know Karloff is the only person not a president who has been on three US stamps?)
(4) THE FIFTIES. I discovered that a game I play, Baseball Mogul, has a blog – and it’s latest post is about “The Thanos Button”.
…Clicking this button randomly disintegrates half of the players in the database. It also eliminates half of everyone on earth, with corresponding adjustments to the population level of each team’s fan base.
At the beginning of Avengers: Endgame, the camera flies over an empty Citi Field, showing us that major league baseball is just one of the casualties of Thanos’ “snap”. If the baseball season can be cancelled for a virus that has killed 100,000 Americans, then surely it would be stopped by a super-villian killing more than 160 million Americans.
Well, arguments have been made on both sides. But what we do know is that, financially, Major League Baseball would be fine. Eliminating 50% of all major league players would cause team payrolls to drop by 50% — but demand for tickets would only drop by about 30%. At least in the short term, Major League Baseball would actually be more profitable….
Fox has released a statement on casting for non-white characters on “The Simpsons.”
“Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters,” the network said Friday.
The move comes as several television shows have pulled episodes featuring blackface from their streaming platforms, and amid a nation dealing with controversial depictions of race on TV and film.
On “The Simpsons,” Hank Azaria has been the voice of the black cartoon character Carlton Carlson. He also was known for voicing Apu, a character which has long been criticized for portraying a racist depiction of an Indian person. Azaria announced in 2017 he would no longer voice the character.
[Peter] Jackson, Fran Walsh and Philippa Boyens drew heavily from J.R.R. Tolkien’s rich source material to fashion a living, breathing world, complete with its own history. This also created a lot of confusion for moviegoers who had never read the books, or delved too deeply into Tolkien’s accompanying tales, such as The Silmarillion. Here’s 10 references in the Lord Of The Rings movies that only fans of the books truly understood.
Arachnophobes were horrified by the reveal of Shelob in Return Of The King, and for good reason! She’s an eight-legged nightmare who did more to demonize spiders than any other film since Arachnophobia.
What the film didn’t touch upon was her origin story. Far from just a fat, grotesque spider, Shelob is actually a child of Ungoliant, a fearsome arachnid who allied herself with Melkor during the First Age, before the two became bitter enemies. Ungoliant is briefly mentioned by Radagast the Brown in The Hobbit: An Unexpected Journey.
…Mr. Glaser joined forces with the editor Clay Felker in 1968 to found New York magazine, where he was president and design director until 1977, imposing a visual format that still largely survives. With his friend Jerome Snyder, the art director of Scientific American, he wrote a budget-dining column, “The Underground Gourmet,” for The New York Herald Tribune and, later, New York magazine. The column spawned a guidebook of the same name in 1966 and “The Underground Gourmet Cookbook” in 1975.
Mr. Glaser started his own design firm, Milton Glaser Inc., in 1974. A year later he left Push Pin, just as he was being given his own show at the Museum of Modern Art.
“At a certain point we were accepted, and once that happens, everything becomes less interesting,” he said in an interview for “Graphic Design in America: A Visual Language History,” an exhibition at the Walker Art Center in Minneapolis in 1989.
(8) MEDIA BIRTHDAY.
June 1953 — “In Hoka Signo Vinces” was published. A Hoka novella, it was written by Poul Anderson and Gordon Dickson, it was published by Other Worlds Science Stories which ran from 1949 to 1957. It’s currently available in Hoka! Hoka! Hoka!, a Baen Books anthology which also includes the first Hoka story, “The Sheriff of Canyon Gulch”.
(9) TODAY’S BIRTHDAYS.
[Compled by Cat Eldridge and John Hertz.]
Born June 27, 1850 – Lafcadio Hearn. Greek-Irish author who became a naturalized Japanese citizen and professor at Waseda U., first living in France, Ohio, Louisiana, the West Indies. Ten dozen short stories for us; collections of legends and ghost tales; translated Flaubert, Gautier, Maupassant, Zola; LH’s Kwaidan was made into the Kobayashi film; a dozen-and-a-half posthumous collections, recently by Princeton and U. Chicago. (Died 1904) [JH]
Born June 27, 1908 – Henry Kiemle, Jr. Much work for Westerns; fifty interiors for us. Here is “Elixir” (James Blish). Here is “The Shadow-Gods” (Vaseleos Garson). Here is “The Life Detour” (David Keller). You can read more about HK here. (Died 1969) [JH]
Born June 27, 1927 – Tibor Csernus. Hungarian painter living in Paris after 1964. Among much other work ten dozen covers for us, a few interiors. Here is The Players of Null-A. Here is Bug Jack Barron (under French title). Here is We Have Always Lived in the Castle. Here is Genocides. Kossuth Prize. Knight of the Order of Arts & Letters. (Died 2007) [JH]
Born June 27, 1948 – Esther Rochon, 72.Grand Prix de la science fiction et du fantastique québecois four times. Governor-General First Prize at age 16. A score of novels, three dozen shorter stories. Co-founded Imagine; two covers for it, here is one. Has not neglected fanzines, e.g. you can see her in Lofgeornost. [JH]
Born June 27, 1952 – Mary Rosenblum. Author and cheesemaker. Mystery fiction too under another name. Five novels; five dozen shorter stories in Analog, Asimov’s, Lightspeed, The Magazine of Fantasy & Science Fiction. Translated into French, German, Italian, Polish, Portuguese, Romanian, Spanish. Compton Crook and Sidewise Awards. (Died 2018) [JH]
Born June 27, 1978 – Bernard Quiriny, 42. Author, critic, Professor of Public Law at U. Burgundy, literature column for Chronic’art. One novel so far, five dozen shorter stories. Recurring character Pierre Gould is “eccentric…. poet, dandy, book-lover, just a bit of a misanthrope”. Grand Prix de l’Imaginaire, Prix du Style, Prix Victor Rossel, Prix Robert Duterme. [JH]
Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice.” Water Rites and Horizons are the only ones available digitally. (Died 2018.) (CE)
Born June 27, 1959 — Stephen Dedman, 61. Australian author who’s the author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it. He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Apple Books has nothing for him, Kindle has The Art of Arrow-Cutting and a few other titles. (CE)
Born June 27, 1972 — Christian Kane, 48. You’ll certain recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage ain’t genre, his role as Eliot Spencer there is definitely worth seeing. (CE)
Born June 27, 1975 — Tobey Maguire, 45. Spider-Man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one serious weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film. (CE)
Born June 27, 1987 — Ed Westwick, 33. British actor who has roles in the dystopian Children of Men, S. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF). (CE)
(10) COMICS SECTION.
Close to Home has an elevator gag that reminds me of Attack the Block.
(11) TO BOLDLY GO BLEEP. Twitter’s Swear Trek is a prolific GIF creator of – you guessed it!
How’s this for a commitment to high fantasy realism: Amazon is reportedly seeking visually distinctive actors — or, in its casting agency’s own words, “funny looking” people — who’re believed to be potential candidates for its Lord of the Rings prequel series in New Zealand.
Yahoo! Entertainment reports that BGT Actors Models & Talent — the same Auckland-based agency that helped cast extras for Peter Jackson’s LOTR film trilogy — has put out an open call for “funny looking” New Zealanders who have out-of-the-ordinary facial features and body types.
(13) SEVEN YEARS BAD LUCK?“Nasa Astronaut Drops Mirror Into Space During Spacewalk”. Though I suppose the bad luck doesn’t start to run until the mirror is broken – hits something, re-enters the atmosphere, or hangs around until the heat death of the universe (which we know is going to be really bad luck).
An astronaut has dropped a small mirror into space by accident, Nasa has said.
Commander Chris Cassidy lost control of the mirror while leaving the International Space Station for a spacewalk to work on batteries, and it floated away at about a foot per second, the space agency said.
The object is now just one part of the vast amount of space junk that is in orbit around the Earth.
Cassidy had been conducting an otherwise uneventful spacewalk with Bob Behnken, who arrived at the space station on board a SpaceX craft last month.
Mission Control said the mirror somehow became detached from Cassidy’s spacesuit. The lost item posed no risk to the astronauts, spacewalk or the station, Nasa said.
(14) WON’T STAND FOR IT. A petty inconsistency is the hobgoblin of internet comedy.
NASA has released open-source instructions for a 3D-printed necklace designed to help you stop touching your face. We’ve heard time and time again that we shouldn’t touch our mush with our fingers to limit our chances of contracting COVID-19. However, it’s not always easy to avoid that reflex.
To remind you to keep your mitts at bay, three engineers at the agency’s Jet Propulsion Lab created Pulse. The necklace has a proximity sensor with a 12-inch range and a coin vibration motor, which activates when you move your hand towards your head. The closer your fingers are, the more intense the vibrations get….
(16) MUPPETS. The Muppets visited The Late Late Show with James Corden:
Although James Corden, Reggie Watts and The Muppets can’t be together in a studio, the group comes together on video chat to sing The Beatles classic “With a Little Help from My Friends.” Sing along with Kermit, Fozzie, Miss Piggy, Swedish Chef, Animal, Gonzo and so many more.
… Given the choice to feature a crime plot, it is curious how The Great Muppet Caper does not decide to pastiche the many different types of crime films. The film is more interested in emulating splashy, Golden Age of Hollywood musicals. Which is fine. It is also partially a love story, partially a tale of mistaken identity, partially a satire of the high-fashion world. When it does refocus the burglaries that Kermit and Co. are trying to solve, it does not resemble a detective story as much as a journalistic investigation. See, Kermit, Fozzie Bear, and the Great Gonzo are all reporters who fail to break a story about a jewel heist that happens during the opening number, right behind them. Fired from their newspaper, they set off for London, to try to interview the woman, Lady Holiday (Diana Rigg), who has been robbed. While across the pond, they end up on the trail of serial thieves, the ringleader of whom is Lady Holiday’s deadbeat brother Nicky (Charles Grodin, hooray!). But truthfully, most of the movie is about Kermit falling in love with Miss Piggy, an aspiring fashion model who impersonates her boss, Lady Holiday, because she wants to impress Kermit.
[Thanks to John Hertz, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, Martin Morse Wooster, Bill, Andrew Porter, John King Tarpinian, Michael Toman, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]