GUFF administrators ae calling for nominations to send a European fan to CoNZealand,
the 2020 Worldcon in Wellington, New Zealand (July 29-August 2).
GUFF
is the Going Under and Over (or Get Under) Fan Fund which transports SF fans
from Europe to Australasia (and vice versa).
Marcin “Alqua” Klak, the current European Administrator of GUFF, and Simon Litten (Australasian Administrator) have posted full details here.
Depending
on the length of trip they’re able to make, the winner could also consider
visiting other parts of New Zealand and Australia to visit fans. The winner
will also be required to take over the administration of the fund for the next
northbound and southbound races.
Nominations
are being taken until January 10, 2020. Then the candidates will be announced
and voting will run until April 13.
Simon
Litten, the 2019 Get-Up-and-over Fan Fund (GUFF)
winner, will represent New Zealand and
Australian fandom at Worldcon 77 in Dublin, Ireland in August
GUFF
administrators Donna Maree Hanson (Australasia) and Marcin Klak (Europe) received
73 votes. “Even after the final round of votes were counted, there was only one
vote between the winning candidate and the runner up,” said their press
release, which did not name the second-place finisher.
(1) MARVEL AT MOPOP. Ellie
Farrell had a photo taken with a friend during her visit to MoPop’s Marvel exhibit in Seattle.
Opened last Spring, the exhibit continues through March 3.
(2) SFF DOES WORK TOO. Charlie Jane Anders, in a Washington Post opinion piece “Kamala
Harris is wrong about science fiction”, takes
issue with Sen. Kamala Harris’s claim that “we need facts, not science
fiction” to deal with climate change, saying that “science fiction
creators have been doing some soul-searching that includes looking for ways we
can do more to restore people’s faith in the future” in dealing with
climate change, “the global crisis of democracy,” and “attacks
on LGBTQ people’s right to exist.”
Sen. Kamala D. Harris was half right in her speech launching her 2020 presidential campaign when she said we need to address climate change based on “science fact, not science fiction.” The truth is, we need both. Science fiction has an important role to play in rescuing the future from the huge challenges we’re facing — and the responses to Harris’s statement illustrate this perfectly.
When the California Democrat’s statement about climate change went out on social media, a number of people pointed out the truth: Science fiction has been helping us to prepare for a world of potentially disastrous climate upheaval for years. But an equal number of loud voices took issue with Harris’s warnings about climate change, because in our post-truth era, the scientific consensus about what humans are doing to our planet is still somehow a matter of opinion.
And that’s why science fiction is more important than Harris gives it credit for. No amount of scientific evidence will convince deniers — or the vast number of people who merely live in a state of denial. We live in an era in which facts and fiction are blurring into an indistinguishable mess and power belongs to whoever can tell the best story, true or not. No one can even tell what’s real anymore, and what matters is just how something makes us feel — which is why we need better stories, that, in the words of author Neil Gaiman, “lie in order to tell the truth.”
(3) SATIRE CONSIDERED. Anita
Sarkeesian’s Feminist Frequency
podcast
for January 30 takes a look back at the
original Starship Troopers movie:
You’re going to love this week’s phenomenal conversation about Starship Troopers (1997) with special guests Mary Robinette Kowal and Max Temkin! Tune in for a thought-provoking discussion (and very amicable disagreement) about how successfully the film executes its satire of fascist military fantasies. Just what are the possibilities and limits of satire? What can director Paul Verhoeven’s career tell us about this “pointed critique of American imperialism”? And exactly how long will it take Anita to remember the name of the game Spec Ops without Carolyn to help?
(4) YA UPROAR CONTINUES.
On Facebook, Nick Mamatas delved into the questions surrounding Amélie Wen Zhao’s decision to pull Blood Heir (reported in yesterday’s Scroll). His post is quoted
with permission:
A YA novel called BLOOD HEIR, which sounds entirely awful, has been pulled from publication by its author Amélie Wen Zhao after complaints of plagiarism, poor “Russian rep” as it was put, and anti-blackness from YA twitter aficionadi:
1. Definitely messed up Russian naming conventions—though I am happy to point out that many of the same people complaining about this book are thrilled to go see the next Avengers film, and even agitated in the past for more action figures of the Black Widow in her sexy bodysuit (you know, for young girls!), called wrongly Natasha Romanoff in the films. So there is definitely a power relationship here; this is at least partially a game of “let’s flex on the new girl” while queueing up to consume a billion dollars worth of slop from the Disney hog trough.
2. Haven’t seen any screencaps actually demonstrating plagiarism except for a single sentence (“Don’t go where I can’t follow.”) In cases like this, often people casually use the term to mean “cliché” or even “genre trope.” Frankly if people don’t like clichés and genre tropes, they shouldn’t be reading children’s literature. That said, I may have just messed the presentation of textual evidence. I wouldn’t be surprised if there were a ton of plagiarism.
3. The author claims that her interest was exploring indenture as it is currently practiced in China and Asia; her critics complain that a major scene involves a black-coded girl with ocean-light eyes being auctioned off, and then dying while the main character sings her a lullaby. Sounds entirely awful. I think this is also a bit of what people mean by plagiarism—this character has been identified as smacking of Rue from HUNGER GAMES. The critics definitely seem to have a point.
4. As is common, moralism abounds. I’ve certainly seen more than one note fretting aloud that CHILDREN and the YOUTH will read this book and thus be exposed to its anti-blackness. Of course, all the right-wingers rallying against the “SJW mobs” and promising the author that *they* would read the book, ya know, to triggerown the shitlibs or whatever, are lying and performing their own version of “virtue signaling” as they call it. None of those kobolds would ever read a thing that doesn’t feature a photo of the author on a red-white-and-blue background.
I think the issue of Blood Heir was that it was trafficking in racist cliches and daring to do so with only a mere publishing company and not a giant media complex behind it. I’ll always feel a thrill when an author is punished for laziness and top-of-mind decision-making, but let’s be clear: moralism itself is a cliché as well, even when it’s left-moralism. YA twitter is absolutely a Pretty Person Club and Zhao was this year’s scapegoat. But Zhao’s crime of auctorial laziness is just one more datum point showing how sadly inadequate the acquisition and editorial process in big publishing is.
I just wrote this letter to a young author named Amelie Zhao, who withdrew her YA fantasy novel from publication because of negative comments on line…. Obviously I feel very strongly about this….
A novel cannot be all things to all people. At least one comment on your novel that I read was from a person who felt it insufficiently validated his/her ideas about slavery and villains using a cane. Often when a character uses a cane it is symbolic of something and is not a commentary on people who use a cane in real life. Readers who can’t tell the difference aren’t your concern.
Decades ago I was in a conversation with Samuel R. Delany and when he learned that a writing class was divided equally on the merits of one of his stories, he was quite pleased. He knew he’d accomplished something because of the class’s reaction.
Do not stop. Please reconsider your decision regarding your novel. These critics (and I’ve been a nasty one) are throwing spitballs at a battleship….
(5) AUDIO PALS. In the Washington Post,
Karen Heller has a piece about authors and their audiobook readers, “‘I
can write the words. He supplies the melody’: The harmonious bond between
authors and audiobook narrators”. Two of the
authors Heller interviews are genre writers: five-time Bram Stoker Award
nominee Jonathan Maberry, who says he now hears the voice of his audiobook
reader, Ray Porter, in his head when he’s writing, and Canadian urban fantasy
writer Kevin Hearne, who liked narrator Luke Daniels so much they’ve worked
together on independent projects.
Jonathan Maberry, a fiercely prolific author of often frightening novels, hears voices rattling in his head. Specifically, one voice, that of actor Ray Porter, who narrates his audiobooks. A five-time Bram Stoker Award winner, Maberry would “imagine how Ray would inflect certain things, and I started to write toward his performance.” Be it horror, thrillers, science fiction, young adult and middle grade fiction, almost three dozen novels since 2006 — this is not a typo, and excludes anthologies, short stories and comics — Porter, without contributing a word, has helped Maberry accomplish the goal of most writers: selling more books. Says Maberry, “We’re very much a team.”
(6) NEW FAN FUND IDEA. Marcin Klak has written a proposal for creating a European Fan Fund to allow people from different countries to attend Eurocon. His draft of the rules and the winner’s responsibilities begins —
Purpose: The purpose of the Fan Fund is to create and strengthen bonds between European fans and fandoms. Currently in almost every country there is a fandom that quite often has small or no connection to the broader European fandom. Most fans do concentrate on the “here and now” and are not looking for friends in other countries.
The idea: A delegate would be elected by fans across Europe to travel to Eurocon. The delegate must offer to have a talk about fandom in their country. The delegate should also offer their participation as a guest in the Eurocon Awards ceremony, Opening ceremony and Closing ceremony. Any other help from the delegate should be encouraged. It will be for the Eurocon organizers to accept that help to the extent that suits them.
(7) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born January 31, 1923 – Norman Mailer. I never knew he wrote in the genre but he did. Ancient Evenings certainly has the elements of fantasy and The Castle in the Forest is interesting retelling of Adolf Hitler and his last days. (Died 2007.)
Born January 31, 1937 – Philip Glass, 82. 1000 Airplanes on the Roof: A Science Fiction Music-Drama, Einstein on the Beach, The Making of the Representative for Planet 8 (with a libretto by Doris Lessing based on her novel of the same name), The marriages between zones three, four, and five (1997, libretto by Doris Lessing, after her second novel from Canopus in Argos), The Witches of Venice and The Juniper Tree would be a fragmentary listing of his works that have a genre bias.
Born January 31, 1960 – Grant Morrison, 59. If you can find it, his early stuff on such U.K. publishers as Galaxy Media and Harrier Comics is worth searching out. Not your hero in tights materials at all. For his work in that venue, I’d recommend his run on The Resurrection of Ra’s al Ghul, all of his Doom Patrol work (and the DC Universe series this fall is based on his work), Seven Soldiers and his weird The Multiversity.
Born January 31, 1977 – Kerry Washington, 42. Alicia Masters in Fantastic Four and Fantastic Four: Rise of the Silver Surfer. Also played Medical Officer Marissa Brau in 30,000 Leagues Under the Sea. She voices Natalie Certain in Care 3. She also voices Princess Shuri in a short run Black Panther series.
(8) MR. & MRS. Bill writes, “The 1/29 scroll item about Tiptree got me to looking things up, and I found the attached” – a bit of social news from the Chicago Tribune for January 24, 1946. Definitely still news to me.
(9) WRONG ON JEOPARDY! Andrew
Porter spotted another bad guess on tonight’s episode of Jeopardy!
Category: Scribbling Siblings
Answer: Aviation writer Robert Serling helped little bro Rod with “The Odyssey of Flight 33” episode of this series.
Colonisation of the Americas at the end of the 15th Century killed so many people, it disturbed Earth’s climate.
That’s the conclusion of scientists from University College London, UK.
The team says the disruption that followed European settlement led to a huge swathe of abandoned agricultural land being reclaimed by fast-growing trees and other vegetation.
This pulled down enough carbon dioxide (CO?) from the atmosphere to eventually chill the planet.
It’s a cooling period often referred to in the history books as the “Little Ice Age” – a time when winters in Europe would see the Thames in London regularly freeze over.
“The Great Dying of the Indigenous Peoples of the Americas led to the abandonment of enough cleared land that the resulting terrestrial carbon uptake had a detectable impact on both atmospheric CO? and global surface air temperatures,” Alexander Koch and colleagues write in their paper published in Quaternary Science Reviews.
Bobblehead nights happen all the time at baseball games. Already this year, there’s been one for a nun, one for Pitbull and one for a bald eagle that flew into a pitcher’s face. But during Wednesday’s Rockies-Dodgers game, we may have found the coolest bobblehead ever: The Dia de Los Dodgers sugar skull bobblehead.
(15) STAN LEE GIVEN POSTHUMOUS
KEY TO THE CITY. Hey, it’s LA. L. Ron Hubbard put out books here for years
after he died. Who’s to say Stan won’t get some use from it? That was just part
of what happened at the celebrity-studded tribute to Stan Lee on Wednesday
night: “Stan
Lee’s Friends and Fans Pay Tearful, Funny Tribute to Their ‘Generalissimo’”
in The Hollywood Reporter.
…Hosting the show was Lee’s long-time friend and fan, filmmaker Kevin Smith, who was sure to note that Lee was “one of the best humans to ever walk the Earth” before inviting everyone to enter the theater. The theater itself was transformed into a monument to the man, with some of his most beloved comics on display, from the first appearance of Spider-Man and Black Panther to some of the most iconic adventures of the Fantastic Four. Costumes from the Sony-led Spider-Man films were displayed inside glass cases, but it was the energy in the room that truly punctuated the evening.
Smith put it best at the beginning of the tribute: “This is not a funeral, though he’s gone. This is a celebration! That’s how religions start. We all agree that we saw him tonight and that he’s no longer gone. Stan’s spirit is here with us.” With all the outpourings of love in the room, it’d be hard to argue otherwise. Copious footage of Lee played throughout the evening, including a touching clip of him singing “Cocktails for Two”, with all the energy of someone in their twenties, as his embarrassed assistants set up his microphone.
Smith kicked off the evening with the story of how he met Stan for his movie Mallrats and the grand efforts it took to convince the then less-recognizable legend to appear in his film after Lee read the script and remarked “I would never say this.” Smith admitted that Lee himself was never quite accepting or aware of his successes, despite his put on braggadocio. “This was a guy who spent his life dreaming of writing the great American novel, and he didn’t realize that he had been successful and fulfilled his dreams one-thousand times over,” Smith said. Smith himself admitted that “it was hard to understand that we were friends” before eventually coming to realize just how much Lee loved him.
…Perhaps the biggest moment of the night came with the appearance of Los Angeles Mayor Eric Garcetti, who detailed Lee’s love affair with L.A. before running through a detailed catalogue of his own nerdiness, including a proclamation that no one could offer him enough money to let go of his complete collection of original copies of the Wolverine comic series. Garcetti made it clear, “Stan Lee was a mensch who always fought for the underdog”, before presenting Stan’s former company Stan Lee’s POW! Entertainment with Garcetti’s third ever “Key to the City”, carved from a fallen tree and engraved with Stan’s image and catchphrase “Excelsior!”
(16) IN THE SPIRIT OF IAIN
M. BANKS. A funny thread about pet names for weaponry – begins here.
(17) DEALING WITH A FOOD
EVANGELIST. “Dear
Mother Goose”, an advice column for children’s
book characters, by Slate’s Emma
Span. Here’s the problem, click to read Mother’s answer:
Dear Mother Goose,
I am being aggressively pursued by someone (I’ll call him S.I.A.) who is bizarrely obsessed with getting me to eat “green eggs and ham.” He has offered no explanation of where the ham and eggs came from, why they are green, or why he cares if I eat them. I have calmly and clearly turned him down, but he is following me everywhere, carrying a plate of food, which by now is cold, dirty, and wet as well as green. Nevertheless, S.I.A. thinks I might like the food. He has brought a mouse, a fox, and a goat to me, as if that would change my mind. We were even involved in a boating accident because of his behavior….
[Thanks to Andrew Porter, JJ, Cat Eldridge, Mike Kennedy, Carl Slaughter, Martin Morse Wooster, John King Tarpinian, Olav Rokne, John A Arkansawyer, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
I’m still recovering from the flu, however, here’s a curtailed
Scroll to help keep the conversation moving.
GUFF INTERVIEWS. The Get-Up-and-over
Fan Fund (GUFF) ballot for the 2019 race is available online. Voters will choose an Australasian
delegate to attend Dublin 2019 in Ireland (August 15-19). There is an
option for the delegate to also attend the Eurocon (Titancon,
in Belfast, Northern Ireland, on August 22-25).
The candidates are
Lynelle Howell, Simon Litten, and Nicole Murphy.
NASA’s live stream is currently offline, however, and the agency is redirecting people to NASA TV, which it states will show live events. The NASA public relations team is unable to publicize the events and send out press releases during the shutdown because they aren’t exempt from the furlough.
Previous government shutdowns, in January and February this year, lasted no longer than three days. But this shutdown could continue into the new year. As recently as Thursday, at least one US senator suggested there’s “no end in sight”.
Ithaca College, a mid-size nationally-ranked private college, will offer a course on running a comic convention in the Spring 2019 semester, the first time we’ve heard of a college course on the topic. Students taking the course will plan and manage Ithacon, the second-longest-running comic convention in the nation. The course, Creating and Promoting Ithacon, will be co-taught by Ed Catto, formerly of Bonfire Agency (see “Rotterdam, Catto Start Bonfire“) and Reed Exhibitions, currently a lecturer in the Department of Management; and English professor Katherine Kittredge, who’s the coordinator of Ithacon.
Students will plan, manage, and market the convention, and do post-event analysis. Other topics of the course will include publishing, filmed entertainment, licensing, collectibles and fan communities.
BLEEDING COOL TOP 100 POWER LIST. This week Bleeding Cool has been dribbling out its “Top 100 Power List” of the comics industry’s influential figures. The list came to my attention because Vox Day is grumpy that he’s not on it — despite having (unintentionally) managed to get a Bleeding Cool editor fired this year for publishing an interview with him – which he figures represents some level of industry power….
This attempt to list the most powerful people working in the English-speaking comic book marketplace is, of course, flawed. It is judged by all manner of attributes, the ability to influence what comics exist and sell, but also the willingness to use that power in the industry to affect things, and the ability to retain said power if a job is taken away. Which is why you will see a number of people on a higher spot than their bosses.
…It does not measure talent or likeability, respect or fairness, and it does not intend to represent diversity or balance. All it does is note power, used for betterment — or detriment — in the English speaking comic book world.
Director of Programming at San Diego Comic-Con – it may come but once a year but Eddie holds the fortunes and plans of many comic book publishers and creators in his hands. His whim can see a publisher given the chance to expose the world to what they are working on. Or denied the chance and remain in relative obscurity. Also, it may be down to him to see if the panel you have arranged will be full of your fans or people waiting to see Critical Role.
74. Ethan Van Sciver. Leaving DC Comics after prominent creators refused to work with him anymore, he used the usual mixture of Comicsgate virtue signalling, identity politics and mocking hater videos to raise over half a million dollars on Indiegogo, for his still-upcoming Cyberfrog comic revival. The highest amount raised on crowdfunding by any comic creator in the year, it helps that he can actually draw. This helped him take the position as leading Comicsgate figure as Richard Meyer stepped back, due to his legal case with Mark Waid, and not wanting to give the defence further ammunition.
53. Gail Simone. Leading comic book writer, advisor, social media presence and whose Women In Refrigerators continues to impact all over the place, Simone has also become showrunner of the Lion Forge line of superhero comic books. With a massive social media following and an uncompromising attitude, Simone always brings a lot to the party.
54. Ta-Nehisi Coates. Writer of Black Panther, as well as a literary activist, he has brought attention to this comic alongside the release of the movie, and has created a small but new fanbase for Marvel comic books.
46. Kelly Sue DeConnick. Writer of Bitch Planet and Pretty Deadly, a strong voice in the comics industry fuelled with the Captain Marvel movie based on her take on the character, she remains a font for advice, support and comradeship, and her production company with Matt Fraction, Milkfed, continued to develop new comics and adapt and represent them for other media.
[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter and Andrew Porter for some of these stories Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
It happened Saturday during the Society for Creative Anachronism event in Williamstown.
The president of the SCA, John Fulton, said Barclay was trying to spear a paper plate on the ground.
Barclay’s brother posted on Facebook that the metal tip of his brother’s lance hit the ground, flipped and then impaled him under his sternum.
“I’ve never had an injury on the field like this, ever, that led to something like this” said Fulton.
We’re told Barclay was flown to a hospital, but died en route.
The SCA said Barclay was a master within the organization and had practiced medieval sports for more than 30 years.
(2) POLCON GROWING PAINS. Marcin Klak analyzes “The issues of Polcon”, Poland’s national convention.
We can define a few issues with Polcon but the main one is that no one really wants to organize Polcons any more. Of course this is not 100% true but we can see an issue here. In the last few years, there was usually only one group willing to run Polcon. It happens that it was known before that Polcon won’t be good but there was only one group willing to do it so there was no choice (and no one really wanted to cancel Polcon). This year, all in all, we haven’t chosen the place for Polcon 2020 yet – we hope that in December we will know this as there is one group that thinks about applying to run it.
Here in New England, I got to know almost 100 other women that had decided to run for office, many through the Emerge program for training Democratic women. We were running for mayor, running for state senate, running for Congress. Like me, most of my peers were first-time candidates. We were starting to figure out this alien life of being a political candidate.
And I would love to tell you that we all won. In the movies, the underdog always wins. The Death Star always explodes. Carrie always walks into the sunset with Mr. Big. But reality has somewhat different odds than Hollywood. In a congressional race, the person spending less money wins only 9 percent of the time. You have less than 15 percent chance of beating an incumbent—and those odds are way worse if you’re running for the first time.
…For a first-time candidate who raised under $200,000, I did a fantastic job. I got almost 25 percent of the electorate, with over 17,000 people voting for me. I sometimes try to imagine 1000 people telling me they believe in me enough to be their congresswoman, and it’s overwhelming. 17,000 people believing in you isn’t a loss, it’s an excellent start to a career. The guy I was running against has a 20-year head start…
On a desolate island, three sisters have been raised in isolation, sequestered from an outbreak that’s causing women to fall ill. To protect themselves from toxins, which men can transmit to women, the sisters undergo cleansing rituals that include simulating drowning, drinking salt water and exposing themselves to extreme heat and cold. Above all, they are taught to avoid contact with men.
That’s the chilling premise of Sophie Mackintosh’s unsettling debut novel “The Water Cure,” a story that feels both futuristic and like an eerily familiar fable. It grew out of a simple, sinister question: What if masculinity were literally toxic?
“The Water Cure,” which comes out in the United States in January and was longlisted for the Man Booker Prize, joins a growing wave of female-centered dystopian fiction, futuristic works that raise uncomfortable questions about pervasive gender inequality, misogyny and violence against women, the erosion of reproductive rights and the extreme consequences of institutionalized sexism.
…Most of these new dystopian stories take place in the future, but channel the anger and anxieties of the present, when women and men alike are grappling with shifting gender roles and the messy, continuing aftermath of the MeToo movement….
I always get a smile out of fans trying to school pros.
The latest is a self-appointed gatekeeper telling Neil Gaiman that he must be a relatively recent fan of Doctor Who.
Oh my.
My own recent experience happened a year or so ago, when one of the sad puppies tried to tell me that my argument was useless. He said, “It is too late for the pebbles to vote, the avalanche has already started.”
I don’t remember my exact words. Something to the effect that those words were spoken by Kosh in the Babylon 5 episode “Believers.” It would have been nice if he’d credited the source — and the author of the episode.
He dropped out of the thread immediately. I don’t remember his name or the thread. I just remember the moment of delicious amusement I experienced….
The Outer Limits may have the power to control transmission, but can the show keep viewers tuning in week after week? The verdict is still out. The show seems to be much more rooted in science fiction than most other anthology shows in recent years, which is a distinguishing point, but the batting average will probably have to improve: this month only gave me one fantastic, one somewhat entertaining and two otherwise okay episodes.
Fred C. Adams, theoretical astrophysicist at the University of Michigan, joins us for an insightful talk about how life in this universe—and potentially others—is possible.
The fundamental constants of nature must fall within a range of values in order for the universe to develop structure and ultimately support life. This talk considers the current constraints on these quantities and assesses the degree of fine-tuning required for the universe to be viable. The first step is to determine what parameters are allowed to vary. In the realm of particle physics, we must specify the strengths of the fundamental forces and the particle masses. The relevant cosmological parameters include the density of the universe, the cosmological constant, the abundance of ordinary matter, the dark matter contribution, and the amplitude of primordial density fluctuations. These quantities are constrained by the requirements that the universe lives for a sufficiently long time, emerges from its early epochs with an acceptable chemical composition, and can successfully produce galaxies. On smaller scales, stars and planets must be able to form and function. The stars must have sufficiently long lifetimes and hot surface temperatures. The planets must be large enough to maintain atmospheres, small enough to remain non-degenerate, and contain enough particles to support a biosphere. We also consider specific fine-tuning issues in stars, including the triple alpha reaction that produces carbon, the case of unstable deuterium, and the possibility of stable diprotons. For all of these issues, the goal of this enterprise is to delineate the range of parameter space for which universes can remain habitable.
Mona A. Clee began publishing short SF works in the 1980s but I know her from her two novels: pessimistic ecological thriller Overshoot, and the somewhat more optimistic Branch Point, in which time travelers try desperately to prevent a 1963 Soviet-American nuclear exchange, only to discover they’ve replaced a horrific atomic war with even more horrific variations. “Oh, dear, we seem to have made a bad situation much worse,” may not sound like it could be more upbeat than any other book, but A) there is a solution, and B: Overshoot is pretty glum.
(9) YARNALL OBIT. Celeste Yarnall, who appeared in a Star Trek episode and in Elvis Presley’s Live a Little, Love a Little, has died at the age of 74 reports Deadline.
In the Star Trek episode titled “The Apple” that aired on October 13, 1967, Yarnall’s red-uniformed Yeoman Landon has a romantic encounter with Walter Koenig’s Chekov. It didn’t last.
Other credits include appearances on The Adventures of Ozzie & Harriet, Bonanza, Hogan’s Heroes, It Takes a Thief, Captain Nice, Mannix, Bewitched, Land of the Giants and The Man From U.N.C.L.E., and in the films The Nutty Professor, Under the Yum Yum Tree, Eve, The Velvet Vampire, Bob & Carol & Ted & Alice and Scorpio, among others.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 10, 1863 – Vladimir A. Obruchev, Geologist, Writer, and member of the Academy of Sciences of the USSR who was one of Russia’s first science fiction authors. In his native country he is best known for two perennially popular science fiction novels, Plutonia and Sannikov Land. Both of these stories are similar to Arthur Conan Doyle’s The Lost World, but depict with rigorous scientific accuracy the discovery of an isolated world of prehistoric animals in hitherto unexplored large islands north of Alaska or Siberia.
Born October 10, 1924 – Ed Wood, Jr., Actor, Writer and Director who created numerous low-budget science fiction, comedy, and horror films and wrote more than 80 pulp novels. He is most famous for the notoriously-bad cult SF film Plan 9 from Outer Space. In 1994 Tim Burton directed and produced an eponymous biographical drama of his life starring Johnny Depp, which won two Oscars.
Born October 10, 1947 – Laura Brodian Freas, 71, Classic Music Radio Host, Voiceover Performer, Illustrator and Historical Customer. While married to the artist she published a collection Frank Kelly Freas: As He Sees It containing art and essays by the two of them. She has also provided a few genre covers, including the cover for the anthology New Eves: Science Fiction About the Extraordinary Women of Today and Tomorrow, and numerous pieces of interior art for Weird Tales, Analog, and several Easton Press Signed First Editions. One of her collaborative works with Frank won a Chesley Award; another collaborative work and one of her solo works also received Chesley nominations.
Born October 10, 1950 – Nora Roberts, 68, Writer probably best known, and a favorite of Cora Buhlert, for her near-future science fiction In Death (Eve Dallas) series written under the pen name J.D. Robb, which is approaching 50 novels now and features robots, cloning, flying cars, and space habitats; as well as many other fantasy series including the Key Trilogy, the Sign of Seven Trilogy, and the Three Sisters Island Trilogy.
Born October 10, 1959 – Kerrie Hughes, 59, Writer and Editor. A prolific anthologist, some of which impressively have had several printings, many co-edited with Martin H. Greenberg, and four of the Fiction River series. Favorite titles for me include Chicks Kick Butt (co-edited with Rachael Caine), Zombie Raccoons & Killer Bunnies (with Martin H. Greenberg) and Shadowed Souls (with Jim Butcher). She’s published more than a dozen short fiction works of her own and essays including “A Travelers’ Guide to Valdemar and the Surrounding Kingdoms” in The Valdemar Companion.
Born October 10, 1959 – Bradley Whitford, 59, Actor, Writer, and Producer whose most recent genre role was as the sinister patriarch in the Hugo finalist Get Out; other movie appearances include Bicentennial Man, Kate & Leopold, RoboCop 3, The Cabin in the Woods, The Darkest Minds, The Muse, and Godzilla: King of the Monsters and guest roles in TV series The Handmaid’s Tale, The X-Files, Touched by an Angel, and Cloned.
Born October 10, 1967 – Michael Giacchino, 51, Oscar- and Grammy-winning Composer and Musician, who has created the soundtracks for many genre films such as the Hugo-nominated Rogue One and Star Trek 2009 reboot and its sequels, Jupiter Ascending, Tomorrowland, John Carter, Mission: Impossible III and Ghost Protocol, Jurassic World and Fallen Kingdom, Doctor Strange, Spider-Man: Homecoming, Cloverfield, and the Planet of the Apes reboot movies. His animation soundtrack credits include the Hugo finalists Up and The Incredibles, Incredibles 2, Ratatouille, Cars 2, Inside Out, Zootopia, and Coco. He has also composed music for many TV series such as Lost (for which he received an Emmy), Alias, and Fringe, and video game series including Medal of Honor and Call of Duty. He is also responsible for the soundtrack in the Space Mountain attraction at Disneyland and Disney World.
Born October 10, 1968 – Bai Ling, 50, Actor, Writer, and Producer originally from China who has had genre roles in the films League of Superheroes, Andover, Blood Shed, Star Wars: Revenge of the Sith, Sky Captain and the World of Tomorrow, The Gene Generation, Code Hunter, and The Crow, guest roles in episodes of Lost and Jake 2.0, and a main role in the TV miniseries The Monkey King.
Born October 10, 1968 – Mark Bould, 50, Writer, Editor, and Critic from England who emigrated to Scotland, who has co-authored several nonfiction works on SF including The Routledge Companion to Science Fiction and The Routledge Concise History of Science Fiction, as well as Red Planets: Marxism and Science Fiction (with China Miéville). He guest-edited two issues of Science Fiction Studies, one on the British SF Boom and one on Afrofuturism (with Rone Shavers), and an issue of Paradoxa on Africa SF, and contributed numerous essays to other scholarly works on SF. He will be Scholar Guest of Honor at next year’s International Conference on the Fantastic in the Arts (ICFA).
The Argyle Sweater has clips of Star Wars characters who were left on the cutting room floor.
(12) GET NANOWRIMO SUPPORT. K. Tempest Bradford will host a course in “Daily Writing Exercises – NaNoWriMo Edition” during the November novel-writing marathon, joined at times by four other well-known sff authors.
Practice and warm-ups are fundamental to every artistic discipline, from the musician who practices scales for hours on end to visual artists who cover reams of paper with sketches to dancers and actors who rehearse for months. Practicing craft is important for writers, too. Especially when you’re about to write 50,000 words in 30 days.
Doing one 10 – 20 minute writing exercise every day before diving into your novel can help kick your brain into creative gear without pressure and give you the chance to try out new craft skills.
That’s what this course is all about. Starting November 1, you’ll get a writing exercise via email every day for a month. Each one is designed to get you warmed up and also to help you get to know your characters better, dig into details of your setting, and play around with voice, point of view, and other aspects of craft.
…In addition to the emailed exercises, all writers taking the course can attend live online write-ins four times a week with me + special guests. Each write-in will start with that day’s exercise then move into 45 minutes of writing together via Zoom video conferencing software. These write-ins are optional and times/days will vary to accommodate writers across different time zones.
You’re moving through Walmart at a quick clip, bookin’ it through the clearance bread aisle. Sweat beads on your forehead, and your hands grip the cart handle. It’s a race against time before you run into an elementary school classmate’s mom or run into that guy you made out with in high school and his three kids. God, get me out of h—
I saw you might need assistance! An employee appears from behind the off-brand tampons and accosts you. He knows this because he’s been monitoring your biometric data and location from a room in the back, from the sensors in your cart handle. The sensors told him you’re clammy and stressed.
Walmart recently applied to patent biometric shopping handles that would track a shopper’s heart rate, palm temperature, grip force, and walking speed. The patent, titled “System And Method For A Biometric Feedback Cart Handle” and published August 23, outlines a system where sensors in the cart send data to a server. That server then notifies a store employee to check on individual customers.
James Gunn, the director fired earlier this year from Marvel’s Guardians of the Galaxy franchise, is now in talks to write DC’s Suicide Squad 2 with an eye to also direct, according to a report today from The Wrap.
This could be somewhat of a coup for Warner Bros., the studio behind Suicide Squad and other films based on DC superheroes. With Gunn writing and directing, Guardians of the Galaxy grew from a relatively obscure comic book property into a veritable household name after just two high-earning and critically-acclaimed movies.
Gunn was dismissed from writing/directing Guardians of the Galaxy 3 earlier this year after a concentrated online campaigned publicized a series of tasteless jokes he made years ago about rape and pedophilia on Twitter. Gunn had long since apologized for the jokes, and, as such, his firing set off widespread debate over whether it was merited, with members of Guardians’ cast going to bat for him (especially Dave Bautista).
(16) GOLDEN AND LESS SHINY AGES. Rob Latham reviews Alec Nevala-Lee’s Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction for Nature — “Beyond pulp: trailblazers of science fiction’s golden age”.
…Hubbard’s gift for the hard sell was pivotal, and Nevala-Lee’s portrait of him as a paranoid narcissist and skilled manipulator is scathing. However, Campbell is also sharply scrutinized for his role in midwifing and unleashing Dianetics. Heinlein and Asimov were repelled by what they saw as an uncritical embrace of quackery, and took refuge in newer, often more lucrative markets. The book’s final chapters detail the steady decline of the magazine into a second-rank publication, and Campbell (who died in 1971) into a reactionary crackpot with racist views.
Although much of the story outlined in Astounding has been told before, in genre histories and biographies of and memoirs by the principals, Nevala-Lee does an excellent job of drawing the strands together, and braiding them with extensive archival research, such as the correspondence of Campbell and Heinlein. The result is multifaceted and superbly detailed. The author can be derailed by trivia — witness a grisly account of Heinlein’s haemorrhoids — and by his fascination for clandestine love affairs and fractured marriages. He also gives rather short shrift to van Vogt, one of Campbell’s most prominent discoveries and a fan favourite during Astounding’s acme, whose work has never since received the attention it deserves….
I’m sad that Infinity’s End is the purported final volume in Jonathan Strahan’s Infinity Project of anthologies. The theme has always been loose, no matter what Strahan has stated in the introduction (and I’m not sure he’d truly disagree with me here). He’s just looking for science fiction which stretches the bounds of humanity living in the wider universe. The success is that Strahan has a great idea for good stories and each of the Infinity Project anthologies hits the mark for top notch stories. While I hope that Strahan will revisit the Infinity brand again several years from now (and if so, the anthology should maybe be titled Infinity’s Rebirth), Infinity’s End is a fitting and excellent way to close the book on a solid anthology series. Reading each volume and reading Infinity’s End has been a delight.
…Now, a freshly leaked transcript of Mr Gomes addressing employees suggests he perhaps wasn’t being entirely forthcoming in our interview. Published by The Intercept on Tuesday, his words suggest an enthusiasm and readiness that arguably goes well beyond “exploration”.
‘We are ready for it’
“Overall I just want to thank you guys for all the work you have put in,” reads the transcript, said to be taken from a meeting on 18 July at which Mr Gomes addressed those working on Dragonfly.
…”Of the people who are internet-enabled, a huge fraction of the ones we are missing out are in China […] It’s clearly the biggest opportunity to serve more people that we have. And if you take our mission seriously, that’s where our key focus should be.”
Standing in Google’s way is the uncomfortable reality that many people do not agree with that focus – including the vice-president of the United States, Mike Pence. He has said Google should “immediately end development” on Dragonfly.
The final of the ocean XPRIZE, which will see fleets of robots compete to map the largest area of seafloor inside 24 hours, will take place in deep waters off the coast of Greece.
Teams will be invited in turn to showcase their technologies, starting in early November.
They will have to chart at least 250 sq km at depths down to 4,000m, and image 10 items of interest.
The group that comes out on top will win $4m. Second place earns $1m.
The Shell Ocean Discovery XPRIZE was launched in 2015 to find systems and approaches that could finally map the world’s ocean basins to an acceptable precision.
Currently, less than 15% of their bathymetry (depth) has been measured in a meaningfully accurate way. It is one of those truisms that the global surfaces of Mars and the Moon – because they have no water covering – are known in greater detail.
(20) TIME FREAK TRAILER. Coming to theaters November 9, Time Freak.
If you could turn back time…could you win back the love of your life? That’s the problem puzzling Stillman (Asa Butterfield, Ender’s Game), a physics genius recently dumped by his stunning girlfriend Debbie (Sophie Turner, “Game of Thrones”). So after creating a timeline of their romance and a machine to rewind the past, he grabs his wingman, Evan (Skyler Gisondo), and sets off to right every wrong he made with Debbie. But as this insane comedy proves, there are some mistakes too perfect for science to fix.
[Thanks to John King Tarpinian, Daniel Dern, Karl-Johan Norén, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kaboobie.]
Polish fan Marcin Klak is the 2018 GUFF delegate. GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).
Klak will attend Continuum in Melbourne, Australia over the June 8-11 weekend.
Voting figures were not released, but GUFF co-administrator Donna Maree Hanson says, “It was a strong race with high number of votes being cast at Eastercon in the UK.”
The other candidates were and Steve and Alice Lawson.
(1) FIGHT TO THE FINISH. Unbound Worlds, the Penguin Random House website for sff fans, is running Cage Match 2018: Creature Feature, a March Madness-style original fiction bracket tournament.
For the first time, Cage Match will feature an all non-human bracket of 32 characters — monsters, murderbots, mythological beings, and more from SF/F books — in battles to the death written by acclaimed authors.Contributors include Liana Brooks, C.A. Higgins, Seanan McGuire, Tina Connolly, and many others. Below are links to a couple of Round One matches.
Seanan McGuire’s (Tricks For Free) battle between Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It and Shelob, a venomous spider from J.R.R. Tolkien’s The Lord of the Rings. Read it here.
Michael Poore’s (Reincarnation Blues) account of Deep Thought, the supernatural computer from Douglas Adams’s The Hitchhiker’s Guide to the Galaxy vs. Lovelace/Sidra, a sentient computer from Becky Chambers The Long Way To a Small Angry Planet. Read it here.
Some of the other creatures from classic and contemporary science fiction and fantasy are:
Cthulhu, a massive, octopoid god-being from the works of H.P. Lovecraft.
Drogon, the largest and most aggressive of Daenerys Targaryen’s dragons from A Song of Fire and Ice by George R.R. Martin.
Iorek Byrnison, an armor-clad polar bear warrior from Phillip Pullman’s The Golden Compass.
Murderbot, a self-aware robot that hates humans from Martha Wells’s The Murderbot Diaries.
Pennywise, a shapeshifting monster turned sinister clown from Stephen King’s It.
War, a supernatural horseman of the apocalypse from Good Omens by Terry Pratchett and Neil Gaiman.
Also new for Cage Match 2018 is a special creature-themed Spotify playlist.
Ray Bradbury Live (forever) has them all. It’s a smart show; alternatively funny, sppoky and biting; a mix of Epcot ride, Planetarium show and dream.
The Show: Like Mark Twain Tonight, or The Bell of Amherst. But with dinosaurs.
Ray Bradbury Live (forever) is licensed for performance by the Ray Bradbury Estate, with script approval by the family.
Bill is doing the first staged reading in NYC at Theatre Row on April 12th at 7 p.m. It’s not the full production, just a reading, but it will give an idea of the piece. Jeff Farley is doing the prosthetic make-up for the actual show when it opens. The plan is to debut Off-Broadway in 2019 and then tour it nationally (and maybe overseas, too.) This first reading is the first baby step.
As a reminiscence, here is a promotional graphic from Bill’s 2015 Bradbury-themed performance in LA:
The one hotel in the world where you really don’t want to stay got a high-profile commercial on the Oscars telecast tonight—38 years after it first terrified people on the big screen.
The Overlook Hotel, which was the setting for Stanley Kubrick’s 1980 horror movie The Shining (based on Stephen King’s 1977 novel of the same name), was the ostensible advertiser behind the 30-second spot—which invited you to enjoy a “quiet, remote family getaway” at the “newly renovated” property, where “there’s a surprise around every corner.”
… A few seconds at the very end of the ad reveal the true advertiser—the Academy Museum of Motion Pictures, a new museumdedicated to the art and science of movies that will be opened in Los Angeles in 2019 by the Academy of Motion Picture Arts & Sciences (which runs the Oscars).
Intersectionality is a powerful idea conveyed in an overcomplicated word. But Star Wars is a great way to understand it better.
…From what we see, Rebel X-Wing pilots are predominantly male, blue collar guys with security / technical backgrounds. In contrast the alliance diplomatic corps lead by Mon Mothma and Leia seem to be mostly women with liberal arts / humanities educations. These two groups probably see the rebellion very differently, and have to continually negotiate to find a good working relationship.
The Mon Calamari cruisers can take on multiple Imperial star destroyers at once, but were only converted for military function after the Mon Calamari were targetted and nearly wiped out by Imperial forces. No doubt Admiral Ackbar feels his people are the real leaders of the rebellion, and as allies the humans, who basically caused all these problems with their history of colonialism, should damn well shut up and take orders.
Who knows what the Bothans want from the whole thing, but many of them died to recover those plans, so they probably expect a cut of any political settlement when the Republic is re-established.
In real life we have a word for the problems of factionalism faced by Liberal political alliances.
INTERSECTIONALITY
(5) SEE STOKERCON. Ellen Datlow shared her photos of StokerCon 2018 on Flickr. Posing for the camera here are Craig Engler and the electrifying Scott Edelman.
Jim Meadows sent the link together with his commentary:
The whole thing got my attention, because I can remember watching “Let Me Hear You Whisper”, the Paul Zindel play that Zindel’s family says was unauthorized source material for The Shape of Water. The Time article mentions a 1990 TV movie (actually an episode in an artsy drama series on the A&E cable channel, according to IMDB). My memory is of an earlier production, in 1969, on the NET Playhouse series that ran on public television throughout the mid and late ’60s. My memories were reinforced a few years later when I found the play published in a 1970s Roger Elwood anthology, Six Science Fiction Plays.
I have not seen The Shape of Water, but the common points seem to include: a female janitor striking up a relationship with an intelligent aquatic creature housed in a research facility, with ensuing conflict between hard-headed scientists and the more romantic janitor. In Let Me Hear You Whisper, the creature was a talking dolphin, which I remember being a thing in SF back then. But unlike The Shape of Water, there was no physical relationship, just compassion on the janitor’s part for the dolphin’s plight. From the Time article, I gather there are other points of both similarity and difference.
The interesting question that makes this story more than One More Thing in the news is that of what counts as plagiarism. In science fiction, and, I suspect, other genres, there are countless stories that are essentially about the same thing. When is plagiarism, in the legal sense, involved? How many stories about, for instance, traveling to the moon for the first time, are actually very similar? Or telepathy? Or nuclear holocaust? If the plot-line goes in a different direction, or if certain basic elements are changed — a biped “river god” instead of a dolphin, for instance —- does that cancel out the charge of plagiarism? Among all these stories, how many cases exist that would meet legal grounds for a plagiarism charge? What is the precedent in these cases? Perhaps most importantly in a real-world sense, who could win a lawsuit?
Perhaps a lot of people could, but those lawsuits are never filed because most cases do not involve celebrated, money-making movies, but obscure stories in low-circulation magazines.
…So far I have visited more than 100 conventions in Poland. Their size ranged from less than 50 members to over 40 000 members. Among them were manga and anime cons, SF&F cons, some of them were multigenre and some were focused solely on gaming or on a particular franchise. I would like to pack all of those experiences with me. This way I can share pictures, memories and talk about the general Polish approach to conrunning and congoing….
(8) TODAY IN HISTORY
March 5, 1954 — The Creature from the Black Lagoon premiered.
…In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which [Damon] Runyon was writing his Broadway stories.
The story sets Malone’s desire not to get married against the various citizens of Broadway stating that as soon as he has money, women will want to marry him, turning the first line of Pride and Prejudice askew….
(10) COMICS SECTION.
Chip Hitchcock says it’s obvious Rose is Rose follows our new regular feature about cats.
The Dark Magazine has been around for five years and in that short period of time we have published award-winning stories by new and established authors; showcased great artwork from all corners of the world; and done it all on the backs of a small team of simply wonderful people. But now it is past time to take it to the next level, and help finance the magazine for two more years to allow us to increase the subscription base, increase the pay rate, and increase the amount of fiction we bring to you. Because we don’t just like dark fantasy, horror, or weird fiction . . . we love it. And it means so much to us to introduce you to unsettling and thoughtful stories every month that we want to keep on doing it, with your help.
Who we are:
Co-Editor and Publisher Sean Wallace is the founder, publisher, and managing editor of Prime Books….
Co-Editor Mexican by birth, Canadian by inclination, Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music, magic and Mexico City, was listed as one of the best novels of the year …She was nominated for a World Fantasy Award for her work on the anthology She Walks in Shadows and is the guest-editor for Nightmare Magazine’s POC Destroy Horror. She edits The Jewish Mexican Literary Review together with award-winning author Lavie Tidhar.
Kate Baker is the podcast director and non-fiction editor for Clarkesworld Magazine. She has been very privileged to narrate over 250 short stories/poems by some of the biggest names in science fiction and fantasy. …She is currently working as the Operations Manager for the Science Fiction and Fantasy Writers of America.
Glittership is back after a short delay with new 2018 content! Woo! First up is an original story, a reprint, and a poem, all of which are gloriously queer. The fiction is set in the “real” world with a heavy emphasis on death and with people generally occupying space bordering both the living and the dead. Especially for queer people who are in a state of constant danger, it’s a precarious space, but it can also be a powerful one that allows them to face the larger world and its mysteries more directly. These are rather wrenching pieces, and the the poetry doesn’t let up, looking at shapeshifting and portrayal and it’s just wonderful work all around that I should get to reviewing!
(13) EXACTLY. I confess to having a problem with all awards that use the eligibility year instead of the award year in their titles, not just the Nebulas.
(14) ANSWER WITH A QUESTION. Rich Lynch tuned into tonight’s Jeopardy! where one category was “Facts About Fiction.” This was the $2000 clue. The defending champ got it right.
Thomas D. Clareson Award for distinguished service: Veronica Hollinger
Mary Kay Bray Award for best essay, interview, or extended review to appear in the SFRA Review: Hugh C. O’Connell for his review of Jack Fennell’s Irish Science Fiction
Pilgrim Award for lifetime contribution to SF and Fantasy scholarship: Carl Freedman
Pioneer Award for best critical essay-length work of the year: Thomas Strychacz for “The Political Economy of Potato Farming in Andy Weir’s The Martian” in Science Fiction Studies
Student Paper Award for outstanding scholarly essay read at the annual SFRA conference: Josh Pearson, for “New Weird Frankenworlds: Speaking and Laboring Worlds in Cisco’s Internet of Everything.”
Honorable mention for student paper goes to Kylie Kornsnack for “Towards a Time Travel Aesthetic: Writing-between-worlds in Okorafor, Butler, and Baledosingh.”
Also, in January, SFRA named Dr. Emily Cox the winner of the Support a New Scholar Award.
[Via Locus Online and SF Site News.]
(16) MOTH MAN. Neil Gaiman has participated in a few Moth storytelling events. Moth participants relate true events from their lives before a theater audience. Here is a list of his stories that are currently available via The Moth’s website.
(17) I’M BAAACK. Disney dropped the teaser trailer for Mary Poppins Returns.
[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Jim Meadows, Rich Lynch, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Dann Todd, Mike Kennedy, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
The Going Under Fan Fund ballot for the 2018 race is now available on the OzFanFunds website.
Voters will choose an Australasian delegate to Continuum in Melbourne, Australia over the June 8-11, 2018 weekend. The candidates are Marcin Klak, and Steve and Alice Lawson.
Ballots will be accepted until April 3, 2018. The candidates’ platforms, general information about voting, and the online ballot is here. A PDF version for printing is here.
GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).
The winner will take over the administration of the fund for the next northbound and southbound races.
Here are the candidates’ platforms:
Marcin Klak
I am a Polish fan and conrunner who is truly passionate about fandom and conventions. I run a blog about my con journeys at www.FandomRover.com. Mihaela Marija Perkovi? inspired me to run for GUFF in 2018 and here I am trying to meet the fans from Australia (and hopefully New Zealand). I would like to travel 10,000 miles from Poland to Australia and become a European “fannish ambassador“. I frequently attend various conventions and I would like to exchange experiences with fans from the other side of the globe.
One small step for the fandom, one giant leap for the Fandom Rover!
Nominators: Australasia – Gillian Polack, Julia Svaganovic and David Cake
Europe – Vanessa May and Carolina Gomez Lagerlöf
Steve and Alice Lawson
We have been fans since 1974 (Steve) and 1987 (Alice). We both enjoy attending conventions and meeting new people; we even had our honeymoon at an Eastercon. We have served as committee members for over 30 conventions including Eastercons and Worldcons; Alice was co-chair of Loncon 3, the 2014 Worldcon. We have also each been honoured to receive the Doc Weir Award for our work behind the scenes. We would love the chance to meet more fans from Australasia and see fandom in action down under, and then be able to tell other fans in Europe all about it.
Nominators: Australasia – Norman Cates and Sue Ann Barber
Europe – Dave Langford, Claire Brialey and Ang Rosin
(1) POPULAR SF ART INSPIRES FILM, Simon Stålenhags’ art book is becoming a movie reports Swedish news source Boktugg. Thanks to Hampus Eckerman for the translation:
The right to film Simon Stålenhag’s latest art book The Electric State has been sold to Russo Brothers Studio. The sale was preceded by a bidding where several studios showed their interest.
Simon says that it feels very exciting.
– This has never been a goal, but I have loved movies since I was a kid, so it is a little bit of a dream actually. An unexpected dream!
The Passage (in English The Electric State) was released in December 2017 by the publisher Fria Ligan (The Free League). The release was preceded by a kickstarter campaign in the summer of 2017, which attracted over 3 million Swedish crowns. It is Simon Stålenhag’s third art book, his first two titles Tales from the Loop and Things from the Flood have made him a world-famous visual storyteller.
Russo Brothers Studio is run by the brothers Joe and Anthony Russo who directed several Marvel films. The film director is expected to become Andy Muschietti (who made the new film based on Stephens Kings It).
What do you think about them winning the bidding?
– They felt very good in our conversations. But above all, I’m very happy to have Barbara and Andy Muschietti with me, I loved It and they are absolutely amazing people. We just had the same picture of what is important in the book, and in movies in general, says Simon.
Simon Stålenhag himself will be an executive producer for the film, which means that he will be involved in all important decisions, such as role crew, scriptwriting and selection of managerial positions.
Will the story work as it is in the movie format or does it need to be adapted?
– I suspect we will want to get a little more drama to fit the long-film format. With emphasis on “a little”, everyone in the team really agrees that the characters and the journey they make in the book is what we’re going to make a film about, says Simon Stålenhag.
I’d assumed that this was the first and last time I’d ever visit the colony of Iago Prime. However, I try to write a holiday story every year. And when I searched for ideas for a holiday story for this year, I suddenly thought “Why not write a science fictional holiday story about Christmas in a space station or interplanetary colony?” And then I thought, “Why not reuse the Iago Prime setting?”
The result is Christmas on Iago Prime. The protagonist this time around is Libby, a little girl whose scientist parents are due to spend a whole year on Iago Prime, including Christmas. Libby is not at all thrilled about this, at least at first. Kai and Maisie from Valentine’s Day on Iago Prime also appear and they have big news to share.
Available on Amazon and plenty of other ebook sellers for .99 USD/GBP/EUR.
This large collection comes to City Tech from an anonymous donor. It includes nearly full runs of every professional science fiction magazine from 1950 to 2010, and an almost comprehensive collection of science fiction until 2010. There is also a significant amount of science fiction criticism, and selections of fringe texts, including horror and the supernatural.
(4) SFPA LEADERSHIP. The Science Fiction and Fantasy Poetry Association announced the selection of two officers, F.J. Bergmann as Vice-President and Renee Ya as Secretary.
F.J. Bergmann (Madison, Wisconsin, USA) has been a member of SFPA since 2007, its webmaster since 2010 and recently stepped down from 5 years as Star*Line editor…
Renee Ya (Bay Area, California, USA) is a Hmong American writer, photographer, and space shamen who has been volunteering at SFPA for the last three years with varying capacity from keeper of the voting forms to periodic updates to the website.
Neurons are the basic computational building blocks that compose our brain. Their number is approximately one Tera (trillion), similar to Tera-bits in midsize hard discs. According to the neuronal computational scheme, which has been used for over a century, each neuron functions as a centralized excitable element. The neuron accumulates its incoming electrical signals from connecting neurons through several terminals, and generates a short electrical pulse, known as a spike, when its threshold is reached.
Using new types of experiments on neuronal cultures, a group of scientists, led by Prof. Ido Kanter, of the Department of Physics at Bar-Ilan University, has demonstrated that this century-old assumption regarding brain activity is mistaken.
In an article published today in the journal Scientific Reports, the researchers go against conventional wisdom to show that each neuron functions as a collection of excitable elements, where each excitable element is sensitive to the directionality of the origin of the input signal. Two weak inputs from different directions (e.g., “left” and “right”) will not sum up to generate a spike, while a strong input from “left” will generate a different spike waveform than that from the “right”.
“We reached this conclusion using a new experimental setup, but in principle these results could have been discovered using technology that has existed since the 1980s. The belief that has been rooted in the scientific world for 100 years resulted in this delay of several decades,” said Prof. Kanter and his team of researchers, including Shira Sardi, Roni Vardi, Anton Sheinin, and Amir Goldental.
Handling Feedback panel was not related to programming only, but the programme feedback is important for the development of the convention. There were some discussions concerning the methodology of collecting feedback, but one thing that got stuck with me the most was how to determine whether we should resign from inviting a panellist for the next year. It is obvious what to do when we receive negative feedback about the panellist’s skills. It is more complicated if we have a good panellist who is not behaving properly or who makes racist or homophobic comments during the panel. Nchanter’s solution of checking the negative feedback with co-panellists and finally basing our decision on the reaction of the person in question is a really good and fair approach. It makes sure that we verify the situation and it allows us to predict whether the same situation is likely to happen again in the future.
(7) HELL ON WHEELS. RedWombat saw a reference to “Jane Austen’s Fury Road” and started riffing….
Hmm, y’know, there’s really not enough post-apocalyptic Regency out there. Underserved market.
No woman can be really esteemed accomplished have a thorough knowledge of music, singing, drawing, dancing, the modern languages, looting, off-roading, sharpshooting, axe murder, and vehicle maintenance.
Sheldon and Leonard of The Big Bang Theory were named after the actor/producer Sheldon Leonard. He played Nick the Bartender in the Christmas classic, It’s a Wonderful Life. Also, producer of The Danny Thomas Show, The Dick Van Dyke Show and I Spy.
The Muppets, Bert and Ernie, were also named after two characters from It’s a Wonderful Life. Bert the policeman and Ernie the cab driver.
(9) TODAY IN HISTORY
December 23, 1823 — A Visit From St. Nicholas, attributed to Clement Clarke Moore, first published.
December 23, 1947 — Beauty And The Beast hit theaters
December 23, 1952 – The original The Day The Earth Stood Still premiered in Spain.
December 23, 1958 — Ray Harryhausen’s The 7th Voyage Of Sinbad premiered in theatres.
December 23, 1960 — Art Carney starred in a Christmas-themed episode of The Twilight Zone.
(10) COMICS SECTION.
Chip Hitchcock rediscovered there are some things even superheroes can’t do – in Harry Bliss.
(12) BY YNGVI. Kim Huett of Doctor Strangemind knows it’s the time of year to send up a traditional favorite: “‘Twas Night Before Christmas”.
…At one point Harold Shea and the Norse god Heimdall are imprisoned by Frost Giants after losing a fight with them. While there they encountered a fellow prisoner who comes to the front of his cell every hour on the hour to yell, “Yngvi is a LOUSE!”
Thus began a debate which fascinated science fiction fandom for decades. Was this Yngvi indeed a louse or had his good name been falsely besmirched? At the Denvention, the 1941 worldcon, Milton Rothman (who went on to become a nuclear physicist and science fiction author) put forward a motion at the business meeting to the effect that Yngvi was not a louse only for it to be defeated. A subsequent motion was then passed stating that Rothman himself was a louse….
…So I sat back in my chair to wait for my guest
To reveal himself fully and the why of his quest
It took a few moments of squirming and kicking
Before he appeared rather than sticking
It was Yngvi of course, I could tell by his dress
An amazingly scrofulous, glorious mess…
There was celebration among French foodies after a wild truffle was discovered on a Paris rooftop.
The discovery, at the base of a hornbeam tree in a hotel roof garden near the Eiffel Tower, is thought to be a first for the city.
Truffles usually grow further south, in more Mediterranean climes, and are dug up by specially-trained pigs or dogs.
Prices for the aromatic fungi have recently doubled to more than 5,000 euros ($6,000) a kilo.
(14) LAST JEDI. Marc Scott Zicree (“Mr. Sci-Fi”) offers the opinion of a “Star Trek Writer on The Last Jedi.”
(15) THE MALL’S MY DESTINATION. I don’t doubt it. Mine could be up there somewhere.
They say each ornament has trapped within it the soul of a person who waited until the last minute to do their holiday shopping. pic.twitter.com/QQtd7TWMJo
…Wells foresaw many of the landmarks of 20th-century scientific progress, including airplanes, space travel, and the atomic bomb. In “The Discovery of the Future,” he lamented “the blinding power of the past upon our minds,” and argued that educators should replace the classics with science, producing leaders who could foretell history as they predict the phases of the moon.
Wells’ enthusiasm for science had political implications. Having contemplated in his novels the self-destruction of mankind, Wells believed that humanity’s best hope lay in the creation of a single world government overseen by scientists and engineers. Human beings, he argued, need to set aside religion and nationalism and put their faith in the power of scientifically trained, rational experts….
…Orwell was not bashful about criticizing the scientific and political views of his friend Wells. In “What is Science?” he described Wells’ enthusiasm for scientific education as misplaced, in part because it rested on the assumption that the young should be taught more about radioactivity or the stars, rather than how to “think more exactly.”
Oscar-nominated filmmaker Guillermo del Toro’s taste for sci-fi and fantasy doesn’t come from nowhere. When he was younger, the acclaimed director recalls, “I saw a UFO.”
“I know this is horrible,” del Toro continues. “You sound like a complete lunatic, but I saw a UFO. I didn’t want to see a UFO. It was horribly designed. I was with a friend. We bought a six-pack. We didn’t consume it, and there was a place called Cerro del Cuatro, “Mountain of the Four,” on the periphery of Guadalajara. We said, ‘Let’s go to the highway.’ We sit down to watch the stars and have the beer and talk. We were the only guys by the freeway. And we saw a light on the horizon going super-fast, not linear. And I said, ‘Honk and flash the lights.’ And we started honking.”
The UFO, says del Toro, “Went from 1,000 meters away [to much closer] in less than a second — and it was so crappy. It was a flying saucer, so clichéd, with lights [blinking]. It’s so sad: I wish I could reveal they’re not what you think they are. They are what you think they are. And the fear we felt was so primal. I have never been that scared in my life. We jumped in the car, drove really fast. It was following us, and then I looked back and it was gone.”
(18) ALTERNATE SOLOS. Will Lerner, in “Harrison Who? Here’s The Actor Who Almost Played Han Solo” for Yahoo! Entertainment. profiles Glynn Turman, who came This Close to being Han Solo, which would have meant that Han Solo would have been played by an African-American actor.
Before Star Wars started filming in 1976, director George Lucas auditioned dozens of actors for the first episode of his space saga, since rechristened as A New Hope. Over the years we’ve learned that Al Pacino, Christopher Walken, and Kurt Russell all read for the part of Han Solo before the role went to Harrison Ford. But there was a lesser-known candidate who almost scored the gig: Glynn Turman.
Turman, 70, started his career on Broadway, when he was cast as a 13-year-old in the original production of A Raisin in the Sun alongside legends Sidney Poitier and Ruby Dee. Steadily picking up more and more screen roles through the ’70s, Turman finally got his chance to shine in 1975 as the lead of Cooley High. In the slice-of-life feature, Turman played a proxy of sorts for screenwriter and Good Times creator Eric Monte — a gifted young writer who aspires to a life beyond his housing project. Cooley High showcased Turman’s ability to play a scoundrel capable of great achievements. It’s no big surprise that performance captured the attention of Lucas.
(19) WALLY WOOD SANG? The comics artist seems to have branched out. It’s collectible, if not very listenable.
[Thanks to John King Tarpinian, Hampus Eckerman, JJ, Cat Eldridge, Andrew Porter, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
(1) SUPPORT WANTED. Jim Barker, Rotsler Award-winning fanartist (and 1979 Hugo nominee), is looking for financial support while he deals with health problems. He hasn’t set up a crowdfunding appeal, but you can reach out to him at the email address shown in the illustration below.
My apologies for the continued absence of the Monday Cartoon. As I said last time, I am Not Well. I have had a problem with my liver for a couple of years now and it’s finally got to the point that I need a liver transplant and I need to go into hospital for tests at the beginning of November, just to find out how suitable I am.
The Problem is that it’s been a very slow couple of months and I simply can’t afford to be out of action for the five days needed for the tests. So while I hate the idea of going round with a begging bowl,I’m asking if you could possibly help out financially. Please contact me if you feel you can. Thank you.
Hartmut Neven believes in parallel universes. On a recent morning outside Google’s Los Angeles office, the 53-year-old computer scientist was lecturing me on how quantum mechanics—the physics of atoms and particles—backs the theory of a so-called multiverse. Neven points to the tape recorder between us. What we’re seeing is only one of the device’s “classical configurations,” he says. “But somewhere, not perceived by us right now, there are other versions.”
David Klaus sent the link with a note:
This much computational ability will finally give us fusion power, F-T-L travel, and the stars. I knew about the idea of parallel universes in 1963 when I was 8, because of The Flash. Heinlein wrote about them (first?), Niven wrote about them, Robert Anton Wilson wrote about them, but there should be statues of Gardner Fox and Jerome Bixby, because if Fox hadn’t created the DC Multiverse and Bixby hadn’t written “Mirror, Mirror” to soak the idea into the popular culture and triggered the minds of the best and the brightest to pursue this, it wouldn’t have happened. In this universe, anyway.
“In a short space of time, AlphaGo Zero has understood all of the Go knowledge that has been accumulated by humans over thousands of years of playing,” lead researcher David Silver of Google’s DeepMind lab said in remarks on YouTube. “Sometimes it’s actually chosen to go beyond that and discovered something that the humans hadn’t even discovered in this time period.”
His award was among those presented Friday by the Zora Neale Hurston/Richard Wright Foundation, which was founded in Washington in 1990 with a mission to ensure the survival of black writers and their literature.
Whitehead’s attention to the pain of slavery and “the current state of race in this country is unprecedented,” the judges said. The novel, which was a New York Times bestseller, “confirms Whitehead’s place in the African American canon” of great authors.
The Washington Plaza hotel in Northwest Washington was bustling Friday with literary stars, publishing icons, writers, poets, editors and essayists. More than 200 people attended the annual gala, including Rep. John Lewis (D-Ga.), who won the Ella Baker Award that honors writers and arts activists who advance social justice. Lewis said he was honored to receive the award named after Ella Baker, a civil rights and human rights activist who helped organize the Freedom Movement and the Student Nonviolent Coordinating Committee.
(5) BORDERLANDS SEEKS PERMANENT HOME. Shelf Awareness reports that the bookstore that needed a crowdfunded incentive to stay in business is now thinking long-term: “Borderlands Seeks $1.9 Million to Buy Building”.
Borderlands, the San Francisco, Calif., science fiction, mystery and horror bookstore that nearly closed two and a half years ago, has made an offer to buy a building and has launched a campaign to raise $1.9 million in loans from customers, the San Francisco Chronicle reported. After eight days, Borderlands has raised $500,000 and another $300,000 “is pending.”
In 2015, owner Alan Beatts had planned to close the store, but after customers rallied in support, Borderlands created a sponsorship program; the $100 annual membership includes a range of benefits. The store has a minimum of 300 sponsors.
There is no rush to move: Borderlands still has three years left on its current bookstore lease and eight years on its café lease.
In a blog post last week, Beatts wrote in part, “The sponsorship program that we started in 2015 caused a major shift in how I viewed the business. Previously I had considered it my personal project; one that I would stop either when I could no longer do it or when I died. But, after so many people were willing to contribute to allow it to continue to operate, I began to see it more as a public trust than something that was solely my possession….”
(6) MYSTERY SOLVED. “Not broccoli,” says that sleuth of sustenance, John King Tarpinian, who can tell you what these really taste like:
I bought a mystery box for a friend who likes Oreos. We all tasted one and it was a generally agreed, they tasted like stale Fruit Loops. And I have never eaten Fruit Loops.
We even offered one to the waiter. He had already had one on his own and without our prodding came up with Fruit Loops as his answer.
The idea of making something invisible by bending light is so captivating that, despite the obstacles, scientists continue their attempts to create the effect. And that includes me.
Our group at Duke University, in collaboration with theoretical physicist Sir John Pendry, suggested and later demonstrated one method using a special type of material called a “metamaterial.” Metamaterials are human-made materials with little circuit-like elements—conducting rings and wires, for example—that mimic the properties of atoms and molecules of conventional materials.
Rather than physically warping space, we can use the idea of warping space to find a recipe for a material that will have the same effect. In this way, we can design an invisibility cloak just by picturing the way we would like waves to circulate around the cloaked object. This is a technique called “transformation optics.”
Light—or, in the case of our experiment, microwaves—are redirected in a metamaterial cloak, appearing to bend or flow around the cloaked object. They are then restored on the other side as if they had passed through empty space. The metamaterial cloak is a real device that forces light to flow exactly as it might around a cloaked Romulan ship, which means this type of invisibility device is plausible.
“My babysitter in preschool told me the story of Freddy Krueger,” says Matt. “I was 4 years old! From then on, I just knew I had to watch A Nightmare on Elm Street. When we were young, we knew we weren’t supposed to be watching horror movies. That made the appeal of them so strong.
“It’s like forbidden fruit. You just want to taste it. I remember wandering into the horror section of the video store and just staring at the covers of these movies, feeling desperate to know what it was.”
(9) TODAY IN HISTORY
October 22, 2134 B.C. – The earliest recorded solar eclipse took China by surprise:
In China, solar eclipses were thought to be associated with the health and success of the emperor, and failing to predict one meant putting him in danger. Legend has it that 2 astrologers, Hsi and Ho, were executed for failing to predict a solar eclipse. Historians and astronomers believe that the eclipse that they failed to forecast occurred on October 22, 2134 BCE, which would make it the oldest solar eclipse ever recorded in human history.
October 22, 2006 – Torchwood premiered.
(10) TODAY’S BIRTHDAY BOYS
Born October 22, 1938 – Christopher “Dr. Emmet Brown” Lloyd
Born October 22, 1952 – Jeff Goldblum, who appeared in Buckaroo Banzai, Jurassic Park and The Fly.
(11) COMICS SECTION
John King Tarpinian found an unfair labor practice at issue in today’s Bizarro.
And he spots a clever mixing of iconic images in Off The Mark.
Wonder Man vs. Wonder Woman In a 1964 issue of “The Avengers,” Marvel introduced Wonder Man. DC was not amused, feeling that the new hero sounded too much like its own Wonder Woman. So Marvel honcho Stan Lee agreed to kill him off.
Twelve years later, DC debuted a new female superhero named Power Girl — despite Marvel having introduced Power Man in 1972. Lee felt that DC was perpetrating a double standard and, in a payback bid, decided to resurrect Wonder Man. The hero joined the Avengers in 1977 and is still a major part of the Marvel print universe to this day. Although he’s never appeared in an Avengers film, actor Nathan Fillion did film a cameo as Wonder Man for “Guardians of the Galaxy 2” that got cut in the end.
(13) DEADLY PLAZA. This will be handy for me – I’ll head in the other direction: “The Most Haunted Places in Los Angeles”. (Well, I say that, but for five years I worked a block away from the first place on their list….)
El Pueblo de Los Angeles Supernatural spirits abound where the city of L.A. started: at El Pueblo de Los Angeles and its immediate surrounding area. Because this area was essentially the original town square before moving a few blocks west, it was also the town gallows and the site of public hangings and their hanging trees. Some of them occurred directly in front of City Hall, which seems bedeviled by a ghost or two. Security cameras often pick up an image of someone walking around locked offices at night, but when guards go to investigate, they find nothing. When they return to their night shift station, they frequently hear footsteps following them.
Los Angeles was once a dangerous, violent place to live, filled with gunfire and murder. The lawless and the pious were forced to coexist in the establishment of a new sprawling metropolis. At El Pueblo, early adobes were torn down, and the remains of more than 100 people were improperly excavated and relocated from the first cemetery at El Pueblo, next to La Placita church. The area where Union Station now stands, and directly adjacent to it, was not only the site of Old Chinatown but also the infamous and horrific Chinese Massacre of 1871, the largest mass lynching in American history. For a more lighthearted encounter, take your French Dip to one of the upstairs dining rooms at Philippe The Original, where the ladies of the former bordello are said to linger.
Despite his status as one of the most commercially successful Japanese film directors of his day, Ishiro Honda has been somewhat neglected when it comes to discussion within critical circles. His science-fiction classics — which include Godzilla (1954), Rodan (1956), Mothra vs. Godzilla (1964), and The War of the Gargantuas (1966) — have reached and dazzled audiences all over the world; and yet his name has only on occasion appeared in serious film studies. But now, from noted kaiju eiga historians Steve Ryfle and Ed Godziszewski comes the biography Ishiro Honda: A Life in Film, from Godzilla to Kurosawa.
Golden Blasters – the Octocon’s short film festival
There were four “major” events happening during Octocon. The first and the last ones were very modest opening and closing ceremonies, which lasted for a short time. They were serving a rather informative purpose and didn’t include any performances. On Saturday night there was an Octocon’s Monster Ball. I was able to stay only at the beginning, but it started with some music and dancing. I am not sure how long it lasted. The last one of the major events I participated in was the Golden Blasters film festival.
Harlan Ellison is the enormously talented author of many classic stories, essays, and scripts that helped transform science fiction, but his long history of inappropriate behavior has also made him one of the field’s most controversial figures. Author Nat Segaloff tried to capture both sides of Ellison in his new biography A Lit Fuse: The Provocative Life of Harlan Ellison.
“Let’s face it, a lot of people don’t like Harlan,” Segaloff says in Episode 278 of the Geek’s Guide to the Galaxy podcast, “and I wanted to try to get to as many of those people as possible to make a rounded interview.”
With this kind of precision, astrophysicists will learn more about the size, mass, spin, and internal properties of neutron stars, one of the most exotic forms of matter in the universe. They will also find out whether the final product of the merger is a big neutron star or a black hole, and gain a better idea of how many of such pairs (binaries) exist out there. As a bonus, they will be able to test the properties of gravity at extreme events, and measure different properties of the universe, including how fast it is expanding.
But the truly remarkable discovery, confirming what astrophysicists had predicted years back, is that such violent impacts, which eject something close to 2 percent of the stars’ mass at high speeds, produce loads of chemical elements heavier than iron, including gold, platinum, and heavy radioactive atoms. The collision creates a dense disk of protons and neutrons that circle the remains of the stars; the particles quickly combine into heavy atoms as the cloud grows and cools.
In a million years, the cloud will spread across the whole galaxy, seeding stars and their solar systems with heavy elements. Quite possibly, the gold in your ring or inside your cell phone came from such collisions in the distant past.
It’s known as the windscreen phenomenon. When you stop your car after a drive, there seem to be far fewer squashed insects than there used to be.
Scientists have long suspected that insects are in dramatic decline, but new evidence confirms this.
Research at more than 60 protected areas in Germany suggests flying insects have declined by more than 75% over almost 30 years.
And the causes are unknown.
(19) AWWWW. See Mauricio Abril‘s sweet painting of Carrie Fisher in character as Princess Leia on Facebook.
I started this piece back in January after learning of Carrie Fisher’s passing but never got around to finishing it until recently. In honor of her birthday today here’s my tribute to the unforgettable woman who’ll continue to inspire generation after generation of little Leias.
While some authors would baulk at showing anyone, let alone hundreds of thousands of museum visitors, their “process”, Rowling is entirely unafraid of sharing even her ropiest Potter ideas in public. She does so at talks, on Twitter and on a website, Pottermore, where she publishes all her unexplored, unfinished plots for a starry-eyed audience. Dumbledore is gay! Harry’s grandfather made hair products! Lupin and Tonks got married in a pub in Scotland! Even for a fan, it is easy to feel suspicious of this seemingly endless post-Potter expansion. There is no hidden significance or justifying quality in Rowling’s titbits that explains their publication. No, we now know Harry’s transfiguration teacher Professor McGonagall had two brothers and a husband who died because Rowling and her publishers believe our appetite for Potter is insatiable – and on that, they’re probably right. What luck then, that Rowling has always written with pen on paper and has produced such a treasure trove, and how lucky too that revealing her failed or abandoned ideas is not an embarrassment to her, even when cushioned by such success.
…Harry Potter, a Journey Through the History of Magic, is at the British Library, London NW1, until 28 February, and the New York Historical Society from October 2018. Harry Potter: A History of Magic is on BBC2, on 28 October.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Andrew Porter, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]
