Pixel Scroll 5/26/20 Parsley, Sage, Rosemary And Time Enough For Love Potions Numbers 7, 8 And 9

(1) ON YOUR MARX. If this Scroll is posted in time, you can make it to Mark Evanier’s livestream Newsfromme.tv Conversations with Steve Stoliar, starting tonight at 7 p.m. Pacific:

In addition to being a comedy writer and voice actor, Steve Stoliar had the unique experience of being Groucho Marx’s personal assistant/secretary during the last years of that great comedian’s life. Mark Evanier talks with him about Groucho, the controversial Erin Fleming and all things Marxian except Karl.

(2) ROWLING’S NEXT. Mackenzie Nichols, in the Variety story, “J.K. Rowling Announces New Children’s Book ‘The Ickabog’” says that Rowling has announced the publication of The Ickabog, which is not part of the Harry Potter universe but is meant for 7-9 olds.  She intends to post a chapter every day at theickabog.com until July 10 and promises that profits from the book will aid COVID-19 relief.

Unlike her spinoff stories “Fantastic Beasts and Where To Find Them” or “Quidditch Through the Ages,” “The Ickabog” has no relation to the “Harry Potter” series. And while plot details about “The Ickabog” were scarce, the author said its thematic elements are timeless.

“‘The Ickabog’ is a story about truth and the abuse of power,” Rowling said. “To forestall one obvious question: the idea came to me well over a decade ago, so it isn’t intended to be read as a response to anything that’s happening in the world right now. The themes are timeless and could apply to any era or any country.”

At The Ickabog website she says —  

I had the idea for The Ickabog a long time ago and read it to my two younger children chapter by chapter each night while I was working on it. However, when the time came to publish it, I decided to put out a book for adults instead, which is how The Ickabog ended up in the attic. I became busy with other things, and even though I loved the story, over the years I came to think of it as something that was just for my own children.

Then this lockdown happened. It’s been very hard on children, in particular, so I brought The Ickabog down from the attic, read it for the first time in years, rewrote bits of it and then read it to my children again. They told me to put back in some bits they’d liked when they were little, and here we are!

Everyone will be invited to draw for the story, too: The Ickabog Illustration Competition.

The most exciting part, for me, at least, is that I’d like you to illustrate The Ickabog for me. Every day, I’ll be making suggestions for what you might like to draw. You can enter the official competition being run by my publishers, for the chance to have your artwork included in a printed version of the book due out later this year. I’ll be giving suggestions as to what to draw as we go along, but you should let your imagination run wild.

(3) PRIZEWINNER. Naomi Kritzer got a fine write-up in the hometown Pioneer Press: “St. Paul author stunned by success of genre-jumping “CatNet””.

Naomi Kritzer was 4 when she discovered science fiction through the first “Star Wars” film.

“I was grabbed by John Williams’ music, the lightsabers, the magic of The Force. It all appealed to me and sold me on science fiction,” Kritzer recalls.

Now, 43 years later, The Force is with this St. Paul author. Her genre-jumping young adult novel “Catfishing on CatNet, ” about teenagers who befriend a sentient artificial intelligence who lives in the internet, is scooping up major honors. It’s based on her award-winning, 2015 short story “Cat Pictures Please.”

Last month Kritzer collected two prestigious awards in three days. She won a Minnesota Book Award on April 28, and on April 30 she won a Mystery Writers of America Edgar Award. In early May her book was a Silver Winner in the Nautilus Book Awards, which focus on books striving to make a better world….

(4) IRRESISTIBLE ALICE BOOK. [Item by Daniel Dern.] While I’m not a compleatist Carroll/Alice collector, seeing this in the Bud’s Art Books mailer I got today caught my eye.

(Yes, I know there’s a Carroll society. I’m about to join. And I’ll write an item RSN/PDQ, including a nod to an SFnal connection. But this is semi-news.)

I noticed in the new Bud’s Art Books (although I still think of them as Bud Plant) mini-catalog that came in today’s (snail) mail that there’s a new (not yet out) book — here’s info.

“Lewis Carroll’s Alice was first published in 1865 and has never been out of print, translated into 170 languages. But why does it have such enduring and universal appeal, for both adults and children? This book explores the global impact of Alice in art, design, and performance from the 19th century to today. Starting with the Victorian literary and social context in which this story was created, it shows the ways it’s been reimagined and reinterpreted by each new generation, from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s 2010 interpretation.”

Bud’s listing says $50 (plus shipping), “Due July” but when I placed my order (after hesitating a modest 20 seconds), it said “This product is not available in the requested quantity. 1 of the items will be backordered.”

I included a note in my order asking whether that reflected it being not out yet, or whether they already had more orders than they anticipated copies to fulfill existing orders.

Amazon also has it listed $45.82, Sept 15. Here’s the info text from Amazon:

“Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Annie Leibovitz for over 150 years.

Lewis Carroll’s Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?

This book explores the global impact of Alice in Wonderland across art, design and performance from the nineteenth century to today. It shows how Alice has been re-imagined and reinterpreted by each new generation: from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s latest interpretation.

This beautiful, playful publication also includes specially commissioned interactive illustrations by award-winning artist Kristjana S. Williams, as well as quotes from an array of cultural creators from Stephen Fry to Tim Walker, Ralph Steadman to Little Simz about the profound influence of Alice on their work.”

Whether this book is basically redundant to my modest collection of Aliceiana, I’ll find out.

(5) ALASKAN CONFIDENTIAL. In “Noir Fiction: When The Real Is Too Raw” on CrimeReads, Laird Barron, who writes horror and crime fiction, discusses the colorful people who visited his parents when he lived in Alaska and how he used these people as materials for his crime novels.

…A colorful ex-con named Tommy operated within those precincts. Tommy did time at the Goose Creek Penitentiary; warrants dogged him. He allegedly peddled coke for some bigger fish in Anchorage. Tommy drove a wired-together Datsun, or a motorcycle for the three months a man could do so without freezing his family jewels off. His favorite pastime included getting drunk at the lodge and harassing townies who alighted for weekend flings. He hated “the man.” To demonstrate his disdain, he’d snip pocket change in half with pliers….

(6) GET THE LIST. Andrew Liptak’s latest Reading List features an “Interview with Marko Kloos”.

Did you find taking that break from Frontlines beneficial? What did you take from that break that you were able to apply to the series?

It was immensely beneficial, even if I did get some flak from a few readers for daring to start another series when they were waiting for more Frontlines. But I really needed a bit of mental distance from that universe to come up with more stories worth telling. As long as it takes a few days to read what takes a few months to write, readers will want more books as quickly as possible.

(7) ART CRITICS STAND BY. Mark Lawrence (per his tradition) has followed the Self-Published Fantasy Blog-Off book competition by announckng the “SPFBO 6 Cover Contest”. The finalists have been picked by the bloggers. Not all the entries are in yet. When they are, the public will be invited to vote on the winner. Says Lawrence:

The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.

(8) GOLDEN AGE SF ARTIST. Doug Ellis offers a catalog of art from the estate of artist Hubert Rogers, items now available for sale.

When John W. Campbell, the legendary editor of Astounding Science Fiction, looked for an artist to give expression to the groundbreaking fiction he was running during what is now known as science fiction’s Golden Age, he selected veteran pulp illustrator Hubert Rogers. For nearly 15 years (with a break during the war years, when he returned to his native Canada and contributed art for the war effort), Rogers was Astounding’s primary cover artist and a prolific interior artist, contributing distinctive art imbued with a touch of class, distinguishing Astounding from its fellow pulp competitors.

Unlike many science fiction artists, Rogers received much of his original art back from the publisher. This has been held by the Rogers family for the past 80 years, with only occasional pieces being offered in the market. Rogers’ daughter, Liz, has now decided to make available to collectors nearly all of the remaining art in their collection, which is listed in this catalog. This is truly a unique opportunity to acquire vintage science fiction art from the estate of the artist.

But Rogers didn’t only create classic science fiction art. His pulp art also included covers for the hero pulps, and two of his covers for Street & Smith’s The Wizard (a companion title to Astounding) can be found here for sale as well.

  • The illustrated catalog can be found here.
  • And you can download high res images of all the art in a zip file here.
This example of Rogers’ art is a scan from the magazine cover — the original for sale is much more brightly colored.

(9) TODAY IN HISTORY.

  • May 26, 1995 Johnny Mnemonic premiered. Based on the William Gibson short story of the same name, it was directed by Robert Longo in his directorial debut. It starred Keanu Reeves, Takeshi Kitan, Henry Rollins, Ice-T, Dina Meyer and Dolph Lundgren. Despite the story itself being well received and even being nominated for a Nebula Award, the response among critics to the film was overwhelmingly negative. It currently holds a 31% rating on Rotten Tomatoes among audience reviewers. It is available to watch here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 26, 1840 – Frederick Walker.  Painter, pen & ink illustrator, wood engraver, watercolors.  Renowned in his day.  Social Realist; see herehere.  Incorporated fantasy, see here (Spirit Painting), here.  (Died 1875) [JH]
  • Born May 26, 1865 Robert Chambers. His most-remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft’s included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.) (CE)
  • Born May 26, 1867 – André Devambez.  Painter, illustrator, engraver, printmaker.  Contributed to Le Figaro IllustréLe RireL’Illustration.  Look at The Only Bird that Flies Above the Cloudshere, factual but fantastic; imagine seeing it in 1910.  Here is an illustration for Noëlle Roger’s cataclysmic The New Deluge (1922).  Here is an oil Leprechauns in an Undergrowth.  (Died 1944) [JH]
  • Born May 26, 1903 Harry Steeger. He co-founded Popular Publications in 1930, one of the major publishers of pulp magazines, with former classmate Harold S. Goldsmith. They published The Spider which he created, and with Horror Stories and Terror Tales, he started the “Shudder Pulp” genre. So lacking in taste were these pulps, even a jaded public eventually rejected them. (Died 1990.) (CE)
  • Born May 26, 1913 Peter Cushing. Best-known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.) (CE)
  • Born May 26, 1913 – Joan Jefferson Farjeon.  Scenic designer, illustrated published versions of plays she’d done, also fairy tales.  See here (a frog footman), here (a tiger lily), here.  From a 1951 stage production, here is a moment in Beauty and the Beast.  (Died 2006) [JH]
  • Born May 26, 1921 Mordecai Roshwald. He’s best-known for Level 7. (Read the expanded 2004 edition as it has his SF framing narrative.) He is also the author of A Small Armageddon, and a nonfiction work, Dreams and Nightmares: Science and Technology in Myth and Fiction. (Died 2015.) (CE)
  • Born May 26, 1923 Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in a recurring  role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. He narrates at least some of the GoT audiobooks. (Died 2017.) (CE)
  • Born May 26, 1925 – Howard DeVore.  Began collecting, 1936.  Michigan Science Fantasy Society, 1948 (Hal Shapiro said it was the Michigan Instigators of Science Fantasy for Intellectual Thinkers Society, i.e. MISFITS).  Leading dealer in SF books, paraphernalia; known as Big-Hearted Howard, a compliment-complaint-compliment; called himself “a huckster, 1st class”.  Active in Nat’l Fantasy Fan Fed’n; Neffy Award.  Also Fantasy Amateur Press Ass’n (FAPA), Spectator Am. Pr. Soc. (SAPS).  Said a Worldcon would be in Detroit over his dead body; was dragged across the stage; became Publicity head for Detention the 17th Worldcon.  With Donald Franson The Hugo, Nebula, and World Fantasy Awards (through 3rd ed’n 1998).  Named Fan Guest of Honor for 64th Worldcon, but died before the con.  His beanie had a full-size airplane propeller.  (Died 2005) [JH]
  • Born May 26, 1933 – Yôji Kondô.  Ph.D. in astrophysics. Aikido (7th degree black belt) and judo (6th degree). Senior positions at NASA, Medal for Exceptional Scientific Achievement; two hundred scientific papers; for more on that work, see here.  SF as Eric Kotani; six novels, most with J.M. Roberts; two shorter stories; edited Requiem tribute to Heinlein; non-fiction Interstellar Travel & Multi-Generation Space Ships with F. Bruhweiler, J. Moore, C. Sheffield; essays, mostly co-authored, in SF Age and Analog.  Heinlein Award.  Writers of the Future judge.  Obituary by OGH here.  (Died 2017) [JH]
  • Born May 26, 1938 – Lyudmila Petrushevskaya. Author (including plays and screenwriting), singer, painter, animator.  Russian Booker Prize, Pushkin Prize, World Fantasy Award.  Twenty short stories in our field, most recently in The Paris Review.  [JH]
  • Born May 26, 1946 – Mike Horvat.  Printer by trade.  Co-founder of Slanapa (the Slanderous Amateur Press Ass’n).  Donated his fanzine collection to U. Iowa, see here.  Active in apas outside our field, a decades-longer tradition; founded the American Private Press Ass’n, was its Librarian until 2005. Also amateur radio, postage stamps.  [JH]
  • Born May 26, 1954 – Lisbeth Zwerger.  Children’s book illustrator.  Hans Christian Andersen and Silver Brush awards; Grand Prize from German Academy for Children’s & Youth Literature.  Thirty books, most of them fantasy; see here (Swan Lake), here (the Mad Tea Party), here.  [JH]

(11) COMICS SECTION.

(12) FROM THE CIRCULAR FILE. Paul Levitz recalls the days when comics scripts were tossed in the trash after the project was over in “Artifacts”.

…Notwithstanding this, I saved a bunch of scripts from the trash for my own eduction. I’d pick out one each from the writers whose work I respected, or maybe a particularly interesting tale to study. I was limited to the scripts that passed through Joe Orlando’s editorial office–as his assistant I could take what I wanted of those, but it would have been de trop to raid Julie Schwartz’s garbage down the hall (assuming he hadn’t poured his yankee bean soup remains from lunch all over it, anyway). I learned what I could from them, then filed them away somewhere at home….

(13) THE BEER THAT MADE MFULA FAMOUS. “Under Pandemic Prohibition, South Africans Resort to Pineapples”Atlas Obscura has the story.

ON MARCH 15, THE DAY before South Africans were plunged into a lockdown which prohibited sales of alcohol, cigarettes, and takeout food, lines outside liquor stores spilled into the streets. One bottle store owner told me he did a month’s trade in a day.

Three weeks later, when President Cyril Ramaphosa made it clear the booze ban wouldn’t be lifted anytime soon, South Africans started to get desperate. Bottle store break-ins and drone-assisted drink deliveries made the news across the country. Then came the tenfold leap in pineapple sales: from 10,000 a day to nearly 100,000.

Thirsty South Africans have turned to making their own beer out of pineapples. In normal times, you can get sloshed on pineapple beer at the Big Pineapple, a 56-foot fiberglass construction in subtropical Bathurst. But these are not normal times. Luckily, pineapple beer—which is technically more of a wine or cider, as there’s no boiling involved—is easy to make, and can even be quite pleasant to drink.

(14) HELLO? ANYONE OUT THERE? [Item by Mike Kennedy.] Popular Mechanics takes a popsci look at a new analysis of the development intelligent life. “This Math Formula Has Determined the Odds of Aliens Existing” In a recent paper (Proceedings of the National Academy of Sciences, 18 May 2020), astronomer David Kipping uses Bayesian analysis to ponder the probabilities of intelligent life developing here or elsewhere. The paper’s statement of significance reads:

Does life’s early emergence mean that it would reappear quickly if we were to rerun Earth’s clock? If the timescale for intelligence evolution is very slow, then a quick start to life is actually necessary for our existence—and thus does not necessarily mean it is a generally quick process. Employing objective Bayesianism and a uniform-rate process assumption, we use just the chronology of life’s appearance in the fossil record, that of ourselves, and Earth’s habitability window to infer the true underlying rates accounting for this subtle selection effect. Our results find betting odds of >3:1 that abiogenesis is indeed a rapid process versus a slow and rare scenario, but 3:2 odds that intelligence may be rare.

Popular Mechanics sums up the paper with a single quote:

“Overall, our work supports an optimistic outlook for future searches for biosignatures,” the paper explains.

(15) ARM YOURSELVES. Daniel Dern quips, “This is the droid we’ve been looking for!” “Robotic Arm Wields UV Light Wand To Disinfect Public Spaces” in IEEE Spectrum.

Properly disinfecting public spaces can help stop the spread of coronavirus, but cleaning crews are often not properly trained how to do so. Also, if the workers don’t wear personal protective equipment, they are at risk for infection.

IEEE Fellow Satyandra K. Gupta is leading a research team at the University of Southern California’s Viterbi Center for Advanced Manufacturing in Los Angeles that is building a robotic arm that uses a UV light sanitizer to clean contaminated areas.

(16) OUTSIDE THE BOX. ScreenRant reports that Big Finish has lined up two Doctors for this audio drama: “Doctor Who: David Tennant & Tom Baker Unite Against Daleks In New Story”.

David Tennant and Tom Baker are uniting to battle the Daleks in an upcoming Doctor Who audio-drama. The longest-running sci-fi TV series in the world, Doctor Who has become a cult classic. Regeneration is the secret to the show’s success. Doctor Who can reinvent itself periodically, recasting its star and allowing a new showrunner to take it in entirely new directions.

Every now and again, though, two or more incarnations of the Doctor come together in a fan-pleasing adventure in which they battle against iconic foes…. 

The plot is –

The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.

Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only, he’s already there several lives earlier, so when dimension barriers break down, his past and present collide.

And when the Daleks invade and commandeer the Cathedral, two Doctors must unite to stop them – or face extermination twice over!

(17) OTHER PEOPLE STARED, AS IF WE WERE BOTH QUITE INSANE. This is wild! The “augmented reality” bus stop window.

[Thanks to Mlex, Michael Toman, N., Andrew Porter, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Nina Shepardson, Chip Hitchcock, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day, the man who does for Scroll titles what Escher did for architecture, Daniel Dern.]

Bradbury In All His Glory

A new post to reacquaint File 770 readers with our mottos. No, not the one about the hive! This one — “All Bradbury, All the Time.”

(1) OUT ON A LIMB. Jonathan Stone, in “7 Transformational Books To Read in Your Treehouse” on CrimeReads, discusses seven books he read as a kid in his treehouse.  One of the seven is The Martian Chronicles.

(2) THE LAST OF LIFE, FOR WHICH THE FIRST WAS MADE. Jonathan R. Eller’s Bradbury Beyond Apollo is the conclusion to the trilogy that began with Becoming Ray Bradbury and Ray Bradbury Unbound. It will be released in August, and is available for preorder now from the University of Illinois Press.

Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans.

Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury’s working life. As Bradbury’s dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney’s EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story “The Toynbee Convector.” Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self.

The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.

Eller is director of the Center for Ray Bradbury Studies at IUPUI.

(3) BE YOUR OWN GUIDE. At IUPUI’s Center for Ray Bradbury Studies you can “Visit Bradbury’s home office and library!”

One highlight of the Center for Ray Bradbury Studies is its recreation of Ray Bradbury’s basement office and library as it evolved in his Los Angeles, California, home for more than half a century.

The contents of Ray Bradbury’s office and library include more than 100,000 pages of published and unpublished literary works stored in thirty-one of the author’s filing cabinets, forty years of his personal and professional correspondence (over 10,000 pages), author’s copies of his books, including extensive foreign language editions, and his working library (a combined 4000 volumes). The broader collection of papers includes manuscripts, typescripts, screenplay and teleplay drafts, story concepts, photographs, correspondence, scrapbooks with original drawings and printed comic strips from his youth, and ephemera he collected documenting his travels, and more. Also preserved is Bradbury’s original furniture, including his writing desk, paint table, bookshelves, and chairs.

The site also hosts a Virtual Tour of Bradbury’s office. A companion piece is a text-based version of the tour (HTML). Visitors to the site are encouraged to use the text-based version as they navigate the virtual environment. 

(4) THE REDISCOVERED COUNTRY. The Paris Review commissioned an interview with Ray Bradbury in the 1970s but it wasn’t completed at the time. Someone found the text in Bradbury’s files, completed the interview, and The Paris Review finally published it in 2010: “Ray Bradbury, The Art of Fiction No. 203”.

INTERVIEWER

The Martian Chronicles, your first major success, was called a novel, but it’s really a book of short stories, many of which had appeared in pulp-fiction magazines during the forties. Why did you decide to collect them as a novel? 

BRADBURY

Around 1947, when I published my first novel, Dark Carnival, I met the secretary of Norman Corwin, a big name in radio—a director, writer, and producer. Through her I sent him a copy of Dark Carnival and wrote a letter saying, If you like this book as much as I like your work, I’d like to buy you drinks someday. A week later the phone rang and it was Norman. He said, You’re not buying me drinks, I’m buying you dinner. That was the start of a lifelong friendship. That first time he took me to dinner I told him about my Martian story “Ylla.” He said, Wow, that’s great, write more of those. So I did. In a way, that was what caused The Martian Chronicles to be born.

There was another reason. In 1949, my wife Maggie became pregnant with our first daughter, Susan. Up until then, Maggie had worked full-time and I stayed home writing my short stories. But now that she was going to have the baby, I needed to earn more money. I needed a book contract. Norman suggested I travel to New York City to meet editors and make an impression, so I took a Greyhound bus to New York and stayed at the YMCA, fifty cents a night. I took my stories around to a dozen publishers. Nobody wanted them. They said, We don’t publish stories. Nobody reads them. Don’t you have a novel? I said, No, I don’t. I’m a sprinter, not a marathon runner. I was ready to go home when, on my last night, I had dinner with an editor at Doubleday named Walter Bradbury—no relation. He said, Wouldn’t there be a book if you took all those Martian stories and tied them together? You could call it “The Martian Chronicles.” It was his title, not mine. I said, Oh, my God. I had read Winesburg, Ohio when I was twenty-four years old, in 1944. I was so taken with it that I thought, Someday I’d like to write a book like this, but I’d set it on Mars. I’d actually made a note about this in 1944, but I’d forgotten about it.

I stayed up all night at the YMCA and typed out an outline. I took it to him the next morning. He read it and said, I’ll give you a check for seven hundred and fifty bucks. I went back to Los Angeles and connected all the short stories and it became The Martian Chronicles. It’s called a novel, but you’re right, it’s really a book of short stories all tied together.

(5) MARS AT LAST. Librarypoint covered “A History of Science Fiction: Ray Bradbury & Arthur C. Clarke” in a 2018 article. Its remarks about The Martian Chronicles conclude:

…The final story, “The Million-Year Picnic,” has one of the most powerful images in science fiction: the father of a small family, after burning every document connecting them to their Earthly existence, promises to show his sons “Martians” and introduces them to their own reflections in the canal. The mystery and otherworldly quality of Mars, after being pushed back and civilized for so long under the colonists, is preserved as the immigrants lose their Earthly identity and become the new Martians. 

(6) TATTOO ART. All of Me is Illustrated from Rosetta Books matches Bradbury’s fiction and photos of tattooed bodies.

All of Me Is Illustrated is the first book to feature Ray Bradbury’s treasured stories “The Illustrated Man” and “The Illustrated Woman” together alongside the most stunning tattooed bodies of today. Bradbury’s prose reminds us so wonderfully — and at times violently and humorously — how foolish it is to assume the origins and meanings behind a person’s tattoos. Just as with Bradbury’s characters, the motivations of the featured collectors and artists to ink (or be inked) vary. What is undeniable is that their illustrated bodies are a source of pride, wonder, titillation, and beauty, whether depicting the grotesque or the mundane.

…Photographs of renowned tattoo artists and their intricate living pieces are breathtaking companions to Bradbury’s illuminating tales of relationships upended or enriched by the ancient art form. Featured artists include Jessa Bigelow, Paul Booth, Steve Butcher, Ryan Ashley Malarkey, Yomico Moreno, Andy Pho, TeeJ Poole, Duke Riley, DJ Tambe, Tatu Baby, Carlos Torres, Dmitry Troshin, Jess Yen, Popo Zhang. With an introduction by tattoo collector and scholar Anna Felicity Friedman, the result is a book that showcases masters of their craft.

(7) THEATER OF THE MIND. In the Washington Post, Rebecca Powers has a piece on the sounds of travel that has a Ray Bradbury reference. “Even when you can’t travel, you can still bring the sounds of a far-off city to you.”

“In Ray Bradbury’s book, Dandelion Wine, a dying man longs to hear the sounds of Mexico City.  He calls a friend there and asks him to hold the phone to an open window so he can hear the ‘hot yellow noon’ of a populated place he once knew.  Metal horns, squealing brakes and ‘the calls of vendors selling red-purple bananas and jungle oranges’ travel through the phone line.”

(8) NEWS FROM ME. Mark Evanier introduces videos of his 2004 Bradbury interview on stage at San Diego Comic-Con in this post from 2019. The pair did a Q&A session at several different Comic-Cons. (See also John King Tarpinian’s report and photos of “Ray Bradbury at Comic-Con 41” in 2010.)

…Sometimes, he’d run into an old friend like Julius Schwartz, Forrest Ackerman or Stan Freberg and they’d embrace and catch up on things. If you noticed and recognized him, he was glad to sign whatever you wanted signed and to talk about whatever you wanted to talk about. I’m sure there are many, many folks out there who still treasure those encounters. He had a way of shifting the topic from himself to you. You’d ask him about The Martian Chronicles and wind up talking about what you did or wanted to do for a living.

If you were passionate about something, especially if it was to someday be a writer or artist, he would tell you that you reminded him of himself at your age. That was a powerful feeling he had at the con and he expressed it in so many ways.

…I learned that everything went best when I recalled or researched a great story he’d told many times before and then led him into it. Shortly before the chat below, he’d appeared on a little-watched cable show that Dennis Miller was hosting. Ray started telling a story that was too long for the time remaining so Miller rushed him through it, then cut him off before the punch line. Late in this conversation, I got Ray to tell it in full. Whenever I could steer him into the right tale, it was magic. I just sat there in the best seat in the house and enjoyed Ray Bradbury talking, sometimes at great length. Even at his advanced age, he was one of the best public speakers I’ve ever seen.

[Thanks to John King Tarpinian, Michael Toman, and Martin Morse Wooster for these stories.]

Pixel Scroll 4/9/20 I Had Too Much To Stream Last Night

(1) UNDERESTIMATED CRISIS. Kristine Kathryn Rusch sounds overwhelmed in “Business Musings: A Crisis Like No Other (A Process Blog)” where she discusses her daily challenges and struggles as a writer.

Well, I was wrong. A month or so ago, I warned that what we’re going through is a black swan event, that it would have an economic impact, and we as business owners needed to be braced. Then, as things got even worse, I decided this was a double black swan—a crisis without good leadership to carry us through to the other side.

And it seems that, in both cases, I underestimated this thing.  On April 3, Kristalina Georgieva, managing director of the International Monetary Fund, called this “a crisis like no other.”

In a speech before the World Health Organization, she added, “Never in the history of the IMF have we witnessed the world economy coming to a standstill. It is way worse than the global financial crisis.”

A crisis like no other. Yeah, that was my sense as well over these past two weeks as I tried over and over again to find some kind of historic precedent to guide us forward. I couldn’t find one—not an analogous one, on that hit the global economy all at once, and forced people around the world to behave in the same way.

It’s breathtaking and shocking and hard to fathom. As you can tell from my many blog posts, I’m wrestling with this change. I know we’ll come out the other side, but for the first time—maybe in my adult life—I have no idea what kind of world we will emerge into. Usually I can predict both worst case and best case scenarios….

(2) SETTING THE TONE. Connie Willis’ Doomsday Book is where I first read John Clyn’s famous quote, written in 1349 at the height of the Black Plague:

“So that notable deeds should not perish with time, and be lost from the memory of future generations, I, seeing these many ills, and that the whole world encompassed by evil, waiting among the dead for death to come, have committed to writing what I have truly heard and examined; and so that the writing does not perish with the writer, or the work fail with the workman, I leave parchment for continuing the work, in case anyone should still be alive in the future and any son of Adam can escape this pestilence and continue the work thus begun.”

(3) APOLLO 13. At least the astronauts came out the other side of this disaster all right — “‘Houston, we’ve had a problem’: Remembering Apollo 13 at 50”.

…A half-century later, Apollo 13 is still considered Mission Control’s finest hour.

Lovell calls it “a miraculous recovery.”

Haise, like so many others, regards it as NASA’s most successful failure.

“It was a great mission,” Haise, 86, said. It showed “what can be done if people use their minds and a little ingenuity.”

As the lunar module pilot, Haise would have become the sixth man to walk on the moon, following Lovell onto the dusty gray surface. The oxygen tank explosion robbed them of the moon landing, which would have been NASA’s third, nine months after Apollo 11’s Neil Armstrong and Buzz Aldrin took humanity’s first footsteps on the moon.

Now the coronavirus pandemic has robbed them of their anniversary celebrations. Festivities are on hold, including at Kennedy Space Center in Florida, where the mission began on April 11, 1970, a Saturday just like this year.

(4) WHO TWO. ScreenRant offers their opinion — “Doctor Who: Every Doctor’s TRUE Companion”. For example:

Fourth Doctor: Sarah Jane Smith

Often considered the best companion of Doctor Who‘s classic run, Elizabeth Sladen made a lasting impression as Sarah Jane Smith, evolving the template set by Jo Grant previously. More so than her predecessors, Sarah Jane naturally grew into a second main character and although she debuted alongside the Third Doctor, her wits were slightly better suited to the eccentric ramblings of Tom Baker’s Time Lord. The Fourth Doctor would struggle to find an equally fitting companion, treating Leela with occasional contempt and burning through several regenerations of Romana.

(5) IMPOSSIBLE TIME. The Arthur C. Clarke Center for the Human Imagination’s podcast Into the Impossible has posted Episode 38: “Giving the Devil His Due: a conversation with Michael Shermer & Brian Keating”.

Dr. Michael Shermer is the Founding Publisher of Skeptic magazine, the host of the Science Salon Podcast, and a Presidential Fellow at Chapman University where he teaches Skepticism 101. For 18 years he was a monthly columnist for Scientific American. He is the author of New York Times bestsellers Why People Believe Weird Things and The Believing Brain, Why Darwin Matters, The Science of Good and Evil, The Moral Arc, and Heavens on Earth. His new book is Giving the Devil His Due: Reflections of a Scientific Humanist.

(6) HOW’S YOUR EYESIGHT? “Smithsonian seeks public’s help with Sally Ride’s astronaut training notes”.

Before she became the first American woman to fly into space, Sally Ride needed to learn how to be an astronaut. Now, 30 years later, the public can help expand access to Ride’s training experience by volunteering to transcribe her extensive handwritten notes.

The National Air and Space Museum has begun the process of converting the 23 cubic feet of material it obtained from Ride’s estate in 2015 to be available for research and study. Archivists have scanned and indexed the entire collection, but more can be done to make the papers fully searchable.

(7) DRUCKER OBIT. MAD Magazine artist Mort Drucker died April 8 at the age of 91. Mark Evanier paid tribute at News From Me: “Mort Drucker, R.I.P.”

He found his way to MAD magazine in 1956 at a precarious moment in that publication’s history. Founding editor Harvey Kurtzman had departed and taken most of the art crew with him. Replacement editor Al Feldstein was assembling a new team and with no idea how valuable the new applicant would be to MAD, he took a shot with Drucker.

Mort had never thought of himself as a caricaturist but when called upon to draw the comedy team of Bob & Ray for some pieces, he displayed a flair that surprised even him. Before long, Mort was the illustrator of movie and TV parodies in every issue of MAD…an association that lasted some 55 years. Big stars would say that you didn’t feel you’d made it in Hollywood until Mort Drucker had drawn you in MAD.

The New York Times obituary is here.

…“No one saw Drucker’s talent,” Mr. Hendrix wrote, until he illustrated “The Night That Perry Masonmint Lost a Case,” a takeoff on the television courtroom drama “Perry Mason,” in 1959. It was then, Mr. Hendrix maintained, that “the basic movie parody format for the next 44 years was born.”

From the early 1960s on, nearly every issue of Mad included a movie parody, and before Mr. Ducker retired he had illustrated 238, more than half of them. The last one, “The Chronic-Ills of Yawnia: Prince Thespian,” appeared in 2008.

Mr. Drucker compared his method to creating a movie storyboard: “I become the ‘camera,’” he once said, “and look for angles, lighting, close-ups, wide angles, long shots — just as a director does to tell the story in the most visually interesting way he can.”

Mr. Hendrix called Mr. Drucker “the cartoonist’s equivalent of an actor’s director” and “a master of drawing hands, faces and body language.” Mr. Friedman praised Mr. Drucker’s restraint: “He wasn’t really hung up on exaggerating. He was far more subtle and nuanced — interested in how people stood and so on.”

(8) WILLNER OBIT. Most recently known as Saturday Night Live’s sketch music producer. Hal Willner died April 7. The LA Times tribute is here. He had a long career in film, and produced several record albums, including these genre-adjacent projects –

…Most striking was Willner’s ode to the music of Walt Disney’s animated films. Called “Stay Awake: Various Interpretations of Music from Vintage Disney Films,” he enlisted artists including cosmic jazz traveler Sun Ra, experimental vocalist Yma Sumac, Los Angeles group Los Lobos and rock band the Replacements to re-imagine such songs as “Cruella De Ville,” “Whistle While You Work” and “Someday My Prince Will Come.” Tom Waits turned “Heigh Ho (The Dwarves Marching Song)” into a forced-labor dirge.

As the compiler of “The Carl Stalling Project: Music From Warner Bros. Cartoons 1936-1958,” Willner resurrected the reputation of the frantic, inventive composer Stalling and his scores for “Bugs Bunny” and “Road Runner” cartoons….

(9) TODAY IN HISTORY.

  • April 9, 1953 Invaders From Mars premiered. It was produced by Edward L. Alperson Jr. and directed by William Cameron Menzies. It starred  a large cast of Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. Made a shoestring budget of three hundred thousand, it got amazingly good reviews though a few critics thought it it was too frightening for younger children, did a great box office and currently has a rating of fifty six percent among audience reviewers at Rotten Tomatoes. You can see it here.
  • April 9, 1955 Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv.  It ran for seventy-eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 9, 1911 George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s which ended when Campbell’s wife left him for Smith Whom she married. Later stories were on Thrilling Wonder Stories, GalaxySuper Science Stories and Fantastic To name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.)
  • Born April 9, 1913 George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet.  You can see the first show “The Birth of The Galaxy” which he scripted here. (Died 1975.)
  • Born April 9, 1921 Frankie Thomas. He was best remembered for his starring role in Tom Corbett, Space Cadet which ran from 1950 to 1955. Though definitely not genre or genre adjacent, he was in the Nancy Drew film franchise that ran in the late Thirties. (Died 2006.)
  • Born April 9, 1935 Avery Schreiber. He’s had a long history with genre fiction starting with Get Smart! and going from there to include More Wild Wild West!Fantasy IslandFaerie Tale Theatre: PinocchioShadow ChasersCavemanGalaxinaDracula: Dead and Loving ItAnimainiacs in which he voiced Beanie the Brain-Dead Bisonand, of course, The Muppet Show. (Died 2002.)
  • Born April 9, 1937 Marty Krofft, 83. Along with with Sid, a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea MonstersLand of the Lost and Electra Woman and Dyna Girl.
  • Born April 9,1949 Stephen Hickman, 71. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Artwork at ConAndian in 1994.
  • Born April 9, 1954 Dennis Quaid, 66. I’m reasonably sure that he first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
  • Born April 9, 1955 Earl Terry Kemp, 65. Author of The Anthem Series: A Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publishers of the Golden Age and The Anthem Series Companion: A Companion to The Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publishers of the Golden Age. He also maintains several databases devoted to the same including The Golden Age of Pulps: SF Magazine Database: Science Fiction, Fantasy and Horror (1890-2009).
  • Born April 9, 1972 Neve McIntosh, 48. During time of the Eleventh Doctor, she played Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter.  She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form a private investigator team. 
  • Born April 9, 1998 Elle Fanning, 22. Yes she’s from that acting family. And she’s certainly been busy with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro BoySuper 8MaleficentThe BoxtrollsThe Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy. 

(11) COMICS SECTION.

  • Candorville encounters a social media slipup.
  • Free Range shows why even superheroes must keep in mind “the right tool for the right job.”

(12) TEMPORARILY FREE COMICS. Dark Horse Comics is releasing the first issue of more than 80 comics series for free, as well as a few volumes of graphics novels, available to read via DARK HORSE DIGITAL from now until April 30. The series include such titles as Umbrella AcademyAmerican Gods, & Disney’s Frozen, as well as graphic novels such as Empowered Vol. 1, and Hellboy Vol. 1.

(13) CAN COMICS RESUSCITATE THE CASH REGISTER? CBR.com investigates “DC vs Marvel: Possible Storylines for a New Big Two Crossover”.

As the effects of the ongoing coronavirus (COVID-19) pandemic continue to reverberate around the world, one of the many industries severely impacted by the global health crisis is the American comic book market. With major publishers refraining from distributing new comics either digitally or in print and comic retailers shuttering normal operations to prevent the virus’ spread, the future of the industry is currently in a state of limbo. Led by acclaimed writer Gail Simone, comic creators have since suggested the possibility of an intercompany crossover between DC and Marvel Comics’ respective superhero universes as a means to revitalize the industry.

(14) PICARD SPECIAL ISSUE. Titan Comics has Star Trek: Picard – The Official Collector’s Edition on sale now.

A behind-the-scenes guide to the smash hit new Star Trek TV Show, showcasing the further adventures of fan-favorite captain of the Enterprise-D, Jean Luc Picard!

A deluxe collector’s edition offering a behind-the-scenes guide to the brand new Star Trek: Picard TV show, featuring interviews with Star Trek legends Sir Patrick Stewart, Brent Spiner (Data), Jonathan Frakes (Riker), Martin Sirtis (Troi), plus the new cast members Isa Briones (Dahj/Soji), Michelle Herd (Raffi), Harry Treadaway (Narke) and many more. Plus, Showrunners Alex Kurtzman and Michael Chabon, and Director Hanelle Culpepper reveal behind-the-scenes secrets.

(15) OLAF SCENES. “Fun With Snow” | At Home With Olaf on YouTube is the first of 20 micro-sized Olaf stories coming from Disney. Find others as they post on the Walt Disney Animation Studios YouTube channel.

(16) MAD AS HELL. In “Suing Hollywood” at CrimeReads, Tess Gerritsen looks at her long series of lawsuits about whether Gravity was stolen from her 1999 space thriller Gravity.

…Most writers who work in the industry understand that suing a studio, no matter how justified their lawsuit, is a losing proposition—and it’s the writer who almost always loses. Knowing this, why would any writer risk everything to charge into battle as David against Goliath? 

I’ll tell you why: because we’re angry and refuse to let them get away with it. I know, because I’ve been there and done that. I’ve seen the dark side of Hollywood.

(17) STATION BREAK. And making a smooth segue between topics, did you know NASA has available a virtual “International Space Station Tour”?

(18) NEXT SPACE STATION SHIFT ARRIVES. And for a news trifecta — “ISS crew blast off after long quarantine”.

Three new crew members have arrived at the International Space Station (ISS) after a launch carried out under tight restrictions due to the coronavirus.

The Russian Soyuz rocket carrying cosmonauts Anatoly Ivanishin and Ivan Vagner and Nasa astronaut Chris Cassidy took off from Kazakhstan on Thursday.

Pre-launch protocols were changed to prevent the virus being taken to the ISS.

Only essential personnel were allowed at the launch site for the blast-off.

Support workers wore masks and kept their distance as the crew walked to the bus to take them to the spacecraft.

Earlier, Chris Cassidy said not having their families in Baikonur to cheer them on for the launch had affected the crew, but he added: “We understand that the whole world is also impacted by the same crisis.

(19) WAVE BYE-BYE. “BepiColombo: Mercury mission set to wave goodbye to Earth” – BBC supplies lots of details on the instruments being sent.

The joint European-Japanese mission to Mercury reaches a key milestone on Friday when it swings past the Earth.

The two-in-one BepiColombo space probe is using the gravity of its home world to bend a path towards the inner Solar System.

It will also bleed off some speed.

The mission needs to make sure it isn’t travelling too fast when it arrives at Mercury in 2025 or it won’t be able to go into orbit around the diminutive world.

(20) POTTERING ABOUT. “Harry Potter hospital rooms get JK Rowling approval”.

Doctors dealing with coronavirus said they were “uplifted” to have a message of support from JK Rowling when they named areas of their hospital after Harry Potter school houses.

Meeting rooms at the Royal Bournemouth Hospital were named Gryffindor, Slytherin, Hufflepuff and Ravensclaw.

The hospital said the idea was “a bit of fun amongst all the significant issues”.

The author tweeted to say she had “rarely felt prouder”.

The hospital’s medical team decided to name meeting rooms after the Hogwarts houses when redesigning systems to be better prepared for the coronavirus outbreak.

Senior house officer Alex Maslen said: “The house names are familiar to many junior doctors who grew up with the Harry Potter stories, and the awareness has provided some reassurance during these difficult times.”

(21) YOUNG MAN MULLIGAN ATE HERE. BBC tells us “Crops were cultivated in regions of the Amazon ‘10,000 years ago'”.

Far from being a pristine wilderness, some regions of the Amazon have been profoundly altered by humans dating back 10,000 years, say researchers.

An international team found that during this period, crops were being cultivated in a remote location in what is now northern Bolivia.

The scientists believe that the humans who lived here were planting squash, cassava and maize.

The inhabitants also created thousands of artificial islands in the forest.

FYI, “Young Man Mulligan” is the filk answer to ”The Great Historical Bum” song (“Bum” lyrics here). It opens “I was born about ten thousand years from now.”

(22) BEFORE FABERGÉ. “Mysteries of decorated ostrich eggs in British Museum revealed”.

If you wanted to give an extravagant gift 5,000 years ago, you might have chosen an ostrich egg.

Now some of these beautiful Easter egg-sized objects are in London’s British Museum.

The eggs were found in Italy but their origins have long been a mystery – ostriches are not indigenous to Europe.

Now, research into the museum’s collection by an international team of archaeologists reveals new insights into their history.

People across Europe, the Mediterranean and North Africa traded ostrich eggs up to 5,000 years ago, in the Bronze and Iron Ages.

Eggs were decorated in many ways – painted, adorned with ivory or precious metals, or covered in small glazed stones or other materials.

The five eggs in the British Museum’s collection are embellished with animals, flowers, geometric patterns, soldiers and chariots.

(23) DON’T STOP. Rebooted – on YouTube.

It’s not easy for a movie-star to age – especially when you’re a stop motion animated skeleton monster. Phil, once a terrifying villain of the silver-screen, struggles to find work in modern Hollywood due to being an out-of-date special effect.

[Thanks to Andrew Porter, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, JJ, Chip Hitchcock, Michael Toman, Daniel Dern, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/15/19 Rikki, Don’t Scroll That Pixel, It’s The Only One You Own

(1) SOUND AND FURY. Locus Online has a fine summary of recent developments in “Audible’s Caption Controversy”.

Audible, Amazon’s audiobook publishing arm, announced plans for “Audible Captions,” a fea­ture that displays the text of a book along with the narration on listener devices. Audible said the feature would be “available on hundreds of thousands of audiobooks at launch” – a decla­ration that was met with surprise and alarm by publishers who haven’t licensed the rights to publish such text to Audible. Publishing the text without permission would likely be a violation of copyright.

The Association of American Publishers filed a lawsuit on August 23, 2019 in the southern district court of New York to block the program….

(2) RECEIVED WISDOM. New “Worldcon Runner’s Guide Updates” are posted on the WSFS web site.

The Worldcon Runner’s Guide Committee has issued updates to several guide sections. These are now available on the main Guide page. The sections that have been updated are:

(3) JOE ON JOE. In a teaser for the Joe Lansdale documentary — All Hail the Popcorn King: Joe Hill talks Lansdale inspiration”

Joe Hill is currently one of the hottest scribes around. His popular book, NOS4A2 has been adapted for an AMC series. Netflix will be partnering with producer Carlton Cuse on a 10 episode version of Hill’s comic book series, Locke and Key.

Recently, the busy writer sat down with Hansi Oppenheimer, the director of the upcoming documentary on Joe Lansdale, All Hail the Popcorn King. He discussed his deep admiration and fondness for his fellow author.

As an impressionable 13-year-old, Hill read Lansdale’s The Drive In and was transformed. He made such a deep connection with the novel that he felt that it was written especially for him. Which is one of the best compliments to receive when you are a wordsmith. It is what you strive for, to make an impact on your readers.

(4) AUTUMN LEAVES. Entertainment Weekly’s Kristen Baldwin includes a couple of genre works on her list of “The 8 must-watch new TV shows this fall”.

First, a disclaimer: With approximately 183 TV series premiering every hour in America, it would be all but impossible for any one critic to view all the new fall shows. That said, I was able to screen 31 of the programs making their debut in the coming months — and now that my eyes have readjusted to sunlight, I humbly submit this report.

One of them is Evil. The other is —

Watchmen

Oct. 20, 9 p.m., HBO
Confession: I know nothing about Watchmen. Never read the comic or saw the (polarizing) 2009 film. I had to pause many times while watching the pilot so I could look up characters and backstories on Wikipedia. With that said, I can’t wait to see more. Set 30 years after the comics, Watchmen takes place in a world where police hide their identities due to terrorist attacks and a long-dormant white supremacist group wants to start a race war. The show is expensive-looking but not hollow. There’s a humanity to the characters that is often lacking in comic book adaptations, due in large part to the exceptional cast, including Regina King, Jeremy Irons, and Don Johnson. Hardcore fans will have to make up their own minds, but this novice is intrigued.

(5) FOUNDATIONS OF HORROR FILMMAKING. SYFY Wire thinks fans should go ape over “Fay Wray’s underappreciated career as a genre queen”.

Fay Wray is remembered best for her role in the original King Kong as Ann Darrow, the woman who is kidnapped and carried about like a rag doll while Kong goes on his city-wide rampage. Yet she had a much longer career than just that one film, spanning several different genres and working for more than half a century. In her early years in Hollywood, she would have been better known for a series of westerns she had done in the silent era than anything else, but even at that, she’d also been in several comedies and romances. Wray was a working actor for most of her life, so her filmography is mostly all over the place.

Of course, we’re mostly here for Wray’s career as a Scream Queen. In the time leading up to what would become her definitive role, she starred in a series of low-budget horror movies that are now considered as much a part of classic horror canon as Frankenstein or The Mummy….

(6) GROWING UP GRYFFINDOR. [Item by Martin Morse Wooster.] Behind a paywall at Financial Times, Alice Ross discusses how YA authors in Britain are increasingly interested in politics.

The second legacy often credited to Harry Potter is that the series helped to form a generation of liberal thinkers.  In Harry Potter and the Millennials (2013), political scientist Anthony Gierzynski published th results of his survey of more than 1,000 college students.  He concluded that readers of Harry Potter were more often to diversity and more politically tolerant than non-fans…

…Modern authors of children’s books both in the UK and the US–many of whom hail from the Harry Potter generation–tend to feel strongly about social or moral issues, and they bring this into their writing.

‘I really do believe that all writing is political and you have to try to do that; you are not just bringing yourself to your work,’ says Kiran Millwood Harris, whose debut novel The Girl of Ink and Stars won the 2017 Waterstone Children’s Book Prize. ‘I see some people saying, ‘I don’t want to be political’ but actually now it’s kind of immoral not to speak up or take a stand as some people don’t have that luxury.  Her latest book The Way Past Winter deals with the environmental crisis, increasigly a topic coming up in children’s books.

(7) DYSTROPIA. Michelle Goldberg’s opinion piece “Margaret Atwood’s Dystopia, and Ours” in the New York Times coincidentally shows how hard it is for fictional commentary to keep pace with cultural changes.

…And it’s not just in America that truth has lost its political salience. Naked censorship continues to exist, but it’s augmented by the manipulation of search algorithms, and by trolls and bots harassing dissidents and spreading misinformation and conspiracy theories. Truth is less suppressed than drowned out. Contemporary propaganda, write P.W. Singer and Emerson T. Brooking in “LikeWar: The Weaponization of Social Media,” “is colorful and exciting, reflecting the tastes of the digital age. It is a cocktail of moralizing, angry diatribes, and a celebration of traditional values, constantly mixed with images of scantily clad women.” There’s a solemn churchlike hush in Gilead. Modern authoritarianism is often as lurid and cacophonous as a casino.

Dystopian fictions that extrapolate from this shift are starting to appear. (Though young adult novels had a head start: “The Hunger Games” foresaw the nightmare of fascism run as a reality show.) There’s a scene in “Years and Years,” a recent series co-produced by HBO and the BBC, where Vivienne Rook, the sly British demagogue played by Emma Thompson, is asked about the spread of fraudulent, digitally created videos of her political rivals making inflammatory statements. “Oh, of course they’re fake videos. Everyone can see they’re not real,” she says to an interviewer. Then she adds, with faux concern, “All the same, they really did say those things, didn’t they?” Soon after, she is elected prime minister…

… “Writing dystopias and utopias is a way of asking the reader the question, ‘Where do you want to live?’” Atwood said when I talked to her last year….

(8) SCHELLY OBIT. Comics fan, writer, and historian Bill Schelly (1951-2019) died September 12 of cancer. His books included The Golden Age of Comic Fandom (1995; rev. ed. 1999) published by his own company, Hamster Press, Harvey Kurtzman, The Man Who Created “Mad” (Fantagraphics, 2015), and his autobiography Sense of Wonder, My Life in Comic Fandom – The Whole Story (North Atlantic Books, 2018). Carl Slaughter recommended Schelly’s biography Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionaryto Filers in 2016.

Many friends have left comments on his Facebook page. Neil Caputo penned “Bill Schelly: In Tribute”, Mark Evanier ends his appreciation “Bill Schelly, R.I.P.” at News From Me by saying:

Bill was quite good…just a lovely, talented man. I’m sure going to miss talking to him on the phone and at conventions, and I’m sorry we aren’t going to get all the other books that he would have written. Such a loss.

(9) TODAY IN HISTORY.

  • September 15, 1965 — CBS debuted Irwin Allen’s  Lost In Space as “The Reluctant Stowaway” episode seeing the Jupiter 2 being sabotaged by  Dr. Smith who became part of the inhabitants. The theme music was composed by a little known composer then credited as, Johnny Williams.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1890 Agatha Christie, or to giver her full name of Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller). ISDB lists her Harley Quin tales as being genre as they think the lead character is supernatural though no reviewers I can find think that he is. Anyone here who has read them? They also list one Hercule Poirot story, “The Big Four”, as genre – it apparently involved the use of atomic explosives in a 1927 story. Weirdly iBooks has almost nothing by her but Kindle has works beyond counting. (Died 1976.)
  • Born September 15, 1925 Carlo Rambaldi. He won Academy Awards for Best Visual Effects in 1980 and 1983 for, respectively, Alien and E.T. the Extra-Terrestrial which was for the mechanical head-effects for the Alien creature and the design of the E.T. himself. The 1976 version of King Kong earned him an Oscar for Best Visual Effects as well. He also worked on Dune, Conan the Destroyer, King Kong Livesand films you’ve likely never heard of such as Fire Monsters Against the Son of Hercules. (Died 2012.)
  • Born September 15, 1940 Norman Spinrad, 79. I’ll admit that the only novel I’ve read by him is Bug Jack Barron. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. So how is that he’s never won a Hugo? 
  • Born September 15, 1943 John M. Faucette. He published five novels and one short story. He left seven unpublished novels in various states of completion at his death. Two of his novels; Crown of Infinity and Age of Ruin, were published in the Ace Doubles series. None of his works are in print  in digital or paper format currently including his Black Science Fiction anthologywhich he as an African-American SF writer was very proud of. (Died 2003.)
  • Born September 15, 1946 Howard Waldrop, 73. I think that the The Texas-Israeli War: 1999 which he wrote with Jake Saunders is my favorite work by him. His short fiction such as  “The Ugly Chickens” which won The World Fantasy and Nebula Awards is most excellent. A generous selection of his short fiction and novellas are available at iBooks and Kindle. 
  • Born September 15, 1956 Tommy Lee Jones, 73. Best known as Agent K in the Men in Black franchise, he’s has done other genre with the first being in Batman Forever as Harvey Dent / Two-Face. He’s Colonel Chester Phillips in Captain America: The First Avenger as well. 
  • Born September 15, 1962 Jane Lindskold, 57. My first encounter with her was the Zelazny novel she finished, Donnerjack. It’s excellent though how much is Zelazny is open to vigorous debate. Of her own novels, I recommend The Buried Pyramid, Child of a Rainless Year and Asphodel as being very good. 
  • Born September 15, 1987 Christian Cooke, 31. He’s Ross Jenkins, a UNIT Private in two Tenth Doctor stories, “The Sontaran Stratagem” and “The Poison Sky”. Genre wise, He’s also been Luke Rutherford-Van Helsing in Demons, a six-part series from the Beeb, and he’s Frederick Beauchamp in the second season of The Witches of Eastwick.
  • Born September 15, 1960 Kevin Roche, 59. Chaired Worldcon 76 in San Jose (2018). Prior to that he co-chaired Westercon 66 in Sacramento in 2013 and chaired Costume-Con 26 in San José in 2008. He’s a veteran costumer and masquerade emcee, who co-directed the 2011 Worldcon’s Masquerade as well as Masquerades at Anime Los Angeles, Westercon, and BayCon. Roche is a research scientist at IBM Research Almaden. He also is the editor of Yipe! The Costume Fanzine of Record.

(11) COMICS SECTION.

  • Bizarro shows what happens when aliens reach the border.

(12) CLASSIC REVIVED? The Far Side web page made this announcement:

Uncommon, unreal, and (soon-to-be) unfrozen.

A new online era of The Far Side is coming!

(13) SCOOBY TAXONOMY. Eleni Theodoropoulus, in “How Scooby Doo Revived Gothic Storytelling for Generations of Kids” on CrimeReads, says that Scooby-Doo is really a Gothic series rather than mystery, as she discusses how the show’s supernatural elements made it so popular.

.. From its first episode, “What a Night for a Knight,” Scooby Doo establishes the very atmosphere that is integral to the gothic genre. The episode opens onto an empty country road under a full moon when a pickup truck rolls into view. The crate in the back opens. An armored knight rears his head and fixes his glowing eyes on the driver. Danger is imminent. “What a nervous night to be walking home from the movies, Scooby Doo,” says Shaggy, echoing the viewer’s sentiment. Moments later they come across the abandoned pickup truck where the suit of armor sits behind the wheel. Pristine, it shines in the moonlight. Suddenly, the head of the armor rattles and tips over, landing at their feet. Boy and dog chuckle nervously before they run away in what will become their signature manner of dealing with problems. The next two seasons of Scooby Doo, Where Are You! follow in this same vein, resting on a balance between suspense and fear, mystery and horror.

Instrumental to evoking these feelings in the viewer was less the plot itself than the atmosphere framing it….

(14) PLAYING FOR TIME. Cecilia D’Anastasio relates the “Confessions Of A Teenaged Strip-Mall GameStop Delinquent” at Kotaku.

… Once a week, I’d enter that GameStop to ask whichever bored employee was manning the place when they’d get Super Smash Bros. Brawl for the Wii, and whether they’d give it to me early. I wanted to play a video game before anybody else, and I wanted it to be Super Smash Bros. Brawl so I could get really good and nobody would ever be able to catch up. Certainly, I felt, GameStop had that power and would be generous with it. Theo, who worked at that GameStop, told me many times: Cecilia, it comes out in December. Each time, I’d fuss, forget what he said, and distract myself with some other game they had pre-installed on the Wii kiosk in the store. Then I’d go in again the next week….

… Back then, I was usually grounded. Each sentence lasted for a week, two weeks, a month, and eventually, it all blurred into an endless, sprawling, dusty-grey dream. My mom theorizes that I’d purposefully do bad teen stuff so she’d ground me. That way I could avoid my increasingly complicated friendships at the strip. Time would spin on there without me: break-ups, fights, pranks, insults. In the world of Final Fantasy XI, I had comrades who needed me. As my dedication to leveling up heightened, so too did my in-game friends’ expectations of me as a community member. A couple times a week, one would reach out to me on a forum, or on Myspace, or eventually even through text message, asking me to log on and help them with some level grinding, some quest.

Then came the emotional labor. As a teenager, I did not have the tools to counsel the cat girl FlameKitty, the avatar of an older man, through his joblessness, his unpaid bills, his loneliness. I could not offer authoritative advice after a married mother of five fell in love with another Final Fantasy XI companion, whose shadowy forum profile picture featured a katana. …

(15) A FAMILIAR FACE. The Waterloo (ONT) Public Library is doing a sff author panel October 5 – details on the programs calendar. You should recognize at least one of the participants.

James Bow moderates a panel of five other authors talking about Canada as a setting for science fiction and fantasy novels. Why should New York, Los Angeles, or London have all the fun? Canada boasts some of the world’s best science fiction and fantasy writers, and some of the most innovative tech sectors. We have a part to play in the wider science fiction community, and we intend to represent.

Science Fiction and fantasy writers Erin Bow, James Nicoll, Leah Bobet, James Alan Gardner and (maybe – still to be confirmed ) Sarah Raughley join moderator James Bow in a free-flowing discussion of what Canada can contribute and has contributed to science fiction and fantasy. The event at the Main library will be followed by the launch of James Bow’s new urban fantasy novel, “The Night Girl”. Books will be sold and authors are available to sign copies. Everyone welcome

(16) BOARD OF EQUALIZATION. FastCompany thinks “‘Ms. Monopoly’ is not as patronizing as Hasbro’s version for millennials, but it’s not empowering either”.

…However, last year, Hasbro shook the table with Monopoly for Millennials, which critics universally bemoaned as an “insulting experience.” The game’s tagline of “Forget real estate. You can’t afford it anyway” seemed to signify that Hasbro was perhaps more interested in wooing back older players (who also like dunking on young adults) rather than genuinely appeal to a new generation discovering the joys of game night. (The reasons why millennials can’t afford homes are varied and complex and have nothing to do with pouring our income into artisanal coffee and avocado toast—xoxo, a millennial.)

Then just last month there was Monopoly for Socialists, another widely panned bit of pandering to older people who might still be afraid of the s-word that the game-centric site Polygon dubbed “horrible, even as a parody.” The release also led to the surely unintended wider dissemination of Monopoly’s roots as a game created by a woman named Elizabeth Magie to spread the message that landlords and real-estate hoarding are societal ills, yet it was appropriated by men and turned into a pro-capitalist pastime.

Now, there’s Hasbro’s latest addition to the Monopoly family: Ms. Monopoly. Its tagline is “The first game where women make more than men.”…

(17) TRACKING DOWN BARGAINS. Contact Mr. Muffin’s Trains for all your Hell-bound “O” Gauge model train needs….

(18) VIDEO OF THE DAY. Walk The Dog Before I Sleep on Vimeo is an animated music video by Drew Christie of a song by Brian Cullman.

[Thanks to John King Tarpinian, Martin Morse Wooster, James Davis Nicoll, Chip Hitchcock, Cat Eldridge, JJ, Alan Baumler, Mike Kennedy, Steve Johnson, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 7/19/19 Ain’t No Pixel Like The One I Got

(1) NOVEL IDEA: READ THE WORDS. Audible’s new program to run text along side its audiobooks is now in beta testing — “Audible’s Captions Program Stirs Fears, Frustration Among Publishers”. Publishers Weekly posts quotes from those questioning whether Audible has these rights, and if the program violates copyright.

…At least one major publisher, Simon & Schuster, has already deemed the program illegal. In a statement released by a spokesperson, S&S said: “We have informed Audible that we consider its Captions program to be an unauthorized and brazen infringement of the rights of authors and publishers, and a clear violation of our terms of sale. We have therefore insisted that Audible not include in Captions any titles for which Simon & Schuster holds audio or text rights.”

The Association of American Publishers and the Authors Guild issued statements that also said Audible’s contracts do not give the company the right to create a text product. “Existing ACX and Audible agreements do not grant Audible the right to create text versions of audiobooks, whether delivered as a full book or in segments,” the Guild statement noted. “The Captions program appears to be outright, willful copyright infringement.”

(2) DOODLE. The July 18 Google Doodle is a 4-minute animation of the Apollo 11 mission narrated by astronaut Michael Collins.

50 years ago, NASA’s Apollo 11 mission changed our world and ideas of what is possible by successfully landing humans on the surface of the moon?—and bringing them home safely?—for the first time in history. Today’s video Doodle celebrates this moment of human achievement by taking us through the journey to the moon and back, narrated by someone with firsthand knowledge of the epic event: former astronaut and Apollo 11 command module pilot Michael Collins.

(3) NOT THE A-TEAM. Too bad Jules Verne isn’t around to cash in on this: “French sci-fi team called on to predict future threats”.

The French army is to create a “red team” of sci-fi writers to imagine possible future threats.

A new report by the Defence Innovation Agency (DIA) said the visionaries will “propose scenarios of disruption” that military strategists may not think of.

The team’s highly confidential work will be important in the fight against “malicious elements”, the report states.

It comes amid efforts by the French to innovate its approaches to defence.

(4) CROWDFUNDING SUCCESS. Paul Winters closed the “Help Gahan Wilson find his way” GoFundMe to further donations, saying they have enough. They raised $63,165.

Thank you to everyone who donated to Gahan’s gofundme. The response was amazing. We have stopped taking donations. We think that we have raised enough to take care of Gahan. Negotiations have begun again with the State and we believe that in a few months time, he could be back on State aid. Gahan is doing well. He retains his sense of humor and he is well cared for with constant support from his family. This is, and continues to be, a hard road. I’m sure there are many of you out there who have gone through this (or, are going through it). Again, Gahan’s family thanks all of you for helping. We will keep the campaign up (without taking more donations) so that we can continue putting up the updates.

(5) EATING THE FANTASTIC. Scott Edelman invites you to slurp matzoh ball soup with Will Eisner Award-winning writer/editor Mark Evanier as his Eating the Fantastic podcast turns 100.

Evanier started his comic book career way back in 1969, and over the years has written issues of Blackhawk, Groo the Wanderer, DNAgents, and (like me) Welcome Back, Kotter. He worked as Jack Kirby’s production assistant, which eventually resulted in his award-winning book Kirby: King of Comics. He’s won multiple Will Eisner Awards, as well an an Inkpot Award and a Bob Clampett Humanitarian Award.

Our meal took place at Canter’s Delicatessen in Los Angeles, resulting in a sense of terroir greater than any other episode. As you’ll hear, he’s eaten there with both Jack Kirby and Stan Lee over the years — though not together — and he has plenty to say about both of them.

He’s also celebrating this milestone by introducing a new icon, one which better represents what the show’s all about.

By the way, those 100 episodes have featured 165 guests in 173 hours and 19 minutes of ear candy.

(6) OVERCOMING. Mary Robinette Kowal’s space article for the New York Times is now online — “To Make It to the Moon, Women Have to Escape Earth’s Gender Bias”:

If we do not acknowledge the gender bias of the early space program, it becomes difficult to move past it. One of the most compelling things about NASA is its approach to failure. Failure is not penalized in its culture; it is valued for the things that it can teach to save lives or resources in the future. As Bobak Ferdowsi, a systems engineer at NASA’s Jet Propulsion Laboratory has said, “our best mistakes are the ones we can learn from.”

What are the lessons to be learned from NASA’s failure to fly women during the Apollo era?

The most recent lesson emerged in April, when NASA had scheduled a spacewalk that was, quite by accident, staffed by two female astronauts. The agency had to restaff the spacewalk because it had only one spacesuit that was the correct size for both women.

This is not an indictment of NASA in 2019. But it does demonstrate a causal chain that begins with the Apollo program and leads through to present-day staffing choices.

And The Daily Caller called attention to the Times essay in “Going To The Moon Is Sexist, Claims NYT Article: Spacesuits Accommodate Male Sweat, Ladder Rungs Spaced For Men”, which also includes some other writers’ tweeted responses —

(7) MOON SUITS. The Washington Post’s feature about astronaut wear,“How To Dress For Space”, is a little less woke:

Explore five iconic spacesuits in 3-D and more than 50 years of spaceflight in a dialogue between The Washington Post’s space industry reporter Christian Davenport and fashion critic Robin Givhan.

…Christian: Unlike mission patches for other flights, the Apollo 11 patch did not have the names of the crew members. Armstrong, Buzz Aldrin and Michael Collins felt their names should be left out because the flight represented all of humankind and the 400,000 people involved in the Apollo program.

…Robin: I love that there was so much attention paid to the idea that we are doing this for peace, for exploration and for scientific discovery. Despite how big and potentially intimidating this suit could be, it is not, it looks like a happy uniform. And the patches are so Boy Scout.

(8) TODAY IN HISTORY.

  • July 19, 1972The Thing With Two Heads starring Rosie Greer and Ray Milland stalked into theaters.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 19, 1883 Max Fleischer. Animator, film director and producer. He brought such animated characters as Betty Boop, Popeye and Superman to the screen and was responsible for a number of technological innovations including the Rotoscope and Stereoptical Processes. (Died 1972.)
  • Born July 19, 1927 Richard E. Geis. I’m reasonably sure I met him at least once when I was living out there. Interesting person.  He won the Hugo Award for Best Fan Writer twice; and whose science fiction fanzine Science Fiction Review won Hugo Awards for Best Fanzine four times. His The Alien Critic won the Best Fanzine Hugo once in a tie with Algol), and once in sole first place. And yes, I enjoyed reading the Science Fiction Review. I’ve not any of his handful of genre novels, and certainly haven’t encountered his soft core porn of which there’s a lot. (Died 2013.)
  • Born July 19, 1937 Richard Jordan. Actor who was in Dune as Duncan Idaho, Logan’s Run as Francis, and the Queen of Air and Darkness help him, Solarbabies as Grock. He also the lead in Raise the Titanic as Dirk Pitt, a perfectly awful film as well. Not to mention he was Col. Taylor In Timebomb, a film that got a Rotten Tomatoes rating of 33%.  (Died 1993.)
  • Born July 19, 1947 Colin Duriez, 72. Yes, an academic, this time devoted to Lewis and Tolkien. Author of such works as  J. R. R. Tolkien: The Making of a Legend,  The C. S. Lewis Chronicles: The Indispensable Biography of the Creator of Narnia Full of Little-Known Facts, Events and Miscellany and, errr, Field Guide to Harry Potter. Well money is nice, isn’t it? 
  • Born July 19, 1950 Richard Pini, 69. Husband of husband-and-wife team responsible for creating the well-known Elfquest series. I’d say more but there’s nought information to be had on him.
  • Born July 19, 1957 John Pelan, 62. Committed (more or less) the act of opening serial small publishing houses in succession with the first being Axolotl Press in the mid-Eighties where he published the likes of de Lint and Powers (before selling it to Pulphouse Publishing) followed by Darkside Press, Silver Salamander Press and finally co-founding Midnight House. All have been inactive for quite awhile now and he’s been editing such anthologies as Tales of Terror and Torment: Stories from the Pulps, Volume 1 for other presses though even that has happened for some years. 
  • Born July 19, 1963 Garth Richard Nix, 56. Writer of children’s and young adult fantasy novels, to wit the Keys to the KingdomOld Kingdom, and Seventh Tower series. The Ragwitch which I read quite some time ago is quite excellent and being a one-off can give you a good taste of him without committing to a series.
  • Born July 19, 1969 Kelly Link, 50. First, let me note that along with Ellen Datlow, she and her husband Gavin Grant were responsible for the last five volumes of The Year’s Best Fantasy & Horror. They all did a magnificent job. All of collections, Pretty MonstersMagic for Beginners and Get in Trouble are astonishingly good. And she’s much honoured having won a Hugo Award, three Nebula Awards, a World Fantasy Award and received a MacArthur Genius Grant.
  • Born July 19, 1976 Benedict Cumberbatch, 43. Confession time: I really didn’t care for him in the Sherlock Holmes series, nor did I think his Khan In Star Trek Into Darkness was all that interesting but his Stephen Strange In Doctor Strange was excellent. He did do an superb job of voicing Smaug inThe Hobbit and his Grinch voicing in that film was also superb. I understand he’s the voice of Satan in Good Omens…

(10) COMICS SECTION.

  • Free Range reveals the head of the alien invasion force.

(11) ONE SMALL STAMP FOR… First publicized in March — “U.S. Postal Service Unveils 1969: First Moon Landing Forever Stamps” – the stamps are on sale today.

 In celebration of the 50th anniversary of the first moon landing on July 20, 1969, the U.S. Postal Service is pleased to reveal two stamp designs commemorating that historic milestone. Additional details are coming about the date, time and location for the first-day-of issue ceremony.

One stamp features a photograph of Apollo 11 astronaut Buzz Aldrin in his spacesuit on the surface of the moon. The image was taken by astronaut Neil Armstrong. The other stamp, a photograph of the moon taken in 2010 by Gregory H. Revera of Huntsville, AL, shows the landing site of the lunar module in the Sea of Tranquility. The site is indicated on the stamp by a dot. The selvage includes an image of the lunar module.

(12) ROBOTECH REBOOT. Titan Comics announced at SDCC 2019 plans to publish Robotech Remix #1 – a radical reimagining of the sf mecha anime classic.

A new Robotech saga starts now! Robotech is reborn from the ashes of Event Horizon! New writer Brenden Fletcher (Motorcrush, Isola) and artist Elmer Damaso (Robotech/Voltron, Marvel Mangaverse) boot up Robotech: Remix, an all-new series that will take beloved characters and iconic mecha to places fans have never seen before

First airing in the USA in 1985, Robotech was the gateway to anime for many fans – capturing their imagination with its epic generational storyline involving war, romance, and, of course, the transforming Veritech fighters that defend the Earth against extra-terrestrial attacks.
 
Produced by Harmony Gold USA, the original 85-episode series delved into humanity’s struggle against a series of alien invasions, from the gigantic Zentraedi to the mysterious Invid, battling for control of advanced alien technology that crash-landed on Earth.

Robotech Remix #1 hits stores on October 9, 2019.

(13) SLIM PICKINGS. Galactic Journey reviews all the sff books published in June/July 1964 – which apparently is a grand total of four? “[July 18, 1964] Dog Day Crop (July’s Galactoscope)”

Thank you for joining this month’s edition of Galactoscope, where we plow through all the books that came out this most recent month of June/July 1964! Don’t thank us; it’s all part of the job…

Times Two

Time Travel has been a staple of the genre since before the genre had been formalized. H. G. Wells’ The Time Machine is still a classic, and it was written last century. In the Journey’s short tenure, we have encountered at least a dozen tales involving chronological trips, with notable books including John Brunner’s Times without Number and Wallace West’s River of Time, not to mention the stand-out tales, All you Zombies!, by Robert Heinlein (and his less stand-out tale, By His Bootstraps) and The Deaths of Ben Baxter, by Robert Sheckley.

This month, we have two variations on the theme, both invoking time in their title:

Time Tunnel, by Murray Leinster

(14) BIRD IS THE WORD. Once upon a time there was a sweet-tempered goose – no wonder the rest of them are so ornery. Atlas Obscura revisits “The Goose Who Wore Nikes, and the Mystery of Who Murdered Him” (a 2016 post).

… A few days before that fateful day in 1988, he had been visiting his sister-in-law’s farm when he saw something that got his heartstrings tugging and his wheels turning: a two-year-old goose who had been born with no feet, struggling to follow his fellow geese across a gravel road.

“Because I’m a Shriner,” Gene later told People magazine, “my natural instinct was to help him.” First, he tried making a fowl-sized skateboard, figuring the goose the could push along with one stump while balancing on the other, but no dice. The goose was patient, though, and Gene soon hit on a solution: a pair of patent leather baby shoes, size 0 and stuffed with foam rubber. By the time Jessica got home from school, the goose was running pell-mell around the yard, tugging at the other end of the leash. Soon, they were calling him Andy.

… Twelve-year-old Jessica may have been over Andy, but Gene’s friend at the Hastings Tribune, Gary Johansson, saw the goose’s potential. He wrote up a few lines, and almost overnight, Andy went 1980s-viral. “We had newspapers from all over the world contacting us and wanting to do stories,” says Jessica. He got on The Tonight Show with Johnny Carson, where he shared billing with Isabella Rossellini and Martin Short. Reader’s Digest did a profile, and People splurged on a photo spread. When Nike learned that Andy preferred their brand of baby shoes, they sent him a crate, making him almost certainly the first goose to get a major sponsorship deal.

…But it couldn’t last. On October 19, 1991, Gene and Nadine got the kind of phone call every goose owner dreads. “Is Andy OK?” asked an anxious voice on the other end. A couple of Hastings residents had been out metal detecting in a local park, and had found a dead goose sporting telltale sneakers. The Flemings rushed out to the hutch. There were fresh footprints in the dirt, much bigger than size 0. Andy and his mate Paulie were nowhere to be found…

(15) THEY’RE EVERYWHERE. Let us pause in celebrating the moon landing to consider: “Flat Earth: How did YouTube help spread a conspiracy theory?” Video — and not a piece of tinfoil in sight!

All around the world, there are conspiracy theorists who believe the Earth is flat. And their community seems to be growing, judging by attendance at flat Earth conferences and events.

Flat Earthers say YouTube was key in helping them spread their message. One researcher found that of attendees at a flat Earth conference, nearly all said they first came to the idea through the video-sharing platform.

The Google-owned company says it’s taking action to prevent conspiracy videos from reaching large numbers of people.

So how – and why – did YouTube enable the flat Earth community to grow?

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Hampus Eckerman, Daniel Dern, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Terry Hunt, Scott Edelman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Robert Whitaker Sirignano.]

Pixel Scroll 6/26/19 Pixel Scroll Powers Activate!

(1) HILL HOUSE. Whatever DC Comics’ other problems may be, they’re pretty sure they can sell this: “DC Launching New Horror Line From Writer Joe Hill”.

Hill House Comics will consist of five miniseries and debut this October. Just days after announcing the closure of the DC Vertigo imprint, DC is signaling that it hasn’t moved away from creator-owned comic book material. The publisher has announced a new pop-up imprint, Hill House Comics, curated by horror writer Joe Hill.

The line of five original miniseries — each one targeted to readers 17 and older — will feature two titles written by the Fireman and Heart-Shaped Box author himself, with all five titles including a secondary strip, “Sea Dogs,” also written by Hill. Other titles will be written by The Girl With All The Gifts author Mike Carey, playwright and The Good Fight screenwriter Laura Marks, and critically acclaimed short story writer and essayist Carmen Maria Machado. Artists for the line include Sandman veteran Kelley Jones, as well as The Unwritten’s Peter Gross.

(2) CAFFEINE SEEKERS. Ursula Vernon has the most interesting conversations. Thread starts here.

(3) WESTERCON/NASFIC. The Spikecon program is live — https://spikecon.org/schedule/

(4) NET FANAC. In 2017, The Guardian tracked down these behind-the-scenes fan creators: “Watchers on the Wall: meet the rulers of the world’s biggest TV fan sites”. Whovian.net’s Dan Butler said:

I was 12 when Doctor Who was relaunched in 2005, and at school it was seen as nerdy. Because I had no one to talk to about it, I created a website to show my love. I wrote reviews of the episodes and used a website builder, then later I built a site from scratch.

What I loved about the show was the idea that you could be walking down the street and meet the Doctor, and your life could change forever. I liked the balance between domestic drama and science fiction – the first series was like watching a soap one scene, and Star Trek in the next. For me, Christopher Eccleston, who was my first Doctor, is the closest to how I think the part should be; if you walked past him, he wouldn’t stand out. Since then, the Doctors have been more flamboyant – more alien.

(5) WHERE PULP HISTORY WAS MADE. This was once the headquarters of Street & Smith’s pulp magazine empire, which after 1933 included Astounding: “The 1905 Street & Smith Building – 79-89 Seventh Avenue” at Daytonian in Manhattan

In 1928 the firm took made an innovative marketing move by hiring the Ruthrauff & Ryan Advertising Agency to produce a radio program to promote Detective Story Magazine.  Called “The Detective Story Hour,” it was introduced and narrated by a sinister voice known as “The Shadow.”  His tag line became familiar to radio listeners across the country:  “The Shadow knows…and you too shall know if you listen as Street & Smith’s Detective Story Magazine relates for you the story of…” whatever story was featured that week.

As it turned out, The Shadow’s character was so successful that it detracted from the Detective Story sales.  Street & Smith decided the best way to handle the problem was to introduce a new magazine featuring The Shadow.

(6) STAND ON ZANZIBAR. Extra Credit makes John Brunner sound absolutely prescient.

How do we cope with a crowded world we as humans were never evolutionarily designed for? Stand on Zanzibar was written in 1968 but it uncannily, accurately predicts many of our present day’s social tensions and stressors. However, it also has a certain optimism that makes it stand out among other dystopic fiction we’ve discussed.

(7) ARISIA CORRECTS GOH LIST.  Saladin Ahmed proved to be unavailable after Arisia 2020 prematurely announced him as a Guest of Honor. There was a tweet —

He had also been added to the Arisia 2020 website (still visible in the Google webcache at this time). When his name was taken down without an announcement, there was curiosity about the reason.

I asked Arisia President Nicholas “phi” Shectman, and he replied:

Saladin was invited and let us know that he was interested but had to check availability. We misunderstood and made an announcement (and put his name on our web site) prematurely. It turns out he’s unable to make it this year. We’ve apologized to him privately and are preparing a public retraction.

(8) OTHER ARISIA NEWS. Arisia Inc.’s discussion of how to improve its Incident Report process, and the determinations made about some of the IR’s (with no names cited) are minuted in the May issue and June issue of Mentor.

The June issue also gave an update about the litigation over Arisia’s cancellation of plans to use two strike-affected hotels (for the 2019 event):

Hearings for the Westin and Aloft disputes are still scheduled for July 11 and June 25 respectively. We have hired Deb Geisler as an expert witness to testify about how hard it is to change hotels at the last minute, in support of our assertion that the deadline we gave the Westin for the strike to be resolved was the actual latest we could wait before canceling with them. I still think there is an 80% chance that we will prevail and if we do we will still be in the Westin. I also still expect to know the answer in late July or early August.

…Deb is a professor at BU, teaches non-profit event management, has chaired Intercon, we mainly selected her because she has academic credentials

Deb Geisler also chaired Noreascon 4 (2004).

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 26, 1904 Peter Lorre.  I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in Americanized version of Casino Royale which an early Fifties episode of the Climax! series as Le Chiffre. (James was called Jimmy. Shudder!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.)
  • Born June 26, 1910 Elsie Wollheim. The wife of Donald A. Wollheim. She was one of the original Futurians of New York, and assisted them in their publishing efforts, and even published Highpoints, her own one-off fanzine. When he started DAW Books in 1972, she was the co-founder, and inherited the company when he died. Their daughter Elizabeth (Betsy) now runs the company along with co-publisher and Sheila E. Gilbert. (Died 1996.)
  • Born June 26, 1950 Tom DeFalco, 69. Comic book writer and editor, mainly known for his Marvel Comics and in particular for his work with the Spider-Man line. He designed the Spider-Girl character which was his last work at Marvel as he thought he was being typecast as just a Spider-Man line writer. He’s since been working at DC and Archie Comics.
  • Born June 26, 1969 Lev Grossman, 50. Author of most notable as the author of The Magicians Trilogy which is The Magicians, The Magician King and The Magician’s Land. Perennial best sellers at the local indie bookshops. Understand it was made into a series which is yet another series that I’ve not seen. Opinions on the latter, y’all? 
  • Born June 26, 1969 Austin Grossman, 50. Twin brother of Lev. And no, he’s not here just because he’s Lev’s twin brother. He’s the author of Soon I Will Be Invincible which is decidedly SF as well as You: A Novel (also called YOU) which was heavily influenced for better or worse by TRON and Crooked, a novel involving the supernatural and Nixon. He’s also a video games designed, some of which such as Clive Barker’s Undying and Tomb Raider: Legend are definitely genre. 
  • Born June 26, 1980 Jason Schwartzman, 49. He first shows up in The Hitchhiker’s Guide to the Galaxy as Gag Halfrunt,  Zaphod Beeblebrox’s personal brain care specialist. (Uncredited initially.) He  was Ritchie in Bewitched, and voiced Simon Lee in  Scott Pilgrim vs. the Animation. He co-wrote Isle of Dogs alongwith Wes Anderson, Roman Coppola, and Kunichi Nomura. I think his best work was voicing Ash Fox in Fantastic Mr. Fox. 
  • Born June 26, 1984 Aubrey Plaza, 34. April Ludgate on Parks and Recreation which at least one Filer has insisted is genre. She voiced Eska in recurring role on The Legend of Korra which is a sequel to Avatar: The Last Airbender. She was in Scott Pilgrim vs. the World as Julie Powers. Currently she’s Lenny Busker on Legion. 

(10) MCINTYRE MEMORY BOOK. Remembering Vonda, the memorial book of anecdotes and sentiments about the late Vonda McIntyre, is not only available for sale as trade paperback ($12.12), but can be downloaded as a free PDF.

TRADE PAPERBACK 
FREE PDF

Jane Hawkins had an idea: to collect all the lovely stories written around Vonda’s death, and to put them in one place for us all to enjoy. This book is that place.Stephanie A. Smith and Jeanne Gomoll joined forces to edit the book. Vonda’s community—her friends, colleagues, readers, and admirers—shared their fondest memories, stories, praise and love for the dear friend they had recently lost.

All proceeds from books sold through LuluDotCom will benefit Clarion West.

(11) DEAL TERMINATOR. Unfortunately, most of the article is behind Adweek’s paywall, but the photo is funny: “Arnold Schwarzenegger Kicks ‘Gas’ as a Used Car Salesman in This Parody for Electric Vehicles”.

It’s no surprise that a cheesy used-car salesman like Howard Kleiner, sporting a man-pony, a Hawaiian shirt and a porn ‘stache, would be into throwback gas guzzlers. For him, it’s V8 or nothing, and if you pick the wrong vehicle on his lot, he may hand you a snide bumper sticker that says, “Carpool lanes are for sissies.”

(12) HISTORY THAT IS EVEN MORE ALTERNATE THAN USUAL. Jered Pechacek is determined to explain to us “WHY you can’t LEGALLY MARRY CLAMS in the STATE OF MAINE.” Thread starts here. Even easier to follow at Threadreader.

Oh yes, let freedom ring.

(13) CONVERTIBLE FALCON. Not much gets by Comicbook.com“Funko’s Massive Star Wars Millennium Falcon with Han Solo Pop is Live”.

Today, out of nowhere, Funko launched a Deluxe Star Wars Millennium Falcon with Han Solo Pop figure today that must be among the largest that they have ever produced. It measures a whopping 5.5″ tall, is 10.5″ wide and 13.25″ long with a price tag to match – $64.99.

(14) THE MOUSE THAT ROARS. NPR tells you how it’s going to look from now on: “‘Endgame’ Nears All-Time Record, And The Age Of The Disney Mega-Blockbuster Is Upon Us”.

There’s been some question about whether Avengers: Endgame will knock global box-office champ Avatar out of first place in Hollywood’s record books.

…Now, you’d think the threat that Disney might swipe the crown away from Fox would prompt wails of anguish, but it’s hard for the folks at Fox to be too upset.

Because these days, Disney owns Fox.

Which means Disney doesn’t just own the Marvel Universe — and Star Wars, which it bought a few years ago — it now also owns Avatar. And that fact is about to change the way the rest of Hollywood is forced to do business.

…In its first week, Avengers: Endgame sold 88% of the movie tickets that were purchased in North America, leaving just 12 percent to be split by more than a hundred other movies that might as well not have been open. Go back to other mega-blockbusters, and you see the same thing. they take up all the oxygen. Avengers: Infinity War, The Last Jedi, The Force Awakens, Black Panther each took in about 80 percent of their opening weekends, crushing everything else at the multiplex. Small wonder that other studios have learned to steer clear of these all-consuming box office behemoths.

…Every studio opens something big in late December, which has resulted for years in a happy flotilla of blockbusters that play to different audience segments, lifting all boats.

But Disney recently made an announcement that’s going to change that. Now that the company controls all of the franchises in the 2-billion-dollar club (Marvel, Star Wars and Avatar), it doesn’t have to play chicken with other studios about opening dates — it can just claim them.

And it’s done that … for the next eight years.

(15) IN THE REAR VIEW MIRROR. “Spirited Away: Japanese anime trounces Toy Story 4 at China box office” — BBC has the numbers.

Japanese animation Spirited Away has dominated the Chinese box office over its opening weekend, making more than twice as much as Disney’s Toy Story 4.

The Studio Ghibli film grossed $27.7m (£21.8m), according to Maoyan, China’s largest movie ticketing app.

Spirited Away was officially released in 2001, but only now, 18 years later, has it been released in China.

However, many Chinese viewers grew up with the film, having watched DVDs or pirated downloads.

…China has a strict quota on the number of foreign films it shows.

One analyst told the BBC last year that political tensions between China and Japan in the past could be why some Japanese movies had not been aired in China until very recently.

(16) HOW TO FIND IT AGAIN. WIRED’s Gretchen McCullough praises Hugo-nominated Archive of Our Own in “Fans Are Better Than Tech at Organizing Information Online”.

…The Archive of Our Own has none of these problems. It uses a third tagging system, one that blends the best elements of both styles.

On AO3, users can put in whatever tags they want. (Autocomplete is there to help, but they don’t have to use it.) Then behind the scenes, human volunteers look up any new tags that no one else has used before and match them with any applicable existing tags, a process known as tag wrangling. Wrangling means that you don’t need to know whether the most popular tag for your new fanfic featuring Sherlock Holmes and John Watson is Johnlock or Sherwatson or John/Sherlock or Sherlock/John or Holmes/Watson or anything else. And you definitely don’t need to tag your fic with all of them just in case. Instead, you pick whichever one you like, the tag wranglers do their work behind the scenes, and readers looking for any of these synonyms will still be able to find you….

(17) SCOOPS AHOY. Delish says get ready to stand in line in Indiana, er, Burbank: “Baskin-Robbins Is Recreating The Scoops Ahoy Ice Cream Shop From ‘Stranger Things'”.

Deep into any Netflix binge of Stranger Things, it’s easy to get sucked into the misadventures of Eleven and co. and wonder what a day in the life of a character would be like. Baskin Robbins is making this marathon-fueled fever dream one step closer to a reality. The ice cream retailer announced on Wednesday that they’ll be recreating the Stranger Things Scoops Ahoy Ice Cream Shop.

Lick your ice cream cone like its 1985 at a Burbank, CA, installation in its Baskin-Robbins location. Designed to reflect the ice cream parlor located inside the food court of Starcourt Mall—which is frequented by Hawkins, IN locals—you can visit from Tuesday, July 2 to Sunday, July 14.

Not only does a press release boast replicas of nautical décor and staff uniforms (like you could forget Steve Harrington and Robin’s shifts scooping sundaes there), but also show-inspired treats. Previously announced Stranger Things flavors, which have been teased relentlessly on the company’s Instagram, will be ready for consumption and include:

Flavor of the Month, USS Butterscotch: Inspired by the Scoops Ahoy shop at the Starcourt Mall in Hawkins, IN, the July Flavor of the Month is a decadent butterscotch-flavored ice cream with butterscotch pieces and a toffee-flavored ribbon. Also available in pre-packed quarts.

(18) SPIDER-MAN THEME REVISITED. Mark Evanier pointed out this music video on News From Me.

We love a cappella singing on this site and Will Hamblet told me about this one. It’s the theme from the 1967 Spider-Man cartoon show as rendered by a vocal quartet called Midtown. The snazzy video was, they say, shot entirely on an iPhone using the iMessage comic filter.

[Thanks to John King Tarpinian, Kathy Sullivan, Cat Eldridge, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, JJ, Michael Toman, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/27/19 You Have The Right To A Dragon. If You Do Not Have A Dragon, Or Cannot Afford One, One Will Be Provided To You Free of Charge.

(1) A DAY OBSERVED. At Book View Café, Diana Pharoah Francis marks the U.S. holiday: “Memorial Day”.

Today is the day we remember and honor those who’ve served in the military and those who continue to serve. Those who died in service to their country, and those who gave up more than any of us can possible know, even though they kept their lives.

This is the day we say thank you, paltry though that is. For me, it’s also the day to remember those who’ve fallen in service to others in all capacities. You give me hope.

(2) PLUS ÇA CHIANG. Ted Chiang authored “An Op-Ed From The Future” for the New York Times: “It’s 2059, and the Rich Kids Are Still Winning”. An editor’s note explains, “This is the first installment in a new series, “Op-Eds From the Future,” in which science fiction authors, futurists, philosophers and scientists write op-eds that they imagine we might read 10, 20 or even 100 years in the future…”

…We are indeed witnessing the creation of a caste system, not one based on biological differences in ability, but one that uses biology as a justification to solidify existing class distinctions. It is imperative that we put an end to this, but doing so will take more than free genetic enhancements supplied by a philanthropic foundation. It will require us to address structural inequalities in every aspect of our society, from housing to education to jobs. We won’t solve this by trying to improve people; we’ll only solve it by trying to improve the way we treat people….

(3) GAME OF FORKS. “4000 misplaced forks and knives became a cutlery throne” – translated from Swedish by Hampus Eckerman:

About 300 forks, knives and spoons are separated each day from the food remains of the Uppsala populace, by their local biogas plant. In order to, in a fun way, show how important it is to sort properly, Uppsala water has built a magnificent cutlery throne.

– We believe that the majority of cutlery comes from catering establishments and schools where cutlery is easier to get lost among leftovers. But we do not know for sure, says Jasmine Eklund, Communicator at Uppsala Water.

The cutlery throne consists of about 4,000 pieces of cutlery which corresponds to two weeks of cleaning. The cutlery has been washed and then welded together.

– We do not think that people have thrown the cutlery among the leftovers on purpose. Therefore, we hope that the throne will make people more aware of what they throw out and how they sort, says Jasmine Eklund.

“Great fun that people want to come here”

Until easter Thursday, anyone who wants to visit the Pumphouse in Uppsala can sample the huge glittering throne.

 – We have had many visitors this weekend, and hope for more during the Easter week. It is great fun that people want to come here and learn more about our work, says Jasmine Eklund.

 On Monday morning, Vilgot Sahlholm, 11 years old, visited Pumphouse with his brother, grandmother and grandfather.

 – I think the throne was pretty hard, so it wasn’t so comfy to sit in, he says.

 Cutlery Throne

 Weight: 120 kg.

Number of cutlery: About 4000 pieces.

So much cutlery is sorted out each year: 3,5 tons, which means around 100 000 pieces.

(4) LANGUAGE BUILDING. Rowan Williams, the former archbishop of Canterbury, weighs in with  “A Lesson for (and From) a Dystopian World” in the New York Times.

…Throughout his life, the American writer Russell Hoban produced a number of startlingly original novels. Perhaps the most startling of them all is “Riddley Walker,” first published in 1980. (Hoban died in 2011.) The book belongs to the dystopian genre that has become fairly popular in recent decades. What makes it unlike any other is its language — a version of English as it might be spoken by people who had never seen words or place names written down, an idiom among the ruins of half-remembered scientific jargon, folklore and garbled history. In the post-apocalyptic universe created by Hoban, words create ripples of meaning, echoes reaching into the heart of language and thought through a thick fog of cultural trauma and loss…

(5) DOES ANYONE READ THIS STUFF? Ersatz Culture has produced an ambitious set of “Charts showing SF&F award finalists and their rating counts on Goodreads”:

First off, I want to make it absolutely clear that there’s no agenda here about how awards should reflect popularity, or that awards that don’t meet someone’s personal perception of what is “popular” are bad/fixed/etc, or any similar nonsense. (Although I am more than happy to point out cases where claims of representing popular opinion aren’t backed up by the statistics.)

Award pages

(6) CLARKE AWARD. On Five Books, Cal Flyn interviews Arthur C. Clarke Award director Tom Hunter, who explains why the six Clarke nominees are worth reading.

Categorisation was something I wanted to touch on. Looking at the list of your previous finalists, I was interested to see books that I wouldn’t initially have considered to be sci fi. For example: Colson Whitehead’s The Underground Railroad, which won in 2017. So I wonder if you might say a bit more about the definition of ‘science fiction’ and what you consider it to encompass.

Yes. Going right back to the beginning, to the award’s creation: one of Arthur’s stipulations was that it wasn’t to be an award for the best book-that-was-a-bit-like-an-Arthur-C-Clarke-book. He wanted it to be very broad in its definition. And science fiction is a phenomenally hard thing to define anyway. It’s one of those things, like: I know it when I see it. And it changes – going back to my previous point about how publishing’s view has changed.

(7) CLOSURE FOR D&D TV SERIES. Fans of the ‘80s Dungeons & Dragons TV series know that the series never truly ended. Well, Renault Brasil has decided to wrap things up in their new and rather impressive commercial for the KWID Outsider. Series creator Mark Evanier has given his blessing.

…Someone also usually writes to ask if there was ever a “last” episode where the kids escaped the D&D world and got back to their own…and occasionally, someone writes to swear they saw such an episode on CBS. No, no such episode was ever produced. One of the writers on the series later wrote a script for such an episode but it was not produced until years later as a fan-funded venture. I do not endorse it and I wish they hadn’t done that…but if you like it, fine.

The show is still fondly remembered and is rerun a lot in some countries. It’s popular enough in Brazil that the folks who sell Renault automobiles down there spent a lot of money to make this commercial with actors (and CGI) bringing the animated characters to life.

(8) WOULD HAVE BEEN 85. Adam Dodd of the Cleveland News-Herald is “Remembering Harlan Ellison: local writer and professional troublemaker”.

“I see myself as a combination of Zorro and Jiminy Cricket,” wrote Ellison, describing himself while writing the introduction to Stephen King’s ‘Danse Macabre.’ “My stories go out from here and raise hell. From time to time some denigrater or critic with umbrage will say of my work, ‘He only wrote that to shock.’ I smile and nod. Precisely.”

Ellison’s prickly attitude was typified by the manner in which he left Ohio State University in 1953 after only attending for 18 months. After a writing professor questioned his ability to craft a compelling story Ellison physically attacked him and was subsequently expelled.

(9) THORNE OBIT. Doctor Who News reports the death of Stephen Thorne (1935-2019) at the age of 84.

In the 1970s Stephen Thorne created three of the greatest adversaries of the Doctor, characters whose influence endures in the programme today.

His towering presence and deep melodious voice were first witnessed in the 1971 story The Dæmons, where he portrayed Azal, the last living Dæmon on Earth, in a story often cited as one of the most appreciated of the third Doctor’s era and story emblematic of the close-knit UNIT team of the time.

He returned to the series in 1972 playing Omega, the renegade Time Lord fighting The Three Doctors, a character that would return to confront the Doctor in later years. In 1976 he opposed the Fourth Doctor playing the male form of Eldred, last of the Kastrians in the story The Hand of Fear.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 27, 1894 Dashiell Hammett. No, the author of The Maltese Falcon did not write anything of a genre nature but he did edit early on Creeps by Night: Chills and Thrills. I note there are stories by H. P. Lovecraft and Frank Belknap Long among a lot of writers of writers less well known as genre writers. (Died 1961.)
  • Born May 27, 1911 Vincent Price. OK, what’s popping into my head is him on The Muppets in the House of Horrors sketch they did. If I had to single out his best work, it’d be in such films as House on Haunted HillHouse of Usher and The Pit and the Pendulum. Yes, I know the latter two are Roger Corman productions.  He also did a lot of series work including being Egghead on Batman, appearing in the Fifties Science Fiction Theater, a recurring role as Jason Winters on the Time Expressand so forth. (Died 1993.)
  • Born May 27, 1922 Christopher Lee. He first became famous for his role as Count Dracula in a series of Hammer Horror films.  His other film roles include The Creature in The Curse of Frankenstein, Sherlock Holmes in Sherlock Holmes and the Deadly Necklace, Kharis the Mummy in The Mummy, Francisco Scaramanga in The Man with the Golden Gun,  Lord Summerisle In The Wicker Man, Saruman in The Lord of the Rings films and The Hobbit film trilogy, and Count Dooku in the second and third films of the Star Wars prequel trilogy. (Died 2015.)
  • Born May 27, 1935 Lee Meriwether, 84. Catwoman on Batman. (And if you have to ask which Batman, you’re in the wrong conversation.) Also, she had a turn as a rather sexy Lily Munster on The Munsters Today. And of course she had a co-starring role as Dr. Ann MacGregor on The Time Tunnel as well. And yes, I know I’m not touching upon her many other genre roles including her Trek appearance as I know you will.
  • Born May 27, 1934 Harlan Ellison. Setting aside the “The City on the Edge of Forever” episode”, I think I best remember him for the Dangerous Vision anthologies which were amazing reading. (Died 2018.)
  • Born May 27, 1958 Linnea Quigley, 61. Best know as a B-actress due to her frequent appearances in low-budget horror films during the 1980s and 1990s. Most of them no one remembers but she did play a punk named Trash in The Return of the Living Dead which is decidedly several steps up from  Sorority Babes in the Slimeball Bowl-O-Rama. She’s currently Joanie in the 86 Zombies series which streams pretty much everywhere.
  • Born May 27, 1966 Nina Allan, 53. Author of two novels to date, both in the last five years, The Race and The Rift which won a BSFA Award. She has done a lot of short stories hence these collections to date, A Thread of TruthThe Silver Wind: Four Stories of Time DisruptedMicrocosmosStardust: The Ruby Castle Stories and Spin which has also won a BSFA Award. Partner of Christopher Priest.
  • Born May 27, 1967 Eddie McClintock, 52. Best known no doubt as Secret Service agent Pete Lattimer on Warehouse 13, a series I love even when it wasn’t terribly well-written. He’s also in Warehouse 13: Of Monsters and Men which is listed separately and has the plot of ‘the Warehouse 13 operatives uncover a mysterious comic book artifact and must work together to free themselves from its power.’ He’s had one-off appearances in Witches of East EndAgents of S.H.I.E.L.D. and Supergirl, but no other major genre roles to date.  

(11) HOME ON THE PULP RANGE. At Galactic Journey, Gideon Marcus tells why some big names are returning to genre (in 1964): [May 26, 1964] Stag Party (Silverberg’s Regan’s Planet and Time of the Great Freeze).

…A lot of authors left the genre to try their luck in the mainstream world.  That’s why we lost Bob Sheckley, Ted Sturgeon, and Philip K. Dick for a while.  But times are tough in the real world, too.  Plus, of late, sff seems to be picking up again: IF is going monthly, we’ve got a couple of new mags in Worlds of Tomorrow and Gamma, books are coming out at an increasing rate.  And so Dick is back in force, and others who have left the field are nosing their way back in….

Robert Silverberg is another one of the authors who wrote sff like the dickens back in the ’50s and then disappeared.  He’s still writing and writing and writing, but most of his stuff doesn’t end up on our favorite shelves or in our favorite magazines.

But sometimes…

(12) THINK WESTEROSILY, ACT LOCALLY. In “Name of Thrones:  Why Baltimore-Area Parents Are Naming Their Kids After Characters From the HBO Series”, the Baltimore Sun’s John-John Williams IV reports that a lot of babies in the Baltimore area have become named Arya, Emilia, Khaleesi, Maisie, Meera, and Daenerys because their parents love Game of Thrones.

…Kucharski said she wanted to name her daughter after another strong female. (Arya’s twin is named after Maya Angelou.) The character Arya Stark stood out to Kucharski because of the heroine’s strong-willed nature and the fact that she doesn’t take no for an answer.

“She was able to carve her own way,” Kucharski said…

(13) A STORY OF OUR TIMES. No idea if this is true. Have a tissue ready: “Valar Morghulis”.

Footnote – translation of “Valar Morghulis”.

(14) WHAT IS LIFE FOR. Joseph Hurtgen reviews “Holy Fire – Bruce Sterling” at Rapid Tramsmissions.

…By the way, Sterling is a master of juxtaposing the brightness of futurity with dark pessimism. And for presenting the wonder of the future and then darkening and wrecking that vision, Holy Fire might be Sterling’s apotheosis. Sterling’s analysis of the future in this novel is ahead of the curve in the spheres of tech, psychology, human culture, and art. The novel takes place in 2090, a hundred years from when he wrote it, and going on 25 years later, it still reads as if it occurs in a future several decades out. But the real beauty of the work is the pessimism about what some of the early attempts at radical life extension could look like–namely, lost souls, people shadows of their former selves living a second youth, this time more reckless because they’ve already lived a century of making good decisions, so why not?

(15) SPACE OPERA COMPANY. Paul Weimer weighs in about “Microreview [book]: The Undefeated, by Una McCormack” at Nerds of a Feather.

There are many ways to tell a Space Opera story. Big space battles with fleets of ships using their silicon ray weapons to destroy the enemy. Or perhaps a story of diplomatic intrigue, where the main character journeys to the heart of an Empire , using words as a weapon to direct, and divert the fate of worlds. Or even have an Opera company tour a bunch of worlds in a spacecraft of their own.

Una McCormack’s The Undefeated goes for a subtler, more oblique approach, by using the life story of a famous, award winning journalist, Monica Greatorex,, whose journey back to her home planet braids with not only the story of her planet’s annexation into the Commonwealth, but of the enemy who seeks in turn to overthrow that Commonwealth.

(16) BREW REVIVAL. The brew that made Macchu Picchu famous: “Beer Archaeologists Are Reviving Ancient Ales — With Some Strange Results”.

The closest that Travis Rupp came to getting fired from Avery Brewing Co. in Boulder, Colo., he says, was the time he tried to make chicha. The recipe for the Peruvian corn-based beer, cobbled together from bits of pre-Incan archaeological evidence, called for chewed corn partially fermented in spit. So, Rupp’s first task had been to persuade his colleagues to gather round a bucket and offer up their chompers for the cause.

Once he got to brewing, the corn-quinoa-spit mixture gelatinized in a stainless steel tank, creating a dense blob equivalent in volume and texture to about seven bathtubs of polenta. Oops.

In another go, Rupp managed to avoid the brew’s gelatinous fate, but encountered a new problem when it came time to drain the tank. “It literally turned into cement in the pipes because the corn was so finely ground,” says Rupp. “People were a little cranky.”

These are the kinds of sticky situations that come with trying to bring ancient flavors into modern times.

A self-proclaimed beer archaeologist, Rupp has traveled the world in search of clues as to how ancient civilizations made and consumed beer. With Avery Brewing Co., he has concocted eight of them in a series called “Ales of Antiquity.” The brews are served in Avery’s restaurant and tasting room.

(17) TALL TERROR. BBC profiles “Javier Botet: Meet the actor behind Hollywood’s monsters”.

On first glance, you probably wouldn’t recognise Javier Botet.

Though not a household name, the Spaniard has a portfolio that many in the movie business would kill for.

Over the last few years, the 6ft 6in actor has starred in some of Hollywood’s biggest horror and fantasy productions.

From It to Mama to Slender Man – with a Game of Thrones cameo along the way – Javier has forged a reputation as one of the best creature actors in the industry.

…At one point, he went along to a special effects workshop. Both he and the tutor suggested his frame would be perfect to try out monster make-up on.

“I didn’t realise but I was born to perform,” Javier says.

(18) HOW’S THAT BEARD COMING ALONG? Norse Tradesman would be delighted to sell you the Viking Rune Beard Bead Set (24) – Norse Rings for Hair, Dreads & Beards.

(19) IT’S NOT THE REASON YOU THINK. Advice some of you globetrotters may be able to use: “Why You Should Fly With Toilet Paper, According to the World’s Most Traveled Man”.

And when I speak to people, I always put a roll of toilet paper on the podium and let them wonder about it till the end of my lecture. I’m given maybe five to 10 bottles of wine when I travel, so how do you pack wine so it doesn’t break? You put a toilet roll around the neck, because that’s where the bottle is going to break. I’ve never had one break.

(20) SINGULARITY SENSATION. Certifiably Ingame is here to help Trek fans with the question “Fluidic Space: What is it?”

Everything you need to know (but mostly stuff you didn’t) about about the home of Species 8472, the realm of Fluidic Space. This video is mostly theory-crafting about what exactly Fluidic space is as shown in Star Trek as there are no defined answers, but like most Science Fiction, it has may have a basis in reality. Or realities in this case. The laws of physics seem the same, as seen by crossing over, but the USS Voyager also get there by flying into a singularity made by gravitons because its Star Trek.

[Thanks to JJ, Chip Hitchcock, Carl Slaughter, Andrew Porter, Rob Thornton, Mike Kennedy Martin Morse Wooster, Cat Eldridge, Bonnie McDaniel, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/17/19 To Say Nothing Of The Cat

(1) DANK DAIRY. Nature gets into the spirit of St. Patrick’s Day in its own idiocyncratic way with publication of this research: “Four millennia of dairy surplus and deposition revealed through compound-specific stable isotope analysis and radiocarbon dating of Irish bog butters”.

Bog butters are large, white to yellow waxy deposits regularly recovered from the peat bogs of Ireland and Scotland, often found in wooden containers or wrapped in bark or animal membranes (Fig. 1). With recorded weights of up to 23?kg (and several examples that may be larger), bog butters were first documented in the 17th century; the total number recovered to date may approach 500 specimens1,2. Published radiocarbon determinations on Irish bog butters show activity spanning the Iron Age to the post-medieval period3,4 with folk accounts indicating survival into the 19th century5,6. While the reasons behind their deposition continue to be debated1,2, the remarkable preservative properties of peat bogs are well known7 and several post-medieval accounts mention the practice of storing butter in bogs to be consumed at a later date, whether by necessity or as a delicacy8,9,10. Early medieval Irish law tracts list butter as one of the products payable as food rents11, which may have needed to be stockpiled or stored. Parallels have also been drawn with the widespread deposition of metal and other objects in wetlands during the Bronze Age and Iron Age, often assumed to be votive or ritual acts….

(2) CLOSE GUESSES. The New York Times Book Review has two articles on world-building in speculative fiction this week:

“Ours is a world of laws—and given available evidence, so are all other worlds.

As they build their wild what ifs, the authors of speculative fiction draft legislation: They draw up regulations and establish cabinet agencies and sub-agencies, often employing a diction eerily reminiscent of real-life government and politics—the eeriness being very much the point.”

Maybe because we’re living in a dystopia, it feels as if we’ve become obsessed with prophecy as of late. Protest signs at the 2017 Women’s March read “Make Margaret Atwood Fiction Again!” and “Octavia Warned Us”…

In “The Dreams Our Stuff Is Made Of: How Science Fiction Conquered The World,” Thomas Disch calls this relay between fiction and reality “creative visualization.”

(3) FIRE IN THE WHOLE. Steven Zeitchik says in the Washington Post that tensions are rising between the Writers Guild of America (East) & Writers Guild of America (West) and the Association of Talent Agents because the writers think the agents are forming production companies and not being fair to the writers.  He says if the agents and writers don’t negotiate a new “artists manager basic agreement” about fee sharing by April 6, the result could be a mass firing by the 20,000 WGA members of their agents. “Hollywood agents and writers meet, but impasse remains”.

…The writers say they do not wish to renew the franchise agreement without significant revisions. They want new units that the agencies created to function as production companies to instead be formally carved out as separate entities. At present those units exist more as extensions of the agencies, which the writers say ups the possibility for conflicts of interest.

The also want to overhaul the main ways agents collect money on writers’ work. At the moment those revenue are dominated not by standard commissions from clients but by packaging fees, in which studios pay the agents for putting together the creative elements of a show. Those fees, the writers say, encourage agents to act against their own clients’ interests and also allow them to dip into a pool of revenue that should go to creators.

The agencies, particularly the Big Four — CAA, WME, UTA and ICM — that are leading the fight, say that the writers are working under false assumptions. Packaging fees and new entities offer riches to both parties, they say, especially as the media companies with which they are negotiating are growing larger and more vertical.

(4) FOR MEMORY CARE. The GoFundMe for Gahan Wilson has raised $52,175 of its $100,000 goal in the first 14 days. More than a thousand people have donated.

(5) NOT SAFE FOR WHATEVER. [Item by Dann.] Netflix recently released their series of sci-fi/fantasy/horror animated short files under the title Love, Death + Robots.  The collection features 10-20 minute long films based on genre stories.  Original story authors include John Scalzi, Marko Kloos, Joe Lansdale, and Ken Liu.

The collection is billed as an “NSFW anthology”.  It generally lives up to that appellation.  The films range from mildly questionable language to full-on body dismemberment to sexually explicit content (voluntary and otherwise).  The use of felines periodically borders on being questionable.

Tim Miller, director of Deadpool, leads the effort.  He is also an executive producer.  Miller and David Fincher have been credited with developing the anthology as a sort of modern version of Heavy Metal magazine.

The collection is part of Netflix’s effort to create unique content.  Many recently released titles feature genre based stories.  Not unlike Amazon’s influence on the increasing number of sub-novel length works, might this development be a signal of technology changing markets to allow a range of video productions other than long format movies or shorter format TV series?

Is there a Hugo worthy animated short in this anthology?  Only people living in 2020 know for certain.

(6) RYAN OBIT. In “Tom K. Ryan, R.I.P.”, Mark Evanier pays tribute to the Tumbleweeds cartoonist who died on March 7.

Cartoonist Tom K. Ryan, who gave us the syndicated strip Tumbleweeds has passed at the age of 92…actually, about 92.8. His popular western-themed comic made its debut in September of 1965 and lasted until the end of 2007 when Ryan decided he was getting too old to continue it. A run of 42+ years is pretty impressive in any industry. Like most cartoonists, Ryan was aided by occasional assistants, one of whom — a fellow named Jim Davis — did okay for himself when he struck out on his own and created Garfield.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 17, 1846 Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin, Rosa Mulholland’s Puck and Blossom and Bret Harte’s Pirate Isle. (Died 1901.)
  • Born March 17, 1906 Brigitte Helm. German actress, Metropolis. Her first role a an actress, she played two roles, Maria and her double, the Maschinenmensch. Oddly enough I’ve not seen it, so do render your opinions on it please. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and  in particular attacking Jewish financial speculators. (Died 1996.)
  • Born March 17, 1945 Tania Lemani, 74. She played Kara in the Trek episode “Wolf in the Fold”. She first met Shatner when she was offered her a role in the pilot for Alexander the Great, starring him in the title role (although the pilot failed to be picked up as a series). She had parts in The Man from U.N.C.L.E., The Bionic Woman and she shows up in the fanfic video Star Trek: Of Gods and Men. I assume as Kara, though IMDb lists her as herself. 
  • Born March 17, 1947 James K. Morrow, 72. I’m very fond of the Godhead trilogy in which God is Dead and very, very present. Shambling Towards Hiroshima is a lot of satisfying satirical fun as is The Madonna and the Starship which is also is a wonderful homage to pulp writers.
  • Born March 17, 1948 William Gibson, 71. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. The works I struggled with are Pattern Recognition, Spook Country and Zero History. I’ve tried all of them, none were appealing. Eh? 
  • Born March 17, 1949 Patrick Duffy, 70. Surely you’ve seen him on Man from Atlantis? No?  Oh, you missed a strange, short-lived show. His other genre credits are a delightfully mixed bag of such things as voicing a Goat on Alice in Wonderland, appearing on The Secret Adventures of Jules Verne as Duke Angelo Rimini  in the “Rockets of the Dead” episode and voicing  Steve Trevor in the incredibly excellent “The Savage Time” three-parter on Justice League. 
  • Born March 17, 1951 Kurt Russell, 68. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good. 
  • Born March 17, 1958 Christian Clemenson, 61. Though I’m reasonably sure his first genre appearance was on the Beauty and The Beast series, his first memorable appearance was on the BtVS episode “Bad Girls” as a obscenely obese demon named Balthazar. Lots of practical effects were used. His other significant genre role was on The Adventures of Brisco County, Jr. as fish way out of the water Eastern lawyer Socrates Poole. And yes, I loved that series! 
  • Born March 17, 1962 Clare Grogan, 57. On the Red Dwarf series as the first incarnation of Kristine Kochanski. Anyone here watch it? One truly weird series!  She really doesn’t have much of any acting career and her genre career is quite short otherwise, a stint in an episode on Sea of Souls, a Scots ghost chasing series, is it. 

(8) COMICS SECTION.

  • Tom the Dancing Bug finds humor in explaining why some time travelers hold no terrors for Americans of the 1950s.

(9) FRANSON AWARDS. National Fantasy Fan Federation (N3F) President George Phillies has picked three recipients for this year’s Franson Awards, named for the late Donald Franson, and given as a show of appreciation:

As your President, it is my privilege and honor to bestow the N3F President’s Award on our three art-ists, who have been doing so much to beautify our N3F zines. Please join me in thanking Angela K Scott, Jose Sanchez, and Cedar Sanderson for what they have done for our Federation.

(10) BEEP BEEP. MovieWeb is there when “Revenge of the Sith Deleted Scene of Anakin Speaking Droid Goes Viral”.

An old deleted scene from Revenge of the Sith where Anakin speaks droid has started to gain popularity online. Some Star Wars fans are having a hard time believing that the scene is real, which makes sense in an age where deleted scenes are practically a thing of the past. Over the years, the prequels have been looked at in a better light by a younger generation that grew up with those three installments being the first Star Wars movies that they saw.

…While it is a bit of a silly scene, it does probably point Obi-Wan in the direction to learn droid. In A New Hope, he can understand R2D2, so the scene could have served a purpose had it been left in. But it’s a little on the silly side because these are powerful Jedi that we’re talking about here. They should, at the very least, know how to talk to a droid before levitating rocks and using Jedi mind tricks. Whatever the case may be, the scene was left on the cutting room floor and thrown on the DVD.

(11) NOW, VOYAGER. Slate tells why “It Was a Big Week in Politics for Star Trek: Voyager Fans”.

When it comes to ‘90s-era Star Trek series, Voyager doesn’t always get its due, maybe because it couldn’t quite live up to the high standard set by The Next Generation or because it lacked the gravitas and daring of Deep Space Nine. (Or maybe it’s just because we’re all trying to avoid thinking too hard about the events of “Threshold.”) Still, Voyager stayed true to Star Trek’s overarching spirit of exploration and cooperation, forcing two very different groups of people to work together to survive and testing the characters’ utopian ideals by stranding them far from the safety of the Federation. Plus, the series was the first in the franchise to be led by a female captain, Kathryn Janeway, played by the dynamic Kate Mulgrew.

The show’s lasting influence can be felt in two stories from this week about prominent Democratic politicians, Alexandria Ocasio-Cortez and Stacey Abrams, both of whom are fans of Voyager and, in particular, its lead character. The first surprise nod to Trek in the political sphere came from the Daily Mail’s unexpectedly wholesome interview with Blanca Ocasio-Cortez, who described how Voyager became a portent of her daughter’s future success.

[…] The other Voyager shoutout appeared in the New York Times on Thursday in a story with the headline “Stacey Abrams, Star Trek Nerd, Is Traveling at Warp Speed.” In quotes from a previously unpublished interview from last summer, the former Georgia gubernatorial candidate says that while The Next Generation is her favorite series, she “reveres Admiral Janeway.” She also shows off her good taste in Trek by picking a Voyager episode, “Shattered,” as a favorite. […]

(12) A LORD AND LADY. PopSugar already knows our answer is “Yes!” — “Tell Me Something, Droid . . . Are You Ready For a Star Wars “Shallow” Parody?”

A Star Wars Is Born . . . How did I not see this coming? The Star Wars and A Star Is Born universes finally collided to pay tribute to two fan-favorite ships in a Nerdist parody music video. If Ally and Jackson were transported to a galaxy far, far, away, perhaps their version of “Shallow” would’ve ended up a little like Kylo Ren and Rey’s. 

(13) HARLEY QUINN. SYFY Wire eavesdrops as “Kaley Cuoco shares new glimpse of Harley Quinn animated series”.

When DC first announced its new service, it treated fans with an influx of announcements. Not only would they be able to stream classics like Batman: The Animated Series, but they received a plethora of original programming. […] Coming soon to the network will be Harley Quinn, an animated series featuring the voices of Kaley Cuoco (The Big Bang Theory) as Harley and Alan Tudyk (Firefly) as the Joker

Other than the trailer released at NYCC, we’ve haven’t seen much else in regard to everyone’s favorite psychopath with a heart of gold. That is until Cuoco took to Instagram and posted some shots from her voice sessions.

(14) ORCISH LAWYERS. “Fearing a trademark lawsuit, Bucksport’s ‘Hobbit Hill’ farm agrees to change name” – the Bangor Daily News has the story.

When Kevin and Mandy Wheaton opened their farm off Ledgewood Drive last April, they couldn’t see anybody having a problem with the name they gave it:

Hobbit Hill Homestead.

“I thought a Hobbit was a small, woodland creature with giant hairy feet, and they were fun-loving and liked to smoke their little pipes,” Mandy Wheaton said, “like a gnome or a leprechaun.”

Well, it turns out that somebody did have a problem with the Wheatons using the name Hobbit — Middle-earth Enterprises.

That’s the California company that owns worldwide rights to trademarked terms within British author J.R.R. Tolkien’s fantasy world, including “The Lord of the Rings” and “The Hobbit.” It’s an arm of The Saul Zaentz Co., which produced the animated 1978 “Lord of the Rings” film.

(15) NO BADGES HERE. Not even B. Traven could save this issue? Galactic Journey’s Gideon Marcus pans the latest (in 1964) issue of F&SF, which includes a story by the writer:“[March 17, 1964] It’s all Downhill(April 1964 Fantasy and Science Fiction)”. (Traven wrote the novel that The Treasure of the Sierra Madre is based on.)

A friend of mine inquired about an obscure science fiction story the other day.  She expressed surprise that I had, in fact, read it, and wondered what my criteria were for choosing my reading material.  I had to explain that I didn’t have any: I read everything published as science fiction and/or fantasy. 

My friend found this refrain from judgment admirable.  I think it’s just a form of insanity, particularly as it subjects me to frequent painful slogs.  For instance, this month’s Fantasy and Science Fiction continues the magazine’s (occasionally abated) slide into the kaka.  With the exception of a couple of pieces, it’s bad.  Beyond bad — dull….

FLING THAT THING. Comic Books vs The World calls them “giant death frisbees” in “Every MCU Captain America Shield Explained.”

He may not have been in action in the Marvel Cinematic Universe all that much, but Captain America’s had a bunch of different shields over the years. Let’s look over the timeline of the MCU and see what all he’s used so far!

[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Rob Thornton, John King Tarpinian, JJ, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern, who just saw Captain Marvel.]

Yes I Can

By John Hertz:  Maybe the spirit of Sammy Davis, Jr., will allow my borrowing his title. My reason can wait till the end.  You may find it sooner.

In this year’s Hugo Awards I’ve recommended Alternate Routes (Powers) for Best Novel and The Glass Bead Game for Best Novel of 1943 (Hesse; Retrospective Hugo).  Nominations close March 15th.

We’ll have a trial run of Best Art Book, besides our regular Best Related Work.  University of Chicago professor Harry Kalven used to talk of United States law on freedom of speech “working itself pure”, which seems to have been the story of Best Related Work so far, and may continue if Best Art Book is established.

Meanwhile I can recommend Out of This World at Home, vol. 5 of Mark Evanier’s Pogo collection The Complete Syndicated Comic Strips, without injustice to the Michael Whelan art book Beyond Science Fiction – which, if regrettably titled, is full of wonders; see my note on an exhibit preceding it here.

Evanier says This World contains “two prime years of what I think is the best newspaper strip ever – and even folks who disagree with me on that don’t usually disagree by much.”

He knows a lot more about comics than I do, but I don’t have to decide about Little Nemo — or Krazy Kat — to applaud This World.

Rick Marschall in America’s Great Comic-Strip Artists (rev. 1997; p. 255) says, “Walt Kelly was master of all that could be surveyed….  Pogo generously included … fantasy, literary and intellectual touches, farce and parody, graphic brilliance … poetry … and good old-fashioned slapstick.”

Pogo, in the Okefenokee Swamp where he lives, is a possum.  Many things prove to be possible, or impossible, there.  In Latin – we can all guess whether Kelly delighted in this – possum means I can.

Pixel Scroll 1/5/19 Mr. Gorn, Tear Down This Suit

(1) NOVIK SPEAKS OUT FOR FANFIC. In “Freed From Copyright, These Classic Works Are Yours To Adapt”, NPR discusses works newly entering public domain, and the writerly impulse to appropriate or retell stories.

A large body of films, music, and books from that year entered the public domain on Jan. 1, the first time that’s happened in 20 years. And that means they can be used according to the will of new creators who wish to adopt or adapt them.

…Those lengthy copyrights can be a barrier to the creation of new art. “Copyright has been overextended so many times, largely at the behest of major copyright holders,” says author Naomi Novik. “Even though what that actually does is inhibit people from creating new works and sharing these older works.” Novik is a founding member of the Organization for Transformative Works, a nonprofit that focuses on preserving fan fiction and art — that is, work created by fans, based on characters and worlds from their favorite written works, film, and TV, which can occasionally come into conflict with copyright law.

… Novik says that the impulse to re-imagine art is innate. “That kind of process of imagination is just something that our brains do. It doesn’t matter what law you put around it, our brains are still going to do it,” she says.

Inevitably, the spring of adaptations will bring about bad versions of these classic works. As Blake Hazard, great-granddaughter of F. Scott Fitzgerald, told The New York Times, “I hope people maybe will be energized to do something original with the work, but of course the fear is that there will be some degradation of the text.”

Miller, who adapted Homer, does worry about the possibility of betraying the texts. But as she was working on Circe, she says, “I came to the understanding that I can’t hurt Homer. He’s fine. Whatever I do, that’s just my response to him. But the original text will be just fine.”

(2) DEAMERICANIZING THE HUGOS. Australian writer T.R. Napper wants to broaden the meaning of diversity: “The Hugos: Putting the World into WorldCon”.

It’s time to put the world into WorldCon. Time to include geography and national culture in the definition of diversity. Past time.

This here is just a discussion in good faith. Remember those? There’s no outrage; no political side. All I’m saying is this: historically, the winner of the Hugo for best novel has been from the US, 82% of the time. If we take just the past five years (2014 – 2018) Americans have been nominated 90% of the time (27/30) and won 90% (the latter number comes from Ken Liu (as translator) sharing the award with Cixin Liu for The Three-Body Problem). For the Nebulas – while not related to WorldCon directly, still reflective of what is happening in the genre – the picture is worse: US writers have been nominated 91% of the time (30/34) and won 100%….

Of course, right in the sweet spot of Napper’s 5-year sample are three years deeply affected by Sad/Rabid Puppy slate voting. Diversity of all kinds suffered in those years. What happens if I go back and pick my own sample – say, the year 2010? The Worldcon was in Australia, and the five Best Novel nominees included two Canadians and a Brit – 60% — leaving Americans at only 40%. Or 2009 when it was in Montreal – the five nominees included two Brits – 40% — and Americans were 60%.

And are people really expected to stop thinking that diversity looks like N.K. Jemisin’s three-year run, an unmatched achievement, and dismiss it as just another bunch of Hugos predictably won by an American writer?

The remainder of Napper’s post is a suggested reading list of international novels, a positive contribution, and always in order.

Unfortunately, the next part of being constructive is putting up a list of potential novels and short stories to read. This is why outrage is so much easier than informed discussion: it doesn’t come with so much fucking homework.

But I’ve done my homework. I’ve talked to editors and writers from Australia, Zimbabwe, the UK, New Zealand, Singapore, and – yes – the United States. And I’ve come up with a list. It’s not a comprehensive one. I don’t have that sort of time, and I wouldn’t want it to be. A comprehensive list would be so eye-rollingly long the reader would have no idea where to start. And any such claim to completeness would be immediately debunked. I’m not aiming for perfection or quantity.

Also note that none of these are my nominations (yet). I will add my own to the list over the next few weeks as I get my reading done. I have two I’d like to include from my reading as Aurealis judge, though unfortunately I cannot divulge those until the awards are announced.

All these caveats aside, I present to you a flawed and partial list of stories that entirely reasonable humans from all across the world have recommended. Which is about as good as it gets…

(3) EX NIHILIS. Popular Science explains “Zero is just 1,500 years old. Before it, there was nothing.”

Accounting is an ancient profession. Sumer, the earliest known Mesopotamian civilization, had a positional numbering system, so there was no need for placeholders. A subsequent empire, Babylon, had different demands, so its number-crunching class used two empty wedges to represent a sum like 507. Across the world, the Mayan civilization came up with its own solution to a similar problem, placing a shell where modern mathematicians might place a 0. Some experts argue these wedges are ground zero, to borrow a phrase, but most academics attribute the invention of zero as a number—not as a warm body but a symbol in its own right, one that can be used in equations—to India.

(4) GENTLEMEN, BE SEATED. Now that Camestros Felapton has excused himself from the Hugo race, he knows it’s safe to resume writing hilarious stuff like “Other Revised Canon Aspects of Poo”, which would have increased his risks of winning one. Where are we going with this? Well, here’s the premise, with his second example

The other day J.K.Rowling’s Pottermore revealed that Hogwarts was originally built without toilets because wizards just pooped anyway and then magicked it away. Below are other poo related details about other franchises that you might not know….

Star Wars: there are no bathrooms in Star Wars but there are small toilet robots who follow you around waiting for you to do your business and clean it up. That’s what those little boxy droids are.

(5) EINSTEIN OBIT. The actor known as Super Dave Osborne died January 2. Mark Evanier paid tribute in “Bob Einstein, R.I.P.”

[His work included a] long run as the self-immolating daredevil Super Dave Osborne. You never knew what daring feat Super Dave would attempt; only that at the end of it, he would meet some fate previously met by Wile E. Coyote.

GIMBEL OBIT. Lyricist Norman Gimbel died December 19. His Washington Post obit, “Norman Gimbel, Oscar-winning lyricist of ‘Happy Days’ theme and ‘Girl From Ipanema,’ dies at 91”, notes that “The Girl from Ipanema” was written for a science fiction musical in Brazil, to answer the musical question “Why is an alien hanging around in Brazil?” Gimbel also wrote the lyrics for the 1970s Wonder Woman theme.  

(6) TODAY IN HISTORY.

  • January 5, 1950The Flying Saucer opened in theaters.
  • January 5, 1951Two Lost Worlds premiered…with dinosaurs in Australia.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 5, 1914 George Reeves. Best known for his role as the title role in The Adventures of Superman and several associated films. I remember the show fondly from much later syndication and thought that both the acting and stories were well done. He also played the lead role in The Adventures of Sir Galahad and was Mike Patton in The Jungle Goddess. He was in a fair number of series as well but I can’t determine if any of them were genre.  (Died 1959.)
  • Born January 5, 1929Russ Manning. An artist  who created and drew the Gold Key comic book character Magnus: Robot Fighter; who drew the Tarzan comic book from 1965 – 1969 and the Tarzan newspaper comic strip from 1967 – 1972; and the Star Wars newspaper strip from 1979 – 1980. (Credit to Bill here at File 770 for this Birthday.) (Died 1981.)
  • Born January 5, 1941 Hayao Miyazaki, 78. A masterful storyteller who chose animation as his medium. He co-founded Studio Ghibli in 1985 and has directed some of the best loved films of all time. His films include the Oscar winning film Spirited Away, My Neighbor Tortoro, and adapting the classic novel Howl’s Moving Castle by Diana Wynne Jones for the big screen. (Thanks to Matt Russell for this Birthday.)
  • Born January 5, 1959Clancy Brown, 60. I first encountered him as the voice of Lex Luthor In the DC animated universe. All of his voice roles are far too extensive to list here, but I’ll single out his work as Savage Opress, Count Dooku’s new apprentice and Darth Maul’s brother, in Star Wars: The Clone Wars.  Very selected live roles include Rawhide in The Adventures of Buckaroo Banzai Across the 8th Dimension, The Kurgan In Highlander, Sheriff Gus Gilbert in Pet Sematary Two, Captain Byron Hadley in The Shawshank Redemption, Sgt. Charles Zim In Starship Troopers and, one of favorite weird series, Brother Justin Crowe in Carnivàle.
  • Born January 5, 1978 January Jones, 41. Emma Frost In X-Men: First Class is her only film role to dates but earlier when searching the net I did find her in The Last Man on Earth which is, and I quote, “an American post-apocalyptic comedy television series.”  Anyone seen this? 
  • Born January 5, 1978 Seanan McGuire, 41. Ahhhh one of my favorite writers. I just finished listening to The Girl in the Green Silk Gown which was quite excellent and earlier I’d read her Chaos Choreography, both of her Indexing books which are beyond amazing and, God what else?, the Wayward Children series which I’ve mixed feelings about. I did read at a few of the first October Daye novels but they didn’t tickle my fancy. I’ve not read her Mira Grant work so do advise on how it is. 

(8) COMICS SECTION.

(9) BORG LICENSE REVOKED. A Canadian Star Trek fan is going to court after the government insurance company revoked his “ASIMIL8” license plate, that he got because he likes the Borg, and had a frame that added the tag “Resistance is Futile.” The term was considered insulting to First Nations people, who have often been asked to assimilate to settler culture. The Edmonton Journal has the story — “’Obviously inappropriate:’ Insurer says ASIMIL8 plate shouldn’t have been issued”.

In a recently filed legal brief, Troller explained that he drove around with the plate for nearly two years and no one complained. He renewed it with MPI in 2016 without issue.

An Ontario woman posted a photo of the licence plate on Facebook on April 22, 2017. Court filings show a transcript of a call she made to MPI in which she said the plate was offensive because of the history of government assimilation policies.

Not all plate requests go sailing through:

The documents include a 47-page list of licence plates that were denied by MPI. They include BITE ME, VINO, MMMBEER, SKODEN, HYZNBRG, HOLYCOW, PWALKER and 50 GREY.

A man in Nova Scotia has also gone to court over a personalized licence plate. Lorne Grabher has been trying to reinstate his “GRABHER” plate since it was revoked in 2016 by the Registrar of Motor Vehicles following an anonymous complaint.

(10) DOWNWIND FROM HOLLYWOOD. Just became aware of this fine blog entry published last year by Kip W: “Classical Gas”. Examples at the link.

The Disney corporation, ever sensitive to the winds of change, and (since at least the 1950s) ever willing to recut their old products up for present-day sensibilities, determined to get out on the cutting edge of kid appeal by folding flatulence humor into their classic releases. Leaked memo from 2008 reveals some of the specific ideas explored…

(11) IT’S A STING. Jalopnik: “You Can Buy All Four Bumblebee Camaros From Transformers, but They’re Not Street Legal”.

Perhaps you’ve seen a Transformers movie, or two, or six, in the past 11 years. (Google says there are six now.) Perhaps you’ve liked them, even, to the point that you’ve dreamed of one day owning the sporty, automatic stunt cars that turn into robots on the big screen. Now’s your chance to own four.

There’s one big catch, though: All four of the vehicles will come with a scrap title and none of them will be street legal. There go your carpool plans for the next Transformers movie premiere. Darn.

Barrett-Jackson is auctioning off four Transformers movie cars as a package deal in Scottsdale, Arizona later this month—all four of them black-and-yellow Chevrolet Camaros representing the robot character Bumblebee, who (which?) recently starred in an unnecessarily sexy movie of his (its?) namesake. Money from the Camaros’ auction will go to charity, and the person who wins will get a 2010 model from the first and second movies, a 2010 model from the third movie, a 2013 model from the fourth movie and a 2016 one from the fifth movie

(12) IS THIS WHAT SCIENCE IS FOR? Here’s another thing that’s coming – “Buttered Popcorn Oreos Are in the Works, and TBH, I Don’t Know What to Feel”.

We’re less than a week into the new year, and we already have a handful of new Oreo flavors to fuel us through 2019. As if the news of flavors like Carrot Cake and Dark Chocolate haven’t been enough to pique your interest, perhaps the rumors of Oreo’s latest out-of-the-box offering, Buttered Popcorn, will do the trick.

(13) HOW’S THEIR SFF SECTION? [Item by Mike Kennedy.] The National Geographic website seems pretty certain that, “This is the world’s most beautiful bookstore.” Given that it was converted from a rather splendid theater, the Ateneo Grand Splendid bookstore certainly had a leg up in achieving that appellation.

On a bustling commercial street in the fashionable Recoleta neighborhood of Buenos AiresArgentina, you can visit a serene temple of books. The lighting is soft, with accents that showcase the best in early 20th-century craftsmanship. Conversations are hushed, as if in a grand library, yet the space is so warm and welcoming that the raised café at the back of the cavernous room is filled with patrons reading and sipping cappuccinos and chocolate submarinos.

You’ve entered the Ateneo Grand Splendid bookstore, which blogs and guidebooks often dub “the world’s most beautiful bookstore.” They may not be wrong. The sprawling shop is housed in a beautifully preserved antique theater. Only instead of tango dancers and singers, the stars are now the printed word.

(14) VIDEO OF THE DAY. The Onion knows many claim success using other ways — but this really works: “Increase Your Cognitive Ability By Reading A Fucking Book For Once”.

[Thanks to Chip Hitchcock, Carl Slaughter, Olav Rokne, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Joel Zakem, Mike Kennedy, and Andrew for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]