Pixel Scroll 11/20/21 Down Slupps The Pixel-Ma-Phone To Your Ear

(1) NAVIGATING LITERATURE. The Huntington Library’s “Mapping Fiction” exhibit will run January 15-May 2. The Pasadena, CA institution timed the event to coincide with the centennial of the publication of James Joyce’s groundbreaking 1922 modernist novel, Ulysses. Maps from J.R.R. Tolkien, Octavia Butler and other creators will also be displayed.

Octavia E. Butler, Map of Acorn from notes for Parable of the Talents, ca. 1994. (Detail)

“Mapping Fiction” is an exhibition focused on the ways authors and mapmakers have built compelling fictional worlds.

Drawn entirely from The Huntington’s collections, “Mapping Fiction” includes a first edition of Joyce’s novel and a typescript draft of one of its chapters, cartographically inspired intaglio prints of Dublin as described in the book, other mappings of the novel and the famous texts to which it alludes, and materials related to the annual celebration of Bloomsday in Dublin on June 16—the single day in 1904 during which the novel takes place.

About 70 items will be on view, focused on novels and maps from the 16th through the 20th century—largely early editions of books that include elaborate maps of imaginary worlds. Among the highlights are Lewis Carroll’s 1876 edition of The Hunting of the Snark, Robert Louis Stevenson’s maps from Treasure Island and Kidnapped, J. R. R. Tolkien’s map from the trilogy The Lord of the Rings, and science fiction writer Octavia E. Butler’s hand-drawn maps from notes for Parable of the Talents (1998) and her unpublished novel Parable of the Trickster. In addition to Butler’s archives, the show draws on The Huntington’s archival collections of Jack and Charmian London, Christopher Isherwood, and others, as well as the institution’s rich print holdings in travel narratives, English literature, and the history of science.

There will be related events, including this Butler-themed tour of Pasadena.

Revisiting Octavia E. Butler’s Pasadena
March 19 and April 23, 2022
2–3:30 p.m.
In conjunction with “Mapping Fiction,” The Huntington has produced a map of Octavia E. Butler’s Pasadena. Visitors can take a self-guided walking or driving tour of the locations around Pasadena where Butler lived, visited, and often found inspiration. Tour maps will be available online and in the “Mapping Fiction” exhibition gallery. On two Saturdays this spring, Ayana Jamieson, founder of the Octavia E. Butler Legacy Network, will lead a moderated conversation about our desire to locate Butler’s Pasadena. Registration information and locations to come.

(2) TALKING TOONS. [Item by Martin Morse Wooster.] I listened to this podcast by Leonard Maltin with cartoon historians Jerry Beck and Mark Evanier — Maltin on Movies: “Talking Toons with Jerry Beck and Mark Evanier”. Jessie Maltin wasn’t on the podcast because she just gave birth to Maltin’s first grandchild.  (Playing with his granddaughter, Maltin joked, was “more fun than television!”

All three men are Boomers whose love of cartoons went back to when they were kids and Channel 9 in New York City and Channel 11 in Los Angeles would show anything (remember Colonel Bleep? They do.)  They have deep knowledge of animation history.  Did you know that the first Peanuts cartoons were done for the Tennessee Ernie Ford show?  Or that when The Bugs Bunny Show aired in prime time for two seasons on ABC in the early 1960s it had all sorts of original footage, including work by Chuck Jones and Bob McKimson, that no one has seen in 50 years?)

Jerry Beck is involved with the international animation association ACIFA, and discussed his efforts at cartoon preservation.  He noted that Paramount, unlike Disney and Warner Bros., doesn’t think they can make money from old cartoons.  ACIFA is working with the UCLA and Library of Congress archives to preserve significant work by Terrytoons and Max Fleischer that only exist in flammable negatives.  ACIFA also helped restore a 16-minute Smell-O-Vision cartoon (with voice work by Bert Lahr) that was shown before the smelly The Scent Of Mystery.

The best find in previously lost cartoons was when Maltin’s classic Of Mice And Magic was translated into Russian, and Russian cartoon fans reported they discovered the last lost Betty Boop cartoon, featuring Boop’s nephew, Buzzy Boop.  The cartoon is currently being restored.

This was a fun hour.

(3) ERASMUSCON. There’s a Dutch bid for Eurocon 2024. They propose to hold the con in Rotterdam in August 2024. They are taking presupports:

Become a supporter of the bid for €25,-
or a Friend of the bid for €100,-

(4) BIG SIX. Nerds of a Feather’s Paul Weimer gets recommendations in “6 Books with Marjorie B. Kellogg”, who’s the author of Lear’s Daughters, Harmony, and The Dragon Quartet series.

4. A book that you love and wish that you yourself had written.

The Left Hand of Darkness, by Ursula LeGuin. 

This book I have reread, more than once, and still find moving and magical. Her portrayal of an alien civilization is so deeply drawn, so compassionate, so non-comic-booky, and yet so relevant and relatable to our own Earth-bound issues and selves. It’s what Science Fiction can do like no other genre.

(5) TALKIN’ ABOUT MY REGENERATION. Jessica Holmes tries to figure out who this confused fellow is who sees Doctor Who’s face in his mirror…in 1966. That year isn’t a trick of the TARDIS — it’s today’s date at Galactic Journey! “[November 20 1966] Doctor…Who? (Doctor Who: The Power Of The Daleks [Part 1])”

It was with a mix of curiosity and trepidation that I tuned into Doctor Who this month. The character we know and love has vanished forever, and in his place is a stranger– A stranger who calls himself the Doctor. But is it really the same man? Once again, we have to ask the essential question that the programme was founded on. Doctor…who?

(6) I’M FEELING BETTER. James Davis Nicoll is in tune with “I Will Survive: Five Stories About Living to See Another Day” at Tor.com.

This year Canadian Thanksgiving was celebrated on October 11th. American Thanksgiving will fall on November 25th. In both cases, they are glorious feasts celebrating the end of harvest season. However, the first European Thanksgiving in the New World may have been Martin Frobisher’s on May 27th, 1578. As you might guess from the date, Frobisher and his crew were not giving thanks for a bountiful harvest. They were grateful to have survived their latest quest for the Northwest Passage. And isn’t simple survival something for which to be grateful?

The characters in the following five works would no doubt agree that while survival has its challenges, it is far superior to the alternative….

(7) TUNE IN. “Pee-Wee Herman to Host Radio Show on KCRW” reports Variety.

The short version is that legendary star of the screen Pee-Wee Herman will launch a radio show on KCRW, the popular National Public Radio station based in Santa Monica, Calif., and will be accompanied by his pals Chairry, Magic Screen and Miss Yvonne. A rep for the station tells Variety that for now, it will be just one show on Nov. 26 at 6 p.m. PT (and available on demand for one week after airing), but who knows?

(8) LEFLEUR OBIT. Actor Art LaFleur died at the age of 78 on November 17 reports Deadline. The character actor had many genre roles in his resume: Jekyll and Hyde . . . Together Again, The Invisible Woman, WarGames, Trancers and Trancers II, Zone Troopers, The Blob (1988), Field of Dreams (he’s the one who tells Moonlight Graham “Don’t wink, kid”), Forever Young, The Santa Clause 2 and The Santa Clause 3: The Escape Clause (as the “Tooth Fairy”), Speed Racer.  On TV, LaFleur appeared in episodes of The Incredible Hulk, Wizards and Warriors, Tales from the Crypt, Space Rangers, Strange Luck, A.J.’s Time Travelers, Angel and Night Stalker (2005).

(9) MEDIA BIRTHDAY.

1964 — Fifty-seven years ago, the second adaptation of H.G. Wells’ First Men in the Moon was released into theatres, this one complete with the superb special effects of Ray Harryhausen. The first time it was adapted was a 1919 British black-and-white silent film version, directed by Bruce Gordon and J. L. V. Leigh. (It is currently lost with film prints known to exist.) This screenplay was by Nigel Kneale and Jan Read. The primary cast was Edward Judd, Martha Hyer and Lionel Jeffries.

I have no idea what it cost as that’s not recorded but it only made one point three million. Most critics liked with Variety saying that “Ray Harryhausen and his special effects men have another high old time in this piece of science-fiction hokum”, though the New York Times called it “tedious, heavyhanded science-fiction vehicle that arrived yesterday from England”. Audience reviewers at Rotten Tomatoes are currently lukewarm on it giving it a fifty-three percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 20, 1923 Len Moffatt. He’s a member of First Fandom. Len and his second wife June helped organize many of the early Bouchercons for which he and June received a Lifetime Achievement Award from the Bouchercon staff. He was a member of LASFS. He wrote far too many zines to list here. Mike has an excellent look at his memorial here. (Died 2010.)
  • Born November 20, 1923 Nadine Gordimer. South African writer and political activist. Her one genre novel was July’s People which was banned in her native country under both governments. Her three stories are collected in Beethoven Was One-Sixteenth Black and Other Stories. She received the Nobel Prize in Literature, recognized as a writer “who through her magnificent epic writing has been of very great benefit to humanity”. (Died 2014.)
  • Born November 20, 1926 John Gardner. Author of more Bond novels than one would think possible. He’d write fourteen original James Bond novels, more than Fleming wrote, and the novelized versions of two Bond films, License to Kill and GoldenEye. He’d also dip into the Sherlock universe, writing three novels around the character of Professor Moriarty. Rights to film them were optioned but never developed due to a lack of funding. (Died 2007.)
  • Born November 20, 1929 Jerry Hardin, 92. He’s best known for playing Deep Throat on The X-Files. He’s also been on Quantum LeapStarmanBrimstone and Strange World, plus he was in the Doomsday Virus miniseries. And he made a rather good Samuel Clemens in the two part “Time’s Arrow” story on Next Gen
  • Born November 20, 1932 Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure his making this list, and twenty years earlier he was Joey on Munster, Go Home! He’d voice Long John Silver on an animated Treasure Island film in the Seventies. And he had a one-off on the classic Fantasy Island as well. (Died 2012.)
  • Born November 20, 1944 Molly Gloss, 77. Her novel Wild Life won the 2000 James Tiptree, Jr. Award. She has two more SF novels, The Dazzle of Day and Outside the Gates. Her “Lambing season” short story was nominated for a Hugo at Torcon 3, and “The Grinnell Method” won a Sturgeon. 
  • Born November 20, 1956 Bo Derek, 65. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as well as the two Sharknado films she just did. A friend of Ray Bradbury, she was the presenter when Kirk Douglas received the 2012 Ray Bradbury Creativity Award.
  • Born November 20, 1959 Sean Young, 62. Rachael and her clone in the original Blade Runner and the sequel. More intriguingly she played Chani in the original Dune which I’d completely forgotten. A bit old for the role, wasn’t she? She was the lead, Helen Hyde, in Dr. Jekyll and Ms. Hyde. And she’s a Trekkie as she was in the Star Trek: Renegades video fanfic pilot as Dr. Lucien. But who isn’t? 

(11) COMICS SECTION.

  • Shoe has a little wizardry joke.
  • The Flying McCoys depicts a super embarrassment.
  • I was today years old when I discovered Bogart Creek.

(12) A BOOKTUBE PODCAST. Cora Buhlert’s latest Fancast Spotlight interviews Robin Rose Graves of The Book Wormhole:“Fancast Spotlight: The Book Wormhole”.

Tell us about your podcast or channel.

The Book Wormhole is a monthly updating BookTube channel where I provide spoiler free reviews and discussions of the books I read. Science Fiction makes up the majority of what I cover on the channel, and while I lean more towards female, POC and/or LGBT authors, I read both classics as well as contemporary releases. I balance popular books with indie and underrated titles. I promise there will be at least one book you’ve never heard of before on my channel.

(13) EIGHTIES HIT POINT PARADE. Meaghan Ball recalls three D&D Choose Your Own Adventure-style fantasy romance novels from days gone by: “Roll for Romance: The Forgotten D&D Romance Novels of 1983” at Tor.com.

… Seeking a way to get more young women involved in the roleplaying game (despite the fact that girls have been playing since the beginning, but that’s another story entirely), Dungeons & Dragons also branched out and commissioned a series of Choose Your Own Adventure-style romance novels. Since you probably haven’t heard of them, you can rightly assume they didn’t set the publishing world on fire—but they are fascinating relics, especially for fans of D&D and/or ’80s romance novels…. 

(14) BIG WINNER. Lela E. Buis covers Amazon’s sf book of 2021 and a Dragon Award winner: “Review of Project Hail Mary by Andy Weir”.

…Weir fuels a constantly rising action line with various emergencies that go wrong and have to be solved by the application of science and engineering expertise. This is brilliantly plotted; the ship and the characters are well developed, and the science is well-research and applied….

(15) A BOOK WITH CHARACTER(S). Paul Weimer tells what makes this humorous sff book work in “Microreview [book]: Obviously, Aliens by Jennie Goloboy” at Nerds of a Feather.

…The novel also has a lot of heart. It treats its characters, even the ostensible antagonists, rather gently and with love and respect. You will get to know Dana, Adam, Jay, Sophie and the rest and get to know them, road trip style. (If this book were ever turned into an audiobook, this novel would be really fun to listen to on a driving adventure). Sure, the characters go through all sorts of disasters, reversals, and “can you believe THIS?”  but it is a very lighthearted tone….

(16) FORWARD PROGRESS. There’s a new form of space propulsion that could change the satellite and space probe game. From Nature’s “News & Views” overview: “Iodine powers low-cost engines for satellites”.

Satellites organized in flexible networks known as constellations are more agile and resilient than are those operating alone. Manoeuvring satellites into such constellations requires inexpensive, reliable and efficient engines. Many networked satellites have electric propulsion thrusters, which generate thrust by using electrical energy to accelerate the ions of a propellant gas. However, the choice of gas presents a problem. Ionizing xenon requires a relatively small amount of energy, but xenon gas is expensive and needs to be compressed in high-pressure tanks to fit on board a satellite. Krypton is cheaper, but still requires a complex and heavy gas-storage and -supply system. …Rafalskyi et al. report a successful demonstration of an iodine-ion thruster in space — offering a cheaper and simpler alternative to xenon or krypton…

Research paper here (Open access).

(17) HEARTWARMING AND OTHERWISE. “10 Weirdest Charlie Brown Parodies Of All Time”is a roundup of YouTube videos at Yahoo!

This special, along with the Halloween and Christmas productions featuring Charles M. Schulz’s beloved Peanuts characters, have become staples of pop culture. They also inspired a genre of parody productions that frequently reconfigure Charlie Brown, Linus, Lucy and the others in ways that Schultz would never have imagined, let alone condoned.

For those with a warped sense of humor and no squeamishness over occasional deep-dives into NSFW entertainment, here are the 10 weirdest Charlie Brown parodies that you’ll be able to find online.

“Bring Me the Head of Charlie Brown.” One of the earliest works by Jim Reardon of “The Simpsons” fame was this 1986 cartoon made during his studies at the California Institute of Arts. Reardon spoofs Sam Peckinpah’s “Bring Me the Head of Alfredo Garcia” in a comically violent tale that shows Charlie Brown being ruthlessly hunted by his many antagonists before he gets his revenge in a massive shootout….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Marvel’s Guardians of the Galaxy,” Fandom Games says this game answers the question, “What if Cowboy Bebop was written by Joss Whedon?” and its premise is “you love these characters so much you’d pay $60 to have them talk for 15-20 hours.”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Six Posthumous Recipients to Receive 2021 Bill Finger Award

Comic-Con has named six writers who have contributed greatly to the history of comics to receive the 2021 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer/historian Mark Evanier, was announced June 30.

“Since we are not yet in a position to honor a writer who is still with us in a proper ceremony, we’re going to a long list of comic book writers from the past who we feel did not receive sufficient recognition or reward for their contributions to the field. As with last year, we have selected six posthumous awards and no ‘alive’ award,” Evanier explained. “Each of these six writers left us with a body of work that the judges deem worthy of this honor.”

This year’s recipient list includes two of the most prolific writers to ever work in comics—and there are several others who have received or may soon receive this award who unquestionably count among the most prolific ever. The Finger Award committee takes no position as to which of them was the most prolific. Such a determination might require records that no longer exist (or never existed), as well as distinguishing between writing the most stories and writing the most pages. “All of these writers deserve recognition,” Evanier remarked. He added, “Everyone should remember that it’s tough to determine precise totals when you’re recognizing writers who did not receive credit for most of their work or, in some cases, didn’t receive any credit at all.”

The Bill Finger Award was created in 2005 at the instigation of Finger’s friend and colleague, Jerry Robinson, who felt that Finger had received way too little credit and compensation for his work in comics, especially regarding Batman and that character’s supporting cast and mythos. As Evanier explains, “Though Bill Finger now receives a lot more recognition than he received in his lifetime, there are still so many who have not, and that’s why we keep giving out these awards.” Here are this year’s recipients, in alphabetical order.

In addition to Evanier, the Finger Award selection committee consists of Charles Kochman (executive editor at Harry N. Abrams, book publisher), comic book writer Kurt Busiek, artist/historian Jim Amash, cartoonist Scott Shaw!, and writer/editor Marv Wolfman.

This year’s recipients are, in alphabetical order:

Robert Bernstein (1919–1988)

A former high school English teacher, Robert Bernstein began writing comic books around 1945, working for, among other companies, Fox, Hillman, Harvey, and Spark, though his longest association then was with Lev Gleason. There, he joined the ranks of ghostwriters for Charles Biro on the top-selling Crime Does Not Pay and similar comics. In the 1950s, Bernstein wrote war, western, and horror scripts for Atlas (later known as Marvel) and for EC Comics, where his scripts appeared in Valor, Impact ,and M.D., among others. He is also said to have written the entirety of the short-lived EC series Psychoanalysis and to have patterned one of its recurring characters, Mark Stone, on himself and his own experiences undergoing analysis. His major account during the fifties, though, was DC Comics, where between 1952 and 1968 he wrote countless stories featuring Superman, Superboy, Supergirl, Jimmy Olsen, Lois Lane, Aquaman, Green Arrow, Congo Bill, and Congorilla as well as scripts for all of the company’s war and romance titles. In the 1960s, he also wrote Iron Man, Thor, and The Human Torch stories for Marvel under the name “R. Berns,” and without credit he wrote The Fly, The Jaguar, The Shadow, and other books for the Archie line. Throughout most of his career, he was also functioning as an impresario, arranging and promoting concerts in Long Island, New York (his longtime residence) and around the state. In 1968, he curtailed his comic book writing to focus on the music; he died in 1988.

Audrey “Toni” Blum (1918–1973)

Audrey “Toni” Blum was very likely the first female comic book writer/creator. The daughter of artist Alex Blum, she worked under an array of pen names—or with no credits at all—so it is difficult to determine her first work. It may have been in 1936–1937 on “The Vikings,” published in New Comics (later Adventure Comics) for DC. Whatever the date of her entry into the field, it made her one of the few women creating comic book material who wasn’t lettering or coloring. She began working for the Eisner-Iger shop in 1938 and wrote stories in a wide variety of genres, usually directly with Eisner and the artists who drew her stories. Some of this writing was done in what later became known as “The Marvel Method” and some was done as complete scripts. Her best-known work was for Quality Comics, where she wrote Black Condor, The Ray, Dollman, and Uncle Sam. She also reportedly wrote scripts for the “The Spirit” and “Lady Luck” Sunday newspaper comic book inserts Eisner produced. During World War II, she married shop artist Bill Bossert, and she largely retired from comic book writing when the War ended. Thereafter, she authored children’s books, and some sources say she wrote stories drawn by her father for Gilberton’s Classics Illustrated series. She passed away in 2020.

Vic Lockman (1927­–2017)

Born into a vaudeville family (his father was the aptly named escape artist Earl Lockman), Vic Lockman broke into comics in 1950 as a letterer for the Dell Comics created by Western Publishing. He worked briefly in editorial for Western but soon moved into freelancing. While he occasionally pencilled, lettered, and/or inked comics for Dell, his main output for the next 29 years was as a writer, producing more stories for the firm’s “funny animal” comics than any other freelancer. During his most prolific period (1955–1984), he claimed to have written one story per day. Some were one-pagers or puzzle pages, a few were book-length, but most were 4 to 8 pages, submitted in “sketch” format with rough drawings and all of the copy handwritten. Western’s editors did not buy every submission, and some of what they passed on was purchased by the Disney Studios for its foreign comics program that created comics not published in America. That and interviews with his editors made credible Lockman’s claim of having sold more than 7,000 scripts. His work appeared in Donald Duck, Mickey Mouse, Uncle Scrooge, Goofy, and all the Disney comics produced by Western, along with tales of Bugs Bunny, Daffy Duck, Tweety & Sylvester, Woody Woodpecker, Andy Panda, and dozens more. He was said to have created the Disney comic book character Moby Duck and to have developed and written The Wacky Adventures of Cracky. Lockman also wrote Terrytoons comics such as Mighty Mouse for St. John Publishing and Dennis the Menace comics for Hank Ketcham, but his most passionate work was for the Christian marketplace, where he published dozens of books and tracts, most of them featuring his writing and drawing on religion and controversial topics of the day. Lockman left this world in 2017.

Robert Morales (1958–2013)

Born in New York City and of Afro-Puerto Rican descent, Morales broke into writing for magazines such as Heavy Metal and Publishers Weekly. Moving into the world of entertainment journalism, he worked as executive editor of the music and pop culture magazine Reflex and at Quincy Jones’s Vibe magazine, where he gave greater exposure to the work of cartoonists such as Chris Ware, Jaime and Gilbert Hernandez, Jeff Smith, and Kyle Baker. Morales and Baker collaborated on several projects, including perhaps Morales’s best-known work in comics, the groundbreaking seven-issue miniseries for Marvel Truth: Red, White & Black. Published in 2003, it introduced the African American character Isaiah Bradley. Using World War II and the Tuskegee medical atrocities as their canvas, Morales and Baker crafted a stark tale that explored America’s history of racial injustice and medical experimentation on African Americans. The story revealed that Bradley was the first successful recipient of the super-soldier serum, which would later transform serviceman Steve Rogers into Captain America, and established Bradley as the first Captain America. Most recently, a version of the character appeared in the 2021 television series The Falcon and the Winter Soldier, raising awareness for Morales and his work that is long overdue. Morales would go on to write a celebrated run of the monthly Captain America series for Marvel in 2004. He passed away unexpectedly on April 18, 2013, at the age of 54.

Paul S. Newman (1924–1999)

Hailed in the Guinness Book of World Records as the all-time most prolific comic book writer, Paul S. Newman is credited with more than 4,100 published stories totaling approximately 36,000 pages. His earliest credit seems to have been in 1947 for DC’s teen comic A Date With Judy. Within months, though, he was selling scripts to Avon Comics, the American Comics Group, Fawcett Comics, Timely (Marvel), Hillman, Fiction House, and many others. His longest runs were writing The Lone Ranger and Turok, Son of Stone for Western Publishing in tandem with Dell Comics. In fact, when Western and Dell severed their partnership and split into two separate lines of comics in 1962, Newman was among the few contributors to then work for both houses. A very partial list of the comics he wrote would include Doctor Solar, The Man from U.N.C.L.E., Plastic Man, Prince Valiant, Smokey the Bear, The Sub-Mariner, Mighty Mouse, I Love Lucy, Gunsmoke, Hopalong Cassidy, Kid Colt, Fat Albert, Gene Autry, The Twilight Zone, Jungle Jim, Leave It to Beaver, Captain Video, Yosemite Sam, Patsy Walker, Zorro, Nancy and Sluggo, and Mr. Ed, plus almost every anthology title published by Atlas/Marvel during the fifties or Western during the following three decades. All of this was in addition to dozens of young adult novels written for Western Publishing, movie scripts, and the newspaper strips of Robin Malone, Smokey the Bear, The Lone Ranger, Laugh-In, and Tom Corbett, Space Cadet. Paul S. Newman passed away in 1999.

Robert “Bob” White (1928–2005)

Bob White was the creator, writer, and artist of Archie Comics’ Cosmo the Merry Martian humorous sci-fi series. Between 1954 and 1968, he worked prolifically as a penciller/inker and sometimes writer on many Archie-related titles, including Archie and Me, Archie as Pureheart the Powerful, Archie’s Jokebook, Archie’s Madhouse, Archie’s Mechanics, Betty and Veronica, Jughead, Reggie and Me, and of course, just plain Archie. His most acclaimed work for the company was probably his stint on Archie and Me, writing and drawing many of the action/adventure-ish full-length stories for the title’s early issues, as well as plenty of memorable covers. He also wrote stories about The Shield, Black Hood, and The Web for Archie’s 1960s superhero line, Mighty Comics. His stint with the company came to an end in 1968 because, he said, he was found to be “moonlighting” on Tippy Teen for rival Tower Comics. White was so discouraged by this that he opted to leave the comic book industry altogether and switch careers. He labored in the emerging field of computer programming for the remainder of his working days and passed away in 2005.

[Based on a press release.]

Pixel Scroll 5/22/21 In Odin Days, A Glimpse Of Stalking

(1) THE MARS MY DESTINATION. “China’s Zhurong Mars rover kicks off roving mission after driving off landing platform”Global Times has the story.

Named after an ancient fire god of Chinese mythology, the 1.85-meter-tall and some 240-kilogram Zhurong Mars rover safely drove off the landing platform and reached the surface of Mars at 10: 40 am on Saturday, kicking off its roving mission, the Global Times learned from the China National Space Administration (CNSA).

China has become the second country in the world to successfully deploy a robotic rover onto the surface of Mars, breaking up US’ monopoly in the field, Chinese space analysts hailed.

The rover will carry out environmental perception and scientific detection in the patrol area as planned. At the same time, the orbiter will operate in the relay orbit to provide stable relay communication for the rover’s patrol and exploration. The orbiter is serving as a data relay station for communications between Zhurong and mission controllers on Earth.

(2) HERE WOLF, THERE HASSLE. The question of what an author would want done with a work like this by his estate is always interesting: “John Steinbeck’s estate urged to let the world read his shunned werewolf novel” in The Guardian.

Years before becoming one of America’s most celebrated authors, John Steinbeck wrote at least three novels which were never published. Two of them were destroyed by the young writer as he struggled to make his name, but a third – a full-length mystery werewolf story entitled Murder at Full Moon – has survived unseen in an archive ever since being rejected for publication in 1930.

Now a British academic is calling for the Steinbeck estate to finally allow the publication of the work, written almost a decade before masterpieces such as The Grapes of Wrath, his epic about the Great Depression and the struggles of migrant farm workers.

“There would be a huge public interest in a totally unknown werewolf novel by one of the best-known, most read American writers of the 20th century,” said Professor Gavin Jones, a specialist in American literature at Stanford University…

… But Steinbeck’s literary agents, McIntosh & Otis, told the Observer they would not be publishing the novel. “As Steinbeck wrote Murder at Full Moon under a pseudonym and did not choose to publish the work during his lifetime, we uphold what Steinbeck had wanted,” they said. “As the estate’s agents, we do not further exploit the works beyond what had been the author and estate’s wishes.”

(3) TAKE THE CASH AND LET THE REDDIT GO. “Wanda Sells AMC Theatres Stake For $426 Million”The Hollywood Reporter sums up the transaction.

Chinese conglomerate Wanda Group has sold off essentially its entire stake in AMC Theatres, officially exiting the U.S. theatrical exhibition business.

Wanda has had a controlling stake in the exhibition giant since 2012, but January’s Reddit-fueled rally saw the company trade in its super-voting Class B stock for Class A common stock, giving up control but giving it the option to cash out.

And cash out it did. On Friday, AMC disclosed that Wanda sold all but 10,000 shares in the past week, netting $426.7 million. It previously sold three tranches last month for $220 million.

(4) SELF-PUBLISHED FANTASY BLOG-OFF 7. Mark Lawrence starts SPFBO 7 – the Self-Published Fantasy Blog-Off 2021 – PHASE 1 with a full board, titles listed at the link. He shared some statistics about the 300 entrants.

A list of most of the entries is on Goodreads thanks to Hiu Gregg.

From the list I discovered that:

40 entries ~13% have 100+ ratings on Goodreads.

 97 of the entries have 25+ ratings.

 0 of the books were published 10 or more years ago – the oldest is 9 years old.

 0 of the books have more than 1,000 pages. The longest is 986 pages.

 5 of the books have over a 1,000 ratings, the most ratings is 3,769.

(5) SOUVENIR BOOK. If you happened to take in the World’s Fair while you were in New York for the first Worldcon, here is a nifty souvenir book you could have bought, reproduced in full by Past Print: ”New York World’s Fair / Souvenir Book / 1939”.

Donald Deskey’s superb design of this World Fair book must have made it one of the more worthwhile souvenirs amongst the of hundreds cheaply made commercial items. Perhaps the best souvenir of all was the plate (right) designed by Charles Murphy for the Homer Laughlin company, unfortunately I don’t have one.

    Deskey is probably better known as a furniture designer of the streamline era but his graphic work appeared in every household across the land because he designed the Tide soap box with the red, orange and yellow bulls eye and boxes for Oxydol and Cheer. The design for Crest toothpaste was also his.

    The design of this book with 144 (unnumbered) pages still looks fresh today, seventy plus years after they were printed. Large photos and graphics, angled text and the clever use of ten short pages to introduce the various sections work really well and provide enough visual interest to keep turning the pages. I particularly liked these short intro pages that used spot color and cleverly designed to blend into the page underneath. Turning over the cover to reveal a bird’s eye view of the complete Fair with color on the left and mono on the right seems rather unusual design choice though.

(6) FREITAG OBIT. The New York Times commemorates Ruth Freitag (1924-2021), a librarian renowned for her knowledge of science, technology, and astronomy: “Ruth Freitag, Librarian to the Stars, Dies at 96”.

Isaac Asimov was enthralled with her and wrote her a limerick. Carl Sagan and Ann Druyan wrote in their introduction to “Comet” (1985) that “one of the most pleasant experiences in writing this book” was meeting her. Numerous other science writers acknowledged their debts to her in forewords to their books.

Ruth Freitag, a reference librarian at the Library of Congress for nearly a half-century, was unknown to the general public. But she was, in more ways than one, a librarian to the stars.

Known for her encyclopedic knowledge of resources in science and technology, Ms. Freitag (pronounced FRY-tog) was sought out by the leading interpreters of the galaxy. She developed a particular expertise in astronomy early in her career.

Her learnedness became so comprehensive that she opened up new worlds to Mr. Asimov, the pre-eminent popular science writer of his day, and Mr. Sagan, the astronomer who introduced millions of television viewers to the wonders of the universe.

(7) MEDIA ANNIVERSARY.

  • May 22, 2012 — On this day in 2012, Indiana Jones and the Kingdom of the Crystal Skulls premiered. The fourth film in the franchise to date, it was directed by Steven Spielberg and was released nineteen years after the last film. Produced by Frank Marshall from a screenplay by David Koepp off of the story by George Lucas and Jeff Nathanson. And starring Harrison Ford, Cate Blanchett,  Karen Allen,  Ray Winstone, John Hurt, Jim Broadbent and Shia LaBeouf. Despite the myth around it in the net that it was a critical failure, critics overwhelmingly loved it though admittedly the audience reviewers at Rotten Tomatoes give it a mediocre fifty three percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 22, 1813 – Richard Wagner.  His fantasies The Flying Dutchman (“fly” in the sense we still have in “flee”), TannhäuserThe Ring of the Niebelung (four-opera series), Parsifal, are masterworks of music and theater.  Complicated life and opinions less admirable.  (Died 1883) [JH]
  • Born May 22, 1859 — Arthur Conan Doyle. I’ve read all the Holmes stories a long time ago. My favorite is The Hound of the Baskervilles as it allows him to develop a story at length. Favorite video Holmes? Jeremy Brett.  Looking at ISFDB, I’m see there were more Professor Challenger novels than I realized. And the Brigadier Gerard stories sound suspiciously comical… (Died 1930.) (CE) 
  • Born May 22, 1938 — Richard Benjamin, 83. He’s here because he was Adam Quark on the all too short lived Quark series. He also was Joseph Lightman in Witches’ Brew which was based off Fritz Leiber’s Conjure Wife novel (winner of the 1944 Retro-Hugo Award at Dublin 2019) though that’s not credited in the film. And he was in Westworld as Peter Martin. Finally he did a stint on the Ray Bradbury Theatre as Mr. Howard in “Let’s Play Poison” episode. (CE)
  • Born May 22, 1914 – Sun Ra.  In the avant-garde of jazz he played keyboards and sang, led a variously-composed band under names more or less like “The Solar Arkestra”, still performing; recorded dozens of singles and a hundred full-length albums with titles like We Travel the SpacewaysSpace Is the PlaceStrange Celestial Road.  Said he was taken to Saturn in a vision, changing his life and art.  (Died 1993) [JH]
  • Born May 22, 1922 – Bob Leman.  Fanzine, The Vinegar Worm; two pieces in The Best of Fandom 1958.  Fourteen short stories in The Magazine of Fantasy & Science Fiction, one added in collection Feensters in the Lake.  With Gerald Bishop, “Venture Science Fiction Magazine”, a Checklist of the First American Series and the First British Series.  (Died 2006) [JH]
  • Born May 22, 1939 — Paul Winfield. He’s best remembered as Capt. Terrell in The Wrath of Khan, but he was also in the Next Gen episode “Darmok” as the signature character.  He showed up in Damnation Alley as a character named Keegan and in The Terminator as Lt. Ed Traxler. Oh, and let’s not forget that he was Lucien Celine In The Serpent and the Rainbow which surely is genre. (Died 2004.) (CE) 
  • Born May 22, 1943 – Arlene Phillips, age 78.  Dancer, choreographer including the film Annie and the Royal Shakespeare production of A Clockwork Orange, judge for Strictly Come Dancing and the U.K. version of So You Think You Can Dance?  Six Alana, Dancing Star children’s books.  [JH]
  • Born May 22, 1964 — Kat Richardson, 57. Her Greywalker series is one of those affairs that I’m pleased to say that I’ve read every novel that was been published. I’ve not read Blood Orbit, the first in her new series, yet. Has anyone here done so? (CE) 
  • Born May 22, 1968 — Karen Lord, 53. A  Barbadian writer whose first novel, Redemption in Indigo, won the Carl Brandon Parallax Award and Mythopoeic Fantasy Award for Adult Literature for its inventive use of Senegalese folklore. I’d also recommend her The Best of All Possible Worlds novel as it’s as well done as her earlier novel but different and fascinating in its own right. Lord was Toastmistress of Worldcon 75 in 2017. (CE)
  • Born May 22, 1979 — Maggie Q, 42. She portrayed Tori Wu in the film adaptation of Veronica Roth’s novel Divergent, a role she reprised in its sequels, Insurgent and Allegiant. She played a female agent in a comedic version of the Jackie Chan fronted Around the World in 80 Days. And she’s in the recent remake of Fantasy Island that critics hated but was a box office success. On a brighter note, she voices Wonder Woman on the Young Justice series. (CE) 
  • Born May 22, 1979 – Kagami Takaya, age 42.  (Personal name last, Japanese style.)  Nine light novels available in English.  Here is the most recent I know of; see here.  [JH]
  • Born May 22, 1985 – Arwen Mannens, age 36.  Three novels; so far I find them only in Dutch.  Samples of her 2006 and 2021 drawing here.  [JH]

(9) COMICS SECTION.

  • Saturday Morning Breakfast Cereal – the word Carbonite should be enough….

(10) DISNEY PLUS WITCHES. “Bette Midler announces that ‘Hocus Pocus 2’ is happening: ‘We’re back!’” says Yahoo! Entertainment.

Here’s yet another reason why you should always bet on Bette (Midler). Last year, the acting and singing icon confirmed to Yahoo Entertainment that she would “absolutely” be back for Hocus Pocus 2 — the long-rumored sequel to Disney’s 1993 Halloween favorite — alongside her witchy onscreen sisters Kathy Najimy and Sarah Jessica Parker. “As soon as we sign on the dotted line,” Midler promised at the time. 

Flash-forward a few months, and it looks like that dotted line isn’t blank anymore. Hocus Pocus 2 will start production later this year for a 2022 premiere on the Disney+ streaming service. And all three Sanderson sisters promptly confirmed the news on social media. “It’s been 300 years… but we’re BACK!” Midler teased on Instagram. 

(11) GET THE LEAD OUT. Past Print takes you on a visual tour of its collection of “Type tools before the pc”. I remember using a hand-held composing stick in Print Shop back in nineteen-ought-sixty-eight.

(12) NOT LOST, JUST THROWN AWAY. CrimeReads’ Keith Roysdon decided to rewatch the bad final season of LOST. He explains why he thinks it was bad and notes the many mysteries of the show that were never answered: “Coming To Terms With ‘Lost,’ All These Years Later”.

…Like millions of other viewers, I found the series riveting television. I loved the characters and situations and twists. The polar bear. The hatch. The slowly-unfolding story of the Dharma Initiative. And I was never more horrified at a TV plot point than when “the Others” kidnapped young Walt.

The intense reaction the series inspired in me and others backfired, though, when “Lost” ended with a disappointing final season and a two-part finale that didn’t just disappoint but outraged some.

I was so disappointed that, in the 11 years since the finale aired on May 23, 2010, I’ve never revisited it, never rewatched the DVD set that collects dust on a shelf. I’ve never gone back to revisit the cult ABC series on streaming….

It’s not just the failure of the show to answer many of its mysteries that is so off-putting. Remember that scene in the cult movie “The Adventures of Buckaroo Banzai Across the Eighth Dimension” when Jeff Goldblum’s character asks about a watermelon in a complicated piece of machinery and Clancy Brown’s character says, “I’ll tell you later” but then never does? That did not ruin “Buckaroo Banzai” for me.

But “Lost’s” mysteries were so many and some were so largely unanswered….

(13) VIDEO OF THE DAY. Out of the Inkwell: The Fleischer Story is a documentary, narrated by Carl Reiner, about the Fleischer studios which explains why Max and Dave Fleischer were great cartoonists. It first appeared around 1990. Leonard Maltin and Mark Evanier are two of the talking heads.

[Thanks to John King Tarpinian, Cat Eldridge, Lise Andreasen, John Hertz, Mike Kennedy, Will R., Andrew Porter, Brian Z., Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel “Anything Geas” Dern.]

Pixel Scroll 3/28/21 The Pixel On The Edge Of Scrollever

(1) HOME ON THE CIMMERIAN RANGE. Horror author Stephen Graham Jones shares his love for the Conan stories and how he identifies both with Conan and with his creator Robert E. Howard in “My Life With Conan the Barbarian” in Texas Monthly.

… But Conan the Barbarian.

Imagine you’re a Blackfeet kid growing up in the windswept pastures twenty miles east of Midland, with no other Blackfeet around. Like Conan the Wanderer, -the Adventurer, -the Outcast, I was out in the trackless wastelands, far from civilization. The way I saw it, we’d come up the same. Conan’s homeland of Cimmeria was high and lonely? From our back porch in West Texas, I couldn’t see a single light. Cimmeria was packed with formative dangers? Every third step I took, I found myself entangled in barbed wire or jumping back from a rattlesnake. And when I mapped Cimmeria—the land Conan spent decades away from—onto my world, it could have been Montana, where the Blackfeet are….

(2) NAMING POLICY. At the FANDOM-run Wookieepedia editors are voting on an “Amendment to naming policy for real-world transgender individuals”.  

For about the last decade or so, the naming policy for real-world people on Wookieepedia has been “Articles for real-world people, such as actors and authors, shall be titled according to their actual credited name in a Star Wars work, whether that be an abbreviation/stage name or pseudonym,” with a handful of exceptions.

In recent years, it’s become apparent that this policy is inadequate for transgender individuals and an additional exception needs to be made so that their articles are titled according to their chosen name, whether or not they return to Star Wars after coming out, as a matter of respect. As our society evolves, so too must Wookieepedia.

To that end, I propose the following addition to the naming policy, to be added alongside the three existing exceptions:

“If a real-world person is transgender and has changed their name since working on Star Wars, their article may be titled by their chosen name and the credited name turned into a redirect.”

For anyone unfamiliar with transgender issues, and how it relates to naming articles, these pages on Wikipedia and GLAAD should help (ctrl+f “name”) Toqgers (talk) 04:35, 16 March 2021 (UTC)

Here’s some of the discussion from supporters.

(3) KRISTINE KATHRYN RUSCH KICKSTARTER ENDING. [Item by rcade.] Kristine Kathryn Rusch and Dean Wesley Smith have a current KickStarter project ending on Wednesday to fund Rusch’s first new work in 20 years in the world of The Fey: “The Return of the Fey by Dean Wesley Smith” — Kickstarter.

The project, which has rocketed past its funding goal by raising over $25,000 from 400 backers, is for a new novella of undetermined title. A $30 pledge receives all seven The Fey novels as ebooks along with the new work. A $250 pledge takes home the book Lessons from Writing of The Fey and a class taught by Rusch about  “the writing and publishing of a major epic fantasy series, and all the good stuff and mistakes along the way.”

The Fey series comprises seven books — a five- and two-book series that each tell complete stories. On the Kickstarter funding page, Smith dishes on the frustrating publication history of The Fey:

Bantam put Kris under contract for seven books in total. The first five were called The Fey Series, the next two were the Black King and Black Queen Series. 

They were two separate stories set in the world of The Fey. And the readership continued to grow until the year 1999, with the 5th book just published and the 6th book ready to come out. All four of the first books were in multiple printings. But Bantam Publishing, for reasons no one ever said, let the 4th book go out of print. And kept it out of print, even with an intense demand for it. Not kidding. 

By the time the 7th book came out in late 2000, the 4th book in its original mass market paperback edition was selling for hundreds and hundreds of dollars in collector’s markets because fans just wanted to read it.

Rusch regained the rights from Bantam and the novels are published today by WMG Publishing. They even publish book 4!

(4) THE ASKING PRICE. [Item by Martin Morse Wooster.] Isaac Asimov says in his autobiography In Joy Still Felt that in 1961 he was invited by the MIT Science Fiction Society to give a talk.  They asked what his fee was and he decided to charge them a hundred dollars.  After the talk, they took him to dinner at Joseph’s, “one of Boston’s posh eating places…it was very expensive and I had never eaten there.”

My conscience smote me.  They were being very nice to me after I soaked them for a hundred dollars.

I said, deeply troubled, ‘Where the heck do you kids get the money to pay speakers?’ because I gather my talk was one of four for the year.

I expected them to say they gave up lunches or sold pencils on the corner,  and I was quite prepared to force the hundred dollars back on them.

But one of them said, cheerfully, ‘We show first-run movies and collect lots of proceeds.’

‘Lots of proceeds?’

‘Sure.  Up to five or six thousand dollars for the year.’

I mentally divided that by four and said, ‘That means you must pay some of the speakers more than a hundred dollars.’

‘Of course,’ said the spokesman, apparently unaware of the enormity of what he was saying.  ‘Wernher von Braun, who was the speaker before you, got fourteen hundred dollars.

I stared at him for quite a while, and then he said, ‘Was he fourteen times as good as I was?’

‘No.  You were much better.’

Asimov says he subsequently went to several MITSFS picnics, which concluded with a trip to the school’s observatory, which is at the top of a big hill.  Asimov dutifully climbed the hill every year, even though he didn’t like to exercise.

(5) THE WORLDCON YOU DESERVE. Seanan McGuire shared this dream with Twitter. The commenters took the idea and ran with it. Thread starts here.

(6) REMEMBERING. “A poem by Jane Yolen in remembrance of her friend Norton Juster (1929-2021)”has been posted by The Horn Book: “Norton Passes Go”.

Jane Yolen receives the 2009 Norton Juster Award for Devotion to Literacy, presented by its namesake. Photo: Seth Kaye Photography.

(7) BOOK WITHDRAWN, AUTHOR APOLOGIZES. Publisher Scholastic has made the decision to pull Dav Pilkey’s 2010 graphic novel The Adventures of Ook and Gluk: Kung-Fu Cavemen from the Future due to its perpetuation of “passive racism.” “From Scholastic Regarding The Adventures of Ook and Gluk”.

On Monday, March 22, 2021, with the full support of Dav Pilkey, Scholastic halted distribution of the 2010 book The Adventures of Ook and Gluk. Together, we recognize that this book perpetuates passive racism. We are deeply sorry for this serious mistake. Scholastic has removed the book from our websites, stopped fulfillment of any orders (domestically or abroad), contacted our retail partners to explain why this book is no longer available, and sought a return of all inventory. We will take steps to inform schools and libraries who may still have this title in circulation of our decision to withdraw it from publication.  

Throughout our 100 year history, we have learned that trust must be won every day by total vigilance. It is our duty and privilege to publish books with powerful and positive representations of our diverse society, and we will continue to strengthen our review processes as we seek to support all young readers.

Pilkey, author of the Captain Underpants series, shared an apology that was posted on YouTube.

About ten years ago I created a book about a group of friends who save the world using Kung Fu and the principles found in Chinese philosophy. The Adventures of Ook and Gluk: Kung-Fu Cavemen from the Future was intended to showcase diversity, equality, and non-violent conflict resolution. But this week it was brought to my attention that this book also contains harmful racial stereotypes and passively racist imagery. I wanted to take this opportunity to publicly apologize for this. It was and is wrong and harmful to my Asian readers, friends, and family, and to all Asian people….

(8) MEDIA BIRTHDAY.

  • March 28, 2003 — On this day in 2003, Tremors: The Series premiered on Syfy. It followed three Tremors films and starred Michael Gross, Gladise Jimenez, Marcia Strassman and Victor Brown. Created by Brent Maddock and S.S. Wilson who brought us the entire Tremors franchise, it lasted but thirteen episodes. It was followed by Tremors 4: The Legend Begins whichstars Michael Gross as Hiram Gummer, the great-grandfather of the character Burt Gummer. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 28, 1483 – Raphael.  (In Italian, more fully Rafaello Sanzio da Urbino.)  Painter and architect; with Michelangelo and Leonardo da Vinci, one of the masters of the High Renaissance.  Here is his Portrait of a Young Woman with a Unicorn on the cover of the Mar 05 Asimov’s.  Here is The Triumph of Galatea.  Part of The School at Athens is on the cover of The Philosopher Kings.  (Died 1520) [JH]
  • Born March 28, 1918 – Robert Stanley.  A dozen covers for us.  Here is Universe.  Here is our next-door neighbor Rocket to the Morgue.  Here is When Worlds Collide.  Also ArgosyDime DetectiveThrilling Western, publishers e.g. Bantam, Dell, Popular Library, Pyramid.  (Died 1996) [JH]
  • Born March 28, 1922 A. Bertram Chandler. Did you ever hear of popcorn literature? Well the Australian-tinged space opera that was the universe of John Grimes was such. A very good starter place is the Baen Books omnibus of To The Galactic Rim which contains three novels and seven stories. Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t. (Died 1984.) (CE) 
  • Born March 28, 1930 – Barbara Ninde Byfield.  Wrote and illustrated five novels for us; also The Glass Harmonica – nonfiction; there was one at the Millennium Philcon, 59th Worldcon.  (Died 1988) [JH]
  • Born March 28, 1932 Ron Soble. He played Wyatt Earp in the Trek episode, “ Spectre of The Gun”.  During his career, he showed up on a hunger of genre series that included Mission: ImpossibleThe Six Million Dollar ManShazamPlanet of The ApesFantasy IslandSalvage 1 and Knight Rider. His last genre role, weirdly enough, was playing Pablo Paccasio in Pterodactyl Woman from Beverly Hills. (Died 2002.) (CE)
  • Born March 28, 1944 Ellen R. Weil. Wife of  Gary K. Wolfe. She wrote a number of works with him including the non-fiction study, Harlan Ellison: The Edge of Forever. They wrote a fascinating essay, “The Annihilation of Time: Science Fiction; Consumed by Shadows: Ellison and Hollywood,” which can be found in Harlan Ellison: Critical Insights. (CE)
  • Born March 28, 1946 Julia Jarman, 75. Author of a  children’s book series I like a lot, of which I’ll single out Time-Travelling Cat And The Egyptian GoddessThe Time-Travelling Cat and the Tudor Treasure and The Time-Travelling cat and the Viking Terror as the ones I like the best. There’s more in that series but those are my favorites. (CE)
  • Born March 28, 1955 Reba McEntire, 66. Her first film role was playing Heather Gummer in Tremors. Since then, she’s done voice work as Betsy the Cow in Charlotte’s Web and as Etta in The Land Before Time XIV: Journey of the Brave. She also voiced Artemis on the Disney Hercules series. (CE)
  • Born March 28, 1958 – Davey Snyder, F.N., age 63.  Chaired Boskone 34, co-chaired World Fantasy Con 25.  Bibliography for The Neil Gaiman Reader (the 2007 one, “Essays and Explorations”).  Fellow of NESFA (New England SF Ass’n; service award).  [JH]
  • Born March 28, 1960 Chris Barrie, 61. He’s as Lara Croft’s butler Hillary in the most excellent Tomb Raider franchise films. He also shows up on Red Dwarf for twelve series as Arnold Rimmer, a series I’ve never quite grokked. He’s also one of the principal voice actors on Splitting Image which is not quite genre adjacent but oh so fun. (CE) 
  • Born March 28, 1964 – Gloria Oliver, age 57.  Half a dozen novels, as many shorter stories.  Sparked by the Gatchaman apa Bird Scramble, attending ConDFW, and her husband.  [JH]
  • Born March 28, 1983 – Josephine Angelini, age 38.  Half a dozen novels.  Has read The Once and Future KingAs I Lay DyingSiddhartha, two by Jane Austen, Fagles tr. The Iliad and The OdysseyThe Count of Monte CristoFrankenstein.  “Dreams are messy and they don’t make sense, but what works for me is to take the feeling that I have from a dream and try to re-create it on the page.  If I can get one or two images from a dream to work in a story I feel satisfied.”  [JH]

(10) COMICS SECTION.

  • Bizarro finds some stars shouldn’t get wet.
  • Off the Mark reveals a delivery mistake with major fairy tale implications.
  • Non Sequitur transports a babysitter into an unexpected pulp adventure

(11) SERIAL SUPERHERO. Comic book superhero movies made their debut in theaters 80 years ago today. At least this one did: “Adventures of Captain Marvel”.

(12) NEXT SUPERHERO. The Black Adam movie is slated for a July 29, 2022 release.

(13) ALWAYS WINTER, BUT SOMETIMES CHRISTMAS. In the Washington Post, Shannon Liao says that Animal Crossing:  New Horizons was released on March 20, 2020.  She interviews people who have played Animal Crossing for over 1,000 years in a year and how the game provided a lot of comfort during the worst part of the pandemic. “Meet the Animal Crossing users who spent up to 2000 hours in game”.

Snow topped trees, ice sculptures and the sound of rushing waterfalls. Susana Liang built out her “Animal Crossing” island complete with a Christmas dinner, various shops, a wedding reception, an igloo campsite, a picnic, a mini version of the Greek island Santorini, elaborate walkways and a cozy home with plenty of Christmas trees.“Winter makes everything covered in snow and it’s all white, so it makes it feel a bit more ethereal and dreamy. It’s one of my favorite seasons in the game,” said Liang, who works in health science in New York and has spent over 2,300 hours playing Nintendo’s “Animal Crossing: New Horizons” since a few weeks after the game’s release. It’s always winter on her island. Every time winter is about to end, she time travels back to the beginning of January to stay in the season…

(14) GETTING WARMER. “A Warmer Superconductor Found” reports New Energy and Fuel.

The team at the Max-Planck Institute for Chemistry (Mainz, Germany), the University of Chicago (USA), and the Soreq Nuclear Research Center (Yavne, Israel) used a variety of analytical methods to refine the phase diagrams for hydrogen sulfide in the H(3)S form and D(3)S, its deuterium analogue, in relation to pressure and temperature, and to shed additional light on their superconducting properties.

The scientists have now introduced new findings that show the materials become superconducting at the relatively high temperatures of -77 and -107 °C, respectively.

(15) ANDY! ANDY! Yesterday’s photo of Captain Kirk and Edith Keeler on the set in front of an identifiable Mayberry landmark prompted a Filer to point out MeTV’s Star Trek / Andy Griffith Show mash-up commercial.

Kirk and Spock travel to Mayberry! And Barney looks to nip it in the bud. Explore strange new worlds on MeTV!

(16) VIDEO OF THE DAY. Mark Evanier hosts a virtual panel on Jack Kirby with Jonathan Ross and Neil Gaiman for WonderCon@Home 2021: “Jack Kirby Panel”.

Mark Evanier (Kirby: King of Comics) talks about the man some call “The King of the Comics” with author Neil Gaiman (American Gods) and TV host and mega-Kirby fan Jonathan Ross. They will attempt to discuss what was special about the work of Jack Kirby and why, long after we lost him, he seems to be more popular than ever.

[Thanks to John King Tarpinian, Mike Kennedy, JJ, John Hertz, N., Cora Buhlert, Bill, Michael Toman, Cat Eldridge, Rich Horton, Andrew (Not Werdna), Martin Morse Wooster, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 9/24/20 Doo-Be-Doo-Be-Dune!

(1) GET READY TO REFLECT. A new free SF/F e-zine is launching in October, Departure Mirror Quarterly. Editor Art Tracy says –

Our first issue features stories by Kyle Aisteach, Cécile Cristofari, and Evergreen Lee.  Readers will be able to pop by the website to download .PDF issues (and hopefully .MOBI and .EPUB, but we don’t have that workflow completely nailed down yet), and we’ve got an e-mail list that can send people the links as each new issue comes out.  

(2) THE VOICE OF EXPERIENCE. Mark Evanier maintains ”A List of Things I’ve Learned About The Comic Book Industry Since I Got Into It In 1970, Many But Not All Of Which Still Apply” at News From Me. It boasts 125 items. Here are four examples:

30. It is impossible to make a decent living in comics if you don’t love what you do.

49. Colorists often have to make up for the fact that the artist has not bothered to think about the source(s) of light in the panels.

103. If you work in comics for an extended period, look over the books published by the company or companies that buy your work and ask yourself, “What comic am I totally unqualified and ill-suited to work on?” Then prepare for the call where they say, “We discussed it here in the office a lot and decided you’re the perfect person for this job!” It will be that comic.

117. If the hero in the comic you’re writing has a secret identity, you should not do a story in which that secret is threatened or apparently revealed less than twelve years after the previous story in which that hero’s secret identity was threatened or apparently revealed. Fifteen is better.

(3) WHO’S NUMBER ONE? Didn’t someone say there’s no such thing as bad publicity? The Guardian’s Alison Flood reports “JK Rowling’s new thriller takes No 1 spot amid transphobia row”. [Free registration required.]

JK Rowling’s new Robert Galbraith thriller Troubled Blood sold almost 65,000 copies in just five days last week, amid widespread criticism of the author’s decision to include a serial killer who dresses in women’s clothing in the novel….

(4) HERE’S NUMBER TWO. In the series of Uber Eats commercials with Mark Hamill and Patrick Stewart.

And a bonus.

(5) MYERS OBIT. [Item by Steven H Silver.] John J. Myers (b. July 26, 1941), the former archbishop of Newark, died on September 24.  Myers was a childhood friend of author Gary K. Wolf and in 2006 they collaborated on the short story “The Unhardy Boys in Outer Space” with Myers adopting the pseudonym Jehane Baptiste because he was worried about how the Vatican would respond to an archbishop writing science fiction.  In 2008, they collaborated again on the novel Space Vulture on which his byline was Archbishop John J. Myers.

(6) MEDIA ANNIVERSARY.

  • September 1984 — Thirty six years ago this month, Robert Holdstock’s Mythago Wood was first published in Britain by Gollancz. It would win both the BSFA Award for Best Novel and the World Fantasy Award for Best Novel. (He never made the final nomination list for any Hugo Award.) It was the first novel in what became the Ryhope Wood series with four more novels (LavondyssThe HollowingGate of Ivory, Gate of Horn and Avilion, plus “The Bone Forest” novella. Merlin’s Wood is sort of connected to this series, as is The Merlin Codex.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 24, 1922 Bert Gordon, 98. Film director most remembered for such SF and horror films as The Amazing Colossal ManVillage of the Giants and The Food of the Gods (based of course on the H.G. Wells’ novel The Food of the Gods and How It Came to Earth).  His nickname “Mister B.I.G.” was a reference both to his initials and to his preference for directing movies featuring super-sized creatures. (CE) 
  • Born September 24, 1929 – Barbara Ker Wilson, 91.  Five dozen short stories in Stories from ScotlandTales Told to Kabbarli, aboriginal legends collected by Daisy Bates & retold by BKWRussian Fairy Tales (with Jacqueline Athram).  Also The Lost Years of Jane AustenJA in Australia.  Dromkeen Medal.  [JH]
  • Born September 24, 1930 – Jack Gaughan.  So active as both fan and pro artist that he won both Hugos in 1967; for years afterward, Hugo rules provided that no one could be on the ballot in both categories. Art editor for Galaxy doing all the interiors and many covers.  Battle of the Titans is his cartoon duel with Vaughn Bodé.  Here is his cover for the Lunacon 24 Program Book (see this appreciation by Vincent Di Fate).  Here is the Jul 62 Galaxy.  Here is Skylark Three.  Here is the Sep 86 SF Chronicle.  Artbook, Outermost.  Five Hugos, as both pro and fan.  Skylark Award.  SF Hall of Fame.  NESFA (New England SF Ass’n) named an award for him.  (Died 1985) [JH]
  • Born September 24, 1934 John Brunner. My favorite works by him? The Shockwave Rider, the Hugo Award winning Stand on Zanzibar and The Sheep Look Up. That was easy. What’re your favorite works by him? (Died 1995.) (CE)
  • Born September 24, 1936 Jim Henson. As much as I love The Muppet Show, I think The Storyteller is his best work. That’s not to overlook Labyrinth and The Dark Crystal which are also excellent. (Died 1990.) (CE) 
  • Born September 24, 1945 –David Drake, 75.  Phi Beta Kappa from Univ. Iowa (history and Latin); Duke law school.  Hawkeye Distinguished Veteran award. Motorcyclist.  Famous for military SF e.g “Hammer’s Slammers”, Republic of Cinnabar Navy (yes, military is from Latin and really means army).  Five dozen novels, not counting a score with co-authors where he says the co-author did the real writing; as many shorter stories.  See his Website for essays, interviews, newsletters, photos, comments about Mandy Wade Wellman and Kipling, translations of Ovid (“the classics permeate my life; it’s inevitable that they should permeate my work”).  [JH]
  • Born September 24, 1948 – Elaine Kowalsky.  Printmaker; campaigner for artists’ rights.  Chaired Design & Artists Copyright Society, their London gallery named for her.  Collections, Larger Than LifeHearts and Vessels.  After her death her Diary of an Aging Art Slut at n.paradoxa (see here – PDF) was released from anonymity.  Here is Letters from Home.  (Died 2005) [JH]
  • Born September 24, 1950 – John Kessel, Ph.D., 70.  Five novels, seventy shorter stories; reviews in Delap’sF&SF; essays in NY Rev of SFSF Eye; interviewed in ClarkesworldLightspeedLocusStarShipSofaStrange Horizons.  Two Nebulas (26 years between them the longest in Nebula history), a Shirley Jackson, a Sturgeon, a Tiptree.  Paul Green Playwrights prize.  [JH]
  • Born September 24, 1951 David Banks, 69. During the Eighties, he was the Cyberleader on Doctor Who in all the stories featuring the Cybermen — Earthshock (Fifth Doctor story), The Five DoctorsAttack of the Cybermen (Sixth Doctor story), and Silver Nemesis (Seventh Doctor story). In 1989, he played the part of Karl the Mercenary in the Doctor Who: The Ultimate Adventure stage play. There were two performances where he appeared as The Doctor as he replaced Jon Pertwee who had fallen ill. (CE) 
  • Born September 24, 1957 Brad Bird, 63. Animator, director, screenwriter, producer, and occasionally even a voice actor whom I’m going to praise for directing The Iron GiantThe Incredibles (winner of Best Dramatic Presentation, Long Form at Interaction), Incredibles 2 and  Tomorrowland. He’s the voice of Edna Mode in both the Incredibles films. (CE) 
  • Born September 24, 1960 – Pete Young, 60.  Our man in Thailand, with Big SkyThe White NotebooksZoo Nation; co-edited four issues of Journey Planet.  Reviews in FoundationStrange HorizonsVector.  Three Nova Awards, three FAAn (Fan Activity Achievement) Awards.  [JH]
  • Born September 24, 1962 – Bruce Jensen, 58.  Two hundred covers, a dozen interiors.  Here is Bug Jack Barron.  Here is the mid-Dec 95 Analog.  Here is Goblin Moon.  Here is Lord of Light.  Here is Her Smoke Rose Up Forever.  Jack Gaughan Award.  [JH]
  • Born September 24, 1965 Richard K. Morgan, 55. The Takeshi Kovacs novels are an awesome series  which is why I haven’t watch the video series. His fantasy series, A Land Fit For Heroes, is on my TBR, well my To Be Listened To pile now. I’ll will admit that The Thirteenth Man was repugnant enough in its sexism and other stereotypes that I gave up on it. And yes, I read Thin Air, the sequel first and it’s quite excellent. (CE) 

(8) COMICS SECTION.

  • The Far Side records an astonishing paleontological discovery.
  • Bliss hints at how those green eggs and ham get scrambled.
  • Bizarro depicts a bestseller’s school days.
  • Incidental Comics’ Grant Snider needs a title.

(9) BE SEATED. Minneapolis’ DreamHaven bookstore has installed a new Captain Marvel bench.

For many years Batman has stood guard outside DreamHaven offering a pleasant place to sit and rest for many local residents of Minneapolis. After enduring inclement weather and normal wear and tear, Batman protected the store during the recent civil unrest and was heavily damaged and broken. Batman has been retired to a well-earned rest.

Taking his place is a new Golden-Age Captain Marvel (Shazam) bench. Both benches were designed and constructed by our good friend, Joe Musich, who has been a comics fan and a very-much appreciated DreamHaven customer for many years. Joe is a retired high-school teacher who attends Comic Con most every year. We salute Joe and his love of Captain Marvel and are honored to have The Big Red Cheese standing guard over our store.

(10) WELCOME TO THE ISLAND OF TSUNDOKU. [Item by Olav Rokne.] A resort in the Maldives is looking for someone who loves books to run a book shop on the island. I can’t imagine that there’s a Filer that wants such an onerous gig. The Guardian reports: “‘Barefoot bookseller’ sought to run island bookshop in Maldives”.

… When the position of “barefoot bookseller” was previously advertised, Blackwell received thousands of applications from people desperate to escape the grind of daily life.

“Last time we had everybody from the White House press corps to film directors, lawyers, IT managers, beach poets, retired librarians,” said Blackwell, who is a member of the British bookselling family that sold their chain in 2006. “What works best is somebody with bookselling experience. They’ve got to love people and selling books, and they’ve got to know about books. They’ve also got to be adventurous because this is not for somebody to sit in a bookshop eight hours a day, this is for people to get out there, engage with guests and help people on their reading journey, because reading for pleasure is a muscle that, like any other muscle in the body, is traditionally under-used until people go on holiday.”

(11) THE KING. Nikkolas Smith posted a photo on Instagram of a new mural he did at Downtown Disney honoring Chadwick Boseman.

(12) WHAT CAN BE SAID AT ALL CAN BE SAID CLEARLY, “The Philosopher And The Detectives: Ludwig Wittgenstein’s Enduring Passion For Hardboiled Fiction” at CrimeReads.

The scene is London; the year, 1941. Ludwig Wittgenstein, likely the greatest philosopher of the twentieth century, has taken a hiatus from his Cambridge professorship to do “war work” in a menial position at Guy’s Hospital. By the time he arrives there, in September, the worst of the Blitz is over, but there’s no way of knowing that—the bombing could begin again any night. Wittgenstein serves as a dispensary porter, meaning he pushes a big cart from ward to ward, delivering medicine to patients. He’s 52 years old, small and thin, not to say frail. He writes in a letter that sometimes after work he can “hardly move.”

To John Ryle, brother of Oxford philosopher Gilbert Ryle, Wittgenstein explains his reason for volunteering in London: “I feel I will die slowly if I stay there [in Cambridge]. I would rather take the chance of dying quickly.”

Wittgenstein’s time at Guy’s Hospital is an especially lonely period in a lonely life. Socially awkward in the extreme, he does not endear himself to his coworkers. Although it soon gets out, he initially hopes to conceal that he’s a professor in regular life, hating the prospect of being treated differently. But he is different. His attempts to hide in plain sight must strike everyone as yet another eccentricity.

Nevertheless, he makes at least one friend at the hospital, a fellow staffer named Roy Fouracre. After some time, Fouracre is permitted to visit Wittgenstein in his room, a rare privilege with the reclusive philosopher. Crossing the threshold into Wittgenstein’s private quarters, Fouracre must expect to find books everywhere, hefty, awe-inspiring tomes by Aristotle and Kant and the like. Nothing of the sort. The only reading material in evidence is “neat piles of detective magazines.”

… When American pulps became scarce in the U.K. during and after World War II, Wittgenstein relied on American philosopher Norman Malcolm to send them in care packages from the States. “Thanks a lot for the detective mags,” he wrote Malcolm in 1948. “I had, before they arrived, been reading a detective story by Dorothy Sayers, & it was so bl[oody] foul that it depressed me. Then when I opened one of your mags it was like getting out of a stuffy room into the fresh air.” Wittgenstein’s favorite “mag” was Street & Smith’s Detective Story Magazine, which he preferred—simply out of habit, it seems—to the similar and now more widely remembered Black Mask.

(13) HONEST, FOLKS. Fandom Games’ Honest Game Trailer on Marvel’s Avengers dropped two days ago.

[Thanks to JJ, Michael Toman, Cat Eldridge, Andrew Porter, Mike Kennedy, John Hertz, John King Tarpinian, Steven H Silver, Olav Rokne, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributig editor of the day Daniel “The Chairman of the Board” Dern.]

Pixel Scroll 8/17/20 Unlikely To Not Have Been Used Before

(1) BUSIEK LIVE. Filer Kurt Busiek will be interviewed by Mark Evanier. The livestream starts August 18 at 7:00 p.m. Pacific.

Just two comic book writers sitting around, hundreds of miles apart, talking about comics. Mark Evanier chats with his pal Kurt Busiek about the comic book field and what some people don’t understand about it.

(2) STAMPING IT OUT. In the Washington Post, retired admiral William H. McRaven, who served as the commander of the U.S. Special Operations Command from 2011-14, says that the 1997 movie The Postman is a fairly accurate description of the problems America faces in 2020. “Trump is actively working to undermine the Postal Service — and every major U.S. institution”.

In the 1997 film “The Postman,” set in post-apocalyptic America, Kevin Costner plays a drifter trying to restore order to the United States by providing one essential service, mail delivery. In the story, hate crimes, racially motivated attacks and a plague have caused the breakdown of society as we know it. In his quest to restore order and dignity to the nation, the Postman tries to recruit other postal workers to help rebuild the U.S.?government. But Costner’s character is opposed by the evil General Bethlehem, who is fighting to suppress the postal carriers so he can establish a totalitarian government. Fortunately, our hero, gaining inspiration from the motto, “neither snow nor rain nor heat nor gloom of night,” fights on against Bethlehem and saves the country.Not surprisingly, the movie was panned by critics and was a financial disaster. I mean really, racial strife and a plague so bad that it threatened our society? And even if that happened, who would try to destroy the Postal Service? Where do they come up with these crazy plots?

In retrospect, maybe we should give the movie another look. Today, as we struggle with social upheaval, soaring debt, record unemployment, a runaway pandemic, and rising threats from China and Russia, President Trump is actively working to undermine every major institution in this country….

(3) EXTRAS. After Hastings author Steven H Silver, who shared “The Novels I Didn’t Write” with File 770 readers today, has collected this essay, the related ones published at John Scalzi’s and Mary Robinette Kowal’s blogs and Black Gate, as well as the information from his After Hastings website into a chapbook that is available for $3 plus postage (also available as a pdf). Silver says, “People interested can e-mail me.  It runs to about 10,000 words.” Contact him at: shsilver@sfsite.com

(4) TERRY PRATCHETT ON THE EXPENSIVENESS OF POVERTY. [Item by rcade.] A passage from the legendary Terry Pratchett is making the rounds on Twitter as a lesson on why being poor costs a lot of money:

It’s from his 2003 Discworld novel Men at Arms and also turns up in Sarah Skwire’s article for The Library of Economics and Liberty “Buying Boots”

It’s not clear whether Ankh-Morpork has a functioning credit system. (Paper money doesn’t appear in the city until Making Money, the 40th novel in the series, for example). It’s also not clear–given the general rough and tumble aspects of Ankh-Morpork’s “business” community–whether borrowing money is a particularly safe notion.

And here on Moneywise as an illustration of why poor people can’t save money: “Boots Theory of Socioeconomic Unfairness”.

Captain Vimes from Discworld knew that he should buy the good boots, but he simply couldn’t afford it. This problem can be delayed by access to credit, but it’s not the solution, nor should it be. Those with less immediate access to money can make their lives easier with proper use of credit, budgeting, personal savings, and frugal purchasing.

(5) STARING AT THE HORIZON. [Item by Olav Rokne.] Miles Surrey at The Ringer pays tribute to one of the classics of dark 1990s science fiction cinema, and tries to explain the enduring appeal of a movie that barely rates a 30 per cent on Metacritic. “One of the key reasons something as wicked as Event Horizon holds rewatch value: As long as you can stomach the gore, Dr. Weir’s (Sam Neil) pivot from sympathetic scientist to full-blown emissary of hell is a campy tour de force.” “’Hell Is Only a Word’: The Enduring Terror of ‘Event Horizon’”.

For films that feature a character descending into madness, it’s all about the look. Jack Torrance, staring out into the endless blizzard outside the Overlook Hotel; Travis Bickle, shaving his head into a Mohawk; Colonel Kurtz, moving out of the shadows of his decaying temple. Sometimes, a striking image tells you everything you need to know. For Sam Neill’s character in a criminally overlooked horror film from 1997, it’s the sight of him sitting in the captain’s chair of a doomed spaceship, having torn out his own eyes.

“Where we’re going,” he says, “we won’t need eyes to see.”

(6) FUTURE AURORA AWARDS. At the Canadian Science Fiction and Fantasy Association annual general meeting over the weekend it was decided that the current Short Fiction category would be split into two awards for 2021.  The new categories will be: Short Story for works that have less than 7,500 words and Novelette/Novella for works that have a word counts between 40,000 and 7,500. 

The 2021 award ceremony will be held in Ottawa at Can-Con. It was also decided that the 2022 Auroras would be again be held in Calgary at When Words Collide.

(7) YOU’RE FIRED. “The Week Old Hollywood Finally, Actually Died” – the New York Times ran the obituary.

For decades, the best thing about being a Hollywood executive, really, was how you got fired. Studio executives would be gradually, gently, even lovingly, nudged aside, given months to shape their own narratives and find new work, or even promoted. When Amy Pascal was pushed out of Sony Pictures in 2015, she got an exit package and production deal worth a reported $40 million.

That, of course, was before streaming services arrived, upending everything with a ruthless logic and coldhearted efficiency.

That was never more clear than on Aug. 7, when WarnerMedia abruptly eliminated the jobs of hundreds of employees, emptying the executive suite at the once-great studio that built Hollywood, and is now the subsidiary of AT&T. In a series of brisk video calls, executives who imagined they were studio eminences were reminded that they work — or used to work — at the video division of a phone company. The chairman of WarnerMedia Entertainment, Bob Greenblatt, learned that he’d been fired the morning of the day the news broke, two people he spoke to told me. Jeffrey Schlesinger, a 37-year company veteran who ran the lucrative international licensing business, complained to friends that he had less than an hour’s notice, two other people told me.

(8) MEDIA BIRTHDAY.

  • August 17, 1960  — The Time Machine premiered. The work of legendary director George Pal, it was  based on the H.G. Wells novella of the same name. Pal also handled the production. The screenplay was by David Duncan, noted genre writer. It would lose out at Seacon to the Twilight Zone series for Best Dramatic Presentation. Cast was Rod Taylor, Alan Young, Yvette Mimieux, Sebastian Cabot and Whit Bissell. Some critics liked it, some didn’t, and most thought the love interest angle sucked. It did very, very well at the box office. Audience reviewers at Rotten Tomatoes currently give it an excellent 80% rating.  (CE)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 17, 1920 – Lida Moser.  Six decades as a photographer; pioneer in photojournalism.  This (“Two Workers, Exxon”) I respectfully suggest is more interesting than some she’s famous for.  So is this of Judy Collins.  LM did all four Cities in Flight novels; here is The Triumph of Time.  (Died 2014) [JH]
  • Born August 17, 1923 Julius Harris. He’s Tee Hee Johnson, the metal armed henchman courtesy of a crocodile in Live and Let Die, the eighth Bond film. Other genre appearances are scant — he’s a gravedigger in Darkman, boat crew in King Kong and he shows up in the horror film Shrunken Heads. He had one-offs in The Incredible Hulk and the Friday the 13th series. (Died 2004.) (CE) 
  • Born August 17, 1930 Harve Bennett. The individual who gave us Star Trek II: The Wrath of Khan. Really he did. He would then serve as Producer on the next three Trek films, The Search for SpockThe Voyage Home and The Final Frontier. His only on-scene appearance is in the latter as the Starfleet Chief of Staff. (Died 2015.) (CE) 
  • Born August 17, 1933 Glenn Corbett. He shows up on the original Trek in “Metamorphosis” as the first incarnation of Zefram Cochrane. Other genre one-offs were The Man from U.N.C.L.E.Land of The GiantsThe ImmortalFantasy Island and Night Gallery. He appeared as General Kevin Matthews in City Beneath the Sea, the pilot for the series that was meant to replace Trek after it was cancelled but never got the green light. (Died 1994.) (CE)
  • Born August 17, 1945 Rachael Pollack, 75. She’s getting a Birthday note for her scripting duties on her run of issues 64–87 (1993-1995) on Doom Patrol. (Jim Lee confirmed this week that DC Universe is going to be a straight comics service like a Marvel Unlimited.) She’s also assisted in the creation of the Vertigo Tarot Deck with McKean and Gaiman, and she wrote a book to go with it. (CE)
  • Born August 17, 1950 – Sutton Breiding, 70.  Five dozen poems; some in Star*Line, even.  Four short stories.  Many of our more poetic writers, like Niven, or William Hope Hodgson, paint it through their prose; SB’s renown rests on it.  [JH]
  • Born August 17, 1952 – Susan Carroll, 68.  Ten novels for us; many others, some under different names.  Three Rita Awards.  Ranks Gargantua and Pantagruel about even with Tristram Shandy.  It seems right that the first and second in one series should be entitled The Bride Finder and The Night Drifter.  [JH]
  • Born August 17, 1959 – SMS, 61.  (Pronounced and sometimes written “smuzz”.)  Two dozen covers, two hundred interiors.  Interview (“Art and Metaphysics at Party-Time”) in Interzone.  Captain Airstrip One comic strip with Chris Brasted and Alan Moore in Mad Dog, reprinted in Journey Planet.  Here is Vector 152.  Here is InterZone 100 featuring SMS.  Here is The Ant-Men of Tibet.  Here is The Derring-Do Club and the Invasion of the Grey.  [JH]
  • Born August 17, 1960 – Fangorn, 60.  Five dozen covers, a dozen interiors; graphic novels, films, games. Two BSFA (British SF Ass’n) Awards for artwork.  Here is Myth Conceptions.  Here is Outcast of Redwall.  Here is Wourism.  Guest of Honour at Eastercon 54 (U.K. nat’l con), NewCon 3, Bristol-Con 2016; scheduled for Novacon 50 (postponed).  [JH]
  • Born August 17, 1962 Laura Resnick, 58. Daughter of Mike Resnick. She is a winner of the John W. Campbell Award for Best New Writer in Science Fiction for “No Room for the Unicorn”. I’ve not read her Manhattan Magic series so I’m interested to know what y’all think of it. She’s readily available ion iBooks and Kindle. (CE) 
  • Born August 17, 1966 Neil Clarke, 54. Editor in Chief of Clarkesworld Magazine which has won an impressive three Best Semiprozine Hugos. SFWA also gave him a Kate Wilhelm Solstice Award. He also edits The Best Science Fiction of the Year series for Night Shade Books.  (CE)
  • Born August 17, 1973 – Rae Carson, 47.  Ten novels, eight shorter stories; some for Star WarsThe Great Zeppelin Heist of Oz (with husband C.C. Finlay).  The Girl of Fire and Thorns NY Times Best Seller.  I found this: “Rae, tomorrow is my last day as mayor of [omitted – jh]…. an almost former executive woman leader…. it was edifying … to read a book that got the perils of leadership and faith *so right*.”  [JH]

(10) COMICS SECTION.

(11) FOCUS. Science Fiction and Fantasy Writers of America listed Focus on the Family Clubhouse in its August 2020 Market Report. (The Google cache file to the listing is here while it lasts.) The listing has been withdrawn.

(12) THE END IS HERE.

(13) BUT IS IT EXCELLENT? Parade Magazine interviewed the talent: “Keanu Reeves and Alex Winter Open Up About Their Excellent Adventures in Bill & Ted Face the Music .

Why do you think the first Bill & Ted became an almost instant cult classic?

Reeves: I think there’s an originality to it—the script, the words and the voices of these characters that had a friendship, a sincerity and an indomitable will. They’re clever, there’s a lot of heart to them, they’re funny and unique.

Winter: Even when we first got the script when we were young, it was that dichotomy of the language being very ornate while the characters are kind of childlike. The writers and producers found it funny that we were taking the language so seriously. But then it’s packed with a lot of stuff, a lot of characters. The movie moves like a freight train.

(14) SOME VOLUME AIR CONDITIONING. A departing research group leader leaves a note “To the future occupants of my office at the MIT Media Lab”.

…I’m leaving the note because the previous occupant left me a note of sorts. I was working here late one night. I looked up above my desk and saw a visegrip pliers attached to part of the HVAC system. I climbed up to investigate and found a brief note telling the MIT facilities department that the air conditioning had been disabled (using the vice grips, I presume) as part of a research project and that one should contact him with any questions.

That helped explain one of the peculiarities of the office. When I moved in, attached to the window was a contraption that swallowed the window handle and could be operated with red or green buttons attached to a small circuitboard. Press the green button and the window would open very, very slowly. Red would close it equally slowly. I wondered whether the mysterious researcher might be able to remove it and reattach the window handle. So I emailed him….

(15) CALIFORNIA IS SMOKIN’ AGAIN. They could use more A/C here: “‘Highest temperature on Earth’ as Death Valley, US hits 54.4C”. Also a picture of the “firenado” in Northern California.

What could be the highest temperature ever reliably recorded on Earth – 130F (54.4C) – may have been reached in Death Valley National Park, California.

The recording is being verified by the US National Weather Service.

It comes amid a heatwave on the US’s west coast, where temperatures are forecast to rise further this week.

The scorching conditions have led to two days of blackouts in California, after a power plant malfunctioned on Saturday.

“It’s an oppressive heat and it’s in your face,” Brandi Stewart, who works at Death Valley National Park, told the BBC.

Ms Stewart has lived and worked at the national park on and off for five years. She spends a lot of her time indoors in August because it’s simply too uncomfortable to be outside.

“When you walk outside it’s like being hit in the face with a bunch of hairdryers,” she said. “You feel the heat and it’s like walking into an oven and the heat is just all around you.”

More in the New York Times about these: “Fire Tornadoes Reported in Northern California Wildfire” (same picture as in the BBC story.)

The National Weather Service said it was planning to investigate reports of a rare occurrence of fire tornadoes arising on Saturday from a 20,000-acre wildfire in Northern California.

Dawn Johnson, a meteorologist with the service in Reno, Nev., said on Sunday that the agency had received reports of fire tornadoes in an area of Lassen County, Calif., about 25 miles northwest of Reno.

“It’s not like a typical tornado where it happens, everything clears out and you safely go and investigate,” Ms. Johnson said. “In this case, there’s a massive wildfire burning in the same location, so the logistics are a lot more complicated.”

Doppler radar showed at least five rotation signatures, but Ms. Johnson said she could not confirm that they would all be classified as fire tornadoes.

(16) PANDEMIC PROTECTION + SECOND AMENDMENT = ? “The Hero We Need Built a Gun That Shoots Masks Onto People’s Faces”Gizmodo introduces him to the world. The GIF at the top of the article is…I admit it, I laughed.

(17) VIDEO OF THE DAY. In “Mortal Kombat: Annihilation” on ScreenRant, Ryan George says this film has characters rolling around in hamster balls, and if you lean the wrong way you’ll die!

[Thanks to John King Tarpinian, Olav Rokne, rcade, Mike Kennedy, Martin Morse Wooster, JJ, Clifford Samuels, Chip Hitchcock, John Hertz, Cat Eldridge, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Chris S.]

Pixel Scroll 7/28/20 We Have Pixelsign The Likes Of Godstalk Has Never Seen!

(1) OPEN DISCUSSION OF OPEN LETTER. Several authors have responded to the challenges raised in the letter posted here: “Writers Circulate Letter of Concern About Saudi Worldcon Bid”.

  • Robert J. Sawyer wrote extensive comments about the Open Letter in this public Facebook post.
  • Seanan McGuire, an author who’s also been a Worldcon runner, has added her insights on Twitter, Thread starts here.
  • Cat Valente’s thread starts here, and the comments are along these lines —

(2) EVANIER ON MALTIN PODCAST. [Item by Martin Morse Wooster.] Leonard and Jessie Maltin’s latest podcast is with their long-time friend, Mark Evanier. (Click here.)  Evanier talks about how he began his career as Jack Kirby’s assistant and then goes on to discuss his years at Hanna-Barbera, including what it was like to work with Tex Avery and Mel Blanc and how Jonathan Winters once used some downtime to do some improv in his office.  Also discussed was his six-year run as the writer of Garfield and Friends, and how he gave work to such comedy legends as George O’Hanlon (the original voice of George Jetson) and Rose Marie.  He also discusses his role at Comic-Con, where he is one of six people who has attended every Comic-Con.  As part of his Comic-Con segment, he gives some valuable advice about running panels.  He is also an author, with his edition of the seventh volume of The Complete Pogo about to be sent to the printer.  Evanier’s long-time partner was Carolyn Kelly, daughter of Pogo creator Walt Kelly, and Evanier vows to finish the definitive Pogo collection Carolyn Kelly began.

Ray Bradbury is discussed beginning at minute 56, and Evanier discusses what it was like to interview Bradbury in front of several thousand Comic-Con attendees.  (He routinely asked Harlan Ellison fr advice about what questions to ask Bradbury). He notes that Bradbury always liked to go to the hucksters room to see what was new in comics and how he would always happily sign his works.  Leonard Maltin noted that Bradbury had a youthful spirit throughout his life and “never lost his sense of wonder.”

(3) FUTURE TENSE. The July 2020 entry in the Future Tense Fiction series is “Legal Salvage,” by Holli Mintzer, a story about artificial intelligence, thrifting, and taste.

Twenty, 25 years ago, someone lost a building.

It started as a U-Haul self-storage franchise, and switched allegiance between a few other companies as it changed owners. The last owner had been running it as an independent when he died. His heirs were halfway across the country, and before they could do anything about it, one of them died and the other two spent down the rest of the estate fighting over how to split it….

It was published along with a response essay, “How Can an A.I. Develop Taste?” by Kate Compton, an artificial intelligence coder, artist, and educator.

…As humans, our possessions mean many different things to us. Their value may be practical. We need a blender to make smoothies and a bike to get to work on time. But many objects also have sentimental value and hook into the complex web of human emotions and relationships. We may have aspirational objects that tell us who we want to be (someone who goes camping more, exercises more, would wear those impractical shoes). We also keep nostalgic objects that remind us, through memory or our senses, of people or values that we want to remember. Sometimes our collections simply “spark joy” (in Marie Kondo’s words) in some unknowable way.

In “Legal Salvage,” we meet three collectors: Mika, Ash, and Roz. We also learn about people who abandoned power tools or neon signs or commemorative saltshakers in their storage lockers. We don’t know what these objects meant to the vanished collectors…. 

(4) JACKSON ON SCREEN. “Josephine Decker Releases A New Film About The Horror Writer Shirley Jackson” – transcript of an NPR inetrview.

ARI SHAPIRO, HOST:
The new movie “Shirley” starts after the author Shirley Jackson has published her most famous short story. It’s called “The Lottery.” You might have read it in high school.

JOSEPHINE DECKER: The town annually stones to death one of its members because that’s just what’s done. You know, I think there’s a reason that that has stayed in our canon. It’s incredibly intense to talk about institutionalized oppression.

SHAPIRO: That’s the movie’s director Josephine Decker. Her film “Shirley” is a fictional story about a real person. And so I asked Decker how she compares the author, who died in 1965, to the character Shirley Jackson that Elisabeth Moss plays in the movie.

DECKER: It was a tricky challenge I guess you could say. But our MO was really just to prioritize making the audience feel like they were inside of a Shirley Jackson story. We put that above all else. So we were always adventuring into her fiction as the primary source for our inspiration of how to approach the film. We were very clear that we wanted to make a film that wouldn’t be mistaken for a biopic, even though I think it totally (laughter) has. It’s hard – when you call a film “Shirley,” I guess people get confused.

(5) CAMP IN TROUBLE. Huntsville’s Space Camp, and the US Space & Rocket Center museum in general, are in deep financial trouble due to knock-on effects of the pandemic and are seeking donations to help stay open: “U.S. Space & Rocket Center launches ‘Save Space Camp’ Campaign” on WAFF 48.

(6) THAT’S STRANGE! Yahoo! News shares tweeted footage from four years ago in “Benedict Cumberbatch Surprised Fans In Comic Store As Doctor Strange In New Video”.

A behind-the-scenes video of Benedict Cumberbatch as Doctor Strange delightfully stopping by a comic bookstore is making the rounds, and it’s exactly a bright spot the internet needed these days.

Scott Derrickson, the director and co-writer of “Doctor Strange,” on Monday night shared a “never before shown moment” of Cumberbatch, in full character regalia, casually walking into. a comic book store in New York City during the filming of the 2016 superhero flick. 

(7) MEDIA BIRTHDAYS.

  • July 28, 1940 – Bugs Bunny, the iconic cartoon character, made his official debut in the 1940 Oscar nominated short, The Wild Hare. The Looney Tunes standout was first voiced by actor Mel Blanc. NPR “Morning Edition.” “What’s Up, Doc? Bugs Bunny’s Age. Cartoon Rabbit Turns 80”.
  • July 28, 1955 — X Minus One’s “The Embassy” first aired. The story is that a man walks into a detective agency wanting to hire them to find the Martians that he says are here on Earth. It’s based on a story by Donald Wollheim published in Astounding Science Fiction in the March 1942 issue. The script is by George Lefferts. The cast includes Joseph Julian and Barry Kroger. (CE)  

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 28, 1844 – Gerard Manley Hopkins.  Including this original extraordinary poet will startle any Christian.  “What?  That’s not fantasy!”  Be kind, brothers and sisters.  Discovering him was worth all the quarreling with my teacher after high test scores put me in English IV my freshman year in college.  Read this; and yes, it’s a sonnet.  If you didn’t look up “Heraclitean” and you should have, shame on you.  (Died 1889) [JH]
  • Born July 28, 1866 – Beatrix Potter.  Famous for The Tale of Peter Rabbit; two dozen of these.  Prizewinning breeder of Herdwick sheep.  Conservationist.  Careful mycological paintings finally published in W.P.K. Findlay’s Wayside & Woodland Fungi (1967); Linnean Society finally apologized for sexist disregard of her research (1997).  (Died 1943) [JH]
  • Probably best known for Tales of Peter Rabbit but I’d submit her gardening skills were second to none as well as can be seen in the Green Man review of Marta McDowell’s Beatrix Potter’s Gardening Life here (Died 1943.) (CE)
  • Born July 28, 1928 Angélica Gorodischer, 92. Argentinian writer whose Kalpa Imperial: The Greatest Empire That Never Was got translated by Ursula Le Guin into English. Likewise Prodigies.has been translated by Sue Burke for Small Beer Press. (CE)
  • Born July 28, 1931 – Jay Kay Klein.  For decades he was fandom’s photographer.  He wrote Analog’s Biologfor thirty years.  Fan Guest of Honor at Discon II the 32nd Worldcon.  Big Heart (our highest service award).  First Fandom Hall of Fame.  At the end he donated some 70,000 photos to the Eaton Collection at U. Cal. Riverside; so far 6,000 digitized and available electronically.  Our Gracious Host’s appreciation here.  (Died 2012) [JH]
  • Born July 28, 1941 Bill Crider. Though primarily a writer of horror fiction, he did write three stories in the Sherlock Holmes metaverse: The Adventure of the Venomous Lizard, The Adventure of the St. Marylebone Ghoul and The Case of the Vanished Vampire. He also wrote a Sookie Stackhouse short story, “Don’t Be Cruel” in the Charlaine Harris Meta-verse. (Died 2018.) (CE)
  • Born July 28, 1947 – Colin Hay, 73.  Six dozen covers, a few interiors.  Here is The Left Hand of Darkness.  Here is Orbitsville.  Here is Rendezvous with Rama.  Here is Before the Golden Age vol. 2.   [JH]
  • Born July 28, 1955 – Ed Green, 65.  Hard worker at cons within reach, local, regional, world.  Chaired Loscon 24 and 31, co-chaired La-la’s Eleven (9th in a series of relaxacons, named with variations of “La-la Con” i.e. for Los Angeles and La-la Land).  Served as LASFS (L.A. Science Fantasy Soc.) President.  Evans-Freehafer Award for service to LASFS.  [JH]
  • Born July 28, 1966 Larry Dixon, 54. Husband of Mercedes Lackey, both GoHs of CoNZealand, who collaborates with her on such series as SERRAted Edge and The Mage Wars Trilogy. He contributed artwork to Wizards of the Coast’s Dungeons & Dragons source books, including Oriental AdventuresEpic Level Handbook, and Fiend Folio. (CE)
  • Born July 28, 1968 Rachel Blakely, 52. You’ll most likely know her as Marguerite Krux on Sir Arthur Conan Doyle’s The Lost World as that was her longest running genre role. She was briefly Alcmene on Young Hercules, and played Gael’s Mum on The Chronicles of Narnia: The Voyage of the Dawn Treader. And showed as Penelope in the “Ulysses” episode of Xena: Warrior Princess. (CE)
  • Born July 2, 1980 – Kelly van der Laan, 40.  Four novels, three shorter stories in her Spring (in Dutch, Lentagon) series – first novel came from Nanowrimo; a dozen more short stories. “Pink Water” won first prize in the Fantastic Story contest.  Collection Lost Souls just released in February.  Likes Corey, King, Lynch, Martin, Sanderson, Rothfuss.  [JH]

(9) COMICS SECTION.

  • Is Herman the subject of alien catch-and-release?

(10) FROSTY IN SPACE. Official ice cream of the Space Force TV show, “Ben and Jerry’s Boots on The Mooooo’N.” Here are four minutes of laughs about the ice cream in “Boots on the Moooon:  Space Force R & D Diaries.”

(11) LAST CHANCE TO SEE. BBC reports “Van Gogh: Postcard helps experts ‘find location of final masterpiece'”.

A postcard has helped to find the probable spot where Vincent van Gogh painted what may have been his final masterpiece, art experts say.

The likely location for Tree Roots was found by Wouter van der Veen, the scientific director of the Institut Van Gogh.

He recognised similarities between the painting and a postcard dating from 1900 to 1910.

The postcard shows trees on a bank near the French village of Auvers-sur-Oise.

The site is 150m (492ft) from the Auberge Ravoux, the inn in the village, where Van Gogh stayed for 70 days before taking his own life in 1890.

(12) STEVEN KNOWS BEST. In Yahoo! Entertainment’s “‘Waterworld’ at 25: How Kevin Costner’s choice to ignore Steven Spielberg resulted in one of the most expensive movies ever”, Ethan Alter interviews Waterworld screenwriter Peter Rader, who says that Steven Spielberg’s advice to director Kevin Reynolds and star Kevin Costner to film most of Waterworld in a tank rather than on the water led to colossal cost overruns when the film’s sets were destroyed in a typhoon.

Memo to all aspiring filmmakers: When Steven Spielberg tells you not to do something, you’d be wise to listen. Kevin Costner and Kevin Reynolds learned that lesson the hard way during the production of their 1995 action epic, Waterworld. Set in a dystopian tomorrow where the polar ice caps have melted, erasing “dryland” and bathing the world in water, the movie was conceived as an ambitious aquatic Western with a science-fiction twist. But when Waterworld washed ashore in theaters 25 years ago this summer, all anyone could talk about was the out-of-control budget and behind-the-scenes creative battles that culminated with Costner replacing Reynolds in the editing room. According to Waterworld screenwriter, Peter Rader, the source of the movie’s many troubles stemmed from one fateful decision: the choice to shoot the entire film on the open water rather than in a controlled environment like a studio water tank….

(13) IN THE QUEUE. “Virgin Galactic set for last key rocket test flights”.

Virgin Galactic is about to start a key series of powered test flights of its passenger rocket plane.

The company’s Unity vehicle has so far conducted only glide flights after moving into its operational base in New Mexico earlier this year.

The powered ascents will see Unity ignite its hybrid rocket motor to climb to the edge of space.

These tests will set the stage for Virgin Galactic to introduce its commercial service.

Six hundred individuals have so far paid deposits to take a ride on Unity, with many of these individuals having put down their money a good number of years ago.

But George Whitesides, the company’s chief space officer, said their wait would soon be over.

“Our next flight will be just purely two pilots in the front to do a systems check,” he told BBC News.

“And then, once we’ve done that – well, we’re in pretty exciting territory because the plan is to start putting [four of our] people in the back. We haven’t shared exactly how many flights that will be because we’ve got to see how it goes. But it could be a fairly small number.”

(14) HAVE A LOOK AROUND. “The interior design of Virgin Galactic’s rocket plane” – BBC video.

Fare-paying passengers will have big windows to view space from the vehicle’s cabin.

(15) PUTTING IT TOGETHER. “Iter: World’s largest nuclear fusion project begins assembly” – BBC has the story.

The world’s biggest nuclear fusion project has entered its five-year assembly phase.

After this is finished, the facility will be able to start generating the super-hot “plasma” required for fusion power.

The £18.2bn (€20bn; $23.5bn) facility has been under construction in Saint-Paul-lez-Durance, southern France.

Advocates say fusion could be a source of clean, unlimited power that would help tackle the climate crisis.

Iter is a collaboration between China, the European Union, India, Japan, South Korea, Russia and the US. All members share in the cost of construction.

(16) STUCK IN A GROOVE. At the New York Times, two space journalists say “Too Much Mars? Let’s Discuss Other Worlds”.

Three government space agencies around the world are getting ready to return to Mars this summer. Along with China and the United Arab Emirates, the United States plans to land the fifth NASA rover, Perseverance, on the red planet (along with a small, experimental helicopter, Ingenuity). But the rover’s most important job will be scooping up and caching some samples that humans or robots may eventually retrieve.

The planetary science community will cheer these missions. But many researchers have started asking, more loudly than usual, why we’re going back to Mars yet again. So we invited Rebecca Boyle and David W. Brown, two journalists who have devoted a fair share of their careers to interviewing space researchers at NASA and in academia, to discuss why Mars, a planet that lost its atmosphere long ago, seems to absorb so much of the oxygen — and budgetary resources — in the rooms where explorations of our solar system are decided.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The Screen Junkies take on a classic in Honest Trailers:  E.T., The Extra-Terrestrial on YouTube. The junkies spend most of their time bashing the ’80s cheesefest Mac And Me, which they show is almost like E.T. “except for one major difference:  E.T. is good!” (DId you know Jennifer Aniston made her debut in Mac And Me?)

[Thanks to Joey Eschrich, Andrew Porter, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, John Hertz, Chip Hitchcock, Cat Eldridge, JJ, and Michael Toman for some of these stories, Title credit goes to File 770 contributing editor of the day Soon Lee.]

Six Posthumous Recipients to Receive 2020 Bill Finger Award

Six writers who contributed mightily to the history of comics have been selected to receive the 2020 Bill Finger Award for Excellence in Comic Book Writing. The selection, made by a blue-ribbon committee chaired by writer-historian Mark Evanier, was announced July 15.

“In a year where Comic-Con cannot take place, it seemed wrong to honor, as we usually do, one posthumous writer and one who is still with us,” Evanier explained. “The one who is still with us would be denied the full honors of being brought to the convention and presented with the award onstage. Therefore, after much discussion, we decided to instead present no ‘alive’ award this year, and, assuming there is a convention in 2021, we will present two of those awards then. For 2020, we have selected six writers from the dozens who have been nominated to receive the posthumous award. Each of these six during their time in the industry produced a body of work that the judges deem worthy of more recognition and/or reward than it has received.”

The Bill Finger Award was created in 2005 at the suggestion of the late Jerry Robinson, who worked with Finger, knew him, and was disturbed that Bill had received so little credit and compensation for his work in comics, especially with regard to Batman and that character’s supporting cast and world. As Evanier explains, “Though Bill Finger now receives a lot more recognition than he received in his lifetime, there are still many who do not, and that’s why we keep giving out these awards.”

In addition to Evanier, the Finger Award selection committee consists of Charles Kochman (executive editor at Harry N. Abrams, book publisher), comic book writer Kurt Busiek, artist/historian Jim Amash, cartoonist Scott Shaw!, and writer/editor Marv Wolfman.

This year’s recipients are, in alphabetical order:

Virginia Hubbell Bloch (1914-2006)

The writing of Virginia Hubbell Bloch—almost wholly uncredited, some signed by others—could be found for years in the pages of Lev Gleason Publications, MLJ Comics, and Dell Comics in the forties and fifties. A poet and copywriter before she met her first husband, comic book artist Cari Hubbell, she began writing scripts, some drawn by her husband and some not, in 1941 for MLJ, which would later be known as the Archie company. That was where she met editor-writer Charles Biro, who encouraged her to write comics and who went on to become the most famous comic book writer of his day, often credited on covers. Artists who worked for him at Lev Gleason later told historians that many of the scripts credited to Biro were clearly ghostwritten by Virginia Hubbell, especially for the popular Boy Comics and the Lev Gleason version of Daredevil. On her own, she also wrote for Marvel, St. John, and Western Publishing, where she mainly wrote Little Lulu. She also wrote plays and children’s books, credited (when she was credited) as Virginia Bloch after she divorced Carl and remarried.


Nicola Cuti (1944-2020)

Nick Cuti began his writing (and drawing) career in 1968 with the self-published underground comic book Moonchild, much of which was done while he was serving in the Air Force. After his service, the popularity of Moonchild led to a series of jobs, including working for animator Ralph Bakshi, assisting artist Wally Wood, and serving as an assistant editor and writer at Charlton. Charlton led to Warren Publishing, and Warren led to DC. Along the way, he co-created E-Man and a spinoff comic, Michael Mauser, with artist Joe Staton. Cuti’s writing for those comics won great critical acclaim, especially in bringing a fresh approach and a healthy sense of humor to a superhero title like E-Man. He later worked extensively as an artist in animation, as a writer-producer of short independent films, and an author of both text and graphic novels, some of which revived his beloved Moonchild. Nick left us earlier this year, and we look forward to a representative of his family joining us at the 2021 ceremony for a more formal recognition of his work.


Leo Dorfman (1914-1974)

Leo Dorfman began his comic book writing career in 1950, following years of writing mystery and romance novels under a wide array of pseudonyms. Utterly uncredited for most of his first two decades in comics, he first worked for Fawcett Comics until they cut back in production and sent all their freelancers scurrying for other markets. It wasn’t until 1957 that he connected with Western Publishing, writing westerns based on TV shows such as Cheyenne and Gunsmoke at first, later segueing to The Twilight Zone, Boris Karloff’s Tales of Mystery, Ripley’s Believe it or Not, and other comics filled with ghost stories. In 1960, he began writing for Mort Weisinger at DC, contributing to the world of Superman with tales not only about the Man of Steel but also Jimmy Olsen, Lois Lane, Superboy, and Supergirl. Among his many contributions to the mythos was that In Superboy, he introduced the character of Pete Ross. He also penned “The Amazing Story of Superman-Red and Superman-Blue!”, which ran in a 1963 issue and was considered one of the most memorable stories to ever grace the Superman comic book. At the same time, he wrote hundreds of stories for Western under the Dell and Gold Key imprints and hundreds more for DC. In 1971, he launched the comic Ghosts for DC, filling it with allegedly true tales of the unexplainable and quickly becoming the top seller of all the DC titles that offered such stories in anthology format.


Gaylord DuBois (1899-1993)

Gaylord DuBois spent over 30 years writing comic books and children’s books for Western Publishing, the comics appearing under the Dell and Gold Key imprints. His work for them included thousands of scripts for well-known properties including The Lone Ranger, Red Ryder, Bat Masterson, National Velvet, Sergeant Preston of the Yukon, and Roy Rogers, as well as stories featuring his own co-creations, The Jungle Twins, Brothers of the Spear, and Turok, Son of Stone. Between 1947 and 1971, he wrote an estimated 95 percent of all the comics Western produced of Edgar Rice Burroughs’ Tarzan of the Apes. During his run on it, the Tarzan comic book was consistently one of the top-selling comics in America; in the sixties, so was a comic DuBois wrote every issue of except the first: Space Family Robinson. During this time, he also wrote novels, Big Little Books, and other text-based publications for Western, many of them featuring the same characters. In his last years, DuBois—a devout Christian who occasionally taught Sunday school or filled in for a pastor on vacation—authored several Christian-focused comic books and books of inspirational poetry.


Joe Gill (1919-2006)

Suggested by some as the most prolific comic book writer of all time, Joe Gill began his career in the mid-1940s, working for his brother Ray Gill at Funnies, Inc., a company that created content for many comic book publishers. Soon, Joe was working directly for most of those publishers, including a staff job at Timely (now Marvel), where he wrote The Human Torch, Captain America, and, from all reports, every kind of comic they published. Around 1948 when Timely laid off a number of staffers, Gill connected with Charlton Comics, where he wrote a minimum of one comic a week until the firm ceased publishing in 1986. Some who worked with him claimed it was more like one comic per day, which was what it took to make a decent living for a company that paid such low rates. Few Charlton titles during those years did not feature some Joe Gill scripts, but the best remembered books would include Konga, Gorgo, Billy the Kid, Cheyenne Kid, Ghostly Tales, The Many Ghosts of Dr. Graves, The Phantom, Flash Gordon, Popeye, Tales of the Mysterious Traveler, and all the other western, war, romance, and ghostly titles. He was the co-creator of Captain Atom, Peacemaker, The Fightin’ Five, and Sarge Steel, among others. He also worked briefly for DC, Dell, and a few other publishers, but just his astounding output for Charlton earns him a Finger Award.


France Edward Herron (1917-1966)

France “Eddie” Herron was referred to as “the first comic book writer” by some of his contemporaries. The honor is arguable, but he was writing and editing as early as 1937, mainly for the Harry “A” Chesler studio, which produced comic book material for several publishers. He worked for Centaur Comics, then for Victor Fox’s outfit, which is where he met and began a long association with Joe Simon and Jack Kirby. Among the other companies he worked for, often simultaneously, were Timely (where he worked with Joe and Jack on Captain America and co-created The Red Skull), Quality Comics, and Fawcett (where he wrote many early stories of the original Captain Marvel and co-created Captain Marvel Jr.). In 1945, he began a long association with DC Comics, where he often wrote Superman and Batman stories, and he was the main writer for long stints on Boy Commandos, Green Arrow, Challengers of the Unknown, and Tomahawk. His scripts appeared in all their war, western, romance, crime, and mystery titles, and he co-created the character, Cave Carson. Among the many newspaper strips he authored were Bat Masterson, Davy Crockett, Rip Tide, and Captain Midnight.


[Based on a press release.]

Pixel Scroll 5/26/20 Parsley, Sage, Rosemary And Time Enough For Love Potions Numbers 7, 8 And 9

(1) ON YOUR MARX. If this Scroll is posted in time, you can make it to Mark Evanier’s livestream Newsfromme.tv Conversations with Steve Stoliar, starting tonight at 7 p.m. Pacific:

In addition to being a comedy writer and voice actor, Steve Stoliar had the unique experience of being Groucho Marx’s personal assistant/secretary during the last years of that great comedian’s life. Mark Evanier talks with him about Groucho, the controversial Erin Fleming and all things Marxian except Karl.

(2) ROWLING’S NEXT. Mackenzie Nichols, in the Variety story, “J.K. Rowling Announces New Children’s Book ‘The Ickabog’” says that Rowling has announced the publication of The Ickabog, which is not part of the Harry Potter universe but is meant for 7-9 olds.  She intends to post a chapter every day at theickabog.com until July 10 and promises that profits from the book will aid COVID-19 relief.

Unlike her spinoff stories “Fantastic Beasts and Where To Find Them” or “Quidditch Through the Ages,” “The Ickabog” has no relation to the “Harry Potter” series. And while plot details about “The Ickabog” were scarce, the author said its thematic elements are timeless.

“‘The Ickabog’ is a story about truth and the abuse of power,” Rowling said. “To forestall one obvious question: the idea came to me well over a decade ago, so it isn’t intended to be read as a response to anything that’s happening in the world right now. The themes are timeless and could apply to any era or any country.”

At The Ickabog website she says —  

I had the idea for The Ickabog a long time ago and read it to my two younger children chapter by chapter each night while I was working on it. However, when the time came to publish it, I decided to put out a book for adults instead, which is how The Ickabog ended up in the attic. I became busy with other things, and even though I loved the story, over the years I came to think of it as something that was just for my own children.

Then this lockdown happened. It’s been very hard on children, in particular, so I brought The Ickabog down from the attic, read it for the first time in years, rewrote bits of it and then read it to my children again. They told me to put back in some bits they’d liked when they were little, and here we are!

Everyone will be invited to draw for the story, too: The Ickabog Illustration Competition.

The most exciting part, for me, at least, is that I’d like you to illustrate The Ickabog for me. Every day, I’ll be making suggestions for what you might like to draw. You can enter the official competition being run by my publishers, for the chance to have your artwork included in a printed version of the book due out later this year. I’ll be giving suggestions as to what to draw as we go along, but you should let your imagination run wild.

(3) PRIZEWINNER. Naomi Kritzer got a fine write-up in the hometown Pioneer Press: “St. Paul author stunned by success of genre-jumping “CatNet””.

Naomi Kritzer was 4 when she discovered science fiction through the first “Star Wars” film.

“I was grabbed by John Williams’ music, the lightsabers, the magic of The Force. It all appealed to me and sold me on science fiction,” Kritzer recalls.

Now, 43 years later, The Force is with this St. Paul author. Her genre-jumping young adult novel “Catfishing on CatNet, ” about teenagers who befriend a sentient artificial intelligence who lives in the internet, is scooping up major honors. It’s based on her award-winning, 2015 short story “Cat Pictures Please.”

Last month Kritzer collected two prestigious awards in three days. She won a Minnesota Book Award on April 28, and on April 30 she won a Mystery Writers of America Edgar Award. In early May her book was a Silver Winner in the Nautilus Book Awards, which focus on books striving to make a better world….

(4) IRRESISTIBLE ALICE BOOK. [Item by Daniel Dern.] While I’m not a compleatist Carroll/Alice collector, seeing this in the Bud’s Art Books mailer I got today caught my eye.

(Yes, I know there’s a Carroll society. I’m about to join. And I’ll write an item RSN/PDQ, including a nod to an SFnal connection. But this is semi-news.)

I noticed in the new Bud’s Art Books (although I still think of them as Bud Plant) mini-catalog that came in today’s (snail) mail that there’s a new (not yet out) book — here’s info.

“Lewis Carroll’s Alice was first published in 1865 and has never been out of print, translated into 170 languages. But why does it have such enduring and universal appeal, for both adults and children? This book explores the global impact of Alice in art, design, and performance from the 19th century to today. Starting with the Victorian literary and social context in which this story was created, it shows the ways it’s been reimagined and reinterpreted by each new generation, from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s 2010 interpretation.”

Bud’s listing says $50 (plus shipping), “Due July” but when I placed my order (after hesitating a modest 20 seconds), it said “This product is not available in the requested quantity. 1 of the items will be backordered.”

I included a note in my order asking whether that reflected it being not out yet, or whether they already had more orders than they anticipated copies to fulfill existing orders.

Amazon also has it listed $45.82, Sept 15. Here’s the info text from Amazon:

“Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Annie Leibovitz for over 150 years.

Lewis Carroll’s Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?

This book explores the global impact of Alice in Wonderland across art, design and performance from the nineteenth century to today. It shows how Alice has been re-imagined and reinterpreted by each new generation: from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s latest interpretation.

This beautiful, playful publication also includes specially commissioned interactive illustrations by award-winning artist Kristjana S. Williams, as well as quotes from an array of cultural creators from Stephen Fry to Tim Walker, Ralph Steadman to Little Simz about the profound influence of Alice on their work.”

Whether this book is basically redundant to my modest collection of Aliceiana, I’ll find out.

(5) ALASKAN CONFIDENTIAL. In “Noir Fiction: When The Real Is Too Raw” on CrimeReads, Laird Barron, who writes horror and crime fiction, discusses the colorful people who visited his parents when he lived in Alaska and how he used these people as materials for his crime novels.

…A colorful ex-con named Tommy operated within those precincts. Tommy did time at the Goose Creek Penitentiary; warrants dogged him. He allegedly peddled coke for some bigger fish in Anchorage. Tommy drove a wired-together Datsun, or a motorcycle for the three months a man could do so without freezing his family jewels off. His favorite pastime included getting drunk at the lodge and harassing townies who alighted for weekend flings. He hated “the man.” To demonstrate his disdain, he’d snip pocket change in half with pliers….

(6) GET THE LIST. Andrew Liptak’s latest Reading List features an “Interview with Marko Kloos”.

Did you find taking that break from Frontlines beneficial? What did you take from that break that you were able to apply to the series?

It was immensely beneficial, even if I did get some flak from a few readers for daring to start another series when they were waiting for more Frontlines. But I really needed a bit of mental distance from that universe to come up with more stories worth telling. As long as it takes a few days to read what takes a few months to write, readers will want more books as quickly as possible.

(7) ART CRITICS STAND BY. Mark Lawrence (per his tradition) has followed the Self-Published Fantasy Blog-Off book competition by announckng the “SPFBO 6 Cover Contest”. The finalists have been picked by the bloggers. Not all the entries are in yet. When they are, the public will be invited to vote on the winner. Says Lawrence:

The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.

(8) GOLDEN AGE SF ARTIST. Doug Ellis offers a catalog of art from the estate of artist Hubert Rogers, items now available for sale.

When John W. Campbell, the legendary editor of Astounding Science Fiction, looked for an artist to give expression to the groundbreaking fiction he was running during what is now known as science fiction’s Golden Age, he selected veteran pulp illustrator Hubert Rogers. For nearly 15 years (with a break during the war years, when he returned to his native Canada and contributed art for the war effort), Rogers was Astounding’s primary cover artist and a prolific interior artist, contributing distinctive art imbued with a touch of class, distinguishing Astounding from its fellow pulp competitors.

Unlike many science fiction artists, Rogers received much of his original art back from the publisher. This has been held by the Rogers family for the past 80 years, with only occasional pieces being offered in the market. Rogers’ daughter, Liz, has now decided to make available to collectors nearly all of the remaining art in their collection, which is listed in this catalog. This is truly a unique opportunity to acquire vintage science fiction art from the estate of the artist.

But Rogers didn’t only create classic science fiction art. His pulp art also included covers for the hero pulps, and two of his covers for Street & Smith’s The Wizard (a companion title to Astounding) can be found here for sale as well.

  • The illustrated catalog can be found here.
  • And you can download high res images of all the art in a zip file here.
This example of Rogers’ art is a scan from the magazine cover — the original for sale is much more brightly colored.

(9) TODAY IN HISTORY.

  • May 26, 1995 Johnny Mnemonic premiered. Based on the William Gibson short story of the same name, it was directed by Robert Longo in his directorial debut. It starred Keanu Reeves, Takeshi Kitan, Henry Rollins, Ice-T, Dina Meyer and Dolph Lundgren. Despite the story itself being well received and even being nominated for a Nebula Award, the response among critics to the film was overwhelmingly negative. It currently holds a 31% rating on Rotten Tomatoes among audience reviewers. It is available to watch here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 26, 1840 – Frederick Walker.  Painter, pen & ink illustrator, wood engraver, watercolors.  Renowned in his day.  Social Realist; see herehere.  Incorporated fantasy, see here (Spirit Painting), here.  (Died 1875) [JH]
  • Born May 26, 1865 Robert Chambers. His most-remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft’s included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.) (CE)
  • Born May 26, 1867 – André Devambez.  Painter, illustrator, engraver, printmaker.  Contributed to Le Figaro IllustréLe RireL’Illustration.  Look at The Only Bird that Flies Above the Cloudshere, factual but fantastic; imagine seeing it in 1910.  Here is an illustration for Noëlle Roger’s cataclysmic The New Deluge (1922).  Here is an oil Leprechauns in an Undergrowth.  (Died 1944) [JH]
  • Born May 26, 1903 Harry Steeger. He co-founded Popular Publications in 1930, one of the major publishers of pulp magazines, with former classmate Harold S. Goldsmith. They published The Spider which he created, and with Horror Stories and Terror Tales, he started the “Shudder Pulp” genre. So lacking in taste were these pulps, even a jaded public eventually rejected them. (Died 1990.) (CE)
  • Born May 26, 1913 Peter Cushing. Best-known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.) (CE)
  • Born May 26, 1913 – Joan Jefferson Farjeon.  Scenic designer, illustrated published versions of plays she’d done, also fairy tales.  See here (a frog footman), here (a tiger lily), here.  From a 1951 stage production, here is a moment in Beauty and the Beast.  (Died 2006) [JH]
  • Born May 26, 1921 Mordecai Roshwald. He’s best-known for Level 7. (Read the expanded 2004 edition as it has his SF framing narrative.) He is also the author of A Small Armageddon, and a nonfiction work, Dreams and Nightmares: Science and Technology in Myth and Fiction. (Died 2015.) (CE)
  • Born May 26, 1923 Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in a recurring  role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. He narrates at least some of the GoT audiobooks. (Died 2017.) (CE)
  • Born May 26, 1925 – Howard DeVore.  Began collecting, 1936.  Michigan Science Fantasy Society, 1948 (Hal Shapiro said it was the Michigan Instigators of Science Fantasy for Intellectual Thinkers Society, i.e. MISFITS).  Leading dealer in SF books, paraphernalia; known as Big-Hearted Howard, a compliment-complaint-compliment; called himself “a huckster, 1st class”.  Active in Nat’l Fantasy Fan Fed’n; Neffy Award.  Also Fantasy Amateur Press Ass’n (FAPA), Spectator Am. Pr. Soc. (SAPS).  Said a Worldcon would be in Detroit over his dead body; was dragged across the stage; became Publicity head for Detention the 17th Worldcon.  With Donald Franson The Hugo, Nebula, and World Fantasy Awards (through 3rd ed’n 1998).  Named Fan Guest of Honor for 64th Worldcon, but died before the con.  His beanie had a full-size airplane propeller.  (Died 2005) [JH]
  • Born May 26, 1933 – Yôji Kondô.  Ph.D. in astrophysics. Aikido (7th degree black belt) and judo (6th degree). Senior positions at NASA, Medal for Exceptional Scientific Achievement; two hundred scientific papers; for more on that work, see here.  SF as Eric Kotani; six novels, most with J.M. Roberts; two shorter stories; edited Requiem tribute to Heinlein; non-fiction Interstellar Travel & Multi-Generation Space Ships with F. Bruhweiler, J. Moore, C. Sheffield; essays, mostly co-authored, in SF Age and Analog.  Heinlein Award.  Writers of the Future judge.  Obituary by OGH here.  (Died 2017) [JH]
  • Born May 26, 1938 – Lyudmila Petrushevskaya. Author (including plays and screenwriting), singer, painter, animator.  Russian Booker Prize, Pushkin Prize, World Fantasy Award.  Twenty short stories in our field, most recently in The Paris Review.  [JH]
  • Born May 26, 1954 – Lisbeth Zwerger.  Children’s book illustrator.  Hans Christian Andersen and Silver Brush awards; Grand Prize from German Academy for Children’s & Youth Literature.  Thirty books, most of them fantasy; see here (Swan Lake), here (the Mad Tea Party), here.  [JH]

(11) COMICS SECTION.

(12) FROM THE CIRCULAR FILE. Paul Levitz recalls the days when comics scripts were tossed in the trash after the project was over in “Artifacts”.

…Notwithstanding this, I saved a bunch of scripts from the trash for my own eduction. I’d pick out one each from the writers whose work I respected, or maybe a particularly interesting tale to study. I was limited to the scripts that passed through Joe Orlando’s editorial office–as his assistant I could take what I wanted of those, but it would have been de trop to raid Julie Schwartz’s garbage down the hall (assuming he hadn’t poured his yankee bean soup remains from lunch all over it, anyway). I learned what I could from them, then filed them away somewhere at home….

(13) THE BEER THAT MADE MFULA FAMOUS. “Under Pandemic Prohibition, South Africans Resort to Pineapples”Atlas Obscura has the story.

ON MARCH 15, THE DAY before South Africans were plunged into a lockdown which prohibited sales of alcohol, cigarettes, and takeout food, lines outside liquor stores spilled into the streets. One bottle store owner told me he did a month’s trade in a day.

Three weeks later, when President Cyril Ramaphosa made it clear the booze ban wouldn’t be lifted anytime soon, South Africans started to get desperate. Bottle store break-ins and drone-assisted drink deliveries made the news across the country. Then came the tenfold leap in pineapple sales: from 10,000 a day to nearly 100,000.

Thirsty South Africans have turned to making their own beer out of pineapples. In normal times, you can get sloshed on pineapple beer at the Big Pineapple, a 56-foot fiberglass construction in subtropical Bathurst. But these are not normal times. Luckily, pineapple beer—which is technically more of a wine or cider, as there’s no boiling involved—is easy to make, and can even be quite pleasant to drink.

(14) HELLO? ANYONE OUT THERE? [Item by Mike Kennedy.] Popular Mechanics takes a popsci look at a new analysis of the development intelligent life. “This Math Formula Has Determined the Odds of Aliens Existing” In a recent paper (Proceedings of the National Academy of Sciences, 18 May 2020), astronomer David Kipping uses Bayesian analysis to ponder the probabilities of intelligent life developing here or elsewhere. The paper’s statement of significance reads:

Does life’s early emergence mean that it would reappear quickly if we were to rerun Earth’s clock? If the timescale for intelligence evolution is very slow, then a quick start to life is actually necessary for our existence—and thus does not necessarily mean it is a generally quick process. Employing objective Bayesianism and a uniform-rate process assumption, we use just the chronology of life’s appearance in the fossil record, that of ourselves, and Earth’s habitability window to infer the true underlying rates accounting for this subtle selection effect. Our results find betting odds of >3:1 that abiogenesis is indeed a rapid process versus a slow and rare scenario, but 3:2 odds that intelligence may be rare.

Popular Mechanics sums up the paper with a single quote:

“Overall, our work supports an optimistic outlook for future searches for biosignatures,” the paper explains.

(15) ARM YOURSELVES. Daniel Dern quips, “This is the droid we’ve been looking for!” “Robotic Arm Wields UV Light Wand To Disinfect Public Spaces” in IEEE Spectrum.

Properly disinfecting public spaces can help stop the spread of coronavirus, but cleaning crews are often not properly trained how to do so. Also, if the workers don’t wear personal protective equipment, they are at risk for infection.

IEEE Fellow Satyandra K. Gupta is leading a research team at the University of Southern California’s Viterbi Center for Advanced Manufacturing in Los Angeles that is building a robotic arm that uses a UV light sanitizer to clean contaminated areas.

(16) OUTSIDE THE BOX. ScreenRant reports that Big Finish has lined up two Doctors for this audio drama: “Doctor Who: David Tennant & Tom Baker Unite Against Daleks In New Story”.

David Tennant and Tom Baker are uniting to battle the Daleks in an upcoming Doctor Who audio-drama. The longest-running sci-fi TV series in the world, Doctor Who has become a cult classic. Regeneration is the secret to the show’s success. Doctor Who can reinvent itself periodically, recasting its star and allowing a new showrunner to take it in entirely new directions.

Every now and again, though, two or more incarnations of the Doctor come together in a fan-pleasing adventure in which they battle against iconic foes…. 

The plot is –

The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.

Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only, he’s already there several lives earlier, so when dimension barriers break down, his past and present collide.

And when the Daleks invade and commandeer the Cathedral, two Doctors must unite to stop them – or face extermination twice over!

(17) OTHER PEOPLE STARED, AS IF WE WERE BOTH QUITE INSANE. This is wild! The “augmented reality” bus stop window.

[Thanks to Mlex, Michael Toman, N., Andrew Porter, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Nina Shepardson, Chip Hitchcock, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day, the man who does for Scroll titles what Escher did for architecture, Daniel Dern.]

Bradbury In All His Glory

A new post to reacquaint File 770 readers with our mottos. No, not the one about the hive! This one — “All Bradbury, All the Time.”

(1) OUT ON A LIMB. Jonathan Stone, in “7 Transformational Books To Read in Your Treehouse” on CrimeReads, discusses seven books he read as a kid in his treehouse.  One of the seven is The Martian Chronicles.

(2) THE LAST OF LIFE, FOR WHICH THE FIRST WAS MADE. Jonathan R. Eller’s Bradbury Beyond Apollo is the conclusion to the trilogy that began with Becoming Ray Bradbury and Ray Bradbury Unbound. It will be released in August, and is available for preorder now from the University of Illinois Press.

Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age—by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans.

Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often-overlooked second half of Bradbury’s working life. As Bradbury’s dreams took him into a wider range of nonfiction writing and public lectures, the diminishing time that remained for creative pursuits went toward Hollywood productions like the award-winning series Ray Bradbury Theater. Bradbury developed the Spaceship Earth narration at Disney’s EPCOT Center; appeared everywhere from public television to NASA events to comic conventions; published poetry; and mined past triumphs for stage productions that enjoyed mixed success. Distracted from storytelling as he became more famous, Bradbury nonetheless published innovative experiments in autobiography masked as detective novels, the well-received fantasy The Halloween Tree and the masterful time travel story “The Toynbee Convector.” Yet his embrace of celebrity was often at odds with his passion for writing, and the resulting tension continuously pulled at his sense of self.

The revelatory conclusion to the acclaimed three-part biography, Bradbury Beyond Apollo tells the story of an inexhaustible creative force seeking new frontiers.

Eller is director of the Center for Ray Bradbury Studies at IUPUI.

(3) BE YOUR OWN GUIDE. At IUPUI’s Center for Ray Bradbury Studies you can “Visit Bradbury’s home office and library!”

One highlight of the Center for Ray Bradbury Studies is its recreation of Ray Bradbury’s basement office and library as it evolved in his Los Angeles, California, home for more than half a century.

The contents of Ray Bradbury’s office and library include more than 100,000 pages of published and unpublished literary works stored in thirty-one of the author’s filing cabinets, forty years of his personal and professional correspondence (over 10,000 pages), author’s copies of his books, including extensive foreign language editions, and his working library (a combined 4000 volumes). The broader collection of papers includes manuscripts, typescripts, screenplay and teleplay drafts, story concepts, photographs, correspondence, scrapbooks with original drawings and printed comic strips from his youth, and ephemera he collected documenting his travels, and more. Also preserved is Bradbury’s original furniture, including his writing desk, paint table, bookshelves, and chairs.

The site also hosts a Virtual Tour of Bradbury’s office. A companion piece is a text-based version of the tour (HTML). Visitors to the site are encouraged to use the text-based version as they navigate the virtual environment. 

(4) THE REDISCOVERED COUNTRY. The Paris Review commissioned an interview with Ray Bradbury in the 1970s but it wasn’t completed at the time. Someone found the text in Bradbury’s files, completed the interview, and The Paris Review finally published it in 2010: “Ray Bradbury, The Art of Fiction No. 203”.

INTERVIEWER

The Martian Chronicles, your first major success, was called a novel, but it’s really a book of short stories, many of which had appeared in pulp-fiction magazines during the forties. Why did you decide to collect them as a novel? 

BRADBURY

Around 1947, when I published my first novel, Dark Carnival, I met the secretary of Norman Corwin, a big name in radio—a director, writer, and producer. Through her I sent him a copy of Dark Carnival and wrote a letter saying, If you like this book as much as I like your work, I’d like to buy you drinks someday. A week later the phone rang and it was Norman. He said, You’re not buying me drinks, I’m buying you dinner. That was the start of a lifelong friendship. That first time he took me to dinner I told him about my Martian story “Ylla.” He said, Wow, that’s great, write more of those. So I did. In a way, that was what caused The Martian Chronicles to be born.

There was another reason. In 1949, my wife Maggie became pregnant with our first daughter, Susan. Up until then, Maggie had worked full-time and I stayed home writing my short stories. But now that she was going to have the baby, I needed to earn more money. I needed a book contract. Norman suggested I travel to New York City to meet editors and make an impression, so I took a Greyhound bus to New York and stayed at the YMCA, fifty cents a night. I took my stories around to a dozen publishers. Nobody wanted them. They said, We don’t publish stories. Nobody reads them. Don’t you have a novel? I said, No, I don’t. I’m a sprinter, not a marathon runner. I was ready to go home when, on my last night, I had dinner with an editor at Doubleday named Walter Bradbury—no relation. He said, Wouldn’t there be a book if you took all those Martian stories and tied them together? You could call it “The Martian Chronicles.” It was his title, not mine. I said, Oh, my God. I had read Winesburg, Ohio when I was twenty-four years old, in 1944. I was so taken with it that I thought, Someday I’d like to write a book like this, but I’d set it on Mars. I’d actually made a note about this in 1944, but I’d forgotten about it.

I stayed up all night at the YMCA and typed out an outline. I took it to him the next morning. He read it and said, I’ll give you a check for seven hundred and fifty bucks. I went back to Los Angeles and connected all the short stories and it became The Martian Chronicles. It’s called a novel, but you’re right, it’s really a book of short stories all tied together.

(5) MARS AT LAST. Librarypoint covered “A History of Science Fiction: Ray Bradbury & Arthur C. Clarke” in a 2018 article. Its remarks about The Martian Chronicles conclude:

…The final story, “The Million-Year Picnic,” has one of the most powerful images in science fiction: the father of a small family, after burning every document connecting them to their Earthly existence, promises to show his sons “Martians” and introduces them to their own reflections in the canal. The mystery and otherworldly quality of Mars, after being pushed back and civilized for so long under the colonists, is preserved as the immigrants lose their Earthly identity and become the new Martians. 

(6) TATTOO ART. All of Me is Illustrated from Rosetta Books matches Bradbury’s fiction and photos of tattooed bodies.

All of Me Is Illustrated is the first book to feature Ray Bradbury’s treasured stories “The Illustrated Man” and “The Illustrated Woman” together alongside the most stunning tattooed bodies of today. Bradbury’s prose reminds us so wonderfully — and at times violently and humorously — how foolish it is to assume the origins and meanings behind a person’s tattoos. Just as with Bradbury’s characters, the motivations of the featured collectors and artists to ink (or be inked) vary. What is undeniable is that their illustrated bodies are a source of pride, wonder, titillation, and beauty, whether depicting the grotesque or the mundane.

…Photographs of renowned tattoo artists and their intricate living pieces are breathtaking companions to Bradbury’s illuminating tales of relationships upended or enriched by the ancient art form. Featured artists include Jessa Bigelow, Paul Booth, Steve Butcher, Ryan Ashley Malarkey, Yomico Moreno, Andy Pho, TeeJ Poole, Duke Riley, DJ Tambe, Tatu Baby, Carlos Torres, Dmitry Troshin, Jess Yen, Popo Zhang. With an introduction by tattoo collector and scholar Anna Felicity Friedman, the result is a book that showcases masters of their craft.

(7) THEATER OF THE MIND. In the Washington Post, Rebecca Powers has a piece on the sounds of travel that has a Ray Bradbury reference. “Even when you can’t travel, you can still bring the sounds of a far-off city to you.”

“In Ray Bradbury’s book, Dandelion Wine, a dying man longs to hear the sounds of Mexico City.  He calls a friend there and asks him to hold the phone to an open window so he can hear the ‘hot yellow noon’ of a populated place he once knew.  Metal horns, squealing brakes and ‘the calls of vendors selling red-purple bananas and jungle oranges’ travel through the phone line.”

(8) NEWS FROM ME. Mark Evanier introduces videos of his 2004 Bradbury interview on stage at San Diego Comic-Con in this post from 2019. The pair did a Q&A session at several different Comic-Cons. (See also John King Tarpinian’s report and photos of “Ray Bradbury at Comic-Con 41” in 2010.)

…Sometimes, he’d run into an old friend like Julius Schwartz, Forrest Ackerman or Stan Freberg and they’d embrace and catch up on things. If you noticed and recognized him, he was glad to sign whatever you wanted signed and to talk about whatever you wanted to talk about. I’m sure there are many, many folks out there who still treasure those encounters. He had a way of shifting the topic from himself to you. You’d ask him about The Martian Chronicles and wind up talking about what you did or wanted to do for a living.

If you were passionate about something, especially if it was to someday be a writer or artist, he would tell you that you reminded him of himself at your age. That was a powerful feeling he had at the con and he expressed it in so many ways.

…I learned that everything went best when I recalled or researched a great story he’d told many times before and then led him into it. Shortly before the chat below, he’d appeared on a little-watched cable show that Dennis Miller was hosting. Ray started telling a story that was too long for the time remaining so Miller rushed him through it, then cut him off before the punch line. Late in this conversation, I got Ray to tell it in full. Whenever I could steer him into the right tale, it was magic. I just sat there in the best seat in the house and enjoyed Ray Bradbury talking, sometimes at great length. Even at his advanced age, he was one of the best public speakers I’ve ever seen.

[Thanks to John King Tarpinian, Michael Toman, and Martin Morse Wooster for these stories.]