Mark Kelly, who maintains the indispensable SF Awards Database,
introduces us to a cat and the collections she’s sleeping on:
Soybean, our 2-1/2-year-old female, finding a spot on the sofa where I’m sorting anthologies (and other books) for my SFADB anthologies project. The towel was there to protect the books from the afternoon sun; I turned it back a bit for the photo. At right is a complete run of Damon Knight’s Orbit anthologies, in paperback and hardcover; left of that, paperbacks of Delany/Hacker’s Quark/ books and other pb anthologies. Ordinarily I would never let one of my cats settle onto a stack of books, but in this case the towel softened the impact, I think. Underneath Soybean is a complete run of Silverberg (& Randall) New Dimensions anthologies.
Photos of other cats (or whatever you’ve got!) resting on genre
works are welcome. Send to mikeglyer (at) cs (dot) com
… It’s five years later, and in my opinion, Kate’s done what she set out to do. She didn’t do it alone, of course. She had the help of a whole lot of amazing SFWA staff and volunteers, including the amazing Terra LeMay and Steven H Silver. Mary Robinette Kowal got turned loose on programming the last couple of years and has been doing a stellar job. And others have made their mark with additions, such as the Nebula Award Alternate Universe Acceptance speeches or the mentoring program led by Sarah Pinsker or (I’d like to think) two I’ve contributed: the volunteer appreciation breakfast as well as the spouses and partners reception that have been regular features (and I hope will continue to do so!) Or the Book Depot, because I don’t know of ANY other con that takes as much care to make sure that its authors — including the indies — can sign and sell their books there. And there’s a fancy Nebula website, which remains a work in progress as more and more gets added to it, preserving the history of the Awards.
We’ve only got a small fraction of the schedule so far, with plenty of new stuff getting added every day, but here’s some highlights…
On Thursday, SpaceIL’s lunar lander attempted to make a soft landing on the surface of the Moon, but it apparently crashed instead into the gray world. Although a postmortem analysis has not yet been completed, telemetry from the spacecraft indicated a failure of the spacecraft’s main engine about 10km above the Moon. Thereafter, it appears to have struck the Moon at a velocity of around 130 meters per second.
“We have had a failure in the spacecraft,” Opher Doron, general manager of the space division at Israel Aerospace Industries, which built the lander, said during the landing webcast. “We have unfortunately not managed to land successfully.” Israeli engineers vowed to try again.
The failure to land is perhaps understandable—it is extremely hard to land on the Moon, Mars, or any other object in the Solar System. In this case, the private effort to build the lunar lander worked on a shoestring budget of around $100 million to build their spacecraft, which had performed admirably right up until the last few minutes before its planned touchdown.
NASA’s trailblazing Twins Study moved into the final stages of integrated research with the release of a combined summary paper published in Science.
The landmark Twins Study brought ten research teams from around the country together to observe what physiological, molecular and cognitive changes could happen to a human from exposure to spaceflight hazards. This was accomplished by comparing retired astronaut Scott Kelly while he was in space, to his identical twin brother, retired astronaut Mark Kelly, who remained on Earth.
The PR’s summaries of the 10 research topics includes –
Gene Expression: Samples taken before, during and after Scott’s mission in space revealed some changes in gene expression. Mark also experienced normal-range changes in gene expression on Earth, but not the same changes as Scott. Changes Scott experienced may have been associated with his lengthy stay in space. Most of these changes (about 91.3%) reverted to baseline after he returned to Earth; however, a small subset persisted after six months. Some observed DNA damage is believed to be a result of radiation exposure. Gene expression data corroborated and supported other findings in the Twins Study, including the body’s response to DNA damage, telomere regulation, bone formation and immune system stress. These findings help demonstrate how a human body was able to adapt to the extreme environment of space and help researchers better understand how environmental stressors influence the activity of different genes, leading to a better understanding of physiological processes in space.
(4) BRACKETT BOOKS FALL THROUGH. The two Leigh Brackett titles announced by the Haffner Press in late 2015, The Book of Stark and Leigh Brackett Centennial have been cancelled. Stephen Haffner e-mailed an explanation to fans who preordered the books:
The fault for the cancellation of these two titles lies completely with Haffner Press and with me personally.
Rights to these titles were not evergreen and I failed to complete and publish these books within the contracted period. Believe me, I made every attempt to recover/resurrect these titles. At this point, the agent for the estate of Leigh Brackett is making other arrangements for the Stark books and Leigh Brackett. If this status changes, you’ll be one of the first to know.
Haffner is offering a complete refund, or application of the credit to another purchase.
(5) GUGGENHEIM FELLOWSHIPS. Authors Edward Carey, Michael Helm, Carmen
Maria Machado, and Luis Alberto Urrea are among the winners of the 2019 Guggenheim Fellowships reports Locus Online.
(6) NEWITZ TALK. The Arthur C. Clarke Center for Human Imagination has
posted video of Annalee Newitz speaking at UCSD on April 4 as part of the San Diego 2049 series .
Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous, joined the Arthur C. Clarke Center for Human Imagination and the School of Global Policy and Strategy at UC San Diego to share her insights into worldbuilding as part of the San Diego 2049 series of programs.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 11, 1883 — Leonard Mudie. His very last screen role was as one of the survivors of the SS Columbia in Trek’s original pilot episode, “The Cage.” He also appeared as Professor Pearson opposite Boris Karloff in The Mummy released in 1932. He appeared in the 1938 Adventures of Robin Hood as the town crier and the mysterious man who gives Robin directions. (Died 1965.)
Born April 11, 1892 — William M. Timlin. Author of The Ship that Sailed to Mars, a remarkable work that has 48 pages of text and 48 color plates. It has become a classic of fantasy literature. You can view the book here. (Died 1943.)
Born April 11, 1920 — Peter O’Donnell. A British writer of mysteries and of comic strips, best known as the creator of Modesty Blaise. He also did an adaptation for the Daily Express of the Dr. No novel. (Died 2010.)
Born April 11, 1953 — Byron Preiss. Writer, editor and publisher. He founded and served as president of Byron Preiss Visual Publications, and later of ibooks Inc. If I remember correctly, ibooks was the last publisher for Zelazny for most of his books. Any idea what happened to those rights after ibooks went into receivership? The only book I can find him writing is the children’s novel Dragonworld which is co-authored with Michael Reaves who was involved in including Gargoyles and Batman: The Animated Series. (Died 2005.)
Born April 11, 1957 — Marina Fitch, 62. She has published two novels, The Seventh Heart and The Border. Her short fiction has appeared in Pulphouse, MZB, F&SF, and Asimov’s Science Fiction Magazine, and the anthologies, Desire Burn and Peter S. Beagle’s Immortal Unicorn. She is currently at work on a novel and several new stories.
Born April 11, 1963 — Gregory Keyes, 56. Best known for The Age of Unreason tetralogy, a steampunk and magical affair featuring Benjamin Franklin and Isaac Newton. He also wrote The Psi Corps Trilogy and has done a lot of other media time-in fiction including Pacific Rim, Star Wars, Planet of The Apes, Independence Day and Pacific Rim.
Born April 11, 1974 — Tricia Helfer, 45. She is best known for playing the humanoid Cylon model Number Six in the re-imagined Battlestar Galactica. In addition, she plays Charlotte Richards / Mom on Lucifer. And she voiced Boodikka in Green Lantern: First Flight.
Born April 11, 1981 — Matt Ryan, 38. John Constantine in NBC’s Constantine and The CW’s Arrowverse, as well as voicing the character in the Justice League Dark and the animated Constantine: City of Demons films as well. And he played Horatio in Hamlet in the Donmar production at the Wyndham’s Theatre.
A 29-year-old computer scientist has earned plaudits worldwide for helping develop the algorithm that created the first-ever image of a black hole.
Katie Bouman led development of a computer program that made the breakthrough image possible.
The remarkable photo, showing a halo of dust and gas 500 million trillion km from Earth, was released on Wednesday.
For Dr Bouman, its creation was the realisation of an endeavour previously thought impossible.
(9) LOL! Oh,
HUGO FAN MATERIAL ONLINE. Joe Siclari of Fanac.org has assembled a resource for this year’s Retro Hugo
Dublin 2019 has announced the Finalists for this year’s Retro Hugo Awards to be given for works published in 1943. We’ve pulled together what we have on Fanac.org, along with a few zines from eFanzines and the University of Iowa, to give you a single place where you can find all the Finalist publications available online. Read before you vote! http://fanac.org/fanzines/Retro_Hugos.html
A comprehensive visual overview of George R. R. Martin’s A Song of Ice and Fire series—plus A Knight of the Seven Kingdoms and Fire and Blood—through over 300 drawings and paintings by the award-winning illustrator Gary Gianni.
I’m very pleased to announce that Tor has acquired my recent space fantasy (maybe?), as part of a three book deal, and I’ll be working with Christopher Morgan there. While I’ve had a lot of short stories published traditionally, this is the first novel to go through that, and I’m looking forward to seeing what the process is like. What is the book about? Well, I’m actually not sure of the genre but have been describing it as a banter-driven space military fantasy in which a group of ex-military turned restauranteurs get an unexpected package, just as things start exploding. I’m 40k words into the sequel.
(13) AMAZON’S #1 AUTHOR. It took five days for Scalzi’s cats to turn him into a telethon host.
A yearlong investigation by government scientists has concluded that a major accident at a nuclear waste dump was caused by the wrong brand of cat litter.
The U.S. Department of Energy has released a 277-page report into an explosion that occurred on Feb. 14, 2014, at the Waste Isolation Pilot Plant in New Mexico. According to a summary of the report, the incident occurred when a single drum of nuclear waste, 68660, burst open.
The Washington County sheriff in Oregon says there was nothing unusual about the call. Sure, it was broad daylight — 1:48 p.m. local time exactly — but “crime can happen anytime.”
So the frantic call from a house guest about a burglar making loud rustling noises inside the house, specifically from within the locked bathroom, deserved an urgent response, Sgt. Danny DiPietro, a sheriff’s spokesman, tells NPR.
“The man had just gone for a walk with his nephew’s dog and when he came back, he could see shadows moving back and forth under the bathroom door,” DiPietro says.
Resources were immediately deployed: three seasoned deputies — one with at least 20 years on the force — a detective who happened to be in the area, and two canine officers from Beaverton Police Department, about 7 miles outside Portland.
There’s a new addition to the family tree: an extinct species of human that’s been found in the Philippines.
It’s known as Homo luzonensis, after the site of its discovery on the country’s largest island Luzon.
Its physical features are a mixture of those found in very ancient human ancestors and in more recent people.
That could mean primitive human relatives left Africa and made it all the way to South-East Asia, something not previously thought possible.
The find shows that human evolution in the region may have been a highly complicated affair, with three or more human species in the region at around the time our ancestors arrive.
(18) THE AI SHORTFALL. IEEE Spectrum’s article “How
IBM Watson Overpromised and Underdelivered on AI Health Care”illustrates the gap between reality and
the popular imagination regarding AI. Greg Hullender sent the link with a comment,
“I think the key point is in the last two paragraphs: Watson makes a great AI
librarian, but it really isn’t a doctor at all, and likely never will be. Also
worth noting is that the areas where they had the most success were the ones
that needed the least AI, e.g. Watson for Genomics, which benefited from not
needing natural language processing (NLP).”
The U.S. Department of Veterans Affairs uses Watson for Genomics reports in more than 70 hospitals nationwide, says Michael Kelley, the VA’s national program director for oncology. The VA first tried the system on lung cancer and now uses it for all solid tumors. “I do think it improves patient care,” Kelley says. When VA oncologists are deciding on a treatment plan, “it is a source of information they can bring to the discussion,” he says. But Kelley says he doesn’t think of Watson as a robot doctor. “I tend to think of it as a robot who is a master medical librarian.”
Most doctors would probably be delighted to have an AI librarian at their beck and call—and if that’s what IBM had originally promised them, they might not be so disappointed today. The Watson Health story is a cautionary tale of hubris and hype. Everyone likes ambition, everyone likes moon shots, but nobody wants to climb into a rocket that doesn’t work.
While sitting in the balcony of a movie theater waiting for Jordan Peele’s much-anticipated horror film Us, I began thinking about my personal relationship with the horror genre. “When I was pregnant with you I used to watch scary movies all the time,” my mom confessed years before as we left the Roosevelt Theatre in Harlem one afternoon after a screening of Night of the Living Dead. Although I was only seven and much too young to have seen that first zombie apocalypse, which gave me nightmares for a week, but afterwards I became a horror junkie. As much as I might’ve nervously jumped while watching The Blob, The Fly or Dracula, it was those stories that appealed to me.
…During the 1970s, with the exception of a few artists (Billy Graham, Keith Pollard, Ron Wilson and Trevor Von Eeden), there weren’t many African-American creators working in commercial comics, something I noticed when I attended my first comic convention that same year. However, while I didn’t see any scripters that “looked like me,” that wasn’t going to keep me from trying. Truthfully, I wasn’t trying to be the Rosa Parks of horror comic book writers, I just wanted to be down.
What terrifies children isn’t just the stuff designed to scare. In The Wizard of Oz, for example, you get the witch but also the comedy lion – and even though cackling evil is dispelled at the end, the incidentals offer nightmare fodder: the tree with a human face, the winged monkeys, even the horse of a different colour. As Tim Burton or Guillermo del Toro – both jumpy kids who have grown up to love monsters – have shown, the world of an imaginative child is full of wonders and terrors, and if you strip out the latter by insisting on a diet of just Peppa Pig you risk raising a generation unable to cope with the slightest trauma.
(21) ENDGAME PROMO. “You know your teams. You know your
missions.” Marvel Studios’ Avengers:
Endgame is in theaters April 26.
Joe Siclari, Susan de Guardiola, John King Tarpinian, Cat Eldridge, JJ, Olav
Rokne, Michael Toman, Martin Morse Wooster, Cat Rambo, Chip Hitchcock, Stephenfrom
Ottawa, Arnie Fenner, Greg Hullender, Mike Kennedy, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Daniel Dern.]
Opportunity colored our modern understanding of the red planet. Now, it’s time to say goodbye.
The craft, which arrived at the Red Planet in July 2004, has been out of communication since last summer. Many months’ worth of attempts to contact the craft failed. Today, NASA is officially saying goodbye to the craft that, for years and years, couldn’t be stopped. At 2 p.m. Eastern, the space agency will give a press conference on the rover and is expected to say that the last attempts to reach it have failed.
Opportunity had been roving the surface of Mars for 15 years before the ominous, giant global dust storm that sealed its demise came along. This wasn’t the first time a dust storm had made Oppy go silent. But a subsequent “cleaning” event—what NASA calls it when weather conditions clear, exposing the solar panels and allowing the craft to recharge—never happened.
The press conference referenced above did happen and
the expected announcement was made. RIP Opportunity. A short farewell video was
posted by NASA/JPL-Caltech here.
Don’t want to go boldly into dating disaster on Valentine’s Day? Beam these Star Trek: The Next Generation episodes onto your screen.
So you’re not into mail-order teddy bears or heart-shaped boxes of bonbons. Neither is the crew of the Starship Enterprise. There are plenty of reasons, human and otherwise, that Star Trek: The Next Generation wouldn’t be considered Valentine’s Day viewing. Androids like Data aren’t programmed to feel human emotion, and just a few minutes of getting to know Worf makes it clear the Klingon race will do just about anything to avoid it.
Even the homo sapiens on board (with the possible exception of Riker) aren’t exactly temptresses or Casanovas. Some need an operating manual just to get through a date, while others wouldn’t show affection if the Federation mandated it. Could you possibly imagine Captain Picard waltzing over to Dr. Crusher’s quarters with a bottle of Magus III’s finest vintage and a bouquet of chameleon roses? Point made.
Space fairytales aren’t about to happen when you’re beaming alien diplomats or racing across galaxies at warp nine. Still, the crew of the Enterprise tries to fumble their way through romance between all the Calrissian conflicts and Ferengi negotiations. From Riker’s interplanetary (and often interspecies) liaisons and Data’s failed attempt at programming human emotions to the embarrassingly amorous antics of Deanna Troi’s mother, it appears love in 24th century space isn’t nearly as advanced as the technology.
There’s lots of info about the episodes… but herewith
just the list:
DC Comics readers can begin their Free Comic Book Day celebration a few days early when the publisher releases [it’s] DC’s Year of the Villains one-shot on Wednesday, May 1.
The issue, which will retail at 25-cents, not only celebrates DC’s most popular bad guys, it is designed to set up the next year’s worth of major storylines and events for the company’s biggest titles.
…Lesson 3. Treat your suppliers with respect. I’ve taken a policy decision to pay cash owed into a freelancer’s account the same day I receive the invoice. My cash flow is important but respecting other people’s cash flow generates goodwill, and better relationships are vital for a small enterprise—perhaps for big enterprises too.
Lesson 4. Everything costs more than estimated, and income is always less. Those who see publishers, large or small, as greedy monsters making large profits should try it for themselves.
Lesson 5. All the fine comments, tweets, and reviews about a book count for little if they don’t generate readership and sales. The best—and only?—viral campaign remains word of mouth.
One hour. That’s all it took for the tweets to start coming in. No sooner had Disney dropped the trailer for Frozen 2 than the question started popping up: Where was Elsa’s girlfriend? Was she gonna be a lesbian, or nah? Disney fans and LGBTQ advocates alike were demanding: Make Elsa Gay, Dammit.
This call for Elsa (voiced by Idina Menzel) to embrace her Sapphic side didn’t come from out of the blue. For one, her theme song, “Let It Go,” has been embraced as a coming-out anthem, beloved at karaoke nights and piano bars the world over. For another, there’s been a Twitter campaign for it that dates back to 2016, when a young woman named Alexis Isabel Moncada noted how “iconic” it would be if Disney made the character into a lesbian princess. “The entertainment industry has given us girls who have fallen in love with beasts, ogres who fall for humans, and even grown women who love bees,” Moncada wrote in a piece for MTV about her tweet. “But we’ve never been able to see the purity in a queer relationship.” Soon #GiveElsaAGirlfriend was trending and a movement was born.
(6) BALLANTINE OBIT. Betty Ballantine (1919-2019) died February 12 — “Paperback Pioneer Betty Ballantine Dead at 99”. She and her husband Ian (d. 1995) helped create Bantam Books in 1945 and established Ballantine Books in 1952. They became freelance publishers in the 1970s. The Ballantines were Worldcon guests of honor in 1989, and voted into the Science Fiction Hall of Fame in 2008. Betty was given the World Fantasy Convention’s Life Achievement Award in 2007.
She was also a writer — her novel, The Secret Oceans (1994), was marketed as “a modern-day, ecology-oriented 20,000 Leagues Under the Sea for kids.”
The New York Times obituary begins —
Betty Ballantine, the younger half of a groundbreaking husband-and-wife publishing team which helped invent the modern paperback and vastly expand the market for science fiction and other genres through such blockbusters as “The Hobbit” and “Fahrenheit 451,” has died.
…Charging as little as a quarter, they published everything from reprints of Mark Twain novels to paperbacks of contemporary best-sellers. They helped established the paperback market for science fiction, Westerns and other genres, releasing original works and reprints by J.R.R. Tolkien, Arthur C. Clarke and H.P. Lovecraft, among others. They made their books available in drugstores, railroad stations and other non-traditional outlets. They issued some paperbacks simultaneously with the hardcover, instead of waiting several months or longer.
[Compiled by Cat Eldridge.]
Born February 13, 1932 — Barbara Shelley, 87. She was at her most active in the late Fifties (Blood of the Vampire) and Sixties when she became Hammer Horror’s best known female star with Dracula, The GorgonPrince of Darkness and Rasputin, The Mad Monk as some of her credits.
Born February 13, 1938 — Oliver Reed. He first shows up in a genre film uncredited in The Two Faces of Dr. Jekyll with his first credited role being Leon in The Curse of the Werewolf. He was King in The Damned, an SF despite its title, and Z.P.G. saw him cast as Russ McNeil. Next up was him as Athos in the very charming Three Musketeers, a role he reprised in Four Musketeers and Return of the Musketeers. Does Royal Flash count as genre? Kage Baker loved that rogue. Kage also loved The Adventures of Baron Munchausen in which he played Vulcan. Orpheus & Eurydice has him as Narrator, his final final film role. (Died 1999.)
Born February 13, 1959 – Maureen F. McHugh, 60. Her first novel, China Mountain Zhang was nominated for both the Hugo and the Nebula Award, and won the James Tiptree, Jr. Award, impressive indeed. Her other novels are Half the Day Is Night, Mission Child and Nekropolis. She has an impressive collective of short stories.
Born February 13, 1961 – Henry Rollins, 58. Musician and actor of interest to me for his repeated use in in the DC Universe as a voice actor, first on Batman Beyond as Mad Stan the bomber, also as Benjamin Knox / Bonk in Batman Beyond: Return of the Joker, then on Teen Titans as Johnny Rancid and finally, or least to date, voicing Robot Man in the “The Last Patrol!” of Batman: The Brave and the Bold. I’d be remiss not to note he’s Spider in Johnny Mnemonic, andin Green Lantern: Emerald Knights as the voice of Kilowog.
Born February 13, 1966 – Neal McDonough, 53. He first shows up in an SF role on Star Trek: First Contact as Lieutenant Hawk. He’s then in Minority Report as Officer Gordon ‘Fletch’ Fletcher. (Anyone see this? Just curious.) He next plays Frank Gordon in Timeline before going off into Loren Coleman territory as Ned Dwyer in They Call Him Sasquatch. He voices Green Arrow in the most superb DC Showcase: Green Arrow short which you on the DC Universe service. Where can also also find Batman: Assault on Arkham with him voicing the Deadshot / Floyd Lawton character. (End of plug.) Series wise, I see he’s appeared as Dum Dum Dugan on Agents of S.H.I.E.L.D. and Agent Carter. Did he time time? He’s also played Damien Darhk in the Arrowverse. And he played Wyatt Cain in the Tin Man series.
A new comic universe is mooted in Frazz. (Which sounds a lot more sophisticated than the joke.)
Last Kiss’ Valentine’s Day gag is even less tasteful…
FUTURE HUGO CATEGORIES. John
Scalzi has a dream:
The US space agency’s (Nasa) InSight mission has positioned the second of its surface instruments on Mars.
Known as HP3, the heat-flow probe was picked up off the deck of the lander with a robot arm and placed next to the SEIS seismometer package, which was deployed in December.
Together with an onboard radio experiment, these sensor systems will be used to investigate the interior of the planet, to understand its present-day activity and how the sub-surface rocks are layered.
Black Panther has been everywhere in recent years – but spotting one of the animals the famous superhero is named after in the African wilderness is a little more rare.
Wildlife photographer Will Burrard-Lucas managed it – and there are even claims this is the first time anyone has captured a melanistic leopard on camera in Africa in 100 years.
Very few images of these iconic, secretive creatures exist.
Will heard rumours of a black panther – which is a loose term for a black leopard or black jaguar, depending where in the world it’s from – at the Laikipia Wilderness Camp in Kenya.
(12) THE NEXT ASTRONAUT
SENATOR? [Item by Mike Kennedy.] Mark Kelly wants to join an exclusive club: astronauts
turned US politician (CNN: “NASA astronaut Mark Kelly launches
Senate campaign”). John Glenn (Mercury-Atlas 6 and Shuttle mission STS-95)
served as Senator for 24 years and campaigned for president in the 1984 cycle.
Both Harrison Schmitt (Apollo 17) served one term as Senator and Jack
Swigert (Apollo 13) was elected to the Senate but died before he took office. Jake
Garn (Shuttle mission STS-51-D) was a Senator for a bit over 18 years and went
to space in the middle of that. Bill Nelson (Shuttle mission STS-61-C) has
served in both the House of Representatives and the Senate, flying on the
Shuttle while in the House.
Former NASA astronaut Mark Kelly’s “next mission” is to be a US senator for Arizona.
“I care about people. I care about the state of Arizona. I care about this nation. So because of that, I’ve decided that I’m launching a campaign for the United States Senate,” Kelly said in a video released Tuesday announcing his run as a Democratic candidate.
Kelly, 54, is the husband of former Rep. Gabby Giffords, D-Arizona, who survived a shooting in 2011. The two appeared together in Kelly’s announcement video, recounting that difficult period in their lives and Giffords’ rehabilitation from the gunshot wound.
“I learned a lot from being an astronaut. I learned a lot from being a pilot in the Navy. I learned a lot about solving problems from being an engineer,” Kelly says in the campaign announcementvideo. “But what I learned from my wife is how you use policy to improve people’s lives.”
Now, Cameron is headed back to Terminator’s less-than-hopeful future for the first time since 1991’s action classic Terminator 2: Judgment Day. The writer-director is serving as executive producer on the Tim Miller-helmed sixth entry in the franchise, which will reset the continuity clock back to Judgment Day, erasing the subsequent sequels Rise of the Machines (2003), Salvation (2009) and Genisys (2015) from the timeline. And while Sarah Connor appeared to avert the machine uprising at the end of T2, the proposed title for the new Terminator — due in theaters on Nov. 1 — makes it clear that there’s plenty of darkness still ahead. “We’re calling it, Terminator: Dark Fate,” Cameron reveals. “That’s our working title right now.”
And in the Consequence
of Sound article:
[…] Last week, the director also teased that he might be doing the same for the Alien franchise, specifically that would-be followup to Aliens that Neill Blomkamp dreamed up years ago (and Ridley Scott promptly destroyed). If you recall, the idea would be to bring back Sigourney Weaver and Biehn, ignoring Alien 3 and Alien: Resurrection.
On a recent red carpet interview […], Cameron was asked about calling up Blomkamp and pivoting to Aliens, to which he confirmed, saying: “I’m working on that, yeah.” It’s exciting news given that Blomkamp is currently doing something similar for RoboCop, and the idea of a legacy sequel is all the rage right now in Hollywood (see: Halloween, Ghostbusters).
(15) WEIRD CITY. The new anthology
series created by Jordan Peele and the “Key & Peele” writer Charlie Sanders,
Weird City, streams on YouTube
Premium. The first couple episodes are currently available free.
A sci-fi potpourri that wears its influences on its sleeves, this imagines a socially stratified dystopia whose upper- and lower-class citizens are separated by a physical barrier called “the line.” But while it’s dystopian, it’s also funny; the show plays as if “Black Mirror” and Fritz Lang’s “Metropolis” had a love child, and then that child chose a career in comedy. Many recognizable actors — including Steven Yeun, Awkwafina, Dylan O’Brien, LeVar Burton and Rosario Dawson — portray the citizenry of this middle-class-less society.
[Thanks to John King Tarpinian, Andrew Porter, Martin Morse Wooster, Chip Hitchcock, JJ, Cat Eldridge Carl Slaughter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The Lucas Museum of Narrative Arts in Exposition Park is beginning to take shape in Los Angeles’ Exposition Park area.
Filmmaker George Lucas and wife Mellody Hobson were at a groundbreaking Wednesday for the $1 billion museum. The museum will house works by painters such as Edgar Degas, Winslow Homer and Pierre-Auguste Renoir; illustrations, comic art and photography by artists such as Norman Rockwell, Maxfield Parrish and N.C. Wyeth; as well as storyboards, props and other items from popular films. It will be a “barrier-free museum” where “artificial divisions between `high’ art and `popular’ art are absent,” according to the museum’s website.
“It will be beautiful. It will be 11 acres of new parkland here,” Hobson said. “Everyone always wonders why we are doing so much to make this building stand out. George said, ‘I want an iconic building. I want a child to look at this building and say I want to see what is inside of that building.’ The building itself is a piece of art that will be in this park that we’re creating for this entire community and the world.”
The museum plans to feature a five-story building with 300,000 square feet of floor area for a cafe and restaurant, theaters, office space, lecture halls, a library, classrooms, exhibition space and landscaped open space.
Movies, including the “Star Wars” series, will be featured in exhibits showing what it takes to make a film, from set designs to character and costume sketches. There will be film storyboards and comic art. But the museum will also display paintings by Renoir, N.C. Wyeth, Winslow Homer, Maxfield Parrish and Norman Rockwell – all from Lucas’ private collection.
“I think more people will come in for Rockwell than will come in for ‘Star Wars,'” Lucas said.
“Norman Rockwell can tell a whole story in one picture,” Lucas said.
“When were you captivated by Rockwell?” Blackstone asked.
“When I was 8 years old… I wanted to be an illustrator. I wanted to be able to do that,” Lucas said. “I wanted to be able to do pictures that have a message that appeals to a lot of people.”
Art that tells a story inspired him to tell stories. That narrative art is what Lucas will share in his museum.
The film (which had a very limited cinema release in the US and then a Netflix release internationally) is a different creature than the book. Events have been changed, plot elements removed, characters adjusted and the structure of the story altered. All of which seems to have been a good idea. The film carries the same sense of paranoia and wonder as the book and the same theme of people trying to cope when confronted with the incomprehensible. However, it has been remade into its own thing – a story with its own structure and characters that shares DNA with the book but which follows its own course.
(3) HELP WANTED. Journey Planet wants contributors for a Star Wars theme issue —
Regular Editors Chris Garcia and James Bacon, joined by Will Frank, have set out to create an issue of Journey Planet dedicated to the legendary Star Wars Universe. The issue, set for a May 4th release, will look at the films, the universe, the fans, the books, the comics, the toys, the Irish Connection and the meaning of the greatest of all science fiction franchises!
We want to hear from you if you are interested in contributing. We have an instant fanzine and are soliciting pieces, from short pieces on the first time you saw the films, about your massive collection of Star Wars figures (Mint-on-Card, of course)
We already have a beautiful cover by Sarah Wilkinson.
Please contact — email@example.com
Tell us what you’d like to write about. Then content submission Deadline is April 17th
HAL-9000, the malevolent supercomputer at the heart of Stanley Kubrick’s classic 2001: A Space Odyssey, is an icon of science fiction cinema. So much so, that if you ask any one of the virtual assistants to “Open the pod bay doors,” they’ll dutifully parrot HAL’s lines from the movie back at you. Now, Master Replicas Group wants to take that step a bit further, turning HAL into a virtual assistant that can control your home.
The company name might be familiar to prop and costume fans: the original Master Replicas produced a range of high-quality props from franchises like Star Wars and Star Trek before going out of business a decade ago. If you’ve seen someone swinging around a lightsaber, there’s a good chance it’s one of Master Replicas’ props, or based off of their models. The new company is made up of several former employees, who are getting back into the prop replica business with a new range of products, including an interactive replica of HAL.
This isn’t the first time that someone’s thought about putting HAL into your home’s smart devices: a couple of years ago, fan prop-maker GoldenArmor made its own version that allows someone to mount it over their Nest thermostat. MRG’s prop goes a bit beyond that. It recently obtained the license from Warner Bros. to create an exact replica of the iconic computer, and while most prop replicas are static recreations of a movie or film prop, this version is designed to be interactive, using Amazon’s smart assistant, Alexa.
RB provides an afterword to this book, also, in which he explains where this book came from. In the mid 1950s (several years after the successes of THE MARTIAN CHRONICLES and THE ILLUSTRATED MAN) he submitted a manuscript to his publisher, Doubleday, for the book that became DW. But that original manuscript was too long and his editor suggested cutting it. RB quotes his reply (p210 in FS): “ ‘Why don’t we published the first 90,000 words as a novel and keep the second part for some future year when you feel it is ready to be published.’ At the time, I called the full, primitive version The Blue Remembered Hills. The original title for what would become Dandelion Wine was Summer, Morning, Summer Night. Even all those years ago, I had a title ready for this unborn book: Farewell Summer.”
With DANDELION WINE such an entrenched classic, it’s difficult to imagine how the content of FAREWELL SUMMER could have been incorporated into it. That would have been a completely different book. As it came to be, DW has a perfect story arc, across one summer in the life of a 12-year-old. Yet even as a leftover, on its own, FS is a quite different, a rather oddly amazing and moving, book.
(7) WHEATON MEETS SHATNER. In this video, Wil Wheaton acts out meeting William Bleeping Shatner when ST:TNG was in its second season.
The filming of Star Trek 5 happened only a few doors away from Star Trek The Next Generation, Giving Wil Wheaton (Wesley Crusher) the chance to meet his idol William Shatner, it didn’t go as well as he had hoped…
(8) LAST-MINUTE CAMPAIGNING. We’re annually snowed under by award eligibility posts, but it’s strange to see them still arriving with less than 24 hours left to nominate, when voters no longer have time to read/listen to the person’s recommended body of work.
Every Monday morning*, since June of 2011, I’ve put out a blog post featuring authors and their most memorable meals. That’s more than 350 stories of incredible food, amazing dinning companions, astonishing circumstances, and remarkable settings.
And Crystal Huff points to a year’s worth of tweets:
Right! Multiple people have pinged me about my eligibility for the #HugoAwards Fan Writing category. One friend even put together a list of tweets to show me I had, in fact, done a fair bit of writing for #fandom in 2017. So here comes… a thread of threads! pic.twitter.com/c59bevafmJ
Neil Young recently sat down with Rolling Stone’s Patrick Doyle to discuss his role in the upcoming film Paradox. In the midst of the interview, he opened up about the sci-fi novel he’s been writing. It’s called Canary, and Young said it focused on a power company employee who gets caught exposing the corruption at his workplace. “He discovers the solar company he works for is a hoax,” he explained. “And they’re not really using solar. They’re using this shit—the guy who’s doing this has come up with a way to make bad fuel, the bad energy, this really ugly terrible stuff, and he’s figured out a way to genetically create these animals that shit that gives the energy to make the [fuel]. So he’s created this new species. But the species escapes. So it’s a fuckin’ mess. It’s a long story.”
Young said he already has a New York agent on board with the project, but didn’t share a possible publication date. He also got candid when it came to the topic of retirement tours. “When I retire, people will know, because I’ll be dead,” he said. “I’m not gonna say, ‘I’m not coming back.’ What kind of bullshit is that? I could go out and play if I felt like it, but I don’t feel like it.”
(10) SHETTERLY. Are Will Shetterly’s and Jon Del Arroz’ situations alike? JDA evidently thinks so.
I have no sympathy for this crap. In the many years I did the struggling-writer shtick, I saw lots of books I couldn’t afford. I didn’t steal copies. I wouldn’t do it if I were still struggling. If it was a paper copy, would they shoplift it from Barnes & Noble if they thought it was overpriced? Or how about a restaurant — if the service takes too long (the “they don’t release it fast enough” argument), does that mean they’re entitled to steal food from the salad bar? Soft drinks cost a fraction of what they sell for, does that make it okay to steal them? Or movie tickets — lord knows those are outrageously priced, but does that justify sneaking in without paying?
(12) THE JEOPARDY BEAT. Rich Lynch says tonight’s episode of Jeopardy! included this answer:
Police in California said two men were arrested on burglary charges after a man discovered his $1.4 million collection of Marvel super hero memorabilia for sale online.
The San Bernardino County Sheriff’s Office said the Rancho Cucamonga Police Department responded Feb. 22 to a storage facility where a man discovered his collection of Marvel collectibles had been stolen after he was made aware that some of his items were listed for sale online.
(15) LATE NIGHT NERDS. Joel Zakem spotted this TV highlight: “Steven Colbert talks to Paul Giamatti about Science Fiction and used book stores during the first 5 minutes of this interview from yesterday’s Late Show. It’s probably the only time you will hear Henry Kuttner and Avram Davidson mentioned on late night TV.” — “Paul Giamatti And Stephen Are Science Fiction Nerds”
‘Billions’ star Paul Giamatti gets some gifts or reading assignments from Stephen, depending on how you look at them.
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Joel Zakem, Martin Morse Wooster, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Owlmirror.]
(2) Jurassic World director Colin Trevorrow is teasing plans for a sequel. Cinema Blend says here’s what to expect:
It all has to do with what B.D. Wong’s Dr. Wu said in this summer’s blockbuster: “We’re not always going to be the only ones who can make a dinosaur.” In an interview with Wired U.K., Trevorrow said he found that to be an interesting idea:
What if this went open source? It’s almost like InGen is Mac, but what if PC gets their hands on it? What if there are 15 different entities around the world who can make a dinosaur?
Though Trevorrow admits this isn’t really covered in the original movie, it’s something in which he sees potential for growth. Looking back to the first Jurassic Park film, we saw Wayne Knight’s Dennis Nedrey attempt to steel the genetic material from dinosaurs and smuggle them off the island for a third party. While he didn’t succeed, this seems to be along the same lines that Trevorrow is talking about.
Last Thursday, my colleagues and I received an email from the Chancellor of UC Berkeley informing us that Marcy had resigned. A panel had found that he had sexually harassed female students for nearly a decade. According to Azeen Ghorayshi, the reporter who broke the story for BuzzFeed, Marcy’s great success was part of the reason why his pattern of harassment went unchallenged. As Ghorayshi explained, “Marcy’s is the rare ilk of scientific research that is capable of both reaching the peak of his field and capturing the public imagination.”
Ghorayshi lays out in painful detail how Marcy’s behavior was both widespread and well known; her article documents incidents of alleged misconduct with female colleagues dating back to the 1980s. BuzzFeed also noted that “UC Berkeley is currently under federal investigation for its handling of dozens of sexual violence complaints on campus.”
“Back to the Future” fans had hoped to be sipping a Pepsi Perfect by now, but most of them are making sad eyes at their computers after facing a fast sellout of a special release of the bottles.
Fans have been waiting for this day ever since the 1989 sequel, when Marty McFly and Doc Brown arrived in the future on October 21, 2015. In honor of the film, Pepsi decided to make 6,500 limited-edition bottles of Pepsi Perfect available.
Pepsi Perfect makes a cameo appearance at an ’80s-theme cafe in the future. Fans got extra-excited about the prospect of owning it because it feels both iconic and attainable (selling for $20.15, about £13, AU$28). The release date? October 21, 2015, naturally.
Now imagine the stress when Back to the Futurites discovered that some of the Pepsi Perfect bottles went on sale early and that other people had snapped them up. Actually, you don’t have to imagine it. Here’s a selection of what they said:
Amazon reviewer Pissed AF wrote: “I am SO upset!! This didn’t even pop up in the search! And you released it a whole hours early? Are you kidding me?????????” This is currently the top most-helpful review on the Pepsi Perfect Amazon page.
(12) How It Should Have Ended – why Big Hero 6 should have been a lot shorter.
(13) James H. Burns praises the Mets’ broadcast crew:
Another reason for those who admire near Hall of Fame first baseman Keith Hernandez (famous for his stints with the St. Louis Cardinals and New York Mets), now a long time Mets broadcaster, to like him: In the local post game after the Mes clinched the National League title, when talking about first baseman Luca Duda, “We’ve seen him go from the depths of Mordor, to the heights of the Swiss Alps…”
Frequently, during unusual moments in Mets seasons past, Hernandez and lead broadcaster Gary Cohen, and former Mets pitcher Ron Darling (also a broadcaster with TBS), will discuss ancient Saturday mornings, and cartoons; CHILLER THEATRE; Kurt Vonnegut, and puppet shows….
(14) An artist used Google Street View to visit all the places in Around the World in 80 Days and created postcards of those places.
“Nightfall” is still, I would guess, Asimov’s most popular story, though it was one of his earliest stories, and one which Asimov came to resent — he felt that he must have improved as a writer over the subsequent decades (the story was published in 1941, just two years after his first-published story) — and was perplexed by how fans kept gravitating to this early story.
This new article looks for selection bias in Locus Recommended Reading List short fiction over the past fifteen years. We found that although stories from the reading list regularly make up about 70% of Hugo-nominated stories, there doesn’t seem to be any actual bias, either in terms of which sources they come from or in terms of the authors.
So while we can’t speak for how good a job Locus does with novels, we don’t find any obvious problems with their recommendations for short fiction.
(1) A Tokyo department store is offering a $91,000 solid gold figure of the alien Baltan, a villainous monster from Japan’s superhero Ultraman TV series. The perfect accessory to go with the 2007 Hugo base, except none of the winners I know can write the check!
(2) Stephen Fabian, among the most gifted illustrators ever, and whose professional career was capped by multiple Hugo nominations and a World Fantasy Life Achievement Award (2006), has put his gallery online. StephenFabian.com contains 500 drawings and paintings that he did for fan and professional publications beginning in 1965. Fabian includes autobiographical comments about each drawing or painting. For example, appended to his notes on the drawing “Born to Exile”:
And the greater wonder of it is, for me, that every once in a while I receive a surprise gift from a fan in appreciation of my artwork. In this case a fan sent me a beautiful copper etching that he made of my drawing that you see here, and that etching hangs on the wall in my drawing room. Other surprise tokens of appreciation that I’ve received from fans are; a miniature spun glass ship, a knitted sweater with an artist’s palette worked into the chest area, a neatly carved wooden figure of a “Running Bear,” that came from a missionary preacher in New Zealand, a fantasy belt buckle, and a miniature paper-mache sculptured “gnome” that keeps watch over me. I cherish them all, they give form and reality to that wonderful feeling of appreciation that comes from the heart.
General Mills announced the “unicorn of the cereal world,” Marshmallow Only Lucky Charms, is finally a reality — but there are only 10 boxes.
The cereal maker said the 10 boxes of Marshmallow Only Lucky Charms will be given out as prizes in the “Lucky Charms Lucky Selfie” contest, which calls on participants to post pictures of themselves holding “imaginary boxes of Lucky Charms” on Facebook, Twitter or Instagram using the hashtag, “#Lucky10Sweepstakes.”
Entries must be posted by Oct. 18, the company said.
(4) The Gollancz Festival ‘s “One Star Reviews” features Anna Caltabiano, Simon Morden, Sarah Pinborough, Joanne Harris, Brandon Sanderson, Aliette de Bodard, Richard Morgan, Bradley Beaulieu, and Catriona Ward on camera reading their most savage reviews.
(5) Then, Game of Scones is a Gollancz Cake Off with Jammy Lannister and fantasy authors AK Benedict, Edward Cox and Sarah Pinborough competing for the Iron Scone.
I dream of the day that I’m libelled quoted by Mike on File770. Of course first I guess I’ll have to start a blog of some description.
I notice there is a lot of competition in the comments for the honor of being Santa Claus, but how many others can fix this up for you? While saving the internet from another blog? Merry Christmas!
(7) Mark Kelly journals about his Jonny Quest rewatch – a show that was a big favorite of mine as a kid.
So: the show is about Jonny Quest, his father Dr. Benton Quest, a world-renowned scientist, Quest’s pilot and bodyguard “Race” Bannon, and their ‘adopted son’ Hadji, an Indian boy who saved Dr. Quest’s life while visiting Calcutta. The episodes involve various investigations by Dr. Quest, who seems to have a new scientific specialty each week (sonic waves one week, lasers another, sea fish another, a rare mineral to support the space program on another) or who is challenged by alerts from old friends (a colleague who is captured by jungle natives) or threats from comic-book character Dr. Zin (via a robot spy, etc.)
Who We Are: Alliteration Ink is run by Steven Saus (member SFWA/HWA), focusing on anthologies and single-author collections, with over a dozen titles across two imprints.
Rachael Acks is a writer, geologist, and sharp-dressed sir. In addition to her steampunk novella series, she’s had short stories in Strange Horizons, Waylines, Daily Science Fiction, Penumbra, and more. She’s an active member of SFWA, the Northern Colorado Writer’s Workshop, and Codex.
Who: This will be an open call. All who read and follow the submission guidelines are welcome in the slush pile.
When: Rachael wants stories no later than 6 Jan 2016. No exceptions will be made. The Kickstarter will occur after the table of contents has been set.
What We Want From You:
Stories 2,000-7,500 words long. Query for anything shorter or longer.
All stories must begin with the line, No shit, there I was. It can be dialog or part of the regular prose.
(9) Childhood’s End starts December 14 on SyFy with a three-night event. Stars Charles Dance, recently of Game of Thrones.
John King Tarpinian says, “Hope they do not screw this up.”
I’m not completely reassured, because when I checked the SyFy Youtube channel today, this was the first video they were hyping —
(10) Today in History:
October 17, 1933: Physicist Albert Einstein arrived in the U.S. as a refugee from Nazi Germany.
DSN reporter Laura Gjovaag came away with the Sunnyside newspaper’s only first-place award. She won the top award in the black and white sports photo action, or feature, category. The photo of Lady Knight softball player Jenna den Hoed appeared in the May 20, 2014 issue, and beat out all entries in the category submitted by all four circulation groups.
(12) Ultimately, Sarah A. Hoyt’s “Magical Thought” is about a particular anti-gun protest in Texas involving dildos, but on the way to that topic she writes —
The problem is that more and more — and unexpectedly — I run up against this type of thought in places I don’t expect.
We ran into it a lot over the puppy stuff. No matter how many times we told them we were in it for the stories, and because our story taste was different from theirs, they kept thinking magically. It went something like this “We’re good people, and we’re for minorities. So if these people don’t like the same stories we do, they must be racist and sexist.”
This was part of the nonsense that started Gallo’s flareup. She had some idea we’d get all upset at TOR publishing Kameron Hurley’s book. Because you know, we have different tastes than those primarily on the left who controlled the Hugos so long, so we don’t want them to … get published?
This only makes sense if the person saying it is inhabiting a magical world, where objects/people of certain valences are played against each other like some kind of card game.
This is not real. I mean sad puppy supporters might not — or might, I won’t because it’s not to my taste, but — read Hurley’s book, but we won’t recoil from it like a vampire from a cross. A Hurley book doesn’t magically cancel out a Torgersen book. Or vice versa.
On the good side, at least on that level, our side doesn’t act like that. We don’t say “ooh” at a new Ringo book because “Oooh, that will upset those liberals” we say “oooh,” because we’ll get to read it. Books are books and people are people, not points in some bizarre game.
Here’s my tiny theory, in a word. Abuse. And further, I’m going to suggest in this short essay that abuse?—?not making money?—?is the great problem tech and media have. The problem of abuse is the greatest challenge the web faces today. It is greater than censorship, regulation, or (ugh) monetization. It is a problem of staggering magnitude and epic scale, and worse still, it is expensive: it is a problem that can’t be fixed with the cheap, simple fixes beloved by tech: patching up code, pushing out updates.
To explain, let me be clear what I mean by abuse. I don’t just mean the obvious: violent threats. I also mean the endless bickering, the predictable snark, the general atmosphere of little violences that permeate the social web…and the fact that the average person can’t do anything about it.
We once glorified Twitter as a great global town square, a shining agora where everyone could come together to converse. But I’ve never been to a town square where people can shove, push, taunt, bully, shout, harass, threaten, stalk, creep, and mob you…for eavesdropping on a conversation that they weren’t a part of…to alleviate their own existential rage…at their shattered dreams…and you can’t even call a cop. What does that particular social phenomenon sound like to you? Twitter could have been a town square. But now it’s more like a drunken, heaving mosh pit. And while there are people who love to dive into mosh pits, they’re probably not the audience you want to try to build a billion dollar publicly listed company that changes the world upon.
(14) “3+1” — A funny claymation short by Soline Fauconnier, Marie de Lapparent, and Alexandre Cluchet.
Since they started writing in the mid-1950s, the brothers published at least twenty-six novels, in addition to stories, plays and a few works written individually. According to a 1967 poll, four of the top ten works of science fiction in the Soviet Union were by the Strugatskys, including Hard to Be a God in first place and Monday Begins on Saturday (1965) in second. For at least three decades they were the most popular science-fiction writers in Russia, and the most influential Russian science-fiction writers in the world.
Their popularity wasn’t without political implications, however. Later in their lives, the Strugatskys were characterized as dissidents—sly underminers of the Soviet regime. In its obituary for Boris, who died in 2012 (Arkady died in 1991), the New York Times called him a “prolific writer who used the genre of science fiction to voice criticisms of Soviet life that would have been unthinkable in other literary forms.” This is mostly true—their work did become critical and subversive over time. But at the beginning of their career, the Strugatsky brothers were the best socialist utopians in the game.
Briefly, and in October it’s almost mandatory, particularly for a lifelong horrorist such as myself, to deal with something eldritch, but I’ve finally read the August Derleth-annotated transcript of a symposium recorded on 24 October 1963 at the Los Angeles Science Fantasy Society, a discussion of Lovecraft and his influence featuring a panel including Robert Bloch, Fritz Leiber, writer Arthur Jean Cox, Sam Russell, and Riverside Quarterly editor Leland Sapiro, along with some comments and questions from the audience. Given that Bloch and Leiber were both helped and influenced by Lovecraft early in their careers and were the two most important exemplars of how to take his model for approaching the matter of horror fiction and improving upon it, it’s useful, if not as comprehensive here as one could hope, to see how they thought about that influence and their respective takes on Lovecraft’s work and legacy. Bloch unsurprisingly seems most taken by the interior aspects of what Lovecraft was getting at in his best work, the questions of identity and madness and usurpation from within; Leiber, also not too surprisingly, is at least as engaged by the larger implications, philosophically and otherwise, of humanity’s not terribly secure foothold in Lovecraft’s universe. The notion that such non-fans of Lovecraft as Avram Davidson and Edmund Wilson had more in common with him than their experience of his work led them to believe is briefly if amusingly explored. Not as significant as some of Leiber and Bloch’s other considerations of Lovecraft, but useful to read, and one’s suspicions of what August Derleth made of what he was transcribing and annotating, particularly when it touches on his own involvement with Lovecraft’s body of work, are mildly telling.