Pixel Scroll 5/1/16 Baying and Nothingness

(1) BLACK GATE OUT. Black Gate has withdrawn as a Hugo nominee. Editor John O’Neill explained the decision:

Why did we decline? While we won’t know the exact number of nominating ballots until the stats are released (after the Hugos are awarded), it’s clear that Black Gate largely benefited from Vox Day’s Rabid Puppy Hugo slate. As we reported Wednesday, roughly 80% of this year’s Hugo ballot was dictated by that slate — it swept six categories, including Short Story, Graphic Story, and Fanzine. Our choice to withdraw was informed by many of the same factors that led us to make the same decision last year.

(2) REACTIONS. George R.R. Martin analyzed Black Gate’s “Hugo Withdrawal” at Not A Blog.

This is the second year that BLACK GATE has refused a nomination, so one certainly has to admire them for their consistency. And no one can deny that this is a very difficult decision for those, like BLACK GATE, that were put on the ballot by the Rabids without their consent (it is an easy decision for the Rabids themselves and their allies, of course, most of whom are squealing as happily as pigs in shit).

Since I’m on record as urging the “hostages” to stand their ground, I can’t applaud this decision. But I will not criticize it either. They had a tough call and they made it, consistent with their own politics and principles.

I will quibble, however, about one of their assertions: that even if BLACK GATE had elected to remain on the ballot, they had no chance of winning. I am not going to go so far as to say they were the favorite… but I think they would have had a shot. All five of this year’s nominees were on the Rabid Slate, yes. But two of the five — BLACK GATE and FILE 770 — are clearly hostages, slated without their consent. Despite the success of No Award in last year’s voting, I think the presence of so many hostages this year changes the equation. My hope is that fewer fans will resort to the Nuclear Option. If so, I think FILE 770 will win here… but BLACK GATE would have given Glyer’s zine its strongest competition. Oh, and yes, No Award will be contending too. TANGENT might have a very slim outside chance.

(3) THE 100% SOLUTION. What could be simpler? Send this tweet to the Hugo Administrators forthwith!

(4) SANDIFER. Phil Sandifer asserts “Vox Day Put A Child Pornographer On The Hugo Ballot”.

For obvious reasons, I will not be providing links here, however I am happy to provide them privately to anyone with a legitimate interest in the information, including law enforcement.

It was brought to my attention today that “kukuruyo,” one of the artists that Vox Day put on the Rabid Puppies slate in Best Fan Artist and that made it onto the Hugo Ballot recently posted to his blog a commissioned drawing of comic book character Ms. Marvel in which her genitalia is clearly visible and provocatively displayed. Ms. Marvel – whose comic won last year’s Hugo for Best Graphic Story – is a sixteen-year-old girl in the comics. Under US law, this would seem to legally be child pornography.

Although the drawing post-dates Day’s placement of the artist on his slate, the hypocrisy of Vox Day endorsing the work of a child pornographer is particularly glaring given that he continues to throw childish insults like this around…

(5) DAY SAYS NAY. Vox Day says it ain’t so:

A few relevant points that collectively demonstrate the utter absurdity of Pedophil’s libel:

  • Kukuruyo has stated that he didn’t know the fictitious age of the Marvel cartoon character, Ms Marvel, and drew her as a 20-year-old.
  • I am reliably informed that Ms Marvel was 16 when she was introduced in 2013. That makes her at least 18 now, possibly 19.
  • The age of consent in Spain is 16. Kukuruyo is Spanish, lives in Spain, and US law is not relevant to his activities.
  • The drawing cannot be child pornography regardless of what age the fictitious character is supposed to be. The U.S. Supreme Court has ruled that drawings and computer representations are not child pornography.
  • Phil Sandifer has admitted that he was aware of the Supreme Court ruling when he made the accusation.
  • The Ms Marvel drawing was drawn and posted well after I recommended Kukuruyo, who draws GamerGate Life, for the Hugo Award.

SJWs always project. This is more than a little alarming in this particular case.

(5) ARISTOTLE. Vox Day announced he has banned Camestros Felapton from commenting at Vox Popoli, in a lengthy post titled “Of enthymemes and false erudition”.

In other words, Felapton has confused Aristotle’s admonition to use rhetoric in the service of the truth with Aristotle’s definitions of what rhetoric is as well as with his instructions on how to use rhetoric effectively. In fact, Aristotle makes it clear that both dialectic and rhetoric can be used impartially on either side of an argument, although it is much easier to identify the deceptive use of dialectic due to its reliance on complete syllogisms and strict logic than it is the deceptive use of rhetoric due to its incomplete structure and its reliance on apparent truths that are accepted by the audience.

What Felapton calls “bollocks” and “bullshit” is nothing more than what Aristotle calls “apparent truth”. But, as we have seen, rhetoric can rely upon these apparent truths just as readily as upon actual truths. And in this particular application, my rhetoric, even structurally reliant as it is upon apparent truth rather than actual truth, is more persuasive, and therefore more effective, than Slate’s rhetoric, in part for the obvious reason that it is absolutely true.

(5) BANNED FROM ARGO. Camestros Felapton’s attitude was, “Cool! Banned by Vox!”.

My claim is that I can’t reward obnoxious behavior by Castalia House. Nothing to do with the genetic fallacy. Vox concedes that I raise one valid point, which is that “there is no way of separating what is published by Castalia from how Castalia promotes itself and its published works.” That is the ethical basis of my position and Vox concedes that it is valid and not fallacious.

What is more interesting is Vox losing his cool. That is a major departure from his play book and poor tactics. He is actually rattled? Surely not by me, so I assume it must be by Philip Sandifer’s campaign.

(6) FELAPTON AMERICA. As part of our all-Felapton-all-the-time coverage, we must also mention his “Review: Captain America: Civil War”.

Films in a sequence or series that have a job to do (i.e. get the plot from A to B, join one film to another etc) can often be weak. Films with obvious required plot beats can be dull. Films that are obliged to shoe-horn in characters (particularly superhero movies that have to fit in a required number of villains or heroes) can be boring and over stuffed.

I think, on balance, Civil War manages to just avoid each of these obstacles. It isn’t as tense and tight as Winter Soldier but it feels a lot more plot driven and focused than Age of Ultron. It is arguably the most dark and bleak of the current crop of Marvel films, with substantially less humor.

(7) CATHOUSE. Camestros Felapton’s cat, Timothy, is also demanding a share of the attention. Timothy is going into publishing: “New From Cattimothy House”.

There will be WALRUS COMP

This is the sort of development for which the cry “Mayday!” was invented…

(8) OTHER PEOPLE’S FILES. Jeff VanderMeer wonders “What to Do With 30-Plus Years of Papers, Drafts, Correspondence, Projects?”

One project for this year is to get a handle on 30-plus years of papers, correspondence, rough drafts, and what I would call “project histories.” This includes a lot of material from before email and the internet, which means sometimes quite long letters with other writers and people in publishing, some of them well-known at the time and some of them now quite well-known but obscure then. It also includes all of my wife Ann VanderMeer’s correspondence and history with projects like her indie press mag The Silver Web (fiction and art) and from her five-year stint at Weird Tales. And because we were active in small press in the 1980s-90s, there’s a treasure trove of old issues of horror and fantasy magazines not only now defunct but also not much mentioned on the internet, because they existed pre-internet or just on the cusp.

(9) ASTERISKS. Kary English points out her exchange in comments on David Gerrold’s recent Facebook post about the Sasquan asterisks.

Kary English: I was hurt by the asterisks. They were displayed on a table at the pre-Hugo reception, and I walked by the table without taking one. I was approached by a couple of people during the reception who wanted to make sure I got mine. Some of them were well-meaning and probably didn’t know who I was, and some of them seemed to want to make sure I got mine in a not so nice way. After several instances of saying “no, thank you,” I finally accepted one because it was clear that not holding one was making me a target for further attempts to get me to take one. To be honest, the whole thing felt like that creepy guy who maneuvers you into a situation where you have to choose between letting him give you a completely inappropriate hug or making a scene in public. I would also like to push back against the idea that those of us who were hurt went there looking to be hurt, or that those of us who were hurt deserved to be hurt (said by someone in a recent File 770 roundup). This is victim blaming, and it is not OK.

David Gerrold replied:

I apologize. I feel bad about causing you pain. That was never the intention and it saddens me to hear that you were hurt. You are a talented Hugo-worthy writer. I thought your story Totaled deserved to be on the ballot, and I thought it was worthy of the trophy. I also liked Shattered Vessels in a recent issue of Galaxy’s Edge, so I look forward to seeing your next outing. I expect you will have more opportunities in the future to take home a Hugo. You have my best wishes, as well as my admiration for work well done

Kary English accepted the apology:

Thank you, David. Apology accepted, and that’s very gracious of you to say.

(10) ANIMAL RESCUE. Burt Ward, Robin the Boy Wonder from the 1960s Batman TV series, and his wife Tracy, say their nonprofit Gentle Giant Rescue has rescued more than 14,000 dogs in the last 18 years.

(11) THIS ANIMAL RESCUED ITSELF. io9 in “Read Alien, retold from the cat’s perspective”, excerpts a no-longer-published work.

Only one character in Alien has the wits and wherewithal to survive to the end of the movie at Ripley’s side: Jones the cat. While everyone else on Nostromo was screaming like chickens with their chests ripped open, Jones exhibited the cool becoming a cat. Now Jones finally gets to tell his side of the story, one filled with naps, food, and yes, the occasional alien.

Novelist and film critic Anne Billson wrote “My Day by Jonesy,” a recap of the first Alien film from Jones’ point of view. Apparently, Jones spent most of the film fretting over his food and being annoyed that the humans (or “can openers” as he calls them) keep waking him up from his naps…

(12) SEEKING EMPLOYMENT. Jen Yamato of The Daily Beast speculates “Why the Original Darth Vader Is Now ‘Persona Non Grata’ at Star Wars Events”.

Forty years ago on a soundstage just across the pond, British actor David Prowse donned a shiny black helmet and became the most iconic movie villain in history—until Star Wars director George Lucas overdubbed his performance as Darth Vader with the dulcet, booming voice of James Earl Jones.

Prowse, now 80 years old, still hasn’t gotten over the snub that simultaneously made his career. But there’s a bigger disturbance between the O.G. Vader and the architect of the Star Wars universe.

In the new documentary Elstree 1976—about the hopes, dreams, and rather mundane real lives of the supporting actors and background extras cast in the original Star Wars—Prowse sounds off on the beef with Lucas that’s made him “persona non grata” at the billion dollar franchise’s biggest annual conventions.

Interviewed at his home two years ago for the film, Prowse says he has no idea why he has been “barred” from Star Wars Celebration—the biggest Star Wars event on the fan convention circuit where he, like many former cast members and celebs of yesteryear, now makes much of his income.

“Unfortunately I’ve been barred for some obscure reason—also [from] Disney Star Wars Weekends. Ask Mr. Lucas,” he adds with a bittersweet shrug. “I’ve obviously upset him at some stage or another. And they just feel I’m persona non grata at those two shows.” …

[Thanks to JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Con or Bust Creates Its Own Nonprofit Corporation

Con or Bust, which “helps people of color/non-white people attend SFF conventions,” is now being run by its own newly-created not-for-profit corporation in New York. (Search the NY database). And they are seeking items for their annual online auction, with bidding to take place from May 25 through June 5.

Con or Bust’s fundraising activities formerly were part of the Carl Brandon Society (CBS). However, it came to public attention last year that the Society had lost its federal tax-exempt status, meaning Con or Bust donations would not be deductible until certain steps were taken by CBS to regain that status, which have yet to be completed.

Kate Nepveu announced that Con or Bust, Inc. filed a certificate of incorporation with the state on April 6, 2016. Its inaugural Board of Directors is:

Con or Bust followed by submitting an application for federal tax-exempt status under 501(c)(3) on April 17. Once approved, the tax-exempt status will be retroactive to the date that Con or Bust, Inc., was created. (The IRS says they should expect to hear within 90 days.) As a small charity, Con or Bust, Inc., is exempt from registration with New York State, but Nepveu says they will also be submitting an application to confirm that exemption. All of their corporate documents can be read online at the updated About page.

Meanwhile, the Carl Brandon Society is filing the tax returns necessary for its re-application for tax exempt status. Nepveu says CBS looks forward to having that in place later this year.

Auction: Con or Bust is principally funded through its annual online auction, and they are looking for donations.

Anyone can offer something for auction, by filling out a form on the website – all you need is an email address. Pictures of the item(s) can be uploaded at the same time

Full details are at the main auction information page. Click here for the Submit an Auction form.

Due the auction starting later, the next period for fans of color to request monetary assistance will be May 27-June 6.

Pixel Scroll 2/25/16 The Scrolls My Pixellation

(1) BACK HOME AGAIN IN INDIANA. In 1936 the Marshall College Archaeological Review accepted Professor Jones’ journal article, but asked for a few teensy changes – in “Why Professor Indiana Jones Was Hated By His Colleagues” at Cracked.

The Title

Though your findings are certainly incredible and we understand your enthusiasm, we must say that the title “God Melted Some Nazi Faces In Front Of Me” simply doesn’t fit our journal’s aesthetic. I am only more distressed by the title when I read the first sentence of your abstract, which states “At least I think that’s what happened. Really, I just closed my eyes for a while, and when I opened them, all the Nazis had melted.” As men of science, it is our academic duty to at least entertain the notion that there was a corrosive substance inside the Ark of the Covenant that killed them. Or perhaps there was some sort of violent squabble that erupted while you and Miss Ravenwood had your eyes shut. Or anything, really. Any explanation beyond “God did it” should, at the very least, be mentioned. This segues nicely into my next concern.

(2) REVOLUTIONARY CASTING IDEA. Here’s your next singing and dancing chimney sweep — “’Hamilton’ Creator/Star Lin-Manuel Miranda Signs On For ‘Mary Poppins’ Sequel” reports ScienceFiction.com.

Walt Disney’s new ‘Mary Poppins’ film, directed by Rob Marshall with Emily Blunt portraying everyone’s favorite magical nanny has found its male lead.  Broadway wunderkind Lin-Manuel Miranda, the mastermind behind Broadway’s hottest show, ‘Hamilton’ (It’s sold out through 2018!) will play Jack, a lamplighter, a part similar to Bert the chimney sweep, played by Dick Van Dyke in the classic 1964 film.

The new movie is set 20 years after the original, in Depression-era London and will pull from one P.L. Travers’ seven other ‘Mary Poppins’ novels.  (The 1964 film was based on the first, with hopes of turning them into a series, but Travers despised the film and nixed those plans.)

(3) IN TAVERNS TO COME. Rob Ehlert and Cathy Mate, the subjects of “Know Your Neighbors: Rob Ehlert of Dark Rogue Tavern” at Around Berwyn, are long time Chicago fans. Cathy’s husband, “Clash” DJed many Windycon dances prior to his death in 2013.

People will know it’s a tavern because in Chicago there will be snow around the entrance half the year…. (File 770 inside joke.)

DRT-Logo-300x200When an opportunity arises to receive a $10,000 endorsement from Bar Rescue’s Jon Taffer, you take it. That’s what Berwyn resident Rob Ehlert did when he entered his bar concept, Dark Rogue Tavern, into a nationwide entrepreneurial contest sponsored by the famous TV personality.

Dark Rogue Tavern will be Berwyn’s newest bar and grill scheduled to open in July 2016. The concept is the brainchild of Amy Mate and Rob Ehlert, who felt inspired to create “a ‘Cheers’ for nerds.” According to Ehlert, Dark Rogue Tavern will be a place for geeks, gamers, comic book collectors, sci-fi fans, and fantasy role-players to come together and enjoy a space dedicated to them. They can come with friends, or make new ones, and watch their favorite shows and movies, play their favorite games and enjoy craft beers, cocktails, and elevated bar food.

After pitching this idea to Taffer’s entrepreneurial contest, Mate and Ehlert made it into the top 10 but ultimately did not win the contest. But never fear! Dark Rogue Tavern will eventually be here, even without the $10K grant. “We will make this bar open regardless of the support from Jon Taffer,” said Ehlert.

(4) THE BRANDENBURG GREAT. Neil Clarke is the guest fiction editor of a science and sf theme issue of The Berlin Quarterly, a European print review of long form journalism, literature, and the Arts. Clarke says —

Their budget permitted me to select four reprints, so in this issue you’ll find:

  • “Slipping” by Lauren Beukes
  • “Tying Knots” by Ken Liu
  • “A Brief Investigation of the Process of Decay” by Genevieve Valentine
  • “The Best We Can” by Carrie Vaughn

(5) MEOW MIX. George R.R. Martin alerted readers of Not A Blog that Meow Wolf will be open to the public for the first time on March 18 and 19. He also linked to an LA Times story about the project, “Art collective builds a dream house in Santa Fe with millions of dollars – and junk”

Calling themselves “Meow Wolf,” they have earned a reputation for using whatever materials they can scavenge to build fantastical exhibits that are part haunted house and part jungle gym — giant artwork that people can step inside.

These immersive shows — a psychedelic cave, a junk-filled dome — have grown progressively more elaborate. Now, after years of surviving on shoestring budgets, Meow Wolf has persuaded investors to pour millions of dollars into something even bigger.

The Santa Fe group has procured an abandoned bowling alley in a struggling part of town to house a massive, permanent exhibit. King and his friends call it a dream come true, but it comes at a price.

Martin has invested $3.5 million in the project, says the LA Times.

(6) BERLITZKRIEG. I have it on the highest authority that Vox Popoli isn’t a result of an inability to spell vox populi, it’s a combination of the Latin phrase with the Italian la voce dei popoli.

And Vox Day isn’t “the voice of God” either. It’s a trilingual pun, Latin-Greek-English.

Vox Day
Vox Dei
Vox Theos
Theo’s Voice

There will be a quiz.

(7) TWISTING IN THE WINDS OF WINTER. IGN has posted a video interview with George R.R. Martin and Colony co-creator Ryan Condal in which Martin delivered an intriguing bit of news.

George R.R. Martin has officially decided to write in the big twist he planned for his new book, The Winds of Winter. The twist on the twist? The Game of Thrones TV show won’t be able to pull it off, because it’s already killed off a key character involved in the storyline. Watch Martin give us the scoop in the video above.

This is just one awesome moment from our full 27-minute sit down with Martin and Colony co-creator Ryan Condal, where we talk the suggestions that changed their series completely, the sci-fi/fantasy properties that made them fans, dream casting and how to end a story.

(8) CONTINUING COVERAGE OF MARK OSHIRO AND CONQUEST. Selina Rosen and Mark Oshiro exchanged comments on Facebook, and Oshiro said he appreciated Rosen’s apology.

[Selina Rosen:] It was never my intention to make you uncomfortable. I am not aware of touching you but know that if I did it was not meant as an insult or to make you uncomfortable. FYI till Monday of this week I did NOT even know that you were the one who turned me in. I apologize for any perception you had that I was in any way sexualizing or trying to demean you. I will be more aware in the future that fandom has changed and I must change with it or stay home.

[Mark Does Stuff:] Thank you very much for this, Selina. For what it’s worth, I believe you in that you may not have even known you were touching me. I appreciate your apology. I wish ConQuesT had just TOLD you about this so that you didn’t have to find out this way. Regardless, I genuinely thank you for posting this.

[Selina Rosen:] Not knowing who had told made it imposable for me to address the issue with you directly. Only know I am not that person and never have been.

Rosen further commented on a different Facebook post.

[Selina Rosen.] Seriously I’m so sorry that I did this mostly because it’s the joke that will not die. I played to the audience. The joke is so old I have to go to the banks of antiquity to ask permission to use it. I will not do it again. I am sorry that he was so upset in any way. No one should be uncomfortable.

(9) RABID PUPPIES MARCH ON. Vox Day’s slate for another Hugo category — Rabid Puppies 2016: Best Short Story.

The preliminary recommendations for the Best Short Story category:

  • “Tuesdays With Molakesh the Destroyer”, Megan Grey, Fireside Magazine
  • “Asymmetrical Warfare”, S. R. Algernon, Nature Nr. 519
  • “Seven Kill Tiger”, Charles Shao, There Will Be War Vol. X
  • “The Commuter”, Thomas Mays, Amazon Kindle Single
  • “If You Were an Award, My Love”, Juan Tabo and S. Harris, Vox Popoli

(10) SAD PUPPIES 4 REPORT. Kate Paulk checks off “the big two” Hugo categories in a short Mad Genius Club post.

I’m wrapping these two together because they’re the big hitters of the Hugos even though the Campbell isn’t a Hugo. They’re also, well… kind of obvious. The Campbell website even has a list of eligible authors….

As for what to nominate, well, that’s up to you folks. I can guarantee that what shows up on my ballot will not be what bubbles to the top of the List, because I’m doing the List as a service to anyone who’s interested and trying to boost interest and involvement in the entire Hugos process. Also because I’m just weird.

Now the administrative stuff:

I will start closing comments on the Sad Puppies recommendation threads starting around 5pm US Eastern Time on Monday 29th February. This is so I don’t have new recommendations coming in while I’m trying to collate what’s there.

(11) BOOK PROMO. At the SFWA Blog, Cat Rambo lists “10 Ways SFWA Can Help Promote Your New Book”.  Here are the first three:

  1. The Featured Book section of the website appears on the righthand side of the website’s front page and is open to new books at the time of their release. While filling that out, you might also fill out the Featured Author section.
  2. The New Release Newsletter is a recent addition that lists forthcoming publications by SFWA members. It is not limited to books, but can encompass shorter fiction and alternate forms. Backlist books being newly released can be listed in the newsletter.
  3. The SFWA Discussion Forums have multiple ways to promote your book. Mention details in your personal thread, list interviews and reviews in the Self Promotion section, where you can also find a link to Don Saker’s The Dealer’s Room, where SFWAmembers can list free book promotions.

(12) CONSTRUCTION TOYS. These items come from Andrew Porter.

Meccano was the British equivalent of the US Erector Set. The history of Meccano Magazine is available here at the Meccano Indexes and Information Home Page.

James May (not the Puppy James May) hosts the BBC show James May’s Toy Stories, where he built a Meccano bridge which supported a man, in Liverpool — part of a series which included running electric model trains for five miles in open country, building a two-story house out of LEGO, and creating a life-size plastic Airfix Spitfire model.

You can download issues of Meccano Magazine as PDFs here

(13) SPINNING SHIELD. ScienceFiction.com has the story: “ABC Releases Synopsis For ‘Agents of S.H.I.E.L.D.’ Spinoff ‘Most Wanted’”.

Back in January, ABC gave the green light to Marvel Television’s ‘Most Wanted’ after a period of will they/won’t they. Since then, the ‘Agents of S.H.I.E.L.D.’ spinoff starring Adrianne Palicki and Nick Blood has been ramping up. First, Delroy Lindo joined the cast as the swashbuckling adventurer Dominic Fortune. Now, we have our first description of the series that gives us a glimpse at Bobbi Morse and Lance Hunter’s new mission.

The first official synopsis for the latest show set in the Marvel Cinematic Universe was recently shared and as anticipated, we learn about Mockingbird and Hunter’s less than ideal situation where they find themselves with bounties on their heads. But there’s also some new information about Fortune’s role in the whole thing and how the three will come together…

(14) OLD FEDEX COMMERCIAL. Saw this getting replayed today…

[Thanks to Steven H Silver, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 2/24/16 Happy Jack Wasn’t Tall But He Was A Scroll

(1) PAID REVIEW WORTH IT? Jeb Kinnison evaluates Kirkus Reviews’ reception of sf.

So I was leery of spending my publisher’s money to get a Kirkus review done. The review was glowing, but without the coveted star that tends to get notice from other reviewers and purchasing agents. I was interested in how they had treated other genre books, so I did a quick survey.

It appears that in the past, Kirkus assigned reviewers who were less than sympathetic to the book’s genre and intended audience. This review [of GHOST by John Ringo] made me laugh: …

But other than that, how was the play, Mrs. Lincoln? This is Ringo. His books aren’t likely to be accidentally purchased by people like the reviewer, so the review is useless for deciding which violent testosterone-infused male fantasy adventure book to buy for people who enjoy that sort of thing.

One of the best writers of science fiction and fantasy, Lois McMasters Bujold, never got a starred review from Kirkus. Here’s the summary of their review of middle Miles Vorkosigan in Mirror Dance: “A well-conceived series, solidly plotted and organized, though heavy going in places and, finally, lacking that spark of genuine originality that would blazon it as truly special.” Kind of missing the point, no?

(2) DOCTOR WHO PUN OPPORTUNITY. We ought to be able to do something with a character who is married to River, and whose series will be hstreamed on Amazon Prime beginning in March.

Welp, it wasn’t the longest of national nightmares, but now it appears it is over. Last week, I wrote about how and where you could watch Doctor Who following its abrupt pulling from streaming services on February 1 of this year. But it wasn’t to last, it seems; Amazon announced today via their Twitter that Series 1-8 of the show will be back on their Prime streaming service beginning in March.

(3) WHEN DID YOU FIRST SUSPECT? I got a kick out of Sarah A. Hoyt’s “Ten Signs That You Might Be A Novel’s Character” at Mad Genius Club. Number 10 and the Bonus sign are especially funny.

1- Nothing is ever easy, nor simple.  Say you are walking across the street to get a gallon of milk.  A rare make of car will almost run you down.  The store that sells the milk will be out of milk. You’ll have to walk across the most dangerous area of town to get to the next store.

This means someone is making you terminally interesting….

(4) FROM REJECTION TO ANGRY ROBOT. Peter Tieryas details “My Experience Publishing With Angry Robot” at Fantasy-Faction.

My journey to being a writer almost never happened. With my new book, United States of Japan, coming out, I wanted to reflect on how I got here and what it’s been like working with the fantastic Angry Robot Books.

Perfect Edge

Back in 2009, almost seven years before I joined the robot army, I’d gotten so many short story rejections, I wondered if I was even meant to be a writer. While I’d had a series of short stories published when I was younger, there’d been a gap of about five years where I’d only gotten one piece accepted. I was devastated when I received that issue and found all sorts of typos and formatting errors in my story. What I thought would be a brief moment of victory had been ruined…..

As the decision to publish was made by the whole of Angry Robot and Watkins Media staff, I knew it wasn’t going to be easy. It took USJ about four months to get to “acquisitions” which is the meeting where they make their choice to “acquire” or not. I got an email from Phil the week of the acquisition meeting telling me when it was going to happen. I could not sleep the night before and kept on hitting refresh on my emails, awaiting final word. The notification came from Phil on March 5, 2015 with a simple subject line: “You’re in.” Even though it was late, I got up and started dancing in what might be better described as an awkward fumbling of my hips.

(5) HOLLYWOOD READIES SF/F MOVIES. News of three different sf/f film projects appears in Deadline’s story “Ava DuVernay Set To Direct Disney’s ‘A Wrinkle In Time’; Script By ‘Frozen’s Jennifer Lee”.

EXCLUSIVE: Selma director Ava DuVernay has just been set by Disney to direct A Wrinkle In Time, an adaptation of the 1963 Newbery Medal-winning Madeleine L’Engle fantasy classic novel that has a script by Oscar-winning Frozen writer and co-director Jennifer Lee. Deadline revealed February 8 that DuVernay had been offered this film and was also in the mix at DreamWorks for Intelligent Life, a sci-fi thriller scripted by Colin Trevorrow and his Jurassic World collaborator Derek Connolly. DuVernay now has the offer on that film and is in negotiations on a pic that has 12 Years A Slave Oscar winner Lupita Nyong’o attached to a fable about a UN worker in a department designed to represent mankind if there was ever contact with aliens, who falls for a mystery woman who turns out to be one. That film is produced by Frank Marshall, Trevorrow and Big Beach principals Peter Saraf and Marc Turtletaub.

(6) TRUST & SAFETY. Here’s Twitter’s announcement of the Trust & Safety Council in case you want more info, tweeted February 9. It lists all the members of the Council. (Somebody may have put that in a comment here already.)

As we develop products, policies, and programs, our Trust & Safety Council will help us tap into the expertise and input of organizations at the intersection of these issues more efficiently and quickly. In developing the Council, we are taking a global and inclusive approach so that we can hear a diversity of voices from organizations including:

  • Safety advocates, academics, and researchers focused on minors, media literacy, digital citizenship, and efforts around greater compassion and empathy on the Internet;
  • Grassroots advocacy organizations that rely on Twitter to build movements and momentum;
  • Community groups with an acute need to prevent abuse, harassment, and bullying, as well as mental health and suicide prevention.

We have more than 40 organizations and experts from 13 regions joining as inaugural members of the Council. We are thrilled to work with these organizations to ensure that we are enabling everyone, everywhere to express themselves with confidence on Twitter.

(7) AXANAR SUIT DEVELOPMENT. Inverse discusses why “Paramount Must Explain ‘Star Trek’ in Court or Lose Ownership”.

Enter the lawyers. Obviously, they can claim to own Star Trek because they acquired the series from Lucille Ball’s Desilu Productions in the late 1960s. Now they’ve been merged with CBS and that’s how we’re getting both a new TV series and a continuing film franchise. But the Axanar team has a card up its sleeve.

The Paramount lawsuit claims that this infringes upon “thousands of copyrights” and the Axanar team has asked the simple question: “Which ones?” Because Star Trek now exists over several different universes, time periods, and casts, it’s not so simple. The universe is so spread out, it is almost impossible to define what Star Trek actually is. To that end, the burden is on Paramount to explain what Star Trek is — in a legal sense.

(8) CLIFF AMOS OBIT. Louisville fan Cliff Amos passed away February 22 after a long battle with heart disease. Bob Roehm wrote a fine appreciation on Facebook:

Louisville fan Cliff Amos passed away February 22. Cliff was the founder of Louisville fandom, creating both the Falls of the Ohio Science Fiction Association (FoSFA) and RiverCon. I first met Cliff around 1970 while he was teaching a free university course in SF at the University of Louisville. We had both separately attended the St. Louis worldcon the year before, but had not met. Seeing an announcement of the Free U. meeting, I began attending the weekly gatherings. A year… or two later, the local fan club was organized and in 1975 Cliff chaired the first RiverCon (combined with DeepSouthCon that year). Cliff continued to head RiverCons for several years and was a regular at Midwestcon and Kubla Khan. He was given the Southern Fandon Confederation Rebel Award in 1979, and also chaired the second NASFiC, NorthAmeriCon, that year. His interests were certainly wide-ranging and eclectic (for example, he once appeared on Tom Snyder’s late night talk show as warlock Solomon Weir), and he will be missed by his many friends both within and without the science fiction community. There will no funeral service or visitation but a memorial wake is being arranged for the near future (probably this coming Sunday); details forthcoming.

(9) GAMBLE OBIT. Australian childrens’ book artist Kim Gamble passed away February 19 at the age of 63.

Tashi cover

The much-loved, award-winning artist is known for illustrating the best-selling Tashi books, written by mother and daughter authors Barbara and Anna Fienberg.

Gamble created the lively, elfin boy with the towering curl of hair and gypsy earrings, who looked nothing like the authors initially imagined, more than 20 years ago….

Anna Fienberg called Gamble’s imagination “a magic gift which he shared with the world”….

“Working with Kim was like learning a new way to see. It was perhaps the magical appearance of Tashi that inspired us to go deeper into the mythical land of dragons, witches, giants, ogres … the world lying beneath.”

…Gamble’s favourite book as a child was Moominsummer Madness, by Finnish writer Tove Jansson, and artists he admired included Marc Chagall and Odilon Redon.

When asked about the success of the Tashi series, Gamble said, “It’s very popular because he’s the smallest kid in the class and in every story he’s up against the odds … and he uses his head, he doesn’t fight to get out of the problem. I think kids really just enjoy how cleverness beats brawn.”

(10) TODAY’S BIRTHDAY BOYS

  • Born February 24, 1786 — Wilhelm Grimm, historian and, with his brother Jacob, compiler of Grimm’s Fairy Tales.
  • Born February 24, 1947 — Edward James Olmos

(11) MORE MARK OSHIRO COMMENTARY. Mark Oshiro updated his Facebook readers about the response to his complaint about sexual harassment at ConQuesT.

3) MidAmeriCon II was the first to make a public statement, which you can find on their Twitter account. I wasn’t expecting a response from them, so I appreciated a very direct message about their commitment to safety for this year’s WorldCon. I *am* going to be at WorldCon, even if some of the people who were responsible at ConQuesT are on staff/the board. WorldCon has become a tradition for me because it was my first introduction to this community, so I will be there and be on programming. Say hello if you like!

4) Chris Gerrib was the first to apologize to me, and I appreciated and accepted the apology. I respect that he did so without being asked to.

5) Yesterday, Kristina Hiner sent me an apology. I am keeping it private because I see no reason to publish it. It is a *very* good apology, and I accepted it, too. I am very thankful for her response, and more so than anyone else, she was the only person I really *wanted* an apology from. I have also informed her that at this point, I actually don’t need each of the complaints followed up on at this point. It seems redundant to me. Everyone knows about the post now, and I don’t need an apology from anyone else. I just wanted someone to inform these people that their behavior was unwelcoming, rude, or hostile. I’ve now done that, so I think the board and ConQuesT can devote time and energy to future conventions instead of last year’s.

Mikki Kendall used the discussion about Oshiro to launch her post “On Bad Cons & How You Kill An Event in Advance”.

I get invited to a lot of cons that have a diversity problem. I also get a lot of requests from cons that claim to want to create anti harassment policies. Aside from my feelings on an expectation that I donate hours of work to strangers for events I have no interest in attending, there’s the sad reality that many small cons are so entrenched on reinventing the wheel they’ve missed the window to do better. Younger fans, fans of color, disabled fans…they don’t have to keep going to cons that aren’t welcoming to be able to connect with other fans. They can go to the big commercial cons, to the smaller cons that do get it & to social media for their community needs. So no, they won’t keep giving cons with bad reps chance after chance. They won’t be patient with serial offenders or the places that enable them. Why should they donate that time & energy to some place that doesn’t want them, that thinks they deserve to be hazed, deserve to be mistreated in order to prove something to bigots?

Bluntly? Most small cons will age out of existence because of bad behavior, because of a focus on the past that prioritizes the social mores of the dead over the actual experiences of the living.

(12) THE LIGHT’S BACK ON. The Wertzone says Pacific Rim 2 re-greenlit for 2018”.

It was on, off and now back on again. Universal and Legendary Pictures are moving ahead with Pacific Rim 2, probably for a 2018 release date….

This has unfortunately meant that Guillermo Del Toro will be unable to return to direct, having already moved on to other projects. However, Del Toro will still co-write (with Jon Spaihts) and produce the movie. The new director is Steven S. DeKnight, the Buffy the Vampire Slayer veteran who went on to create Spartacus and is currently working on Netflix’s Daredevil. The film will be DeKnight’s directorial debut.

(13) THIS COULD RUIN ANDY WEIR’S SEQUEL. This video argues we can reach relativistic speeds using new technologies.

Imagine getting to Mars in just 3 days… or putting points beyond our solar system within our reach. New propulsion technologies could one day take us to these cosmic destinations making space travel truly interstellar! NASA 360 joins Professor Philip Lubin, University of California Santa Barbara, as he discusses his NASA Innovative Advanced Concept (NIAC) for energy propulsion for interstellar exploration.

 

(14) ADMIT IT, YOU DO. Motherboard asks, “Why Do We Feel So Bad When Boston Dynamics’ New Robot Falls Down?”

Even though all the things the engineers do to mess with the robot are done to showcase its ability to correct itself, recover from falls, and persevere in performing tasks, the human tendency to anthropomorphize non-sentient objects is so strong as to override our common-sense knowledge that Atlas is an object incapable of feeling. Engineers commonly kick robots to demonstrate their ability to recover, and it always feels a tiny bit cruel. It’s a strange quirk of the brain—though the tendency is stronger in some people than in others.

(15) A LONG TIME AGO IN DOG YEARS. Some Sad Puppies writing on Facebook are grieved that I have not excerpted Stephanie S.’ “Opening a Moderate Conversation on Fandom with ‘Standback’” atThe Right Geek.

Let’s talk first about what I like to call the “pre-history” of the Sad Puppies. For the past fifteen years (at least), the character of fandom has shifted in a way that many Puppies find very troubling — and by the way, for the vast majority of our number, this has nothing to do with race, gender, or sexuality. A significant number of us are women who accept the precepts of first wave feminism at the very least. A number of us are “people of color.” And a number of us are gay or, at minimum, amenable to leaving gay people alone to live their lives as they see fit. No — what has disturbed the Puppies is the increasingly strident tone that many fans have adopted in support of their favored cultural and political causes. In our perception, the vague “codes of conduct,” the “shit lists,” the pilings on, the endless internet flame-wars, and the non-falsifiable accusations of racism/sexism/homophobia/etc. have all created an environment that is extraordinarily hostile to points of view that don’t hew to a particular left-wing party line. The result? We’ve felt unwelcome and stomped on for what, to our mind, should be recognized as sincere and well-meant differences of opinion.

Over the same time frame, the Puppies have also become concerned about the artistic direction of our field. The “Human Wave” movement, the “Superversive” movement, and the more generalized complaints about “message fic” and “grey goo” that started gaining steam before last year’s Sad Puppies campaign are all flailing attempts by the Puppies to describe the flatness we’ve perceived in many recent award winners — particularly in the shorter fiction categories, where the stylistic sophistication and emotional catharsis beloved by creative writing professors and MFA programs the world over appear to be crowding out more accessible stories with identifiable plots and recognizably science-fictional ideas.

(16) EDIT AND GET CREDIT. Michael J. Martinez singles out for praise and award consideration five editors who worked on his fiction in 2015.

Yes, these are editors I’ve worked with. Each one of them has contributed both to the quality of my work as well as my ever-ongoing education as a writer. They are also lovely humans, which goes a very long way with me.

(17) ANY SUFFICIENTLY ADVANCED TECHNOLOGY. Radio Times found a very funny site: “Someone is pretending to be the IT guy at Hogwarts and it’s hilarious”.

Let’s be honest: magic is great and everything, but if Hogwarts didn’t have WiFi, we probably wouldn’t be so interested.

A Tumblr account called The Setup Wizard took this premise and ran with it. The blog is the fictionalised account of an American muggle named Jonathan Dart working as Hogwarts’ first IT guy. The somewhat grumpy character is constantly solving problems and handling the struggles of being a Muggle in a magic world.

How is it that the first person in this school I’ve successfully been able to explain network bandwidth to is the 500 year old partially decapitated ghost?

Today I taught a centaur how to use a hands free Bluetooth headset. Apparently he really felt the need to make phone calls while wielding a bow and arrow.

[Thanks to Will R., Michael J. Walsh, Reed Andrus, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 2/23/16 The Lurker at the 5% Threshold

(1) THE PUPPET’S INSIDE STORY. Mary Robinette Kowal livestreamed “Ask a puppet about publishing” today. The answer to the old standby “Where do you get your ideas?” got perhaps the truest answer that has ever been given to this question.

(2) GREG KETTER MAKES NEWS. The legendary Minneapolis bookstore is featured in Twin Cities Geek — “From the Stands: DreamHaven Books Is Still Standing”.

Dreamhaven

A later memory I have of the store is hearing Neil Gaiman read his book The Day I Swapped My Dad for Two Goldfish there upon the book’s rerelease in 2004. I remember maybe 35 or 40 people in the store, which can’t be correct—there must have been more than that to see Neil Gaiman—though I’m certain it was a number far smaller than you’d expect to see today, in the age of expanded cons, fandom, and the Internet social-media grapevine. Except for running into Gaiman a few weeks later at the Minnesota Renaissance Festival (and a few other places, actually—that was a weird summer), I wouldn’t see him again in the flesh until an MPR Wits show last year, crammed into the Fitzgerald Theater with over 1,000 other fans. That show was a little closer to what one would expect of a Gaiman sighting, where Neil is a smudge, his pale face and customary black clothes treating us to an impromptu and sparsely populated Mummenschanz show against the stage’s dark backdrop, not at all the mild, T-shirted man with the roiling mind, reading to us about the best deal you could get in a trade for your dad.

… Last April, DreamHaven returned to normal store hours with the help of Alice Bentley, a former business partner of Ketter’s. The two co-founded the Chicago bookstore The Stars Our Destination in 1998, which Bentley ran by herself from 1994 until 2004, when she closed the store, moved to Seattle, and got out of the book business. Says Ketter of Bentley, “She had been out of books for a while, and she really wanted to get back in. So, she moved to [Minneapolis] from Seattle and she’s partnering with me . . . She’s very knowledgeable; in the last 11 or 12 years since she left, things have changed a great deal [but] she’s been very happily relearning the book business.” The two now run the business as partners, with Ketter as the “go-to guy for questions” and Bentley employing her “love of spreadsheets” to keep the business on track.

(3) SPURNING PASSION. Andrew Porter recalls, “I wanted to reprint a Tolkien poem first published in the 1940s, and Tolkien refused me permission — and then he refused a whole bunch of other people including Ballantine Books, and it’s still not been ‘officially’ published. But some people got tired of waiting for “official” publication, and here it is, on the web: “The lay of Aotrou and Itroun” (1945).

A witch there was, who webs could weave
to snare the heart and wits to reave,
who span dark spells with spider-craft,
and as she span she softly laughed;
a drink she brewed of strength and dread
to bind the quick and stir the dead;
In a cave she housed where winging bats
their harbour sought, and owls and cats
from hunting came with mournful cries,
night-stalking near with needle-eyes.

(4) TELL ME IF YOU’VE SEEN THIS BEFORE. At MeTV, “7 reused props on television that will make you do a double-take”.

Neosaurus Disguise:

Lost in Space’s creator Irwin Allen liked to recycle props, but one of his most notable ones was reused by another iconic ’60s TV show. The neosaurus disguise first appeared in Lost in Space:

(5) NEW SAWYER NOVEL. Robert J. Sawyer’s 23rd novel Quantum Night will be released March 1 in hardcover, ebook (all formats), and as an audiobook from Audible.

Robert-J-Sawyer-novel-Quantum-Night

What if the person next to you was a psychopath? And that person over there? And your boss? Your spouse? That’s the chilling possibility brought forth in bestselling author Robert J. Sawyer‘s new novel Quantum Night. Psychopaths aren’t just murdering monsters: anyone devoid of empathy and conscience fits the bill, and Sawyer’s new science-fiction thriller suggests that there are as many as two billion psychopaths worldwide.

A far-out notion? Not at all. As Oxford Professor Kevin Dutton, the bestselling author of The Wisdom of Psychopaths, says, “Sawyer has certainly done his homework about psychopaths and he understands well that, far from being just the occasional headline-grabbing serial killer, they’re everywhere.”

Sawyer says: “Reviewers often call me an optimistic writer — one of the few positive voices left in a science-fiction field that has grown increasingly dystopian. I like to view my optimism as a rational position rather than just naïveté, and so I felt it was necessary to devote a novel to confronting the question of evil head on: what causes it, why it flourishes, why there seems to be more and more of it — and what we can do about it. The theme is simple: the worst lie humanity has ever told itself is, ‘You can’t change human nature.’”

Click to read the opening chapters. Details of the Canadian and U.S. stops on Sawyer’s book tour can be found here.

(6) OSHIRO STORY CONTINUES. Here are links to new posts dealing with Mark Oshiro’s published harassment complaint.

The Kansas City Science Fiction and Fantasy Society, Inc. (KaCSFFS) is the sponsor of ConQuesT, the oldest convention in the central states region. The KaCSFFS Board of Directors oversees ConQuesT, but the day-to-day operations of the convention are done by the volunteer chairs and convention committee, who change from year to year.

In light of recent issues we feel that more oversight of the convention committee as a whole is necessary by the KaCSFFS Board of Directors. This is being addressed by the current Board of Directors as we speak.

KaCSFFS is profoundly sorry that these issues arose, and the policies in place were not followed through to completion. We are taking steps to ensure that future complaints are addressed appropriately and in compliance with current policies and procedures in place.

Posted by Jan Gephardt

The KaCSFFS Board of Directors is: Margene Bahm, President, Earline “Cricket” Beebe, Treasurer, Kristina Hiner, Secretary, Jan Gephardt, Communications Officer, Keri O’Brien, ConQuesT Chairperson for 2016, and Diana Bailey, Registered Agent.

From SFF and romance convention attendees alike. To the point that I’ve applied some probably unfair stereotyping of my own, in deciding that media and writers’ conventions in Those Four States (Texas, Oklahoma, Kansas, and Missouri) are probably off limits to me. If I won a lottery tomorrow and travel costs were not an issue…I probably wouldn’t change my decision.

I get told, rightfully so: ‘That’s unfair. We have lovely, diverse people at X convention or Y festival! By not attending, you are letting the bad people win!”

True. I know some good people in those places. I’d love to visit them. There is a large romance convention in Texas and an even bigger SFF gathering in Kansas City that I *should* attend for career reasons. (Except that the romance con has a dismal record respecting M/M romance authors, and I’m not sure I’m at the professional level to go to the SFF con yet.)

By not attending, I’m not validating some indefensible behavior from con committees who keep getting away with this shit, and use fans and sane staffers as their human shields. I’m not paying into the tax coffers of hotels, cities, and corrupt hypocritical legislatures who still seem to be stuck in Pre-Civil Rights America. By myself, I’m a nobody, and I only have power over what I personally spend and buy.

I was unlucky enough to get tapped for a self-pub panel at CONQuest (Kansas City 2013) that consisted of me and two gatekeepers who bloviated the entire time, talking over anything I had to say. Lawrence M. Schoen was the moderator who opened his introductory email to me with a declaration that nobody should self publish unless they’d already been vetted by the publishing industry. He also used the term “politically correct” which prompted the following response from me:

“Please do not use the term ‘politically correct’ in my presence. My colleagues and mentors include survivors of the Chinese Cultural Revolution and the Soviet GULag. Current American usage of this term trivializes these mass atrocities in the service of defending lazy-minded reflexive bigotry.”

In response, he doubled down on his insistence on right to say anything he liked.

On the panel, Silena Rosen was particularly notable for her crude, hostile manner as well as rant about how self-pub was shit, fanfic was public masturbation, yadda yadda yadda. Schoen wasn’t so much a moderator as a partner in the pile-on. I had quality assurance experience from multiple industry jobs, and a whole list of suggestions for editorial collectives and the like. They talked right over me as loudly as they could. None of that stuff even got said.

I felt the whole time as if I were fighting with both hands tied behind my back. I was there to give the audience new ideas and perspectives and to present myself with courtesy and professionalism; they were there to beat me up in public.

I don’t know anything about the Oshiro thing. Is that the one where the guy was the GoH at a con and didn’t get treated well? I’ve seen that in passing is all. I can only assume that if File 770 is upset over it, they’re either on the wrong side, or just plain stupid.

A bunch of comments from File 770 are reproduced in that same thread. Which is great, because it proves how many of Larry’s fans find this blog despite his refusing to allow pingbacks from my posts, and how they force the rest to read the material anyway.

(7) REASONS WHY DOING NOTHING IS WORSE. Jim C. Hines reviews the recent history of convention antiharassment policy enforcement in “The Importance of Having and ENFORCING Harassment Policies at Cons”

I get it. It’s one thing to write up policies on harassment and appropriate behavior for a convention. It’s another to find yourself in the midst of a mess where you have to enforce them.

Emotions are running high. The person accused of violating the policy isn’t a mustache-twirling villain, but someone who’s been attending your con for years. They’ve got a lot of friends at the con — possibly including you. If you enforce the consequences spelled out in your policies, someone’s going to be upset. Someone’s going to be angry. Someone’s going to feel hurt. It feels like a no-win situation.

And it is, in a way. There’s nothing you can do to make everyone happy. But we’ve seen again and again that there’s a clear losing strategy, and that is to do nothing. To try to ignore your harassment policy and hope the problem goes away on its own.

It won’t. As unpleasant as it is to be dealing with a report of harassment, doing nothing will make it worse. Here are just a few examples from recent years.

(8) THE F IN SF IS NOT FILLET. Seeing a comment on File 770 about all the fiction with “bone” in the title, Fred Coppersmith recommended:

(9) HENCEFORTH THEY WILL BE CALLED FUCHSIA HOLES. Gazing at black holes – “What does a black hole actually look like?” at Vox.

Impossibly dense, deep, and powerful, black holes reveal the limits of physics. Nothing can escape one, not even light.

But even though black holes excite the imagination like few other concepts in science, the truth is that no astronomer has actually seen one….

We do have indirect images of black holes, however

Some of the best indirect images of black holes come from the Chandra X-ray Observatory, where Edmonds works. “The friction and the high velocities of material forming out of a black hole naturally produces X-rays,” he says. And Chandra is a space telescope specially designed to see those X-rays.

For example, the Chandra observatory documented these X-ray “burps” emanating from the merger of two galaxies around 26 million light-years away. The astrophysicists suspect that these burps came from a massive black hole: …

Similarly, the fuchsia blobs on this image are regions of intense X-ray radiation, thought to be black holes that formed when two galaxies (the blue and pink rings) collided: …

Be sure to check out the fuzzy but fascinating video showing the proper motion of stars around an apparent black hole.

(10) YES THERE IS A DRAGON. Pete’s Dragon official teaser trailer.

(11) FARTHER BACK TO THE FUTURE. TechnoBuffalo declares “This fan-made Back to the Future prequel trailer is amazing”.

There’s never going to be a Back to the Future sequel or reboot—at least as long as director Robert Zemeckis is alive. With that in mind, what if there was a prequel? Didn’t think of that, did you? I sure didn’t, but after seeing the trailer above, I’d totally be on board.

If you’ve never seen BTTF (what’s wrong with you?), it begins with Doc Brown revealing to Marty that the only way to produce the 1.21 Gigawatts necessary to time travel is to use plutonium. The prequel would be a story about how Doc Brown gets hands on the plutonium, which he only mentions in passing in the original film.

The prequel trailer was brilliantly edited together by Tyler Hopkins, who used footage from various movies featuring Christopher Lloyd (the actor who played Dr. Emmett Brown).

 

(12) HE’S A MARVEL. “Stan Lee Makes a Cameo During Frank Miller’s Batman: The Dark Knight Returns 30th Anniversary Panel”. (Check out the photo at the post — Stan looks younger than Frank!)

In Los Angeles to celebrate the 30th Anniversary Edition of the book’s release, Miller sat down with IGN to talk about The Dark Knight Returns’ enduring legacy, what makes Batman relevant, and why he keeps coming back to the character. He then took the stage for a Q&A moderated by DC Co-Publisher Dan DiDio, where he discussed his initial apprehension at reinventing such an established character, the impact he’s had on future creators, and who would win in a fight between Batman and Captain America.

The evening took an unexpected turn right out the gate as Miller’s panel was interrupted by an audience heckler. That heckler turned out to be none other than Marvel Comics legend/cameo king Stan Lee, who was on hand to celebrate pal Miller’s accomplishments. Lee of course demanded to know who would win in a showdown between publisher mainstays Batman and Captain America, to which Miller slyly responded “Robin.”

(13) THE ICON’S IMAGE. Abraham Riesman profiles the icon in “It’s Stan Lee’s Universe” at Vulture.

A comic-book Methuselah, Lee is also, to a great degree, the single most significant author of the pop-culture universe in which we all now live. This is a guy who, in a manic burst of imagination a half-century ago, helped bring into being The Amazing Spider-Man, The Avengers, The X-Men, The Incredible Hulk, and the dozens of other Marvel titles he so famously and consequentially penned at Marvel Comics in his axial epoch of 1961 to 1972. That world-shaking run revolutionized entertainment and the then-dying superhero-comics industry by introducing flawed, multidimensional, and relatably human heroes — many of whom have enjoyed cultural staying power beyond anything in contemporary fiction, to rival the most enduring icons of the movies (an industry they’ve since proceeded to almost entirely remake in their own image). And in revitalizing the comics business, Lee also reinvented its language: His rhythmic, vernacular approach to dialogue transformed superhero storytelling from a litany of bland declarations to a sensational symphony of jittery word-jazz — a language that spoke directly and fluidly to comics readers, enfolding them in a common ecstatic idiom that became the bedrock of what we think of now as “fan culture.” Perhaps most important for today’s Hollywood, he crafted the concept of an intricate, interlinked “shared universe,” in which characters from individually important franchises interact with and affect one another to form an immersive fictional tapestry — a blueprint from which Marvel built its cinematic empire, driving nearly every other studio to feverishly do the same. And which enabled comics to ascend from something like cultural bankruptcy to the coarse-sacred status they enjoy now, as American kitsch myth.

[Thanks to John King Tarpinian, Moshe Feder, Paul Weimer, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Mark Oshiro Says ConQuesT Didn’t Act On His Harassment Complaints

Two-time Hugo nominated fanwriter Mark Oshiro (Mark Watches Star Trek), ConQuesT’s Fan Guest of Honor in 2015, has publicly aired on Facebook his grievances about the racism, sexual harassment, and abuse he experienced at the con after working within the con’s complaint process produced no action.

In light of what I’ll reveal at the end, I find it more important than ever to talk about the persistent and pervasive racial and sexual abuse/harassment I was the victim of at ConQuesT because I did everything I was told to do in the event that I was harassed. I reported most of the events you’ll see described below, and I did not do so anonymously. I stuck my name on every incident report, partly because I was not afraid, but mostly because I wanted things to change. If putting my name on a report ensured that a better community could be built from my actions, then I felt it was worth it.

Alas, that does not seem to be the case.

ConQuesT is held annually over Memorial Day Weekend in Kansas City. The three-paragraph Behavior policy in effect at last year’s con began with clear expectations:

Behavior

ConQuesT is committed to offering a convention experience as free from harassment as we can make it for our members, regardless of characteristics such as gender, sexual orientation, disability, physical appearance, age, race, religion, nationality, or social class. We do not tolerate harassment of convention participants in any form. ConQuesT attendees violating these rules may be sanctioned or expelled from the convention without a refund, at the discretion of the convention organizers.

Before suffering any violations of the con’s behavior policy, Oshiro’s weekend as ConQuesT 46 Fan Guest of Honor got off to a rocky start because of poor hospitality. He was due a comp room but had to use his own card to register ‘til the committee straightened that out. The room was in the hotel’s secondary tower. He and his friend (now partner) were driven to a restaurant for the guest of honor dinner, but were not seated at the chairperson’s table with the rest of the GoH’s (George R.R. Martin, Nene Thomas, Brandon Sanderson, and Toastmaster Selina Rosen). At the end of the meal they were asked to pay, another mistake that had to be fixed. Oshiro says there were added reasons for his sensitivity about these problems.

As a brief aside, I wanted to provide some emotional context to this. Baize and I were the only people of color in this entire group, and both of us are gay. I’ve struggled my whole life with reading situations to see if I’m actually being discriminated against, and the fear that that had happened to us was particularly strong that whole dinner. We are both part of marginalized communities that had very little representation in this group, and it became impossible not to consider the possibility that we were treated differently because of it.

At Oshiro’s first program item he was sexually harassed – by the con’s toastmaster.

I was moderating a panel titled, “Are Fans More Open Minded?” The panel progressed wonderfully for about ten minutes before it was derailed and then never made it back to normal. Early into the panel, someone in the audience made a joke about the panelist Selina Rosen, who sat next to me on my left and was ALSO a Guest of Honor at the convention. They called her a princess, and in response, she stood up and pulled her pants down to her ankles. For the next few minutes, Selina, wearing nothing but men’s boxers, proceeded to periodically rub her bare leg against mine. At first, I thought she was merely bumping me, but she kept doing it, over and over, and if I looked at her while she was doing it, she would make a face at me.

I texted Keri O’Brien, the Vice Chair for the convention, and told her that Selina had taken off her pants again. (She had done so at ConQuesT 45.) Within a few minutes, Selina had pulled her pants back up and Keri arrived and pulled Selina out of the room. Selina returned, and she made the bulk of the remainder of the panel about how fandom was NOT open-minded because someone had reported her for removing her pants. Multiple things happened in response to this. In a strange sign of solidarity, another panelist, Robin Wayne Bailey, removed his OWN shirt and kept talking about his nice body and his big muscles. Selina tried to grill multiple members of the audience to determine if they had been the ones to report her, even going so far as to yell at anyone who chose to leave the room, accusing them of being a “rat.”

(Tiffany Robbins saw Rosen’s act in 2014 and wrote in ConQuesT 45: 10 Things I Learned From Selina Rosen – “8. Sometimes, it’s okay to pull your pants down to your ankles in a public setting.”)

Then Oshiro described how, later that night at a room party in the main hotel, his partner Baize was sexually and racially harassed. (The full text of Oshiro’s post appears below, following the jump.)

On Sunday he was the moderator on a panel titled, “Erasure is Not Equality” and had this experience:

This panel was specifically about the erasure of people of color in historical fiction, fantasy, and other genres. I was the only person on the panel who was not white. Furthermore, not one person on the panel seemed to understand the point of the panel, which was to talk about erasure. Instead, the conversation teetered between self-righteous back-patting and flat-out racism. Within the first five minutes of the start of the panel, I brought up a topic for us to discuss: how “historical accuracy” is often poorly used as a defense of the erasure of people of color. One panelist, Chris Gerrib, then began to talk about how people misunderstood history. The “Indian” people in Central America were already busy “killing each other” by the time the Spaniards arrived. When I asked for clarification, Gerrib confirmed that he believed that the Spaniards were “unfairly blamed” for the genocide of the indigenous cultures in Central America. I was so horrified by his continued talk of this ahistorical point that, after very little conversation, I asked that we change topic.

This set a tone for the remainder of the panel, which was easily the worst panel I have ever been a part of. All three of the white panelists confidently stated things that were simply not true; each of them kept saying “Indian” when they actually meant Native American or indigenous; every few minutes, more than half the audience was viscerally horrified by what the other panelists said. At one point, Jan Gephardt derailed the panel into talking about women instead of race and said that she was “happy to see any sort of women, like black or white or green.” Gerrib then chimed in with, “Or purple.” She also responded to a lengthy point that myself and an audience member made about the physical and emotional injury that can come from experiencing racism by reminding us that “racism is not real” because race “is just a social construct.” During a different conversation about how many authors mistakenly blur the line between different cultural groups, Chris Gerrib jokingly said, “Did you know that the Japanese aren’t the same as the Chinese?” Jan’s response? The Japanese and Chinese just think they’re different in their heads. She heavily implied that they were mistaken in this belief.

Oshiro told about several other disturbing comments on the panel. And he outlined another harassing experience he had at a fireworks viewing party. That night, he reported all of these incidents to committee members Keri O’Brien and Jesi Pershing.

They were both incredibly professional and sympathetic to myself and Baize, and I have nothing negative to say about that specific experience. They did exactly as they should: they made the two of us feel better, and they were very thorough in getting details about all of the above experiences. I was asked what I wanted done. I did not recommend that anyone get kicked out or un-invited for future years. I simply wanted two things:

1) That those I reported not be allowed on programming that triggered such a terrible response in them. (That was mostly in regards to the “Erasure is Not Equality” panel. A panel about race should not have one lone person of color on it.)

2) That someone tell these people that there’d been a report made about their behavior and that they should not behave in a way to make people feel so upset and unwanted.

I was realistic about what I wanted. You can’t make everything a teaching moment, and some people might not want to learn. But I needed someone to tell each of these people that their actions made someone else feel terribly unwelcome at the convention. I just wanted the conversation to be started.

Oshiro completed about seven incident reports and signed them.

I was told that the concom would discuss them, and that, at the very least, some action would be taken, either a notification about their behavior and a warning, OR people would not be invited back for programming in the future.

Months went by. Jesi Pershing, in her official capacity as part of the concom, would give me periodic updates. Sometimes, if I saw her at another con, I would ask her what the status of my reports were. She had recommended specific courses of action in response to my incident reports, and [convention chair Kristina Hiner] seemed to agree to them. But last month, she finally told me that, nearly eight months after I’d reported multiple people, ConQuesT and Kristina Hiner had done absolutely nothing with my reports.

In contrast, at another convention where he experienced a problem, the committee immediately resolved his complaint:

Harassment is unfortunately a part of my experience at SF/F conventions. Not at all of them, but at most of them, something happens to me. I’m an outspoken queer Latinx, and it’s inevitable. However, since ConQuesT, every con staff that I’ve had to make a report to has dealt with my report quickly and fairly. At ConFusion this year, the concom dealt with my incident report in two hours. Meaning they spoke to the person and that person apologized to my face within two hours.

Oshiro recognized that ConQuesT was not going to take action, and decided it was time to go public.

And a month ago, after she told Oshiro about the committee’s inaction, Jesi Pershing left the committee, as she explained today on Facebook:

Shortly after the ConQuesT 2015 ended, I typed up the incident reports I had taken, along with my recommended follow-up for each incident, and passed them along to the chair. My understanding was that she agreed with the actions I recommended, and that the Board did as well. The actions I recommended either needed to come from the Chair or Board, or required certain decisions to be made by the Chair or Board before I could enact them. This is where things stalled out. I heard that the Chair and Board agreed with what I had recommended…and then I basically heard nothing.

I inquired several times, both in email and in person, over the next several months, as to where things stood, whether anything had been done, what the hold up was. At one point, it was expressed to me that the Chair was wondering, since we hadn’t done anything by now (I believe this was about four months after the con), should we even bother at this point? To which I gave an emphatic “YES” and was once again under the impression that action would be taken. It never was.

As Mark relates in his post, he was asking me for updates during this time. I let him know that a course of action had been agreed upon on (early on in the process when I thought that action being agreed upon meant action would be taken), and then, as time went on, I would have to tell him that, no, to my knowledge, nothing had been done. Still nothing. Still nothing.

In January, I had a sudden lightning bolt epiphany that, if nothing had happened up to this point, nothing was going to happen. I let Mark know that, in my opinion, the con was never going to take action on his reports, and that I was stepping down from the committee.

Combating harassment in our community is an issue that is very important to me – I’ve worked on writing and implementing Codes of Conduct at multiple conventions. When I take on a role like this at a convention, I feel that I am making a promise – a promise that complaints will be taken seriously and that, if warranted, action will be taken. I cannot work for a con that has made me break that promise, which is why I stepped down from the committee.

Keri O’Brien, who has stayed on as the 2016 ConQuesT chairperson, made this comment on Oshiro’s Facebook post:

I have never felt comfortable talking from the perspective of a whole group of people. That is not something I think I can easily do here. I am also the current chair of ConQuesT in Kansas City. A good friend of mine, Mark Oshiro, told his story today. This needed to happen I feel. There were some horrible things that happened last year and they did not get the attention they deserved. This post is part apology. Mark Oshiro and Baize Latif White should not have found out 9 months later that nothing had happened. This was a mistake, a terrible one. Caused by a series of miscommunications over the course of those months. The reasons are not as important as the hurt the mistake and miscommunication caused. ConQuesT is a very old convention but has only very very recently instated any sort of behavior policy. ConQuesT 46 was one of the first years that formal reports were taken in under this system. It was not handled well, at all. But this does not mean that it cannot learn from those mistakes. As chair for this year, it is my responsibility to ensure that any reports taken at con are dealt with in ways that respect our membership and our policies. Thank you for taking the time to read this, Keri O’Brien

O’Brien is just one of hundreds of fans who left comments on Oshiro’s Facebook page. Among them was Chris Gerrib who set out to apologize, only getting it right on the second try after Oshiro answered his first attempt, “I don’t se an apology here.” Gerrib wrote in his initial comment:

Since I was mentioned by name in the original post, I feel I should respond. I want to apologize. What I *intended* to say was that the Inca and Aztec empires were unpopular with other native tribes, and that the Spanish used that unpopularity to form an army with themselves at the head. I did not communicate that correctly, and I’m sorry. I don’t recall saying that the Spanish were unfairly blamed for anything, but if I said or implied otherwise I was wrong. Much of the current issues with Central and South America can be traced to bad Spanish decisions and/or conduct.

Then he followed up:

I am sorry you were miserable on the panel, and I’m sorry what I said caused that. My statement at the time was in error.

(Gerrib also discussed this at File 770 and in a similar comment on Vox Day’s post about Oshiro’s revelation.)

Other notable responses include K. Tempest Bradford’s “Expect More From Your Regional Convention”:

Kansas City fans have pointed out that it is the very essence of a local con. Most folks running it and putting people on panels know each other well and know the panelists. Robin Wayne Bailey  is a local and, from what I can gather, a regular at that con. Selina Rosen, who pulled down her pants, is apparently a serial pants taker off-er at that very con. Yes, this is a small local con. That means it’s probably even easier for programming volunteers to know that they’ve staffed a panel about diversity and erasure with one person of color and a bunch of problematic white folks who are prone to undressing at the slightest provocation.

And Rachel Caine is calling upon audiences not to let things slide, in “Dear Regional SFF Conventions: Enough Already”

But you know what? It’s not necessarily the fault of the volunteers throwing conventions. Audiences and panelists must hold each other accountable if fandom is going to continue as it began. ConComs are not gods. They can’t vet moderators, they can’t interview panelists about every panel topic to see if they’re qualified. They are organizers of a show for which they don’t get paid, and while they do shoulder the burden for responding to bad behavior, WE are responsible for responding immediately to the bad behavior in the first place. (I have been guilty of letting things slide, of trying to play “can’t we all get along,” of not pushing myself hard enough to be articulate and responsible. And I’m sorry. If you see me falling short or saying dumbass things, stand up and say so. I will learn and grow as a person from that discussion.)

Surprisingly, Oshiro says he’s still going to the Worldcon in Kansas City this year.

Mark Oshiro gave general permission to share his Facebook post; the full text follows the jump.

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