She’s brought to bear on this 2019 Nebulas slate her experience with the Sad/Rabid Puppies Hugo slates of 2015, when she took her Hugo-nominated story out of contention (see “Two Hugo Nominees Withdraw Their Stories” from April 2015). Twitter thread starts here.
She also showed the characteristics that distinguished this slate from a mere recommendation list.
Marko Kloos was the other 2015 Hugo nominee named in the story linked above, and he added his support today:
Marshall Ryan Maresca commented on the differences between authors asking for consideration and a slate.
People involved with 20Booksto50K, the creator of the slate, and the author of one of the listed works, have also weighed in.
Yudhanjaya Wijeratne, co-author with R.R. Virdi of “Messenger,” a
work on the list that is now a Nebula finalist, had this to say:
The disproportionate influence of a slate may also be due to the small numbers of nominations needed to make the Nebula ballot, according to this exchange:
Whether something is a recommendation list or a slate is a question:
Bellet said this about recognizing the difference between slates and recommendations:
Incidentally, there is support for Wijeratne’s nominated story.
Michael Cooper responded on Facebook by essentially arguing no one can show anybody was influenced by the list:
Recently the Nebula Award finalists were announced, and there’s been some flak because of the number of independent authors on the ballot.
Honestly, so far as I’m concerned, I don’t think there are enough.
I think that the ratio of indies to trad pubs on the ballot is backwards from what it should be. Why do I think this? Well…sales. Indies sell more books than traditionally published authors by a wide margin. Granted, this is as a whole and there are individual trad pub authors who do very well, but if you look at the top SF authors on Amazon, the list is dominated by indies.
…If you’re a SF reader, then you probably know this statement: Correlation does not equal causation. Just because a list of books to vote for was posted in the 20Books FB group, does not meant that that list got the indies who are on the ballot up there. It’s not a smoking gun.
To say that the indie authors in SWFA (the organization that produces the Nebula awards) voted as a bloc because of that list is to call into question the character of all those people and to say that they did not evaluate the books they voted for.
That sort of statement is: irrational, a baseless accusation, and irresponsible. Now, I know that a lot of people didn’t come out and *say* that members of the 20books FB group voted as a bloc, but they implied it. For the sake of intellectual honesty, they should make it clear that they did not imply such a thing, and that to the best of their knowledge, every SFWA member that nominated a book or story, did so after careful consideration and review.
Because they have no evidence to the contrary (that they’ve presented, at least).
Lastly, to say that because a person is a member of an FB group means that they adhere to all the core tenets of that group is frankly stupid and lazy thinking. To then denigrate them because you don’t like an aspect of a group in which they are members is the sort of thinking that belies a lack of clear logic and reasoning.
It’s hard not take negative comments about 20Booksto50k® personally since I run that group, but taking a step back, we did nothing untoward. Indies read indies. We support each other by reading and buying each other’s stuff, often promoting it as well with our own hard-acquired email lists. The ignorance is appalling about what we do. I think ethically making money isn’t dirty and that’s part of the allusions. People contact me if they find a typo in one of my books – I fix them and reupload. The books with the most typos are my trad pub books. Trad does not necessarily equal higher quality. I think my latest books are as high in the quality department as any trad book out there. But I digress – this isn’t about me. It’s about a system that promotes ebooks that cost more than a hardback. It’s about the old guard who are slowly changing yet having a hard time giving ground. It’s about the industry of middle men who stand to lose their jobs from the indie revolution. Of course they don’t want to change. I can’t begrudge them a long career that ends on a whimper. But adapt and overcome. That’s what has made indies a force to be reckoned with. I demonstrate that with The Expanding Universe anthologies, now a two-time Nebula finalist publication. I support indies taking charge of their own careers through 20Books. I support all authors taking responsibility for their career decisions. I don’t support those who need to denigrate others. It won’t make them feel better and it definitely won’t stop the indie train. That baby is already well down the tracks and picking up speed.
Martelle also waved the threat
of a SLAPP suit against offenders:
We simply asked people to read our stuff with their limited time because full-time indie authors are busy as hell. I’m watching the blogs and stuff. If anyone crosses the line into libel, I’ll drop a C&D on them and then follow with a lawsuit. As they say, put your money where your mouth is. I’m willing to because I know for a fact that we didn’t do a slate. Let’s see how the keyboard warriors respond to real world consequences.
I didn’t respond to any of the blogs or Reddit, but just as an aside, the indie FB list was cleared with the SFWA staff before it was ever posted.
I have asked Brazee for the name of the person he spoke to. Who knows what really happened anyway? If somebody asked me “How about if I put up a reading list” I wouldn’t think anything of it, unless I knew that person was the representative of a large group, and was going to preface his list with an encouragement for the group to nominate those works for the Nebula Award.
J A Sutherland has added perspective in this Twitter thread:
(1) MANGA AT THE MUSEUM. The
British Museum will host an exhibit on “Manga”
from May 23-August 26.
Enter a graphic world where art and storytelling collide in the largest exhibition of manga ever to take place outside of Japan.
Manga is a visual narrative art form that has become a multimedia global phenomenon, telling stories with themes from gender to adventure, in real or imagined worlds.
Immersive and playful, the exhibition will explore manga’s global appeal and cultural crossover, showcasing original Japanese manga and its influence across the globe, from anime to ‘cosplay’ dressing up. This influential art form entertains, inspires and challenges – and is brought to life like never before in this ground-breaking exhibition.
Japanese manga artists find inspiration for their work in daily life, the world around them, and also in the ancient past. Many people are familiar with modern manga, but the art form – with its expressive lines and images – is much older than you might think. …Here is a brief history of Japanese manga in 12 works.
“Patrick isn’t playing Captain Jean-Luc Picard this time, he’s done with Starfleet in this show. That’s about the only thing I do know about the show,” he said.
(3) VERDICT COMING FOR
OPPORTUNITY. NASA has received only silence
from Opportunity since contact was lost during a global dust storm on the red
planet last June. The agency may soon decide to move on. The New York Times has the story — “‘This
Could Be the End’ for NASA’s Mars Opportunity Rover”.
…The designers of the spacecraft expected that dust settling out of the Martian air would pile up on the solar panels, and the rovers would soon fail from lack of power. But unexpectedly, gusts of Martian winds have repeatedly provided helpful “cleaning events” that wiped the panels clean and boosted power back up.
In 2009, Spirit became ensnared in a sand trap and stopped communicating in March 2010, unable to survive the Martian winter.
Opportunity continued trundling across the Martian landscape for more than 28 miles. Instead of just 90 Martian days, Opportunity lasted 5,111, if the days are counted up until it sent its last transmission. (A Martin day is about 40 minutes longer than an Earth day.)
This time, the dust may have been too thick to be blown away or something else broke on the rover. John L. Callas, the project manager, conceded that hopes were fading. “We’re now in January getting close to the end of the historic dust cleaning season,” he said.
Cultural critic Mark Dery coined the term “Afrofuturism” in his essay “Black to the Future,”and its meaning has expanded to encompass alternative visions of the future influenced by astral jazz, African-American sci-fi, psychedelic hip-hop, rock, rhythm and blues, and more. This reading is co-sponsored with PEN/Faulkner Foundation as part of its Literary Conversations series and The Library of Congress’s Center for the Book and Poetry and Literature Center.
The reading at the Folger will be preceded by a moderated
conversation with all three writers at the Library of Congress. This event
is free and will take place at 4 p.m. Register here.
(5) FANTASTIC WOMEN. As part of the celebration of Women’s History Month, the PEN/Faulkner Foundation and the National Museum of Women in the Arts will present “Fantastic Women” on March 10 in Washington, DC.
Join us in celebrating the work of Lesley Nneka Arimah, Kelly Link, and Carmen Maria Machado, women writers who all use elements of the fantastic in their work, often in ways that allow them to explore crucial themes (power, sexuality, identity, the body) without the constraints imposed by strict realism. These authors play with the boundaries of time and space through short stories and novels, and use their writing to push back against the traditional boundaries of women’s fiction.
…An eye-opening moment for Kloos came when he attended another science fiction workshop: the Launch Pad Astronomy Workshop, held each year at the University of Wyoming in Laramie. (Disclaimer — I was an attendee in 2014). The week-long boot camp is engineered to impart science fiction writers with a baseline of astronomy and physics knowledge, with the idea that more scientifically accurate works will in turn help provide readers with better science. “That gave me a lot of ideas that I wanted to put into this series,” he says, “and basically created the solar system from scratch.”
The workshop “taught me all the things I did wrong with Frontlines, which was luckily not a whole lot,” Kloos says, “but there are some whoppers in there, like a colony around a star that does not support a habitable zone.”
(7) BLEAK ENOUGH FOR YOU? Behind a paywall at the Financial Times, John Lanchester argues
that Brave New Worlds did a better
job than 1984 in predicting the
One particular area of Huxley’s prescience concerned the importance of data. He saw the information revolution coming–in the form of gigantic card-indexes, but he got the gist. It is amusing to see how many features of Facebook, in particular, are anticipated by Brave New World. Facebook’s mission statement ‘to give people the power to build community and bring the world closer together’ sounds a lot like the new world’s motto ‘Community, Identity, Stability.’ The world in which we ‘haven’t any use for old things’ dovetails with Mark Zuckerberg’s view that ‘young people are just smarter.’ The meeting room whose name is Only Good News–can you guess whether that belongs to Huxley’s world controller, or Sheryl Sandberg? The complete ban on the sight of breast feeding is common to the novel and to the website. The public nature of relationship status, the idea that everything should be shared, and the idea that ‘everyone belongs to everyone else’ are also common themes of the novel and the company–and above all, the idea, perfectly put by Zuckerberg and perfectly exemplifying Huxley’s main theme, that ‘privacy is an outdated norm.’
(8) HAMIT. Francis
Hamit, a longtime contributor here, has a new Patreon
He says, “There is s lot of free stuff in the Public area. Some of it is
even science fiction. Feedback is welcome and the minimum sign-up is
$2.25 a month for those who want to support my efforts.”
Arnold Schwarzenegger and Andy Vajna, the Hollywood producer who died earlier this week, have appeared in a just-released video from the set of the latest movie in the “Terminator” franchise, which shot in Hungary last year.
The behind-the-scenes promotional video, posted online by the Hungarian National Film Fund, sees Schwarzenegger and the movie’s director, Tim Miller (“Deadpool”), sing the praises of Budapest as a location, and Vajna complimenting the “Terminator” franchise. It ends with Schwarzenegger saying, “I’ll be back.”
It was Vajna’s last set visit to one of the international productions filming in Hungary, where he served as the government commissioner for the film industry. With partner Mario Kassar, Vajna founded the indie powerhouse Carolco, which produced blockbusters including “Terminator 2: Judgment Day,” the first three “Rambo” films and “Basic Instinct.” He died Sunday in Budapest after a long illness. He was 74.
(10) AN ANCIENT EASTERCON.
Rob Hansen has added a section about “Bullcon
– the 1963 Eastercon” to his British fanhistory website THEN “featuring
the usual cornucopia of old photos:”
BULLCON the 1963 UK National Science Fiction Convention – the fifth to be run under the aupices of the B.S.F.A. – took place over the weekend of 12th April – 15th April, 1963. It was held at the Bull Hotel in Peterborough (see it today here), as it would also be the following year. Guest of Honour was Bruce Montgomery aka Edmund Crispin. In SKYRACK, Ron Bennett reported that: “this was the best attended British Convention to date, with over 130 avid fans gathering to celebrate the fifth anniversary of the British Science Fiction Association.”
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 26, 1928 – Roger Vadim. Director of Barbarella which was based on the comic series of the same name by Jean-Claude Forest. Need I note that it starred Jane Fonda in the title role? (Died 2000.)
Born January 26, 1928 – Philip Jose Farmer. I know I’ve read at least the first three Riverworld novels (To Your Scattered BodiesGo, The Fabulous Riverboat and The Dark Design) but I’ll be damned if I recognize the latter ones. Great novels those are. And I’ll admit that I’m not familiar at all with the World of Tiers or Dayworld series. Anyone read them? I know, silly question. I do remember his Doc Savage novel Escape from Loki as being a highly entertaining read, and I see he’s done a number of Tarzan novels as well. (Died 2009.)
Born January 26, 1943 – Judy-Lynn Del Rey. Editor at Ballantine Books after first starting at Galaxy Magazine. Dick and Asimov were two of her clients who considered her the best editor they’d worked with. Wife of Lester del Rey. She suffered a brain hemorrhage in October 1985 and died several months later. Though she was awarded a Hugo Award for Best Professional Editor after her death, her widower turned it down on the grounds that it only been awarded because of her death. (Died 1986.)
Born January 26, 1949 – Jonathan Carroll, 70. I think his best work by far is The Crane’s View Trilogy consisting of Kissing the Beehive, The Marriage of Sticks and The Wooden Sea. I know de Lint liked these novels though mainstream critics were less than thrilled. White Apples I thought was a well crafted novel and The Crow’s Dinner is his wide ranging look at life in general, not genre at all but fascinating.
Born January 26, 1979 – Yoon Ha Lee, 40. Best known for his Machineries of Empire space opera novels and his short fiction. Ninefox Gambit, his first novel, received the 2017 Locus Award for Best First Novel. His newest novel, Dragon Pearl, riffs off the fox spirit mythology.
Do you have a writing routine? More or less. I get up, walk my cat (or more accurately, she walks me), maybe work on one of the languages I’m trying to learn (French, German, Welsh, Korean, and Japanese), brew myself a cup of tea, then set up in my study. For a long project like a novel, I usually write in Scrivener, although for a shorter project or to mix things up I sometimes write longhand with fountain pen. When I’m working in Scrivener, it gives me a running wordcount. So every 100 words that I write, I go to my bullet journal and write out the phrase, “100 words down, 1,900 words to f***ing go!” “200 words down, 1,800 words to f***ing go!” It’s kind of aggro but it keeps me going? I generally aim for 2,000 words in a writing day. More than that and my brain seizes up.
(13) ST:D RECAP. Let Camestros
Felapton fill you in on the latest episode of Star Trek: Discovery: “Discovery:
Discovery decides to play it safe with an episode that’s so The Next Generation that it needs Commander Riker to direct it.
The mystery of the red signals leads Discovery to the Beta quadrant via a quick use of the spore drive. There they discover a colony of humans from pre-warp Earth. Meanwhile in orbit, the collapse of a planetary ring of radioactive rocks (just go along with it) imperils not just the lost colony of humans but the away team (Pike, Michael and crew member of the week).
It’s nice enough. There’s a theme of faith versus science with Pike sort of taking one side and Michael the other.
“I think this is very uplifting. We’re all still in this room. There’s still books, people are still reading them,” said Margaret Atwood, author of The Handmaid’s Tale, The Blind Assassin and much more, during the breakfast keynote on the second day of Winter Institute 14 in Albuquerque, N.Mex.
“Part of the uptick of books is that’s one of the places people go when they feel under both political and psychological pressure,” Atwood continued. “It is actually quite helpful to know that other people have been through similar things before, and have come out of them.”
Atwood was in conversation with Erin Morgenstern, author of The Night Circus and the upcoming The Starless Sea, and during a wide-ranging, illuminating and often funny discussion, topics ranged from forthcoming novels to blurring genre lines, early book-signing experiences, and past and present reactions to The Handmaid’s Tale.
On the subject of her new novel, The Testaments—the sequel to The Handmaid’s Tale coming from Nan Talese/Doubleday on September 10—Atwood joked that her publisher would kill her if she said too much, but she did say that it is set 16 years after the events of the previous book and features three narrators. Beyond that, her publisher “would be very cross” with her.
When asked what led her to return to the world of The Handmaid’s Tale more than 30 years later, Atwood replied that there have “always been a lot of questions asked” about the book, like what happens next and what happens to the main character after the end of the novel. She said that she never answered those questions, because she didn’t know. Writing The Testaments, Atwood explained, was “an exploration of the answers” to those many questions
More than a decade ago, Jay Asher’s young adult novel, “Thirteen Reasons Why,” a dark story about a bullied teenager who kills herself, became an unexpected best-seller. Teachers and librarians around the country embraced the novel as a timely and groundbreaking treatment of bullying and teenage suicide, and the novel went on to sell several million copies. A popular Netflix adaptation set off controversy over its depiction of the causes of suicide, but still drew hordes of new readers to the book, and has been renewed for a third season.
Then, last year, Mr. Asher’s career imploded when he was accused of sexual misconduct, and the Society of Children’s Book Writers and Illustrators announced that he had violated the professional organization’s anti-harassment policy. The repercussions were swift: His literary agency dropped him, speaking engagements and book signings evaporated, and some bookstores removed his novels from their shelves.
Now Mr. Asher, who denied the allegations, has filed a lawsuit against the Society of Children’s Book Writers and Illustrators and the group’s executive director, Lin Oliver, claiming that Ms. Oliver and the organization made false and defamatory statements about him that torpedoed his career, and caused financial harm and intentional emotional distress.
(16) ONE SMALL STEP. [Item by Mike Kennedy.] Checkers? Long since mastered. Chess? Mere child’s play. Go?
Can’t you make me work a little?
In London last month, a team from Alphabet’s UK-based artificial intelligence research unit DeepMind quietly laid a new marker in the contest between humans and computers. On Thursday it revealed the achievement in a three-hour YouTube stream, in which aliens and robots fought to the death.
DeepMind’s broadcast showed its artificial intelligence bot, AlphaStar, defeating a professional player at the complex real-time strategy videogame StarCraft II. Humanity’s champion, 25-year-old Grzegorz Komincz of Poland, lost 5-0. The machine-learning-powered software appeared to have discovered strategies unknown to the pros who compete for millions of dollars in prizes offered each year in one of e-sports’ most lucrative games. “It was different from any StarCraft that I have played,” said Komincz, known professionally as MaNa.
[…] Mark Riedl, an associate professor at Georgia Tech, found Thursday’s news exciting but not jaw-dropping. “We were pretty much to a point where it was just a matter of time,” he says. “In a way, beating humans at games has gotten boring.”
The Vision and Scarlet Witch, one of the first series that Marvel Studios will be making for Disney’s streaming service Disney+, has landed a writer and showrunner.
Jac Schaeffer, one of the scribes behind Marvel’s upcoming Captain Marvel movie, has been tapped to run point on the series that will focus on the two characters that are integral members of the Avengers. She will pen the pilot and executive produce, say sources.
Paul Bettany and Elizabeth Olsen are expected to star in the series, reprising the roles they originated on the big screen.
…As The CW’s Roswell, New Mexico is set to premiere, my guess is that audience response to the series’ fitfully immigration-heavy perspective will fall into two camps.
First: “Keep your politics out of my teen-friendly supernatural soaps!” This group of detractors will be frustrated that a series about aliens set in the American Southwest in 2019 would attempt to connect that extreme circumstance to what is actually happening at the border in 2019. Leaving aside that those people may not like or understand science fiction on a very fundamental level, they won’t like Roswell, New Mexico anyway.
Second: “If this is your skid, steer into it!” This’ll be from those who want Roswell, New Mexico to do more with the immigration metaphor or, rather, to approach it better. It’s the thing that makes Roswell, New Mexico relevant as a brand reinvention, so there’s very little purpose in soft-selling it.
It is always an awkward situation when a movie or TV show spells something wrong in the credits. This can be problematic if an actor’s name is spelled wrong, but as for Star Trek, the word “script” was spelled incorrectly for 13 episodes of season 1.
When giving the crew member George A. Rutter his title, the credits credit him as a “Scpipt” Supervisor. This mistake was eventually fixed on the show, but in the ‘60s, it likely would have cost a lot of money to redo the credits to fix one spelling error.
[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Andrew Liptak, Francis Hamit, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
I love writing for Wild Cards. It’s an amazingly detailed world that has been expanded by thirty-plus writers over thirty years, and it’s a ton of fun to be a part of that. I mean, I get to make up my own super-powered characters and then let them loose in a playground that has been constantly expanded and improved for three decades. And the Wild Cards consortium is just stacked with super-nice and super-talented people.
That said, there’s one thing that annoys me about being a Wild Cards writer, and that’s entitled Game of Thrones fans.
Every time GRRM posts something on social media about Wild Cards, it takes about five seconds before someone responds with a dismissive one-liner that totally shits on whatever it is he’s trying to promote or announce. And it’s always a variation of the same boring, unoriginal garbage. Finish Winds of Winter. Nobody cares about Wild Cards. WHERE’S THE BOOK, GEORGE? NOT BUYING ANYTHING FROM YOU UNTIL YOU FINISH WINDS OF WINTER. Etcetera, etcetera. Yawn.
GRRM is the editor of Wild Cards (along with Melinda Snodgrass). He edits the books, he doesn’t write them…
That’s up to the new Board members to decide. In the past, I handled all the day-to-day business, and the rest of the Board reviewed and approved requests for assistance quarterly, and provided advice, suggestions, and approvals regarding policy changes as-needed. The day-to-day business consisted of: the auction, yearly; administering requests for monetary assistance, quarterly; balancing the books, monthly; and general question-answering and email-fielding, weekly-ish.
However, that state of affairs was the result of (1) Con or Bust’s origin as a single-person project and (2) my control-freak tendencies. Since I’m stepping down, the new Board will determine what works best for its members.
Board members are elected for a term of three years.
(3) EXPLAINING THE POPULARITY OF HORROR. An
article in the January 4 Financial TImes
by Tom Faber contends horror films have become more popular because women are
given more roles to play than “victims, sex objects, and she-devils.”
In 2018, however, women in horror were scientist-explorers, dancers, witches, avengers, webcam girls, and mothers both fiercely protective and provocatively ambivalent toward their children. Meanwhile male characters in the Halloween reboot, (Lucas) Guadagnino’s Suspira and Hereditary were passive and useless. In one of Suspira’s memorable scenes, witches hypnotise two policemen, laugh at them, and laugh at their genitals. Could there be a more pointed example of the genre’s gender shift?
As female roles change, the horror audience only grows. Last year’s Halloween broke the (admittedly specialised) box office record for a film with a female lead over the age of 55. FrightFest reports more women attending every year. And more women are getting behind the camera. The Babadook, Raw, and Revenge all offer a thoughtful female perspective on the genre tropes, exploring motherhood, awakening sexuality and the aftermath of sexual violence without skimping on the gore. This could be a lasting change in the world of horror, even if the genre does end up creeping back into the shadows.
On Wednesday, Skydance announced that it hired Pixar veteran John Lasseter to head its animation division. The decision is bound to come under scrutiny, given the fact that Lasseter was ousted from Pixar in the midst of a sexual harassment scandal. In a memo to staff, CEO David Ellison attempted to explain the decision, and noted that Skydance employed a third-party counsel to investigate the allegations. Read the full memo below.
(5) STAR WARS BLOWS UP PRICES
AT DISNEYLAND. At Fatherly, Ryan Britt says “Blame
‘Star Wars’ For Huge Price Increase of Disneyland Parks Tickets”. Disney has increased ticket prices
by 25 percent to a minimum of $100/day to pay for Star Wars Galaxy’s Edge where
you can ride the Millennium Falcon and have a drink at the Mos Eisley cantina.
The post includes a Disney video called “Fly Through Star Wars Galaxy’s
Sadly, there aren’t a lot of hacks to get around this, and the reason for the increase almost certainly has to do with the new Star Wars attraction. Touted as an immersive experience, Galaxy’s Edgewill allow visitors to ride the Millennium Falcon and drink real alcohol at a simulacrum of the famous Mos Eisley cantina first glimpsed in the 1977 Star Wars movie, A New Hope. For those of us who remember StarTours from the ’80s and ’90s, this is supposed to be way better than that, though clearly, way more expensive.
Science fiction has become so central to our culture that it can be easy to take it for granted, but its modern form arose at a specific historical moment. During the genre’s golden age, which is conventionally dated from 1939 to 1950, its ideas were refined by a relative handful of authors, editors and artists — and its most immediate impact came through its illustrations. Out of the pulps emerged an entire visual language that relied on striking painted covers to attract newsstand buyers, and while it took years for the stories inside to live up to readers’ dreams, the pictures were often unforgettable from the beginning.
This evolution is clearly visible in the magazine best known as Astounding Science Fiction, the most influential title in the history of the field, and in its sister publication, Unknown, which played much the same role for fantasy. Most of the art was produced by commercial freelancers in New York who collaborated closely with editors. The interior drawings tended to strictly follow the text, but cover artists could let their imaginations run wild. Thanks in large part to their work, science fiction in the midcentury achieved its enduring sense of wonder, and its images from this period may turn out to be the genre’s most lasting contribution to our collective vision of the future.
(7) TODAY IN HISTORY.
January 10, 1927 — Fritz Lang’s Metropolis had its world premiere in his native Germany.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 10, 1904 – Ray Bolger. The Scarecrow In The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the seventies version of Battlestar Galactica. (Died 1987.)
Born January 10, 1937 – Elizabeth Anne Hull, 82. She has served as the President of the Science Fiction Research Association and editor of its newsletter. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She is also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”.
Born January 10, 1942 – Walter Hill, 77. Film director, screenwriter producer of such genre fare as the Alien franchise, Streets of Fire (it’s genre, it’s it?), several espies odes of the Tales from the Crypt series, Tales from the Crypt: Demon Knight, Perversions of Science, an episode of Deadwood and Prometheus.
Born January 10, 1944 – William Sanderson, 75. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood.
Born January 10, 1944 – Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through mid seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
Born January 10, 1947 – George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review. I don’t think I’ve ever encountered any of his other works — was he on presses that would’ve been in general bookstores that carried SF (Died 2002.)
Algis Budrys was just a couple of months older than my father, and he’d have turned 88 today. He was one of my favorite SF writers. His best work, in my opinion, came mostly in the 1960s — the remarkable novel Rogue Moon, the underappreciated novel The Amsirs and the Iron Thorn, and such stories as “For Love”, “Wall of Crystal Eye of Night”, “Be Merry”, and a non-SF story, “The Master of the Hounds”. He also did excellent later work: “The Silent Eyes of Time”, “A Scraping at the Bones”, and the novels Michaelmas and Hard Landing. Late in his life he edited the interesting small press magaine tomorrow (which became one of the first magazines to transition online), before an unfortunate final act working for Writers of the Future.
…Up for pre-order starting this week, Enesco’s Hot Properties Village follows in line with the well-known Department 56 “Village” brand. Instead of Swiss chalets and winter-themed Americana, Enesco is turning its attention to the major landmarks of the DC Universe. The company has already been putting out Christmas ornaments featuring some DC characters, but this new direction for the license opens up all kinds of possibilities, beginning with Wayne Manor, the Daily Planet, and the Batcave.
All three ceramic replicas include light-up elements, a key feature for display purposes. The scales are a little off between the various buildings, but that helps to keep all the various entries shelf-sized. Still, the Superman flying around the Daily Planet is comically oversized compared to the building, and the same could be said for the Bruce and Alfred that accompany Wayne Manor. At least the Batmobile looks like it could actually fit through the Batcave entrance. Sadly, the ’66 Batman and Robin to go with that cave entrance are sold separately….
… Beyond that, it does seem that most of the dickheads who used to rail about me have either moved on or sunk themselves into obscurity or both. The fellow most enthusiastic about being a jackass in my direction over the years has recently fixated on someone else, which is nice for me and apparently harmless enough for the fellow he’s fixed himself upon. The object of his affections doesn’t seem to be suffering any real negative effect from the jackass’ constant need to attach himself, lamprey-like, to someone else’s career in the hope of gobbling up leftover crumbs. He’ll occasionally still snark in my direction, and mutter something to his sockpuppets about my blog visits, which, fine. But I don’t think his heart’s much into it anymore. He’s found a new crush, and I wish him joy.
Outside that dude, there’s a small group of indie writers (and their fans) who have used me as a fetish object in their never-ending war against the SJW-ing of science fiction, but that’s mostly just, like, six dudes reminding each other they’re in the “I Hate Scalzi” club over and over. Again, it’s not done me any harm, so let them have their whine circle if it makes them happy. But they seem to do it less now, as far as I can see. Among the former Sad Puppies, a couple of them will still hitch the strawman version of me to their chariot and drag it around the walls of their compound, to desultory cheers. But honestly, that was soooo long ago now. In the here and now, most of them are busy trying to build (or rebuild, as the case may be) their careers, and that’s probably a better use of their time. Good luck to them….
When your satellite breaks in space, as DigitalGlobe’s did on Monday, there isn’t an easy way to repair it. Technology that’s currently on the horizon may change that, however, allowing satellite providers to staunch their financial losses and get more out of their investments.
For DigitalGlobe, the loss was brutal: an Earth-imaging satellite called WorldView-4, which had clients that include Google Maps. A critical instrument needed to stabilize the spacecraft has stopped working properly. Now, the satellite can’t take decent pictures of Earth for DigitalGlobe’s customers, and there seems to be no way to fix the damage.
WorldView-4 generated $85 million in revenue for Maxar, DigitalGlobe’s parent company, in fiscal year 2018, and the spacecraft is insured for $183 million. (Maxar says it intends to seek all of that money.) But if a servicing company offered a way to repair the satellite in orbit, for tens of millions of dollars, Maxar wouldn’t be facing as big of a financial hole. WorldView-4 just needs a new working gyroscope to get things up and running again.
Plattsburgh, New York, is a tough place to be outside in early January. The small city sits on the western shore of Lake Champlain, 20 miles south of the Canadian border. I’ve just arrived with Kyle Clark and a few of his colleagues, after a quick flight in a 40-year-old Cessna from Burlington, Vermont, on the other side of the lake. It’s snowing, and as we shuffle across the mostly abandoned former Air Force base toward a secluded hangar, I ask Clark if the weather might ice today’s flight plans.
He looks at me and laughs, opening the hangar door. “Not a chance.”
…Clark will have none of such worries. He bounds into the cavernous building that once housed B-52 bombers and introduces me to the Ava XC. The gleaming white contraption, with stilt-like landing gear and eight propellers jutting out in every direction, looks like what Tony Stark would build if he had an Edward Scissorhands phase.
For many students, this week saw the end of the Christmas break and a return to school.
However, one school in Illinois, US, has taken a novel and eye-catching approach to motivating its students in the new year.
Students of Mundelein High returned to find six floor-to-ceiling book covers lining the corridor of the school’s English department.
The vinyl prints, which wrap around sections of wall like the jackets of giant books, flank the doorways of three of the school’s English classrooms.
The school explained in a post on Facebook that a “routine hallway has been transformed into a giant motivational tableau to encourage reading”.
(16) ALLEGED VAMPIRES. Fox’s
The Passage kicks off Season 1 on
Monday — Preview: There’s No Such Thing As
Andrew Porter, Carl Slaughter, ULTRAGOTHA, Karl-Johan
Norén, Olav Rokne, Martin Morse Wooster, Mike Kennedy, Chip
Hitchcock, Cat Eldridge, JJ, and John King Tarpinian for some of these stories.
Title credit goes to File 770 contributing editor of the day Jack Lint.]
This month’s installment of Old People Read New SFF is Caroline M. Yoachim’s award nominated Carnival 9, an endearing tale of clockwork people second cousin to children’s toys and inevitable, implacable mortality. The Hugo nominated it garnered suggests reader appeal and the fact that it was also nominated for a Nebula means professionals enjoyed (or at least appreciated) it was well. But will my Old People find it worth reading?
Christyann Darwent is an archaeologist at the University of California at Davis. Darwent does her fieldwork in the Canadian High Arctic, a place so frigid and remote that it has been used as a training ground to prepare astronauts for future missions to Mars. Darwent’s expertise in how organic materials break down in extreme environmental conditions gives her unique insights into how corpses might age on the Red Planet.
As we speculated about the future of Martian law enforcement, Darwent emphasized that her expertise remains firmly terrestrial; her husband, she joked, is the one who reads science fiction. Nevertheless, Darwent brought a forensic angle to the subject, noting that nearly everything about a criminal investigation would be different on the Red Planet. She described how animal carcasses age in the Arctic, for example: One side of the body, exposed to high winds and extreme weather, will be reduced to a bleached, unrecognizable labyrinth of bones, while the other, pressed into the earth, can often be almost perfectly preserved. Think of Ötzi, she said, the so-called “Iceman,” discovered in a European glacier 5,300 years after his murder. Ötzi’s body was so well preserved that his tattoos were still visible. Murderers on Mars might have their hands full: The bodies of their victims, abandoned in remote canyons or unmapped caves, could persist in the Martian landscape “in perpetuity,” Darwent suggested.
In a time where the American government separates and imprisons migrant families, hearing from those who live and engage with the Mexico-US borderlands on a personal level couldn’t be more relevant.
Fresh off the presses in time for WorldCon76, the Mexicanx Initiative’s bilingual anthology Una Realidad más Amplia: Historias desde la Periferia Bicultural/A Larger Reality: Speculative Fiction from the Bicultural Margins celebrates the diversity of Mexicanx writers who create science fiction, fantasy and horror. Born of a Kickstarter project, the book includes twelve short stories and one comic in both Spanish and English, with an ebook version on the way.
(4) POWER OF WORDS. Simini Blocker’s site includes a series of posters about reading that use quotes from George R.R. Martin, C.S. Lewis, Lemony Snicket, Albert Einstein, Annie Dillard, Anna Quindlen, Cassandra Clare, etc.
(5) LALLY IN CHINA. At Vector, a photo gallery of Dave Lally’s visit to Chengdu, China: “Dave in Chengdu”.
This July, our roving Membership Officer Dave Lally spent four days Chengdu, Sichuan province, China, participating in the Science Fiction Sharing Conference. Here are just a few snaps from the trip.
(6) LISTENING TO THE GOLDS. LASFSians and renowned filkers Lee and Barry Gold were intereviewed by Edie Stern for Fanac.org. Hear the audio and see illustrative photos at YouTube.
Lee and Barry Gold tell stories about Los Angeles fandom and filking in the 1960s. In this audio recording enhanced with images, there are charming anecdotes about Poul and Karen Anderson, LASFS, and a great story about Bruce Pelz and Ted Johnstone obtaining permission from John Myers Myers to print the “Silverlock” songs. Lee and Barry tell how they got into fandom, and the interview also includes snatches of song from filks of the time as well as a discussion on where the word “filk” came from. The audio was captured in San Jose at Worldcon 76, and is enhanced with 35 images.
(7) ASHES SCATTERED. Martin Tays posted a photo of the moment on Facebook.
A final farewell to Poul Anderson and Karen Anderson. Their ashes were scattered today in Puget Sound from on board the Schooner Zodiac, sailing out of Bellingham, Washington.
(8) MERTON OBIT. Actress Zienia Merton (1945-2018) passed away September 13. She memorably played Space: 1999’s Sandra Benes, Data Analyst on Moonbase Alpha. See photos at Moonbase Central.
(9) SUTTON OBIT. Dudley Sutton (1933-2018): British actor, died September 15, aged 85. Genre appearances include The Avengers (one episode, 1968), Randall and Hopkirk (Deceased) (two episodes, 1970 and 2000), The Devils (1971), The Glitterball (1977), The Island (1980), Brimstone & Treacle (1982), The Comic Strip Presents… (‘Slags’, 1984), The House (1984), A State of Emergency (1986), Screen One (‘1996’, 1989), Orlando (1992), Delta Wave (two episodes, 1996), Highlander (one episode, 1997), The Door (2011), Ripper Tour (2018), Steven Berkoff’s Tell Tale Heart (completed 2017, but not yet released), A Midsummer Night’s Dream and When the Devil Rides Out (both currently in post-production).
(10) BLAY OBIT. The New York Times says the creator of the videocassette movie industry has died:
Andre Blay, 81, whose innovative idea of marketing Hollywood movies on videocassettes sparked an entertainment industry bonanza and a revolution in television viewing, died on Aug. 24 in Bonita Springs, Fla. He was 81….
But in 1977 Mr. Blay was able to persuade Fox to make a deal under which he would duplicate and distribute 50 of the studio’s most successful films, including “M*A*S*H” and “The French Connection.” The relatively high initial retail price of movies on videocassettes prompted an unexpected proliferation of video rental stores, from neighborhood businesses to sprawling chains like Blockbuster. As the price of recorders plummeted to about $500 from about $1,000, sales boomed, and so, to some people’s surprise, did rentals. By 1987 home video was generating more revenue than movie-theater ticket sales.
(11) TODAY IN HISTORY
September 15, 1949 — The Lone Ranger TV series debuted.
September 15, 1965 — The original Lost in Space premiered on television – theme by ”Johnny Williams.”
(12) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 15, 1890 – Agatha Christie. Ok, according to Encyclopaedia of Science Fiction –
Christie wrote several short stories with supernatural elements – some collected, together with orthodox nonseries detections, in The Hound of Death (coll 1933) – and created a kind of sentimental Occult Detective [see TheEncyclopedia of Fantasy under links below] for The Mysterious Mr. Quin (coll 1930). In these stories the shadowy and elusive Harley Quin (the “harlequin” pun is deliberate and explicit) does not so much detect as use his presumably occult information to steer a mundane friend, Mr Satterthwaite, towards the insight required to explain a crime; the misleadingly titled The Complete Quin & Satterthwaite: Love Detectives (omni 2004) includes two long Hercule Poirot investigations featuring Satterthwaite but not Quin. Christie was made a Dame of the British Empire in 1971.
Born September 15, 1943 – John M. Faucette. Harlem born and raised genre writer who published four novels in the Sixties, two apparently as Ace Doubles. I wish I could tell you more about him but scant information now exists about him alas.
Born September 15 – Norman Spinrad, 78. Writer of many genre novels including Bug Jack Barron, Greenhouse Summer and The People’s Police. Wrote the script for “The Doomsday Machine” for Star Trek: The Original Series; also wrote episodes for Land of the Lost and Werewolf. His very early reviews are collected in Science Fiction in the Real World which was published in 1990.
Born September 15 – Chelsea Quinn Yarbro, 76. Writer, composer, demographic cartographer. Genre works include the very long running Count Saint-Germain vampire series, the Vildecaz Talents series and a number of other works listed as genre but which I’m not familiar with so I’m not certain that they are. Her site notes that she’s ‘Divorced, she lives in the San Francisco Bay Area – with two cats: the irrepressible Butterscotch and Crumpet, the Gang of Two.’
Born September 15 – Howard Waldrop, 74. Primarily a short story writer so much of his work is unfortunately out of print though iBooks lists ePubs for Horse of a Different Color right now along with two other Small Beer published collections. I rather like The Texas-Israeli War: 1999 novel he co-wrote with Jake Saunders. His “The Ugly Chickens” amusingly enough won a Nebula for Best Novelette and a World Fantasy Award for Short Fiction.
Born September 15 – Loren D. Estleman, 66. You’ll have noticed that I’ve an expansive definition of genre and so I’m including a trilogy of novels by this writer who’s better known for his mainstream mysteries featuring Amos Walker which are set in the Sherlock Holmes Metaverse, Sherlock Holmes vs. Dracula, Dr. Jekyll and Mr. Holmes and The Devil and Sherlock Holmes. I think it was Titan Book that maybe a decade ago republished a lot of these Holmesian pastiches of which there are more than I want to think about.
Born September 15 – Jane Lindskold, 56. Let’s see… I see a number of genre undertakings including Artemis, Athanor, Breaking the Wall and the Firekeeeper series. She’s done a lot of excellent stand-alone fiction novels including Child of a Rainless Year,Brother to Dragons, Companion to Owls and The Buried Pyramid. She either edited or greatly expanded (depending on your viewpoint) two novels by Roger Zelazny, Donnerjack which I love and Lord Demon which thrills me less. Her latest I believe is Asphodel which she sent me an ebook to read and it is quite good.
(13) COMIC SECTION.
Over the Hedge explains how to get people interested in the space program.
(14) QUANTUM LEAP. That’s right, there could be a perfectly sensible explanation for a friend’s strange behavior, like this —
Do you have a friend, a coworker, an acquaintance who isn't acting normal?
Reach out. Ask them if they are really Scott Bakula attempting to change history for the better.
Kurt Maetzig is not a natural choice for East Germany’s first science fiction movie, since he is mostly known for realist fare and even outright propaganda films. Though the fact that Maetzig is a staunch Communist helped him overcome the reservations of DEFA political director Herbert Volkmann, who doesn’t like science fiction, since it does not advance the Communist project and who shot down eleven script drafts as well as Maetzig’s plan to hire West European stars.
(16) IT’S A STRETCH. Marko Kloos’ post for the Wild Cards blog, “Coming Up Aces”, tells how hard it is to do something new in “a world with an established canon spanning 70 years, where hundreds of aces and jokers have already been put on the page by dozens of other writers.”
Wild Cards is up to twenty-six volumes now, and the Trust has more than forty members. Each of those writers has created multiple characters, so there are hundreds of aces, joker-aces, and jokers out in the Wild Cards world, each with their own distinct physical characteristics and abilities. And once they are on the page, they’re canon. Try coming up with an original ace who doesn’t duplicate something that’s already been done by someone else—I can assure you it’s not easy, especially if you’re new to the team and haven’t had your head in that world for the last few decades. The first few ideas I had were roundly shot down at the start because they had been used in some form already, or they brought abilities to the table that had been done too often.
For my first character that truly stuck, I came up with Khan, who makes his first appearance in LOW CHICAGO. Khan is a joker-ace, a 300-pound underworld bodyguard whose left body half is that of a Bengal tiger….
The success of “Stree” is due in part to how it flips Bollywood’s norms. The male protagonist is the opposite of Bollywood’s muscly, macho heroes — he spends most of the film trying to see things from the female ghost’s point of view. The women, on the other hand, are bold, educated and fearless.
The movie breaks rules of the horror genre: The scares and jolts are funny, while the real fear is hidden in the jokes about the realities of being a woman in India.
Lately I’ve been watching a lot of the Youtube channel Strip Panel Naked, by Hassan Otsmane-Elhaou. In this extraordinary video podcast, Hassan analyses different techniques of pacing, page layout, color, positive and negative space, genre conventions and how they’ve been broken, stylistic choices and so on. I have lots of favourites, including the analysis of the use of time in Fraction and Aja’s Hawkeye.
The saga began to unfold on September 6, when authorities unexpectedly closed and evacuated Sunspot Solar Observatory. Sunspot Solar Observatory is managed by a consortium of universities that provide funding to operate the telescope and adjoining visitor’s center. AURA (The Association of Universities for Research in Astronomy) is a big site, tens to hundreds of acres, McAteer explained, and the observatory is used to study the sun in very specific ways.
McAteer said while the reason behind the closure is still unknown, he does not believe it is as strange as some believe.
“AURA deciding to close it is not an unusual event to me and I’m not going to jump to any unnecessary speculation,” McAteer told Salon. “They [AURA] made the decision to close the site based on an internal decision, based on whatever they make their decisions on, and as they often make decisions to close remote sites this is not an uncommon thing to do.”
Alamogordo Daily News first reported the news on Sept. 7, when the observatory closed citing a “security issue” at the facility. Shari Lifson, a spokeswoman for AURA, said the closure was their decision.
“The Association of Universities for Research in Astronomy who manages the facility is addressing a security issue at this time,” Lifson told the local newspaper. “We have decided to vacate the facility at this time as precautionary measure. It was our decision to evacuate the facility.”
In the Void’s games, if you pick up a gun, you’re holding a physical weapon — if you sit on a bench, there’s an actual physical bench for you to sit on. We went to a demo of the Void’s new Halloween experiences and talked with the creators behind them — here’s what we learned, and what went down.
When you’re about to go into the Void, you’re fitted with a vest and a VR helmet. The vest vibrates when you get shot or attacked — or in the case of one of their new experiences, slimed. (Ew.)
(21) HIMMELSKIBET. Karl-Johan Norén has another sff link to in Denmark: “Himmelskibet is a Danish 1918 silent movie about a trip to Mars, 81 minutes long, that has been restored by the Danish Film Institute.”
[Thanks to Danny Sichel, Martin Morse Wooster, Chip Hitchcock, JJ, Cat Eldridge, John King Tarpinian, Carl Slaughter, Steve Green, Karl-Johan Norén, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
(1) SAN JOSE LOCAL CUISINE. The Worldcon 76 Local Guide is now available as an app:
Announcing the Worldcon 76 “Local Guide” app from the Publications & Communications team. We’ve prepared it to help newcomers and visitors to San Jose with detailed information about the stores and restaurants that are nearby the Convention Center, downtown hotels, and the SJC airport. You can view the app on our website at: https://www.worldcon76.org/travel-lodging/local-guide
This is an update for family and friends of Eva Whitley. Last night her house was broken into while she was there. She was held at gunpoint and robbed of money and her phone. Physically, she was not harmed. But as you can imagine she is in rough shape emotionally. She’s going to try and rest now after a very difficult evening (wherein the police were not only not helpful but actively abusive) but when she wakes up later, she’s going to need all the support she can get.
David had already started a GoFundMe for her — “Save Mom’s July” – which has seen a new burst of donations since this news came out today. (It originally hit $3,793 of its $1,000 target).
What upcoming book you are really excited about?I was excited about The Phoenix Empress by K. Arsenault Rivera, which comes out this fall, and I just got to read an ARC of it. The first book, The Tiger’s Daughter, was probably my favorite epic fantasy of last year. It’s an original, rich, fully realized fantasy world, with an epic story told from an unusual angle. The second book goes more into the threat looming over this world, and what the characters are actually fighting. I can’t wait for the next book.
Iron Man won’t be joining Spidey on his European tour in the upcoming Spider-Man: Far From Home, but Spider-Man will be joined by two MCU veterans even if Tony Stark doesn’t survive the end of Avengers 4. Nick Fury and Maria Hill are reportedly going to appear in the Homecoming sequel, due out next summer.
So it’s been a while since we provided an update on the lawsuit MRA group “The Honey Badger Brigade” filed against the Canadian convention Calgary Expo and US-based blog The Mary Sue back in Fall of 2015, but we finally have a resolution to the story. Last week, on August 1st, the Provincial Civil Court of Alberta ruled in favor of Calgary Expo and The Mary Sue.
To explain how we got here, the short version is that the Honey Badger Brigade had filed suit because Calgary Expo kicked the MRA group out during their 2015 event. Calgary Expo claimed it was because the Honey Badgers misrepresented the artist booth they were occupying and were disruptive to the event. The Mary Sue also ended up getting named in because they wrote about it? I guess? They also hired a disbarred lawyer and crowdfunded tens of thousands of dollars to pay for the case. Literally none of this case made a lick of sense.
Caroline M. Yoachim does print interviews for the magazine, Lynne M. Thomas does the podcast interviews, and now we are introducing Matt Peters and Michi Trota as the video interviewers (and hosts) of Uncanny TV!
When we got the idea to write about interviews, we realized that we could do the post by interviewing each other, and BOOM, the meta-interview was born! …
Lynne: What kinds of interviews have you looked at to help shape your questions for Uncanny’s print interviews? Are there any approaches or formats to print interviews that you would be interested in trying out to try to change things up?
Caroline: When I started doing interviews for Uncanny, the first thing I did was go back and read several interviews from past issues, to get a feel for what kind of questions to ask and the scope of the interviews. I also often glance at previous interviews from whichever author I’m interviewing, so I can avoid asking questions they’ve answered repeatedly.
As for interesting approaches, I remember there was an interview I did for Shimmer where I answered interview questions jointly with a character from my story. It was a fun way to mix things up a little bit!
Lynne: What is the most bizarre/memorable question you’ve ever asked in an interview? Have there been any bizarre/memorable questions that you’ve been asked when being interviewed?
Caroline: I’ve done relatively few interviews (either as an interviewer or as an interviewee) and while I have asked and answered good questions with memorable answers, I’m not sure I’ve ever had a question that was memorable/bizarre in and of itself. However, if future interviewers of me would like an unusual question to throw into the mix, I recommend: “Have you ever photographed the secret life of gummy bears?”
Born August 7 — Tobin Bell, 76. Myriad genres roles in such productions as Alien Nation, Mann & Machine, Stargate SG-1, Strange Worlds, The X- Files and voice work in the current Flash series. Oh and played Jigsaw in the long running Saw horror film series.
Born August 7 — Wayne Knight, 63. Extensive voice work including The Twisted Tales of Felix the Cat, Hercules, The Brave Little Toaster Goes to Mars and the Green Lantern series. Appeared in Jurassic Park and credited as Nerdy. Also in Torchwood: Miracle Day and 3rd Rock from the Sun.
Born August 7 — David Duchovny, 58. X-Files of course, also Space: Above and Beyond and Twin Peaks, the Area 51 video game and The Lone Gunmen series.
Born August 7 — Harold Perrineau, 55. Regular cast on the Blade, Lost and Constantine series, also Z Nation, 30 Days of Night: Dark Days, Matrix Reloaded and Matrix Revolutions.
Born August 7 — Michael Shannon, 44. General Zod in Man of Steel and Batman v Superman: Dawn of Justice. Also Fahrenheit 451, The Shape of Water and Jonah Hex.
Born August 7 — Charlize Theron, 43. Genre roles include Snow White and The Huntsman with a sequel called The Huntsman: Winter’s War, other credits include Children of the Corn III: Urban Harvest (uncredited but her first role), Æon Flux, Mad Max: Fury Road and Mortica Addams in the latest reboot of The Addams Family.
(10) COMICS SECTION.
Bizarro needs the public’s help to solve this robotic crime….
(11) WHAT YOU THINK IT MEANS. John Scalzi is on to something — thread starts here.
I can't help but notice that people who pride themselves as being "non-ideological" are generally ideological as fuck and get really pissed off when you point out this obvious fact.
Kim Stanley Robinson wants us to believe that in 2140 you'll still be able to refer to Bush, Bernanke, Lehman Brothers, and the mechanics of the GM bailout in casual conversation, which is approximately equivalent to the average American knowing offhand who X, Y, and Z were
(3.) I am not attempting to include the horror / dark fantasy genre, except as it appears incidentally on the list.
(4.) Prose only, not poetry.
(5.) I’m not attempting to correct for frequency of publication or length of table of contents.
(6.) I’m also not correcting for a magazine’s only having published during part of the ten-year period. Reputations of defunct magazines slowly fade, and sometimes they are restarted. Reputations of new magazines take time to build.
The second half of the special Dinosaur issue of Uncanny Magazine brings even MOAR dinosaurs, with five new stories and three new poems. Two of the poems aren’t really dinosaur-centric, but the issue as a whole offers up a great diversity in styles and ways of incorporating the source material and expanding the shared space of the issue. Here we are treated to more stories of dinosaurs displaced in time, landing on the Oregon Trail, or in a strange fairy tale, or in the middle of a small town. There’s not quite the same focus on communication and understanding as before, though. Instead, these pieces look a bit more at violence, and hunger, and corruption. They don’t flinch away from showing some dinosaurs getting their feed on, as well as getting their freak on. It’s a strange, rather wonderful collection of short SFF, so let’s get to the reviews!
Today we’ll be looking at the six finalists for Graphic Story. By the time this goes live we’ll be a full week past the close of voting and while I’ve thoroughly enjoyed covering as many categories as I have, I’m ready for the reading and voting stage to be done. It’s a lot, even when it’s something I love to do.
Two works on my nominating ballot are here on the final ballot (Bitch Planet and Paper Girls), but the category as a whole is soli and filled with interesting and strong works. Like the novella category, though, Graphic Story is fairly dominated by one publisher: Image Comics. With four of the six slots, Image has a fair lock on the category. As great as Image is and how fantastic the comics, the category will be stronger if a wider variety of publishers are represented in future years (though, three of the works on my nomination ballot were also from Image – so there’s that)
From 1989-1996, Neil Gaiman and a group of artistic collaborators including Sam Kieth, Mike Dringenberg, and more crafted The Sandman. This 75 issue DC Comics/Vertigo series followed Dream and his primordial siblings, who collectively formed the Endless, through imaginative and transformative stories steeped in classic mythology and boundless imagination. To this day, The Sandman remains one of DC’s most beloved series. And now, eager comics fans will have the opportunity to return to the Dreaming once again with this Wednesday’s release of Sandman Universe #1, a special one-shot that introduces a new line of Sandman stories to the world.
One of these new stories is House of Whispers. Written by notable fantasy and sci-fi author Nalo Hopkinson and drawn by Domo Stanton with colors from John Rauch, House of Whispers follows two sets of characters. The first is the Yoruba goddess Erzulie, whose House of Dahomey is “where the souls of Voodoo followers go when they sleep [in order] to beseech the flirtatious and tragic goddess to grant them their hearts’ desires and counsel them on their futures and fortunes.” The second is a group of four human girls in New Orleans who have stumbled upon a journal “filled with whispers and rumors” that threatens to unleash “Sopona, the loa lord of infectious disease.” Tied together by circumstance, Erzulie, cousin to Sopona, attempts to come to the aid of the humans, but finds herself in a crisis of her own as her House crashes into the Dreaming.
Both Variety and Deadline report that Rose, currently appearing in the giant-shark action movie The Meg, has been tapped to portray Kate Kane in both the upcoming Arrow/Flash/Supergirl/Legends of Tomorrowcrossover special and the potential Batwoman series being helmed by Caroline Dries that could air in 2019.
Rose, also known for turns in Orange Is the New Black and appearances in Resident Evil: The Final Chapter and John Wick: Chapter 2, will first appear in the role later this year. The heroes of the CW’s other DC supershows (sans Black Lightning, off in its own universe) will head to Gotham City for the first time, where they’ll team up with Kate Kane—one of DC Comics’ few lesbian characters—for a new adventure.
Scientists have observed “extraordinary” waves coming out of Jupiter’s moon Ganymede.
The electromagnetic waves, also known as “chorus waves,” were spotted using the Galileo Probe spacecraft, which has a mission of surveying Jupiter’s wave environment.
“It’s a really surprising and puzzling observation showing that a moon with a magnetic field can create such a tremendous intensification in the power of waves,” Yuri Shprits, the lead author of the study, told the Independent.
(22) THE LIVING END. Deadpool 2 – How It Should Have Ended. You heard it here fifth.
[Thanks to Martin Morse Wooster, Hampus Eckerman, Michael J. Walsh, Chip Hitchcock, John King Tarpinian, JJ, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
Warner Bros Animation is creating a new series of short-form cartoons based on the studio’s iconic Looney Tunes Cartoons franchise featuring the likes of Bugs Bunny, Daffy Duck and the gang that will harken to the original Looney Tunes theatrical shorts. The studio said today multiple artists will produce 1-6 minute shorts “written” and drawn by the cartoonists allowing their own personality and style to come through.
The plan is to produce 1,000 minutes each season, with the content to be distributed across multiple platforms including digital, mobile and broadcast…
Fourteen years on from The Incredibles, a sequel to Pixar’s hit animation has arrived – and it’s “worth the wait”.
That’s the verdict of the Hollywood Reporter, which praises its “engaging” characters and “deep supply of wit“.
Screen International lauds the film’s “kinetic elan“, while Forbes called it “funny, thoughtful and thrilling”….
(3) GOOD POINT. Concern for passing on a legacy is surprisingly absent from many corners of fandom.
I'm sure those assholes think they're "saving" their fandom by trying to keep it "pure" and "true to the original" or whatever bullshit fantasy they're spinning but when it dies, they're gonna have no one to blame but themselves.
(4) BULLIED. ScreenRant tells the story of “5 Actors Who Were Bullied Off Social Media By Angry Fans.”
Let’s kick this whole thing off with a very obvious and very simple fact that shouldn’t even need stating: Actors are NOT the same as the characters they play. When they’re in movies or television shows, they’re ACTING (the clue is in the word “actor”). And if you’ve ever bullied an actor because of something their CHARACTER did – online or otherwise – you really do need to take a long hard look at yourself! That being said, sadly, cowardly bullying of that nature happens all the time in the modern world – it’s particularly easy to do from behind a computer screen when you have a picture of a cat as your profile picture – and, rather unsurprisingly, the actors on the receiving end don’t like it very it much. In this video, we’ll take a look at five actors who were ruthlessly and senselessly bullied off social media (Twitter, Facebook, Instagram etc) by angry so-called “fans” of their movies and TV shows who simply didn’t think before they spoke (N.B. You’re absolutely NOT a fan if you’ve ever done this). The actors in question are; the Star Wars sequel trilogy’s Daisy Ridley, Star Wars: The Last Jedi’s Kelly Marie Tran, Ghostbusters’ Leslie Jones, The Walking Dead’s Josh McDermitt and Game of Thrones’ Faye Marsay.
On a smoggy afternoon, huge log carriers and oil tankers thundered down a highway and hurtled around a curve at the bottom of a hill. Only a single, unreinforced guardrail stood between the traffic and a ravine.
The route could make for tough driving under any conditions. But experts are watching it for one feature in particular: The highway curve is paved with solar panels.
“If it can pass this test, it can fit all conditions,” said Li Wu, the chairman of Shandong Pavenergy, the company that made the plastic-covered solar panels that carpet the road. If his product fares well, it could have a major impact on the renewable energy sector, and on the driving experience, too.
As we alluded to earlier, it was Sam who literally carried Frodo at a critical point in The Lord of the Rings trilogy. But Frodo would have been lost to the ring long before that if his best friend hadn’t accompanied him. In terms of trios, Harry Potter, Hermione Granger, and Ron Weasley could face almost anything together. The original Star Trek also had a core trio of friends: Kirk, Spock, and McCoy.
(7) ALTERNATE UNIVERSE NEWS. Kevin Lincoln, in “What If Star Wars Never Happened?” at Polygon, has an alternative universe where George Lucas passes on Star Wars to direct Apocalypse Now (which comes out in 1976), which begins a chain of events including the election of Al Gore in 2000 and the non-existence of Netflix.
Hot off the runaway success of 1973’s American Graffiti, which becomes one of the most profitable movies ever made, 29-year-old George Lucas tries to write a script about a moral, expansive universe filled with mysterious power and mythological heroes and villains. The first treatment he produces is, by many accounts, incoherent. Discouraged by the negative response, he decides to take up his friend Francis Ford Coppola’s offer to direct a Vietnam War movie called Apocalypse Now, written by their other friend, John Milius.
Lucas brings the film in on time and just barely over budget, delivering a well-reviewed movie shot in cinema-verite style that draws comparisons to The Battle of Algiers and Z. But audiences are tired of the Vietnam War, which had finally ended in 1975, and when the movie comes out in 1976, it’s a modest success rather than a breakout hit like Graffiti. However, combined with the success of The Godfather II in 1974, it’s enough to impress the holders of the rights to Flash Gordon, who earlier refused Lucas’ offer to adapt the property. They agree to allow him to make a movie based on the character, produced by Coppola.
In one of the final scenes of James Cameron’s Titanic, Rose (played by Kate Winslet) clings to a floating headboard, a piece of debris from the shipwreck that claimed over 1500 lives. A delirious Rose, adrift in the freezing ocean, sees a rescue team in the distance and moves her head. As she lifts her frozen hair off the wood, it crackles audibly.
But Rose’s hair never actually crackled, and the sound wasn’t made by hair at all: It was the sound of frozen lettuce being peeled by Foley artists in a studio. While subtle to the ear, and almost unnoticeable amidst the dialogue, score, and other sound effects, the crackle is critical to amplifying the scene’s drama. And it’s the responsibility of Foley artists to forge these unique sounds in post-production, often from lettuce heads, coconuts, and other foods.
It’s an uncharacteristically overcast May day in Culver City, California—an enclave within Los Angeles where many production studios are found. I’m at Sony Pictures, where two of the studio’s resident Foley artists, Robin Harlan and Sarah Monat-Jacobs, recount the struggle to make Rose’s frozen hair sound like frozen hair. First they tried freezing a wig, but that didn’t work. Velcro didn’t do the trick, either. Later, Harlan was at home and, while making herself a sandwich, found that a head of lettuce’s crackle worked perfectly. “They really wanted to hear the sound of frozen hair pulling off of this wood bedstead, but I mean, you can’t really freeze your own head,” says Harlan.
(9) PETERS OBIT. Only just announced… Luan Peters (1946-2017): Actress and singer, died December 24, 2017, aged 71. Genre appearances include Doctor Who (two episodes, 1967 and 1973), Randall and Hopkirk (Deceased) (aka My Partner the Ghost, one episode, 1969), Lust for a Vampire, Twins of Evil (both 1971), The Flesh and Blood Show (1972), Vampira (aka Old Dracula, 1974), Land of the Minotaur (aka The Devil’s Men. 1976).
(10) TODAY IN HISTORY
June 12, 1987 — Predator premiered on this day
June 12, 2012 — Ray Bradbury’s Kaleidoscope went into general release.
June 12, 2015 – Jurassic World debuted
(11) COMICS SECTION.
Frazz discusses an application of Sturgeon’s Law but Mike Kennedy doesn’t think the math works.
Lise Andreasen asks if you can pass all four of the Turing Tests posed in Tom Gauld’s comic?
(12) POINT OF EXCLAMATION. Do not miss Camestros Felapton’s “Beard Subgenres (Crossover event!)” unless you have something important scheduled, like sorting your sock drawer. Just kidding!
Combining our occasional series of pointless infographics, with our occasional series of misclassifying mundane things by sub-genres of SFF and our occasional series of pictures of beards, Felapton Towers presents: beards by subgenres!
(I have no idea how I am going to justify linking to this. There’s not even a cat this time.)
(13) LEVEL-HEADED. This amazing movie technology advance is still news to me – million dollar idea:
instead of spending thousands of dollars on steady-cam equipment, filmmakers should just attach a camera to the head of a chicken and carry the chicken around as you film.
(14) ERRANT PEDANTRY. Marko Kloos volunteered these examples –
“Decimated” doesn’t mean “mostly/entirely wiped out”, it means “reduced by 1/10th”. It’s “toe the line”, not “tow the line”. And “supposably” and “irregardless” are reanimated monsters stitched together from the butchered carcasses of actual words. https://t.co/wdwdfDLfWe
Candy is Lavie Tidhar’s first book for children. It is a perfectly pitched noir take on Charlie and the Chocolate Factory (1964). Its delightful premise following a twelve-year-old private detective in a city where chocolate, candy and sweets are banned. As such the book is both fun and amusing. However, as with Tidhar’s earlier work, his playful approach to genre is in service to the story’s hidden depths. He uses the trappings of noir detective tales to tell a subversive children’s story about corruption, the exploitation of vulnerable communities, and the limits of justice. The end result is a novel that for all its joyous sense of fun still packs a surprising emotional and philosophical punch.
I’m queer, which is why I always thought I’d be dead by now….
… I was a new writer, alien to the writing community, completely unaware of the conversations about queer representation that had been developing for years before I’d thought to write a single word of my story. It didn’t occur to me that queer tragedies like that are part of an agenda, and that the agenda had been working on me for a long time. That agenda had succeeded at keeping me quiet and scared and lonely in ways that I thought were fine, just fine, thanks, how are you? That agenda had succeeded at making me hold my breath. Because of that agenda, I spent my days hoping that no one ever noticed me.
None of that entered my mind, not even once. I thought I was writing in-genre. Fantasy stories have magic. Science fiction stories have rules that I don’t always understand because I somehow got through high school without taking a physics class. Queer stories have death.
And then I got some feedback on the story from a sensitivity reader. They had volunteered to make sure I wasn’t screwing up on a particular point of representation — but they took issue with the story as a whole. They told me emphatically that I should reconsider writing a queer tragedy; that it was a trope, that it was harmful to readers, that it was overused and dangerous. I took the feedback with mortifyingly poor grace. I was lucky enough to be quickly corrected on my behavior. In the wake of that correction, trying to figure out which way was up, I asked friends for help processing the critique.
My straight friends said it was bullshit. They said there was nothing wrong with queer tragedies — that queer people dying again and again was fine. Queer people are just people, and people die, they said. That’s just how it is. Really, it’s best not to overthink it. Go ahead and Forget.
My queer friends didn’t tell me that. Instead, they pointed me to articles and blog posts and callouts pointed at the Bury Your Gays trope. They talked to me about representation with more patience than I deserved. Many of them said that it was okay that I didn’t know, because a lot of straight writers don’t think about these things….
Focused on a powerless (and physically slight) female who’s marginalized, assaulted, and controlled in equal measure, Rosemary’s Baby soon becomes a terrifying tale about misogyny’s many guises. As the thing growing in her womb makes her sicker and sicker, her face so ashen that friends can’t help but remark upon it, Rosemary is made to feel crazy as well as helpless. That’s most evident when, after getting into an argument with Guy over her description of Sapirstein as “that nut,” she makes sure to assuage her husband that she’s not going to have an abortion — an option that, it’s clear, she doesn’t have the right to choose, even if she wanted.
(18) VOICE OF COMMAND. A new scheme for playing video games….
For the very first time ever, take your rightful place as the Dragonborn of legend (again) and explore Skyrim using the power of your own voice…your Thu’um!
[Thanks to Martin Morse Wooster, ULTRAGOTHA, Steve Green, JJ, John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day jayn.]
There was a vehicle-based attack in Germany today. It happened in the city of Münster, which is where I spent much of my childhood. I went to kindergarten and elementary school there, and my family still lives in the surrounding area, so they are in the city a lot.
You want to know a Xanax moment? Try texting your siblings after learning of a terror attack in the city where they go to school and do their weekend shopping trips. Today was a sunny day, the first really nice day of spring, and the sidewalk cafes were full. Some asshole with a box truck intentionally crashed it into one of those sidewalk cafes, killed two people, and injured thirty more (six of which are still in critical condition.)
To the dismay of some of the German right-wing party members, the attacker wasn’t a Muslim. He was a 27-year-old German with no police record, but he had a history of mental illness. So nobody gets to make much hay out of this incident–just a brain wired wrong. The perpetrator killed himself with a gun right after he had plowed into the crowd, so this was clearly a suicide that was supposed to make a statement.
…But I keep looking at that picture, taken a minute or so into the incident. The first police car has just arrived on the left edge of the picture, and one of the civilians is hurrying over to them to let them know the situation. But look at the people by the van. They don’t know the background of the attack or the motivation of the driver (other than the fact that it was clearly intentional.) They don’t know if the driver is armed, or if there are explosives in the van. But before the authorities even get there, they are busy helping the injured and each other.
Recently, John Picacio raised enough money to send 50 deserving Mexicanx professionals and fans to Worldcon 76 happening in San Jose, California from August 16-20, 2018. Let’s replicate that success by opening the door for interested members of the LGBTQ community. Welcome to the LGBTQ Initiative for Worldcon 76!
You can participate in two ways.
As a Donor
Your donation will fund sponsored memberships for LGBTQ science-fiction and fantasy professionals and fans. We’ve begun accepting gifts already. So far we’ve gathered $1135, enough to fully fund seven memberships. Help us keep that momentum rolling! We’d like to help 50 individuals.
To apply for sponsored memberships, send an email to firstname.lastname@example.org telling me about yourself and why you want to attend Worldcon 76.
You must identify as LGBTQ.
You can be a professional writer, artist, or any kind of performer in the science-fiction and fantasy realm. Why do you want to attend Worldcon 76? Show me your enthusiasm!
You can be a fan. If so, why do you want to attend Worldcon 76? Let’s see that passion!
I, Chuck Serface, will review submissions and select recipients. Please keep your statements under 500 words. I may ask follow-up questions, however. If you’re a professional, links to examples of your work would be helpful.
We realize that marginalized groups have felt reticent about joining us, and understandably so. But we need more representation from the LGBTQ community in science fiction fandom! Bring it!
What is the price you would pay for one last chance at achieving a dream? That is the question that Douglas Winter, played by Robert Sterling, has to wrestle with in Printer’s Devil. Douglas is the editor of a failing newspaper called The Courier. Faced with the possibility of the paper, to which he has dedicated his life, folding, Douglas contemplates suicide. He drives himself out to a local bridge in the middle of the night, hoping to end it all there. At the bridge, he meets a mysterious stranger named Mr. Smith. Mr. Smith is played by Twilight Zone favorite Burgess Meredith. Mr. Smith offers Douglas everything he needs in order to keep The Courier in business. In no time, the paper is beating its competition to the latest scoop. In this surprisingly strong update of Faust, Douglas begins to question if his paper’s success is worth the price he will have to pay Mr. Smith, who is really the devil in disguise.
Like so many other scribes, I have been inspired by psychologist Jordan Peterson’s fascinating book to sketch my 12 rules of life. But mine are different, because each is drawn from canonical science fiction. Why? Maybe because this is the literature on which I grew up, or maybe because I have never lost the taste for it. Or maybe because the sci-fi canon really does have a lot to teach about the well-lived life.
Here are a couple of examples:
“Repressive societies always seemed to understand the danger of ‘wrong’ ideas.” (Octavia Butler, “Kindred.”)
Butler, of course, means this the other way around: that a society’s taste for getting rid of “wrong” ideas is a mark of its repressive nature. The time-traveling narrator is explaining the need to get rid of an inflammatory book in the antebellum South — inflammatory in this case meaning that it might spark a slave uprising. Whether the “wrong” ideas that must not be expressed are ideas we love or ideas we hate, the same mischief is afoot. Better by far for us to trust each other to draw the right answers from the wrong books….
“The books are to remind us what asses and fools we are. They’re Caesar’s praetorian guard, whispering as the parade roars down the avenue, ‘Remember, Caesar, thou art mortal.’?” (Ray Bradbury, “Fahrenheit 451.”)
As Bradbury notes, a crucial reason to read is that we can be surprised, upset, offended, turned in a different direction. Books at their best make us think. We don’t live in a thoughtful age, and for just that reason, reading books that challenge us has become more important than ever. When we read seriously and thoughtfully, we run the risk that we might change our minds. That’s good. One of the worst things in the world is conformity, which is another word for intellectual cowardice.
(5) EVANGELIZING READERS. Here’s video from this weekend’s Science Fiction Outreach Project at Silicon Valley Comic Con.
…In Provenance, too, Leckie diverts us toward quieter, more introspective fare, expanding the size and complexity of her universe while retaining the character-driven focus that has become her trademark. Indeed, much of the novel’s success or failure rests on how the reader warms to its protagonist, Ingray Aughskold. At the opening of the novel, Ingray hatches a plot to rescue convicted thief Pahlad Budrakin from the prison planet euphemistically known as “Compassionate Removal” in order to identify the location of the priceless Budrakin vestiges, historical artifacts prized by Ingray’s Hwaean people for their connection to the past. Recovering these vestiges, Ingray hopes, will give her the edge on her brother Danach in the siblings’ lifelong competition to succeed their adoptive mother, the aristocratic Netano, as heir.
The Budrakin vestiges are particularly valuable because they date back to the ancient arrival of the Budrakin ancestors on Hwae. Vestiges of lesser value include party invitations, event tickets, and myriad souvenirs and mementos whose values increase with connection to important figures. It quickly becomes apparent that the Hwaean people’s obsession with vestiges goes far beyond a reverence for momentous artifacts like the Magna Carta or The Declaration of Independence: instead, it resembles a mania for collectibles and memorabilia. This mindset knowingly evokes an environment familiar to science fiction fans and attendees at conventions, some of whom pay significant sums for autographs and photographs of even minor actors from their favorite shows….
(10) HE’S ON THE COVER. At Not A Blog, George R.R. Martin shared his latest triumph as a “Cover Boy” on the Chinese edition of Esquire.
“The motivation for this was to build an IA device — an intelligence-augmentation device,” grad student Arnav Kapur said in a release tied to the news. “Our idea was: Could we have a computing platform that’s more internal, that melds human and machine in some ways and that feels like an internal extension of our own cognition?”
The school tested the device on 10 subjects, who essentially trained the product to read their own neurophysiology. Once calibrated, the research team says it was able to get around 92 percent accuracy for commands — which, honestly, doesn’t seem too far off from the accuracy of voice commands for the assistants I’ve used.
The MIT Media Lab says:
AlterEgo is a wearable system that allows a user to silently converse with a computing device without any voice or discernible movements — thereby enabling the user to communicate with devices, AI assistants, applications, or other people in a silent, concealed, and seamless manner. A human user could transmit queries, simply by vocalizing internally (subtle internal movements) and receive aural output through bone conduction without obstructing the user’s physical senses and without invading a user’s privacy. AlterEgo aims to combine humans and computers—such that computing, the internet, and AI would weave into human personality as a “second self” and augment human cognition and abilities.
D&D is a deeply libertarian game—not in a crude political sense or because its currency system is based on precious metals, but in its expansive and generous belief in its players’ creative potential. It’s collaborative, not competitive. It offers a framework of rules, but no victory condition and no end. The world you play in, and how you shape it, are entirely up to you.
In the afterword to the original D&D manuals, Gygax encouraged players to resist contacting him for clarification on rules and lore: “Why have us do any more of your imagining for you?”
The discovery is being lauded for how much it can tell us about the Middle Jurassic Period, in particular, an important time in dinosaur evolution when meat-eating tyrannosaurs and the first birds came exist. The find was made at Brothers’ Point on the north-east coast of the Island of Skye. While it is now a collection of craggy ridges and stunning rocky beaches, the area used to be subtropical in the days of the dinosaurs, with lagoons and rivers.
(14) POKEMON INFILTRATED? The keen-eyed Hampus Eckerman asks –
[Thanks to Martin Morse Wooster, Carl Slaughter, Andrew Porter, John King Tarpinian, JJ, Mike Kennedy, Chip Hitchcock, ULTRAGOTHA, Dann, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
(1) YOUNG PEOPLE READ OLD SFF. The panel is getting younger. “This week actual high schooler (for about two more months) Raya joins the crew, says James Davis Nicoll. “Like most of the others, she’s familiar with recent genre but not the older material.”
1978’s Hugo Nominee “A View From a Height” first appeared in the June 1978 issue of Analog. It was selected for Terry Carr’s The Best Science Fiction of the Year, #8, Gardner Dozois’ Best Science Fiction Stories of the Year: Eighth Annual Collection, Pamela Sargent’s Women of Wonder, the Classic Years: Science Fiction by Women from the 1940s to the 1970s, as well as other collections and anthologies. The theme of irreversible life decisions cast into doubt by new revelations seemed to me one that would have aged well. Let’s see if I was right.
It starts with teenage girls. At 14 or 15, the age when in our present world girls are waking to an awareness of their own sexuality tangled up in all the ways society will seek to stifle or exploit it, Alderman has them come alive to the thrill of pure power: the ability to hurt or even kill by releasing electrical jolts from their fingertips. “Something’s happening. The blood is pounding in her ears. A prickling feeling is spreading along her back, over her shoulders, along her collarbone. It’s saying: you can do it. It’s saying: you’re strong.”
The shortlist will be announced on May 15, and the winner on June 8.
(3) MAKING MUSIC. Sammy Cahn (“Come Fly With Me,” “Three Coins in the Fountain”) used to tell people he got his inspiration when the check arrived. Disney songwriter Alan Menken says he needs a little more.
“Where does it start and where does it end, and what’s the title and what song might it remind us of? …” Menken asks. “A million questions and only then will I sit and … start to play the piano.”
Menken’s musical chops were developed off-Broadway. He and lyricist Howard Ashman’s success with the 1982 comedy rock horror musical Little Shop of Horrors got Hollywood’s attention.
But when he first started working at Disney animation, he had some reservations. “I can’t tell you how many people said to me: Ugh, man, take a powder. Nobody takes animated musicals seriously,” he recalls.
Menken and Ashman’s first musical film — The Little Mermaid animation in 1989 — was a life saver for Disney. It lifted the studio out of a slump, and led to more big hits.
The new film, Get Out, defies easy classification. Though it has funny moments, it’s primarily a horror film, with racial anxiety at its center. Writer-director Jordan Peele tells Fresh Air‘s Terry Gross that he thinks of Get Out as a “social thriller.”
The movie tells the story of a young black man named Chris whose white girlfriend, Rose, takes him to meet her parents for the first time — without first telling them he’s black. Rose’s parents go out of their way to show Chris how open minded they are, but there’s something suspicious in the liberal facade they present. The film takes several twists and turns (which we won’t spoil here) as Chris figures out what is going on.
Peele wanted the audience, regardless of race, to see the subtle racism through Chris’ eyes. “It was very important to me to just get the entire audience in touch in some way with the fears inherent [in] being black in this country,” Peele says. “Part of being black in this country, and I presume being any minority, is constantly being told that … we’re seeing racism where there just isn’t racism.”
The new movie Life, which opens March 24, is about astronauts who discover an alien life form and live to regret it. You could say exactly the same thing about Alien: Covenant, which was originally scheduled to open the following Friday — until someone realized that was a recipe for box-office disaster. Alien: Covenant will now open in early May, and that close call, crazy as it is, isn’t uncommon in Hollywood.
Rival studios often stare each other down, refusing to blink, in showdowns that didn’t need to happen. In 1998, Earth-snuffing asteroids were blown up in the nick of time by nuclear warheads not once, but twice: with much electronic beeping and enormous special effects in Armageddon, and slightly higher beeping and enormous special effects in Deep Impact. That same year, animated insects skittered onto movie screens in both Antz and A Bug’s Life — and all of that just one year after dueling lava flows erupted in Dante’s Peak and Volcano.
Do you really think Democrats need to take pages from the Trump playbook? I would say we need to speak with our hearts more. The typical Democratic way of talking about, say, wealth inequality is to bring out Robert Reich, who will give a cute academic presentation. But at the core, wealth inequality is about people’s dreams for their families and their children. It’s friends my age who are dying to have a child and don’t know if they can afford to do that. The Democratic Party tends to have this hypereducated ruling-class mentality, and we need to realize that’s not making us connect with a lot of voters.
Considering the internet culture leading up to the election, some have said 2016 was a banner year for internet trolls. Do you think that’s accurate? Absolutely. I’ve rarely talked about Obama’s share of the blame for the rise of the alt-right and Gamergate. I had two separate calls with the White House, and they were telling me they had some ideas they were putting together to address Gamergate without needing to go through Congress, and nothing came of it. And what happened is a lot of people learned that there are no consequences to harassing women. If I play Grand Theft Auto and I decide to blow up a police helicopter, there are going to be consequences to that; eventually I’m going to go to jail and maybe pay 100 virtual dollars. We don’t even have that…..
In the aftermath of Gamergate, you said that you and the other women who were harassed “did everything right, and the system failed us.” Now you’re saying you want to be a part of that system. Do you think you can make changes inside of it? To me, the only way to get further gains on these issues is for more women to be represented in Congress. I don’t even care if it was a higher percentage of Republican women: I genuinely believe that if that number were closer to 50-50, we wouldn’t have ludicrous policies like the Hyde Amendment going through and devastating women’s access to reproductive health care. I want women out there to look at how incredibly unqualified Trump is and then ask themselves: “What on earth is holding you back? Do you think you don’t measure up with Donald Trump in the White House?”
Truth be told, when I wrote Dmitry, I didn’t know he was gay until I got to the scene in ANGLES OF ATTACK where Dmitry and young master Andrew have a drink together and show each other pictures of their main squeezes, as soldiers do when they have downtime and some alcohol in front of them. I’m not the kind of writer who claims that my characters have their own will—they do what I tell them to, goddammit, because I’m the master of their universe—but that was a moment where a character revealed a little detail that I hadn’t intentionally sketched out, but that felt natural and proper. Dmitry pulled out the picture of his spouse, and my brain just went, “He has a husband. Huh, Of course he does.”
So no, I don’t sit down with a character creation sheet and a checklist for Maximum Diversity(tm) and threw in a gay character to advance an agenda, score Social Justice Warrior brownie points, or engage in virtue-signaling. Dmitry is gay because he is, and with all the crap these soldiers have to deal with in their alien-besieged dystopia, I found it appropriate that at the very least, showing someone else a picture of your same-sex spouse is not worthy of special commentary above and beyond “Nice picture” in that version of the future.
The Power by Naomi Alderman (review) – As I’ve said, this feels more like a Clarke award book than a Hugo award one, but nevertheless Alderman’s chilling, Handmaid’s Tale-esque story about a world in which women suddenly develop the ability to shoot bolts of electricity from their bodies, upending the world’s balance of violent potential, is one of the most interesting and thought-provoking works of science fiction I’ve read in some time. What’s most interesting about The Power is that while it is undeniably a book about gender and the role that violence plays in maintaining gender roles, that’s not its main interest. What Alderman is doing with her premise is using it to discuss the role that violence and the use of force play in organizing our society, even when we pretend to be beyond them. That feels like a vital issue at this point in time.
(9) SIR POT. Mashable reports that Sir Patrick Stewart has announced that he has used medical marijuana for several years to help with his arthritis. Stewart made this announcement to support an Oxford University proposal calling for more research into marijuana’s medical benefits. The piece is called “Patrick Stewart reveals that he uses medical marijuana every day”.
But Stewart isn’t rolling up a joint or hitting the bong, he says he typically uses sprays, ointments and edibles.
“I purchased an ointment, spray and edibles. The ointment, while providing some relief from the discomfort, was too greasy to use during daytime and so I only use it at night.”
Patrick went on to describe how he uses his medicine, later adding that he can now make a fist with his hand, which was impossible for him to do before using cannabis.
As the Captain might say, “Make it grow!”
(10) NEW PIXAR MOVIE. Coco, a Disney-Pixar movie, opens in US theatres in 3D on November 22.
(11) EYE-SEARING. Starz new American Gods trailer is violent and gory. Beware!
[Thanks to Chip Hitchcock, Martin Morse Wooster, and John King Tarpinian for some of these stories.Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]
Two awards were started in reaction to the Puppy controversy about the Hugos, the Dragon Awards and the Rampant Manticore Awards. They were given for the first time last year. They had one winner in common. Can you guess? It was Larry Correia’s 2015 novel Son of the Black Sword. Remarkably, considering why these awards were started, there was no other overlap at all. And that will still be true whenever we find out all the Rampant Manticore winners, which for some reason has been practically impossible.
The Dragon Awards winners in all 15 categories were announced September 4 at Dragon Con. The Rampant Manticore Awards were presented October 29 at HonorCon in Raleigh, North Carolina but to this day I have been unable to discover three of the seven winners.
The Rampant Manticore Awards (and the H. Beam Piper Memorial) are given for the best Military Science Fiction and Fantasy published in the preceding year. They are sponsored by The Royal Manticoran Navy: The Official Honor Harrington Fan Association, founded a decade ago by fans of David Weber. The group runs two cons a year, MantiCon every May in Minnesota and HonorCon each October in North Carolina. Nominations are taken at MantiCon, and voting on the finalists happens at HonorCon.
Under the rules, not only the award winners but all the voting information should have been published online. That never happened.
To ensure this is all done in a transparent manner, the vote tallies will be posted publically at MantiCon for the nominees, and at HonorCon for the finalists. They will also be posted the webpage http://www.rampantmanticore.com which will be set up for the Rampant Manticore Award. Full names of voters will be removed, but the vote counts will be posted and the weight of each vote, for the nomination phase, will be shown.
This award is about the quality of the work, and not the politics of the author. Should politics become an issue, further voting restrictions may be enacted to ensure the apolitical quality of the Rampant Manticore remains intact.
Larry Correia and Marko Kloos publicly thanked fans for the awards and from them we know the results in four categories – the three they won, and another Kloos mentioned offhand in his post.
Unable to find the rest of the winners anywhere online, I wrote to several people who might know. The chair of MantiCon courteously answered my email and said she would try to track down the information. When I followed up a couple of weeks later she still hadn’t located anyone who knew.
Also, join us for the second annual nominations of the Rampant Manticore Award for Literary Military Fiction, Science Fiction and Fantasy, featuring the H. Beam Piper Memorial Award for Best Author in the Category of Literary Military Fiction, Science Fiction, and Fantasy!
If nothing else, we know the Rampant Manticore is a handsome little award in the shape of a crystal book, bearing the crest of the Royal Manticoran Navy.
(1) OLD PROSE, YOUNG EYEBALLS. This time James Davis Nicoll set the table at Young People Read Old SF with Lawrence O’Donnell’s “Vintage Season” – O’Donnell being a pseudonym used by both C.L. Moore and her husband, Henry Kuttner, though this particular story is believed to be the work of Moore.
I knew Moore would be featured in this series. I just was not sure which Moore story to pick. One of her stories about Jirel, indomitable French swordswoman? Or perhaps Shambleau, which introduced her magnificently useless (but handsome!) adventurer Northwest Smith, who never encountered a deadly trap from which someone else could not rescue him (to their detriment). In the end, I went with Vintage Season, mainly because people often falsely attribute it (in part or whole) to her husband. That made me suspect that the attributors consider it the most significant of her stories. It has been adapted both to film (under the title Grand Tour: Disaster in Time) and to radio and was selected for inclusion in The Best of C.L. Moore . This, I think, is the right Moore.
Reader Lisa had this to say:
Lawrence O’Donnell used a technique that, while transparent, kept me interested enough in this story to keep me reading. (Well, the technique and the fact that I’m part of this project kept me reading.) He tells the story from the perspective of a partly-informed outsider who doesn’t have enough information about the other characters, but notices that something is up with them. (Though he, and the readers, have no idea what.) By continuing to drop treats here and there for the readers, he manages to keep them intrigued.
(2) MILD MELD MOVES. Shana DuBois curates a new Mind Meld, now hosted on the B&N Sci-Fi & Fantasy Blog.
For years, the essential sci-fi blog SF Signal published Mind Meld, a regular column that featured a monthly roundtable discussion of the tropes, themes, politics, and future of genre fiction. On the sad occasion of the closure of that site, we were happy to offer the feature a new home. Future installments of Mind Meld will appear monthly on the B&N Sci-Fi & Fantasy Blog.
The series resumes with answers from Usman Malik, Zachary Jernigan, Delilah S. Dawson, Django Wexler, Yoon Ha Lee, Caroline M. Yoachim, Haralambi Markov, and Lee Kelly to this question —
Q: How do you see the boundaries between literary and genre fiction adapting as we move forward?
(3) REVIEW SITE ADJUSTS SCOPE. The stress of a young child’s medical problems is contributing to Bookworm Blues policy change because lately the blogger is reading —
Urban fantasy and paranormal romance.
Yes, folks, I’ve been reading an absolute metric ton of UF and PNR recently, which is something I never in a million years thought I’d say, but it’s true. I’m reading it, mostly because I really, really need happy endings, fuzzy feelings, and lighter mental distractions right now. I’m having a shockingly hard time getting into anything else at the moment. I am positive that once my life, and my chaotic emotions settle a little, I will get back to my usual stuff. I also think it is incredibly unfair for me to not mention the authors and books I am reading because I’m afraid to do so for various arbitrary reasons that really don’t matter a fig to a soul.
And, the more I read these types of books, the more I’m kind of amazed at the amount of skill it takes to sell me on a happily ever after, and the books and authors that manage it deserve recognition for their skills.
So as of today, you will officially see the occasional urban fantasy and paranormal romance book reviews on here, and yes, I will open my doors to accept those books to review.
Lately I’ve been in one of those rough periods where I just want to quit for six months or a year and travel around the world and refill my creative bucket. Cause right now all I can see down there are beer dregs. The truth is that every profession will try and squeeze out of you as much as it can get. While I’d like to be mindful of how much I give it, I also recognize that in order to get to where I want to be, I’m going to have to give it everything. This is a marathon, yeah, but I don’t indeed to have anything left for the way back. This is it. The older I get, the rougher than knowledge is, though: knowing I have saved nothing for the way back. There is only forward.
When it gets dark like this as I sweat over the next book and start putting together ideas for pitching a new series, I remind myself that sometimes it’s the very bleakest right before a major breakthrough. These are the long plateaus in skill and ability that we have to push through to level up. Once you get to the pro level at anything, your effort/skill ratio flips. You no longer see huge gains with minimal effort. There’s a reason you can get 2 years of skill leveling up out of 6 weeks of Clarion. You tend to be newer to the craft. You’ve got more to learn.
My next big level up is taking a lot longer to get to – several books, many stories….
(5) BEER NUMBER FIVE. Narragansett Beer introduces another Lovecraftian brew. Andrew Porter sent a comment with the link, “I had a lidless eye once, but I could never go swimming….”
Introducing the 5th installment and 4th chapter of our award winning Lovecraft series: The White Ship White IPA. H.P. Lovecraft’s, The White Ship, tells a story of a lighthouse keeper’s adventure aboard a mysterious ship where his curiosity and greed win out over his better judgment.
The label, designed by local Rhode Island artist Pete McPhee from Swamp Yankee, features an image of the story’s grey lighthouse as the north point of a compass rose and represents the narrator’s trip to the other world and back.
White Ship White IPA is a Belgian style IPA is brewed with 4 types of Belgian and American malts and creamy Belgian yeast to create a crisp, delicious beer that blurs style guidelines. We use El Dorado and Mandarina Bavarian hops to give the beer the slight tangerine notes. We then dry hop this adventurous brew with El Dorado hops to enhance the mild citrus aromatics….
(6) MONSTROUSLY GOOD. Petréa Mitchell’s Anime Roundup for July 28 has posted at Amazing Stories.
Re: ZERO – Starting Life In Another World #17
No matter how bad things get for Subaru, it is always possible that they could get worse. And, lately, they do.
The monster that showed up at the end of last episode is a flying leviathan, kind of a cross between Monstro, Jaws, and a plane full of jet engines, which is known as Moby-Dick. Well, okay, it’s called the Hakugei (White Whale), but that happens to be the Japanese title of Moby-Dick, and I do believe it’s a deliberate reference….
I suspect there are dragon ants in my world as well… maybe out on the Dothraki sea…
(9) TRIP REPORT. Marko Kloos was in New Mexico for Wild Cards events.
On Monday, I went to a Wild Cards author party thrown by KayMcCauley at Meow Wolf, an art venue in Santa Fe that is pretty spectacular. I had a chance to meet Wild Cards writers and reconnect with those I’ve met before. I also got to meet Thomas Olde Heuvelt, who was whisked into the event by George R.R. Martin after his own signing in town the same evening. (He’s in the US on a book tour for the English version of HEX, his best-selling debut novel.) It was a fun event, and I had a good time, even though I still feel like the new kid in high school among so many well-known high-caliber writers.
(10) JERRY DOYLE OBIT. Actor Jerry Doyle, from Babylon 5, was found unresponsive at his home last night and later declared dead. The family made an announcement through his Twitter account:
The family of Jerry Doyle is sad to announce Jerry’s passing. The cause of death is unknown at this time.
Diabolical Plots, self-described as “a Sci-fi/Fantasy zine that covers virtually every media related to the genre from books to movies to video games”is now a SFWA Qualified market. Payment: Eight cents per word, on publication.
The Space Unicorn mascot is real. Not only are they real, they edit and publish every single issue of Uncanny Magazine by utilizing their abilities to travel through a series of portals to infinite points in spacetime. You probably suspected this from the beginning.
(14) CROWDSOURCED WEB SERIES WITH TREK ALUMNI. The makers of Regegades hit the $60,000 goal of their Indiegogo appeal and are looking for more.
Renegades is an original, independently fan-funded sci-fi web series, executive produced by Sky Conway, and starring Walter Koenig, Nichelle Nichols, Tim Russ, Adrienne Wilkinson, Terry Farrell, Robert Beltran, Gary Graham, Cirroc Lofton, Aron Eisenberg, Manu Intiraymi, Hana Hatae, Bruce Young, and many more. We are currently finishing production on “The Requiem” parts I and II and are now in need of funding for post-production – editing, sound, visual effects, etc…
The Hugo is science fiction’s oldest and most prestigious award. These past few years, however, the awards have been under siege, and that’s true this year as well.
Nonetheless, there are some worthy books and stories up for this year’s rockets, along with some reprehensible shit. I will leave it to your own judgements as to which is which.
Vote your own taste.
Vote your own conscience.
But vote. Every ballot counts.
(17) TENTACLE PARTY. Cthulhu For President, the game, has got a facelift for the US election. Can be bought in PDF here.
Don’t settle for the lesser evil! Heed the call of Cthulhu! Get ready for muck-raking, magic, and mayhem (with a little help from the world of H. P. Lovecraft.)
The Stars Are Right!
In Cthulhu For President, you become an Elder Party staffer tasked with serving the Great Old Ones during their eternal struggle for domination. Cross wits with the other political parties, manipulate voters using non-Euclidian geometry, swear on the Necronomicon, and sacrifice your co-workers to the Elder Gods. Politics has always been evil, but destroying the world has never been so much fun!
[Thanks to Andrew Porter, Dawn Incognito, Hampus Eckerman, Soon Lee, John King Tarpinian, and Steven H Silver for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA and Anthony.]