By Martin Morse Wooster: Ellen
Vartanoff, long-time fan, art teacher, and contributor to DC and Marvel Comics,
died on March 17. She had ovarian cancer
for several years.
Ellen was a long-time member of four area clubs in the Washington, DC area: the Potomac River Science Fiction Society, the Silver Spring Science Fiction Society, Knossos, the Washington branch of the Mythopoeic Society, and the Panthans, the Washington branch of the Burroughs Bibliophiles.
first fannish activity came in high school, when in the late 1960s she founded
a science fiction club at Walt Whitman High School in Bethesda, Maryland. The Future Mad Scientists of America no
longer exist, but I believe they lasted until the 1980s. At her memorial service, one Mad Scientist
reminded us that actors may make millions today playing nerds on The Big Bang Theory, but in the 1960s it
was a proud and lonely thing to be a fan, and the club was a “safe space” for
teenagers who were smart, introverted, and interested in science fiction and
was interested in many things, but at her core she was a comics fan. Her sister, Irene Vartanoff, and her
brother-in-law, Scott Edelman, went from being letterhacks in the comics to
professional careers as writers and editors.
Ellen did have some work as a colorist for Marvel Comics and DC
Comics. Her Marvel work includes being a
colorist on issues of Captain Marvel
written by Scott Edelman. I don’t know
her extent of her DC work, because Marvel Comics are thoroughly indexed and DC
was a walking Wikipedia of information about DC and Marvel characters. Every time I saw her at a club meeting, she’d
have a sketchbook, and would sketch and listen in the way many other fans knit
and listen. She’d organize expeditions to every new Marvel and DC film.
fellow Burroughs Bibliophiles recalled that she’d regularly contribute art
based on Burroughs characters to the Panthan club newsletter. She also contributed art to two Edgar Rice
Burroughs books: Edgar Rice Burroughs in the Second Century, published by the
Panthans in 2010, and The Mucker/Return
of the Mucker, published by the Chicago chapter of the Burroughs
love of comics wasn’t limited to English.
She had a good reading knowledge of French, and when the awful Valerian and the City of a Thousand Planets
came out two years ago, she brought out copies of her albums of the original
Valerian strips and explained how they were so much better than the movie.
friend recalled at the memorial service taking Ellen to a chemo session in
2011. The friend had an album of The Airtight Garage, drawn by the great
French artist Moebius. Ellen began reading it and showing the friend the
characteristic traits of Moebius’s style.
nurse came in and asked if Ellen was all right.
The friend said, “If she’s translating French, she’s all right.”
made her living as an art teacher, specializing in teaching traditional art and
comics to children. Among the places she taught were he Smithsonian, the
Montgomery County Jewish Community Center, and a summer school run by the
Holton Arms School.
comics classes were quite popular, and people in their twenties who took their
classes told me that Ellen was a very good teacher.
an art gallery in Washington, and you’d often see Ellen and her students. One friend recalled spending time at the
Smithsonian’s Freer Gallery, and running into Ellen introducing her students to
Here’s an exercise Ellen gave: She’d bring out an image where the left half was Lois Lane and the right half was Minnie Mouse. She’d ask students what was similar about the images—and what was different.
was very influential in the lives of many teenagers. One man in his late fifties recalled that
forty years ago he volunteered at Adventure Theatre, a children’s theatre at
Glen Echo Park in Maryland where Ellen was involved in creating sets. Ellen showed the man how easy it was to make
a wooden sword, and how much fun it was to bop other kids with it.
man recalled that at the time he was an English major, and didn’t realize he
had any ability to make things. He then
ended up creating a construction company, which he said he wouldn’t have done
if Ellen hadn’t showed him he had skills he didn’t know he had. He said he was on the verge of retirement,
and was looking forward to resuming studying the arts Ellen had introduced him
to 40 years before.
I had to sum up Ellen in one word, it was that she was enthusiastic about
life. She always wanted to know more, and when she’d show up at a club
meeting, usually with Lindt chocolates and Kedem sparkling peach and raspberry
juices, she was eager to learn about the latest books, movies, and plays that
other club members had seen and read.
“Ellen always had time for you,” one friend recalled. “She didn’t realize the rest of us were in a hurry.”
was also a very happy person. I knew her
for nearly 40 years, and I never heard her snarl or be angry. Her laugh was unforgettable.
interests were very wide. One friend
recalls having a half-hour discussion with her about the differences between
Turkic and Finnish. But I’ll limit her passions here to two.
was really interested in archeology, and regularly went to public lectures
where archeologists would give the results of discoveries they made in the
field. But her greatest passion was
ancient Egypt, and one of the peaks of her life was going to Egypt in the late
1990s with a papermaking group. At the
service, guests were given a card with Ellen’s photo on one side—and a
cartouche of Ellen’s name on the other.
she loved classical music. She’d
regularly go to broadcasts of the Metropolitan Opera at a local movie theatre.
once went with her to a double bill of Cavalleria
Rusticana and I Pagliacci at the
University of Maryland. I Pagliacci has a children’s chorus, and
the sister of one of Ellen’s students was in it. The girl and Ellen had a good conversation,
and I think Ellen reminded her why classical music was worthwhile.
sister, Irene Vartanoff; her brother, David Vartanoff, her brother-in-law,
Scott Edelman, and her nephew, Trevor Vartanoff, survive Ellen. Her mother, Margaret Vartanoff, died in 2010,
and I wrote a tribute to her at File 770
(1) A FAMILY AT WAR. Kameron
Hurley backgrounds her new novel The
Light Brigade in “The
Big Idea” at Whatever.
…I have stories like these and so many others to share. I’ve used first-person accounts from soldiers – my friends, my family, and those I’ve collected through my research –to create the intimate, beautiful and horrifying world of The Light Brigade. In truth this book is less about predicting the future because so many aspects of this future are already here. Instead, it challenges us to rethink our present, and everything that comes after it.
I can’t recommend this series as a whole, there are just too many episodes that manage to be dull, ugly and offensive in one go. However, there are some gems and there are some episodes that are diverting if not great. Also, everybody’s taste in this stuff is very variable, so while I expect nobody is going to universally love every episode, the particular bad v good will be different per person.
The following is a list of my impressions and some aspects that you might want to know in advance if you want to just watch some episodes rather than the whole bunch….
The first person to photograph the underground of Paris was a gallant and theatrical man with a blaze of red hair, known as Nadar. Once described by Charles Baudelaire as “the most amazing example of vitality,” Nadar was among the most visible and electric personalities in mid-nineteenth-century Paris. He was a showman, a dandy, a ringleader of the bohemian art world, but he was known especially as the city’s preeminent photographer. Working out of a palatial studio in the center of the city, Nadar was a pioneer of the medium, as well as a great innovator. In 1861, Nadar invented a battery-operated light, one of the first artificial lights in the history of photography. To show off the power of his “magic lantern,” as he called it, he set out to take photographs in the darkest and most obscure spaces he could find: the sewers and catacombs beneath the city….
A century and a half after Nadar, I arrived in Paris, along with Steve Duncan and a small crew of urban explorers, with an aim to investigate the city’s relationship to its underground in a way no one had before. We planned a traverse — a walk from one edge of the city to the other, traveling exclusively by subterranean infrastructure. It was a trip Steve had dreamed up back in New York: we’d spent months planning, studying old maps of the city, consulting Parisian explorers, and tracing potential routes. The expedition, in theory, was tidy. We would descend into the catacombs just outside the southern frontier of the city, near Porte d’Orléans; if all went according to plan, we’d emerge from the sewers near Place de Clichy, beyond the northern border. As the crow flies, the route was about six miles, a stroll you could make between breakfast and lunch. But the subterranean route — as the worm inches, let’s say — would be winding and messy and roundabout, with lots of zigzagging and backtracking. We had prepared for a two- or three-day trek, with nights camping underground….
The Marvel Studios and Disney tentpole finished Sunday — its 12th day in release — with $760.2 million in global ticket sales, besting the entire lifetime runs of numerous comic book adaptations, including Man of Steel, as well as passing up Wonder Woman overseas.
And its already become one of the most successful female-fronted properties in history at the worldwide box office, eclipsing all of the Twilight films and three of the four installments in The Hunger Games series.
Her inclusion on the poster is particularly interesting because she is the only character on it who hasn’t been seen at some point in one of the two trailers or the Super Bowl commercial. So why in the world would she be on the poster if she isn’t a key character in the film? The answer, we can’t help but think, is that she actually is a key character….
Navigating copyright for such a large and diverse print collection as the Tolkien fanzines is an adventure. The Hunnewell Collection at Marquette includes over 250 fanzine titles from 27 countries, ranging in time from the late 1950s to the turn of the century. The FellowsHub team consulted Marquette’s Office of the General Counsel (OGC) in developing a copyright strategy. Copyright law will prevent FellowsHub from publishing every fanzine in the collection. Deciding if FellowsHub can digitally publish a specific fanzine depends upon the publication’s age, country of origin, and the presence of a copyright notice somewhere on the document. To simplify matters, the team decided to begin by focusing only on fanzines published in the United States. Careful analysis with OGC of the complicated rules governing U.S. copyright led to the following plan of action:
· FellowsHub will proceed with publishing any fanzines from 1959–1989 that lack a copyright notice.
· Fanzines from 1959–1963 that bear a copyright notice will be researched to determine if the copyright was ever renewed. FellowsHub will publish any fanzines where copyright was never renewed. For those fanzines where copyright was renewed, the team will attempt to contact the copyright holders and seek permission to publish.
· For fanzines from 1964–1989 that bear a copyright notice, the team will attempt to contact the copyright holders and seek permission to publish.
· For any fanzines published after 1989, the team will attempt to contact the copyright holders and seek permission to publish.
Got all that? If not, the accompanying flow chart helps the FellowsHub team determine how it will handle a specific fanzine issue….
The last semester, I’ve worked side by side with the library staff to not only help to understand these fan-made products, but to preserve such so that they are not lost to the tides of time. Using Adobe Acrobat, their PDF reader and scanner, I have the ability to convert a whole page of one of these fanzines using the “Recognize Text” function and export it into a text file, allowing the page to be looked into further with clarity. Seeing as how these pages are 30–40 years old or older, many of them are either faded or handwritten, meaning Acrobat is unable to OCR everything, but since it automatically opens whatever it scans into a word document, I’m able to change any errors in translation and scanning.
With only days to go before the UK topples out of the EU onto the hard pavement outside the pub and wallows in its own vomit drunk on the heady liquor of confused nationalism, here is a helpful flowchart to show how the next events may progress….
“It’s not exactly my Narnia,” he said, “though there are bits of me in it. It’s my best guess as [to] what a conjectural CS Lewis might have written, if he had written another Narnia novel.”
The Stone Table follows Polly Plummer and Digory Kirke, who watch Aslan sing Narnia into being in The Magician’s Nephew, as they return to Narnia. Spufford said he was cautious in giving clues as to what happens in the adventure, but the novel “explains why there are four empty thrones in the castle of Cair Paravel, and where the Stone Table came from”.
Spufford said he was acutely conscious of his responsibilities towards Lewis’s creation.
“If you’re going to play with someone else’s toys, then you need to be very clear that they are someone else’s toys. You need to be clear that you’re not profiting by it, that it’s a homage that doesn’t tread on the toes of the real books.”
(9) MORE ON ELLEN
VARTANOFF. Scott Edelman says the memorial is scheduled:
(10) TODAY IN HISTORY
March 19, 1999 — Farscape premiered on Syfy
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 19, 1926 — Joe L. Hensley. Long-time fan and writer who was a First Fandom “Dinosaur” (which meant he had been active in fandom prior to July 4, 1939), and received the First Fandom Hall of Fame Award in 2006. Very impressive! His first genre fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. His co-authors included Alexei Panshin and Harlan Ellison. Though he wrote nearly fifty pieces of short fiction, and much of that is not genre, he wrote just one genre novel, The Black Roads. (Died 2007.)
Born March 19, 1928 — Patrick McGoohan. Creator along with George Markstein of The Prisoner series in which he played the main role of Number Six. I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host of. (Died 2009.)
Born March 19, 1936 — Ursula Andress, 83. I’msure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying thot I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films.
Born March 19, 1945 — Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not clear, he founded Golden Gryphon Press. (Died 1999.)
Born March 19, 1947 — Glenn Close, 72. I had not a clue that she’d done genre-friendly acting. Indeed she has, with two of the most recent being Nova Prime in Guardians of The Galaxy, Topsy in Mary Poppins Returns and voicing Felicity Fox in the animated film adaptation of Roald Dahl’s Fantastic Mr. Fox. Before those roles, she was Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events, Blue Mecha in A.I. Artificial Intelligence and Madeline Ashton in Death Becomes Her.
Born March 19, 1955 — Bruce Willis, 64. So do any of the Die Hard franchise count as genre? Even setting them aside, he has a very long genre list, to wit Death Becomes Her (bit of macabre fun), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon, (eight tentacles down), The Sixth Sense (not at all bad), Sin City morning (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill).
Born March 19, 1963 — Neil LaBute, 56. He’s the writer/director of the Wicker Man remake and the creator of just renewed for a fourth season on Syfy Van Helsing series. He’s one of the Executive Producers of The I-Land series starting soon on Netflix.
Born March 19, 1964 — Marjorie Monaghan, 55. JoJo on all six episodes of Space Rangers. My brain keeps insisting it lasted longer. She also was on Babylon 5 as the Mars Resistance leader during the Earth Alliance Civil War, where she was known as Number One. She’s also appeared on Quantum Leap, in the cyberpunk Nemesis film, in The Warlord: Battle for the Galaxy film, on Andromeda series and on The Great War of Magellan film.
Born March 19, 1976 — Nicholas Stoller, 43. He is known for co-writing (with Jason Segel) The Muppets and Muppets Most Wanted (with James Bobin).
For the Throne! As the epic series Game of Thronesnears its conclusion, HBO is offering fans the chance to play. And the good news is, you don’t die if you don’t win.
As part of its #ForTheThrone campaign, HBO has launched a treasure hunt whereby fans seek out six iron thrones that have been hidden across the globe, and its up to astute and observant fans to figure out where they were based on carefully-hidden clues. HBO posted a picture of an Iron Throne replica on its Instagram page along with a message suggesting fans “Seek the Weirwood in this Kingdom on Earth.”
Herpes viruses reactivate in more than half of crew aboard Space Shuttle and International Space Station missions, according to NASA research published in Frontiers in Microbiology. While only a small proportion develop symptoms, virus reactivation rates increase with spaceflight duration and could present a significant health risk on missions to Mars and beyond.
NASA’s rapid viral detection systems and ongoing treatment research are beginning to safeguard astronauts—and immunocompromised patients on Earth, too.
“NASA astronauts endure weeks or even months exposed to microgravity and cosmic radiation—not to mention the extreme G forces of take-off and re-entry,” says senior author Dr. Satish K. Mehta of KBR Wyle at the Johnson Space Center. “This physical challenge is compounded by more familiar stressors like social separation, confinement and an altered sleep-wake cycle.”
Conservative commentator Milo Yiannopoulos will no longer be allowed to travel to Australia for a tour later this year following comments he made on the mass shooting in New Zealand. Australia’s minister for immigration, citizenship and multicultural affairs has banned him from entering the country for the tour.
“Yiannopoulos’ comments on social media regarding the Christchurch terror attack are appalling and foment hatred and division,” David Coleman said in a statement Saturday.
“The terrorist attack in Christchurch was carried out on Muslims peacefully practicing their religion,” Coleman said. “It was an act of pure evil. Australia stands with New Zealand and with Muslim communities the world over in condemning this inhuman act.”
Coleman didn’t specifically state which of Yiannopoulos’ comments he was referring to. But the former Breitbart journalist posted on Facebook Friday that attacks like the one in Christchurch happen “because the establishment panders to and mollycoddles extremist leftism and barbaric alien religious cultures.”
Yiannopoulos defended his comments. “I explicitly denounced violence,” he later said in another post. “And I criticized the establishment for pandering to Islamic fundamentalism. So Australia banned me again.”
(15) SERIES GETS HIGH MARX.
Martin Morse Wooster, our Designated Financial
Times Reader, reports from behind the paywall –
In the March 15 Financial
Times, Tom Hancock discusses “The Leader,” an animated series
about Karl Marx currently airing in China.
“For the past month, a cartoon spectre has been haunting me. With brown flowing hair, impossibly large eyes and a heroic V-shaped chin, the hero of “The Leader” would fit into any animated series. But rather than romance or adventure, this hero pursues another goal: the liberation of the proletariat. The hero’s name: Karl Marx.
The series (episodes, which have been viewed 5M times online) is part of a state-backed initiative to promote Marx to young people in China…
…”The Leader,” however, does put the class struggle front and centre, portraying the young Marx clashing with government censors over newspaper articles about labour rights, praising a workers’ uprising in Silesia, and calling for the abolition of private property. The ironies have not been lost on viewers, who can write comments to scroll over the cartoon as it plays. When Marx’s university threatens him over his activism in one episode, a user comment scrolls by — ‘Peking University Marxism Society’–referring to the group at the centre of the recent real-life crackdown.”
Scientists are about to restart the two giant facilities in the United States that register gravitational waves, the ripples in the very fabric of the universe that were predicted by Albert Einstein more than a century ago.
Einstein realized that when massive objects such as black holes collide, the impact sends shock waves through space-time that are like the ripples in water created by tossing a pebble in a pond.
In 2015, researchers made history by detecting gravitational waves from colliding black holes for the first time — and this was such a milestone that three U.S. physicists almost immediately won the Nobel Prize for their work on the project.
Since then, physicists have detected gravitational waves from other exotic smashups. The grand total is 10 pairs of black holes colliding and a pair of neutron stars crashing together.
Now they’re getting ready to discover more of these cosmic events. On April 1, the twin facilities in Louisiana and Washington state that make up the Laser Interferometer Gravitational-Wave Observatory will start doing science again after being shut down for more than a year so that workers could install hardware upgrades.
Fabian is world renowned for destroying ransomware – the viruses sent out by criminal gangs to extort money.
Because of this, he lives a reclusive existence, always having to be one step ahead of the cyber criminals.
He has moved to an unknown location since this interview was carried out.
…All of the victims mentioned above were hit with some form of ransomware. But the Hong Kong businessman didn’t lose his job and the photographer and head teacher were able to recover their work.
None had to pay any money, and once they’d got their lives back in order, all sent emails of thanks to the same person.
He’s a man who has devoted himself, at huge personal cost, to helping victims of ransomware around the world. A man who guards his privacy dearly to protect himself, because for every message of gratitude he receives, almost as many messages of abuse come at him from the cyber criminals who hate him.
In fact, they hate him so much that they leave him angry threats buried deep inside the code of their own viruses.
John King Tarpinian, Andrew Porter, Scott Edelman, Mlex, Chip Hitchcock, StephenfromOttawa,
Cat Eldridge, Martin Morse Wooster, Mike Kennedy, JJ, Brian Z., and Carl Slaughter
for some of these stories. Title credit goes to File 770 contributing editor of
the day, that fan of papier mache ULTRAGOTHA.]
(1) ANOTHER ESCAPEE FROM
LAST DANGEROUS VISIONS. Haffner Press will release as a chapbook Manly Wade
Wellman’s unpublished story “Not All a Dream,” originally
commissioned for Harlan Ellison’s never released anthology The Last Dangerous Visions,
“Not All a Dream” opens with poet/politician Lord Byron (1788-1824) musing over the status of his literary canon in years to come. Admiring the lasting legacy of John Milton, Byron accepts an offer to learn the truce place of his works in centuries hence—a nightmare vision gained by traveling into a dangerous future . . .
How can you get a copy of this story? By preordering
Haffner Press’ two-volume omnibus of Manly Wade Wellman’s The Complete John the Balladeer between now and its release on
October 31, 2019 at the World Fantasy Convention in Los Angeles. Those who
do will receive the exclusive 32-page chapbook of “Not All a Dream” at no
additional charge. See details here.
(2) WAR GOATS? Ursula Vernon,
writing as T. Kingfisher, has a four book deal with Tor.
(3) BIOPIC. A second
trailer for Tolkien is out. The movie
arrives in theaters May 10.
TOLKIEN explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.
(4) CARDS REQUESTED. Martin
Morse Wooster writes, “Long-time fan
Ellen Vartanoff is receiving hospice care at home and would welcome humorous
cards. Her address is 4418 Renn Street, Rockville, Maryland 20853.”
Arrow, the first of the network’s current roster of DC Comics dramas, will end with its previously announced eighth season. The final season of the Stephen Amell-led drama from executive producer Greg Berlanti and Warner Bros. TV will consist of a reduced order of 10 episodes and air in the fall. The final season will air during the 2019-2020 broadcast calendar.
The decision to wrap the series arrives as CW president Mark Pedowitz was open about needing to make way for a possible second phase of DC Comics-inspired series on the network. “Things will age and we want to get the next generation of shows to keep The CW DC universe going for as long as possible,” the executive told reporters in January at the Television Critics Association’s winter press tour.
Culture thinks they know the reason why:
(6) REASONS TO VOTE. Find
out what Abigail Nussbaum is putting on her Hugo ballot in
the media categories. Not just a list, but a substantial discussion about
each choice. For example, under Best Dramatic Presentation, Long Form:
Sorry to Bother You (review) – The most original, boundary-pushing SF film of 2018 by far, not only because of its gonzo third act twist, but because of its focus on matters like labor rights and organization. One of the things I’ve noticed in writing A Political History of the Future is that we’re seeing more and more SF addressing the future of work, from the issue of automation to the question of how labor organizing might work in space. Sorry to Bother You fits perfectly in that tradition, as a movie in which unionizing is an important, necessary step towards building a better world. As important as it is for the Hugos to recognize works like Black Panther, I think it’s equally vital for them to acknowledge Sorry to Bother You as a major work of science fiction film.
(7) LA FESTIVAL OF BOOKS.
Hundreds of authors will participate in the Los Angeles Times Festival of Books
from April 13-14 on the University of Southern California campus. Here are some
of the names that jumped out at me from the announcement —
The European particle physics research centre Cern has cut ties with the scientist who said that women were less able at physics than men.
Cern has decided not to extend Professor Alessandro Strumia’s status of guest professor.
The decision follows an investigation into comments, first reported by BBC News, made by Prof Strumia at a Cern workshop on gender equality.
(9) ALIEN AT 40. Martin
Morse Wooster, our designated reader of the Financial
Times, reports from behind the paywall:
the February 25 Financial Times Nigel
Andrews, the newspaper’s film critic, has a piece on the 40th anniversary of Alien. Andrews, collaborating with
Harlan Kennedy, reported on the production of the film for American Film magazine and reprints what people involved in the
film told him about the production in 1978,
Scott in 1978 said, “The story is
Conradian, in the sense that you can compare the situation in Nostromo (the novel) with the situation
of any group of human beings trapped in an enclosed world. The way the
same environment and events affect different people. As for the horror,
the reason I got interested in the script was that it was so simple, so
linear. It took me 40 minutes to read it. I usually take about four
days, but here it was just bang, whoomph, straight through.”
Giger in 1978 said, “They asked me to design something which could not
have been made by human beings. I tried to build it up with
organic-looking parts–tubes, pipes, bones. Everything I created in the
film used the idea of bones. I mixed up technical and organic
things. I made the alien landscape with real bones and put it together
with Plasticine, pipes, and little pieces of motor.”
With Bruce Wayne’s alter ego celebrating his 80th year of crime-fighting this month, Warner Bros. and DC have unveiled a slate of celebratory events and publications for the Bat-versary, including live events, convention plans and the publication of the landmark 1000th issue of Detective Comics.
The celebration of Batman’s 80th, which will be marked online with the hashtag #LongLiveTheBat, will launch at SXSW in Austin, Texas, with the release of new exclusive merchandise, photo opportunities and the unveiling of a mural by a local artist. The festival will also feature a special event on March 15, when more than 1.5 million bats will fly over the city’s Congress Bridge.
Immediately following, DC will release two special anniversary comic books: the hardcover Detective Comics: 80 Years of Batman — The Deluxe Edition on March 19, and the extra-length Detective Comics No. 1000, on March 27. Three days after the latter, Anaheim’s WonderCon will play host to a “Happy Birthday, Batman!” panel….
(11) THERE’S NO I IN COSPLAY. [Item by Mike Kennedy.] No matter how many times the story uses the “i” word, these
cosplayers are not really achieving the impossible… but they do
achieve a very high difficulty factor (ScreenRant.com: “18 Impossible Star Trek Cosplays
That Fans Somehow Pulled Off”). There seem to be several criteria in
ranking the selections, you can judge for yourself if they’re in the “proper”
Star Trek has been a massive cultural institution since the first episode aired back in the late-1960s. Since that time, the series expanded beyond the Original Series into an animated continuation, multiple spinoff series, prequels, comics, graphic novels, books, and more than a dozen movies. Ever since the series first began, people were quick to create costumes honoring their favorite characters. In the beginning, the costumes weren’t incredibly elaborate due to the limited budget on the series, but as things progressed with Star Trek: The Next Generation and additional feature films, the aliens got more impressive and difficult to emulate. While there are thousands of cosplayers and fans who have thrown on a Starfleet uniform or two over the years, it takes a lot of work and time to manage a cosplay of some of the more detailed and impressive aliens.
Cosplayers who put in the time, money, and creativity to emulate their favorite characters deserve recognition for their efforts. To honor their work, we thought it would be fun to dig around the Internet and find some of our favorite cosplayers’ creations devoted to all things Star Trek. You won’t find a simple recreation of Captain Kirk on this list, but those costumes that pay homage to specific moments in Trek history or manage an approximation of an alien that requires a great deal of makeup and prosthetics will likely have made the cut. Here are our all-time favorite Star Trek cosplayers and their various creations in this list of  impossible Star Trek cosplays that fans somehow pulled off
(12) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 7, 1934 — Gray Morrow. He was an illustrator of comics and paperback books. He is co-creator of the Marvel Comics’s Man-Thing with writers Roy Thomas and Gerry Conway, and co-creator of DC Comics’ El Diablo with writer Robert Kanigher. If you can find a copy, The Illustrated Roger Zelazny he did in collaboration with Zelazny is most excellent. ISFDB notes that he and James Lawrence did a novel called Buck Rogers in the 25th Century. No idea if it was tied into the series which came out the next year. (Died 2001.)
Born March 7, 1942 — Paul Preuss, 77. I know I’ve read all of the Venus Prime series written by him off the Clarke stories. I am fairly sure I read all of them when I was in Sri Lanka where they were popular. I don’t think I’ve read anything else by him.
Born March 7, 1944 — Stanley Schmidt, 75. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing fear by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013. He’s also an accomplished author with more than a dozen to his name. I know I’ve read him but I can’t recall which novels in specific right now.
Born March 7, 1955 — Michael Jan Friedman, 64. Author of nearly sixty books of genre fiction, mostly media tie-ins. He’s written nearly forty Trek novels alone covering DS9, Starfleet Academy, Next Gen, Original Series and Enterprise. He’s also done work with Star Wars, Aliens, Predators, Lois & Clark: The New Adventures of Superman, Batman and Robin and many others. He’s also done quite a bit of writing for DC, mostly media-ins but not all as I see Superman, Flash and Justice League among his credits.
Born March 7, 1959 — Nick Searcy, 60. He was Nathan Ramsey in Seven Days which I personally think is the best damn time travel series ever done. And he was in 11.22.63 as Deke Simmons, based off the Stephen King novel. He was in Intelligence, a show I never knew existed, for one episode as General Greg Carter, and in The Shape of Water film, he played yet another General, this one named Frank Hoyt. And finally, I’d be remiss to overlook his run in horror as he was in American Gothic as Deputy Ben Healy.
Born March 7, 1961 — Ari Berk, 58. Folklorist, artist, writer and scholar of literature and comparative myth. Damn great person as well. I doubt you’ve heard of The Runes of Elfland he did with Brian Froud so I’ve linked to the Green Man review of it here. He also had a review column in the now defunct Realms of Fantasy that had such articles as “Back Over the Wall – Charles Vess Revisits the World of Stardust”.
Born March 7, 1970 — Rachel Weisz, 49. Though better known for The Mummy films, her first genre film was Death Machine is a British-Japanese cyberpunk horror film. I’ve also got her in Chain Reaction and The Lobster.
Born March 7, 1971 — Matthew Vaughn, 48. Film producer, director, and screenwriter who is best known for Stardust, Kick-Ass and Kick-Ass2, X-Men: First Class, X-Men: Days of Future Past, Fantastic Four, Kingsman: The Secret Service, and its sequel Kingsman: The Golden Circle.
Born March 7, 1974 — Tobias Menzies, 45. He was on the Game of Thrones where he played Edmure Tully. He is probably best known for his dual role as Frank Randall and Jonathan “Black Jack” Randall in Outlander” Randall in Outlander. Am I the person who has never seen either series? He was in FindingNeverland as a Theatre Patron, in Casino Royale as Villierse who was M’s assistant, showed up in The Genius of Christopher Marlowe as the demon Mephistophilis, voiced Captain English in the all puppet Jackboots on Whitehall film and played Marius in Underworld: Blood Wars.
(13) STAND BY FOR ADS! I
received a press release which evidently is calling on me to publicize a
forthcoming publicity campaign. Maybe we’ll get to the books later! Their
headline is amusing –
GREAT POWER. NO RESPONSIBILITY.
Tom Doherty Associates is proudly launching the Magic x Mayhem campaign, on the heels of the 2018 Fearless Women campaign. 2018 was a year for breaking though barriers of gender and sex—but 2019 is the year for breaking all the rules. Gone are the days of simple good-versus-evil narratives; these are complicated times that call for complicated characters. From Game of Thrones to The Haunting of Hill House, pop culture has clearly shifted its attention to the messy, the morally ambiguous, and the weird. In short, fans want magic, and they want mayhem. The Magic x Mayhem campaign features an eclectic mix of daring new speculative fiction by fan favorite authors and new voices from the Tor Books and Tor.com Publishing imprints.
Magic and mayhem don’t just live on the pages of books; they’re doled out in fantasy realms and the real world alike by this impressive array of writers. Featured authors include Seanan McGuire (Middlegame), Cate Glass (An Illusion of Thieves), Sarah Gailey (Magic for Liars), Duncan M. Hamilton (Dragonslayer), Tamsyn Muir (Gideon the Ninth), Brian Naslund (Blood of an Exile), Saad Z. Hossain (The Gurkha and the Lord of Tuesday), JY Yang (The Ascent to Godhood) and more. This illustrious group of wordslingers includes bestsellers, award-winners, scholars, and influencers. Through this campaign, the authors will have a combined organic reach of 400,000, and they’re truly a rebel force to be reckoned with.
The campaign will include extensive outreach to social media influencers, a robust marketing and advertising campaign with outlets like Den of Geek and The Mary Sue, exclusive content from select participating authors, Magic x Mayhem branded events at BookExpo, BookCon, New York Comic Con and more. Follow the chaos with #magicXmayhem.
(14) THEY ALL FALL DOWN. “Penn
and Teller and Mischief Theatre to produce Magic Goes Wrong” According
to Chip Hitchcock, “The Play That Goes Wrong (on tour in the US) was even
funnier to a former theater techie like me — my first reaction was that I
wanted to have worked on all of those gimmicks. Now I’m hoping this show will also
If you went to see a show at the theatre where actors forgot their lines, props went missing or scenery collapsed, you’d probably ask for a refund.
But plays going wrong has proved to be a recipe for huge West End and Broadway success for British company Mischief Theatre.
Their current crop of shows – including The Play That Goes Wrong and The Comedy About A Bank Robbery – are set the be joined by a new production later this year.
Magic Goes Wrong has been created by Mischief together with US magicians Penn and Teller – whose fame in the magical world is perhaps second only to Harry Potter’s.
In nagashi somen, one of Japan’s most delightful summertime food rites, noodles are sent down a bamboo chute ‘waterslide’ and you must catch your meal with your chopsticks.
It’s a sunny July day on a mountainside restaurant terrace on the island of Kyushu, Japan. A polo-shirted, 40-something Japanese businessman, a long-time friend of mine, is holding a clump of somen – thin, white wheat noodles – aloft in one hand, and beaming at me and his two foodie colleagues, who have joined us for this feast.
“Ii desu ka?” Are you ready?
“Ichi, ni, san – iku yo!”One, two, three – here they come!
He releases the noodles into a stream of water that is flowing down a 1.5m-long bamboo chute. We three are seated at the opposite end, and, as the noodles slide swiftly toward us, we plunge our chopsticks into the stream, trying to grab the slippery threads.
“Hayaku, hayaku!” – Quickly, quickly! – prim, pearl-necklaced Kimiko-san on my right exhorts herself. “Ahhh, dame da!” – Oh, missed it! – black-suited Eishi-san across from me groans. As more clumps of noodles flow toward us, we gradually lose all reserve, stabbing and laughing as we chase the elusive strands. Eventually we all raise our chopsticks, triumphantly displaying our glistening catch.
Aurora Station plans to become the first hotel in space. But how likely is it we’ll be able to holiday in orbit around the Earth?
It was intended to set the travel world on fire: Aurora Station, the world’s first in-orbit hotel. The official announcement took place last April during the Space 2.0 Conference in San Jose, California. Housed aboard a structure about the size of a large private jet, guests would soar 200 miles above the Earth’s surface, enjoying epic views of the planet and the northern and southern lights.
A jaunt won’t be cheap: the 12-day-journey aboard Aurora Station, scheduled to be in orbit by 2022, starts at a cool $9.5m (£7.3m) per person. Nevertheless, the company says the waiting list is booked nearly seven months ahead.
“Part of our experience is to give people the taste of the life of a professional astronaut,” says Frank Bunger, founder and chief executive officer of Orion Span, the firm which is behind Aurora Station. “But we expect most guests will be looking out the window, calling everyone they know, and should guests get bored, we have what we call the ‘holodeck,’ a virtual reality experience. In it you can do anything you want; you can float in space, you can walk on the Moon, you can play golf.”
Rain is becoming more frequent in Greenland and accelerating the melting of its ice, a new study has found.
Scientists say they’re “surprised” to discover rain falling even during the long Arctic winter.
The massive Greenland ice-sheet is being watched closely because it holds a huge store of frozen water.
And if all of that ice melted, the sea level would rise by seven metres, threatening coastal population centres around the world.
The scientists studied satellite pictures of the ice-sheet which reveal the areas where melting is taking place.
And they combined those images with data gathered from 20 automated weather stations that recorded when rainfall occurred.
The findings, published in the journal The Cryosphere, show that while there were about two spells of winter rain every year in the early phase of the study period, that had risen to 12 spells by 2012.
…Even though some of the biggest sci-fi properties recognized today are all too often racially tone-deaf, black sci-fi authors have been producing work for well over a century. And, with the rise of more and more creators of color in sci-fi and beyond, there’s hope that the situation will get better.
What is “black science fiction”? Broadly, it’s sci-fi produced by black creators. Once you get more specific, though, it’s clear that there as many ways to write about science fiction as there are individual authors. Black sci-fi isn’t monolithic by any means. Some of the authors included here draw on American experiences, Caribbean folklore, Islamic history, modern international politics, and much, much more.
Please note that science fiction is a huge genre with many, many different subgenres, from cyberpunk, to space opera, to galactic westerns. Your own personal definition sci-fi may or may not line up totally with the one used here, but rest assured that, even if you want to quibble over particulars, these are all great works of fiction that you should read no matter what.
So, in honor of Black History Month, here are 20 incredible black science fiction authors who you should add to your reading list as soon as possible. Though this month is a good occasion to bring attention to black sci-fi and speculative fiction, don’t think this is a one-time thing. There are enough authors here to keep you reading for the rest of the year at least.
First on the list is Martin Delany:
…So, where does the science fiction come in? Starting in 1859, Delany published serialized portions of Blake, or the Huts of America, a utopian separatist novel (it wouldn’t be published in one volume until 1970). It follows Henry Blake, a revolutionary escaped slave who travels throughout the U.S. and Cuba in an attempt to organize a large-scale rebellion. The depiction of an active, intelligent, and driven black man was in strong contrast to more docile characters of the time.
John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster,
Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]
By Martin Morse Wooster: Over
the years, I’ve probably seen more versions of Peter Pan than are good for me.
There were the movies, of course, and the live version of the original
musical that aired on television a few years ago. But I’ve seen a fair share of theatrical
projects with the characters from Peter
few years ago I saw Peter and the
Starcatcher, a play by Broadway veteran Rick Elice based on the novel by
Dave Barry and Ridley Pearson. This is
an entertaining prequel to Peter Pan,
once you accept the premise that the character who became Captain Hook thinks
in this play that he is Groucho Marx.
It’s not a musical, but a play with a few songs in it.
More recently I saw a version of Peter Pan with this premise: “People
like it when Peter Pan flies. Why don’t
we have a version where everyone flies! You know, just like the Cirque de
Soleil!” They held it in a tent, in the
area where the Cirque de Soleil performs in Washington, and the show was
interrupted twice for performances by Chinese acrobats.
Finding Neverland is a different take on the story. It’s not about Peter Pan, but about how J. M. Barrie came up with the ideas for Peter Pan. It’s based on a 2004 film that starred Johnny Depp as J. M. Barrie. Freddie Highmore, currently starring on “The Good Doctor,” played one of the children.
How did a non-musical from 2004 get turned into a musical? Cracking open the CD, we find, as the first sentence from the musical’s original director, Diane Paulus, “When Harvey Weinstein first approached me about creating a musical based on the Academy Award-winning film Finding Neverland…”
turns out the Weinstein Company had a division devoted in turning films into
plays. From something I read in Playbill, I see that Weinstein Live
Entertainment developed about 25 plays, of which Finding Neverland, which opened in Broadway in 2015, was their
final project. From Paulus’s comments, I
gather that the Weinstein Company bought one draft of the musical and threw in
more money to develop it.
I don’t know very much about the British people who created this musical. James Graham, who wrote the book, is an experienced playwright. I gather Gary Barlow & Eliot Kennedy, who wrote the score and the lyrics, come from rock and roll and this is their first musical.
it was because of its Weinstein origins, but the road show version of Finding Neverland is a non-Equity
project that spent a little time in major cities and a lot of time in one-night
stops in smaller places, including Orange Park, Florida and Orange, Texas.
musical version of Finding Neverland
begins in Kensington Gardens, where author J.M. Barrie is sitting in the park
doing some writing. Charles Frohman,
the manager of the theater where Barrie’s plays are performed is after him
because he’s blown his deadline and all his plays are becoming similar.
But Barrie sees kids playing pirates and
becomes friends with them, their mother, and their adorable dog Porthos. Frohman also provided inspiration. “Tick tock,” Frohman says repeatedly, so
Barrie thinks of clocks. Then Frohman
shakes his umbrella at him—and in the shadows, the umbrella looks just like a hook.
Finally, we learn that when Barrie was a little boy, his older brother David died ice-skating. But Barrie was convinced that his brother ascended to a place called “Neverland,” where boys never grow old. So put it all together, the musical says, and you’ve got Peter Pan!
Yorker staff writer Anthony Lane explains what really happened in this 2004 article
on the release of the film Finding
Neverland. Barrie did indeed meet
little boys—the Llewellyn Davies family—in Kensington Gardens in 1898. “Barrie
talked with children, rather than at or down with them,” Lane writes, and he
liked spending time with boys, not because he was a pedophile, but because he
thought somehow that spending time with children would help him reach the
child-like parts of his nature and push away all the stresses of adulthood.
plan of Barrie’s,” writes Lane, “may have been creepy and pathetic, but it was
not a crime.”
So the first act of Finding Neverland is about a writer coming up with his ideas. That doesn’t make for interesting drama, so the musical gives us lots of singing! And dancing! About following your dreams! Because they’re your dreams!
and there’s a dog, who is named Porthos.
The dog, a golden doodle named Sammy, was more interesting and better
behaved than most members of the cast.
The second half is about the staging of the first performance of Peter Pan, which gives the show a chance to recreate some of the famous scenes of the first part of Barrie’s play including scenes with a Peter Pan (Melody Rose) in a green outfit and strapped in a harness. The best line was when one actor grumbles about getting into a dog suit. “Why, I played Richard III in Drury Lane,” the actor huffs.
I wondered what he would think of the current version of Richard III in town, which promises twice as much blood as usual and a Swedish doom-rock score.
I thought Finding Neverland was slightly below average. It wasn’t the worst musical I’ve seen but it was uninspired and formulaic. The cast was minimally competent; Jeff Sullivan as J.M. Barrie has a good voice, but he’s too nasal. The other cast members showed why they haven’t gotten their Equity cards yet.
I don’t think I’ll ever see Finding Neverland again, because I think
this will be its only run. But I’m sure
someone else will come up with a line extension of the Peter Pan brand. If that
play comes to Washington, I’m sure I’ll go see it.
The film Finding Neverland was based
in part on the play The Man Who Was Peter
Pan by Allan Knee.
My all-time loser musical is Jekyll and
Hyde: The Musical. Don’t get me started on how awful that
I don’t know where to start. There was this writer of short science fiction stories in ’60s and ’70s who was very feted, and of the level of Philip K. Dick, or Ursula Le Guin. He was really creating the most powerful stories of gender and of being an outsider. But they were so potent, very prescient; because it’s almost the world we’re living in now. So they were written 50 years ago. They’re incredibly relevant still, and then he was sort of well known. His stories were well known, but no one knew who he was for 10 years, and then eventually someone uncovered his identity to be a woman in her 60s, in I think Virginia. This woman’s story is unbelievable. Unbelievable. And she was a genius. So I want to tell her story.
So you’ll make something episodic at a network?
Yeah, but including her short stories within. It’s not a straight biopic; so aliens from her stories inhabit her true world, and then she will be in the world of her stories, and it’s so exciting to me. It’s science fiction, which I love. I came across that because I was being given a lot of science fiction scripts. And I thought, “Where are the female science fiction stories?” So I Googled “female science fiction”, and I came across her! It was so hard to get the rights. And then I got all the rights to these stories, so it’s just meant to be. I could sit for hours and tell you how we got these rights. I’m working with producer Brian Kavanaugh-Jones, who is wonderful. He’s engaged with a company called Imperative, and so that’s the deal at the moment. But Imperative has thrown some money at the development, but we want to keep control of it. So we didn’t want to go to HBO and have it sit on a shelf and not get made, for example. So, we want to come with a pilot and a bible, so I’m working on that at the moment.
Taking place in Scarborough, just down the coast from Whitby – the town that provided so much of the inspiration for Stoker’s iconic Dracula – this is an event not to be missed for writers and readers of horror fiction.
The event is delighted to confirm its Mistress of Ceremonies for the weekend will be author A.K. Benedict, who will be launching the weekend’s proceedings. A.K. Benedict was educated at Cambridge, University of Sussex and Clown School. Described by the Sunday Express as ‘one of the new stars of crime fiction with a supernatural twist’, AK Benedict’s debut novel, The Beauty of Murder, was shortlisted for an eDunnit award and is in development for TV by Company Pictures. Her second novel from Orion, The Evidence of Ghosts, is a love song to London and shows her obsession with all things haunted. Her radio drama includes Doctor Who and Torchwood plays for Big Finish and a modern adaptation of M.R. James’ Lost Hearts for Bafflegab/Audible.
(3) ODYSSEY WORKSHOP
SCHOLARSHIPS. Here is an overview of “2019
Odyssey Writing Workshop Scholarship Opportunities”. The Odyssey Writing Workshop is an acclaimed, six-week
program for writers of fantasy, science fiction, and horror held each summer in
New Hampshire. Writers apply from all over the world; only fifteen are
George R.R. Martin sponsors the Miskatonic Scholarship, awarded each year to a promising writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship covers full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.” Applicants must demonstrate financial need in a separate application. Full details at the link.
Bestselling author and Odyssey graduate Sara King is sponsoring the Parasite Publications Character Awards to provide financial assistance to three character-based writers wishing to attend this summer’s Odyssey. The Parasite Publications Character Awards, three scholarships in the amounts of $2,060 (full tuition), $500, and $300, will be awarded to the three members of the incoming class who are deemed extraordinarily strong character writers, creating powerful, emotional characters that grab the reader and don’t let go. No separate application is required.
The new Chris Kelworth Memorial Scholarship will be offered to a Canadian writer admitted to Odyssey. This scholarship, funded by alumni and friends of Chris, will cover $900 of tuition.
One work/study position is also available. The work/study student spends about six hours per week performing duties for Odyssey, such as photocopying, sending stories to guests, distributing mail to students, and preparing for guest visits. Odyssey reimburses $800 of the work/study student’s tuition.
The stories explore climate chaos, its aftermath, and possible ways forward through a variety of genres and styles, from science fiction and fantasy to literary fiction and prose poetry. It’s free to download in a variety of digital formats (HTML, EPUB, MOBI, and via Apple iBooks).
Table of Contents:
Kim Stanley Robinson, Foreword
Angie Dell and Joey Eschrich, Editors’ Introduction
Monarch Blue, by Barbara Litkowski
The Last Grand Tour of Albertine’s Watch, by Sandra K. Barnidge
Half-Eaten Cities, by Vajra Chandrasekera
Darkness Full of Light, by Tony Dietz
Luna, by David Samuel Hudson
Tuolumne River Days, by Rebecca Lawton
The Most Beautiful Voyage in the World, by Jean McNeil
Orphan Bird, by Leah Newsom
The Office of Climate Facts, by Mitch Sullivan
Losing What We Can’t Live Without, by Jean-Louis Trudel
About the Contributors
Honorable Mention: 2018 Contest Semifinalists
(5) HUGO VOTER ELIGIBILITY. Dublin 2019 is fixing this –
(6) MY KINGDOM FOR CANON. [Item by Mike Kennedy.] Retcons are king. Or kinda want to be. The Daily Dot stares into the abyss at the
changing look of Klingons over the various Star
Trek series and movies—and especially the significant changes between the
first two seasons of Star Trek: Discovery
(“Here’s Why the Klingons Look Different
in ‘Star Trek: Discovery’ Season 2”).
In the grand tradition of sci-fi retcons, there’s a canon explanation for the Klingons’ new look. While the humanoid Original Series Klingons were retroactively explained as victims of a genetic disease, Discovery’s bald Klingons [in season 1] were apparently making a fashion statement.
According to actress Mary Chieffo (L’Rell), designer Glenn Hetrick decided that the Klingons weren’t “bald” in season one—they just shaved their heads. Speaking at New York Comic Con last year, Chieffo said Hetrick was inspired by the Next Generation episode “Rightful Heir.”
“There is a reference to when [legendary Klingon hero] Kahless is brought back as a clone. The way he proves himself is he tells the story of how he cut off a lock of his hair and dipped it into a volcano and made the first bat’leth, with which he killed Molor, the terrible tyrant who was running Qo’noS at the time. We took that one little beautiful seed… and kind of expanded on that, and we see that in a time of war the Klingons would shave their heads, and in a time of peace, we start to grow it back out. I really love the symbolism of that.”
Star Trek: Discovery could finally explain one of the franchise’s biggest discrepancies: why do the Klingons in The Original Series look human? The answer might be the former Starfleet Lieutenant Ash Tyler, who is the surgically altered Klingon named Voq.
[…] It’s possible Star Trek: Discovery season 1’s transformation of Voq into Ash Tyler is the forerunner to why the Klingons Captain Kirk faced in The Original Series didn’t have the ridged brows and wild hair of later Klingons. Voq was the former Torchbearer of T’Kuvma who underwent surgery to become human in a horrifically painful process that damaged his mind. His lover L’Rell oversaw the procedure to turn Voq into Ash Tyler, a Starfleet Lieutenant who was captured during the Battle at the Binary Stars. Voq ended up believing he really was Ash and fell in love with Michael Burnham but his inner Klingon kept fighting his way to the forefront.
[…] By the time Captain Kirk faced the Klingons for the first time in the Star Trek: The Original Series’ episode “Errand of Mercy”, the warrior race looked and behaved human, albeit with darker, exotic skin. Kor, the Klingon Commander, even told Kirk “our races aren’t so different”. He meant that both humans and Klingons are war-like species, but his words could also now have a deeper context: the Klingons have 24 Great Houses and it’s possible this group of Klingons underwent the same (perfected) procedure that turned Voq into Ash Tyler.
You’ll find it on the wall of nearly every school chemistry laboratory in the land.
And generations of children have sung the words, “hydrogen and helium, lithium, beryllium…” in an attempt to memorise some of the 118 elements.
This year, the periodic table of chemical elements celebrates its 150th birthday.
…The United Nations has designated 2019 as the International Year of the Periodic Table to celebrate “one of the most significant achievements in science”.
In March, it will be 150 years since the Russian scientist, Dmitri Mendeleev, took all of the known elements and arranged them into a table.
Most of his ideas have stood the test of time, despite being conceived long before we knew much about the stuff that makes up matter.
On Tuesday, the year will be officially launched in Paris. So, what’s so special about this iconic symbol of science?
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 29, 1923 – Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.)
Born January 29, 1940 – Katharine Ross, 79. Yes, you know her as Elaine Robinson in The Graduate but that’s hardly genre, do shall we see what she done in our area of interest? Her first such work was as Joanna Eberhart in The Stepford Wives –scary film that. She shows up next as Helena in The Swarm and plays Margaret Walsh in The Legacy, both horror films. The Final Countdown sees her in the character of Laurel Scott. And Dr. Lilian Thurman is her character in the cult favorite Donnie Darko. I’m fairly sure that the only genre series she’s done is on The Wild Wild West as Sheila Parnell in “The Night of the Double-Edged Knife” episode. I did debate if the I should could I count Alfred Hitchcock Presents aa genre or not as she did an episode there as well.
Born January 29, 1977 – Justin Hartley, 42. Performer in the series as Green Arrow and Oliver Queen characters, season six on. Also director of the “Dominion” episode and the writer of the “Sacrifice” episode on that series. He’s also Arthur “A.C.” Curry in the unsold Aquaman television pilot. The latter is up on YouTube here. He’s also lead cast in a web series called Gemini Division.
Born January 29, 1978 – Catrin Stewart, 31. Jenny Flint in five episodes of Doctor Who. She was friends with Madame Vastra and Strax (informally known as the Paternoster Gang) who appeared first during the Eleventh Doctor and last during the Twelfth Doctor. Big Finish has continued them in their audiobooks. She also played Stella in two episodes of the Misfits series, and was Julia in a performance of Nineteen Eighty-Four done at London Playhouse several years back.
Not everybody gets off the ground at Hogwarts according to Berkeley Mews.
A super warning about the cold and flu season at Off the Mark.
(10) ELGIN AWARD
NOMINATIONS OPEN. The Science Fiction and Fantasy Poetry Association is
taking nominations for the Elgin Award through May
15. Charles Christian will be the 2019 Elgin Awards Chair.
Only SFPA members may nominate; there is no limit to how many they can nominate, but they may not nominate their own work. Send title, author, and publisher of speculative poetry books and chapbooks published in 2017 and 2018 to firstname.lastname@example.org by mail to the SFPA secretary: Renee Ya, P.O. Box 2074, San Mateo, CA 94401 USA. Books and chapbooks that placed 1st, 2nd, or 3rd, in last year’s Elgin Awards are not eligible.
IDW Publishing’s big 20th anniversary celebration rolls on this month as the mini-major refreshes five of their major licensed titles with a time-traveling series of oversized one-shot releases.
The January party sparkles with some of pop culture’s most treasured properties as Ghostbusters, Jem and the Holograms, My Little Pony, Star Trek, and Teenage Mutant Ninja Turtles uncover characters’ secrets and mysteries shot 20 years into the future or tugged back to the past.
Timothy the Talking Cat, billionaire CEO of publishing multinational “Cattimothy House” entered the 2020 Presidential fray, with a shock announcement on Tuesday. At a book launch in Borstworth Library, the outspoken cat and business guru laid out his vision for a new kind of US President.
CONTENT WARNING: This review discusses gun violence throughout, and includes references to child death. Also, we’re discussing the whole novella, so BEWARE SPOILERS.
Vigilance, the new novella from Robert Jackson Bennett, is out today and it’s a searing look at gun violence in the US. In this near future dystopia, John McDean is tasked with running “Vigilance”, the nation’s favourite reality programme, which releases real shooters are released on unsuspecting locations with military-grade armaments, and the resulting carnage is broadcast as a “lesson” in how to protect oneself. McDean and his crew at ONT station think they have the variables of Vigilance down to a fine art, but in the novella’s ensuing escalation find themselves taken down by one of McDean’s own blindspots, to dramatic effect.
We’ve got a lot of Bennett fans on our team here at Nerds of a Feather and when this novella came to our attention, lots of us were interested in reading it to review. That’s why, instead of taking it on alone, today I, Adri, am joined by Paul Weimer, Brian, and Joe Sherry to unpack Bennett’s highly topical novella and our reactions to it.
Margot Robbie’s next take on Harley Quinn is steeped in ’80s music video sensibilities. Gotham City’s newest protectors have arrived. Tuesday morning, following an Instagram post by Margot Robbie teasing her return as Harley Quinn, Warner Bros. released the first official behind-the scenes look at Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). The first look teases viewers with quick glimpses of the main characters, who, alongside Robbie’s Harley Quinn, are comprised of Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), Renee Montoya (Rosie Perez), Cassandra Cain (Ella Jay Basco), Victor Zsasz (Chris Messina), and Black Mask (Ewan McGregor). Birds of Prey follows the events of Suicide Squad and finds Gotham City in a very different place following an apparent disappearance of Batman, and Quinn’s separation from the Joker. Harley finds herself on a continued path of redemption when she seeks to help a young girl, Cassandra Cain, escape the wrath of Black Mask by recruiting a force of Gotham heroines.
Kin Stewart used to be a time-traveling secret agent from 2142.
Now, stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives—eighteen years too late.
(17) FROG STUFFING. Jon Del Arroz’ Happy Frogs lists are callbacks to what JDA thinks were the good old days of the Sad and Rabid Puppies. How much pull does he actually have? We’ll know if any of these names from “The Happy Frogs Hugo Award list” [Internet Archive link] show up on the 2019 ballot. (Well, it wouldn’t be a complete shock if David Weber got a nod for Best Series on his own – but that still leaves the rest of them.)
New footage from the lead-up to NASA’s first manned trip to the moon (and the landing itself) features in the upcoming documentary Apollo 11, which premiered at the Sundance Film Festival.
“Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names,” distribution company Neon said of the film.
“Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.”
(19) LAST THOUGHTS ABOUT
BROADWAYCON. [Item by Martin Morse
Wooster.] On “Three
on The Aisle: Broadway Cosplay” at Americantheatre.org,
Elisabeth Vincentelli gives a BroadwayCon report, which begins at sixteen
minutes into the podcast and ends at 34 minutes. She did see some
cosplayers, such as a woman from West Virginia who sat on a bus wearing her
costume as the Angel from Angels in
America, and she occasionally did see fans wanting to get too close to the
stars (which in the theatre world is known as “stagedooring.”)
But she also appreciated the substantive panels, such as one on Oklahoma where cast members sang songs
they didn’t sing on stage, and noted that BroadwayCon is important enough that
stars like Kristen Chenoweth show up there unannounced. Wall Street Journal drama critic Terry
Teachout said he wanted to go next year and that “A critic incapable of
being a fan is a critic that needs therapy.”
John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, JJ,
Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Kip Williams.]
(1) STOKER DEADLINE. Horror Writers Association Member Recommendations for the Bram Stoker Awards close on January 15, 2019 11:59 p.m. PST. Administrators warn that no recommendations will be accepted after the dates and times listed.
(2) NAILING DOWN THE DATE. The
Minneapolis convention Convergence is moving to the Fourth of July, for reasons
in a press release.
…As our community knows, the Convergence Events, Inc. Board of Directors has chosen to move CONvergence from the DoubleTree Bloomington to the Hyatt Regency Minneapolis starting with our twenty-first convention on July 4th – 7th, 2019.
Due to conditions outside of the Board of Directors’ control, this decision had to be made quickly in order to secure the location for the next five years. This has resulted in possible convention dates outside our normal convention dates. To do otherwise would have resulted in additional moves to other hotels, more extreme date changes, and/or limited convention space and events.
N.K. Jemisin’s story “The Ones Who Stay and Fight” takes place in a near-utopia in which everyone is equally valued. Some curious residents, however, cannot resist the urge to eavesdrop on a very different world — one in which inequality is rife and violence is widespread and justice does not prevail: our world. They listen to our radio and watch our TV and tap into our social media. In doing so, they glean information about our ways. This knowledge infects them like a virus. They know there will be severe consequences. And yet the information-gleaners, like info-gleaners everywhere, cannot bring themselves to stop.
Amanda immortalized this sweet and rather profound moment in a short video, shared here with the kind permission of everyone involved:
(5) DIABETES RESEARCH AND
EDUCATION FUNDRAISER. SFF writer Christopher Rowe
is a Clarion West graduate, a SFWA member, and has been a finalist for the
Hugo, Nebula, World Fantasy, Theodore Sturgeon, and Seiun Awards. He emailed: “I
was recently (on December 10th, 2018) diagnosed with what was described to me
as a ‘dangerously out of control’ case of Type 2 Diabetes. I’ve had to make a
lot of life adjustments because of this, as you might imagine. One thing I’m
doing is training for the 62-mile leg of the Kentucky edition of this year’s
Tour de Cure, an annual fundraiser for the American Diabetes Association.”
I used to be an active road cyclist in and around Central Kentucky, riding from my home in downtown Lexington. But that was years ago, and my beautiful Lemond Tourmalet bicycle has been gathering dust in my workshop for too long to recount.
But I had already decided that 2019 would be the year I return to the road even before I received my diagnosis, and the commitment I have made to taking control of my condition, and to sustained, disciplined self-management through exercise, diet, and scrupulous attention to my healthcare team’s advice, including taking medications, dovetails perfectly with the Tour de Cure.
Please consider making a donation to the American Diabetes Association’s crucial research and educational efforts through this webpage.
I have a ways to go before I’m in the physical shape I’ll need to be in to complete the Tour. We have a ways to go before any of us can rest easy about diabetes. But we’ll get there.
Rowe is already getting strong support from the sff
community, and could use lots more: “Quite a few sf/fantasy folks–mainly
writers and editors–have donated so far. My colleagues in George RR Martin’s
Wild Cards Consortium have been especially generous, and there are more people
whose names File 770 readers would
recognize if they hadn’t chosen to donate anonymously. I have set myself quite
a task with a goal of raising $10,000 by June 1st, but I believe I can do it.”
OF THRONES TEASER. A glimpse of Season 8 of Game of
Thrones in “Crypts of Winterfell.”
(7) LASH OBIT. Comics
creator Batton Lash
died January 12 of brain cancer. He was 65. His wife, Jackie Estrada, said “He
died in our home accompanied by friends, family, and caregivers. We have no
plans for services yet, but at some point we will have celebrations of life in
both San Diego and New York.”
January 13, 1930 — Mickey Mouse comic strip debuted in newspapers.
January 13, 1957 — The Wham-O Company developed the first frisbee.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 13, 1933 – Ron Goulart, 86. First I must acknowledge that he is very prolific and uses many pseudonyms to wit Kenneth Robeson, Con Steffanson, Chad Calhoun, R.T. Edwards, Ian R. Jamieson, Josephine Kains, Jillian Kearny, Howard Lee, Zeke Masters, Frank S. Shawn, and Joseph Silva. (Eeek!) you did the see Doc Savage one in there, didn’t you? I’m reasonably sure that the I’ve read a lot of his fiction including the Flash Gordon series, his Avenger series, maybe a bit of the Vampirella novels, the Incredible Hulk definitely, not the Groucho Marx series though it sounds fun, and, well, damn he’s prolific. So what have you have read by him that you like?
Born January 13, 1943 – Richard Moll, 76. Ahhh though I remember him best from Night Court that’s not genre, but I’ve found that he voiced Harvey Dent aka Two-Face on Batman: The Animated Series with other appearances on Buck Rogers in the 25th Century, Mork & Mindy, Fantasy Island, Jurassic: Stone Age, Headless Horseman, Scary Movie 2, The Flintstones and Metalstorm: The Destruction of Jared-Syn.
Born January 13, 1945 – Joy Chant, 74. Chant is an odd case as she only wrote for a short period between 1970 and 1983 but she produced a brilliant fantasy trilogy, the House of Kendreth trilogy, consisting of Red Moon and Black Mountain, The Grey Mane of Morning and When Voiha Wakes. Her other main work, and it is without doubt truly brilliant, is The High Kings, illustrated lavishly by George Sharp and designed by David Larkin with editing by Ian and Betty Ballantine. It is intended as a reference work on the Arthurian legends and the Matter of Britain with her amazing retellings of the legends. I’ve got one reference to her writing Fantasy and Allegory in Literature for Young Readers but no cites for it elsewhere.
Born January 13, 1947 – Peter Elson. Illustrator whose life was far too short as he died of a heart attack. If you were reading SF between the early seventies and the late eighties, it’s likely that you saw his astonishing artwork. I found him doing covers for the Sphere edition of Asimov’s Pebble in the Sky, a Mayflower edition of Leiber’s Swords Against Death and a Methuen edition in Canada on Zelazny’s To Die in Italbar, but a few of the several hundred covers he did. There’s an excellent website for him here: http://www.peterelson.co.uk/ (Died 1998.)
Born January 13, 1952 – Jonathan R. Eller, 67. Scholar, Ray Bradbury specialist in this case. Two full length works, Becoming Ray Bradbury and Ray Bradbury Unbound, plus some thirty shorter works including “Textual Commentary (The Collected Stories of Ray Bradbury: A Critical Edition: Volume I: 1938-1943)” and “Annotations (Match to Flame: The Fictional Path to Fahrenheit 451)”. He interviewed Bradbury twice, once in Cemetery Dance #65, listed as being published in 2011.
Born January 13, 1960 – Mark Chadbourn, 59. I’ve read his Age of Misrule series in which the Celtic Old Gods are returning in modern times and they’re not very nice. It’s followed by the Dark Age series which is just as well crafted. His two Hellboy novels are actually worth reading as well.
(10) BROADWAY FANDOM’S
ANNUAL GATHERING. BroadwayCon was
held this weekend (January 11-13) in New York City. Martin Morse Wooster looked into it and
learned, “It’s like a fan con, with parties, a dealer’s room, cosplay, and
getting autographs but it’s for
theater geeks in Manhattan! So they have panels like ‘My Descent Into
HAMILTON Fandom.’ I learned that fans of the musical Newsies are ‘Fansies.’ I think I would enjoy the ‘Shakespeare
discovered this parallel fandom because Three
on the Aisle,” a theater podcast he likes, did a live session there.
He continues –
BroadwayCon is put on by Mischief Management and was co-founded by Melissa Anelli. She comes out of Harry Potter fandom and wrote Harry: A History, which I read and is an entertaining book if you want to read about really obsessed Harry Potter fans. Mischief Management’s other cons are Con of Thrones in Nashville for Game of Thrones fans and two LeakyCons for Harry Potter fans, which will be held this year in Dallas and Boston.
Russia’s only space radio telescope is no longer responding to commands from Earth, officials say.
Astro Space Centre chief Nikolai Kardashev said some of the Spektr-R satellite’s communication systems had stopped working.
But it was still transmitting scientific data, RIA Novosti news agency reports.
The telescope has been operational way beyond its expected five-year lifespan, Russia’s space agency Roskosmos says.
(12) STRUMMIN’ ON THE OLD
BANJO. John Scalzi outlines his “Revenue
Streams, 2018” for Whatever readers.
Domestic and foreign sales, TV/movie options, speaking engagements, etc., and a
little comic relief —
10. Download/Streaming payments on my music: Wait, what, now? Weirdly, it’s true! I have an album of music you can download or stream, and apparently people actually have or do, since the payments show up in my PayPal account. I made dozens of dollars with my music last year! Dozens!!!
(13) ON ANNIHLATION. Lessons from the Screenplay brings viewers
“Annihilation — The Art of Self-Destruction.”
The days when hungry college students had to physically walk to the cafeteria (or the dorm room vending machine, or the corner convenience store) to get a snack are numbered. This week, PepsiCo unleashed a fleet of snack-wielding, self-driving robots across the University of the Pacific’s Stockton, California campus. If all goes well, college snack-botscould become a pretty common sight in the not-so-distant future.
…The robots were made in collaboration with Bay Area-based Robby Technologies, who say of their creations: “the size and dimensions evoke feelings of a small pet walking down the street.” They’re not wrong! According to a press release, the kinda-cute delivery-bots can travel over 20 miles on a single charge, and are outfitted with cameras and headlights that allow them to navigate in full darkness or rain. They’re also equipped with all-wheel drive, which lets them climb steep hills and handle curbs without tipping over.
[Thanks to Martin Morse Wooster, Cat Eldridge, JJ, Michael Toman, John King Tarpinian, Mike Kennedy, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
But its overnight viewings in the U.K. were anything but stellar, with 5.15 million tuning in on the BBC, a 22.4 percent share, according to reports, half a million less than Idris Elba’s return as Luther the same evening. The figure — which is before consolidated views have been included — marks the lowest for any Doctor Who festive special since the series returned in its modern form in 2005, and also Whittaker’s second-worst episode this season. By contrast, David Tennant’s first special landed 9.4 million overnight views, Matt Smith’s 10.3 million and Peter Capaldi’s 6.3 million. However, these were all broadcast Christmas Day.
This figure placed the feature above Patty Jenkins’ Wonder Woman, which lassoed a little over $821 million during its theatrical run in 2017. Domestically, Aquaman also broke the $200 million mark in North America, but it still needs $197 or so million to beat Wonder Woman‘s total American gross of $412 million.
(4) WU AND ARISIA. During
Brianna Wu’s 2018 congressional race she focused on issues with wide appeal,
and on attracting attention from major media. But the other
day on Facebook she returned a fannish subject, the forthcoming Arisia
If you attend Arisia, Inc. this year, I’m not going to say anything to you – but I will absolutely think less of you.
A convention that had multiple sexual predators at senior leadership levels and ignored the rape of a teenager is not a convention you should support. You cannot attend Arisia and also also support women.
I will not be buying your books. I will not support your art. I will never do you a favor.
You are the choices the [sic] make.
(5) BLACK MIRROR IN FINANCIAL
TIMES. Martin Morse Wooster peeked behind the Financial Times paywall to report on their coverage of Black Mirror’s “Bandersnatch” episode.
the December 29 Financial TImes,
Shannon Bond interviews “Black Mirror” showrunners Charlie Brooker
and Anabel Jones about the forthcoming episode of Black Mirror called
“Bandersnatch” which will be interactive. It’s about a choose
your own adventure writer who gets trapped in “a branching set of
storylines that descend down rabbit holes exploring free will and mind
“‘We didn’t know what the story would be and we were like, ‘Wouldn’t that just be a gimmick?’ said Mr Brooker.
But once the pair hit upon a plot with the right themes, they were quick to embrace the opportunity, said Ms Jones,
‘It’s absolutely baked into the story this idea of freedom of choice and control and the illusion of control and the illusion of choice. Once you’ve got that as the basic conceit and you have the protagonist and you can give them multiple endings but these endings only build to reinforce the whole, then that’s delicious,’ she said.”
could call it “Choose Your Own Adventure–To Despair!” says Wooster. “Good
(6) BEWARE THE BIRD BOX CHALLENGE. Ethan
Alter, in “Netflix
to Fans: Don’t Be Like Bullock And Avoid
BIRD BOX Challenge,” says that Netflix is telling fans to avoid a
viral challene to do things while blindfolded just like Sandra Bullock does in
BIRD BOX, saying they could hurt themselves and Bullock announced she bumped into
the Steadicam several times while doing her blindfolded scenes.
American scientist Larry Roberts who helped design and build the forerunner of the internet has died aged 81.
In the late 1960s, he ran the part of the US Advanced Research Projects Agency (Arpa) given the job of creating a computer network called Arpanet.
He also recruited engineers to build and test the hardware and software required to get the system running.
Arpanet pioneered technologies underpinning the internet that are still used today.
Dr Roberts is recognised as one of the four founding fathers of the internet along with Bob Kahn, Vint Cerf and Len Kleinrock.
The son of two chemists, Dr Roberts reportedly chose electronics as a field of study because it was more forward-looking.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 2, 1920 – Isaac Asimov. I can’t possibly summarise him here so I won’t. My favourite novels by him are the original Foundation novels followed very closely by his Galactic Empire series and I, Robot. I also still like the Robot series a lot and I know I’ve read a lot of his short fiction. (Died 1992.)
Born January 2, 1929 – Charles Beaumont. He is best remembered as a writer of such Twilight Zone episodes such as “The Howling Man”, “Printer’s Devil”, and the “Number Twelve Looks Just Like You”, but he also penned the exemplary 7 Faces of Dr. Lao screenplay, and The Masque of the Red Death, a horror film with Vincent Price which is rather good. (Died 1967.)
Born January 2, 1978 — Renée Elise Goldsberry, 41. Currently Quellcrist Falconer in the Altered Carbon series with her first SF role having been Crewman Kelly on the “Vox Sola” episode of Star Trek: Enterprise. I think her only other genre appearance is as Denise Watkins in the long titled “Things to Do in New York When You Think You’re Dead” episode of Life on Mars series. I’ve read the entire Altered Carbon series but not seen the series, so how is it?
Born January 2, 1979 – Tobias Buckell, 40. I read and enjoyed a lot his Xenowealth series which was both both original and managed to wrap nicely. Do note that “The Alchemist and The Executioness “ novella he wrote with the latter and is which is part of the latter’s Tangled Lands Universe is definitely worth chasing down out for reading
Born January 2, 1983 — Kate Bosworth, 36. Not a long resume in the genre I grant you but her Lois Lane in Superman Returns certainly was impressive and she’s was recently in a series that I’m looking forward to seeing no matter how depressing it probably is, an adaptation of Len Deighton’s SS-GB, and she’s got The I-Land, a web series which sounds more horror than SF forthcoming.
Harper attended a professional-development day at one of the district’s lowest-performing elementary schools. The teachers were talking about how students should attack words in a story. When a child came to a word she didn’t know, the teacher would tell her to look at the picture and guess.
The most important thing was for the child to understand the meaning of the story, not the exact words on the page. So, if a kid came to the word “horse” and said “house,” the teacher would say, that’s wrong. But, Harper recalls, “if the kid said ‘pony,’ it’d be right because pony and horse mean the same thing.”
Harper was shocked. First of all, pony and horse don’t mean the same thing. And what does a kid do when there aren’t any pictures?
This advice to a beginning reader is based on an influential theory about reading that basically says people use things like context and visual clues to read words. The theory assumes learning to read is a natural process and that with enough exposure to text, kids will figure out how words work.
Climate change, vanishing ice and erratic rain patterns are causing the wetlands in two Andean communities to shrink — and that’s a big problem for the communities of Miraflores and Canchayllo. The villagers depend on the puna, a set of alpine ecosystems above 13,000 feet that include grasslands and wetlands to graze sheep, cows, alpacas, llamas and vicunas — animals that provide them with their livelihoods.
Instead of looking for modern solutions to improve access to water, the villagers turned to an old one: centuries-old hydraulic systems that dot the Nor Yauyos Cocha Landscape Reserve, a state-protected natural area seven hours east of Lima. These ancient systems have been used to help irrigate the reserve’s pastures and provide nutrient-rich soil for hundreds of years.
So in 2013, the communities teamed up with scientists from U.S. nonprofit The Mountain Institute (TMI) and reserve authorities to devise plans to revive their historic waterways, including canals, lakes and reservoirs. In addition to providing water, the project would also help mitigate the effects of climate change on the landscape, which has been degraded by grazing, melting glaciers and erratic rainfall.
Peter, Evan and Brian work at a small technology firm based by the beach in Santa Monica, testing software and fixing bugs.
On first inspection it seems like any other Los Angeles-based company, with tasteful art on the white walls and calm-inducing diffusers dotted about.
Peter describes the working atmosphere as “quiet, but fun”, and especially likes the fact that there is no pressure to socialise, while Evan says of his employers that they are “very accommodating and understanding”. Brian describes his office as “unique”.
Auticon is one of only a handful of companies that cater exclusively for employees who are on the autistic spectrum.
Formerly known as MindSpark before being acquired by German-based Auticon, the firm was founded by Gray Benoist who, as the father of two autistic sons, saw few options in the workplace that could cater for their needs.
China is preparing to make the first attempt at landing robotic spacecraft on the Moon’s far side.
A static lander and rover are expected to be deployed to the surface in the next day, state media reports.
The vehicles are carrying a suite of instruments designed to characterise the region’s geology, as well as a biological experiment.
In recent days, the Chang’e-4 spacecraft had lowered its orbit in preparation for landing.
At the weekend, Chinese state media said the probe had entered an elliptical path around the Moon, bringing the vehicles to within 15km (9 miles) of the lunar surface at its closest point.
Authorities have not specified the exact time of the attempt to touch down in the Von Kármán crater. But a report in the state-run China Daily newspaper suggests Chang’e-4 could begin descending on its thrusters sometime from 2-3 January.
“SpaceLife Origin, based in the Netherlands, wants to send a pregnant woman, accompanied by a “trained, world-class medical team,” in a capsule to the space above Earth. The mission would last 24 to 36 hours. Once the woman delivered the child, the capsule would return to the ground. “A carefully prepared and monitored process will reduce all possible risks, similar to Western standards as they exist on Earth for both mother and child,” SpaceLife Origin’s website states. The company has set the year 2024 as the target date for the trip.
“The concept raises a host of questions—we’ll get to those later—but perhaps the most immediate may be this: Why?“
(15) JEOPARDY! Direct
from Andrew Porter’s living room, tonight’s sff reference on Jeopardy!
In Final Jeopardy, in “British Memoirs,” the answer was, “Before his death in 1996, this famous son wrote the memoirs “The Enchanted Places” & “The Hollow on the Hill”.
Wrong questions: “Who is Churchill?”, “Who is Christopher Tolkien?”
Correct question: “Who is Milne?” — Christopher Robin Milne
(16) HERTZ PENS COOLEST
VERSE. John Hertz cheered me up after reading my complaint about a cold
When the winter sun sets before 5 p.m. and you’re nursing a nasty case of the sniffles, there’s a piping-hot Korean stew that provides the perfect antidote to illness and hunger. Huge, hearty and volcanic red, kimchi jjigae can blaze the mucus out of your body better than a Neti pot.
Whatever kimchi jjigae’s origins, it lets thrifty Korean cooks use super-ripe kimchi that’s not ideal to eat on its own. With the kimchi’s intensity mellowed by pork, tofu, gochugaru (chile pepper flakes), garlic, ginger, scallions and broth, the spicy stew has become a year-round favorite. During long, harsh winters, like the kind we have here in Los Angeles, jjigae with pork has a reputation as an almost magical antidote to winter colds….
John Hertz, JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Mike Kennedy,
Martin Morse Wooster, Carl Slaughter, and Andrew Porter. Title credit goes to
File 770 contributing editor of the day Andrew.]
World Fantasy Convention (Baltimore, November 1-4, 2018)
If you want to know how a World Fantasy Convention differs from your typical convention, here is what happened when I checked in on Thursday.
I was running late, and after getting to the con, getting to my hotel, and getting to the Renaissance Hotel where the con was held, it was 8 PM. Registration closed at 7. I felt very tired and frustrated. I was going to miss the opening ceremonies.
Then a member of the Washington Science Fiction Association who I didn’t think particularly liked me said, “Why don’t you walk right in?”
What? No security? No badge checks? No cops?
Welcome to the World Fantasy Convention, where everyone is civil.
Here’s another example. I was taking a nap Friday afternoon in a chair in the central area of the convention, and woke up, and who was sitting next to me but Michael Whelan (Michael Whelan!) signing some paperbacks.
“I’ve admired your work for 30 years,” I said. He thanked me.
I’ve been to six World Fantasy Conventions, and I think their purpose has changed. They were founded in 1975 to do two things: make sure that fantasy was as respectable as sf, and be a place where writers, editors, and publishers could congenially conduct business.
Their first goal, of course, was achieved decades ago and fantasy is more popular than sf. As for the convention, there were as many writers as ever, including blue chips such as John Crowley and Joe Haldeman. But there weren’t as many editors, even though Baltimore is a two-hour train ride from New York. Ellen Datlow, Sheila Williams, and Gordon Van Gelder were there, as were Irene Gallo and Tom Doherty of Tor. I don’t think there were many other major book editors there; Patrick Nielsen Hayden in particular was conspicuous by his absence.
All the lavish parties thrown by big publishers have disappeared with one exception. For the past 35 years, super-agent Howard Morhaim has held a black-tie dinner at the World Fantasy Convention. He held one this year. If you’re successful enough that you regularly attend black-tie dinners, you got an invitation.
The World Fantasy Convention is known for three things: its con suite, its art show, and its dealer’s room.
First off, the con suite was outstanding. You pay a lot for a World Fantasy Convention membership, but part of the deal is that the con suite has real food. I had four meals there, and everyone who worked that room gets a big thumbs up from me, and whoever made the barbecue on Saturday night gets two thumbs up.
I was disappointed in the dealers’ room. Part of what makes a World Fantasy Convention special is that the dealers have rarities you don’t see every day. But most of the dealers had more normal books. However, Greg Ketter of Minneapolis’s DreamHaven Books had some finds. He had a copy of The Outsider and Others that you could pick up and flip through—but very carefully, since the book sells for $5,000. In a case he had a copy of the first edition of Again, Dangerous Visions in a dust jacket signed by 14 contributors for $600.
But Ketter’s prize was a first edition of a cheesy 1967 paperback called Pleasure Planet (“the whole world was obsessed by the pleasures of sex”), the first novel by Robert E. Vardeman. Vardeman signed his novel with an inscription so tasteless, so depraved that I dare not repeat it in a family blog. But you can find out what Vardeman wrote for $75!
Here’s a book I couldn’t find. Ursula K. Le Guin was interviewed in the last year of her life about writing; the interviews have been published this summer by Tin House Books as Ursula K. Le Guin: Conversations on Writing. No dealer had this book. Don’t they think customers would be interested in Le Guin?
I didn’t spend as much time in the art show as I should have, but it was large and filled with art by Guest of Honor Tom Kidd as well as Donato Giancola. Another theme was about women in sf and fantasy and featured paintings featured as covers on books and magazines, many from the collections of Edie Stern and Joe Siclari. I am told there was an original Margaret Brundage painting there, but I didn’t see it.
As for panels, I didn’t see as many as I should have because I was having too much fun chatting with fans. I learned everything from why Latter-Day Saints don’t have any crosses in their churches to what it was like to film monster movies in Hamilton, Ontario. (The director, Catherine Whitlock, was wearing a t-shirt promoting her film Vampire Dentists—you know, they drill by day and suck at night.)
I also heard this story about Dragon Con. Early in the convention’s history, Dragon Con shared a hotel with the Salvation Army. The Sally Anns made prune faces at the cosplayers, but the Sallies had a parade. Dragon Con organizers thought a parade was a splendid idea, and the parade is a highlight of Dragon Con.
I also learned lots of new words. A “chapterbook” is a book for beginning readers who have graduated from picture books. It isn’t very long, but it has chapters, just like the ones older readers devour. A “plot bunny” is a plot thread that diverts people writing their novels in November for National Write Your Novel Month from plowing forward to get their 50,000 words done. Plot bunnies need to be crushed.
Finally, two winners of World Fantasy Awards thanked their “beta readers.” I don’t know why this term is better than “friends in my writer’s group.”
As for panels, I saw the part of the opening ceremonies where toastmaster Linda Addison provided fun facts about the guests of honor. Aliette de Bodard lived in a tiny apartment in Paris with a toddler, a husband, and “Lovecraftian plants.” Tom Kidd has a lifetime passion project called “Gnemo,” which I gather is neither about Captain Nemo or Winsor McCay’s Nemo. Scott Edelman was a Stoker finalist seven times…
“Eight!” Edelman said.
I was impressed by the way moderator Lee Modesitt steered a discussion about politics in fantasy to avoid all minefields, particularly when an audience member mentioned a novel by John Ringo and Tom Kratman whose premise seemed particularly dopey. Modesitt ended the Baen Books discussion very quickly. Modesitt, who served in the Reagan Administration, noted that when he puts politics in his sf he gets plenty of comments, but no one notices the politics in his fantasies.
The high point, however, was Russian émigré Anatoly Beilkovsky, who, when asked if Animal Farm was a political fantasy, said, “I consider it nonfiction.” Beilkovsky noted that Russians have a hearty appetite for trashy alternative history, such as a series where a submarine travels from today to 1942 solely to kill Admiral Hyman Rickover. Beilkovsky added that there were commanders on both sides of the conflict in Ukraine who, before the war, wrote military sf novels. They may be fighting today, but before the war these novelists “used to party together at conventions.”
At the panel on audiobooks, Simon Vance, a British narrator now living in San Francisco who has won a ton of audiobook awards, impressed me. Vance carefully prepared for every project. He was the reader for Alan Moore’s Jerusalem, and asked Neil Gaiman for advice. Gaiman said that Moore’s giant novel was set in Northhampton, and Vance needed to talk to Moore and see some of the landscape Moore used for his novel. So four days before he started, he got on an airplane, went to England, interviewed Moore and saw some of the landscape that Moore used. Then he flew back to San Francisco and began recording Moore’s book, which takes 60 hours to listen to.
The World Fantasy Awards were a dour affair. One of the themes of the convention was “safe havens,” and Linda Addison explained how she found the world of science fiction and fantasy a safe haven from the fools and trolls who routinely harass her. At least three winners—including Canadian Charles de Lint—urged members to vote on Tuesday, with Betsy Wollheim saying that she was an editor, “so please pick up your editorial pens and vote.”
Someone needed to tell at least one joke to break up the gloom. So when Gordon Van Gelder announced that there would be a panel where the World Fantasy Awards judges explained their decisions, I shouted, “Omigod!”
“Yes,” Van Gelder said, “it’s always interesting to see how the sausage was made.”
By Martin Morse Wooster: I was at the American Film Institute on Friday night to see the 1931 Frankenstein. The added value this time was a score by Michael Shapiro. Frankenstein doesn’t have a score except for the main title and one musical stretch) so Shapiro created one, which I learned from Shapiro’s website was first performed in 2002, and comes in versions for full orchestra, chamber orchestra, or wind ensemble. The version I heard was the wind ensemble one, and the wind ensemble was the U.S. Navy Band.
The American Film Institute does a brisk trade in showing silent films with live accompaniments, but in these cases musicians are adding sound to films that don’t have any noise. Frankenstein has a reasonable amount of dialogue for a film and Shapiro’s score often drowns out what happens on the screen. I don’t think Shapiro’s work adds to Frankenstein, and it occasionally subtracts from what is happening on screen. I’m glad I heard it, and of course the Navy Band was competent, but I don’t need to hear Shapiro’s score again.
That being said, I’m very glad I saw Frankenstein on a large screen. Given that I’ve seen the stage version of Young Frankenstein, which is a copy of a copy, it’s good to see the original again. Frankenstein has its problems. At 71 minutes, it’s too short, and there are some scenes that are now clichés. (Note to assistants of Frankenstein: stealing the jar that says “Abnormal Brain” is a really bad idea.) I also liked Frankenstein’s explanation that he has harnessed something even more powerful than the ultraviolet ray and “the violet ray.”
That being said, Frankenstein is a great film. Colin Clive is excellent as Frankenstein, and gives a performance of controlled menace. James Whale was an excellent director; you can argue whether this film or Bride of Frankenstein was better, but Frankenstein is in the first tier. Whale picked Boris Karloff and was right to do so. I thought the most powerful scene was when the monster kills a little girl because, well, he’s evil. That scene was scarier than a lot of gorefests I’ve seen.
Michael Shapiro may have written a superfluous score, but I’m glad the American Film Institute reminded me of Frankenstein‘s excellence.
A Russian cosmonaut and a U.S. astronaut were safe on Thursday after a Soyuz rocket bound for the International Space Station failed in mid-air two minutes after liftoff in Kazakhstan, leading to a dramatic emergency landing.
The two-man crew, Russian cosmonaut Alexei Ovchinin and American Nick Hague, landed unharmed on the Kazakh desert steppe as rescue crews raced to reach them, according to the U.S. space agency NASA and Russia’s space agency Roscosmos.
The mishap occurred as the first and second stages of a Russian booster rocket separated shortly after the launch from Kazakhstan’s Soviet-era cosmodrome of Baikonur.
(3) WHALE OF A TALE. L.A. Smith has a fascinating writeup about this 8th century artifact — “The Franks Casket” – carved from whalebone.
…So, the pictures and inscriptions on the casket are a great source of scholarly discussion. To top it all off, there seems to also be some numerological significance to the number of runes on the casket. There are 72 runes on the front and left panels, and a total of 288 runes in total. The 72 could correspond to the 72 disciples mentioned in the Latin Vulgate Bible familiar to the Anglo-Saxons. The number 288 is a multiple of 24, which is the number of runes in an early continental Anglo-Saxon runic alphabet, which had magical significance for the Anglo-Saxons.
Phew! No wonder many scholars have devoted so much time and effort on trying to decipher the runes and pictures on this little box. The more you look at it, the more you discover.
This beautiful box has so much to tell us about this fascinating period in England’s history….
That Time I Got Reincarnated as a Slime premiere – Satoru Mikami is a single geek who suddenly gets stabbed to death on a Tokyo street, only to find himself in a fantasy world, granted fabulous powers, and hobnobbing with a mighty dragon. Typical light-novel power fantasy, right? Well, there are a couple of catches. One is that he’s been reborn as the weakest creature possible. The other concerns the visual presentation of the show itself.
When adapting a popular property, a show is expected to make a predictable amount of money off selling Blu-Rays and merchandise to hardcore fans. Since those fans will buy it no matter what, most shows like this have a look about them that the only minimum necessary effort was made. In this case, a similar calculation seems to have been made, only the conclusion was that those fans will still mindlessly purchase it if it turns into an art film.
This premiere is one visual treat after another, from the careful attention to detail in the movement and posture of people in modern Tokyo, to the trippy mixed-media imagery as Satoru falls into another reality, to the wild expressiveness wrung from a ball of goo. This still has some of the usual problems of light-novel adaptations— the protagonist is already ridiculously overpowered, too much game terminology, and a lot of time spent sitting around and talking— but between the unique twist and the look of this episode, it’s actually enjoyable.
…We encounter Armstrong at three points: 1961, leading up to the start of his training as an astronaut; 1965, just before his first space flight; and 1968, as he prepares to be the first person to walk on the moon. His family life progresses alongside his much more famous professional one: the loss of his two-year-old daughter from brain cancer, the grief that nearly consumes him after, the sacrifices that his service demands from his wife, Janet (Claire Foy), and his relationship with his two boys, to whom he hesitates to explain the dangers of space travel….
…The committee’s members expressed concerns about how protected weapon systems were against cyber-attacks.
The report’s main findings were:
the Pentagon did not change the default passwords on multiple weapons systems – and one changed password was guessed in nine seconds…
So, does the United States use its birthday as a password? – July41776….
(7) RIVERDALE RECAP. A public service message from Martin Morse Wooster:
For people who are wondering how much Riverdale is like Archie Comics, I offer the folllowing recap of last night’s show.
Archie Andrews was found guilty of murder, but he was framed by Veronica’s father. The underground offers to sneak him into Quebec but he decides to stay in Riverdale and take his punishment.
Veronica finds out where the jury in Archie’s trial is sequestered and sneaks into the hotel in a maid’s outfit but is thrown out before she can engage in jury tampering.
Betty is an Adderall addict and is stopped before she can fill a forged prescription.
But the gang still relaxes at Pop’s Malt Shop!
Also, I learned that fans who want Betty and Jughead to have a relationship are known as “Bugheads.”
(8) GLASS. M. Night Shyamalan’s next picture, about tortured people with superpowers, will be released in the U.S. on January 18, 2019.
M. Night Shyamalan brings together the narratives of two of his standout originals—2000’s Unbreakable, from Touchstone, and 2016’s Split, from Universal—in one explosive, all-new comic-book thriller: Glass. From Unbreakable, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 11, 1922 – G.C. Edmondson (José Mario Garry Ordoñez Edmondson y Cotton), Author from Mexico who mostly wrote Westerns under several pen names – and, being fluent in six languages, he also did translations – but produced a number of science fiction works, many involving time travel and Latin America, including the Nebula Award-nominated The Ship That Sailed the Time Stream and its sequel, the trilogy The Cunningham Equations (co-written with C. M. Kotlan), and numerous short works in his Mad Friend universe.
Born October 11, 1928 – Doris Piserchia, 90, Author of more than a dozen of what multiple sources call “darkly comic novels”, including her penultimate novel, I, Zombie which she published under the pseudonym Curt Selby, and a somewhat larger number of short fiction works. Because she had a story in The Last Dangerous Visions, she has been labelled New Wave by some who didn’t do their research properly. Like most genre writers of the 70s and 80s, she has greatly benefited from digital publishing, with all of her backlist now republished in that format.
Born October 11, 1944 – Patrick Parrinder, 74, Writer and Critic from England who is one of the foremost experts on H. G. Wells, having written works specializing on that author subtitled Shadows of the Future, Science Fiction and Prophecy, and The Critical Heritage. Not to be mistaken as a one-trick pony, he’s also penned Science Fiction: Its Criticism and Teaching and Utopian Literature and Science.
Born October 11, 1944 – Julek Heller, 74, Artist and Illustrator from Jerusalem who emigrated to England, who did cover art for around 80 novels and more than 50 works of interior art, mostly in the 80s and 90s, including covers for works by Norton, Moorcock, Silverberg’s Majipoor series, and several Mammoth Books. He also provided artwork for the 1978 TV series Pinocchio.
Born October 11, 1945 – Gay Haldeman, 73, Writer, Translator, and Member of First Fandom who has Masters degrees in Linguistics and Spanish. A fan and con-goer since 1963, she has contributed many letters, essays, and convention reports to genre and fannish publications, a fair number of them written in Spanish. She and her author husband Joe have been Guests of Honor at numerous conventions – including a relaxacon in Sydney, Australia named Haldecon – and she has been much in demand as a con Toastmaster. She and Joe were given the Edward E. Smith Memorial Award (NESFA’s Skylark Award) in 1996.
Born October 11, 1950 – William R. Forstchen, 68, Writer and Historian, whose early novel series included Ice Prophet, Wars of Heaven, Gamestar Wars, and The Lost Regiment, and more recently the One SecondAfter post-apocalyptic novels. Has also contributed novels to the Star Trek, Riftwar, and Wing Commander universes. He was Guest of Honor at InConJunction XIX.
Born October 11, 1953 – David Morse, 65, Actor, Writer, Singer, and Director, who has had main roles in the Hugo-nominated Twelve Monkeys, The Green Mile, The Boy, Double Vision, the Occurrence at Owl Creek Bridge-inspired Passengers, and the Hugo-winning film adaptation of Carl Sagan’s Locus-winning Contact, as well as parts in World War Z, Joe Hill’s Horns, TV series Friday the 13th: The Series, Tales from the Crypt, SeaQuest DSV, Medium, and Blindspot, and the Stephen King miniseries The Langoliers.
Born October 11, 1962 – Joan Cusack, 56, Actor and Writer especially known for comedic roles, who had main parts in the Hugo-nominated Addams Family Values (for which she received a Saturn nomination), the film adaptation of David Gerrold’s Hugo- and Nebula-winning The Martian Child, It’s a Very Merry Muppet Christmas Movie, Looney Tunes: Back in Action, and a plethora of voice roles in animated features including the Hugo-nominated Toy Story movies and TV specials, Chicken Little, and Mars Needs Moms.
Born October 11, 1965 – Lennie James, 53, Actor, Screenwriter, and Playwright from England who has had main roles in the genre TV series The Walking Dead, Fear the Walking Dead, and Jericho, and movie roles in Blade Runner 2049,Sahara, Lockout, and the (in JJ’s opinion) vastly-underrated Lost in Space.
Born October 11, 1965 – Sean Patrick Flanery, 53, Actor who starred in the TV series The Young Indiana Jones Chronicles and also had lead roles in the genre films Powder, Demon Hunter, The Insatiable, Veritas, Prince of Truth, InSight, The Devil’s Carnival, and The Evil Within, and guest roles on Stargate: SG-1, The Twilight Zone, The Dead Zone, The Outer Limits, Charmed, and Touched by an Angel.
Born October 11, 1972 – Claudia Black, 46, Actor from Australia best known for her roles as Aeryn Sun on Farscape (for which she won a Saturn Award) and Vala Mal Doran on Stargate SG-1 (for which she won a Constellation Award, Canada’s counterpart to the Saturn Award), who also appeared in the films Pitch Black and Queen of the Damned. Her first genre role was as Cassandra on Hercules: The Legendary Journeys, followed by episodes of Xena: Warrior Princess, Beastmaster, The Dresden Files and Haven, a recurring role on The Originals, and a main role on Containment. She has also provided character voices to animated films and TV series, and a very large number of videogames, including Uncharted, Dragon Age, Mass Effect, and Final Fantasy.
Born October 11, 1972 – Nir Yaniv, 46, Writer, Editor, Musician, and Fan from Israel who in 2000 founded the webzine of the Israeli Society for Science Fiction and Fantasy and was its chief editor for seven years. He later edited several issues of Chalomot Be’aspamia, Israel’s only professional printed science fiction and fantasy magazine. He co-authored with Lavie Tidhar the short novel The Tel Aviv Dossier, and has published a collection of his short fiction, The Love Machine and Other Contraptions; several of his stories have been translated into English by Tidhar. As a musician, he created the first Hebrew-language SF music-themed album, The Universe in a Pita, and more recently has begun writing and directing short films of strong genre interest.
Born October 11, 1974 – Ian Mond, 44, Writer, Critic, and Podcaster from Australia who has published a dozen of his own stories, plus a few Doctor Who stories. He was Tuckerized by fellow Australian and Doctor Who writer Kate Orman in the tie-in novel Blue Box. For eight years, he co-hosted with Kirstyn McDermott the Hugo-nominated and Ditmar-winning book podcast, The Writer and the Critic, and his reviews of genre fiction have garnered him two Atheling nominations. He started reviewing for Locus Online in June this year.
Born October 11, 1978 – Wes Chatham, 40, Actor best known for a main role in the Hugo-winning TV series The Expanse, as well as a role in the two-movie Hunger Games installment Mockinjay.
Born October 11, 1974 – Doona Bae, 34, Actor from South Korea whose most notable genre role has been as a lead in the TV series Sense8 but has also had roles in Cloud Atlas and Jupiter Ascending, as well as several South Korean science fiction and horror films including The Ring Virus and The Host and the manga adaptation Air Doll.
Born October 11, 1985 – Michelle Trachtenberg, 33, Actor and Producer who started early in genre roles with a guest role on Space Cases at the age of 11 and a main role on Meego at the age of 12. At 14, she took on a main role in Buffy the Vampire Slayer, for which she received 3 Saturn nominations. Her other appearances include the films Inspector Gadget, Can’t Be Heaven, Richie Rich’s Christmas Wish, Black Christmas, 17 Again, and The Scribbler, and guest spots on the live-action and animated TV series Sleepy Hollow, Dragonlance: Dragons of Autumn Twilight, Robot Chicken, The Super Hero Squad Show, SuperMansion, and Superman/Shazam. She currently has a starring voice role in the animated SF series Human Kind Of.
Most of us are familiar with the tale of how Mary Shelley came to write Frankenstein — how she and her husband Percy were on vacation in Switzerland and happened to be staying near Lord Byron, and on a dark and stormy night, after reading some German horror stories, they decided to have a contest to see who could write the scariest story. It all sounds so genteel. Something you’d see on Masterpiece Theater.
It’s also pure BS.
Mary and her step-sister Claire were the Kardashians of the early 19th Century. And I don’t mean they were wild by the standards of their day. They did things that would still make the front page of TMZ. If they were alive today, they’d be feuding with Beyonce and Taylor Swift, I guarantee it.
So where did the sanitized version of the story come from?
But their happiness was short lived. Wollstonecraft became pregnant at the end of 1796, and she and Godwin decided, despite their mutual misgivings about marriage, to wed so their child would be legitimate. But Wollstonecraft was by now thirty-eight, an age at which child birth became dangerous. Her daughter Mary was born safely, but Wollstonecraft contracted a postpartum infection and died a mere two weeks later, leaving her two daughters in the care of a forty year old man who had spent his entire life as a bachelor.
There are several more posts in this series at O’Hara’s blog, Yes, We Have No Culottes.
Probably what I miss most in our perilous, terrifying and end-of-times-like historical era is the ability to read irresponsibly. There’s just too much responsible reading around; it can drive you to drink. Everything we’re supposed to read keeps looming up out of the darkness, bristling with portents, economic data, apocalyptic planetary crises and an endless urgent blizzard of news bulletins about tweets, personal liberties, gun violence and conflagrations both natural and metaphorical — all of which require more sober attention than most of us can muster. Increasingly (and understandably), reading has become a duty to be performed by conscientious citizens and students. And I’m sorry, but jeez, that just isn’t right.
When I was young, reading irresponsibly was easy. I did it all the time. In fact, well into my late teens and early 20s I could easily lose myself in books and comics; it just came with the territory.
…So, counter to the depressive trend in the WFA finalists this year, this is a romance and an intrigue. All these people are lying to each other, and political groups are plotting right and left. Daevabad is exotic, the details of the city life, the temples and the palace very well assembled. I didn’t have any problems visualizing the people, the creatures or the scenery–the author has done a lot of research. The characters are slightly flat, but the story is more focused on the action and intrigue than on revealing their deepest inner thoughts. The reader is left to deduce a lot of what’s going on from their actions….
On the not so great side, I’ve got some nits to pick with the whole story arc at this point. I suspect the series was written fairly quickly, as Wells has said it’s a short story that got out of control, and after the huge success of the first novella, she quickly got in gear to produce the rest. Tor was also in a hurry to follow up on the initial success, and went light on the editing. That means there are some inconsistencies in the content.
(15) CHIBNALL ON WHO. Showrunner Chris Chibnall discusses his new vision for Doctor Who.
(16) WHO PANEL AT NYCC. Here’s the full Doctor Who panel from New York Comic-Con 2018, with Jodie Whittaker, Chris Chibnall and Matt Strevens.
Scents like “Trash Compactor,” “Inside of a Tauntaun,” “Rancor,” and “Sarlacc Pit” are just some of the scents available in these new, officially licensed candles. There are some more pleasant sounding ones, too, like “Bantha Milk,” “X-Wing Cockpit” and “Yoda’s Cooking Pot”—as well as just plain weird ones like “Death Star Destroyed,” “Millennium Falcon,” “Han Solo Carbonite” and “Lightsaber Duel.”
Stars have planets, and planets have satellites we call moons; but can a moon have its own satellite? And if it did, what would we call it?
In a paper currently up on pre-print resource arXiv, astronomers Juna Kollmeier of the Carnegie Institution for Science and Sean Raymond of the Laboratoire d’Astrophysique de Bordeaux have called them submoons.
(19) VIDEO OF THE DAY. In La Futur Sera Chauve (The Bald Future) on Vimeo, Paul Cabon imagines how limited his life will be when he loses his hair.
[Thanks to John King Tarpinian, Brian Z., JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]